Summary Information
Sidney Sheldon Papers
1963-1968
U.S. Mss 72AN
12.2 c.f. (31 archives boxes)
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research Contact Information
Wisconsin Historical Society (Map)
Papers of a television writer, producer, playwright, and author. The collection concerns both produced and unproduced television shows and includes pilots, final drafts, scripts, holographs, story synopses, call sheets, cast and crew lists, censor reports, correspondence, and shooting schedules. Television series represented in the collection are The Patty Duke Show, I Dream of Jeannie, and Nancy. For the unproduced television shows there are scripts, holographs, notes, and casting materials for “The Connie Stevens Show” and “The Flip Wilson Show” (not the popular version first televised in September 1970). The collection also contains drafts, holographs, and notes for a published novel, The Naked Face; an unproduced play, “King of New York;” and a produced play, Roman Candle.
English
http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0072an ↑ Bookmark this ↑
Biography/History
Sidney Sheldon was born in Chicago, Ill. on February 11, 1917, the son of Otto and Natilie Sheldon. His father was a salesman. He attended grade and high schools in Chicago and Northwestern University (1935-1936) in Evanston, Ill. Before becoming established in the theater, Sheldon served as a cadet pilot in the War Training Service, and worked at odd jobs as an usher, shoe salesman, factory worker, and barker.
In 1943, Mr. Sheldon, with Ben Roberts, wrote a theatrical adaptation of The Merry Widow, and with Dorothy and Herbert Fields and David Shaw wrote the book for Redhead (1959). He also wrote Roman Candle (1960). For the film industry, Sheldon wrote The Bachelor and the Bobby Soxer (RKO 1947); Easter Parade (MGM 1948); Annie Get Your Gun (MGM 1950); Rich, Young and Pretty (MGM 1951); Dream Wife, which he also directed (MGM 1953); Anything Goes (Paramount 1956); Never Too Young (Paramount 1956); The Buster Keaton Story, which he also directed (Paramount 1957); and Billy Rose's Jambo (MGM 1962). In the field of television, Mr. Sheldon wrote for The Patty Duke Show and I Dream of Jeannie.
Mr. Sheldon received the Academy Award for The Bachelor and the Bobby Soxer, the Writers' Guild Award for Easter Parade and Annie Get Your Gun, and the Antoinette Perry (Tony) Award for Redhead. He was an active member of the Writers' Guild Association, Directors' Guild Association, and American Society of Composers, Authors, and Publishers.
Beginning in the late 1960s, Sidney Sheldon turned from writing and producing television series and plays to writing novels. His first novel, The Naked Face, was published in 1970 by Morrow. Subsequent novels include The Other Side of Midnight (Morrow, 1974), A Stranger in the Mirror (Morrow, 1976), Bloodline (Morrow, 1977), Rage of Angels (Morrow, 1980), and Master of the Game (Morrow, 1982). The Other Side of Midnight and Bloodline were made into films and Master of the Game was a television mini-series.
Scope and Content Note
The collection consists primarily of the TELEVISION-PRODUCED and TELEVISION-UNPRODUCED series. The scripts and related production materials, such as call sheets, cast and crew lists, censor reports, correspondence, shooting schedules, test scenes, production reports, notes and holographs, are from The Patty Duke Show, I Dream of Jeannie and Nancy (initially entitled “My Father the President,” “Jack and Jill,” and “President's Daughter”). The remainder of the television materials are scripts, story synopses, holographs, and notes for unproduced pilots and television series including “The Connie Stevens Show” and “The Flip Wilson Show” (not the popular version first televised in September 1970).
Also included in the collection are the PUBLISHED NOVEL, THEATER-UNPRODUCED, and THEATER-PRODUCED series. The collection contains drafts, notes, holographs, and correspondence for The Naked Face; a published novel, for “King of New York,” an unproduced play; and for Roman Candle, a produced play.
Administrative/Restriction Information
Presented by and placed on deposit by Sidney Sheldon, New York, New York, 1965-1969. Accession Number: MCHC65-153, MCHC66-123, MCHC67-7, MCHC67-149, MCHC68-138, MCHC69-156
Processed, 1966-1967; additions processed by Cheri Brill, 1968-1969, reprocessed with additions by Debbie Anderson and Menzi Behrnd-Klodt, 1984.
Contents List
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Series: Television-Produced
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Subseries: The Patty Duke Show
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Box
1
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“The Actress,” 1963, May 20
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First Draft
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Box
1
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“How to Be Popular,” 1963, June 17
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Final Draft
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Box
1
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“The Horse Show,” 1963, June 18
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Final Draft
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Second Draft, 1963, July 30
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Box
1
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“The Genius,” 1963, June 20
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First Draft
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Box
1
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“The French Teacher,” 1963, June 21
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Final Draft
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With Revisions, 1963, July 23
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Box
1
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“The Elopement,” 1963, June 27
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With Revisions, 1963, July 15; August 7
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Box
1
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“The President,” 1963, June 28
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Script
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Revisions, 1963, August 28; September 5
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Box
1
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“The Conquering Hero”
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Second Draft, 1963, July 5
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With Revisions, 1963, July 30; July 31
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Box
1
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“The Song Writers”
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Second Draft, 1963, July 24
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With Revisions, 1963, August 6; September 26
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Box
1
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“The Babysitters”
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Second Draft, 1963, July 25 (typed)
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Box
1
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“Slumber Party”
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First Draft
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Second Draft, 1963, August 8
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Box
1
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Pilot Script
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Final Shooting Script, 1963, August 15
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Revised, 1963, August 28
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Box
1
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“The Birds and the Bees Bit,” 1963, August 21
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Script
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With Revisions, 1963, August 28; September 5
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Box
7
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“House Guest,” 1963, August 28
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Revisions, 1963, August 20, 22, 26, 28
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Box
1
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“The Double Date,” 1963, October 9
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First Draft, 1963, May 31
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Second Drate, 1963, July 2
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Script with Revisions, 1953, October 9
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Box
1
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“Auld Lang Syne,” 1963, October 11
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Final Draft
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With Revisions, 1963, October 24; December 9
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Box
1
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“The Christmas Present,” 1963, September 27
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Final Draft, 1963, September 27
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With Revisions, 1963, October 17; October 23; November 21
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Box
1
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“The Princess Cathy,” 1963, October 28
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Final Draft
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With Revisions, 1963, October 30; November 1
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List of character and countries
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Box
2
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“Horoscope,” 1963, October 31
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Final Draft
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With Revisions 1963, November 8; November 12; November 14
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Synopsis, undated
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Box
2
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“The Tycoons,” 1963, November 6
