Summary Information
Pandro Berman Papers 1932-1977
- Berman, Pandro, 1905-1996
U.S. Mss 160AN; SC-O 30
11.6 c.f. (29 archives boxes, 1 oversize folder)
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research Contact Information
Wisconsin Historical Society (Map)
Papers of a leading motion picture producer associated with RKO during the 1930s and later with MGM. The collection is composed of extensive production files of correspondence, script drafts, reports and logs, and financial information for A Patch of Blue (1965) and two other films Berman produced between 1964 and 1970. Also included are scripts, clippings, and publicity for many of his earlier films. Seven boxes contain notes, correspondence, scripts, and negotiations for unproduced films. The remainder of the collection consists of clippings, miscellaneous personal and business correspondence, financial records, and promotional and biographical information. English
http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0160an ↑ Bookmark this ↑
Biography/History
In a career lasting almost forty years, Pandro Berman produced a series of distinguished motion pictures, noted for their gloss, technical and literary qualities, and drama. He was born in Pittsburgh, Pennsylvania on March 28, 1905, the son of Harry M. Berman, general manager of Universal, FBO. His career began as a script boy for RKO in the early 1920s and by 1931 he had produced The Gay Diplomat, the first of a series of films for RKO. This was followed by the Fred Astaire-Ginger Rogers films The Gay Divorcee (1933), Roberta (1934), and Top Hat (1935), and a series of films with Katherine Hepburn, including Morning Glory (1932), The Little Minister (1934), Alice Adams (1935), Mary of Scotland (1936), and Stage Door (1937).
In 1940 he joined the staff of MGM and subsequently produced The Three Musketeers (1948), Father of the Bride (1950), Ivanhoe (1952), The Blackboard Jungle (1955), Bhowani Junction (1956), and A Patch of Blue (1965).
Berman retired on January 1, 1970 and died in Beverly Hills, California on July 15, 1996.
Scope and Content Note
The Pandro Berman collection is organized in two main parts. Part 1, the Original Collection, contains materials received in the Archives in 1975. These materials date 1935-1970 and comprise the bulk of the collection (Boxes 1-27). Part 2 consists of materials received later and designated the “1977 Additions.” These materials date 1932-1977, fill only two boxes (Box 28-29), and consist primarily of miscellaneous financial information and of small amounts of clippings and publicity on 81 titles.
Part 1, Original Collection, 1935-1970
The Original Collection portion is mainly comprised of production files on four films Berman worked on from 1964 to 1970: A Patch of Blue, Justine, “John Brown's Body,” and Move. In addition, there are 44 scripts of films he produced between 1934 and 1963, and material on interviews and a seminar with Berman that give a more comprehensive view of his career and position in the motion picture industry. The papers are organized into Biographical Materials and Motion Pictures (subdivided into Production Files, Scripts, Unproduced, Miscellany, and General Financial Files).
The Biographical Materials, 1972, include transcripts of two interviews and an American Film Institute seminar with Berman.
The Motion Picture material includes production files on five films. Documenting A Patch of Blue, Justine, and Move and the not-yet-released “John Brown's Body” are extensive production files, with correspondence, scripts, notes, reports, casting, budget files, editing materials, and daily production reports. For Cat on a Hot Tin Roof there is one folder of correspondence and a script.
Scripts for 44 films Berman produced are arranged chronologically in boxes 13-20. Parts of boxes 20-21 include sketchy material on seven unproduced films, including such documentation as notes, correspondence, scripts, and negotiation files. Five folders of Miscellany contain correspondence from actors and agents, 1968-1969; popularity polls re actors and actresses, 1966; correspondence and notes concerning writers, 1958-1969; notes and correspondence re story files, 1939-1958; and information on 20th Century-Fox contract players, 1966-1970. Finally, there are General Financial Files. These contain statements and correspondence re RKO's profits and losses and Berman's income from his RKO films in the 1930s; accounting statements, 1961-1975, on a number of films Berman made for MGM; income from television properties, 1961; and various other lists and reports, 1959-1969.
