Title: David Victor Papers
Inclusive Dates: 1938-1964

Creator:

• Victor, David, 1910-

Call Number: U.S. Mss 63AN

Quantity: 24.0 c.f. (60 archives boxes)

Repository:

Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research
Contact Information

Archival Locations:

COLLECTION MAY BE STORED OFF-SITE: see catalog entry to request materials and for additional information.

Wisconsin Historical Society (Map)

Abstract:

Papers of a journalist, producer, and writer consisting entirely of scripts and related production information for numerous radio and television series and pilots. The majority of the scripts, many of which are annotated, pertain to the radio series The Hedda Hopper Show (NBC), The Mel Blanc Show (CBS), and Let George Do It (Syndicated), and to the television series Fireside Theatre (NBC), Gunsmoke (CBS), I'm the Law (Syndicated), The Rebel (ABC), and Walt Disney Presents (ABC). In 1961 Victor became producer of Dr. Kildare (NBC) and over half of the collection consists of production notes, correspondence, and numerous progressive script drafts for this program. Also present are scripts for two motion pictures and various radio and television auditions.

Language: English

URL to cite for this finding aid: http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0063an

David Victor was born on August 22, 1910 in Odessa, Russia. He emigrated to the United States with his widowed mother, Frieda Victor, in 1922, and settled in New York City, where he attended Morris High School and the Columbia University School of Journalism. On leaving school, he worked first as a staff reporter for the Jersey City, New Jersey, Journal, and then as editor of American Spectator magazine. During this time he also worked as a freelance writer for radio. Radio series for which he has written include Let George Do It, The Hedda Hopper Show, The Joan Davis Show, Molle Mystery Theatre, and Vick's Matinee Theatre.

Mr. Victor progressed into television writing and won two Writers Guild of America nominations for scripts for Gunsmoke (1956-1957) and Restless Gun (1958-1959). From 1960 to 1961, he served as associate producer and consultant on The Rebel. In 1961, Mr. Victor was named associate producer for Dr. Kildare and became full producer midway through the series. In 1965, he was named producer of Man From U.N.C.L.E., and vice president of Arena Productions.

David Victor is the author of, Father's Doing Nicely, which was published by Bobbs-Merrill in 1938. He is married and has two children. The family now resides in Los Angeles, California.

The David Victor Papers are composed of sixty file boxes of scripts and related production information. They are arranged in four series: radio scripts, television scripts, motion picture scripts, and auditions for both radio and television. The scripts are filed alphabetically by title of the radio and television series and within each individual series, alphabetically by script title. In cases where there is no title, the scripts are arranged chronologically by air date.

The most complete example in the radio series is Let George Do It, consisting of 210 scripts, most of which are annotated with both first and final drafts of the episodes. Also, the ratings for this series from 1949 to 1954 are included, both Pacific Nielson and Field Broadcast ratings. The Hedda Hopper Show includes 31 scripts, all annotated; some include rough drafts. The Mary Small Show is an example of one of the early radio variety shows, including 13 scripts, two of which are annotated. Also included are examples of various radio program genres: the western, Death Valley Sheriff; the serial, Her Honor, Nancy James; the audience-participation show, Let Yourself Go; the situation comedy, The Joan Davis Show; the suspense mystery, Molle Mystery Theatre; and the anthology drama, Vick's Matinee Theatre.

The television series includes the anthology drama, Fireside Theatre, with 29 scripts, several of them annotated. There are 12 scripts for Gunsmoke and 77 for The Rebel, which include final drafts only. Dr. Kildare contains 122 scripts. Most episodes are annotated and contain all or some of the following: correspondence, production notes, story idea, story outline, treatment, rough draft, revisions, re-writes, author's final draft and studio's final edited draft. Censorship notes from network continuity and production cost sheets are also included in several of the Kildare script developments. There are several examples of television adventure programs: Meet McGraw, Al Munch, Detective, The Crusader, I Am the Law, and Public Prosecutor.

The collection contains two motion picture scripts: The Gunslinger and Trooper Hook. The former is annotated but was never produced. The latter contains the story outline, production notes, and final draft and was produced through United Artists. The last series is a miscellaneous collection of auditions, story treatments, and pilots that either went into production and were never aired or were submitted for consideration only and do not refer to any particular program. These are arranged alphabetically in two separate series, radio and television auditions.

Acquisition Information

Presented by David Victor, Los Angeles, California, January 1965.

Processing Information

Processed by D. B., 1966.