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Final Draft (typed)
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Box
2
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“Author, Author,” 1953, November 19
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Final Draft
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With Revisions, 1963, November 22
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Box
2
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“The Continental,” 1963, November 20
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Final Draft (typed)
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Revised, 1963, November 29
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Synopsis, undated
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Box
2
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“Going Steady,” 1963, December 12
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First Draft, 1963 November 9 (typed)
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First Draft, 1963, November 22 (annotated)
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Revised, 1963, December 12
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Notes to Dream Sequence
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Box
2
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“Are Mothers People,” 1963, December 16
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First Draft, 1963, December 16
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With Revisions, 1963, December 20; December 26
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Box
2
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“Let 'Em Eat Cake,” 1963, December 12
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Script (typed)
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Script
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With Revisions, 1962, December 6, 9, 12
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Box
2
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“The Con Artist,” 1963, December 23
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Final Draft
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Box
2
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“The Perfect Teen-Ager,” 1963, December 31
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Final Draft
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Box
2
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“The Wedding Anniversary,” 1964, January 20
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Revised Final Draft, 1964, January 20
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Box
2
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“Pen Pals,” 1964, January 27
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First Draft, 1964, January 27
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Box
2
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“The Friendship Bit,” 1964, February 10
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Final Draft
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Box
2
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“A Slight Case of Disaster,” 1964, February 2 [No. 128]
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Revised (annotation), 1964, February 2
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Box
2
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“Patty, the Foster Mother,” 1964, February 17
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Final Draft (annotated)
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Revisions, 1964, February 19
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Box
2
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“The Drop-Out,” 1964, February 24
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Final Draft
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With Revisions, 1964, February 27; March 4
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Box
2
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“Leave It to Patty,” 1964, March 2
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Final Draft
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Revision, 1964, March 11
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Box
3
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“The Little Dictator,” 1964, March 9
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Final Draft
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Revisions, 1964, March 13
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Synopsis, undated
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Script (typed)
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Box
3
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“Patty, the Working Girl,” 1964, March 16
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Final Draft (typed) , 1965
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Revisions, 1964, March 19
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Box
3
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“Patty, the Folk Singer,” 1964, April 23 [No. 202]
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Final Draft
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Revised, 1964, February 26
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Draft with Revisions, 1964, November 30, 20; January 21, 1965
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Box
3
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“The Perfect Hostess,” 1964, April 27 [No.201]
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Final Draft
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With Revisions, 1964, September 25; November 18
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Box
3
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“The Best Date in Town,” 1964, April 26 [No. 206]
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Final Draft
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Box
3
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“The Green-Eyed Monster,” 1964, May 1
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Final Draft, typed and annotated
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Box
3
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“Simon Says,” 1964, May 4
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Final Draft (typed, annotated)
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Revision, 1964, July 10
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Box
3
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“Patty the Master Builder,” 1964, May 8
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Final Draft (typed)
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Box
3
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“Patty, the People's Voice,” 1964, May 11
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Final Draft
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Revision, 1964, August 20
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Box
3
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“Practice Makes Perfect,” 1964, May 14
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Final Draft (typed)
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Box
3
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“Patty, the Organizer,” 1964, May 19
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Final Draft (typed), annotated
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Revision, 1964, July 3
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Box
3
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“How to Succeed in Romance,” 1964, May 25, No. 210
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Final Draft
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Box
3
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“Every Girl Should Be Married,” 1964, May 27, No. 211
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Final Draft
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Revision, 1964, November 10
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Script-3rd Copy Corrected, undated (typed)
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Box
3
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“The Greatest Psychologist in the World,” 1964, July 6, No. 213
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Final Draft (typed), annotated
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Revisions, 1964, August 20
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Box
3
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“Patty, the Pioneer,” 1964, July 14, No. 214
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Final Draft
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Revision, 1964, July 31
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Box
3
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“Take me Out to the Ball Game,” 1964, July 19, No. 216
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Final Draft
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With Revisions, 1965, March 19, 29
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Final Draft annotated
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Notes, undated
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Scene Revisions annotated, undated
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Box
4
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“Block That Statute,” 1964, July 23, No. 217
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Final Draft
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With Revisions, 1964, September 23, 28, 30
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Box
4
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“Patty and the Peace Corps,” 1964, July 31, No. 218
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Final Draft
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Box
4
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“The Boy Next Door,” 1964, August 10, No. 215
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Revisions, 1964, August 3, 10
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Draft, undated
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Box
4
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“Little Brother Is Watching You,” 1964, August 11, No. 229