Part 2, 1977 Additions, 1932-1977
The 1977 Additions include miscellaneous financial information about film costs and revenues and publicity information about film promotion and exploitation. They have been arranged in two subseries: a General File and Motion Pictures.
The General File consists of notes about Berman, financial information about film production, and miscellany. Among the financial materials are a 1939 resume of incomes received for recently released films; continuity and pre-production budgets for No Blade of Grass and The Secret Classroom; and a listing of Loew's, Inc. operating costs for films by Pandro Berman, George Cukor, Jack Cummings, Arthur Freed, Vincente Minnelli, Joseph Pasternak, and Richard Thorpe. Also included are miscellaneous letters (1940) discussing currency restrictions imposed by Great Britain that limited the amount of money motion picture companies could withdraw from the country during wartime. The file also contains a brochure for a tribute to director John Cromwell, including an article in which Cromwell discusses directorial techniques.
The majority of the Motion Pictures series contains clippings from magazines
and newspapers for many of Berman's films and records various publicity methods, production information, and box office results. In addition there are a few memoranda dealing with financial matters for the various films and a few studio publications describing publicity campaigns. These materials are especially interesting in that they reveal the methods studios used to publicize films during the 'thirties, 'forties, and 'fifties. Moreover, the clippings document cast changes which occurred. Holdings are most extensive for The Blackboard Jungle, The Brothers Karamazov, The Hunchback of Notre Dame, Ivanhoe, Justine, Knights of the Round Table, National Velvet, A Patch of Blue, and The Prize. The files are arranged in alphabetical order by film title and thereunder chronologically.
Administrative/Restriction Information
Placed on deposit by Pandro Berman, Beverly Hills, California, July 28, 1975 and 1977. Accession Number: MCHC75-82, MCHC77-85
Original Collection processed by Eleanor McKay, M. Craite, and Alice Siemering, January 21, 1976. 1977 Additions processed by Tom Pscheidt and Chris Rongone, October 1978.
Contents List
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Series: Part 1, Original Collection, 1935-1970
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U.S. Mss 160AN
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Subseries: Biographical Materials
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Box
1
Folder
1
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Interview with Pandro Berman, 1972, Feb. 3
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Box
1
Folder
2
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Seminar with Pandro Berman conducted by American Film Institute, 1972, Jan. 26
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Box
1
Folder
3-5
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Oral History interview with Pandro Berman conducted by Mike Steen, 1972, Aug. 4
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Subseries: Motion Pictures
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Production Files
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A Patch of Blue(1965)
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Box
1
Folder
6-8
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Correspondence, 1964, June 23-1966, Jan. 4; undated
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Box
1
Folder
9
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Script, First Draft of screenplay, 1964, Nov. 23
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Box
2
Folder
1
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Script, 1965, Feb. 16
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Box
2
Folder
2
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Revised Shooting Script, 1965, March 29
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Box
2
Folder
3
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Casting, 1964, Nov. 19-1965, June 1
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Box
2
Folder
4
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Weekly Production Cost Log and Daily Progress Reports, 1965, March 6-July 17
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Box
2
Folder
5
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Picture Estimate, 1965, May 6
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Box
2
Folder
6
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Summary of the Budget Estimate and Shooting Breakdown, 1965, Jan. 6-March 11; undated
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Justine(1969)
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Box
2
Folder
7-9
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General Correspondence, 1967, Jan. 30-1970, March 19
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Box
2
Folder
10
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Casting Correspondence, 1968, Jan. 10-Nov. 27
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Box
3
Folder
1-2
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Casting Correspondence, continued
