Summary Information
Donald S. Sanford Papers
1937, 1949-1978
- Sanford, Donald S., 1918-
U.S. Mss 179AN
20.4 c.f. (51 archives boxes)
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research Contact Information
Wisconsin Historical Society (Map)
Papers of Donald Sanford, a motion picture and television writer. Television files, which are most extensive, consist of correspondence, clippings, synopses, and scripts, many bearing informative annotations. Best represented of Sanford's many television credits are the series Bonanza (NBC), Days of Our Lives (NBC), Ellery Queen (DuMont), The Felony Squad (ABC), Gunsmoke (CBS), Laramie (NBC), The Loretta Young Show (NBC), M Squad (NBC), Martin Kane, Private Eye (DuMont), Passport to Danger (CBS), Perry Mason (CBS), The Plainclothesman (DuMont), Telephone Time (CBS), and Thriller (NBC). Motion picture files contain extensive revisions of seven screenplays including Casino Royale (Columbia, 1967, with Ben Hecht), The Ravagers (Columbia, 1979), and Midway (Universal, 1976). Also relating to the last named film are several drafts of the novel which Sanford adapted from his screenplay. The remainder of the collection consists of a few radio scripts, subject files containing correspondence and clippings, and miscellaneous business and legal papers.
English
http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0179an ↑ Bookmark this ↑
Biography/History
Donald Sanford, writer for television and motion pictures, was born on March 17, 1918. It was always his goal to be a writer, and while in college he studied dramatics and playwriting.
Sanford began his professional career in 1939 with CBS Radio in Hollywood where he began as a page and tour guide and eventually became a writer. World War II interrupted his career, as Sanford served in the Navy for four years. After the war, he worked for the United Nations for two years. As the supervisor of their Disc Recording Division, Sanford was responsible for aiding in the preparation of programs for release to radio stations all over the world. He then joined the DuMont Television Network where he worked as an audio engineer, cameraman, technical director, and stage manager for almost three years. While there he began to do freelance writing with one of his first efforts being The Plainclothesman. Sanford later co-produced, wrote, and edited this series which became one of DuMont's top-rated shows. He resigned from the network in June, 1950, to become the head writer for Martin Kane, Private Eye, where he remained under contract until 1953. He then headed west to Hollywood and for the next two years Sanford worked for Hal Roach Studios as head writer for the anthology series Telephone Time and the adventure/action series Passport to Danger. Later he also worked for Revue Studios where he wrote scripts for Thriller and many others. Since his pioneer days with DuMont, Sanford's writing credits include work on over 40 network series. Among these are anthologies such as The Bob Hope Chrysler Theatre, Climax, Dick Powell's Zane Grey Theatre, The Loretta Young Show, and Telephone Time; dramatic series including Bonanza, Dr. Kildare, Felony Squad, Gunsmoke, The Outer Limits, Perry Mason, Thriller, Twelve O'Clock High, The Virginian, and Wagon Train; and the soap opera Days of Our Lives.
Since 1953 he has been active in both the screen and television branches of the Writers Guild of America (WGA). He won the first annual Writers Guild of America Award for his drama “The Golden Junkman” (Telephone Time) which was judged the best half-hour teleplay for the 1955/56 season. His scripts for “Last Hunt” (Bonanza, 1959/60) and for “The Remarkable Mrs. Hawk” (Thriller, 1961/62) also received WGA nominations for their respective seasons.
In addition to his television work in recent years Sanford has written several motion picture screenplays and for a time was under contract to the Mirisch Company. His credits include Mosquito Squadron, Submarine X-1, Thousand Plane Raid, and Midway, the latter film being Universal Studio's top box office attraction in 1976. He also worked on Casino Royale, although he did not receive screen credit for the film. In addition, Columbia Pictures was scheduled to release The Ravagers in early 1979. Sanford also novelized his Midway screenplay for publication by Bantam Books.
Scope and Content Note
The collection focuses on Sanford's career as a writer primarily for television and motion pictures. The majority of the papers document the screenwriting process and can trace a story from the initial idea through final script. Included are stories, notes, outlines, treatments, scripts, and revisions, plus occasional related correspondence, contracts, clippings, and miscellany. The collection is organized in five series: Subject File, Television, Motion Pictures, Novels, and Radio.
The SUBJECT FILE contains correspondence, clippings, and agreements and details the business and financial aspects of the writing process. General Correspondence discusses establishing writing partnerships, registering properties, receiving screen credits, and obtaining monies due for reruns. The Guild Films, Inc. file documents the unsuccessful efforts of several writers, including Sanford, to obtain residuals for reruns of Hal Roach's Passport to Danger and Telephone Time. The file for Revue Productions details both contracts and disputes that Sanford had with that studio, while the Donald Kent Stanford files document the development and demise of their writing partnership. These latter files discuss the property, efforts to sell it to motion picture producers, and the financial terms of such an arrangement. Correspondence from producer Robert Fellows is also included.
TELEVISION is the largest series and includes files for Bonanza, Climax, Gunsmoke, The Loretta Young Show, The Outer Limits, Perry Mason, Telephone Time, Thriller, Twelve O'Clock High, and Wagon Train. The amount of documentation varies with each episode but can include synopses and scripts, many of which are annotated, plus occasional correspondence, clippings, and miscellany. Files for “The Good Samaritan” (Dr. Kildare) reveal the American Bar Association's objections to that episode's unsympathetic portrayal of a trial and lawyer and document the increasing furor when the ABA's objections resulted in the episode's cancellation from NBC's summer rerun schedule. Martin Kane, Private Eye includes a file from Kudner Agency, Inc., the advertising firm that directed and produced the program for their client, the U.S. Tobacco Company. The file contains suggestions and comments for specific script revisions, memoranda regarding ratings, and a set of guidelines for writers which detail the proper portrayal of pipe and cigarette smokers in the program.
MOTION PICTURES consists of files for films such as Casino Royale, Midway, Mosquito Squadron, and The Ravagers. The Casino Royale files include correspondence, which discusses various script revisions, and several scripts authored by Ben Hecht. Correspondence for The Ravagers details the business, legal, and financial efforts to obtain the rights to the literary property and the efforts to sell the story to a studio or producer. Included is extensive correspondence with Larry Sternig, a literary agent, in which he also discusses other properties and clients. Of special interest is his discussion of properties in which the Disney Studio was interested.
NOVELS consist of drafts and a final paperback version of Midway, which was based on the film of the same name. The novel, published in tandem with the film's release, reveals the increasing sophistication and diversification of studio marketing techniques used to promote films.
The RADIO series completes the collection and is composed of scripts for Martin Kane, Private Eye and Yours Truly, Johnny Dollar.
Administrative/Restriction Information
Placed on deposit by Donald Sanford, Studio City, California, 1978.
Accession Number: MCHC78-38, MCHC78-89
Processed by L. Kurth, C. Hagman, and Christine Rongone, January, 1979.
Contents List
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Series: Subject File
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Box
1
Folder
1
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Biographical Information, 1979
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Box
1
Folder
2
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General Correspondence and Miscellany, 1952-1970, undated
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Box
1
Folder
3
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Guild Films, Inc. -- Vic Tanny Merger, correspondence and clippings, 1960-1963
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Box
1
Folder
4
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Revue Productions, Inc., correspondence and agreements, May 8, 1961-December 12, 1962
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Stanford, Donald Kent
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Box
1
Folder
5
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Correspondence, 1963-1965, 1975
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Box
1
Folder
6
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Two Treatments, by Donald Stanford, “The Pirates of Villeport” published by Simon & Schuster as Mulligan's Pirates, 1966
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Series: Television
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Arrest and Trial (Universal TV, 1963-1964. Original telecast on ABC)
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“The Witness”
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Box
1
Folder
7
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Script, by Max Ehrlich, May 22, 1963
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Box
1
Folder
8
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Script, July 21, 1963
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Box
1
Folder
9
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Revised Script, including correspondence, August 7, 1963
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Blue Light (Twentieth Century Fox Television, 1966. Original telecast on ABC)
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“Agent of the East”
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Box
1
Folder
10
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Synopsis, by Larry Cohen, undated
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Box
1
Folder
10
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First Draft Script, “Be Quick or be Dead,” December 7, 1965
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Box
1
Folder
10
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Second Draft Script, “Be Quick or be Dead,” December 13, 1965
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Box
1
Folder
11
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First Draft Script, story by Larry Cohen, December 13, 1965
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The Bob Hope Chrysler Theatre (Hope Pictures and Universal, 1963-1967. Original telecast on NBC)
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“Catch a Nightmare by the Tail”
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Box
1
Folder
12
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Two Outlines and Notes, July 12-15, 1965
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Box
1
Folder
12
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Three Story Outlines, July 23-August 2, 1965
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Box
1
Folder
13
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First Draft Script, August 26, 1965
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Box
1
Folder
13
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Second Draft Script, November 12, 1965
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Box
2
Folder
1
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Script, November 22, 1965
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Box
2
Folder
1
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Second Draft Revised Script, January 4, 1966
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Box
2
Folder
2
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Revised Script, January 11, 1966
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Bonanza (NBC Productions, 1959-1973)
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“Desert Justice”
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Box
2
Folder
3
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Outline, “The Waterhole,” undated
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Box
2
Folder
3
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Revised Outline, “The Waterhole,” undated
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Box
2
Folder
3
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First Draft Script, “The Waterhole,” December 17, 1959
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Box
2
Folder
4
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Notes, December 22, 1959
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Box
2
Folder
4
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Revised First Draft Script, “The Waterhole,” December 28, 1959
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Box
2
Folder
4
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Script, January 4, 1960
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“The Last Hunt”
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Box
2
Folder
5
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Outline, undated
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Box
2
Folder
5
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First Draft Script, annotated, November 2, 1959
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Box
2
Folder
6
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Script, November 3, 1959
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Box
2
Folder
6
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Script, November 5, 1959
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Box
2
Folder
7
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Revisions, November 6, 1959, undated
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Box
2
Folder
7
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Script, November 6, 1959
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“Magnificent Adah”
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Box
2
Folder
8
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Step Outline, “The Naked Lady,” annotated, undated
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Box
2
Folder
8
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Second Draft Script, “The Naked Lady,” August 17, 1959
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Box
2
Folder
8
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Script, “The Naked Lady,” August 21, 1959
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Box
3
Folder
1
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Script, “The Naked Lady,” August 24, 1959
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Box
3
Folder
1
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Third Draft Script, “The Naked Lady,” August 26, 1959
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Box
3
Folder
2
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Script, “The Naked Lady,” and Clipping, August-November, 1959
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City Detective (Revue Productions. Syndicated, 1953)
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“Escape to Purgatory”
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Box
3
Folder
3
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Synopsis, undated
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“Return Ticket”
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Box
3
Folder
4
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Synopsis, undated
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Box
3
Folder
4
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Treatment, undated
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Box
3
Folder
4
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Second Draft Script, undated
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Box
3
Folder
4
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Script, undated
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Climax (CBS, 1954-1958)
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“Epitaph for a Spy”
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Box
3
Folder
5
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Notes on Proposed Adaptation and Clipping, undated
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Box
3
Folder
5
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Scripts from the novel by Eric Ambler, undated
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Box
3
Folder
6
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First Draft Script, adapted by Donald Sanford, undated
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Box
3
Folder
7
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First Draft Script, adapted by Donald Sanford, undated
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Box
3
Folder
7
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Final Script, by Eric Ambler, December 9, 1954
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The Court of Last Resort (Walden Productions, 1959-1960. Original telecast on ABC)
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“The Forbes-Carol Case”
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Box
3
Folder
8
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Three Outlines, Comments, and Miscellany, May, 1957
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Box
3
Folder
8
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First Draft Script, undated
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Box
3
Folder
8
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Second Draft Script, May 24, 1957
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Box
3
Folder
9
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Third Draft Script, June 15, 1957
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Box
3
Folder
9
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Script, by Sanford and James Goldstone, July 9, 1957
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Box
3
Folder
9
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Correspondence, 1957
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“The Karl Hooft Case”
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Box
3
Folder
10
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Outline, undated
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Box
3
Folder
10
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First Draft Script, April 9, 1958
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Box
3
Folder
10
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Revised Script, June 10, 1958
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Box
4
Folder
1
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Script, “The Hooft Case,” 1958
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Days of Our Lives (Corday Productions, 1965 -. Original telecast on NBC)
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Box
4
Folder
2
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Correspondence and Notes, 1973-1975
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Episode #1800 (, Dec 27 1972)
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Box
4
Folder
3
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Outline, Synopsis, and Script, co-authored by William J. Bell, 1972
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Episode #1805 ( Jan 3, 1973)
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Box
4
Folder
4
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Outline, Synopsis, and Script, co-authored by William J. Bell, 1972
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Episode #1808 ( Jan 8, 1973)
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Box
4
Folder
5
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Outline, Synopsis, and Script, co-authored by William J. Bell, 1972
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Episode #1815 ( Jan 19, 1973)
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Box
4
Folder
6
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Outline, Synopsis, and Script, co-authored by William J. Bell, 1973
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Episode #1816 ( Jan 22, 1973)
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Box
4
Folder
7
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Outline, Synopsis, and Script, co-authored by William J. Bell, 1973
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Episode #1822 ( Jan 31, 1973)
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Box
4
Folder
8
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Outline, Synopsis, and Script, co-authored by William J. Bell, 1973
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Episode #1823 ( Feb 1, 1973)
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Box
4
Folder
9
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Outline, Synopsis, and Script, co-authored by William J. Bell, 1973
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Episode #1824 ( Feb 2, 1973)
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Box
4
Folder
10
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Outline, Synopsis, and Script, co-authored by William J. Bell, 1973
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Episode #1829 ( Feb 9, 1973)
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Box
4
Folder
11
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Outline, Synopsis, and Script, co-authored by William J. Bell, 1973
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Episode #1836 ( Feb 20, 1973)
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Box
4
Folder
12
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Outline, Synopsis, and Script, co-authored by William J. Bell, 1973
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Episode #1840 ( Feb 26, 1973)
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Box
4
Folder
13
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Outline, Synopsis, and Script, co-authored by William J. Bell, 1973
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Episode #1849 ( Mar 9, 1973)
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Box
4
Folder
14
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Outline, Synopsis, and Script, co-authored with William J. Bell and Pat Falken Smith, 1973
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Episode #1852 ( Mar 14, 1973)
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Box
4
Folder
15
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Outline, Synopsis, and Script, co-authored with William J. Bell and Pat Falken Smith, 1973
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Episode #1858 ( Mar 22, 1973)
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Box
4
Folder
16
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Outline, Synopsis, and Script, co-authored with William J. Bell and Pat Falken Smith, 1973
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Episode, #1870 ( Apr 9, 1973)
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Box
4
Folder
17
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Outline, Synopsis, and Script, co-authored with William J. Bell and Pat Falken Smith, 1973
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The Detectives (Four Star - Hastings Productions, 1959-1961. Original telecast on ABC.)
