Summary Information
MTM Enterprises Records 1970-1989
U.S. Mss 162AN; Audio 1112A
39.0 c.f. (31 record center cartons and 20 archives boxes), 1 tape recording, 15 films, and 107 videorecordings
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research Contact Information
Wisconsin Historical Society (Map)
Scripts of television series, pilots, and specials produced by MTM Enterprises, one of the leading independent production companies for television during the 1970s and 1980s.
There is a restriction on use of this collection; for details, see the Restriction/Administrative Information portion of this finding aid.
English
http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0162an ↑ Bookmark this ↑
Scope and Content Note
MTM Enterprises was organized in 1970 by Grant Tinker, a television executive and director, and actress Mary Tyler Moore, who starred in the company's first show, The Mary Tyler Moore Show. That series was typical of MTM's realistic and literate situation comedy and dramatic shows, many of which have won Emmy awards.
The collection consists of scripts for the following MTM series: The Mary Tyler Moore Show, Bay City Blues, The Betty White Show, The Bob Crane Show, The Bob Newhart Show, Doc, The Duck Factory, Friends and Lovers, Hill Street Blues, The Last Resort, Lou Grant, Mary, The “Mary” Show, The Mary Tyler Moore Comedy Hour, Newhart, Paris, Phyllis, Remington Steele, Rhoda, St. Elsewhere, The Texas Wheelers, Three for the Road, The Tony Randall Show, We've Got Each Other, The White Shadow, and WKRP in Cincinnati.
The collection also includes a tape recording of the theme music of The Mary Tyler Moore Show. Among the films and videotapes are numerous episodes of The Mary Tyler Moore Show, The Bob Newhart Show, Lou Grant, and Rhoda, and pilot episodes of numerous series. Specials on videotape include The Boy Who Drank Too Much, The Critical List, The Mary Tyler Moore Hour, Nowhere to Run, Something for Joey, and Vampire.
The materials described below are in two series: Scripts, and Films and Videotapes. Within the Scripts, there are subseries for Television Series, Pilots, and Specials.
Administrative/Restriction Information
These materials may not be photocopied for any purpose.
These materials may not be used for any public, non-academic, or commercial publications without the permission of the donor.
Placed on deposit by MTM Enterprises, Inc., Studio City, California, 1975-1986. Accession Number: MCHC75-023, MCHC76-112, MCHC77-039, MCHC78-043, MCHC78-058, MCHC79-054, MCHC79-098, MCHC80-048, MCHC80-092, MCHC81-087, MCHC82-048, MCHC83-039, M85-113, M86-176, M85-437, M86-410
Reprocessed with additions by Menzi Behrnd-Klodt, Michael McKenna, Ann Bloczynski, Cary Moy, and Hans Kaiser, 1982-1987.
Contents List
U.S. Mss 162AN
|
Series: Scripts
|
|
|
Subseries: Television Series
|
|
|
Annie McGuire
|
|
|
Scripts, 1987-1988 Season
|
|
Box
38
Folder
1
|
“The Legend of the Bad Fish,” #8607, Script by Stuart Silverman, November 9, 1988
|
|
Box
38
Folder
2
|
“Emma's Eviction,” #8608, Script by Lisa Albert, October 13, 1988
|
|
Box
38
Folder
3
|
“Lewis in Love,” #8609, Script by Courtney Flavin, October 12, 1988
|
|
Box
38
Folder
4
|
“The Fried Shoe,” #8611, Script by Lisa Albert, November 1, 1988
|
|
Box
38
Folder
5
|
“The Hold-Up,” #8613, Script by Elliot Shoenman and Paul Wolff, October 17, 1988
|
|
Box
38
Folder
6
|
“The Journey,” #8615, Script by Jule Selbo, December 6, 1988
|
|
Box
38
Folder
7
|
“Annie and The Brooklyn Bridge,” #8617, Script by Paul Wolff and Elliot Shoenman, October 20, 1988
|
|
Box
38
Folder
8
|
“The Ferry,” #8618, Script by Anne Convey, Stuart Silverman, and Lisa Albert, November 17, 1988
|
|
|
Bay City Blues
|
|
|
Scripts, 1983-1984 Season
|
|
Box
28
Folder
1
|
“Bay City Blues,” (Pilot), #3801, Revised Final Draft, by Steven Bochco and Jeffrey Lewis, March 10, 1983, with later revisions
|
|
Box
28
Folder
2
|
“Beautiful Peoples,” #3802, Revised Final Draft, by Thad Mumford and Dan Wilcox, March 10, 1983 8 August 8, 1983, with later revisions
|
|
Box
28
Folder
3
|
“Zircons Are Forever,” #3803, Revised Final Draft, by Steven Bochco and Jeffrey Lewis, August 29, 1983, with later revisions
|
|
Box
28
Folder
4
|
“I Never Swung for My Father,” #3804, Revised Final Draft, by Joel Surnow, September 14, 1983, with later revisions
|
|
Box
28
Folder
5
|
“Rocky IV - Eyes,” #3805, Revised Final Draft, by David Israel, September 30, 1983, with later revisions
|
|
Box
28
Folder
6
|
“Play It Again, Milt,” #3806, Revised Final Draft, by Ellis Weinter, October 13, 1983, with later revisions
|
|
Box
28
Folder
7
|
“Look Homeward Hayward,” #3807, Revised Final Draft, by Steven Bochco, David Milch, Joel Surnow, and Roger Director, November 1, 1983, with later revisions
|
|
Box
28
Folder
8
|
“Going, Going, Gone,” #3809, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, David Milch, and Roger Director, November 11, 1983, with later revisions
|
|
|
The Betty White Show
|
|
|
Scripts, 1977-1978 Season
|
|
Box
1
Folder
1
|
“Undercover Woman,” Pilot Script by David Lloyd, August 25, 1977
|
|
Box
1
Folder
2
|
“Mitzi's Jealousy,” #7601, Script by David Lloyd, October 27, 1977
|
|
Box
1
Folder
3
|
“We're Not Divorced: Part I,” #7603, Script by David Lloyd, October 26, 1977
|
|
Box
1
Folder
4
|
“Joyce's Wedding,” #7604, Script by Bill Idelson, November 21, 1977
|
|
Box
1
Folder
5
|
“Make Yourself at Home...Steal Something,” #7605, Script by Earl Pomerantz, September 26, 1977
|
|
Box
1
Folder
6
|
“We're Not Divorced: Part II,” #7606, Script by David Lloyd, November 4, 1977
|
|
Box
1
Folder
7
|
“Goodnight Sweet Fletch,” #7607, Script by Glen Charles and Les Charles, November 4, 1977
|
|
Box
1
Folder
8
|
“Doug Gets Fired,” #7608, Script by David Lloyd, October 5, 1977
|
|
Box
1
Folder
9
|
“Mitzi's Cousin,” #7609, Script by Bob Ellison, September 26, 1977
|
|
Box
1
Folder
10
|
“Joyce the Matchmaker,” #7610, Script by David Lloyd, December 1, 1977
|
|
Box
1
Folder
11
|
“John's Mother,” #7611, Script by Dale McRaven, November 21, 1977
|
|
Box
1
Folder
12
|
“Fletch's Decision,” #7612, Script by Sheldon Bull, November 21, 1977
|
|
Box
1
Folder
13
|
“The Stunt Woman,” #7613, Script by David Lloyd, December 1, 1977
|
|
Box
1
Folder
14
|
“Play Misty for John,” #7616, Script by Earl Pomerantz, December 1, 1977
|
|
|
Beverly Hills Buntz
|
|
|
Scripts, 1987-1988 Season
|
|
Box
38
Folder
9
|
“Fit to be Tied,” #7403, Script by Peter Silverman, November 13, 1987
|
|
Box
38
Folder
10
|
“Sid and Randy,” #7404, Script by Jeffrey Lewis, November 23, 1987
|
|
Box
38
Folder
11
|
“Duck! L'Orange:,” #7407, Script by Jim Kaplan, November 6, 1987
|
|
Box
38
Folder
12
|
“El Norte By Norte West,” #7408, Script by Christian Williams, January 18, 1988
|
|
Box
38
Folder
13
|
“Untitled,” #7409, Script by Jeffrey Lewis and David Milch, October 14, 1987
|
|
Box
38
Folder
14
|
“Umbrella In The Water,” #7410, Script by Peter Silverman, January 11, 1988
|
|
Box
38
Folder
15
|
“Brief Encounter,” #7411, Script by Christian Williams, January 19, 1988
|
|
Box
38
Folder
16
|
“Carl,” #7414, Script by Jeffrey Lewis, January 4, 1988
|
|
Box
39
Folder
1
|
“Buntz of the Desert,” #7416, Script by Mark St. Germain, December 17,1987
|
|
|
The Bob Crane Show
|
|
|
Scripts, 1974-1975 Season
|
|
Box
1
Folder
15
|
“Secondstart,” (pilot), Script by Martin Cohan and Jim Allen, November 7, 1972
|
|
Box
1
Folder
16
|
“Not With My Mother You Don't,” #4106, Script by Leonard and Arlene Stadd, January 3, 1975
|
|
Box
1
Folder
17
|
“An American Fiasco,” #4111, Script by Martin Donovan, November 13, 1974
|
|
Box
1
Folder
18
|
“A Case of Misdiagnosis,” #4112, Script by Jim Allen, December 13, 1974
|
|
Box
1
Folder
19
|
“Med-Term Blues,” #4113, Script by Martin Donovan, October 30, 1974
|
|
Box
1
Folder
20
|
“Ellie's Sister,” #4116, Script by Jim Allen, January 25, 1975
|
|
|
The Bob Newhart Show
|
|
|
Scripts, 1972-1973 Season
|
|
Box
1
Folder
21
|
Pilot, #5536, Script by David Davis and Lorenzo Music, January 12, 1972
|
|
Box
1
Folder
22
|
“Fly the Unfriendly Skies,” #7251, Script by David Davis and Lorenzo Music, July 17, 1972
|
|
Box
1
Folder
23
|
“Mom, I L-L-Love You,” #7252, Script by Dick Clair and Jenna McMahon, August 21, 1972
|
|
Box
1
Folder
24
|
“Tennis, Emily?” #7253, Script by David Davis and Lorenzo Music, ugust 14, 1972
|
|
Box
1
Folder
25
|
“Goodnight, Nancy,” #7254, Script by Susan Silver, July 31, 1972
|
|
Box
1
Folder
26
|
“Father Knows Worst,” #7255, Script by Tom Patchett and Jay Tarses, September 25, 1972
|
|
Box
1
Folder
27
|
“Come Cohabit With Me,” #7256, Script by Jerry Mayer, September 11, 1972
|
|
Box
1
Folder
28
|
“I Owe It All To You...But Not That Much,” #7257, Script by Martin Cohan, August 7, 1972
|
|
Box
1
Folder
29
|
“Tracy Grammar School--I'll Lick You Yet!” #7258, Script by Carl Gottlieb and George Yanok, July 24, 1972
|
|
Box
1
Folder
30
|
“Anything Happen While I Was Gone?” #7260, Script by Martin Cohan, October 2, 1972
|
|
Box
1
Folder
31
|
“I Want to Be Alone,” #7261, Script by Jerry Mayer, September 18, 1972
|
|
Box
1
Folder
32
|
“Don't Go to Bed Mad,” #7262, Script by Gene Thompson, October 10, 1972
|
|
Box
1
Folder
33
|
“Bob and Emily and Howard and Carol and Jerry,” #7263, Script by Charlotte Brown, October 16, 1972
|
|
Box
1
Folder
34
|
“The Two Loves of Dr. Hartley,” #7264, Script by Gene Thompson, December 27, 1972
|
|
Box
1
Folder
35
|
“Let's Get Away From It Almost,” #7265, Script by Tom Patchett and Jay Tarses, November 27, 1972
|
|
Box
1
Folder
36
|
“Not With My Sister You Don't,” #7266, Script by Frank Buxton, December 18, 1972
|
|
Box
1
Folder
37
|
“His Busiest Season,” #7268, Script by David Davis and Lorenzo Music, November 21, 1972
|
|
Box
1
Folder
38
|
“The Crash of 29 Years Old,” #7269, Script by Charlotte Brown, December 4, 1972
|
|
Box
1
Folder
39
|
“The Man With the Golden Wrist,” #7270, Script by Bill Idelson, December 11, 1972
|
|
Box
1
Folder
40
|
“A Home Is Not Necessarily a House,” #7271, Script by David Davis and Lorenzo Music, January 9, 1972
|
|
Box
1
Folder
41
|
“You Can't Win 'Em All,” #7272, Script by Bill Idelson, January 23, 1973
|
|
Box
1
Folder
42
|
“Emily, I'm Home -- Emily?” #7273, Script by Martin Cohan, January 17, 1973
|
|
Box
1
Folder
43
|
“Bum Voyage,” #7274, Script by Austin and Irma Kalish, January 31, 1973
|
|
Box
1
Folder
44
|
“Who's Been Sleeping in MY Couch?” #7275, Script by Jerry Mayer,. February 7, 1973
|
|
|
Scripts, 1973-1974 Season
|
|
Box
2
Folder
1
|
“Mind Your Own Business,” #7351, Script by Tom Patchett and Jay Tarses, June 11, 1973
|
|
Box
2
Folder
2
|
“Backlash,” #7352, Script by Susan Silver, July 23, 1973
|
|
Box
2
Folder
3
|
“Have You Met Miss Dietz?” #7353, Script by Bill Idelson, July 30, 1973
|
|
Box
2
Folder
4
|
“The Last TV Show,” #7355, Script by Charlotte Brown, June 25, 1973
|
|
Box
2
Folder
5
|
“Emily In For Carol,” #7356, Script by Jerry Mayer, June 18, 1973
|
|
Box
2
Folder
6
|
“Somebody Down Here Likes Me,” #7357, Script by Peter Meyerson, August 6, 1973
|
|
Box
2
Folder
7
|
“Fit, Fat and Forty-One,” #7358, Script by Bill Idelson and Harvey Miller, October 15, 1973
|
|
Box
2
Folder
8
|
“Old Man Rivers,” #7359, Script by Martin Cohan, July 16, 1973
|
|
Box
2
Folder
9
|
“Motel,” #7360, Script by Tom Patchett and Jay Tarses, June 4, 1973
|
|
Box
2
Folder
10
|
“My Wife Belongs To Daddy,” #7362, Script by Jerry Mayer, September 17, 1973
|
|
Box
2
Folder
11
|
“Mister Emily Hartley,” #7363, Script by Charlotte Brown, September 10, 1973
|
|
Box
2
Folder
12
|
“I'm O.K. - You're O.K. - So What's Wrong?” #7364, Script by Earl Barret, October 1, 1973
|
|
Box
2
Folder
13
|
“Mutiny on the Hartley,” #7365, Script by Tom Patchett and Jay Tarses, August 10, 1973
|
|
Box
2
Folder
14
|
“Blues for Mr. Borden,” #7366, Script by Tom Patchett and Jay Tarses, September 24, 1973
|
|
Box
2
Folder
15
|
“Oh Brother,” #7367, Script by Martin Cohan, October 29, 1973
|
|
Box
2
Folder
16
|
“T.S., Elliot,” #7368, Script by Gerry Renert and Jeff Wilhelm, October 22, 1973
|
|
Box
2
Folder
17
|
“Clink Shrink,” #7369, Script by Paul B. Lichtman and Howard Storm, November 12, 1973
|
|
Box
2
Folder
18
|
“I'm Dreaming of a Slight Christmas, #7370, Script by Tom Patchett and Jay Tarses, November 5, 1973
|
|
Box
2
Folder
19
|
“The Modernization of Emily,” #7371, Script by Charlotte Brown, December 11, 1973
|
|
Box
2
Folder
20
|
“By the Way...You're Fired!” #7372, Script by Barbara Gallagher and Sybil Adelman, January 14, 1974
|
|
Box
2
Folder
21
|
“A Matter of Principal” #7373, Script by Arnie Kogen and Ray Jessel, January 28, 1974
|
|
Box
2
Folder
22
|
“The Jobless Corps,” #7374, Script by Tom Patchett and Jay Tarses, December 3, 1973
|
|
Box
2
Folder
23
|
“A Love Story,” #7375, Script by Martin Cohan, January 7, 1974
|
|
Box
2
Folder
24
|
“Confessions of an Orthodontist,” #7376, Script by Tom Patchett and Jay Tarses, January 21, 1974
|
|
|
Scripts, 1974-1975 Season
|
|
Box
2
Folder
25
|
“The Battle of the Groups,” #7451, Script by Tom Patchett and Jay Tarses, May 29, 1974
|
|
Box
2
Folder
26
|
“Big Brother is Watching,” #7452, Script by Charlotte Brown, June 19, 1974
|
|
Box
2
Folder
27
|
“My Business Is Shrinking,” #7453, Script by Arnie Kogen and Ray Jessel, December 17, 1974
|
|
Box
2
Folder
28
|
“Separation Story,” #7454, Teleplay by Tom Patchett and Jay Tarses, Story by Bob Garland, July 15, 1974
|
|
Box
2
Folder
29
|
“Jerry Robinson Crusoe,” #4055, Script by Erik Tarloff, undated
|
|
Box
2
Folder
30
|
“The Great Rimpau Medical Arts Co-op Experiment,” #7456, Script by Coleman Mitchell and Geoffrey Neigher, June 26, 1974
|
|
Box
2
Folder
31
|
“Tobin's Back in Town,” #4057, Script by Michael Zinberg, November 14, 1974
|
|
Box
2
Folder
32
|
“Dr. Ryan's Express,” #7459, Script by Tom Patchett and Jay Tarses, June 5, 1974
|
|
Box
2
Folder
33
|
“We Love You...Goodbye,” #7461, Script by Charlotte Brown, June 12, 1974
|
|
Box
2
Folder
34
|
“Brutally Yours, Bob Hartley,” #4062, Script by John Rappaport, October 1, 1974
|
|
Box
2
Folder
35
|
“The Way We Weren't, #4063, Script by Roger Beatty, November 21, 1974
|
|
Box
2
Folder
36
|
“The Gray Flannel Shrink,” #4064, Script by Jerry Mayer, June 7, 1974
|
|
Box
2
Folder
37
|
“Home Is Where the Hurt Is,” #4065, Script by Tom Patchett and Jay Tarses, November 6, 1974
|
|
Box
2
Folder
38
|
“Ship of Shrinks, #4066, Script by Coleman Mitchell and Geoffrey Neigher, October 9, 1974
|
|
Box
2
Folder
39
|
“Sorry, Wrong Mother,” #4067, Script by Charlotte Brown, September 11, 1974
|
|
Box
2
Folder
40
|
“Life Is a Hamburger,” #7468, Script by Jerry Mayer, August 8, 1974
|
|
Box
2
Folder
41
|
“An American Family,” #4069, Script by Charlotte Brown, September 25, 1974
|
|
Box
2
Folder
42
|
“Think Smartly - Vote Hartley,” #4070, Script by Coleman Mitchell and Geoffrey Neigher, December 4, 1974
|
|
Box
2
Folder
43
|
“Serve for Daylight,” #4071, Script by Jerry Mayer, October 30, 1974
|
|
Box
2
Folder
44
|
“Bob Hits the Ceiling,” #4072, Script by Phil Davis, January 15, 1975
|
|
Box
2
Folder
45
|
“The New Look,” #4073, Script by Gordon and Lynne Farr, January 8, 1975
|
|
Box
2
Folder
46
|
“A Pound of Flesh,” #4074, Script by Jerry Mayer, December 10, 1974
|
|
Box
2
Folder
47
|
“Emily Hits the Ceiling,” #4075, Script by Jerry Mayer, January 23, 1975
|
|
Box
2
Folder
48
|
“The Ceiling Hits Bob,” #4076, Script by Tom Patchett and Jay Tarses, January 28, 1975
|
|
|
Scripts, 1975-1976 Season
|
|
Box
3
Folder
1
|
“Seemed Like a Good Idea at the Time,” #5051, Script by Tom Patchett and Jay Tarses, July 31, 1975
|
|
Box
3
Folder
2
|
“Here's Looking at You, Kid,” #5052, Script by Gordon and Lynne Farr, June 10, 1975
|
|
Box
3
Folder
3
|
“The Heavyweights,” #5053, Script by Tom Patchett and Jay Tarses, June 18, 1975
|
|
Box
3
Folder
4
|
“The Longest Goodbye,” #5054, Script by Tom Patchett and Jay Tarses, July 9, 1975
|
|
Box
3
Folder
5
|
“No Sale,” #5055, Script by Michael Zinberg, November 11, 1975
|
|
Box
3
Folder
6
|
“Who Is Mr. X?” #5056, Script by Bruce Kane, September 23, 1975
|
|
Box
3
Folder
7
|
“Fathers and Sons and Mothers,” #5057, Script by Arnold Kane, October 22, 1975
|
|
Box
3
Folder
8
|
“Change Is Gonna Do Me Good,” #5058, Script by Gordon and Lynne Farr, July 24, 1975
|
|
Box
3
Folder
9
|
“What's It All About, Albert?” #5059, Script by Phil Davis, September 9, 1975
|
|
Box
3
Folder
10
|
“Carol's Wedding,” #5060, Script by Gordon and Lynne Farr, June 25, 1975
|
|
Box
3
Folder
11
|
“Shrinks Across the Sea,” #5061, Script by Douglas Arango and Phil Doran, September 16, 1975
|
|
Box
3
Folder
12
|
“The Article,” #5062, Script by Erik Tarloff, October 29, 1975
|
|
Box
3
Folder
13
|
“Death of a Fruitman,” #5063, Script by Tom Patchett and Jay Tarses, undated
|
|
Box
3
Folder
14
|
“Over the River and Through the Woods,” #5065, Script by Bruce Kane, undated
|
|
Box
3
Folder
15
|
“Carol at 6:01,” #5066, Script by Gordon and Lynne Farr, November 19, 1975
|
|
Box
3
Folder
16
|
“Guaranteed Not to Shrink,” #5067, Script by Sy Rosen, January 6, 1976
|
|
Box
3
Folder
17
|
“Bob Has to Have His Tonsils Out, So He Spends Christmas Eve in the Hospital,” #5068, Script by Tom Patchett and Jay Tarses, October 8, 1975
|
|
Box
3
Folder
18
|
“A Matter of Vice Principal,” #5069, Script by Gordon and Lynne Farr, November 5, 1975
|
|
Box
3
Folder
19
|
“Warden Gordon Borden Goes a 'Courtin',” #5070, Script by Gordon and Lynne Farr, December 3, 1975
|
|
Box
3
Folder
20
|
“My Boy Guillermo,” #5071, Script by Sy Rosen, December 10, 1975
|
|
Box
3
Folder
21
|
“The Duke of Dunk,” #5072, Script by Douglas Arango and Phil Doran, December 16, 1975
|
|
Box
3
Folder
22
|
“The Boy Next Door,” #5073, Script by Hugh H. Wilson, January 20, 1976
|
|
Box
3
Folder
23
|
“Birth of a Salesman,” #5074, Script by Sy Rosen, January 13, 1976
|
|
Box
3
Folder
24
|
“Peeper Part II,” #5075, Script by Tom Patchett and Jay Tarses, January 27, 1976
|
|
|
Scripts, 1976-1977 Season
|
|
Box
3
Folder
25
|
“Jerry's Retirement,” #6051, Script, by Hugh Wilson, September 13, 1976
|
|
Box
3
Folder
26
|
“The Heartbreak Kidd,” #6052, Script by Sy Rosen, December 8, 1976
|
|
Box
3
Folder
27
|
“Of Mice or Men,” #6053, Script by Bruce Kane, September 27, 1976
|
|
Box
3
Folder
28
|
“Some of My Best Friends Are...,” #6054, Script by Pat Jones and Donald Reiker, June 28, 1976
|
|
Box
3
Folder
29
|
“Halls of Hartley,” #6055, Script by Michael Zinberg, November 16, 1976
|
|
Box
3
Folder
30
|
“Here's to You, Mrs. Robinson,” #6056, Script, by Lynne and Gordon Farr, September 20, 1976
|
|
Box
3
Folder
31
|
“Et Tu, Carol?,” #6058, Script by Gary David Goldberg, July 12, 1976
|
|
Box
3
Folder
32
|
“The Great Rent Strike,” #6059, Script by David Lloyd, June 15, 1976
|
|
Box
3
Folder
33
|
“Taxation Without Celebration,” #6060, Script by Sy Rosen, June 8, 1976
|
|
Box
3
Folder
34
|
“Still Crazy After All These Years,” #6061, Script by Hugh Wilson, July 19, 1976
|
|
Box
3
Folder
35
|
“Caged Fury,” #6062, Script by Gordon and Lynne Farr, June 22, 1976
|
|
Box
3
Folder
36
|
“Love is the Blindest,” #6063, Script by Gary Goldberg, November 3, 1976
|
|
Box
3
Folder
37
|
“A Crime Most Foul,” #6064, Script by Sy Rosen, September 7, 1976
|
|
Box
3
Folder
38
|
“The Ironwood Experience,” #6065, Script by Phil Davis, October 27, 1976
|
|
Box
3
Folder
39
|
“Enter Mrs. Peeper,” #6066, Script by Gordon and Lynn Farr, July 26, 1976
|
|
Box
3
Folder
40
|
“Send This Boy to Camp,” #6067, Script by David Lloyd, October 4, 1976
|
|
Box
3
Folder
41
|
“Breaking Up Is Hard to Do,” #6068, Script by Sy Rosen, November 10, 1976
|
|
Box
3
Folder
42
|
“The Mentor,” #6069, Script by Gary David Goldberg, January 19, 1977
|
|
Box
3
Folder
43
|
“The Slammer,” #6070, Script by Gordon and Lynne Farr, October 20, 1976
|
|
Box
3
Folder
44
|
“Desperate Sessions,” #6071, Script by Michael Zinberg and Martin Davidson, January 13, 1976
|
|
Box
3
Folder
45
|
“Making Up Is the Thing to Do,” #6072, Script by Gordon and Lynne Farr, November 17, 1976
|
|
Box
3
Folder
46
|
“Death Be My Destiny,” #6073, Script by Sy Rosen, December 14, 1976
|
|
Box
3
Folder
47
|
“Shrinking Violence,” #6074, Script by Sy Rosen, January 26, 1977
|
|
Box
3
Folder
48
|
“You're Having My Hartley,” #6075, Script by Gordon and Lynne Farr, February 2, 1977
|
|
|
Scripts, 1977-1978 Season
|
|
Box
4
Folder
1
|
“Bob's Change of Life,” #7051, Script by Glen Charles and Les Charles, July 12, 1977
|
|
Box
4
Folder
2
|
“A Jackie Story,” #7053, Script by Lloyd Garver, July 25, 1977
|
|
Box
4
Folder
3
|
“A Day in the Life,” #7504, Script by Kathy Donnell and Madeline DiMaggio Wagner, August 30, 1977
|
|
Box
4
Folder
4
|
“A Girl in Her Twenties,” #7055, Script by Laura Levine, October 4, 1977
|
|
Box
4
Folder
5
|
“Ex-Con Job,” #7056, Script by Ziggy Steinberg, August 15, 1977
|
|
Box
4
Folder
6
|
“Twas the Pie Before Christmas,” #7057, Script by Phil Davis, November 1, 1977
|
|
Box
4
Folder
7
|
“Who Was That Masked Man?,” #7058, Script by Glen Charles and Les Charles, August 21, 1977
|
|
Box
4
Folder
8
|
“My Son the Comedian,” #7059, Script by David Lloyd, September 12, 1977
|
|
Box
4
Folder
9
|
“Carlin's New Suit,” #7061, Script by Andrew Smith, July 18, 1977
|
|
Box
4
Folder
10
|
“Grizzly Emily,” #7062, Script by Laura Levine, November 15, 1977
|
|
Box
4
Folder
11
|
“You're Fired, Mr. Chips,” #7063, Script by Lloyd Garver, September 27, 1977
|
|
Box
4
Folder
12
|
“Shallow Throat,” #7064, Script by Earl Pomerantz, September 21, 1977
|
|
Box
4
Folder
13
|
“Emily Carlin, Emily Carlin,” #7065, Script by Laura Levine, November 29, 1977
|
|
Box
4
Folder
14
|
“Grand Delusion,” #7067, Script by Lloyd Garver, October 18, 1977
|
|
Box
4
Folder
15
|
“Group on a Hot Tin Roof,” #7068, Script by Andrew Smith, November 8, 1977
|
|
Box
4
Folder
16
|
“Freudian Slip,” #7069, Script by Earl Pomerantz, October 25, 1977
|
|
Box
4
Folder
17
|
“Son of Ex-Con Job,” #7070, Script by Emily Purdum Marshall, December 5, 1977
|
|
Box
4
Folder
18
|
“...Easy for You to Say,” #7071, Script by Andrew Smith, January 3, 1978
|
|
Box
4
Folder
19
|
“Carol Ankles for Indie-Prod,” #7072, Script by Lloyd Garver, January 10, 1978
|
|
Box
4
Folder
20
|
“It Didn't Happen One Night,” #7073, Script by Laura Levine, December 13, 1977
|
|
Box
4
Folder
21
|
“Crisis in Education,” #7074, Script by Earl Pomerantz, January 17, 1978
|
|
Box
4
Folder
22
|
“Happy Trails to You,” #7075, Script by Glen Charles, Les Charles,and Lloyd Garver, January 24, 1978
|
|
|
Doc
|
|
|
Scripts, 1975-1976 Season
|
|
Box
4
Folder
23
|
Pilot, #6523, Script by David Lloyd, March 20, 1975
|
|
Box
4
Folder
24
|
“The Other Woman,” #5101, Script by David Lloyd, July 24, 1975
|
|
Box
4
Folder
25
|
“All Work and No Pay,” #5102, Script by Norman Barasch and Carroll Moore, July 17, 1975
|
|
Box
4
Folder
26
|
“Not My Bag,” #5103, Script by Adele and Burt Styler, undated
|
|
Box
4
Folder
27
|
“A Thief for All Seasons,” #5104, Script by Bruce Kane, September 15, 1975
|
|
Box
4
Folder
28
|
“Doc, Heal Thyself,” #5105, Script by Glen Charles and Les Charles, October 16, 1975
|
|
