Title: Gilbert Hemsley Papers
Inclusive Dates: 1948-1980

Creator:

• Hemsley, Gilbert, 1936-

Call Number: U.S. Mss 178AN

Quantity: 36.6 c.f. (89 archives boxes, 12 oversize files)

Repository:

Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research
Contact Information

Archival Locations:

COLLECTION MAY BE STORED OFF-SITE: see catalog entry to request materials and for additional information.

Wisconsin Historical Society (Map)

Abstract:

Papers of Gilbert Hemsley, a lighting designer, production manager, and University of Wisconsin theater and drama professor. The collection consists primarily of production files and includes technical materials for a variety of ballet, dance, opera, theater, and special productions. Some were the result of cultural exchanges with countries such as China, the Soviet Union, and Cuba. Personal, academic, and professional files comprise the remainder of the papers. The collection includes materials from Hemsley's work with the American Ballet Theatre, Bolshoi Ballet, National Ballet of Cuba, Stuttgart Ballet, Wisconsin Ballet Company, Boston Opera Company, Houston Grand Opera, Metropolitan Opera Company, New York City Opera, The Performing Arts Company of the People's Republic of China, and many other performing companies. Theater files are primarily from productions in Madison, Wisconsin, and in numerous regional theaters across the country. Among the special productions are Jimmy Carter's 1976 inaugural ball and an industrial show by Oldsmobile.

Language: English

URL to cite for this finding aid: http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0178an

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Gilbert Vaughan Hemsley, Jr., internationally-known lighting designer, production manager, and Theatre and Drama Department professor at the University of Wisconsin, was born March 19, 1936, in Bridgeport, Connecticut, where his father, an Episcopal clergyman, had his first ministry. Hemsley made his first stage appearance at the age of 12 in an Alexandria Bay, New York, production of Life with Father and continued to work with local theater groups as a teenager. In 1954 he entered Yale University where he was actively involved in Dramat, the undergraduate dramatic club. Although he began as an actor with this club, it was here that Hemsley became interested in stage lighting. By his sophomore year he had become its lighting designer and later held a series of production manager positions with Dramat. Hemsley received a B.A. in history in 1957 and the same year entered Yale's Drama School where he worked under Stanley McCandliss, who organized the first systematic study of stage lighting. (When Hemsley began in this field much of the lighting was still being done by electricians who were not concerned with the artistic expression that lighting could contribute to a production.) While at Yale, Hemsley worked at the Shubert Theatre in New Haven, Connecticut, as a technical director, production manager, and lighting designer for Group 20, an acting company located in Wellesley, Massachusetts.

After receiving his M.F.A. in 1960, Hemsley was hired by the McCarter Theatre Complex, a continuous drama experiment with its own repertory company, located in Princeton, New Jersey. There he served as production stage manager and lighting designer for the series of concerts, ballets, plays, dance concerts, movies, and children's shows which this group sponsored. He eventually became one of two associate producers serving the McCarter and was responsible for its overall scheduling and physical operation. While working at this theater from 1960-1965, Hemsley also held other lighting and production assignments. For example, in 1961 he assisted Tharon Musser at the American Theatre Festival in Boston. A year later he managed a summer theater and restaurant in Rhode Island and in the fall of the same year he stage managed for the Dallas Civic Opera. In 1964/65 he designed the lighting for the Phoenix Theatre-APA off-Broadway productions of Judith, Man and Superman, and War and Peace.

Hemsley resigned from the McCarter Theatre in 1965 and during the next few years worked on a variety of assignments. As an assistant to Jean Rosenthal, he helped light the 1966 Dallas Opera season. He also lit a season of the Pittsburgh Repertory Company and tours of the Boston Opera Company and the American Ballet Theatre. In addition he served as a guest lecturer at several universities including Yale, Adelphi, Temple, Stanford, Syracuse, and others. Hemsley was a visiting faculty member at the University of Wisconsin for brief periods in 1969 and 1970 and in the latter year accepted a faculty position with that University. While teaching, lighting, and occasionally directing university productions at Wisconsin, he also continued to accept outside work assignments. Hemsley was often accompanied on these engagements by his students who received on-the-job training in a variety of professional stage productions. Among his major outside activities were seasons and tours for ballet companies such as the American Ballet Theatre, the Australian Ballet, the Bolshoi Ballet, the National Ballet of Cuba, and the Stuttgart Ballet; for dance troups such as the Martha Graham Center for Contemporary Dance and the Performing Arts Company of the People's Republic of China; and for opera companies in Boston, Chicago, Dallas, Houston, and New York plus a tour of the Bolshoi Opera. In addition Hemsley designed the lighting for Leonard Bernstein's Mass and for Broadway plays such as Cyrano, Jumpers, a revival of The Most Happy Fella, and Sugar Babies. He also designed the lighting for concert artists ranging from Van Cliburn to Odetta; for Jimmy Carter's 1976 Inaugural Gala; for the new Shell of the Hollywood Bowl; for the Cave of the Mounds in Blue Mounds, Wisconsin; and interior lighting for cafes and art works.

Hemsley often does as much overall managing of a production as lighting design. He was the first lighting designer admitted to associate membership by the United Scenic Artists. Acknowledged as “the Rembrandt of lighting,” Hemsley's designing expertise is sought on a variety of productions.

The Gilbert Hemsley Papers document his career as a lighting designer, production manager, and university professor. The majority of the collection consists of technical lighting production materials such as light plots, hanging plots, ground and section plans, blocking sheets, preset and cue sheets, track sheets, focus charts, electrics, cardboards, hook ups, cheat sheets, and color files. Other production materials such as synopses; scripts; vocal scores; librettos; scene breakdowns; equipment, costume, and prop lists; manifests; costume sketches; fabric swatches; set designs; budgets and financial materials; casting files; contracts; schedules; running and timing-sheets; performance reports; production notebooks; notes; reviews and clippings; playbills; correspondence; and miscellany are also included.

The production materials document Hemsley's involvement in the lighting design and stage management for numerous works of ballet, dance, opera, and theater. In addition to studying Hemsley's own career, the collection permits a study of various ballet, opera, and dance companies and the works they performed. The production materials also document international cultural exchanges with countries such as China, the Soviet Union, and Cuba. Files pertaining to other professional activities such as organizational meetings and conventions; professorial and teaching duties; and miscellaneous, fragmentary personal materials are also included. The collection has been organized in seven series: a General File, Ballet, Opera, Dance, Theater, Specials, and Oversize Plots, Plans, and Designs.

The GENERAL FILE consists of both personal and professional papers and contains the non-production-oriented records. The first section of this series is composed of general materials organized by record type. Correspondence includes both personal and professional communications with colleagues, family, and friends; some of these letters discuss specific productions on which Hemsley was then involved. Also included is an introduction to a proposed text on stage lighting which Hemsley was to co-author. The second section of this series contains academic and university files relating to his student career at Yale and his teaching career at Wisconsin. The Yale materials include essays; assignments including early designs and sketches; and a draft of his thesis, while the Wisconsin materials include student assignments and departmental memoranda, minutes, and notes. The third major section of the General File pertains to the various associations and organizations with which Hemsley was associated. Among these are the Association of Producing Artists, the McCarter Theatre, and the United Scenic Artists. Miscellaneous materials from conferences at which Hemsley spoke are also included. The final section in the series are assorted plots, plans, and technical information for miscellaneous theaters around the country.

The BALLET FILE is alphabetically arranged by ballet company and includes works of the American Ballet Theatre; the Australian Ballet; Ballet Folklorico de Mexico; Bolshoi Ballet and Bolshoi Dance Academy; the Eliot Feld Ballet; the Les Grandes Ballets Canadians; the National Ballet of Cuba; the Princeton Regional Ballet; the Royal Swedish Ballet; the Stuttgart Ballet; the Wisconsin Ballet Company and others. Arrangement thereunder varies and may be by season, place, production title, or record type. The series concludes with files relating to the summer 1975 Hurok Concert which consisted of tours of the Bolshoi Ballet, Bolshoi Opera, and the Stuttgart Ballet. The concert was planned as a package, and many of the files relate to more than one section of the tour. When possible, the files were separated by production type.

The OPERA series is arranged alphabetically by opera company with arrangement thereunder by production title. Among the companies represented are the Boston Opera Company (also known as the Opera Company of Boston), the Dallas Civic Opera Company, the Florida Symphony Society, the Greater Miami Opera, the Houston Grand Opera, the Lyric Opera Company, the Madison Civic Opera, the Metropolitan Opera Company, the New York City Opera, the Opera Society of Washington, D.C., the University of Wisconsin Opera, and others. Productions include works such as Aida, The Barber of Seville, Cosi Fan Tutte, The Crucible, Lucrezia Borgia, Porgy and Bess, Rigoletto, The Rise and Fall of the City of Mahagonny, La Traviata, and War and Peace. Several operas were performed by more than one company and thus lend themselves to comparative study of Hemsley's techniques. The series ends with materials relating to Leonard Bernstein's Mass, a work originally commissioned for the opening of the Kennedy Center in Washington, D.C. The work has been described as both theater and opera; however, for the purposes of this register, it has been organized with the opera materials.

The DANCE file documents the works of companies such as the Alvin Ailey Dance Theatre, the Glen Tetley Dance Company, the Joffrey II Dancers, Norman Walker and Dance Company, and the Performing Arts Company of the People's Republic of China. Arrangement is by company, or by production title if the company is unknown.

The THEATER series contains works of Broadway, regional, and university theater. Included are plays such as Adventures of the Black Girl in Her Search for God; Benito Cerno; Brecht, Sacred and Profane, Cyrano, The Headhunters, In the Matter of J. Robert Oppenheimer, Jumpers, Love and Master Will, A Man for All Seasons, The Most Happy Fella, Murderous Angels, Nefertiti, Royal Hunt of the Sun, Sugar Babies, and War and Peace.

The OVERSIZE PLOTS, PLANS, AND DESIGNS focus on several productions plus miscellaneous building plans, a schedule, a lighting exam, and unidentified materials. Production-related materials have been cross listed in the appropriate section of the Contents List below.

Acquisition Information

Placed on deposit by Gilbert Hemsley, Madison, Wisconsin, 1977-1980. Accession Number: MCHC77-82, MCHC78-74, MCHC80-43

Processing Information

Processed by Lita Kurth, Cathy Hagman, Alice Siemering, and Christine Rongone, August 1980.

