Title: Joseph McBride Papers
Inclusive Dates: 1960-2008

Creator:

• McBride, Joseph, 1947-

Call Number: U.S. Mss 147AN; Audio 1036A; MCHC 80-018; MCHC 82-041; M2011-037

Quantity: 41.6 c.f. (107 archives boxes) and 66 tape recordings; plus additions of 63.4 c.f., 11 audio cassettes, 1 DVD videorecording, 19 computer discs, and 1 computer game on 3 DVDs

Repository:

Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research
Contact Information

Archival Locations:

Wisconsin Historical Society (Map)

COLLECTION MAY BE STORED OFF-SITE: see catalog entry to request materials and for additional information.

Abstract:

Papers of Joseph McBride, a film critic and writer, consisting of script drafts, source material, storyboards, and notes from more than 90 projects in film, television, and theater. Included is material related to his books Orson Welles (1972), John Ford (1974) co-authored with Michael Wilmington, Persistence of Vision (1969), High and Inside: The Complete Guide to Baseball Slang (1980), and Hawks on Hawks (1982); to the films Blood and Guts (1978), Rock 'n' Roll High School (1979), and Prom Night (1980); and to several American Film Institute television salutes to movie notables. Tape recordings include interviews conducted by McBride with Fred Astaire, Jacqueline Bisset, Frank Capra, Audrey Hepburn, Gene Kelly, Robert Mitchum, Donna Reed, Jimmy Stewart, Billy Wilder, and others.

Note:

There is a restriction on access to and use of this collection; see the Administrative/Restriction Information portion of this finding aid for details.

Language: English, French

URL to cite for this finding aid: http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0147an

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Joseph McBride, film critic and writer, was born in Milwaukee, Wisconsin, on August 9, 1947, to Raymond E. McBride, a reporter for the Milwaukee Journal, and Marian Dunne McBride, a former reporter for the Journal and the Milwaukee Sentinel. He graduated from Marquette University High School, Milwaukee, in 1965, won a National Merit Scholarship, and enrolled at the University of Wisconsin-Madison. However, in 1967, he flunked out of school after completing only 18 credits.

McBride then officially turned his attention to his two major interests, movies and writing. Writing had been an interest since his youth. He wrote a daily family magazine at age 9, published his first article at age 12 (1959), and wrote a book, The Language of Baseball (never published), between 1963 and 1966. He worked on his school newspapers and other publications in both high school and college. It was while in college that he became deeply interested in movies. President of the Wisconsin Film Society from 1966 to 1969, he began in 1967 to contribute articles, reviews, and criticism to such publications as Film Heritage, Sight & Sound, Life, Rolling Stone, Film Comment, Film Quarterly, and the Milwaukee Journal.

McBride has also published several books on the cinema. He edited an anthology of film criticism, Persistence of Vision, which was published by the Wisconsin Film Society Press, Madison, in December 1968. His book Orson Welles, written from 1966 to 1969, was published in 1972, as was an anthology he edited entitled Focus on Howard Hawks. John Ford, written in collaboration with Michael Wilmington from 1970 to 1972, was published in 1974.

From November 1969 to July 1973, McBride was a reporter for the Wisconsin State Journal in Madison. After a year with the Riverside (California) Press and Daily Enterprise (1973-1974), McBride became a reporter and critic for Daily Variety (Hollywood) and Variety (New York) -- a position he held until 1977. During that time, he also wrote television and film scripts, achieving his first major success with the film Blood and Guts (1978). As a free-lance writer from 1977 to 1980, McBride continued to author scripts, two of which were produced: Rock 'n' Roll High School (1979) and Prom Night (1980). Incidentally, he made a minor appearance in each film.

McBride has been an avid baseball fan since his childhood in Milwaukee, where his family was friendly with a number of players. From his youth, McBride collected material on baseball colloquialisms, which he hoped to turn into a book. After many years of drafts, rewrites, and revisions, McBride's goal was realized, as High and Inside: The Complete Guide to Baseball Slang was published by Warner Books in 1980. In the year following the book's publication, McBride again wrote for Variety and Daily Variety, serving as business editor and critic. Late in 1981, however, he returned to free-lance writing. In 1980, McBride scripted The American Film Institute Salute to James Stewart, broadcast on CBS Television. Thereafter, he wrote for the AFI's yearly program, including salutes to Fred Astaire (1981), Frank Capra (1982), John Huston (1983), and Lillian Gish (1984). Other successful productions included the American National Theatre and Academy Tribute to James Stewart (1981) and Let Poland Be Poland (1982). Also, McBride continued to contribute to books, newspapers, and magazines such as Film and Film Comment.

In addition to his writing, McBride has conducted seminars on films and directors, and has given guest lectures at universities throughout southern California.

This collection was received in multiple parts from the donor(s) and is organized into 5 major parts. These materials have not been physically interfiled and researchers might need to consult more than one part to locate similar materials.

• Part 1 (U.S. Mss 147AN): Original Collection, 1963-1973
• Part 2 (U.S. Mss 147AN, Audio 1036A): 1985 Additions, 1960-1983
• Part 3 (MCHC80-018): Additions, circa 1964-1979
• Part 4 (MCHC82-041): Additions, circa 1963-circa 1983
• Part 5 (M2011-037): Additions, 1960-2008

Access Restrictions

The audio tapes in Audio 1036A and M2011-037 may not be listened to without the written permission of Joseph McBride.

Correspondence in U.S. Mss 147AN, Box 16-17, may not be used without the written permission of Joseph McBride.

Use Restrictions

Literary rights are retained by the donor, Joseph McBride, throughout his lifetime.

Acquisition Information

Presented by Joseph McBride, Los Angeles, California, 1973-2011. Accession Number: MCHC73-073, MCHC76-132, MCHC80-018, MCHC82-041, MCHC83-022; M2011-037

Processing Information

Processed by Jude Endejan, Eleanor McKay, and Karen Baumann, 1974. Additions processed by Sheila Ryan, Colleen Wicky, and Sara Leuchter, 1985.