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Correspondence, 1964, November 6
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Final Draft (typed), annotated
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Final Draft
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With Revisions, 1964, November 3, 9
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Changes, 1964, November 6
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Box
4
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“Hi, Society,” 1964, August 17, No. 220
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Final Draft
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With Revisions, 1964, August 26
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Box
4
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“This Little Patty Went to Market,” 1964, September 2, No. 212
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Final Draft
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Revisions, 1964, September 28
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Box
4
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“It Takes a Heap of Livin',” 1964, September 10, No. 222
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Final Draft
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With Revisions, 1964, November 18
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Final Draft annotated
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Box
4
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“Can Do Patty,” 1964, September 11, No. 221
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Final Draft
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With Revisions, 1964, October 7, 15, 19
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Second Draft, 1964, September 9
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Box
4
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“The Raffle,” 1964, September 21, No. 223
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Final Draft
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With Revisions, 1964, November 2
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Box
4
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“Patty, the Witness,” 1964, September 26, No. 224
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Final Draft
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With Revisions, 1964, October 22, 23
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Final Draft, 1965, August 20, No. 32010
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With Revisions, 1965, August 20, 26
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Box
4
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“Patty, and the Cut-Rate Casanova,” 1964, October 5, No. 225
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Final Draft annotated
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Revisions, 1965, February 1
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Correspondence, 1964, October 2
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Box
4
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“Patty the Practical Joker,” 1964, October 18, No. 226
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Final Draft typed, annotated
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Box
4
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“The Daughter Bit,” 1964, October 23, No. 217
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Final Draft typed, annotated
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Revisions, 1964, October 31; November 9
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Box
4
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“Cathy the Rebel,” 1964, November 8, No. 228
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Final Draft
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With Revisions, 1965, February 24; March 1
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Box
5
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“What's Cooking Cousin?,” 1964, November 30, No. 229
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Final Draft (typed), annotated
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Changes, 1965, March 11
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Script pages, undated
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Box
5
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“Patty Meets a Celebrity,” 1964, December 17, No. 230
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Final Draft with revisions, undated
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Box
5
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“Patty and the Newspaper Game,” 1964, December 22, No. 231
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Final Draft (typed), annotated
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Synopsis, undated
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Box
5
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“Patty Pits Wits; Two Brits Hits,” 1964, December 28
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Final Draft annotated
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Box
5
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“Will the Real Sammy Davis Please Hang Up!,” 1965, January 11, No. 234
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Final Draft annotated
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Box
5
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“Don't Monkey with Memdel,” 1965, February 9, No. 235
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Draft, 1965, February 1, 9
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Final Draft annotated
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With Revision, 1965, February 15, 19
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Box
5
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“My Cousin the Heroine,” 1965, February 20, No. 232
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Final Draft typed annotated
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Box
5
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“Patty, the Chatterbox,” 1965, March 24, No. 236
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Final Draft typed, annotated
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Scene Revision, 1965, March 31
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Notes, undated
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Scene, undated
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Box
5
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“Operation-Tonsils,” 1965, June 22, No. 32001
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Final Draft
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With Revision, 1965, June 22
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Box
5
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“A Foggy Day in Brooklyn Heights,” 1965, June 30, No. 32002
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Final Draft
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Revision (same)
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Box
5
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“Partying Is Such Sweet Sorrow,” 1965, July 7, No. 32003
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Final Draft
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With Revisions, 1955, July 12
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Box
5
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“Poppo's Birthday,” 1965, July 8, No. 32009
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First Draft
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Box
5
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“The Guest,” 1965, July 13, No. 32004
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Final Draft
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With Revisions, 1955, July 13
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Box
5
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“Our Daughter, the Artist,” 1965, July 29, No. 32005
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Final Draft
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With Revisions, 1965, August 9, 13
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Box
5
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“Patty and the Eternal Triangle,” 1965, Aug, 2, No. 32006
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Final Draft
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With Revisions, 1965, August 6, 9
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Box
5
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“Patty's Private Pygmalion,” 1965, August 13, No. 32007
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Final Draft
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With Revisions, 1965, August 9, 13
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Box
5
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“The Girl from Nephew,” 1965, August 17, No. 32008
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Final Draft
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With Revision, 1965, August 17
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Box
15
Folder
1
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“The Invisible Boy,” September 13, 1965 No. 32012
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Final Draft
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Box
15
Folder
2
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“A Very Phone-y Situation,” September 14, 1965
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First Draft
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Box
5
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“Sick in Bed,” 1965, October 7, No. 32013
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Final Draft
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With Revision, 1965, October 7
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Box
6
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“Ross, the Peacemaker,” 1965, October 14, No. 32014
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Final Draft
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With Revisions, 1965, October 14