	Series: General File
Box   1 Folder   1	Agenda, itineraries, and schedules, 1964-1979, undated
Box   1 Folder   2	Address book and phone lists, 1976, undated
Box   1 Folder   3	Awards, certificates, and diploma, 1960, 1975, undated
	Biographical information
Box   1 Folder   4	General, circa 1962-1975
Box   1 Folder   5	Clippings, circa 1957-1977, undated
Box   1 Folder   6	Calendars, 1969-1970, 1973-1974
Box   1 Folder   7	Clippings, general and re: productions, circa 1963-1980
	Contracts
Box   1 Folder   8	General, 1962-1975
Box   1 Folder   9	Union contract, Theatrical Protective Union #1, 1972-1975
	Correspondence, general
Box   1 Folder   10-11	1963-1972
Box   2 Folder   1-4	1973-1979, undated
	Financial papers
Box   2 Folder   5-8	1962-1969
Box   3 Folder   1-7	1970-1977, undated
Box   3 Folder   8	Grant application, 1974
Box   3 Folder   9	Miscellany, undated Note: Also see Oversize File
Box   3 Folder   10	Resumes, 1972-1975, undated
Box   3 Folder   11	Speeches and notes, 1964, 1976, undated
	Writings
Box   3 Folder   12	Proposed text, Creative Stage Lighting, introduction by Gilbert Hemsley, Jr. and Alan Jay Adelman, undated
Box   3 Folder   13	By others, 1967, undated
	Academic and university materials
	University of Wisconsin
Box   3 Folder   14	Correspondence, 1970-1978
Box   3 Folder   15	Departmental memoranda, minutes, and notes, 1970-1976
Box   4 Folder   1	Teaching and professional schedules, 1974, 1976
Box   4 Folder   2	Class and grade lists, 1971, 1976
Box   4 Folder   3-6	Class assignment, handouts, notes, 1972-1974, undated
Box   4 Folder   7-10	Student papers in Theater Management, 1971-1975
Box   4 Folder   11	M.F.A. comprehensive questions, 16 June 1975
Box   4 Folder   12	M.F.A. thesis, “Scenic Projections: Designs for Trotsky in Exile,” by Daniel Rehl Keyser, 1975
	Vilas Hall
Box   4 Folder   13	Specifications and notes, circa 1971
Box   4 Folder   14	Equipment budget, November 1971
Box   5 Folder   1	Project outline, “A Model of Technical Department Organization for Civic and Regional Ballet Companies,” undated
	Yale University
Box   5 Folder   2	Publications and miscellany, including Yale Dramat for The Great Gatsby and Let's Do It, circa 1956, 1967, 1970
Box   5 Folder   3	A Syllabus of Stage Lighting, by Stanley McCandless, 1956
Box   5 Folder   4	Biology experiment notebook, 1950-1951
Box   5 Folder   5	Drama 115 assignments, including sketches, circa 1951
Box   5 Folder   6	Class assignments, 3 set designs, by Gilbert Hemsley, circa 1958
Box   5 Folder   7-8	Senior essay, “History: Isaac Watts and the Evangelical Revolution,” January 1957
Box   5 Folder   9	Thesis?, A History of Stage Lighting, 1960
	Associations and organizations
Box   5 Folder   10	American Theatre Association, 1974-1975, undated
	Association of Producing Artists
Box   5 Folder   11	At the University of Michigan-Ann Arbor, 1963-1964, 1967, undated
Box   5 Folder   12	At the Phoenix Theatre, circa 1964-1967
Box   6 Folder   1	Phoenix Theatre, correspondence, 1964-1965
Box   6 Folder   2	Center Theatre Group, Mark Taper Forum, 1968
	Central Opera Service - Ninth Conference
Box   6 Folder   3	Program, “The Challenge of Opera Today,” 1968
Box   6 Folder   4	Developing the Arts through Public Broadcasting, held in Madison, Wisconsin, 18 April 1979
Box   6 Folder   5	First American Congress of Theatre, held 2-6 June 1974
Box   6 Folder   6	Lighting 2000: World Colloquium, May 1971
	McCarter Theatre (Princeton, New Jersey)
Box   6 Folder   7	Correspondence, circa 1963-1965
Box   6 Folder   8	Expense statements, 1963-1965
Box   6 Folder   9	Light plot, 1965
Box   6 Folder   10	Notebook of schedules, playbill, 1964-1965
Box   6 Folder   11	Reports, schedules, press releases, circa 1963-1964
Box   6 Folder   12	Technical Assistance Group (TAG) Foundation, Ltd., 1975
Box   6 Folder   13	United Scenic Artists, 1963-1979, undated
Box   6 Folder   14	U.S. Institute for Theatre Technology, including program for Visions in Space, circa 1969-1974, undated
	Lighting Equipment
Box   6 Folder   15	Brochures and price lists, 1972, undated
Box   6 Folder   16	Correspondence, 1972
Box   6 Folder   17	Autocue System, 1974
Box   6 Folder   18	Cliegl Brothers, 1971-1977
Box   6 Folder   19	SCR Digitrol, Inc., undated
Box   6 Folder   20	Summer Theater Directory, 1970
Box   6 Folder   20	Theater list, undated
	Theater buildings
Box   7 Folder   1	Academy of Music, Philadelphia, line plots and miscellany, July 1969, undated
Box   7 Folder   2	Alvin Theatre, New York, stage plan, undated Note: Also see Oversize File
Box   7 Folder   3	Assembly Hall, Champaign, Illinois, technical information, 17 May 1965
Box   7 Folder   4	Auditorium Music Hall, Memphis, Tennessee, technical information, March 1974
Box   7 Folder   5	Auditorium Theatre, Denver, Colorado, miscellany, undated
Box   7 Folder   6	Aquarius Theatre, cheat sheet, February 1971
Box   7 Folder   7	Calvin C. Flint Center for the Performing Arts, Cupertino, California, stage layout and ground plots, 1969, 1971, undated
Box   7 Folder   8	City Center, New York, plan, undated
Box   7 Folder   9	Civic Theatre, San Diego, California, stage dimensions, undated
Box   7 Folder   10	Columbia Township Auditorium, Columbia, South Carolina, stage dimensions, undated
Box   7 Folder   11	Dorothy Chandler Pavilion, Los Angeles, ground plan, undated
Box   7 Folder   12	Festival Hall, Japan?, stage plan, brochure, undated
Box   7 Folder   13	Festival Stage, Ypsilanti, Michigan?, light plot, 1961
Box   7 Folder   14	Fresno Convention Center, Fresno, California, miscellany, undated
Box   7 Folder   15	Garden State Arts Center, Holmdel, New Jersey, stage dimensions, undated
Box   7 Folder   16	Guthrie Theatre, Minneapolis, materials list, 1973 Note: Also see Oversize File
Box   7 Folder   17	Horace Bushnell Memorial Hall, Hartford, Connecticut, information sheet, April 1974
Box   7 Folder   18	Houston Grand Opera, ground plan, 12 December 1973
	John F. Kennedy Center, Washington, D.C.
Box   7 Folder   19	General, circa 1966-1973 Note: Also see Oversize File
Box   7 Folder   20	Eisenhower Theatre, reports, notes, plans, circa 1971, undated
Box   7 Folder   21	Opera House, plans, lists, miscellany, circa 1971-1972, undated Note: Also see Oversize File
Box   7 Folder   22	Kiel Auditorium, St. Louis, Missouri, technical information, 2 July 1979
Box   7 Folder   23	Lydia Mendelsson Theatre, light plot, undated
Box   7 Folder   24	Madison Civic Center, Madison, Wisconsin, promotional brochure, miscellany, 1976
Box   7 Folder   25	Manitoba Theatre Center, list of accommodations, 1977-1978
Box   7 Folder   26	Mark Taper Forum, Los Angeles, light plot, 1972 Note: Also see Oversize File
Box   7 Folder   27	Memorial Auditorium, Sacramento, California, stage dimensions, undated
Box   7 Folder   28	Metropolitan Opera House, New York, ground and floor plan, 1972, undated Note: Also see Oversize File
Box   7 Folder   29	Music Center, Los Angeles, plan and questionnaire, 1964, undated
Box   7 Folder   30	Music Hall, Boston, stage information, 1963
Box   8 Folder   1	Music Hall Center, plan, undated
Box   8 Folder   2	Northrup Memorial Auditorium, Minneapolis, technical and stage information, line plot, 1969-1972
Box   8 Folder   3	Pittsburgh Playhouse, light plot, 1967-1968
Box   8 Folder   4	Royal Opera House, London?, plot, 1977
Box   8 Folder   5	Shubert Theatre, Boston, plan, undated
Box   8 Folder   6	Theatre-by-the-Sea, Matunuck, procedural manual and employee list, 1962
	University of Wisconsin-Madison
Box   8 Folder   7	Mitchell Theatre and Experimental Theatre, schedule, Spring 1978
Box   8 Folder   8	Walker Art Center Auditorium, Minneapolis, proposal, notes, brochure, 1974
Box   8 Folder   9	Wilmington Playhouse, Wilmington, Vermont, ground plot, hook-up sheets, 1965, undated
Box   8 Folder   10	Wolf Trap, Filene Center, Vienna, Virginia, stage section, brochure, notes, circa 1970 Note: Also see the Oversize File
Box   8 Folder   11	Ypsilanti Greek Theatre, Ypsilanti, Michigan, plans, 1966
Box   8 Folder   12	Zellerbach Hall, Berkeley, California, technical information and lighting plan, 1969
Box   8 Folder   13	Unidentified lighting production materials, undated
	Series: Ballet	⇧
	American Ballet Theatre
Box   9 Folder   1	Brochure, reviews, 1952, 1967, 1974, undated
Box   9 Folder   2	General technical information and unidentified, 1970-1971, undated
Box   9 Folder   3	Tour to Japan, undated
	Fall , 1961
Box   9 Folder   4	Caprichos, 1961
Box   9 Folder   5	Spring Tour 1965, light plot, , February 1965
Box   9 Folder   6	1966 Season, light plots for State Theatre, , 1966
Box   9 Folder   7	Winter Tour 1966, hook-ups, , 1966
	Spring Tour , 1966
Box   9 Folder   8	General technical production file, 1966
Box   9 Folder   9	Combat
Box   9 Folder   10	Dark Elegies
Box   9 Folder   11	Etudes
Box   9 Folder   12	La Fille Mal Gardee
Box   9 Folder   13	Grand Pas Glaz
Box   9 Folder   14	Interplay
Box   9 Folder   15	Miss Julie
Box   9 Folder   16	Nutcracker
Box   9 Folder   17	Pas de Deux
Box   9 Folder   18	Pillar of Fire
Box   9 Folder   19	Les Sylphide
Box   9 Folder   20	Theme and Variations
Box   9 Folder   21	Wind in the Mountains
Box   9 Folder   22-23	Fall Tour 1966, technical production file, , 1966
	Russian Tour , 1966
Box   10 Folder   1	General technical production file, 1966
Box   10 Folder   2-3	Production notebooks, 1966
Box   10 Folder   4	Road Tour 1966, technical production file, , 1966
Box   10 Folder   5	Spring Tour 1967, technical production file, , 1967
	, 1967 Season
Box   10 Folder   6	Swan Lake (Chicago, Opera House, February 1967)
	Plots, plans, and designs, 1967: See the Oversize File
	, 1968 Season
	Brooklyn Academy
Box   10 Folder   7	Plot, December 1968
Box   10 Folder   8	Pulcinella Variations, 1968
	Metropolitan Opera House
Box   10 Folder   9	Plots, 1968
Box   10 Folder   10	Summer Tour 1969, technical production file, , 1969
	, 1969 Season
Box   10 Folder   11	Basic light plot, September 1969
	Auditorium Theatre, Chicago
Box   10 Folder   12	Plan, 1969
	Brooklyn Academy
Box   10 Folder   13	Pulcinella Variations
Box   10 Folder   14	Winter Tour 1970, program listing, , 1970
Box   10 Folder   15	European Tour 1970, technical production file, , 1970
	, 1970 Season
Box   10 Folder   16	General technical production file, 1970
	Plots, plans, and designs, 1970: See the Oversize File
Box   10 Folder   17	Pulcinella Variations
	, 1970/1971 Season
Box   10 Folder   18	General technical production file, 1970-1971
Box   10 Folder   19	Coppelia
Box   11 Folder   1	Gaiete Parisienne
Box   11 Folder   2	Miss Julie
	, 1971 Season
Box   11 Folder   3	Beatrix Cenci (Washington, D.C., Kennedy Center, 1971)
Box   11 Folder   4	Pulcinella Variations
	Miscellaneous and unidentified seasons
Box   11 Folder   5	Petrouchka, review, undated
Box   11 Folder   6	Swan Lake, review, 1975
	Australian Ballet
Box   11 Folder   7	Correspondence, 1970-1971
Box   11 Folder   8	Equipment, 1970, undated
Box   11 Folder   9	Fact sheets, reviews, tickets, 1970-1971
Box   11 Folder   10	Finances, 1971, undated
Box   11 Folder   11	Manifest, 1970
Box   11 Folder   12	Plots and sections, 1970, undated
Box   11 Folder   13	Schedules, lists, 1970-1971
Box   11 Folder   14	Technical production file, general, 1970-1971
Box   11 Folder   15	The Display, undated
Box   11 Folder   16	Divertissements, undated
Box   12 Folder   1	Don Quixote, undated
Box   12 Folder   2	Raymonda, undated
Box   12 Folder   3	Les Rendezvous, undated
Box   12 Folder   4	Sun Music, undated
	Ballet Folklorico de Mexico - , 1975 and 1976 tour