: Alternate title: Robert Taylor's Detectives
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“The Hiding Place”
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Box
4
Folder
18
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Outline, undated
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Box
4
Folder
18
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First Draft, March 26, 1959
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Box
4
Folder
18
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Second Draft, April 8, 1959
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Box
5
Folder
1
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Script, April 10, 1959
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Box
5
Folder
l
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Revised Script, April 14, 1959
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Dial S-A-F-E-T-Y - 7 (Unproduced pilot script for Universal Studio Productions)
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Box
5
Folder
2
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Outline, “The Bodyguard,” by Leonardo and Eric Bercovici, May 20, 1965
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Box
5
Folder
2
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Notes, June 22, 1965
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Box
5
Folder
2
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Outline, June 23, 1965
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Dick Powell's Zane Grey Theatre (Four Star, Zane Grey, and Pamric Productions, 1956-1962. Original telecast on CBS)
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“Hand on the Latch“
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Box
5
Folder
3
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Story, “The Hand on the Latch,” by Mary Cholmondeley, 1937
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Box
5
Folder
3
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First Draft Script, June 24, 1959
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Box
5
Folder
3
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Second Draft Script, June 30, 1959
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Box
5
Folder
4
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Third Draft Script, July 8, 1959
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Box
5
Folder
4
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Script, July 17, 1959
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Box
5
Folder
4
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Revised Script, July 30, 1959
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Box
5
Folder
4
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Clipping, October 29, 1959
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Dr. Kildare (Arena Productions in association with MGM-TV, 1961-1966. Original telecast on NBC)
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“The Good Samaritan”
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Box
5
Folder
5
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Correspondence, Clippings, Notes, and Miscellany, 1963-1965
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Box
5
Folder
6
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Synopsis, April 19, 1963
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Box
5
Folder
6
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Revised Synopsis, May 2, 1963
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Box
5
Folder
6
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Synopsis, May 8, 1963
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Box
5
Folder
6
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First Draft Script, June 4, 1963
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Box
5
Folder
7
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Second Draft Script, June 18, 1963
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Box
5
Folder
7
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Script, annotated, June 27, 1963
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Box
5
Folder
8
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Revised Script, June 29, 1963
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Box
5
Folder
8
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Revisions, July 2, 1973
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Box
5
Folder
9
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Script, July 8,
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Box
5
Folder
9
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Revisions, July 10, 1963
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Box
6
Folder
1
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Script, July 10, 1963
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Ellery Queen (Norvin Productions, 1950-1955. Original telecast on DuMont)
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“Comeback”
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Box
6
Folder
2
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First Draft Script, “Contender for Death,” annotated, undated
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Box
6
Folder
2
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Second Draft Script, annotated, undated
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Box
6
Folder
2
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Final Draft Script, annotated, undated
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Box
6
Folder
3
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Revised Script, July 20, 1954
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Box
6
Folder
3
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Revised Script, July 21, 1954
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“The Golden Snow”
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Box
6
Folder
4
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Script, annotated, undated
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Box
6
Folder
4
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Second Draft Script, undated
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Box
6
Folder
4
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Script, undated
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“Sign of Murder”
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Box
6
Folder
5
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Script, First Draft, annotated, undated
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Box
6
Folder
5
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Script, Second Draft, undated
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Box
6
Folder
5
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Script, Third Draft, annotated, undated
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Box
6
Folder
6
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Script, Final Draft, undated
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Box
6
Folder
6
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Script, undated
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Empire (Wilrich Productions - Screen Gems, 1962-1963 on NBC and , 1963-1964 on ABC)
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“Where the Hawk Is Wheeling”
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Box
6
Folder
7
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Two Outlines, August 20, 1962, undated
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Box
6
Folder
7
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First Draft Script, September 22, 1962
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Box
6
Folder
7
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Second Draft Script, September 30, 1962
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Box
6
Folder
8
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Revisions, October 16-17, 1962
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Box
6
Folder
8
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Script, November 26, 1962
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Box
6
Folder
8
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Final Draft Script, November 27, 1962
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Box
6
Folder
8
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Revision, December 26, 1962
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The FBI (Quinn Martin Productions and Warner Brothers, 1965-1974. Original telecast on ABC)
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“The Challenge”
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Box
6
Folder
9
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Three Story Outlines, February 26-March 5, 1969
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Box
6
Folder
9
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Memoranda and Revisions, February-March, July, 1969
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Box
7
Folder
1
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First Draft Script, March 25, 1969
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Box
7
Folder
1
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Second Draft Script, April 17, 1969
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Box
7
Folder
2
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First Draft Script, June 13, 1969
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Box
7
Folder
2
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Final Draft Script, June 23, 1969
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The Felony Squad (20th Century Fox TV, 1966-1969. Original telecast on ABC)
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“The Deadly Partner”
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Box
7
Folder
3
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Three Outlines, “Killer with a Badge,” October 9-11, 1966
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Box
7
Folder
3
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First Draft Script, “The Bad Cop Story,” October 19, 1966
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Box
7
Folder
4
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First Draft Script, October 24, 1966
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Box
7
Folder
4
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Final Script, October 25, 1966
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“A Death for a Death”
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Box
7
Folder
5
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Outline, “Like Father Like Son, Sometimes,” by Harry Kronman, September 27, 1966
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Box
7
Folder
5
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First Draft Script, “One of Our Cops Is Missing,” November 7, 1966
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Box
7
Folder
6
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First Draft Script, story co-authored with Harry Kronman, November 8, 1966
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Box
7
Folder
6
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Final Script, story co-authored with Harry Kronman November 10, 1966
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“Fear Below!”
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Box
7
Folder
7
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Outline, by Franklin Barton, undated
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Box
7
Folder
7
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First Draft Script, story by Franklin Barton, October 4, 1966
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Box
7
Folder
7
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Second Draft Script, October 8, 1966
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Box
7
Folder