	Series: Radio Series
	Colgate Theatre of Romance
Box   1	“Jezebel,” May 29, 1945 Note: First draft, annotated; final draft, annotated.
Box   1	“The Lady Eve,” [1945] Note: Annotated.
	Death Valley Sheriff
Box   1	#9, October 5, 1944
Box   1	#10, October 12, 1944 Note: Annotated.
Box   1	#1, April 8, 1945 Note: Annotated.
Box   1	#2, April 8, 1945 Note: Annotated.
	The Hedda Hopper Show
Box   1	#1, October 14, 1950 Note: Annotated.
Box   1	#2, October 21, 1950 Note: Annotated.
Box   1	#3, October 28, 1950 Note: Annotated.
Box   1	#4, November 4, 1950 Note: Annotated.
Box   1	#5, November 11, 1950 Note: Annotated.
Box   1	#6, November 19, 1950 Note: Annotated.
Box   1	#7, November 26, 1950 Note: Annotated.
Box   1	#8, December 2, 1950 Note: Annotated.
Box   1	#9, December 10, 1950 Note: Annotated.
Box   1	#10, December 17, 1950 Note: Annotated.
Box   1	#11, December 24, 1950 Note: Annotated.
Box   1	#12, December 31, 1950 Note: Annotated.
Box   1	#13, January 7, 1951 Note: Annotated.
Box   1	#14, January 14, 1951 Note: Annotated.
Box   1	#15, January 21, 1951 Note: Annotated.
Box   2	#16, January 28, 1951 Note: Annotated.
Box   2	#17, February 3, 1951 Note: Annotated.
Box   2	#18, February 10, 1951 Note: Annotated.
Box   2	#19, February 18, 1951 Note: Annotated.
Box   2	#20, February 25, 1951 Note: Annotated.
Box   2	#21, March 4, 1951 Note: Annotated.
Box   2	#22, March 11, 1951 Note: Annotated.
Box   2	#23, March 18, 1951 Note: Annotated.
Box   2	#24, March 28, 1951 Note: Annotated.
Box   2	#25, April 1, 1951 Note: Annotated
Box   2	#26, April 8, 1951 Note: Annotated.
Box   2	#27, April 15, 1951 Note: Annotated.
Box   2	#28, April 21, 1951 Note: Annotated.
Box   2	#29, April 29, 1951 Note: Annotated.
Box   2	#30, May 6, 1951 Note: Annotated.
Box   2	#31, May 13, 1951 Note: Annotated.
	Her Honor, Nancy James
Box   2	#2, [1938] Note: Audition script.
Box   2	#6, October 10, 1938.
Box   2	#19, October 27, 1938.
	The Joan Davis Show
Box   2	#1, September 1, 1945 Note: Annotated.
Box   2	#2, September 10, 1945 Note: Annotated.
Box   2	#3, September 17, 1945 Note: Annotated.
Box   2	#4, September 24, 1945.
	Let George Do It
Box   3	“Above Suspicion,” March 1, 1948 Note: Annotated.
Box   3	“And Hope To Die,” Dec. 4, 1950 Note: Annotated.
Box   3	“Angel's Grotto,” Nov. 13, 1950 Note: Annotated.
Box   3	“The Ant Hill,” May 15, 1950 Note: Annotated.
Box   3	“The Bewildered Bird Watcher,” April 19, 1948 Note: Annotated.
Box   3	“Big Brother,” May 21, 1951 Note: Annotated.
Box   3	“Blue Plate Special,” Sept. 3, 1951 Note: Annotated.
Box   3	“The Bookworm Turns,” Dec. 11, 1950 Note: Annotated.
Box   3	“The Brothers McIntosh,” April 3, 1950 Note: Annotated.
Box   3	“The Bust of Plato,” Sept. 1, 1952 Note: Annotated.
Box   3	“Cat and Mouse,” April 6, 1953 Note: Annotated.
Box   3	“The Chair of Humanities,” May 1, 1950 Note: Annotated.
Box   3	“Cherchez La Frame-Up,” May 26, 1952 Note: Annotated.
Box   3	“Christmas In January,” Jan. 29, 1951 Note: Annotated.
Box   3	“Christmas Letter,” Dec. 24, 1951 Note: Annotated.
Box   3	“Come and Get Me,” May 16, 1949 Note: Annotated.
Box   3	“The Corpse on a Caper,” Jan. 10, 1948 Note: Annotated.
Box   3	“Cortez Island,” Feb. 11, 1952 Note: Annotated.
Box   4	“Cover for an Hour,” Sept. 18, 1950 Note: Annotated.
Box   4	“The Coward,” Sept. 19, 1949.
Box   4	“The Crazy Americano,” Mar. 9, 1953.
Box   4	“Crescent Lane,” June 18, 1951.
Box   4	“A Crime Too Simple,” Oct. 22, 1951.
Box   4	“Crime of Passion,” May 14, 1951 Note: Annotated.
Box   4	“Cry Murder,” July 19, 1948 Note: Annotated.
Box   4	“The Darkest Shadow,” Mar. 10, 1952 Note: Annotated.
Box   4	“Deal Me Out,” Aug. 20, 1951 Note: Annotated.
Box   4	“The Dead of Night,” Oct. 13, 1952 Note: Annotated.