Box   12 Folder   5	Technical production file, 1975-1976
	Plots, plans, and designs, 25 December 1974, undated: See the Oversize File
	Bolshoi Ballet and Bolshoi Dance Academy - , 1973 tour
Box   12 Folder   6-8	Production notebooks, 1973
Box   13 Folder   1-3	General technical production files, 1973
Box   13 Folder   4	Cardboards, 1973
Box   13 Folder   5	Manifests and equipments lists, 1973
Box   13 Folder   6	Running times, 26 June-22 August 1973
Box   13 Folder   7	Schedules, financial materials, reviews, miscellany, 1973
	Ambler, Pennsylvania, Temple University, Festival Hall
Box   13 Folder   8	Technical production file, 1973
	Boston, Music Hall ( 21-22 August 1973)
Box   13 Folder   9	Technical production file, including playbill, 1973
	Chicago, Auditorium ( 6-11 August 1973)
Box   13 Folder   10	Technical production file, including playbill, 1973
	Detroit, Masonic Auditorium
Box   13 Folder   11	Technical production file, including playbill, 1973
	Holmdel, New Jersey, Garden State Arts Center ( 24-26 July 1973) (Performance by the Bolshoi Ballet only)
Box   13 Folder   12	Technical production file, including playbill, 1973
	Miami, Dade County Auditorium ( 24-25 July 1973) (Performance by the Bolshoi Dance Academy only)
Box   13 Folder   13	Technical production file, including playbill, 1973
	New York, Metropolitan Opera House ( 26 June-22 July 1973)
Box   14 Folder   1	Technical production file, including playbill, 1973
	St. Louis, Municipal Opera ( 13-19 August 1973)
Box   14 Folder   2	Technical production file, including playbill, 1973
	Vienna, Virginia, Wolf Trap, Filene Center ( 31 July-4 August 1973)
Box   14 Folder   3	Technical production file, including playbill, 1973
	Bolshoi Ballet - , 1975 Tour: See Hurok Concert at the end of this series
	Eliot Feld Ballet (NY, New York Shakespeare Festival Public Theatre, 29 November 1974-5 January 1975)
Box   14 Folder   4	Technical production file, including materials on Swan Lake and Tiger, 1974, undated
	Les Grandes Ballets Canadiens
	, 1965 Tour
Box   14 Folder   5	General technical production file, 1965
Box   14 Folder   6	Programs, clippings, plots, 1965
Box   14 Folder   7	Cues for Dark Visions, Firebird, Gehenna, Medea, Nutcracker/Pas de Deux, Suite Canadien, Swan of Tronela, Sylphides, 1965
	, 1966 Tour
Box   14 Folder   8	General technical production file, 1966
Box   15 Folder   1	Cues for Dark Visions, Firebird, Graduation Ball, Medea, 1966
Box   15 Folder   2	Cues for Nutcracker, Pas de Deux, Pas de Quatre, Sea Gallows, Suite Canadien, Swan Lake, Sylphides
	National Ballet of Canada - Tours
Box   15 Folder   3	Schedules, lists, miscellany, 1972-1975
	National Ballet of Cuba
	, 1978 Tour
Box   15 Folder   4	Cardboards, 1978
Box   15 Folder   5	Color file, 1978
Box   15 Folder   6	Groundplans, 1978
Box   15 Folder   7	Journal, by Gilbert Hemsley, 18-22 April 1978
Box   15 Folder   8	Manifest, 1978
Box   15 Folder   9	Performance reports, 1978
Box   15 Folder   10	Program, 1978
Box   15 Folder   11	Running and timing sheets, 1978
Box   15 Folder   12	Schedules, 1978
Box   16 Folder   1	Stage management information and cues, 1978
Box   16 Folder   2	Technical production file, general, including reviews, 1978
	New York, Metropolitan Opera House
Box   16 Folder   3-4	Technical production file, 1978
	Toronto, O'Keefe Center
Box   16 Folder   5	Technical production file, 1978
	Washington, D.C., Kennedy Center
Box   16 Folder   6	Technical production file, 1978
	Plots, plats and designs for Carmen, Coppelia, and Giselle, for Washington, D.C. and New York, April-May 1978: See the Oversize File
Box   16 Folder   7	Ad Libitum
Box   16 Folder   8	Blood Wedding
Box   16 Folder   9	Canto Vital
Box   16 Folder   10	Carmen
Box   16 Folder   11	Casa de Bernarda Alba
Box   16 Folder   12	Coppelia
Box   16 Folder   13	Edipos Rex
Box   17 Folder   1	Genesis
Box   17 Folder   2	Giselle
Box   17 Folder   3	Grand Pas de Quatre
Box   17 Folder   4	Munecos
Box   17 Folder   5	Paso a Tres
Box   17 Folder   6	La Peri
Box   17 Folder   7	Ritmakas
Box   17 Folder   8	Swan Pas
Box   17 Folder   9	Les Sylphides
Box   17 Folder   10	Tarde en la Siesta
	, 1979 Tour
Box   17 Folder   11	Cardboards, 1979
Box   17 Folder   12	Cardboards for the Kennedy Center, 1979
Box   17 Folder   13	Castings file, 1979
Box   17 Folder   14	Color file, 1979
Box   17 Folder   15	Follow spot cues, 1979
Box   17 Folder   16	Follow spot cues for the Kennedy Center, 1979
Box   17 Folder   17	Follow spot cues for the Met, 1979
Box   17 Folder   18	Hanging plots, 1979
Box   18 Folder   1	Hook-up for the Net, 1979
Box   18 Folder   2	Manifest, 1979
Box   18 Folder   3	Miscellany, including programs, 1979
Box   18 Folder   4	Orchestra pit set-ups, 1979
Box   18 Folder   5	Performance reports, 1979
	Plots, plans and designs, 1979: See the Oversize File
Box   18 Folder   6	Preliminary information and notes, 1979
Box   18 Folder   7-8	Production notebook and file, 1979
Box   18 Folder   9	Reviews and clippings, 1979
Box   18 Folder   10	Room lists, 1979
	Schedules
Box   18 Folder   11	General, 1979
Box   18 Folder   12	Daily, 1979
Box   19 Folder   1	Prologue, 1979
Box   19 Folder   2	Blood Wedding
Box   19 Folder   3	Carmen
Box   19 Folder   4	El Guije
Box   19 Folder   5	La Fille Mal Gardee
Box   19 Folder   6	Flower Festival
Box   19 Folder   7	Giselle
Box   19 Folder   8	Grand Pas de Quatre
Box   19 Folder   9	Leda and the Swan
Box   19 Folder   10	Munecos
Box   19 Folder   11	Night of the Guitar
Box   19 Folder   12	Paso a Tres
Box   19 Folder   13	La Peri
Box   19 Folder   14	Pulsations
Box   19 Folder   15	Rara Avis
Box   19 Folder   16	Remembranza
Box   19 Folder   17	Song for a Strange Flower
Box   19 Folder   18	Spartacus and Pas de Deux
Box   19 Folder   19	Swan Lake
Box   19 Folder   20	Swan Pas
Box   19 Folder   21	Les Sylphides
Box   19 Folder   22	Tarde en la Siesta
Box   19 Folder   23	Time Out of Mind
	Princeton Regional Ballet
	, 1966 Season (McCarter Theatre)
Box   19 Folder   24	Technical production file, 1966
	, 1972 Season (Trenton War Memorial)
Box   20 Folder   1	Coppelia, technical production file, 1972
	The Royal Ballet
Box   20 Folder   2	Miscellany, circa 1970-1976
	The Royal Swedish Ballet - , 1974 Tour
Box   20 Folder   3	Cardboards, 1974
Box   20 Folder   4	Cues, 1974
Box   20 Folder   5	Equipment, instruments, and gels, 1974
Box   20 Folder   6	Notebook of pre-sets, 1974
Box   20 Folder   7	Technical production file, 1974
Box   20 Folder   8	Salary information, 1974
Box   20 Folder   9	Schedules, 1974
Box   20 Folder   10	Swedish-English instructions, 1974
Box   20 Folder   11	Consort
Box   20 Folder   12	Embrace Tiger
Box   21 Folder   1	Gaite Parisienne
Box   21 Folder   2	Miss Julie
Box   21 Folder   3	Sleeping Beauty
Box   21 Folder   4	Swan Lake
Box   21 Folder   5	Birmingham, Alabama, Civic Center, technical information, undated, production file, , 1974
Box   21 Folder   6	Chicago, Arie Crown Theatre, technical production file, 1974
	Stuttgart Ballet
Box   21 Folder   7	General and unidentified technical production file, undated
	, 1969 Tour
Box   21 Folder   8	Technical production file, 1969
Box   21 Folder   9	Production notebook for the Met, 1969
Box   21 Folder   10	Eugene Onegin
Box   21 Folder   11	Giselle
Box   21 Folder   12	Holberg Pas de Deux
Box   21 Folder   13	Jeu de Carte
Box   21 Folder   14	Mozart Concerto
Box   21 Folder   15	Nutcracker Suite
Box   21 Folder   16	Opus One
Box   21 Folder   17	Presence
Box   21 Folder   18	Romeo and Juliet
Box   22 Folder   1	Taming of the Shrew
Box   22 Folder   2	Los Angeles, Dorothy Chandler Pavilion, 1969
	, 1971 Tour
Box   22 Folder   3	Correspondence, reviews, miscellany, 1971
	Cues
Box   22 Folder   4	Stage manager's notebook of cues, 1971
Box   22 Folder   5	Notebook of cues for Carmen, Seasons, and Taming of the Shrew
Box   22 Folder   6	Road cues, 1971
Box   22 Folder   7	Equipment and props, 1971
Box   22 Folder   8	Manifests and shipping information, 1971
Box   22 Folder   9	Notebook of production time logs plus programs at the Met, 1971
Box   22 Folder   10	Schedules and personnel lists, 1971
Box   22 Folder   11	Technical production file, 1971
Box   22 Folder   12	Black Swan
Box   22 Folder   13	Brouillards
Box   22 Folder   14	Carmen
Box   22 Folder   15	Coppelia Pas de Deux
Box   22 Folder   16	Eugene Onegin
	Four Ballets
Box   22 Folder   17	Catalyst
Box   22 Folder   18	Ebony Concerto
Box   23 Folder   1	Salade
Box   23 Folder   2	Jeu de Carte
Box   23 Folder   3	Mozart
Box   23 Folder   4	Opus One
Box   23 Folder   5	Poeme de L'Extase
Box   23 Folder   6	Romeo and Juliet
Box   23 Folder   7	Russlan
Box   23 Folder   8	The Seasons
Box   23 Folder   9	Taming of the Shrew
Box   23 Folder   10	Boston, Music Hall, 1971
Box   23 Folder   11-12	Chicago, Lyric Opera House, 1971
Box   23 Folder   13	Cupertino, California, Flint Center Auditorium, 1971
Box   23 Folder   14	Holmdel, New Jersey, Garden State Arts Center, 1971
Box   23 Folder   15	Los Angeles, Shrine Auditorium, 1971
	St. Louis, Municipal Opera
Box   23 Folder   16	General technical production file, 1971
Box   23 Folder   17	Stage designs for Eugene Onegin and Taming of the Shrew, 1979
Box   23 Folder   18	Sacramento and San Diego, California, 1971
Box   23 Folder   19	San Francisco, Opera House, 1971
Box   23 Folder   20	Vienna, Virginia, Wolf Trap, 1971
	, 1973 Tour
Box   24 Folder   1	Manifests and trucking memoranda, 1973
	Plots, plans, and designs, 1973: See the Oversize File
Box   24 Folder   2	Production notebook, 1973
Box   24 Folder   3	Running times for New York, Philadelphia and Washington, 1973
Box   24 Folder   4	Schedules and personnel lists, 1973
Box   24 Folder   5	Technical information and miscellany, 1973
	New York, Metropolitan Opera House
Box   24 Folder   6	General technical production file, 1973
Box   24 Folder   7	Brahms
Box   24 Folder   8	Mahler
Box   24 Folder   9	Romeo and Juliet
Box   24 Folder   10	Swan Lake
Box   24 Folder   11	Vivaldi
Box   24 Folder   12	Philadelphia, Academy of Music, general technical production file, 1973
	Washington, D.C., Kennedy Center
Box   25 Folder   1	General technical production file, 1973
Box   25 Folder   2	Wage sheets, 1973
Box   25 Folder   3	Eugene Onegin
	Mixed bill (Brahms, Mahler, Vivaldi)
Box   25 Folder   4	Technical production file, 1973
Box   25 Folder   5	Master cues notebook, 1973
	Romeo and Juliet
Box   25 Folder   6	Technical production file, 1973
Box   25 Folder   7	Master cues notebook, 1973
Box   25 Folder   8	Swan Lake
	, 1975 Tour: See Hurok Concert at the end of this series
	, 1977 Tour
Box   25 Folder   9	Miscellany, 1979
	Plots, plans, and designs, 1977: See the Oversize File
Box   25 Folder   10	Eugene Onegin
Box   25 Folder   11	Initials R. B. M. E.
Box   25 Folder   12	Romeo and Juliet
Box   26 Folder   1	Sleeping Beauty
Box   26 Folder   2	Taming of the Shrew
	, 1979 Tour (at the Met)
Box   26 Folder   3	Mixed Bill #1 and #2
Box   26 Folder   4	Eugene Onegin
Box   26 Folder   5	Lady of the Camellias
Box   26 Folder   6	Romeo and Juliet
Box   26 Folder   7	Taming of the Shrew
	Trockadero Gloxinia Ballet Company
Box   26 Folder   8	Programs, 1974
	Wisconsin Ballet Company
	, 1972 Season
Box   26 Folder   9	Technical production file, including playbills, reviews, 1972
Box   26 Folder   10	Notebooks, 1972
	, 1973 Season
Box   26 Folder   11	Playbills, correspondence, schedules, miscellany, 1973
	Nureyev and Friends (NY, Uris, 26 December 1974 and tour)
Box   26 Folder   12	New York, technical production file, 1974, undated