8
|
Final Script, October 14, 1966
|
|
|
“Flame Out!”
|
|
|
Box
7
Folder
9
|
Two Outlines, May 8, 1966, undated
|
|
|
Box
7
Folder
9
|
Revised Outline, May 24, 1966
|
|
|
Box
7
Folder
9
|
First Draft Script, June 4, 1966
|
|
|
Box
7
Folder
10
|
Final Script, June 15, 1966
|
|
|
Box
7
Folder
10
|
Revisions, June 21-23, 1966
|
|
|
“Killer with a Badge”
|
|
|
Box
7
Folder
11
|
Outline, “Luck Out,” undated
|
|
|
Box
7
Folder
11
|
Outline, “Luck Out,” August 3, 1966
|
|
|
Box
7
Folder
11
|
Revised Outline, “Luck Out,” August 10, 1966
|
|
|
Box
7
Folder
12
|
First Draft Script, September 7, 1966
|
|
|
Box
7
Folder
12
|
Second Draft Script, September 16, 1966
|
|
|
Box
7
Folder
12
|
Final Script, September 27, 1966
|
|
|
Box
7
Folder
12
|
Revisions, September 28, 1966
|
|
|
“Nobody Will Care When What's-His-Name Is Dead”
|
|
|
Box
7
Folder
13
|
Outline, “Nobody Will Ever Miss What's-His-Name,” annotated, June 14, 1967
|
|
|
Box
7
Folder
13
|
First Draft Script, “Nobody Will Ever Miss What's-His-Name,” July 5, 1967
|
|
|
Box
8
Folder
1
|
Second Draft Script, “Nobody Will Ever Miss What's-His-Name,” July 18, 1967
|
|
|
Box
8
Folder
1
|
Revised Script, “Nobody Will Ever Miss What's-His-Name,” July 22, 1967
|
|
|
Box
8
Folder
1
|
First Draft Script, July 28, 1967
|
|
|
“Strike Out!”
|
|
|
Box
8
Folder
2
|
Two Outlines, May 26, 1966, undated
|
|
|
Box
8
Folder
2
|
First Draft Script, June 19, 1966
|
|
|
Box
8
Folder
2
|
Second Draft Script, July 12, 1966
|
|
|
Box
8
Folder
2
|
Revisions, July 22, 1966
|
|
|
Box
8
Folder
2
|
Final Script, August 2, 1966
|
|
|
Gunsmoke (CBS, 1955-1975)
|
|
|
“The Gun”
|
|
|
Box
8
Folder
3
|
Story Outline, February 25, 1970
|
|
|
Box
8
Folder
3
|
First Draft Script, March 12, 1970
|
|
|
Box
8
Folder
4
|
Second Draft Script, April 2, 1970
|
|
|
Box
8
Folder
4
|
First Draft Script, April 6, 1970
|
|
|
Box
8
Folder
5
|
Final Draft Script, April 29, 1970
|
|
|
Box
8
Folder
5
|
Final Draft Script, May 6, 1970
|
|
|
“Lavery”
|
|
|
Box
8
Folder
6
|
Story Outline, “The Runagate,” September 28, 1970
|
|
|
Box
8
Folder
6
|
Story Outline, October 2, 1970
|
|
|
Box
8
Folder
6
|
Story Outline, October 8, 1970
|
|
|
Box
8
Folder
7
|
First Draft Script, October 23, 1970
|
|
|
Box
8
Folder
7
|
Second Draft Script, November 3, 1970
|
|
|
Box
8
Folder
8
|
First Draft Script, November 4, 1970
|
|
|
Box
8
Folder
8
|
Final Draft Script, November 11, 1970
|
|
|
Box
8
Folder
8
|
Revisions, November 12, 1970
|
|
|
“Stark”
|
|
|
Box
8
Folder
9
|
Story Outline, “The Retriever,” January 16, 1970
|
|
|
Box
8
Folder
9
|
Revised Story Outline, “The Retriever,” January 21, 1970
|
|
|
Box
9
Folder
1
|
First Draft Script, February 10, 1970
|
|
|
Box
9
Folder
1
|
Final Draft Script, March 25, 1970
|
|
|
Box
9
Folder
1
|
Revisions, April 3, 1970
|
|
|
Hands of Destiny (Production company unknown, 1949-1951. Original telecast on DuMont. Jack Mangan, producer)
|
|
|
“Hold Hands with the Devil” (aired on WABD, NY, May 5, 1950)
|
|
|
Box
9
Folder
2
|
Two Scripts, circa May 5, 1950
|
|
|
Hong Kong (20th Century Fox TV, 1960-1961. Original telecast on ABC)
|
|
|
“The Hunted”
|
|
|
Box
9
Folder
3
|
Story Outline, “Blind Pursuit,” undated
|
|
|
Box
9
Folder
3
|
Revised Story Outline, “Blind Pursuit,” November 23, 1960
|
|
|
Box
9
Folder
3
|
First Draft Script, December 13, 1960
|
|
|
Box
9
Folder
4
|
Revisions, December 23, 1960
|
|
|
Box
9
Folder
4
|
Revised Second Draft, December 30, 1960
|
|
|
Box
9
Folder
4
|
Writer's Working Script, January 4, 1961
|
|
|
Box
9
Folder
5
|
Revised Writer's Working Script, January 10, 1961
|
|
|
Box
9
Folder
5
|
Final Script, January 13, 1961
|
|
|
Hudson's Bay (Northstar Pictures, 1959-60. Distributed by UA Television)
|
|
|
“Blackfeet Barrier”
|
|
|
Box
9
Folder
6
|
Script, “Black Barrier,” by Paul Carew, undated
|
|
|
Box
9
Folder
6
|
First Draft Script, February 22, 1959
|
|
|
Box
9
Folder
6
|
Second Draft Script, February 23, 1959
|
|
|
Jane Wyman Theatre (Lewman Productions, 1955-1961. Original telecast on ABC)
|
|
|
“The Man on the 35th Floor”
|
|
|
Box
9
Folder
7
|
Notes, undated
|
|
|
Box
9
Folder
7
|
Summary, “Man on the Stairs,” undated
|
|
|
Box
9
Folder
7
|
First Draft Script, incomplete, undated
|
|
|
Box
9
Folder
8
|
Script, June 15, 1956
|
|
|
Box
9
Folder
8
|
Script, undated
|
|
|
Box
9
Folder
8
|
Script, July 23, 1957
|
|
|
Box
9
Folder
8
|
Revised Script, July 26, 1957
|
|
|
Laramie (Revue Productions, 1959-1963. Original telecast on NBC)
|
|
|
“Naked Steel”
|
|
|
Box
9
Folder
9
|
Outline, by John Champion, undated
|
|
|
Box
9
Folder
9
|
First Draft Script, with story by John Champion, May 15, 1962
|
|
|
Box
10
Folder
1
|
Second Draft Script, with story by John Champion, June 5, 1962
|
|
|
Box
10
Folder
1
|
Script, with story by John Champion, July 23, 1962
|
|
|
Box
10
Folder
2
|
Revised Script, September 4, 1962
|
|
|
“The Stranger”
|
|
|
Box
10
Folder
3
|
Story, October 24, 1962
|
|
|
Box
10
Folder
3
|
Outline, December 3, 1962
|
|
|
Box
10
Folder
3
|
Revised Outline, December 7, 1962
|
|
|
Box
10
Folder
3
|
First Draft Script, January 10, 1963
|
|
|
Box
10
Folder
4
|
Second Draft Script, January 26, 1963
|
|
|
Box
10
Folder
4
|
Revisions, February 21, 1963
|
|
|
“The Fugitives”
|
|
|
Box
10
Folder
5
|
Notes, Clippings, and Correspondence, 1963
|
|
|
Box
10
Folder
5
|
Outline, by John Champion, undated
|
|
|
Box
10
Folder
5
|
First Draft Script, with story by John Champion, October 31, 1962
|
|
|
Box
10
Folder
6
|
Second Draft Script, November 9, 1962
|
|
|
Box
10
Folder
6
|
Script, with story by John Champion, November 14, 1962
|
|
|
Box
10
Folder
6
|
Revisions, November 27-30, 1962
|
|
|
The Last Witness (Pilot script for an unproduced CBS program)
|
|
|
Box
10
Folder
7
|
Synopsis, “Project 8AXW,” undated
|
|
|
Box
10
Folder
7
|
First Draft Script, fragment, July 29, 1963
|
|
|
Box
10
Folder
7
|
First Draft Script, July 29, 1963
|
|
|
Box
10
Folder
8
|
Revisions, August 1, 1963
|
|
|
Box
10
Folder
8
|
Script, original story by Ben Fox, Russell Rousse, and Clarence Green and co-authored by Ben Fox, August 9, 1963
|
|
|
The Legend of Jesse James (20th Century Fox, 1965-1966. Original telecast on ABC)
|
|
|
“The Colt”
|
|
|
Box
10
Folder
9
|
Two First Draft Scripts, September 21, 1965
|
|
|
Box
10
Folder
9
|
Second Draft Script, fragment, September 25, 1965
|
|
|
Box
10
Folder
9
|
Note and Clipping, January, 1966, undated
|
|
|
The Long, Hot Summer (20th Century Fox, 1965-1966. Original telecast on ABC)
|
|
|
“Ring of Fire”
|
|
|
Box
10
Folder
10
|
Story Outline, May 28, 1965
|
|
|
Box
10
Folder
10
|
Notes, June 4, 1965
|
|
|
Box
10
Folder
10
|
Story Outline, June 7, 1965
|
|
|
“A Time for Living”
|
|
|
Box
11
Folder
1
|
Notes and Correspondence, April 21, 1965, undated
|
|
|
Box
11
Folder
1
|
Outline, April 15, 1965
|
|
|
Box
11
Folder
1
|
Outline, April 23, 1965
|
|
|
Box
11
Folder
2
|
First Draft Script, May 16, 1965
|
|
|
Box
11
Folder
3
|
First Draft Script, May 16, 1965
|
|
|
Box
11
Folder
3
|
Second Draft Script, June 3, 1965
|
|
|
Box
11
Folder
4
|
Final Script, June 25, 1965
|
|
|
Box
11
Folder
4
|
Revised Final Script, June 30, 1965
|
|
|
The Loretta Young Show (NBC, 1953-1960)
|
|
|
“Auld Lang Syne”
|
|
|
Box
11
Folder
5
|
Revised Script, “I Heard Santa Laughing,” September 20, 1960
|
|
|
Box
11
Folder
5
|
Script, “I Heard Santa Laughing,” undated
|
|
|
Box
11
Folder
5
|
Revisions, September 21-October 3, 1960
|
|
|
“Case for the Prosecution”
|
|
|
Box
11
Folder
6
|
First Draft Script, undated
|
|
|
Box
11
Folder
6
|
Second Draft Script, undated
|
|
|
Box
11
Folder
7
|
First Draft Script, January 12, 1956
|
|
|
Box
11
Folder
7
|
Script, March 21, 1956
|
|
|
“My Own Master”
|
|
|
Box
11
Folder
8
|
Story, by Roger Angell, April, 1960
|
|
|
Box
11
Folder
8
|
First Draft Script, June 8, 1960
|
|
|
Box
11
Folder
8
|
Third Draft Script, June 23, 1960
|
|
|
Box
11
Folder
8
|
Script, undated
|
|
|
Box
11
Folder
8
|
Revision, October 10, 1960
|
|
|
“The Red Dress”
|
|
|
Box
11
Folder
9
|
Story, “The Little Red Dress,” by Mary Stermer, undated
|
|
|
Box
11
Folder
9
|
Step Outline, undated
|
|
|
Box
11
Folder
9
|
First Draft Script, July 13, 1959
|
|
|
Box
11
Folder
9
|
Script, annotated, undated
|
|
|
Box
11
Folder
9
|
Revisions, August 5, 1959
|
|
|
“Those at the Top”
|
|
|
Box
11
Folder
10
|
Story, “The Men at the Top,” by Will F. Jenkins, February 18, 1961
|
|
|
Box
11
Folder
10
|
First Draft Script, March 3, 1961
|
|
|
Box
11
Folder
11
|
Revisions, March 13, 1961
|
|
|
Box
11
Folder
11
|
Script, undated
|
|
|
“Vengeance Is Thine”
|
|
|
Box
12
Folder
1
|
Correspondence and Notes, July, 1959
|
|
|
Box
12
Folder
1
|
Step Outline, “Forgive My Murderer,” July 31, 1959
|
|
|
Box
12
Folder
1
|
First Draft Script, undated
|
|
|
Box
12
Folder
1
|
First Draft Script, annotated, undated
|
|
|
Box
12
Folder
2
|
Script, annotated, undated
|
|
|
Box
12
Folder
2
|
Revisions, September 10, 1959
|
|
|
Box
12
Folder
2
|
Revised Script, September 14, 1959
|
|
|
“The Wedding”
|
|
|
Box
12
Folder
3
|
Story, by Lillie Gordon Einstein, August, 1960
|
|
|
Box
12
Folder
3
|
First Draft Script, story by Lillie Gordon Einstein, March 20,1961
|
|
|
Box
12
Folder
3
|
Clipping and Correspondence, 1961
|
|
|
Box
12
Folder
4
|
Script, story by Lillie Gordon Einstein, May 21, 1961
|
|
|
Box
12
Folder
4
|
Revisions, September 27-28, 1961
|
|
|
Box
12
Folder
4
|
Revised Script, story by Lillie Gordon Einstein, September 28, 1961
|
|
|
“The Nominee”
|
|
|
Box
12
Folder
5
|
First Draft Script, September 22, 1959
|
|
|
Box
12
Folder
5
|
Second Draft Script, annotated, September 30, 1959
|
|
|
Box
12
Folder
5
|
First Revised Script, undated
|
|
|
M Squad (Latimer Productions and Revue Studios, 1957-1960. Original telecast on NBC)
|
|
|
“Dead or Alive”
|
|
|
Box
12
Folder
6
|
Outline, May 5, 1958
|
|
|
Box
12
Folder
6
|
Step Outline, annotated, undated
|
|
|
Box
12
Folder
6
|
First Draft Script and Notes, May 23, 1958
|
|
|
Box
12
Folder
6
|
Second Draft Script, May 28, 1958
|
|
|
Box
12
Folder
7
|
Script, June 2, 1958
|
|
|
Box
12
Folder
7
|
Revised Script, June 26, 1958
|
|
|
“The Last Act”
|
|
|
Box
12
Folder
8
|
Story, by B. X. Sanborn, undated
|
|
|
Box
12
Folder
8
|
First Draft, October 20, 1958
|
|
|
Box
12
Folder
8
|
Second Draft, October 24, 1958
|
|
|
Box
12
Folder
8
|
Script, November 24, 1958
|
|
|
“The Trap”
|
|
|
Box
12
Folder
9
|
Story, June 5, 1958
|
|
|
Box
12
Folder
9
|
Story, “The Fugitive,” undated
|
|
|
Box
12
Folder
9
|
Story, June 7, 1958
|
|
|
Box
12
Folder
9
|
Step Outline, undated
|
|
|
Box
12
Folder
9
|
First Draft Script, annotated, June 23, 1958
|
|
|
Box
12
Folder
9
|
Second Draft Script, July 11, 1958
|
|
|
Box
12
Folder
10
|
Revised Script, July 15, 1958
|
|
|
Box
12
Folder
10
|
Script, July 18, 1958
|
|
|
Box
12
Folder
10
|
Revisions, August 8-14, 1958
|
|
|
Man Against Crime (William Esty Company, 1949-1953. Original telecast on CBS. Sponsored by the R.J. Reynolds Co.)
|
|
|
Box
12
Folder
11
|
Correspondence, 1952-1961
|
|
|
“A Bottle of Death”
|
|
|
Box
13
Folder
1
|
Outline, “Bacillus Anthracis,” undated
|
|
|
Box
13
Folder
1
|
Notes, undated
|
|
|
Box
13
Folder
1
|
Script, co-authored with P. Harry Namsier, January 7, 1953
|
|
|
“Death Takes a Partner”
|
|
|
Box
13
Folder
2
|
Script, undated
|
|
|
Box
13
Folder
2
|
Revised Script, undated
|
|
|
Box
13
Folder
2
|
Script, January 16, 1953
|
|
|
“Fraternity of Five”
|
|
|
Box
13
Folder
3
|
Script, “The Council of Five,” undated
|
|
|
Box
13
Folder
3
|
Revised Script, undated
|
|
|
Box
13
Folder
3
|
Script, with story by Donald Sanford, by Hamish Meleod, undated
|
|
|
Markham (Revue Studios, 1959-1960. Original telecast on CBS)
|
|
|
“The Specialists”
|
|
|
Box
13
Folder
4
|
Outline, undated
|
|
|
Box
13
Folder
4
|
First Draft Script, annotated, April 27, 1959
|
|
|
Box
13
Folder
4
|
Revised Script, May 4, 1960
|
|
|
Box
13
Folder
4
|
Final Draft, May 6, 1959
|
|
|
Martin Kane, Private Eye (Kudner Agency, Inc. 1949-1953. Original telecast on NBC. Sponsored by the U.S. Tobacco Co.)