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Box
6
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“Patty, the Candy Striper,” 1965, October 21, No. 32015
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Final Draft
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With Revisions (same) and , October 26
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Box
6
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“The Greatest Speaker in the World,” 1965, October 25
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Synopsis, 1965, September 20
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Draft, 1965, October 11
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Revisions, 1965, October 21
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First Draft, 1965, October 25
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Hand written notes, October 11 attached to noted script and revisions, , October 21
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First Draft, undated
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Typed Scene
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Notes, undated
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Box
6
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“Patty Meets the Great Outdoors,” 1965, October 29, No. 32016
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Final Draft
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Revisions (same)
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Box
15
Folder
3
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“Too Young and Foolish to Go Steady,” November 1, 1965
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First Draft
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Box
6
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“The History Paper Caper,” 1965, November 5, No. 32017
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Final Draft
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With Revisions, 1965, November 11
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Box
6
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“Ross Runs Away--But Not Far,” 1965, November 23, No. 32019
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Final Draft
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Revisions, (same)
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Box
6
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“Anywhere I Hang My Horn Is Home,” 1965, December 3, No. 32020
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Final Draft
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Box
6
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“Big Sister Is Watching,” 1965, December 6
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Synopsis, 1955, September 20
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Draft, 1965, November 19
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Draft, 1965, November 30 Revisions
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Final Draft
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Revised, 1965, December 7
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Box
15
Folder
4
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“Patty Leads a Dog's Life,” December 7, 1965
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First Draft
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Box
6
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“Patty the International Diplomat,” 1966, January 6, No. 32025
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Draft, 1965, December 10
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Draft, 1965, December 23
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First Draft, January
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Box
15
Folder
5
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“Don't Bank on It,” January 13, 1966
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First Draft
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Box
15
Folder
6
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“Do You Trust Your Daughter?,” January 18, 1966, No. 32026
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First Draft
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Box
15
Folder
7
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“A Visit From Uncle Jed,” January 20, 1966, No. 32027
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First Draft
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Box
6
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“Patty, the Psychic,” 1966, January 28
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Revised Outline
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Synopsis, 1965, September 20
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First Draft, 1965, January 11
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Revised Pages incomplete, 1965, January 20
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Complete, 1966, January 20
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First Draft, 1966, January 28
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Notes
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Box
15
Folder
8
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“The Three Little Kittens,” February 17, 1966, No. 32030
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Final Draft
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Box
15
Folder
9
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“Fiancee for a Day,” February 16, 1966, No. 32031
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First Draft
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Box
15
Folder
10
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“Do a Brother a Favor,” March 3, 1966, No. 32032
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First Draft
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Box
7
|
“Mother and Daughter,” undated
|
|
|
Script
|
|
|
Box
7
|
“Chip off the Old Block,” undated
|
|
|
Script
|
|
|
Ideas for shows
|
|
|
Box
7
|
Correspondence, 1963, August 31
|
|
|
Box
7
|
Teen-age Jargon
|
|
|
Box
7
|
Dances
|
|
|
Box
7
|
Synopses
|
|
|
Box
7
|
Revisions
|
|
|
Box
7
|
Notes
|
|
|
Subseries: I Dream of Jeannie
|
|
|
Box
7
|
Pre-Pilot, 1964, October 7
|
|
|
Correspondence
|
|
|
Lists of Actors
|
|
|
Characterizations
|
|
|
Script, annotated
|
|
|
Box
7
|
Pilot, 1964, December 8 -- No. 4065, “Lady in the Bottle”
|
|
|
First Version, 1964, August 27
|
|
|
Revised, August 1964, September 20
|
|
|
Second Draft, 1964, November 3
|
|
|
Third Draft, 1964, November 3
|
|
|
Revised Final Draft, 1964, November 25
|
|
|
Revised Final Draft, 1964, December 2 (second)
|
|
|
Second Revised Final Draft, 1964, December 8
|
|
|
Revised Pages, 1954, December 8
|
|
|
Reports
|
|
|
Dubbing Notes
|
|
|
Notes
|
|
|
Box
7
|
“A Funny Thing Happened on the Way to the Moon,” 1965, March 3, No. 4201
|
|
|
First Draft, 1955, February 26 (Xerox), original title
|
|
|
Final Draft, 1965...annotated
|
|
|
Final Draft with Revisions, 1965, March 23
|
|
|
Contracts
|
|
|
Revised Pages, 1965, March 30
|
|
|
Box
8
|
“Anybody Here Seen Jeannie,” 1965, March 5, No. 4212
|
|
|
Final Draft
|
|
|
Revised Final Draft, 1965, May 3
|
|
|
Revised Final Draft with Revisions, 1965, May 14
|
|
|
Reports (production)
|
|
|
Notes
|
|
|
Box
8
|
“Djinn and Water,” 1965, March 11, No. 4210
|
|
|
First Draft, 1965, March 1
|
|
|
Final Draft, 1965, March 8
|
|
|
Final Draft, 1965, March 11
|
|
|
Revised Final Draft, 1965, May
|
|
|
Contract
|
|
|
Reports
|
|
|
Box
8
|
“My Hero,” 1965, March 16, No. 4220
|
|
|
Final Draft, 1965, March 16, annotated
|
|
|
Final Draft, 1965
|
|
|
With Revisions, 1965, April 21
|
|
|
Script pages
|
|
|
Original pages, annotated
|
|
|
Reports
|
|
|
Notes
|
|
|
Script--“Tony the White Knight”
|
|
|
Box
8
|
“The Yacht Murder Case,” 1965, March 22, No. 4213
|
|
|
Final Draft of “Jeannie and the Jet Set,” 1965, March 10
|
|
|
Final Draft, with Revisions, 1965, April 19
|
|
|
Reports, Contracts, and Notes (scenes, annotated) and typed script
|
|
|
Box
8
|
“Whatever Became of Baby Custer,” 1965, March 22, No. 4202
|
|
|
Outline summary, 1965, March 3
|
|
|
First Draft of “Is There a Genie in the House,” 1965, March 11
|
|
|
Revised Draft, 1965, March 17, annotated
|
|
|
Final Draft, 1965, March 22
|
|
|
Revised Final Draft, 1965, April 13, with Revisions , 1965, April 19
|
|
|
Reports, Contracts, Notes undated
|
|
|
Box
8
|
“The Americanization of Jeannie,” 1965, March 23, No. 4218
|
|
|
Correspondence, 1965, February 20
|
|
|
Outline, 1965, March 3
|
|
|
First Draft, 1965, March 13
|
|
|
Final Draft with Revisions, 1965, April 15
|
|
|
Final Revised Draft, 1965, April 14; with Revisions , 1965, April 15
|
|
|
Revisions of 1965, April 12
|
|
|
Contracts
|
|
|
Reports
|
|
|
Box
9
|
“The Moving Finger,” 1955, March 24, No. 4214
|
|
|
Outline, 1965, March
|
|
|
Script, 1965, March 12, annotated
|
|
|
Draft, 1965, March 22, annotated
|
|
|
Final Draft, annotated with Revisions, 1965, April 16
|
|
|
Reports, Contracts, Notes undated
|
|
|
Box
9
|
“G.I. Jeannie,” 1965, March 25, No. 4211
|
|
|
First Draft, 1965, March 11
|
|
|
Final Draft, 1955, March 25, typed and annotated
|
|
|
Final Draft...with Revisions, 1965, March 31; April 21
|
|
|
Reports, Contracts, Notes undated
|
|
|
Box
9
|
“Jeannie and the Marriage Caper,” 1965, March 26, No. 4219
|
|
|
First Draft, “How to Stay Single Without Really Trying,” 1965, March 17
|
|
|
Revised Draft, 1965, March 25, typed, annotated
|
|
|
Final Draft, 1965, March 26, with Revisions, , March 31; April 7, 8
|
|
|
Reports, Contracts, Scene Revisions
|
|
|
Box
9
|
“Where'd You Go-Go?,” 1965, August 3, No. 4222
|
|
|
Final Draft with Revisions, 1965, October 6
|
|
|
Final Draft annotated
|
|
|
Draft, 1965, August 3 with different annotations
|
|
|
Reports, Notes, Scene Changes
|
|
|
Box
9
|
“Russian Roulette,” 1965, August 4, No. 4226
|
|
|
Draft, August 4, annotated, typed
|
|
|
Final Draft, annotated with revisions, 1965, September 30
|
|
|
Revised Final Draft, 1965, October 5
|
|
|
Reports
|
|
|
Box
10
|
“What House Across the Street?,” 1965, August 16, No. 4227
|
|
|
Old Pages, Revisions done from these pages, 1965, May 14, 15
|
|
|
Draft, 1965, August 16, notes and annotated
|
|
|