Box   27 Folder   1	Madison, technical production file, including reviews, 1973
Box   27 Folder   2	Milwaukee, technical production file, including reviews, 1973
	Nutcracker (Production information unknown)
	, 21 November 1972: See the Oversize File
	Relache (Madison, Union Theatre, 2 May year unknown)
Box   27 Folder   3	Playbill, undated
	Hurok Concert - 1975 tour of the Bolshoi Ballet, Bolshoi Opera, and Stuttgart Ballet
	Materials for entire summer tour
Box   27 Folder   4-6	General production file, 1975
Box   28 Folder   1	General production file, 1975, continued
Box   28 Folder   2-4	Work schedules, May-June 1975
Box   28 Folder   5	Production expenses, 1975
Box   28 Folder   6	Russian production materials, 1975
	Bolshoi Ballet and Bolshoi Opera
Box   28 Folder   7	Pictures and designs of sets, pre-production and production, 1975
Box   29 Folder   1	Production materials, schedules, correspondence, notes, miscellany, 1974-1975
	Bolshoi Ballet and Stuttgart Ballet
Box   29 Folder   2	Performance schedules, April-June 1975
	Bolshoi Opera
Box   29 Folder   3	Clippings and reviews, 1975
Box   29 Folder   4	Lists, 1975
Box   29 Folder   5	Manifests, 1975
Box   29 Folder   6	Notebook with lighting notes for production, 1975
Box   29 Folder   7	Production file, general, 1975
Box   29 Folder   8	Production notebook, including opera timings, hanging plots, set plots, synopses, character lists, and miscellany, 1975
Box   29 Folder   9	Running time records, 1975
Box   29 Folder   10	Schedules, 1975
Box   29 Folder   11	Shipping material, 1975
Box   29 Folder   12-13	Work schedules, 1975
Box   30 Folder   1	Miscellany, 1975
	Boris Godunov
Box   30 Folder   2-3	Vocal score, by Modest P. Moussorgsky, annotated with lighting cues, 1975
Box   30 Folder   4-5	Technical production files, 1975
	The Dawns Are Quiet Here
Box   30 Folder   6-7	Vocal score, annotated with lighting cues, 1975
Box   31 Folder   1	Synopsis, cues, pre-set sheets, plans and plots, 1975
Box   31 Folder   2	Technical production file, 1975
	Eugene Onegin
Box   31 Folder   3	Vocal score, by P. I. Tchaikovsky, annotated with lighting cues, 1975
Box   31 Folder   4	Synopsis, cues, pre-set sheets, plans and plots, 1975
Box   31 Folder   5	Technical production file, 1975
	The Gambler
Box   31 Folder   6	Technical production file, 1975
	Le Joueur
Box   31 Folder   7	Vocal score, annotated with lighting cues, 1975
	Pique Dame
Box   32 Folder   1	Technical production file, 1975
	The Queen of Spades
Box   32 Folder   2-3	Vocal score, by Peter Ilyitch Tchaikovsky, annotated, 1975
	War and Peace
	Vocal score, by S. Prokofieff, with lighting cues and ground plots, 1975
Box   32 Folder   4-6	Scenes 1-11
Box   33 Folder   1	Scenes 12-13
Box   33 Folder   2-3	Notebook containing musical score, annotated with lighting cues, 1975
Box   33 Folder   4	Technical production file, 1975
	Bolshoi Ballet
Box   33 Folder   5	Clippings and reviews, 1975-1976
Box   33 Folder   6	Correspondence, budget, timing and fact sheets, miscellany, 1975
Box   33 Folder   7	Journal, 1975
Box   33 Folder   8	Manifests and shipping information, 1975
Box   33 Folder   9	Notebook with lighting notes for productions, 1975
Box   34 Folder   1-2	Notebook of cheat sheets, pre-sets, and cue sheets, 1975
Box   34 Folder   3	Personnel and cast lists, 1975
Box   34 Folder   4-5	Schedules, 1975
Box   34 Folder   6-9	Technical production files, 1975
Box   35 Folder   1-2	Technical production files, 1975, continued
Box   35 Folder   3	Don Quixote
Box   35 Folder   4-5	Gala
Box   35 Folder   6-7	Giselle
Box   35 Folder   8-10	Ivan the Terrible
Box   35 Folder   11	Sleeping Beauty
Box   36 Folder   1-2	Sleeping Beauty
Box   36 Folder   3-9	Spartacus
Box   36 Folder   10	Swan Lake
Box   37 Folder   1-2	Swan Lake, continued
	Stuttgart Ballet
Box   37 Folder   3	Clippings, 1975
Box   37 Folder   4	Costume and prop list, 28 April 1975
Box   37 Folder   5	Miscellany and production information, 1975
Box   37 Folder   6	Schedules, circa May-June, 1975
Box   37 Folder   7	Shipping file, 1975
Box   37 Folder   8	Swan Lake
	Series: Opera	⇧
	American National Opera Company - Fall , 1967
Box   38 Folder   1	Hook-ups, light plots and sections, 1967
Box   38 Folder   2	Production notebook, including schedules, hook-ups, equipment lists, plans, designs, plus sections on Falstaff and Lulu, 1967
Box   38 Folder   3	Technical questionnaire, forms, notes, undated
	Bolshoi Opera (NY, Metropolitan Opera House, 1971)
Box   38 Folder   4	Schedules, 1971
	Groundplans in Russian, 1975?: See the Oversize File
	Boston Opera Company (a.k.a. The Opera Company of Boston)
Box   38 Folder   5	1973 Season, technical production file, , 1973
	Aida (NY, Metropolitan Opera House, 1976)
Box   38 Folder   6	Pre-set sheets, cues, notes, 1976
	The Barber of Seville (Boston, Orpheum, 1 June 1974)
Box   38 Folder   7	Vocal score, music by Giacchino Rossini, libretto by Cesara Sterbini, annotated with lighting cues, 1974
Box   38 Folder   8	Technical production file, including reviews, 1974
Box   38 Folder   9	Notebook of lighting cues, for Paul and David, 1974
Box   38 Folder   10	Light plots, sections, and plans, 1974
	Plots, plans, and designs, 1 June 1974: See the Oversize File
	The Bartered Bride (Boston, Aquarius Theatre, January 1973?)
Box   39 Folder   1	Cues, plot analysis, fragment of musical score, plans, notes, and other technical production information, circa 1972-1973
	La Boheme (Boston, Orpheum, 19 March 1977)
Box   39 Folder   2	Playbill, 1977
	Cosi Fan Tutte (Boston, Orpheum Theatre, 18 March 1975 and spring tour, , March-April 1975 with Fisherman and His Wife)
Box   39 Folder   3	Vocal score, libretto-by Lorenzo Da Ponte, music by W. A. Mozart, annotated with lighting cues, 1975
Box   39 Folder   4	Technical production file, including playbill, 1975
Box   39 Folder   5	Cardboards, light plots and plans, 1975
	Plots, plans, and designs, undated: See the Oversize File
	The Damnation of Faust (Boston, Orpheum Theatre, 21 March 1978)
Box   39 Folder   6	Vocal score, by Josef Holbrooke, undated
Box   39 Folder   7	Technical production file, including reviews and playbill, 1978
Box   40 Folder   1	Cues, 1978
Box   40 Folder   2	Plans, 1978
	The Daughter of the Regiment (Boston, Aquarius Theatre, 16 February 1973)
Box   40 Folder   3	Cues, hook-ups, plans, playbill, 1973
Box   40 Folder   4	Notebook of cues, 1973
	Don Carlos (Production information unknown, 1973)
Box   40 Folder   5	Cues, cheat sheet, 1973
Box   40 Folder   6	Light plot, plans, miscellany, 1973
	Falstaff (Boston, Orpheum, 3 February 1975)
Box   40 Folder   7	Technical production file, including reviews, 1975
Box   40 Folder   8	Cardboards, 1975
Box   40 Folder   9	Plots, plans, and sections, 1975
	Plots, plans, and designs, February 1975: See the Oversize File
	Fidelio (Boston, Orpheum, February 1976)
Box   41 Folder   1	Vocal score, libretto by Joseph Sonnleithner, music by Ludwig van Beethoven, annotated with lighting cues, 1976
Box   41 Folder   2	Technical production file, including playbill, 1976
Box   41 Folder   3	Ground plan, section, track sheets, 1976
	The Flying Dutchman (Boston, Orpheum,? Spring l980)
Box   41 Folder   4	Libretto, in German with English translation, by Richard Wagner, undated
	Girl of the Golden West (Boston, Orpheum, 12 May 1976 and 'spring tour by Opera Company of New England)
Box   41 Folder   5	Playbills, 1976
	Montezuma (Boston, theater unknown, March 1976)
Box   41 Folder   6	Technical production file and miscellany, 1976
Box   41 Folder   7	Cues, script plot, 1976
Box   41 Folder   8	Costume sketch and fabric swatches, 1976
	Rigoletto (Boston, Orpheum Theatre, 24 April 1977 and Opera New England, regional development program of the Opera Company 9f Boston, tour, , April-May 1977)
Box   41 Folder   9	Musical score, music by Giuseppe Verdi, libretto by Francesco Maria Piave, annotated, circa 1957
Box   42 Folder   1	Technical production file, including playbills, 1977
Box   42 Folder   2	Cues, 1977
Box   42 Folder   3	Plans for several theaters, 1977
	The Rise and Fall of the City of Mahagonny (Boston, Orpheum, 13 April 1973)
Box   42 Folder   4	Cues, cheat sheet, plans, playbill, 1973
	Stiffelio (Boston, Orpheum Theatre, 15 February 1978)
Box   42 Folder   5	Technical production file, including playbill, 1978
Box   42 Folder   6	Cardboards, plans, and sections, 1977-1978
	Tosca (Production information unknown)
Box   43 Folder   1	Notes, focus charts, hook-ups, cues, set designs, ground plans, undated
	La Traviata (Boston, Aquarius Theatre, May 1972)
Box   43 Folder   2	Vocal score, annotated with lighting cues, 1972
Box   43 Folder   2	Technical production file, including review, 1972
Box   43 Folder   3	Cues, 1972
Box   43 Folder   4-5	Notebooks of cues, 1972
Box   43 Folder   6	Ground and lighting plots, 1972
	The Trojans (Boston, Aquarius Theatre, 3 February 1972)
Box   43 Folder   7	Notes on dress rehearsal, hook-ups, notes, reviews, 1972
Box   43 Folder   8-9	Cues, 1972
Box   43 Folder   10	Plots, plans, and sections, 1972
	Plots, plans, and designs, 1971-1972: See the Oversize File
	War and Peace (Vienna, Va., Wolf Trap, Filene Center, 29 August 1974)
	Vocal score, libretto by S. Prokofieff and M. Mendelssohn-Prokofieff, annotated, 1974
Box   43 Folder   11	Scenes 1-4
Box   44 Folder   1-3	Scenes 5-13
Box   44 Folder   4	Cardboards, correspondence, reviews, program, color cutting list, patching sheet, 1974
Box   44 Folder   5-6	Cues, Act I-II, 1974
Box   44 Folder   7	Cues, hook-ups, 1974
Box   44 Folder   8-9	Technical production file and miscellany
	Plots, plans, and designs, circa July-August 1974: See the Oversize File
	Canadian Opera Company (Toronto, O'Keefe Center, 1973)
Box   45 Folder   1	Hanging plot draft for Tosca, Geroldstein, La Boheme, Die Walkware, 1973
	Dallas Civic Opera Company
Box   45 Folder   2	General file, 1967-1968
Box   45 Folder   3	Unidentified hook-up, undated
	Anna Bolena (Dallas,? theater unknown, 1968)
Box   45 Folder   4	Running order, hook-up, cues, focus chart, ground plans, light plot (also for Orpheus and Otello), review, 1968
	La Boheme (Dallas, Music Hall, 12 November 1966)
Box   45 Folder   5	Review, focus chart, 1965-1966
	Gala 3 (Dallas?, theater unknown, 23 November 1967 consisting of Maestro di Cappella, Faerie Queen, and Sour Angelica)
Box   45 Folder   6	Review and light plot (also for Medea and Figaro, 1967)
	Orpheus in the Underworld (Dallas, Music Hall, 8 November 1968)
Box   45 Folder   7	Review, November 1968
	Otello (Dallas,? theater unknown, 15 November 1968)
Box   45 Folder   8	Reviews, 1968
	Rigoletto (Dallas, Music Hall, 1970 season?)
Box   45 Folder   9	Stage plan, equipment list, hook-ups, 1970
	La Traviata (Dallas,? theater unknown, 1965 season)
Box   45 Folder   10	Technical production file, including light plot which includes Tosca and Julius Caesar, 1965
	Florida Symphony Society
	Faust (Opera Gala Guild of Florida Symphony Society, Orlando, Municipal Auditorium, 9 February 1968)
Box   45 Folder   11	Correspondence, contract, set designs, hook-ups, notes, circa 1967-1968
	The Tales of Hoffman (Opera Gala Guild of Florida Symphony Society, Orlando, Municipal Auditorium, 6 February 1970)
Box   45 Folder   12	Program, review, cues, hook-up, correspondence, contract, 1969-1970
	Tosca (Opera Gala Guild of Florida Symphony Society, Orlando, Municipal Auditorium, 7 February 1969)
Box   45 Folder   13	Light plot, hook-up, program, reviews, contract, 1969
	Greater Miami Opera
Box   45 Folder   14	General file, 1979-1980
	Die Fledermaus (Production information unknown)
