Summary Information
Norman Katkov Papers
1930-1968
U.S. Mss 130AN
14.0 c.f. (34 archives boxes, 1 volume)
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research Contact Information
Wisconsin Historical Society (Map)
Papers of Norman Katkov, a journalist and writer of short stories, novels, screenplays, and teleplays. Included are scripts primarily relating to his television work, non-theatrical writings, and correspondence. Although Katkov has written for many dramatic television series, most of these programs are represented only by scripts for single episodes. Larger files are present, however, for Ben Casey (ABC), 87th Precinct (NBC), The Loner (CBS), Maya (NBC), The Outlaws (NBC), Slattery's People (CBS), The Virginian (NBC), and Wanted: Dead or Alive (CBS). Screenplays consist almost entirely of outlines and proposals for unproduced works, the exceptions to this being multiple script drafts for It Happened to Jane (Col., 1959) and Strangers When We Meet (Col., 1960). Non-theatrical writings include a manuscript and related materials for The Fabulous Fanny (1953), Katkov's biography of Fanny Brice; multiple drafts of the novel Eric Mattson (1964); and short stories and columns for the New York World-Telegram and the North American Newspaper Alliance. There are also biographical materials and informative correspondence made up of both incoming and outgoing letters about personal and business matters.
English
http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0130an ↑ Bookmark this ↑
Biography/History
Norman Katkov, writer of short stories, novels, screenplays, and teleplays, was born July 26, 1918, in the Soviet Union, to Hyman and Milia (Radovolsky) Kateekoffsky. He has three brothers: Morris and Harold, both doctors; and Robert, an aerospace technologist. The Kateekoffsky family immigrated to St. Paul, Minnesota, when Norman was two years old. Growing up in St. Paul, Katkov attended public schools, and in 1940 graduated from the University of Minnesota with a degree in journalism. He then served in the United States Army at Fort Snelling, Minnesota, and was editor of the Fort Snelling Bulletin.
Upon discharge from the Army in 1943, Katkov worked for a time as a reporter for the St. Paul (Minnesota) Pioneer Press and later for the New York World-Telegram. A prolific short story writer, Katkov began to have his short stories published in 1944 by some of the most popular periodicals of the day, among them the Saturday Evening Post, Collier's, and Esquire. Since that time one or more of his over one-hundred published short stories has appeared in almost every major American feature magazine.
After leaving the World Telegram in 1948, Katkov continued to write short stories and began to try his hand at novels. His first success was Eagle at Eyes, the intense story of an inter-faith love affair, published in 1948. He went on to write A Little Sleep, a Little Slumber (1949), the story of a Jewish immigrant who entered the United States illegally because he wanted to raise a family in America. Katkov's next major effort was an intimate biography of the late Fanny Brice, The Fabulous Fanny, published in 1953. After unsuccessful attempts at two novels and a play, Katkov's most satisfying literary achievement and biggest seller, Eric Mattson, was published in 1964, following three and a half years of painstaking attention. The novel revolves around a dedicated young surgeon who becomes inextricably entwined in love and his efforts to advance surgery and his knowledge of it.
In the late 1950's, after moving to Los Angeles, California, from Westport, Connecticut, Katkov, in an effort to diversify his talents, went to work on several film projects, the most notable of which was It Happened to Jane, starring Doris Day and Jack Lemmon, released in 1959. He also began in the mid-1950's to work steadily as a television writer for several different series, among them Ben Casey (for one episode of which, “A Cardinal Act of Mercy,” Katkov received an Emmy nomination), Slattery's People, The 87th Precinct, Ironside, Maya, and Wanted: Dead or Alive.
Katkov has been married to the former Betty Nelson since August 20, 1951. They have two sons, Richard and William.
Scope and Content Note
The Katkov Papers, 1930-1968, are divided into six sections: Biographical; Correspondence; Short Stories; Novels, Plays, and the Brice Biography; Screenplays; and Television, the largest segment of the collection.
The BIOGRAPHICAL section of the collection includes pages of humorous dialogue between Katkov and his children and wife, and materials related to his years of service in the U.S. Army.