|
|
|
Box
13
Folder
5
|
Kudner Agency Correspondence, 1950-1954
|
|
|
Box
13
Folder
6
|
Clippings and Miscellany, circa 1951-1952
|
|
|
Box
13
Folder
7
|
Crawl Credits, October 24, 1950-August 28, 1952
|
|
|
“The Gaiety Burlesque” #53
|
|
|
Box
13
Folder
8
|
Script, undated
|
|
|
Box
13
Folder
8
|
Script, October 26, 1950
|
|
|
Episode #55
|
|
|
Box
13
Folder
9
|
Script, undated
|
|
|
Box
13
Folder
9
|
First Draft, October 31, 1955
|
|
|
Box
13
Folder
9
|
Revised Script, November 6, 1950
|
|
|
Box
3
Folder
9
|
Revisions, undated
|
|
|
Episode #59
|
|
|
Box
13
Folder
10
|
Script, undated
|
|
|
Box
13
Folder
10
|
Script, December 7, 1950
|
|
|
Episode #61
|
|
|
Box
13
Folder
11
|
Notes, undated
|
|
|
Box
13
Folder
11
|
Script, undated
|
|
|
Box
13
Folder
11
|
Revisions, undated
|
|
|
Box
13
Folder
11
|
Script, December 21, 1950
|
|
|
Episode #63
|
|
|
Box
13
Folder
12
|
Script, January 2, 1951
|
|
|
Box
13
Folder
12
|
Revised Script, circa January 2, 1951
|
|
|
Episode #65
|
|
|
Box
14
Folder
1
|
Script, undated
|
|
|
Box
14
Folder
1
|
Revision, undated
|
|
|
Box
14
Folder
1
|
Revised Script, January 18, 1951
|
|
|
“Plainclothesman” #68
|
|
|
Box
14
Folder
2
|
Script, annotated, undated
|
|
|
Box
14
Folder
2
|
Revised Script, January 25, 1951
|
|
|
Episode #70
|
|
|
Box
14
Folder
3
|
Script, undated
|
|
|
Box
14
Folder
3
|
Script, February 22, 1951
|
|
|
Episode #72
|
|
|
Box
14
Folder
4
|
Script, undated
|
|
|
Box
14
Folder
4
|
Script, March 8, 1951
|
|
|
Episode #74
|
|
|
Box
14
Folder
5
|
Script, undated
|
|
|
Box
14
Folder
5
|
Script, March 22, 1951
|
|
|
Episode #77
|
|
|
Box
14
Folder
6
|
Script, undated
|
|
|
Box
14
Folder
6
|
Script, annotated, April 12, 1951
|
|
|
Episode #78
|
|
|
Box
14
Folder
7
|
Script, undated
|
|
|
Box
14
Folder
7
|
Script, annotated, April 19, 1951
|
|
|
Episode #80
|
|
|
Box
14
Folder
8
|
Script, undated
|
|
|
Box
14
Folder
8
|
Script, May 3, 1951
|
|
|
Episode #82
|
|
|
Box
14
Folder
9
|
Script, undated
|
|
|
Box
14
Folder
9
|
Script, May 17, 1951
|
|
|
Episode #84
|
|
|
Box
14
Folder
10
|
Script, undated
|
|
|
Box
14
Folder
10
|
Script and Revisions, annotated, May 31, 1951
|
|
|
Episode #86
|
|
|
Box
14
Folder
11
|
Script, undated
|
|
|
Box
14
Folder
11
|
Script, annotated, June 14, 1951
|
|
|
“The Three Sisters” #88
|
|
|
Box
14
Folder
12
|
Script, undated
|
|
|
Box
14
Folder
12
|
Script, June 28, 1951
|
|
|
“Costume Ball” #89
|
|
|
Box
15
Folder
1
|
Script, annotated, July 5, 1951
|
|
|
Box
15
Folder
1
|
Substitute Script, undated
|
|
|
Box
15
Folder
1
|
Script, July 5, 1951
|
|
|
Episode #90
|
|
|
Box
15
Folder
2
|
Fragment, undated
|
|
|
Box
15
Folder
2
|
Revisions, August 30, 1951
|
|
|
Box
15
Folder
2
|
Script, annotated, undated
|
|
|
Box
15
Folder
2
|
Script, September 6, 1951
|
|
|
Box
15
Folder
2
|
Script, annotated, September 6, 1951
|
|
|
“The Case of the Losing Pitcher” #93
|
|
|
Box
15
Folder
3
|
Script, undated
|
|
|
Box
15
Folder
3
|
Script, annotated, September 13, 1951
|
|
|
Box
15
Folder
3
|
Script, September 13, 1951
|
|
|
“The Case of the Stray Bullet” #93
|
|
|
Box
15
Folder
4
|
Script, annotated, undated
|
|
|
Box
15
Folder
4
|
Script, September 13, 1951
|
|
|
Box
15
Folder
4
|
Script, annotated, September 14, 1951
|
|
|
Episode #94
|
|
|
Box
15
Folder
5
|
Script, September 27, 1951
|
|
|
Episode #95
|
|
|
Box
15
Folder
6
|
Script, undated
|
|
|
Box
15
Folder
6
|
Script, October 4, 1951
|
|
|
Episode #96
|
|
|
Box
15
Folder
7
|
Script, October 11, 1951
|
|
|
Episode #97
|
|
|
Box
15
Folder
8
|
Two Scripts, undated
|
|
|
Box
15
Folder
8
|
Revised Script, October 9, 1951
|
|
|
Episode #98
|
|
|
Box
15
Folder
9
|
Script, October 25, 1951
|
|
|
Episode #99
|
|
|
Box
15
Folder
10
|
Script, undated
|
|
|
Box
15
Folder
10
|
Script, November 1, 1951
|
|
|
Box
16
Folder
1
|
Alternate Script, and Letter, October 24, 1951
|
|
|
Episode #100
|
|
|
Box
16
Folder
2
|
Script, undated
|
|
|
Box
16
Folder
2
|
Script, November 8, 1951
|
|
|
Episode #101
|
|
|
Box
16
Folder
3
|
Script, November 15, 1951
|
|
|
Episode #102
|
|
|
Box
16
Folder
4
|
Script, November 22, 1951
|
|
|
“Boxer and Ma Benson” #103
|
|
|
Box
16
Folder
5
|
Script, undated
|
|
|
Box
16
Folder
5
|
Script, November 21, 1951, undated
|
|
|
Box
16
Folder
5
|
Script, annotated, November 21, 1951
|
|
|
Episode #104
|
|
|
Box
16
Folder
6
|
Script, December 6, 1951
|
|
|
Episode #105
|
|
|
Box
16
Folder
7
|
First Draft Script, undated
|
|
|
Box
16
Folder
7
|
Script, undated
|
|
|
Box
16
Folder
7
|
Revised Script, November 30, 1951
|
|
|
Episode #106
|
|
|
Box
16
Folder
8
|
Script, December 20, 1951
|
|
|
Episode #107
|
|
|
Box
16
Folder
9
|
Script, undated
|
|
|
Box
16
Folder
9
|
Script, annotated, undated
|
|
|
Box
16
Folder
9
|
Script, December 21, 1951
|
|
|
Episode #108
|
|
|
Box
16
Folder
10
|
Script, January 3, 1952
|
|
|
Episode #109
|
|
|
Box
16
Folder
11
|
Script, undated
|
|
|
Box
16
Folder
11
|
Script, January 10, 1952
|
|
|
Episode #110
|
|
|
Box
16
Folder
12
|
Script, January 17, 1952
|
|
|
“The Wire” #111
|
|
|
Box
17
Folder
1
|
Script and letter, January 8, 1952, undated
|
|
|
Box
17
Folder
1
|
Script, undated
|
|
|
Box
17
Folder
1
|
Revised Script, January 18, 1952
|
|
|
Episode #112
|
|
|
Box
17
Folder
2
|
Script, annotated, January 31, 1952
|
|
|
Box
17
Folder
2
|
Script, annotated, January 31, 1952
|
|
|
Episode #113
|
|
|
Box
17
Folder
3
|
Script, annotated, undated
|
|
|
Box
17
Folder
3
|
Revised Script, annotated, undated
|
|
|
Box
17
Folder
3
|
Revised Script, February 4, 1952
|
|
|
“Lovella” #114
|
|
|
Box
17
Folder
4
|
Script and Letter, February 4, 1952, undated
|
|
|
Box
17
Folder
4
|
Script, annotated, February 14, 1952
|
|
|
Episode #115
|
|
|
Box
17
Folder
5
|
Script, February 21, 1952
|
|
|
Episode #116
|
|
|
Box
17
Folder
6
|
Script, annotated, February 28, 1952
|
|
|
Episode #117
|
|
|
Box
17
Folder
7
|
Script, March 6, 1952
|
|
|
“Sweepstake Ticket” #118
|
|
|
Box
17
Folder
8
|
Script, undated
|
|
|
Box
17
Folder
8
|
Two Scripts, annotated, March 13, 1952
|
|
|
Episode #119
|
|
|
Box
17
Folder
9
|
Script, March 20, 1952
|
|
|
“Fire Extinguisher Gimmick” #120
|
|
|
Box
18
Folder
1
|
Script, undated
|
|
|
Box
18
Folder
1
|
Script, March 27, 1952
|
|
|
Box
18
Folder
1
|
Revised Script, annotated, March 27, 1952
|
|
|
Episode #121
|
|
|
Box
18
Folder
2
|
Script, April 3, 1952
|
|
|
Episode #122
|
|
|
Box
18
Folder
3
|
Script, undated
|
|
|
Box
18
Folder
3
|
Script, annotated, April 10, 1952.
|
|
|
Episode #123
|
|
|
Box
18
Folder
4
|
Script, April 17, 1952
|
|
|
Episode #124
|
|
|
Box
18
Folder
5
|
Script, April 24, 1952
|
|
|
Episode #125
|
|
|
Box
18
Folder
6
|
Script, May 1, 1952
|
|
|
Episode #126
|
|
|
Box
18
Folder
7
|
Script, May 8, 1952
|
|
|
Episode #127
|
|
|
Box
18
Folder
8
|
Script, May 15, 1952
|
|
|
Episode #128
|
|
|
Box
18
Folder
9
|
Script, undated
|
|
|
Box
18
Folder
9
|
Correspondence and Revisions, May 2, 1952
|
|
|
Box
18
Folder
9
|
Two Scripts, May 22, 1952
|
|
|
Episode #130
|
|
|
Box
18
Folder
10
|
Script, undated
|
|
|
Box
18
Folder
10
|
Revisions and Correspondence, May 14, 1952, undated
|
|
|
Box
18
Folder
10
|
Script, June 5, 1952
|
|
|
Episode #132
|
|
|
Box
18
Folder
11
|
Script, undated
|
|
|
Box
18
Folder
11
|
Script, undated
|
|
|
Box
18
Folder
11
|
Revision, June 17, 1952
|
|
|
Episode #133
|
|
|
Box
19
Folder
1
|
Script, undated
|
|
|
Box
19
Folder
1
|
Script, June 26, 1952
|
|
|
Episode #135
|
|
|
Box
19
Folder
2
|
Script and Revisions, undated
|
|
|
Box
19
Folder
2
|
Script, July 10, 1952
|
|
|
Episode #139
|
|
|
Box
19
Folder
3
|
Script, undated
|
|
|
Box
19
Folder
3
|
Script, August 7, 1952
|
|
|
Episode #142
|
|
|
Box
19
Folder
4
|
Script, undated
|
|
|
Box
19
Folder
4
|
Revised Script, undated
|
|
|
Box
19
Folder
4
|
Third Revised Script, undated
|
|
|
Box
19
Folder
4
|
Script, August 28, 1952
|
|
|
Box
19
Folder
4
|
Correspondence, July 22, 1952
|
|
|
Episode #177
|
|
|
Box
19
Folder
5
|
Script, undated
|
|
|
Box
19
Folder
5
|
Revisions, undated
|
|
|
Box
19
Folder
5
|
Script, April 30, 1953
|
|
|
Unidentified Episode
|
|
|
Box
19
Folder
6
|
Script and Correspondence, undated
|
|
|
Unidentified Episode
|
|
|
Box
19
Folder
7
|
Script, undated
|
|
|
Meet McGraw (Wire Service, Inc. 1957-1958 on NBC, , 1958-1959 on ABC)
|
|
|
“Ballerina”
|
|
|
Box
19
Folder
8
|
Second Draft Script, “The Fugitive,” annotated, undated
|
|
|
Box
19
Folder
8
|
Script, fragment, undated
|
|
|
Box
19
Folder
8
|
Script, with story co-authored by Donn Mullally and script by Donn Mullally, undated
|
|
|
Box
19
Folder
8
|
Revisions, April 3-6, 1957
|
|
|
The Monroes (Qualis Productions in association with 20th Century Fox, 1966-1967. Original telecast on ABC.)
|
|
|
“The Great Pyrenees Story”
|
|
|
Box
19
Folder
9
|
Outline, April 18, 1966
|
|
|
Box
19
Folder
9
|
Outline, April 26, 1966
|
|
|
Box
19
Folder
9
|
First Draft Script, May 20, 1966
|
|
|
Box
19
Folder
10
|
Final Draft Script, May 26, 1966
|
|
|
Box
19
Folder
10
|
Second Draft Script, June 10, 1966
|
|
|
Box
19
Folder
11
|
Final Script, July 6, 1966
|
|
|
Box
19
Folder
11
|
Revised Final Script, July 11, 1966
|
|
|
Box
19
Folder
11
|
Miscellany, 1966
|
|
|
“Wahkonda”
|
|
|
Box
20
Folder
1
|
Step Outline, “Sleeve's Story,” March 19, 1966
|
|
|
Box
20
Folder
1
|
First Draft Script, “The Secret Life of Walter Sleeve,” April 8, 1966
|
|
|
Box
20
Folder
2
|
Second Draft Script, “Sleeve's Story,” April 25, 1966
|
|
|
Box
20
Folder
2
|
First Draft Script, “Sleeve's Story” and “War Arrow,” April 26, 1966
|
|
|
Box
20
Folder
2
|
Revised Script, “Sleeve's Story,” May 7, 1966
|
|
|
Box
20
Folder
3
|
Script, “Sleeve's Story,” May 18, 1966
|
|
|
Box
20
Folder
3
|
Revised Final Script, June 21, 1966
|
|
|
Box
20
Folder
3
|
Second Revised Final, July 5, 1966
|
|
|
Box
20
Folder
3
|
Revisions, July 6, 1966
|
|
|
New York Confidential (Compass Productions, Inc. and Television Programs of America, Inc., 1958. Syndicated)
|
|
|
“Face of Clay”
|
|
|
Box
20
Folder
4
|
Synopsis, undated
|
|
|
Box
20
Folder
4
|
Final Draft Script, May 6, 1957
|
|
|
Box
20
Folder
4
|
Revised Script, February 11, 1958
|
|
|
Box
20
Folder
5
|
Revised Script, February 11,1958
|
|
|
Box
20
Folder
5
|
Second Revision, March 3, 1958
|
|
|
Box
20
Folder
5
|
Final Draft Script, March 31, 1958
|
|
|
North of '53 (Unproduced pilot script for Parry Films Ltd., Vancouver)
|
|
|
“Charter Flight”
|
|
|
Box
20
Folder
6
|
Second Draft Script, annotated, March 30, 1959
|
|
|
Box
20
Folder
6
|
Second Draft Script, March 30, 1959
|
|
|
Box
20
Folder
6
|
Script, undated
|
|
|
The Outer Limits (Daystar-United Artists TV, 1963-1965. Original telecast on ABC)
|
|
|
“The Guests”
|
|
|
Box
20
Folder
7
|
Notes, Clippings, and Miscellany, 1964
|
|
|
Box
20
Folder
7
|
First Draft Script, January 27, 1964
|
|
|
Box
20
Folder
8
|
Second Draft Script, February 2, 1964
|
|
|
Box
20
Folder
8
|
Script, “An Ordinary Town,” February 5, 1964
|
|
|
Passport to Danger (Rabco TV Productions, Hal Roach Studios, 1956. Original telecast on CBS)
|
|
|
“Antigua”
|
|
|
Box
20
Folder
9
|
First Draft Script, undated
|
|
|
Box
20
Folder
9
|
Second Draft Script, undated
|
|
|
Box
21
Folder
1
|
Final Draft Script, undated
|
|
|
Box
21
Folder
1
|
Script, undated
|
|
|
“Baja California”
|
|
|
Box
21
Folder
2
|
Two Scripts, undated
|
|
|
Box
21
Folder
2
|
Revised Script, April 4, 1955
|
|
|
“Calcutta”
|
|
|
Box
21
Folder
3
|
Notes, undated
|
|
|
Box
21
Folder
3
|
Script, undated
|
|
|
Box
21
Folder
3
|
Revised Script, October 29, 1954
|
|
|
“His Excellency, Just Peter”
|
|
|
Box
21
Folder
4
|
Notes, undated
|
|
|
Box
21
Folder
4
|
First Draft Script, annotated, undated
|
|
|
Box
21
Folder
4
|
Second Draft Script, undated
|
|
|
Box
21
Folder
4
|
Script, undated
|
|
|
Box
21
Folder
4
|
Revised Script, October 6, 1954
|
|
|
“Macao”
|
|
|
Box
21
Folder
5
|
Notes, undated
|
|
|
Box
21
Folder
5
|
Script, annotated, undated
|
|
|
Box
21
Folder
5
|
Script, undated
|
|
|
“Marseilles”
|
|
|
Box
21
Folder
6
|
Script, December 21, 1954
|
|
|
“Mexico City”
|
|
|
Box
21
Folder
7
|
Notes, undated
|
|
|
Box
21
Folder
7
|
Two Scripts, n undated
|
|
|
“Tangier”
|
|
|
Box
21
Folder
8
|
Two Scripts, undated
|
|
|
Perry Mason (Paisano Productions, 1957-1966. Original telecast on CBS)
|
|
|
“The Case of the Black-Eyed Blonde”
|
|
|
Box
22
Folder
1
|
First Draft Script, undated
|
|
|
Box
22
Folder
1
|
Revised Script, July 26, 1957
|
|
|
Box
22
Folder
2
|
Revised Script, annotated, August 6, 1957
|
|
|
“The Case of the Glamorous Ghost”
|
|
|
Box
22
Folder
3
|
First Draft Script, annotated, October 11, 1957
|
|
|
Box
22
Folder
3
|
Analysis of First Draft, October 16, 1957
|
|
|
Box
22
Folder
3
|
Second Draft Script, October 28, 1957
|
|
|
“The Case of the Lonely Heiress”
|
|
|
Box
22
Folder
4
|
First Draft Script, August 26, 1957
|
|
|
Box
22
Folder
4
|
Second Draft Script, fragment, annotated, September 2, 1957
|
|
|
Box
22
Folder
5
|
Third Draft Script, September 6, 1957
|
|
|
Box
22
Folder
5
|
Shooting Final Script, October 22, 1957
|
|
|
“The Case of the Paper Button”
|
|
|
Box
22
Folder
6
|
Script, undated
|
|
|
Box
22
Folder
6
|
Second Draft Script, undated
|
|
|
Box
22
Folder
6
|
Script, undated
|
|
|
“The Case of the Silent Partner”
|
|
|
Box
22
Folder
7
|
Second Draft Script, June 8, 1957
|
|
|
Box
22
Folder
7
|
Revised Shooting Final Script, annotated, June 12, 1957
|
|
|
The Plainclothes Man (Transamerican Productions, 1950-1954. Original telecast on the DuMont network)
|
|
|
Box
22
Folder
8
|
Correspondence, Clippings, and Miscellany, 1950-1951, undated
|
|
|
Box
22
Folder
9
|
Teasers, May 31-September 20, 1950
|
|
|
“The Angel's Eye” ( Dec 21, 1949)
|
|
|
Box
23
Folder
1
|
Script, undated
|
|
|
Box
23
Folder
1
|
Script, annotated, December 13, 1949
|
|
|
Box
23
Folder
2
|
Script, annotated, December 13, 1949
|
|
|
“The Fourth Time...You Hang!”