	Script and music, “Rosalinda,” music by Johann Strauss with a new book by Gottfried Reinhardt and John Meehan, Jr. annotated including lighting cues, 1980
Box   45 Folder   15	Act I
Box   46 Folder   1-2	Acts II-III
	Group 20
	Girl of the Golden West (Production information unknown)
Box   46 Folder   3	Script, libretto by C. Zangarini and G. Civinini, music by Giacomo Puccini, undated
Box   46 Folder   3	Notes and cues, undated
Box   46 Folder   4	Technical production file, 1976
	Houston Grand Opera
	General, ground plan, 21 December 1973: See the Oversize File
	Aida (Houston, Jones Hall, February 1978)
Box   46 Folder   5	Libretto, music by Giuseppe Verdi, libretto by Antonio Ghislanzoni, circa 1963
Box   46 Folder   5	Synopsis, undated
Box   46 Folder   6	Technical production file, including review and playbill, 1978
Box   46 Folder   7	Cardboards, 1978
Box   46 Folder   8	Plots and plans, 1978
	Plots, plane and designs, January 1978: See the Oversize File
	Lucrezia Borgia (Houston, Jones Hall, 8 April 1975)
Box   46 Folder   9	Vocal score, by Gaetano Donizetti, annotated with lighting cues, 1975
Box   47 Folder   1	Cardboards, 1975
Box   47 Folder   2	Staff and cast lists, schedules, correspondence, fabric swatches, hook-ups, cues, miscellany, 1975
Box   47 Folder   3	Ground plan, track sheets, 1975
	Plots, plans, and designs, 27 March 1975: See the Oversize File
	MacBeth (Houston,? Jones Hall,? October 1973)
Box   48 Folder   1	Technical production file, 1973
	Madame Butterfly (Houston, Jones Hall, 17 October 1972)
Box   48 Folder   2	Technical production file, including review, 1972
Box   48 Folder   3	Cardboards, 1972
Box   48 Folder   4	Plots, plans, and sections, 1972
	The Marriage of Figaro (Production information unknown)
	, 13 November 1973: See the Oversize File
	Porgy and Bess (Houston, Music Hall, 1 July 1976 plus tour)
Box   48 Folder   5	Vocal score, by George. Gershwin, libretto by DuBose Heyward, lyrics by DuBose Heyward and Ira Gershwin, annotated with lighting cues, 1976
Box   48 Folder   6	Libretto, undated
	Plots, plans, and designs, August 1976-December 1977: See the Oversize File
	Los Angeles, Civic Light Opera
Box   48 Folder   7	Plans and elevations, undated
	Houston, Music Hall ( 1-9 July 1976)
Box   48 Folder   8	Technical production file, including playbill and review, 1976
Box   49 Folder   1	Ground plan, pieces, miscellany, and notes, 1976
Box   49 Folder   2	Plots, sections, 1976
Box   49 Folder   3	Cues, 1976
	Philadelphia, Academy of Music ( 12 July-21 August 1976)
Box   49 Folder   4	Technical production file, including reviews and playbill, 1976
	Vienna, Va., Wolf Trap, Filene Center ( 24-28 August 1976)
Box   49 Folder   5-6	Technical production file, including reviews and playbill, 1976
Box   49 Folder   7	Cardboards, 1976
Box   49 Folder   8	Plots, plans, and sections, 1976
	Canadian Tour (, 30 August-18 September 1976)
Box   49 Folder   9	General file, 1976
	Toronto, O'Keefe Center ( 30 August-11 September 1976)
Box   49 Folder   10	Technical production file, 1976
Box   50 Folder   1	Technical production file, 1976
	Ottawa, National Arts Centre ( 13-18 September 1976)
Box   50 Folder   2-3	Technical production files, 1976
	New York, Uris Theatre ( 25 September 1976)
Box   50 Folder   4-5	Technical production files, including reviews and playbills, 1976
Box   50 Folder   6	Cues, 1976
	Tour (, March 1977)
Box   51 Folder   1-2	Technical production files, 1977
Box   51 Folder   3	European Tour, including Miami, Florida materials ( December 1977)
	Dear Rosenkavalier (Houston,? theater unknown, January 1975)
Box   51 Folder   4	Vocal score, music by Richard Strauss, annotated with lighting cues, 1975
Box   51 Folder   4	Vocal score, annotated with lighting cues, 1975
Box   51 Folder   5	Script, undated
Box   52 Folder   1-2	Technical production files, 1975
	The Seagull (Production information unknown)
Box   52 Folder   3	Vocal score, by Thomas Pasatieri, libretto by Kenward Elmslie, annotated with lighting cues, undated
	La Traviata (Production information unknown)
Box   52 Folder   4	Cues, cardboards, 1974
Box   52 Folder   5	Lists, hook-ups, specials, cheat sheets, 1974
Box   52 Folder   6	Track sheets, ground plans, and plots, 1974
	Il Trovatore (LA, Mark Taper Forum, November,? 1974)
Box   52 Folder   7	Vocal score, music by Giuseppe Verdi, libretto by S. Cammarano, annotated with lighting cues, 1974
Box   53 Folder   1	Technical production file, including complaint letter, 1974
Box   53 Folder   2-3	Plans and plots, 1974
	Plots, plans, and designs, September 1974, undated: See the Oversize File
	Kennedy Center [?]
	Atilla (Production information unknown)
Box   53 Folder   4	Technical production file, undated
Box   53 Folder   4	Cardboards, undated
	Lyric Opera Company
	Bluebeard's Castle (Chicago, theater unknown, 27 February 1970)
Box   53 Folder   5	Schedule, miscellany, 1970
	Don Juan (Chicago, theater unknown, 1977)
Box   53 Folder   6	Technical production file, 1977
	I Domeneo (Chicago, theater unknown, August,? 1977)
Box   53 Folder   7	Technical production tile, 1977
	Orfeo ed Euridice (Chicago, Opera House, 1975)
Box   53 Folder   8	Technical production file, 1975
	Orfeo ed Euridice (Chicago, Opera House, 26 October 1977)
Box   53 Folder   9-10	Technical production files, including correspondence and reviews, 1977
	Madison Civic Opera
	Manon (Madison, Wisconsin Union Theatre, 1976)
Box   54 Folder   1	Clipping, 1976
	La Traviata (Madison, Wisconsin Union Theatre, 8 February 1975)
Box   54 Folder   2	Technical production file, 1975
Box   54 Folder   3	Cues, 1975
Box   54 Folder   4	Cardboards, 1975
	Metropolitan Opera Company
	Einstein on the Beach (NY, Metropolitan Opera House, 21 November 1976)
Box   54 Folder   5	Program, edited by Vicky Alliata and reviews, 1976
Box   54 Folder   6	Technical production file, 1976
	Hansel and Gretel (NY, Metropolitan Opera House, date unknown)
Box   54 Folder   7	Vocal score, by Engelbert Humperdinck, annotated with lighting cues, undated
Box   54 Folder   8	Stage manager's cues, plans, 1967, undated
	Plots, plans, and designs, April-September 1967: See the Oversize File
	Hansel and Gretel (Vienna, Va., Wolf Trap, Filene Center, 3-17 July 1977)
Box   54 Folder   9	Technical production file, 1977
Box   54 Folder   10	Plots and plans, 1977
Box   55 Folder   1	Cues, 1977
	Lohengrin (NY, Metropolitan Opera House, October,? 1976)
Box   55 Folder   2	Vocal score, by Richard Wagner, annotated with lighting cues, 1976
Box   55 Folder   3	Technical production file, 1976
	Orpheus (Production information unknown)
Box   55 Folder   4	Technical production file, undated
	New York City Opera
Box   55 Folder   5	General file, 1966, 1979
	New York State Theatre, basic light plot, 13 September 1966: See the Oversize File
	Tours
Box   55 Folder   6	Los Angeles, 1968
Box   55 Folder   7	Washington, D.C., Kennedy Center, 1971
	Andrea Chenier (NY, New York State Theatre, 14 September 1978)
Box   55 Folder   8	Vocal score, by Luigi Illica, annotated with lighting cues, September 1978
Box   55 Folder   8	Vocal score, annotated with lighting cues, 1978
Box   55 Folder   9	Ground plan, set designs, 1978
Box   55 Folder   9	Script, by Umperto Giordano, annotated with lighting notes, 1978
Box   56 Folder   1	Technical production file, including playbill, 1978
	Le Bourgeois Gentilhomme (Production information unknown)
Box   56 Folder   2	Miscellany, undated
	Der Burger als Edelmann (NY, New York State Theatre, 1979)
Box   56 Folder   3	Piano score, fragment, annotated with lighting cues, April 1979
	Dido and Aeneas (Washington, D.C., Kennedy Center, 1 May 1979)
Box   56 Folder   4	Vocal score, by Henry Purcell, annotated with lighting cues, playbill; miscellany, 1979
	Havisham
Box   56 Folder   5	Miscellany, undated
Box   56 Folder   5	Vocal score, Acts I and II, libretto by John Olon-Scrymgeour, music by Dominick Argento, annotated with lighting cues, 1979
	Street Scene (NY, New York State Theatre, 28 October 1978)
Box   56 Folder   6	Musical score, music by Kurt Weill, book by Elmer Rice, lyrics by Langston Hughes, annotated with lighting cues, 1978
Box   56 Folder   7	Technical production file, including playbill and reviews, 1978
	The Turk in Italy (NY, New York State Theatre, 24 September 1978)
Box   56 Folder   8-9	Vocal score, by Giochino Rossini, annotated with lighting cues, 1978
Box   57 Folder   1-2	Technical production files, 1978
Box   57 Folder   3	Ground plans and scene breakdowns, 1978
	Opera League of New Hampshire in cooperation with the Syracuse Symphony
	Madame Butterfly (Syracuse, Regent Theatre, 6-15 April 1967 and tour Manchester, New Hampshire, , 17 April 1967)
Box   57 Folder   4	Light plots, set designs, reviews, correspondence, cues, hook-ups, 1967-1968
	Opera New England (a regional development program of the Opera Company of Boston): See Boston Opera Company files
	Opera Society of Washington, D.C.
Box   57 Folder   5	Program for 1974/1975 season, 1974
	The Rise and Fall of the City of Mahagonny (Washington, D.C., Kennedy Center, 15 December 1972 and Milwaukee, PAC Uihlein Theatre, , 7 March 1973)
Box   57 Folder   6	Vocal score, in German and English, undated
Box   57 Folder   6	Playbill, reviews, cardboards, hook-ups, cues, 1973 (Milwaukee)
Box   57 Folder   7	Cues, production unidentified, undated
Box   58 Folder   1	Technical production file, 1972 (Washington, D.C.)
Box   58 Folder   2	Cue sheets, undated
Box   58 Folder   3-4	Cardboards and electrics, undated
Box   58 Folder   5	General sections and light plots, undated
	San Francisco Opera
	Esclarmonde
	San Francisco, San Francisco Opera House, 1974
Box   58 Folder   6	Synopsis and script fragments, plans and designs, technical miscellany, circa 1974
	New York, Metropolitan Opera House, 19 November 1976
Box   58 Folder   7	Technical production file, including playbill and reviews, 1976
	Stuttgart Opera
	The Merry Widow (Production information unknown)
Box   58 Folder   8	Ground plans, by act, undated
	Symphony Society of San Antonio
	Don Carlos (Production information unknown)
Box   58 Folder   9	Light plot, 1968
	Syracuse Symphony
	Barber of Seville (Syracuse, theater unknown, January 1969)
Box   58 Folder   10	Cues, ground plan, set designs, reviews, 1969
	University of Wisconsin Opera
	Breasts of Tiresias and Spanish Hour (Madison, Old Music Hall, 1975?)
Box   58 Folder   11	Technical production file, September 1975
	Madame Butterfly (Madison, Union Theatre, March 1974)
Box   58 Folder   12	Miscellany, 1974
	The Tales of Hoffman (Madison, Union Theatre, 27 April 1978)
Box   59 Folder   1	Technical production file, 1978
Box   59 Folder   2	Notebooks, 1978
Box   59 Folder   3	Cardboards, 1978
Box   59 Folder   4	Plans, plots, and set designs, 1978
	Washington Opera
	The Seagull (Washington, D.C., Kennedy Center, Opera House, 8 February 1978)
Box   59 Folder   5	Playbill, 1978
	Wolf Trap Company
	The Crucible (Vienna, Va., Wolf Trap, Filene Center, 15 August 1975)
Box   59 Folder   6	Synopsis, critique, and reviews of other productions, circa 1961
Box   59 Folder   7	Vocal score, based on the play by Arthur Miller, libretto by Bernard Stambler, music by Robert Ward, annotated with lighting cues, 1975
Box   59 Folder   8-9	Technical production file, including a playbill, 1975
Box   60 Folder   1-2	Cardboards, 1975
Box   60 Folder   3	Plots and plans, 1975
	Plots, plans and designs, August 1975: See the Oversize File
	A Midsummer Night's Dream (Vienna, Va., Wolf Trap, Filene Center, 30 July 1976)
Box   60 Folder   4	Technical production file, 1976