Box   4	“Deadline At Sundown,” Mar. 22, 1948 Note: Annotated.
Box   4	“The Deadly Coward,” Feb. 2, 1953.
Box   4	“The Deadly Pines,” Mar. 3, 1952
Box   4	“Death Begins at 45,” Apr. 24, 1950 Note: Annotated.
Box   4	“Death In Blue Jeans,” June 6, 1949 Note: Annotated.
Box   4	“Death In A Fancy Dress,” Dec. 27, 1948 Note: Annotated.
Box   4	“Death Sends A Greeting Card,” Mar. 15, 1948 Note: Annotated.
Box   4	“Death Wears A Gay Sports Jacket,” Oct. 18, 1948 Note: Annotated.
Box   4	“Destination - Dead End,” Feb. 14, 1949 Note: Annotated.
Box   4	“Destination - Death,” Nov. 17, 1947 Note: Annotated.
Box   4	“The Discovery of Ponce, the Lion,” Aprl. 30, 1951 Note: Annotated.
Box   4	“Double Death,” Oct. 17, 1949.
Box   4	“Draw Me Dead,” Oct. 8, 1951 Note: Annotated.
Box   5	“Drop Dead,” July 23, 1951.
Box   5	“The Duel,” Aug. 11, 1952 Note: Annotated.
Box   5	“Eleven O'Clock,” July 17, 1950 Note: Annotated.
Box   5	“The Elusive Hundred Grand,” Apr. 18, 1949 Note: Annotated.
Box   5	“The Eight Ball,” Apr. 2, 1951.
Box   5	“End of Summer,” Aug. 29, 1949.
Box   5	“The Fabulous Fatso,” Dec. 13, 1948 Note: Annotated.
Box   5	“The Faded Carnation,” May 17, 1948 Note: Annotated.
Box   5	“The Father Who Had Nothing To Say,” Sept. 13, 1948 Note: Annotated.
Box   5	“The Fearless Clown,” Aug. 13, 1951.
Box   5	“The Floaters,” Jan. 23, 1950 Note: Annotated.
Box   5	“The Flowers That Smelled of Murder,” Nov. 1, 1947 Note: Annotated.
Box   5	“For Promised Joy,” Oct. 27, 1952.
Box   5	“The Forgotten Murder,” Apr. 14, 1952 Note: Annotated.
Box   5	“Four Seasons,” Oct. 6, 1952 Note: Annotated.
Box   5	“The Four-Sided Triangle,” Mar. 21, 1949 Note: Annotated.
Box   5	“Framed For Hanging,” Sept. 24, 1951.
Box   5	“Friendship Clubs,” May 31, 1948 Note: Annotated.
Box   5	“The Ghost of Ireland Betty,” Mar. 20, 1950 Note: Annotated.
Box   5	“Go Jump In The Lake,” Feb. 13, 1950 Note: Annotated.
Box   6	“The Golden Lizard,” July 24, 1950 Note: Annotated.
Box   6	“The Hand In The Coconut,” Oct. 23, 1950 Note: Annotated.
Box   6	“The Happy Farmer,” Feb. 23, 1948 Note: Annotated
Box   6	“The Hearse That Was Painted Pink,” Sept. 20, 1948 Note: Annotated.
Box   6	“Here Lies Fifty,” Jan. 1, 1951 Note: Annotated.
Box   6	“High Card,” Aug. 28, 1950 Note: Annotated.
Box   6	“The High Price of a Penny,” Aug. 14, 1950 Note: Annotated.
Box   6	“The Host Of Casa Kiablo,” Mar. 29, 1949 Note: Annotated.
Box   6	“The House That Jack Built,” Oct. 2, 1950 Note: Annotated.
Box   6	“How Guilty Can You Get?,” Feb. 19, 1951 Note: Annotated.
Box   6	“How Gullible Can You Get?,” May 28, 1951
Box   6	“Human Nature,” Sept. 15, 1952 Note: Annotated.
Box   6	“Il Paradiso,” Dec.1, 1952 Note: Annotated.
Box   6	“The Impatient Redhead,” Sept. 6, 1948 Note: Annotated.
Box   6	“The Impossible Death,” Sept. 8, 1952 Note: Annotated.
Box   6	“The Iron Cat,” June 12, 1950 Note: Annotated.
Box   6	“Is Everybody Happy?,” July 2, 1951
Box   6	“Island In The Desert,” July 10, 1950 Note: Annotated.
Box   6	“It's A Mystery To Me,” Oct. 16, 1950 Note: Annotated.
Box   6	“The Joke Was On The Killer,” Oct. 10, 1947 Note: Annotated.
Box   7	“Journey To Hate,” Feb. 21, 1949 Note: Annotated.
Box   7	“Juniper Lane,” Jan. 16, 1950 Note: Annotated.
Box   7	“Knock On Wood,” Jan. 22, 1951 Note: Annotated.
Box   7	“Lady In Distress,” Apr. 25, 1949 Note: Annotated.
Box   7	“The Lady In The Portrait,” Jan. 5, 1948 Note: Annotated.
Box   7	“The Lady Who Drew A Blank,” Sept. 12, 1947 Note: Annotated.
Box   7	“Laura's House,” July 24, 1954
Box   7	“Lefty's Angel,” July 9, 1951
Box   7	“The Little Man Who Was Everywhere,” Sept. 27, 1948 Note: Annotated.
Box   7	“The Last Payoff,” Dec. 10, 1951 Note: Annotated.
Box   7	“The Malignant Heart,” Dec. 6, 1948 Note: Annotated.