Final Draft with Revisions, 1965, October 18
|
|
|
Reports, Notes undated
|
|
|
Box
10
|
“Never Try to Outsmart a Genie,” 1965, September 22, No. 4223
|
|
|
Final Draft with Revisions, 1965, October 12, annotated
|
|
|
Reports, Notes (in script)
|
|
|
Box
10
|
“Is There an Extra Genie in the House?,” 1965, October 2
|
|
|
First Draft, 1965, September 20
|
|
|
Final Draft
|
|
|
Reports, Notes, Scenes, annotated
|
|
|
Box
10
|
“Get Me to Mecca on Time,” 1965, October 4, No. 4224
|
|
|
Final Draft, 1965, October 4 with Revisions, , 1965, November 4
|
|
|
1965, October 4, annotated scene
|
|
|
Reports, Notes with Script
|
|
|
Box
10
|
“Too Many Tonys,” 1965, October 7, No. 4229
|
|
|
Outline to “Which Tony Has the Jeannie?” 1965, July 26
|
|
|
Draft, 1965, September 27, annotated
|
|
|
Final Draft
|
|
|
Undated Outlines, Reports, annotated scripts
|
|
|
Box
10
|
“The Richest Astronaut in the Whole Wide World,” 1965, October 19, No. 4231
|
|
|
Final Draft
|
|
|
Reports
|
|
|
Script (scenes) annotated
|
|
|
Notes
|
|
|
Box
10
|
“Jeannie and the Kidnap Caper,” 1965, November 15, No. 4234
|
|
|
Draft, 1965, November 10, annotated
|
|
|
Final Draft with Revisions of 1965, November 22
|
|
|
Reports, Notes, undated
|
|
|
Box
11
|
“My Master, the Doctor,” 1965, November 22, No. 4236
|
|
|
Final Draft (annotated)
|
|
|
Reports, Scene Scripts, Notes
|
|
|
Box
11
|
“How Lucky Can You Get?,” 1965, November 26, No. 4237
|
|
|
Final Draft with Revisions, 1965, December 3
|
|
|
Reports, Notes, undated
|
|
|
Box
11
|
“Watch the Birdie,” 1965, December 3, No. 4238
|
|
|
Final Draft with Revisions, 1965, December 7
|
|
|
Pulled pages of , December 3
|
|
|
Script undated, typed, annotated
|
|
|
Reports, Notes
|
|
|
Box
11
|
“The Permanent House Guest,” 1965, December 7, No. 4239
|
|
|
Final Draft, with Revisions, 1965, December 9
|
|
|
Reports, Notes, undated
|
|
|
Box
11
|
“Bigger Than a Breadbox and Better Than a Genie,” 1965, December 14, No. 4240
|
|
|
Final Draft, with Revisions, 1966, January 3, 6 annotated
|
|
|
Reports, Notes, undated
|
|
|
Box
11
|
“The Fastest Gun in the East,” 1965, December 17, No. 4242
|
|
|
Final Draft
|
|
|
Reports, Notes and Annotated Script undated
|
|
|
Box
11
|
“My Master, the Great Rembrant,” 1965, January 3, No. 4243
|
|
|
Final Draft
|
|
|
Reports, Notes, undated
|
|
|
Box
11
|
“My Master, the Thief,” 1966, January 7, No. 4241
|
|
|
Final Draft
|
|
|
Reports
|
|
|
Scene, Notes, undated
|
|
|
Box
11
|
“This Is Murder,” 1966, January 17, No. 4244
|
|
|
Final Draft with Revisions, 1966, February 1
|
|
|
Reports, Notes
|
|
|
Box
12
|
“My Master, the Magician,” 1966, January 19, No. 4245
|
|
|
Final Draft, annotated
|
|
|
Reports
|
|
|
Notes, undated
|
|
|
Box
12
|
“I'll Never Forget What's-Her-Name,” 1966, February 4, No. 4246
|
|
|
Final Draft
|
|
|
Reports
|
|
|
Notes, undated
|
|
|
Box
12
|
“Jeannie Breaks the Bank,” 1966, February 17, No. 4248
|
|
|
Final Draft, with Revisions, 1966, February 18
|
|
|
Box
12
|
“Happy Anniversary??,” 1966, March 9, No. 4250
|
|
|
Final Draft with revisions, 1966, April 21
|
|
|
Reports, Scene Changes, annotated, notes, undated
|
|
|
Box
12
|
“My Master, the Rain-Maker,” 1966, March 15, No. 4251
|
|
|
Final Draft with Revisions, 1966, April 27 annotated
|
|
|
Revisions, 1966, May 2
|
|
|
Reports
|
|
|
Annotated Script (undated)
|
|
|
Notes, undated
|
|
|
Box
12
|
“My Master, the Pirate,” 1966, March 17, No. 4252
|
|
|
Final Draft with revisions 1966, March 23 annotated
|
|
|
Revisions, 1966, April 14, May 2
|
|
|
Reports
|
|
|
Annotated script, undated
|
|
|
Notes, undated
|
|
|
Box
12
|
“Always on Sunday,” 1966, March 23, No. 4253
|
|
|
Final Draft with Revisions, 1966, May 3
|
|
|
Reports
|
|
|
Annotated Script, undated
|
|
|
Notes, undated
|
|
|
Box
13
|
“What's New, Poodle Dog?,” 1966, March 28, No. 4254
|
|
|
Final Draft with Revisions, 1966, May 16 annotated
|
|
|
Reports, notes, undated No. 4255
|
|
|
Box
13
|
“Who Feeds a Green-Eyed Genie?,” 1966, April 22, No. 4255
|
|
|
Final Draft with Revisions, May 13, May 19 annotated
|
|
|
Reports, Notes, undated
|
|
|
Box
13
|
“My Wild-Eyed Master,” 1966, May 4, No. 4257
|
|
|
Final Draft annotated
|
|
|
Reports
|
|
|
Script annotated, undated
|
|
|
Notes, undated
|
|
|
Box
13
|
“How to Be a Genie in Ten Easy Lessons,” 1966, May 12, No. 4255
|
|
|
Final Draft Annotated
|
|
|
Reports
|
|
|
Script, undated and annotated
|
|
|
Notes
|
|
|
Box
13
|
“My Master, the Author,” 1966, May 17, No. 4258
|
|
|
Revised Final Draft, 1966, May 17 with Revisions , 1966, June 6, annotated
|
|
|
Revised Final Draft, 1966, May 17 with Revisions, , 1966, June 6, 23, annotated
|
|
|
Revisions, 1966, May 19
|
|
|
Reports
|
|
|
Notes, Script annotated, undated
|
|
|
Box
14
|
“My Master, Napoleon's Buddy,” 1966, May 25, No. 4259
|
|
|
Final Draft Annotated
|
|
|
Reports
|
|
|
Notes, undated
|
|
|
Script typed, annotated, undated
|
|
|
Box
14
|
“My Master, the Rich Tycoon,” 1966, June 3, No. 4260
|
|
|
Final Draft with Revisions, 1966, June 10 Annotated
|
|
|
Revisions, 1966, June 9
|
|
|
Reports
|
|
|
Notes, undated
|
|
|
Box
14
|
“The Girl Who Never Had a Birthday” Part I and II, 1966, June 8 and 14, No. 4261 and 4262
|
|
|
Final Draft Part I Annotated
|
|
|
Final Draft Part I with Revisions, 1966, September 2, annotated
|
|
|
Final Draft Part II with Revisions, 1966, September 2 annotated
|
|
|
Reports, Notes, undated
|
|
|
Box
14
|
“How Do You Beat Superman,” 1966, August 23, No. 4269
|
|
|
Final Draft with Revisions, 1966, September 12, 15
|
|
|
Revisions, 1966, September, 13, 16
|
|
|
Reports, Notes, undated
|
|
|
Box
16
Folder
1
|
“How Do You Beat Superman,” continued
|
|
|
Final Draft, August 23, 1966, with Revised Pages of , September 12, 16, 1966
|
|
|
Assistant Director's Daily Reports, September, 1966
|
|
|
Call Sheets, September 1966
|
|
|
Cast and Crew List, undated
|
|
|
Censor Reports, September 1966
|
|
|
Credits, September 23, 1966
|
|
|
Script, Typewritten, Annotated, undated
|
|
|
Holograph, undated
|
|
|
Box
14
|
“My Master, the Great Caruso,” 1965, September 9, No. 4270
|
|
|
Final Draft with Revisions, 1966, September 22 annotated
|
|
|
Final Draft with Revisions, 1966, September 22 annotated differently
|
|
|
Draft, 1966, September 7
|
|
|
Reports
|
|
|
Notes, undated
|
|
|
Box
16
Folder
2
|
“The Greatest Invention in the World,” No. 4271
|
|
|
Assistant Director's Daily Reports, September 1966
|
|
|
Call Sheets, September 1966
|
|
|
Cast and Crew List, undated
|
|
|
Censor Reports, September 20, 1966
|
|
|
Credits, October 7, 1966
|
|
|
Shooting Schedule, September 29, 1966
|
|
|
Script, Typewritten, Annotated, undated
|
|
|
Holograph, undated
|
|
|
Box
16
Folder
3
|
“The Greatest Lover in the World,” No. 4272
|
|
|
Final Draft, September 28, 1966
|
|
|
Assistant Director's Daily Reports, October 1966
|
|
|
Call Sheets, October 1966
|
|
|
Cast and Crew List, undated
|
|
|
Censor Reports, October 1966
|
|
|
Credits, October 14, 1966
|
|
|
Shooting Schedule, October 6, 1966
|
|
|
Holograph, undated
|
|
|
Box
16
Folder
4
|
“My Master, the Spy,” No. 4273
|
|
|
Final Draft, October 10, 1966
|
|
|
Assistant Director's Daily Reports, October 1966
|
|
|
Call Sheets, October 1966
|
|
|
Cast and Crew List, undated
|
|
|
Shooting Schedule, October 13, 1966
|
|
|
Holograph, undated
|
|
|
Box
16
Folder
5
|
“You Can't Arrest Me--I Don't Have a Driver's License,” No. 4249
|
|
|
Final Draft, Annotated, October 18, 1966
|
|
|
Assistant Director's Daily Reports, October-November 1966
|
|
|
Call Sheets, October 1966
|
|
|
Cast and Crew List, undated
|
|
|
Credits, October 26, 1966
|
|
|
Shooting Schedule, October 21, 1966
|
|
|
Script, Typewritten, Annotated, undated
|
|
|
Holograph, undated
|
|
|
Box
16
Folder
6
|
“My Poor Master, the Civilian,” No. 4274
|
|
|
Final Draft, Annotated, October 21, 1966
|
|
|
Assistant Director's Daily Reports, November 1966
|
|
|
Call Sheets, November 1966
|
|
|
Cast and Crew List, undated
|
|
|
Credits, November 16, 1966
|
|
|
Shooting Schedule, November 3, 1966
|
|
|
Script, Typewritten, Annotated, undated
|
|
|
Holograph, undated
|
|
|
Box
16
Folder
7
|
“One of Our Bottles Is Missing,” No. 4275
|
|
|
Final Draft, Annotated, October 26, 1966
|
|
|
Assistant Director's Daily Reports, October-November 1966
|
|
|
Call Sheets, October-November 1966
|
|
|
Censor Report, October 27, 1966
|
|
|
Credits, November 4, 1966
|
|
|
Shooting Schedule, October 27, 1966
|
|
|
Script, Typewritten, Annotated, undated
|
|
|
Holograph, undated
|
|
|
Box
17
Folder
1
|
“There Goes the Best Genie I Ever Had,” No. 4277
|
|
|
Final Draft, Annotated, November 7, 1966
|
|
|
Assistant Director's Daily Reports, November 1966
|
|
|
Call Sheets, November 1966
|
|
|
Cast and Crew List, undated
|
|
|
Censor Report, November 9, 1966
|
|
|
Credits, November 22, 1966
|
|
|
Shooting Schedule, November 11, 1966
|
|
|
Script, Typewritten, Annotated, undated
|
|
|
Holograph, undated
|
|
|
Box
17
Folder
2
|
“The Greatest Entertainer in the World,” No. 4278
|
|
|
Final Draft, Annotated, November 11, 1966
|
|
|
Assistant Director's Daily Reports, January 1967
|
|
|
Call Sheets, January 1967
|
|
|
Correspondence, November 14, 1966
|
|
|
Shooting Schedule, January 6, 1967
|
|
|
Script, Typewritten, Annotated, November 8, 1966
|
|
|
Script, Typewritten, Annotated, undated
|
|
|
Holograph, undated
|
|
|
Box
17
Folder
3
|
“My Incredible Shrinking Master,” No. 4276
|
|
|
Final Draft, November 25, 1966, with Revised Pages of , December 12, 1966
|
|
|
Assistant Director's Daily Report, January 18, 1967
|
|
|
Call Sheets, January 1967
|
|
|
Censor Reports, December 1966-January 1967
|
|
|
Credits, January 20, 1967
|
|
|
Shooting Schedule, January 16, 1967
|
|
|
Scripts, Typewritten, Annotated, October 1966
|
|
|
Holograph, undated
|
|
|
Box
17
Folder
4
|
“There Goes the Bride,” No. 4279
|
|
|
Final Draft, Annotated, December 7, 1966
|
|
|
Assistant Director's Daily Reports, December 1966
|
|
|
Call Sheet, December 16, 1966
|
|
|
Cast and Crew List, undated
|
|
|
Credits, December 15, 1966
|
|
|
Shooting Schedule, December 13, 1966
|
|
|
Script, Typewritten, Annotated, undated
|
|
|
Holograph, undated
|
|
|
Box
17
Folder
5
|
“A Secretary Is Not a Toy,” No. 4280
|
|
|
Final Draft, Annotated, December 16, 1966, with Revised Pages of , December 19, 22, 1966
|
|
|
Assistant Director's Daily Reports, December 1966-January 1967