Box   60 Folder   5	Plots and plans, 1976
	Opera company unknown
	The Crucible (Philadelphia, Temple University, Tomlinson Theatre, 1967?)
Box   60 Folder   6	Ground and section plans, equipment inventory, circa 1967-1976
	Mass
Box   61 Folder   1	Cue sheets, fabric swatches, contract, and miscellany, 1971
Box   61 Folder   2	Hook-ups, undated
	Washington, D.C., Kennedy Center, Opera House, 9 September 1971
Box   61 Folder   3	Script with revisions, additional texts by Stephen Schwartz and Leonard Bernstein, annotated with lighting cues, 18 August 1971
Box   61 Folder   4-5	Cues, undated
Box   61 Folder   6	Notebook of hook ups and focus charts, 1971
Box   61 Folder   7-8	Technical production file, including playbill, 1971
Box   61 Folder   9	Plots and plans, 1971
	Philadelphia, Academy of Music, 19 June 1972
Box   62 Folder   1	Technical production file, 1972
Box   62 Folder   2	Cues, 1972
Box   62 Folder   3	Cardboards, 1972
Box   62 Folder   4	Light plots, 1972
	New York, Metropolitan Opera House, 29 [?] June 1972
Box   62 Folder   5	Pre-set sheets, 1972
Box   62 Folder   6-7	Technical production files, 1972
Box   62 Folder   8	Cardboards, 1972
Box   62 Folder   9	Running cue sheets, 1972
Box   62 Folder   10	Plots and plans, 1972
	Los Angeles, Mark Taper Forum, 4 January 1973
Box   63 Folder   1	Preset and cue sheets, undated
Box   63 Folder   2	Cues notebook, undated
Box   63 Folder   3	Technical production file, 1972-1973
Box   63 Folder   4	Plots and plans, 1972-1973
	Series: Dance	⇧
	Alvin Ailey Dance Theatre
Box   64 Folder   1	Playbills, itinerary, clippings, reviews, light plot of Brooklyn Opera House, 1969-1972, undated
	Alwin Nikolais Dance Company
Box   64 Folder   2	Proposal re UW residency and flyer, circa 1977
	Madison, Union Theatre, 8 December 1973
Box   64 Folder   3	Playbill, 1973
	Dance Umbrella (Production information unknown)
	Fall , 1979: See the Oversize File
	Dance Vibes, Concert #9 and Kinetic Experience #2 (UW Dance Department and Department of Communication Arts, Madison, Lathrop Studio, 21-22 March 1971 and LaCrosse, University of Wisconsin, , 20 March 1971)
Box   64 Folder   4	Program, 1971
	Dances of Mali (Madison, Union Theatre, 26 October 1972)
Box   64 Folder   5	Playbill, 1972
	Don Wagoner and Dancers (NY, Stage One, 16 February 1977)
Box   64 Folder   6	Playbill of Dance Umbrella performance, 1977
	Glen Tetley Dance Company
Box   64 Folder   7	General hook-ups, cues, notes, miscellany, light plot, 1966-1969
Box   64 Folder   8	Notebook of presets for various dances, undated
	Technical production files, circa 1966-1969
Box   64 Folder   9	Circles
Box   64 Folder   9	Mythical Hunters
Box   64 Folder   9	Pierrot
Box   64 Folder   9	Rivercure
Box   64 Folder   10	Seven Deadly Sins
Box   64 Folder   10	Tiger
Box   64 Folder   10	Zigguret
	Joffrey II Dancers - , 1979 tour
Box   64 Folder   11	Technical production file, including materials for Random Dances and Ladder, 1974
	Martha Graham Center for Contemporary Dance, Inc. - 1978 tour
Box   64 Folder   12-13	General technical production files, 1978
Box   64 Folder   14	Flute of Pan
Box   64 Folder   15	Lamentations
Box   64 Folder   16	0 Thou Desire
Box   64 Folder   17	Seraphic Dialogue
	Moisheyev Dancers (St. Louis, Municipal Opera, 1970 [?])
Box   65 Folder   1	Set design, 17 July 1970
	The New Dance Ensemble (Madison, Vilas Hall, Thrust Theatre, 5 May 1973)
Box   65 Folder   2	Playbill, 1973
	Norman Walker and Dance Company - , 1964 tour
Box   65 Folder   3	Technical production file, circa 1964-1965, undated
	The Performing Arts Company of the People's Republic of China - , 1978 tour
Box   65 Folder   4	Programs, English and Chinese, 1978
Box   65 Folder   5	Schedules and clippings, 1978
Box   65 Folder   6	Production notebook, 1978
Box   66 Folder   1-3	General technical production files, 1978
	Berkeley, Berkeley High School Community Theatre, 31 July 1978
Box   66 Folder   4	Technical production file, 1978
Box   66 Folder   5	Notebook, 1978
	Los Angeles, Shrine Auditorium, 4 August 1978
Box   66 Folder   6	Technical production file, 1978
Box   66 Folder   7-8	Notebooks of cues, 1978
	Minneapolis, Northrup Auditorium, 25 July 1978
Box   67 Folder   1	Technical production file, 1978
Box   67 Folder   2	Notebooks, 1978
	New York, Metropolitan Opera House, 11 July 1978
Box   67 Folder   3-5	Technical production files, 1978
	Vienna, Va., Wolf Trap, Filene Center, 18 July 1978
Box   67 Folder   6	Technical production file, 1978
Box   68 Folder   1	Plots and plans, 1978
	Russian Festival of Music and Dance (NY, Lincoln Center, July 1976)
Box   68 Folder   2	Playbill, 1976
	[Shakespeare Dance and Drama] (Production information unknown)
Box   68 Folder   3	Master cue sheets, cardboards, undated
	[Space-Time Cycle with Anna Nassif] (Madison [?], other production information unknown)
Box   68 Folder   4	Notes, undated
	University of Wisconsin Dance Repertory Theatre
	Dance Concerto '72 (Madison, Union Theatre, 24 March 1972)
Box   68 Folder   5	Playbill and brochure, circa 1972
	Walker Art Center Auditorium (Milwaukee [?])
Box   68 Folder   6	Proposed dance light plot, 1974
	Series: Theater	⇧
	A.P.A.-Phoenix, Lyceum Theatre, 1966-1967 Season: See the Oversize File
	Adventures of the Black Girl in Her Search for God (Los Angeles, Mark Taper Forum, 20 March 1969)
Box   69 Folder   1	Revised script, story by George Bernard Shaw, adapted by Christopher Isherwood, annotated with lighting notes, September 1968
Box   69 Folder   2	Correspondence, cues, budget, light plots, January-March 1969
	After the Fall (Pittsburgh, Pittsburgh Playhouse, October 1967)
Box   69 Folder   3	Floor plan, reviews, October 1967
	After the Rain (St. Louis, Repertory Theatre, 23 March 1972)
Box   69 Folder   4	Playscript, by John Bowen, annotated, 1967
Box   69 Folder   4	Playbill, 1972
Box   69 Folder   5	Technical production file, 1972
	Agamemnon (Ypsilanti, Michigan, Yspilanti Greek Theatre, 28 June 1966)
Box   69 Folder   6	Notebook of technical production materials, 1966
	The Alchemist (NY, Gate, September 1964)
Box   69 Folder   7	Hanging and focusing plot, playbill, 1964
	American Shakespeare Festival (Production information unknown)
Box   69 Folder   8	Light plot, April 1963
	The Anabaptists (Production information unknown)
Box   69 Folder   9	Script, by Friedrich Durrenmatt, undated
	Anatol, Man and Superman, and The Seagull (Matunuck, RI, Theatre by-the-sea, 22 August 1960)
Box   69 Folder   10	Playbill, 1960
	Arms and the Man (Pittsburgh, Pittsburgh Playhouse, 18 ? December 1967)
Box   69 Folder   11	Reviews, December 1967
	Arturo Ui (Chicago, Goodman Theatre, 1975)
Box   69 Folder   12	Schedule, 1975
	Beckett and Oedipus (Minneapolis, Guthrie, 27-28 June 1973)
Box   69 Folder   13	Production schedule and miscellany, 1973
	Beatrice and Benedick (Los Angeles, other production information unknown)
Box   69 Folder   14	Program, review, undated
	Benito Cereno (Chicago, Goodman, 20 November 1975)
Box   69 Folder   15	Script, annotated, undated
Box   69 Folder   16	Script with lighting cues, undated
Box   69 Folder   17	Notes, undated
Box   69 Folder   18	Blocking sheets, undated
Box   70 Folder   1	Cue sheets, undated
Box   70 Folder   2	Hook up, undated
Box   70 Folder   3	General technical production file, undated
	The Birds and The Orestia (Ypsilanti, Michigan, Ypsilanti Greek Theatre, 1966)
Box   70 Folder   4	Technical production file, 1966
Box   70 Folder   5	Plans, 1966
Box   70 Folder   6	Plots, 1966
Box   70 Folder   7	Elevations and details, light booth print, 1966
	The Birthday Party (Los Angeles, UCLA's Schoenberg Hall, 26 July 1966)
Box   70 Folder   8	Correspondence, light plots, hook ups, 1965-1966
	Born Yesterday (Pittsburgh, Pittsburgh Playhouse, 7 (?) December 1967)
Box   70 Folder   9	Reviews, December 1967
	Brecht, Sacred and Profane (Los Angeles, Mark Taper Forum, 1 November 1973)
Box   70 Folder   10	Mahagonny Songplay, text by Bertolt Brecht, music by Kurt Weill translated by Michael Feingold, annotated, undated
Box   70 Folder   10	The Measure Taken, by Bertolt Brecht, annotated, undated
Box   70 Folder   10	Musical scores for songs, 1964
Box   70 Folder   11	Programs and reviews, November 1973
Box   71 Folder   1	Technical production file, 1972-1973
	The Brig (Madison, Vilas Experimental Theatre, 7 March 1974)
Box   71 Folder   2	Playbill, 1974
	Cabaret (NY, Broadhurst, 1966)
Box   71 Folder   3	Technical production file
	Caesar and Cleopatra (Stratford, CT, American Shakespeare Festival Theatre, circa Summer 1963)
Box   71 Folder   4	Playbill, 1963
	Christmas Is Comin Uptown (NY, Winter Garden, December 1979)
Box   71 Folder   5	Script, book by Philip Rose and Peter Udell, lyrics by Peter Udell, music by Garry Sherman, undated
Box   71 Folder   6	Musical score, “Lifeline,” 3 December 1979
	The Contractor (Manitoba, Manitoba Theatre Centre, 6 January 1978)
Box   71 Folder   7	Playscript, by David Storey, annotated with lighting cues, 1978
Box   71 Folder   8	Technical production file, 1978
	Cyrano (Minneapolis, Guthrie, 23 January 1973 and tour)
Box   71 Folder   9	Script, by Edmond Rostand, translated and adapted by Anthony Burgess, annotated, 10 January 1973
Box   71 Folder   10	Script, annotated, 10 January 1973
Box   71 Folder   10	Playbill and reviews, January 1973
Box   72 Folder   1-4	General technical production files, 1973
Box   72 Folder   5-6	Cheat sheet and cues, 1973
Box   72 Folder   7	Light plots, 1973
	Plots, plans, and designs, 30 January - 1 February 1973: See the Oversize File
	Death of a Salesman (City and date unknown, Theatre in the Green)
Box   72 Folder   8	Playscript, by Arthur Miller, annotated, 1950
Box   72 Folder   8	Reviews, undated
	The Devils (Madison, Wisconsin Union Theatre, September 1974 [?])
Box   73 Folder   1	Cardboards, 1974
Box   73 Folder   2	Technical production file, 1974
Box   73 Folder   3-4	Plans and plots, 1974
	The Divorce of Jane and Judy (NY, Bijou Theatre, 26 April 1972)
Box   73 Folder   5	Script, by A. O. Whitney, annotated, 1970
Box   73 Folder   5	Reviews, April 1972
	Don Juan (Chicago, Goodman Theatre, 12 May 1977)
Box   73 Folder   6	Reviews, May 1977
	The Enchanted (Matunuk, RI, Theatre by-the-sea, 4 July 1960)
Box   73 Folder   7	Playbill, 1960
	Fathers Day (Los Angeles, Mark Taper Forum,? date unknown)
Box   73 Folder   8	Playscript, by Oliver Hailey, undated
	The Gelding or Prunings from the Family Game Tree (Production information unknown)
Box   73 Folder   9	Script, by James Heddle, undated
	The Government Inspector (Minneapolis, Guthrie, 1973/1974 season)
Box   73 Folder   10	Playbill, circa 1973
	Plans, plots, and designs, 25 May - 5 June 1973: See the Oversize File
	Guys and Dolls (Madison, Union Theatre, 3 December 1971)
	Tryouts
Box   73 Folder   11	Informational cards, 1971
Box   73 Folder   12	Notebook, including sign-in sheets and schedules, 1971
Box   74 Folder   1	Rehearsal schedule, musical score, scene breakdown, reviews, 1971
	Happy Days/Happy Nights (University of Wisconsin, other production information unknown)
Box   74 Folder   2-3	Revised second draft, by Don George and Donn Manning, annotated, 15 July 1975
Box   74 Folder   4	Musical score, undated
Box   74 Folder   5	Miscellany, undated
	Hay Fever (Madison, UW Compass Theatre, date unknown)
Box   74 Folder   6	Personnel requirements, undated
	The Headhunters (Washington, D.C., Kennedy Center, Eisenhower Theatre, 1 May 1974 and Knoxville, Tennessee, University of Tennessee, Clarence Brown Theatre, , pre-26 April 1974)
Box   74 Folder   7	Playscript, by Henry Denker, undated