The CORRESPONDENCE files of the collection have been sub-divided into personal and business correspondence and are quite extensive. Each of the two sections is arranged chronologically. From the very beginning of his professional career Katkov retained a copy of nearly every piece of significant outgoing correspondence and also filed nearly all important incoming correspondence. Consequently, there are interesting items revealing the trials and tribulations in selling one's talents to magazine editors, film producers, television executives, and even one's own agent.
The third segment of Katkov's papers consists of manuscripts of his SHORT STORIES. These document the development of the writer from the very early stages of his literary career to the peak of his artistic capabilities. Several have been chosen to be included in anthologies and a few have been published more than once, e.g., “Joey's Ball” and “The Torn Invitation”; some have appeared in foreign language periodicals.
The NOVELS, PLAYS, AND BRICE BIOGRAPHY section of the collection contains extensive manuscripts and rewrites of several Katkov projects, including Eric Mattson, which is documented from its genesis in 1960 to the final 1763-page draft in 1963.
SCREENPLAYS consists almost entirely of outlines and proposals for films never produced. Katkov did, however, see It Happened to Jane (1959) through from start to finish.
TELEVISION, the most lucrative area for Katkov, was able to provide him with steady employment in many on-running series. Included in this part of the collection are scripts, rough drafts, and outlines for various programs from the middle 1950's to the late 1960's. Most numerous are scripts and related papers for episodes of Ben Casey, Slattery's People, and Wanted: Dead of Alive.
Perhaps the most revealing insights into Katkov and his perceptions of his work are to be found in the terse annotations on pages of manuscripts and correspondence, made by Katkov while the collection was being prepared for shipment. Obviously dissatisfied with television and short story writing, though more than competent at both, Katkov was nevertheless not in a financial position to solely pursue his first love, the writing of novels.
Administrative/Restriction Information
Presented by Norman Katkov, Los Angeles, California, May 20, 1969. Accession Number: MCHC69-39
Processed by Steve Masar and G. Siordia, July 6, 1976.
Contents List
|
Series: Biographical
|
|
|
Box
1
Folder
1
|
Miscellaneous Personal Materials, undated
|
|
|
Box
1
Folder
2
|
Army Materials, Fort Snelling, 1943
|
|
|
Series: Correspondence
|
|
|
Personal
|
|
|
Box
1
Folder
3-7
|
1934, Aug. 22 - 1963, June 25
|
|
|
Box
2
Folder
1-2
|
1963, July 10 - 1968, Dec. 31, undated
|
|
|
Business
|
|
|
Box
2
Folder
3-6
|
1943, April 19 - 1959
|
|
|
Box
3
Folder
1-5
|
1960, Jan. 26- 1964
|
|
|
Box
4
Folder
1-4
|
1965, Jan. 2 - 1968, undated
|
|
|
Series: Short Stories
|
|
|
Box
4
Folder
5
|
1930, Dec. 17 - 1944, Aug. 18
|
|
|
Box
5
Folder
1-5
|
1944, Nov. - 1947
