Bureau of Audiovisual Instruction records

Scope and Contents

This collection documents the production of numerous films by the Bureau of Audio Visual Instruction (BAVI) and community partners, BAVI's outreach efforts including the activities of film appreciation groups across the state, and the composition of BAVI's visual aid and later film library. The vast majority of materials focus on the period from 1948 to 1965, and both prior and later periods are sparsely documented in publications, film library catalogs, and a few miscellaneous records. In particular, after the early 1970s there is little documentation detailing the production of original University of Wisconsin films. Materials include: visual aid bulletins, film bulletins and catalogs, catalog supplements, film study guides, shooting scripts, narration scripts, film proposals and treatment documents, research and publicity clippings, laboratory orders, film budgets, outlines, handwritten notes, internal and external correspondence, actor profiles, interview transcripts, grant proposals, photographs, negatives, production schedules, audience surveys, press releases, correspondence based course materials, meeting minutes of organizations including BAVI, UW Extension Arts Committee, and the Wisconsin Arts Council, publications, pamphlets, conference schedules, and title cards.

The bulk of the materials were used in the production of original films and television programs. They include drafts of treatments, outlines, shooting scripts, narration scripts, and synopses, budgets, and related edits and comments. For example, the materials related to "Racial Discrimination in Housing" and "To Find a Home" include the original transcript, treatment, and synopsis of Barbee's original hidden camera documentary, and related correspondence and meeting notes which reveal the conflict over Barbee's film and the development of the scripted film to "To Find a Home" as an alternative. The collection also includes research materials used in film production, such as interviews with white Madison homeowners and realtors about racial discrimination in housing used in "To Find a Home" and transcripts of Turkish folklore used in "The Fountain and the Apple Tree."

Correspondence documents the collaborative nature of many of BAVI's films, and the input of subject experts such as UW Extension Geography Professor Robert Finley and state and city officials. Frequent collaborators and correspondents include: BAVI staff such as Jackson Tiffany, Stuart Hanish, and Maurice T. Iverson, film production companies such as Byron Film Laboratories, UW Extension faculty, UW-Madison faculty, and external organizations including the Wisconsin Historical Society, the Anti-Defamation League, the City of Milwaukee, the United Givers Fund, the United States Office of Information's Motion Picture Service Division, and the Wisconsin State departments of Public Instruction, Health, and Public Welfare.

The collection also includes a number of publications and promotional materials for both individual films and correspondence based courses. Many publications are film study guides meant to be used in local film appreciation groups. Filmmaker and photographer Cameron Macauley worked for BAVI from 1951 to 1958. Beginning in 1953, he developed film study guides that accompanied twenty international films which BAVI distributed to local film appreciation organizations across Wisconsin. In 1957, he and Henry Breitrose published "Film Study: A Guide to Film Analysis and Appreciation" using these materials. Other materials include pamphlets advertising UW Extension correspondence courses taught through the Educational Telephone Network, teaching guides such as the History of Wisconsin Teacher's Guide, and press releases for various films.

The collection contains numerous issues of BAVI catalogs and bulletins detailing their slide and film library's holdings. BAVI distributed Visual Aid bulletins detailing their slide library to prospective patrons across the state until 1939. The bulletin was replaced by an educational film catalog, which was mailed to teachers across the state. BAVI selected films for its library after they were evaluated by Wisconsin teachers. In the 1960s, over 500 teachers served as film evaluators. The collection also includes supplements to many catalog issues with additional films added to the library throughout the year.

The collection includes photographic stills and photographs of the production process from numerous films from the 1950s and early 1960s. The films documented include: "The Milwaukee Way," Wisconsin's State Capitol," "Wisconsin Patrols for Safety," "Barns for Better Dairying," "Cancer Research at Mcardle," "Showtime," the Lab School film, and one or more of the films from the International Understanding and Folklore Film Project which BAVI designed for the United States Office of Information's Motion Picture Service Division. The stills from "The Milwaukee Way" which document the everyday lives of workers, students, and government officials and the photographs of the production process itself are particularly noteworthy. The collection also contains graphics and maps used in the production of "Wisconsin's Peoples: Immigration and National Origins" and the Wisconsin's Geography series.