	Unidentified or both productions
Box   74 Folder   8	Light plots and ground plans, 1974
	Knoxville, Tennessee
Box   74 Folder   9-10	Technical production file, 1974
	Washington, D.C.
Box   75 Folder   1-3	Technical production files, 1974
	Henry IV (Pittsburgh, Pittsburgh Playhouse, 18 November 1967)
Box   75 Folder   4	Permanent hook up sheets, reviews, 1967
	Holiday (Matunuck, RI, Theatre by-the-sea, 8 August 1960)
Box   75 Folder   5	Playbill, 1960
	I Love My Wife (NY, Ethel Barrymore and Forest, 1977?)
Box   75 Folder   6	Review, undated
	Plots, plans, and designs, circa February-March 1977: See the Oversize File
	I Said the Fly (Minneapolis, Guthrie, circa July 1973)
Box   75 Folder   7	Revised script, January 1972
Box   75 Folder   8	Script, annotated with lighting cues, 1973[?]
Box   75 Folder   9	Presets, ground plan, 1973
	In the Matter of J. Robert Oppenheimer (Los Angeles, Mark Taper Forum, 24 May 1968)
Box   75 Folder   10	Technical production file, 1968
Box   75 Folder   11	Light plots, 1968
	Jennie (Boston, theater unknown, 1963 [?])
Box   75 Folder   12	Focus charts and grid system, 1963
Box   75 Folder   13	Plot, undated
	A Journal of the Voyage of Lieutenant James Cook in H. M. “Endeavour” Back to the Island of Otaheite and Round the World (Production information unknown)
Box   76 Folder   1	Script and letter, by Jeffrey M. Jones, 12 February 1971
	Jumpers (Washington, D.C., Eisenhower, 18 February 1974)
Box   76 Folder   2	Diary re production, author unknown, 10-18 February 1974
Box   76 Folder   3	Reviews, February 1974
Box   76 Folder   4-5	Technical production file, 1974
	Plots, plans, and designs, 15 January 1974: See the Oversize File
	Juno and the Paycock (Matunuck, RI, Theatre by-the-sea, 15 August 1960)
Box   76 Folder   6	Playbill, 1960
	King Lear (Minneapolis, Guthrie, 13 [?] August 1974)
Box   76 Folder   7	Script, edited by George-Ian Duthie and John Dover Wilson, annotated, 1960
Box   76 Folder   8	Cue sheets, reviews, playbill, 1974
	Life with Father (Madison, University of Wisconsin, other production information unknown)
Box   76 Folder   9	Light plot, undated
	Love and Master Will (Washington, D.C., Kennedy Center, Opera House, 19 September 1973)
Box   76 Folder   10	Script, undated
Box   76 Folder   11	2 Scripts, annotated with lighting cues, undated
Box   77 Folder   1-2	Technical production files, 1973
	Love's Labor Lost (Minneapolis, Guthrie, 27 June 1974)
Box   77 Folder   3	Playbill, 1974
	Luminetics (Unproduced?)
Box   77 Folder   4	Proposal, undated
	The Magistrate (Production information unknown)
Box   77 Folder   5	Script, by Arthur Wing Pinero, undated
	Mais Oui! (Production information unknown)
Box   77 Folder   6	Sketch layout and hanging plot, undated
	Make a Spectacle of Yourself (Madison, Broom Street, date unknown)
Box   77 Folder   7	Production schedule, annotated with lighting cues, undated
	A Man for All Seasons (Los Angeles, Ahmanson Theatre, February 1979)
Box   77 Folder   8	Playscript, by Robert Bolt, annotated with lighting cues, 1979
Box   77 Folder   9	Technical production file, 1979
	Plots, plans, and designs, November 1978-January 1979: See the Oversize File
	The Matchmaker (Matunuck, RI, Theatre by-the-sea, 11 July 1960)
Box   77 Folder   10	Playbill, 1960
	The Matchmaker (Madison, University Theatre, 5 October 1972)
Box   77 Folder   11	Staff list, schedules, reviews, playbill, scores for 2 songs, 1972
	The Mediterranean Heritage (Princeton, McCarter, 1 November 1962)
Box   77 Folder   12	Playbill, 1962
	The Merchant of Venice (Minneapolis, Guthrie, circa October 1973)
Box   78 Folder   1	Ground plans, 1973
	A Midsummer Night's Dream (Madison, Vilas Experimental Theatre, 13[?] October 1972)
Box   78 Folder   2	Reviews, technical miscellany, 1972
	The Mighty Gents Washington, D.C., Eisenhower Theatre, 1978? and NY, Ambassador, , 1978?)
Box   78 Folder   5	Section, February 1978
	Plots, plans, and designs, 15 March 1978: See the Oversize File
	Monique (Matunuck, RI, Theatre by-the-sea, 18 July 1960)
Box   78 Folder   6	Playbill, 1960
	The Most Happy Fella (Princeton, McCarter Theatre, 7 May 1970)
Box   78 Folder   7	Playbill, plans, miscellany, 1970
	The Most Happy Fella (Detroit, Music Hall, 7 September 1979 and NY, Majestic, , 11 October 1979)
Box   78 Folder   8	Vocal score and libretto, by Frank Loesser, annotated with lighting cues, 1979
Box   78 Folder   9	Technical production file, 1979
Box   79 Folder   1	Technical production file, 1979, continued
Box   79 Folder   2	Cues, 1979
Box   79 Folder   3	Plots and sections, 1979
	Plots, plans, and designs, 17 August 1979: See the Oversize File
	Murderous Angels (Los Angeles, Mark Taper Forum, 4 February 1970)
Box   79 Folder   4-5	Script with lighting cues, by Conor Cruise O'Brien, annotated, 1970
Box   79 Folder   6	Reviews, 1970
Box   79 Folder   7-8	Technical production file, 1970
Box   80 Folder   1	Technical production file, 1970, continued
	Murderous Angels (NY, Playhouse, 11 December 1971)
Box   80 Folder   2	Revised script, by Conor Cruise O'Brien, annotated, 29 November 1971
Box   80 Folder   3	Technical production file, 1971
	Plots, plans, and designs, October-November 1971: See the Oversize File
	Nefertiti (Chicago, Blackstone, 20 September 1977 and NY, Minskoff, , 1978?)
Box   80 Folder   4	Script, book and lyrics by Christopher Gore, undated
Box   80 Folder   5	Script, book and lyrics by Christopher Gore, music by David Spangler, annotated with lighting cues, undated
Box   80 Folder   5	Miscellaneous script pages, undated
Box   80 Folder   6	Playbill and score for “Egypt Is Egypt,” 1977
Box   80 Folder   7-9	Technical production files, 1977
Box   81 Folder   1	Technical production file, 1977, continued
	Plots, plans, and designs, June-October 1977: See the Oversize File
	The Odd Couple (, 1966 national tour)
Box   81 Folder   2	Focus chart, 1966
	On a Clear Day You Can See Forever (National Company, other production information unknown)
Box   81 Folder   3	Itinerary of national company, undated
	Once Upon a Mattress (Pittsburgh, Pittsburgh Playhouse, 25 [?] September 1967)
Box   81 Folder   4	Reviews, 1967
	The Opossum Rug (Production information unknown)
Box   81 Folder   5	Script, by Jerry Douglas, undated
	Our Bettors (Matunuck, RI, Theatre by-the-sea, 1 August 1960)
Box   81 Folder   6	Playbill, 1960
	Our Town (Chicago, Goodman, 9 October 1975)
Box   81 Folder   7	Cardboards, 1975
Box   81 Folder   8	Presets and cue sheets, 1975
Box   81 Folder   9	Notes, floor plans, cheat sheet, flyers, 1975
	Pantagleize (Madison, University of Wisconsin, theater unknown, February 1972[?])
Box   81 Folder   10	Technical production file, 1972
	Rashomon (Pittsburgh, Pittsburgh Playhouse, 22 January 1968)
Box   81 Folder   11	Reviews, 1968
	The Resistable Rise of Arturo Ui (Chicago, Goodman, 28 March 1975)
Box   81 Folder   12	Script, by Bertolt Brecht, including complete lighting cues, 1975
Box   81 Folder   13	Production notebook, 1975
Box   82 Folder   1-4	Technical production file, 1975
	Right You Are (Los Angeles, Hartford, 2 [?] August 1966)
Box   82 Folder   5	Reviews, 1966
	The Rivals (Baltimore, Center Stage, December 1977)
Box   82 Folder   6	Script, by Richard Brinsley Sheridan, undated
Box   82 Folder   7	Technical production file, 1977
	[Rosebloom] (Los Angeles, Mark Taper Forum, date unknown)
Box   82 Folder   8	Hook-up, undated
	Royal Hunt of the Sun (Los Angeles, Greek, 4 [?] July 1966)
Box   82 Folder   9	Script, by Peter Schaffer, annotated, undated
Box   82 Folder   10	Technical production file, 1966
	Sacred and Profane (LA, Mark Taper Forum, 1973?)
	Plots, plans, and designs, 30 October 1973: See the Oversize File
	Saint Joan (Princeton, McCarter, October 1961)
Box   83 Folder   1	Playbill, 1961
	The School for Scandal (Los Angeles, Hartford, 1966 and Ann Arbor, Michigan, Mendelssohn Theatre, , 1966)
Box   83 Folder   2	Script, by Sheridan, directed by Ellis Raab, circa 1966
Box   83 Folder   3	Reviews, 1966
Box   83 Folder   4	Light plots, 1966
	The Serpent (Production information unknown)
Box   83 Folder   5	Script, by Jean-Claude van Italie, undated
	Something Unspoken (Production information unknown)
Box   83 Folder   6	Script, by Tennessee Williams, undated
	South Pacific (Madison, Old Music Hall, 1 October 1974)
Box   83 Folder   7	Poster, playbill, review, 1974
	The Stronger (Production information unknown)
Box   83 Folder   8	Playscript, undated
	The Subject Was Roses (Pittsburgh, Hamlet Street Theatre, 25[?]January 1968)
Box   83 Folder   9	Reviews, 1968
	Sugar Babies (San Francisco, Curran, 8 May 1979)
Box   83 Folder   10	Script, annotated with lighting cues, 1979
Box   83 Folder   10	Playbill, 1979
	Sugar Babies (Los Angeles,? Mark Hellinger Theatre, 1979?)
	Plots, plans, and designs, April-October 1979: See the Oversize File
	Summer and Smoke (Production information unknown)
	Plots, plans, and designs, 14 May 1948: See the Oversize File
	The Tavern (Pittsburgh, Craft Avenue Theatre, 30 September 1967)
Box   83 Folder   11	Ground and section plans, reviews, 1967
	Ten Best Martyrs of the Year (Production information unknown)
Box   83 Folder   12	Script, by Seymour Simckes, annotated, undated
	Three Men on a Horse (Pittsburgh, Pittsburgh Playhouse, date unknown)
Box   83 Folder   13	Script, by John Cecil Holm and George Abbott, annotated with lighting cues, 1963
Box   83 Folder   13	Notes, section plots, 1963
	Tiger (Production information unknown)
Box   83 Folder   14	Miscellany, undated
	Toad of Toad Hill (Production information unknown)
Box   83 Folder   15	Script, by A. A. Milne, annotated with lighting cues, 1959
	Tooth of Crime (Chicago, Goodman, January 1974)
Box   83 Folder   16	Script, by Sam Shepard, annotated, undated
Box   83 Folder   17	Master Cue sheets, 1974
Box   84 Folder   1	Technical production file, 1974
	Triptych (Production information unknown)
Box   84 Folder   2	Playscript, by J. M. Heddle, undated
	Trojan Woman (Madison, University of Wisconsin Theatre, date unknown)
Box   84 Folder   3	Script, by Euripides, annotated, undated
	Twentieth Century (Matunuck, RI, Theatre by-the-sea, 27 June 1960)
Box   84 Folder   4	Playbill, 1960
	Two for the Seasaw (Matunuck, RI, Theatre by-the-sea, 29 August 1960)
Box   84 Folder   5	Playbill, 1960
	A View from the Bridge (St. Louis, Opera Theatre of St. Louis, 8 February 1980)
Box   84 Folder   6	Set drawings and photographs, 1980
Box   84 Folder   6	2 playscripts, by Arthur Miller, annotated, 1980
Box   84 Folder   7	Technical production file, 1980
	Waiting for Godot (Minneapolis, Guthrie, 1973/1974 season)
Box   84 Folder   8	Playbill, circa 1973
	War and Peace
Box   84 Folder   9	Script, after the novel by Leo Tolstoy, adapted by Alfred Neumann, Erwin Piscator, and Guntram Prufer, annotated, undated
	Los Angeles, Greek Theatre, 1 September 1966
Box   84 Folder   10	Light plot, reviews, 1966
	New York, Lyceum, 22 March 1967
Box   84 Folder   11	Technical production file, 1967
	You Can't Take It with You (Los Angeles, Hartford, Spring 1966)
Box   84 Folder   12	Review, hook ups, cue sheet, note, 1966
	Your Arms Are Too Short to Box with God (NY, Lyceum, July 1976)
Box   84 Folder   13	Technical production file, 1976
	Series: Specials	⇧
	All American Gala (Washington, D.C., 1969 Presidential Inaugural)
Box   85 Folder   1	Program, 1969
	American Festival '61 (Boston, Boston Arts Center, 1961)
Box   85 Folder   2	Light plot, schedule, miscellany, 1961
	Antonio Gaites (Hurok Concert, 1971, other production information unknown)
Box   85 Folder   3	Light plot, hook up, miscellany, 1971