|
|
|
Box
6
Folder
1-6
|
1947 - 1950, Aug.
|
|
|
Box
7
Folder
1-6
|
1950, Aug. - 1954, July
|
|
|
Box
8
Folder
1-5
|
1954, July - 1956
|
|
|
Box
9
Folder
1-6
|
1957, June - 1966, Feb., undated
|
|
|
Box
10
Folder
1-6
|
Undated
|
|
|
Box
11
Folder
1
|
Undated - untitled
|
|
|
Box
34
|
Printed Magazine Articles and Short Stories, 1944, Aug. 19 - 1967 May
|
|
|
Volume
1
|
Typography Notebook, University of Minnesota, 1938
|
|
|
Series: Novels, Plays, and Brice Biography
|
|
|
Box
11
Folder
2
|
A Calculated Risk, outline for play, April 1958
|
|
|
Box
11
Folder
3
|
Eagle at My Eyes, first draft of novel, 1947-1948
|
|
|
Eric Mattson, 1961-1963
|
|
|
Box
11
Folder
4
|
Research, Climax of story
|
|
|
Box
11
Folder
5-7
|
Memorandum, Correspondence, 1961-1964
|
|
|
Box
12
Folder
1-6
|
Early drafts, Assorted pages and notes
|
|
|
Box
13
Folder
1-5
|
Early drafts, Assorted pages and notes, continued
|
|
|
Box
13
Folder
6
|
Edited copy for final draft - pp. 1-1763
|
|
|
Box
14
Folder
1-5
|
Edited copy for final draft - pp. 1-1763, continued
|
|
|
Box
14
Folder
6
|
Final draft
|
|
|
Box
15
Folder
1-4
|
Final draft, continued
|
|
|
Box
15
Folder
5-6
|
The Fabulous Fanny, correspondence, research, draft, reviews, 1953
|
|
|
The Hot Spot, 1950
|
|
|
Box
16
Folder
1-2
|
Final draft - pp. 1-259
|
|
|
Box
16
Folder
2
|
Draft for magazine serialization
|
|
|
Box
16
Folder
2
|
The Last Hero, draft, Dec. 1944 - March 1945
|
|
|
A Little Sleep, A Little Slumber, 1948
|
|
|
Box
16
Folder
3
|
First draft, summer 1948
|
|
|
Box
16
Folder
4
|
Three synopses, reviews, 1948-1949
|
|
|
Box
16
Folder
1-5
|
Man of the House, first chapter (three drafts), correspondence, assorted rewrites, 1965 (unpublished)
|
|
|
Box
16
Folder
6
|
Monkey Across My Back, transcripts of interviews, draft, Feb. 1955 (unpublished)
|
|
|
Proof Through the Night, 1964 (unpublished)
|
|
|
Box
17
Folder
1
|
Genesis, character sketches, assorted typescripts
|
|
|
Box
17
Folder
2-3
|
Extended outline
|
|
|
Box
17
Folder
4
|
Outline, final typescript
|
|
|
Box
17
Folder
5
|
Original typescript (early draft)
|
|
|
Box
17
Folder
6
|
Typescript - carbon (early draft)
|
|
|
Box
18
Folder
1
|
Typescript - carbon (early draft)
|
|
|
Box
18
Folder
2-4
|
Assorted rewrites
|
|
|
Box
18
Folder
5
|
Assorted rewrites, correspondence, final copy of pp. 1-120
|
|
|
Box
18
Folder
6
|
Senior Citizens, notes for play, April 1965
|
|
|
Columns
|
|
|
Box
18
Folder
6
|
N.Y. World Telegram, March 1948 - April 1953
|
|
|
Box
18
Folder
6
|
North American Newspaper Alliance (NANA), Sept. 1957
|
|
|
Box
18
Folder
6
|
About Europe, Nov. 1964
|
|
|
Box
19
Folder
1
|
N.Y. World Telegram, original typescript
|
|
|
Series: Screenplays
|
|
|
Box
19
Folder
2
|
Against All Enemies, original screenplay, 1956
|
|
|
Box
19
Folder
2
|
Cape Fear, rewrites, April 1961
|
|
|
Box
19
Folder
2
|
The Great Sebastians, outline, Dec. 1957
|
|
|
The Image Makers, 1959
|
|
|
Box
19
Folder
3
|
Research, notes, outline
|
|
|
Box
19
Folder
4
|
First draft, Feb. 1959
|
|
|
Box
19
Folder