U.S. Mss 147AN	Series: Part 1: (U.S. Mss 147AN) Original Collection, 1963-1973 Physical Description: 6.0 c.f. (15 archives boxes)  Scope and Content Note The original collection has been arranged into three series: BIOGRAPHICAL INFORMATION, BOOKS-PUBLISHED, and BOOKS-UNPUBLISHED. The first series, BIOGRAPHICAL INFORMATION, is very brief, containing only one folder with autobiographical notes written by McBride. The bulk of Part 1 of the collection is contained in the second series, BOOKS-PUBLISHED. The material is segregated by each individual book and then arranged chronologically according to publishing date. The material provides excellent documentation of the logical fashion in which McBride prepared his books. Most of the material consists of the rough drafts of individual chapters, though some research material is also included. There is a small amount of correspondence, mostly between McBride and his publishers. The final series, BOOKS-UNPUBLISHED, contains the correspondence, rough drafts, and research materials used in his early book, The Language of Baseball. Documentation on this work is also found in the files on the published book High and Inside in Part 2 of this register.
	Subseries: Biographical Information
Box   1 Folder   1	Autobiographical notes
	Subseries: Books - Published	⇧
	Persistence of Vision (1969, Wisconsin Film Society Press)
Box   1 Folder   2	Correspondence, 1966 December 19-1968 October 3, undated
Box   1 Folder   3	Introduction (from “Critical Response” article and Principles of Film Criticism)
Box   1 Folder   4	Dale article: “Narrative, Fable & Dream in King Kong”
	Donnely articles
Box   1 Folder   5	“Love & Death in Casablanca”
Box   1 Folder   6	“The Navigator”
Box   1 Folder   7	“A Random Sampling of Directors”
Box   1 Folder   8	“Vampyr”
Box   1 Folder   9	Koch article: “Notes on the Production of Casablanca”
	Lennig articles
Box   1 Folder   10	“La Roue”
Box   1 Folder   11	“Merry-Go-Round”
Box   1 Folder   12	“Robert Flaherty”
Box   1 Folder   13	“True Heart Susie”
Box   1 Folder   14	McBride article: “Footlight Parade”
Box   1 Folder   15	Peary article: “W.C. Fields and the Absurd World”
Box   1 Folder   16	Stein article: “Robert Rossen's Last Interview”
	Wilmington articles
Box   1 Folder   17	“The Birds”
Box   1 Folder   18	“Long Day's Journey Into Night”
Box   1 Folder   19	Zwickey article: “Orpheus”
Box   1 Folder   20	Notes, outlines
Box   1 Folder   21	Notes
Box   1 Folder   22	Research: “Fellini: A Poet of Reality”
Box   1 Folder   23	Clippings
Box   1 Folder   24	Articles not used in book: synopsis (“The March of Time”)
Box   2 Folder   1-2	Articles not used in book
Box   2 Folder   3	Covers, promotion, copy of “Toward an Understanding of Documentary”
Box   2 Folder   4-5	Manuscript sent to printer
Box   2 Folder   6	Pictures not used in book
Box   2 Folder   7	Galley proofs
Box   2 Folder   8	Manuscript for Persistence of Vision
	Orson Welles (1972, Viking Press)
	General correspondence and notes
Box   3 Folder   1	1967 January 1-1970 September 30
Box   3 Folder   2	1970 October 18-1973 April 29
	Correspondence with book editors
Box   3 Folder   3	1970 May 5-1971 January 8
Box   3 Folder   4	1971 March 1-1973 May 18
Box   3 Folder   5	Correspondence and notes for Project Welles anthology and part of manuscript
Box   3 Folder   6	Early general notes
Box   3 Folder   7	General notes
Box   3 Folder   8	General outlines
Box   3 Folder   9	Chapter One: Introduction
Box   4 Folder   1	Chapter Two: Meeting Orson Welles
Box   4 Folder   2	Chapter Three: Apprentice Work
	Chapter Four
Box   4 Folder   3-4	“Citizen Kane” notes
Box   4 Folder   5-6	“Citizen Kane” drafts
Box   4 Folder   7	Citizen Kane: third revised final script
	Chapter Five
Box   4 Folder   8-9	“The Magnificent Ambersons”
Box   5 Folder   1	“The Magnificent Ambersons" (continued)
Box   5 Folder   2	The Magnificent Ambersons: screenplay
Box   5 Folder   3	Chapter Six: “Finding a New Style”
Box   5 Folder   4	Chapter Seven: “The Lady from Shanghai”
Box   5 Folder   5	Chapter Eight: “Macbeth and Othello”
Box   5 Folder   6	Chapter Nine: “Mr. Arkadin”
Box   5 Folder   7	Chapter Ten: “Touch of Evil”
Box   5 Folder   8	Chapter Eleven: “The Trial”
Box   5 Folder   9	Chapter Twelve: “Chimes at Midnight”
Box   5 Folder   10	Chapter Thirteen: “The Immortal Story”
Box   6 Folder   1-2	Appendix
Box   6 Folder   3	Magazines in which part of book appeared
Box   6 Folder   4	Script material: “The Other Side of the Wind”
Box   6 Folder   5	Article: “First Person Singular,” not in Welles book
Box   6 Folder   6	Research: “Rough Sledding with Pauline Kael”
Box   6 Folder   7-8	Research clippings and notes
Box   7 Folder   1	Research clippings and notes (continued)
Box   7 Folder   2	Clippings on book
Box   7 Folder   3	Part of manuscript for projected Welles anthology
Box   7 Folder   4	Manuscript as submitted and revised by author: carbon copy
Box   7 Folder   5	Semi-final draft
Box   7 Folder   6	Manuscript with editor and author revisions: photocopy
Box   7 Folder   7-8	Galley proofs
Box   7 Folder   9	Manuscript for Orson Welles
	Focus on Howard Hawks (1972, Prentice Hall)
	Correspondence
Box   8 Folder   1	1970 September 14-1971 September 21
Box   8 Folder   2	1971 September 27-1972 November 2, undated
Box   8 Folder   3	Outlines and notes
	Manuscripts of individual chapters
Box   8 Folder   4	Belton-Ford
Box   8 Folder   5	Haskell-McBride
Box   8 Folder   6	Peary-Bibliography
Box   8 Folder   7	Manuscripts in French
Box   8 Folder   8	Index
Box   8 Folder   9	Research materials
Box   9 Folder   1	Research materials (continued)
Box   9 Folder   2	Manuscript: typed
Box   9 Folder   3	Manuscript for Focus on Howard Hawks
	John Ford (1974, Secker and Warburg, London)
Box   9 Folder   4	Correspondence, 1969 June 10-1973 June 11, undated
Box   9 Folder   5	Chapter Two: “Himself”
Box   9 Folder   6	First rough notes
Box   10 Folder   1	Outlines, notes
Box   10 Folder   2-4	General notes
Box   10 Folder   5	“Young Mr. Lincoln”
Box   10 Folder   6	“My Darling Clementine”
Box   10 Folder   7	“They Were Expendable”
Box   10 Folder   8-9	“The Quiet Man”
Box   10 Folder   10	“Stagecoach”
Box   10 Folder   11	“The Long Gray Line”
Box   10 Folder   12	“The Rising of the Moon”
Box   11 Folder   1	“The Grapes of Wrath”
Box   11 Folder   1	“How Green Was My Valley”
Box   11 Folder   2	“The Sun Shines Bright”
Box   11 Folder   3	“The Fugitive”
Box   11 Folder   4	“Three Godfathers”
Box   11 Folder   5	“Straight Shooting”
Box   11 Folder   6	“Wagon Master”
Box   11 Folder   7	“Fort Apache,” “She Wore a Yellow Ribbon,” “Rio Grande”
Box   11 Folder   8	“The Searchers”
Box   11 Folder   9	“The Wings of Eagles”
Box   11 Folder   10	“Sergeant Rutledge”
Box   11 Folder   11-12	“The Man Who Shot Liberty Valance”
Box   12 Folder   1	“The Civil War”
Box   12 Folder   2-3	“Seven Women”
Box   12 Folder   4	“The Ford Players” (discarded chapter)
Box   12 Folder   5	“The Informer,” “The Last Hurrah”
Box   12 Folder   6	“Cheyenne Autumn”
Box   12 Folder   7	“When Willie Comes Marching Home”
Box   12 Folder   8-9	“Vietnam! Vietnam!” (documentary)
Box   12 Folder   10	Research: United States Information Agency
Box   12 Folder   11-13	Last draft
Box   13 Folder   1-3	Revised pages of typescript
Box   15 Folder   1-2	Typescript: final
	Subseries: Books - Unpublished	⇧
	Language of Baseball Note: See also Part 2 files on the book High and Inside
Box   13 Folder   4	Correspondence, 1964 June 21-1967 July 18, undated
Box   13 Folder   5-6	Notes
Box   13 Folder   7	Research books
Box   13 Folder   8	“Nicknames”: first draft
Box   13 Folder   9	“Quotes”: first draft
Box   13 Folder   10	“Words”: first draft
Box   14 Folder   1	“The Language of Baseball” by Joseph Pierce
Box   14 Folder   2	“The Language of Baseball”: manuscript, final draft
Box   14 Folder   3	“Baseballese”: looseleaf manuscript
U.S. Mss 147AN	Series: Part 2 (U.S. Mss 147AN, Audio 1036A): 1985 Additions, 1960-1983 Physical Description: 35.6 c.f. (90 archives boxes) and 66 tape recordings  Scope and Content Note The 1985 Additions to the Joseph McBride Papers primarily document his career as a critic and writer in film, television, and theater during the years 1977-1982, and consist of script drafts and revisions, source material, storyboards, notes, correspondence, and interview transcripts, from more than 90 projects. Also, included are drafts from a number of books he authored, as well as newspaper and magazine articles. The audio tapes primarily contain interviews conducted by McBride with numerous actors and actresses concerning specific Hollywood personalities. The tapes are RESTRICTED, however, and may not be listened to without the written consent of Joseph McBride. The additions are divided into eight subseries: GENERAL CORRESPONDENCE, BOOKS, MAGAZINE ARTICLES, NEWSPAPERS, SCRIPTS (FILM, TELEVISON, and THEATER), UNRELATED COMPOSITIONS, SCRIPT PROJECTS, and AUDIO RECORDINGS. The GENERAL CORRESPONDENCE subseries contains both personal and professional correspondence, mostly incoming and dating from 1960 to 1982. The bulk of the personal correspondence is from McBride's immediate family. One folder consists of letters from his wife, Linda Detra McBride (whom he divorced in 1973) and daughter, Jessica. Another contains letters from his father, Raymond McBride. A third folder consists of correspondence, 1960-1964, to McBride's mother Marian, from well-known politicians and statesmen. The BOOKS subseries contains scripts, drafts, galleys, edited manuscripts, promotion, and other papers concerning nine books McBride authored from 1972 to 1983, arranged chronologically by publication date. The majority of this material covers the 1980 publication of High and Inside: The Complete Guide to Baseball Slang, which underwent numerous revisions over the years. First entitled “Baseballese,” it was subsequently known as “The Language of Baseball,” “Baseball Talk,” “Speaking of Baseball,” and “The Complete Book of Baseball Slang.” There are also several boxes of material on the book Hawks on Hawks, published in 1982. The MAGAZINE ARTICLES subseries is comprised of notes and information on nearly 35 pieces on television and film, written by McBride from 1960 to 1982. The articles are arranged chronologically by publication date. The NEWSPAPERS subseries consists primarily of material collected by McBride during his years on Daily Variety and Variety, roughly from 1974 to 1981, including press releases; obituaries; general news and features; and film, television, theater, and concert reviews. Only the general news, feature articles, and reviews, however, were written by McBride. In addition, there are some drafts, unpublished articles, and research notes produced by McBride during his years on the University of Wisconsin's Daily Cardinal, the Wisconsin State Journal, and the Riverside Press-Enterprise. The material is arranged chronologically. The SCRIPTS subseries provides a detailed look at the steps involved in the creation of a working script (in the media of film, television, and theater) and includes source material, treatments, outlines, interview transcripts, page proofs, galleys, and drafts. The series is sub-divided into Scripts-Film, Scripts-Television, and Scripts-Theater, although the majority of the scripts were written for film. However, only three film scripts actually were produced: Blood and Guts (1978), Rock 'n' Roll High School (1979), and Prom Night (1980). The television script material concerns McBride's involvement with The American Film Institute's salutes to Jimmy Stewart (1980), Fred Astaire (1981), Frank Capra (1982), and John Huston (1983), which he wrote or co-wrote. It also documents the production Let Poland Be Poland, which was broadcast by satellite around the world in January 1982. The theater scripts include American National Theatre and Academy Tribute to James Stewart (1981), plus some unproduced pieces. It is important to note that although scripts often underwent title changes during the draft stages, they are listed according to final titles. The UNRELATED COMPOSITIONS subseries contains articles, notes, reviews, and the like written by McBride from 1962-1977, arranged chronologically. Most concern films and filmmakers. The SCRIPT PROJECTS subseries contains undated notes, sketches, and ideas for more than 60 potential scripts written by McBride. They are arranged alphabetically by title. The AUDIO RECORDINGS subseries contains 66 tape recordings, most of which are interviews conducted by McBride during the early 1980s. They include sessions with Frank Capra, Billy Wilder, Jimmy Stewart, Jacqueline Bisset, Donna Reed, Audrey Hepburn, Gene Kelly, Fred Astaire, and Robert Mitchum, among others. As many of the interviews were conducted over the telephone, the audio may be of inferior quality. Access Restrictions: The audio tapes may not be listened to without the written consent of Joseph McBride.	⇧
	Subseries: General Correspondence
	Personal
Box   16 Folder   1-3	1969-1981
Box   16 Folder   4-5	undated
Box   16 Folder   6	From Linda Detra McBride and Jessica McBride, undated
Box   17 Folder   1	From Raymond McBride, undated
Box   17 Folder   2	To Marian McBride, 1960-1964
	Professional
Box   17 Folder   3-7	1964-1982, undated
	Subseries: Books	⇧
	Orson Welles (1972)
Box   18 Folder   1	“Bright Lucifer”: script, 1933
Box   18 Folder   2	“The Other Side of the Wind”: script, undated
	John Ford (1974)
Box   18 Folder   3	Chapter One: “Bringing in the Sheaves”
Box   18 Folder   4	Chapter Two: “Half Genius, Half Irish”
Box   18 Folder   5	Galleys, undated
Box   18 Folder   6	Page proofs, undated
Box   18 Folder   7	Publicity
Box   18 Folder   8	Revisions, undated
Box   18 Folder   9-14	Source material
	Kirk Douglas (1976)
Box   19 Folder   1	Correspondence, 1975-1976
Box   19 Folder   2-3	Source material
Box   19 Folder   4-5	Notes, 1976
Box   20 Folder   1	Draft fragments, undated
Box   20 Folder   2	Draft, complete, undated
Box   20 Folder   3	Edited manuscript, undated
Box   20 Folder   4	Galleys, undated
	Orson Welles: Actor and Director (1977)
Box   20 Folder   5	Correspondence, 1976-1978
Box   20 Folder   6-9	Source material
Box   21 Folder   1-2	Notes, undated
Box   21 Folder   3	Draft fragments, undated
Box   21 Folder   4	Draft fragments, pp. 1-15, undated
Box   21 Folder   5	Draft, incomplete, pp. 1-131, undated
Box   21 Folder   6	Draft, complete, undated
Box   21 Folder   7	Galleys, undated
Box   21 Folder   8	Page proofs, undated
Box   21 Folder   9	Promotion
Box   21 Folder   10	Review, 1977
	High and Inside: The Complete Guide to Baseball Slang (1980)
Box   22 Folder   1-2	Correspondence, 1964-1980
Box   22 Folder   3	Notes, 1978
Box   22 Folder   4	Potential publishers
Box   22 Folder   5	Royalty estimates
Box   22 Folder   6	References
Box   22 Folder   7-16	Source materials
	“Baseballese”
Box   22 Folder   17	“Words”: first draft, 1963-1964
Box   23 Folder   1	“Quotes”: first draft, undated
Box   23 Folder   2	“Nicknames”: first draft, undated
	“The Language of Baseball”
Box   23 Folder   3	Second draft, pp. 1-118, 1964-1965
Box   23 Folder   4	Second draft, pp. 1-93, 1964-1965
Box   23 Folder   5	Third draft, pp. 1-217, 1965-1966
Box   23 Folder   6	Fourth draft, 1966
Box   24 Folder   1	Fifth draft, 20 June 1967
Box   24 Folder   2	Draft fragments, undated
Box   24 Folder   3	“Baseball Talk,” pp. 1-217, 1978-1979
	“Speaking of Baseball”
Box   24 Folder   4	First draft, pp. 1-242, 1978-1979
Box   24 Folder   5	Second draft, pp. 1-242, 1978-1979
Box   25 Folder   1	Third draft, pp. 1-242, 1978-1979
Box   25 Folder   2	Fourth draft, 1979 May 3
	“The Complete Book of Baseball Slang”
Box   25 Folder   3	First draft, pp. 194-268, 1979 May 3
Box   25 Folder   4	First draft, revised, 1979
Box   26 Folder   1-2	Second draft, 1979 September 12
Box   26 Folder   3-4	Third draft, 1979 November
Box   26 Folder   5	Author's replies to queries, 1979 November
Box   27 Folder   1-8	Revisions, undated
Box   28 Folder   1	Revisions (continued)
Box   27 Folder   2	Galleys, pp. 9-254, undated
Box   27 Folder   3	Nickname index, pp. 1-66
Box   27 Folder   4	Promotion
	Private Parts (unpublished)
Box   27 Folder   5	Correspondence, 1980-1982
Box   27 Folder   6	Research and clippings
Box   27 Folder   7	Notes and draft fragments, undated
Box   29 Folder   1	First draft, 1980 March-May
Box   29 Folder   2-3	Second draft, 1980 May 16
Box   29 Folder   4-5	Third draft, 1980 October 13
Box   29 Folder   6	Fourth draft, undated
	Hawks on Hawks (1982)
Box   30 Folder   1	Correspondence, 1974-1982
Box   30 Folder   2-3	Source material
Box   30 Folder   4-10	Interviews with Hawks, 1970-1977
Box   30 Folder   11-12	Article on Hawks, by McBride, in Film Comment, 1978
Box   31 Folder   1	Organizational notes, undated
Box   31 Folder   2-8	Draft fragments, undated
	Introduction
Box   31 Folder   9	Draft fragments, undated
Box   31 Folder   10	Draft, complete, undated
Box   31 Folder   11	Illustrations
Box   32 Folder   1	Filmography, notes, and drafts, undated
Box   32 Folder   2	Bibliography, notes, and drafts, undated
Box   32 Folder   3-4	Typescript #1, undated
Box   32 Folder   5-6	Typescript #2, undated
Box   32 Folder   7-8	Typescript #3, undated
Box   33 Folder   1-2	Final typescript, undated
Box   33 Folder   3	Galleys, undated
Box   33 Folder   4	Corrections
Box   33 Folder   5	Dummy
Box   33 Folder   6	Index, notes, and drafts, undated
Box   33 Folder   7	Final photocopy, undated
Box   33 Folder   8	Promotion
	Filmmakers on Filmmaking, Volumes I and II (1983)
Box   34 Folder   1	Correspondence, 1979-1983, undated
Box   34 Folder   2-3	Notes, undated
Box   34 Folder   4-5	Volume I, annotated typescript, undated
Box   34 Folder   6	Volume II, typescript, pp. 1-147, undated
Box   34 Folder   7	Introduction, edited page proofs, undated
	Subseries: Magazine Articles	⇧
Box   34 Folder   8	“The Lightfeet Top 'Em All,” 1960 May Note: On Warren Spahn's son.
Box   34 Folder   9	“Shaw Impersonated,” 1967 Spring-Summer Note: On Bramwell Fletcher.
Box   34 Folder   10	“Mr. Macdonald, Mr. Kauffmann, and Miss Kael,” 1967 Summer
Box   34 Folder   11	“Campus '69: The Quiet Year--So Far,” 1969 December Note: On the University of Wisconsin.
Box   35 Folder   1	“A Long Way from Home,” 1969-1970 Winter Note: On The Emigrants and The New Land.
Box   35 Folder   2	“Topaz,” 1969-1970 Winter
Box   35 Folder   3	“The Arrangement,” 1970 Summer
Box   35 Folder   4	“The Private Life of Billy Wilder,” 1970 Summer
Box   35 Folder   5	“The Ugliness of Belle de Jour,” 1970 November
Box   35 Folder   6	“The Private Life of Sherlock Holmes,” 1971 Spring
Box   35 Folder   7	“The Director as Superstar,” 1972 Spring Note: On Fellini: A Director's Notebook.
Box   35 Folder   8	“Running, Jumping, and Standing Still: An Interview with Richard Lester,” 1973 Spring
Box   35 Folder   9	“What Price Hollywood?,” 1973 May-June
Box   35 Folder   10	“The Importance of Being Ernst,” 1973 Summer Note: On Avanti!
Box   35 Folder   11	“Stepin Fetchit Talks Back,” 1974 Summer
Box   35 Folder   12	“Shooting The Front Page: Two Damns and One By God,” 1974 July
Box   35 Folder   13	“Coppola, Inc.,” 1975 November
Box   35 Folder   14	“George Cukor: The Blue Bird,” 1975 November-December
Box   35 Folder   15	“The Glory That Was Hollywood,” 1975 December
Box   35 Folder   16	“The Bad News Bears,” 1975-1976 Winter
Box   36 Folder   1	“Life in the Snake Pit: Val Lewton,” 1976 January-February
Box   36 Folder   2	“Aren't You ... Jimmy Stewart?,” 1976 June
Box   36 Folder   3	“Mr. and Mrs. Hitchcock,” 1976 Fall
Box   36 Folder   4	“Kid Stuff: François Truffaut on Small Change,” 1976 September-October
Box   36 Folder   5	“Song for Woody,” 1976 November-December Note: On Bound for Glory.
Box   36 Folder   6	“The Wild Party: On the Arbuckle Case,” 1977 December-January
Box   36 Folder   7	“The Most Powerful Movie Actor in the World: He'll Blow Your Head Clean Off,” 1977 April Note: On Clint Eastwood.
Box   36 Folder   8	“Olly Olly Oxen Free: On the Set with Katharine Hepburn,” 1977 August
Box   36 Folder   9	“Going for Extra Innings,” 1979 January-February
	“A Piece of the Rock: George Stevens,” 1979
Box   36 Folder   10	Research material
Box   36 Folder   11	Notes
Box   36 Folder   12-13	Interview transcript
Box   36 Folder   14	Drafts
Box   36 Folder   15	Galleys, undated
	“Bombshell Days at MGM,” 1980 March-April
Box   36 Folder   16	Interview transcript
Box   36 Folder   17	Drafts, undated
Box   37 Folder   1	“O'Toole Ascending,” 1981 March-April
	“Carry On, Cukor,” 1981 September-October
Box   37 Folder   2	Interview transcript
Box   37 Folder   3	Drafts, undated
Box   37 Folder   4	Photographs: copies
Box   37 Folder   5	“Jacqueline Bisset on Rich and Famous,” 1981 September-October
Box   37 Folder   6	“Interview with Richard Sylbert,” 1982 January-February Note: On Reds.
	Subseries: Newspapers	⇧
Box   38 Folder   1	Daily Cardinal, 1967-1971, undated
	Wisconsin State Journal
Box   38 Folder   2	Drafts and published articles, 1969-1972, undated
Box   38 Folder   3	Article on Wisconsin poet Lorine Niedecker, 1971
	Riverside Press-Enterprise
Box   39 Folder   1	Memo, 1972
Box   39 Folder   2-6	Research notes and drafts, 1973-1974
Box   40 Folder   1-4	Research notes and drafts, 1973-1974 (continued)
Box   41 Folder   1-3	Research notes and drafts, 1973-1974 (continued)
Box   41 Folder   4	Unpublished article on Charles Ashman, 1974
Box   41 Folder   5	Published articles, 1973-1974
	Daily Variety and Variety
Box   42 Folder   1	Correspondence and memoranda, 1974-1981, undated
Box   42 Folder   2-4	Telephone messages, 1974-1980, undated
Box   42 Folder   5-6	Tickets and screening invitations, 1974-1979
Box   43 Folder   1-4	Tickets and screening invitations, 1974-1979 (continued)
	Press releases collected by McBride
Box   44 Folder   1-9	1974 January-November
Box   45 Folder   1-6	1974 December-1975 April
Box   46 Folder   1-7	1975 May-November
Box   47 Folder   1-6	1975 December-1976 January
Box   48 Folder   1-5	1976 February-March
Box   49 Folder   1-5	1976 April-May
Box   50 Folder   1-4	1976 June-July
Box   51 Folder   1-5	1976 August-October
Box   52 Folder   1-3	1976 October-November
Box   53 Folder   1-5	1976 December-1977 February
Box   54 Folder   1-5	1977 February-April
Box   55 Folder   1-4	1977 April-June
Box   56 Folder   1-6	1977 June-1978 March
Box   57 Folder   1-6	1980 January-1981 January
Box   58 Folder   1	1980 December-1981 January
	General news and features
Box   58 Folder   2	1974 July-October
Box   59 Folder   1-5	1975 January-April
Box   60 Folder   1-8	1975 May-November
Box   61 Folder   1-4	1975 circa July-November
Box   62 Folder   1-2	1976 April-May
Box   63 Folder   1-6	1976 July-December
Box   64 Folder   1-6	1977 January-June
Box   65 Folder   1-2	1977 July-August
Box   65 Folder   3	circa 1977
Box   65 Folder   4-6	circa 1980-1981
Box   66 Folder   1-6	Film and television reviews, 1974 August-1980 December, undated
Box   66 Folder   7-10	Theater and concert reviews, 1975 July-1977 July, undated
Box   67 Folder   1-5	Film production charts, 1975 December-1977 August
Box   68 Folder   1-3	Obituaries, 1974-1981
Box   69 Folder   1-2	Business news, circa 1980-1981
Box   69 Folder   3	Stock market reports, circa 1980-1981
	Subseries: Scripts	⇧
	Scripts-Film
	A Moveable Feast (unproduced)
Box   70 Folder   1	Notes and correspondence, 1966 September
Box   70 Folder   2	Story boards
Box   70 Folder   3	First draft, 1966 August 26
Box   70 Folder   4	Script, undated
Box   70 Folder   5	Revisions, undated
Box   70 Folder   6	Final draft, undated
	To Build a Fire (unproduced)
Box   70 Folder   7	Notes and draft fragments, undated
Box   70 Folder   8	First draft, 1967 January 8
Box   70 Folder   9	Second draft, 1967 January 9
	Diamond (unproduced)
Box   70 Folder   10	Notes, circa 1967 March-May
Box   70 Folder   11	Treatment, 1967
Box   70 Folder   12	Source material
Box   70 Folder   13	First draft, 1967 September 12
Box   70 Folder   14	Second draft, 1967 October 2
Box   70 Folder   15	Script, undated
	Silverheels (unproduced)
Box   71 Folder   1-3	Notes and draft fragments, undated
Box   71 Folder   4	First draft, 1968 January 14
Box   71 Folder   5	Second draft, 1968 March 3
Box   71 Folder   6	Draft, revised, undated
Box   71 Folder   7	Final draft, undated
	Hell (unproduced)
Box   71 Folder   8	Correspondence, 1969 September-October, undated
Box   71 Folder   9	Source material
Box   71 Folder   10-12	Notes, undated
Box   71 Folder   13	Synopsis, undated
Box   71 Folder   14-15	Notes and draft fragments, circa 1970
Box   71 Folder   16	Partial draft, undated
Box   72 Folder   1	Draft, undated
Box   72 Folder   2	Draft, revised, undated
Box   72 Folder   3-4	Rough story board, undated
Box   72 Folder   5	Novel notes, circa 1970
Box   72 Folder   6	Novel fragment, circa 1970
	Man Bites Dog (unproduced)
Box   73 Folder   1	Correspondence, 1973 March-September
Box   73 Folder   2	Source material
Box   73 Folder   3	Notes, undated
Box   73 Folder   4	Draft, pp. 1-24, 114-130, undated
Box   73 Folder   5	First draft, undated
Box   73 Folder   6	Second draft, undated
Box   73 Folder   7	Third draft, undated
Box   73 Folder   8	Final draft, undated
	The Authentic Life of Cheyenne Harry (unproduced)
Box   74 Folder   1	Script registrations and work schedules
Box   74 Folder   2	Correspondence, 1974 April-November, undated
Box   74 Folder   3	Source material
Box   74 Folder   4-7	Notes, undated
Box   74 Folder   8-9	“The Last Outlaw”: treatment, undated
Box   74 Folder   9	“The True Story of Cheyenne Harry”: treatment, undated
Box   74 Folder   10-11	Draft fragments, undated
	“California Here I Come”
Box   74 Folder   12	Draft, undated
Box   75 Folder   1	Draft, revised, undated
	“The Buffalo Picture Company”
Box   75 Folder   2	First draft, undated
Box   75 Folder   3	Second draft, undated
Box   75 Folder   4	Third draft, undated
Box   75 Folder   5	Fourth draft, undated
	“The Extra”
Box   76 Folder   1	Script, undated
Box   76 Folder   2	Draft, revised, undated
Box   76 Folder   3	Draft, complete, 1974
Box   76 Folder   4	Manuscript corrections, undated
Box   76 Folder   5	Suggested revisions by Gerald Peary, undated
	Rock City (unproduced)
Box   77 Folder   1	Correspondence, 1977 February-1978 July
Box   77 Folder   2-3	Source material
Box   77 Folder   4	Treatments, undated
Box   77 Folder   5	Notes, undated
Box   77 Folder   6	Outlines, undated
Box   77 Folder   7-10	Notes and draft fragments, undated
Box   77 Folder   11	Draft, undated
Box   77 Folder   12	Second draft, 1976 October 18
Box   78 Folder   1	Third draft, pp. 1-56 and 64-124, 1976 October 25
Box   78 Folder   2	Fourth draft, 1976 December 5
Box   78 Folder   3	Fourth draft, revised, 1976 December 5
Box   78 Folder   4	Final draft, undated
	Hard Time Aces (unproduced)
Box   79 Folder   1	Correspondence, 1977 December-1979 September, undated
Box   79 Folder   2	Diary notes, 1977 November-December
Box   79 Folder   3	Notes, undated
Box   79 Folder   4	Potential directors and cast
Box   79 Folder   5	Source material
Box   79 Folder   6	Outline by Cirio Santiago, undated
Box   79 Folder   7	Revised outline by McBride, 1977 December 27
Box   79 Folder   8	Treatment, undated
Box   79 Folder   9	Treatment fragments, undated
Box   79 Folder   10-12	Draft fragments, undated
Box   79 Folder   13	Second draft of script by James Watkins and David Osterhout, undated
Box   79 Folder   14	First draft of rewrite by McBride, 9 March 1978
Box   79 Folder   15	Aviation action sequence, 19 December 1978
	Big Money (unproduced)
Box   80 Folder   1	Correspondence, 1978 October-1981 August, undated
Box   80 Folder   2	Source material
Box   80 Folder   3	“The Face of Fame”: synopsis of story by Patrick McGilligan, Debra Weiner, and Bob Taylor
Box   80 Folder   4	Notes, undated
Box   80 Folder   5	First draft, 1978 October 23
Box   80 Folder   6	First draft, revised, 1978 November 1
Box   80 Folder   7	Second draft, undated
Box   80 Folder   8	Second draft, revised, 1979 April 1
	The Broken Places (unproduced)
Box   81 Folder   1	Correspondence, 1978 August-1981 February
Box   81 Folder   2	Notes and source material
	“Disembodied Voices”
Box   81 Folder   3	First draft, 1978 May 30
Box   81 Folder   4	Draft fragments and revisions, undated
Box   81 Folder   5	Final draft, undated
Box   81 Folder   6	Final draft, revised, undated
	Blood and Guts (Melvin Simon Productions, 1978)
Box   82 Folder   1-2	Correspondence, 1975 September-1980 February, undated
Box   82 Folder   3	Related material
Box   82 Folder   4-5	Notes, undated
Box   82 Folder   6	“Gorgeous George”: treatment, 1975
Box   82 Folder   7	Script pages by Paul Lynch, undated
Box   82 Folder   8	Early draft pages, undated
Box   82 Folder   9	Notes for first draft, undated
Box   82 Folder   10	First draft, pp. 1-44, undated
Box   82 Folder   11	Revised pages, 1975
Box   82 Folder   12	Early second draft pages, undated
Box   82 Folder   13	Second draft, undated
Box   82 Folder   14	Second draft, retyped, undated
Box   83 Folder   1	Second draft, revised, undated
Box   83 Folder   2	Third draft, circa 1975
Box   83 Folder   3	Third draft, retyped, undated
Box   83 Folder   4	Notes for semi-final revision, 1977
Box   83 Folder   5	Semi-final draft, revised, 1977
Box   83 Folder   6	Draft, revised, 1977
Box   83 Folder   7	Draft by William Gray and John Hunter, undated
Box   83 Folder   8	Notes on McBride's draft and on draft by Gray and Hunter, undated
Box   83 Folder   9	Draft by McBride, William Gray, and John Hunter, undated
Box   84 Folder   1-2	Draft, revised, by McBride, William Gray, and John Hunter, pp. 1-119, 1977 August 12
Box   84 Folder   3	Draft, revised, pp. 2-119, 1977 September 2
Box   84 Folder   4-6	Revised draft pages, undated
Box   85 Folder   1	Journal, 1977 August
Box   85 Folder   2	Notes, shooting schedules, and call sheets, 1977 August
Box   85 Folder   3	Publicity
Box   85 Folder   4	Reviews and clippings, 1977-1982, undated
Box   85 Folder   5	Transcript of interview with Paul Lynch and Joseph McBride, 1978 February
Box   85 Folder   6	Programs, 1978
	Rock 'n' Roll High School (New World Pictures, 1979)
Box   85 Folder   7	Correspondence, 1979 January-1981 September, undated
Box   85 Folder   8	Source material
Box   85 Folder   9	Notes and treatments, undated
Box   85 Folder   10	Outlines, undated
Box   85 Folder   11	Notes on McBride's drafts and on drafts by Allan Arkush and Joe Dante, undated
	“Girls' Gym”
Box   85 Folder   12	First draft by Allan Arkush and Joe Dante, undated
Box   86 Folder   1	First draft by McBride, 1977 July 31
Box   86 Folder   2	Second draft scene breakdown, undated
Box   86 Folder   3	Second draft, 1977 September 1
	“California Girls”
Box   86 Folder   4	Third draft, 1977 October 13
Box   86 Folder   5	Third draft, revised, undated
Box   86 Folder   6	Fourth draft, 1977 October 19
Box   87 Folder   1	Fifth draft, 1977 October 25
Box   87 Folder   2	Final draft, 1977 October 25
Box   87 Folder   3	Final draft, retyped, pp. 1-40, 110, 112, 1977 October 25
Box   87 Folder   4-5	Revised pages, undated
Box   87 Folder   6	Draft by Richard Whitley and Russ Dvonch, undated
Box   87 Folder   7	Shooting schedules, 1978 November-December
Box   87 Folder   8	Press kit
Box   87 Folder   9	Clippings and reviews, 1976 August-1982 July, undated
	No More Mr. Nice Guy (unproduced)
Box   88 Folder   1	Script, undated
Box   88 Folder   2	Final script, undated
	Don't See the Doctor (unproduced)
Box   89 Folder   1	Notes from Paul Lynch, 1979 January
Box   89 Folder   2	Notes by McBride, undated
Box   89 Folder   3	Treatment fragments by Paul Lynch, undated
Box   89 Folder   4	Draft treatment by Paul Lynch, undated
Box   89 Folder   5	Treatment by McBride and Paul Lynch, 1979 March 7
	Prom Night (Avco Embassy Pictures, 1980)
Box   89 Folder   6	Draft by William Gray, June 1979
Box   89 Folder   7	Press kit, clippings, and reviews, 1979-1981
Box   89 Folder   8	“Remember Bobby”: correspondence and story drafts, 1978
	Catman and the Kid (unproduced)
Box   90 Folder   1	Notes, undated
Box   90 Folder   2	First draft by William Gray and Jacob Barnes (McBride's pseudonym), 1978 December 4
Box   90 Folder   3	“Catman,” First draft, undated
Box   90 Folder   4	Notes and revised pages, undated
Box   90 Folder   5	Draft, undated
Box   90 Folder   6	Script by William Gray, undated
Box   90 Folder   7	Script by McBride, undated
	The Hurricane (unproduced)
Box   91 Folder   1	Source material
Box   91 Folder   2-3	Notes and draft fragments, undated
Box   91 Folder   4	Partial draft, undated
Box   91 Folder   5	Draft, undated
	Red Gold (unproduced)
Box   91 Folder   6	Draft, incomplete, pp. 1-36, 1979
Box   91 Folder   7	Synopsis, 1981
Box   91 Folder   8	Navajo Story (unproduced), partial draft, 1981 March 16
	Television
	The American Film Institute Salute to James Stewart (CBS, March 16, 1980)
Box   92 Folder   1	Correspondence, 1979 December-1980 March
Box   92 Folder   2-6	Source material
Box   92 Folder   7	Draft fragments, undated
Box   92 Folder   8	Final draft, 1980 February 27
Box   92 Folder   9	Final script, 1980 March 16
	Production
Box   92 Folder   10	Film sequences and rundowns, 1980 February
Box   92 Folder   11	Notes, undated
Box   92 Folder   12	Tribute book and guest seating
	The American Film Institute Salute to Fred Astaire (CBS, April 10, 1981)
Box   93 Folder   1	Correspondence, 1980 November-1981 June, undated
Box   93 Folder   2	Source material
Box   93 Folder   3	Transcripts of interviews with Astaire, 1976, 1981
Box   93 Folder   4	Transcripts and interview notes with Barrie Chase, Mikhail Baryshnikov, Cyd Charisse, Bob Fosse, Gene Kelly, undated
Box   93 Folder   5	Transcripts and interview notes with Hermes Pan, Eleanor Powell, Ginger Rogers, undated
Box   93 Folder   6	Clippings and articles on Astaire, 1935-1937, 1951-1983
Box   93 Folder   7	Lists of Astaire's credits and film clip selection
Box   93 Folder   8	Program, 1973