Box   7	“The Man Behind The Frame,” Jan. 8, 1951 Note: Annotated.
Box   7	“The Man From Jaune Cache,” July 20, 1951
Box   7	“The Man In The Brown Suit,” June 27, 1949 Note: Annotated.
Box   7	“The Man In 306,” Mar. 13, 1950 Note: Annotated.
Box   7	“The Man Under The Elm Trees,” Sept. 26, 1949 Note: Annotated.
Box   7	“The Man Who Couldn't See,” Feb. 27, 1949 Note: Annotated.
Box   7	“The Marauder,” Feb. 12, 1951 Note: Annotated.
Box   8	“Masquerade For Murder,” Nov. 10, 1947 Note: Annotated.
Box   8	“A Matter of Doubt,” May 30, 1949 Note: Annotated.
Box   8	“A Matter of Honor,” Jan. 21, 1952 Note: Annotated.
Box   8	“Mayhem By Experts,” Jan. 31, 1949 Note: Annotated.
Box   8	“The Meddler,” Nov. 26, 1951
Box   8	“The Million Dollar Bullet,” Nov. 12, 1951 Note: Annotated.
Box   8	“Mixup At La Cruza,” Aprl. 17, 1950 Note: Annotated.
Box   8	“Most Likely To Die,” June 26, 1950 Note: Annotated.
Box   8	“Mr. Korawski - American,” June 28, 1948 Note: Annotated.
Box   8	“The Motif Is Murder,” Dec. 21, 1953.
Box   8	“Murder - A Sister Act,” Dec. 20, 1948 Note: Annotated.
Box   8	“Murder and One To Go,” Jan. 3, 1949 Note: Annotated.
Box   8	“Murder For Two,” March (?) 1951.
Box   8	“Murder - It's A Gift,” Nov. 8, 1949 Note: Annotated.
Box   8	“Murder Me Twice,” Aug. 5, 1948 Note: Annotated.
Box   8	“Murder On The Downbeat,” Dec. 8, 1947 Note: Annotated.
Box   8	“Murder On Vacation,” Aug. 27, 1951.
Box   8	“Murder With A Past,” Dec. 15, 1947 Note: Annotated.
Box   8	“Needle In A Haystack,” Jan. 2, 1950 Note: Annotated.
Box   8	“The Next To The Last Guest,” June 20, 1949 Note: Annotated.
Box   8	“The Noose Hangs High,” Aprl. 16, 1951 Note: Annotated.
Box   9	“No Escape From The Jungle,” Mar. 26, 1951
Box   9	“No Riders,” Nov. 28, 1949 Note: Annotated.
Box   9	“Nothing But The Truth,” Nov. 27, 1950 Note: Annotated.
Box   9	“An Old-Fashioned Crime,” July 14, 1952 Note: Annotated.
Box   9	“The Old Style,” Feb. 6, 1950 Note: Annotated.
Box   9	“Once A Crook,” Sept. 22, 1952.
Box   9	“One Against A City,” Feb. 7, 1949 Note: Annotated.
Box   9	“Opportunity Knocks Twice,” Dec. 18, 1950 Note: Annotated.
Box   9	“Out Of Mind,” May 2, 1949 Note: Annotated.
Box   9	“The Pay-Off Is Murder,” Jan. 17, 1949 Note: Annotated.
Box   9	“Peanut Case,” Aug. 6, 1951
Box   9	“The Perfect Speciman,” Aug. 9, 1948 Note: Annotated.
Box   9	“Picture With A Black Frame,” May 8, 1950 Note: Annotated.
Box   9	“A Piece Of Publicity,” June 14, 1948 Note: Annotated.
Box   9	“The Pink Hearse,” Feb. 3, 1953
Box   9	“Portrait By Priscilla,” Aprl. 10, 1950 Note: Annotated.
Box   9	“Portuguese Cove,” May 22, 1950 Note: Annotated.
Box   9	“The Prairie Dog,” Mar. 19, 1951 Note: Annotated.
Box   9	“A Present For Christmas,” Dec. 22, 1947 Note: Annotated.
Box   10	“Problem Child,” June 21, 1948 Note: Annotated.
Box   10	“The Problem of Joe Martin,” Aug. 15, 1949.
Box   10	“The Public Eye,” Feb. 5, 1951 Note: Annotated.
Box   10	“The Puzzle Lock,” Nov. 3, 1952 Note: Annotated.
Box   10	“Red Smoke,” June 2, 1952 Note: Annotated.
Box   10	“Riddle Me This,” Aug. 23, 1954.
Box   10	“Risk Of The Game,” Mar. 3, 1952 Note: Annotated.
Box   10	“The Room That Killed,” Nov. 15, 1948 Note: Annotated.
Box   10	“The Root Of Evil,” Aprl. 4, 1949 Note: Annotated.
Box   10	“The Roundabout Murder,” Mar. 7, 1949 Note: Annotated.
Box   10	“Santa Claus In Glass,” Dec. 25, 1950 Note: Annotated.
Box   10	“A School For Sharks,” Jan. 7, 1952
Box   10	“The Scream Of The Eagle,” July 3, 1950 Note: Annotated.
Box   10	“The Secret Heart,” Aug. 22, 1947 Note: Annotated.
Box   10	“Second Degree Affection,” Sept. 4, 1950 Note: Annotated.
Box   10	“Sedan From The City,” Oct. 30, 1950 Note: Annotated.