5
|
Second draft, Oct. 1959, memorandum
|
|
|
It Happened to Jane (Wreck of the Old Ninety-seven)
|
|
|
Box
19
Folder
5
|
Correspondence, Oct. 1957 - April 1958, revisions, , Jan. - March 1958
|
|
|
Box
19
Folder
6
|
Revisions, March - June 1958
|
|
|
Box
20
Folder
1
|
First draft, Nov. 1957
|
|
|
Box
20
Folder
2
|
First draft revised, Jan. 1958
|
|
|
Box
20
Folder
3
|
Second draft, Feb. 1958
|
|
|
Box
20
Folder
4
|
Final draft, April 1958
|
|
|
Box
20
Folder
4-5
|
King Fisher's Road, memoranda, notes, Aug. 1967 (unproduced)
|
|
|
Box
20
Folder
5
|
The Narrows, correspondence, outlines, rewrites, first draft, July 1958 - Mar. 1959 (unproduced)
|
|
|
Box
20
Folder
5
|
Papago Wells, final draft, revisions, Nov. 1957 (unproduced)
|
|
|
Proxy, Jan. - May 1968 (unproduced)
|
|
|
Box
20
Folder
6
|
Rough draft, pp. 1-50
|
|
|
Box
21
Folder
1
|
Rough draft, pp. 50-164A
|
|
|
Box
21
Folder
1
|
Final draft, May 1968, pp. 1-50
|
|
|
Box
21
Folder
2
|
Final draft, pp. 51-156
|
|
|
Roar Like a Dove, April 1958)
|
|
|
Box
21
Folder
2
|
Critique, Story line, first draft
|
|
|
Box
21
Folder
3
|
Memorandum, first draft-revised, Sept. 1958
|
|
|
Strangers When We Meet, April 1959
|
|
|
Box
21
Folder
3
|
First draft, pp. 1-75
|
|
|
Box
21
Folder
4
|
First draft, pp. 76-129
|
|
|
Box
21
Folder
4
|
First draft-revised, June 1959
|
|
|
Box
21
Folder
5
|
Second draft, July 1959
|
|
|
Violent Summer, Aug. 1966 (unproduced)
|
|
|
Box
21
Folder
5
|
Outlines, draft, pp. 1-100A
|
|
|
Box
21
Folder
6
|
Draft, pp. 100-163; Draft-revised, Oct. 1966
|
|
|
Series: Television
|
|
|
Ben Casey
|
|
|
Box
22
Folder
1
|
“The Big Trouble with Charlie,” script, Dec. 1961
|
|
|
Box
22
Folder
1
|
“A Piece of Cake,” script, Feb. 1962
|
|
|
Box
22
Folder
2
|
“A Cardinal Act of Mercy,” two scripts, Oct. 1962
|
|
|
Box
22
Folder
3
|
“A Short Biographical Sketch of James Tuttle Peabody, M.D.,” script, Nov. 1962
|
|
|
Box
22
Folder
3
|
“Retreat from Glory,” two drafts, outline, Feb. 1963
|
|
|
Box
22
Folder
3
|
“Father was an Intern,” script, Feb. 1963
|
|
|
Box
22
Folder
4
|
“Shadow of a Pale Bird,” outline, two drafts, Feb. 1963
|
|
|
Box
22
Folder
4
|
“With the Rich and Mighty, Always a Little Patience,” script, May 1963
|
|
|
Box
22
Folder
5
|
“One Nation Indivisible,” two drafts, Nov. 1963
|
|
|
“Sleeping Beauty '64,” April 1964
|
|
|
Box
22
Folder
5
|
Draft
|
|
|
Box
22
Folder
6
|
Revisions
|
|
|
Box
23
Folder
1
|
“You Fish or Cut Bait,” April 1964, outline, script
|
|
|
“A Short Five Year Plan,” May 1964
|
|
|
Box
23
Folder
1
|
Draft
|
|
|
Box
23
Folder
2
|
Final draft, June 1964
|
|
|
Box
23
Folder
2
|
“But Who Shall Beat the Drums?” script, June 1964
|
|
|
“Autumn Without Red Leaves,” June 1964
|
|
|
Box
23
Folder
2
|
Script
|
|
|
Box
23
Folder
3
|
Revisions
|
|
|
Box
23
Folder
3
|
“Then I, and You, and All of Us Fell Down,” two scripts, June 1965
|
|
|
Bob Cummings Show
|
|
|
Box
23
Folder
4
|
Story proposal, circa 1960
|
|
|
Bonanza
|
|
|
Box
23
Folder
4
|
“Formal Ball,” outline, memo, 1961
|
|
|
Box
23
Folder