Box   93 Folder   8 (continued)	American Film Institute Annual Report, 1979-1980
Box   93 Folder   9	Notes, undated
Box   93 Folder   10	Draft fragments, undated
Box   94 Folder   1-2	Speech drafts, undated
Box   94 Folder   3	Production notes
Box   94 Folder   4	Production records
Box   94 Folder   5-8	Tribute book
Box   94 Folder   9-10	Clippings, 1981
Box   95 Folder   1	Draft, 1981 April
Box   95 Folder   2	Final draft by George Stevens Jr. and McBride, 1981 April 10
	Let Poland Be Poland (United States International Communication Agency, January 31, 1982)
Box   96 Folder   1	Correspondence, 1982 January
Box   96 Folder   2	USICA notes, memoranda, and reports, 1981-1982
Box   96 Folder   3-4	Source material
Box   96 Folder   5	Magazine articles
Box   96 Folder   6	Notes, undated
Box   96 Folder   7	Draft, undated
Box   96 Folder   8	Draft, revised, 1982 January 28
Box   96 Folder   9	Additions to script, 1982 January 30
Box   96 Folder   10	Pasetta productions, contact lists and production schedules
Box   96 Folder   11	Rundown of segments, 1982 January 17-24
Box   96 Folder   12	McBride's expenditures
Box   96 Folder   13	Press releases
	The American Film Institute Salute to Frank Capra (CBS, April 4, 1982)
Box   97 Folder   1	Correspondence, 1981 June-1982 April, undated
Box   97 Folder   2	Transcripts and interview notes with Donna Reed and Jimmy Stewart, 1982
Box   97 Folder   3	Transcripts of unpublished interviews with Capra, 1941, 1982
Box   97 Folder   4	Writings by Capra, 1917-1975, undated
Box   97 Folder   5	Miscellaneous material
Box   97 Folder   6	Transcripts of seminars with Capra, 1968-1978
Box   97 Folder   7-8	Articles and clippings on Capra, 1932-1982
Box   97 Folder   9	Capra's film credits
Box   97 Folder   10	Notes and draft fragments regarding Jimmy Stewart, undated
Box   98 Folder   1	Draft fragments
Box   98 Folder   2	Revisions
Box   98 Folder   3	Final draft for awards dinner by George Stevens Jr. and McBride, notes and schedules, undated
Box   98 Folder   4	Final draft for telecast by George Stevens Jr. and McBride, undated
	Production
Box   98 Folder   5	Notes and rundowns, undated
Box   98 Folder   6	Still and film lists Note: Including key to photocopies of stills.
	Stills: photocopies
Box   98 Folder   7	Unnumbered, 51-105
Box   98 Folder   8	106-227
Box   98 Folder   9	Expenses
Box   98 Folder   10-12	Tribute book
	The American Film Institute Salute to John Huston (CBS, May 3, 1983)
Box   99 Folder   1	Correspondence, 1982-1983, undated
Box   99 Folder   2	Interview notes and quotations, undated
Box   99 Folder   3-4	Articles and clippings, 1937, 1950-1983, undated
Box   99 Folder   5	Transcript of AFI Seminars with Ray Bradbury, 1969 October
Box   99 Folder   6	Program, Film Society of Lincoln Center Tribute to John Huston, 1980 May
Box   99 Folder   6 (continued)	AFI Annual Report, 1981-1982
Box   99 Folder   7	Draft fragments, undated
Box   99 Folder   8	Drafts, undated
Box   99 Folder   9	Drafts of Lauren Bacall's script, undated
Box   99 Folder   10	Revisions, 1983 March 2
Box   100 Folder   1	Final draft by George Stevens Jr. and McBride, 1983 March 3
	Production
Box   100 Folder   2	Notes, 1982-1983
Box   100 Folder   3	Film sequence selection
Box   100 Folder   4	Rehearsal schedules and rundowns
Box   100 Folder   5	Financial records, 1982-1983
Box   100 Folder   6-11	Tribute book
	Theater
	The Mess in the Kitchen (unproduced)
Box   101 Folder   1	Notes, 1966-1967
	“James Twice”
Box   101 Folder   2	First draft, 1966 November 27
Box   101 Folder   3	Second draft, 1967 January 16
Box   101 Folder   4	Final draft, undated
	Chessman (unproduced)
Box   101 Folder   5	Notes and first draft, undated
Box   101 Folder   6	Second draft, 1968 January 15
Box   101 Folder   7-8	Second draft, revised, undated
Box   101 Folder   9	Final draft, revised, undated
Box   101 Folder   10	Final draft, revised and retyped, undated
	American National Theatre and Academy Tribute to James Stewart (November 13, 1981)
Box   102 Folder   1	Correspondence and clippings, 1981 November
Box   102 Folder   2	Notes, undated
Box   102 Folder   3	Draft fragments, undated
Box   102 Folder   4	Drafts of host's introduction, undated
Box   102 Folder   5	Drafts of the Tevye sketch, undated
Box   102 Folder   6	Drafts of the Kowalski sketch, undated
Box   102 Folder   7-8	Drafts of the Hamlet sketch, undated
Box   102 Folder   9	Script draft, undated
Box   102 Folder   10	Draft, revised, 1981 November 6
Box   102 Folder   11	Invitation, program, and souvenir journal
	Subseries: Unrelated Compositions	⇧
	Television and Motion Picture Projects and Scripts by Others
Box   107 Folder   1	Because of the Cats, undated
Box   107 Folder   2	Police Story, “Line of Fire”: revised final script by E. Arthur Kean, 1973 October 23
Box   107 Folder   3	Rich and Famous: final draft by Gerald Ayres, 1980 April 9
Box   107 Folder   4	Rolling Thunder: revised script by Paul Schrader, 1973 December 28
Box   107 Folder   5	Yentl, the Yeshiva Boy: first draft by Isaac Bashevis Singer, undated
Box   107 Folder   6	Wyatt Earp in Hollywood: outline, undated
Box   103 Folder   1	Baseball articles, 1962-1963
Box   103 Folder   2-3	High school and college essays, undated
Box   103 Folder   4	Translations from Latin, 1965-1966
Box   103 Folder   5	The Tragedie of MacHale, King of Atlanta: script drafts, circa 1964
Box   103 Folder   6	Cicero: research notes, summary, and incomplete script, pp. 1-30, circa 1964
Box   103 Folder   7	Wisconsin Film Society, Studio Film, and Wisconsin Union Film Committee: notes, undated
Box   103 Folder   8	Roger Corman in a Nickelodeon: correspondence, notes, and drafts, circa 1968
Box   104 Folder   1-2	Film reviews, histories, and criticisms, undated
Box   104 Folder   3	“The Private World of Fahrenheit 451”: correspondence, notes, and drafts, 1973
Box   104 Folder   4	Milwaukee Journal articles by McBride, 1969, undated
Box   104 Folder   5	The Late Great Planet Earth: preface to movie edition, undated
Box   104 Folder   6	Two Cheers for Hollywood: notes, circa 1976
Box   104 Folder   7	“The McCarey Treatment”: source material, notes, and drafts, undated
Box   104 Folder   8	“The Original Ending Sequence” of Exorcist II: The Heretic, 1977 September-October
Box   104 Folder   9	“The Other Side of Orson Welles,” drafts, undated Note: On The Other Side of the Wind.
	Subseries: Script Projects	⇧
Box   105 Folder   1	List of projects, undated
Box   105 Folder   2	After Many a Summer Dies the Swan, undated
Box   105 Folder   3	Brouhaha, undated
Box   105 Folder   4	Burn, Baby, Burn!, circa 1967
Box   105 Folder   5	Can a Martian Help It If He's Colored Green?, undated
Box   105 Folder   6	The Captain Hates the Sea, undated
Box   105 Folder   7	Civil War Project, undated
Box   105 Folder   8-9	Close But No Cigar: notes and storyboards, 1968
Box   105 Folder   10	Close Call, undated
Box   105 Folder   11	Coitus Interruptus, undated
Box   105 Folder   12	Commercial, undated
Box   105 Folder   13	Concentration Camp Project, undated
Box   105 Folder   14	Donner Lake, undated
Box   105 Folder   15	The End of a Perfect Day (Lazy Afternoon), undated
Box   105 Folder   16	L'Étranger: first draft, 1966 December
Box   105 Folder   17	Everybody Loves a Parade, undated
Box   105 Folder   18	The Executioner: notes and treatment, 1967 November
Box   105 Folder   19	The Family Tree, undated
Box   105 Folder   20	The FBI Story, undated
Box   105 Folder   21	Happiness, undated
Box   105 Folder   22	Helter Skelter, undated
Box   105 Folder   23	Hitler's Mustache, undated
Box   105 Folder   24	I'm Nobody, undated
Box   105 Folder   25	Indian Giver, undated
Box   105 Folder   26	Jessica, undated
Box   105 Folder   27	Lady Under Glass, undated
Box   105 Folder   28	The Last Tycoon, undated
Box   105 Folder   29	The Legion, undated
Box   105 Folder   30	The Little Red Book, undated
Box   105 Folder   31	Lysistrata: notes, undated
Box   105 Folder   32	A Man in the Way, undated
Box   105 Folder   33	Mental Hospital: short film, undated
Box   105 Folder   34	The Million-Dollar Face, undated
Box   105 Folder   35	The Missionary Position, undated
Box   105 Folder   36	Montgomery, undated
Box   105 Folder   37	Ms. America, undated
Box   105 Folder   38	The Next President of the United States, undated
Box   105 Folder   39	One Fine Morning, undated
Box   105 Folder   40	One Moment, Please, undated
Box   105 Folder   41	The Party's Over, undated
Box   105 Folder   42	Plastic Man, undated
Box   105 Folder   43	“Playboy”: notes, undated
Box   106 Folder   1	Politics Is Applesauce, undated
Box   106 Folder   2	Ramblin' Around, undated
Box   106 Folder   3	Revolution for the Hell of It, undated
Box   106 Folder   4	The Second Coming, undated
Box   106 Folder   5	Snowball, undated
Box   106 Folder   6	So Long, It's Been Good to Know You, undated
Box   106 Folder   7	Space Invaders: synopsis and notes, circa 1982
Box   106 Folder   8	Untitled projects, undated
Box   106 Folder   9	Vibrator script, undated
Box   106 Folder   10	The Walking Curse, undated
Box   106 Folder   11	What Kind of Man Reads Playboy?, undated
Box   106 Folder   12	Where Is Anybody?, undated
Box   106 Folder   13	Worst Foot Forward, undated
Box   106 Folder   14	Wrong-Way Corrigan, undated
Audio 1036A	Subseries: Audio Recordings Access Restrictions: The audio tapes in Audio 1036A may not be listened to without the written permission of Joseph McBride.	⇧
1036A/1-2	Billy Wilder interview, undated
1036A/3-4	Frank Capra at La Quinta, 1981 November
1036A/5	Cyd Charisse interview, 1981 Febuary
1036A/6-8	Jimmy Stewart interview, 1983 July
1036A/9-13	Hank Worden interview, 1983 July-August
1036A/14-15	“Hurricane,” undated
1036A/16	Ginger Rogers interview, 1981 April
1036A/17	[Unidentified], 1981 March
1036A/18-19	“Good Sam,” 1981 March
1036A/20	Eleanor Powell interview, 1981 March
1036A/21	Mikhail Baryshnikov interview, 1981 April
1036A/22	Rich Little impersonations of Frank Capra characters, undated
1036A/23-24	Jacqueline Bisset interview, undated
1036A/25	Donna Reed interview, 1982 January
1036A/26	Jimmy Stewart interview, undated
1036A/27	David Niven and Ginger Rogers interviews, 1981 March
1036A/28	Dolores Del Rio interview, 1981 March
1036A/28 (continued)	Audrey Hepburn interview, 1981 April
1036A/29	Audrey Hepburn and David Niven interviews, 1981 March
1036A/30	Barbara Walters interviews Fred Astaire, ABC-TV, 1980 March
1036A/30-31	Fred Astaire interview, 1981 January
1036A/32	Gene Kelly interview, 1981 Febuary
1036A/33-34	Hermes Pan interview, 1981 March, undated
1036A/35	Robert Mitchum interview, 1982 November
1036A/36-39	George Cukor interview, 1981 August
1036A/40-41	Richard Sylbert interview, 1981 November
1036A/42	Bud Yorkin interview, 1981 March
1036A/43	Chuck Hayward interview, undated
1036A/44	Discussion by Abraham Polonsky on Tell Them Willie Boy Is Here, at Filmex, 1980 March
1036A/45	“Directed by John Ford, Parts I and II,” undated
1036A/46	John Lee Mahin interview, undated
1036A/47	Chuck Hayward interview, undated
1036A/48	Neil Simon interview, undated
1036A/49	Sherman Beck interview, undated
1036A/50	Interview with unidentified stuntman, undated
1036A/51	Fredric March interview, undated
1036A/52	J. Hart and B. Laird interviews, undated
1036A/53	Claudette Colbert interview, undated
1036A/54	Billie Wallace interview of Billy Wilder, circa 1970
1036A/55	Howard Hawks interview, undated
1036A/56-59	Joseph McBride, Howard Hawks, and Peter Bogdanovich on works of Hawks, undated
1036A/60-62	Howard Hawks interview, undated
1036A/63	Barrie Chase interview, 1981 March
1036A/64	“Dyke--Taxes, Budget, Daycare”: interview by a woman reporter with Madison Mayor Bill Dyke, undated
1036A/65	“What Price Hollywood”: interview with Howard Hawks and part of the film The Great Race, undated
1036A/66	Speeches regarding a Madison program to hire Vietnam veterans
MCHC80-018	Series: Part 3 (MCHC80-018): Additions, circa 1964-1979 Physical Description: 0.8 c.f. (2 archives boxes)  Scope and Content Note: Scripts, circa 1964-1979, and the transcript of an interview with John Boorman, 1977	⇧
	Scripts
Box   1 Folder   1	The Black Marble / Joseph Wambaugh, 1979 July
Box   1 Folder   2	Bound for Glory: The Woody Guthrie Story, 1974 December
Box   1 Folder   3	Images / Robert Altman, 1968 March
Box   1 Folder   4	Brewster McLeod's (Sexy) Flying Machine, 1964
Box   1 Folder   5	Oh Death, Where is Thy Sting-A-Ling-A-Ling, 1964 September
Box   1 Folder   6	The Short Night, 1978 June
Box   1 Folder   7	That Cold Day in the Park, 1968 September
Box   1 Folder   8	Something Wicked This Way Comes / Ray Bradbury, 1976 December
Box   2 Folder   1	The Drowning Pool, 1973 July
Box   2 Folder   2	Exorcist II: The Heretic, 1977
Box   2 Folder   3	M.A.S.H. (film), 1968 December
Box   2 Folder   4	The Heretic, 1976
Box   2 Folder   5	John Boorman interview: transcript, 1977 June
MCHC82-041	Series: Part 4 (MCHC82-041): Additions, circa 1963-circa 1983 Physical Description: 7.0 c.f. (7 record center cartons)  Scope and Content Note: Additions, circa 1963- circa 1983, of film treatments and scripts, copies of book manuscripts and research, and material relating to The American Film Institute Salute to James Stewart in 1980.	⇧
Box   1	Film treatments, 1973-1982
Box   2	Copies of manuscripts Note: Hawks on Hawks, High and Inside, and 2000 Year Old Man.
Box   3	The American Film Institute Salute to James Stewart, 1980
Box   4	Orson Welles: Actor and Director, research and drafts, 1976
Box   5	Film scripts, 1972-1981 Note: Big Money, Man Bites Dog. Also includes an untitled novel.
Box   6	No More Mr. Nice Guy, 1981
Box   7	Cheyenne Harry
M2011-037	Series: Part 5 (M2011-037): Additions, 1960-2008 Physical Description: 55.6 cubic feet (137 archives boxes, 1 flat box, and 1 card file box), 11 audio cassettes, 19 computer discs, and 1 computer game on 3 DVDs  Scope and Content Note: Additions, 1960-2008, to the Joseph McBride Collection, containing research notes, and records of book and article preparation. The additions mainly cover four broad areas: Frank Capra (McBride biography published in 1992); John Ford (McBride biography published in 2001); Steven Spielberg (McBride biography published in 1997); Orson Welles (McBride books published in 1972, 1977, 1996, and 2006). Research materials consist of notes on archival collections, clippings, interviews with the subjects and their associates (family, friends, and professional colleagues), and notes on their films and other works. In addition there are research notes, drafts, and correspondence about other books and articles by McBride, including his file on his articles, 1960-2008. Access Restrictions: The audio tapes in M2011-037 may not be listened to without the written consent of Joseph McBride.	⇧
	Personal
Box   1 Folder   1	Vita, 1993
	Correspondence
Box   1 Folder   2-3	Greeting cards, letters from family and friends
Box   1 Folder   4	Phone messages, 1992 January-February
Box   1 Folder   5	Miscellaneous business correspondence
Box   1 Folder   6-7	Email correspondence, 2001-2002
Box   1 Folder   8	Correspondence with Michael Coyne regarding the proofs of his book, American Political Films, 2007
Box   2 Folder   1	Stephen Humphries, “Movie Trends: Films Push Boundary of Onscreen Sex,” Christian Science Monitor (2004 September 3): 13 and 15, clipping of article on the film Brown Bunny which cites an interview with McBride; card with note of thanks by Humphries.
Box   2 Folder   2	Correspondence with Jean Oppenheimer and notes on discussion
Box   2 Folder   3	Correspondence with Abraham Polonsky, Roger Corman, and Burt Kennedy, mostly 1995 July
Box   2 Folder   4	Correspondence with Lelia Ruckenstein, regarding her becoming his agent, 1995
Box   2 Folder   5-7	Correspondence with Richard Parks (McBride's agent), 1997-2001
Box   2 Folder   8	Correspondence with Janice Gallagher of Lowell House Press asking about opportunities as a copy editor, 1993
Box   2 Folder   9	Notes, correspondence, clippings on Hollywood-related projects
Box   2 Folder   10	Miscellaneous correspondence on book and article projects
Box   2 Folder   11	List of submissions of scripts by McBride, 1982
Box   2 Folder   12	To the Smithsonian Institution regarding permission for their use of extracts from McBride's books in their catalogs
Box   2 Folder   13	Profile of Joseph McBride by Joe Cinciotti, New York Times, 1992 April Note: Also includes correspondence.
Box   2 Folder   14	Research on literary awards, 1992
Box   3 Folder   1	Job applications Note: For a post at Los Angeles County Museum of Art, 1996; for the editorship of the Almanac Calendar, 2000; for the editorship of Written By, 1998.
Box   3 Folder   2	Letters of recommendation Note: Letter to Judge Terry Friedman regarding Michael Dare; blurb for Ray Greene's book Hollywood Migraine; blurb for Stephen Crane; letter of recommendation for Tom Thurman, 2005.
Box   3 Folder   3	Correspondence with David Weddle, including providing a blurb for his book on Sam Peckinpah, 1994
Box   3 Folder   4	Correspondence with Hubert Cornfield regarding his draft autobiography, 2001
Box   139	Appointment books, 1979, 1980, 1983, 1992-2001, and 2003
	Entries on Joseph McBride in directories
Box   3 Folder   5	Contemporary Authors, 1979 and 2008
Box   3 Folder   6	Gale Research vita
Box   3 Folder   7	Who's Who in Entertainment questionnaire, 1988
Box   3 Folder   8	Writers Guild of America, West, directory, 1979
	Invitations to events, lectures, etc.
Box   3 Folder   9	The Filmex Society, An Evening with Elizabeth Taylor: brochure, 1981 November 8
Box   3 Folder   10	Canadian Broadcasting Corporation (CBC), interview of McBride by Geoff Pevere, 1993 January Note: Includes correspondence, notes.
Box   3 Folder   11	Academy of Motion Picture Arts and Sciences Centennial Tribute to Fred Astaire: program brochure, 1999 May 14
Box   3 Folder   12	Talk to Palo Alto High School Journalism class, 2001 October 4
Box   3 Folder   13	Invitation to Le Giornate del Cinema Muto, Pordenone, Italy, 2001 October 13-20
Box   3 Folder   14	Talks at Pacifica Library, Pacifica, California Note: On Fahrenheit 451, October 17, 2003 and Primary and Unprecedented, October 22, 2004.
Box   3 Folder   15	Appearance at San Francisco Korean-American Film Festival, 2006 February 7-12
Box   3 Folder   16	50th anniversary celebration of Vertigo, Mission San Juan Bautista, California, 2007 October 5-7
	Employment and Professional Service
	American Film Institute
Box   138 Folder   1	AFI Award for Life Achievement in Motion Pictures and Television: John Ford, 1973 Note: Brochure.
Box   41 Folder   7	AFI Award for Life Achievement in Motion Pictures and Television: John Ford, 1973 (continued)
Box   138 Folder   2	AFI Award for Life Achievement in Motion Pictures and Television: James Cagney, 1974 Note: Brochure.
Box   138 Folder   3	AFI Award for Life Achievement in Motion Pictures and Television: Orson Welles, 1975 Note: Brochure.
Box   138 Folder   4	AFI Award for Life Achievement in Film and Television: Bette Davis, 1977 Note: Brochure.
Box   3 Folder   17	AFI Award for Life Achievement in Film and Television: Alfred Hitchcock, 1979 Note: Brochure; award dinner guest seating list; text of presentation by George Stevens Jr.; photocopies of four 8x10 black-and-white photographs (for originals, see Photographs).
Box   138 Folder   5	AFI Award for Life Achievement in Film and Television: James Stewart, 1980 Note: Brochure.
Box   3 Folder   18	AFI Award for Life Achievement in Film and Television: Fred Astaire, 1981 Note: Brochure.
Box   11 Folder   25	AFI Award for Life Achievement in Film and Television: Frank Capra, 1982 March 4 Note: Brochure, press book and clippings.
	AFI Award for Life Achievement in Film and Television: John Huston, 1983
Box   3 Folder   19	Clippings book
Box   3 Folder   20	Correspondence
Box   4 Folder   1	AFI Award for Life Achievement in Film and Television: Lillian Gish, 1984 Note: Correspondence with Kevin Brownlow of Thames Television, George Stevens Jr., and Fay Wray regarding the awards ceremony; certified copy of Lillian Gish's birth certificate.
Box   72 Folder   3	AFI Life Achievement Award: Steven Spielberg, 1995
	100 Years . . . 100 Movies: War and Peace Note: Cable TV special written by McBride for the AFI and TNT, 1998.
Box   4 Folder   2	Correspondence, outline
Box   4 Folder   3-4	Interview transcripts Note: Interviews by Richard Schickel with Curtis Hanson, Oliver Stone, Clint Eastwood, Robert Towne, Martin Scorsese, and Steven Spielberg; as well as Mel Stuart interview with Woody Allen.
Box   4 Folder   5	Correspondence, 2006 Note: Regarding book of interviews at AFI life achievement awards.
	Daily Variety
Box   4 Folder   6	McBride's application for re-employment by Cahners Publishing Company, the publishers of Daily Variety, 1989 March 5
Box   4 Folder   7	Correspondence and telephone messages, 1980-1981
Box   4 Folder   8	Photocopy of Catherine Siepp, “Here's to the Trades!,” Buzz (March 1997): 48-52 Note: Including discussion of McBride's Variety review of Patriot Games.
Box   4 Folder   9-11	Clippings of articles and reviews in Variety by McBride, 1980-1981
Box   4 Folder   12	Photocopies of Variety reviews, credited to “Mac” (McBride), 1990
Box   4 Folder   13	Correspondence with Lem Dobbs about the credits for The Hard Way, 1992 June
Box   4 Folder   14	Review by McBride of Beauty and the Beast, 1991 Note: Draft, film notes, pressbook.
Box   5 Folder   1	Review of The Prince of Tides, 1991 Note: Drafts, film notes, pressbook.
Box   5 Folder   2	Article on Philippe Mora's Hitler film project, 1992 Note: Drafts.
Box   5 Folder   3	News story on the Directors Guild of America granting Charles Champlin life membership, 1992 February
Box   5 Folder   4	Letter from Gilbert Cates on a Variety article on him by McBride, 1992 May 29
	Los Angeles Film Critics Association (LAFCA)
Box   5 Folder   5	LAFCA stationery
Box   5 Folder   6	Membership list and card, 2000
Box   5 Folder   7	Correspondence and clippings regarding LAFCA's refusal to give Elia Kazan a lifetime achievement award in 1996 and in 1999
Box   5 Folder   8-9	Correspondence regarding 1995 LAFCA Achievement Awards, 1995-1996
Box   5 Folder   10	Opening speeches and introduction of Joan Allen at the 1995 Awards Note: Speeches given by McBride.
Box   6 Folder   1	Correspondence regarding 1996 LAFCA Achievement Awards, 1996-1997
Box   6 Folder   2	Invitations and replies to invitations to 1996 Awards
Box   6 Folder   3	Voting for 1996 Lifetime Achievement Award to Roger Corman
Box   6 Folder   4	Coverage of the 1996 Awards on Cinemania website
Box   6 Folder   5	LAFCA members' meeting, 1997 June
Box   6 Folder   6	Correspondence with Manohla Dargis about the administration of the LAFCA Achievement Awards, 1997
Box   6 Folder   7	Correspondence, 1999-2001 Note: With program booklets for 1998 and 1999 Awards ceremonies.
Box   6 Folder   8	Joseph McBride, “Remarks on Billy Wilder,” 1995 January 17 Note: Speech at presentation of Los Angeles Film Critics' Association's career achievement award: computer-printed typescript.
	Teaching
Box   6 Folder   9	Workshop on “The Depiction of the Irish and Irish-Americans in Film,” New College of San Francisco, 1998 November 21 Note: Includes syllabus; correspondence with Ruth O'Hara; courses, 2003.
	Research and Publications
	Frank Capra
Box   6 Folder   10	Writings by Frank Capra Scope and Content Note “The Master Mind”: photocopy of handwritten copy of short story written by Capra while at college “The Gag Man”: photocopies of original (also Harry Langdons contribution to the same book) and reprint in Richard Koszarski, Hollywood Directors, 1914-1940 (Oxford University Press, 1976), pp. 181-185 “Did I Make You Laugh?” (no source given) “What Is Smut Worth?”, Hollywood Reporter (May 31, 1934) “Frank Capra Tells All,” New York Times (December 16, 1934): 4X “Sacred Cows to the Slaughter,” Stage (July 1936): 40-41 “An Onion Can Make You Cry, But There Is Yet to Be Invented a Vegetable that Can Make You Laugh”: typescript of article for Isskustvo Kino (January 1964) “Fun in a Sicily Madhouse,” Philadelphia Daily News (March 31, 1972): 3F and F9
Box   6 Folder   11	Published interviews with Capra
Box   6 Folder   12	Drafts of speeches by Capra (“LAA speech notes”)
Box   6 Folder   13	Letters to and from Capra Note: Correspondents include Eugene DeRue, Edward Bernds, Gary Cooper, and Kevin Thomas.
Box   6 Folder   14	Clippings about Capra
	Critical articles on Capra
Box   7 Folder   1	General
Box   7 Folder   2	Articles by Neil Hurley, S.J.
Box   7 Folder   3	Special issue of Positif, 1971 December Note: Photocopy of pp. 4-75 and 88-93.
Box   7 Folder   4	Special issue of Film Comment, 1972 November-December
	Research
Box   7 Folder   5	Chronology
Box   7 Folder   6	Meet Frank Capra: A Catalog of His Work / filmography by AFI catalogers, 1990
Box   7 Folder   6	“Bio-filmographie de Frank Capra” / Olivier Comte and Olivier Eyquem
Box   7 Folder   7	McBride's correspondence with Kevin Brownlow about Capra
Box   7 Folder   8	Kevin Brownlow/Philip Jenkinson interview with Capra
Box   7 Folder   9	Correspondence with Patrick McGilligan about Capra
Box   7 Folder   10	Correspondence with Marc Wanamaker of Bison Archives about Capra
Box   7 Folder   11-12	Miscellaneous research notes and correspondence
Box   7 Folder   13	Marriage certificates and associated correspondence
Box   7 Folder   14	Early life in Sicily
Box   7 Folder   15	Immigration to the United States
Box   7 Folder   16	“Downtown L.A. (E. 1st St.) Landsearch”: Capra's Los Angeles residences
	Throop College of Technology (now California Institute of Technology)
Box   8 Folder   1	Miscellaneous, circa 1981 Note: Includes correspondence; clippings; list of instructors and students, undated; alumni directory, 1981; photocopies of Caltech publications on Caltech history; and Caltech oral history project interviews.
Box   8 Folder   2-3	Throop Tech Annual, 1916, 1917
Box   8 Folder   4	Throop Tech Graduation Number, 1918 September
Box   27 Folder   7	The Throop Tech (student magazine): photocopies, 1917 October-December
Box   27 Folder   8	The Throop Tech (student magazine): notes, 1918 January
Box   8 Folder   5	The Tech (Throop student magazine), 1918
Box   8 Folder   6	“Reno”: clippings, notes and photocopies of documents regarding Capra and Tri-State, Motion Pictures in Reno, Nevada, 1919
Box   8 Folder   7	Clippings, early 1920s
	Columbia Pictures Corporation
Box   8 Folder   8	Columbia Pictures, and Harry and Jack Cohn
Box   8 Folder   9	Script department: miscellaneous photocopies Note: Film continuities filed with film title files.
Box   8 Folder   10	Franklin D. Roosevelt Library photocopies Note: Including telegrams to the President from Capra as AMPAS Vice President, mostly to do with the wartime documentaries.
Box   8 Folder   11	Directors Guild of America
	World War II
Box   8 Folder   12	Capra and the War
Box   8 Folder   13	The Army-Navy Screen Magazine: photocopies
Box   9 Folder   1	Capra's property in Fallbrook, California
Box   9 Folder   2	House Committee on Un-American Activities and blacklisting
Box   9 Folder   3	Obituaries
Box   26 Folder   1	Miscellaneous notes
Box   26 Folder   2	Notes, mainly on references in the journals Variety, Film Daily, and Moving Picture World
Box   26 Folder   3	Critical articles on Capra's career and films
Box   26 Folder   4	Clippings: “early articles”
	McBride interviews with Capra: transcripts and notes
Box   26 Folder   5	Handwritten interview notes
Box   26 Folder   6	Transcripts and notes, Capra tapes
Box   26 Folder   7	Typed transcripts
Box   26 Folder   8	Interview transcripts, after 1984
Box   26 Folder   12	“His Stroke,” 1985
Box   26 Folder   13	Frank Capra tapes, 1985 May 16
	Name Above the Title (NAT) / Frank Capra Note: Notes on manuscript of Capra's autobiography.
Box   26 Folder   9	“NAT uncut and other”
Box   26 Folder   10	“NAT uncut transcriptions 5-8”
Box   26 Folder   11	“NAT uncut transcriptions (Later)”
Box   27 Folder   1	Sicilian background
Box   27 Folder   2	Journey to America
Box   27 Folder   3	Childhood sites
	Manual Arts High School, Los Angeles
Box   27 Folder   4	Miscellaneous notes and photocopies
Box   27 Folder   5	Manual Arts Yearbook, 1915 Winter Note: With notes on interview with Frank Capra on AMPAS and the DGA, May 1, 1985, on reverse of 23 pages.
Box   27 Folder   6	Notes
Box   27 Folder   9	Pasadena, including Anoakia and the Pasadena Playhouse
Box   27 Folder   10-11	Filmmaking in San Francisco Note: Including extensive correspondence and notes on conversations with Geoffrey Bell, author of The Golden Gate and the Silent Screen.
Box   28 Folder   1	Silent Cinema: notes on films
Box   28 Folder   2	Columbia Pictures Corporation
Box   28 Folder   3	Academy of Motion Picture Arts and Sciences
Box   28 Folder   4	World War II
Box   28 Folder   5	Visit to Italy for the USIS, 1977
	People Note: Research into and interviews with relations, friends and professional associates of Capra. Unless otherwise stated, the interviewer is McBride; some interviews are written records of phone conversations.
Box   9 Folder   4	Lists of actual and potential interviewees
Box   28 Folder   6	Interview lists
Box   9 Folder   5	Correspondence regarding interviews
Box   28 Folder   7	Olin L. Armstrong: interview (with Mrs. Vivian Rule Armstrong)
	Jean Arthur
Box   28 Folder   8	Interviews, 1984 August 26, 1986 April 2, 1987 October 14, 17, November 19 Note: Clippings (including obituary by Joseph McBride, Daily Variety, June 21, 1991).
Box   28 Folder   9	Steven L. Bauer, Jean Arthur: photocopy, 1987
Box   28 Folder   10	Baldwin M. Baldwin: research correspondence, clippings
Box   9 Folder   6	Geoffrey Bell: interview, 1985 May 26, July 11
Box   28 Folder   11	Ralph Bellamy: interviews, 1984 August 16-17
	Edward Bernds Note: See also Box 145, folder 13; Box 120, folder 1; Box 134, folder 4.
Box   28 Folder   12	Diaries: photocopies, 1935-1943
Box   29 Folder   1-2	“Edited interview with Ed Bernds, by Leonard Maltin and Joseph McBride, for his book Mr. Bernds Goes to Hollywood” hand-written redaction of interview, 1984 July 17 Note: Also includes notes on interview and diaries.
Box   29 Folder   3	Typescript extracts from Edward Bernds' autobiography Note: Published as Mr. Bernds Goes to Hollywood, Lanham, Maryland: Scarecrow Press, 1999; notes on conversations.
Box   29 Folder   4	Articles photocopied for Ed Bernds, 1994 April Note: Hal Hall, “An Interview with Frank Capra,” American Cinematographer (February 1931): 20 and 38; Joseph Walker, “Putting the Realism into Dirigible,” American Cinematographer (1931 August): 15 and 20; Edward Buscombe, “Notes on Columbia Pictures Corporation 1926-41,” Screen (August 1975): 65-82.
Box   29 Folder   5	Obituaries
Box   9 Folder   7	Herbert Biberman: correspondence Note: From WCFTR collection.
Box   9 Folder   8	Joe Biroc: interview, 1984 August 10
Box   29 Folder   6	David Blangsted: interviews, 1988 April 23-24
Box   29 Folder   7	Josephine Bondi: interview, 1985 February 21
Box   29 Folder   8	Frank Bonfiglio: interview, 1985 February 13
Box   29 Folder   9	Lyman Bonner: interviews, 1985 April 24, 26
Box   29 Folder   10	Priscilla Bonner: notes on conversation, undated
Box   9 Folder   9	Harold Buchman: Variety obituary by McBride and research notes Note: Includes material on Harold's brother Sidney.
Box   9 Folder   10	Sidney Buchman: interview with Bertrand Tavernier
Box   9 Folder   11	Carol Bugé: interview
Box   9 Folder   12	Earle A. Burt and Mrs. Burt: interviews, 1984 September 6
Box   9 Folder   13	John Byers: interview, 1986 May 6
Box   9 Folder   14	Isabel Martin Campbell: interview, 1984 August 9
Box   29 Folder   11	Josephine (Giuseppina) Leone Campiglia: interviews, 1985 February 13, June 15
Box   29 Folder   12	Josephine Campisi: interviews, 1985-1987 Note: Including dates: January 22, 1985; February 1, 1985, with Joe Finochio; February 19, 1985; June 16, 1985; August 12, 1985; October 12, 1985; January 21, 1986; February 22, 1986; April 3, 26, 1986; May 12, 1986; May 17, 1987.
Box   29 Folder   13	Ben Capra: interview by Joe Finochio, 1965 June 15
Box   29 Folder   14	Bernadette Capra (Mrs. Remo Capra): interviews, 1985 February 25, October 29
Box   9 Folder   15	Chris Capra: interview, 1986 October 25
Box   29 Folder   15	Everest (Evaristo) Capra: interview, 1986 October 30
Box   29 Folder   16	Frank Capra Jr.: interview, 1987 October 30
Box   9 Folder   16	Julio (Joe) Capra: clipping and notes, 1988 May 2
Box   9 Folder   17	Lucille Capra Bruch: interview, 1987 November 5
Box   9 Folder   18	Lucille Reyburn Capra: clippings, mostly obituaries
Box   29 Folder   17	Marguerite Capra (Mrs. Tony Capra): interviews, 1985 February 10, 1986 October 25
Box   29 Folder   18	Remo Capra: interview, 1986 October 25
Box   29 Folder   19	Samuel W. Capra: interviews 1985 February 2, 1986 April 3
Box   29 Folder   20	Tom Capra: correspondence, interviews, 1986 May 7, 1987 November 5
Box   29 Folder   21	Tony Capra: interview by Joe Finochio, 1982-1983 Note: Transcript of earlier tape.
Box   9 Folder   19	Harry Carey and Harry Carey Jr.: clippings
Box   29 Folder   22	Fanya Graham Carter: interview
Box   29 Folder   23	Phyllis Chapman: interview, 1986 April 26
Box   29 Folder   24	Philip S. Clarke: interviews, 1985? September 27, 1986 January 23
Box   29 Folder   25	Harry Cohn: notes on Bob Thomas' book King Cohn: The Life and Times of Harry Cohn (New York: Putnam, 1967)
Box   9 Folder   20	Claudette Colbert: interview, 1981 December 19
Box   9 Folder   21	C.C. Coleman Jr.: interview, undated
Box   29 Folder   26	Shirley Collier: interview, 1986 October 4
Box   29 Folder   27	Gay Collins (Mrs. Richard Collins): interview, 1986 January 23
Box   9 Folder   22	Ned Comstock: notes
Box   9 Folder   23	Scoop Conlon: notes on Conlon's autobiography
Box   9 Folder   24	Robert W. Craig: interview
Box   9 Folder   25	Dresser Dahlstead: interview, undated