Box
4
Folder
29
|
“Get Me to the Church,” #5107, Script by David Lloyd, August 7, 1975
|
|
Box
4
Folder
30
|
“Upstairs, Downstairs,” #5108, Script by David Lloyd, August 28, 1975
|
|
Box
4
Folder
31
|
“Nurse Annie,” #5109, Script by Roy Kammerman, August 4, 1975
|
|
Box
4
Folder
32
|
“Benson Hedges,” #5110, Script by Sol Wendell and Beverly Gordon, Revised by Glen Charles and Les Charles, October 24, 1975
|
|
Box
4
Folder
33
|
“Quartet,” #5111, Script by Earl Pomerantz, September 6, 1975
|
|
Box
4
Folder
34
|
“Doc Versus Dog,” #5112, Script by Phil Davis, September 25, 1975
|
|
Box
4
Folder
35
|
“Fred's Wild Oats,” #5114, Script by David Lloyd, October 6, 1975
|
|
Box
4
Folder
36
|
“Operation Goldman,” #5115, Script by Dennis Klein, October 31, 1975
|
|
Box
4
Folder
37
|
“My Son, the Doctor,” #5116, Script by Tony Webster, November 6, 1975
|
|
Box
4
Folder
38
|
“The Rivalry,” #5117, Script by Robert Illes and James R. Stein, November 13, 1975
|
|
Box
4
Folder
39
|
“Facts of Life,” #5118, Script by Seth Freeman, November 20, 1975
|
|
Box
4
Folder
40
|
“And Baby Makes Eight,” #5119, Script by Tony Webster, December 4, 1975
|
|
Box
4
Folder
41
|
“A Little Bit of Soap,” #5120, Script by Dennis Klein, December 11, 1975
|
|
Box
4
Folder
42
|
“Great Expectations,” #5121, Script by Jack Mendelsohn and George Burditt, December 19, 1975
|
|
Box
5
Folder
1
|
“A Quiet Anniversary,” #5122, Script by David Lloyd, January 8, 1976
|
|
Box
5
Folder
2
|
“Oldies But Goodies,” #5123, Script by Seth Freeman, January 15, 1976
|
|
Box
5
Folder
3
|
“My Son, the Father,” #5124, Script by George Burditt and Jack Mendelsohn, January 30, 1976
|
|
Box
5
Folder
4
|
“The Death of the Turtle,” #5125, Script by Tony Webster, January 22, 1976
|
|
|
Scripts, 1976-1977 Season
|
|
Box
5
Folder
5
|
“Carry On Nurse...Please!” #6101, Script by Laurence Marks and Martin Cohan, August 5, 1976
|
|
Box
5
Folder
6
|
“A Little Night Visitor,” #6102, Script by Howard Albrecht and Sol Weinstein, August 12, 1976
|
|
Box
5
Folder
7
|
“Come Scrub With Me,” #6103, Script Story by Thad Mumford, Teleplay by Thad Mumford, Ed Jurist, and Wayne Kline, September 9, 1976
|
|
Box
5
Folder
8
|
“The Westside Clinic and Deli,” #6105, Script by Tom Reeder, September 23, 1976
|
|
Box
5
Folder
9
|
“Mama Doc,” #6107, Script Story by Ron Pearlman and Ed Jurist, Teleplay by Ed Jurist, September 30, 1976
|
|
Box
5
Folder
10
|
“EKG and Vote For Me,” #6108, Script by Howard Albrecht and Sol Weinstein, August 26, 1976
|
|
|
The Duck Factory
|
|
|
Scripts, 1983-1984 Season
|
|
Box
28
Folder
9
|
“Goodbye, Buddy, Hello, Skip,” #3601, Revised Final Draft, by Allan Burns, August 29, 1983, with later revisions
|
|
Box
28
Folder
10
|
“Call Me Responsible,” #3602, Revised Final Draft, by Stuart Silverman, August 29, 1983
|
|
Box
28
Folder
11
|
“The Duck Stops Here,” #3603, Revised Final Draft, by John Steven Owen, September 1, 1983, with later revisions
|
|
Box
28
Folder
12
|
“The Annies,” #3604, Revised Final Draft, by Barbara Hall, September 7, 1983, with later revisions
|
|
Box
28
Folder
13
|
“No Good Deed...” #3605, Revised Final Draft, by Steve Kline, October 4, 1983, with later revisions
|
|
Box
28
Folder
14
|
“You'll Always Love the One You Hurt,” #3606, Revised Final Draft, by Thad Mumford and Dan Wilcox, October 28, 1983, revised , January 18, 1984
|
|
Box
28
Folder
15
|
“Ordinary People, Too,” #3607, Revised Final Draft, by Bob Stevens, October 20, 1983, with later revisions
|
|
Box
28
Folder
16
|
“Filling Buddy's Shoes,” #3608, Revised Final Draft, by John Steven Owen, September 30, 1983, with later revisions
|
|
Box
28
Folder
17
|
“The Education of S*h*e*r*r*e*e W*i*n*k*l*e*r,” #3609, Revised Final Draft, by Jordan Moffet, November 4, 1983, revised , December 5, 1983
|
|
Box
28
Folder
18
|
“The Way We Weren't,” #3610, Revised Final Draft, by Katherine Green, November 18, 1983, revised , December 12, 1983
|
|
Box
28
Folder
19
|
“Can We Talk,” #3611, Revised Final Draft, by John Steven Owen, November 29, 1983, with later revisions
|
|
Box
28
Folder
20
|
“The Children's Half-Hour,” #3612, Revised Final Draft, by Thad Mumford and Dan Wilcox, December 14, 1983, revised , January 9, 1984
|
|
Box
28
Folder
21
|
“It Didn't Happen One Night,” #3613, Revised Final Draft, by Jordan Moffet, January 5, 1984, revised , January 16, 1984
|
|
|
Eisenhower & Lutz
|
|
|
Scripts, 1987-1988 Season
|
|
Box
39
Folder
2
|
“The Whiplash Kid Returns: Part I,” #7701, Script by Allan Burns, October 9, 1987
|
|
Box
39
Folder
3
|
“The Whiplash Kid Returns: Part II,” #7702, Script by Allan Burns, October 19, 1987
|
|
Box
39
Folder
4
|
“A Blast from the Past,” #7703, Script by Allan Burns, November 6, 1987
|
|
Box
39
Folder
5
|
“The Hernia Chronicles,” #7704, Script by Dan Wilcox, December 7, 1987
|
|
Box
39
Folder
6
|
“Bud Junior Junior: Part I,” #7705, Script by Mark Egan and Mark Solomon, November 16, 1987
|
|
Box
39
Folder
7
|
“Bud Junior Junior: Part II,” #7706, Script by Mark Egan and Mark Solomon, January 18, 1988
|
|
Box
39
Folder
8
|
“Don't Change a Hair for Me,” #7707, Script by Shelley Zellman, November 23, 1987
|
|
Box
39
Folder
9
|
“Take My Ex-Wife Please,” #7708, Script by Dava Savel, December 14, 1987
|
|
Box
39
Folder
10
|
“Bud's Buddy,” #7710, Script by David Nichols, December 21, 1987
|
|
Box
39
Folder
11
|
“The Devil Wears a Toupee,” #7711, Script by Shelley Zellman, January 11, 1988
|
|
Box
39
Folder
12
|
“Pride and Prejudice,” #7712, Script by Gina Goldman, January 25, 1988
|
|
Box
39
Folder
13
|
“The Petrified Forrest,” #7713, Script by Burt Prelutsky, February 12, 1988
|
|
Box
39
Folder
14
|
“Play It Again, Bud,” #7714, Script by Shelley Zellman, Mark Egan and Mark Solomon, February 8, 1988
|
|
|
Friends and Lovers (The Paul Sand Show)
|
|
|
Scripts, 1974-1975 Season
|
|
Box
5
Folder
11
|
Pilot, #0311-5726-4494, Script by Allan Burns and James L. Brooks, February 22, 1974
|
|
Box
5
Folder
12
|
“Getting to First Bass,” #4201, Script by Steve Pritzker, July 22, 1974
|
|
Box
5
Folder
13
|
“Moran's the Man,” #4202, Script by Steve Gordon, June 29, 1974
|
|
Box
5
Folder
14
|
“The Groupie,” #4203, Script by Mary Kay Place and Linda Bloodworth, June 16, 1974
|
|
Box
5
Folder
15
|
“Dreyfuss and Dreyfuss, Associates,” (formerly “Design for Living”), #4204, Script by Monica and Andrew Johnson, September 16, 1974
|
|
Box
5
Folder
16
|
“The Big Fight,” #4205, Script by Phil Mishkin, July 29, 1974
|
|
Box
5
Folder
17
|
“The Cinderella Story, #4206, Script by Gordon Farr and Arnold Kane, August 12, 1974
|
|
Box
5
Folder
18
|
“All's Well That Ends,” #4207, Script by Coleman Mitchell and Geoffrey Neigher, September 9, 1974
|
|
Box
5
Folder
19
|
“Fiddler in the House,” #4208, Script by Allan Leicht, August 19, 1974
|
|
Box
5
Folder
20
|
“Love Thy Neighbor,” #4209, Script by Steve Gordon, August 26, 1974
|
|
Box
5
Folder
21
|
“Just the Ticket,” #4210, Script by Steve Pritzker, November 4, 1974
|
|
Box
5
Folder
22
|
“A Date with Robert,” #4211, Script by Mark Rothman and Lowell Ganz, October 7, 1974
|
|
Box
5
Folder
23
|
“Ben and Marge Are Back,” #4212, Script by Bud Wiser, September 23, 1974
|
|
Box
5
Folder
24
|
“Maid In the Snow,” #4213, Script by Monica McGowan Johnson, October 11, 1974
|
|
Box
5
Folder
25
|
“Smart Move,” #4214, Script by Bud Wiser, October 21, 1974
|
|
Box
5
Folder
26
|
“From Russia With Lust,” #4215, Script by Elias Davis and David Pollock, November 11, 1974
|
|
|
Hill Street Blues
|
|
|
Scripts, 1980-1981 Season
|
|
Box
5
Folder
27
|
“Hill Street Station,” (pilot), #0925, Script by Michael Kozoll and Steven Bochco, July 21, 1980
|
|
Box
5
Folder
28
|
“Presidential Fever,” #0401, Script by Michael Kozoll and Steven Bochco, October 10, 1980
|
|
Box
5
Folder
29
|
“Politics as Usual,” #0402, Script by Michael Kozoll and Steven Bochco, October 20, 1980
|
|
Box
5
Folder
30
|
“Can World War III Be an Attitude” (aka “Meanwhile Back at the Alamo”), #0403, Script by Michael Kozoll and Steven Bochco, November 13, 1980
|
|
Box
5
Folder
31
|
“Dressed to Kill,” #0404, Script by Michael Kozoll and Steven Bochco, November 10, 1980
|
|
Box
5
Folder
32
|
“Film at Eleven,” #0406, Script by Anthony Yerkovitch, November 21, 1980
|
|
Box
5
Folder
33
|
“Choice Cut,” #0407, Script by Lee David Zlotoff, December 3, 1980
|
|
Box
5
Folder
34
|
“Up In Arms,” #0405, Script by Geoffrey Fisher, Anthony Yerkovitch, Michael Kozoll, and Steven Bochco, December 12, 1980
|
|
Box
5
Folder
35
|
“Your Kind, My Kind, Human Kind,” #0408, Script by Bill Taub, Tony Yerkovitch, Michael Kozoll, Steven Bochco, December 22, 1980
|
|
Box
5
Folder
36
|
“Gatorbait,” #0409, Script by E. Jack Kaplan, January 5, 1981
|
|
Box
5
Folder
37
|
“Life, Death, Eternity, Etcetera,” #0410, Script by Gregory Hoblit and Lee David Zlotoff, January 8, 1981
|
|
Box
5
Folder
38
|
“I Never Promised You a Rose Marvin,” #0411, Script by Anthony Yerkovitch, February 3, 1981
|
|
Box
5
Folder
39
|
“Fecund Hand Rose,” #0412, Script by Alan Rachins, February 5, 1981
|
|
Box
5
Folder
40
|
“Rites of Spring,” #0413, Script by Michael Kozoll, Steven Bochco, and Anthony Yerkovitch, April 7, 1981
|
|
Box
6
Folder
1
|
“Jungle Madness,” #0414, Script by Michael Kozoll, Steven Bochco, and Anthony Yerkovitch, April 10, 1981
|
|
|
Scripts, 1981-1982 Season
|
|
Box
23
Folder
1
|
“Hearts and Minds,” #1401, Story by Michael Kozoll, teleplay by Bochco and Yerkovich, Steven Bochco, and Anthony Yerkovich; September 15, 1981
|
|
Box
23
Folder
2
|
“Blood Money,” #1402, Story by Kozoll, Bochco, and Yerkovich; teleplay by Bochco and Yerkovich, September 21, 1981
|
|
Box
23
Folder
3
|
“The Last White Man on East Ferry Avenue,” #1403, Story by Kozoll, Bochco, and Yerkovich; teleplay by Bochco, Yerkovich, and Robert Crais, September 28, 1981
|
|
Box
23
Folder
4
|
“The Second Oldest Profession,” #1404, Story by Kozoll, Bochco, and Yerkovich; teleplay by Bochco, Yerkovich, and Crais, October 8, 1981
|
|
Box
23
Folder
5
|
“Cranky Streets,” #1405, Story by Kozoll and Bochco; teleplay by Crais, November 3, 1981
|
|
Box
23
Folder
6
|
“Chipped Beef,” #1406, Story by Kozoll and Bochco; teleplay by Jeffrey Lewis, November 10, 1981
|
|
Box
23
Folder
7
|
“The World According to Freedom,” (formerly “Elwood's Day”), #1407, Script by Michael Wagner, November 25, 1981
|
|
Box
23
Folder
8
|
“Zen and the Art of Law Enforcement” (formerly “The Call of the Wild”), #1408, Script by Thom Thomas, Michael Kozoll, Steven Bochco, Anthony Yerkovich, Jeffrey Lewis, and Michael Wagner, January 25, 1982
|
|
Box
23
Folder
9
|
“Fruits of the Poisonous Tree,” #1409, Script by Jeffrey Lewis, October 16, 1981
|
|
Box
23
Folder
10
|
“Pestolozzi's Revenge,” #1410, Story by Kozoll and Bochco; teleplay by Yerkovich, Lewis and Wagner, December 18, 1981
|
|
Box
23
Folder
11
|
“The Spy Who Came in from Delgado,” #1411, Story by Kozoll and Bochco; teleplay by Bochco, Yerkovich, Lewis, and Wagner, December 15, 1981
|
|
Box
23
Folder
12
|
“Freedom's Last Stand,” #1412, Story by Kozoll and Bochco; teleplay by Bochco, Yerkovich, Lewis, and Wagner, January 4, 1982
|
|
Box
23
Folder
13
|
“Of Mouse and Man, #1413, Story by Kozoll and Bochco; teleplay by Bochco, Yerkovich, Lewis, and Wagner, January 13, 1982
|
|
Box
23
Folder
14
|
“The Young, the Beautiful and the Degraded,” #1414, Story by Kozoll and Bochco; teleplay by Yerkovich, Lewis, and Wagner, February 3, 1982
|
|
Box
24
Folder
1
|
“Some Like It Hot-Wired,” #1415, Story by Kozoll and Bochco; teleplay by Bochco, Yerkovich, Lewis, and Wagner, February 23, 1982
|
|
Box
24
Folder
2
|
“Personal Foul,” #1416, Script by Bochco, Yerkovich, Lewis, and Wagner, March 3, 1982
|
|
Box
24
Folder
3
|
“Shooter,” #1417, Script by Bochco, Yerkovich, Lewis, and Wagner, March 5, 1982
|
|
Box
24
Folder
4
|
“Invasion of the Third World Mutant Body Snatchers,” #1418, Script by Bochco, Yerkovich, Lewis, and Wagner, March 23, 1982
|
|
|
Scripts, 1982-1983 Season
|
|
Box
28
Folder
22
|
“Moon Over Uranus: the Final Legacy, #2401, Revised Final Draft, by Anthony Yerkovich, Michael Wagner, David Milch, and Jeffrey Lewis, December 23, 1982, with later revisions
|
|
Box
28
Folder
23
|
“Officer of the Year,” #2402, Revised Final Draft, by Karen Hall, August 3, 1982, with later revisions
|
|
Box
28
Folder
24
|
“Trial by Fury,” #2403, Revised Final Draft, by David Milch, August 16, 1982, with later revisions
|
|
Box
28
Folder
25
|
“Moon Over Uranus,” #2404, Revised Final Draft, by Josh Gun, Steven Bochco, and Jeffrey Lewis, December 2, 1982, with later revisions
|
|
Box
28
Folder
26
|
“Stan the Man,” #2405, Revised Final Draft, by David Milch, August 23 1982, with later revisions
|
|
Box
28
Folder
27
|
“Domestic Beef,” #2407, Revised Final Draft, by Anthony Yerkovich, Jeffrey Lewis, and Michael Wagner, June 28, 1982, with later revisions
|
|
Box
28
Folder
28
|
“Heat Rash,” #2409, Revised Final Draft, by Anthony Yerkovich, Jeffrey Lewis, and Michael Wagner, June 13, 1982, with later revisions
|
|
Box
28
Folder
29
|
“Rain of Terror,” #2410, Revised Final Draft, by Anthony Yerkovich, Jeffrey Lewis, and Michael Wagner, July 26, 1982, with later revisions
|
|
Box
28
Folder
30
|
“Little Boil Blue,” #2411, Revised Final Draft, by Robert Earll, September 9, 1982, with later revisions
|
|
Box
28
Folder
31
|
“Requiem for a Hairbag,” #2412, Revised Final Draft, by Mark Frost, September 22, 1982, with later revisions
|
|
Box
28
Folder
32
|
“A Hair of the Dog,” #2413, Revised Final Draft, by Steven Bochco, Anthony Yerkovich, and Jeffrey Lewis, October 5, 1982, with later revisions
|
|
Box
28
Folder
33
|
“Phantom of the Hill,” #2414, Revised Final Draft, by Michael Wagner and David Milch, October 13, 1982, with later revisions
|
|
Box
28
Folder
34
|
“No Body's Perfect,” #2415, Revised Final Draft, by Michael Wagner and David Milch, October 25, 1982, with later revisions
|
|
Box
28
Folder
35
|
“Santa Claustrophobia,” #2416, Revised Final Draft, by Steven Bochco, Anthony Yerkovich, and Jeffrey Lewis, November 3, 1982, with later revisions
|
|
Box
28
Folder
36
|
“Gung-Ho,” #2417, Revised Final Draft, by David Milch, Jeffrey Lewis, and Michael Wagner, November 12, 1982, with later revisions
|
|
Box
28
Folder
37
|
“Moon Over Uranus: the Sequel,” #2418, Revised Final Draft, by Mark Frost, December 13, 1982, with later revisions
|
|
Box
28
Folder
38
|
“Belles of St. Mary's,” #2419, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and Anthony Yerkovich, January 7, 1983, with later revisions
|
|
Box
28
Folder
39
|
“Life in the Minors,” #2420, Revised Final Draft, by Michael Wagner, David Milch, and Karen Hall, January 17, 1983, with later revisions
|
|
Box
28
Folder
40
|
“Eugene's Comedy Empire Strikes Back,” #2421, Revised Final Draft, by Steven Bochco, Anthony Yerkovich, and Jeffrey Lewis, January 28, 1983, with later revisions
|
|
Box
28
Folder
41
|
“Spotlight on Rico,” #2422, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and Michael Wagner, February 14, 1983, with later revisions
|
|
Box
28
Folder
42
|
“Buddy, Can You Spare a Heart?” #2423, Revised Final Draft, by Steven Bochco, Anthony Yerkovich, and Jeffrey Lewis, February 25, 1983, with later revisions
|
|
Box
29
Folder
1
|
“A Hill of Beans,” #2424, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and Michael Wagner, March 10, 1983, with later revisions
|
|
|
Scripts, 1983-1984 Season
|
|
Box
29
Folder
2
|
“Ba-Bing, Ba-Bing,” #3401, Revised Final Draft, by Karen Hall, June 30, 1983, with later revisions
|
|
Box
29
Folder
3
|
“The Long Law of the Arm,” #3402, Revised Final Draft, by Michael Wagner, July 13, 1983, with later revisions
|
|
Box
29
Folder
4
|
“Death by Kiki,” #3403, Revised Final Draft, by David Milch and Mark Frost, July 20, 1983, with later revisions
|
|
Box
29
Folder
5
|
“Doris in Wonderland,” #3404, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, August 1, 1983, with later revisions
|
|
Box
29
Folder
6
|
“Praise Dilaudid,” #3405, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, August 11, 1983, with later revisions
|
|
Box
29
Folder
7
|
“Goodbye Mr. Scripps” (formerly “Let Scripps Do It”), #3406, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, September 7, 1983, with later revisions
|
|
Box
29
Folder
8
|
“Here's Adventure, Here's Romance,” #3407, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, August 25, 1983, with later revisions
|
|
Box
29
Folder
9
|
“The Russians Are Coming,” #3408, Revised Final Draft, by Jeffrey Lewis and Dennis Cooper, revised September 23, 1983, with later revisions
|
|
Box
29
Folder
10
|
“Midway to What?” #3409, Revised Final Draft, by Jeffrey Lewis and David Milch, September 29, 1983, with later revisions
|
|
Box
29
Folder
11
|
“Honk if You're a Goose,” #3410, Revised Final Draft, by Jeffrey Lewis and David Milch, October 14, 1983, with later revisions
|
|
Box
29
Folder
12
|
“Ratman and Bobbin,” #3412, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, November 3, 1983, with later revisions
|
|
Box
29
Folder
13
|
“Nichols from Heaven,” #3413, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, November 15, 1983, with later revisions
|
|
Box
29
Folder
14
|
“Fuchs Me? Fuchs You!” #3414, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, December 1, 1983, with later revisions
|
|
Box
29
Folder
15
|
“Grace Under Pressure,” #3415, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, December 15, 1983, with later revisions
|
|
Box
29
Folder
16
|
“The Other Side of Oneness,” #3416, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, December 23, 1983, with later revisions
|
|
Box
29
Folder
17
|
“Parting Is Such Sweep Sorrow,” #3417, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, January 8, 1984, with later revisions
|
|
Box
29
Folder
18
|
“The End of Logan's Run,” #3418, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, January 17, 1984, with later revisions
|
|
Box
29
Folder
19
|
“The Count of Monty Tasco,” #3419, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, January 30, 1984, with later revisions
|
|
Box
29
Folder
20
|
“Nutcracker Suite,” #3420, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, February 10, 1984, with later revisions
|
|
Box
29
Folder
21
|
“Hair Apparent,” #3421, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, David Milch, and Mark Frost, February 28, 1984, with later revisions
|
|
Box
29
Folder
22
|
“Lucky Ducks,” #3422, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, David Milch, and Karen Hall, March 9, 1984, with later revisions
|
|
Box
29
Folder
23
|
“Eva's Brawn,” #3423, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, March 22, 1984, with later revisions
|
|
|
Scripts, 1984-1985 Season
|
|
Box
29
Folder
24
|
“Mayo, Hold the Picture,” #4401, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, June 14, 1984, with later revisions
|
|
Box
29
Folder
25
|
“Watt a Way to Go,” #4402, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, June 21, 1984, with later revisions
|
|
Box
29
Folder
26
|
“The Rise and Fall of Paul 'the Wall,'” #4403, Revised Final Draft, by Jacob Epstein and Michael Wagner, September 4, 1984, with later revisions
|
|
Box
29
Folder
27
|
“Rookie Nookie,” #4404, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, David Milch, and Mark Frost, July 11, 1984, with later revisions
|
|
Box
29
Folder
28
|
“Fowl Play,” #4405, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, July 16, 1984, with later revisions
|
|
Box
29
Folder
29
|
“Bangladesh Slowly,” #4406, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, August 6, 1984, with later revisions
|
|
Box
29
Folder
30
|
“Blues for Mr. Green,” #4407, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, September 14, 1984, with later revisions
|
|
Box
29
Folder
31
|
“Ewe and Me, Babe,” #4408, Revised Final Draft, by Floyd Byars, August 22, 1984, with later revisions
|
|
Box
29
Folder
32
|
“Fuched Again,” #4409, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, September 27, 1984, with later revisions
|
|
Box
29
Folder
33
|
“Low Blow,” #4410, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, October 12, 1984, with later revisions
|
|
Box
29
Folder
34
|
“Last Chance Salon,” #4411, Revised Final Draft, by Roger Director, October 23, 1984, with later revisions
|
|
Box
29
Folder
35
|
“Intestinale Fortitude,” #4412, Revised Final Draft, by Ella Katz and David Stenn, November 1, 1984, with later revisions
|
|
Box
29
Folder
36
|
“Of Human Garbage,” #4413, Revised Final Draft, by Jeffrey Lewis, David Milch, Mark Frost, and Jacob Epstein, November 9, 1984, with later revisions
|
|
Box
29
Folder
37
|
“Dr. Hoof and Mouth,” #4414, Revised Final Draft, by David Stenn and Elia Katz, November 21, 1984, with later revisions
|
|
Box
29
Folder
38
|
“Davenport in a Storm,” #4415, Revised Final Draft, by Jeffrey Lewis, David Mitch, Mark Frost, and Roger Director, December 11, 1984, with later revisions
|
|
Box
29
Folder
39
|
“Washington Deceased,” #4416, Revised Final Draft, by Frank South, December 20, 1984, with later revisions
|
|
Box
30
Folder
1
|
“Passage to Libya,” #4417, Revised Final Draft, by David Milch, Jacob Epstein, and Ella Katz, January 7, 1985, with later revisions
|
|
Box
30
Folder
2
|
“El Capitan,” #4418, Revised Final Draft, by Jeffrey Lewis, David Milch, Roger Director, and Ella Katz, January 16, 1985, with later revisions
|
|
Box
30
Folder
3
|
“The Life and Time of Domenic Florio, Jr.,” #4419, Revised Final Draft, by Jeffrey Lewis, David Milch, Mark Frost, and Jacob Epstein, February 5, 1985, with later revisions
|
|
Box
30
Folder
4
|
“G.Q.,” #4420, Revised Final Draft, by Jeffrey Lewis, Roger Director, Jacob Epstein, and Elia Katz, February 12, 1985, with later revisions
|
|
Box
29
Folder
40
|
“Queen for a Day,” #4421, Revised Final Draft, by David Milch, Mark Frost, Jacob Epstein, and Elia Katz, February 21, 1985, with later revisions
|
|
Box
29
Folder
41
|
“You're in Alice's,” #4422, Revised Final Draft, by Jeffrey Lewis, David Milch, Roger Director, and Jacob Epstein, March 28, 1985, with later revisions
|
|
Box
30
Folder
5
|
“Grin and Bear It,” #4423, Revised Final Draft, by Jeffrey Lewis, David Milch, Mark Frost, and Ella Katz, April 3, 1985, with later revisions
|
|
|
Scripts, 1985-1986 Season
|
|
Box
35
Folder
1
|
“Hacked to Pieces,” #5401, Script by Jeffrey Lewis and David Milch, last revised September 4, 1985
|
|
Box
35
Folder
2
|
“Seoul on Ice,” #5402, Script by Jeffrey Lewis and David Milch, last revised August 25, 1985
|
|
Box
35
Folder
3
|
“In the Belly of the Bus,” #5403, Script by Jeffrey Lewis, David Milch, Walon Green and Jacob Epstein, last revised August 7, 1985
|
|
Box
35
Folder
4
|
“I Want My Hill Street Blues,” #5404, Script by John Mankiewicz and Russ Woody, last revised December 17, 1985
|
|
Box
35
Folder
5
|
“An Oy For an Oy,” #5405, Script by Ella Katz and Jacob Epstein, last revised October 25, 1985
|
|
Box
35
Folder
6
|
“Fathers and Huns,” #5406, Script by Walon Green, last revised August 16, 1985
|
|
Box
35
Folder
7
|
“Blues in the Night,” #5407, Script by Steven Bochco, Jacob Epstein, Walon Green, Barry Kaplan, Jeffrey Lewis, and David Milch, last revised September 3, 1985