4
|
“Till Death Do You Part,” outline, script, 1963
|
|
|
Box
23
Folder
4
|
“A Beginning,” outline, 1966
|
|
|
Box
23
Folder
4
|
Cain's Hundred, “Five for One: James Condon,” script, July 1961
|
|
|
Box
23
Folder
5
|
Carlson's Raiders, story and teleplay, July 1957
|
|
|
Box
23
Folder
5-6
|
Checkmate, “One Night Stand,” three drafts, outline, 1962
|
|
|
Box
23
Folder
6
|
Cindy's Congressman, outlines, pilot script, May 1967
|
|
|
Box
23
Folder
6
|
City Room, format, undated
|
|
|
Box
23
Folder
6
|
The Corrupters, “Black Market Babies,” circa 1964
|
|
|
Cowboy in Africa
|
|
|
Box
24
Folder
1
|
“Last Chance”“Kifaru! Kifaru!” “Uncle Willie”" outlines, script, revision, April 1967
|
|
|
Box
24
Folder
2
|
“First to Capture,” script, June 1967
|
|
|
Box
24
Folder
2
|
“Lake Sinclair,” script, Aug. 1967
|
|
|
Box
24
Folder
2
|
The Crusader, “A License to Live,” outline, Aug. 1955
|
|
|
Box
24
Folder
2
|
Cutter's Trail, “Land of the Free,” outline, notes, 1968
|
|
|
Box
24
Folder
2
|
Daniel Boone, “One Mouth Too Many,” outline, 1965
|
|
|
Box
24
Folder
2
|
Dean of Men, premise for series, 1965
|
|
|
Box
24
Folder
2
|
Death Valley Days, “Concerning Truth,” outline for story, 1962
|
|
|
Dr. Kildare
|
|
|
“Hit and Run”
|
|
|
Box
24
Folder
2
|
Outlines, April 1961
|
|
|
Box
24
Folder
3
|
Script, July 1961
|
|
|
Box
24
Folder
3
|
“Man Missing,” outline, 1961
|
|
|
Box
24
Folder
3
|
Dr. Mac Thompson (pilot for Breaking Point), outlines, drafts, 1962
|
|
|
Box
24
Folder
4
|
“The Shield,” draft, 1962
|
|
|
Box
24
Folder
4
|
Don't Feed the Animals, outline, 1963
|
|
|
Box
24
Folder
4
|
Don't Tell the Boy, shoreline, June 1961
|
|
|
The Doris Day Show
|
|
|
Box
24
Folder
4-5
|
“The Tiger,” outline, draft, script, 1968
|
|
|
Box
24
Folder
5
|
“Here, Pussycat,” outline, 1968
|
|
|
The 87th Precinct
|
|
|
Box
24
Folder
5
|
“Killer's Payoff,” script, May 1961
|
|
|
Box
24
Folder
5
|
“Couple Missing,” outline, 1961
|
|
|
Box
24
Folder
5-6
|
“The Stool,” two drafts, script, 1961
|
|
|
Box
24
Folder
6
|
“Step Forward,” draft, circa 1961
|
|
|
Box
24
Folder
6
|
The Felony Squad, “The Pro and the Con,” final draft, July 1966
|
|
|
Box
24
Folder
6
|
The Freebooters, “Whither Thou Goes,” outline, 1967
|
|
|
From Here to Eternity, development, 1965
|
|
|
Box
24
Folder
6
|
Prologue
|
|
|
Box
25
Folder
1
|
Outlines, scripts
|
|
|
Box
25
Folder
2-3
|
Rewrites, notes
|
|
|
Box
25
Folder
3-4
|
Pilot script
|
|
|
Box
25
Folder
4-5
|
Front Row Center, “Morals Squad,” script, June 1956
|
|
|
Box
25
Folder
5
|
The Fugitive, storyline, 1964; “Seeing Eye” story outline, , undated
|
|
|
The Furies
|
|
|
Box
25
Folder
5
|
Outline, 1963
|
|
|
Box
25
Folder
5
|
“Family Reunion,” script, 1963
|
|
|
Box
25
Folder
6
|
Outline, draft, script, correspondence, 1963
|
|
|
Box
26
Folder
1
|
The Gunslinger, “A Matter of Honor,” outline, 1960
|
|
|
Box
26
Folder
1
|
Harrigan and Son, outline, “Miss Claridge Finds Romance,” draft, script, 1960
|
|
|
Hawaii Five-0
|
|
|
Box
26
Folder
1
|
Writer's guide, 1967
|
|
|
Box
26
Folder
1
|