|
|
|
Call Sheets, December 1966
|
|
|
Cast and Crew List, undated
|
|
|
Censor Reports, December 1966
|
|
|
Credits, December 28, 1966
|
|
|
Shooting Schedule, December 20, 1966
|
|
|
Script, Typewritten, Annotated, undated
|
|
|
Holograph, undated
|
|
|
Box
17
Folder
6
|
“The Greatest Surfer in the World,” No. 4281
|
|
|
Final Draft, January 3, 1967
|
|
|
Notes, Typewritten, December 23, 1966, undated
|
|
|
Script, Typewritten, Annotated, undated
|
|
|
Holograph, undated
|
|
|
Box
17
Folder
7
|
“My Master, the Swinging Bachelor,” No. 4282
|
|
|
Final Draft, Annotated, January 23, 1967, with Revised Pages of , January 24, 26, 1967
|
|
|
Assistant Director's Daily Reports, January 1967
|
|
|
Call Sheets, January 1967
|
|
|
Cast and Crew List, undated
|
|
|
Censor Reports, January 1967
|
|
|
Credits, January 27, 1967
|
|
|
Shooting Schedule, January 23, 1967
|
|
|
Notes, Typewritten, undated
|
|
|
Script, Typewritten, Annotated, January 23, 1967
|
|
|
Holograph, undated
|
|
|
Box
18
Folder
1
|
“The Birds and the Bees Bit,” No. 4284
|
|
|
Final Draft, Annotated, January 27, 1967, with Revised Pages of , January 30, 1967
|
|
|
Assistant Director's Daily Report, February 2, 1967
|
|
|
Call Sheets, January-February 1967
|
|
|
Censor Reports, January-February 1967
|
|
|
Credits, February 3, 1967
|
|
|
Shooting Schedule, January 31, 1967
|
|
|
Script, Typewritten, Annotated, January 24, 1967
|
|
|
Script, Typewritten, Annotated, undated
|
|
|
Holograph, undated
|
|
|
Box
18
Folder
2
|
“The Mod Party,” No. 4283
|
|
|
Final Draft, Annotated, February 1, 1967
|
|
|
Call Sheets, February 1967
|
|
|
Cast and Crew List, undated
|
|
|
Censor Report, February 6, 1967
|
|
|
Shooting Schedule, February 6, 1967
|
|
|
Script, Typewritten, Annotated, undated
|
|
|
Holograph, undated
|
|
|
Box
18
Folder
3
|
“Here Comes Bootsie Nightingale,” No. 4286
|
|
|
Final Draft, May 1, 1967, with Revised Pages of , May 5, 1967
|
|
|
Scripts, Typewritten, Annotated, undated
|
|
|
Box
18
Folder
4
|
“Fly Me to the Moon,” No. 4288
|
|
|
Final Draft, Annotated, May 8, 1967, with Revised Pages of , May 11, 1967
|
|
|
Box
18
Folder
5
|
“My Turned-On Master,” No. 4295
|
|
|
Final Draft, Annotated, May 11, 1967
|
|
|
Scripts, Typewritten, Annotated, undated
|
|
|
Box
18
Folder
6
|
“The Greatest Con Artist in the World,” No. 4297
|
|
|
Final Draft, Annotated, May 22, 1967, with Revised Pages of , May 23, 1967
|
|
|
Box
18
Folder
7
|
“Jeannie Goes to Honolulu,” No. 4281, Revised Final Draft, Annotated, May 24, 1967
|
|
|
Box
18
Folder
8
|
“Who Are You Calling a Genie?,” No. 4294
|
|
|
Final Draft, Annotated, May 25, 1967
|
|
|
Holograph, undated
|
|
|
Box
18
Folder
9
|
“Pride of the Giants,” No. 4201
|
|
|
Final Draft, May 31, 1967
|
|
|
Script, Typewritten, Annotated, May 25, 1967
|
|
|
Box
18
Folder
10
|
“The Battle of Waikiki,” No. 4299
|
|
|
Revised Final Draft, June 7, 1967
|
|
|
Second Draft, Typewritten, Annotated, undated
|
|
|
First Draft, Typewritten, Annotated, May 25, 1967
|
|
|
Box
19
Folder
1
|
“The Jeannie or the Tiger,” No. 4292
|
|
|
Final Draft, Annotated, June 9, 1967
|
|
|
Script, Typewritten, Annotated, Revised, May 21, 1967
|
|
|
Script, Typewritten, May 15, 1967
|
|
|
Story Outline, undated
|
|
|
Box
19
Folder
2
|
“My Master, the Weakling,” No. 4204
|
|
|
Final Draft, Annotated, June 26, 1967, with Revised Pages of , August 2, 1967
|
|
|
Script, Typewritten, Annotated, June 25, 1967
|
|
|
Box
19
Folder
3
|
“My Son, the Genie,” No. 4203
|
|
|
Final Draft, Annotated, June 26, 1967, with Revised Pages of , June 30, 1967
|
|
|
Script, Typewritten, Annotated, undated
|
|
|
Box
19
Folder
4
|
“Meet My Master's Mother,” No. 4200
|
|
|
Final Draft, Annotated, June 30, 1967
|
|
|
Script, Typewritten, Annotated, undated
|
|
|
Holograph, undated
|
|
|
Box
19
Folder
5
|
“Everybody's a Movie Star,” No. 4287
|
|
|
Revised Final Draft, July 20, 1967
|
|
|
Call Sheet, July 24, 1967
|
|
|
Censor Reports, July 1967
|
|
|
Contracts, July 1967
|
|
|
Correspondence, July 1967
|
|
|
Credits, July 27, 1967
|
|
|
Scripts, Typewritten, Annotated, undated
|
|
|
Holograph, undated
|
|
|
Box
19
Folder
6
|
“Jeannie the Hip, Hippie,” No. 4289
|
|
|
Revised Final Draft, Annotated, July 26, 1967
|
|
|
Final Draft, July 5,1967
|
|
|
Call Sheets, July-August 1967
|
|
|
Censor Reports, July-August 1967
|
|
|
Correspondence, July 31, 1967
|
|
|
Miscellaneous Script Pages, Typewritten, Annotated, undated
|
|
|
Holograph, undated
|
|
|
Story Outline, undated
|
|
|
Box
19
Folder
7
|
“Tony's Wife,” No. 4290
|
|
|
Revised Final Draft, Annotated, October 12, 1967, with Revised Pages of , October 18, 1967
|
|
|
Final Draft, Annotated, October 10, 1967
|
|
|
Assistant Director's Daily Reports, October 1967
|
|
|
Call Sheets, October 1967
|
|
|
Cast and Crew List, undated
|
|
|
Censor Reports, October 1967
|
|
|
Shooting Schedule, October 12, 1967
|
|
|
Scripts, Typewritten, Annotated, September-October 1967
|
|
|
Holograph, undated
|
|
|
Story Outline, September 18, 1967
|
|
|
Box
19
Folder
8
|
“Jeannie and the Great Bank Robbery,” No. 4293
|
|
|
Final Draft, Annotated, September 26, 1967, with Revised Pages of , October 19, 23, 1967
|
|
|
Script, Typewritten, Annotated, undated
|
|
|
Box
20
Folder
1
|
“Genie, Genie, Who's Got the Genie?,” Part I, No. 4206
|
|
|
Final Draft, Annotated, October 24, 1967, with Revised Pages of , November 20, 1967
|
|
|
Censor Report, October 31, 1967
|
|
|
Script, Typewritten, Annotated, October 10, 1967
|
|
|
Box
20
Folder
2
|
“Please Don't Feed the Astronauts,” No. 4210
|
|
|
Final Draft, October 25, 1967, with Revised Pages of , October 30, 1967
|
|
|
Box
20
Folder
3
|
“My Double-Crossing Master,” No. 4211
|
|
|
Revised Final Draft, Annotated, November 6, 1967
|
|
|
Final Draft, October 31, 1967
|
|
|
Call Sheets, November 1967
|
|
|
Censor Report, November 9, 1967
|
|
|
Credits, November 15, 1967
|
|
|
Shooting Schedule, November 7, 1967
|
|
|
Script, Typewritten, Annotated, October 27, 1967
|
|
|
Holograph, undated
|
|
|
Story Outline, October 16, 1967
|
|
|
Box
20
Folder
4
|
“Genie, Genie, Who's Got the Genie?,” Part II, No. 4207
|
|
|
Final Draft, November 8, 1967, with Revised Pages of , November 20, 1967
|
|
|
Script, Typewritten, Annotated, October 27, 1967
|
|
|
Box
20
Folder
5
|
“Anna Maria Alberghetti's Crazy About Me!,” No. 4213
|
|
|
Script, Typewritten, Annotated, November 25, 1967
|
|
|
Holograph, undated
|
|
|
Story Outline, November 14, 1967
|
|
|
Box
20
Folder
6
|
“Genie, Genie, Who's Got the Genie?,” Part III, No. 4208
|
|
|
Final Draft, November 29, 1967, with Revised Pages of , November 30, 1967
|
|
|
Box
20
Folder
7
|
“Genie, Genie, Who's Got the Genie?,” Part IV, No. 4209
|
|
|
Final Draft, December 6, 1967
|
|
|
Revised Script, Typewritten, Annotated, December 3, 1967
|
|
|
Box
20
Folder
8
|
“My Master, the Pigeon,” No. 4214
|
|
|
Final Draft, December 11, 1967
|
|
|
Script, Typewritten, Annotated, December 9, 1967
|
|
|
Holograph, undated
|
|
|
Story Outlines, December 9, 1967
|
|
|
Box
20
Folder
9
|
“My Master, the Ghost-Breaker,” No. 4214
|
|
|
Revised Final Draft, December 18, 1967
|
|
|
Call Sheet, February 1, 1968
|
|
|
Box
20
Folder
10
|
“Have You Ever Had a Genie Hate You?,” No. 4216
|
|
|
Final Draft, Annotated, December 28, 1967
|
|
|
Assistant Daily Director's Reports, January 1968
|
|
|
Call Sheets, January 1968
|
|
|
Censor Report, January 2, 1968
|
|
|
Credits, undated
|
|
|
Shooting Schedule, January 2, 1968
|
|
|
Script, Typewritten, Annotated, December 26, 1967
|
|
|
Holograph, undated
|
|
|
Box
20
Folder
11
|
“Operation: First Couple on the Moon,” No. 4217
|
|
|
Final Draft, Annotated, January 8, 1968, with Revised Pages of , January 11, 1968
|
|
|
Assistant Director's Daily Report, January 17, 1968
|
|
|
Call Sheets, January 1968
|
|
|
Censor Reports, January 1968
|
|
|
Shooting Schedule, January 16, 1968
|
|
|
Script, Typewritten, Annotated, January 4, 1968
|
|
|
Box
21
Folder
1
|
“Divorce, Genie Style,” No. 4218
|
|
|
Final Draft, January 8, 1968
|
|
|
Assistant Director's Daily Reports, January 1968
|
|
|
Call Sheets, January 1968
|
|
|
Censor Report, January 10, 1968
|
|
|
Shooting Schedule, January 9, 1968
|
|
|
Script, Typewritten, Annotated, January 4, 1968
|
|
|
Holograph, undated
|
|
|
Box
21
Folder
2
|
“Haven't I Seen Me Somewhere Before?,” No. 4215
|
|
|
Final Draft, Annotated, January 12, 1968
|
|
|
Call Sheets, January-February 1968
|
|
|
Censor Report, January 15, 1968
|
|
|
Shooting Schedule, January 18, 1968
|
|
|
Revised Script, Typewritten, Annotated, January 8, 1968
|
|
|
Box
21
Folder
3
|
“The Indispensable Jeannie,” No. 4231
|
|
|
Final Draft, June 24, 1968
|
|
|
Assistant Director's Daily Report, June 26, 1968
|
|
|
Call Sheets, June-July 1968
|
|
|
Cast and Crew List, undated
|
|
|
Censor Report, June 27, 1968
|
|
|
Shooting Schedule, June 25, 1968
|
|
|
Box
21
Folder
4
|
“Abdullah,” No. 4219
|
|
|
Final Draft, June 27, 1968, with Revised Pages of , July 3, 1968
|
|
|
Assistant Director's Daily Report, July 5, 1968
|
|
|
Call Sheets, July 1968
|
|
|
Censor Reports, July 1968
|
|
|
Shooting Schedule, June 28, 1968
|
|
|
Box
21
Folder
5
|
“Jeannie, the Governor's Wife,” No. 4233
|
|
|
Final Draft, September 23, 1968 with Revised Pages of , October 25, 1968
|
|
|
Call Sheets, October 1968
|
|
|
Censor Reports, October 1968
|
|
|
Credits, November 21, 1968
|
|
|
Shooting Schedule, October 22, 1968
|
|
|
Scripts, Typewritten, Annotated, September 12; 18, 1968
|
|
|
Holograph, undated
|
|
|
Story Outlines, undated
|
|
|
Box
21
Folder
6
|
“Jeannie for the Defense,” No. 4234
|
|
|
Final Draft, October 24, 1968, with Revised Pages of , October 25, 30, 1968
|
|
|
Assistant Director's Daily Report, November 4, 1968
|
|
|
Call Sheets, October-November 1968
|
|
|
Shooting Schedule, October 30, 1968
|
|
|
Box
21
Folder
7
|
“The Case of My Vanishing Master,” Part I, No. 4235
|
|
|
Final Draft, November 4, 1968, with Revised Pages of , November 6, 1968
|
|
|
Call Sheets, November 1968
|
|
|
Censor Reports, November 1968
|
|
|
Credits, December 5, 1968
|
|
|
Shooting Schedule, November 7, 1968
|
|
|
Box
21
Folder
8
|
“Invisible House for Sale,” No. 4237
|
|
|
Final Draft, November 12, 1968, with Revised Pages of , November 15, 18, 1968
|
|
|
Call Sheets, November 1968
|
|
|
Cast and Crew List, undated
|
|
|
Censor Reports, November 1968