|
|
Box
35
Folder
8
|
“Oh You Kid,” #5408, Script by Robert Ward, last revised September 26, 1985
|
|
Box
35
Folder
9
|
“Somewhere Over the Rambo,” #5410, Script by, Jacob Epstein, Walon Green, and Dick Wolf, last revised September 20, 1985
|
|
Box
35
Folder
10
|
“Jagga the Hunk,” #5411, Script by Jeffrey Lewis, David Milch, Dick Wolf, Walon Green, and Jacob Epstein, last revised February 18, 1986
|
|
Box
35
Folder
11
|
“Larry of Arabia,” #5412, Script by Jerry Brown, Jacob Epstein, Jeffrey Lewis, David Milch, and John See, last revised February 6, 1986
|
|
Box
35
Folder
12
|
“The Virgin and the Turkey,” #5413, Script by Jeffrey Lewis, Walon Green, Robert Ward, and David Milch, last revised November 19, 1985
|
|
Box
35
Folder
13
|
“Come and Get It,” #5414, Script by Robert Schlitt, last revised March 20, 1986
|
|
Box
35
Folder
14
|
“Two Easy Pieces,” #5417, Script by Jeffrey Lewis, David Milch, Walon Green, Jacob Epstein, Dick Wolf, and Robert Ward, last revised December 9, 1985
|
|
Box
35
Folder
15
|
“Say It As It Plays,” #5418, Script by Jeffrey Lewis, David Milch, Dick Wolf, Walon Green, Jacob Epstein, and Robert Ward, last revised November 20, 1985
|
|
Box
35
Folder
16
|
“Remembrance of Hits Past,” #5420, Script by Jeffrey Lewis, David Milch, and Walon Green, last revised January 22, 1986
|
|
Box
35
Folder
17
|
“What Are Friends For?” #5422, Script by Dick Wolf, last revised October 25, 1985
|
|
Box
35
Folder
18
|
“Das Blues,” #5423, Script by Jeffrey Lewis, David Milch, Robert Ward, Jacob Epstein, and Dick Wolf, last revised January 2, 1986
|
|
Box
35
Folder
19
|
“Scales of Justice,” #5425, Script by Jeffrey Lewis, David Milch, Jacob Epstein, Dick Wolf, and Robert Ward, last revised December 31, 1985
|
|
Box
35
Folder
20
|
“Iced Coffey,” #5426, Script by Jeffrey Lewis, David Milch, Robert Schlitt, Duncan Smith, Robert Ward, and Dick Wolf, last revised February 13, 1986
|
|
Box
35
Folder
21
|
“Look Homeward Ninja,” #5427, Script by Jeffrey Lewis, David Milch, and Walon Green, last revised February 24, 1986
|
|
Box
35
Folder
22
|
“Slum Enchanted Evening,” #5428, Script by Walon Green, Jonathan Lemkin, Mike Wagner, and Robert Ward, last revised March 11, 1986
|
|
|
Scripts, 1986-1987 Season
|
|
Box
39
Folder
15
|
“A Wasted Weekend,” #6401, Script by David Mamet, October 22, 1987
|
|
Box
40
Folder
1
|
“Sorry Wrong Number,” #6402, Script by Ron Koertge, February 2,1987
|
|
Box
40
Folder
2
|
“The Runner Falls on His Kisser,” #6403, Script by Jody Taylor Worth, March 9, 1987
|
|
Box
40
Folder
3
|
“More Skinned Against Than Skinning,” #6405, Script by David Black, October 7, 1986
|
|
Box
40
Folder
4
|
“She's So Fein,” #6406, Script by Marjorie David, October 20, 1986
|
|
Box
40
Folder
5
|
“Say Uncle,” #6408, Script by John Romano, October 20, 1986
|
|
Box
40
Folder
6
|
“A Case of Klapp,” #6411, Script by Terry Curtis Fox, August 22, 1986
|
|
Box
40
Folder
7
|
“The Best Defense,” #6412, Script by Steve Bello, Robert Ward and Jonathan Lemkin, October 1, 1986
|
|
Box
40
Folder
8
|
“Bald Ambition,” #6413, Script by Jeffrey Lewis, July 25, 1986
|
|
Box
40
Folder
9
|
“I Come on My Knees,” #6414, Script by David Milch, September 2, 1986
|
|
Box
40
Folder
10
|
“Amazing Grace,” #6416, Script by Robert Ward, November 6, 1986
|
|
Box
40
Folder
11
|
“ Fathers and Guns,” #6417, Script by Jeffrey Lewis, September 26, 1986
|
|
Box
40
Folder
12
|
“Falling from Grace,” #6418, Script by Terry Curtis Fox, November 18, 1986
|
|
Box
40
Folder
13
|
“Suitcase,” #6420, Script by David Milch and John Romano, September 19, 1986
|
|
Box
41
Folder
1
|
“City of Refuse,” #6422, Script by Peter Silverman, November 7, 1986
|
|
Box
41
Folder
2
|
“Der Roachenkavalier,” #6423, Script by Christian Williams and Bob Woodward, November 19, 1986
|
|
Box
41
Folder
3
|
“Norman Conquest,” #6425, Script by Steve Bello, December 5, 1986
|
|
Box
41
Folder
4
|
“The Cookie Crumbles,” #6426, Script by Robert Ward, January 5, 1986
|
|
Box
41
Folder
5
|
“Dogbreath Afternoon,” #6428, Script by George Goldsmith and Jeff Melvoin, January 19, 1987
|
|
Box
41
Folder
6
|
“A Pound of Flesh,” #6429, Script by Christian Williams, February 17, 1987
|
|
Box
41
Folder
7
|
“Days of Swine and Roses,” #6430, Script by David Black and John Litvack, January 27, 1987
|
|
Box
41
Folder
8
|
“It Ain't Over Till It's Over,” #6431, Script by Jeffrey Lewis, David Milch and John Romano, March 11, 1987
|
|
|
The Last Resort
|
|
|
Scripts, 1979-1980? Season
|
|
Box
6
Folder
2
|
Pilot, Script by Gary David Goldberg, March 11, 1979
|
|
Box
6
Folder
3
|
“Zach in Love,” #9201, Script by Patricia Jones and Donald Reiker, July 24, 1979
|
|
Box
6
Folder
4
|
“High School Confidential,” #9202, Script by Lloyd Garver, June 18, 1979
|
|
Box
6
Folder
5
|
“Let Them Eat Cake,” #9203, Script by Marty Nadler, July 17, 1979
|
|
Box
6
Folder
6
|
“Whodunit,” #9204, Script by Gary David Goldberg, July 31, 1979
|
|
Box
6
Folder
7
|
“Zegelmania,” #9207, Script by Joanne Pagliaro, October 10, 1979
|
|
Box
6
Folder
8
|
“And Murray Makes Three,” #9208, Script by Marty Nadler, August 21, 1979
|
|
Box
6
Folder
9
|
“Girlfriends,” #9210, Script by Patricia Jones and Donald Reiker, September 25, 1979
|
|
Box
6
Folder
10
|
“Here Comes the Bride,” #9211, Script by Donald Reiker and Lloyd Garver, September 11, 1979
|
|
Box
6
Folder
11
|
“Dorm Window,” #9212, Script by Lloyd Garver, Gary David Goldberg, and Marty Nadler, September 18, 1979
|
|
Box
6
Folder
12
|
“Not a Prayer,” #9213, Script by Rich Reinhart, October 23, 1979
|
|
Box
6
Folder
13
|
“Father's Day,” #9215, Script by Patricia Jones and Donald Reiker, October 16, 1979
|
|
Box
6
Folder
14
|
“The Price of Love,” #9216, Script by Marty Nadler and Lloyd Garver, November 6, 1979
|
|
Box
6
Folder
15
|
“A Very Little Romance,” #9217, Script by Patricia Jones and Donald Reiker, November 13, 1979
|
|
Box
6
Folder
16
|
“Is There a Doctor in the House,” #9219, Script by Rich Reinhart, November 27, 1979
|
|
|
Lou Grant
|
|
|
Scripts, 1977-1978 Season
|
|
Box
6
Folder
17
|
“Cophouse,” #7501, Script by Leon Tokatyan, June 22, 1977
|
|
Box
6
Folder
18
|
“Scoop,” #7502, Script by Gene Kearney, September 12, 1977
|
|
Box
6
Folder
19
|
“Hoax,” #7503, Script by Gordon Dawson, June 21, 1977
|
|
Box
6
Folder
20
|
“Barrio,” #7504, Script by Seth Freeman, August 2, 1977
|
|
Box
6
Folder
21
|
“Nazi” #7505, Script by Robert Schlitt, August 2, 1977
|
|
Box
6
Folder
22
|
“Aftershock,” #7506, Script by Del Reisman, July 27, 1977
|
|
Box
6
Folder
23
|
“Christmas,” #7507, Script by David Lloyd, October 11, 1977
|
|
Box
6
Folder
24
|
“Judge,” #7508, Script by Leon Tokatyan, September 2, 1977
|
|
Box
6
Folder
25
|
“Henhouse,” #7509, Script by Leonore Thuna, July 20, 1977
|
|
Box
6
Folder
26
|
“Hostages,” #7510, Script by Seth Freeman, July 12, 1977
|
|
Box
6
Folder
27
|
“Renewal,” #7511, Script by Ken Trevey, November 16, 1977
|
|
Box
6
Folder
28
|
“Housewarming,” #7512, Script by Leonora Thuna, October 3, 1977
|
|
Box
6
Folder
29
|
“Takeover,” #7513, Script by Leon Tokatyan, October 24, 1977
|
|
Box
6
Folder
30
|
“Airliner,” #7514, Script by Charles Einstein, October 14, 1977
|
|
Box
6
Folder
31
|
“Psych-Out,” #7515, Script by Seth Freeman, September 20, 1977
|
|
Box
6
Folder
32
|
“Sports,” #7516, Script by Bud Freeman, November 14, 1977
|
|
Box
6
Folder
33
|
“Sect,” #7517, Script by Michele Gallery, December 19, 1977
|
|
Box
6
Folder
34
|
“Hero,” #7518, Script by Seth Freeman, November 30, 1977
|
|
Box
6
Folder
35
|
“Spies,” #7519, Script by Leon Tokatyan, January 16, 1978
|
|
Box
6
Folder
36
|
“Scandal,” #7520, Script by Seth Freeman, December 29, 1977
|
|
Box
7
Folder
1
|
“Poison,” #7521, Script by Michele Gallery, January 23, 1978
|
|
Box
7
Folder
2
|
“Physical,” #7522, Script by David Lloyd, January 30, 1978
|
|
|
Scripts, 1978-1979 Season
|
|
Box
7
Folder
3
|
“Prisoner,” #8501, Script by Seth Freeman, June 6, 1978
|
|
Box
7
Folder
4
|
“Pills,” #8502, Script by Michele Gallery, June 15, 1978
|
|
Box
7
Folder
5
|
“Slaughter,” #8503, Script by Bud Freeman, July 25, 1978
|
|
Box
7
Folder
6
|
“Murder,” #8504, Script by Gary David Goldberg, June 20, 1978
|
|
Box
7
Folder
7
|
“Mob,” #8505, Script by Leon Tokatyan, June 29, 1978
|
|
Box
7
Folder
8
|
“Singles,” #8506, Script by Gina Fredrica Goldman and Sally Robinson, August 14, 1978
|
|
Box
7
Folder
9
|
“Denial,” #8507, Script by Leonora Thuna, September 1, 1978
|
|
Box
7
Folder
10
|
“Hooker,” #8508, Script by Seth Freeman, July 12, 1978
|
|
Box
7
Folder
11
|
“Dying,” #8509, Script by Michele Gallery, August 3, 1978
|
|
Box
7
Folder
12
|
“Schools,” #8510, Script by Gary David Goldberg, August 24, 1978
|
|
Box
7
Folder
13
|
“Vet,” #8511, Script by Leon Tokatyan, November 6, 1978
|
|
Box
7
Folder
14
|
“Babies,” #8512, Script by David Lloyd, September 19, 1978
|
|
Box
7
Folder
15
|
“Conflict,” #8513, Script by Michele Gallery, September 26, 1978
|
|
Box
7
Folder
16
|
“Fire,” #8514, Script by Seth Freeman, October 5, 1978
|
|
Box
7
Folder
17
|
“Scam,” #8515, Script by Gary David Goldberg, October 18, 1978
|
|
Box
7
Folder
18
|
“Samaritan,” #8516, Script by Elliot West, October 25, 1978
|
|
Box
7
Folder
19
|
“Sweep,” #8517, Script by Steve Kline, November 14, 1978
|
|
Box
7
Folder
20
|
“Marathon,” #8518, Script by Gene Reynolds, November 29, 1978
|
|
Box
7
Folder
21
|
“Hit,” #8519, Script by Michele Gallery, December 7, 1978
|
|
Box
7
Folder
23
|
“Home,” #8520, Script by Gary David Goldberg, January 8, 1979
|
|
Box
7
Folder
24
|
“Bomb,” #8521, Script by Seth Freeman, January 17, 1979
|
|
Box
7
Folder
25
|
“Convention,” #8522, Script by David Lloyd, December 21, 1978
|
|
Box
7
Folder
26
|
“Skids,” #8523, Script by Steve Kline, January 23, 1979
|
|
Box
7
Folder
27
|
“Romance,” #8524, Script by Michele Gallery, February 5, 1979
|
|
|
Scripts, 1979-1980 Season
|
|
Box
7
Folder
28
|
“Slammer,” #9501, Script by Johnny Dawkins, June 11, 1979
|
|
Box
7
Folder
29
|
“Witness,” #9502, Script by Gary David Goldberg, August 13, 1979
|
|
Box
7
Folder
30
|
“Hype,” #9503Script by Michele Gallery, July 23, 1979
|
|
Box
7
Folder
31
|
“Cop,” #9504, Script by Seth Freeman, June 20, 1979
|
|
Box
7
Folder
32
|
“Charlatan,” #9505, Script by Michael Vittes, July 10, 1979
|
|
Box
7
Folder
33
|
“Expose,” #9507, Script by David Lloyd, June 4, 1979
|
|
Box
7
Folder
34
|
“Frame-Up,” #9508, Script by Steve Kline, June 27, 1979
|
|
Box
7
Folder
35
|
“Andrew, Part I: Premonition,” #9509, Script by Seth Freeman, August 30, 1979
|
|
Box
7
Folder
36
|
“Gambling,” #9510, Script by Bud Freeman, July 31, 1979
|
|
Box
7
Folder
37
|
“Kids,” #9511, Script by Michael Vittes and Shep Green, October 3, 1979
|
|
Box
8
Folder
1
|
“Indians,” #9512, Script by April Smith, October 29, 1979
|
|
Box
8
Folder
2
|
“Hollywood,” #9513, Script by Michele Gallery, September 24, 1979
|
|
Box
8
Folder
3
|
“Kidnap,” #9514, Script by Bud Freeman, August 22, 1979
|
|
Box
8
Folder
4
|
“Andrew, Part II: Trial,” #9515, Script by Seth Freeman, September 17, 1979
|
|
Box
8
Folder
5
|
“Censored,” #9516, Script by Joanne Pagliano, November 29, 1979
|
|
Box
8
Folder
6
|
“Brushfire,” #9517, Script by Allan Burns and Gene Reynolds, October 11, 1979
|
|
Box
8
Folder
7
|
“Coverup,” #9518, Script by Paul Ehrmann, November 6, 1979
|
|
Box
8
Folder
8
|
“Inheritance,” #9519, Script by April Smith, November 16, 1979
|
|
Box
8
Folder
9
|
“Lou,” #9520, Script by Michele Gallery, December 7, 1979
|
|
Box
8
Folder
10
|
“Blackout,” #9521, Script by Steve Kline, December 17, 1979
|
|
Box
8
Folder
11
|
“Dogs,” #9522, Script by Seth Freeman, January 8, 1980
|
|
Box
8
Folder
12
|
“Influence,” #9523, Script by April Smith, January 18, 1980
|
|
Box
8
Folder
13
|
“Hazard,” #9524, Script by Michele Gallery, January 24, 1980
|
|
Box
8
Folder
14
|
“Guns,” #9525, Script by Seth Freeman, Febuary 5, 1980
|
|
|
Scripts, 1980-1981 Season
|
|
Box
8
Folder
15
|
“Harassment,” #0501, Script by April Smith, June 10, 1980
|
|
Box
8
Folder
16
|
“Pack,” #0502, Script by Steve Kline, June 18, 1980
|
|
Box
8
Folder
17
|
“Sting,” #0503, Script by Patt Shea and Harriett Weiss, July 1, 1980
|
|
Box
8
Folder
18
|
“Nightside,” #0504, Script by Michele Gallery, June 3, 1980
|
|
Box
8
Folder
19
|
“Streets,” #0505, Script by Bud Freeman, October 22, 1980
|
|
Box
8
Folder
20
|
“Libel,” #0506, Script by William Hopkins, October 16, 1980
|
|
Box
8
Folder
21
|
“Goop,” #0507, Script by Seth Freeman, July 9, 1980
|
|
Box
8
Folder
22
|
“Depression,” #0508, Script by Gene Reynolds, March 2, 1981
|
|
Box
8
Folder
23
|
“Venice,” #0509, Script by Harriett Weiss and Patt Shea, January 14, 1981
|
|
Box
8
Folder
24
|
“Strike,” #0510, Script by April Smith, December 23, 1980
|
|
Box
8
Folder
25
|
“Catch,” #0511, Script by Michele Gallery, November 4, 1980
|
|
Box
8
Folder
26
|
“Boomerang,” #0512, Script by Steve Kline, November 24, 1980
|
|
Box
8
Folder
27
|
“Campesinos,” #0513, Script by Michael Vittes, January 28, 1981
|
|
Box
8
Folder
28
|
“Generations,” #0514, Script by Johnny Dawkins, December 2, 1980
|
|
Box
8
Folder
29
|
“Search,” #0515
|
|
Box
8
Folder
30
|
“Rape,” #0516, Script by Seth Freeman, November 5, 1980
|
|
Box
8
Folder
31
|
“Survival,” #0517, Script by April Smith, January 7, 1981
|
|
Box
8
Folder
32
|
“Business,” #0518, Script by Steve Kline, February 4, 1981
|
|
Box
8
Folder
33
|
“Violence,” #0519, Script by Johnny Dawkins, February 20, 1981
|
|
Box
8
Folder
34
|
“Stroke,” Script #0520 by April Smith, March 10, 1981
|
|
Box
8
Folder
35
|
“Risk,” #0521, Script by Seth Freeman, March 20, 1981
|
|
Box
8
Folder
36
|
“Double-Cross,” #0522, Script by Michele Gallery, March 31, 1981
|
|
|
Scripts, 1981-1982 Season
|
|
Box
24
Folder
5
|
“Wedding,” #1501, Script by Seth Freeman, September 11, 1981
|
|
Box
24
Folder
6
|
“Execution,” #1502, Script by April Smith, September 22, 1981
|
|
Box
24
Folder
7
|
“Reckless,” #1503, Script by Steve Kline, October 9, 1981
|
|
Box
24
Folder
8
|
“Hometown,” #1504, Script by Michele Gallery, October 7, 1981
|
|
Box
24
Folder
9
|
“Drifters,” #1505, Script by Bud Freeman, October 28, 1981
|
|
Box
24
Folder
10
|
“Jazz,” #1506, Script by Rogers Turrentine, November 18, 1981
|
|
Box
24
Folder
11
|
“Ghosts,” #1507, Script by April Smith, November 13, 1981
|
|
Box
24
Folder
12
|
“Hunger,” #1508, Script by Gene Reynolds, January 7, 1982
|
|
Box
24
Folder
13
|
“Cameras,” #1509, Script by David Lloyd, December 9, 1981
|
|
Box
24
Folder
14
|
“Friends,” #1510, Script by Seth Freeman, November 2, 1981
|
|
Box
25
Folder
1
|
“Immigrants,” #1511, Script by Steve Kline, January 5, 1982
|
|
Box
25
Folder
2
|
“Review,” #1512, Script by Jeffrey Lane, December 21, 1981
|
|
Box
25
Folder
3
|
“Recovery,” #1513, Script by Michele Gallery, January 27, 1982
|
|
Box
25
Folder
4
|
“Obituary,” #1514, Script by April Smith, January 26-27, 1982
|
|
Box
25
Folder
5
|
“Blacklist,” #1515, Script by Seth Freeman, February 9, 1982
|
|
Box
25
Folder
6
|
“Law,” #1516, Script by Steve Kline, February 17, 1982
|
|
Box
25
Folder
7
|
“Fireworks,” #1517, Script by Michele Gallery, February 26, 1982
|
|
Box
25
Folder
8
|
“Unthinkable,” #1519, Script by April Smith, March 9, 1982
|
|
Box
25
Folder
9
|
“Beachhead,” #1520, Script by Gene Reynolds, March 29, 1982
|
|
Box
25
Folder
10
|
“Victims,” #1521, Script by Steve Kline, April 20, 1982
|
|
Box
25
Folder
11
|
“Suspect,” #1522, Script by Seth Freeman, March 22, 1982
|
|
Box
25
Folder
12
|
“Charlie,” #1523, Script by Michele Gallery, April 21, 1982
|
|
|
Mary
|
|
|
Scripts, 1985-1986 Season
|
|
Box
35
Folder
23
|
“From Pillar to POST” (Pilot), #5601, Script by Ken Levine and David Isaacs, last revised October 11, 1985
|
|
Box
35
Folder
24
|
“Make My Day,” #5602, Script by Ken Levine and David Isaacs, last revised October 25, 1985
|
|
Box
35
Folder
25
|
“Chicago Hi-Lo,” #5603, Script by Dennis Koenig, last revised October 31, 1985
|
|
Box
35
Folder
26
|
“Everyone's a Critic,” #5604, Script by Tom Straw, last revised November 14, 1985
|
|
Box
35
Folder
27
|
“We Get Letters,” #5606, Script by Merrill Markoe, last revised November 21, 1985
|
|
Box
35
Folder
28
|
“Same Old Song,” #5607, Script by Ken Levine and David Isaacs, last revised December 6, 1985
|
|
Box
35
Folder
29
|
“Beans,” #5608, Script by Douglas Wyman, last revised January 9, 1986
|
|
Box
35
Folder
30
|
“The Forest for the Trees,” #5609, Script by Emily Marshall, last revised December 20, 1985
|
|
Box
35
Folder
31
|
“Table for Two,” #5611, Script by Emily Marshall, last revised January 21, 1986
|
|
Box
35
Folder
32
|
“Mr. Lucky,” #5612, Script by Dennis Koenig, last revised January 28, 1986
|
|
Box
35
Folder
33
|
“And the Winner Is...,” #5613, Script by Emily Marshall, last revised February 14, 1986
|
|
Box
35
Folder
34
|
“Little Jo,” #5614, Script by Tom Straw, last revised February 28, 1986
|
|
Box
35
Folder
35
|
“Steppin' Out With Mary Brenner,” #5616, Script by Jennifer Tilly, last revised March 14, 1986
|
|
|
The “Mary” Show
|
|
Box
9
Folder
1
|
Script, #0104, October 1, 1978
|
|
Box
9
Folder
2
|
Script, #0105, September 24, 1978
|
|
Box
9
Folder
3
|
Script, #0105, October 8, 1978
|
|
|
The Mary Tyler Moore Comedy Hour
|
|
Box
9
Folder
4
|
Script, #0131, November 30, 1978
|
|
Box
9
Folder
5
|
Script, #0132, December 6, 1978
|
|
Box
9
Folder
6
|
Script, #0133, December 13, 1978
|
|
Box
9
Folder
7
|
Script, #0134, January 9, 1979
|
|
Box
9
Folder
8
|
Script, #0135, January 16, 1979
|
|
Box
9
Folder
9
|
Script, #0136, January 31, 1979
|
|
Box
9
Folder
10
|
Script, #0137, February 6, 1979
|
|
Box
9
Folder
11
|
Script, #0138, February 21, 1979
|
|
Box
9
Folder
12
|
Script, #0139, February 28, 1979
|
|
Box
9
Folder
13
|
Script, #0140, March 14, 1979
|
|
Box
9
Folder
14
|
Script, #0141, March 20, 1979
|
|
|
The Mary Tyler Moore Show
|
|
Audio 1112A
|
Theme Music from Show
|
|
U.S. Mss 162AN
|
Scripts, 1970-1971 Season
|
|
Box
9
Folder
15
|
“The Snow Must Go On,” #7003, Script by David Davis and Lorenzo Music, May 8, 1970
|
|
Box
9
Folder
16
|
“1040 or Fight,” #7012, Script by David Davis and Lorenzo Music, July 30, 1970
|
|
Box
9
Folder
17
|
“Anchorman Overboard,” #7018, Script by Lorenzo Music, October 12, 1970
|
|
|
Scripts, 1971-1972 Season
|
|
|
“More Than Neighbors,” #7101
|
|
Box
9
Folder
18
|
Script by Steve Pritzker, April 9, 1971
|
|
Box
9
Folder
19
|
Script by Steve Pritzker (revised July 21, 1971), July 23, 1971
|
|
|
“Cover Boy,” #7102
|
|
Box
9
Folder
20
|
Script by Treva Silverman, April 6, 1971
|
|
Box
9
Folder
21
|
Script by Treva Silverman (revised June 16, 1971), June 18, 1971
|
|
Box
9
Folder
22
|
“Thoroughly Unmilitant Mary,” #7103, Script by Martin Cohan, April 21, 1971
|
|
Box
9
Folder
23
|
“I Am Curious -- Cooper,” #7105, Script by David Davis and Lorenzo Music, June 18, 1971
|
|
|
“...Is a Friend in Need,” #7106
|
|
Box
9
Folder
24
|
Script by Susan Silver, April 23, 1971
|
|
Box
9
Folder
25
|
Script by Susan Silver (revised August 4, 1971), August 6, 1971
|
|
|
“He's No Heavy -- He's My Brother,” #7107
|
|
Box
9
Folder
26
|
Script by Allan Burns, April 12, 1971
|
|
Box
9
Folder
27
|
Script by Allan Burns (revised July 14, 1971), July 16, 1971
|
|
Box
9
Folder
28
|
“The Birds and...Um...Bees,” #7108, Script by Treva Silverman, May 5, 1971
|
|
Box
9
Folder
29
|
“And Now, Sitting in for Ted Baxter,” #7109, Script by Steve Pritzker, August 27, 1971
|
|
|
“A Girl's Best Mother Is Not Her Friend,” #7110
|
|
Box
9
Folder
30
|
Script by David Davis and Lorenzo Music, May 25, 1971
|
|
Box
9
Folder
31
|
Script by David Davis and Lorenzo Music (revised June 30, 1971), July 2, 1971
|
|
|
“Didn't You Used to Be...Wait...Don't Tell Me,” #7111
|
|
Box
9
Folder
32
|
Script by Allan Burns, May 13, 1971
|
|
Box
9
Folder
33
|
Script by Allan Burns (revised July 28, 1971), July 30, 1971
|
|
|
“You Certainly Are a Big Boy!” #7113
|
|
Box
9
Folder
34
|
Script by Martin Cohan, July 27, 1971
|
|
Box
9
Folder
35
|
Script by Martin Cohan (revised September 15, 1971), September 17, 1971
|
|
|
“The Care and Feeding of Parents,” #7114
|
|
Box
9
Folder
36
|
Script by Dick Clair and Jenna McMahon, July 20, 1971
|
|
Box
9
Folder
37
|
Script by Dick Clair and Jenna McMahon (revised October 13, 1971), October 15, 1971
|
|
|
“Room 223,” #7115
|
|
Box
9
Folder
38
|
Script by Susan Silver, June 28, 1971
|
|
Box
10
Folder
1
|
Script by Susan Silver (revised August 11, 1971), August 13, 1971
|
|
|
“Don't Break the Chain,” #7116
|
|
Box
10
Folder
2
|
Script by David Davis and Lorenzo Music, August 9, 1971
|
|
Box
10
Folder
3
|
Script by David Davis and Lorenzo Music (revised September 1, 1971), September 3, 1971
|
|
|
“The Square Shaped Room,” #7117
|
|
Box
10
Folder
4
|
Script by Susan Silver, September 14, 1971
|
|
Box
10
Folder
5
|
Script by Susan Silver (revised September 29, 1971), October 1, 1971
|
|
|
“The Slaughter Affair,” #7118
|
|
Box
10
Folder
6
|
Script by Rick Mittleman, October 6, 1971
|
|
Box
10
Folder
7
|
Script by Rick Mittleman (revised October 27, 1971), October 29, 1971
|
|
|
“The Five Minute Dress,” #7119
|
|
Box
10
Folder
8
|
Script by Pat Nardo and Gloria Banta, September 27, 1971
|
|
Box
10
Folder
9
|
Script by Pat Nardo and Gloria Banta (revised October 6, 1971), October 8, 1971
|
|
Box
10
Folder
10
|
“Feeb,” (formerly “Fire One, Fire Two”), #7120, Script by Dick Clair and Jenna McMahon, November 12, 1971
|
|
|
“Some of My Best Friends Are Rhoda,” #7121
|
|
Box
10
Folder
11
|
Script by Steve Pritzker, November 10, 1971
|
|
Box
10
Folder
13
|
Script by Steve Pritzker (revised November 23, 1971), November 26, 1971
|
|
|
“Ted Over Heels,” #7122
|
|
Box
10
Folder
14
|
Script by David Davis and Lorenzo Music, October 26, 1971
|
|
Box
10
Folder
15
|
Script by David Davis and Lorenzo Music (revised November 3, 1971), November 5, 1971
|
|
|
“Baby-Sit-Com,” #7123
|
|
Box
10
Folder
16
|
Script by Treva Silverman, November 22, 1971
|
|
Box
10
Folder
17
|
Script by Treva Silverman (revised December 1, 1971), December 3, 1971
|
|
|
“Where There's Smoke, There's Rhoda, ” #7124
|
|
Box
10
Folder
18
|
Script by Martin Cohan, December 1, 1971
|
|
Box
10
Folder
19
|
Script by Martin Cohan (revised December 8, 1971), December 10, 1971
|
|
|
“His Two Right Arms,” #7125
|
|
Box
10
Folder
20
|
Script by Jim Parker and Arnold Margolin, November 17, 1971
|
|
Box
10
Folder
21
|
Script by Jim Parker and Arnold Margolin (revised December 15, 1971), December 17, 1971
|
|
|
Scripts, 1972-1973 Season
|
|
|
“It's Whether You Win Or Lose...,” #7201
|
|
Box
10
Folder
22
|
Script by Martin Donovan, March 13, 1972
|
|
Box
10
Folder
23
|
Script by Martin Donovan, August 11, 1972
|
|
|
“Farmer Ted and the News,” #7203
|
|
Box
10
Folder
24
|
Script by Martin Donovan, July 17, 1972
|
|
Box
10
Folder
25
|
Script by Martin Donovan (revised August 16, 1972), August 18, 1972
|
|
Box
10
Folder
26
|
“Just Around the Corner,” #7204, Script by Steve Pritzker, June 16, 1972
|
|
|
“Who's In Charge Here?” #7205
|
|
Box
10
Folder
27
|
Script by Martin Cohan, April 5, 1972
|
|
Box
10
Folder
28
|