	Artscape (Madison, UW campus, 25 April 1974)
Box   85 Folder   4	Agenda, brochures, miscellany, 1974
	[Band Concert] (Madison, Van Hise Gymnasium, 23 January 1973)
Box   85 Folder   5	Program, 1973
	Casino du Liban (Bierut, Lebanon, 1965)
Box   85 Folder   6	Technical production file, 1965
	Bugs Bunny Follies (Madison, Dane County Coliseum, 28 April 1977)
Box   85 Folder   7	Technical information packet, 1977
	Cave of the Mounds (Brigham Farm, Blue Mounds, WI, 1978)
Box   85 Folder   8	Correspondence, 1978
	The Doobie Brothers (Madison, Dane County Coliseum, 27 April 1977)
Box   85 Folder   9	Contract, including technical information, 1977
	Dudley Riggs Brave New Workshop (Minneapolis and tour, 1976-1977)
Box   85 Folder   10	Publicity, reviews, 1976-1977
	Faculty Follies (Madison, Union Theatre, 24 January 1977)
Box   85 Folder   11	Script, including music, and technical miscellany, 1977
	Fashion in Dance (NY, St. James, 25 September 1966)
Box   85 Folder   12	Technical production file, 1966
	Festival Dinner Theatre (Madison, 1974)
Box   85 Folder   13	Proposal, notes, 1974
	Festival of the Arts (Princeton Day School, 21 April 1967)
Box   85 Folder   14	Technical production file, 1967
	Fifth National Boat Show (NY, Coliseum, December 1966?)
Box   85 Folder   15	Light plot, 1966
	Gala Concert of American Music (Washington, D.C., Constitution Hall, 8 October 1976)
Box   85 Folder   16	Program, 1976
	Herb Alpert and the Tijuana Brass, including Sergio Mendes and Brasil 66
Box   85 Folder   17	General production file, 1966
	Chicago, Arie Crown Theatre, August[?]1966
Box   85 Folder   18	Technical production file, 1966
	Los Angeles, Greek Theatre, 18 July 1966
Box   85 Folder   19	Technical production file, 1966
	Toronto, O'Keefe, 18 August 1966
Box   86 Folder   1	Technical production file, 1966
	Washington, D.C., Carter Barron Amphitheater, 22 August 1966
Box   86 Folder   2	Program, notes, 1966
	Hollywood Bowl Remodeling (Remodeling, June 1970)
Box   86 Folder   3	Technical production file, 1970
	Plots, plans, and designs, August 1975: See the Oversize File
	Hurok Gala (NY [?], theater unknown, 21 May 1973)
Box   86 Folder   4	Technical production file, 1973
	[Johann Sebastian Bach Concert] (Madison, Mills Concert Hall, 3 April 1971)
Box   86 Folder   5	Program, including vocal score, 1971
	Luminox (Madison, Thrust Theatre, 14 December 1975)
Box   86 Folder   6	Technical production file, including musical score, 1975
	Madison Arts Festival (Madison, building unknown, 10 September 1977)
Box   86 Folder   7	Calendar, 1977
	Madison Symphony Orchestra (Madison, MATC Auditorium, 4 November 1972)
Box   86 Folder   8	Playbill
	[Maurice Chevalier Show] (NY, [?], Alvin Theatre, 1965)
Box   86 Folder   9	Technical production file, 1965
	Monteith and Rand (NY, Booth, December 1978)
Box   86 Folder   10	Technical production file, 1978
Box   86 Folder   11	Plots and sections, 1978
	Plots, plans, and designs, 5-10 December 1978: See the Oversize File
Box   86 Folder   12	CBS Television Studio 50 ground plan, undated
	Music in Transition (Madison, University of Wisconsin, theater and date unknown)
Box   86 Folder   13	Program, undated
	National Theatre Festival (Cambridge, MA, theater unknown, 16 July 1961)
Box   86 Folder   14	Technical production file, 1961
	“New Spirit” Inaugural Concert (Washington, D.C., Kennedy Center, 19 January 1977 and telecast on CBS, James Lipton Production in association with Time-Life Television)
Box   86 Folder   15	Script, 1977
Box   87 Folder   1	Memorabilia, 1977
Box   87 Folder   2	Technical production file, including thank you note from President Carter, 1977
	One for the Road: A Tribute to the Blues and the Late Janis Joplin (Production information unknown)
Box   87 Folder   3	Notes, undated
	The Pursuit of Quality (Production format and information unknown, 29 November 1976)
Box   87 Folder   4	Notebook, 1976
	Shakespeare Dance and Drama (Washington, D.C., Kennedy Center, Opera House, September 1973)
Box   87 Folder   5	Technical production file, including script fragments, 1973
	Star Spangled Gala (NY, Metropolitan Opera House, 9 May 1976)
Box   87 Folder   6-7	Technical production file, 1976
	Summer Scope - 125 (Madison, University of Wisconsin, 5 July 1974)
Box   87 Folder   8	Programs, 1974
	There's No Business Like Olds Business
Box   87 Folder   9-10	4 final scripts, annotated with lighting cues, 1972
	Washington, D.C., Kennedy Center, Opera House, 24 July 1972
Box   87 Folder   11	Technical production file, 1972
	Plots, plans, and designs, June-July 1972: See the Oversize File
	1973 tour (Washington, D.C., Kennedy Center, Opera House, , 31 July 1973; Chicago, Crown, , 3 August 1973; and Denver, theater unknown, , 8 August 1973)
Box   88 Folder   1-5	Technical production file, 1973
	A Tribute to Josephine Baker ( 7 November, other production information unknown)
Box   88 Folder   6	Schedule, undated
	[A Weekend at the University of Wisconsin-Madison] (Madison, 24 February 1978)
Box   88 Folder   7	Program, 1978
	West Towne - Christmas lights (Madison, Wisconsin)
Box   88 Folder   8	Hook-up sheets
	Series: Oversize Plots, Plans, and Designs	⇧
	Ballet
	American Ballet Theatre
Oversize Folder   1 File No.   1	New York State Theatre - , 1967 Season
Oversize Folder   1 File No.   2	New York State Theatre - , 1970 Season
	Ballet Folklorico de Mexico (U.S. and Canadian Tour, 1975)
Oversize Folder   1 File No.   3	25 December 1974, undated
	National Ballet of Cuba
	1978 Tour, , April-May 1978
Oversize Folder   1 File No.   4	Carmen (Washington, D.C., Kennedy Center and NY, Metropolitan Opera House)
Oversize Folder   1 File No.   4	Coppelia (Washington, D.C., Kennedy Center and NY, Metropolitan Opera House)
Oversize Folder   1 File No.   4	Giselle (Washington, D.C., Kennedy Center and NY, Metropolitan Opera House)
Oversize Folder   1 File No.   5	1979 Tour, , 22 July 1979
Oversize Folder   1 File No.   6	Stuttgart Ballet, 1973, 1977
	Wisconsin Ballet Company
	Nutcracker (Production information unknown)
Oversize Folder   1 File No.   7	21 November 1972
	Dance
	Dance Umbrella (Production information unknown)
Oversize Folder   2 File No.   1	Fall , 1979
	Opera
	Bolshoi Opera Groundplans in Russian, 1975?
Oversize Folder   3 File No.   1	Boris Gudonov
Oversize Folder   3 File No.   1	Eugene Onegin
Oversize Folder   3 File No.   1	Pique Dama
Oversize Folder   3 File No.   1	War and Peace
	Boston Opera Company (a.k.a. Opera Company of Boston)
	The Barber of Seville (Boston, Aquarius Theatre, 1 June 1974)
Oversize Folder   4 File No.   1	1 June 1974
	Cosi Fan Tutti and The Fisherman and His Wife (Spring Tour, March-April 1975)
Oversize Folder   4 File No.   2	undated
	Falstaff (Boston, Orpheum, 5 February 1975)
Oversize Folder   4 File No.   3	February 1975
	The Trojans (Boston, Aquarius Theatre, 3 February 1972)
Oversize Folder   4 File No.   4	1971-1972
	War and Peace (Vienna, Va., Wolf Trap, Filene Center, 29 August 1974)
Oversize Folder   4 File No.   5	circa July-August 1974
	Houston Grand Opera
Oversize Folder   5 File No.   1	General, ground plan, 21 December 1973
	Aida (Houston, Jones Hall, 1978?)
Oversize Folder   5 File No.   2	January 1978
	Lucrezia Borgia (Houston, Jones Hall, 8 April 1975)
Oversize Folder   5 File No.   3	27 March 1975
	The Marriage of Figaro (Production information unknown)
Oversize Folder   5 File No.   4	13 November 1973
	Porgy and Bess (Houston, Music Hall; NY, Uris Theatre; Ottawa, National Arts Centre; Toronto, O'Keefe; Vienna, Va., Wolf Trap, Filene Center; Miami and European Tour)
Oversize Folder   5 File No.   5	August 1976-December 1977
	II Travatore (Production information unknown)
Oversize Folder   5 File No.   6	September 1974, undated
	Metropolitan Opera
	Hansel and Gretel (NY, Metropolitan Opera House, 1967?)
Oversize Folder   6 File No.   1	April-September 1967
	New York City Opera
Oversize Folder   6 File No.   2	New York State Theatre, basic light plot, 13 September 1966
	[Wolf Trap Opera]
	The Crucible (Vienna, Va., Wolf Trap, 30 August 1975)
Oversize Folder   6 File No.   3	August 1975
	Specials
Oversize Folder   7 File No.   1	Hollywood Bowl Remodeling, 12 June 1970
	Monteith and Rand (NY, Booth Theatre, 1978?)
Oversize Folder   7 File No.   2	5-10 December 1978
	The Oldsmobile Show (Washington, D.C., Kennedy Center, 1972?)
Oversize Folder   7 File No.   3	June-July 1972
	Theater
Oversize Folder   8 File No.   1	A.P.A.-Phoenix, Lyceum Theatre, 1966-1967 Season
	Cyrano (Richard Gregson-Apjac Production, city unknown, The Royal Alexandra, 1973?)
Oversize Folder   8 File No.   2	30 January-1 February 1973
	The Government Inspector (Minneapolis, Tyrone Guthrie Theatre, 1973)
Oversize Folder   8 File No.   3	25 May-5 June 1973
	I Love My Wife (City unknown, Barrymore Theatre and Forest Theatre, 1977?)
Oversize Folder   9 File No.   1	Circa February-March 1977
	Jumpers (Washington, D.C., Eisenhower, 18 February 1974)
Oversize Folder   9 File No.   2	15 January 1974
	A Man for All Seasons (LA, Ahmanson Theatre, 1979?)
Oversize Folder   9 File No.   3	November 1978-January 1979
	The Mighty Gents (Washington, D.C., Eisenhower Theatre, 1978? and NY, Ambassador, , 1978?)
Oversize Folder   10 File No.   1	15 March 1978
	The Most Happy Fella (NY, Majestic Theatre and Detroit, Music Hall, 1979)
Oversize Folder   10 File No.   2	17 August 1979
	Murderous Angels (NY, Playhouse Theatre, 11 December 1971)
Oversize Folder   10 File No.   3	October-November 1971
	Nefertiti (Chicago,? Blackstone Theatre, 1977? and NY, Minskoff Theatre, , 1978?)
Oversize Folder   11 File No.   1	June-October 1977
	Sacred and Profane (LA, Mark Taper Forum, 1973?)
Oversize Folder   11 File No.   2	30 October 1973
	Sugar Babies (City unknown, Mark Hellinger Theatre, 1979?)
Oversize Folder   11 File No.   3	April-October 1979
	Summer and Smoke (Production information unknown)
Oversize Folder   11 File No.   4	14 May 1948
	Miscellany
	Buildings
Oversize Folder   12 File No.   1	Alvin Theatre, New York, undated
Oversize Folder   12 File No.   1	Goodman Memorial Theatre, 1 November 1970
Oversize Folder   12 File No.   1	Greek Theatre, Los Angeles, June 1965
	John F. Kennedy Center, Washington, D.C.
Oversize Folder   12 File No.   1	Basic light layout for opera, September 1971
Oversize Folder   12 File No.   1	Opera House, undated
	Lincoln Center
Oversize Folder   12 File No.   1	Metropolitan Opera House, New York, undated
Oversize Folder   12 File No.   1	Mark Taper Forum, Los Angeles, 6 February 1972
Oversize Folder   12 File No.   1	New York State Theatre, undated
Oversize Folder   12 File No.   1	Performing Arts Center, Uihlein Stage, Milwaukee, undated
Oversize Folder   12 File No.   1	Radio City Music Hall, New York 24 April 1937
	Tyrone Guthrie Theatre, Minneapolis
Oversize Folder   12 File No.   1	29 May 1969
Oversize Folder   12 File No.   1	23 August 1973
Oversize Folder   12 File No.   1	20 November 1973
	University of Wisconsin
Oversize Folder   12 File No.   1	Music Hall, undated
Oversize Folder   12 File No.   1	Open Stage Theatre, 13 October 1971
Oversize Folder   12 File No.   1	Union Stage, October 1969
Oversize Folder   12 File No.   1	Uris Theatre, New York, August 1976
Oversize Folder   12 File No.   1	Wolf Trap, Filene Center, August 1976
Oversize Folder   12 File No.   2	Schedule for Cuban Ballet, Martha Graham Dance Co., and Performing Arts Company of the People's Republic of China for Summer 1978, 16 May 1978
Oversize Folder   12 File No.   3	United Scenic Artists Lighting Exam, Sodom and Gomorrah, January 1963
Oversize Folder   12 File No.   4	Unidentified