|
|
|
Box
23
Folder
3
|
Script, undated
|
|
|
Box
23
Folder
3
|
Script, November 15, 1949
|
|
|
Box
23
Folder
3
|
Revisions, undated
|
|
|
Box
23
Folder
3
|
Script, annotated, November 15, 1949
|
|
|
“Key to the Death House” ( Jan 11, 1950)
|
|
|
Box
23
Folder
4
|
Script, undated
|
|
|
Box
23
Folder
4
|
Script, January 12, 1950
|
|
|
Box
23
Folder
4
|
Script, annotated, January 12, 1950
|
|
|
“Identification Inconclusive” ( Mar 1, 1950)
|
|
|
Box
23
Folder
5
|
Research Material, undated
|
|
|
Box
23
Folder
5
|
Script, undated
|
|
|
Box
23
Folder
5
|
Script, annotated, February 7, 1950
|
|
|
Box
23
Folder
6
|
Script, annotated, February 7, 1950
|
|
|
“Blind Man's Bluff” ( March 22, 1950)
|
|
|
Box
23
Folder
7
|
Script, undated
|
|
|
Box
23
Folder
7
|
Script, March 14, 1950
|
|
|
Box
23
Folder
7
|
Script, annotated, March 14, 1950
|
|
|
“Alibi” ( Apr 5, 1950)
|
|
|
Box
23
Folder
8
|
Script, undated
|
|
|
Box
23
Folder
8
|
Script, March 29, 1950
|
|
|
Box
23
Folder
8
|
Script, annotated, March 29, 1950
|
|
|
“Kaatil...Means Assassin” ( Apr 26, 1950)
|
|
|
Box
23
Folder
9
|
Script, n undated
|
|
|
Box
23
Folder
9
|
Script, annotated, April 18, 1950
|
|
|
Box
23
Folder
9
|
Miscellany, undated
|
|
|
“Receipt for Murder” ( May 31, 1950)
|
|
|
Box
24
Folder
1
|
Script, annotated, May 12, 1950
|
|
|
“A Matter of Record” ( June 7, 1950)
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Box
24
Folder
2
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Script, annotated, May 25, 1950
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|
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“Something Borrowed” ( June 14, 1950)
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|
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Box
24
Folder
3
|
Script, June 2, 1950
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|
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Box
24
Folder
3
|
Script, annotated, June 2, 1950
|
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“The Second Chance” ( June 21, 1950)
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|
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Box
24
Folder
4
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Script, June 13, 1950
|
|
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Box
24
Folder
4
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Script, annotated, June 13, 1950
|
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“In the Blood” ( June 28, 1950)
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|
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Box
24
Folder
5
|
Script, undated
|
|
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Box
24
Folder
5
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Script, annotated, June 8, 1950
|
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“A Champion Strikes Out” ( Jul 5, 1950)
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Box
24
Folder
6
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Script, June 14, 1950
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Box
24
Folder
6
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Script, annotated, June 14, 1950
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“The Chair Is Always Fatal” ( Jul 12, 1950)
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Box
24
Folder
7
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Script, annotated, June 21, 1950
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“The Word Is...Homicide!” ( Jul 19, 1950)
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Box
24
Folder
8
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Script, June 28, 1950
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“Message from Beyond” ( Jul 26, 1950)
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Box
24
Folder
9
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Script, annotated, and Press Release, July 6, 1950
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|
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“The Case of the Approved Correspondent” ( Aug 2, 1950)
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|
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Box
24
Folder
10
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Script, undated
|
|
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Box
24
Folder
10
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Script, annotated, July 12, 1950
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|
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Box
24
Folder
10
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Press Release, July 28, 1950
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|
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“Death Kept the Schedule” ( Aug 9, 1950)
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|
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Box
24
Folder
11
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Script, July 19, 1950
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Box
24
Folder
11
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Script, annotated, July 19, 1950
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|
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Box
24
Folder
11
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Press Release, August 4, 1950
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|
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“The Corpse Didn't Answer” ( Aug 16, 1950)
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|
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Box
24
Folder
12
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Script, July 26, 1950
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|
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Box
24
Folder
12
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Script, annotated, July 26, 1950
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|
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Box
24
Folder
12
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Press Release, August 11, 1950
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“Once a Sucker...” ( Aug 23, 1950)
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|
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Box
25
Folder
1
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Script, August 2, 1950
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|
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Box
25
Folder
1
|
Script, annotated, August 2, 1950
|
|
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Box
25
Folder
1
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Press Release, August 17, 1950
|
|
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“The Case of the Ken-Chu Jade” ( Aug 30, 1950)
|
|
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Box
25
Folder
2
|
Script, August 9, 1950
|
|
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Box
25
Folder
2
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Script, annotated, August 9, 1950
|
|
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“Cause of Death...Undetermined” ( Sep 6, 1950)
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|
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Box
25
Folder
3
|
Script, August 16, 1950
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|
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“The Perfect Frame-Up” ( Sep 13, 1950)
|
|
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Box
25
Folder
4
|
Script, August 22, 1950
|
|
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Box
25
Folder
4
|
Revisions, September 6, 1950
|
|
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“The Case of the Innocent Killer” ( Sep 20, 1950)
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|
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Box
25
Folder
5
|
Script, August 24, 1950
|
|
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Box
25
Folder
5
|
Script, annotated, August 24, 1950
|
|
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“The Last Drink Was Fatal” ( Sep 27, 1950)
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|
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Box
25
Folder
6
|
Script, September 7, 1950
|
|
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Box
25
Folder
6
|
Script, annotated, September 7, 1950
|
|
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“Free Ticket...to the Chair” ( Oct 11, 1950)
|
|
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Box
25
Folder
7
|
Script, September 20, 1950
|
|
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Public Defender (Hal Roach Jr. Productions, 1954. Original telecast on CBS)
|
|
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“The Last Appeal”
|
|
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Box
25
Folder
8
|
Script, undated
|
|
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Box
25
Folder
8
|
Second Draft Script, annotated, undated
|
|
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Box
25
Folder
8
|
Script, undated
|
|
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Pursuit (CBS, 1958-1959)
|
|
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“Free Ride”
|
|
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Box
25
Folder
9
|
First Draft Script, fragment, annotated, December 30, 1957
|
|
|
Box
25
Folder
9
|
Second Draft Script, January 8, 1958
|
|
|
Box
25
Folder
10
|
First Draft Script, January 15, 1958
|
|
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Box
26
Folder
1
|
Final Draft Script, fragment, September 4, 1958
|
|
|
Box
26
Folder
1
|
Final Draft Script, circa September 4, 1958
|
|
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Box
26
Folder
2
|
Final Script, story by James Fox, adapted by Donald Sanford, undated
|
|
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Box
26
Folder
3
|
Revised Script, September 25, 1958
|
|
|
Box
26
Folder
3
|
Revisions, October 3, 1958
|
|
|
The Racers (Unproduced pilot script for Twentieth Century Fox)
|
|
|
Box
26
Folder
4
|
Notes, Outline, and Presentation, July 5, 1966, undated
|
|
|
Schlitz Playhouse of Stars (Revue Productions, 1951-1955. Original telecast on CBS)
|
|
|
“East of the Moon”
|
|
|
Box
26
Folder
5
|
Story, by Walter McQuade and Harry Middleton, undated
|
|
|
Box
26
Folder
5
|
First Draft Script, annotated, November 8, 1957
|
|
|
Box
26
Folder
5
|
Second Draft Script, November 14, 1957
|
|
|
Box
26
Folder
5
|
Script, November 26, 1957
|
|
|
“False Alarm”
|
|
|
Box
26
Folder
6
|
Four Outlines, “Emergency Call,” undated
|
|
|
Box
26
Folder
6
|
First Draft Script, annotated, June 2, 1958
|
|
|
Box
26
Folder
6
|
Script, June 3, 1958
|
|
|
Box
26
Folder
7
|
Revisions, June 5, 1958, undated
|
|
|
Box
26
Folder
7
|
Script, June 9, 1958
|
|
|
“Portrait of a Legend”
|
|
|
Box
26
Folder
8
|
Script, “Man on the Fence,” by Milo Wood, pseudonym for Richard Kiley?, undated
|
|
|
Box
26
Folder
8
|
First Draft Script, June 26, 1958
|
|
|
Box
26
Folder
9
|
Final Draft Script, “Man on the Fence,” July 1, 1958
|
|
|
Box
26
Folder
9
|
Script, with story by Milo Wood and teleplay by Donald Sanford, July 1, 1958
|
|
|
Box
27
Folder
1
|
Revised Script, based on a story by Milo Wood, July 3, 1958
|
|
|
“You'll Have to Die Now”
|
|
|
Box
27
Folder
2
|
Story, by Michael Shaara, undated
|
|
|
Box
27
Folder
2
|
First Draft Script, April 4, 1958
|
|
|
Box
27
Folder
2
|
Second Draft Script, April 8, 1958
|
|
|
Box
27
Folder
2
|
Script, annotated, April 10, 1958
|
|
|
Screen Directors Playhouse (Hal Roach Studios, 1955. Original telecast on NBC)
|
|
|
“One Against Many”
|
|
|
Box
27
Folder
3
|
Script, by Malvin Wald and Jack Jacobs, undated
|
|
|
Box
27
Folder
4
|
Revised Script and Alternate Opening, based on a story by Malvin Wald and Jack Jacobs, January 6, 1956
|
|
|
Search for Tomorrow (Leo Burnett Company, 1951- . Original telecast on CBS. Sample scripts written for job as head writer)
|
|
|
Box
27
Folder
5
|
Correspondence with Leo Burnett Company, Inc., June-November, 1970
|
|
|
Box
27
Folder
6
|
Notes, Story Projections, and Summaries, circa July, 1970
|
|
|
Box
27
Folder
7
|
Five Scripts, Monday-Friday, July 27, 1970
|
|
|
The Silent Force (Aaron Spelling Productions, 1970-1971. Original telecast network unknown)
|
|
|
“The Shopping List”
|
|
|
Box
27
Folder
8
|
Outline, April 9, 1970
|
|
|
Box
27
Folder
8
|
First Draft Script, annotated, April 23, 1970
|
|
|
Box
27
Folder
8
|
Second Draft Script, May. 6, 1970
|
|
|
Box
27
Folder
9
|
Script, May 13, 1970
|
|
|
Box
27
Folder
9
|
Script, June 23, 1970
|
|
|
Box
27
Folder
9
|
Revisions, July 1-August 26, 1970
|
|
|
“Horse in a White Collar”
|
|
|