Script by Martin Cohan (revised June 7, 1972), June 9, 1972
|
|
|
“What Is Mary Richards Really Like?” #7206
|
|
Box
10
Folder
29
|
Script by Susan Silver, April 7, 1972
|
|
Box
10
Folder
30
|
Script by Susan Silver (revised July 19, 1972), July 21, 1972
|
|
|
“Rhoda the Beautiful,” #7207
|
|
Box
10
Folder
31
|
Script by Treva Silverman, June 7, 1972
|
|
Box
10
Folder
32
|
Script by Treva Silverman (revised June 28, 1972), June 30, 1972
|
|
|
“Have I Found a Guy for You!” #7208
|
|
Box
10
Folder
33
|
Script by Charlotte Brown, April 19, 1972
|
|
Box
10
Folder
34
|
Script by Charlotte Brown (revised July 19 and 26, 1972), July 28, 1972
|
|
|
“Daughter of the Bride,” #7209
|
|
Box
10
Folder
35
|
Script by Martin Cohan, April 26, 1972
|
|
Box
10
Folder
36
|
Script by Martin Cohan (revised June 21, 1972), June 23, 1972
|
|
|
“You've Got a Friend,” #7210
|
|
Box
10
Folder
37
|
Script by Steve Pritzker, June 14, 1972
|
|
Box
10
Folder
38
|
Script by Steve Pritzker (revised July 12, 1972), July 14, 1972
|
|
|
“It Was Fascination, I Know,” #7211
|
|
Box
10
Folder
39
|
Script by Ed. Weinberger, May 24, 1972
|
|
Box
10
Folder
40
|
Script by Ed. Weinberger, (revised September 6, 1972), September 8, 1972
|
|
|
“But Seriously, Folks,” #7212
|
|
Box
10
Folder
41
|
Script by Ed. Weinberger, July 4, 1972
|
|
Box
10
Folder
42
|
Script by Ed. Weinberger (revised August 30, 1972), September 1, 1972
|
|
|
“Rhoda Morgenstern: Minn. to N.Y.,” #7213
|
|
Box
10
Folder
43
|
Script by Treva Silverman, August 9, 1972
|
|
Box
10
Folder
44
|
Script by Treva Silverman (revised September 13, 1972), September 15, 1972
|
|
Box
10
Folder
45
|
“The Good-Time News,” #7214, Script by Allen Burns and James L. Brooks, June 30, 1972
|
|
|
“My Brother's Keeper,” #7215
|
|
Box
10
Folder
46
|
Script by Dick Clair and Jenna McMahon, September 13, 1972
|
|
Box
10
Folder
47
|
Script by Dick Clair and Jenna McMahon (revised October 25, 1972), October 27, 1972
|
|
|
“Operation: Lou,” #7216
|
|
Box
10
Folder
48
|
Script by Elias Davis and David Pollock, September 7, 1972
|
|
Box
10
Folder
49
|
Script by Elias Davis and David Pollock (revised September 20, 1972), September 22, 1972
|
|
|
“Murray Faces Life,” #7217
|
|
Box
10
Folder
50
|
Script by Marty Cohan, November 11, 1972
|
|
Box
10
Folder
51
|
Script by Martin Cohan (revised November 15, 1972), November 17, 1972
|
|
|
“The Courtship of Mary's Father's Daughter,” #7218
|
|
Box
10
Folder
52
|
Script by David Pollock and Elias Davis, October 2, 1972
|
|
Box
10
Folder
53
|
Script by David Pollock and Elias Davis (revised October 11, 1972), October 13, 1972
|
|
|
“Lou's Place,” #7219
|
|
Box
10
Folder
54
|
Script by Ed. Weinberger, September 28, 1972
|
|
Box
10
Folder
55
|
Script by Ed. Weinberger, (revised October 18, 1972), October 20, 1972
|
|
|
“Romeo and Mary,” #7220
|
|
Box
10
Folder
56
|
Script by Jim Mulholland and Mike Barrie, November 22, 1972
|
|
Box
10
Folder
57
|
Script by Jim Mulholland and Mike Barrie (revised November 29, 1972), December 1, 1972
|
|
Box
10
Folder
58
|
“Put on a Happy Face,” #7221, Script by Marilyn Suzanne Miller and Monica McGowan, November 30, 1972
|
|
|
“What Do You Say When Your Boss Says I Love You,” #7222
|
|
Box
11
Folder
1
|
Script by Elias Davis and David Pollock, November 1, 1972
|
|
Box
11
Folder
2
|
Script by Elias Davis and David Pollock (revised November 8, 1972), November 10, 1972
|
|
|
“The Georgette Story,” #7223
|
|
Box
11
Folder
3
|
Script by Ed. Weinberger, October 27, 1972
|
|
Box
11
Folder
4
|
Script by Ed. Weinberger (revised November 1, 1972), November 3, 1972
|
|
|
“Remembrance of Things Past,” #7224
|
|
Box
11
Folder
5
|
Script by Dick Claire and Jenna McMahon, December 7, 1972
|
|
Box
11
Folder
6
|
Script by Dick Claire and Jenna McMahon (revised December 13, 1972), December 15, 1972
|
|
|
“Mary Richards and the Incredible Plant Lady,” #7225
|
|
Box
11
Folder
7
|
Script by Martin Cohan, December 14, 1972
|
|
Box
11
Folder
8
|
Script by Martin Cohan (revised December 20, 1972), December 22, 1972
|
|
|
Scripts, 1973-1974 Season
|
|
|
“The Lou and Edie Story,” #7301
|
|
Box
11
Folder
9
|
Script by Treva Silverman, August 3, 1973
|
|
Box
11
Folder
10
|
Script by Treva Silverman (revised August 10, 1973), August 15, 1973
|
|
Box
11
Folder
11
|
“Hi There, Sports Fans,” #7302, Script by Jerry Mayer, July 5, 1973
|
|
Box
11
Folder
12
|
“Father's Day,” #7303, Script by Ed. Weinberger, August 22, 1973
|
|
|
“Just Friends,” #7304
|
|
Box
11
Folder
13
|
Script by William Wood, September 10, 1973
|
|
Box
11
Folder
14
|
Script by William Wood (revised October 17, 1973), October 19, 1973
|
|
|
“Son of 'But Seriously, Folks,'” #7305
|
|
Box
11
Folder
15
|
Script by Phil Mishkin, June 11, 1973
|
|
Box
11
Folder
16
|
Script by Phil Mishkin (revised September 7 and 12, 1973), September 14, 1973
|
|
Box
11
Folder
17
|
“Angels in the Snow,” #7306, Script by Monica McGowan Johnson and Marilyn Suzanne Miller, July 13, 1973
|
|
|
“I Gave at the Office,” #7307
|
|
Box
11
Folder
18
|
Script by Treva Silverman, October 25, 1973
|
|
Box
11
Folder
19
|
Script by Don Reo and Allan Katz, November 2, 1973
|
|
|
“Love Blooms at Hemples,” #7308
|
|
Box
11
Folder
20
|
Script by Sybil Adelman and Barbara Gallagher, June 11, 1973
|
|
Box
11
Folder
21
|
Script by Sybil Adelman and Barbara Gallagher (revised September 26, 1973), September 28, 1973
|
|
|
“Rhoda's Sister Gets Married,” #7309
|
|
Box
11
Folder
22
|
Script by Karyl Geld, June 12, 1973
|
|
Box
11
Folder
23
|
Script by Karyl Geld (revised August 8, 1973), August 10, 1973
|
|
|
“Cottage for Sale,” #7311
|
|
Box
11
Folder
24
|
Script by George Atkins, November 25, 1973
|
|
Box
11
Folder
25
|
Script by George Atkins (revised November 28, 1973), November 30, 1973
|
|
Box
11
Folder
26
|
“Lou's First Date,” #7312, Script by Ed. Weinberger and Stan Daniels, September 21, 1973
|
|
|
“We Want Baxter,” #7314
|
|
Box
11
Folder
27
|
Script by David Lloyd, July 13, 1973
|
|
Box
11
Folder
28
|
Script by David Lloyd (revised July 25, 1973), July 27, 1973
|
|
Box
11
Folder
29
|
“The Lars Affair,” #7315, Script by Ed. Weinberger, June 22, 1973
|
|
|
“WJM Tries Harder,” #7316
|
|
Box
11
Folder
30
|
Script by Karyl Geld, November 1, 1973
|
|
Box
11
Folder
31
|
Script by Karyl Geld (revised November 14, 1973), November 16, 1973
|
|
|
“Best of Friends” (formerly “Best of Enemies”), #7317
|
|
Box
11
Folder
32
|
Script by Marilyn Miller and Monica McGowan Johnson, November 26, 1973
|
|
Box
11
Folder
33
|
Script by Marilyn Miller and Monica McGowan Johnson (revised December 5, 1973), December 7, 1973
|
|
|
“Almost a Nun's Story,” #7318
|
|
Box
11
Folder
34
|
Script by Ed. Weinberger and Stan Daniels, October 26, 1973
|
|
Box
11
Folder
35
|
Script by Ed. Weinberger and Stan Daniels (revised November 7, 1973), November 9, 1973
|
|
|
“Happy Birthday Lou,” #7319
|
|
Box
11
Folder
36
|
Script by David Lloyd, October 15, 1973
|
|
Box
11
Folder
37
|
Script by David Lloyd (revised October 24, 1973), October 26, 1973
|
|
Box
11
Folder
38
|
“The Dinner Party,” #7321, Script by Ed. Weinberger, September 25, 1973
|
|
|
“The Co-Producers” (formerly “The Producers”), #7322
|
|
Box
11
Folder
39
|
Script by David Pollock and Elias Davis, December 9, 1973
|
|
Box
11
Folder
40
|
Script by David Pollock and Elias Davis (revised December 11, 1973), December 14, 1973
|
|
|
“Better Late -- That's a Pun -- Than Never,” #7323
|
|
Box
11
Folder
41
|
Script by Treva Silverman, December 21, 1973
|
|
Box
11
Folder
42
|
Script by Treva Silverman (revised January 9, 1974), January 11, 1974
|
|
|
“Ted Baxter Meets Walter Cronkite,” #7324
|
|
Box
11
Folder
43
|
Script by Ed. Weinberger, January 10, 1974
|
|
Box
11
Folder
44
|
Script by Ed. Weinberger (revised January 16, 1974), January 18, 1974
|
|
|
“Two Wrongs Don't Make a Writer,” #7325
|
|
Box
11
Folder
45
|
Script by David Lloyd, January 25, 1974
|
|
Box
11
Folder
46
|
Script by David Lloyd, February 1, 1974
|
|
|
“Lou's Second Date,” #7326
|
|
Box
11
Folder
47
|
Script by Ed. Weinberger, January 20, 1974
|
|
Box
11
Folder
48
|
Script (revised January 22, 1974), January 25, 1974
|
|
|
“I Was a Single for WJM” #7327
|
|
Box
11
Folder
49
|
Script by Treva Silverman, February 3, 1974
|
|
Box
12
Folder
1
|
Script by Treva Silverman (revised February 6, 1974), February 8, 1974
|
|
|
Scripts, 1974-1975 Season
|
|
|
“I Love a Piano,” #7401
|
|
Box
12
Folder
2
|
Script by Treva Silverman, May 29, 1974
|
|
Box
12
Folder
3
|
Script by Treva Silverman (revised August 14, 1974), August 16, 1974
|
|
|
“The Outsider,” #7402
|
|
Box
12
Folder
4
|
Script by Jack Winter, March 25, 1974
|
|
Box
12
Folder
5
|
Script by Jack Winter (revised July 24, 1974), July 26, 1974
|
|
|
“You Sometimes Hurt the One You Hate,” #7403
|
|
Box
12
Folder
6
|
Script by David Lloyd, April 23, 1974
|
|
Box
12
Folder
7
|
Script by David Lloyd (revised June 5, 1974), June 7, 1974
|
|
|
“Not a Christmas Story,” #7404
|
|
Box
12
Folder
8
|
Script by Ed. Weinberger and Stan Daniels, April 23, 1974
|
|
Box
12
Folder
9
|
Script by Ed. Weinberger and Stan Daniels (revised July 31, 1974), August 2, 1974
|
|
|
“Not Just Another Pretty Face,” #7406
|
|
Box
12
Folder
10
|
Script by Ed. Weinberger and Stan Daniels, April 22, 1974
|
|
Box
12
Folder
11
|
Script by Ed. Weinberger and Stan Daniels (revised June 19, 1974), June 21, 1974
|
|
|
“Lou and That Woman,” #7407
|
|
Box
12
Folder
12
|
Script by David Lloyd, May 29, 1974
|
|
Box
12
Folder
13
|
Script by David Lloyd (revised June 26, 1974), June 28, 1974
|
|
|
“An Affair to Forget,” #7408
|
|
Box
12
Folder
14
|
Script by Ed. Weinberger and Stan Daniels, May 17, 1974
|
|
Box
12
Folder
15
|
Script by Ed. Weinberger and Stan Daniels (revised October 2, 1974), October 4, 1974
|
|
|
“What Are Friends For?” #7409
|
|
Box
12
Folder
16
|
Script by David Lloyd, May 24, 1974
|
|
Box
12
Folder
17
|
Script by David Lloyd (revised June 12, 1974), June 14, 1974
|
|
Box
12
Folder
18
|
“Menage-A-Phyllis,” #7410, Script by Treva Silverman, August 23, 1974
|
|
Box
12
Folder
19
|
“A Boy's Best Friend,” #7412, Script by David Lloyd, September 13, 1974
|
|
|
“The Shame of the Cities,” #7413 (formerly #7310)
|
|
Box
12
Folder
20
|
Written by Michael Elias; Story by Michael Elias and Arnie Kogen, July 15, 1973 (revised June 5, 1974)
|
|
Box
12
Folder
21
|
Written by Michael Elias; Story by Michael Elias and Arnie Kogen (revised November 20, 1974), November 22, 1974
|
|
Box
12
Folder
22
|
“A Girl Like Mary,” #7415, Script by Ann Gibbs and Joel Kimmel, November 15, 1974
|
|
|
“Neighbors,” #7416
|
|
Box
12
Folder
23
|
Script by Ziggy Steinberg, September 22, 1974
|
|
Box
12
Folder
24
|
Script by Ziggy Steinberg (revised October 23, 1974), October 25, 1974
|
|
|
“Marriage Minneapolis Style,” #7417
|
|
Box
12
Folder
25
|
Script by Pamela Russell, November 29, 1974
|
|
Box
12
Folder
26
|
Script by Pamela Russell (revised December 4, 1974), December 6, 1974
|
|
Box
12
Folder
27
|
“The New Sue Ann,” #7418, Script by David Lloyd, September 20, 1974
|
|
|
“A Son for Murray,” #7419
|
|
Box
12
Folder
28
|
Script by Ed. Weinberger and Stan Daniels, August 28, 1974
|
|
Box
12
Folder
29
|
Script by Ed. Weinberger and Stan Daniels (revised September 25, 1974), September 27, 1974
|
|
Box
12
Folder
30
|
“Mary Richards: Producer,” #7422, Script by David Lloyd, November 1, 1974
|
|
Box
12
Folder
31
|
“Phyllis Whips Inflation,” #7423, Script by Ed. Weinberger and Stan Daniels, November 8, 1974
|
|
Box
12
Folder
32
|
“The System,” #7426, Script by Ed. Weinberger and Stan Daniels, December 13, 1974
|
|
Box
12
Folder
33
|
“You Try to be a Nice Guy,” #7428, Script by Michael Leeson, January 10, 1975
|
|
|
Scripts, 1975-1976 Season
|
|
Box
12
Folder
34
|
“Mary's Aunt,” #5001, Script by David Lloyd, August 15, 1975
|
|
Box
12
Folder
35
|
“Mary's Delinquent,” #5002, Script by Mary Kay Place and Valerie Curtin, June 13, 1975
|
|
Box
12
Folder
36
|
“The Seminar,” #5003, Script by James McDonald and Robert Gerlach, October 22, 1975
|
|
Box
12
Folder
37
|
“Mary's Father,” #5004, Script by Earl Pomerantz, June 25, 1975
|
|
Box
12
Folder
38
|
“Mary Moves Out,” #5005, Script by David Lloyd, June 18, 1975
|
|
Box
12
Folder
39
|
“Murray in Love,” #5006, Script by David Lloyd, July 30, 1975
|
|
Box
12
Folder
40
|
“Ted's Moment of Glory,” #5007, Script by Charles Lee and Gig Henry, August 6, 1975
|
|
Box
12
Folder
41
|
“Edie Gets Married,” #5008, Script by Bob Ellison, July 23, 1975
|
|
Box
12
Folder
42
|
“Chuckles Bites the Dust,” #5009, Script by David Lloyd, August 20, 1975
|
|
Box
12
Folder
43
|
“Ted's Wedding,” #5010, Script by David Lloyd, September 10, 1975
|
|
Box
12
Folder
44
|
“Mary Richards Falls in Love,” #5011, Script by Ed. Weinberger and Stan Daniels, September 24, 1975
|
|
Box
12
Folder
45
|
“Ted's Tax Refund,” #5012, Script by Bob Ellison, October 2, 1975
|
|
Box
12
Folder
46
|
“What Do You Want To Do When You Produce?” #5013, Script by Shelley Nelbert and Craig Alan Hafner, November 12, 1975
|
|
Box
12
Folder
47
|
“Lou Douses an Old Flame,” #5014, Script by David Lloyd, September 17, 1975
|
|
Box
12
Folder
48
|
“The Happy Homemaker Takes Lou Home,” #5015, Script by David Lloyd, October 29, 1975
|
|
Box
12
Folder
49
|
“Not With My Wife I Don't,” #5016, Script by Bob Ellison, November 19, 1975
|
|
Box
12
Folder
50
|
“One Boyfriend Too Many,” #5017, Script by David Lloyd, November 5, 1975
|
|
Box
12
Folder
51
|
“Once I Had a Secret Love...,” #5018, Script by Pat Nardo and Gloria Banta, December 3, 1975
|
|
Box
12
Folder
52
|
“Murray Takes a Stand,” #5019, Script by David Lloyd, December 17, 1975
|
|
Box
13
Folder
1
|
“Menage a Lou,” #5020, Script by Bob Ellison, December 10, 1975
|
|
Box
13
Folder
2
|
“Mary's Aunt Returns,” #5021, Script by David Lloyd, January 7, 1976
|
|
Box
13
Folder
3
|
“Ted and the Kid,” #5022, Script by Bob Ellison, January 17, 1976
|
|
Box
13
Folder
4
|
“A Reliable Source,” #5023, Script by Richard M. Powell, January 28, 1976
|
|
Box
13
Folder
5
|
“Sue Ann Falls in Love,” #5024, Script by Bob Ellison, February 4, 1976
|
|
|
Scripts, 1976-1977 Season
|
|
Box
13
Folder
6
|
“Mary Midwife,” #6001, Script by David Lloyd, June 30, 1976
|
|
Box
13
Folder
7
|
“What's Wrong with Swimming?” #6002, Script by David Lloyd, July 28, 1976
|
|
Box
13
Folder
8
|
“My Son, the Genius,” #6003, Script by Bob Ellison, August 18, 1976
|
|
Box
13
Folder
9
|
“Look at Us, We're Walking,” #6004, Script by Bob Ellison, July 14, 1976
|
|
Box
13
Folder
10
|
“Sue Ann's Sister,” #6005, Script by David Lloyd, June 21, 1976
|
|
Box
13
Folder
11
|
“Mary the Writer,” #6006, Script by Burt Prelutsky, June 23, 1976
|
|
Box
13
Folder
12
|
“One Producer Too Many,” #6008, Script by Bob Ellison, August 25, 1976
|
|
Box
13
Folder
13
|
“Mary's Insomnia,” #6009, Script by David Lloyd, September 15, 1976
|
|
Box
13
Folder
14
|
“Ted's Change of Heart,” #6010, Script by Earl Pomerantz, September 1, 1976
|
|
Box
13
Folder
15
|
“Murray Can't Lose!” #6012, Script by David Lloyd, October 6, 1976
|
|
Box
13
Folder
16
|
“Ted's Temptation,” #6013, Script by Bob Ellison, October 27, 1976
|
|
Box
13
Folder
17
|
“Mary Gets a Lawyer,” #6014, Script by Burt Prelutsky, September 22, 1976
|
|
Box
13
Folder
18
|
“Lou Proposes,” #6015, Script by David Lloyd, September 29, 1976
|
|
Box
13
Folder
19
|
“Lou's Army Reunion,” #6016, Script by Bob Ellison, November 10, 1976
|
|
Box
13
Folder
20
|
“The Critic,” #6017, Script by David Lloyd, November 3, 1976
|
|
Box
13
Folder
21
|
“The Ted and Georgette Show,” #6018, Script by David Lloyd, November 17, 1976
|
|
Box
13
Folder
22
|
“Sue Ann Gets the Ax,” #6019, Script by Bob Ellison, December 1, 1976
|
|
Box
13
Folder
23
|
“Hail the Conquering Gordy,” #6020, Script by Earl Pomerantz, December 8, 1976
|
|
Box
13
Folder
24
|
“Mary and the Sexagenarian,” #6021, Script by Les Charles and Glen Charles, December 15, 1976
|
|
Box
13
Folder
25
|
“Mary's Three Husbands,” #6023, Script by Bob Ellison, January 12, 1977
|
|
Box
13
Folder
26
|
“Lou Dates Mary,” #6024, Script by David Lloyd, January 5, 1977
|
|
Box
13
Folder
27
|
“Murray Ghosts for Ted,” #6025, Script by David Lloyd, January 19, 1977
|
|
Box
13
Folder
28
|
“Mary's Big Party,” #6026, Script by Bob Ellison, January 26, 1977
|
|
Box
13
Folder
29
|
“The Last Show,” #6027, Script by James L. Brooks, Allan Burns, Ed. Weinburger, Stan Daniels, David Lloyd, and Bob Ellison, February 2, 1977
|
|
|
Newhart
|
|
|
Scripts, 1982-1983 Season
|
|
Box
30
Folder
6
|
“In the Beginning...” (Pilot), #1210, Revised Final Draft, by Barry Kemp, April 2, 1982 (“Script as Shot, 5/27/82”)
|
|
Box
30
Folder
7
|
“Hail to the Councilman,” #2101, Final Draft, by Sheldon Bull, August 25, 1982, with later revisions
|
|
Box
30
Folder
8
|
“The Senator's Wife Was Indiscreet,” #2102, Final Draft, by John Steven Owen, October 13, 1982, later with revisions
|
|
Box
30
Folder
9
|
“This Probably Is Condemned,” #2103, Final Draft, by Barton Dean, September 22, 1982, with later revisions
|
|
Box
30
Folder
10
|
“The Perfect Match,” #2105, Final Draft, by Stuart Silverman, October 20, 1982, with later revisions
|
|
Box
30
Folder
11
|
“Mrs. Newton's Body Lies a Mould'rin' in the Grave,” #2106, Final Draft, by Katherine Green, September 1, 1982, with later revisions
|
|
Box
30
Folder
12
|
“Shall We Gather at the River?” #2107, Final Draft, by Paul Robinson Hunter, September 28, 1982, with later revisions
|
|
Box
30
Folder
13
|
“Some Are Born Writers...Others Have Writers Thrust Upon Them,” #2108, Final Draft, by Emily Marshall, October 27, 1982, with later revisions
|
|
Box
30
Folder
14
|
“No Tigers at the Circus,” #2109, Final Draft, by Earl Pomerantz, September 15, 1982, with later revisions
|
|
Box
30
Folder
15
|
“Sprained Dreams,” #2110, Final Draft, by Rich Reinhart, November 17, 1982, with later revisions
|
|
Box
30
Folder
16
|
“The Way We Thought We Were,” #2111, Final Draft, by John Steven Owen, November 10, 1982, with later revisions
|
|
Box
30
Folder
17
|
“No Room at the Inn,” #2112, Final Draft, by Barry Kemp, Sheldon Bull, and Emily Marshall, December 1, 1982, with later revisions
|
|
Box
30
Folder
18
|
“The Visitors,” #2113, Final Draft, by Earl Pomerantz, December 8, 1982, with later revisions
|
|
Box
30
Folder
19
|
“The Boy Who Cried 'Goat,'” #2114, Final Draft, by Barbara Hall, February 2, 1983, with later revisions
|
|
Box
30
Folder
20
|
“Rocky Nelson Up Your Nose,” #2115, Final Draft, by Barton Dean, January 19, 1983, with later revisions
|
|
Box
30
Folder
21
|
“Breakfast Theatre,” #2117, Final Draft, by Chip Keyes and Doug Keyes, January 12, 1983, with later revisions
|
|
Box
30
Folder
22
|
“Heaven Knows Mr. Utley,” #2119, Final Draft, by Bill Taub and Jeff Lewis, February 23, 1983, with later revisions
|
|
Box
30
Folder
23
|
“What Is This Thing Called Lust?” #2120, Final Draft, by Emily Marshall, January 5, 1983, with later revisions
|
|
Box
30
Folder
24
|
“View from the Bench,” #2121, Final Draft, by Sheldon Bull, February 9, 1983, with later revisions
|
|
Box
30
Folder
25
|
“I Enjoy Being a Guy,” #2123, Final Draft, by Bob Perlow and Gene Braunstein, March 9, 1983, with later revisions
|
|
Box
30
Folder
26
|
“You're Homebody 'Till Somebody Loves You,” #2124, Final Draft, by Emily Marshall, March 2, 1983, with later revisions
|
|
Box
30
Folder
27
|
“Grandma, What a Big Mouth You Have!” #2125, Final Draft, by Barton Dean, March 16, 1983, with later revisions
|
|
|
Scripts, 1983-1984 Season
|
|
Box
30
Folder
28
|
“It Happened One Afternoon” (Part I), #3101, Final Draft, by Barry Kemp, July 13, 1983, with later revisions
|
|
Box
30
Folder
29
|
“It Happened One Afternoon” (Part II), #3102, Final Draft, by Barry Kemp, July 13, 1983, with later revisions
|
|
Box
30
Folder
30
|
“Animal Attractions,” #3103, Final Draft, by Emily Marshall, July 20, 1983, with later revisions
|
|
Box
30
Folder
31
|
“The Looks of Love,” #3104, Final Draft, by Shelley Zellman, August 10, 1983, with later revisions
|
|
Box
30
Folder
32
|
“The Man Who Came Forever,” #3105, Final Draft, by Sheldon Bull, August 3, 1983, with later revisions
|
|
Box
30
Folder
33
|
“The Stratford Wives,” #3106, Final Draft, by Barbara Hall, August 17, 1985, with later revisions
|
|
Box
30
Folder
34
|
“New Faces of 1951,” #3107, Final Draft, by Neal Marlens, September 28, 1983, with later revisions
|
|
Box
30
Folder
35
|
“The Girl from Manhattan,” #3108, Final Draft, by Nat Mauldin, September 14, 1983, with later revisions
|
|
Box
30
Folder
36
|
“Kirk Goes for the Juggler,” #3109, Final Draft, by Emily Marshall, October 26, 1983, with later revisions
|
|
Box
30
Folder
37
|
“Curious George at the Firehouse,” #3111, Final Draft, by Barbara Hall, November 9, 1983, with later revisions
|
|
Box
30
Folder
38
|
“Lady and the Tramps,” #3112, Final Draft, by Emily Marshall, October 5, 1983, with later revisions
|
|
Box
30
Folder
39
|
“Book Beat,” #3114, Final Draft, by Will Porter and Rich Procter, November 2, 1983, with later revisions
|
|
Box
30
Folder
40
|
“Don't Rain on My Parade,” #3115, Final Draft, by Barbara Hall, October 19, 1983, with later revisions
|
|
Box
30
Folder
41
|
“Kirk Pops the Question,” #3119, Final Draft, by Miriam Trogdon, December 7, 1983, with later revisions
|
|
Box
30
Folder
42
|
“A Jug of Wine, a Loaf of Bread - and Pow!” #3120, Final Draft, by Barry Kemp, Sheldon Bull, and Emily Marshall, November 30, 1983, with later revisions
|
|
Box
30
Folder
43
|
“Cats,” #3121, Final Draft, by Barry Kemp, Sheldon Bull, and Emily Marshall, December 14, 1983, with later revisions
|
|
Box
30
Folder
44
|
“Kirk Ties One On,” #3122, Final Draft, by Barry Kemp, Sheldon Bull, and Emily Marshall, January 12, 1984, with later revisions
|
|
Box
31
Folder
1
|
“Best Friends,” #3123, Final Draft, by Barry Kemp and Emily Marshall, January 4, 1984, with later revisions
|
|
Box
31
Folder
2
|
“Go, Grandma, Go!” #3126, Final Draft, by Barbara Hall, February 1, 1984, with later revisions
|
|
Box
31
Folder
3
|
“Leave It to the Beavers,” #3127, Final Draft, by Emily Marshall, Barbara Hall, and Miriam Trogdon, January 19, 1984, with later revisions
|
|
Box
31
Folder
4
|
“Send Her, Ella,” #3128, Final Draft, by Barbara Hall and Miriam Trogdon, February 15, 1984, with later revisions
|
|
Box
31
Folder
5
|
“Vermont Today,” #3129, Final Draft, by Barry Kemp, Sheldon Bull, and Emily Marshall, February 8, 1984, with later revisions
|
|
|
Scripts, 1984-1985 Season
|
|
Box
31
Folder
6
|
“Happy Trails to You,” #4102, Final Draft, by Douglas Wyman, July 25, 1984, with later revisions
|
|
Box
31
Folder
7
|
“Georgie's Girl,” #4103, Revised Final Draft, by Miriam Trogdon, July 18, 1984
|
|
Box
31
Folder
8
|
“A' Hunting We Will Go,” #4104, Final Draft, by Barton Dean, July 11, 1984
|
|
Box
31
Folder
9
|
“Tell a Lie, Get a Check,” #4105, Revised Final Draft, by Dan Wilcox, August 15, 1984, with later revisions
|
|
Box
31
Folder
10
|
“Once I Had a Secret, Love,” #4106, Final Draft, by Ellen Guylas, November 7, 1984, with later revisions
|
|
Box
31
Folder
11
|
“The Fan,” #4108, Final Draft, by Shelley Zellman, October 3, 1984, with later revisions