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Box
3
Folder
3
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Correspondence with Saul Wurtzel (Prod. Manager), 1968, Feb. 1-Nov. 16
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Box
3
Folder
4
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Correspondence with Writers and Directors, 1966, Dec. 16-1969, July 11; undated
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Box
3
Folder
5
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Four Novels by Lawrence Durrell (Chronology, Breakdown, Index), 1959, Aug. 5
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Box
4
Folder
1
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Breakdown, Outline, 1967, Jan.; undated
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Box
4
Folder
2-3
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Character Analyses: Selections from four Durrell novels with descriptive notes, undated
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Box
4
Folder
4
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Revised Screenplay, 1967, June 12
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Box
4
Folder
5
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Screenplay, First Draft, 1968, Jan. 11
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Box
5
Folder
1
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First Mimeographed Script (first draft revised), Annotated by Kathryn Berman, 1968, Feb. 16
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Box
5
Folder
2
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Revised First Draft, Annotated, 1968, Feb. 16
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Box
5
Folder
3
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Revised First Draft, Annotated by Pandro Berman, 1968, Feb. 16
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Box
5
Folder
4
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Final Draft, annotated by P. Berman, 1968, July 2
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Box
5
Folder
5
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Screenplay, 1968, July 2
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Box
6
Folder
1-2
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Miscellaneous Notes and Research 1960, Apr. 3
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Box
6
Folder
3
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Egyptian Survey Report and Correspondence from John De Cuir, Otto Lang, 1967, Apr. 11-May 26
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Box
6
Folder
4
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Notes on Cutting, 1969, March 12-May 30; undated
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Box
6
Folder
5
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Loops and Narration, 1969, Jan. 17-June 2; undated
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Box
6
Folder
6
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Continuity by reels, cutting notes, Main Title, retakes, 1968, Dec. 2-1969, June 2; undated
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Box
6
Folder
7
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Music and Choreography, 1968, April 22-1969, June 9
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Box
6
Folder
8
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Daily Production Reports, 1968, Sept. 23-1969, Feb. 3
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Box
6
Folder
9
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Shooting Schedules, 1968, July 15-1969, Jan. 17
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Box
7
Folder
1
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Weekly Cost Reports, Picture Estimate, 1968, June 15-1970, Dec. 26
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Box
7
Folder
2-3
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Budget, 1967, Aug. 3-1970, Feb. 23
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“John Brown's Body” (unproduced)
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Box
7
Folder
4
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Correspondence, 1967, March 1-1969, Jan. 30; undated
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Box
7
Folder
5
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Correspondence and Lists re Directors and Writers, 1967, Jan. 20-1969, May 20; undated
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Box
7
Folder
6
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Correspondence with Darryl F. Zanuck, 1966, Nov. 5-1967, Dec. 21; undated
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Box
7
Folder
7
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Historical Notes, undated
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Box
8
Folder
1
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Treatment of Narrative Poem, 1950, Oct. 17
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Box
8
Folder
2
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Outline, Breakdowns, Notes, 1967, June 28-1968, March 8; undated
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Box
8
Folder
3
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Revised Outline, 1968, April
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Box