Box
27
Folder
10
|
Outline, “The White Collar People,” May 20, 1970
|
|
|
Box
27
Folder
10
|
First Draft Script, June 5, 1970
|
|
|
Box
27
Folder
10
|
Second Draft Script, June 11, 1970
|
|
|
Box
27
Folder
11
|
First Draft Script, June 15, 1970
|
|
|
Box
27
Folder
11
|
Final Draft Script, August 10, 1970
|
|
|
Box
27
Folder
11
|
Revisions, August 31-October 6, 1970
|
|
|
Sinbad (Unproduced series by King Brothers Productions and MGM-TV)
|
|
|
Box
28
Folder
1
|
Script, December 19, 1966
|
|
|
Skagway (Filmaster Productions. Pilot script for a series that was never sold)
|
|
|
“The Big Spender”
|
|
|
Box
28
Folder
2
|
Outline, by Richard Donovan, Fritz Goodwin, and Robert Stabler, undated
|
|
|
Box
28
Folder
2
|
Outline, undated
|
|
|
Box
28
Folder
2
|
Step Outline, undated
|
|
|
Box
28
Folder
2
|
Script, annotated, undated
|
|
|
Box
28
Folder
3
|
Second Draft Script, December 15, 1958
|
|
|
Box
28
Folder
3
|
Revised Script, February 3, 1959
|
|
|
Telephone Time (Hal Roach Studios, 1956-1958. Original telecast on CBS)
|
|
|
Box
28
Folder
4
|
Correspondence and Miscellany, 1955-1957, undated
|
|
|
“Again the Stars”
|
|
|
Box
28
Folder
5
|
Script, “...And See Again the Stars,” 1955
|
|
|
Box
28
Folder
5
|
Script, February 13, 1956
|
|
|
Box
28
Folder
5
|
Revised Script, May 7, 1956
|
|
|
“Casper Hauser”
|
|
|
Box
28
Folder
6
|
Notes, undated
|
|
|
Box
28
Folder
6
|
First Draft Script, undated
|
|
|
Box
28
Folder
6
|
Second Draft Script, undated
|
|
|
Box
28
Folder
6
|
Script, undated
|
|
|
“The Devlin Story”
|
|
|
Box
28
Folder
7
|
Notes, undated
|
|
|
Box
28
Folder
7
|
Outline, “Plot to Save a Boy,” undated
|
|
|
Box
28
Folder
7
|
Script, undated
|
|
|
“The Emperor Norton”
|
|
|
Box
28
Folder
8
|
First Draft Script, undated
|
|
|
Box
28
Folder
8
|
Second Draft Script, undated
|
|
|
Box
28
Folder
8
|
Script, undated
|
|
|
Box
28
Folder
8
|
Revisions, December 19, 1955
|
|
|
“The Golden Junkman”
|
|
|
Box
28
Folder
9
|
Script, undated
|
|
|
Box
28
Folder
9
|
Second Draft Script, annotated, undated
|
|
|
Box
28
Folder
9
|
Final Draft Script, annotated, undated
|
|
|
“Hatfield the Rainmaker”
|
|
|
Box
28
Folder
10
|
Outline, undated
|
|
|
Box
28
Folder
10
|
First Draft Script, undated
|
|
|
Box
28
Folder
10
|
Second Draft Script, undated
|
|
|
Box
29
Folder
1
|
Script, August 10, 1956
|
|
|
Box
29
Folder
1
|
Revised Third Draft Script, August 30, 1956
|
|
|
“The Joyful Martyr”
|
|
|
Box
29
Folder
2
|
Script, “The Joyful Lunatic,” undated
|
|
|
Box
29
Folder
2
|
Revised Script, undated
|
|
|
Box
29
Folder
2
|
Revised Script, November 7, 1955
|
|
|
Box
29
Folder
2
|
Revisions, November 9, 1955
|
|
|
“Keely's Wonderful Machine”
|
|
|
Box
29
Folder
3
|
First Draft Script, undated
|
|
|
Box
29
Folder
3
|
Second Draft Script, undated
|
|
|
Box
29
Folder
3
|
Third Draft Script, undated
|
|
|
Box
29
Folder
4
|
Script, May 24, 1956
|
|
|
Box
29
Folder
4
|
Revisions, June 6, 1956
|
|
|
Box
29
Folder
4
|
Revised Script, June 1, 1956
|
|
|
“The Man Who Always Fell Uphill”
|
|
|
Box
29
Folder
5
|
Script, co-authored by Norman Lessing from a story by John Nesbitt, undated
|
|
|
Box
29
Folder
5
|
Revisions, December 20, 1955
|
|
|
“The Sergeant Boyd Story”
|
|
|
Box
29
Folder
6
|
First Draft Script, undated
|
|
|
Box
29
Folder
6
|
Second Draft Script, undated
|
|
|
Box
29
Folder
6
|
Second Draft Revised Script, undated
|
|
|
Box
29
Folder
7
|
Script, June 18, 1956
|
|
|
Box
29
Folder
7
|
Script, annotated, June 22, 1956
|
|
|
“Smith of Ecuador”
|
|
|
Box
29
Folder
8
|
First Draft Script, “The Harold T. Smith Story,” undated
|
|
|
Box
29
Folder
8
|
Second Draft Script, undated
|
|
|
Box
30
Folder
1
|
Script, March 13, 1956
|
|
|
Box
30
Folder
1
|
Revised Script, April 16, 1956
|
|
|
“Time Bomb”
|
|
|
Box
30
Folder
2
|
Script, February, 1956
|
|
|
Box
30
Folder
2
|
Script, annotated, undated
|
|
|
Box
30
Folder
2
|
Revised Script, co-authored by Jack Bennett, February 22, 1956
|
|
|
Box
30
Folder
3
|
Revised Script and Revisions, annotated, co-authored by Jack Bennett, February 27, 1956
|
|
|
“Tracy Clinic”
|
|
|
Box
30
Folder
4
|
Notes, undated
|
|
|
Box
30
Folder
4
|
First Draft Script, annotated, September 13, 1956
|
|
|
Box
30
Folder
4
|
Second Draft Script, annotated, September 25, 1956
|
|
|
Box
30
Folder
5
|
Third Draft Script, October 12, 1956
|
|
|
Box
30
Folder
5
|
Script, undated
|
|
|
Box
30
Folder
5
|
Revised Script, October 29, 1956
|
|
|
“The Unsinkable Mrs. Brown”
|
|
|
Box
30
Folder
6
|
First Draft Script, undated
|
|
|
Box
30
Folder
6
|
Script, “To A Lady,” November 7, 1955
|
|
|
Box
30
Folder
6
|
Revised Script, November 23, 1955
|
|
|
Temple Houston (Warner Brothers Television, 1963-1964. Original telecast on NBC)
|
|
|
“The Guardian”
|
|
|
Box
30
Folder
7
|
Outline, “The Waterhole,” October 31, 1963
|
|
|
Box
30
Folder
7
|
Second Draft Outline, November 3, 1963
|
|
|
Box
30
Folder
7
|
Notes and Clippings, October 31, 1963-January 2, 1964
|
|
|
Box
30
Folder
8
|
First Draft Script, November 11, 1963
|
|
|
Box
30
Folder
8
|
Second Draft Script, undated
|
|
|
Box
30
Folder
8
|
Estimating Draft, November 19, 1963
|
|
|
Box
30
Folder
9
|
Final Script, November 27, 1963
|
|
|
Box
31
Folder
1
|
Revised Script, November 29, 1963
|
|
|
Box
31
Folder
1
|
Revisions, November 29-December 2, 1963
|
|
|
“Letter of the Law”
|
|
|
Box
31
Folder
2
|
Outline, August 5, 1963
|
|
|
Box
31
Folder
2
|
Correspondence, August 10, 1963
|
|
|
Box
31
Folder
2
|
First Draft Script, August 29, 1963
|
|
|
Box
31
Folder
3
|
Second Draft Script, September 2, 1963
|
|
|
Box
31
Folder
4
|
Final Script, September 6, 1963
|
|
|
Box
31
Folder
4
|
Revisions, September 9-13, 1963
|
|
|
The Texan (Desilu Productions, 1958-1959. Original telecast on CBS)
|
|
|
“The Gunfighter”
|
|
|
Box
31
Folder
5
|
Script, by J. S. Rogers (pseudonym of Sanford), undated
|
|
|
Box
31
Folder
5
|
Revised Script, “The Boot Licker,” by J. S. Rogers (pseudonym of Sanford), February 17, 1959
|
|
|
Their Finest Hour (Unproduced story for Universal Studios; later sold to Twentieth Century Fox Twelve O'Clock High, “Hours Before Dawn”
|
|
|
“Bill Bailey, Won't You Please Come Home”
|
|
|
Box
31
Folder
6
|
Scene Outline, “London Leave,” March 6, 1963
|
|
|
Box
31
Folder
6
|
Story Outline, March 14, 1963
|
|
|
Box
31
Folder
6
|
Revised Story Outline, March 20, 1963
|
|
|
Thriller (Hubbell Robinson Productions, 1960-1962. Original telecast on NBC)
|
|
|
“The Cheaters”
|
|
|
Box
31
Folder
7
|
Story, by Robert Bloch, October 25, 1960
|
|
|
Box
31
Folder
7
|
First Draft Script, November 11, 1960
|
|
|
Box
31
Folder
8
|
Script, story by Robert Bloch and teleplay by Donald Sanford, November 11, 1960
|
|
|
Box
31
Folder
8
|
Revisions, November 15, 1960
|
|
|
Box
31
Folder
8
|
Script, story by Robert Bloch and teleplay by Donald Sanford, November 16, 1960
|
|
|
“The Incredible Doktor Markesan”
|
|
|
Box
31
Folder
9
|
Story, “Colonel Markesan,” by August Derleth and Mark Schorer, with additional treatment by Donald Sanford, October 13, 1961
|
|
|
Box
31
Folder
9
|
First Draft Script, based on a story by August Derleth and Mark Schorer, teleplay by Donald Sanford, December 11, 1961
|
|
|
Box
31
Folder
10
|
Second Draft Script, based on a story by August Derleth and Mark Schorer, teleplay by Donald Sanford, December 20, 1961
|
|
|
Box
31
Folder
10
|
Script, based on a story by August Derleth and Mark Schorer, teleplay by Donald Sanford, December 26, 1961
|
|
|
Box
31
Folder
10
|
Revised Script, based on a story by August Derleth and Mark Schorer, teleplay by Donald Sanford, December 28, 1961
|
|
|
Box
32
Folder
1
|
Revisions, January 3, 1962
|
|
|
Box
32
Folder
1
|
Revised Script, based on a story by August Derleth and Mark Schorer, teleplay by Donald Sanford, January 8, 1962
|
|
|
“Kill My Love”
|
|
|
Box
32
Folder
2
|
Novel, by Kyle Hunt, 1959
|
|
|
Box
32
Folder
2
|
Outline, undated
|
|
|
Box
32
Folder
3
|
First Draft Script, based on a novel by Kyle Hunt, February 6, 1962
|
|
|
Box
32
Folder
3
|
Second Draft Script, based on a novel by Kyle Hunt, February 14, 1962
|
|
|
Box
32
Folder
3
|
Third Draft Script, based on a novel by Kyle Hunt, February 16, 1962
|
|
|
Box
32
Folder
4
|
Shooting Script, based on a novel by Kyle Hunt, February 19, 1962
|
|
|
Box
32
Folder
4
|
Revisions, February 21, 1962
|
|
|
“Late Date”
|
|
|
Box
32
Folder
5
|
Story, “Blind Date,” by Cornell Woolrich, October 25, 1960
|
|
|
Box
32
Folder
5
|
Pulled Pages from First Draft, undated
|
|
|
Box
32
Folder
5
|
Second Draft Script, from a story by Cornell Woolrich, February 6, 1961
|
|
|
Box
32
Folder
6
|
Revised Script, “Blind Date,” from a story by Cornell Woolrich, February 9, 1961
|
|
|
Box
32
Folder
6
|
Script, from a story by Cornell Woolrich, February 10, 1961
|
|
|
“Letter to a Lover”
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|
|
Box
32
Folder
7
|
First Draft Script, annotated, August 25, 1961
|
|
|
Box
32
Folder
7
|
Second Draft Script, September 1, 1961
|
|
|
Box
32
Folder
8
|
Script, story by Sheridan Gibney, September 8, 1961
|
|
|
Box
32
Folder
8
|
Revised Script, story by Sheridan Gibney, September 26, 1961
|
|
|
Box
32
Folder
8
|
Revisions, September 29, 1961
|
|
|
“Masquerade”
|
|
|
Box
32
Folder
9
|
Story, by Henry Kuttner, June 7, 1961
|
|
|
Box
32
Folder
9
|
First Draft Script, from the magazine story by Henry Kuttner, June 23, 1961
|
|
|
Box
32
Folder
10
|
Second Draft Script, from a story by Henry Kuttner, June 27, 1961
|
|
|
Box
32
Folder
10
|
Revisions, undated
|
|
|
Box
32
Folder
10
|
Script, from a story by Henry Kuttner, July 5, 1961
|
|
|
Box
32
Folder
10
|
Clipping, October 30, 1961
|
|
|
“Mr. George”
|
|
|
Box
33
Folder
1
|
Story, by Stephen Grendon, March 14, 1961
|
|
|
Box
33
Folder
1
|
First Draft Script, story by Stephen Grendon, March 14, 1961
|
|
|
Box
33
Folder
1
|
Script, story by Stephen Grendon, April 10, 1961
|
|
|
Box
33
Folder
2
|
Revisions, April 11, 1961
|
|
|
Box
33
Folder
2
|
Second Draft Script, story by Stephen Grendon, April 12, 1961
|
|
|
Box
33
Folder
2
|
Revised Script, story by Stephen Grendon, April 13, 1961
|
|
|
“The Ordeal of Dr. Cordell”
|
|
|
Box
33
Folder
3
|
Two Story Outlines, December 30, 1960, undated
|
|
|
Box
33
Folder
3
|
Two First Draft Scripts, annotated, January 16, 1961
|
|
|
Box
33
Folder
4
|
Revised Script, January 19, 1961
|
|
|
Box
33
Folder
4
|
Revised Script, January 20, 1961
|
|
|
Box
33
Folder
5
|
Revised Script, January 31, 1961
|
|
|
“Parasite Mansion”
|
|
|
Box
33
Folder
6
|
Story, by Mary Elizabeth Counselman, February 21, 1961
|
|
|
Box
33
Folder
6
|
First Draft Script, annotated, March 15, 1961
|
|
|
Box
33
Folder
7
|
Two Scripts, from a story by Mary Elizabeth Counselman, March 20, 1961
|
|
|
Box
33
Folder
7
|
Revisions, undated
|
|
|
“The Prediction”
|
|
|
Box
33
Folder
8
|
Original Story Line and Proposed Changes, “The Night Has a Thousand Eyes,” based on the novel by Cornell Woolrich, September 21, 1960
|
|
|
Box
33
Folder
8
|
Treatment, September 26, 1960
|
|
|
Box
33
Folder
8
|
Proposed Changes, undated
|
|
|
Box
33
Folder
8
|
First Draft Script, annotated, October 7, 1960
|
|
|
Box
33
Folder
8
|
Second Draft Script, October 12, 1960
|
|
|
Box
33
Folder
9
|
Script, October 13, 1960
|
|
|
Box
33
Folder
9
|
Revised Script, October 18, 1960
|
|
|
Box
33
Folder
9
|
Revisions, October 19, 1960
|
|
|
“The Remarkable Mrs. Hawk”
|
|
|
Box
34
Folder
1
|
First Draft Script, based on a story by Margaret St. Clair, September 26, 1961
|
|
|
Box
34
Folder
1
|
Second Draft Script, based on a story by Margaret St. Clair, October, 1961
|
|
|
Box
34
Folder
2
|
Script, based on a story by Margaret St.Clair, October 5, 1961
|
|
|
Box
34
Folder
2
|
Revisions, October 9, 1961
|
|
|
“The Watcher”
|
|
|
Box
34
Folder
3
|
First Draft Script, from a novel by Dolores Hitchens, February 8, 1960
|
|
|
Box
34
Folder
3
|
Outline, August 30, 1960
|
|
|
Box
34
Folder
4
|
Second Draft Script, from a novel by Dolores Hitchens, September 12, 1960
|
|
|
Box
34
Folder
4
|
Revised Script, from a novel by Dolores Hitchens, September 13, 1960
|
|
|
Box
34
Folder
4
|
Revisions, September 17, 1960
|
|
|
Box
34
Folder
5
|
Revised Script, from a novel by Dolores Hitchens, September 19, 1960
|
|
|
Box
34
Folder
5
|
Revisions, September 21-22, 1960
|
|
|
Box
34
Folder
5
|
Revised Script, from a novel by Dolores Hitchens, September 23, 1960
|
|
|
“The Well of Doom”
|
|
|
Box
34
Folder
6
|
Story, by John Clemons, November 17, 1960
|
|
|
Box
34
Folder
7
|
First Draft Script, story by John Clemons, December 7, 1960
|
|
|
Box
34
Folder
7
|
Script, story by John Clemons, January 10, 1961
|
|
|
Box
34
Folder
7
|
Second Draft Script, story by John Clemons, January 18, 1961
|
|
|
Box
34
Folder
7
|
Revised Script, from a story by John Clemons, January 19, 1961
|
|
|
“What Beckoning Ghost?”