|
|
Box
31
Folder
12
|
“Twenty-Five Year Itch,” #4109, Final Draft, by Miriam Trogdon, August 29, 1984, with later revisions
|
|
Box
31
Folder
13
|
“Poor Reception,” #4110, Final Draft, by Emily Marshall, August 22, 1984, with later revisions
|
|
Box
31
Folder
14
|
“Miss Stephanie,” #4111, Final Draft, by Douglas Wyman, September 26, 1984, with later revisions
|
|
Box
31
Folder
15
|
“But Seriously, Beavers,” #4112, Final Draft, by Arnie Kogen and Gary Jacobs, September 19, 1984, with later revisions
|
|
Box
31
Folder
16
|
“My Fair Larry,” #4113, Final Draft, by Michael Kagen, December 12, 1984, with later revisions
|
|
Box
31
Folder
17
|
“Tickets, Please,” #4114, Revised Final Draft, by Barton Dean, October 10, 1984, with later revisions
|
|
Box
31
Folder
18
|
“Lady in Waiting,” #4115, Final Draft, by David Mirkin, October 24, 1984, with later revisions
|
|
Box
31
Folder
19
|
“Local Hero,” #4116, Revised Final Draft, by Ellen Guylas, October 31, 1984
|
|
Box
31
Folder
20
|
“Pillow Fight,” #4117, Revised Final Draft, by Shelley Zellman, November 14, 1984, with later revisions
|
|
Box
31
Folder
21
|
“Out With the New, Inn With the Old,” #4118, Final Draft, by Tracy Gamble and Richard Vaczy, December 19, 1984, with later revisions
|
|
Box
31
Folder
22
|
“Dick Gets Larry's Goat,” #4119, Revised Final Draft, by Barton Dean, December 4, 1984
|
|
Box
31
Folder
23
|
“R.I.P. Off,” #4120, Final Draft, by Russ Woody, January 9, 1985, with later revisions
|
|
Box
31
Folder
24
|
“Look Homeward, Stephanie,” #4121, Final Draft, by Miriam Trogdon, January 23, 1985, with later revisions
|
|
Box
31
Folder
25
|
“You're Nobody 'til Somebody Hires You,” #4122, Final Draft, by David Mirkin, January 16, 1985, with later revisions
|
|
Box
31
Folder
26
|
“The Prodigal Darryl,” #4123, Final Draft, by Douglas Wyman, February 6, 1985, with later revisions
|
|
Box
31
Folder
27
|
“What Makes Dick Run?” #4124, Final Draft, by Arnie Kogen and Gary Jacobs, February 13, 1985, with later revisions
|
|
|
Scripts, 1985-1986 Season
|
|
Box
35
Folder
36
|
“Candidate Larry,” #5101, Final Draft Script by Douglas Wyman, last revised August 29, 1985
|
|
Box
35
Folder
37
|
“Summa Cum Larry,” #5102, Final Draft Script by Arnie Kogen and Gary Jacobs, last revised July 31, 1985
|
|
Box
35
Folder
38
|
“The Geezers in the Band,” #5103, Final Draft Script by David Mirkin, last revised October 2, 1985
|
|
Box
35
Folder
39
|
“The Way We Ought to Be,” #5104, Final Draft Script by Miriam Trogdon, last revised July 24, 1985
|
|
Box
35
Folder
40
|
“Locks, Stocks, and Noodlehead,” #5105, Final Draft Script, by Barton Dean, last revised September 25, 1985
|
|
Box
35
Folder
41
|
“Look, Ma, No Talent,” #5106, Final Draft Script, by Dan Wilcox and Jesse Levine, last revised November 6, 1985
|
|
Box
35
Folder
42
|
“Much Ado About Mitch,” #5107, Final Draft Script, by Janet Leahy, last revised October 29, 1985
|
|
Box
35
Folder
43
|
“Write to Privacy,” #5108, Final Draft Script by Susan Beavers, last revised July 17, 1985
|
|
Box
35
Folder
44
|
“Larry's Dead, Long Live Larry,” #5109, Final Draft Script, by Lissa Levin, last revised December 5, 1985
|
|
Box
35
Folder
45
|
“The Shape of Things,” #5110, Final Draft Script, by John Steven Owen, last revised October 23, 1985
|
|
Box
35
Folder
46
|
“Still the Beavers,” #5111, Final Draft Script, by Katherine Green, last revised October 9, 1985
|
|
Box
35
Folder
47
|
“Pirate Pete,” #5112, Final Draft Script, by Gary Belkin, last revised August 14, 1985
|
|
Box
36
Folder
1
|
“Oh, That Morocco,” #5113, Final Draft Script, by Barton Dean, last revised August 21, 1985
|
|
Box
36
Folder
2
|
“I Do, Okay?” #5114, Final Draft Script, by Douglas Wyman, last revised November 20, 1985
|
|
Box
36
Folder
3
|
“The Stratford Horror Picture Show,” #5115, Final Draft Script, by David Mirkin, last revised December 10, 1985
|
|
Box
36
Folder
4
|
“The Snowmen Cometh,” #5116, Final Draft Script, by Arnie Kogen and Gary Jacobs, last revised January 8, 1986
|
|
Box
36
Folder
5
|
“Stephanie Nightingale,” #5117, Final Draft Script, by Shelley Zellman, last revised December 18, 1985
|
|
Box
36
Folder
6
|
“Will the Real Dick Loudon Please Shut Up?” #5118, Final Draft Script, by Phoef Sutton, last revised January 22, 1986
|
|
Box
36
Folder
7
|
“He Ain't Human, He's My Cousin,” #5119, Final Draft Script, by Barton Dean, last revised January 15, 1986
|
|
Box
36
Folder
8
|
“Dwight Schmidtlapp Is Not a Quitter,” #5120, Final Draft Script, by Janet Leahy, last revised February 12, 1986
|
|
Box
36
Folder
9
|
“Pre-Nups,” #5121, Final Draft Script, by Arnie Kogen and Gary Jacobs, last revised February 5, 1986
|
|
Box
36
Folder
10
|
“Torn Between Three Brothers,” #5122, Final Draft Script, by David Mirkin, last revised February 19, 1986
|
|
Box
36
Folder
11
|
“Baby, I'm Your Handyman,” #5123, Final Draft Script, by Phoef Sutton, last revised March 5, 1986
|
|
Box
36
Folder
12
|
“Replaceable You,” #5124, Final Draft Script, by Miriam Trogdon, last revised March 12, 1986
|
|
|
Scripts, 1986-1987 Season
|
|
Box
41
Folder
9
|
“Camp Stephanie,” #6101, Script by Robin Pennington and Don Hart, July 30, 1986
|
|
Box
41
Folder
10
|
“Utley, Can You Spend a Dime?,” #6102, Script by David Tyrone King, August 14, 1986
|
|
Box
41
Folder
11
|
“Desperately Desiring Susan: Part I,” #6103, Script by Miriam Trogdon, September 17, 1986
|
|
Box
41
Folder
12
|
“Desperately Desiring Susan: Part II,” #6104, Script by Miriam Trogdon, September 24, 1986
|
|
Box
42
Folder
1
|
“High Fidelity,” #6105, Script by Tom Seeley and Norm Gunzenhauser, July 23, 1986
|
|
Box
42
Folder
2
|
“Dr. Jekyll and Mr. Loudon,” #6106, Script by Merrill Markoe, January 21, 1987
|
|
Box
42
Folder
3
|
“My Two and Only,” #6107, Script by Douglas Wyman, August 27, 1986
|
|
Box
42
Folder
4
|
“Co-Hostess Twinkle,” #6108, Script by David Markin, August 20, 1986
|
|
Box
42
Folder
5
|
“Dick the Kid,” #6109, Script by Arnie Kogen, September 10, 1986
|
|
Box
42
Folder
6
|
“Saturday in New York with George,” #6110, Script by Stuart Kreisman and Chris Cluess, October 8, 1986
|
|
Box
42
Folder
7
|
“Love Letters in the Mud,” #6111, Script by Shelley Zeliman, November 12, 1986
|
|
Box
42
Folder
8
|
“Sweet and Sour Charity,” #6112, Script by David Tyrone King, October 15, 1986
|
|
Box
42
Folder
9
|
“Everybody Ought to Have a Maid,” #6113, Script by Michael Loman, November 19, 1986
|
|
Box
42
Folder
10
|
“Thanksgiving for the Memories,” #6114, Script by Daid Mirkin, November 5, 1986
|
|
Box
42
Folder
11
|
“The First of the Belles,” #6115, Script by Douglas Wyman, December 3, 1986
|
|
Box
42
Folder
12
|
“It's My Party and I'll Die If I Want To”, #6116, Script by Kerry Ehrin, December 10, 1986
|
|
Box
42
Folder
13
|
“Chimes, They Are A Changin',” #6117, Script by Tom Seeley and Norm Gunzenhauser, December 17, 1986
|
|
Box
42
Folder
14
|
“Unfriendly Persuasion,” #6118, Script by Miriam Trogdan, January 7, 1987
|
|
Box
42
Folder
15
|
“Jail, Jail, The Gang's All There,” #6119, Script by Arnie Kogen, January 15, 1987
|
|
Box
42
Folder
16
|
“Fun with Dick and Joanna,” #6120, Script by Linda Campanelli and M.M. Shelly Moore, February 4, 1987
|
|
Box
42
Folder
17
|
“Harris Ankles PIV for Web Post,” #6121, Script by Douglas Wyman, February 18, 1987
|
|
Box
43
Folder
1
|
“Night Moves,” #6122, Script by David Mirkin, February 11, 1987
|
|
Box
43
Folder
2
|
“Goodbye and Good Riddance, Mr. Chips,” #6123, Script by Arnie Kogen, March 4, 1987
|
|
Box
43
Folder
3
|
“Much to Do Without Muffin,” #6124, Script by David Tyron King, Tom Seeley, and Norm Gunzenhauser, March 11, 1987
|
|
|
Scripts, 1987-1988 Season
|
|
Box
43
Folder
4
|
“Inn This Corner,” #7101, Script by M.M. Shelley Moore and Linda Campanelli, July 22, 1987
|
|
Box
43
Folder
5
|
“Here's to You, Mrs. Louden,” #7102, Script by Miriam Trogdon, August 12, 1987
|
|
Box
43
Folder
6
|
“Me and My Gayle,” #7103, Script by Tom Seeley and Norm Gunzenhauser, September 6, 1987
|
|
Box
43
Folder
7
|
“Prima Darryl,” #7104, Script by Arnie Kogen, July 29, 1987
|
|
Box
43
Folder
8
|
“Reading, Writing, and Rating Points,” #7105, Script by David Tyrone King, August 26, 1987
|
|
Box
43
Folder
9
|
“Vintage Stephanie,” #7106, Script by Douglas Wyman, September 17, 1987
|
|
Box
43
Folder
10
|
“Telethon Man,” #7107, Script by David Mirkin, August 19, 1987
|
|
Box
43
Folder
11
|
“Laugh at My Wife, Please,” #7108, Script by Dan O'Shannon, November 11, 1987
|
|
Box
43
Folder
12
|
“Support Your Local Shifflett,” #7109, Script by Burt Prelutsky, November 18, 1987
|
|
Box
43
Folder
13
|
“Attention WPIV Shoppers,” #7110, Script by Merrill Markoe, November 4, 1987
|
|
Box
43
Folder
14
|
“Take Me to Your Louden,” #7111, Script by David Tyrone King, September 23, 1987
|
|
Box
43
Folder
15
|
“Til Depth Do Us Part I,” #7112, Script by Miriam Trogdon, October 8, 1987
|
|
Box
43
Folder
16
|
“Til Depth Do Us Part II,” #7113, Script by Arnie Kogen, October 15, 1987
|
|
Box
43
Folder
17
|
“Presence of Malice,” #7114, Script by Marjorie Gross, December 16, 1987; Script by Marjorie Gross, , December 16, 1987
|
|
Box
43
Folder
18
|
“My Three Dads,” #7115, Script by Douglas Wyman, December 2, 1987
|
|
Box
43
Folder
19
|
“A Friendship That Will Last a Lunchtime,” #7116, Script by David Mirkin, December 9, 1987
|
|
Box
44
Folder
1
|
“Would You Buy a Used Car from This Handyman?,”, #7117 Script by David Tyrone King, January 7, 1988
|
|
Box
44
Folder
2
|
“The Buck Stops Here,” #7118, Script by Tom Seeley and Norm Gunzenhauser, January 13, 1988
|
|
Box
44
Folder
3
|
“The Big Uneasy,” #7119, Script by Arnie Kogen, February 3, 1988
|
|
Box
44
Folder
4
|
“Draw Partner,” #7120, Script by Marjorie Gross, February 17, 1988
|
|
Box
44
Folder
5
|
“A Midseason Night's Dream,” #7121, Script by David Mirkin, February 10, 1988
|
|
Box
44
Folder
6
|
“Newsstruck,” #7122, Script by Douglas Wyman, March 2, 1988
|
|
Box
44
Folder
7
|
“Courting Disaster,” #7123, Script by Tom Seeley and Norm Gunzenhauser, March 9, 1988
|
|
Box
44
Folder
8
|
“The Gleeless Club,” #7124
|
|
|
Scripts, 1988-1989 Season
|
|
Box
44
Folder
9
|
“Goonstruck,” #8101, Script by Billy Van Zandt and Jane Milmore, November 2, 1988
|
|
Box
44
Folder
10
|
“Town Without Pity,” #8102, Script by Dan O'Shannon and Tom Anderson, September 29, 1988
|
|
Box
44
Folder
11
|
“I Married Dick,” #8103, Script by Shelley Zellman, October 26, 1988
|
|
Box
44
Folder
12
|
“Apples! Apples! Apples!,” #8104, Script by Bob Bendetson and Howard Bendetson,, October 12, 1988
|
|
Box
44
Folder
13
|
“This Blood's for You,” #8105, Script by Mark Egan and Mark Solomon,, October 5, 1988
|
|
Box
44
Folder
14
|
“Home for the Holidays,” #8106, Script by Ellen Guylas, December 7, 1988
|
|
Box
44
Folder
15
|
“Shoe Business Is My Life,” #8107, Script by Dan O'Shannon and Tom Anderson,, December 13, 1988
|
|
Box
44
Folder
16
|
“I Came, I Saw, I Sat,” #8108, Script by Shelley Zellman, November 9, 1988
|
|
Box
44
Folder
17
|
“Cupcake on My Back,” #8109, Script by Mark Egan and Mark Solomon, January 18, 1989
|
|
Box
45
Folder
1
|
“Twelve Annoyed Men...and Women,” #8110, Script by Bob Bendetson, November 30, 1988
|
|
Box
45
Folder
2
|
“George and the Old Maid,” #8110, Script by Dan O'Shannon and Tom Anderson, January 4, 1989
|
|
Box
45
Folder
3
|
“Hi, Society:,” #8112, Script by David Silverman and Stephen Sustarsic, January 11, 1989
|
|
Box
45
Folder
4
|
“Another Saturday Night,” #8113, Script by Bob Bendetson and Howard Bendetson, February 1, 1989
|
|
Box
45
Folder
5
|
“The Nice Man Cometh,” #8114, Script by Billy Van Zandt and Jane Milmore, February 8, 1989
|
|
Box
45
Folder
6
|
“One and a Half Million Dollar Man,” #8115, Script by Bob Bendetson and Howard Bendetson, February 15, 1989
|
|
Box
45
Folder
7
|
“The Little Match Girl,” #8116, Script by Dan O'Shannon and Tom Anderson, March 1, 1989
|
|
Box
45
Folder
8
|
“Buy, Buy Blues,” #8117, Script by Heather Stewart, March 8, 1989
|
|
Box
45
Folder
9
|
“Message from Michael,” #8118, Script by Shelley Zellman, March 15, 1989
|
|
Box
45
Folder
10
|
“Homes and Jo-Jo,” #8119, Script by Bob Bendetson and Howard Bendetson, March 29, 1989
|
|
Box
45
Folder
11
|
“Georgie and Bess,” #8120, Script by Dan O'Shannon and Tom Anderson, April 5, 1989
|
|
Box
45
Folder
12
|
“Murder at the Stratley,” #8121, Script by Billy Van Zandt and Jane Milmore, April 12, 1989
|
|
Box
45
Folder
13
|
“Mailing in Love Again,” #8122, Script by Bob Bendetson and Shelley Zellman, April 19, 1989
|
|
|
Paris
|
|
|
Scripts, 1979-1980 Season
|
|
Box
13
Folder
30
|
Pilot, #0311-5364-0329, Script by Steven Bochco, December 13, 1978
|
|
Box
13
Folder
31
|
“The Ghost Maker” (formerly “Dirty Laundry”), #9301, Teleplay by Burton Armus, Story by Steve Kline and Burton Armus, August 30, 1979
|
|
Box
13
Folder
32
|
“Dead Men Don't Kill,” #9302, Script by Steven Bochco, October 22, 1979
|
|
Box
13
Folder
33
|
“Friends and Enemies,” #9303, Teleplay by Edward DeBlasio, Story by Michael Kozoll, July 11, 1979
|
|
Box
13
Folder
34
|
“Dear John,” #9304, Story by Michael Kozoll, Teleplay by Steven Bochco, August 28, 1979
|
|
Box
13
Folder
35
|
“Burnout,” #9305, Script by Del Reisman, September 6, 1979
|
|
Box
13
Folder
36
|
“America the Beautiful,” #9306, Teleplay by Burton Armus, Story by Leo Garen, September 27, 1979
|
|
Box
13
Folder
37
|
“Decisions,” #9307, Script by Irv Pearlberg, October 11, 1979
|
|
Box
13
Folder
38
|
“The Price Is Right,” #9309, Script by Jackson Gillis, August 20, 1979
|
|
Box
13
Folder
9
|
“Once More for Free,” #9310, Script by Burton Armus, September 20, 1979
|
|
Box
13
Folder
40
|
“Pawn,” #9312, Script by Edward DeBlasio, September 13, 1979
|
|
Box
13
Folder
41
|
“Fitz's Boys,” #9313, Script by Larry Alexander and Burton Armus, October 1, 1979
|
|
Box
13
Folder
42
|
“Pay the Two Bucks,” #9515, Script by David Solomon, November 2, 1979
|
|
|
Phyllis
|
|
|
Scripts, 1975-1976 Season
|
|
Box
14
Folder
1
|
Pilot, #6524, Script by Ed. Weinberger and Stan Daniels, March 5, 1975
|
|
Box
14
Folder
2
|
“Up For Grabs,” #5201, Script by Michael Leeson, July 18, 1975
|
|
Box
14
Folder
3
|
“Phyllis' Garage Sale,” #5202, Script by Pamela Herbert Chais, September 12, 1975
|
|
Box
14
Folder
4
|
“All Together Now,” #5203, Script by Regier and Markowitz, September 26, 1975
|
|
Box
14
Folder
5
|
“The First Day,” #5204, Script by Earl Pomerantz, September 5, 1975
|
|
Box
14
Folder
6
|
“Phyllis Takes Piano Lessons,” #5205, Script by Ed. Weinberger and Stan Daniels, August 22, 1975
|
|
Box
14
Folder
7
|
“Leaving Home,” #5206, Script by Earl Pomerantz, August 29, 1975
|
|
Box
14
Folder
8
|
“Audrey Leaves Jonathan,” #5207, Script by Michael Leeson, August 8, 1975
|
|
Box
14
Folder
9
|
“Bess, Is You a Woman Now?” #5208, Script by Ed. Weinberger and Stan Daniels, July 11, 1975
|
|
Box
14
Folder
10
|
“The First Date,” #5209, Script by Seth Freeman, August 19, 1975
|
|
Box
14
Folder
11
|
“So Lonely I Could Cry,” #5210, Script by Mary Kay Place and Valerie Curtin, October 31, 1975
|
|
Box
14
Folder
12
|
“Phyllis Opens Julie's Heart,” #5211, Script by David Lloyd, October 10, 1975
|
|
Box
14
Folder
13
|
“There's No Business Like No Business,” #5212, Script by Earl Pomerantz, October 3, 1975
|
|
Box
14
Folder
14
|
“Phyllis and the Little People,” (aka “The Even Couple”), #5213, Script by Bob Ellison, November 7, 1975
|
|
Box
14
Folder
15
|
“Honor Thy Mother Dexter,” #5214, Script by Michael Leeson, December 5, 1975
|
|
Box
14
Folder
16
|
“Paging Doctor Lindstrom,” #5215, Script by Glen Charles and Les Charles, November 14, 1975
|
|
Box
14
Folder
17
|
“Phyllis in Love,” #5216, Script by Glen Charles and Les Charles, December 12, 1975
|
|
Box
14
Folder
18
|
“The $17,623,419.53 Man,” #5218, Script by Earl Pomerantz, November 21, 1975
|
|
Box
14
Folder
19
|
“Crazy Mama,” #5219, Script by Glen Charles and Les Charles, December 19, 1975
|
|
Box
14
Folder
20
|
“A Man and a Woman...And Another Woman,” #5220, Script by Earl Pomerantz, January 9, 1976
|
|
Box
14
Folder
21
|
“Leo's Suicide,” #5221, Script by Michael Leeson, January 17, 1976
|
|
Box
14
Folder
22
|
“Widows - Merry and Otherwise,” #5222, Script by Tony Webster, January 30, 1976
|
|
Box
14
Folder
23
|
“Sonny Boy,” #5223, Script by Glen Charles and Les Charles, January 23, 1976
|
|
Box
14
Folder
24
|
“The Triangle,” #5224, Script by Glen Charles and Les Charles, February 6, 1976
|
|
|
Scripts, 1976-1977 Season
|
|
Box
14
Folder
25
|
“Out of the Closet,” #6201, Script by Glen Charles and Les Charles, August 19, 1976
|
|
Box
14
Folder
26
|
“The Wrong Box,” #6202, Script by Earl Pomerantz, July 22, 1976
|
|
Box
14
Folder
27
|
“Off the Bench,” #6203, Script by Earl Pomerantz, July 15, 1976
|
|
Box
14
Folder
28
|
“Phyllis Cries Wolf,” #6204, Script by Glen Charles and Les Charles, August 11, 1976
|
|
Box
14
Folder
29
|
“The New Job,” #6206, Script by Ed. Weinberger and Stan Daniels, July 8, 1976
|
|
Box
14
Folder
30
|
“You're Not Getting Better, Just Older,” #6207, Script by David Lloyd, August 5, 1976
|
|
Box
14
Folder
31
|
“Speech IA,” #6208, Script by Gary David Goldberg, August 27, 1976
|
|
Box
14
Folder
32
|
“Mother Dexter Cohabitates,” #6209, Script by Glen Charles and Les Charles, September 23, 1976
|
|
Box
14
Folder
33
|
“Mother Dexter's Wedding,” #6210, Script by Glen Charles and Les Charles, September 30, 1976
|
|
Box
14
Folder
34
|
“Phyllis and the Jumper,” #6211, Script by Bob Ellison, September 17, 1976
|
|
Box
14
Folder
35
|
“The Threat,” #6212, Script by Sandy Glass and George Arthur Bloom, November 4, 1976
|
|
Box
14
Folder
36
|
“Boss or Buddy or Both or Neither,” #6213, Script by Earl Pomerantz, September 9, 1976
|
|
Box
14
Folder
37
|
“The Christmas Party,” #6214, Script by Tom Tenowich, October 28, 1976
|
|
Box
14
Folder
38
|
“Bess Airs Her Views,” #6215, Script by Glen Charles and Les Charles, October 21, 1976
|
|
Box
14
Folder
39
|
“I Am Beautiful,” #6216, Script by Arthur Rabin, November 18, 1976
|
|
Box
14
Folder
40
|
“Taking a Chance on Chance,” #6217, Script by Earl Pomerantz, November 11, 1976
|
|
Box
14
Folder
41
|
“Broken-Hearted Bess,” #6218, Story by Ron Bloomberg, Teleplay by Glen Charles and Les Charles, December 16, 1976
|
|
Box
14
Folder
42
|
“Phyllis Runs the Office,” #6220, Script by David Lloyd, December 3, 1976
|
|
Box
14
Folder
43
|
“Leonard and the Bribe,” #6221, Script by Bob Ellison, December 10, 1976
|
|
Box
14
Folder
44
|
“The Elopement,” #6223, Script by Laurence Marks, January 7, 1977
|
|
Box
14
Folder
45
|
“Dan's Ex,” #6224, Script by Glen Charles and Les Charles, January 14, 1977
|
|
Box
14
Folder
46
|
“Audrey's New Life,” #6225, Script by Tom Tenowich, January 20, 1977
|
|
Box
14
Folder
47
|
“The Apartment,” #6226, Script by Laurence Marks, January 27, 1977
|
|
Box
14
Folder
48
|
“And Baby Makes Six...” #6227, Script by Glen Charles and Les Charles, February 4, 1977
|
|
|
Popcorn Kid
|
|
|
Scripts, 1986-1987 Season
|
|
Box
45
Folder
14
|
Pilot, #1334, Script by Barry Kemp and Mark Ganzel, April 1, 1986
|
|
Box
45
Folder
15
|
“Career Day,” #6501, Script by Barry Kemp and Mark Ganzel, October 2, 1986
|
|
Box
45
Folder
16
|
“There She Is, Vic Damone,” #6503, Script by Irene Mecchi, November 7, 1986
|
|
Box
45
Folder
17
|
“A Day in the Life of Ed Asner,” #6504, Script by Mark Egan and Mark Solomon, October 31, 1986
|
|
Box
46
Folder
1
|
“The Break Up,” #6505, Script by Barry Kemp and Mark Ganzel, October 10, 1986
|
|
Box
46
Folder
2
|
“A Car, a House, a Mouse, and a Louse,” #6506, Script by Barry Kemp and Mark Ganzel, October 24, 1986
|
|
|
Remington Steele
|
|
|
Scripts, 1982-1983 Season
|
|
Box
31
Folder
28
|
“Tempered Steele” (Pilot?), #0903, Revised Final Draft, by Michael Gleason, December 21, 1981, with later revisions
|
|
Box
31
Folder
29
|
“Steele Belted,” #2701, Revised Final Draft, by Michael Gleason, April 30, 1982, with later revisions
|
|
Box
31
Folder
30
|
“Signed, Steeled, and Delivered,” #2702, Revised Final Draft, by Glenn Caron, July 2, 1982, with later revisions
|
|
Box
31
Folder
31
|
“Steele Waters Run Deep,” #2703, Revised Final Draft, by Lee Zlotoff, July 26, 1982, with later revisions
|
|
Box
31
Folder
32
|
“License to Steele,” #2704, Revised Final Draft, by Michael Gleason, August 2, 1982, with later revisions
|
|
Box
31
Folder
33
|
“Hearts of Steele,” #2705, Revised Final Draft, by Charles Rosin, Teleplay by Glenn Caron, August 11, 1982, with later revisions
|
|
Box
31
Folder
34
|
“Thou Shalt Not Steele,” #2706, Revised Final Draft, by Lee Zlotoff, August 26, 1982, with later revisions
|
|
Box
31
Folder
35
|
“Etched in Steele,” #2707, Revised Final Draft, by Glenn Caron, September 9, 1982, with later revisions
|
|
Box
31
Folder
36
|
“In the Steele of the Night,” #2708, Revised Final Draft, by Joel Steiger, October 1, 1982, with later revisions
|
|
Box
31
Folder
37
|
“Your Steele the One For Me,” #2709, Revised Final Draft, by Lee Zlotoff, October 8, 1982, with later revisions
|
|
Box
31
Folder
38
|
“Steele Trap,” #2710, Revised Final Draft, by Michael Gleason, October 22, 1982, with later revisions
|
|
Box
31
Folder
39
|
“Steele Flying High” (formerly “Steele His Thunder”), #2711, Revised Final Draft, by Richard Collins and Michael Gleason, November 27, 1982, with later revisions
|
|
Box
31
Folder
40
|
“Good Night's Steele,” #2712, Revised Final Draft, by Lee Zlotoff and R.J. Stewart, December 1, 1982, with later revisions
|
|
Box
31
Folder
41
|
“Steeling the Show,” #2713, Revised Final Draft, by Peter Lefcourt, Glenn Caron, Lee Zlotoff, R.J. Steward, and Michael Gleason, November 8, 1982, with later revisions
|
|
Box
31
Folder
42
|
“Steele Crazy After All These Years,” #2715, Revised Final Draft, by Peggy Foldman, R.J. Stewart, Andrew Laskos, and Lee Zlotoff, January 5, 1983, with later revisions
|
|
Box
32
Folder
1
|
“Vintage Steele,” #2716, Revised Final Draft, by Susan Baskin, February 10, 1983, with later revisions
|
|
Box
32
Folder
2
|
“Steele in the News,” #2717, Revised Final Draft, by Duncan Smith, Fred Lyle, and Michael Gleason, February 3, 1983, with later revisions
|
|
Box
32
Folder
3
|
“Steele Among the Living,” #2718, Revised Final Draft, by Andrew Laskos, January 17, 1983, with later revisions
|
|
Box
32
Folder
4
|
“To Stop a Steele,” #2721, Revised Final Draft, by Glenn Caron and Michael Gleason, December 28, 1982, with later revisions
|
|
Box
32
Folder
5
|
“Sting of Steele,” #2722, Revised Final Draft, by Gary Kott and Michael Gleason, March 12, 1983, with later revisions
|
|
Box
32
Folder
6
|
“Steele's Gold,” #2723, Revised Final Draft, by R.J. Steward, Andrew Laskos, and Michael Gleason, February 22, 1983, with later revisions
|
|
Box
32
Folder
7
|
“Steele in Circulation,” #2724, Revised Final Draft, by Lee Zlotoff, March 18, 1983, with later revisions
|
|
|
Scripts, 1983-1984 Season
|
|
Box
32
Folder
8
|
“Altared Steele,” #3702, Revised Final Draft, by Jeff Melvoin, August 12, 1983, with later revisions
|
|
Box
32
Folder
9
|
“Scene Steelers,” #3703, Revised Final Draft, by Michael Gleason, Richard De Roy, Joyce Armor, and Judie Neer, September 10, 1983, with later revisions