Box   29 Folder   28	Viola Dana (Viola Dana Thompson): interviews, 1985 January 27, February 8, July 9
Box   29 Folder   29	James D'Arc: interview, undated
Box   9 Folder   26	Eugene DeRue: interviews, 1984? July 24, 28, 31, 1985 January 26
Box   29 Folder   30	James H. Doolittle: interviews, clippings, 1984 July 30, 1987 October 6
Box   29 Folder   31	Josephine Daniels Doolittle: interview
Box   29 Folder   32	Millson William Downs: interview, 1984 July 31
Box   29 Folder   33	Lillian Shattuck Draves: interview
Box   29 Folder   34	Edward Dryhurst: interview, correspondence, 1986 March 16
Box   29 Folder   35	Philip Dunne: interview, undated
Box   29 Folder   36	Helen Jerome Eddy: Motion Picture Magazine 18, no. 8 (1919 September), including Elizabeth Peltret, “An Untroubled Eddy in the Silverscreen Stream,” pp. 58-59 and 111; interview
Box   9 Folder   27	Julius Epstein: notes
Box   29 Folder   37	Louis Essick: interview with Harry Rex, speaking with Essick; interview recorded by Harry Rex, sent to McBride, 1985 March 14
Box   29 Folder   38	Joe Finochio (see also Josephine Campisi): interviews Note: Including dates: February 10, 1985; February 11, 1985, with Victoria Buchellato Finochio, his wife; February 12, 1985, with Mrs. Finochio and Joe D'Amico; May 2, 1985, with Mrs. Finochio; April 8, 1985, with Mrs. Finochio; August 12, 1985, Mrs. Finochio alone; August 13, 1985.
Box   29 Folder   39	Tony Finochio: interview, 1985 February 21
Box   29 Folder   40	Robert Flaherty: notes
Box   29 Folder   41	Robert W. Flory: interviews, 1984 July 31, August 1, 2, 9
Box   30 Folder   1	George Folsey: interviews, 1984 July 25, August 3
Box   30 Folder   2	Lewis Foster: notes from AMPAS Library
Box   9 Folder   28	Mike Frankovich: clippings
Box   9 Folder   29	Henry Freulich: interview
Box   9 Folder   30	Theodor S. Geisel (Dr. Seuss): interview
Box   30 Folder   3	Robert Gitt: interview, 1986 March 16
Box   9 Folder   31	Percy Goodell: interview, 1984 September 12
Box   30 Folder   4	Stephen Goossn: transcript of interview by Kevin Brownlow, 1971
	Isabelle Daniels Griffis
Box   9 Folder   32	Correspondence Note: Between Griffis and McBride; letters to Griffis from others sent by her to McBride; letters from Capra to Griffis; clippings.
Box   9 Folder   33	Interview notes Note: Copies and transcripts of correspondence between Griffis and Capra, 1920-1979; interviews, October 21, 1986, September 20, 1987.
Box   10 Folder   1	Interview notes in spiral-bound notebooks, 1986 October 26, November 9
Box   10 Folder   2	Karolyn Grimes: “Zuzus Petals,” Gadfly 1, no. 10 (1977 December): 16-19
Box   30 Folder   5	Kevin Gunn: interview, 1984 August 4
Box   10 Folder   3	Frank R. Hale and Jeanette Hale: interview, 1985 June 16
Box   30 Folder   6	Ruth Hammond: interview, notes and clippings, 1984 August 5
Box   30 Folder   7	Harold Harris: interview, 1986 February 23
Box   10 Folder   4	Kenneth J. Harrison: interview, August 31
Box   30 Folder   8	Rudy Hartman: interview, 1986 April 27
Box   30 Folder   9	Henry Hathaway: interview, 1984 September 13
Box   30 Folder   10	Katharine Hepburn: interviews, 1985 August 7, 10
Box   10 Folder   5	Lynford E. Hess: interview, 1984 August 8 Note: Also includes interview with his daughter, Dorothy Nelson, August 8, 1984.
Box   30 Folder   11	James E. Hill: interviews, 1985? September 11, 1986 January 23
Box   10 Folder   6	Paul Horgan: interview, 1984 November 19
Box   10 Folder   7	E.V. Hounsell: interview
Box   10 Folder   8	Helen Edith Howell (Capra): correspondence, clippings and notes Note: Includes material on Helen Munro, eventually established as not Helen Edith Howell.
Box   30 Folder   12	Edwin Hubble: notes and clippings
Box   10 Folder   9	Ian McLellan Hunter: interview, 1984 November 16
Box   10 Folder   10	Madeleine Hurlock (Mrs. Robert E. Sherwood): interview, 1985 June 15
Box   30 Folder   13	John Huston: interview, 1986 November 13
Box   30 Folder   14	Virginia Titus Ives: interviews, 1984 August 8, July 31
Box   10 Folder   11	Altha Mudgett Jackson: interviews, 1984 August 9, 15
Box   30 Folder   15	“Jenny at Capra's” and “Josie” (Frank Capra's nurses?) interviews, 1986 February 22, 1987 August 9
Box   10 Folder   12	Don Jones: interview, 1984 November 15
Box   30 Folder   16	Donald Jones: interview, 1985 February 10
Box   30 Folder   17	Frank Keeler: interviews, 1984 September 13, 14
Box   30 Folder   18	Al Keller: interviews, 1984 July 9, August 6, 31, 1987 November 2
Box   10 Folder   13	Bill Kircher: interview, 1988 April 13
Box   10 Folder   14	Eric Knight: correspondence with Geoff Gehman and extracts from Knight's letters to Paul Rotha
Box   30 Folder   19	John and F.V. Knox: interviews, 1985 October 20, 22
	Harry Langdon
Box   10 Folder   15	Correspondence and extracts from William Schelly, Harry Langdon: His Life and Films (Jefferson, North Carolina: McFarland, 2008)
Box   30 Folder   20	Clippings, notes, interviews
Box   30 Folder   21	Mabel Langdon (Mrs. Harry Langdon): interview
Box   10 Folder   16	Hope Lange: interview
Box   10 Folder   17	Walter Lantz: interview, 1984 September 4
Box   10 Folder   18	Robert Lees and Fred Rinaldo: McBride obituary of Rinaldo and interview with Lees
Box   30 Folder   22	Irving “Buster” Libott: interview, undated
Box   30 Folder   23	Evelyn and Bill Loftin interviews Note: Joint interview, 1986 February 28; interviews with Evelyn Turner Loftin, 1985 January 18, 28, 1986 February 7.
Box   10 Folder   19	Joanne Merlo Luchetta (Mrs. Frank Luchetta): interview, 1985 June 19
Box   10 Folder   20	Virginia Lynn: interviews, 1987 November 3, 1988 January 29
Box   10 Folder   21	Mickey McAdam: interview, undated
Box   10 Folder   22	G.R. McDonald: interview, 1984 September 2
Box   30 Folder   24	Bonnie Houston McLaren: interview, 1986 February 9
Box   30 Folder   25	Fred MacMurray: interview, 1984 September 13
Box   30 Folder   26	Rouben Mamoulian: interviews, 1984? July 28, 1985 February 5
Box   30 Folder   27	Samuel Marx: interview, 1985 January 31
Box   30 Folder   28	Fr. Walter Mattiato: interview, 1988 April 15
Box   30 Folder   29	Al Menasco: interview
Box   10 Folder   23	Earl Mendenhall: interviews, 1984 August 14, 16
Box   10 Folder   24	Renee Messner: interview Note: Daughter of Tom J. Harris.
	Gene Milford
Box   30 Folder   30	Interview, 1986 February 10
Box   10 Folder   25	Obituary by Joseph McBride, Daily Variety and correspondence, 1991 December 4
Box   30 Folder   31	June Mohney: interview, 1986 September 2
Box   30 Folder   32	Colleen Moore (Colleen Moore Hargrave): interview, 1986 March 8
Box   10 Folder   26	Lloyd E. Morrison: interview, 1984 August 24
Box   10 Folder   27	Carleton Moss: interview, undated
Box   10 Folder   28	Charles Newton: interview, January 29
Box   10 Folder   29	Maria (Mary) Lanza Oddo: interview, 1985 January 24
Box   30 Folder   33	Edward Paramore III: interview, January 30
Box   10 Folder   30	Dorothy Parker: clippings
Box   30 Folder   34	Edgar Peterson: interview
Box   10 Folder   31	Fred L. Poole: interview, 1984 September 4
Box   30 Folder   35	Tom Pryor: interview
Box   10 Folder   32	Donna Reed: clippings, interview, 1982 January 28 Note: Also includes notes for speech; interview by George Stevens Jr., January 18, 1982.
Box   10 Folder   33	Anne Revere: correspondence and casting list for It's a Wonderful Life
	Robert Riskin
Box   30 Folder   36-38	Notes, correspondence, clippings
Box   30 Folder   39	Drafts of Joseph McBride, “Riskinesque,” Written By (1998): drafts, correspondence, photocopy of reprint in The Best American Movie Writing 1999, editors Jason Shinder and Peter Bogdanovich (New York St. Martins Press/Griffin paperback, 1999), pp. 190-202
Box   31 Folder   1	Allan Rivkin: interview, 1984 July 10, 20
Box   10 Folder   34	Hal Roach: interview
Box   31 Folder   2	Beatrice Rosenfeld: notes; interview
Box   10 Folder   35	Elaine St. Johns: interview, 1985 February 18
Box   10 Folder   36	Howland H. Sargeant: clippings
Box   31 Folder   3	Augie Scavo: interview, 1985 February 20
Box   31 Folder   4	Teresa Scavo Guzzeta: interview, 1985 February 14
Box   31 Folder   5	Philip Scheuer interview, 1985 January 30 Note: Also includes clipping of Los Angeles Times obituary, 1985 February 19.
Box   31 Folder   6	Esther Gleason Schlinger: interviews, 1985 June 15, 1986? January 19
Box   31 Folder   7	Irene Selznick: interview, 1985 July 26
Box   31 Folder   8	Mack Sennett: research notes, and notes on films
Box   31 Folder   9	David Shepard: interviews
Box   31 Folder   10	Cathy Silva: interview, 1986 January 23
Box   10 Folder   37	Charles F. Simpson: interview, 1984 August 23
Box   31 Folder   11	Alexis Smith: interview, 1985 February 1
Box   10 Folder   38	Leonard Spigelgass: clipping of obituary, New York Times, 1985 February 16
Box   31 Folder   12	John Springer: interview Note: Including information related to Myrna Loy.
Box   10 Folder   39	Lionel Stander: interview
Box   10 Folder   40	Barbara Stanwyck: Variety obituary by McBride: research, proofs, clippings; interviews, 1984 September 10, 11
Box   10 Folder   41	George Stevens: notes on the George Stevens papers at the AMPAS Library
Box   31 Folder   13	George Stevens Jr.: interview, 1986 November 4
Box   31 Folder   14	James Stewart: interviews, notes for speech, 1982 February 3, 1988 February 9
Box   31 Folder   15	Chester Sticht: interviews, 1984?-1985 Note: Including dates: September 1, 1984?, with wife Bett Sticht; September 13, 1984?; September 15, 1984?, with Mrs. Sticht; September 16, 1985; December 17, 1985; December 19, 1985.
Box   31 Folder   16	Julie Sweeney: interviews, 1984 September 12, 1985 April 16
Box   10 Folder   42	Ted Tetzlaff: interview
Box   10 Folder   43	Irene Thill: interview
Box   31 Folder   17	Bob Thomas: interviews, 1985 April 23, May 3, July 9
Box   10 Folder   44	Kevin Thomas: interview, 1985 October 24
Box   31 Folder   18	Lois Keener Thome: interviews, 1985 January 19, 20, June 13, 22
Box   31 Folder   19	Antonino Troncale: correspondence Note: Includes a certified copy of Frank Capra's birth certificate.
Box   31 Folder   20	Rose Troncale (Mrs. Samuel Capra): interview, 1985 February 13
Box   10 Folder   45	Dalton Trumbo: clippings
Box   31 Folder   21	Eugene Vale: interviews, 1984 August 7, 31
Box   31 Folder   22	Charles Varney Jr.: interview
Box   10 Folder   46	Howard G. Vesper: interview
Box   31 Folder   23	Gore Vidal: interview
Box   31 Folder   24	Joseph Walker: interviews, 1984 July 9, 22, 1985 January 26, undated Note: Also includes interview with Mrs. Joseph Walker, September 4, clippings, including Daily Variety articles by McBride about Walker and the zoom lens.
Box   10 Folder   47	Irving Wallace: clippings of articles
Box   31 Folder   25	James Warner: interview
Box   10 Folder   48	Lester O. Warner: interview, 1984 September 13
Box   31 Folder   26	Roscoe (Rocky) Washington: interviews, 1986 May 11, 27
Box   31 Folder   27	Evelyn Weldon: interview, 1985 January 22
Box   31 Folder   28	Martin Wesseler: interview, 1984 September 13
Box   10 Folder   49	Irvin Willat: notes on Willat from Robert Birchards The Western in the 1920s
Box   31 Folder   29	Mabel Walker Willebrandt: clippings
Box   10 Folder   50	Gwynn Wilson, and Marion Bemis Wilson: interviews, 1984 August 15, 16
Box   31 Folder   30	Fay Wray: interviews, 1984 August 2, 13 Note: Also includes notes, November 10, 1992; clippings and correspondence regarding Wray's defense of Robert Riskin.
Box   31 Folder   31	George and Marge Yackey: interviews, 1985 December 19, 1992 January 11
Box   31 Folder   32	Max Youngstein: interview, 1991 April 12
Box   10 Folder   51	Colleen Gray Zeiser: interview, 1985 February 5
Box   10 Folder   52	Paul Ziffren: Variety obituary (by McBride?)
	Works
	Radio
Box   11 Folder   24	Can We Forget? (directed by Frank Capra, WABC-CBS, clipping, 1939)
	Films: directed by Frank Capra unless otherwise stated
Box   10 Folder   53	Various
Box   32 Folder   1	Silent short films (pre-Columbia)
Box   32 Folder   2	Tramp, Tramp, Tramp (directed by Harry Edwards, 1926)
Box   32 Folder   3	Strong Man, The (1926)
Box   32 Folder   4	Long Pants (1927)
Box   10 Folder   54	Matinee Idol, The (1928)
Box   10 Folder   55	Miracle Woman, The (1931)
Box   10 Folder   56	Platinum Blonde (1931)
Box   11 Folder   1	American Madness (1932)
Box   11 Folder   2	Forbidden (1932)
Box   11 Folder   3	Bitter Tea of General Yen, The (1933)
Box   11 Folder   4	Lady for a Day (1933)
Box   32 Folder   5	Lady for a Day (1933) (continued)
Box   11 Folder   5	Broadway Bill (1934)
Box   11 Folder   6	It Happened One Night (1934)
Box   11 Folder   7	Whole Towns Talking, The (directed by John Ford, 1935)
	Mr. Deeds Goes to Town (1936)
Box   11 Folder   8	General
Box   11 Folder   9	Clarence Budington Kelland short story, “Opera Hat,” American Magazine: photocopy, source of the film, 1935 April to September
Box   11 Folder   10	Lost Horizon (1937)
Box   11 Folder   11	You Can't Take It with You (1938)
Box   32 Folder   6	You Can't Take It with You (1938) (continued)
Box   11 Folder   12	Mr. Smith Goes to Washington (1939)
Box   11 Folder   13	Meet John Doe (1940)
Box   32 Folder   7	Meet John Doe (1941)
Box   32 Folder   8	Why We Fight series: The Nazis Strike; The Battle of Russia; The Battle of Britain; War Comes to America; Prelude to War (1942-1945)
Box   11 Folder   14	At the Front in North Africa (1943)
Box   11 Folder   15	Arsenic and Old Lace (1944)
Box   32 Folder   9	Negro Soldier, The (1944)
Box   11 Folder   16	Stilwell Road The (1945)
	It's a Wonderful Life (1947)
Box   11 Folder   17	Clippings
Box   11 Folder   18	Script
Box   11 Folder   19	State of the Union (1948)
Box   32 Folder   10	State of the Union (1948) (continued)
Box   32 Folder   11	Riding High (1950)
Box   11 Folder   20	Fallbrook Story The (1952)
Box   11 Folder   21	Friendly Persuasion (1956)
Box   32 Folder   12	A Hole in the Head (1959), Pocketful of Miracles (1961), Rendez-vous in Space (1964)
Box   11 Folder   22	Pocketful of Miracles (1961)
Box   11 Folder   23	Marooned (directed by John Sturges, 1969)
	Awards and Tributes
Box   11 Folder   25	The American Film Institute Salute to Frank Capra, 1982 March 4 Note: Brochure, press book and clippings.
Box   12 Folder   1	Columbia Pictures Frank Capra Luncheon, 1985 January 23 Note: Pressbook.
Box   12 Folder   2	ACLU Torch of Liberty Awards, 1987 September 17 Note: Presskit.
Box   12 Folder   3	Directors Guild of America memorial tribute, 1991 October 25
Box   12 Folder   4	McBride's San Francisco State University courses on Frank Capra Note: Syllabuses; examination papers; notes.
	Book Preparation
Box   12 Folder   5	Proposed titles, including one by Ruth O'Hara
Box   12 Folder   6	First pages, 1983 March 1
	American Madness: The Life of Frank Capra Note: Version submitted to publisher Alfred Knopf of New York in 1987-1989, but not published.
	1984-1988 draft
Box   12 Folder   7	Foreword
Box   12 Folder   8	Chapter 1
Box   12 Folder   9	Chapter 2
Box   12 Folder   10	Chapter 3
Box   12 Folder   11	Chapter 4
Box   12 Folder   12	Chapter 5
Box   12 Folder   13	Chapter 6
Box   12 Folder   14	Chapter 7
Box   12 Folder   15	Chapter 8 Note: Incorporates former Chapter 9 and 10.
Box   12 Folder   16	Chapter 9
Box   13 Folder   1	Chapter 10
Box   13 Folder   2	Chapter 11 Note: Incorporates former Chapter 12.
Box   13 Folder   3	Chapter 12
Box   13 Folder   4	Chapter 13
Box   13 Folder   5	Chapter 14
Box   13 Folder   6	Chapter 15
Box   13 Folder   7	Chapter 16
Box   13 Folder   8	Chapter 17
Box   13 Folder   9	Chapter 18
Box   13 Folder   10	Chapter 18, notes for Appendix
Box   13 Folder   11	Chapter 19
Box   14 Folder   1	Chapter 19, notes for Appendix
Box   14 Folder   2	Chapter 20
Box   14 Folder   3	“Final FN PP”
Box   14 Folder   4	“Chronology and Capra's Credits, rough notes”
Box   14 Folder   5	Filmography
Box   14 Folder   6	Draft of notes
Box   14 Folder   7	Notes for original draft
Box   14 Folder   8	Notes revised, semifinal draft
Box   14 Folder   9	Notes and acknowledgments, final revised draft
Box   15 Folder   1	Notes on sources, notes 1-20, filmography typescript drafts
Box   15 Folder   2	Worksheets, facts to check-library: worksheets
	Permissions
Box   15 Folder   3	General
Box   15 Folder   4	Regarding quotations from Graham Greene
Box   15 Folder   5-7	Typescript
Box   16 Folder   1-5	Revised final draft, 1987 September 28
Box   17 Folder   1-2	Revised final draft, 1987 September 28 (continued)
Box   17 Folder   3	Notes on galleys
Box   17 Folder   4	Galley-proof correction research
Box   17 Folder   5	Correspondence regarding preview publication of extracts
	Final Research
Box   32 Folder   13	Miscellaneous
Box   32 Folder   14	Final library research
Box   32 Folder   15	Capra notes
Box   32 Folder   16	Miscellaneous notes
Box   32 Folder   17	Miscellaneous data for revisions
Box   32 Folder   18	Revisions
Box   32 Folder   19	Final revisions
Box   33 Folder   1	Gwenn O'Hara, researcher, notes on various chapters
Box   33 Folder   2	Notes for statistics
Box   33 Folder   3	Chapter notes 1-17 and 19
Box   33 Folder   4	Chapter 2 notes
Box   33 Folder   5	Chapter 2 and 3 notes
Box   33 Folder   6	Chapter 3 notes
Box   33 Folder   7	Chapter 4 notes
Box   33 Folder   8	Chapter 5 notes
Box   33 Folder   9	Chapter 8 notes
Box   33 Folder   10	Chapter 10 notes
Box   33 Folder   11	Chapter 12 notes
Box   33 Folder   12	Chapter 13 (Lost Horizon) notes
Box   33 Folder   13	Chapter 15 notes
Box   33 Folder   14	Chapter 17 and 18 outlines and notes
Box   33 Folder   15	Chapter 20 notes
Box   33 Folder   16	Chapter 20 notes for Appendix
Box   33 Folder   17	Chapter 21 outlines
Box   33 Folder   18	Fixes (major)
Box   33 Folder   19	Fixes (minor)
Box   33 Folder   20	Final fixes
	Frank Capra: The Catastrophe of Success Note: Version published by Simon & Schuster, New York, 1992.
	Revised typescript Note: Includes correspondence with Robert Bender of Simon & Schuster.
Box   17 Folder   6	Chapter 1
Box   17 Folder   7	Chapter 2
Box   17 Folder   8	Chapter 3
Box   17 Folder   9	Chapter 4
Box   17 Folder   10	Chapter 5
Box   17 Folder   11	Chapter 6
Box   18 Folder   1	Chapter 7
Box   18 Folder   2	Chapter 8, cut
Box   18 Folder   3	Chapter 9 (8), revised
Box   18 Folder   4	Chapter 10 (9), revised
Box   18 Folder   5	Chapter 11 (10), revised
Box   18 Folder   6	Chapter 12 (11), revised
Box   18 Folder   7	Chapter 13 (12), revised
Box   18 Folder   8	Chapter 14 (13), revised
Box   18 Folder   9	Chapter 15 (14), revised
Box   18 Folder   10	Chapter 16 (15), revised
Box   19 Folder   1	Chapter 17 (16), earlier revised
Box   19 Folder   2	Chapter 17 (16), final revised
Box   19 Folder   3	Chapter 18 (new), revised
Box   19 Folder   4	Chapter 18 (17), revised
Box   19 Folder   5	Chapter 19 (new), revised
Box   19 Folder   6	Chapter 19, revised Note: Before being broken into 2 chapters.
Box   19 Folder   7	Chapter 19, “Bender edit”
Box   20 Folder   1	Chapter 20, “My edit and Bender cut”
Box   20 Folder   2	Revised notes sections
Box   20 Folder   3	Filmography, revised
Box   20 Folder   4-6	Copy-edited typescript
Box   21 Folder   1-4	Copy-edited typescript (continued)
Box   21 Folder   5	Miscellaneous changes to make
Box   21 Folder   6	Changes made
Box   21 Folder   7	Final things to check
Box   22 Folder   1	Fixes done or skipped as not necessary
Box   22 Folder   2	Final Fixes
Box   34 Folder   1	Editing notes, 1991-1992
Box   34 Folder   2	Simon & Schuster correspondence, 1991
Box   34 Folder   3	Copy-editing: correspondence with Virginia Clark of Simon & Schuster
Box   34 Folder   4	Notes on final editing and proofing
Box   34 Folder   5	Notes and correspondence on proofs
	Proofs
Box   22 Folder   3	Bound galley
Box   22 Folder   4-5	Corrected page proof
Box   23 Folder   1	Corrected page proof (continued)
Box   23 Folder   2	Proof-stage check
	Index
Box   23 Folder   3-4	Drafts, proofs and notes
	Illustrations
Box   23 Folder   5	Correspondence
Box   23 Folder   6	San Francisco Chronicle and California Historical Society
Box   23 Folder   7	Photocopies
Box   23 Folder   8	Notes and correspondence regarding final still selection, 1991 November-December
Box   23 Folder   9	Final still selection: photocopies of illustrations and texts of captions
Box   24 Folder   1	Revised captions, 1991 December
Box   34 Folder   6	Miscellaneous research
Box   34 Folder   7	California State Library
Box   34 Folder   8	George Eastman House
Box   34 Folder   9	Various sources
Box   34 Folder   10-11	Notes on illustrations
	Cover
Box   24 Folder   2	Proposals and proof
	Permissions
Box   24 Folder   3	General
Box   24 Folder   4	Correspondence with the editors of Positif regarding permission to quote an interview in the magazine with Sidney Buchman
Box   24 Folder   5	Correspondence with Isabelle Griffis
Box   24 Folder   6	Correspondence regarding permissions with San Francisco Chronicle
	Publicity material
Box   24 Folder   7	General
Box   24 Folder   8	Drafts
Box   24 Folder   9	Press kit
	Promotion
Box   34 Folder   12	Notes and correspondence about the promotion of the book, 1993
Box   35 Folder   1	Correspondence with Simon & Schuster (also Faber and Faber) Note: About promotion of the book, reviews, and royalty payments.
Box   35 Folder   2	Gift copies: lists of addresses of personalities to whom to send gift copies of the hard-cover version
Box   35 Folder   3	Advertising
Box   35 Folder   4	Promotion, 1992 April
Box   35 Folder   5	Promotion, 1992 May
Box   35 Folder   6-8	Promotional correspondence: arrangements for appearances in bookshops, media interviews, and reviews of the book
Box   36 Folder   1	Promotional correspondence: arrangements for appearances in bookshops, media interviews, and reviews of the book (continued)
Box   36 Folder   2	Reactions to publicity and publication
	Paperback edition (Touchstone Press, 1993)
Box   24 Folder   10	Proof pages
Box   24 Folder   11	Revised index
Box   24 Folder   12	Index and illustration proofs
	Post-publication
Box   24 Folder   13	Talk on Capra by McBride: notes, 1993 October 18
Box   25 Folder   1	Reviews: photocopies
Box   25 Folder   2	Letters to McBride in response to the book
Box   25 Folder   3	Correspondence with Robert Bender of Simon & Schuster
Box   25 Folder   4	Jonathan Lethem and Carter Scholz, You Can't Leave Home Again, film treatment about Capra's life, correspondence with McBride, typescript, 1994
Box   25 Folder   5	Correspondence with Eric Menninger of Four Square Films regarding a possible documentary film on Capra, 1999
Box   34 Folder   1	Editing notes, 1991-1992
Box   34 Folder   2	Simon & Schuster correspondence, 1991
Box   34 Folder   3	Copy-editing: correspondence with Virginia Clark of Simon & Schuster
Box   34 Folder   4	Notes on final editing and proofing
Box   34 Folder   5	Notes and correspondence on proofs
Box   36 Folder   3	Simon & Schuster Catalogs including the book: draft and copies of the catalogs
Box   36 Folder   4-5	Touchstone Press Paperback edition: correspondence with Simon & Schuster
	Faber and Faber (British) edition
Box   36 Folder   6	Correspondence
Box   36 Folder   7	Catalogs including the book
Box   36 Folder   8	Peter Owens, 1992 May Note: Correspondence regarding sales in Ireland, marketing brochure, correspondence between Noel and Ruth O'Hara about Owens and the campaign for the book.
	John Ford Note: See also Audio recordings #7-8.
	Research
Box   37 Folder   1	Research contacts
Box   37 Folder   2	John Ford Papers, Lilly Library, Indiana University Note: Register of the collection and other library materials; letters from librarian.
	Spiral-bound notebooks of Ford research
Box   37 Folder   3-11	Number 1, number 3-10 Note: Unknown location for number 2.
Box   38 Folder   1-7	Number 11-17
Box   39 Folder   1-8	Number 18-25
Box   39 Folder   9	Spiral-bound notebooks documenting trip to Portland, Maine, 1998 July 8-15
Box   40 Folder   1-7	Research notes
Box   41 Folder   1	John Ford: miscellaneous photocopies, notes, correspondence
	Clippings on John Ford's life and career
Box   41 Folder   2	General
Box   41 Folder   3	Margaret Herrick Library Academy of Motion Picture Arts and Sciences, Los Angeles, California, clipping files
Box   41 Folder   4	Articles on John Ford's life and career: photocopies
Box   41 Folder   5	John Ford web page printouts, circa 1998 March-April Note: As of September 2012, this site appears to have moved or no longer exists. [http://www.arts.ryerson.ca/~jzalken/johnford.html]
Box   41 Folder   6	Published interviews with John Ford: photocopies
Box   41 Folder   7	AFI Life Achievement Award for Ford, 1973
Box   41 Folder   8	Special issues of journals on John Ford and brochures of retrospective screening series Scope and Content Note Focus on Film The Velvet Light Trap 2 (August 1971) Seattle Film Society Movietone News no. 26 (October 1973) Action 8, no. 6 (November-December 1973) Cinéma de John Ford, 48th Festival International du Film, Cannes (1995) American Movie Classics Magazine (1999 August) UCLA Film and Television Archive brochure (April-May 2001)
Box   41 Folder   9	Critical articles on John Ford as director: photocopies
Box   42 Folder   1	Tag Gallagher: articles (including one on Ford) by Gallagher and correspondence between him and Joseph McBride on Ford
	Joseph McBride on Ford Note: Articles, documentaries, lectures, and proposals for the same by Joseph McBride on John Ford (similar materials on particular Ford films or on actors, scriptwriters, etc. who worked with Ford are filed in the film title and associates folders).
Box   42 Folder   2	Sight and Sound: photocopies Scope and Content Note “County Mayo Gu Bragh,” 40, no. 1 (Winter 1970/71): 43-44 and 52 “Bringing in the Sheaves,” 43, no. 1 (Winter 1973/74): 9-11
Box   42 Folder   3	Notes on Joseph McBride and Michael Wilmington, John Ford (London: Secker & Warburg/New York: Da Capo, 1974)
Box   42 Folder   4	Ford retrospective at the Los Angeles County Museum of Art and UCLA, 1994 August-September Note: Brochure, program notes for various films, notes on Darlene Ramirez of LACMAs introductions to the film and a UCLA course on Ford accompanying the film by Jonathan Kuntz; correspondence regarding book signing and introduction to a Ford film by Joseph McBride, 1995.
Box   42 Folder   5	Lecture for the CinemaGael festival, San Francisco, California, 1996 November Note: Correspondence, notes.
Box   42 Folder   6	Proposed lecture on Ford and Ireland, 1997 November 26
Box   42 Folder   7	“John Ford, the Quiet Man,” Irish America magazine (October-November 1999): 94-5: photocopy of article
Box   42 Folder   8	“John Ford Irish American Filmmaker,” course at New College of California, San Francisco, 2000 January-May Note: Prospectus and notes.
Box   42 Folder   9	Article on Ford's contemporary relevance for the Irish Herald (February 22, 2000) Note: Correspondence and drafts.
Box   42 Folder   10	Becoming John Ford, documentary film directed by Nick Redman, featuring Joseph McBride, 2007 Note: Notes and program of Cinequest Film Festival, San Jose, California, February-March 2008, featuring the film.
	Subject files Note: Photocopies, research notes, correspondence on topics related to John Ford and the book, Searching for John Ford.
Box   42 Folder   11	“On Biography” photocopies and notes on problems of writing biography
	Ireland
Box   42 Folder   12	Ford's Irish background
Box   42 Folder   13	Ford's visit to Ireland in 1921
	Portland, Maine
Box   42 Folder   14	Ford's birth records
Box   42 Folder   15	Pages from Portland, Maine, city directories featuring Ford's kin
Box   42 Folder   16	Maine and alcohol: pamphlet and notes
Box   42 Folder   17	The theater in Portland, Maine
Box   43 Folder   1	Ford's kin
Box   43 Folder   2	Portland High School Note: Many clippings also include information on theater in Portland, Maine.
Box   43 Folder   3	Ford's school reports
Box   43 Folder   4	Clippings from Portland, Maine, publications about Ford, 1920-1995
Box   43 Folder   5	Clippings from Portland, Maine, publications about the local commemoration of Ford in 1998
Box   43 Folder   6	Universal Pictures: photocopy of director's instruction sheet, 1917 July 16
Box   43 Folder   7	Fox Film: photocopy of Douglas Gomery, “Problems in Film History: How Fox Innovated Sound,” Quarterly Review of Film Studies (1976 August): 317-330
	Ford's work for the U.S. Navy and the OSS during World War II
Box   43 Folder   8	Notes and photocopies on Ford's wartime activities
Box   43 Folder   9-10	National Archives listings of films made by Ford or his associates for the Navy and the OSS; notes and correspondence
Box   44 Folder   1	Article by Joseph McBride on Ford and D-Day for the New York Review of Books, 1998 Note: Notes, correspondence, research photocopies.
	Ford and Hollywood politics
Box   44 Folder   2	Truman Committee hearings, 1944 Note: Notes and photocopies.
Box   44 Folder   3	The Motion Picture Alliance for the Preservation of American Ideals
	The Screen Directors Guild
Box   44 Folder   4	Proceedings of the Board of Directors: photocopy of typescript record, 1947 December 1
Box   44 Folder   5-6	Notes and clippings, 1936-47
Box   44 Folder   7	Daily Variety clippings, 1947
Box   44 Folder   8	Campaign for recall of Joseph Mankiewicz as Director, 1951
Box   44 Folder   9	General clippings, 1951
Box   44 Folder   10	Daily Variety clippings, 1951
Box   44 Folder   11	David Robb, “Directors Guild Born out of Fear 50 Years Ago,” Daily Variety 209, no. 39 (October 29, 1985): 1-8: photocopy
	Joseph McBride, “Fellow Traveler or Redbaiter?” Los Angeles Times Magazine (June 3, 2001): 18-21, 34-5 Note: Prepublication article adapted from Searching for John Ford.
Box   44 Folder   12	Correspondence, drafts, with Barbara Epstein about possible publication extract in The New York Review of Books, 1998-2000
Box   45 Folder   1	Correspondence, drafts, with New York Times and Los Angeles Times; LA Times proof and copy of the magazine
Box   45 Folder   2	Ford and landscape: Monument Valley
Box   45 Folder   3	The Western: photocopy from Kevin Brownlow, The War, the West and the Wilderness
Box   45 Folder   4	The Navajo
	People Note: Papers relating to associates of John Ford (members of casts and crews of his films, personal friends, relations), arranged alphabetically by name, including research notes, clippings, drafts of articles by McBride on such people, and in many cases transcripts of interviews (some notes taken during phone interviews).
Box   45 Folder   5	Interview lists Note: Names and addresses of potential interviewees, drafts of letters requesting interviews.
Box   45 Folder   6	John Agar: clipping
Box   45 Folder   7	Eddie Albert: interviews and letter, 1998 February
Box   45 Folder   8	Lindsay Anderson: clipping on Part Two of Anderson's tribute to John Ford in BBC One's Omnibus series, 1992
Box   45 Folder   9	Mark Armistead: contact information for his daughter
Box   45 Folder   10	Jean Arthur: interviews, 1987 November 19, 20
Box   45 Folder   11	Carroll Baker: clipping from Baby Doll: An Autobiography (Ann Arbor: 1983)
Box   45 Folder   12	Anne Bancroft: clipping
Box   45 Folder   13	Edward Bernds: interview, 1998 February 22
Box   45 Folder   14	Ward Bond: information about the death of Ford's widow; clippings
Box   45 Folder   15	Beulah Bondi: clipping
Box   45 Folder   16	Priscilla Bonner: interview, 1987 November 5
Box   45 Folder   17	Henry Brandon: interview, typed extracts, 1987 November 9
	Bulkeley, John D.
Box   45 Folder   18	Correspondence, clippings, 1987-1988
Box   45 Folder   19	Interviews, 1988 August 7
Box   46 Folder   1	Corinne Calvet: photocopy of extract from autobiography Has Corinne Been a Good Girl?: The intimate Memoirs of a French Actress in Hollywood (St. Martin's Press, 1983)
Box   46 Folder   2	Yakima Canutt: extract from typescript autobiography
Box   46 Folder   3	Harry Carey Sr.: clippings
Box   46 Folder   4	Harry Carey Jr.: interview, 1987 October 36 Note: Contact information about other people; transcript of taped interview; clippings; correspondence.
Box   46 Folder   5	Olive Carey: interviews, 1984 July 22, 1985 May 19, October 6, 9, 1987 November 6 Note: Also includes clippings of obituaries, March 1998.
Box   46 Folder   6	John Carradine: clippings
Box   46 Folder   7	T.E.B. Clarke: clipping
Box   46 Folder   8	Ruth Clifford: interview, clipping, 1987 November 5
Box   46 Folder   9	Katherine Cliffton: interviews, 1987 October 29, November 2
Box   46 Folder   10	William Clothier: clipping of interview by Scott Eyman
Box   46 Folder   11	Dorothy Gordon Cooper: record of attempted phone contact, photocopy of article, 1987 October 28
Box   46 Folder   12	Merian C. Cooper: credits from IMDB; clippings
Box   46 Folder   13	Ken Curtis: credits from IMDB; Variety obituary, 1991 April 30
Box   46 Folder   14	Jeremiah Denton: clippings, pressbook and notes on film Return with Honor (directed by Freida Lee Mock and Terry Sanders, 1998)
Box   46 Folder   15	James H. Doolittle: clipping
Box   46 Folder   16	Amanda Dunne: notes on lunch conversation, 1987 October 23
Box   46 Folder   17	Philip Dunne: clippings, interviews, 1987 October 19 Note: Also includes correspondence, 1991.
Box   46 Folder   18	Walter Edmonds: clipping of obituary, 1998 January 28
Box   46 Folder   19	Blake Edwards: letter, 1998 April 28
Box   46 Folder   20	Howard Fast: filmography from IMDB; clippings of extracts from books; typescript pages by McBride
Box   46 Folder   21	Stepin Fetchit (Lincoln Theodore Perry): contact information, 1998 February 10 Note: Also includes McBride correspondence with editors of Film Quarterly, 1998; clippings (including McBride's Milwaukee Journal article, December 10, 1979).
Box   46 Folder   22	James Fitzsimmons: contact information, 1987 October 28
Box   46 Folder   23	Henry Fonda: clippings
Box   46 Folder   24	Barbara Ford: clippings
Box   46 Folder   25	Dan Ford: clipping of television interview by Scott Eyman
Box   46 Folder   26	Francis Ford: research notes, including notes on an unpublished autobiography; clippings