|
|
|
Shooting Schedule, November 19, 1968
|
|
|
Box
21
Folder
9
|
“Ride 'Em Astronaut,” No. 4232
|
|
|
Final Draft, November 19, 1968, with Revised Pages of , November 25, 1968
|
|
|
Call Sheets, November 1968
|
|
|
Censor Reports, November 1968
|
|
|
Shooting Schedule, November 26, 1968
|
|
|
Box
21
Folder
10
|
“Is There a Doctor in the House?,” No. 4238
|
|
|
Revised Final Draft, December 3, 1968
|
|
|
Final Draft, November 26, 1968
|
|
|
Call Sheets, December 1968
|
|
|
Censor Reports, December 1968
|
|
|
Credits, undated
|
|
|
Shooting Schedule, December 2, 1968
|
|
|
Revised Shooting Schedule, December 4, 1968
|
|
|
Script, Typewritten, Annotated, November 23, 1968
|
|
|
Notes, undated
|
|
|
Box
22
Folder
1
|
“Jeannie and the Case of the Porcelain Puppy,” No. 4239
|
|
|
Final Draft, December 9, 1968, with Revised Pages of , December 10, 1968
|
|
|
Call Sheet, December 13, 1968
|
|
|
Censor Report, undated
|
|
|
Shooting Schedule, undated
|
|
|
Box
22
Folder
2
|
“Jeannie-Go-Round,” No. 4240
|
|
|
Final Draft, December 16, 1968, with Revised Pages of , December 17, 1968
|
|
|
Call Sheets, December 1968
|
|
|
Censor Report, December 18, 1968
|
|
|
Credits, March 7, 1969
|
|
|
Shooting Schedule, December 16, 1968
|
|
|
Box
22
Folder
3
|
“Jeannie and the Secret Weapon,” No. 4296
|
|
|
Revised Final Draft, January 3, 1969, with Revised Pages of , January 4, 1969
|
|
|
Call Sheets, January 1969
|
|
|
Censor Reports, January 1969
|
|
|
Credits, March 12, 1969
|
|
|
Script, Typewritten, Annotated, undated
|
|
|
Holograph, undated
|
|
|
Shooting Schedule, January 3, 1969
|
|
|
Box
22
Folder
4
|
“Around the Moon in Eighty Blinks,” No. 4242
|
|
|
Final Draft, January 9, 1969, with Revised Pages of , January 14, 1969
|
|
|
Call Sheets, January 1969
|
|
|
Censor Report, January 14, 1969
|
|
|
Credits, February 20, 1969
|
|
|
Shooting Schedule, January 14, 1969
|
|
|
Box
22
Folder
5
|
“Black-Mail Order Bride,” No. 4243
|
|
|
Final Draft, January 22, 1969
|
|
|
Call Sheets, January 1969
|
|
|
Credits, February 27, 1969
|
|
|
Box
22
Folder
6
|
“Nobody Loves a Fat Astronaut,” No. 4241
|
|
|
Second Revised Final Draft, January 28, 1969
|
|
|
Revised Final Draft, January 16, 1969
|
|
|
Call Sheet, January 29, 1969
|
|
|
Censor Reports, January 1969
|
|
|
Credits, February 14, 1969, undated
|
|
|
Shooting Schedule, January 29, 1969
|
|
|
Script, Typewritten, Annotated, undated
|
|
|
Box
22
Folder
7
|
“King Tony the First,” Part I, No. 4251
|
|
|
Final Draft, April 1, 1969, with Revised Pages of , April 9, 14, 29, 1969
|
|
|
Assistant Director's Daily Report, April 24, 1969
|
|
|
Call Sheets, April 1969
|
|
|
Cast and Crew List, undated
|
|
|
Censor Reports, April 1969
|
|
|
Shooting Schedule, April 9, 1969
|
|
|
Box
22
Folder
8
|
“King Tony the First,” Part II, No. 4252
|
|
|
Final Draft, April 2, 1969, with Revised Pages of , April 10, 1969
|
|
|
Assistant Director's Daily Report, April 24, 1969
|
|
|
Call Sheets, April 1969
|
|
|
Cast and Crew List, undated
|
|
|
Censor Reports, April 1969
|
|
|
Box
22
Folder
9
|
“Jeannie and the Bachelor Party,” No. 4245
|
|
|
Revised Final Draft, April 24, 1969
|
|
|
Assistant Director's Daily Report, May 1, 1969
|
|
|
Call Sheets, April-May 1969
|
|
|
Cast and Crew List, undated
|
|
|
Censor Reports, April 1969
|
|
|
Shooting Schedule, April 28, 1969
|
|
|
Box
22
Folder
10
|
“Jeannie's Beauty Cream,” No. 4248
|
|
|
Final Draft, April 25, 1969, with Revised Pages of , April 29 and May 28, 1969
|
|
|
Assistant Director's Daily Reports, May 1969
|
|
|
Call Sheets, May 1969
|
|
|
Cast and Crew List, undated
|
|
|
Box
22
Folder
11
|
“Jeannie and the Mad Home Wrecker,” No. 4247
|
|
|
Final Draft, May 6, 1969, with Revised Pages of , May 9, 1969
|
|
|
Call Sheets, May 1969
|
|
|
Cast and Crew List, undated
|
|
|
Censor Report, May 8, 1969
|
|
|
Shooting Schedule, May 12, 1969
|
|
|
Box
22
Folder
12
|
“Jeannie at the Piano,” No. 4256
|
|
|
Final Draft, May 13, 1969, with Revised Pages of , May 19, 1969
|
|
|
Call Sheets, May 1969
|
|
|
Censor Report, May 14, 1969
|
|
|
Shooting Schedule, May 16, 1969
|
|
|
Box
22
Folder
13
|
“See You in C-U-B-A!,” No. 4249
|
|
|
Final Draft, May 20, 1969, with Revised Pages of , May 23, 1969
|
|
|
Call Sheets, May 1969
|
|
|
Censor Reports, May 1969
|
|
|
Correspondence, May 13, 1969
|
|
|
Box
23
Folder
1
|
“The Blood of a Jeannie,” No. 4244
|
|
|
Final Draft, May 26, 1969, with Revised Pages of , June 2, 1969
|
|
|
Call Sheets, June 1969
|
|
|
Censor Report, May 28, 1969
|
|
|
Projection Schedule, June 2, 1969
|
|
|
Shooting Schedule, June 2, 1969
|
|
|
Box
23
Folder
2
|
“My Sister the Homewrecker,” No. 4258
|
|
|
Call Sheets, June-July 1969
|
|
|
Censor Report, June 30, 1969
|
|
|
Shooting Schedule, June 27, 1969
|
|
|
Box
23
Folder
3
|
“Djinn-Djinn, the Pied Piper,” No. 4257
|
|
|
Final Draft, Annotated, June 2, 1969
|
|
|
Call Sheets, June 1969
|
|
|
Censor Report, June 5, 1969
|
|
|
Shooting Schedule, June 5, 1969
|
|
|
Box
23
Folder
4
|
“Uncles a Go Go,” No. 4253
|
|
|
Final Draft, June 12, 1969, with Revised Pages of , June 13, 1969
|
|
|
Call Sheets, June 1969
|
|
|
Censor Report, June 16, 1969
|
|
|
Shooting Schedule, June 13, 1969
|
|
|
Box
23
Folder
5
|
“Please Don't Give My Jeannie No More Wine,” No. 4259
|
|
|
Final Draft, June 19, 1969
|
|
|
Call Sheets, June 1969
|
|
|
Shooting Schedule, June 20, 1969
|
|
|
Box
23
Folder
6
|
“The Wedding,” No. 4260
|
|
|
Final Draft, July 1, 1969, with Revised Pages of , July 7, 8, 1969
|
|
|
Call Sheets, July 1969
|
|
|
Censor Reports, July 1969
|
|
|
Box
23
Folder
7
|
“Jeannie the Matchmaker,” No. 4261
|
|
|
Final Draft, October 14, 1969
|
|
|
Box
23
Folder
8
|
“Jeannie and the Curious Kid,” No. 4254
|
|
|
Final Draft, October 16, 1969
|
|
|
Box
23
Folder
9
|
“Never Put a Genie on a Budget,” No. 4262
|
|
|
Revised Final Draft, October 28, 1969
|
|
|
Script, Typewritten, Annotated, October 19, 1969
|
|
|
Holograph, undated
|
|
|
Box
23
Folder
10
|
“The Solid Gold Jeannie,” No. 4255
|
|
|
Final Draft, October 30, 1969
|
|
|
Box
23
Folder
11
|
“My Master, the Sportsman,” No. 4263
|
|
|
Final Draft, October 31, 1969
|
|
|
Holograph, undated
|
|
|
Box
23
Folder
12
|
“An Astronaut in Sheep's Clothing,” No. 4264
|
|
|
Final Draft, November 20, 1969, with Revised Pages of , November 24, 26, 28, 1969
|
|
|
Box
23
Folder
13
|
“Mrs. Djinn-Djinn,” No. 4265
|
|
|
Final Draft, December 2, 1969, with Revised Pages of , December 5, 1969
|
|
|
Box
23
Folder
14
|
“Have You Ever Had a Honeymoon with a Genie?,” No. 4263
|
|
|
Final Draft, December 4, 1969
|
|
|
Box
23
Folder
15
|
“Jeannie, the Recording Secretary,” No. 4266
|
|
|
Final Draft, December 10, 1969, with Revised Pages of , December 11, 1969
|
|
|
Box
23
Folder
16
|
“Help, Help! A Shark,” No. 4267
|
|
|
Final Draft, December 16, 1969, with Revised Pages of , December 17, 1969
|
|
|
Script, Typewritten, Annotated, undated
|
|
|
“Oh, Them Golden Slippers”
|
|
|
Box
24
Folder
1
|
Second Draft, Typewritten, undated
|
|
|
Box
24
Folder
2
|
Revised Test Scene, Typewritten, No. 4065, November 4, 1964
|
|
|
Box
24
Folder
3
|
Prospectus, Typewritten, February 17, 1965
|
|
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Box
24
Folder
4
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Miscellaneous, 1965-1966; 1968
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Call Sheets, May-June 1965
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Contract, July 2, 1965
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Correspondence, April-June 1965
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Credits, August 5, 1966
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Pickups, undated
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Schedule of Scripts, December 27, 1968
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Sets List, undated
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Subseries: Nancy
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Box
24
Folder
1
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Pre-Pilot Story Outlines (with Various Series Titles), 1967-1969
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Box
24
Folder
2
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Pilot, No. 4069, Scripts, Typewritten, Annotated, September 6, 11, 14, 1969
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Box
24
Folder
3
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Pilot, No. 4069, Script, Typewritten, Annotated, September 15, 1969
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Box
24
Folder
4
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Pilot, No. 4069, Script, Typewritten, Annotated, September 25, 1969
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Box
24
Folder
5
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Pilot, No. 4069, Scripts, Typewritten, Annotated, December 5, 1969
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Box
24
Folder
6
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Casting Materials, 1969 and Holograph, , undated
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Series: Television-Unproduced
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“Catherine the Greatest”
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Box
24
Folder
7
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Story Outline, March 11, 1968 and Scripts, Typewritten, Annotated, , March 1968
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Box
24
Folder
8
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Scripts, Typewritten, Annotated, April 1968
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Box
24
Folder
9
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Scripts, Typewritten, Annotated, undated
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Box
24
Folder
10
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Holograph, undated
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Box
25
Folder
1
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“The Connie Stevens Show”
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Revised Script, No. 4066, Typewritten, Annotated, September 29, 1969
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Script, Typewritten, November 6, 1969
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“Elizabeth the Greatest,” Pilot, No. 4014