|
|
Box
32
Folder
10
|
“Elementary Steele,” #3705, Revised Final Draft, by Michael Gleason, March 5, 1984, with later revisions
|
|
Box
32
Folder
11
|
“A Steele at Any Price,” #3706, Revised Final Draft, by Mitch Paradise, Richard De Roy, and Michael Gleason, September 21, 1983, with later revisions
|
|
Box
32
Folder
12
|
“Steele Sweet on You,” #3707, Revised Final Draft, by Susan Baskin, November 2, 1983, with later revisions
|
|
Box
32
Folder
13
|
“Steele Framed” (formerly “Hell Bent for Steele”), #3708, Revised Final Draft, by Brian Alan Lane, August 8, 1983, with later revisions
|
|
Box
32
Folder
14
|
“Steele Away With Me,” #3709, Revised Final Draft, by Michael Gleason, June 24, 1983, with later revisions
|
|
Box
32
Folder
15
|
“Red Holt Steele,” #3710, Revised Final Draft, by Lee Zlotoff, July 28, 1983, with later revisions
|
|
Box
32
Folder
16
|
“Steele Threads,” #3711, Revised Final Draft, by George Lee Marshall, October 5, 1983, with later revisions
|
|
Box
32
Folder
17
|
“Blood Is Thicker Than Steele,” #3712, Revised Final Draft, by Richard De Roy, November 15, 1983, with later revisions
|
|
Box
32
Folder
18
|
“My Fair Steele,” (formerly “I've Grown Accustomed to Her Steele”), #3714, Revised Final Draft, by Brian Alan Lane, October 24, 1983, with later revisions
|
|
Box
32
Folder
19
|
“Molten Steele,” #3715, Revised Final Draft, by Richard Collins, January 24, 1984, with later revisions
|
|
Box
32
Folder
20
|
“Love Among the Steele,” #3716, Revised Final Draft, by Lee Zlotoff, September 26, 1983, with later revisions
|
|
Box
32
Folder
21
|
“Steele Knuckles and Glass Jaws,” #3717, Revised Final Draft, by Jeff Melvoin, October 13, 1983, with later revisions
|
|
Box
32
Folder
22
|
“High Flying Steele,” #3718, Revised Final Draft, by George Lee Marshall, December 8, 1983, with later revisions
|
|
Box
32
Folder
23
|
“Steele Eligible,” #3719, Revised Final Draft, by Michael Gleason and Larry Konner, December 2, 1983, revised , December 9, 1983
|
|
Box
32
Folder
24
|
“Elegy in Steele,” #3720, Revised Final Draft, by Brian Alan Lane, December 27, 1983, with later revisions
|
|
Box
32
Folder
25
|
“Small Town Steele,” #3721, Revised Final Draft, by Jeff Melvoin, January 4, 1984, with later revisions
|
|
Box
32
Folder
26
|
“Woman of Steele,” #3724, Revised Final Draft, by Susan Baskin, Richard De Roy, and Michael Gleason, February 10, 1984, with later revisions
|
|
Box
32
Folder
27
|
“Dreams of Steele,” #3726, Revised Final Draft, by Brian Alan Lane, January 30, 1984, with later revisions
|
|
Box
32
Folder
28
|
“Hounded Steele,” #3727, Revised Final Draft, by Jeff Melvoin, February 22, 1984, with later revisions
|
|
|
Scripts, 1984-1985 Season
|
|
Box
32
Folder
29
|
“Blue-Blooded Steele,” #4701, Revised Final Draft, by John Pashdag, Brady Westwater, and John Wirth, August 28, 1984, with later revisions
|
|
Box
32
Folder
30
|
“Breath of Steele,” #4702, Revised Final Draft, by John Wirth, May 30, 1984, with later revisions
|
|
Box
32
Folder
31
|
“Lofty Steele,” #4703, Revised Final Draft, by Brad Kern, May 22, 1984, with later revisions
|
|
Box
32
Folder
32
|
“Let's Steele a Plot,” #4704, Revised Final Draft, by Richard De Roy, and Joe Gores, September 21, 1984, with later revisions
|
|
Box
32
Folder
33
|
“Second Base Steele,” #4705, Revised Final Draft, by Rick Mittleman, August 7, 1984, with later revisions
|
|
Box
32
Folder
34
|
“Steele at It,” #4707, Revised Final Draft, by Jeff Melvoin, June 14, 1984, with later revisions
|
|
Box
32
Folder
35
|
“Steele in the Chips,” #4710, Revised Final Draft, by Robin Bernheim, Stephanie Zimbalist, and Howard Baldwin, June 12, 1984, with later revisions
|
|
Box
33
Folder
1
|
“Steele Your Heart Away,” #4711, Revised Final Draft, by Brian Clemens, June 18, 1984, with later revisions
|
|
Box
33
Folder
2
|
“Puzzled Steele,” #4712, by Brian Clemens, Dennis Revised Final Draft, Spooner, and Jeff Melvoin, July 23, 1984, with later revisions
|
|
Box
33
Folder
3
|
“Maltese Steele,” #4713, Revised Final Draft, by John Wirth, July 9, 1984, with later revisions
|
|
Box
33
Folder
4
|
“Gourmet Steele” (New Scenes), #4716, Revised Final Draft, by Bob Shayne, August 23, 1984, with later revisions
|
|
Box
33
Folder
5
|
“Steele Trying,” #4717, Revised Final Draft, by Michael Gleason, February 22, 1985, revised , February 25, 1985
|
|
Box
33
Folder
6
|
“Stronger Than Steele,” #4718, Revised Final Draft, by Kerry Lenhart and John J. Sakmar, November 14, 1984, with later revisions
|
|
Box
33
Folder
7
|
“Cast in Steele,” #4720, Revised Final Draft, by Jeff Melvoin, October 16, 1984, with later revisions
|
|
Box
33
Folder
8
|
“A Pocketfull of Steele,” #4721, Revised Final Draft, by Brad Kern, October 5, 1984, with later revisions
|
|
Box
33
Folder
9
|
“Springtime for Steele,” #4722, Revised Final Draft, by John Wirth, October 31, 1984, with later revisions
|
|
Box
33
Folder
10
|
“Steele in the Family,” #4723, Revised Final Draft, by Brad Kern, December 5, 1984, with later revisions
|
|
Box
33
Folder
11
|
“Now You Steele It, Now You Don't,” #4724, Revised Final Draft, by John Wirth, January 11, 1985, revised , January 13, 1985
|
|
Box
33
Folder
12
|
“Have I Got a Steele for You,” #4725, Revised Final Draft, by Jeff Melvoin, November 21, 1984, with later revisions
|
|
Box
33
Folder
13
|
“Illustrated Steele,” #4726, Revised Final Draft, by John J. Sakmar and Kerry Lenhart, January 28, 1985, with later revisions
|
|
Box
33
Folder
14
|
“Diced Steele,” #4727 by Jeff Melvoin, Revised Final Draft, December 30, 1984, with later revisions
|
|
Box
33
Folder
15
|
“Steele of Approval,” #4728, Revised Final Draft, by Brad Kern, February 8, 1985, with later revisions
|
|
|
Scripts, 1985-1986 Season
|
|
Box
36
Folder
13
|
“Steele Searching” Part One, #5701, Script by Michael Gleason, last revised July 9, 1985
|
|
Box
36
Folder
14
|
“Steele Searching” Part Two, #5702, Script by Michael Gleason, last revised June 21, 1985
|
|
Box
36
Folder
15
|
“Steele, Inc.,” #5703, Script by Brad Kern, last revised October 28, 1985
|
|
Box
36
Folder
16
|
“Steele Blushing,” #5704, Script by John Wirth, last revised July 16, 1985
|
|
Box
36
Folder
17
|
“Steele in the Spotlight,” #5705, Script by Kerry Lenhart and John J. Sakmar, last revised December 19, 1985
|
|
Box
36
Folder
18
|
“Bonds of Steele,” #5706, Script by Jeff Melvoin, last revised February 12, 1986
|
|
Box
36
Folder
19
|
“Dancer, Prancer, Donner and Steele,” #5708, Script by Elliott Lewis and Michael Gleason, last revised November 12, 1985
|
|
Box
36
Folder
20
|
“Grappling Steele,” #5709, Script by Rick Mittleman, last revised August 5, 1985
|
|
Box
36
Folder
21
|
“Forged Steele,” #5710, Script by Rick Mittleman, last revised August 22, 1985
|
|
Box
36
Folder
22
|
“Premium Steele,” #5711, Script by Gerald Sanoff, last revised August 14, 1985
|
|
Box
36
Folder
23
|
“Corn-Fed Steele,” #5712, Script by Pamela Norris, last revised September 23, 1985
|
|
Box
36
Folder
24
|
“Steele in the Running,” #5713, Script by Susan Woollen, last revised September 13, 1985
|
|
Box
36
Folder
25
|
“Coffee, Tea or Steele,” #5714, Script by Robin Bernheim, last revised July 29, 1985
|
|
Box
36
Folder
26
|
“Steele Spawning,” #5715, Script by John Wirth, last revised October 30, 1985
|
|
Box
36
Folder
27
|
“Suburban Steele,” #5716, Script by Robin Bernheim, last revised October 25, 1985
|
|
Box
36
Folder
28
|
“Steele on the Air,” #5717, J. Sakmar, last Script by Kerry Lenhart and John revised October 29, 1985
|
|
Box
36
Folder
29
|
“Steele Blue Yonder,” #5718, Script by Brad Kern, last revised January 15, 1986
|
|
Box
36
Folder
30
|
“Sensitive Steele,” #57l9, Script by Rick Mittleman, last revised November 22, 1985
|
|
Box
36
Folder
31
|
“Steele Alive and Kicking,” #5720, Script by John Wirth, last revised February 3, 1986
|
|
Box
36
Folder
32
|
“Santa Claus Is Coming to Steele,” #5721, Script by Michael Gleason, last revised December 9, 1985
|
|
Box
36
Folder
33
|
“Beg, Borrow or Steele,” #5722, Script by Brad Kern, last revised February 26, 1986
|
|
Box
36
Folder
34
|
“Steele at Your Service,” #5723, Script by Lee H. Grant, last revised January 2, 1986
|
|
|
Scripts, 1986-1987 Season
|
|
Box
46
Folder
3
|
“The Steele That Wouldn't Die: Part I,” #6702, Script by Brad Kern, October 30, 1986
|
|
Box
46
Folder
4
|
“Steele Hanging in There: Part I,” #6706, Script by Robin Bernheim, November 4, 1986
|
|
Box
46
Folder
5
|
“Steele Hanging in There: Part II,” #6707, Script by Robin Bernheim, November 4, 1986
|
|
Box
46
Folder
6
|
“The Steele That Wouldn't Die: Part II,” #6708, Script by Brad Kern, October 6, 1986
|
|
Box
46
Folder
7
|
“Steeled with a Kiss: Part I,” #6709, Script by Robin Bernheim, December 4, 1986
|
|
Box
46
Folder
8
|
“Steeled with a Kiss: Part II,” #6710, Script by Brad Kern, November 28, 1986
|
|
|
Rhoda
|
|
|
Scripts, 1974-1975 Season
|
|
Box
14
Folder
49
|
“Joe” (pilot), #4151, Script by David Davis and Lorenzo Music, July 16, 1974
|
|
Box
14
Folder
50
|
“You Can Go Home Again,” #4152, Script by Pat Nardo and Gloria Banta, July 23, 1974
|
|
Box
14
Folder
51
|
“The Lady in Red,” #4153, Script by Gail Parent, August 6, 1974
|
|
Box
14
Folder
52
|
“I'll Be Loving You, Sometimes,” #4154, Script by Norman Barasch and Carroll Moore, August 13, 1974
|
|
Box
14
Folder
53
|
“Parents' Day,” #4155, Script by Charlotte Brown, July 30, 1974
|
|
Box
14
Folder
54
|
“'S Wonderful,” #4156, Script by Marilyn Miller, November 7, 1974
|
|
Box
14
Folder
55
|
“The Shower,” #4157, Script by Gail Parent, September 10, 1974
|
|
Box
14
Folder
56
|
“Pop Goes the Question,” #4158, Script by Norman Barasch and Carroll Moore, August 20, 1974
|
|
Box
14
Folder
57
|
“Honeymoon,” #4159, Script by Pat Nardo and Gloria Banta, September 19, 1974
|
|
Box
14
Folder
58
|
“Rhoda's Wedding,” #4160, Script by Norman Barasch, Carroll Moore, David Lloyd, Lorenzo Music, Allan Burns, and James L. Brooks, August 30, 1974
|
|
Box
15
Folder
1
|
“Anything Wrong?” #4163, Script by Coleman Mitchell and Geoffrey Neigher, September 23, 1974
|
|
Box
15
Folder
2
|
“9-E Is Available,” #4163, Script by Charlotte Brown, October 3, 1974
|
|
Box
15
Folder
3
|
“I'm a Little Late, Folks...,” #4164, Script by Norman Barasch and Carroll Moore, October 11, 1974
|
|
Box
15
Folder
4
|
“Goodbye, Charlie,” #4165, Script by Charlotte Brown, November 11, 1974
|
|
Box
15
Folder
5
|
“Guess What I Got You for the Holidays,” #4166, Script by Coleman Mitchell and Geoffrey Neigher, November 1, 1974
|
|
Box
15
Folder
6
|
“Whattya Think It's There For?” #4167, Script by Coleman Mitchell and Geoffrey Neigher, November 21, 1974
|
|
Box
15
Folder
7
|
“Not Made for Each Other,” #4168, Script by Charlotte Brown, December 2, 1974
|
|
Box
15
Folder
8
|
“Strained Interlude,” #4169, Script by Coleman Mitchell and Geoffrey Neigher, December 12, 1974
|
|
Box
15
Folder
9
|
“Everything I Have Is Yours, Almost,” #4170, Script by Michael Leeson, December 20, 1974
|
|
Box
15
Folder
10
|
“Chest Pains,” #4171, Script by Coleman Mitchell and Geoffrey Neigher, January 10, 1975
|
|
Box
15
Folder
11
|
“Windows by Rhoda,” #4172, Script by Charlotte Brown, January 17, 1975
|
|
Box
15
Folder
12
|
“A Nice Warm Rut,” #4173, Script by Marilyn Suzanne Miller, January 24, 1975
|
|
Box
15
Folder
13
|
“Ida, the Elf,” #4174, Script by Charlotte Brown, January 31, 1975
|
|
Box
15
Folder
14
|
“Along Comes Mary,” #4175, Script by Charlotte Brown, Coleman Mitchell, and Geoffrey Neigher, February 7, 1975
|
|
|
Scripts, 1975-1976 Season
|
|
Box
15
Folder
15
|
“Mucho Macho,” #5151, Script by Coleman Mitchell and Geoffrey Neigher, July 23, 1975
|
|
Box
15
Folder
16
|
“Kiss Your Epaulets Goodbye,” #5152, Script by Michael Leeson, July 29, 1975
|
|
Box
15
Folder
17
|
“Myrna's Story,” #5153, Script by Linda Bloodworth, September 16, 1975
|
|
Box
15
Folder
18
|
“Somebody Down There Likes Him,” #5154, Script by Pat Nardo and Gloria Banta, August 19, 1975
|
|
Box
15
Folder
19
|
“Rhoda Meets the Ex-Wife,” #5155, Script by Charlotte Brown, June 25, 1975
|
|
Box
15
Folder
20
|
“Ida's Doctor,” #5156, Script by Coleman Mitchell and Geoffrey Neigher, June 18, 1975
|
|
Box
15
Folder
21
|
“With Friends Like These...” #5157, Script by Sue Grafton, July 1, 1975
|
|
Box
15
Folder
22
|
“Brenda's Unemployment,” #5158, Script by Pamela Herbert Chais, August 27, 1975
|
|
Box
15
Folder
23
|
“The Party,” #5159, Script by Charlotte Brown, July 15, 1975
|
|
Box
15
Folder
24
|
“Friends and Mothers,” #5160, Script by Pat Nardo and Gloria Banta, September 23, 1975
|
|
Box
15
Folder
25
|
“Don't Give Up the Office,” #5161, Script by Bud Wiser, January 21, 1976
|
|
Box
15
Folder
26
|
“Call Me Grandma,” #5162, Script by Charlotte Brown, August 13, 1975
|
|
Box
15
Folder
27
|
“Rhoda's Sellout,” #5163, Script by Coleman Mitchell and Geoffrey Neigher, September 30, 1975
|
|
Box
15
Folder
28
|
“If You Don't Tell Her...I Will,” #5164, Script by Bruce Kane, October 22, 1975
|
|
Box
15
Folder
29
|
“A Night With the Girls,” #5165, Script by Charlotte Brown, October 28, 1975
|
|
Box
15
Folder
30
|
“Attack on Mr. Right,” #5166, Script by Pat Nardo and Gloria Banta, November 12, 1975
|
|
Box
15
Folder
31
|
“Bump in the Night,” #5167, Script by Seth Freeman, November 5, 1975
|
|
Box
15
Folder
32
|
“The Love Song of J. Nicholas Lobo,” #5168, Script by Coleman Mitchell and Geoffrey Neigher, October 8, 1975
|
|
Box
15
Folder
33
|
“The Marty Morgan Story,” #5169, Script by Charlotte Brown, December 17, 1975
|
|
Box
15
Folder
34
|
“It's Not My Fault...Is It?” #5170, Script by Earl Pomerantz, January 14, 1976
|
|
Box
15
Folder
35
|
“The Return of Billy Glass,” #5171, Script by Coleman Mitchell and Geoffrey Neigher, December 3, 1975
|
|
Box
15
Folder
36
|
“If You Want to Shoot the Rapids, You Have to Get Wet,” #5172, Script by Charlotte Brown, November 18, 1975
|
|
Box
15
Folder
37
|
“An FBI Story,” #5173, Script by Pat Nardo and Gloria Banta, December 9, 1975
|
|
Box
15
Folder
38
|
“Let's Call In Love,” #5174, Script by Coleman Mitchell and Geoffrey Neigher, January 6, 1976
|
|
|
Scripts, 1976-1977 Season
|
|
Box
15
Folder
39
|
“The Separation,” #6151, Script by Charlotte Brown, June 23, 1976
|
|
Box
15
Folder
40
|
“Together Again for the First Time,” #6152, Script by Coleman Mitchell and Geoffrey Neigher, July 14, 1976
|
|
Box
15
Folder
41
|
“No Big Deal,” #6153, Script by Pat Nardo and Gloria Banta, June 30, 1976
|
|
Box
15
Folder
42
|
“Rhoda Questions Her Life and Flies to Paris,” #6154, Script by Michael Leeson, August 18, 1976
|
|
Box
15
Folder
43
|
“I Won't Dance,” #6155, Script by Charlotte Brown, August 4, 1976
|
|
Box
15
Folder
44
|
“Man of the Year,” #6156, Script by Pat Nardo and Gloria Banta, August 25, 1976
|
|
Box
15
Folder
45
|
“H-e-e-e-r-e's Johnny,” #6157, Script by Coleman Mitchell and Geoffrey Neigher, July 21, 1976
|
|
Box
15
Folder
46
|
“Two Little Words: Marriage Counselor,” #6158, Script by Charlotte Brown, July 28, 1976
|
|
Box
15
Folder
47
|
“Guess Who I Saw Today?” #6159, Script by Burt Prelutsky, September 29, 1976
|
|
Box
15
Folder
48
|
“An Elephant Never Forgets,” #6160, Script by Michael Leeson, September 1, 1976
|
|
Box
15
Folder
49
|
“A Touch of Classy,” #6161, Script by Coleman Mitchell and Geoffrey Neigher, October 13, 1976
|
|
Box
15
Folder
50
|
“Meet the Levy's,” #6162, Script by Charlotte Brown, September 22, 1976
|
|
Box
15
Folder
51
|
“You Deserve a Break Today,” #6163, Script by Pat Nardo and Gloria Banta, October 6, 1976
|
|
Box
15
Folder
52
|
“The Ultimatum,” #6164, Script by Charlotte Brown, November 3, 1976
|
|
Box
15
Folder
53
|
“What Are You Doing New Year's?” #6165, Script by Pat Nardo and Gloria Banta, November 10, 1976
|
|
Box
15
Folder
54
|
“A Night in the Emergency Room,” #6166, Script by Coleman Mitchell and Geoffrey Neigher, December 1, 1976
|
|
Box
16
Folder
1
|
“Love for Sale” (formerly “Gary's Dream Girl”), #6167, Script by Coleman Mitchell and Geoffrey Neigher, November 17, 1976
|
|
Box
16
Folder
2
|
“Somebody Has to Say They're Sorry,” #6168, Script by Martin Rips and Joseph Staretski, December 8, 1976
|
|
Box
16
Folder
3
|
“The Second Time Around,” #6169, Script by Pat Nardo and Gloria Banta, January 5, 1977
|
|
Box
16
Folder
4
|
“Nick Lobo Superstar,” #6170, Script by Charlotte Brown, December 15, 1976
|
|
Box
16
Folder
5
|
“Nose Job,” #6171, Script by Charlotte Brown, January 19, 1977
|
|
Box
16
Folder
6
|
“Rhoda's Mystery Man,” #6172, Script by Coleman Mitchell and Geoffrey Neigher, January 12, 1976
|
|
Box
16
Folder
7
|
“Pajama Party Bingo” (formerly “The Lost Weekend”), #6173, Script by Ian Praiser and Varley Smith, January 26, 1977
|
|
Box
16
Folder
8
|
“To Vegas With Love,” #6174, Script by Coleman Mitchell and Geoffrey Neigher, February 1-2, 1977
|
|
|
Scripts, 1977-1978 Season
|
|
Box
16
Folder
9
|
“Lady's Choice,” #7153, Script by Sy Rosen, July 27, 1977
|
|
Box
16
Folder
10
|
“Johnny's Solo Flight,” #7155, Script by Dennis Koenig and Larry Balmagia, July 13, 1977
|
|
Box
16
Folder
11
|
“The Weekend,” #7157, Script by Earl Pomerantz, August 3, 1977
|
|
Box
16
Folder
12
|
“Rhoda Likes Mike,” #7158, Script by Deborah Leschin, August 17, 1977
|
|
Box
16
Folder
13
|
“The Job,” #7159, Script by Allan Katz and Don Reo, August 24, 1977
|
|
Box
16
Folder
14
|
“The Return of Ida,” #7160, Script by Charlotte Brown, July 20, 1977
|
|
Box
16
Folder
15
|
“Home Movies,” #7161, Script by Allan Katz and Don Reo, September 21, 1977
|
|
Box
16
Folder
16
|
“One Is a Number,” #7162, Script by Charlotte Brown, August 31, 1977
|
|
Box
16
Folder
17
|
“Ida Works Out,” #7163, Script by Larry Balmagia and Dennis Koenig, September 14, 1977
|
|
Box
16
Folder
18
|
“All Work and No Play,” #7164, Script by Deborah Leschin, September 28, 1977
|
|
Box
16
Folder
19
|
“Ida Alone,” #7165, Script by David Lloyd, October 5, 1977
|
|
Box
16
Folder
20
|
“Who's Shy?” #7166, Script by Dennis Koenig and Larry Balmagia, October 19, 1977
|
|
Box
16
Folder
21
|
“Blind Date,” #7167, Script by Don Reo, October 26, 1977
|
|
Box
16
Folder
22
|
“The Jack Story,” #7168, Script by Allan Katz, November 7, 1977
|
|
Box
16
Folder
23
|
“Happy Anniversary,” #7169, Script by Charlotte Brown, November 2, 1977
|
|
Box
16
Folder
24
|
“Gary and Ida,” #7170, Script by David Lloyd, November 16, 1977
|
|
Box
16
Folder
25
|
“As Time Goes By,” #7171, Script by Deborah Leschin, November 30, 1977
|
|
Box
16
Folder
26
|
“Rhoda Cheats,” #7172, Script by Charlotte Brown, December 7, 1977
|
|
Box
16
Folder
27
|
“Two's Company,” #7173, Script by Don Reo, December 14, 1977
|
|
Box
16
Folder
28
|
“So Long, Lucky,” #7174, Script by Allan Katz, January 4, 1978
|
|
Box
16
Folder
29
|
“Brenda, the Bank Girl,” #7175, Script by Earl Pomerantz, January 18, 1978
|
|
Box
16
Folder
30
|
“Jack's Back,” #7176, Script by Deborah Leschin, January 11, 1978
|
|
Box
16
Folder
31
|
“Five for the Road, Part I,” #7177, Script by Charlotte Brown, Allen Katz and Don Reo, January 25, 1978
|
|
Box
16
Folder
32
|
“Five for the Road, Part II,” #7178, Script by Charlotte Brown, Allan Katz and Don Reo, January 31, 1978
|
|
|
Scripts, 1978-1979 Season
|
|
Box
16
Folder
33
|
“Rhoda vs. Ida,” #8151, Script by Bob Ellison, July 19, 1978
|
|
Box
16
Folder
34
|
“Martin Doesn't Live Here Anymore,” #8152, Script by Charlotte Brown, July 12, 1978
|
|
Box
16
Folder
35
|
“Meet the Goodwins,” #8153, Script by Charlotte Brown, August 16, 1978
|
|
Box
16
Folder
36
|
“The Date in the Iron Mask,” #8154, Script by Bob Ellison, September 13, 1978
|
|
Box
16
Folder
37
|
“In Search of Martin,” #8155, Script by Garry Ferrier and Aubrey Tadman, August 2, 1978
|
|
Box
16
Folder
38
|
“Brenda Gets Engaged,” #8156, Script by David Lloyd, August 9, 1978
|
|
Box
16
Folder
39
|
“Ida's Roommate,” #8157, Script by David Lloyd, August 23, 1978
|
|
Box
16
Folder
40
|
“Jack's New Image,” #8158, Script by Aubrey Tadman and Garry Ferrier, September 20, 1978
|
|
Box
16
Folder
41
|
“Martin Comes Home,” #8159, Script by Charlotte Brown, October 4, 1978
|
|
Box
16
Folder
42
|
“The Total Brenda,” #8160, Script by Emily Purdum Marshall, October 18, 1978
|
|
Box
16
Folder
43
|
“Martin Swallows His Heart,” #8161, Script by Bob Ellison, September 27, 1978
|
|
Box
16
Folder
44
|
“Earl's Helping Hand,” #8163, Script by Emily Purdum Marshall, October 25, 1978
|
|
Box
16
Folder
45
|
“Brenda Runs Away,” #8164, Script by David Lloyd, November 1, 1978
|
|
|
St. Elsewhere
|
|
|
Scripts, 1982-1983 Season
|
|
Box
33
Folder
16
|
“Bypass,” #2301, Revised Final Draft, by Joshua Brand and John Falsey, April 23, 1982, with later revisions
|
|
Box
33
Folder
17
|
“Graveyard,” #2302, Revised Final Draft, by Joshua Brand, John Falsey, John Masius, and Tom Fontana, September 3, 1982, with later revisions
|
|
Box
33
Folder
18
|
“Samuels and the Kid,” #2303, Revised Final Draft, by Joshua Brand, John Falsey, and John Masius, June 21, 1982, with later revisions
|
|
Box
33
Folder
19
|
“Downs Syndrome,” #2304, Revised Final Draft, by Joshua Brand, John Falsey, and Tom Fontana, May 17, 1982, with later revisions
|
|
Box
33
Folder
20
|
“Cora and Arnie,” #2305, Revised Final Draft, by John Falsey, Joshua Brand, and Neil Cuthbert, May 17, 1982, with later revisions
|
|
Box
33
Folder
21
|
“Legionnaires,” #2306, Revised Final Draft, by Joshua Brand, John Falsey, and Joel Surnow, June 21, 1982, with later revisions
|
|
Box
33
Folder
22
|
“Tweety and Ralph,” #2307, Revised Final Draft, by Joshua Brand, John Falsey, and Elizabeth Diggs, July 9, 1982, with later revisions
|
|
Box
33
Folder
23
|
“Rain,” #2308, Revised Final Draft, by John Falsey, Joshua Brand, and Tom Fontana, July 26, 1982, with later revisions
|
|
Box
33
Folder
24
|
“Legionnaires II,” #2309, Revised Final Draft, by Joshua Brand, John Falsey, and Charles Rosin, June 1, 1982, with later revisions
|
|
Box
33
Folder
25
|
“Hearts,” #2310, Revised Final Draft, by Joshua Brand, John Falsey, and John Masius, August 27, 1982, with later revisions
|
|
Box
33
Folder
26
|
“Release,” #2311, Revised Final Draft, by Joshua Brand, John Falsey, Tom Fontana, and David Assael, September 12, 1982, with later revisions
|
|
Box
33
Folder
27
|
“Family History,” #2312, Revised Final Draft, by Joshua Brand, John Falsey, and Andrew Laskos, October 7, 1982, revised , October 11, 1982
|
|
Box
33
Folder
28
|
“St. Elsewhere” (Pilot), #2313, Revised Final Draft, by Joshua Brand and John Falsey, March 31, 1982, with later revisions
|
|
Box
33
Folder
29
|
“Remission,” #2314, Revised Final Draft, by Joshua Brand, John Falsey, and Leigh Curran, December 13, 1982, with later revisions
|
|
Box
33
Folder
30
|
“Monday, Tuesday, Sven's Day,” #2315, Revised Final Draft, by Joshua Brand, John Falsey, John Masius, and Tom Fontana, December 18, 1982, with later revisions
|
|
Box
33
Folder
31
|
“The Count,” #2316, Revised Final Draft, by Joshua Brand and John Falsey, January 10, 1983, with later revisions
|
|
Box
33
Folder
32
|
“Brothers,” #2317, Revised Final Draft, by Joshua Brand, John Falsey, Mark Tinker, and John Tinker, January 19, 1983, with later revisions
|
|
Box
33
Folder
33
|