8
Folder
4
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Summary Outline of Second Draft of Screenplay, 1967, Sept. 26
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Box
8
Folder
5
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Script, Third Draft, 1967, Nov. 24
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Box
8
Folder
6
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Fourth Revised Outline, 1968, Sept. 8
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Box
8
Folder
7
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Script, First Draft, 1968, Nov. 21
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Box
8
Folder
8
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Sixth Revised Breakdown, 1968, Dec. 6
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Box
9
Folder
1
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First File Copy of Script by Paul Osborn (unused), undated
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Box
9
Folder
2
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Second Draft of Osborn Script, with notes, 1967, Aug. 8
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Box
9
Folder
3
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Second Draft of Stewart Stern Script, 1969, Jan. 29
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Box
9
Folder
4
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Second Draft of Stern Script, undated
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Box
9
Folder
5
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Script, Stern-Green Version, undated
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SC-0 30
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Photostatic copies of production crossplots
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U.S. Mss 160AN
Box
10
Folder
1
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Casting Correspondence, 1968, Jan. 15-1969, March 3; undated
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Box
10
Folder
2
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Casting Lists, 1967, Jan. 26-1968, Oct. 22
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Box
10
Folder
3
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Budgets, 1967, Sept. 21-1968, May 2; undated
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Move(1969)
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Box
10
Folder
4-5
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Correspondence, 1968, Feb. 28-1970, Sept. 28
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Box
10
Folder
6
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The original book by Joel Lieber, 1968
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Box
10
Folder
7
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Summaries and Comment, 1968, Feb. 5-1969, July 14
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Box
10
Folder
8
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Treatment, 1968, April 10
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Box
11
Folder
1
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Script Outline based on book 1968, May 20-1969, August 7
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Box
11
Folder
2
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Script, First Draft, undated
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Box
11
Folder
3
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Script, Second Draft, 1968, Oct. 10
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Box
11
Folder
4
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Shooting Breakdown, 1969, May 21
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Box
11
Folder
5
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Cutting Notes, Reports, 1969, June 10-1970, June 15; undated
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Box
11
Folder
6
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Revised Shooting Breakdown, 1969, Sept. 11
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Box
11
Folder
7
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Script Notes and Correspondence, 1969, July 31-Sept. 11
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Box
11
Folder
8
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Final Script, 1969, Aug. 26-Sept. 11
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Box
12
Folder
1
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Partial Screenplay Revision, 1969, Sept. 25
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Box
12
Folder
2
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Final Shooting Script, 1969, Nov. 25
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Box
12
Folder
3
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Casting Correspondence, 1968, March 12-1969, Sept. 30; undated
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Box
12
Folder
4
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Casting Lists, Staff and Crew Lists, 1969, July 11-Nov. 14; undated
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Box
12
Folder
5
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Title Song, 1970, May 8
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Box
12
Folder
6
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Budget and Schedule Breakdown, 1969, May 29-Nov. 25; undated