|
|
|
Box
34
Folder
8
|
Story, by Harold Lawlor, April 13, 1961
|
|
|
Box
34
Folder
8
|
Treatment, undated
|
|
|
Box
34
Folder
8
|
First Draft Script, based on a story by Harold Lawlor, May 17, 1961
|
|
|
Box
34
Folder
8
|
Second Draft Script, based on a story by Harold Lawlor, May 19, 1961
|
|
|
Box
35
Folder
1
|
Script, based on a story by Harold Lawlor, May 23, 1961
|
|
|
Box
35
Folder
1
|
Shooting Schedule, June 7, 1961
|
|
|
Box
35
Folder
1
|
Revisions, undated
|
|
|
Box
35
Folder
1
|
Revised Script, based on a story by Harold Lawlor, June 5, 1961
|
|
|
Box
35
Folder
2
|
Revised Script, based on a story by Harold Lawlor, June 7, 1961
|
|
|
Box
35
Folder
2
|
Revisions, June 9, 1961
|
|
|
“A Wig for Miss Devore”
|
|
|
Box
35
Folder
3
|
Outline, September 20, 1961
|
|
|
Box
35
Folder
3
|
First Draft Script, based on a story by August Derleth, November 3, 1961
|
|
|
Box
35
Folder
3
|
Second Draft Script, based on a story by August Derleth, November 10, 1961
|
|
|
Box
35
Folder
3
|
Revised Script, based on a story by August Derleth, November 20, 1961
|
|
|
Box
35
Folder
4
|
Revisions, undated
|
|
|
Box
35
Folder
4
|
Script, based on a story by August Derleth, November 21, 1961
|
|
|
Box
35
Folder
4
|
Script, based on a story by August Derleth, November 21, 1961
|
|
|
Box
35
Folder
5
|
Script, based on a story by August Derleth, November 30, 1961
|
|
|
Box
35
Folder
5
|
Revisions, December 1, 1961
|
|
|
“Worse Than Murder”
|
|
|
Box
35
Folder
6
|
Revised Script, teleplay by Mel Goldberg from a story by Evelyn Breckman, Revised by Donald Sanford, August 23, 1960
|
|
|
Box
35
Folder
6
|
Revised Script, teleplay by Mel Goldberg from a story by Evelyn Breckman, August 28, 1960
|
|
|
Box
35
Folder
6
|
Revisions, August 31, 1960
|
|
|
Box
35
Folder
7
|
Revised Script, teleplay by Donald Sanford and Mel Goldberg from a story by Evelyn Breckman, August 31, 1960
|
|
|
Twelve O'Clock High (Quinn Martin in association with 20th Century Fox, 1964-1967. Original telecast on ABC)
|
|
|
“An Act of War”
|
|
|
Box
35
Folder
8
|
Notes, Correspondence, and Review, April 1-December 25, 1964
|
|
|
Box
35
Folder
8
|
Outline, March 28, 1964
|
|
|
Box
35
Folder
8
|
First Draft Script, April 15, 1964
|
|
|
Box
35
Folder
9
|
Second Draft Script, April 28, 1964
|
|
|
Box
36
Folder
1
|
First Draft Script, May 6, 1964
|
|
|
Box
36
Folder
1
|
Two Final Scripts, May 11, 1964
|
|
|
“The Hours Before Dawn”
|
|
|
Box
36
Folder
2
|
Notes, May-June, 1964
|
|
|
Box
36
Folder
2
|
Outline, “The Captives,” May 4, 1964
|
|
|
Box
36
Folder
2
|
First Draft Script, “The Captives,” May 27, 1964
|
|
|
Box
36
Folder
3
|
Second Draft Script, “The Captives,” June 1, 1964
|
|
|
Box
36
Folder
3
|
Third Draft Script, July 6, 1964
|
|
|
Box
36
Folder
3
|
Final Script, July 29, 1964
|
|
|
The Virginian (Universal for NBC, 1962-1970)
|
|
|
“50 Days to Moose Jaw”
|
|
|
Box
36
Folder
4
|
Short Story, “Where the Wild Geese Come From,” by Bill Gulick, undated
|
|
|
Box
36
Folder
4
|
Two Outlines, “Where the Wild Geese Come From,” undated
|
|
|
Box
36
Folder
4
|
First Draft Script, “Where the Wild Geese Come From,” co-authored by Maxwell Shane, September 4, 1962
|
|
|
Box
36
Folder
5
|
Revised First Draft, “Where the Wild Geese Come From,” fragment, co-authored by Maxwell Shane, September 10, 1962
|
|
|
Box
36
Folder
5
|
Script, co-authored by Maxwell Shane, September 11, 1962
|
|
|
Box
36
Folder
6
|
Revised Script, co-authored by Maxwell Shane, September 19, 1962
|
|
|
Box
36
Folder
6
|
Revised Script, co-authored by Maxwell Shane, October 5, 1962
|
|
|
Wagon Train (Revue Productions, 1957-1962. Original telecast on NBC. Telecast on ABC, , 1962-1965)
|
|
|
“The Swift Cloud Story”
|
|
|
Box
36
Folder
7
|
Correspondence, Clipping, 1959, 1962
|
|
|
Box
36
Folder
7
|
Outline, undated
|
|
|
Box
36
Folder
7
|
First Draft Script, December 16, 1958
|
|
|
Box
36
Folder
8
|
Second Draft Script, January 2, 1959
|
|
|
Box
36
Folder
8
|
Script, January 8, 1959
|
|
|
Box
37
Folder
1
|
Revised Script, January 23, 1959
|
|
|
Box
37
Folder
1
|
Revised Script, January 28, 1959
|
|
|
Box
37
Folder
1
|
Revised Script, February 2, 1959
|
|
|
Box
37
Folder
1
|
Revisions, February 5, 1959
|
|
|
Wide Country (Revue-Gemini Productions, 1962-1963. Original telecast on NBC)
|
|
|
“The Royce Bennett Story”
|
|
|
Box
37
Folder
2
|
Revised Outline, June 13, 1962
|
|
|
Box
37
Folder
2
|
First Draft Script, July 2, 1962
|
|
|
Box
37
Folder
3
|
Script, annotated, July 3, 1962
|
|
|
Box
37
Folder
3
|
Second Draft Script, July 18, 1962
|
|
|
Box
37
Folder
3
|
Third Draft Script, July 21, 1962
|
|
|
Box
37
Folder
4
|
Script, July 25, 1962
|
|
|
Box
37
Folder
4
|
Revised Script, August 2, 1962
|
|
|
Box
37
Folder
4
|
Revisions, August 2-13, 1962
|
|
|
Box
37
Folder
4
|
Clipping, September 20, 1962
|
|
|
Series: Motion Pictures
|
|
|
Casino Royale (Famous Artists Productions, 1967. Columbia)
|
|
|
Box
37
Folder
5
|
Book, by Ian Fleming, 1953
|
|
|
Box
37
Folder
6
|
Correspondence, June-September, 1964
|
|
|
Revisions, Notes, and Miscellany
|
|
|
Box
37
Folder
7
|
1964, April-October 21
|
|
|
Box
37
Folder
8
|
1964, October 27, undated
|
|
|
Box
37
Folder
9
|
Treatment and Script Fragment, by James Cavanah [?], undated
|
|
|
Box
38
Folder
1
|
Script, by Ben Hecht, April, 1964
|
|
|
Box
38
Folder
2
|
Script, by Ben Hecht, annotated by Donald Sanford, April, 1964
|
|
|
Box
38
Folder
3
|
Script, by Ben Hecht, Revised by Donald Sanford, June 11, 1964
|
|
|
Box
38
Folder
4
|
Script, by Ben Hecht, Revised by Donald Sanford, July 20, 1964
|
|
|
Revised Script, by Norman Foster, September 26, 1964)
|
|
|
Box
38
Folder
5
|
pp. 1-100
|
|
|
Box
38
Folder
6
|
pp. 101-158
|
|
|
The Crystallised Carbon Pig (Unproduced. Marvin Swatltz Productions)
|
|
|
Box
39
Folder
1
|
Research and Miscellany, 1966-1970
|
|
|
Box
39
Folder
2
|
Nine Story Lines and Notes, August 28-September 21, 1967
|
|
|
Box
39
Folder
3
|
First Draft Script, October 16, 1967
|
|
|
Midway (Mirisch Corporation, 1976. Universal)
|
|
|
Box
39
Folder
4
|
Research Material, undated
|
|
|
Box
39
Folder
5
|
Notes and Revisions, 1973-1975
|
|
|
Box
39
Folder
6
|
Correspondence, April-August, 1975
|
|
|
Box
39
Folder
7
|
Scene Outline, First Draft, November 18, 1971
|
|
|
Box
39
Folder
8
|
Revised Outline of Scenes, December 6, 1971
|
|
|
Box
39
Folder
9
|
First Draft Script, annotated, undated
|
|
|
Box
40
Folder
1
|
Script, “The Battle of Midway,” February 21, 1972
|
|
|
Box
40
Folder
2
|
Second Draft Script, “The Battle of Midway,” March 10, 1972
|
|
|
Box
40
Folder
3
|
Edited Version of 10 Mar 1972 Script, “Battle,” March 10, 1972
|
|
|
Box
40
Folder
4
|
Revised Script, “Battle,” May 14, 1972
|
|
|
Box
40
Folder
5
|
Revised Script, “Battle,” May 19, 1972
|
|
|
Box
40
Folder
6
|
Revisions, May 19, 1972
|
|
|
Box
40
Folder
6
|
Revised Script, “The Battle of Midway,” June 5, 1972
|
|
|
Box
40
Folder
7
|
First Final Draft Pages, replaced, circa 1972
|
|
|
Box
40
Folder
8
|
First Final Rewrite Script, August, 1974
|
|
|
Box
41
Folder
1
|
Script, fragment, “Battle,” September 25, 1974
|
|
|
Box
41
Folder
2
|
Script, “Battle,” September 25, 1974
|
|
|
Box
41
Folder
3
|
Revised Script, “Battle,” September, 1974
|
|
|
Box
41
Folder
4
|
Revisions to First Draft Rewrite, September, 1974
|
|
|
Box
41
Folder
5
|
Revisions and Notes, September, 1974-June, 1975
|
|
|
Box
41
Folder
6
|
Rough Draft Script, “The Battle of Midway,” annotated, 1974
|
|
|
Box
41
Folder
7
|
Revised Script, fragment, April 14, 1975
|
|
|
Box
41
Folder
8
|
Revised Script, annotated, April 14, 1975
|
|
|
Box
42
Folder
1
|
Revisions, May 21-June 2, 1975
|
|
|
Mosquito Squadron (Mirisch Co. Productions. Oakmont, 1968. United Artists)
|
|
|
Box
42
Folder
2
|
Correspondence, May 1-September 25, 1968
|
|
|
Box
42
Folder
2
|
Script, by Guy Elmes, November 15, 1967
|
|
|
Box
42
Folder
3
|
Three Story Outlines, March 4-10, 1968
|
|
|
Box
42
Folder
3
|
First Draft Script, March 19, 1968
|
|
|
Box
42
Folder
4
|
Revision Notes, April 4, 1968
|
|
|
Box
42
Folder
4
|
Second Draft Script, May 1, 1968
|
|
|
Box
42
Folder
5
|
Final Script, May 7, 1968
|
|
|
Box
42
Folder
5
|
Script, fragment, June 14, 1968
|
|
|
Box
42
Folder
5
|
Revisions, June 19-20, 1968
|
|
|
The Ravagers (Cinacorp Productions, 1979. Columbia Pictures)
|
|
|
Correspondence
|
|
|
Box
42
Folder
6
|
1969-1973
|
|
|
Box
42
Folder
7
|
1974-1978
|
|
|
Box
42
Folder
8
|
Notes and Clippings, circa 1970-1978
|
|
|
Box
42
Folder
9
|
Film Budget, undated
|
|
|
Box
42
Folder
10
|
Television Outlines, “Genesis Discovered” and “The Placer,” undated
|
|
|
Box
43
Folder
1
|
Script, “Path to Savagery,” undated
|
|
|
Box
43
Folder
2
|
Script, “Path to Savagery,” undated
|
|
|
Box
43
Folder
3
|
First Draft Script, “Path to Savagery,” undated
|
|
|
Box
43
Folder
4
|
First Draft Script, “Path to Savagery,” undated
|
|
|
Box
43
Folder
5
|
First Revised Script, “Path to Savagery,” undated
|
|
|
Box
43
Folder
6
|
Script, “Path to Savagery,” undated
|
|
|
Box
43
Folder
7
|
Script, “Path to Savagery,” undated
|
|
|
Box
43
Folder
8
|
Out Pages from First Draft, “Path to Savagery,” undated
|
|
|
Box
43
Folder
9
|
Revised Script and Miscellaneous Notes, “Path to Savagery,” April 8, 1972
|
|
|
Box
44
Folder
1
|
Script, “Path to Savagery,” May 2, 1972
|
|
|
Box
44
Folder
2
|
Script, annotated, “The Scavengers,” May 2, 1972
|
|
|
Box
44
Folder
3
|
Notes, by Alan A. Armer, undated
|
|
|
Box
44
Folder
4
|
Script, “The Scavengers,” June 12, 1972
|
|
|
Box
44
Folder
5
|
Script, revised setting from store to ocean liner, October 23, 1972
|
|
|
Box
44
Folder
6
|
Script, “The Scavengers,” annotated, October 23, 1972
|
|
|
Box
44
Folder
7
|
Script, Revised, “The Scavengers,” January 3, 1973
|
|
|
Box
44
Folder
8
|
Revisions and Notes, May 31, 1973-January 27, 1974
|
|
|
Box
44
Folder
9
|
Revisions, “The Scavengers,” July 10, 1973
|
|
|
Box
44
Folder
10
|
Revised Script, “The Scavengers,” August 21, 1973
|
|
|
Box
45
Folder
1