Box   10	“See Me Once, You've Seen Me Twice,” Feb. 26, 1951 Note: Annotated.
Box   10	“Seed of Destruction,” Aug. 18, 1952.
Box   10	“Serenade To A Star,” June 13, 1949 Note: Annotated.
Box   10	“The Shake Down,” Feb. 9, 1948 Note: Annotated.
Box   11	“The Silent Waterfall,” Jan. 9, 1950 Note: Annotated.
Box   11	“Skid Row Santa,” Sept. 17, 1951
Box   11	“Sleep With Terror,” June 23, 1952 Note: Annotated.
Box   11	“A Slight Mention Of Murder,” Oct. 4, 1948 Note: Annotated.
Box   11	“Slow Train To Yesterday,” Feb. 20, 1950 Note: Annotated.
Box   11	“Solo In Whispers,” June 19, 1950 Note: Annotated.
Box   11	“Spring Session,” May 7, 1951
Box   11	“The Spider And The Fly,” Oct. 9, 1950 Note: Annotated.
Box   11	“The Stand-In,” Nov. 17, 1952 Note: Annotated.
Box   11	“Stand-In for Madness,” Feb. 2, 1948 Note: Annotated.
Box   11	“Stand-In for Murder,” Nov. 29, 1948 Note: Annotated.
Box   11	“Stranger Than Fiction,” May 23, 1949 Note: Annotated.
Box   11	“Stranger In Town,” June 30, 1952 Note: Annotated.
Box   11	“Sucker Stunt,” June 11, 1951
Box   11	“Sudden Storm,” May 29, 1950 Note: Annotated.
Box   11	“Surprise! Surprise!,” Feb. 4, 1952
Box   11	“Sweet Are The Uses Of Publicity,” Aug. 7, 1950 Note: Annotated.
Box   11	“Sweet Poison,” Nov. 21, 1949 Note: Annotated.
Box   11	“Symbol Three,” Feb. 18, 1952 Note: Annotated.
Box   11	“Tag! You're It!,” Sept. 25, 1950 Note: Annotated.
Box   11	“The Tears Of Sorrow,” Mar. 27, 1950 Note: Annotated.
Box   12	“Terror At Dawn,” Jan. 19, 1948 Note: Annotated.
Box   12	“The Thin Line,” Nov. 23, 1953
Box   12	“Till Death Do Us Part,” Jan. 24, 1949 Note: Annotated.
Box   12	“Tongalani,” Feb. 5, 1951 Note: Annotated.
Box   12	“Too Near The Sky,” Dec. 5, 1949 Note: Annotated.
Box   12	“A Touch Of The Macabre,” Sept. 10,1951 Note: Annotated.
Box   12	“The Treasure Of Millie's Warf,” Aug. 21, 1950 Note: Annotated.
Box   12	“Triple Indemnity,” Mar. 6, 1950 Note: Annotated.
Box   12	“Tune On A Triangle,” Jan. 15, 1951 Note: Annotated.
Box   12	“Two Hundred Grand,” June 4, 1951 Note: Annotated.
Box   12	“The Ugly Duckling,” Jan. 30, 1950 Note: Annotated.
Box   12	“Uncle Harry's Bones,” Aprl. 9, 1951
Box   12	“Under The River,” May 3, 1948 Note: Annotated.
Box   12	“The Unwanted Million,” July 25, 1951
Box   12	“The Violent Van Patterns,” June 9, 1952 Note: Annotated.
Box   12	“A Visit From Merlin,” Nov. 6, 1950 Note: Annotated.
Box   12	“The Voice Of The Giant,” July 31, 1950 Note: Annotated.
Box   12	“Vultures On The Wing,” May 9, 1949 Note: Annotated.
Box   13	“War Maneuver,” Aprl. 21, 1952 Note: Annotated.
Box   13	“What's Become of Terry Cable?,” July 16, 1951.
Box   13	“The White Elephant,” Sept. 11, 1950 Note: Annotated.
Box   13	“Who Is Sylvia?,” Nov. 22, 1948 Note: Annotated.
Box   13	“The Witch Of Mill Hollow,” June 5, 1950 Note: Annotated.
Box   13	“The Wolf Pack,” Apr. 26, 1948 Note: Annotated.
Box   13	“The Woman In Black,” Oct. 29, 1951 Note: Annotated.
Box   13	“The Wrong Mistake,” Mar. 8, 1948 Note: Annotated.
Box   13	“Your Money Or Your Life,” Feb. 28, 1949 Note: Annotated.
Box   13	“The Zowie Jokes,” Nov. 24, 1952. Note: Ratings: Pacific Nielson and Field Broadcast.
	Let Yourself Go
Box   13	March 28, 1944 Note: Annotated.
Box   13	April 11, 1944.
Box   13	April 25, 1944.
Box   13	May 2, 1944.
Box   13	May 9, 1944. Note: Annotated.
Box   13	May 22, 1944 Note: Annotated.
Box   13	June 6, 1944
Box   13	June 13, 1944 Note: Annotated.
	The Mary Small Show
Box   14	Jan. 25, 1944 Note: Annotated, audition script.
Box   14	Mar. 12, 1944.
Box   14	Mar. 26, 1944.
Box   14	May 9, 1944.
Box   14	May 28, 1944.
Box   14	June 18, 1944.
Box   14	July 9, 1944.
Box   14	July 16, 1944. Note: Annotated.
Box   14	July 23, 1944.
Box   14	July 30, 1944.
Box   14	Aug. 13, 1944.