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Box
12
Folder
7-8
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Weekly Picture Cost Reports, 1969, Dec. 6-1970, Dec. 19
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Box
12
Folder
9
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Daily Production Reports, 1969, Sept. 15-Dec. 5
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Box
13
Folder
1
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Book Reviews, 1968, May 27-July 14
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Cat on a Hot Tin Roof(1958)
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Box
13
Folder
2
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Correspondence, 1955, June 23-1959, Jan. 15
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Box
13
Folder
3
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Script, 1958, Jan. 24
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Scripts
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Box
13
Folder
4
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The Little Minister, 1934
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Box
13
Folder
5
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Living in a Big Way, 1935, June 8
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Box
13
Folder
6
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Stage Door, 1937, July 31
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Box
13
Folder
7
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Ziegfeld Girl, 1940, Oct. 31
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Box
14
Folder
1
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Love Crazy, 1941, March 3
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Box
14
Folder
2
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Honky Tonk, 1941, June 17
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Box
14
Folder
3
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Rio Rita, 1941, Nov. 21
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Box
14
Folder
4
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Somewhere I'll Find You, 1941, Dec. 18
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Box
14
Folder
5
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Slightly Dangerous, 1942, Sept. 2
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Box
14
Folder
6
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Dragon Seed, 1943, August 24
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Box
15
Folder
1
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The Seventh Cross, 1943, Oct. 22
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Box
15
Folder
2
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The Picture of Dorian Gray, 1943, Nov. 5
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Box
15
Folder
3
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Marriage Is a Private Affair, 1943, Dec. 7
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Box
15
Folder
4
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National Velvet, 1944, Jan. 14
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Box
15
Folder
5
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Undercurrent, 1946, Jan. 29
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Box
16
Folder
1
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Sea of Grass, 1946, May 9
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Box
16
Folder
2
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If Winter Comes, 1947, April 28
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Box
16
Folder
3
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The Three Musketeers, 1947, Dec. 19
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Box
16
Folder
4
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The Bribe, 1948, May 24
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Box
16
Folder
5
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Madame Bovary, 1948, Oct. 13
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Box
16
Folder
6
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The Doctor and the Girl, 1949, May 10
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Box
17
Folder
1
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Father of the Bride, 1950, March 29
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Box
17
Folder
2
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Father's Little Dividend, 1950, April 15
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Box
17
Folder
3
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Soldiers Three, 1950, Dec. 9
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Box
17
Folder
4
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The Light Touch, 1951, March 14
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Box
17
Folder
5
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Ivanhoe, 1951, May 25
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Box
17
Folder
6
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The Prisoner of Zenda, 1952, Feb. 11
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Box
18
Folder
1
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Battle Circus, 1952, Dec. 1