“Dog Day Hospital,” #2318, Revised Final Draft, by Joshua Brand, John Falsey, and John Ford Noonan, February 2, 1983, with later revisions
|
|
Box
33
Folder
34
|
“Baron von Munchausen,” #2319, Revised Final Draft, by Joshua Brand, John Falsey, David Assael, and Paul Schiffer, March 2, 1983, with later revisions
|
|
Box
33
Folder
35
|
“Working,” #2320, Revised Final Draft, by Joshua Brand, John Falsey, and Dennis Cooper, February 14, 1983, with later revisions
|
|
Box
33
Folder
36
|
“Craig in Love,” #2321, Revised Final Draft, by Joshua Brand, John Falsey, and Steven Lawson, February 23, 1983, revised , March 1, 1983
|
|
Box
33
Folder
37
|
“Addiction,” #2322, Revised Final Draft, by John Masius and Tom Fontana, March 11, 1983, with later revisions
|
|
|
Scripts, 1983-1984 Season
|
|
Box
33
Folder
38
|
“Ties That Bind,” #3301, Revised Final Draft, by John Masius and Tom Fontana, June 21, 1983, with later revisions
|
|
Box
33
Folder
39
|
“Lust et Veritas,” #3302, Revised Final Draft , by John Masius, Tom Fontana, and Dennis Cooper, July 15, 1983, with later revisions
|
|
Box
33
Folder
40
|
“Newheart,” #3303, Revised Final Draft, by John Masius, Tom Fontana, Garn Stephens, and Emilie Small, July 22, 1983, with later revisions
|
|
Box
33
Folder
41
|
“Qui Transtulit Sustinet,” #3304, Tinker and Mark Revised Final Draft, by John Tinker, August 5, 1983, with later revisions
|
|
Box
34
Folder
1
|
“A Wing and a Prayer,” #3305, Revised Final Draft, by Raymond de Laurentis and Robert de Laurentis, August 19, 1983, with later revisions
|
|
Box
34
Folder
2
|
“AIDS and Comfort,” #3306, Revised Final Draft, by John Masius, Tom Fontana, and Steve Lawson, August 26, 1983, with later revisions
|
|
Box
34
Folder
3
|
“Under Pressure,” #3307, Revised Final Draft, by John Masius and Tom Fontana, September 9, 1983, with later revisions
|
|
Box
34
Folder
4
|
“Entrapment,” #3308, Revised Final Draft, by John Masius, Tom Fontana, and Steve Bello, September 20, 1983, with later revisions
|
|
Box
34
Folder
5
|
“All About Eve,” #3309, Revised Final Draft, by John Masius and Tom Fontana, September 30, 1983, with later revisions
|
|
Box
34
Folder
6
|
“A Pig Too Far,” #3310, Revised Final Draft, by John Tinker and James Kahn, October 10, 1983, with later revisions
|
|
Box
34
Folder
7
|
“Blizzard,” #3311, Revised Final Draft, by Steve Lawson and Jamie Horton, October 19, 1983, with later revisions
|
|
Box
34
Folder
8
|
“Hearing,” #3312, Revised Final Draft, by Steve Bello and Robert Daniels, October 28, 1983, with later revisions
|
|
Box
34
Folder
9
|
“In Sickness and in Health,” #3313, Revised Final Draft, by John Masius and Tom Fontana, November 8, 1983, with later revisions
|
|
Box
34
Folder
10
|
“Drama Center,” #3314, Revised Final Draft, by John Masius and Tom Fontana, December 20, 1983, with later revisions
|
|
Box
34
Folder
11
|
“Attack,” #3315, Revised Final Draft, by John Masius and Tom Fontana, December 16, 1983, with later revisions
|
|
Box
34
Folder
12
|
“After Dark,” #3316, Revised Final Draft, by John Masius, Tom Fontana, and Steve Lawson, January 17, 1984, with later revisions
|
|
Box
34
Folder
13
|
“Vanity,” #3317, Revised Final Draft, by John Masius and Tom Fontana, January 30, 1984, with later revisions
|
|
Box
34
Folder
14
|
“Equinox,” #3318, Revised Final Draft, by John Masius and Tom Fontana, February 7, 1984, with later revisions
|
|
Box
34
Folder
15
|
“The Women,” #3319, Revised Final Draft, by John Masius and Tom, Fontana, February 17, 1984, with later revisions
|
|
Box
34
Folder
16
|
“Cramming,” #3320, Revised Final Draft, by Steve Lawson and Steve Bello, February 28, 1984, with later revisions
|
|
Box
34
Folder
17
|
“Rough Cut,” #3321, Revised Final Draft, by Steve Lawson and Steve Bello, March 12, 1984, revised , March 14, 1984
|
|
Box
34
Folder
18
|
“Hello and Goodbye,” #3322, Revised Final Draft, by John Masius and Tom Fontana, March 19, 1984, with later revisions
|
|
|
Scripts, 1984-1985 Season
|
|
Box
34
Folder
19
|
“Playing God - Part I,” #4301, Revised Final Draft, by John Masius and Tom Fontana, May 30, 1984, with later revisions
|
|
Box
34
Folder
20
|
“Playing God - Part II,” #4302, Revised Final Draft, by John Masius and Tom Fontana, June 7, 1984, with later revisions
|
|
Box
34
Folder
21
|
“Two Balls and a Strike,” #4303, Revised Final Draft, by John Masius, Tom Fontana, and John Tinker, June 25, 1984, with later revisions
|
|
Box
34
Folder
22
|
“Strike Out,” #4304, Revised Final Draft, by John Masius, Tom Fontana, and Steve Bello, July 3, 1984, with later revisions
|
|
Box
34
Folder
23
|
“Breathless,” #4305, Revised Final Draft, by John Masius and Tom Fontana, July 16, 1984, with later revisions
|
|
Box
34
Folder
24
|
“My Aim Is True,” #4306, Revised Final Draft, by John Masius and Tom Fontana, July 25, 1984, with later revisions
|
|
Box
34
Folder
25
|
“Fade to White,” #4307, Revised Final Draft, by John Masius and Tom Fontana, August 3, 1984, with later revisions
|
|
Box
34
Folder
26
|
“Sweet Dreams,” #4308, Revised Final Draft, by John Masius and Tom Fontana, August 14, 1984, with later revisions
|
|
Box
34
Folder
27
|
“Up on the Roof,” #4309, Revised Final Draft, by John Tinker and Charles H. Eglee, August 24, 1984, later with revisions
|
|
Box
34
Folder
28
|
“Girls Just Want to Have Fun,” #4310, Revised Final Draft, by Charles H. Eglee and Steve Bello, September 6, 1984, revised , September 13, 1984
|
|
Box
34
Folder
29
|
“Homecoming,” #4311, Revised Final Draft, by Steve Bello and Channing Gibson, September 13, 1984, with later revisions
|
|
Box
34
Folder
30
|
“The Children's Hour,” #4312, Revised Final Draft, by Channing Gibson and John Tinker, September 25, 1984, with later revisions
|
|
Box
34
Folder
31
|
“Dr. Wyler, I Presume?” #4313, Revised Final Draft, by John Masius and Tom Fontana, October 3, 1984, with later revisions
|
|
Box
34
Folder
32
|
“Whistle, Wylie Works,” #4314, Revised Final Draft, by John Masius and Tom Fontana, October 9, 1984, with later revisions
|
|
Box
34
Folder
33
|
“Bye George,” #4315, Revised Final Draft, by John Masius and Tom Fontana, October 15, 1984, with later revisions
|
|
Box
34
Folder
34
|
“Saving Face,” #4316, Revised Final Draft, by John Masius and Tom Fontana, November 5, 1984, with later revisions
|
|
Box
34
Folder
35
|
“Give the Boy a Hand,” #4317, Revised Final Draft, by John Masius and Tom Fontana, November 12, 1984, with later revisions
|
|
Box
34
Folder
36
|
“Any Portrait in a Storm,” #4318, Revised Final Draft, by John Masius and Tom Fontana, November 27, 1984, with later revisions
|
|
Box
34
Folder
37
|
“Red, White, Black, and Blue,” #4319, Revised Final Draft, by John Masius and Tom Fontana, December 21, 1984, with later revisions
|
|
Box
34
Folder
38
|
“Amazing Face,” #4320, Revised Final Draft, by John Masius and Tom Fontana, January 4, 1985, with later revisions
|
|
Box
34
Folder
39
|
“Murder, She Rote,” #4321, Revised Final Draft, by John Masius, Tom Fontana, and Steve Bello, January 16, 1985, with later revisions
|
|
Box
34
Folder
40
|
“Cheers,” #4322, Revised Final Draft, by John Masius, Tom Fontana, and John Tinker, January 25, 1985, with later revisions
|
|
Box
34
Folder
41
|
“Tears of a Clown,” #4323, Revised Final Draft, by Steve Bello, John Tinker, Charles Eglee, and Channing Gibson, February 4, 1985, with later revisions
|
|
Box
34
Folder
42
|
“Bang the Eardrum Slowly,” #4324, Revised Final Draft, by John Masius and Tom Fontana, February 14, 1985, with later revisions
|
|
|
Scripts, 1985-1986 Season
|
|
Box
36
Folder
35
|
“Fathers and Sons,” #5302, Final Draft Script, by Duncan Smith, John Masius, and Tom Fontana, last revised June 17, 1985
|
|
Box
36
Folder
36
|
“The Naked and the Dead,” #5303, Final Draft Script, by Russ Woody, John Masius, and Tom Fontana, last revised July 17, 1985
|
|
Box
36
Folder
37
|
“Slice O' Life,” #5304, Final Draft Script, by John Tinker, John Masius, and Tom Fontana, last revised July 24, 1985
|
|
Box
36
Folder
38
|
“Lost and Found in Space,” #5305, Final Draft Script, by Bob Rosenfarb, John Masius, and Tom Fontana, last revised August 9, 1985
|
|
Box
36
Folder
39
|
“Close Encounters,” #5306, Final Draft Script, by Norma Safford Vela, John Masius, and Tom Fontana, last revised August 9, 1985
|
|
Box
36
Folder
40
|
“Watch the Skies,” #5307, Final Draft Script, by Charles H. Eglee, John Masius, and Tom Fontana, last revised August 28, 1985
|
|
Box
36
Folder
41
|
“Sanctuary,” #5308, Final Draft Script, by Channing Gibson, John Masius, and Tom Fontana, last revised September 3, 1985
|
|
Box
36
Folder
42
|
“Remembrance of Things Past,” #5309, Final Draft Script, by John Masius, Bruce Paltrow, and Tom Fontana, last revised September 5, 1985
|
|
Box
36
Folder
43
|
“Haunted,” #5310, Final Draft Script, by John Tinker, Charles H. Eglee, Channing Gibson, John Masius, and Tom Fontana, last revised June 17, 1985
|
|
Box
36
Folder
44
|
“The Boom-Boom Womb,” #5312, Final Draft Script, by Michael Moody, John Masius, and Tom Fontana, last revised September 26, 1985
|
|
Box
36
Folder
45
|
“To Tell the Truth,” #5313, Final Draft Script, by Steve Lawson, John Masius, and Tom Fontana, last revised October 7, 1985
|
|
Box
36
Folder
46
|
“Santa Claus Is Dead,” #5314, Final Draft Script, by John Masius, Tom Fontana, and Charles H. Eglee, last revised October 16, 1985
|
|
Box
37
Folder
1
|
“Family Ties,” #5315, Final Draft Script, by Judith Kahan, John Masius, and Tom Fontana, last revised October 22, 1985
|
|
Box
37
Folder
2
|
“Family Feud,” #5316, Final Draft Script, by Frank Dandridge, John Masius, and Tom Fontana, last revised November 5, 1985
|
|
Box
37
Folder
3
|
“Family Affair,” #5317, Final Draft Script, by Eric Overmyer, John Masius, and Tom Fontana, last revised November 8, 1985
|
|
Box
37
Folder
4
|
“Time Heals,” #5318, Part I, and #5301, Part II, Final Draft Script, by John Tinker, Tom Fontana, and John Masius, last revised December 5, 1985
|
|
Box
37
Folder
5
|
“Out on a Limb,” #5319, Final Draft Script, by Judith Kahan, John Masius, and Tom Fontana, last revised January 13, 1986
|
|
Box
37
Folder
6
|
“Come Home, Oh Sapien,” #5320, Final Draft Script, by Michael Duggan, John Masius, and Tom Fontana, last revised January 14, 1986
|
|
Box
37
Folder
7
|
“Cheek to Cheek,” #5321, Final Draft Script, by Eric Overmyer, john Masius, and Tom Fontana, last revised January 23, 1986
|
|
Box
37
Folder
8
|
“E.R.,” #5322, Final Draft Script, by Channing Gibson, Tom Fontana, and John Masius, last revised February 21, 1986
|
|
Box
37
Folder
9
|
“Loss of Power,” #5323, Final Draft Script, by John Masius, Tom Fontana, Bruce Paltrow, and Mark Tinker, last revised September 13, 1985
|
|
Box
37
Folder
10
|
“Black's Magic,” #5324, Final Draft Script, by John Masius, Tom Fontana, John Tinker, Charles H. Eglee, and Channing Gibson, last revised February 13, 1986
|
|
Box
37
Folder
11
|
“The Equalizer,” #5325, Final Draft Script, by John Masius, Tom Fontana, John Tinker, Channing Gibson, and Charles H. Eglee, last revised February 21, 1986
|
|
|
Scripts, 1982-1983 Season
|
|
Box
46
Folder
9
|
“Where There's Hope, There's Crosby,” #6301, Script by John Masius and Tom Fontana, August 4, 1986
|
|
Box
46
Folder
10
|
“When You Wish Upon a Scar,” #6302, Script by John Tinker, July 18, 1986
|
|
Box
46
Folder
11
|
“A Room with a View,” #6303, Script by Charming Gibson, July 29, 1986
|
|
Box
46
Folder
12
|
“Brand New Bag,” #6304, Script by Eric Overmyer, August 11, 1986
|
|
Box
46
Folder
13
|
“You Beta Your Life,” #6305, Script by Mark Tinker, John Masius, and, Tom Fontana, August 12, 1986
|
|
Box
47
Folder
1
|
“Not My Type,” #6306, Script by Ann Reckling, August 21, 1986
|
|
Box
47
Folder
2
|
“Up and Down,” #6307, Script by Johnny Dawkins, September 2, 1986
|
|
Box
47
Folder
3
|
“Nothing Up My Sleeve,” #6308, Script by Norma Stafford Vela, September 15, 1986
|
|
Box
47
Folder
4
|
“Once Upon a Mattress,” #6309, Script by Channing Gibson, September 24, 1986
|
|
Box
47
Folder
5
|
“Afterlife,” #6310, Script by John Tinker, Tom Fontana, and, John Masius, October 23, 1986
|
|
Box
47
Folder
6
|
“Lost Weekend,” #6311, Script by Eric Overmyer, October 14, 1986
|
|
Box
47
Folder
7
|
“Cold War,” #6312, Script by Chris Gibson, October 22, 1986
|
|
Box
47
Folder
8
|
“Russian, Roulette,” #6313, Script by Ann Reckling, November 3, 1986
|
|
Box
47
Folder
9
|
“Visiting Daze,” #6314, Script by D. Keith Mano, November 10, 1986
|
|
Box
47
Folder
10
|
“Getting Ahead,” #6315, Script by John Masius, Tom Fontana, and, Eric Overmyer, November 24, 1986
|
|
Box
47
Folder
11
|
“Jose, Can You See?,” #6316, Script by John Tinker, December 15, 1986
|
|
Box
47
Folder
12
|
“Schwarzald,” #6317, Script by James Kramer and Richard Kramer, January 28, 1987
|
|
Box
47
Folder
13
|
“You Again?” #6318, Script by Susan Kander, February 4, 1987
|
|
Box
48
Folder
1
|
“Rites of Passage,” #6319, Script by than Gibson, John Masius, and Tom Fontana, January 23, 1987
|
|
Box
48
Folder
2
|
“Women Unchained,” #6320, Script by Russ Woody, February 4, 1987
|
|
Box
48
Folder
3
|
“Slip Sliding Away,” #6321, Script by John Masius and Tom Fontana, February 14, 1987
|
|
Box
48
Folder
4
|
“Last Dance at the Wrecker's Ball,” #6322, Script by John Masius and Tom Fontana, February 26, 1987
|
|
Box
48
Folder
5
|
“Good Vibrations,” #6323, Script by John Masius, Tom Fontana, John Tinker,, and Chan Gibson, March 5, 1987
|
|
|
Scripts, 1987-1988 Season
|
|
Box
48
Folder
6
|
“Resurrection,” #7301, Script by John Tinker and Channing Gibson, August 21, 1987
|
|
Box
48
Folder
7
|
“The Idiot and the Odyssey,” #7302, Script by John Masius, July 28, 1987
|
|
Box
48
Folder
8
|
“A Moon for the Misbegotten,” #7303, Script by Tom Fontana, July 31, 1987
|
|
Box
48
Folder
9
|
“Ewe Can't Go Home Again,” #7304, Script by Eric Overmyer, August 17, 1987
|
|
Box
48
Folder
10
|
“Night of the Living Dead,” #7305, Script by John PiRoman, August 28, 1987
|
|
Box
48
Folder
11
|
“The He-Man Woman Hater's Club,” #7306, Script by Janis Hirsch, September 7, 1987
|
|
Box
48
Folder
12
|
“Handoff,” #7307, Script by Glen Merzer, September 18, 1987
|
|
Box
48
Folder
13
|
“Heart On,” #7308, Script by John Tinker and Channing Gibson,, September 30, 1987
|
|
Box
49
Folder
1
|
“No Chemo, Sabe?,” #7310, Script by Douglas Steinberg, October 19, 1987
|
|
Box
49
Folder
2
|
“A Coupla White Dummies Sitting Around Talking,” #7311, Script by D. Keith Nano, October 29, 1987
|
|
Box
49
Folder
3
|
“Final Cut,” #7312, Script by James Kramer, November 5, 1987
|
|
Box
49
Folder
4
|
“Heaven's Skate,” #7313, Script by Ann Reckling, November 18, 1987
|
|
Box
49
Folder
5
|
“Curtains,” #7314, Script by Lydia Woodward, November 30, 1987
|
|
Box
49
Folder
6
|
“Fairytale Theater,” #7315, Script by Lydia Woodward and Grace McKeaney, December 9, 1987
|
|
Box
49
Folder
7
|
“Down and Out on Beacon Hill,” #7316, Script by John Tinker and Channing Gibson, January 28, 1988
|
|
Box
49
Folder
8
|
“Their Town,” #7317, Script by S. J. Lewis, January 12, 1988
|
|
Box
49
Folder
9
|
“The Naked Civil Surgeon,” #7318, Script by Grace McKeaney, February 8, 1988
|
|
Box
49
Folder
10
|
“Requiem for a Heavyweight,” #7319, Script by Lydia Woodward, February 17, 1988
|
|
Box
49
Folder
11
|
“Split Decision,” #7320, Script by Aram Saroyan, February 23, 1988
|
|
Box
49
Folder
12
|
“The Abby Singer Show,” #7321, Script by Tom Fontana, February 29, 1988
|
|
Box
49
Folder
13
|
“The Last One,” #7322, Script by Bruce Paltrow and Mark Tinker, March 11, 1988
|
|
Box
50
Folder
1
|
“Weigh In, Way Out,” #7323, Script by John Tinker, Channing Gibson, and Tom Fontana, October 7, 1987
|
|
|
Tattinger's
|
|
|
Scripts, 1988-1989 Season
|
|
Box
50
Folder
2
|
Pilot, #7901/#7950, Script by Bruce Paltrow, John Masius, and, Tom Fontana, September 28, 1988
|
|
Box
50
Folder
3
|
“Virgin Spring,” #7903, Script by Robert DeLaurentis, October 14, 1988
|
|
Box
50
Folder
4
|
“The Sonny Also Rises,” #7916, Script by Tom Fontana, October 12, 1988
|
|
Box
50
Folder
5
|
“Nouvelle York,” #8902, Script by Bruce Paltrow and Tom Fontana, October 11, 1988
|
|
Box
50
Folder
6
|
“Wall Street Blues,” #8905, Script by Peter McCabe, December 16, 1988
|
|
Box
50
Folder
7
|
“Two Men And A Baby,” #8907, Script by Robert DeLaurentis, November 16, 1988
|
|
Box
50
Folder
8
|
“Broken Windows,” #8913, Script by Noel Behn and Tom Fontana, November 1, 1988
|
|
Box
50
Folder
9
|
“Rest In Peas,” #8914, Script by John Tinker and Channing Gibson, November 11, 1988
|
|
Box
50
Folder
10
|
“Death and Taxis,” #8915, Script by John Tinker and Charming Gibson, October 25, 1988
|
|
Box
50
Folder
11
|
“Half A Loaf...” #8918, Script by Tom Fontana, Channing Gibson, and, John Tinker, February 27, 1989
|
|
Box
50
Folder
12
|
“El Sid,” #8920, Script by Tom Fontana and John Tinker, March 16, 1989
|
|
|
The Texas Wheelers
|
|
|
Scripts, 1974-1975 Season
|
|
Box
17
Folder
1
|
“Wallin' Wheeler Is Dead” (pilot), Script by Dale Mc Raven, February 8, 1974
|
|
Box
17
Folder
2
|
“The Widow,” #4251, Script by Jim Parker, July 16, 1974
|
|
Box
17
Folder
3
|
“Big Night in Blue Gum,” #4256, Script by Dale Mc Raven, July 9, 1974
|
|
Box
17
Folder
4
|
“The Accident,” #4257, July 22, 1974
|
|
Box
17
Folder
5
|
“The Liar's Contest,” #4259, Script by Tom Rickman, July 12, 1974
|
|
Box
17
Folder
6
|
“The Bookmobile,” #4260, Script by Dale McRaven, June 26, 1974
|
|
Box
17
Folder
7
|
“Flowers for Her Grave,” #4261, Script by Dale McRaven, August 21, 1974
|
|
Box
17
Folder
8
|
“The X-Rated Movie,” #4262, Script by Dale Mc Raven, July 17, 1974
|
|
Box
17
Folder
9
|
“The Call,” #4263, Script by Dale Mc Raven, August 9, 1974
|
|
Box
17
Folder
10
|
“The Rebel,” #4264, Script by John Reiger and Gary Markowitz, August 16, 1974
|
|
Box
17
Folder
11
|
“The Well,” #4265, Script by Edmund Vail, Sr., September 6, 1974
|
|
Box
17
Folder
12
|
“The Twister,” #4266, Script by Dale McRaven, August 30, 1974
|
|
Box
17
Folder
13
|
“The Music Box,” #4267, Script by Jerry Belson, September 12, 1974
|
|
|
Three for the Road
|
|
|
Scripts, 1975-1976 Season
|
|
Box
17
Folder
14
|
Pilot, #0311-5813-6521, Script by Jerry McNeely, January 23, 1975
|
|
Box
17
Folder
15
|
“Odyssey in Sneakers,” #5251, Script by Michael Kozoll, July 1, 1975
|
|
Box
17
Folder
16
|
“Match Point,” #5253, Script by Jerry McNeely, June 17, 1975
|
|
Box
17
Folder
17
|
“Facade,” #5254, Script by Jack Miller, September 10, 1975
|
|
Box
17
Folder
18
|
“The Fugitives,” #5255, Script by Del Reisman, Perry Grant, Dick Bensfield, July 15, 1975
|
|
Box
17
Folder
19
|
“Guest in Zebec,” #5256, Script by Arnold and Lois Peyser, August 1, 1975
|
|
Box
17
Folder
20
|
“Fear,” #5258, Script by Dick Bensfield and Perry Grant, July 7, 1975
|
|
Box
17
Folder
21
|
“The Albatross,” #5259, Script by Arnold Somkin, October 3, 1975
|
|
Box
17
Folder
22
|
“Sisters in Shadow,” #5262, Teleplay by William Kelley, Story by William Kelly and Nina Laemmle, August 13, 1975
|
|
Box
17
Folder
23
|
“Ride on a Red Balloon,” #5263, Script by Jerry McNeely, August 20, 1975
|
|
Box
17
Folder
24
|
“Bigfoot,” #5265, Script by Michael Kozoll, September 23, 1975
|
|
Box
17
Folder
25
|
“The Cave,” #5266, Script by Jack Turley, September 2, 1975
|
|
Box
17
Folder
26
|
“Assignment in Los Angeles,” #5267, Script by Dick Nelson, October 10, 1975
|
|
|
The Tony Randall Show
|
|
|
Scripts, 1976-1977 Season
|
|
Box
17
Folder
27
|
Pilot, #0311-0202-0798, Script by Tom Patchett and Jay Tarses, February 25, 1976
|
|
Box
17
Folder
28
|
“Case: A Question of Qualifications,” #6351, Script by Tom Patchett and Jay Tarses, July 31, 1976
|
|
Box
17
Folder
29
|
“Case: Money vs. Stature,” #6352, Script by Hugh Wilson, October 22, 1976
|
|
Box
17
Folder
30
|
“Case: The Snow White Affair,” #6353, Script by Lloyd Garver, August 20, 1976
|
|
Box
17
Folder
31
|
“Case: The Ego Affair,” #6354, Script by Tom Patchett and Jay Tarses, August 6, 1976
|
|
Box
17
Folder
32
|
“Case: Violence vs. Finesse,” #6355, Script by Earl Pomerantz, January 14, 1977
|
|
Box
17
Folder
33
|
“Case: His Honor vs. Her Honor,” #6356, Script by David Lloyd, August 13, 1975
|
|
Box
17
Folder
34
|
“Case: Franklin vs. Reubner and Reubner,” #6357, Script by Hugh Wilson, August 27, 1976
|
|
Box
17
Folder
35
|
“Case: 0' Come All Ye Wastrels,” #6358, Script by Sy Rosen, November 12, 1976
|
|
Box
17
Folder
36
|
“Case: Terwilliger vs. Himself,” #6359, Script by Tom Patchett and Jay Tarses, September 10, 1976
|
|
Box
17
Folder
37
|
“Case: The Lawndale Report,” #6360, Script by Gary David Goldberg, September 17, 1976
|
|
Box
17
Folder
38
|
“Case: The DeNecki Debacle,” #6361, Script by Hugh Wilson, September 24, 1976
|
|
Box
17
Folder
39
|
“Case: Democracy vs. Tyranny,” #6362, Script by Gary David Goldberg, October 1, 1976
|
|
Box
17
Folder
40
|
“Case: Franklin in Love,” #6363, Script by Tom Patchett and Jay Tarses, November 5, 1976
|
|
Box
17
Folder
41
|
“Case: Franklin vs. McClellan,” #6364, Script by Ken Levine and David Isaacs, November 18, 1976
|
|
Box
17
Folder
42
|
“Case: Mario Lanza Strikes Again,” #6365, Script by Gary David Goldberg, October 29, 1976
|
|
Box
17
Folder
43
|
“Case: May vs. December,” #6366, Script by Gary David Goldberg, January 7, 1977
|
|
Box
17
Folder
44
|
“Case: The Hooper Affair,” #6368, Script by Patricia Jones and Donald Reiker, December 3, 1976
|
|
Box
17
Folder
45
|
“Case: McClellan vs. Immigration,” #6369, Script by David Lloyd, December 10, 1976
|
|
Box
17
Folder
46
|
“Case: Whatever Happened to Mary Jane?” #6371, Script by Tom Patchett and Jay Tarses, December 17, 1976
|
|
Box
17
Folder
47
|
“Case: Facing Up vs. Hiding Behind the Drapes,” #6372, Script by Earl Pomerantz, January 12, 1977
|
|
Box
17
Folder
48
|
“Case: Franklin vs. Barnett,” #6374, Script by Ken Levine and David Isaacs, January 28, 1977
|
|
|
Scripts, 1977-1978 Season
|
|
Box
18
Folder
1
|
“Case: Civil Disobedience,” #7353, Script by Thomas Archer Chehak, September 16, 1977
|
|
Box
18
Folder
2
|
“Case: Franklin vs. Casanova,” #7354, Script by Kathy Donnell and Madeline DiMaggio Wagner, July 9, 1977
|
|
Box
18
Folder
3
|
“Case: Walter Screws Up,” #7355, Script by Sy Rosen, July 29, 1977
|
|
Box
18
Folder
4
|
“Case: Love vs. Excitement,” #7356, Script by Gary David Goldberg, August 5, 1977
|
|
Box
18
Folder
5
|
“Case: The Prodigal Father Returns,” #7357, Script by Hugh Wilson, July 22, 1977
|
|
Box
18
Folder
6
|
“Case: Franklin vs. the Generation Gap,” #7358, Script by Patricia Jones and Donald Reiker, July 16, 1977
|
|
Box
18
Folder
7
|
“Case: New Found Franklin,” #7359, Script by Carol Gary, August 19, 1977
|
|
Box
18
Folder
8
|
“Case: The Philadelphia Triangle,” #7360, Script by Gary David Goldberg, August 27, 1977
|
|
Box
18
Folder
9
|
“Case: The Taking of Reubner 1-2-3,” #7363, Script by Hugh Wilson, September 9, 1977
|
|
Box
18
Folder
10
|
“Case: Bobby vs. Michael,” #7364, Script by Patricia Jones and Donald Reiker, October 28, 1977
|
|
Box
18
Folder
11
|
“Case: Kids' Rights,” #7365, Script by William Allen Dial, October 21, 1977
|
|
Box
18
Folder
12
|
“Case: Wyatt Loves Bonnie,” #7366, Script by Gary David Goldberg, November 11, 1977