Box   14	Oct. 18, 1944.
	The Mel Blanc Show
Box   14	Sept. 3, 1946 Note: First draft, revised draft.
Box   14	Sept. 17, 1946 Note: First draft, revised draft.
Box   14	Sept. 24, 1946 Note: Final draft, annotated.
Box   14	Oct. 1, 1946 Note: First draft, revised draft.
Box   14	Oct. 8, 1946 Note: First draft, revised draft.
Box   14	Oct. 15, 1946 Note: First draft, revised draft.
Box   14	Oct. 22, 1946 Note: First draft, revised draft.
Box   14	Oct. 29, 1946 Note: Revised draft.
	Molle Mystery Theatre
Box   14	“Breakdown,” [1945] Note: Annotated.
Box   14	“The Clock,” May 1, 1945 Note: First draft, annotated; final draft, annotated.
	The Saturday Night Band Wagon
Box   15	“The Golden Age of Sports,” Jan. 29, 1944.
Box   15	“McGarry and His Mouse,” Apr. 26, 1943 Note: Annotated.
Box   15	“Post Exchange,” Dec. 11, 1943
Box   15	“Private McGarry,” Sept. 8, 1943 Note: Clipping.
Box   15	“Salute To The Fighting Women of America,” Feb. 5, 1944.
Box   15	“The Story Of A Great Man,” May 22, 1943 Note: Annotated.
	Vick's Matinee Theatre
Box   15	“Dark Victory,” Feb. 4, 1945 Note: Annotated.
Box   15	“Falling Star,” [1944-45]
Box   15	“Milkman's Serenade,” [1944-45] Note: Annotated.
Box   15	“Night Bus,” Mar. 5, 1945 Note: Annotated.
Box   15	“No Time For Love,” Dec. 31, 1944 Note: Annotated.
Box   15	“Reap The Wild Wind,” Feb. [?], 1945 Note: Annotated.
	The Wheatena Playhouse
Box   15	“Dark Victory,” Oct. 29, 1940
Box   15	“Till We Meet Again,” Feb. 7, 1941
	Your Happy Birthday
Box   15	Mar. 21, 1941.
Box   15	Apr. 25, 1941.
Box   15	May 2, 1941.
Box   15	May 16, 1941.
	Series: Television Series	⇧
	The Adventures of Meet Mcgraw
Box   16	“The Lie That Came True,” Feb. 17, 1958 Note: First draft; revised final draft.
	Al Munch Detective
Box   16	“The Left-Behind American,” [1952].
	Broken Arrow
Box   16	“The Missionaries,” Oct. 23, 1956.
	The Crusader
Box   16	“The Oakhurst Incident,” n.d.
	Dr. Kildare
Box   16	“The Administrator,” Jan. 11, 1962 Scope and Content Note: Correspondence, 1961; production notes; story idea, annotated; story outline, annotated; rough draft, annotated; revised draft, annotated; author's final draft; studio's final draft, edited.
Box   16	“Admitting Service,” Nov. 2, 1961 Scope and Content Note: Author's final draft; studio's final draft, edited.
Box   16	“An Ancient Office,” Dec. 6, 1962 Scope and Content Note: Correspondence, 1926; story outline; first draft, annotated; author's final draft; studio's final drafts, one & two edited and revised.
Box   17	“The Backslider,” Dec. 5, 1963 Scope and Content Note: Correspondence, 1962-63; production notes; story outline; author's final draft; studio's final draft, edited.
Box   17	“The Balance And The Crucible,” Mar. 2, 1963 Scope and Content Note: Correspondence, 1962-63; production notes; story outline; first draft; author's final draft; studio's final draft, edited.
Box   17	“The Bed I've Made,” Dec. 20, 1962 Scope and Content Note: Correspondence, 1961-62; production notes; story outline; author's final draft; studio's final draft, edited.
Box   17	“Breakdown,” Nov. 8, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea; treatment; story outline; rough draft, annotated; second draft, annota ed; author's final draft; studio's final draft, edited.
Box   18	“The Bronc Buster,” Feb. 15, 1962 Scope and Content Note: Correspondence, 1961-62; production notes; story outline; rough draft; author's final draft; studio's final drafts, one & two, edited.
Box   18	“The Burning Sky,” Oct. 4, 1962 Scope and Content Note: Correspondence, 1962; background information; production notes; story outlines, one, two & three; treatment; rough draft, annotated; author's final draft; studio's final draft, edited.