“Death Sentence,” outline, 1967
|
|
|
Box
26
Folder
1
|
The Honor System, scripts, Jan. 1958
|
|
|
Box
26
Folder
2
|
The House of Seven, “A Matter of Millions,” outline, draft, script, July 1961
|
|
|
The House on the Hill
|
|
|
Box
26
Folder
3
|
Two outlines, Aug. 1968
|
|
|
Box
26
Folder
3-5
|
“America's Favorite,” two drafts, outline, Aug. 1968
|
|
|
Box
26
Folder
5
|
“The Clinic,” outlines, 1968
|
|
|
Box
26
Folder
6
|
Howie's Boy, outline, 1962
|
|
|
I Dream of Jeannie
|
|
|
Box
26
Folder
6
|
“A New Broom,” outline, 1966
|
|
|
Box
26
Folder
6
|
Two untitled scripts, 1966
|
|
|
Box
26
Folder
6
|
The Investigators, “With Good Intentions” (“Payment on Account”) outline, notes, 1966
|
|
|
Iron Horse
|
|
|
Box
27
Folder
1
|
“Amnesty,” script, undated
|
|
|
“Leopards Try, But Leopards Can't”
|
|
|
Box
27
Folder
1
|
Outline, two scripts, May, 1967
|
|
|
Box
27
Folder
2
|
Two scripts, May 1967
|
|
|
Ironside
|
|
|
Box
27
Folder
2
|
“The Lonely Hostage,” script, Dec. 1967
|
|
|
Box
27
Folder
3
|
“Perfect Crime” (“Dropout”), script, Feb. 1968
|
|
|
“Side Pocket”
|
|
|
Box
27
Folder
3
|
Two scripts, June 1968
|
|
|
Box
27
Folder
4
|
Revisions, Oct. 1968
|
|
|
Box
27
Folder
4
|
I Spy, outline, notes, 1966
|
|
|
Box
27
Folder
5
|
Jackeroo, outline, notes, pilot script, 1966-1967
|
|
|
The Jean Arthur Show
|
|
|
Box
27
Folder
6
|
“The Shaggy Boy Story,” outlines, scripts, notes, May 1966
|
|
|
Box
28
Folder
1
|
“And All the Barges at Sea,” outlines, scripts, 1966
|
|
|
Joey
|
|
|
Box
28
Folder
1
|
Outline, May 1964; correspondence, Feb.-March, 1965
|
|
|
Box
28
Folder
2
|
Pilot script, 1965
|
|
|
Box
28
Folder
2
|
Kraft Theatre, “Black Market Babies,” script, 1953
|
|
|
Box
28
Folder
3
|
Land's End, ”Man of Vengeance,“ three scripts, 1966-1968
|
|
|
Box
28
Folder
3
|
Let's Do It, outline, 1962
|
|
|
Box
28
Folder
3
|
Let Them Eat Grass, outline, undated
|
|
|
The Loner
|
|
|
“Like Father, Like Son”
|
|
|
Box
28
Folder
3
|
Outline, first draft, May 1965
|
|
|
Box
28
Folder
4
|
Second draft
|
|
|
Box
28
Folder
4
|
“The Ordeal of Bud Windom,” final draft, Aug. 1965
|
|
|
Box
28
Folder
4
|
“The Burden of the Badge,” rough draft, final draft, 1965
|
|
|
Box
28
Folder
5
|
Love Song, pilot script, 1962
|
|
|
A Man Called Shenandoah
|
|
|
Box
28
Folder
5
|
Outline, 1961
|
|
|
Box
28
Folder
5
|
“Bury Me Splendid,” script, April 1965
|
|
|
Box
28
Folder
5
|
“The Feud,” script, April 1965
|
|
|
Box
28
Folder
6
|
“Doomsday” (“The Ordeal”), three scripts, June 1965
|
|
|
Man of Letters
|
|
|
Box
28
Folder
6
|
“The General,” scripts, undated
|
|
|
The Man Who Never Was
|
|
|
Box
28
Folder
6
|
Outline, notes, 1965
|
|
|
Box
28
Folder
6
|
“Samara Revisited,” 1965
|
|
|
Matinee Theatre
|
|
|
Box
29
Folder
1
|
“A Small Matter of Decency,” script, July 1954
|
|
|
Maya
|
|
|
Box
29
Folder
1
|
“The Legend of Whitney Markham,” outline, two scripts, Sept. 1966
|
|
|
Box
29
Folder
2
|
“The Witness,” three scripts, Oct. 1966
|
|
|
Box
29
Folder
3
|
“Play Dead,” script, draft, Nov. 1966
|
|
|
“The Newest Citizen”