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Box
25
Folder
2
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Miscellaneous Scripts, Typewritten, Annotated, 1965-1966
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Box
25
Folder
3
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Script, Typewritten, Annotated, August 27, 1966 and Holograph, , undated
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|
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“The Flip Wilson Show,” Pilot, No. 4068
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Box
25
Folder
4
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Story Outline, August 25, 1969
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Box
25
Folder
4
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Notes, Typewritten, Annotated, September 2, 19, 21, 27, 1969
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Box
25
Folder
4
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Scripts, Typewritten, Annotated, September 23, 27, 28, October 4, 5, 6, 1969
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Box
25
Folder
4
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Miscellaneous Script Pages, Typewritten, Annotated, September 27, 1969
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Box
25
Folder
5
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Script, Typewritten, Annotated, October 8, 1969
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Box
25
Folder
6
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Script, Typewritten, Annotated, October 16, 1969
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Box
25
Folder
7
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Script, Typewritten, Annotated, October 17, 1969
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Box
25
Folder
8
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Script, Typewritten, October 31, 1969
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Box
25
Folder
9
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Notes, Typewritten, Annotated, November 10, 1969 and Scripts, Typewritten, Annotated, , November 12, 16, 1969
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Box
26
Folder
1
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Scripts, Typewritten, Annotated, November 19, 28, 1969
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Box
26
Folder
2
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Script Pages and Holograph, undated
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Box
26
Folder
2
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Miscellaneous Script Pages, Typewritten, Annotated, undated
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Box
26
Folder
2
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Holograph, undated
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Box
26
Folder
3
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Notes and Correspondence, September-November 1969
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Box
26
Folder
4
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“His and Hers,” Pilot, No. 4081
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Scripts, Typewritten, Annotated, April 29, May 3, 1965
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Assistant Director's Daily Reports, August 1965
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Call Sheets, August 1965
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Casting Information and Test Scenes, August 1965
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Correspondence, June-July 1965
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Notes, undated
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Holograph, undated
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Story Outline, undated
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Box
26
Folder
5
|
“Just Call Me Julius”
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|
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Pilot, No. 4054, Script, Typewritten, September 29, 1964
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Box
26
Folder
6
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“Lost World”
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|
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Story Outlines, October 1965
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Box
26
Folder
7
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“The Mysterious Island”
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Pilot, No. 4010, Script, Typewritten, April 12, 1966, with Revised Pages of , April 29, 1966
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Script, Typewritten, Annotated, March 29, 1966
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|
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Miscellaneous Script Pages, Typewritten
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Hologaph, undated
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Story Outlines, March 18, 25, 1966
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|
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“Space Hero,” Pilot, No. 4084
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|
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Box
26
Folder
8
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Scripts, Typewritten, Annotated, June 2, 4, 10, 14, 1965
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|
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Box
26
Folder
8
|
Story Outlines, June 1, 1965
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|
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Box
26
Folder
9
|
Pilot Script, July 19, 1965
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Box
26
Folder
9
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Assistant Director's Daily Report, August 13, 1965
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Box
26
Folder
9
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Correspondence, June-October 1965
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|
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Box
26
Folder
9
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First Draft Final Script, June 14, 1965
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|
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Box
26
Folder
9
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Scripts, Typewritten, Annotated, June 9, 14, 1965
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|
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Box
27
Folder
1
|
“That's the Spirit!,” Story Outlines, undated
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“The Trouble with Maggie”
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|
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Box
27
Folder
2
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Script, Typewritten, November 6, 1966
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|
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Box
27
Folder
2
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Scripts, Typewritten, Annotated, September 22, October 3, 6, 1966, undated
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Box
27
Folder
2
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Notes, September 19, October 3, 1966
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|
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Box
27
Folder
3
|
Miscellaneous Script Pages and Holograph, undated
|
|
|
Box
27
Folder
4
|
“U.S.,” No. 4093
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|
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Scripts, Typewritten, Annotated, May 20, 25, 26, August 6, 1965
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|
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Assistant Director's Daily Report, September 3, 1965
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|
|
Correspondence, May-September 1965
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|
|
Test Scene, July 26, 1965
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Notes, May 17, 19, 1965, undated
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|
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Holograph, undated
|
|
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“Walt's Girls”
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|
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Box
27
Folder
5
|
Scripts, Typewritten, Annotated, June-July 1967 and Notes, , June 9-22, 1967
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|
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Box
27
Folder
6
|
Miscellaneous Script Pages and Holograph, undated
|
|
|
Box
27
Folder
7
|
Miscellaneous Script Pages, undated and Shooting Schedules, , December 1967
|
|
|
Box
27
Folder
8
|
“Wonder Girl,” Script, Typewritten, undated
|
|
|
Series: Published Novel
|
|
|
The Naked Face
|
|
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Box
28
Folder
1-2
|
First Draft, Annotated, November 1968-March 1969
|
|
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Box
28
Folder
3-4
|
Second Draft, Annotated, December 1968-May 1969
|
|
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Box
28
Folder
5-6
|
Third Draft, Annotated, May 1, 1969
|
|
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Box
29
Folder
1-2
|
Fourth Draft, Annotated, May 16, 1969
|
|
|
Box
29
Folder
3-4
|
Draft, Annotated, May 16, 1969
|
|
|
Box
29
Folder
5-6
|
Fifth Draft (Final) [June ?] , 1969
|
|
|
Box
30
Folder
1-2
|
Research Notes, and Miscellaneous Annotated Manuscript Pages, 1968-1969
|
|
|
Series: Theater-Unproduced
|
|
|
Box
30
Folder
3
|
“Caravan,” (Later Titled “King of New York”) Script, Typewritten, Annotated, October 23, 1961
|
|
|
Box
30
Folder
4
|
“King of New York,” First Draft, “California Version,” undated
|
|
|
Box
30
Folder
5-7
|
“King of New York,” Scripts, Typewritten, Annotated, undated
|
|
|
Box
30
Folder
8
|
“King of New York,” Notes, undated
|
|
|
Series: Theater-Produced
|
|
|
Roman Candle
|
|
|
Box
31
Folder
1
|
Script, Typewritten, undated
|
|
|
Box
31
Folder
2
|
Draft, Typewritten, Annotated, February 15, 1958
|
|
|
Box
31
Folder
3-5
|
Notes, circa 1957; [1958 ?]; undated
|
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|
