Harold Clurman Notebooks, 1945-1951


Summary Information
Title: Harold Clurman Notebooks
Inclusive Dates: 1945-1951

Creator:
  • Clurman, Harold, 1901-
Call Number: U.S. Mss 124AN

Quantity: 0.4 c.f. (1 archives box)

Repository:
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research
Contact Information

Archival Locations:
Wisconsin Historical Society (Map)

Abstract:
Notebooks of Harold Clurman, a drama critic for the New Republic and The Nation, containing his impressions of art, concerts, motion pictures, and theater. Although primarily recorded in New York, notes also relate to trips to Europe in 1947 and 1951.

Language: English

URL to cite for this finding aid: http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0124an
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Biography/History

Noted director-critic Harold Clurman was born in New York City on September 18, 1901. He began his college education at Columbia University, then traveled to Europe to study. He graduated from the Sorbonne in 1923, and from 1923 to 1924 he studied with Jacques Copeau at the School of the Vieux-Colombier Theatre. Returning to America, he studied directing with Richard Boleslavsky at the American Laboratory Theatre in New York in 1927.

During the middle and late twenties he acted in several Theatre Guild productions, though by the end of the decade he and others had become dissatisfied with the Guild's operation. Together with Cheryl Crawford and Lee Strasberg he founded the Group Theatre in 1931. The Group presented some of the most exciting theater of the 1930s and introduced the playwright Clifford Odets to a large theater-going audience. For the Group Theatre Clurman directed Awake and Sing (1935), Paradise Lost (1935), Golden Boy (1937), Rocket to the Moon (1938), The Gentle People (1939), Night Music (1940), and Retreat to Pleasure (1940). In 1945 Clurman wrote the story of the Group Theatre, The Fervent Years.

In the early forties after the demise of the Group, Clurman worked as director-producer for RKO. Then he returned to New York and stage-directing. Among the productions he staged are: A Member of the Wedding (1950), The Autumn Garden (1951), Bus Stop (1955), Tiger at the Gates (1955), Orpheus Descending (1957), and A Shot in the Dark (1961).

Clurman was theater critic for The New Republic from 1949 to 1953, and from 1953 he has served as drama critic for The Nation.

Scope and Content Note

The Harold Clurman Papers consist of six notebooks, written from 1945 to 1951, of Clurman's impressions of art work, music concerts, and theatrical and motion picture productions. They were recorded primarily in New York, although in 1947 and 1951 he travelled to Paris, London, Rome, and other points in Europe.

Administrative/Restriction Information
Acquisition Information

Presented by Harold Clurman, New York, New York, December 12, 1962. Accession Number: MCHC62-83


Processing Information

Processed by Lindsay Nauen, October 1972.


Contents List
New York Season Notebooks
Box   1
Folder   1
1945-1946
Box   1
Folder   2
1946-1947
Box   1
Folder   4
1947-1948
Box   1
Folder   5
1948-1949
Box   1
Folder   6
1949-1950
European Tour Notebooks
Box   1
Folder   3
1947
Box   1
Folder   6
1951