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Box
18
Folder
2
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All the Brothers Were Valiant, 1953, March 18
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Box
18
Folder
3
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The Knights of the Round Table, 1953, April 20
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Box
18
Folder
4
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The Long, Long Trailer, 1953, April 29
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Box
18
Folder
5
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The Blackboard Jungle, 1954, Oct. 7
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Box
18
Folder
6
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Quentin Durward, 1954, Dec. 27
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Box
18
Folder
7
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Bhowani Junction, 1955, August 9
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Box
19
Folder
1
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Tea and Sympathy, 1956, March 26
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Box
19
Folder
2
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Something of Value, 1957, Jan. 14
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Box
19
Folder
3
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Jailhouse Rock, 1957, March 15
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Box
19
Folder
4
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The Brothers Karamazov, 1957, May 20
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Box
19
Folder
5
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The Reluctant Debutante, 1958, March 5
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Box
19
Folder
6
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All the Fine Young Cannibals, 1959, May 22
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Box
20
Folder
1
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Butterfield 8, 1960, March 18
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Box
20
Folder
2
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Sweet Bird of Youth, 1961, May 16
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Box
20
Folder
3
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The Prize, 1963, April 25
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Box
20
Folder
4
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Honeymoon Hotel, 1963, Sept. 3
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Unproduced
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“The Beauty Contest”
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Box
20
Folder
5
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Notes and Correspondence, 1963, July 16-1964, May 7
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“Dangerous Days of Kiowa Jones”
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Box
20
Folder
6
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Negotiations, 1964, July 30-Nov. 18
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“Everything in the Garden”
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Box
20
Folder
7
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Correspondence, 1967, Aug. 29-1968, Sept. 21
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“The Forty Days of Musa Dagh”
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Box
20
Folder
8
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Book Breakdown, 1962, Sept. 7
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Box
20
Folder
9
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Script, 1964, Aug. 6
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“Gabriela”
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Box
21
Folder
1
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Negotiations, 1962, Sept. 20-1964, April 22
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“Husbands Are Funny People”
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Box
21
Folder
2
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Negotiations, 1962, Nov. 1-1963, May 1
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“The Sergeant”
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Box
21
Folder
3
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Negotiations, 1961, Sept. 14-1962, March 13
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Miscellaneous
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Box
21
Folder
4
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Correspondence from Actors and Agents, 1968, May 3-1969, Sept. 2
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Box
21
Folder
5
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Actor/Actress Popularity Poll, 1966, Aug 2
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Box
21
Folder
6
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Correspondence and Notes, re Writers, 1958, Aug. 4-1969, Aug. 7
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Box
21
Folder
7
|
Story Files, Notes and Correspondence, 1939, March 1-1958, July 7; undated
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Box
21
Folder
8
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20th Century-Fox Contract Players, 1966, Dec. 20-1970, January