Box   46 Folder   27	Mary Ford: clippings, cyclostyled typescript of interview with Anthony Slide and June Banker, 1977 April 23 Note: Annotated by McBride.
Box   46 Folder   28	Patrick Ford: credits from IMDB
Box   46 Folder   29	Samuel Fuller: interview, 1997 November 23 Note: Photocopy excerpt from Lee Server, Sam Fuller: Film Is a Battleground (Jefferson, North Carolina: McFarland, 1994).
Box   46 Folder   30	Althea Gibson: correspondence
Box   46 Folder   31	Hoot Gibson: clipping
Box   46 Folder   32	Katharine Hepburn: clippings, pages from typescript of Searching for John Ford
Box   46 Folder   33	Ben Johnson: clippings: interview, 1995 June 16
Box   46 Folder   34	Burt Kennedy: clipping; interview, 1995 July 5
Box   46 Folder   35	Fred Kennedy: clippings of obituaries, 1958 December
Box   46 Folder   36	Michael Morris, Lord Killanin: clippings
Box   46 Folder   37	Larry Kleno: notes on phone conversation, 1987 October 28
Box   46 Folder   38	Anna Lee: correspondence; interviews, 1987 November 3
Box   46 Folder   39	Jack Lemmon: interview
Box   46 Folder   40	Roddy McDowall: notes on phone conversation, clipping, 1987 October 28
Box   46 Folder   41	Jack P. Mackenzie Jr.: clipping
Box   46 Folder   42	John Lee Mahin: clipping
Box   47 Folder   1	Karl Malden: letter from McBride to Malden, 1998 February 23
Box   47 Folder   2	Vera Miles: notes, 1981 February 20
Box   47 Folder   3	Winston Miller: clipping
Box   47 Folder   4	Pauline Moore (Watkins): clipping; letter from Moore to McBride, 1998 April 9 Note: Also includes interview, April 3, 1998.
Box   47 Folder   5	Friedrich Murnau: draft typescript of Janet Bergstrom's “Murnau in America,” 1991 September 19
Box   47 Folder   6	Dudley Nichols: clippings
Box   47 Folder   7	Richard M. Nixon Note: Includes copy of Nixon letters to John Ford, March 28, 1953, August 16, 1973; Nixon, “Reflections on John Ford,” January 6, 1988; letters from Nixon to McBride, January 5, 1987; and McBride to Nixon, January 9, 1988.
Box   47 Folder   8	Jeanette Nolan: clipping of obituary, 1998 June 9
Box   47 Folder   9	Eva Novak: clipping of obituary, 1988 April 21
	Frank S. Nugent
Box   47 Folder   10	Clippings
Box   47 Folder   11	Notes on Nugent-scripted films and books and articles about Nugent
Box   47 Folder   12	Proof, drafts and correspondence regarding McBride's article “The Pathological Hero's Conscience,” Written By (2001)
Box   47 Folder   13	Expenses lists regarding the Written By article
Box   47 Folder   14	George O'Brien: clippings
Box   47 Folder   15	Pat O'Brien: clipping
Box   47 Folder   16	Sean O'Casey: notes and clipping
Box   47 Folder   17	Maureen O'Hara: clippings
Box   47 Folder   18	Peter Ortiz: clipping of obituary, 1988 May 24
Box   47 Folder   19	Betsy Palmer: interview, 1998 March 19
Box   47 Folder   20	Tom Pryor: notes on phone conversation, 1997 November 5
Box   47 Folder   21	Lewis Burwell “Chesty” Puller: clippings
Box   47 Folder   22	Waverly Ramsey: interview, 1987 November
Box   47 Folder   23	Ronald Reagan: clippings
Box   47 Folder   24	Russell Reeder: clipping of obituary, 1988 March 1
Box   47 Folder   25	Irene Rich: clippings of obituaries, 1988 April 25
Box   47 Folder   26	Will Rogers: clippings, research notes
Box   47 Folder   27	Bernard Smith: notes on phone conversations, 1987 November Note: Also includes obituary, December 31, 1999.
Box   47 Folder   28	Laurence Stallings: clipping
Box   47 Folder   29	George Stevens: research notes on George Stevens Papers, AMPAS, 1988 April 21
Box   47 Folder   30	James Stewart: interview, 1987 November Note: Also includes obituary, May 11, 1998.
Box   47 Folder   31	Woody Strode: notes on phone conversation, clippings, 1987 October 28
Box   48 Folder   1	Gloria Stuart: clippings
Box   48 Folder   2	James Stuart: clipping
Box   48 Folder   3	Shirley Temple (Black): clippings
Box   48 Folder   4	Bob Thomas: notes on phone conversation, 1987 June 28
Box   48 Folder   5	Constance Towers: clippings, research notes
Box   48 Folder   6	Claire Trevor (Bren): clippings, taped interview, 1998 April 1
Box   48 Folder   7	Raoul Walsh: clipping, notes on They Died with Their Boots On (1942)
Box   48 Folder   8	John Wayne: notes and correspondence regarding McBride, “Hail to the Duke,” American Movie Classics Magazine 14, no. 7 (July 2001): 4-5; clippings; photocopies of articles on Wayne
Box   48 Folder   9	Frank “Spig” Wead: clippings
Box   48 Folder   10	Albert Wedemeyer: clippings
Box   48 Folder   11	Richard Widmark: clippings
Box   48 Folder   12	Hank Worden: interviews, undated
Box   48 Folder   13	Billy Yellow: interview; clippings Note: Includes material on other Navajo appearing in Ford's films.
Box   48 Folder   14	Loretta Young: letter from McBride to Young, 1988 February 17
Box   48 Folder   15	Darryl Zanuck: clippings, draft pages from Searching for John Ford
	Works
	Film files Note: Materials on films directed by John Ford and a few with which he had other connections (films directed by Ford unless otherwise stated), arranged alphabetically by title. Materials consist of clippings, copies of critical articles, and film viewing notes by McBride. See critical articles on Ford's work as a whole in Boxes 41 and 42.
Box   48 Folder   16	Clippings and viewing notes on more than one Ford-directed film
Box   48 Folder   17	Soul Herder, The (Universal Pictures, 1917)
Box   48 Folder   18	Straight Shooting (Universal Pictures, 1917)
Box   48 Folder   19	Last Outlaw, The (Universal Pictures, 1919)
Box   48 Folder   20	Outcasts of Poker Flat, The (Universal Pictures, 1919)
Box   48 Folder   21	Marked Men (Universal Pictures, 1919)
Box   48 Folder   22	Desperate Trails (Universal Pictures, 1921)
Box   48 Folder   23	Iron Horse, The (Fox Film Corporation, 1925)
Box   48 Folder   24	3 Bad Men (Fox Film Corporation, 1926)
Box   48 Folder   25	Four Sons (Fox Film Corporation, 1928)
Box   48 Folder   26	Hangman's House (Fox Film Corporation, 1928)
Box   48 Folder   27	Men without Women (Fox Film Corporation, 1930)
Box   48 Folder   28	Up the River (Fox Film Corporation, 1931)
Box   48 Folder   29	Arrowsmith (Howard Productions, 1931)
Box   48 Folder   30	Air Mail (Universal Pictures, 1932)
Box   48 Folder   31	Flesh (MGM, 1932)
Box   48 Folder   32	Pilgrimage (Fox Film Corporation, 1933)
Box   48 Folder   33	Doctor Bull (Fox Film Corporation, 1933)
Box   48 Folder   34	Judge Priest (Fox Film Corporation, 1934)
Box   48 Folder   35	Informer, The (RKO, 1935)
Box   48 Folder   36	Steamboat Round the Bend (Fox Film Corporation, 1935)
Box   48 Folder   37	Prisoner of Shark Island, The (20th Century-Fox, 1936)
Box   49 Folder   1	Mary of Scotland (RKO, 1936)
Box   49 Folder   2	Plough and the Stars, The (RKO, 1937)
Box   49 Folder   3	Wee Willie Winkie (20th Century-Fox, 1937)
Box   49 Folder   4	Hurricane, The (Samuel Goldwyn, 1937)
Box   49 Folder   5	Four Men and a Prayer (20th Century-Fox, 1938)
Box   49 Folder   6	Stagecoach (Walter Wanger Productions / United Artists, 1939)
Box   49 Folder   7	Young Mr. Lincoln (20th Century-Fox, 1939)
Box   49 Folder   8	Drums along the Mohawk (20th Century-Fox, 1939)
Box   49 Folder   9	Grapes of Wrath, The (20th Century-Fox, 1940)
Box   49 Folder   10	Long Voyage Home, The (Argosy Corporation/United Artists, 1940)
Box   49 Folder   11	Tobacco Road (20th Century-Fox, 1941)
Box   49 Folder   12	How Green Was My Valley (20th Century-Fox, 1941)
Box   49 Folder   13	Sex Hygiene (directed by John Ford and Otto Brower, U.S. Army Signal Corps, 1942)
Box   49 Folder   14	Battle of Midway, The (U.S. Navy, 1942)
Box   49 Folder   15	December 7th (U.S. Navy, 1943)
Box   49 Folder   16	They Were Expendable (MGM, 1945)
Box   49 Folder   17	My Darling Clementine (20th Century-Fox, 1946)
Box   49 Folder   18	Fugitive, The (Argosy Pictures/RKO, 1947)
Box   49 Folder   19	Fort Apache (Argosy Pictures/RKO, 1948)
Box   49 Folder   20	3 Godfathers (Argosy Pictures/MGM, 1948)
Box   49 Folder   21	Pinky (directed by Elia Kazan, 20th Century-Fox, 1949)
Box   49 Folder   22	Mighty Joe Young (directed by Ernest B. Schoedsack, Argosy Pictures/RKO, 1949)
Box   49 Folder   23	She Wore a Yellow Ribbon (Argosy Pictures/RKO, 1949)
Box   49 Folder   24	When Willie Comes Marching Home (20th Century-Fox, 1950)
Box   49 Folder   25	Wagon Master (Argosy Pictures/RKO, 1950)
Box   49 Folder   26	Rio Grande (Argosy Pictures/RKO, 1950)
Box   50 Folder   1	This Is Korea (U.S. Navy/Republic Pictures, 1951)
Box   50 Folder   2	Quiet Man, The (Argosy Pictures/Republic, 1952)
Box   50 Folder   3	What Price Glory (20th Century-Fox, 1952)
Box   50 Folder   4	Sun Shines Bright, The (Argosy Pictures/Republic, 1953)
Box   50 Folder   5	Mogambo (MGM, 1953)
Box   50 Folder   6	Long Gray Line, The (Columbia Pictures, 1955)
Box   50 Folder   7	Mister Roberts (Orange Productions/Warner Bros., 1955)
Box   50 Folder   8	Searchers, The (C.V. Whitney Pictures/Warner Bros., 1956)
Box   50 Folder   9	Growler Story, The (U.S. Navy, 1957)
Box   50 Folder   10	Wings of Eagles, The (MGM, 1957)
Box   50 Folder   11	Rising of the Moon, The (Four Provinces Productions/Warner Bros., 1957)
Box   50 Folder   12	Last Hurrah, The (Columbia Pictures, 1958)
Box   50 Folder   13	Gideon's Day [United States title: Gideon of Scotland Yard] (Columbia [British], 1959)
Box   50 Folder   14	Horse Soldiers, The (Mirisch Company/United Artists, 1959)
Box   50 Folder   15	Sergeant Rutledge (Warner Bros./Columbia Pictures, 1960)
Box   50 Folder   16	Two Rode Together (John Ford Productions, 1961)
Box   50 Folder   17	Man Who Shot Liberty Valance, The (Paramount Pictures, 1962)
Box   50 Folder   18	How the West Was Won, Part 3: The Civil War (MGM, 1963)
Box   50 Folder   19	Donovan's Reef (Paramount Pictures, 1963)
Box   50 Folder   20	Cheyenne Autumn (Ford-Smith Productions/Warner Bros., 1964)
Box   51 Folder   1	Young Cassidy (directed by Jack Cardiff, Sextant Films/MGM, 1965)
Box   51 Folder   2	7 Women (John Ford Productions/MGM, 1966)
Box   51 Folder   3	Vietnam! Vietnam! (directed by Sherman Beck, USIA, 1971)
Box   51 Folder   4	Chesty: A Tribute to a Legend (1976)
	Television
Box   51 Folder   5	Jane Wyman Presents, segment The Bamboo Cross (NBC, 1955)
Box   51 Folder   6	Screen Directors Playhouse, segment Rookie of the Year (NBC, 1955)
Box   51 Folder   7	Alcoa Premiere, segment Flashing Spikes (ABC, 1962)
	Film about John Ford
Box   51 Folder   8	Proposed documentary to be directed by Joseph McBride: draft scripts and correspondence, 1997
	Book Preparation
	Searching for John Ford (New York: St. Martin's Press, 2001)
	Outlines
Box   51 Folder   9	Early outlines, circa 1980s
Box   51 Folder   10	Chapter outlines, 1998
Box   51 Folder   11	Outline, 1999 March
	Draft typescripts
Box   51 Folder   12	Acknowledgments
Box   51 Folder   13	Introduction
Box   51 Folder   14	Chapter 1
Box   51 Folder   15	Chapter 2
Box   51 Folder   16	Chapter 6
Box   51 Folder   17	Section on The Informer
Box   51 Folder   18	Chapter 8
Box   51 Folder   19	Section on The Searchers
Box   52 Folder   1	Chapters 8 and 9
Box   52 Folder   2	Chapter 10
Box   52 Folder   3-4	Chapter 11
Box   52 Folder   5	Chapter 12
Box   52 Folder   6-7	Notes, general
Box   53 Folder   1	Notes, revised, 1999 October-November
Box   53 Folder   2	Notes, Chapters 1 and 2
Box   53 Folder   3	Notes, Chapter 3
Box   53 Folder   4	Notes, Chapter 13
Box   53 Folder   5	Notes, long version, 2000 January 18
Box   53 Folder   6	Notes, long version, annotated
Box   53 Folder   7	Notes, condensed
Box   53 Folder   8	Revisions, 2000 August
Box   53 Folder   9	Interview list
Box   53 Folder   10	Filmography
Box   53 Folder   11	Illustrations: photocopies
Box   53 Folder   12	Illustration captions
Box   53 Folder   13	Word counts
Box   54 Folder   1-3	Complete draft
Box   54 Folder   4	Fixes
Box   54 Folder   5	Fixes, Introduction and Chapters 1-9
Box   54 Folder   6	Fixes, Chapters 10-13
Box   55 Folder   1-2	Final Fixes
Box   55 Folder   3	Copy of beginning marked “3/1”
Box   55 Folder   4	“Copy for Ruth O'Hara” of Ford manuscript (pp. 1-120)
	Correspondence with the publisher and comments on the typescript
Box   55 Folder   5	Comments by Peter Bogdanovich: record of a conversation, 1996 September 5
Box   55 Folder   6	Richard Parks: correspondence regarding the book with Parks, Joseph McBride's agent
Box   55 Folder   7	St. Martin's Press and Faber and Faber: correspondence, 1999
Box   55 Folder   8	St. Martin's Press: correspondence, 2001
Box   56 Folder   1	Henry Kaufman: legal review of the typescript, 2000
	Copy editing
Box   56 Folder   2	St. Martin's Press style sheet for the book
Box   56 Folder   3-6	Correspondence with Julia Pastore of St. Martin's Press, draft pages proposed changes, photocopies of proposed illustrations, 2000
Box   56 Folder   7-8	Copy-edited typescript I, 2000 February
Box   57 Folder   1-3	Copy-edited typescript I (continued)
Box   57 Folder   4	Typescript changes, 2000 July 24
Box   57 Folder   5-6	Copy-edited typescript II, 2000 July-August
Box   58 Folder   1-3	Copy-edited typescript II (continued)
Box   58 Folder   4	Revisions after submission of the typescript
	Permissions
Box   58 Folder   5	Drafts of letters seeking permissions for quotations from published works
Box   58 Folder   6	Permissions letters
Box   59 Folder   1	Permissions for citation of Variety: correspondence
Box   59 Folder   2	Cutting to bring quotations within the limits of fair use
Box   59 Folder   3	Photo permissions
	Proofs
Box   59 Folder   4-6	Page proof, 2000 October-November
Box   60 Folder   1-5	Page proof, 2000 December
Box   61 Folder   1	Notes on proofs, 2001 January-March
Box   61 Folder   2-5	Page proof, 2001
Box   62 Folder   1	Page proof, backmatter
Box   62 Folder   2	Proof corrections, 2001 June
Box   62 Folder   3	Final proof of illustrations
Box   62 Folder   4	Cover art suggestions
Box   62 Folder   5	Book jacket copy
Box   62 Folder   6	Correspondence on proofs for the paperback edition, 2002
	Publicity and Sales
Box   62 Folder   7	Proofs of publicity materials, 2001 May
Box   62 Folder   8	Correspondence
Box   62 Folder   9	St. Martin's Press publicity materials for the book
Box   62 Folder   10	Author's book signings
Box   62 Folder   11	Negotiations over publication of extract in New York Review of Books
Box   62 Folder   12	Clippings and photocopies of reviews
Box   62 Folder   13	Post-publication letters to the author about the book
Box   62 Folder   14	Email interview with McBride by Jason Walsh about the book, 2001 September
Box   62 Folder   15	Royalty statements, 2000-2001
	A la recherche de John Ford / translated by Jean-Pierre Coursodon (Arles: Institut Lumiere/Actes Sud, 2007) Note: French translation of Searching for John Ford
Box   62 Folder   16	Institut Lumiere correspondence
Box   63 Folder   1-3	Page proof
Box   63 Folder   4	Correspondence about French version with publishers, 2007 January-July
Box   63 Folder   5	Letter to McBride from Bertrand Tavernier, 2007 July
Box   64 Folder   1	List of proposed changes, 2007 July 17
Box   64 Folder   2	List of proposed changes, 2007 July 19
Box   64 Folder   3	List of changes and notes, 2007 July 20
Box   64 Folder   4	List of changes sent to Institut Lumiere, 2007 August 17
Box   64 Folder   5	Final correspondence about changes, 2007 October
Box   64 Folder   6	Copy of the book
Box   64 Folder   7	Publicity and reviews of the French edition
	Ford-related materials subsequent to publication of book
Box   64 Folder   8	Correspondence about the book with proposals for articles by McBride on Ford; drafts of talks on Ford; notes and correspondence with Ford associates and others with Ford information and anecdotes; clippings
Box   65 Folder   1	Photocopies and clippings of articles about Ford after 2001
Box   65 Folder   2	John Ford Goes to War (FBN Productions, correspondence, clippings, including 1999 proposal to Harrison Engle of Signal Hill Entertainment, 2002), documentary co-produced by Joseph McBride
Box   65 Folder   3-4	“'Impetuous! Homeric!': The Quiet Man Turns Fifty,” Irish America (February-March 2002): 56-9: drafts
Box   65 Folder   5	Correspondence regarding introduction to Ford interview by Tag Gallagher in the online magazine Film Journal, 2005 April
Box   65 Folder   6	DVD commentary on The Informer, by Joseph McBride, for Sparkhill Productions and Warner Home Video (2006): correspondence and research materials
Box   65 Folder   7-8	DVD commentary on Cheyenne Autumn, by Joseph McBride, for Sparkhill Productions and Warner Home Video (2006)
Box   65 Folder   9	DVD commentary on Pilgrimage, by Joseph McBride, for the 20th Century-Fox Ford at Fox DVD box set (2006)
Box   65 Folder   10	“John Ford's Long Voyage to Homevideo” by Joseph McBride drafts of history of Warner Bros./20th Century-Fox's box set of Ford DVDs for Directors Guild of America Quarterly (2006)
	“Ford at Fox,” by Joseph McBride, essay in Twentieth Century-Fox book and DVD collection Ford at Fox (2007)
Box   66 Folder   1	Agreements, correspondence, clippings, research
Box   66 Folder   2-3	Drafts
Box   66 Folder   4	Redline version and revisions, 2007 June 15
Box   66 Folder   5	As published
Box   66 Folder   6	Ford course taught by McBride at San Francisco State University, class assignment on The Quiet Man, 2007
Box   66 Folder   7	Becoming John Ford Note: Video documentary produced by Boston Road Productions featuring and with consultancy by Joseph McBride, 2007. Includes: correspondence with Jamie Willett, Julie Kirgo and Janet Bergstrom on his appearance in the film and his audio commentary for the DVD presentation of Pilgrimage for 20th Century-Fox boxed set Ford at Fox; screening of the film, introduced by McBride, at the Cinequest Film Festival, San Jose, California, March 1, 2008: correspondence and flyer for the event.
Box   66 Folder   8	Tiburon International Film Festival, screening of John Ford/John Wayne: The Filmmaker and the Legend (directed by Samuel Pollard, PBS American Masters video, 2006), introduced by Joseph McBride, 2008 March 13-21 Note: Festival program, notes, draft of speech.
	Steven Spielberg
	Research
Box   67 Folder   1-8	Miscellaneous notes, correspondence, clippings
	Books on Spielberg
Box   67 Folder   9	Steven Spielberg Study Guide (Los Angeles: American Film Institute, 1979): photocopy
Box   67 Folder   10	John Baxter, Steven Spielberg: The Unauthorized Biography (New York: Harper Collins, 1996): clipping
Box   67 Folder   11	Tom Collins, Steven Spielberg: Creator of ET (Minneapolis, Minnesota: Dillon Press, 1983): photocopy
Box   67 Folder   12	Roger Ebert and Gene Siskel, The Future of the Movies: Interviews with Martin Scorsese, Steven Spielberg, and George Lucas (Kansas City: Andrews and McMeel, 1991): photocopy
Box   67 Folder   13	Marcial Cantero Fernandez, Steven Spielberg (Madrid, Spain: Ediciones Ctedra, 1993): photocopy
Box   67 Folder   14	Jim Hargrove, Steven Spielberg Amazing Filmmaker (Chicago: Childrens Press, 1988): photocopy
Box   67 Folder   15	Antonio Lara, Spielberg: Maestro del cine de hoy (Madrid, Spain: espasa Calpe, 1990): photocopy
Box   67 Folder   16	Michael C. Leather, The Picture Life of Steven Spielberg (New York: Franklin Watts, 1988): photocopy
Box   68 Folder   1	D.L. Mabery, Steven Spielberg (Minneapolis, Minnesota: Lerner Publications, 1986): photocopy
Box   68 Folder   2	Marcia L. McAllister, Steven Spielberg: He Makes Great Movies (Vero Beach, Florida: Rourke Enterprises, 1989)
Box   68 Folder   3	Frank Sanello, Spielberg: The Man, the Movies, the Mythology (Dallas, Texas: Taylor Publishing, 1996): publisher's brochure
Box   68 Folder   4	Spielberg bibliography
Box   68 Folder   5	Academy of Motion Picture Arts and Sciences Library research notes Note: Mostly lists of magazine articles.
Box   68 Folder   6	Museum of Radio and Television research
Box   68 Folder   7	Published interviews with Spielberg: photocopies
Box   68 Folder   8-10	Articles on Spielberg: photocopies
Box   68 Folder   11	Extracts from Tay Garnett, Directing: Learning from the Masters (Metuchen, New Jersey: Scarecrow Press, 1996) on Spielberg and François Truffaut
Box   68 Folder   12	Articles on Spielberg notebook, to 1979
Box   69 Folder   1	Articles on Spielberg notebook, 1979-1993
Box   69 Folder   2-3	Clippings
Box   69 Folder   4	Genealogy: Steven Spielberg's ancestors
Box   69 Folder   5	Genealogy: research by Adele Blanton
Box   69 Folder   6	Spielberg family obituaries
Box   69 Folder   7	Samuel Spielberg will, probate 1946 January 16
Box   69 Folder   8	Steven Spielberg birth certificate
	Cincinnati, Ohio
Box   70 Folder   1	Research notes and correspondence
Box   70 Folder   2	Clippings
Box   70 Folder   3	City directories
Box   70 Folder   4	Oral histories
	Avondale, Cincinnati, Ohio
Box   70 Folder   5	Clippings
	Haddonfield and Haddon Township, New Jersey
Box   70 Folder   6	Clippings, notes
Box   70 Folder   7	City directories
Box   70 Folder   8	Thomas A. Edison Elementary School and Haddon Township High School, Haddon Township, New Jersey: interviews with Sharon Gertchoff and Ann Koch, circa 1996
	Phoenix, Arizona
Box   70 Folder   9	Ingleside Elementary School, Phoenix, Arizona: graduating class list, 1961 May 26
Box   70 Folder   10	Arcadia High School, Phoenix, Arizona Note: Including notes on the school magazine, The Arcadian, 1961-1964.
	Saratoga and San Jose, California
Box   70 Folder   11	Notes and clippings
Box   70 Folder   12	Saratoga High School, Saratoga, California: Note: School newspaper and yearbook; notes on Class of '65 Alumni Reunion, August 19, 1995.
Box   70 Folder   13	San Jose Mercury News clippings and notes
Box   70 Folder   14	Divorce of Arnold and Leah Spielberg documents, 1966
Box   71 Folder   1	California State University, Long Beach notes from university records, clippings
Box   71 Folder   2	University of Southern California and University of California-Los Angeles correspondence
Box   71 Folder   3	Universal Pictures notes and clippings
Box   71 Folder   4	Sumner Redstone, Paramount, and Viacom clippings
Box   71 Folder   5	MCA clippings
	Amblin Entertainment
Box   71 Folder   6-7	Clippings, general
Box   71 Folder   8	E.R.: clippings and notes on AMPAS seminar, 1995 May 11
Box   71 Folder   9	DreamWorks
Box   71 Folder   10	Malibu fire clippings, 1993
Box   72 Folder   1	Academy of Motion Picture Arts and Sciences seminar, “Filmscapes, Spielberg, Zemeckis and the Art of Making a World,” exhibition, 1994 August 3-October 16 Note: Brochures, notes on seminar.
Box   72 Folder   2	Dive!: menu and flyer Note: Store and restaurant co-owned by Spielberg.
Box   72 Folder   3	AFI Life Achievement Award, 1995
	People
	Lists and correspondence regarding interviews
Box   72 Folder   4-5	Lists of people to interview and notes on contacting them Note: Also includes correspondence requesting interviews.
Box   72 Folder   6	Printed list of interviews
Box   72 Folder   7	Cincinnati subjects
Box   72 Folder   8	New Jersey subjects
Box   72 Folder   9	Ingleside Grade School, Phoenix, Arizona, subjects
Box   72 Folder   10	Phoenix High School correspondence
Box   72 Folder   11	Saratoga High School list of graduates of class of '65 Note: From Peter Fallico.
Box   72 Folder   12	California State University, Long Beach subjects
Box   72 Folder   13	Agents lists
Box   72 Folder   14	Lists of interviewees from folders containing interview transcripts and notes
	Photocopies of sections on Spielberg-related people from directories and other works with multiple subjects
Box   72 Folder   15	Kerry Segrave and Linda Martin, The Post-Feminist Hollywood Actress: Biographies and Filmographies of Stars Born After 1939 (Jefferson, North Carolina: McFarland, 1990) Note: Sections on Goldie Hawn, Sarah Miles, Elizabeth McGovern, Debra Winger, Teri Garr, Cher.
Box   72 Folder   16	David Chell, editor, Moviemakers at Work (Redmond, Washington: Microsoft Press, 1987) Note: Sections on Allen Daviau, Carol Littleton, Bill Varney, Roy Arbogast, Dennis Muren, Chris Evans.
Box   72 Folder   17	Alexandra Browser and Thomas Lee Wright, ed., Working in Hollywood (New York: Crown Publishers, 1990) Note: Sections written by Spielberg collaborators Michael Medavoy, Kathleen Kennedy, Kerry Rossall, Adria Later, Ed Verraux, Victoria Rhodes, Laszlo Kovacs, Richard Gernand, Richard Edlund, Jonathan Erland, Chris Walas, Jein, Carlo Rambaldi, Robert “Buzz” Knudson, and Ralph Nelson.
Box   73 Folder   1	Ed Abroms: interviews, 1995 August 10-11, 14-15
Box   73 Folder   2	Veronica Adams: interview, New Jersey, 1994 March 27
Box   73 Folder   3	Leah Adler: interviews, notes, clippings, 1994 April 20, 1996 January 15
Box   73 Folder   4	J.P. Allen: interviews, 1994 May 5, June 16
Box   73 Folder   5	Joe Alves: interviews, notes, clippings, 1994 May 11
Box   73 Folder   6	Howard Amerson: interviews, Phoenix, Arizona, 1994 January 5
Box   73 Folder   7	Army Archerd: interview, 1992 December 1
Box   73 Folder   8	David Attard: interview, 1994 May 27
Box   73 Folder   9	Richard Attenborough: clippings
Box   73 Folder   10	Jim Auer: interview, correspondence, 1994 March 31
Box   73 Folder   11	Mike Augustine: interviews, Saratoga, California, 1994 February 15, 17, 23, March 3
Box   73 Folder   12	Margaret Avery: notes on taped interview, correspondence, 1994 July 19
Box   73 Folder   13	Sam Baar: interview, Phoenix, Arizona, 1994 March 1
Box   73 Folder   14	Leonard M. Bailey: interview, 1994 August 13
Box   73 Folder   15	Dan Baker, of California State University-Long Beach: interview, 1994 April 25
Box   73 Folder   16	Michael Ballhaus: clipping
Box   73 Folder   17	Don Baroni: interviews, Saratoga, California, 1994 February 19, 23
Box   73 Folder   18	Rick Barr: interview, Phoenix, Arizona, 1994 January 5
Box   73 Folder   19	Bonnie Parker Bartman: interview, Saratoga, California, 1994 March 8
Box   73 Folder   20	Richard Belding: notes; interviews, 1994 October 13, 28, November 15-16
Box   73 Folder   21	Peter Benchley: interview, clippings, 1994 November 7
Box   73 Folder   22	Tony Bill: interview, correspondence, 1994 November 14
Box   73 Folder   23	Robert S. Birchard: interview, 1994 July 17
Box   73 Folder   24	Rick Blakeley: interview, Phoenix, Arizona, 1994 March 7
Box   73 Folder   25	Steve Blasnek: interview, correspondence, Phoenix, Arizona, 1994 March 7
Box   73 Folder   26	Jeffrey Boam: interview, 1994 April 15
Box   73 Folder   27	Peter Bogdanovich: interview, 1995 October 18
Box   73 Folder   28	Mildred Bonaventura: interviews, New Jersey, 1994 March 15, 30
Box   15 Folder   29	Sonny Bono: interview, 1994 April 20
Box   15 Folder   30	Orin Borsten: interviews, 1994 May 3, 16
Box   15 Folder   31	Joseph E. Boston: correspondence; interview, 1994 September 21
Box   15 Folder   32	Dutch Boysen: interview, Saratoga, California, 1994 February 16
Box   15 Folder   33	Rev. Arnetta Brantley: interview, Cincinnati, Ohio, 1994 August 19
Folder   34	Jean Weber Brill: interviews, Phoenix, Arizona, 1994 January 29, February 8
Box   15 Folder   35	Phyllis Brooks: interview, Phoenix, Arizona, 1994 January 7
Box   15 Folder   36	Dr. Cal Bruins: interview, Phoenix, Arizona, 1993 December 15
Box   15 Folder   37	Margaret Burrell: interview, Phoenix, Arizona, 1994 January 3
Box   15 Folder   38	Ralph Burris: interviews, 1996 June 20, 22, July 22, 23, 24, 25
Box   15 Folder   39	John Caldwell: interview, 1994 April 19
Box   15 Folder   40	Barbara Callahan: interview, Phoenix, Arizona, 1994 January 11
Box   15 Folder   41	Kate Capshaw: clippings, notes on articles and broadcasts
Box   74 Folder   1	Jane Bonaventura Caputo: interview, New Jersey, 1994 March 30
Box   74 Folder   2	Charles Carter: interviews, Phoenix, Arizona, 1994 March 15-16
Box   74 Folder   3	Dr. Forrest Carter: interview, Phoenix, Arizona, 1994 March 15
Box   74 Folder   4	Lynda Carter: interview, 1994 May 25
Box   74 Folder   5	Charles W. Case II: interview, Phoenix, Arizona, 1994 February 8 Note: Correspondence regarding Spielberg's high-school contemporaries.
Box   74 Folder   6	Charles Champlin: interviews, 1994 March 28, April 14, 1995 December 21 Note: Also includes correspondence regarding Heartland Film Festival best films of 1993 ranking.
Box   74 Folder   7	Richard E. Charland: interview, Phoenix, Arizona, 1994 January 13
Box   74 Folder   8	Coette Childers: interview, Phoenix, Arizona, 1994 March 7
Box   74 Folder   9	Clynn Christensen: interviews, Phoenix, Arizona, 1994 March 3, 25
Box   74 Folder   10	John J. Cody: interview, Saratoga, California, 1994 February 18
Box   74 Folder   11	Chris Columbus: clippings, correspondence
Box   74 Folder   12	Rick Cook: interview, 1994 January 11
Box   74 Folder   13	Jeff Corey: interview, correspondence, 1994 November 3
Box   74 Folder   14	Roger Corman, interview, clippings, 1995 October 13
Box   74 Folder   15	George Cowie: interview, Phoenix, Arizona, 1993 December 20
Box   74 Folder   16	Jane Craft (Mrs. Peter Griffith): interview, Saratoga, California, 1994 February 16
Box   74 Folder   17	Edith Cummins: interview, Cincinnati, Ohio, 1994 August 16
Box   74 Folder   18	Bill Dabney: interview, Cincinnati, Ohio, 1994 August 13
	Joe Dante
Box   74 Folder   19	Interviews with correspondence, 1994 April 8, 12, 15, 18
Box   74 Folder   20	“Gizmo's Id: The Strange Partnership of Joe Dante and Steven Spielberg,” Note: Printed in French translation as “Le ça du gizmo: létrange association de Joe Dante et Steven Spielberg” in Joe Dante et les Gremlins de Hollywood (Paris: Editions Cahiers du Cinéma and Festival International du Film de Locarno, 1999), 75-82. Includes correspondence, drafts.
Box   74 Folder   21	Joan Darling: interviews, correspondence, clippings, 1994 April 26, 28
Box   74 Folder   22	Allen Daviau: interviews with transcript of taped interview, press release, 1994 May 6, 1995 December 4, 22
Box   74 Folder   23	Eva David: correspondence and clipping
Box   74 Folder   24	Bill Davison, of New Jersey: interviews, 1994 June 23, 30
Box   74 Folder   25	Jon Davison: interviews, 1994 June 9, 14
Box   74 Folder   26	Hugo Del Favero Jr.: interview, Cincinnati, Ohio, 1994 April 14
Box   74 Folder   27	William Del Favero: interview, Cincinnati, Ohio, 1994 April 14
Box   74 Folder   28	Phil Deppe: interview, Phoenix, Arizona, 1994 March 30
Box   74 Folder   29	Charles F. Devlin: interview, New Jersey, 1994 March 23
Box   74 Folder   30	Charles J. Devlin Jr.: interviews, New Jersey, 1994 March 15, 25
Box   74 Folder   31	Mary Devlin (Mrs. Charles J. Devlin Jr.): interviews, New Jersey, 1994 March 20, 25
Box   74 Folder   32	John Di Pietropolo: interviews, New Jersey, 1994 March 15, 17
Box   74 Folder   33	Pat Berry Di Pietropolo: interview, New Jersey, 1994 March 15
Box   74 Folder   34	Vincent Di Pietropolo: interview, New Jersey, 1994 March 15
Box   74 Folder   35	Mark Dicerbo: interviews, Phoenix, Arizona, 1994 March 3-4
Box   74 Folder   36	Karle Dickinson: interview, 1995 February 2
Box   74 Folder   37	Tim Dietz: interview, Phoenix, Arizona, 1994 April 8
Box   74 Folder   38	Melinda Dillon and Teri Garr: notes; correspondence
Box   74 Folder   39	Michael Dore: interview, 1995 May 5
Box   74 Folder   40	Jackson Drake: interview, Phoenix, Arizona, 1994 January 3
Box   74 Folder   41	Richard Dreyfuss: clippings
Box   74 Folder   42	Tom Dryden: interview, 1994 June 28
Box   74 Folder   43	George Eckstein: interviews, 1994 May 27, 31
Box   74 Folder   44	Betty Castleberry Edwards: interview, Phoenix, Arizona, 1994 March 29
Box   74 Folder   45	Jim Emery: interview, Phoenix, Arizona, 1994 January 20
Box   74 Folder   46	Nancy Engebretson: interview, Phoenix, Arizona, 1994 March 26
Box   74 Folder   47	Bill Esher, of New Jersey: interview, 1994 August 7
Box   74 Folder   48	Peter Fallico: interview, Saratoga, California, 1994 February 17
Box   74 Folder   49	Stephen Farber: interview, 1995 April 1
Box   74 Folder   50	Sharon Farrell: interview, 1994 October 12
Box   74 Folder   51	Verna Fields: clipping
Box   75 Folder   1	Mike Finnell: interview, 1994 April 26
Box   75 Folder   2	Dr. Robert Finney, professor at California State University-Long Beach: interview, 1994 April 23
Box   75 Folder   3	Cynthia Fleetham: interview, Phoenix, Arizona, 1994 January 11
Box   75 Folder   4	Judith Myer Flenard: interview, New Jersey, 1994 March 16
Box   75 Folder   5	James Fletcher: interview, Saratoga, California, 1994 February 18
Box   75 Folder   6	Richard T. Ford: interviews, Phoenix, Arizona, 1994 March 14, 15
Box   75 Folder   7	Jo Friedman: interview, 1994 October 31
Box   75 Folder   8	Nancy Frishberg: correspondence
Box   75 Folder   9	Shirley Frye: interview, Phoenix, Arizona, 1994 January 5
Box   75 Folder   10	Miriam Fuhrman: interview, New Jersey, 1994 March 20
Box   75 Folder   11	Mitchell and Glenn Fuhrman: interview, New Jersey, 1994 August 7
Box   75 Folder   12	Bill Gaines: interviews, Phoenix, Arizona, 1994 January 8, 11
Box   75 Folder   13	Bob Gaines: interview, Phoenix, Arizona, 1994 January 13
Box   75 Folder   14	Mrs. Warren (Sylvia) Gaines: interview, Phoenix, Arizona, 1994 January 6
Box   75 Folder   15	Bob Gale: interview, 1995 October 12 Note: Notes on taped interview; clippings.
Box   75 Folder   16	Davida Gale: correspondence
Box   75 Folder   17	Katherine Galwey: interview, Phoenix, Arizona, 1994 January 8
	Teri Garr Note: See Melinda Dillon.
Box   75 Folder   18	Rita Dean Gaynor (Mrs. Earl W. Gaynor): interview, Cincinnati, Ohio, 1994 April 13
Box   75 Folder   19	Rodney Gehre: interview, Phoenix, Arizona, 1994 March 16
	Sharon Gertchoff Note: See Box 70, folder 8.
Box   75 Folder   20	Al Gibson: interview, Saratoga, California, 1994 April 25
Box   75 Folder   21	David Giler: interview 1995 November 11 Note: Includes correspondence.
Box   75 Folder   22	William Gilmore: interviews, 1994 May 17, June 9
Box   75 Folder   23	Dr. Bernard Goldman: interview, Cincinnati, Ohio, 1994 April 13
Box   75 Folder   24	Henry Gonzalez: interview 1995 July 25
Box   75 Folder   25	Carl Gottlieb: interview, 1994 May 12