|
|
|
Box
29
Folder
3
|
Outlines, rewrites, Nov. 1966
|
|
|
Box
29
Folder
4
|
Script, draft, Nov. 1966
|
|
|
Box
29
Folder
4
|
“Khandur Uprising,” script, June 1967
|
|
|
Box
29
Folder
5
|
The Mayor's Man, two drafts, 1962-1963
|
|
|
Box
29
Folder
6
|
Men Against Evil, draft, notes, June 1966
|
|
|
Box
29
Folder
6
|
Michael Shayne - Second Best, outline, undated
|
|
|
Box
29
Folder
6
|
Miss Smith Goes to Washington, outline, Jan. 1959
|
|
|
Box
29
Folder
6
|
Mod Squad, “Go Find Your Father,” outline, two drafts, script, notes, May 1968
|
|
|
Box
30
Folder
1
|
A Mother Too Many, script, 1952
|
|
|
Box
30
Folder
1
|
Name of the Game, “Six for Five,” outline, Jan. 1968
|
|
|
Box
30
Folder
1
|
The Night They Won the Oscar, teleplay, Feb. 1957
|
|
|
Box
30
Folder
1
|
Nightside, outline, undated
|
|
|
No Place Like Home, script, Oct. 1961
|
|
|
Box
30
Folder
1
|
Acts I, II
|
|
|
Box
30
Folder
2
|
Acts III, IV
|
|
|
Our Man Higgins
|
|
|
Box
30
Folder
2
|
“The Education of Harry Barker,” draft, script, March 1962
|
|
|
Box
30
Folder
3
|
“Alien Corn,” outline, draft, April 1962
|
|
|
The Outcasts, Dec. 1968
|
|
|
“A Time of Darkness”
|
|
|
Box
30
Folder
3
|
Synopsis, draft
|
|
|
Box
30
Folder
4
|
Draft, script
|
|
|
The Outlaws
|
|
|
“Blind Spot,” first draft, Dec. 1960
|
|
|
Box
30
Folder
4
|
Acts I, II
|
|
|
Box
30
Folder
5
|
Acts III, IV
|
|
|
Box
30
Folder
5
|
Final draft, Jan. 1961
|
|
|
Box
30
Folder
5
|
“Comeback,” storyline, 1961
|
|
|
Box
30
Folder
5
|
“Full Circle,” storyline, 1961
|
|
|
Box
30
Folder
5
|
“Homecoming,” storyline, 1961
|
|
|
Box
30
Folder
5
|
“A Lesson in Living,” storyline, 1961
|
|
|
Box
30
Folder
5
|
“A Problem in Parenthood,” storyline, 1961
|
|
|
Box
30
Folder
5
|
“Twenty-Four Hours,” storyline, 1961
|
|
|
Box
30
Folder
6
|
Peter Novak's America, “Citizen Papers,” four drafts, 1961
|
|
|
Box
30
Folder
6
|
Rat Patrol, outline, 1967
|
|
|
Rawhide
|
|
|
Box
30
Folder
6
|
“Incident... ,” outline, undated
|
|
|
“Incident of Paradise Gap,” draft, undated
|
|
|
Box
30
Folder
6
|
pp. 1-35
|
|
|
Box
31
Folder
1
|
pp. 36-70
|
|
|
Box
31
Folder
1
|
The Road West, “Liberty and Justice For All,” outline, two drafts, 1965
|
|
|
Box
31
Folder
1
|
The Rogues, “One Way Ticket,” synopsis, July 1964
|
|
|
Box
31
Folder
1
|
The Rounders, script, notes, revisions, Mar. 1966
|
|
|
Box
31
Folder
2
|
Run For Your Life, “Blood of My Brother,” outline, 1966
|
|
|
Box
31
Folder
2
|
The Shirley Temple Show, “The Peg-leg Pirate of Sulu,” final script, Feb. 1961
|
|
|
Slattery's People
|
|
|
Box
31
Folder
2
|
“By a Landslide,” outline, Feb. 1964
|
|
|
“Question: Is Laura the Name of the Game?” , Feb. 1964
|
|
|
Box
31
Folder
2
|
Outline, rough draft -- Acts I, II
|
|
|
Box
31
Folder
3
|
Rough draft -- Acts III, IV; revisions, two scripts, June 1964
|
|
|
Box
31
Folder
4
|
Revisions, script, July 1964
|
|
|
Box
31
Folder
4
|
“The Silent Treatment,” draft, memorandum, March 1964
|
|
|
Box
31
Folder
5
|
“The Candidate,” outline, Aug, 1964
|
|
|
“Question: Which One Has the Privilege?”