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General Financial Files
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Box
21
Folder
9
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Films of the 1930s, Profit and Loss Sheets
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Box
21
Folder
10
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Berman Income from RKO Films , 1933-1947
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Box
21
Folder
11
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RKO Participation Statements, Periods ending 1944, July 1 and 1949, Jan. 1
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Accounting Statements
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Box
22
Folder
1-5
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For Reluctant Debutante and Cat on a Hot Tin Roof, 1963, Feb. 14-1970, Aug. 25
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Box
22
Folder
6
|
For Butterfield 8, 1961, Aug. 9-1963, Dec. 2
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Box
23
Folder
1-4
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For Butterfield 8, continued
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Box
23
Folder
5-7
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For All the Fine Young Cannibals and Ada, 1963, May 17-1975, Jan. 13
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Box
23
Folder
8
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For Jailhouse Rock, Don't Go Near the Water, and The Brothers Karamazov, 1963, Feb. 21-1965, July 14
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Box
24
Folder
1
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For Jailhouse Rock, Don't Go Near the Water, and The Brothers Karamazov, continued
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Box
25
Folder
1-3
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For Sweet Bird of Youth and The Prize, 1962, Sept. 20-1970, March 9
|
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Box
25
Folder
4-6
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For Honeymoon Hotel and A Patch of Blue, 1963, April 8-1970, April 6
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Box
26
Folder
1
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For Honeymoon Hotel and A Patch of Blue, continued
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Box
26
Folder
2-3
|
For The Gazebo and Key Witness, 1964, March 23-1967, Jan. 30
|
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Box
26
Folder
4
|
MGM Accounting Tabulations, 1966, Oct. 22-1967, Sept. 2
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Box
26
Folder
5
|
Story Cost Reports, 1967, March 4-1969, Nov. 29
|
|
Box
26
Folder
6
|
T.V. Properties, 1961, March 22-May 8
|
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Box
26
Folder
7
|
Ben Solomon Audits of Various Pictures, 1959
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Box
26
Folder
8
|
Avon Productions - Solomon Audits, 1959, Jan. 30-1962, Jan 8
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Box
26
Folder
9
|
Miscellaneous, 1962, Feb. 20-March 30; undated
|
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Box
27
Folder
1-2
|
Correspondence re RKO Pictures, 1933-1949
|
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Box
27
Folder
3
|
Contracts with Leo McCarey, 1938
|
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Box
27
Folder
4-5
|
Contracts and Agreements with Loew's, Inc., 1940-1954
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Box
27
Folder
6
|
RKO Studios Participation Correspondence, 1941-1949
|
|
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Series: Part 2: 1977 Additions, 1932-1977
|
|
|
Subseries: General File
|
|
Box
28
Folder
1
|
Financial Statements re various films, 1939, April 12-1958, August 20, undated
|
|
Box
28
Folder
2
|
Magazine and Newspaper Notices, 1937, June 16-circa 1968, undated
|
|
Box
28
Folder
3
|
Miscellany, including letters and program sheet music, 1935, November-1977, February
|
|
Box
28
Folder
4
|
Personal Tax Information, 1943, March 4-September 7
|
|
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Subseries: Motion Pictures
|
|
Box
28
Folder
5
|
Age of Consent, undated (RKO, 1932)
|
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Box
28
Folder
5
|
Aggie Appleby, Maker of Men, undated (RKO, 1933)
|
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Box
28
Folder
5
|
Alice Adams, 1935, September. (RKO, 1935)
|
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Box
28
Folder
5
|
All the Fine Young Cannibals, “Ever for Each Other,” undated (MGM, 1960)
|
|
Box
28
Folder
5
|
All the Brothers Were Valiant, 1953, February 8 undated (MGM, 1953)
|
|
Box
28
Folder
5
|
Allegheny Uprising, undated (RKO, 1939)
|
|
Box
28
Folder
5
|
Bachelor Mother, undated (RKO, 1939)
|
|
Box
28
Folder
5
|
Battle Circus, 1952, June 2-July 24 (MGM, 1953)
|
|
Box
28
Folder
5
|
Battleground, 1948, October 12 (MGM, 1949)
|
|
Box
28
Folder
6
|
Bhowani Junction, 1956, May 5-28 (MGM, 1956)
|
|
Box
28
Folder
6
|
The Blackboard Jungle, 1955, March 21-June 10, undated (MGM, 1955)
|
|
Box
28
Folder
6
|
The Bribe, 1949, February 16 (MGM, 1949)
|
|
Box
28
Folder
7
|
The Brothers Karamazov, 1947, March 27-1958, February 24 (MGM, 1958)