Box   75 Folder   26	Gary Graver: interview, 1995 October 23
Box   75 Folder   27	Dr. Peter Griffith: interview, Saratoga, California, 1994 February 8
Box   75 Folder   28	Samuel, Debbie and Daniel Guttman: interviews, correspondence, clippings, Cincinnati, Ohio, 1994 August 16-17
Box   75 Folder   29	Tim Haggerty: interview, Saratoga, California, 1994 February 17
Box   75 Folder   30	Tim Haggerty Jr.: interview, Saratoga, California, 1994 February 16
Box   75 Folder   31	Lynn Hale: interview, 1994 November 30
Box   75 Folder   32	Judy Hamilton (Judy Hamilton Kirchick): interviews, Saratoga, California, 1994 January 28, February 4, 1995 August 14, 23
Box   75 Folder   33	Kendra Rosen Hanson: interviews, Saratoga, California, 1994 February 19, March 3
Box   75 Folder   34	Devorah Mann Hardberger: interview, 1994 September 29
Box   75 Folder   35	Dean Hargrove: interview, 1994 June 30
Box   75 Folder   36	Dan Harkins: interview, Phoenix, Arizona, 1994 May 4
Box   75 Folder   37	Kay Harmon: interview, Phoenix, Arizona, 1994 January 6
Box   75 Folder   38	Barbara Harris: interview, New Jersey, 1994 March 30
Box   75 Folder   39	James V. Hart: interview, 1996 January 18
Box   75 Folder   40	Guy Hayden III: interview, Phoenix, Arizona, 1994 January 13
Box   75 Folder   41	Karen Hayden: interview, Phoenix, Arizona, 1994 April 4
Box   75 Folder   42	Donald E. Heitzer: interview, 1994 September 19
Box   75 Folder   43	Robert V. Hendricks: interview, Phoenix, Arizona, 1994 January 5
Box   75 Folder   44	Susan Didinger Hennings: interview, Saratoga, California, 1994 February 17
Box   75 Folder   45	Audrey Hepburn: clippings
Box   75 Folder   46	Arthur Hill: interview, 1994 May 3
Box   75 Folder   47	Rev. Fred Hill and Willie Perdue: interview, Cincinnati, Ohio, 1994 August 17
Box   75 Folder   48	Bill Hoffman: interviews, 1993 December 17, 1994 January 27, 29
Box   75 Folder   49	Lynn Hoffman: interview, Phoenix, Arizona, 1994 January 15
Box   75 Folder   50	Richard S. “Dick” Hoffman Jr.: interviews, correspondence, 1993 December 16-17, 20
Box   75 Folder   51	Tom Holwerda: interview, Saratoga, California, 1994 February 23
Box   76 Folder   1	Kirk Honeycutt: interview, 1994 October 24
Box   76 Folder   2	Martin Hornstein: interview with his wife, 1994 May 17
Box   76 Folder   3	Stephen Hubbert, technician at California State University-Long Beach: interview, 1994 May 2
Box   76 Folder   4	Dolores Del Favero Huff: interview, Cincinnati, Ohio, 1994 April 13
	Willard Huyck Note: See Gloria Katz.
Box   76 Folder   5	Amy Irving: clippings, bibliography
Box   76 Folder   6	George and Angela Jacobi: interview, 1996 June 3
Box   76 Folder   7	Felice Javit: interview, 1996 October 30
Box   76 Folder   8	Betty Johnson: interview, Phoenix, Arizona, 1994 January 3
Box   76 Folder   9	Terry Johnson: interview, Cincinnati, Ohio, 1994 August 13
Box   76 Folder   10	Hugh Kasdan: interview, 1994 May 25
Box   76 Folder   11	Lawrence Kasdan: interview, 1994 June 2
Box   76 Folder   12	Gloria Katz and Willard Huyck: interview, 1994 May 24
Box   76 Folder   13	Howard G. Kazanjian: interview, 1995 November 21
Box   76 Folder   14	Michael Kearns and David Hart: interview, 1996 January 23
Box   76 Folder   15	Mike Keefe (widower of Melinda Milar Keefe): interview, Phoenix, Arizona, 1994 March 8
Box   76 Folder   16	Thomas Keneally: clippings, interview Note: With notes on public lecture, September 20, 1994.
Box   76 Folder   17	Kathleen Kennedy and Frank Marshall: clippings, correspondence
Box   76 Folder   18	Howard King: clippings
Box   76 Folder   19	Ben Kingsley: correspondence; interviews with his assistants and MGM-UA staffers
Box   76 Folder   20	Karen Hakes Knight: interview, Phoenix, Arizona, 1994 March 8
Box   76 Folder   21	Augustus and Loretta (Mrs. A.H.) Knoblach of New Jersey: interviews, correspondence, 1994 March 24, August 8
	Anne Koch Note: See Box 70, folder 8.
Box   76 Folder   22	Grant Koch: interview, Saratoga, California, 1994 February 3
Box   76 Folder   23	David Koepp: clippings
Box   76 Folder   24	Lou Ellen Kramer: interview, 1994 September 19
Box   76 Folder   25	John Landis: clippings and list of questions
Box   76 Folder   26	Rocky Lang: interviews, 1994 June 6, 13
Box   76 Folder   27	Susan Smith Le Sueur: interview, correspondence, Phoenix, Arizona, 1994 March 8
Box   76 Folder   28	J. Wesley Leas, of New Jersey: interview, 1994 July 1
Box   76 Folder   29	Rabbi Albert Lewis: interviews, 1994 March 29, April 4, August 8, 1995 August 6 Note: Also includes letter to McBride, June 19, 1997.
Box   76 Folder   30	Clifford Lindblom: interview, Phoenix, Arizona, 1994 January 11
Box   76 Folder   31	Nancy Lindquist: interviews, Phoenix, Arizona, 1993 December 17
Box   76 Folder   32	William Link: interviews, correspondence, 1994 June 23, July 13, 19, 1995 August 7, 16, 1996 August 28
Box   76 Folder   33	Carey Loftin: interview, 1994 September 19
Box   76 Folder   34	Clark Lohr: interview, Phoenix, Arizona, 1994 January 3
Box   76 Folder   35	Steve Lombard: interview, Phoenix, Arizona, 1994 March 28
Box   76 Folder   36	Mike Loper: interviews, Phoenix, Arizona, 1994 March 26, 29
Box   76 Folder   37	Peggy McMullin Loper: interview, Phoenix, Arizona, 1994 March 29
Box   76 Folder   38	Scott MacDonald: interview, New Jersey, 1994 March 23
Box   76 Folder   39	Stanley MacDonald: interview, New Jersey, 1994 March 17
Box   76 Folder   40	Leo McKenna: interview, Saratoga, California, 1994 February 18
Box   77 Folder   1	Pat McMahon: interview, 1994 September 12 Note: Also includes correspondence.
Box   77 Folder   2	Gerard McMullen, of New Jersey: interview, 1994 June 7
Box   77 Folder   3	Mike McNamara: interview, Phoenix, Arizona, 1994 March 9
Box   77 Folder   4	Jerry McNeely: interview, 1994 April 20
Box   77 Folder   5	Carol Magnoli: interview 1995 August 14
Box   77 Folder   6	Hal Mann: interview, 1994 September 12
Box   77 Folder   7	James Mann: interview, 1994 September 20
Box   77 Folder   8	Dr. Jacob Rader Marcus: interviews, Cincinnati, Ohio, 1994 April 7, 14
Box   77 Folder   9	Vance Marshall: interview, Phoenix, Arizona, 1994 January 25
Box   77 Folder   10	Warner Marshall: interview, Phoenix, Arizona, 1994 January 27
Box   77 Folder   11	Howard Martin, professor at California State University-Long Beach: interview, 1994 May 4
Box   77 Folder   12	Tony Martinelli: interview, 1994 August 1
Box   77 Folder   13	Richard B. Matheson: interviews, 1994 May 13, 16, 1995 July 6
Box   77 Folder   14	Richard C. Matheson: interview, 1994 May 18
Box   77 Folder   15	Terry Mechling: interview, Phoenix, Arizona, 1994 April 4
Box   77 Folder   16	Morris “Mike” Medavoy: notes on taped interview, undated
Box   77 Folder   17	Larry Mercer: interview, Saratoga, California, 1994 February 28
Box   77 Folder   18	Lee Mercer: interview, Saratoga, California, 1994 February 19
Box   77 Folder   19	Del Merrill: interview, Phoenix, Arizona, 1994 February 18
Box   77 Folder   20	Mrs. Vernon (Betty) Michaud: interview, Phoenix, Arizona, 1994 January 7
Box   77 Folder   21	Ferneta Miller (Mrs. Lloyd Miller): interview, Phoenix, Arizona, 1994 March 14
Box   77 Folder   22	Harry Millsop: interview, Phoenix, Arizona, 1993 December 16
Box   77 Folder   23	David and Roslyn Mitman: interviews, Cincinnati, Ohio, 1994 April 13, 16
Box   77 Folder   24	Kerry Mohnike: interview, Saratoga, California, 1994 February 2
Box   77 Folder   25	Bonita Moore: interview, Cincinnati, Ohio, 1994 August 17
Box   77 Folder   26	Peter Mora: interview, 1994 November 29
Box   77 Folder   27	Robert J. Moran: interview, New Jersey, 1994 March 31
Box   77 Folder   28	Robert J. Moran Jr.: interview, New Jersey, 1994 March 31
Box   77 Folder   29	Hubert “Hugh” Morehead: interviews, 1994 April 23, 1995 April 23
Box   77 Folder   30	Jane MacDonald Morley: interview, New Jersey, 1994 March 19
Box   77 Folder   31	Frank Morriss: interviews, correspondence, 1994 May 20, 24
Box   77 Folder   32	A.D. “Art” Murphy interview, 1994 June 21
Box   77 Folder   33	Edward G. Myer: interview, New Jersey, 1994 March 15
Box   77 Folder   34	Michael Neer: interview, Phoenix, Arizona, 1994 January 19
Box   77 Folder   35	Lawrence Olden: interview, Phoenix, Arizona, 1994 February 28
Box   77 Folder   36	Andy Oldstein: interview, 1995 December 28
Box   77 Folder   37	Peter Z. Orton: interviews, 1994 June 8, 15
Box   77 Folder   38	Jerry Parr: interview, 1996 January 9
Box   77 Folder   39	Louise Bonaventura Patterson: interview, New Jersey, 1994 March 30
Box   77 Folder   40	Jennifer Pendleton: interviews, 1994 June 25, July 15
Box   77 Folder   41	Donald W. Penfield: interview, Phoenix, Arizona, 1994 January 5
Box   77 Folder   42	Carl Pennypacker: interview, Saratoga, California, 1994 February 15
Box   77 Folder   43	Phil Pennypacker: interviews, Saratoga, California, 1994 January 29, February 4
Box   77 Folder   44	Jim Pepper: interview, 1994 July 6
	Willie Perdue Note: See Rev. Fred Hill.
Box   77 Folder   45	Eloise Peters: interview, Saratoga, California, 1994 February 16
Box   77 Folder   46	Haven Peters: interview, correspondence, Phoenix, Arizona, 1994 February 12
Box   77 Folder   47	Jim Peters: interview, Saratoga, California, 1994 February 20
Box   77 Folder   48	Terry Peugh: interview, correspondence, Phoenix, Arizona, 1994 February 15
Box   77 Folder   49	Bert Pfister: interview, correspondence, Saratoga, California, 1994 February 5
Box   77 Folder   50	Michael Phillips: interview; notes on taped interview; clippings on Michael and Julia Phillips
Box   78 Folder   1	Art Piccinati: interview, Phoenix, Arizona, 1994 January 7
Box   78 Folder   2	Carl Pingitore: interview, 1994 September 12
Box   78 Folder   3	Chris Pischke: interviews, Phoenix, Arizona, 1994 January 19, 20
Box   78 Folder   4	Bob Polunsky of San Antonio, Texas: interview, 1995 August 27
Box   78 Folder   5	Rhoda Porter: interview, Saratoga, California, 1994 March 5
Box   78 Folder   6	Fred Pratt: interview, Phoenix, Arizona, 1994 January 3
Box   78 Folder   7	Frances Preimsberg: interview, Phoenix, Arizona, 1994 March 14
Box   78 Folder   8	Benjamin and Louise Pritz: interview, Cincinnati, Ohio, 1994 April 13
Box   78 Folder   9	Bob Proehl: interview, Phoenix, Arizona, 1994 January 27
Box   78 Folder   10	John Ptak: interview, 1995 September 22
Box   78 Folder   11	Louis S. Race: interviews, 1994 April 6, 22, 25, 28, May 6
Box   78 Folder   12	Julie Raymond, of California State University-Long Beach: interview, 1994 July 30
Box   78 Folder   13	Martha Rock Reedy: interview, Phoenix, Arizona, 1994 March 8
Box   78 Folder   14	Pete Repp: interview, Phoenix, Arizona, 1994 March 5
Box   78 Folder   15	Nina Nauman Rivera (Mrs. José Rivera): interview, Phoenix, Arizona, 1994 March 7
Box   78 Folder   16	Dr. Darryl Robbins: interview, New Jersey, 1994 March 25
Box   78 Folder   17	Grace Robbins: interview, New Jersey, 1994 March 17
Box   78 Folder   18	Marjorie Robbins: interview, correspondence, New Jersey, 1994 March 24
Box   78 Folder   19	Hugh and Connie Roberts: interview, correspondence, Saratoga, California, 1994 February 5
Box   78 Folder   20	Jerry Roberts: interview, correspondence, 1994 April 14
Box   78 Folder   21	Patricia Scott Rodney: interviews, correspondence, Phoenix, Arizona, 1994 March 11-12, 14; 1995 October 19, December 10
Box   78 Folder   22	Henry Rogalsky: interview, Saratoga, California, 1994 February 16
Box   78 Folder   23	Mary Lois Thorne Roney: correspondence
Box   78 Folder   24	Paul G. Rowe: interview, Phoenix, Arizona, 1994 January 16
Box   78 Folder   25	Peter and Helen Rutan, of New Jersey: interview, correspondence, 1994 April 13
Box   78 Folder   26	William Sackheim: interviews, 1994 May 26, June 8
Box   78 Folder   27	Peter Saphier: interview, 1995 September 21
Box   78 Folder   28	Jane Fuhrman Satanoff: interviews, New Jersey, 1994 March 19, 20, 25, April 4
Box   78 Folder   29	Dallas Sceales Jr.: interview, Saratoga, California, 1994 February 13
Box   78 Folder   30	Barbara Schwartz (Mrs. George F. Schwartz): interview, New Jersey, 1994 March 16
Box   78 Folder   31	George F. Schwartz: interview, New Jersey, 1994 March 15
Box   78 Folder   32	George F. Schwartz Jr.: interview, New Jersey, 1994 March 27
Box   78 Folder   33	George Scott: interview, Saratoga, California, 1994 February 19
Box   78 Folder   34	James L. Seeman: interview, Phoenix, Arizona, 1994 January 14
Box   78 Folder   35	Ida Cohen Selavan (later Schwarcz): interviews, correspondence, Cincinnati, Ohio, 1994 August 29, September 8
Box   78 Folder   36	Mrs. Leonard Sheer: interview, Phoenix, Arizona, 1994 March 27
Box   78 Folder   37	Sid Sheinberg: clippings
Box   78 Folder   38	Carol Stromme Shelton: interview, Phoenix, Arizona, 1994 January 12
Box   78 Folder   39	Louis K. Sher: interview, Phoenix, Arizona, 1994 May 5
Box   78 Folder   40	Michael Shovers: correspondence; clippings
Box   78 Folder   41	Don Shull: interviews, correspondence, 1994, February 2-4, 19
Box   78 Folder   42	Arnie Shupack: interview, 1994 July 27
Box   79 Folder   1	Charles Silvers: interview, correspondence, 1994 July 8
Box   79 Folder   2	Tom Simmons: interview, Phoenix, Arizona, 1994 January 16
Box   79 Folder   3	William J. Simmons Jr.: interview, Phoenix, Arizona, 1994 January 15
Box   79 Folder   4	William J. Simmons Sr.: interview, Phoenix, Arizona, 1994 January 15
Box   79 Folder   5	Meyer Singerman: interview, Cincinnati, Ohio, 1994 April 19
Box   79 Folder   6	Peggy Hibbert Singerman: interview, Cincinnati, Ohio, 1994 April 19
Box   79 Folder   7	Richard Singerman: interview, Cincinnati, Ohio, 1994 April 16
Box   79 Folder   8	Dr. Kevin Skelly: interview, correspondence, Saratoga, California, 1994 February 2
Box   79 Folder   9	Connie Skipitares: interview, Saratoga, California, 1994 February 3
Box   79 Folder   10	Gene Ward Smith: interviews, correspondence, Saratoga, California, 1994 February 2, 21, August 16, 18
Box   79 Folder   11	Ruth Solinger: interview, Cincinnati, Ohio, 1994 April 20
Box   79 Folder   12	Jim Sollenberger: interviews, 1994 January 19, 21
Box   79 Folder   13	Junia Galen Sollenberger: interview, Phoenix, Arizona, 1994 February 13
Box   79 Folder   14	Mark Sollenberger: interview, Phoenix, Arizona, 1994 February 2
Box   79 Folder   15	Olga Sorrell: interview, Cincinnati, Ohio, 1994 April 14
Box   79 Folder   16	Anne Spielberg: clippings, bibliography
Box   79 Folder   17	Arnold Spielberg: interviews, notes on taped interview, correspondence, 1996 July 30
Box   79 Folder   18	Carol Adams Spinelli: interview, New Jersey, 1994 March 27
Box   79 Folder   19	Robert Stack: interviews, 1994 July 13, 18
Box   79 Folder   20	Lionel Stander: interview, clippings, 1994 June 18
Box   79 Folder   21	Annemarie Stein: interview, 1995 December 12
Box   79 Folder   22	Tom Stoppard: clippings: interview, 1995 November 27
Box   79 Folder   23	A.D. Stromme: interview, Phoenix, Arizona, 1994 January 8
Box   79 Folder   24	Douglas H. Stuart: interview, Saratoga, California, 1994 March 26
Box   79 Folder   25	Steve Suggs: interview, Phoenix, Arizona, 1994 February 28
Box   79 Folder   26	Barry Sullivan: interview, 1994 May 23 Note: Also includes clipping of obituary, June 7, 1994.
Box   79 Folder   27	Sharyn Galwey Sunda: interviews, Phoenix, Arizona, 1994 January 9
Box   79 Folder   28	Jeannot Szwarc: interviews, 1994 May 17, 18
Box   79 Folder   29	Walter Tamasauckas: interview, Phoenix, Arizona, 1993 December 16
Box   79 Folder   30	Craig Tenney: interview, Phoenix, Arizona, 1994 January 6
Box   79 Folder   31	Floyd Tenney: interview, correspondence, Phoenix, Arizona, 1994 January 5
Box   79 Folder   32	Bill Thompson: interview, correspondence, Phoenix, Arizona, 1994 April 11
Box   79 Folder   33	Doug Tice: interview, Phoenix, Arizona, 1994 January 10
Box   79 Folder   34	Marie Tice: interview, Phoenix, Arizona, 1994 January 11
Box   79 Folder   35	Walter Tice: interviews, Phoenix, Arizona, 1994 January 14, February 10
Box   79 Folder   36	Millie Friedman Tieger: interviews, Cincinnati, Ohio, 1994 April 6, August 14, 17
Box   79 Folder   37	Lisa Toll: interview, New Jersey, 1994 March 16
Box   80 Folder   1	Michael Toll: interview, 1994 March 16
Box   80 Folder   2	David Tomblin: correspondence; interviews, 1995 October 31, November 29
Box   80 Folder   3	François Truffaut: clippings
Box   80 Folder   4	Douglas Trumbull: correspondence; question lists; interview, 1995 December 18
Box   80 Folder   5	John Veitch: interview, undated
Box   80 Folder   6	Lew Wasserman: correspondence; clippings
Box   80 Folder   7	Audrey Dalessandro Watkins: interview, Phoenix, Arizona, 1994 March 7
Box   80 Folder   8	Dennis Weaver: correspondence
Box   80 Folder   9	Herb and Betty Weber: interview, Phoenix, Arizona, 1994 January 31
Box   80 Folder   10	David Weddle: interviews, 1994 June 23, November 15
Box   80 Folder   11	Alan Weselowski: interview, Phoenix, Arizona, 1994 March 2
Box   80 Folder   12	Anson Williams: interview, correspondence, clippings, 1994 October 6
Box   80 Folder   13	John Williams: clippings
Box   80 Folder   14	Sherry Missner Williams: interview, Phoenix, Arizona, 1994 January 11
Box   80 Folder   15	Michael Wilmington: interview, 1994 April 1
Box   80 Folder   16	Dan Wilson: interview, Saratoga, California, 1994 April 25
Box   80 Folder   17	Eleanor Wolf: interview, Phoenix, Arizona, 1994 March 10
Box   80 Folder   18	Ron Wolyn: interview, Saratoga, California, 1994 March 20
Box   80 Folder   19	Richard Zanuck: interview, 1994 July 13
Box   80 Folder   20	Beth Weber Zelenski: correspondence; interview, Phoenix, Arizona, 1994 January 30
Box   80 Folder   21	Drew Zelman: interview, 1995 October 27
Box   80 Folder   22	Robert Zemeckis: clippings, correspondence
Box   80 Folder   23	Fred Zinnemann: clippings, interview, 1994 July 12
Box   80 Folder   24	Frank Ziska Jr.: interview, Phoenix, Arizona, 1994 March 2
Box   80 Folder   25	Vilmos Zsigmond: interviews, notes, 1994 July 26
Box   80 Folder   26	Daniel and Dorothy Zusman: interview, Phoenix, Arizona, 1994 January 8
Box   80 Folder   27	Janice Zusman: interviews, Phoenix, Arizona, 1994 January 10, 20
Box   80 Folder   28	Lloyd Zusman: interview, Phoenix, Arizona, 1994 February 11
	Works
	Films directed by Spielberg
Box   80 Folder   29	Book City Collectables script list Note: Including several Spielberg titles.
Box   80 Folder   30	Reviews of more than one film
Box   80 Folder   31	Firelight (1964)
Box   80 Folder   32	Amblin' (1968)
Box   80 Folder   33	Duel (1973)
Box   80 Folder   34	Sugarland Express, The (1974)
Box   81 Folder   1	Jaws (1975)
	Close Encounters of the Third Kind (1977)
Box   81 Folder   2	Clippings, general
Box   81 Folder   3	Clippings, Special Edition (1980) and later revised editions
Box   81 Folder   4	Clippings on UFOs
Box   81 Folder   5	Research notes and correspondence
Box   81 Folder   6	Bob Balaban, Close Encounters of the Third Kind Diary (Paradise Press, 1978): photocopy
Box   81 Folder   7	American Cinematographer 59, no. 1 (January 1978), special issue on the film
Box   81 Folder   8	Cinefantastique 7, nos. 3 and 4 (Fall 1978), special issue on the film: photocopy
Box   81 Folder   9	Close Encounters of the Third Kind, A Document of the Film (Los Angeles: Ariel Books, 1978): photocopy
Box   81 Folder   10	Joseph McBride, “On Close Encounters of the Third Kind,” Good Book Guide (February 2, 1998): draft and correspondence
	1941 (1979)
Box   81 Folder   11	Clippings
Box   82 Folder   1	Clippings on historical events of 1941 and Japanese attacks on the U.S. mainland during World War II
Box   82 Folder   2	Glenn Erickson and Mary Ellen Trainor, The Making of 1941 (Universal City: Universal Pictures, 1980)
Box   82 Folder   3	Stephen Bissette and Rick Veitch, 1941: The Illustrated Story (Heavy Metal/Pocket Books, undated)
Box   82 Folder   4	American Cinematographer 60, no. 12 (December 1979), special issue on 1941
	Raiders of the Lost Ark (1981)
Box   82 Folder   5	Clippings
Box   82 Folder   6	Notes on The Making of Raiders of the Lost Ark: screening notes Note: Documentary directed for television by Phillip Schuman, 1981.
Box   82 Folder   7	Ann Heller, editor, Raiders of the Lost Ark: Collectors Album: photocopy
Box   82 Folder   8	American Cinematographer 62, no. 11 (1981 November), special issue on the film
	E.T.: The Extra-Terrestrial (1982)
Box   82 Folder   9-10	Clippings
Box   82 Folder   11	Letters to E.T. (New York: Putnam, 1983), with introduction by Steven Spielberg: photocopy
Box   83 Folder   1	Twilight Zone: The Movie (1983)
Box   83 Folder   2	Indiana Jones and the Temple of Doom (1984)
Box   83 Folder   3	Color Purple, The (1985)
Box   83 Folder   4	Citizen Steve (1987)
Box   83 Folder   5	Empire of the Sun (1987)
Box   83 Folder   6	Indiana Jones and the Last Crusade (1989)
Box   83 Folder   7	Always (1989)
Box   83 Folder   8	Hook (1991)
	Jurassic Park (1993)
Box   83 Folder   9	Clippings
Box   84 Folder   1	Clippings (continued)
Box   84 Folder   2	The Making of Jurassic Park, video documentary directed by John Schulz (1995): viewing notes
Box   84 Folder   3	Studio (Paris), numéro hors série (1993), special issue on the film
Box   84 Folder   4	“Behind the Scenes at Jurassic Park,” theme park at Universal Studios: clippings
	Schindler's List (1993)
Box   84 Folder   5-7	Clippings
Box   85 Folder   1	Clippings (continued)
Box   85 Folder   2	Notes
Box   85 Folder   3	Correspondence with Eva David Note Also includes clippings on responses to the film among Los Angeles Jews; flyer and notes for lecture on the film by Joseph McBride at Congregation Mogen David, Los Angeles, October 12, 1994. See also Box 74, folder 23.
Box   85 Folder   4	Los Angeles Film Critics Association awards, 1993 Note: Discussion and voting on Schindlers List as Best Film of 1993.
Box   85 Folder   5	Academy Award as Best Film of 1993: clippings, 1993-1994
Box   85 Folder   6	Amistad (1997)
Box   85 Folder   7	Lost World, The (1997)
Box   85 Folder   8	Saving Private Ryan (1998)
	Films produced by Spielberg
Box   85 Folder   9	Gremlins (1984)
	Back to the Future I, II, and III (1985-1990)
Box   85 Folder   10	Book of the film, clippings
Box   85 Folder   11	“Back to the Future-The Ride,” Universal Studios exhibit
Box   85 Folder   12	American Tail, An (1986)
Box   85 Folder   13	Harry and the Hendersons (1987)
Box   86 Folder   1	*batteries not included (1987)
Box   86 Folder   2	Who Framed Roger Rabbit? (1988)
Box   86 Folder   3	American Tail, An: Fievel Goes West (1991)
Box   86 Folder   4	Were Back: A Dinosaurs Story (1993)
Box   86 Folder   5	I'm Mad (short, 1994)
Box   86 Folder   6	Flintstones, The (1994)
Box   86 Folder   7	Casper (1995)
Box   86 Folder   8	Balto (1995)
Box   86 Folder   9	Twister (1996)
Box   86 Folder   10	Last Days, The (1998)
Box   86 Folder   11	Deep Impact (1998)
Box   86 Folder   12	Mark of Zorro, The (1998)
	Films written by Spielberg
Box   86 Folder   13	Ace Eli and Rodger of the Skies (1974)
Box   86 Folder   14	Poltergeist (1982)
Box   86 Folder   15	Goonies, The (1985)
	Films with some other role for Spielberg
Box   86 Folder   16	Faces (1968), as uncredited production assistant
	Television programs directed by Spielberg
Box   86 Folder   17	Television shows for Universal: notes
Box   86 Folder   18	Night Gallery, season 1 episode 2: “Eyes” (broadcast November 8, 1969)
Box   86 Folder   19	Marcus Welby, M.D., episode 25, “The Daredevil Gesture” (broadcast March 17, 1970)
Box   86 Folder   20	Something Evil (Television movie, 1972),
	Television programs produced by Spielberg
Box   86 Folder   21	Amazing Stories (NBC, 1985-1987)
Box   86 Folder   22	Tiny Toon Adventures (1990-1992)
Box   86 Folder   23	Seaquest (1993)
Box   86 Folder   24	Animaniacs (1993-1998)
Box   86 Folder   25	Family Dog (1993)
Box   86 Folder   26	Pinky and the Brain (1995-1998)
	Survivors of the Holocaust (1996)
Box   86 Folder   27	General
Box   86 Folder   28	Shoah Project
Box   87 Folder   1	Florabel Kinsler, “An Eriksonian and Evaluative Investigation of the Effect of Video Testimonials upon Jewish Survivors of the Holocaust,” International College, Los Angeles, California, Ph.D. Dissertation: extracts
Box   87 Folder   2	Florabel Kinsler articles on Holocaust survivors
	Steven Spielberg Presents Animaniacs (1998-1999) Note: See Films produced by Spielberg, I'm Mad
	Video game
Box   87 Folder   4	Steven Spielberg's Director's Chair: clippings Note: Also see Electronic Records for copy of game.
	Proposed coffee-table book on Spielberg, to be published by Opus Productions
Box   87 Folder   3	Correspondence with David Attard of Opus, 1994
	Book Preparation
	Steven Spielberg: A Biography (New York: Simon & Schuster, 1997)
Box   87 Folder   5	Book proposal, letter to Bob Bender of Simon & Schuster, 1993 September 10
Box   87 Folder   6	Clippings on Paramounts acquisition of Macmillan (and hence Simon & Schuster), 1993
Box   87 Folder   7	Outlines, word counts, and budgets, 1994-1995
	Correspondence with Bob Bender and other personnel of Simon & Schuster before final submission of manuscript
Box   87 Folder   8	Correspondence, including lists of interviewees, 1994
Box   87 Folder   9	Cover letter with Chapters 1-6, 1995 February 3
Box   87 Folder   10	Letters to Bender, 1995 July-September
Box   87 Folder   11	Letter to Bender with copy of Hollywood Reporter with Spielberg story, 1995 September 15-17
Box   87 Folder   12	Letters to Bender, 1995 October-1996 March
Box   87 Folder   13	Letters regarding editing and manuscript delivery, 1996
Box   87 Folder   14	Chapters “1ff” fixes
Box   87 Folder   15	Chapter 1 notes and drafts
Box   88 Folder   1-2	Chapter 2 drafts
Box   88 Folder   3	Chapter 2 notes
Box   88 Folder   4	Chapter 3 notes
Box   88 Folder   5	Chapter 5 notes
Box   88 Folder   6	Chapter 6
Box   88 Folder   7	Chapter 6 notes
Box   88 Folder   8	Chapter 7
Box   88 Folder   9	Chapter 7 notes
Box   88 Folder   10	Chapter 8 notes
Box   88 Folder   11	Chapter 9 miscellaneous
Box   88 Folder   12	Chapter 9 notes
Box   88 Folder   13	Chapter 10 notes
Box   89 Folder   1	Chapter 11 notes
Box   89 Folder   2	Chapter 12 outlines
Box   89 Folder   3	Chapter 12
Box   89 Folder   4	Chapter 12 notes
Box   89 Folder   5	Chapter 12 miscellaneous notes
Box   89 Folder   6	Chapter 13 notes
Box   89 Folder   7	Chapter 13 notes, Renee Chen
Box   89 Folder   8	Chapter 14 notes
Box   89 Folder   9	Chapter 15 notes
Box   89 Folder   10	Chapter 16 notes
Box   89 Folder   11-12	Prologue and Chapters 1-6 draft, 1994-1995
Box   89 Folder   13	Notes on the drafts, 1994-1995
Box   89 Folder   14-15	Jean Oppenheimer's copy of manuscripts with notes, 1995 February 3
Box   90 Folder   1	Jean Oppenheimer's revisions
Box   90 Folder   2	Chapters 1-6 draft sent to Bob Bender, 1995 February
Box   90 Folder   3	Letters to Bob Bender regarding drafts, 1995 February-May Note: Includes lists of interviewees.
Box   90 Folder   4	Ruth O'Hara comments on manuscript, 1995 March
Box   90 Folder   5	Chapters 1-8 notes, 1995 February
Box   90 Folder   6	Bibliography drafts, 1995
Box   90 Folder   7	Epigraphs, revised
Box   90 Folder   8	Final Prologue (ex-chapter 1)
Box   90 Folder   9	Prologue cut version, draft, 1996 March 21
Box   90 Folder   10	Chapter 1 final (ex-chapter 2)
Box   90 Folder   11	Chapter 1 revised, draft, 1996 March 21
Box   90 Folder   12	Chapter 2 final (ex-chapter 3)
Box   90 Folder   13	Chapter 2 revised “3/18 ff,” 1996 March 21
Box   90 Folder   14	Chapter 3 revised, 1996 February
Box   90 Folder   15	Chapter 3 (ex-chapter 4)
Box   90 Folder   16	Prologue and Chapters 1-6 drafts, “Bob's Cut” submitted to Bob Bender of Simon & Schuster, 1996 March 21
Box   91 Folder   1	Chapters 3, 4, 6 drafts, “Bob 3, 4, 6” with cuts proposed by Bob Bender
Box   91 Folder   2	Chapter 4 (ex-chapter 5)
Box   91 Folder   3	Chapter 4 draft, revised, 1996 April 9
Box   91 Folder   4	Chapter 4 draft, revised, 1996 April 25
Box   91 Folder   5	Chapter 5 (ex-chapter 6)
Box   91 Folder   6	Chapter 6 (ex-chapter 7)
Box   91 Folder   7	Chapter 6 draft, revised, 1996 April 9
Box   91 Folder   8	Chapter 7 (ex-chapter 8) draft, 1996 January 23
Box   91 Folder   9	Chapter 8 (ex-chapter 9)
Box   91 Folder   10	Chapter 9 (ex-chapter 10) draft, 1996 January 24
Box   91 Folder   11	Chapter 10 (ex-chapter 11) draft, 1996 January 28
Box   92 Folder   1	Chapter 11 (ex-chapter 12) draft, 1995 December 3
Box   92 Folder   2	Chapter 12 (ex-chapter 13) draft, 1995 December 8
Box   92 Folder   3	Chapter 13 (ex-chapter 14) draft, 1996 January 30
Box   92 Folder   4	Chapter 14 (ex-chapter 15) draft, 1996 January 25
Box   92 Folder   5	Chapter 15, revised PPS draft, 1996 February 15
Box   92 Folder   6	Chapter 16 draft, 1996 March 6
Box   92 Folder   7	Appendices draft, 1996 January 6
Box   92 Folder   8	Material for inserts final draft, 1996 May
Box   92 Folder   9	Editing miscellaneous, 1996 May-June
Box   92 Folder   10	Cutting information, 1996 June 22
Box   93 Folder   1-3	Copy-edited typescript, 1996 June 28
Box   93 Folder   4	Copy-edited manuscript notes (checked), 1996 September 11
Box   93 Folder   5	Notes regarding title
Box   93 Folder   6	Simon & Schuster front matter
Box   93 Folder   7	Acknowledgments copy
Box   93 Folder   8	Filmography and videography, 1996 August 27
Box   94 Folder   1	Final notes sections draft, 1996 September 6
Box   94 Folder   2	Cutting notes with Ruth O'Hara, 1996 September 16
Box   94 Folder   3	Fixes remaining, 1996 September 28
Box   94 Folder   4	“New ending”
Box   94 Folder   5	Acknowledgments drafts, 1996 October
Box   94 Folder   6	Acknowledgments notes, 1996 October
Box   94 Folder   7	Bound galleys
Box   94 Folder   8	Names and addresses for bound galleys
Box   94 Folder   9	Proofs: final editing material
Box   94 Folder   10	Simon & Schuster correspondence regarding proofs, index, late 1996
Box   94 Folder   11	Revisions, 1996 November 1
Box   95 Folder   1	Notes and correspondence regarding editing and publicity Note: Including material relating to research and interview trips in 1994-1995.
Box   95 Folder   2	Draft material
Box   95 Folder   3	Final editing notes, late 1996
Box   95 Folder   4	Correspondence with Simon & Schuster before publication, 1997
Box   95 Folder   5	Index: notes, 1997 January 27-28
	Illustrations
Box   95 Folder   6	Photographs: photocopies
Box   95 Folder   7	Photo permissions correspondence
Box   95 Folder   8	Simon & Schuster photocopy of the illustrations section of the book
Box   95 Folder   9	Proofs
Box   95 Folder   10	Illustration captions drafts and proofs
Box   95 Folder   11	Caption revisions
Box   95 Folder   12	Caption revision (redone)
	Cover
Box   96 Folder   1	Proposed cover and jacket copy: photocopies (color) Note: Also includes correspondence with Fred Zinnemann about a cover quotation and cover of John Baxter's book on Spielberg.
Box   96 Folder   2	Cover quotations: correspondence with Annette Insdorf and Elizabeth Forsythe Hailey
	Simon & Schuster sales campaign
Box   96 Folder   3	Sales campaign proposal, 1994 January
Box   96 Folder   4	Joseph McBride's proposals for the press campaign, 1994 Spring
Box   96 Folder   5	Drafts of press release announcing the book project, 1993-1994
Box   96 Folder   6	Author's questionnaire, filled in by Joseph McBride, 1995 December 30
Box   96 Folder   7	Spring Simon & Schuster Catalogue, 1997 Spring
Box   96 Folder   8	Correspondence with Simon & Schuster staff Note: Predominantly with Bob Bender and Johanna Li regarding index, proofs, and sales campaign.
Box   96 Folder   9	Correspondence with Holly Zapalla of Simon & Schuster, 1997 January-March
Box   96 Folder   10	Correspondence and notes on meetings with Anita Halton, publicist for Simon & Schuster, 1997 February
Box   96 Folder   11	Campaign agenda, 1997 March
Box   96 Folder   12	Press release, 1997 March
Box   96 Folder   13	List of people to receive books, 1997 March
Box   96 Folder   14	Media contact list
Box   96 Folder   15	Correspondence with Holly Zappala, Anita Halton, and Ava Schoen of Simon & Schuster, 1997 April
Box   96 Folder   16	Anita Halton Associates pitch letter, 1997 April 16
Box   96 Folder   17	Suggested questions for interviews with McBride, 1997 March
Box   96 Folder   18	Materials on McBride and his various books for distribution to the press
Box   96 Folder   19	Publicity schedules, 1997 April
Box   97 Folder   1	Speech on Spielberg and childhood: draft, 1997 April 13
Box   97 Folder   2	Los Angeles Times Festival of Books, 1997 April
Box   97 Folder   3-6	Publicity: launch party, congratulatory correspondence, 1997 May
Box   97 Folder   7	Pre-publication extract in Boxoffice on Firelight, 1997 May
Box   97 Folder   8	Agreement for use of illustrations from the book on television show Caryl & Marilyn: Real Friends, 1997 May 6
Box   97 Folder   9	Book signings information materials
Box   97 Folder   10	Schedules for book signings and similar events involving McBride, 1997 May-July
Box   98 Folder   1	Book tour expense reports: Arizona, and Cupertino, California, 1997 April-June
	Correspondence with Simon & Schuster
Box   98 Folder   2	regarding sales campaign, 1997 July-August
Box   98 Folder   3	regarding changes for the second printing, 1997 August
Box   98 Folder   4	regarding foreign rights, 1997 August-October
Box   98 Folder   5	Brandeis University Annual Authors and Celebrity Luncheon correspondence, 1997 November 13
Box   98 Folder   6	Jewish Community Center of Southern New Jersey, correspondence regarding a speech by McBride on Spielberg and Judaism, 1997 December
Box   98 Folder   7	Reviews
	British edition by Faber and Faber
Box   98 Folder   8	Correspondence with publishers, 1997
Box   98 Folder   9	Correspondence with Rachel Alexander
Box   98 Folder   10	Review by William Cash in The Observer (1997 April 13): 18 and McBride's letter in response (1997 April 20): 2
	Da Capo Press paperback edition, 1999
Box   98 Folder   11	Jacket proof
Box   98 Folder   12	Correspondence on Da Capo press release about publication