|
Script, “The Scavengers,” old version with priest and earthquake, undated
|
|
|
Box
45
Folder
2
|
First Draft AIP Rewrite, “The Scavengers,” annotated, December 20, 1973-January 9, 1974
|
|
|
Box
45
Folder
3
|
Second Draft AIP Rewrite, “Scavengers,” annotated, December 20, 1973-January 24, 1974
|
|
|
Box
45
Folder
4
|
First Draft Script of AIP Rewrite, fragment, “The Scavengers,” December 30, 1973-January 9, 1974
|
|
|
Box
45
Folder
5
|
First Draft Script for AIP, “The Scavengers,” December 30, 1973-January 9, 1974
|
|
|
Box
45
Folder
6
|
Second Draft Revisions of AIP Rewrite, January 19-24, 1974
|
|
|
Box
45
Folder
7
|
Third Draft Revisions, “The Scavengers,” February 2, 1974
|
|
|
Box
45
Folder
8
|
Revised Script, February 2, 1974
|
|
|
Box
45
Folder
9
|
Script, fragment with revised endings and most Neanderthaler references omitted, February-July, 1974
|
|
|
Box
45
Folder
10
|
Two Scripts, fragments, re Neanderthaler, October 8, 1974
|
|
|
Box
45
Folder
11
|
Script, fragment, October 14, 1974
|
|
|
Box
46
Folder
1
|
Script, October 18, 1974
|
|
|
Box
46
Folder
2
|
Script, with Neanderthaler references, 1974
|
|
|
Box
46
Folder
3
|
Out Pages with Neanderthaler references, 1974
|
|
|
Box
46
Folder
4
|
Script, re Rann and Falk fight and Falk leads defenders, 1974?
|
|
|
Box
46
Folder
5
|
Script, fragment, undated
|
|
|
Box
46
Folder
6
|
Script, undated
|
|
|
Submarine X-1 (Mirisch, 1969. United Artists)
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Box
46
Folder
7
|
Correspondence and Clipping, May-November, 1967
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Box
46
Folder
7
|
Outline, “The Iron Men,” by John C. Champion, undated
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Box
46
Folder
8
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Script, “The X-Men,” by Edmund H. North, based on the story by John Champion, January 13, 1967
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Box
46
Folder
9
|
Script, “The Iron Men,” fragment, by John Champion, undated
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Box
46
Folder
9
|
Script, “The Iron Men,” story by John Champion, May 1, 1967
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Box
46
Folder
10
|
Script, “The Iron Men,” May 1, 1967
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Box
46
Folder
11
|
Revisions, circa April 11-May 1, 1967
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|
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Box
47
Folder
1
|
Final Revised Script, co-authored by Guy Elmes, August 17, 1967
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|
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The Thousand Plane Raid (Mirisch Co. - United Artists)
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Box
47
Folder
2
|
Novel, by Ralph Barker, and Notes, circa 1965-1966
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Box
47
Folder
3
|
Treatment, “The Big Raid,” by Robert Vincent Wright November 21, 1966
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Box
47
Folder
3
|
First Draft Script, “The Big Raid,” fragment, January 11, 1967
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Box
47
Folder
4
|
Second Draft Script, “The Big Raid,” fragment, January 27, 1967
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Box
47
Folder
4
|
Revisions, February 1-10, 1967
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|
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Box
47
Folder
4
|
Revised Original Script, February 16, 1967
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Box
47
Folder
5
|
Revised Original Script, February 16, 1967
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Box
47
Folder
6
|
First Draft Script, February 27, 1967
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Box
47
Folder
7
|
Revisions and Notes, March-November, 1967
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Box
47
Folder
8
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Revised Script, December 5, 1967
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Box
47
Folder
9
|
Revisions and Notes, December 18-26, 1967
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Box
48
Folder
1
|
Revised Script, December 22, 1967
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Box
48
Folder
2
|
Revised Script, January 4, 1968
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Box
48
Folder
3
|
Revised Shooting Script, January 10, 1968
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Box
48
Folder
4
|
Revised Shooting Script, January 11, 1968
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Box
48
Folder
5
|
Revisions, January 29, 1968
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|
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Series: Novels
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|
Midway (New York: Bantam Books, 1976)
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Box
48
Folder
6
|
Typescript, undated
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Box
48
Folder
7
|
Draft, annotated, undated
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|
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Box
49
Folder
1
|
Draft, annotated, undated
|
|
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Box
49
Folder
2
|
Draft, annotated, undated
|
|
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Box
49
Folder
3
|
Draft, annotated, undated
|
|
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Box
49
Folder
4
|
Typescript, fragment, and Revision, undated
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|
|
Typescript
|
|
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Box
49
Folder
5
|
Chapters 1-10, undated
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|
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Box
49
Folder
6
|
Chapters 11-23, undated
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|
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Box
49
Folder
7
|
Chapters 24-29, undated
|
|
|
Typescript
|
|
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Box
50
Folder
1
|
Chapters 10-11, undated
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|
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Box
50
Folder
2
|
Chapters 12-23, undated
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Box
50
Folder
3
|
Chapters 24-30, undated
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Box
50
Folder
4
|
Book, paperback, 1976
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|
|
Series: Radio
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|
|
Martin Kane, Private Eye (Mutual, 1949-1952)
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|
|
Episode #14
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Box
50
Folder
5
|
Script, annotated, October 21, 1949
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|
|
“Episode #15
|
|
|
Box
50
Folder
6
|
Revised Script, annotated, November 20, 1949
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|
|
Episode #16
|
|
|
Box
50
Folder
7
|
Script, annotated, November 27, 1949
|
|
|
Episode #17
|
|
|
Box
50
Folder
8
|
Script, annotated, December 4, 1949
|
|
|
Episode #18
|
|
|
Box
50
Folder
9
|
Script, annotated, December 11, 1949
|
|
|
Episode #19
|
|
|
Box
50
Folder
10
|
Script, annotated, December 18, 1949
|
|
|
Episode #20
|
|
|
Box
50
Folder
11
|
Script, annotated, December 25, 1949
|
|
|
Episode #21
|
|
|
Box
50
Folder
12
|
Script, annotated, January 1, 1950
|
|
|
Episode #22
|
|
|
Box
50
Folder
13
|
Script, annotated, January 8, 1950
|
|
|
Episode #23
|
|
|
Box
50
Folder
14
|
Script, annotated, January 15, 1950
|
|
|
Episode #24
|
|
|
Box
50
Folder
15
|
Script, annotated, January 22, 1950
|
|
|
Episode #25
|
|
|
Box
50
Folder
16
|
Script, annotated, January 29, 1950
|
|
|
Episode #26
|
|
|
Box
50
Folder
17
|
Script, annotated, February 5, 1950
|
|
|
Episode #125
|
|
|
Box
51
Folder
1
|
Script, annotated, December 30, 1951
|
|
|
Episode #126
|
|
|
Box
51
Folder
2
|
Script annotated, January 6, 1952
|
|
|
Episode #127
|
|
|
Box
51
Folder
3
|
Script, annotated, January 13, 1952
|
|
|
Episode #128
|
|
|
Box
51
Folder
4
|
Script, annotated, January 20, 1952
|
|
|
Episode #129
|
|
|
Box
51
Folder
5
|
Script, annotated, January 27, 1952
|
|
|
Episode #130
|
|
|
Box
51
Folder
6
|
Script, annotated, February 3, 1952
|
|
|
Episode #131
|
|
|
Box
51
Folder
7
|
Script, annotated, February 10, 1952
|
|
|
Episode #132
|
|
|
Box
51
Folder
8
|
Script, annotated, February 17, 1952
|
|
|
Episode #133
|
|
|
Box
51
Folder
9
|
Script, annotated, February 24, 1952
|
|
|
Episode #134
|
|
|
Box
51
Folder
10
|
Script, annotated, March 2, 1952
|
|
|
Episode #135
|
|
|
Box
51
Folder
11
|
Script, annotated, March 9, 1952
|
|
|
Episode #136
|
|
|
Box
51
Folder
12
|
Script, annotated, March 16, 1952
|
|
|
Episode #137
|
|
|
Box
51
Folder
13
|
Script, annotated, March 23, 1952
|
|
|
Yours Truly, Johnny Dollar (CBS, 1949-1962)
|
|
|
“The Bay City Life Matter”
|
|
|
Box
51
Folder
14
|
Script, undated
|
|
|
“The Bobby Foster Matter”
|
|
|
Box
51
Folder
15
|
Script, undated
|
|
|
Box
51
Folder
15
|
Script, November 10, 1953
|
|
|
Box
51
Folder
15
|
Script, annotated as broadcast, November 10, 1953
|
|
|
“The Independent Diamond Traders' Matter”
|
|
|
Box
51
Folder
16
|
First Draft Script, undated
|
|
|
Box
51
Folder
16
|
Second Draft Script, undated
|
|
|
Box
51
Folder
17
|
Script, November 24, 1953
|
|
|
Box
51
Folder
17
|
Revised Script, November 24, 1953
|
|
|
Box
51
Folder
17
|
Script, annotated, November 24, 1953
|
|
|
“The Millionaire Tramp Matter”
|
|
|
Box
51
Folder
18
|
Script, undated
|
|
|
Box
51
Folder
18
|
Script, November 3, 1953
|
|
|
“The Sara Dearing Matter”
|
|
|
Box
51
Folder
19
|
First Draft Script, undated
|
|
|
Box
51
Folder
19
|
Second Draft Script, undated
|
|
|
Box
51
Folder
19
|
Script, December 29, 1953
|
|
|
Box
51
Folder
20
|
Revised Script, annotated as broadcast, June 8, 1954
|
|
|