|
|
Box
28
Folder
7
|
Butterfield 8, 1960, February 27-1966, October 5 (MGM, 1960)
|
|
Box
28
Folder
8
|
Carefree, undated (RKO, 1938)
|
|
Box
28
Folder
8
|
Dragon Seed, 1944, July 18-1945, January 6, undated (MGM, 1944)
|
|
Box
28
Folder
9
|
“Everything in the Garden,” 1967, October 11 (Unproduced)
|
|
Box
28
Folder
9
|
Father of the Bride, 1950, May 25-1954, August 4 undated (MGM, 1950)
|
|
Box
28
Folder
9
|
Father's Little Dividend, 1951, October 21-1952, January 7 (MGM,1951)
|
|
Box
28
Folder
9
|
“The Female,” undated (Unproduced)
|
|
Box
28
Folder
9
|
Fifth Avenue Girl, 1939, September 2-October 20 (RK0, 1939)
|
|
Box
28
Folder
9
|
Flying Down to Rio, 1953, December 11 (RKO, 1933)
|
|
Box
28
Folder
9
|
Follow the Fleet, 1936, January 11-February 17 (RKO, 1936)
|
|
Box
28
Folder
9
|
“Follow the Ladies,” undate (Unproduced)
|
|
Box
28
Folder
9
|
The Fountain, undated (RKO, 1934)
|
|
Box
28
Folder
9
|
“Gabriella,” undated (Unproduced)
|
|
Box
28
Folder
9
|
Gay Divorcee, circa 1934, October 20 (RKO, 1934)
|
|
Box
28
Folder
9
|
Green Mansions, 1945, June 9 (MGM, 1959)
|
|
Box
28
Folder
9
|
Gunga Din, undated (RKO, 1939)
|
|
Box
28
Folder
9
|
Having Wonderful Time, 1938, July (RKO, 1939)
|
|
Box
28
Folder
9
|
Honeymoon Hotel, circa 1963, May (MGM, 1964)
|
|
Box
28
Folder
10
|
Honky Tonk, 1941, October 24-circa 1942 (MGM, 1941)
|
|
Box
28
Folder
10
|
The Hunchback of Notre Dame, 1939, December 27-1957, November 13 (RKO, 1939)
|
|
Box
28
Folder
11
|
I Dream Too Much, undated (RKO, 1935)
|
|
Box
28
Folder
11
|
In Name Only, 1939, August 12 (RKO, 1939)
|
|
Box
28
Folder
11
|
Ivanhoe, 1951, May 9-1953, July 8 undated (MGM, 1952)
|
|
Box
28
Folder
12
|
Jailhouse Rock, 1957, October 5-1961, December 1 (MGM, 1957)
|
|
Box
28
Folder
12
|
“John Brown's Body,” 1968, March 6 (Produced but unreleased)
|
|
Box
28
Folder
12
|
Justine, 1968, March 22-1969, August 18, undated (Fox, 1969)
|
|
Box
28
Folder
12
|
Key Witness, 1960, October 15 (MGM, 1960)
|
|
Box
28
Folder
13
|
Knights of the Round Table, 1953, April 12-1955, July 29, undated (MGM, 1953)
|
|
Box
28
Folder
13
|
“Liberty Street,” 1945, April 28 (Unproduced)
|
|
Box
28
Folder
13
|
The Little Minister, 1934, October (RKO, 1934)
|
|
Box
28
Folder
13
|
Little Women, 1935, May 15 (RKO, 1933)
|
|
Box
28
Folder
14
|
The Long, Long Trailer, 1951, August 30-circa 1954, August (MGM, 1954)
|
|
Box
28
Folder
14
|
Love Affair, circa late 1939 (RKO, 1939)
|
|
Box
28
Folder
14
|
Madame Bovary, 1949, April 27-September 30 (MGM, 1949)
|
|
Box
28
Folder
14
|
Man of Two Worlds, undated (RKO, 1934)
|
|
Box
28
Folder
14
|
Marriage Is a Private Affair, 1944, October 31-December 13 (MGM, 1944)
|
|
Box
29
Folder
1
|
Mary of Scotland, 1936, February 3-August 11, undated (RKO, 1936)
|
|
Box
29
Folder
1
|
Men of Chance, undated (RKO, 1932)
|
|
Box
29
Folder
1
|
Morning Glory, 1933, August 17 (RKO, 1933)
|
|
Box
29
Folder
1
|
Move, 1970, February 29-August 12, undated (Fox, 1970)
|
|
Box
29
Folder
1
|
National Velvet, 1944, December 13-1971, November 25, undated (MGM, 1944)
|
|
|
A Patch of Blue (MGM, 1965)
|
|
Box
29
Folder
2
|
Clippings and Publicity, 1965, October 29-1967, February 1 undated
|
|
Box
29
Folder
3
|
Financial Information, 1965, December 15-1966, June 1
|
|
Box
29
Folder
4
|
Penthouse, 1931, July 6 (MGM, 1933)
|
|
Box
29
Folder
4
|
The Picture of Dorian Gray, 1944, July 31-1945, June 5 (MGM, 1945)
|
|
Box
29
Folder
4
|
The Prisoner of Zenda, 1951, June 9-1953, January 16, undated (MGM, 1952)
|
|
Box
29
Folder
5
|
The Prize, 1962, October 24-1966, June 14, undated (MGM, 1963)
|
|
Box
29
Folder
5
|
Quentin Durward, 1955, November 16 (MGM, 1955)
|
|
Box
29
Folder
5
|
The Reluctant Debutante, 1958, July 29-October 27 (MGM, 1958)
|
|
Box
29
Folder
5
|
Rio Rita, undated (MGM, 1942)
|
|
Box
29
Folder
5
|
Roberta, 1935, March 9-1972, October 9 (RKO, 1935)
|
|
Box
29
Folder
5
|
Sea of Grass, 1945, March 14 (MGM, 1947)
|
|
Box
29
Folder
5
|
The Seventh Cross, 1944, October 18-December 28, undated (MGM, 1944)
|
|
Box
29
Folder
6
|
Shall We Dance, undated (RKO, 1937)
|
|
Box
29
Folder
6
|
Soldiers Three, 1951, April 16, 1951 (MGM, 1951)
|
|
Box
29
Folder
6
|
Something of Value, 1955, April 24-1957, May 15 (MGM, 1957)
|
|
Box
29
Folder
6
|
Stage Door, 1937 (RKO, 1937)
|
|
Box
29
Folder
6
|
The Story of Vernon and Irene Castle, 1939, May 24-1940, January 12 (RKO, 1939)
|
|
Box
29
Folder
6
|
Sweet Bird of Youth, 1962, February 14-1963, March 21 (MGM, 1962)
|
|
Box
29
Folder
7
|
Symphony of Six Million, 1932, April 16, undated (RKO, 1932)
|
|
Box
29
Folder
7
|
Tea and Sympathy, 1954, July 20-1956, October 1 (MGM, 1936)
|
|
Box
29
Folder
7
|
That Girl from Paris, 1936, December 19-1937, January 15 (RKO, 1936)
|
|
Box
29
Folder
7
|
The Three Musketeers, 1949, January 8-November 18, undated (MGM, 1948)
|
|
Box
29
Folder
7
|
Top Hat, 1935, August 16-1977, April 10 (RKO, 1935)
|
|
Box
29
Folder
8
|
“The Turning Wheels,” 1960, September 6 (Unproduced)
|
|
Box
29
Folder
8
|
Undercurrent, 1947, January 28 (MGM, 1946)
|
|
Box
29
Folder
8
|
Vigil in the Night, 1940, January 2, undated (RKO, 1940)
|
|
Box
29
Folder
8
|
Way Back Home, “Other People's Business,” 1931, November 14-December 6, undated (RKO, 1932)
|
|
Box
29
Folder
8
|
Ziegfeld Girl, 1940, April 26-1941, May 15 (MGM, 1941)
|
|
|