Box   18	“C.D.,” Mar. 21, 1963 Scope and Content Note: Production notes; first draft, annotated; revised draft, annotated; author's final draft; studio's final draft, edited.
Box   19	“A Candle In The Window,” Nov. 5, 1964 Scope and Content Note: Correspondence, 1964; production notes; treatment, annotated; story outline; first draft, annotated; author's final draft; studio's final draft, edited.
Box   19	“Catch A Crooked Mouse,” Dec. 17, 1964 Scope and Content Note: Correspondence, 1964; production notes; story idea; story outline; first draft; author's final draft; studio's final draft, edited.
Box   19	“Charlie Wade Makes A Lot Of Shade,” Dec. 12, 1963 Scope and Content Note: Correspondence, 1963; production notes; story outline; author's final draft; studio's final draft, edited.
Box   19	“The Chemistry Of Anger,” Apr. 26, 1962 Scope and Content Note: Correspondence, 1961-62; production notes; story outline; treatment; author's final draft, studio's final draft, edited.
Box   20	“The Child Between,” Mar. 5, 1964 Scope and Content Note: Correspondence, 1963; production notes; story idea; story outline; first draft; author's final draft; studio's final draft, edited.
Box   20	“Child Of The Shadows,” May 30, 1963 Scope and Content Note: Correspondence, 1963; story outline, annotated; first draft, annotated; author's final draft; studio's final drafts, one & two, edited.
Box   20	“The Cobweb Chain,” Nov. 15, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea; story outline; rough draft, annotated; author's final draft; studio's final draft; edited.
Box   21	“Dark Side Of The Mirror,” Mar. 28, 1963 Scope and Content Note: Correspondence, 1962; production notes; story idea; story outline; first draft, annotated; final draft, annotated; re-write-Dugan, annotated; re-write-McNeely, one, two & final, annotated; author's final draft; studio's final draft, edited.
Box   21	“A Day To Remember,” Apr. 2, 1964 Scope and Content Note: Production notes; author's final draft; studio's final draft, edited.
Box   22	“A Distant Thunder,” May 10, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea, annotated; treatment, annotated; story outline; rough draft, annotated; author's final draft; studio's final drafts, one and two, edited.
Box   22	“Dolly's Dilemma,” May 21, 1964 Scope and Content Note: Correspondence, 1964; Production notes; story outline, annotated; author's final draft; studio's final draft, edited.
Box   22	“The Dragon,” Feb. 15, 1962 Scope and Content Note: Correspondence, 1964; production notes; story outline; printed rough draft, annotated; typed rough drafts, one and two annotated...
Box   23	“The Dragon” (continued) Scope and Content Note: Author's final draft; studio's final drafts, one and two, edited.
Box   23	“The Duel,” n.d. [pilot: “Eleventh Hour”] Scope and Content Note: Production notes; treatment; rough drafts; author's final draft, annotated; studio's final draft, edited.
Box   23	“The Eleventh Commandment,” November 14, 1963 Scope and Content Note: Correspondence, 1963; production notes; treatment; story outline; rough draft; author's final draft; studio's final draft, edited.
Box   23	“The Elusive Dik-Dik,” Dec. 3, 1964 Scope and Content Note: Production notes; story outline, annotated; rough draft, annotated; author's final draft; studio's final drafts, one and two, edited.
Box   24	“An Exchange of Gifts,” Dec. 24, 1964 Scope and Content Note: Correspondence, 1964; production notes; treatment; story outline; first draft, annotated; author's final draft; studio's final draft, edited.
Box   24	“The Exploiters,” Oct. 13, 1963 Scope and Content Note: Correspondence, 1961-62; production notes; author's final draft; studio's final drafts; edited.