	Post-1997 McBride publications on Spielberg
Box   98 Folder   13	Article on The Sugarland Express for American Movie Classics, 2001 September 4
Box   98 Folder   14	Article on Indiana Jones movies for American Movie Classics, 2002 March
	Orson Welles Note: Joseph McBride's first book on Welles was Orson Welles (London: Secker & Warburg, 1972). A revised edition of this book was published in 1996 McBride published What Ever Happened to Orson Welles: A Portrait of an Independent Career (University Press of Kentucky, 2006). He is also the author of a number of articles on Welles.
	Research
Box   99 Folder   1	Orson Welles Materials in the Lilly Library, Indiana University, Bloomington, Indiana: finding aids
Box   99 Folder   2	Work lists and bibliographies
Box   99 Folder   3-4	Notes on Welles by Joseph McBride
Box   99 Folder   5	Interviews on Welles
Box   99 Folder   6	Notes on Joseph McBride's meetings with Orson Welles
Box   99 Folder   7	Writings by Orson Welles
Box   99 Folder   8	Published interviews with Orson Welles
	Articles on Welles
Box   99 Folder   9	Alva Johnston and Fred Smith, “How to Raise a Child--the Education of Orson Welles,” Saturday Evening Post 212, no. 30 (1940 January 20): 9-11, 94, 96; 212, no. 31 (1940 January 27): 24-6, 51-4; 212, no. 32 (1940 February 3): 27, 38, 40, 45 Note: Also includes MacKinlay Kantor, “Gun Crazy,” Saturday Evening Post 212, no. 32 (1940 February 3): 18-19, 57-8, 60, 62.
Box   99 Folder   10	F. Scott Fitzgerald, “Pat Hobby and Orson Welles,” Esquire (1940 May), reprinted in The Pat Hobby Stories
Box   99 Folder   11	Portrait of Welles by Al Hirschfeld: photocopy, “The Lost Kingdom of Orson Welles,” The New York Review of Books 11, no. 9 (1993 May 13) 40-6, Note: Article previously titled by McBride, “No Wine Before its Time.”
Box   116 Folder   2-3	Proofs, and correspondence with Barbara Epstein
	Clippings: short news items on Welles
Box   99 Folder   12	1940-1949
Box   99 Folder   13	1950-1959
Box   99 Folder   14	1960-1969
Box   100 Folder   1	1970-1979
Box   100 Folder   2	1980-1985
Box   100 Folder   3	Obituaries and tributes, 1985-1986
Box   100 Folder   4	1985 and after
Box   100 Folder   5	Wellesnet: The Orson Welles Web Resource: printed copies of pages from website, 2003 Note: See http://wellesnet.com
	Retrospectives and Tributes
Box   100 Folder   6	Flyers, posters, schedules for Welles tribute and retrospectives, circa 1981-2004 Note: Including: Haagsfilmhuis, The Hague, Netherlands, Orson Welles retrospective, September 3-13, 1981; Memorial service, November 2, 1985; Film Forum, New York City, February, 2004: “The Unknown Orson Welles: Welles Treasures from the Munich Film museum”; and American Cinematheque, Los Angeles, February-March, 2004: “Rogue Genius: An Orson Welles Retrospective”
	Locarno Film Festival, Switzerland, 2005 August
Box   100 Folder   7	Program, clippings and correspondence
Box   100 Folder   8	Notes on screenings
Box   101 Folder   1	Welles-related events in Los Angeles, 2006 August
	Books on Welles
	Simon Callow, Orson Welles (London: Thames and Hudson, 1972; revised edition, New York: Da Capo Press, 1996)
Box   116 Folder   4	Proofs of revised edition
Box   101 Folder   2	Clippings of reviews and comment of revised edition
Box   101 Folder   3	Ronald Gottesman, editor, Focus on Orson Welles (Englewood Cliffs, New Jersey: Prentice-Hall, 1976): photocopy of book
Box   101 Folder   4	David Thomson, Rosebud: The Story of Orson Welles (New York: Knopf, 2002): reviews and comment; other articles on Welles by Thomson
	Special issues of journals
Box   101 Folder   5	Cahiers du cinéma (1982)
Box   101 Folder   6	Positif (July-August 1992)
Box   101 Folder   7	Video Watchdog, no. 23 (May-July 1994)
Box   101 Folder   8	The Guardian (London), review, 2003 August 29
Box   101 Folder   9	Critical articles on Welles Note: For articles on particular films and Welles associates, see People and Works files.
	Subject files
	Wisconsin
Box   101 Folder   10	Clippings about the Welles family in Kenosha and Welles' childhood in Wisconsin
Box   101 Folder   11	Research by John and Martha Kreidl
Box   101 Folder   12	Research by Nadine Goff on Welles' school in Madison
Box   101 Folder   13	Welles and the Black Dahlia Murder case
Box   101 Folder   14	Red Channels: photocopies about Welles and his associates, articles on Welles and blacklisting, 1950
Box   102 Folder   1	Obesity Note: Clippings and web printouts on obesity in general, and Welles' obesity.
Box   102 Folder   2	Oscar for Citizen Kane and Beatrice Welles' attempt to sell it, 2003
	People Note: Materials concerning Welles' associates and collaborators, and other Welles researchers.
	Peter Bogdanovich
Box   102 Folder   3	General
Box   102 Folder   4	Correspondence with Joseph McBride
Box   102 Folder   5	George Coulouris
Box   102 Folder   6	F.X. Feeney
	Gary Graver
Box   102 Folder   7	General
Box   102 Folder   8	Meeting with McBride and Stefan Drössler, Los Angeles, 2003 April
Box   102 Folder   9	Interview transcript, 2003 April 6 Note: Making Movies with Orson Welles / memoir by Gary Graver and Andrew J. Rausch.
Box   102 Folder   10	Introduction by Joseph McBride
Box   102 Folder   11	Typescript with corrections by Joseph McBride
Box   102 Folder   12	Obituary and memorial celebration
Box   102 Folder   13	Curtis Harrington
Box   103 Folder   1	Bernard Herrmann
Box   103 Folder   2	John Houseman
Box   103 Folder   3	Henry Jaglom
Box   103 Folder   4	Pauline Kael Note: See also Citizen Kane files.
Box   103 Folder   5	Micheál MacLiammóir
Box   103 Folder   6	Jeanne Moreau
Box   103 Folder   7	Jonathan Rosenbaum
Box   103 Folder   8	Jim Steinmeyer
Box   103 Folder   9	Virgil Thomson
Box   103 Folder   10	Gregg Toland
	Works Note: Works by or in collaboration with Orson Welles.
	Theater
Box   103 Folder   11	The WPA Federal Theatre Project Note: Horse Eats Hat (Welles' version of Un Chapeau de paille d'Italie); Macbeth; Faustus (also Project 891, a 2002 play about the Federal Theatre Project).
Box   103 Folder   14	Too Much Johnson (1938) Note: Also includes materials on the film footage Welles shot for a stage production of the farce.
	Radio
Box   103 Folder   12	Miscellaneous Note: The Mercury Theatre on the Air; The Black Museum; The Orson Welles Almanac (1945-1946).
Box   103 Folder   13	Dracula (1938)
Box   103 Folder   15	War of the Worlds, The (1938)
Box   103 Folder   16	His Honor, the Mayor (1941)
Box   103 Folder   17	Mercury Wonder Show, The (1943)
	Television
Box   103 Folder   18	Miscellaneous: program of the AFI's 1986 National Video Festival Note: Including essays on various Welles television projects: Around the World with Orson Welles (1955); The Orson Welles Show (1978-1979); and Moby Dick (1955).
Box   103 Folder   19	King Lear (for Omnibus, 1952) Note: Includes Welles' proposals for stage and screen versions.
Box   103 Folder   20	Orson Welles Sketchbook (1955)
Box   103 Folder   21	Around the World with Orson Welles (1955) Note: Includes correspondence and drafts of review of DVD edition by Joseph McBride.
Box   103 Folder   22	Fountain of Youth, The (1956)
Box   103 Folder   23	Merv Griffin Show, The (1985)
	Films directed by Welles
Box   103 Folder   24	Hearts of Age, The (1934)
	Citizen Kane (1941)
Box   103 Folder   25	General
Box   103 Folder   26	Joseph McBride, “Rough Sledding with Pauline Kael,” Film Heritage (Fall 1971), p. 13-15: drafts, photocopy
Box   103 Folder   27	50th Anniversary Edition, 1991
Box   103 Folder   28	Beatrice Welles' suit over the rights to the film, 2007 Note: Includes opinion by Judge Ronald M. Gould, May 30, 2007.
Box   104 Folder   1	Magnificent Ambersons, The (1942)
Box   104 Folder   2	Stranger, The (1946)
Box   104 Folder   3	Lady from Shanghai, The (1948)
Box   104 Folder   4	Macbeth (1948)
Box   104 Folder   5	Othello (1952)
Box   104 Folder   6	Mr. Arkadin, a.k.a. Confidential Report (1955)
	Touch of Evil (1958)
Box   104 Folder   7	General
Box   104 Folder   8	1998 restored version
Box   104 Folder   9	Proposal by Joseph McBride for a documentary film/video on the restoration
Box   104 Folder   10	Planned DVD commentary by Joseph McBride, 2008
Box   104 Folder   11	Trial, The (1962)
Box   104 Folder   12	Chimes at Midnight (1965)
Box   104 Folder   13	Immortal Story, The (1968)
Box   104 Folder   14	F for Fake (1974)
Box   104 Folder   15	Filming 'Othello' (1978)
Box   104 Folder   16	Filming 'The Trial' (1981)
	Films directed or scripted by Welles but completed by others after his death
Box   104 Folder   17	Don Quixote (1992)
	It's All True: Based on an Unfinished Film by Orson Welles (1993)
Box   105 Folder   1	General
Box   105 Folder   2	McBride lecture at Pacific Film Archive, Berkeley, California, 2008 April 13
Box   105 Folder   3	Big Brass Ring, The (1999)
	Films not directed by Welles in which he features as actor or narrator
Box   105 Folder   4	Tanks (1942)
Box   105 Folder   5	Jane Eyre (1944): DVD commentary by Joseph McBride: research notes, clippings, and web printouts
Box   105 Folder   6	Battle for Survival (1947)
Box   105 Folder   7	Third Man, The (1949)
Box   105 Folder   8	Compulsion (1959)
Box   105 Folder   9	Centinelas del silencio/Sentinels of Silence (1971)
	Films uncompleted Note: Arranged alphabetical by title.
Box   105 Folder   10	Cradle Will Rock, The: Welles screenplay, editor James Pepper (Santa Barbara: Santa Teresa Press, 1993): proof copy Note: For the 1999 film Cradle Will Rock, see Box 106, folder 13, and Box 107, folders 1-3.
Box   105 Folder   11	Deep, The
Box   105 Folder   12	Dreamers, The
Box   105 Folder   13	Heart of Darkness
	Other Side of the Wind, The
Box   116 Folder   1	Research: Ernest Hemingway, “The Dangerous Summer,” Life magazine (September 1960): photocopy
Box   105 Folder   14-15	Critical references to the film project and clippings
Box   106 Folder   1	Critical references to the film project and clippings (continued)
Box   106 Folder   2	Script pages
Box   106 Folder   3	Correspondence between Joseph McBride and potential backers of the completion project, 1998
Box   106 Folder   4	Deal memo for the completion project, 1998 June 30
Box   106 Folder   5	Showtime proposal for the completion project, 1998 September
Box   106 Folder   6	Correspondence with Rick Schmidlin regarding the deal memo, 1998 November
Box   106 Folder   7	Correspondence between Joseph McBride and Reel.com and Sony Pictures, 2000
Box   106 Folder   8	Correspondence about the rights to the project, 2000
Box   106 Folder   9	Correspondence with Maury Muehle, McBride's lawyer, about the completion project, 2000
	Documentaries about Orson Welles and his films
Box   106 Folder   10	Miscellaneous
Box   106 Folder   11	Orson Welles: The One-Man Band (1995)
Box   106 Folder   12	Battle over Citizen Kane, The (2002)
	Films (fictional) featuring Welles as a character
	Cradle Will Rock (1999)
Box   106 Folder   13	Pressbook, McBride's viewing notes, clippings and reviews
Box   107 Folder   1-2	Joseph McBride, “Robbing the Cradle,” article on the film; correspondence with Reel.com regarding publication
Box   107 Folder   3	Joseph McBride, “McBride on the Battle over Orson Welles,” Directors World (December 14, 1999): drafts and printout of web version Note: Also discusses RKO 281.
Box   107 Folder   4	RKO 281 (1999)
	Films drawing more or less indirectly on Welles' life and career
Box   107 Folder   5	Someone to Love (1987)
Box   107 Folder   6	Player, The (1992)
Box   107 Folder   7	Cat's Meow, The (2001)
Box   107 Folder   8	Novels and stage plays featuring Welles as a character
	McBride works on Welles
	Articles Note: For articles on associates of Welles or individual films, see People and Works files above.
Box   107 Folder   9	Wisconsin State Journal articles, 1970
Box   107 Folder   10	“All's Welles,” Film Comment (1979): 25-7
Box   107 Folder   11	“Orson Welles Likes Himself,” Gallery 1, no. 2 (December 1972): 36-8, 145, 148 and 184: photocopy (excerpt from Welles)
	“The Lost Kingdom of Orson Welles,” The New York Review of Books, 11, no. 9 (May 13, 1993): 40-6 Note: Article previously titled by McBride “No Wine Before its Time.” For proofs, see Box 115, folders 2-3.
Box   107 Folder   12-13	Research notes, drafts, and correspondence
Box   108 Folder   1	Draft submitted to the magazine, 1993 January 9
Box   108 Folder   2	Revisions and related correspondence, 1993 February-April
Box   108 Folder   3	Photocopy of published version, faxed to Peter Bogdanovich, 1996 September 6
	Lectures and seminars
Box   108 Folder   4	Seminar at the Museum of Television and Radio, Beverly Hills, California, 2000 May 16
Box   108 Folder   5	“What Ever Happened to Orson Welles?”: lecture by Joseph McBride, San Francisco State University, 2007 February 8 Note: Includes: flyer and outline of lecture.
	Teaching
Box   108 Folder   6	Course outlines, 2003, 2006 Note: Outline for San Francisco State University, 2003, and proposed outline for Orange Coast College, 2006.
	Books
	Orson Welles (London: Thames and Hudson, 1972; revised and expanded edition, New York: Da Capo Press, 1996)
Box   108 Folder   7	Outline and notes, 1971-1972
Box   108 Folder   8	Correspondence with Da Capo Press, mostly to Yuval Taylor, 1995-1996
Box   108 Folder   9	Research
Box   108 Folder   10	Research correspondence with Bart Whaley
Box   109 Folder   1	Draft pages for revised edition, 1995
Box   109 Folder   2	Revisions
Box   109 Folder   3-4	Revised typescript
Box   109 Folder   5-6	Final typescript
Box   109 Folder   7	Illustrations
Box   109 Folder   8	Da Capo Press sales campaign for the book, 1996
Box   110 Folder   1	Orson Welles: (Actor and Director) (New York: Jove Publications, 1977): photocopy
	What Ever Happened to Orson Welles?: A Portrait of an Independent Career (Lexington, Kentucky: University Press of Kentucky, 2006) Note: Also titled at various stages “Working with Orson Welles,” and “No Wine Before its Time.”
Box   110 Folder   2	Book agenda: handwritten notes
Box   110 Folder   3	Notes, 2001 December-2002 January
Box   110 Folder   4	Proposal, 2002 March
Box   110 Folder   5	Prospectus, 2002 February-April
Box   110 Folder   6	Draft, 2002 June 18
Box   110 Folder   7	Chapter 1 topics: handwritten notes
Box   110 Folder   8	Notes on Welles document: handwritten notes
Box   110 Folder   9-10	Draft, as “No Wine Before its Time,” 2002
Box   111 Folder   1	Draft, partial, submitted to Ecco Press, 2003 February 13
Box   111 Folder   2	Introduction new draft, 2003 June
Box   111 Folder   3	Draft and notes, 2003 July
Box   111 Folder   4	Fixes, 2003 September
Box   111 Folder   5-6	Draft submitted to Ecco Press, 2003 October
Box   112 Folder   1-2	Draft edited for Ecco Press by Julia Serebrinsky, 2004 February
Box   112 Folder   3	Correspondence with Ecco Press, 2004 March-April
Box   112 Folder   4	Correspondence with Maurice Muhle (McBride's lawyer), 2004 April
Box   112 Folder   5-6	Draft, 2004-2005
Box   113 Folder   1	Correspondence with University of Wisconsin Press, 2004-2005
Box   113 Folder   2	Correspondence with University Press of Kentucky, 2005-2006
Box   113 Folder   3	Readers reports from University of Wisconsin Press and University Press of Kentucky, 2004-2006
Box   113 Folder   4	Revisions and additions, 2005 December
Box   113 Folder   5	Revisions, 2006 March
Box   113 Folder   6	Final revisions, 2006 April
Box   113 Folder   7	Record of delivery of manuscript to University Press of Kentucky, 2006 January
Box   113 Folder   8-9	Copy-edited typescript, 2006 May
Box   114 Folder   1-2	Page proof, 2006 May
Box   114 Folder   3-4	Proof notes and queries
Box   114 Folder   5	Indexing page proof
Box   114 Folder   6	Index notes and queries
Box   114 Folder   7	Draft of index, 2006 June
Box   115 Folder   1	Page proof of index
Box   115 Folder   2	Correspondence on illustrations and cover
Box   115 Folder   3	Proof of illustrations and cover
Box   115 Folder   4	Final proof copy
Box   115 Folder   5	University Press of Kentucky publicity campaign for the book
Box   115 Folder   6	Publication notes
Box   115 Folder   7	Review copies
Box   115 Folder   8	Correspondence with readers
Box   115 Folder   9	Proposal for a French edition: correspondence
	Other Books by Joseph McBride
	Hawks on Hawks Note: First published Berkeley, California: University of California Press, 1982; republished London: Faber and Faber, 1996.
Box   115 Folder   5	Correspondence and page proof of Faber edition
	High and Inside: An A-to-Z Guide to the Language of Baseball Note: First published as High and Inside: A Complete Guide to the Language of Baseball, 1980; 2nd edition, Lincolnwood, Illinois: Contemporary Books, 1997.
Box   117 Folder   1	Correspondence with Craig Bolt of Contemporary Books regarding the new edition
Box   117 Folder   2	Research correspondence and clippings
Box   117 Folder   3-4	Revision copy, 1997
Box   117 Folder   5-6	Revision proof, 1997
Box   117 Folder   7	Corrected proof pages
Box   117 Folder   8	Index proofs
Box   118 Folder   1	Cover copy and artwork
Box   118 Folder   2	Contemporary Books Fall Catalog, 1997
Box   118 Folder   3-4	Notes, clippings, and correspondence
	Book of Movie Lists: An Offbeat, The, Provocative Collection of the Best and Worst of Everything in Movies (Lincolnwood, Illinois: Contemporary Books, 1998)
Box   118 Folder   5	Leonard Maltin's lists on Cinemania: printouts from website Note: As of September 2012 this site appears to have moved or no longer exists. [http://cinemania.msn.com/InFocus/]
Box   118 Folder   6	Patrick Robertson, Guinness Film Facts and Feats (London: Guinness Superlatives, 1985): photocopy
Box   118 Folder   7	Richard B. Armstrong and Mary Willems Armstrong, The Movie List Book (Jefferson, North Carolina: McFarland & Co, 1990): photocopy
Box   118 Folder   8	Sample lists sent to Richard Parks, 1997 June 2
Box   118 Folder   9	Correspondence regarding guest lists
Box   118 Folder   10	Guest lists from Ray Greene, Jonathan Rosenbaum, Leonard Maltin, Gavin Lambert, Jonathan Lethem, Bob Thomas, Charles Champlin, John McBride, Ruth O'Hara, Noel O'Hara
Box   118 Folder   11	Draft lists 1-34, 71-100, 101-125, 126-150
Box   118 Folder   12	Skipped lists
Box   119 Folder   1-2	Complete draft of book
Box   119 Folder   3	Correspondence with publishers and copy editors
Box   119 Folder   4-5	Author's corrected proofs, 1998 May 29
Box   119 Folder   6	Correspondence with Craig Bolt regarding proofs, late additions, index proof
Box   119 Folder   7	Clip art: email correspondence
Box   119 Folder   8	Cover copy
Box   119 Folder   9	Press release
Box   139	Card index for The Book of Movie Lists
	Published Magazine Articles Note: Some articles may include correspondence, drafts, proofs, pressbooks, and press materials. Arranged alphabetically by magazine title, includes web journals.
	American Movie Classics (AMC) Magazine
Box   139 Folder   10	Notes and correspondence, 1998-1999
Box   139 Folder   11	“Making Pictures of the Personality Hawks, Wayne, and Rio Bravo,” 1999
Box   139 Folder   12	“Howard Hawks, American Artist,” 2000
Box   120 Folder   1	“The Man Who Told the Three Stooges How to Nyuk-Nyuk-Nyuk: Edward L. Bernds Talks about Directing the Stooges,” American Movie Classics.com, 2000 January Note: See also “Moe, Larry, Curly and Ed?,” American Movie Classics Magazine 13, no. 3, March 13, 2000.
Box   120 Folder   2-4	Lists of movie trivia for AMC quizzes: 2001 September 7, 20, 21, October 19
Box   120 Folder   5	Lists of trivia for AMC quizzes, 2002
Box   120 Folder   6	Short pieces Note December 4, 2001: Trader Horn (1931), Trade Winds (1938), The Trail of the Lonesome Pine (1936), Trail of the Vigilantes (1940), Trail Street (1947), The Train (1964), The Train Robbers (1973), Tramp, Tramp, Tramp (1926), Trapeze (1956), Treasure Island (1934), Treasure Island (1950), Treasure of Lost Canyon (1952), The Treasure of the Sierra Madre (1948), A Tree Grows in Brooklyn (1945), Trial (1955), Tribute to a Bad Man (1956), The Trip (1967), Trouble along the Way (1953), Trouble for Two (1936), Trouble in Paradise (1932), The Trouble with Angels (1966), The Trouble with Harry (1955), True Grit (1969), The True Story of Jesse James (1957) June 6, 2002: Al Capone (1959), The Bowery Boys (series, 1937-1958), Bulldog Drummond (series, 1929-1969), William Castle, Roger Corman, Dangerous Holiday (1937), Dangerous When Wet (1953), Darby O'Gill and the Little People (1959), The Dark Angel (1935), The Dark at the Top of the Stairs (1960), Dark City (1950), The Dark Mirror (1946), The Dark Past (1948), Darling, How Could You! (1951), A Date with Judy (1948), Dawn of the Dead (1978), A Day of Fury (1956), D-Day, the Sixth of June (1956), Dr. Kildare (series, 1937-1947), Expresso Bongo (1960), The Fastest Gun Alive (1956), Clark Gable, The Glass Key (1942), Glen and Randa (1971), The Great Imposter (1961), Here Comes the Groom (1951), Hollywood Hotel (1938), Impact (1949), Japanese War Bride (1952), Ma and Pa Kettle (series, 1949-1957), Magnificent Obsession (1954), Maisie (series, 1939-1947), The Major and the Minor (1942), Make Haste to Live (1954), Mame (1974), A Man Alone (1955), A Man Betrayed (1941), A Man Called Peter (1955), Mexican Spitfire (series, 1939-1943), Oscar Micheaux, Montana Belle (1952), The Most Dangerous Game (1932), New Orleans (1947), The Old-Fashioned Way (1934), Olsen and Johnson (series, 1930-1945), Our Gang (series, 1922-1948), Penrod (series, 1922-1938), Period of Adjustment (1962), Pete Kelly's Blues (1955), Pete 'n' Tillie (1972), Peter Ibbetson (1935), The Petrified Forest (1936), Petulia (1968), Peyton Place (1957), Phantom Lady (1944), Phantom of Santa Fe (1936), The Phantom of the Opera (1925), The Phantom Tollbooth (1969), The Phenix City Story (1955), The Philadelphia Story (1940), Philo Vance (series, 1929-1947), Phone Call from a Stranger (1952), Primrose Path (1940), The Private War of Major Benson (1955), The Prize (1963), Professor Beware (1938), The Proud Rebel (1958), Pulp (1972), The Purchase Price (1932), The Purple Heart (1944), Pursued (1947), Putney Swope (1969), Queen Bee (1955), Queen of Outer Space (1958), Quicksand (1950), The Quiet Man (1952), Rachel and the Stranger (1948), The Rage of Paris (1938), Rainbow Round My Shoulder (1952), The Razor's Edge (1946), The Rebel Set (1959), Reckless (1935), Red-Headed Woman (1932), The Redhead from Wyoming (1953), Rio Lobo (1970), The Saint (series, 1939-1954), San Quentin (1946), The Secret of Santa Vittoria (1969), Smilin Through (1941), Smith! (1969), That Night in Rio (1941), These Thousand Hills (1959), 3 Women (1977), Torchy Blane (series, 1937-39), Edward D. Wood Jr.
	Boxoffice Note: Reviews and interviews.
Box   120 Folder   7	Clippings of various reviews, 1996
Box   120 Folder   8	Manny & Lo, 1996
Box   120 Folder   9	Nixon, 1996 February
Box   120 Folder   10	Homeward Bound II: Lost in San Francisco, 1996
Box   120 Folder   11	Up Close & Personal, 1996
Box   120 Folder   12	Heaven's Prisoners, 1996
Box   120 Folder   13	Visitors, The, 1996
Box   120 Folder   14	Striptease, 1996
Box   121 Folder   1	Hustler White, 1996
Box   121 Folder   2	Interview with Rob Cohen regarding Daylight, 1996
Box   121 Folder   3	Michael Collins and Some Mother's Son, 1996
Box   121 Folder   4	Kingpin, 1996
Box   121 Folder   5	Get on the Bus, 1996
Box   121 Folder   6	In Love and War, 1996 December 11
Box   121 Folder   7	Mirror Has Two Faces, The, 1997 January
Box   121 Folder   8	Holly Hunter and Crash, 1997 Note: See also Audio Recordings, #3-4.
Box   121 Folder   9	Murder at 1600, 1997
Box   121 Folder   10	Hercules, 1997
Box   121 Folder   11	Nowhere, submitted 1997 March 10
Box   121 Folder   12	Shiloh, released 1997 April 25
Box   121 Folder   13	Amazon Warrior and Kim, 1997 April 21
Box   121 Folder   14	Lost World, The: Jurassic Park, 1997 May 23
Box   121 Folder   15	Titanic, submitted 1997 November 17
Box   121 Folder   16	Kundun, submitted 1997 December 8
Box   138 Folder   6	Kundun, submitted 1997 December 8 (continued)
Box   121 Folder   17	Proposition, The, accessed 1998 April 2
	Bright Lights Film Journal
Box   122 Folder   1	“George Cukor: The Valor of Discretion,” 2001 April
	Cineaste
	“An Old Master's Cri de Coeur: Alfred Hitchcock's Mary Rose,” 26, no. 2 (2001): 24-8 Note: See Box 128, folder 6.
Box   122 Folder   2	Drafts of review of Jean Renoir 3-Disc Collectors Edition DVD (Lionsgate, 2007) for Cineaste 33, no. 1 (Winter 2007): 68-70
	Cinemania Online Note: Reviews.
Box   122 Folder   3	General correspondence, including sample reviews and biographical details
Box   122 Folder   4	All Over Me, submitted 1997 April 23
Box   122 Folder   5	Broken English, submitted 1997 April 30
Box   122 Folder   6	Rudyard Kipling's The Second Jungle Book: Mowgli & Baloo, submitted 1997 May 20
Box   122 Folder   7	Wedding Bell Blues, submitted 1997 June 11
Box   122 Folder   8	Squeeze, submitted 1997 June 13
Box   122 Folder   9	Last Time I Committed Suicide, The, submitted 1997 June 18
Box   122 Folder   10	Head above Water, submitted 1997 June 23
Box   122 Folder   11	Alive & Kicking, George of the Jungle, Late Bloomers, The Swan Princess, and The Winner, submitted 1997 July
Box   122 Folder   12	Alive and Kicking, submitted 1997 July 23
Box   122 Folder   13	George of the Jungle
Box   122 Folder   14	Late Bloomers
Box   122 Folder   15	Swan Princess, The, submitted 1997 July 21
Box   122 Folder   16	Wishmaster, submitted 1997 July 22
Box   122 Folder   17	Air Bud, submitted 1997 July 29
Box   123 Folder   18	Def Jam's How to Be a Player
Box   123 Folder   1	Steel, submitted 1997 August 18
Box   123 Folder   2	Pippi Longstocking, submitted 1997 August 18
Box   123 Folder   3	Masterminds, submitted 1997 August 19
Box   123 Folder   4	Mouth to Mouth, submitted 1997 September 1
Box   123 Folder   5	Gravesend, submitted 1997 September 2
Box   123 Folder   6	Latin Boys Go to Hell, submitted 1997 September 3
Box   123 Folder   7	Gravesend, Latin Boys Go to Hell and Mouth to Mouth, submitted 1997 September 5
Box   123 Folder   8	Stag, submitted 1997 September 5
Box   123 Folder   9	Texas Chainsaw Massacre, The, submitted 1997 September 6
Box   123 Folder   10	Self-Made Hero, A (Un Héros très discret), submitted 1997 September 7
Box   123 Folder   11	Long Way Home, The, submitted 1997 September 19
Box   123 Folder   12	House of Yes, The, submitted 1997 September 24
Box   123 Folder   13	Ice Storm, The, submitted 1997 September 24
Box   123 Folder   14	Eves Bayou, submitted 1997 September 30
Box   123 Folder   15	Screening schedules, publicity materials, notes for reviews, 1997 October
Box   123 Folder   16	Cries of Silence, Timeless, Rocketman, Kiss and Tell, Gummo, 1997 October
Box   123 Folder   17	Bean, submitted 1997 October
Box   123 Folder   18	Mad City, 1997 October?
Box   124 Folder   1	Cries of Silence, submitted 1997 October 3
Box   124 Folder   2	Kiss or Kill, submitted 1997 October 9
Box   124 Folder   3	Gummo, submitted 1997 October 16
Box   124 Folder   4	Life Less Ordinary, A, submitted 1997 October 17
Box   124 Folder   5	Twilight of the Golds, The, submitted 1997 October 17
Box   124 Folder   6	Critical Care, submitted 1997 October 29
Box   124 Folder   7	Switchback, submitted 1997 October 29
Box   124 Folder   8	Man Who Knew Too Little, The, submitted 1997 November 9
Box   124 Folder   9	Education of Little Tree, The, submitted 1997 November 14
Box   124 Folder   10	Flubber, submitted 1997 November 21
Box   138 Folder   7	Flubber, submitted 1997 November 21 (continued)
Box   124 Folder   11	Mortal Kombat Annihilation, submitted 1997 November 24
Box   124 Folder   12	Bad Boy Bubby, submitted 1997 December 4
Box   124 Folder   13	As Good As It Gets, submitted 1997 December 7
Box   124 Folder   14	Tomorrow Never Dies, submitted 1997 December 12
Box   124 Folder   15	Mr. Magoo, submitted 1997 December 21
Box   124 Folder   16	“Great Gloria: Gloria Stuart Tells How She Made a Titanic Comeback,” 1998
Box   125 Folder   1	Four Days in September, submitted 1998 January 9
Box   124 Folder   2	Correspondence, 1998 January-February Note: Including drafts, press materials, clippings of reviews of Great Expectations, Barney's Great Adventure, Voyage to the Beginning of the World, Tomorrow Never Dies, Wide Awake, The Leading Man, The Wedding Singer, and The Only Thrill.
Box   124 Folder   3	Great Expectations, circa 1998
Box   124 Folder   4	Titanic, submitted 1998 January 12
Box   124 Folder   5	Star Kid, accessed 1998 January 16
Box   124 Folder   6	Post Coitum, Animal Triste, submitted 1998 January 22
Box   124 Folder   7	Spice World, accessed 1998 January 26
Box   124 Folder   8	Slappy and the Stinkers, accessed 1998 January 26
Box   124 Folder   9	Wedding Singer, The, submitted 1998 February 6
Box   125 Folder   10	Mission to Mir, submitted 1998 February 10
Box   125 Folder   11	Leading Man, The, submitted 1998 February 13
Box   125 Folder   12	I Love You, Don't Touch Me!, submitted 1998 February 19-20
Box   125 Folder   13	Caught Up, submitted 1998 March 1
Box   125 Folder   14	Butcher Boy, The, submitted 1998 March 17
Box   125 Folder   15	3 Ninjas: High Noon at Mega Mountain, submitted 1998 March 28
Box   125 Folder   16	Truce, The (La Tregua), submitted 1998 April
Box   125 Folder   17	Players Club, The, submitted 1998 April 7
Box   125 Folder   18	Shooting Fish, submitted 1998 April 15
Box   125 Folder   19	Suicide Kings, submitted 2009 April 15
Box   125 Folder   20	Break, The, submitted 1998 April 18
Box   126 Folder   1	Déjà Vu, submitted 1998 April 23
Box   126 Folder   2	Tarzan and the Lost City, submitted 1998 April 26
Box   126 Folder   3	Los Locos: Posse Rides Again, submitted 1998 April 22
Box   126 Folder   4	Still Breathing, submitted 1998 April 27
Box   126 Folder   5	Hanging Garden, The, submitted 1998 May 8
Box   126 Folder   6	Off the Menu: The Last Days of Chasen, submitted 1998 May 10
Box   126 Folder   7	Classic films, circa 1999 February 17 Note: Citizen Kane, Gone with the Wind, The Godfather, Intolerance, City Lights, Snow White and the Seven Dwarfs, and Tokyo Story.
	Creativeplanet.com
Box   126 Folder   8	“Rebirth of a Controversy: D.W. Griffith,” 2000
Box   126 Folder   9	“Director-Provocateur Ex-Critic Rod Lurie,” interview with Rod Lurie, 2000
	Directorsworld.com
Box   126 Folder   10	“Who Gets the Credit?,” posted 1999 October 11
Box   126 Folder   11	“How Can a Director Direct Critics?,” posted 1999 December 20
Box   126 Folder   12	Interview with Rick Schmidlin on the restoration of Greed, posted 1999 December 8
	Eureka Entertainment
Box   126 Folder   13	Commentary on “Buster Keaton: The Complete Short Films, 1917-1923,” Eureka Entertainment DVD, 2006
	Film Quarterly
Box   126 Folder   14	“Stepin Fetchit Talks Back,” Film Quarterly 24, no. 4 (Summer 1971): 20-6 Note: Photocopy of article, correspondence from 1997 to 1998 regarding reprinting in a Film Quarterly anthology, Film Quarterly: Forty Years--A Selection, 1999.
	Irish America magazine
Box   126 Folder   15	Designation of Joseph McBride as one of 100 Top Irish Americans, 1993
Box   126 Folder   16	“Filming Ireland's Pagan Underbelly,” 1999 February/March
Box   126 Folder   17	“My Guiltiest Pleasure: The Bells of St. Mary's,” 2000 August-September
Box   126 Folder   18	“No Non-Irish Need Apply? Ethnic Casting Issues in Movies,” 2000 December-2001 January
Box   127 Folder   1	“The Patriot: Round Two of Mel Gibson's War with the British,” 2000 December
Box   127 Folder   2	“Dr. Fogarty's Fantastic Voyage Through the Human Heart,” 2001 February-March Note: See also Audio recording #5.
Box   127 Folder   3	“James Joyce in Love: Pat Murphy's Nora” (Film Forum column), 2001 October-November
Box   127 Folder   3	“That Sinking Feeling: Titanic Town Goes Under,” (Film Forum column), 2001 February-March
Box   127 Folder   4	“Liam: The Shock of Recognition” (Film Forum column), 2001 December-2002 January
	“Impetuous! Homeric!': The Quiet Man Turns Fifty,” 2002 February-March Note: See Box 65, folders 3-4.
Box   127 Folder   5	“Hyping Up Wilde in Earnest Won't Win Parker Any Oscars” (Film Forum column), 2002 August-September
Box   127 Folder   6	“20 Best Movies about Irish Americans,” 2005 October-November
	Irish Herald
Box   127 Folder   7	“McBride to Teach New College Courses,” undated
	Los Angeles Times
Box   127 Folder   8	Letter to the editor on the 1997 Cinecon award to Leni Riefenstahl, 1997 September 2
	Mrshowbiz.com Note: See Starwave.
	New York Review of Books
Box   127 Folder   9	“The Joys of Necrophilia,” 46, no. 12 (July 15, 1999): 36-39 Note: Review of books and film about James Whale: copy-edited manuscript with corrections, galleys, and correspondence with Christopher Bram.
	New York Times
Box   127 Folder   10	Letter to the Editor, about John Huston's World War II films Report on the Aleutians, San Pietro, and Let There Be Light, published 2000 May 28
	New York Times Book Review
Box   127 Folder   11	Review of Marion Meade, Buster Keaton: Cut to the Chase, 1995
Box   127 Folder   12	Review of Peter Biskind, Easy Riders, Raging Bulls: How the Sex-Drugs-Rock-n-Roll Generation Saved Hollywood, 1998 May 10
Box   127 Folder   13	“Offers He Should've Refused,” review of Michael Schumacher, Francis Ford Coppola: A Filmmaker's Life, 1999 December 12
	Oxford American
Box   127 Folder   14	“Everyone Has His Reasons: Elia Kazan's Masterpiece, Wild River,” 2002 Winter
Box   128 Folder   1	“Who Is John Huston?: The Riddle of Adaptation and Authorship,” 2007
	Reel.com Note: Reviews.
Box   128 Folder   2	Do the Right Thing, Dr. Strangelove, The Godfather Parts I and II, Casablanca, City Lights, Intolerance, Snow White and the Seven Dwarfs, Gone with the Wind, and The Big Sleep
Box   128 Folder   3	Greed (1925), 1999
Box   128 Folder   4	Crowd, The (1928), 1999
Box   128 Folder   5	Pinocchio (1940), 1999
	“Robbing the Cradle: Why the Real Orson Welles Is Missing” Note: See Box 107, folders 1-2.
Box   128 Folder   6	“An Old Master's Cri de Coeur: Alfred Hitchcock's Mary Rose,” 2000 April