|
|
Box
18
Folder
13
|
“Case: The Skin Game,” #7367, Script by Earl Pomerantz, September 23, 1977
|
|
Box
18
Folder
14
|
“Case: Bobby and Brian,” #7368, Script by Patricia Jones and Donald Reiker, October 4, 1977
|
|
Box
18
Folder
15
|
“The Dream Maker,” #7369, Script by Mary-David Sheiner and Sheila Judis Weisberg, December 3, 1977
|
|
Box
18
Folder
16
|
“Case: The Phantom of the Poconos,” #7370, Script by Joyce Armor and Judie Neer, January 13, 1978
|
|
Box
18
Folder
17
|
“Case: I Live to Dance,” #7371, Script by Hugh Wilson, November 18, 1977
|
|
Box
18
Folder
18
|
“Case: The Sylvia Needleman Experience,” #7372, Script by Jay Tarses, November 4, 1977
|
|
Box
18
Folder
19
|
“Case: Twice Is Not Enough,” #7373, Script by Patricia Jones and Donald Reiker, December 9, 1977
|
|
Box
18
Folder
20
|
“Case: The Eyes of the Law,” #7375, Script by Tom Patchett and Jay Tarses, January 7, 1978
|
|
Box
18
Folder
21
|
“Case: The Way It Was,” #7376, Script by Blake Hunter, January 28, 1978
|
|
Box
18
Folder
22
|
“Case: Adios, Mr. Chips,” #7377, Script by Tom Patchett and Jay Tarses, January 21, 1978
|
|
|
We've Got Each Other
|
|
|
Scripts, 1977-1978 Season
|
|
Box
18
Folder
23
|
Pilot, Script by Tom Patchett and Jay Tarses, February 19, 1977
|
|
Box
18
Folder
24
|
“The Magic Show,” #7551, Script by Sy Rosen, October 27, 1977
|
|
Box
18
Folder
25
|
“The Long Vacation,” #7553, Script by Lloyd Garver, July 22, 1977
|
|
Box
18
Folder
26
|
“Miss Wonderful,” #7554, Script by Sy Rosen, August 18, 1977
|
|
Box
18
Folder
27
|
“A Space Odyssey,” #7555, Script by Kathy Donnell and Madeline DiMaggio Wagner, September 29, 1977
|
|
Box
18
Folder
28
|
“The 'Old-Beau' Incident,” #7556, Script by Mary-David Sheiner and Sheila Judis Weisberg, August 4, 1977
|
|
Box
18
Folder
29
|
“Pumping Iron,” #7557, Script by Jack Burns, July 28, 1977
|
|
Box
18
Folder
30
|
“The 101st Hibbard,” #7558, Script by Sy Rosen, August 25, 1977
|
|
Box
18
Folder
31
|
“Mother McCree,” #7559, Script by Jack Burns, September 8, 1977
|
|
Box
18
Folder
32
|
“The Collector,” #7560, Script by Sy Rosen, September 15, 1977
|
|
Box
18
Folder
33
|
“Oil Spill,” #7561, Script by Kathy Donnell and Madeline DiMaggio Wagner, October 13, 1977
|
|
Box
18
Folder
34
|
“Incomplete Pass,” #7563, Script by Mary-David Sheiner and Sheila Judis Weisberg, September 22, 1977
|
|
Box
18
Folder
35
|
“My Brother's Keeper,” #7564, Script by Jack Burns, October 21, 1977
|
|
|
The White Shadow
|
|
|
Scripts, 1978-1979 Season
|
|
Box
18
Folder
36
|
Pilot, #J3T1-5216-4501, Script by Bruce Paltrow, March 10, 1978
|
|
Box
18
Folder
37
|
“Here's Mud in Your Eye,” #8101, Script by Bruce Paltrow, September 15, 1978
|
|
Box
18
Folder
38
|
“Pregnant Pause,” #8102, Script by Steven Bochco, September 12, 1978
|
|
Box
18
Folder
39
|
“The Offer,” #8103, Script by Marc Rubin, October 5, 1978
|
|
Box
18
Folder
40
|
“Wanna Bet?” #8105, Script by Michael Kane, October 11, 1978
|
|
Box
18
Folder
41
|
“That Old Gang of Mine,” #8109, Script by Marc Rubin and Gary Kott, November 17, 1978
|
|
Box
19
Folder
1
|
“Bonus Baby,” #8110, Story by Bill Schwartz, Script by Robert DeLaurentis, October 19, 1978
|
|
Box
19
Folder
2
|
“We're in the Money,” #8111, Script by Mark Tinker, December 21, 1978
|
|
Box
19
Folder
3
|
“Just One of the Boys,” #8115, Script by John Falsey, December 11, 1978
|
|
Box
19
Folder
4
|
“Airball,” #8116, Script by Marc Rubin, December 6, 1978
|
|
Box
19
Folder
5
|
“Spare the Rod,” #8118, Script by Marc Rubin, January 17, 1979
|
|
Box
19
Folder
6
|
“The Great White Dope,” #8119, Script by John Falsey, January 18, 1979
|
|
Box
19
Folder
7
|
“Le Grand Finale,” #8122, Script by Marc Rubin, February 20, 1979
|
|
Box
19
Folder
8
|
“Mainstream,” #8123, Script by George Geiger, January 30, 1979
|
|
Box
19
Folder
9
|
“Little Orphan Abner,” #8125, Script by John Falsey, February 8, 1979
|
|
|
Scripts, 1979-1980 Season
|
|
Box
19
Folder
10
|
“On the Line,” #9101, Story by Gary Kott and Dusty Kay, Teleplay by Joshua Brand, June 26, 1979
|
|
Box
19
Folder
11
|
“A Silent Cheer,” #9103, Script by Steve Kline, July 13, 1979
|
|
Box
19
Folder
12
|
“The Stripper,” #9104, Story by Steve Kline and Marc Rubin, Teleplay by John Falsey, December 12, 1979
|
|
Box
19
Folder
13
|
“Needle,” #9105, Script by John Falsey, August 27, 1979
|
|
Box
19
Folder
14
|
“Albert Hodges,” #9106, Script by Marc Rubin, June 4, 1979
|
|
Box
19
Folder
15
|
“The Cross-Town Hustle,” #9107, Script by Steve Kline, July 27, 1979
|
|
Box
19
Folder
16
|
“Feeling No Pain,” #9110, Story by Michael Halperin, Teleplay by Marc Rubin and John Falsey, September 24, 1979
|
|
Box
19
Folder
17
|
“Sudden Death,” #9113, Story by Tom Chehak, Teleplay by Joshua Brand, June 28, 1979
|
|
Box
19
Folder
18
|
“Artist,” #9114, Story by Leroy Robinson and Marc Rubin, Teleplay by Marc Rubin, September 14, 1979
|
|
Box
19
Folder
19
|
“No Place Like Home” #9115, Script by Marshall Herskovitz, July 20, 1979
|
|
Box
19
Folder
20
|
“Me?” #9119, Script by Sam Hefter, August 15, 1979
|
|
Box
19
Folder
21
|
“A Christmas Present,” #9120, Script by John Falsey and Joshua Brand, October 29, 1979
|
|
Box
19
Folder
22
|
“The Death of Me Yet,” #9121, Script by Marc Rubin, January 24, 1980
|
|
Box
19
Folder
23
|
“Delores -- Of Course,” #9127, Script by Sam Hefter, October 3, 1979
|
|
Box
19
Folder
24
|
“Out at Home,” #9128, Story by Marc Rubin, Teleplay by Barry Gold, November 6, 1979
|
|
Box
19
Folder
25
|
“Sliding By,” #9129, Script by Charles "Chuck” Johnson, October 9, 1979
|
|
Box
19
Folder
26
|
“The Hitter,” #9130, Script by Tom DiMartini, January 16, 1980
|
|
Box
19
Folder
27
|
“The Russians Are Coming,” #9131, Story by Robert DiPietro, Teleplay by Joshua Brand and David Assael, January 14, 1980
|
|
Box
19
Folder
28
|
“Globetrotters,” #9133, Script by John Masius, August 29, 1979
|
|
Box
19
Folder
29
|
“Links,” #9134, Script by John Masius and Mark Tinker, November 9, 1979
|
|
Box
19
Folder
30
|
“Salami's Affair,” #9135, Story by Tom Chehak, Teleplay by David Assael and Joshua Brand, November 26, 1979
|
|
Box
19
Folder
31
|
“Gonna Fly Now,” #9136, Script by Steve Kline, December 18, 1979
|
|
Box
19
Folder
32
|
“A Few Good Men,” #9135, Script by John Falsey and Joshua Brand, February 5, 1980
|
|
Box
19
Folder
33
|
“Coolidge Goes Hollywood,” #9139, Script by Marc Rubin and John Falsey, February 20, 1980
|
|
|
Scripts, 1980-1981 Season
|
|
Box
19
Folder
34
|
“Cops,” #0101, Story by Erwin Washington, Teleplay by Erwin Washington and David Assael, January 14, 1981
|
|
Box
19
Folder
35
|
“No Blood, No Foul,” #0102, Script by Joshua Brand, July 10, 1980
|
|
Box
19
Folder
36
|
“B.M.O.C.,” #0104, Script by Steve Kline, December 4, 1980
|
|
Box
19
Folder
37
|
“Reunion,” Parts I and II, #0105/0106, Script by John Falsey, June 11, 1980
|
|
Box
20
Folder
1
|
“If Your Number's Up...Get It Down,” #0107, Script by Joshua Brand, October 13, 1980
|
|
Box
20
Folder
2
|
“Burnout,” #0108, Story by Dennis Danziger, Teleplay by Dennis Danziger and Eric Stunzi, January 27, 1981
|
|
Box
20
Folder
3
|
“Mr. Hero,” #0109, Script by Marshall Herskovitz, November 19, 1980
|
|
Box
20
Folder
4
|
“Georgia on My Mind” (Globetrotters II), #0110, Script by Marc Rubin, July 2, 1980
|
|
Box
20
Folder
5
|
“Psyched Out,” #0111, Story by Marc Rubin and Tom Blomquist, Teleplay by Joanne Pagliaro, January 5, 1981
|
|
Box
20
Folder
6
|
“Christmas Story,” #0112, Script by Joshua Brand and John Falsey, November 6, 1980
|
|
Box
20
Folder
7
|
“Vanity Fare,” #0114, Script by Mark Tinker and John Masius, November 4, 1980
|
|
Box
20
Folder
8
|
“Car Repo,” #0115, Story by Joshua Brand and Denis Belair, Teleplay by Joshua Brand, December 10, 1980
|
|
Box
20
Folder
9
|
“Trial and Error,” #0117, Script by Marc Rubin, November 25, 1980
|
|
Box
20
Folder
10
|
“A Day in the Life,” #0119, Script by Joshua Brand, January 26, 1981
|
|
|
WKRP in Cincinnati
|
|
Box
21
Folder
34
|
Clippings, 1972-1974
|
|
|
Scripts, 1978-1979 Season
|
|
Box
20
Folder
11
|
Pilot, #0768, Script by Hugh Wilson, March 25, 1978
|
|
Box
20
Folder
12
|
“Hold-Up,” #8002, Script by Tom Chehak, September 12, 1978
|
|
Box
20
Folder
13
|
“The Preacher,” #8003, Script by Bill Dial, August 1, 1978
|
|
Box
20
Folder
14
|
“Bailey's Show,” #8004, Script by Joyce Armor and Judie Neer, August 30, 1978
|
|
Box
20
Folder
15
|
“Good-bye Johnny,” #8005, Script by Blake Hunter, September 27, 1978
|
|
Box
20
Folder
16
|
“Love Returns,” #8006, Script by Bill Dial, October 17, 1978
|
|
Box
20
Folder
17
|
“Hoodlum Rock,” #8007, Script by Hugh Wilson, August 9, 1978
|
|
Box
20
Folder
18
|
Pilot Script, Part II, #8008, Script by Hugh Wilson, July 25, 1978
|
|
Box
20
Folder
19
|
“Johnny Comes Back,” #8009, Script by Blake Hunter, October 3, 1978
|
|
Box
20
Folder
20
|
“Les on a Ledge,” #8010, Script by Hugh Wilson, August 23, 1978
|
|
Box
20
Folder
21
|
“Turkeys Away,” #8011, Script by Bill Dial, September 19, 1978
|
|
Box
20
Folder
22
|
“Who Is Gordon Sims?” #8012, Script by Tom Chehak, March 7, 1979
|
|
Box
20
Folder
23
|
“I Do, I Do...For Now,” #8014, Script by Tom Chehak, February 27, 1979
|
|
Box
20
Folder
24
|
“I Want to Keep My Baby,” #8015, Script by Hugh Wilson, October 24, 1978
|
|
Box
20
Folder
25
|
“Tornado,” #8016, Script by Blake Hunter, January 17, 1978
|
|
Box
20
Folder
26
|
“Fish Story,” #8018, Script by Hugh Wilson, November 14, 1978
|
|
Box
20
Folder
27
|
“The Contest that Nobody Could Win,” #8019, Script by Casey Piotrowski, December 12, 1978
|
|
Box
20
Folder
28
|
“Momma's Review,” #8020, Script by Hugh Wilson, December 19, 1978
|
|
Box
20
Folder
29
|
“A Date With Jennifer,” #8021, Script by Richard Sanders and Michael Fairman, January 9, 1979
|
|
Box
20
Folder
30
|
“Young Master Carlson,” #8022, Script by Blake Hunter and Hugh Wilson, January 23, 1979
|
|
Box
20
Folder
31
|
“Never Leave Me, Lucille,” #8023, Script by Bill Dial, February 6, 1979
|
|
Box
20
Folder
32
|
“A Commercial Break,” #8024, Script by Richard Sanders and Michael Fairman, February 14, 1979
|
|
|
Scripts, 1979-1980 Season
|
|
Box
20
Folder
33
|
“Mike Fright,” #9001, Script by Dan Guntzelman, October 23, 1979
|
|
Box
20
Folder
34
|
“Bad Risk,” #9002, Script by Gene Fournier and Tom Joachim, August 22, 1979
|
|
Box
20
Folder
35
|
“Jennifer Falls in Love,” #9003, Script by Paul Hunter, July 25, 1979
|
|
Box
20
Folder
36
|
“The Doctor's Daughter,” #9004, Script by Lissa Levin, December 18, 1979
|
|
Box
20
Folder
37
|
“Bailey's Big Break,” #9005, Script by Steve Marshall, October 2, 1979
|
|
Box
20
Folder
38
|
“Carlson for President,” #9006, Script by Jim Paddock, August 1, 1979
|
|
Box
20
Folder
39
|
“Baby, If You Ever Wondered...,” #9007, Script by Bill Dial, September 12, 1979
|
|
Box
20
Folder
40
|
“For Love or Money,” #9008, Script by Mary Maguire, August 15, 1979
|
|
Box
20
Folder
41
|
“The Patter of Little Feet,” #9010, Script by Blake Hunter, September 18, 1979
|
|
Box
20
Folder
42
|
“Baseball,” #9011, Script by Hugh Wilson, July 6, 1979
|
|
Box
21
Folder
1
|
“Sparky,” #9012, Script by Peter Torokvei and Steven Kampmann, November 27, 1979
|
|
Box
21
Folder
2
|
“Les' Groupie,” #9019, Script by Steve Marshall, October 30, 1979
|
|
Box
21
Folder
3
|
“Put Up or Shut Up,” #9020, Script by Blake Hunter, Steve Marshall, and Steven Kampmann, August 28, 1979
|
|
Box
21
Folder
4
|
“God Talks to Johnny,” #9021, Script by Hugh Wilson, September 25, 1979
|
|
Box
21
Folder
5
|
“Jennifer's Home for Christmas,” #9022, Script by Dan Guntzelman and Steve Marshall, November 14, 1979
|
|
Box
21
Folder
6
|
“Herb's Dad,” #9023, Script by Peter Torokvei and Steven Kampmann, December 11, 1979
|
|
Box
21
Folder
7
|
“A Family Affair,” #9025, Script by Tim Reid, November 6, 1979
|
|
Box
21
Folder
8
|
“The Americanization of Ivan,” #9026, Story by Hugh Wilson, Teleplay by Steve Marshall and Dan Guntzelman, December 4, 1979
|
|
Box
21
Folder
9
|
“Filthy Pictures,” Parts I and II, #9027 A and B, Story by Hugh Wilson, Teleplay by Steve Marshall and Dan Guntzelman, January 23, 1980
|
|
Box
21
Folder
10
|
“Venus Rising,” #9028, Script by Dan Guntzelman and Steve Marshall, January 8, 1980
|
|
Box
21
Folder
11
|
“In Concert,” #9029, Script by Steven Kampmann, January 15, 1980
|
|
Box
21
Folder
12
|
“Most Improved Station,” #9031, Script by Michael Fairman and Richard Sanders, February 5, 1980
|
|
|
Scripts, 1980-1981 Season
|
|
Box
21
Folder
13
|
“Frogg Story,” #0001, Script by Bob Dolman, January 9, 1981
|
|
Box
21
Folder
14
|
“Hotel Oceanview,” #0002, Script by Steven Kampmann, October 28, 1980
|
|
Box
21
Folder
15
|
“Real Families,” #0003, Script by Peter Torokvei, October 23, 1980
|
|
Box
21
Folder
16
|
“The Baby,” #0004, Script by Blake Hunter, November 5, 1980
|
|
Box
21
Folder
17
|
“Bah, Humbug,” #0007, Script by Lissa Levin, November 11, 1980
|
|
Box
21
Folder
18
|
“Jennifer Moves,” #0008, Script by Hugh Wilson, October 15, 1980
|
|
Box
21
Folder
19
|
“The Secrets of Dayton Heights,” #0009, Script by Jon Smet, February 12, 1981
|
|
Box
21
Folder
20
|
“The Airplane Show,” #0010/0016, Script by Richard Sanders and Michael Fairman, October 17, 1980
|
|
Box
21
Folder
21
|
“The Painting,” #0011, Script by Steven Kampmann, December 10, 1980
|
|
Box
21
Folder
22
|
“A Mile in My Shoes,” #0012, Script by Dan Guntzelman, November 19, 1980
|
|
Box
21
Folder
23
|
“I Am Woman,” #0014, Script by Lissa Levin, February 6, 1981
|
|
Box
21
Folder
24
|
“Ask Jennifer,” #0015, Script by Joyce Armor and Judy Neer, January 29, 1981
|
|
Box
21
Folder
25
|
“Baby, It's Cold Inside,” #0018, Script by Blake Hunter, December 4, 1980
|
|
Box
21
Folder
26
|
“Daydreams,” #0021, Script by Peter Torokvei, December 17, 1980
|
|
Box
21
Folder
27
|
“Dr. Fever and Mr. Tide,” #0022A and B, Script by Steve Marshall, January 15, 1981
|
|
Box
21
Folder
28
|
“Clean Up Radio Broadcasting,” #0023, Script by Max Tash and Hugh Wilson, April 2, 1981
|
|
Box
21
Folder
29
|
“Out to Lunch,” #0024, Story by Ben Elisco, Teleplay by Peter Torokvei, March 4, 1981
|
|
Box
21
Folder
30
|
“Venus Flytrap Explains the Atom,” #0025, Script by Hugh Wilson, January 22, 1981
|
|
Box
21
Folder
31
|
“Till Debt Do Us Part,” #0026, Script by Howard Hesseman and Steven Kampmann, March 26, 1981
|
|
Box
21
Folder
32
|
“A Simple Little Wedding,” #0027, Script by Blake Hunter, March 12, 1981
|
|
Box
21
Folder
33
|
“Nothing to Fear But...,” #0028, Story by Tim Reid, Teleplay by Dan Guntzelman, March 19, 1981
|
|
|
Scripts, 1981-1982 Season
|
|
Box
25
Folder
13
|
“Straight From the Heart,” #1001, Script by Dan Guntzelman, October 2, 1981
|
|
Box
25
Folder
14
|
“The Union,” #1002, Script by Blake Hunter, September 11, 1981
|
|
Box
26
Folder
1
|
“Three Days of the Condo,” #1003, Script by Lissa Levin, October 15, 1981
|
|
Box
26
Folder
2
|
“An Explosive Affair,” #1004, A and B, Script by Steve Marshall, September 16, 1981
|
|
Box
26
Folder
3
|
“The Impossible Dream,” #1005, Script by Richard Sanders and Michael Fairman, February 17, 1982
|
|
Box
26
Folder
4
|
“Who's on First,” #1012, Script by Dan Guntzelman, October 7, 1981
|
|
Box
26
Folder
5
|
“Rumors,” #1013, Script by Peter Torokvei, September 24, 1981
|
|
Box
26
Folder
6
|
“Love, Exciting and New,” #1014, Script by Lissa Levin, November 12, 1981
|
|
Box
26
Folder
7
|
“Jennifer and the Will,” #1015, Script by Blake Hunter, October 29, 1981
|
|
Box
26
Folder
8
|
“The Consultant,” #1016, Script by Hugh Wilson, November 4, 1981
|
|
Box
26
Folder
9
|
“Pills,” #1017, Script by Steve Marshall, December 3, 1981
|
|
Box
26
Folder
10
|
“You Can't Go Out of Town Again,” #1018, Script by Dan Guntzelman, November 19, 1981
|
|
Box
26
Folder
11
|
“Changes,” #1019, Script by Peter Torokvei, December 10, 1981
|
|
Box
26
Folder
12
|
“Jennifer and Johnny's Charity,” #1020, Script by Blake Hunter, December 17, 1981
|
|
Box
26
Folder
13
|
“I'll Take Romance,” #1022, Script by Lissa Levin, January 7, 1982
|
|
Box
26
Folder
14
|
“Fire,” #1023, Script by Dan Guntzelman, January 14, 1982
|
|
Box
27
Folder
1
|
“Dear Liar,” #1024, Script by Steve Marshall, January 20, 1982
|
|
Box
27
Folder
2
|
“Circumstantial Evidence,” #1025, Script by Tim Reid and Peter Torokvei, February 17, 1982
|
|
Box
27
Folder
3
|
“The Creation of Venus,” #1026, Script by Blake Hunter, February 12, 1982
|
|
Box
27
Folder
4
|
“To Err Is Human,” #1027, Script by Lissa Levin, February 25, 1982
|
|
Box
27
Folder
5
|
“Up and Down the Dial - Part One,” #1028, Script by Dan Guntzelman, March 4, 1982
|
|
|
Subseries: Pilots : Pilots for television series which were picked up are filed above with the other scripts for those series.
|
|
Box
21
Folder
35
|
Bachelor at Law, pilot script by Ed. Weinberger, January 31, 1973(#0311-5652-2973)
|
|
Box
21
Folder
36
|
Don't Call Us (Starring Jack Gilford), script by David Lloyd, February 12, 1976 (#0107-162-986)
|
|
Box
21
Folder
39
|
The Chopped Liver Brothers, pilot script, March 8, 1977
|
|
Box
21
Folder
37
|
Bumpers, script by Charlotte Brown and David Davis, March 9, 1977 (#0311-9300-3006-06)
|
|
Box
21
Folder
38
|
Arthur Among the Animals, script by Gerald DiPego, September 7, 1977 (#0311-9300-3008)
|
|
Box
21
Folder
40
|
The Busters, script by Jim Byrnes, January 5, 1978
|
|
Box
22
Folder
1
|
Your Place or Mine?, script by Bob Ellison and David Lloyd, February 22, 1978 (#4306)
|
|
Box
21
Folder
41
|
Nightingale and Hippocrates, script by Jennie Blackton and Joan Desberg Greenberg, October 26, 1978 (#0311-0202-0738)
|
|
Box
22
Folder
2
|
Carlton Your Doorman, script by Lorenzo Music and Barton Dean, March 9, 1979
|
|
Box
22
Folder
3
|
Every Stray Dog and Kid/Jenny, script by Joseph Gunn, March 15, 1979 (#3017)
|
|
Box
22
Folder
4
|
Operating Room, script by Bruce Paltrow and Steven Bochco, March 16, 1979 (#0311-9300-3019)
|
|
Box
22
Folder
6
|
Mother and Me, M.D., script by Jennie Blackton and Joan Desberg Greenberg, June 14, 1979
|
|
Box
22
Folder
5
|
Not Until Today, previously titled “Home Again,” pilot script by David Lloyd, June 27, 1979
|
|
Box
22
Folder
7
|
Brothers, pilot script by Rick Podell and Michael Preminger, March 4, 1980
|
|
Box
22
Folder
8
|
For Better or Worse, pilot script by Bob Comfort and Rick Kellard, March 19, 1980
|
|
Box
22
Folder
9
|
Love, Natalie, Pilot script by Judy Kahan and Merrill Markoe, April 11, 1980
|
|
Box
22
Folder
10
|
Thornwell, script by Michael de Guzman, May 29, 1980
|
|
Box
22
Folder
11
|
Comedy of Horrors, formerly “Comedy of Terrors,” pilot script by John Boni and Harry Colomby, February 24, 1981
|
|
Box
27
Folder
6
|
The Iron Cowboys (“Nichols and Diemz”) - pilot episode, Script by Rick Kellard and Bob Comfort, February 27, 1981
|
|
Box
22
Folder
12
|
Stephanie, script by Alan Uger and Michael Kagan, March 9, 1981
|
|
Box
34
Folder
43
|
Bliss, “O Sweet Mystery of Love” (Pilot), #1246, Revised Final Draft, by Chip Keyes and Doug Keyes, April 4, 1983, with later revisions
|
|
Box
37
Folder
13
|
OSS - 92 Grosvenor Street, Final Draft Script, by Stephen McPherson, last revised June 24, 1985
|
|
Box
51
Folder
10
|
Riviera, Pilot script by Michael Sloan, October 14, 1985
|
|
Box
37
Folder
12
|
Man About Town, Third Revised Final Draft Script, by Roy Teicher and Richard Rosenstock, April 5, 1986
|
|
Box
51
Folder
8
|
Independence, “State of a Union,” (Pilot), Script by Gordon Dawson, April 8, 1986
|
|
Box
51
Folder
9
|
In the Lion's Den, “Dana in the Lion's Den,” (Pilot), #1365, Script by Dan Wilcox, April 10, 1987
|
|
Box
51
Folder
1
|
Carley's Web, Pilot, #1358, Script by Michael Gleason, Brad Kern, and, John Wirth, April 16, 1987
|
|
Box
51
Folder
7
|
Home Free, Pilot #1390, Script by David Milch and John Romano, February 25, 1988
|
|
|
Subseries: Specials
|
|
Box
22
Folder
13
|
Mary's Incredible Dream, Script, May 4, 1975
|
|
Box
22
Folder
16
|
Something for Joey, script by Jerry McNeely, November 2, 1976 (#0311-1523-0303)
|
|
Box
22
Folder
14
|
Nowhere to Run (formerly “The Blackjack Hijack”), Script by Jim Byrnes, based on the novel by Charles Einstein, June 3, 1977 (#0311-9200-2005)
|
|
Box
22
Folder
15
|
How to Survive the '70's and Maybe Even Bump Into Happiness, script, November 21, 1977
|
|
Box
22
Folder
17
|
First You Cry, script by Carmen Culver, based on the book by Betty Rollin, February 23, 1978 (#0311-3211-0437)
|
|
Box
22
Folder
18-19
|
The Critical List (formerly “Skeletons”), teleplay by Jerry McNeely, based on the novel by Marshall Goldberg, March 28 and April 5, 1978 (#2017)
|
|
Box
22
Folder
20
|
Vampire, script by Steven Bochco and Michael Kozoll, March 13, 1979 (#0311-9200-2027)
|
|
Box
22
Folder
21
|
The Boy Who Drank Too Much, teleplay by Edward DeBlasio, based on the novel by S. M. Greene, March 16, 1979 (#0311-3211-0597)
|
|
Box
22
Folder
22
|
Fighting Back, The Story of Rocky Bleier, teleplay by Jerry McNeely, based on the book by Rocky Bleier with Terry O'Neil, April 16, 1980 (#0311-9200-2033)
|
|
Box
22
Folder
23
|
How to Eat Like a Child and Other Lessons in Not Being a Grown-up, script by Judith Kahan, March 19, 1981
|
|
Box
34
Folder
44
|
In Defense of Kids, #0976, First Draft, by Michele Gallery, September 2, 1982, revised , September 22, 1982, with later revisions (“Air Date, 4/6/83”)
|
|
|
Fresno
|
|
Box
51
Folder
2
|
“Fresno: Part I,”, Script by Barry Kemp, June 11, 1986
|
|
Box
51
Folder
3
|
“Fresno: Part II,”, Script by Barry Kemp, June 11, 1986
|
|
Box
51
Folder
4
|
“Fresno: Part III,”, Script by Mark Ganzel, June 11 1986
|
|
Box
51
Folder
5
|
“Fresno: Part IV,”, Script by Michael Petryni, June 11, 1986
|
|
Box
51
Folder
6
|
“Fresno: Part V,”, Script by Mark Ganzel and Michael Petryni, June 11 1986
|
|
|
Series: Films and Videotapes
|
|
|
Subseries: Television Series and Pilots
|
|
VBA 197, VBA 274
|
Arthur Among the Animals Pilot
|
|
VBA 187, VBA 264
|
Bachelor at Law Pilot
|
|
VBA 193, VBA 270
|
The Betty White Show Pilot
|
|
VBA 199, VBA 276
|
The Bob Crane Show Pilot
|
|
VBA 014-031, VBA 297-314
|
|
|
VBA 213, VBA 289
|
Doc [Pilot?]
|
|
VBA 222, VBA 295
|
Going Home Again [Pilot?]
|
|
VBA 198, VBA 275
|
Home Again [Pilot]
|
|
VBA 192, VBA 269
|
The Last Resort Pilot
|
|
VBA 195-196, VBA 200, VBA 272-273, VBA 277
|
|
|
VBA 201, VBA 223
|
Mary Show No. 1, September 24, 1978
|
|
DC 522-536, VBA 032-072, VBA 322-362
|
|
|
VBA 224, VBA 296, VHA 311
|
Paris Pilot
|
|
VBA 194, VBA 271
|
Phyllis Pilot
|
|
VBA 001-013, VBA 251-263
|
|
|
VBA 214, VBA 290
|
The Texas Wheelers
|
|
VBA 215-216, VBA 291-292
|
Three for the Road Pilot
|
|
VBA 188, VBA 265
|
The Tony Randall Show Pilot
|
|
VBA 190, VBA 267
|
We've Got Each Other Pilot
|
|
VBA 191, VBA 268
|
The White Shadow Pilot
|
|
VBA 189, VBA 266
|
WKRP in Cincinnati Pilot 2
|
|
|
Subseries: Specials
|
|
VBA 207-208, VBA 283-284
|
The Boy Who Drank Too Much, February 6, 1980
|
|
VBA 209-212, VBA 285-288
|
The Critical List, 1979
|
|
VBA 781-782
|
First You Cry, 1978
|
|
VBA 202, VBA 278
|
The Mary Tyler Moore Hour, April 1, 1979
|
|
VBA 203-204, VBA 279-280
|
Nowhere to Run, 1978
|
|
VBA 220-221, VBA 293-294
|
Something for Joey, 1977
|
|
VBA 205-206, VBA 281-282
|
Vampire, October 7, 1979
|
|
|