|
|
|
Box
31
Folder
5
|
Two drafts, Sept. 1964
|
|
|
Box
31
Folder
6
|
Final draft, Oct. 1964
|
|
|
Box
31
Folder
6
|
Outline, Sept. 1964
|
|
|
Box
31
Folder
6
|
“Question: Where Do You Draw the Blue Line?,” draft, 1964
|
|
|
Box
32
Folder
1
|
“Who Was the Lady?,” two scripts, June 1965
|
|
|
Star Trek
|
|
|
Box
32
Folder
1
|
Writer-director information, March 1966
|
|
|
Box
32
Folder
2
|
Outlines, correspondence, March 1966
|
|
|
Steve Canyon
|
|
|
Box
32
Folder
2
|
“The Thunderbirds,” two drafts, script, May 1958
|
|
|
Studio One
|
|
|
“Portrait of a Citizen” (“Election Night”), May 1956
|
|
|
Box
32
Folder
2
|
Outline, correspondence
|
|
|
Box
32
Folder
3
|
Revision
|
|
|
Box
32
Folder
3
|
“Emergency Call,” Jan. 1967, outline
|
|
|
Box
32
Folder
3
|
“A Suggestion for Audrey Meadows,” outline, June 1959
|
|
|
Box
32
Folder
3
|
Tarzan, story ideas, correspondence, Feb. 1967
|
|
|
Box
32
Folder
3
|
Tolliver's Travels, outline, July 1966
|
|
|
The Untouchables
|
|
|
Box
32
Folder
3
|
“Needle in a Haystack,” outline, 1962
|
|
|
Box
32
Folder
4
|
“Homecoming” (“Snowball”), two scripts, July 1962
|
|
|
V.T.O., undated
|
|
|
Box
32
Folder
4
|
Outline, draft, Act I
|
|
|
Box
32
Folder
5
|
Acts II, III
|
|
|
The Virginian
|
|
|
“Run Quiet”
|
|
|
Box
32
Folder
5
|
Outline, draft, 1962
|
|
|
Box
32
Folder
6
|
Third draft, Aug. 1963
|
|
|
Box
33
Folder
1
|
“The Masquerade,” revised draft, July 1967
|
|
|
Box
33
Folder
1
|
“Big Tiny,” revised draft, Sept. 1968
|
|
|
Box
33
Folder
1
|
“Amnesty for an Outlaw,” draft, undated
|
|
|
Wanted: Dead or Alive
|
|
|
Box
33
Folder
2
|
“The Trap,” outline, script, June 1960
|
|
|
Box
33
Folder
2
|
“The Twain Shall Meet,” script, June 1960
|
|
|
Box
33
Folder
2
|
“The Looters,” script, June 1960
|
|
|
Box
33
Folder
3
|
“One Mother Too Many,” script June 1960
|
|
|
Box
33
Folder
3
|
“Medicine Man,”” script, July 1960
|
|
|
Box
33
Folder
3
|
“The Choice,” script, July 1960
|
|
|
Box
33
Folder
3
|
“Witch Woman,” script, July 1960
|
|
|
Box
33
Folder
3
|
“Three for One,” script, Aug. 1960
|
|
|
Box
33
Folder
4
|
“The Last Retreat,” script, revision, Sept. 1960
|
|
|
Box
33
Folder
4
|
“The Long Search,” script, revision, Oct. 1960
|
|
|
Box
33
Folder
5
|
“Hero in the Dust,” script, Oct. 1960
|
|
|
Box
33
Folder
5
|
“Detour,” script, Oct. 1960
|
|
|
The Wild, Wild West
|
|
|
Box
33
Folder
5
|
Five outlines, 1964
|
|
|
“The Night of the Human Trigger”
|
|
|
Box
33
Folder
5
|
Outline, second draft, 1964
|
|
|
Box
33
Folder
6
|
Final draft, Oct. 1965
|
|
|
Box
33
Folder
6
|
The Yellow Slickers, storyline, treatment, 1963
|
|
|