	Review of DVD Around the World with Orson Welles Note: See Box 103, folder 21.
	Sight and Sound
Box   128 Folder   7	Joseph McBride, “Mr. and Mrs. Hitchcock,” 1976 Autumn
	Starwave/Mrshowbiz.com
Box   128 Folder   8	Miscellaneous notes and correspondence
Box   128 Folder   9	Receipts for expenses incurred, submitted 1997 February and March
	Reviews
Box   128 Folder   10	“The 100 Best Movies of All Time,”
Box   128 Folder   10	Submitted 1996 October
Box   128 Folder   11	Submitted 1996 November 6 Note: Being There; The Elephant Man; A Foreign Affair; His Girl Friday; In the Line of Fire; Lawrence of Arabia; The Little Mermaid; Malcolm X; Mr. Deeds Goes to Town; Modern Times; My Fair Lady; Ninotchka; North by Northwest; Only Angels Have Wings; On the Town; Ordinary People; Paths of Glory; The Philadelphia Story; Point Blank; Queen Christina; Rashomon; Roger & Me; Salvador; Shane; Sophie's Choice; The Talk of the Town; The Thirty-Nine Steps; Throne of Blood; Top Hat; The Treasure of the Sierra Madre; Twentieth Century; Unforgiven; Who Framed Roger Rabbit; Wild Strawberries; and Witness for the Prosecution.
Box   128 Folder   12	Submitted 1996 November 14 Note: The Adventures of Priscilla, Queen of the Desert; Beauty and the Beast; Being There; The Elephant Man; A Foreign Affair; Gandhi; The Great Escape; His Girl Friday; Hoop Dreams; In the Line of Fire; Lawrence of Arabia; The Little Mermaid; Malcolm X; Mr. Deeds Goes to Town; Mr. Smith Goes to Washington; Modern Times; My Fair Lady; My Favorite Year; Ninotchka; North by Northwest; Only Angels Have Wings; On the Town; Ordinary People; Out of the Past; The Palm Beach Story; Paths of Glory; Pee-wee's Big Adventure; The Philadelphia Story; Point Blank; Queen Christina; Rashomon; The Remains of the Day; Roger & Me; Salvador; The Seven Samurai; The Seventh Seal; Shane; She Done Him Wrong; Smiles of a Summer Night; Sophie's Choice; The Talk of the Town; The Thin Blue Line; The Thirty-Nine Steps; Throne of Blood; Top Hat; The Treasure of the Sierra Madre; Twentieth Century; Unforgiven; The Verdict; Who Framed Roger Rabbit; Wild Strawberries; Witness for the Prosecution; and The Women.
Box   129 Folder   1	Evita, submitted 1996 December 17
Box   129 Folder   2	Fierce Creatures, submitted 1997 January 22
Box   129 Folder   3	Beautician and the Beast, The, submitted 1997 January 31
Box   129 Folder   4	Meet Wally Sparks, posted 1997 January 31
Box   129 Folder   5	Collections of short reviews under the rubric “The Best Movies of All Time,” 1997 Note: “Science Fiction,” January 31, 1997; “Political Thrillers,” February 7, 1997; “Black History Month,” February 21, 1997.
Box   129 Folder   6	Dante's Peak, posted 1997 February 7
Box   129 Folder   7	Oscars-related articles, 1997 February
Box   129 Folder   8	Short reviews, submitted 1997 February 11 Note: An Affair to Remember (1957), The More the Merrier (1943), and The English Patient (1997).
Box   129 Folder   9	Absolute Power, submitted 1997 February 12
Box   129 Folder   10	Short reviews, submitted 1997 February 13 Note: The Bingo Long Traveling All-Stars and Motor Kings, Bugsy, Driving Miss Daisy, Intruder in the Dust, and Sounder.
Box   129 Folder   11	Vegas Vacation, submitted 1997 February 16
Box   129 Folder   12	Kama Sutra, posted 1997 February 28
Box   129 Folder   13	Good Luck, posted 1997 March 7
Box   129 Folder   14	City of Industry, submitted 1997 March 12
Box   129 Folder   15	Love and Other Catastrophes, submitted 1997 March 26
Box   129 Folder   16	Shiloh and Eight Heads in a Duffel Bag, submitted 1997 April 14
Box   129 Folder   17	Temptress Moon, submitted 1997 April 28
Box   129 Folder   18	The Designated Mourner, submitted 1997 May 1
Box   130 Folder   1	Short reviews, submitted 1997 May 24 Note: Ace Ventura: Pet Detective; Germinal; The Mighty Ducks; Naked Gun 33 1/3: The Final Insult; The Paper; The Wonderful, Horrible Life of Leni Riefenstahl; Crooklyn; The Flintstones; That's Entertainment III; The Lion King; Wyatt Earp; Forrest Gump; Clear and Present Danger; It's Pat: The Movie; The Little Rascals; Natural Born Killers; Ed Wood; The Shawshank Redemption; Little Giants; Love Affair; Cobb; Disclosure; Dumb and Dumber; Immortal Beloved; Little Women; Nell; Ready to Wear (Prêt-à-Porter); Speechless; Miami Rhapsody; A Great Day in Harlem; Just Cause; Muriel's Wedding; and Priest.
Box   130 Folder   2	Short reviews, submitted 1997 June 9-27 Note: Grand Canyon; Noises Off; Radio Flyer; Newsies; Straight Talk; HouseSitter; A League of Their Own; Bob Roberts; School Ties; Hero; Home Alone 2: Lost in New York; Love Field; Dennis the Menace; The Thing Called Love; A Perfect World; Heaven & Earth; Shadowlands; Blame It on the Bellboy; Mom and Dad Save the World; Ladybugs; The Babe; Passed Away; Encino Man; Bebe's Kids; Honey, I Blew Up the Kid; A Brief History of Time; 3 Ninjas; South Central; Robin Hood: Men in Tights; Tom and Jerry: The Movie; and The Secret Garden.
Box   130 Folder   4	Short reviews, submitted 1997 June 29 Note: In Box 130, folder 2, with star ratings added.
Box   130 Folder   3	Timothy Leary's Dead, submitted 1997 June 17
Box   130 Folder   5	Correspondence regarding interview with Wolfgang Peterson, 1997 March and July
Box   130 Folder   6	Alfred Hitchcock's Gun, submitted 1997 July 27
Box   130 Folder   7	Career Girls, submitted 1997 July 28 Note: Not run.
Box   130 Folder   8	Short reviews, submitted 1997 July 30 Note: Incident at Oglala; PCU; Pue Country; Radioland Murders; Rich in Love; and Stay Tuned.
	Vanity Fair
Box   130 Folder   9	“Geraldine Chaplin,” 1992 October
	Written By
Box   130 Folder   10	Correspondence
Box   130 Folder   11	“Abraham Polonsky: A Very Dangerous Citizen,” 1999 December-2000 January
	“Secret Weapons: The Hollywood Biographer's Intelligence Operative: The Screenwriter,” 2000 December-2001 January
Box   130 Folder   12	Early version as “Writing Hollywood Lives,” 1999
Box   130 Folder   13	Later version as “Secret Weapons”
	“Screenwriter Frank S. Nugent: The Quiet Man Behind John Ford” Note: Published as “The Pathological Hero's Conscience”, 2001. See Box 47, folders 11-13.
Box   131 Folder   1	“Thank You, Mr. Wilder,” 2002 May
Box   131 Folder   2-3	“Thought crimes: George Orwell and Other Futurists Warned Us,” 2004 October
	“Sketches from the Slide Area,” 2005 September
Box   131 Folder   4-5	Research materials, notes on interviews with Gavin Lambert, 2004 September 4, 18
Box   131 Folder   6-7	Drafts
	McBride's File of His Published Articles
Box   132 Folder   1	List of published articles by Joseph McBride, as of 2008 July 8
Box   132 Folder   2	Articles #1, 1960s Scope and Content Note “The Lightfeet Top Em All!” Young Catholic Messenger (May 13, 1960): 22: photocopy “Shaw Impersonated,” The Shavian, 3, no. 7 (Spring-Summer 1967): 9-12 “Le Grand Cinéaste: Welles at 52,” The Daily Cardinal (July 7, 1967): 4: photocopy of typescript and pages of paper “Mr. Macdonald, Mr. Kauffmann and Miss Kael,” Film Heritage 2, no. 4 (Summer 1967): 26-34 “Critical Response,” The War Baby Review, special supplement to The Daily Cardinal no. 3 (May 1968): 2, 8: copy of supplement “Citizen Kane,” Film Heritage 4, no. 1 (Fall 1968): 7-18 “Welles' Chimes at Midnight,” Film Quarterly 23, no. 1 (Fall 1969): 11-20 “A Long Way from Home” (with Michael Wilmington), Sight and Sound 39, no. 1 (1969-70 Winter): 39-43 “See You at Mao,” Sight and Sound 39, no. 3 (Summer 1970): 136-7 “Topaz,” Film Heritage 5, no. 2 (Winter 1969-70): 17-23
Box   138 Folder   8	Articles #2, 1969 Scope and Content Note “Campus 69: The Quiet Year So Far,” section “University of Wisconsin,” Life 67, no. 24 (December 12, 1969): 41-3: photocopy of typescript of version submitted with copy of the original magazine
Box   132 Folder   3	Articles #3, 1970s Scope and Content Note “Too Late Blues,” Montage (Madison, Wisconsin) 1, no. 1 (February 20, 1970): [2-3] “Welles before Kane,” Film Quarterly 23, no. 3 (Spring 1970): 19-22 “The Private Life of Billy Wilder” (with Michael Wilmington), Film Quarterly 23, no. 4 (Summer 1970): 2-9 “Orson Welles Returns from Obscurity,” Wisconsin State Journal (September 14, 1970): section 2, page 15: photocopy “Welles' Immortal Story,” Sight and Sound 39, no. 4 (Autumn 1970): 194-5 “The Ugliness of Belle de Jour,” Montage (Madison, Wisconsin) 2, no. 2 (November 19, 1970): [10-11]
Box   132 Folder   4	Articles #4, 1970s Scope and Content Note “County Mayo Gu Bragh,” Sight and Sound 40, no. 1 (Winter 1970-1971): 43-4, 52 “Her Poetry Lives On,” Wisconsin State Journal (March 21, 1971): section 6, page 1 and 3: photocopy “The Private Life of Sherlock Holmes” (with Michael Wilmington), Film Quarterly 24, no. 3 (Spring 1971): 45-8 “Do I Get to Play the Drunk This Time?': An Encounter with Howard Hawks” (with Michael Wilmington), Sight and Sound 40, no. 2 (Spring 1971): 97-100 “Young Mr. Lincoln” (with Michael Wilmington), Film Heritage 6, no. 4 (Summer 1971): 13-18, 32 “Stepin Fetchit Talks Back,” Film Quarterly 24, no. 4 (Summer 1971): 20-6 “The Wings of Eagles” and “Sergeant Rutledge” (with Michael Wilmington), The Velvet Light Trap no. 2 (August 1971): 13-15 and 16-18 Review of Gary Carey, The Films of George Cukor, Film Quarterly 25, no. 1 (Fall 1971): 57-8
Box   132 Folder   5	Articles #5, 1970s Scope and Content Note “Rough Sledding with Pauline Kael,” Film Heritage 7, no. 1 (Fall 1971): 13-16 and 32 “Prisoner of the Desert” (with Michael Wilmington), Sight and Sound 40, no. 4 (Autumn 1971): 210-14 “First Person Singular,” Sight and Sound 41, no. 1 (Winter 1971-2): 40-1 “The Director as Superstar,” Sight and Sound 41, no. 2 (Spring 1972): 78-81 Review of Buck and the Preacher, Rolling Stone no. 113 (July 20, 1972): 58
Box   132 Folder   6	Articles #6, 1970s Scope and Content Note “Drums along the Mekong,” Sight and Sound 41, no. 4 (Autumn 1972): 213-16 “March Visit Arouses Memories,” Wisconsin State Journal (May 18?, 1970): photocopy “Straight Shooting,” The Silent Picture no. 13 (Winter-Spring 1972): 18-21 “Running, Jumping and Standing Still: An Interview with Richard Lester,” Sight and Sound 42, no. 2 (Spring 1973): 75-9 “The Private World of Fahrenheit 451” in Favorite Movies: Critics Choice, ed. Philip Nobile (New York: Macmillan, 1973), p. 44-52: photocopy “Film Favorites: Joseph McBride on What Price Hollywood?”; Film Comment 9, no. 3 (May-June 1973): 60-4 “The Importance of Being Ernst,” Film Heritage 8, no. 4 (Summer 1973): 1-9
Box   132 Folder   7	Articles #7, 1970s? Scope and Content Note “Drums along the Mekong,” in Setareh Cinema (Iran) in Farsi
Box   132 Folder   8	Articles #8, 1970s Scope and Content Note “Shooting The Front Page: Two Damns and One God,” The Real Paper (Boston, Mass) 3, no. 31 (July 31, 1974): 22-3; on Billy Wilder
Box   132 Folder   9	Articles #9, 1970s Scope and Content Note “Hawks Talks: New Anecdotes from the Old Master, an Interview by Joseph McBride and Gerald Peary,” Film Comment 10, no. 3 (May-June 1974): 44-53 Review of The Front Page, Sight and Sound 43, no. 4 (Autumn 1974): 212 “Prologue,” The Third Annual American Film Institute Award for Lifetime Achievement in Motion Pictures and Television: Orson Welles, 1975: photocopy Cinema no. 34 (1974) “Coppola, Inc.,” American Film 1, no. 2 (November 1975): 14-18 “John Huston Finds That the Slow Generation of King Has Made it a Richer Film,” Daily Variety (December 16, 1975): 13: photocopy “The Bad News Bears,” Sight and Sound 45, no. 1 (Winter 1975-6): 14
Box   133 Folder   1	Articles #10, 1970s Scope and Content Note “Bread and Dreams: Young Screenwriters,” “Hollywood Rediscovers an Old BO Star's Special Effects,” “The Interesting Thing about Movies Is the Unexpected and That Doesn't Mean Innovation for the Sake of Innovation,” and several notices bylined “Mack” (McBride's Variety moniker), Daily Variety 42nd Anniversary Issue (October 1975): 8 and 22, 70, 72 and 76 “George Cukor: The Blue Bird,” Action 10, no. 6 (November-December 1975): 18-24 “The Great Train Robbery: A Critical Symposium,” American Film 1, no. 4 (January-February 1976): 52-5 “Life in the Snake Pit: Val Lewton,” Action 11, no. 1 (January-February 1976): 10-16 “Tavernier,” copy for Daily Variety (1976): photocopy “Touch of Evil,” letter in response to an article by Jonathan Rosenbaum, Sight and Sound 45, no. 2 (Spring 1976): 128-30: photocopy “Aren't You Jimmy Stewart?: As American as Apple Pie,” American Film 1, no. 8 (June 1976): 51-3 “The Other Side of Orson Welles,” American Film 1, no. 9 (July-August 1976): 14-20: photocopy
Box   133 Folder   2	Articles #11, 1970s Scope and Content Note “Kid Stuff: François Truffaut on Small Change interviewed by Joseph McBride and Todd McCarthy,” Film Comment 12, no. 5 (September-October 1976): 42-5 “Mr. and Mrs. Hitchcock,” Sight and Sound 45, no. 4 (Autumn 1976): 224-5 “Song for Woody: Joseph McBride on the set of Bound for Glory,” Film Comment 12, no. 6 (November-December 1976): 26-8 “The Most Powerful Movie Actor in the Word (Hell Blow Your Head Clean Off): Clint Eastwood on His Image and His Movies,” Bijou 1, no. 1 (April 1977): 19-23 and 55-8 “Olly Olly Oxen Free!: On the Set with Katharine Hepburn,” Bijou 1, no. 3 (August 1977): 44-6 Review of The Rescuers, Daily Variety (June 13, 1977): 3: photocopy Garden Theatre Festival (Los Angeles), July 15 to August 7, 1977: brochure Film Comment 13, no. 5 (September-October 1977) “Services Tomorrow in Bevhills for Director Howard Hawks/Howard Hawks, 81, Dies at Home in Palm Springs,” Daily Variety 178, no. 16 (December 28, 1977): 1, 4, 8 “Howard Hawks, 81, Story Teller Who Became a Pantheon Figure” (anonymous article by McBride), Variety (December 28, 1977): 26 “Hawks,” Film Comment 14, no. 2 (March-April 1978): 36-41, 70-1
Box   133 Folder   3	Articles #12, 1970s Scope and Content Note “The End Is Just the Beginning: Burt Reynolds Interviewed by Joseph McBride and Brooks Riley,” Film Comment 14, no. 3 (May-June 1978): 16-21: two copies of magazine, one with color section “The Mechanic of Illusion: The Art of Albert Whitlock [],” New Times 10, no. 11 (May 29, 1978): 55-7 Take One (November 1978) “All's Welles,” Film Comment 14, no. 6 (November-December 1976): 24-7
Box   133 Folder   4	Articles #13, 1970s Scope and Content Note “Going for Extra Innings, Billy Wilder Interviewed by Joseph McBride and Todd McCarthy,” Film Comment 15, no. 1 (January-February 1979): 40-8 Interview with Howard Hawks in Howard Hawks: A Weekend with the Director and His Films (Directors Guild of America, 1979), pp. 1-33 “A Piece of the Rock: George Stevens: Interview by Patrick McGilligan and Joseph McBride,” Bright Lights no. 8 (1979): 20-6 “Buts & Rebuts: Hitchcock: A Defense and an Update,” (with David Lubin), Film Comment 15, no. 3 (May-June 1979): 66-70 “People We Like: Winton Hoch: A Damn Good Job,” Film Comment 15, no. 6 (November-December 1979): 74-5
Box   133 Folder   5	Articles #14, 1980s Scope and Content Note Program note on They Died with Their Boots On (Los Angeles County Museum of Art, circa 1980): cyclostyled note “Bombshell Days in the Golden Age: John Lee Mahin Interviewed by Todd McCarthy and Joseph McBride,” Film Comment 16, no. 2 (March-April 1980): 58-68 “Cukor's Record: Directing at Age 81,” Daily Variety (October 17, 1980): 3: clipping “O'Toole Ascending: Peter O'Toole Interviewed by Joseph McBride,” Film Comment 17, no. 2 (March-April 1981): 49-53 “Carry On, Cukor: George Cukor Interviewed by Joseph McBride and Todd McCarthy,” Film Comment 17, no. 5 (September-October 1981): 41-7 “Art Directors: Richard Sylbert Interviewed by Joseph McBride,” Film Comment 18, no. 1 (January-February 1982): 43-6
Box   138 Folder   9	Articles #14 (continued) Scope and Content Note “Business 101: MCA-Us Approach Is Conservative, Consistent, and Strictly by the Book,” Daily Variety 226, no. 44 (Universal 75th Anniversary number, February 6, 1990): 42-50
Box   133 Folder   6	Articles #15, 1990s Scope and Content Note “Spartacus Puts Spotlight on Preservation,” Daily Variety (April 25, 1991): printout “Wise Move Raises Kane for Viewers,” Daily Variety (May 1, 1991): 6 and 13: photocopy “Film Review: Beauty and the Beast,” Daily Variety (1991): printout “The Prince of Tides,” Daily Variety (1991): printout “Fantasia Fanfare: Will Classic Really Disappear?” Daily Variety (March 19, 1992): 27: clipping from McBride's “Straight Shooting” column “Baraka Brings the Visual Tone Poem Down to Earth,” Daily Variety (April 30, 1992): 23: clipping “Truffaut's Career a Web of Fascinating Contradictions,” Daily Variety (June 25, 1992): 19: clipping from McBride's “Straight Shooting” column “Eastwood Looks West to Honor Mentor's Legacy,” Daily Variety (August 6, 1992): 23: clipping from McBride's “Straight Shooting” column “The Last Closed Door: No More Lubitsch,” Daily Variety (April 19, 1992): 23: clipping from McBride's “Straight Shooting” column “Compared with Mahony, MPAA Looks Libertine,” Daily Variety (April 2, 1992): 23: clipping from McBride's “Straight Shooting” column “Gilbert Cates: Filmmaker with Taste for Teaching,” Daily Variety (May 28, 1992): 19: clipping from McBride's “Straight Shooting” column “Welles Ambersons: Mutilated Yet Magnificent,” Daily Variety (July 23, 1992): 23: clipping from McBride's “Straight Shooting” column On Gore Vidal, submitted to Daily Variety for McBride's “Straight Shooting” column September 2, 1992, but not published: typescript printout “Geraldine Chaplin,” Vanity Fair (December 1992): typescript of uncut version “The Lost Kingdom of Orson Welles,” New York Review of Books (May 3, 1993): 40-46: photocopy “John Sanford's Personal History of America” (October 31, 1993), “as yet unpublished”: computer-printed typescript “Remarks on Billy Wilder” (January 17, 1995): presentation of Los Angeles Film Critics Association's career achievement award: computer-printed typescript Letter to the New York Times on LAFCA and Elia Kazan, mailed January 19, 1997, printed January 23, 1997: computer-printed typescript and clipping “The Patient Englishman,” interview with Anthony Minghella, Starwave/Mr. Showbiz, posted February 11, 1997: printout “Porn Free,” interview with Milos Forman, Starwave/Mr. Showbiz, posted February 11, 1997: printout “Cover Story: Night of the Hunter,” Boxoffice 133, no. 3 (March 1997): 6-9 “Billy Bob Thornton Interview” (March 8, 1997): typescript
Box   134 Folder   1	Articles #16, 1990s Scope and Content Note “Patient Rebel,” interview with Saul Zaentz, Starwave/Mr. Showbiz, posted March 21, 1997: printout “Cover: Disney's Hercules,” Boxoffice 133, no. 7 (July 1997): 12-16 “Film Forum,” Irish America, on Julia Sweeney, undated: computer typescript “Free at Last,” Boxoffice (November 1997): 22: photocopy “Paul Verhoeven Interview” (Starwave/Mr. Showbiz, posted November 6, 1997): computer typescript and printout
Box   138 Folder   10	Articles #16 (continued) Scope and Content Note “Independent Means: Dances,' Daisy Prove Big-Studio Experts Wrong Again,” Daily Variety 17th Annual Special Report: Independents in Entertainment (June 26, 1997): 16-24
Box   134 Folder   2	Articles #17, 1990s Scope and Content Note “The Ice Storm,” Cinemania Online (September 25, 1997): printout “Slug: Fuller obit” in Samuel Fuller 1912-1997 (Directors Guild of America Farewell Tribute, November 22, 1997) “Great Gloria: Gloria Stuart Tells How She Made a Titanic Comeback,” Cinemania Online (submitted December 8, 1997): typescript “Titanic” review, Boxoffice (December 1997): typescript “Amistad,” Cinemania Online (December 8, 1997): printout “Great Expectations,” Cinemania Online (January 29, 1998): printout “Boogie Nights,” review of Peter Biskind, Easy Riders, Raging Bulls, New York Times Book Review (May 10, 1998): printout “Pinocchio review,” Reel.com, submitted March 13, 1999: printout “The Crowd review,” Reel.com, submitted March 15, 1999: printout “JFK Superstar: The Kennedys of Hollywood,” Irish Voice/Irish America (November 9, 1999): fax of proof “Gizmo's Id: The Strange Partnership of Joe Dante and Steven Spielberg,” printed in French translation as “Le 'ça' du gizmo: l'étrange association de Joe Dante et Steven Spielberg” in Joe Dante et les Gremlins de Hollywood (Paris: Editions Cahiers du Cinéma and Festival International du Film de Locarno, 1999), 75-82: photocopy “Riskinesque: How Robert Riskin Spoke through Frank Capra and Vice Versa,” Written By 3, no. 1 (December 1999-January 2000): 46-53: copy of magazine and photocopy of book reprint in The Best American Film Writing 1999 Review of Intolerance, 1999, unpublished typescript
Box   138 Folder   11	Articles #17 (continued) Scope and Content Note “The Joys of Necrophilia,” The New York Review of Books 46, no. 12 (July 15, 1999): 36-9
Box   134 Folder   3	Articles #18, 1990s Scope and Content Note “John Ford, the Quiet Man,” Irish America 15, no. 5 (October-November 1999): 94-5 “A Woman with True Grit: She Rode, She Wrote, She Fought the Blacklist,” Written By 3, no. 10 (November 1999): 36-43 “Rediscovering the Holy Grail of Lost Films: Greed,” Directors World.com, CreativePlanet.com (December 8, 1999): typescript “Offers He Should've Refused,” review of Michael Schumacher, Francis Ford Coppola, New York Times On the Web (December 12, 1999): printout “Then and Now: Directing the Critics,” DirectorsWorld.com (December 20, 1999): printout “How Can a Director Direct Critics?,” DirectorsWorld.com (December 20, 1999): printout “Abraham Polonsky: A Very Dangerous Citizen,” Written By 4, no. 1 (December 1999-January 2000): 49-52
Box   134 Folder   4	Articles #19, 2000 Scope and Content Note Review of Around the World with Orson Welles, Reel.com, submitted April 6, 2000: email printout “The Man Who Told the Three Stooges How to Nyuk-Nyuk-Nyuk: Edward L. Bernds Talks about Directing the Stooges,” American Movie Classics.com (January 2000): typescript; See also “Moe, Larry, Curly and Ed?,” American Movie Classics Magazine 13, no. 3 (March 2000): 13. “Some Like It Wilder,” DirectorsWorld.com (January 14, 2000): printout “Shane Comes Back: A Return to George Stevens' Poignant, Iconic Western,” AMC: American Movie Classics Magazine 13, no. 3 (March 2000): 4-6 “Rebirth of a Controversy: The DGA and D.W. Griffith,” CreativePlanet.com, submitted February 14, 2000: email printout of submission; email letter of correction to Elif Cercel of CreativePlanet.com, February 17, 2000 “Academy Director's Branch: A Greater Diversity,” DirectorsWorld.com, posted March 24, 2000: printout “Anjelica Huston's Return to Her Irish Roots,” Irish America (March 2000): typescript “Robbing the Cradle,” Reel.com 1, no. 1 (March-April 2000): 43-7 and 64-5: typescript and copy of magazine “Hawk's Eye: The Singular Vision of a Great Director,” AMC: American Movie Classics Magazine 13, no. 3 (May 2000): 12 “The Censor Relents,” letter to the editor, The New York Times (May 28, 2000): 2: clipping “The Last September: The Rules of the Ascendancy,” Irish America (June-July 2000): 58-9 “My Guiltiest Pleasure: The Bells of St. Mary's,” Irish America (August-September 2000): 94-6
Box   134 Folder   5	Articles #20, 2000s Scope and Content Note “The Provocateur,” Written By 4, no. 8 (October 2000): 28-33 “House of Horrors,” AMC: American Movie Classics Magazine 13, no. 10 (October 2000): 4-6 “In Pursuit of My Ancestral Heritage: From The Seven Little Foys to Patriot Games,” Irish America (October-November 2000): 98-102: photocopy “Secret Weapon,” Written By 5, no. 1 (December 2000-January 2001): 34-40 “The Magic Bus Ride: Clark Gables Ticket to Stardom,” AMC: American Movie Classics 14, no. 2 (February 2001): 8-9 “Dr. Fogarty's Fantastic Voyage Through the Human Heart,” Irish America (February-March 2001): 50-2
Box   134 Folder   6	Articles #21, 2000s Scope and Content Note “Eyeball to Eyeball: JFK vs. the Joint Chiefs in Thirteen Days,” Irish America (April-May 2001): 96-8: photocopy “”Alfred Hitchcock's Mary Rose: An Old Masters Unheard Cri de Coeur,” Cineaste 26, no. 2 (2001): 24-8 “The Pathological Hero's Conscience,” Written By 5, no. 5 (May 2001): 24-33 “When Brendan Met Trudy: Roddy Doyle Goes to the Movies,” Irish America (June-July 2001): 56-7 “Hail to the Duke,” AMC: American Movie Classics 14, no. 7 (July 2001): 4-6 “Land of the Second Chance: A Hardy Irishman Stakes The Claim,” Irish America (August-September 2001): 86-7 “James Joyce in Love: Pat Murphy's Nora,” Irish America (October-November 2001): 86-9: proof printout “Liam: The Shock of Recognition,” Irish America (December 2001-January 2002): 56, submitted September 24, 2001: 56-7: emailed typescript; proof printout
Box   134 Folder   7	Articles #22, 2000s Scope and Content Note “Riding the Spielberg Express,” AMC: American Movie Classics 14, no. 11 (November 2001): 8-9 “No Non-Irish Need Apply? Ethnic Casting Issues in Movies,” Irish America (December 2000-January 2001): 106-7, 114 “George Cukor: The Value of Discretion,” Bright Lights Film Journal (April 2001): printout “A Very Good American: The Undaunted Artistry of Blacklisted Screenwriter Michael Wilson,” Written By 6, no. 2 (2002 February): 26-26-33 “The Quiet Man Turns Fifty,” Irish America (February-March 2001): 56-9
Box   138 Folder   12	Articles #23, 2000s Scope and Content Note “Fellow Traveler or Redbaiter?: The Convoluted Politics of John Ford,” The Los Angeles Times Magazine (June 3, 2001): 18-21, 34-5
Box   134 Folder   8	Articles #24, 2000s Scope and Content Note “Thank You, Mr. Wilder,” Written By 6, no. 5 (May 2002): 16-18 “The Troubles with Sunday,” Irish America (June-July 2002): 62 “Sins of the Fathers: On the Road to Perdition,” Irish America (October-November 2002): 68-9 “Everyone Has His Reasons: Elia Kazan's Masterpiece, Wild River,” Oxford American (Winter 2002): 102-9
Box   135 Folder   1	Articles #25, 2000s articles Scope and Content Note “Thoughtcrimes: George Orwell and Other Futurists Warned Us,” Written By 8, no. 7 (October 2004): 36-41 “Sketches from the Slide Area,” Written By 9, no. 6 (September 2005): 32-9 “20 Best Movies about Irish-Americans,” Irish America (October-November 2005): 80-4 “Malloy's Girl Was Irish,” response to readers letter from Jim Lundrigan on Muhammad Ali and On the Waterfront, Irish America (December 2005-January 2006)
Box   135 Folder   2	Articles #26, 2000s Scope and Content Note “John Ford's Long Voyage to Home Video,” DGA Quarterly 11, no. 2 (Summer 2006): 74-6 “Who Is John Huston?” National Film Theatre (London) brochure (November 2006): photocopy Damien Love, “Inherit the Wind: Talking with Peter Bogdanovich and Joseph McBride about The Other Side of the Wind,” Bright Lights Film Journal no. 55 (February 2007): printout “Who Is John Huston?: The Riddle of Adaptation and Authorship,” Oxford American no. 56 (2007): 130-6 Review of Lester D. Friedman, Citizen Spielberg, Cineaste 32, no. 2 (Winter 2006): 80-2: copy of the magazine; response to a letter about the review from Frank Tomasulo, Cineaste 32, no. 3 (Summer 2007): 100-1: photocopy Review of Jean Renoir's 3-Disc Collectors Edition, Cineaste 33, no. 1 (Winter 2007): 68-70 “Foreword” to Gary Graver and Andrew J. Rausch, Making Movies with Orson Welles (2008): typescript
	Unpublished Writing and Filmmaking Projects
	Creative Writing Projects
Box   135 Folder   3	Notes for a Hollywood novel: manuscript
Box   135 Folder   4	“The Force,” film treatment by McBride, 1982 June 24
Box   135 Folder   5	Untitled film treatment by McBride, and letter, 1983
Box   135 Folder   6	“My Brother's Keeper,” story by McBride: notes
Box   135 Folder   7	“Grass Roots,” film treatment by Samuel Fuller and Joseph McBride, 1982
Box   135 Folder   8	“Twilight in the Smog,” book outline by McBride: manuscript, 1997 March 17
Box   135 Folder   9	“Remember Bobby,” short story by McBride; and article from Los Angeles Herald Examiner: A1 and 10, 1983 March 5 Note: “This article influenced my writing of the short story 'Remember Bobby' which served as the basis (uncredited) for the 1980 film Prom Night Joseph McBride 6-13-08.”
Box   135 Folder   10	“Red Gold Screenplay Research”: Los Angeles Times clipping on acid rain, for a proposed screenplay by McBride, 1982 October 29
	Film Projects
Box   135 Folder   11	Samuel Fuller Projects Note: Proposed collaboration between Rick Schmidlin and McBride on films and television programs based on Fuller scripts: correspondence with Schmidlin, draft contracts for the collaboration.
Box   135 Folder   12	“Big Money”: lawyer's bill, 1978 December 26
Box   135 Folder   13	Documentary on Universal Pictures: correspondence with Liz Kyler of Top Hat Productions, 1995
	Book Projects
Box   135 Folder   14	“No More Blarney” project for a book to be written in collaboration with Noel and Ruth O'Hara draft agreement, correspondence, clippings,
Box   135 Folder   15	Dutton book proposal, correspondence with Julia Serebrinsky of Dutton Press regarding a book to be written by McBride proposed by her on films and books, 1998
Box   135 Folder   16	“Two Cheers” correspondence between McBride and Richard Parks regarding a proposal for the publication of a collection of McBride essays by Scarecrow Press under the title, Two Cheers for Hollywood, 2002
Box   135 Folder   17	“American Film Treasures,” email correspondence with Richard Parks, 2000-2001 Note: Materials (including lists) from National Film Preservation Boards National Film Registry, regarding a proposed book on “American Film Treasures”; outline; printouts from websites on the National Film Registry.
	“The New Buffalo”
Box   135 Folder   18	Clippings, research notes, outlines, correspondence for proposed book, 1997
Box   136 Folder   1	Milwaukee Journal Sentinel extract printouts
	John Huston
Box   136 Folder   2	Proposal and correspondence for a book on Huston offered to McBride by Doubleday/Broadway, 2006 October
Box   136 Folder   3	Presentations on Huston by Joseph McBride Note: At the National Film Theatre, London, November 21, 2006, and at the Huston School of Film and Digital Media, National University of Ireland, Galway, Ireland, November 23, 2006: correspondence; NFT brochures and handout; Huston School itineraries and schedules; photocopy of AFI Life Achievement Awards brochure, March 1983; drafts of talks, notes, clip lists.
	Research Projects
Box   136 Folder   4	Miscellaneous notes on various projected articles
Box   136 Folder   5	Academy Awards: draft article and notes of interviews with participants at 1990 AMPAS award ceremony
Box   136 Folder   6	Ingrid Bergman: My Story: photocopy of proof copy of the book, with Bergman's corrections
	Ray Bradbury
Box   136 Folder   7	Correspondence, prospectuses, and research notes for a proposed biography of Ray Bradbury, 1997
Box   137 Folder   1	Photocopy of extracts from The Ray Bradbury Companion, edited by William F. Nolan (Detroit, Michigan: Gale Research, 1975)
Box   137 Folder   2	Columbo (Television series, 1972-2003): photocopies of articles; clippings of articles about and interviews with Peter Falk
Box   137 Folder   3	Brian De Palma: photocopied pages from Laurent Bouzereau, The DePalma Cut (New York: Dembner Books, 1988)
	Philip Dunne
Box   137 Folder   4	Interview notes, correspondence, and articles by Dunne, 1992 February-March
Box   137 Folder   5	Writers Guild of America Lifetime Achievement Award, 1992 May
Box   137 Folder   6	Obituary by Joseph McBride, Daily Variety, 1992 June 4
Box   137 Folder   7	Ronnie Gilbert: correspondence with Richard Parks about a possible autobiography by Gilbert
Box   137 Folder   8	Dennis Hopper: interview with Hopper by Lawrence Linderman in Gallery (December, 1972): photocopy
	George Stevens
Box   137 Folder   9	Research materials for proposed biography
Box   137 Folder   10	Applications for research funding
	Audio Recordings Access Restrictions: The audio tapes in M2011-037 may not be listened to without the written permission of Joseph McBride.
	Sony microcassette
No.   1	Gary Graver #1: interview, 2003 April 6
No.   2	Gloria Stuart: interview Note: Originally in envelope labeled “Holly Hunter interview on Crash (1996)”
No.   3	Crash/Holly Hunter 1
No.   4	Holly Hunter 2/Hunter 3 Note: Originally in envelope labeled “Tape-interview with Dr. Thomas Fogarty”
No.   5	“Dr. Fogarty” Note: Originally in envelope labeled “Publicity Ford book radio interviews/7/19, 10-11, McBride interview, 7/30 F13.”
No.   6	WB2 Boston: Joshua Rich, 1999 April 20
	Audio cassette Note: Originally in envelope labeled “Publicity Ford book radio interviews/7/19, 10-11, McBride interview, 7/30 F13.”
No.   7	“7/19 10-11”
No.   8	The Connection, John Ford, 2001 December 7
No.   9	Admiral John D. Bulkeley, 1987 December 22
Item   10	Gary Graver, 2003 April 6
	“Screen Directors Playhouse” (published cassette, Radio Spirits, 1996)
No.   11	It's a Wonderful Life with James Stewart
No.   11 (continued)	Trouble with Women with Ray Milland
	Electronic Records Note: Titles as they appear on item.
	CD-ROM/DVD
Item   1	Steven Spielberg's Director's Chair, The Game: 3-DVD set, Dreamworks, 1996
	3 1/2-inch floppy diskettes
	PC format
	Steven Spielberg
Item   2	“Spielberg, Arizona Republic, 1989 (part), 1988”: extracts from text-format newspaper files on Spielberg
Item   3	“Spielberg, Arizona Republic, 1991 (part), 1990, 1989 (part)”: extracts from text-format newspaper files on Spielberg
Item   4	“Spielberg, Arizona Republic, 1993, 1992, 1991 (part)”: extracts from text-format newspaper files on Spielberg
	Macintosh format
	John Ford
Item   5	“Ford source notes”
Item   6	“Ford Biog MS as of 12-25-98”
Item   7	“Ford book, Ch 7 (rough version as of 2-5-99), p. 228-282”
	Orson Welles
Item   8	“OW 1-2-93”
Item   9	“Orson Welles MS Word 4 (MAC)”
Item   10	“OW Rev MS Disks (2), 7-1-95”
Item   11	“OW Rev MS Disks (2), 7-1-95 (JM copy)”
Item   12	“OW backup 10-13-95, complete bk, final revised”
Item   13	“Welles book backup 1”
Item   14	“Welles book backup 2”
	Articles
Item   15	“Joseph McBride review of Buster Keaton: Cut to the Chase by Marion Meade” (New York Times Book Review, 1995)
Item   16	“Starwave reviews, 10-29-96”
Item   17-20	[Unlabeled] Note: Presumably Mac format.