Box   24	“Face of Fear,” Mar. 7, 1963 Scope and Content Note: Correspondence, 1961-62; production notes; story idea, annotated; story outline, annotated; treatment; rough draft, annotated; revised draft, annotated; author's final draft; studio's final draft, edited.
Box   25	“For the Living,” Nov. 30, 1961 Scope and Content Note: Correspondence, 1961; story outline; “Act of Mercy”-script; re-write-Kelly, annotated; first draft-Dunkel & Rose, annotated; second draft; suthors' final draft; studio's final draft, edited.
Box   25	“Four Feet In The Morning,” Nov. 21, 1963 Scope and Content Note: Correspondence, 1963; production notes; story outline; script part II for “Eleventh Hour”; author's final draft; studio's final draft, edited.
Box   25	“A Game For Three,” Oct. 24, 1963 Scope and Content Note: Correspondence, 1963; production notes; story outline; first draft, annotated; author's final draft; studio's final draft, edited.
Box   26	“The Gift Of The Koojanuk,” May 7, 1963 Scope and Content Note: Correspondence, 1963; production notes; story outline, annotated; rough draft, annotated; author's final draft; studio's final draft, edited.
Box   26	“The Glory Hunter,” Feb. 8, 1962 Scope and Content Note: Correspondence, 1961; production notes; story idea, annotated; treatment, annotated; rough draft, annotated; second draft, annotated; revised draft, annotated; author's final draft; studio's final drafts, one and two, edited.
Box   26	“Good-bye Mr. Jersey,” Feb. 20, 1964 Scope and Content Note: Correspondence, 1963; production notes; story outline, annotated; author's final draft; studio's final draft, edited.
Box   27	“Good-Luck Charm,” Feb. 7, 1963 Scope and Content Note: Correspondence, 1961-62; production notes; treatment; story outline; rough draft, protesting author-Komack; author's final draft; studio's final draft, edited.
Box   27	“The Good Samaritan,” Oct. 2, 1963 Scope and Content Note: Author's final draft; studio's final draft, edited.
Box   27	“Gravida One,” Sept. 27, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea, annotated; story outline; revised draft, annotated; author's final draft; studio's final draft, edited.
Box   27	“The Great Guy,” Jan. 17, 1963 Scope and Content Note: Correspondence, 1962; production notes; story outline, annotated; first draft, annotated; author's final draft; studio's final draft, edited.
Box   28	“Guest Appearance,” Oct. 25, 1962 Scope and Content Note: Correspondence, 1962; production notes; story outline, annotated; first draft, annotated; author's final draft; studio's final draft, edited.
Box   28	“The Hand That Hurts, The Hand That Heals,” Oct. 8, 1964 Scope and Content Note: Correspondence, 1964; production notes; first draft, annotated; author's final draft; studio's final draft, edited.
Box   28	“Hasting's Farewell,” Nov. 1, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea; treatment; story outline; author's final draft; studio's final draft, edited.
Box   28	“The Heart, An Imperfect Machine,” Oct. 17, 1963 Scope and Content Note: Production notes; story outline; author's final draft; studio's final draft, edited.
Box   29	“Hit And Run,” Dec. 14, 1961 Scope and Content Note: Production notes; story idea, annotated; story outline, annotated; rough draft; first draft, annotated; revised draft, annotated; author's final draft; studio's final draft, edited.
Box   29	“Holiday Weekend,” Nov. 16, 1961 Scope and Content Note: Correspondence, 1961; background material; production notes; story idea, annotated; story outline, annotated; rough draft, annotated; author's final draft; studio's final draft, edited.
Box   29	“The Horn of Plenty,” Apl. 12, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea; treatment; story outline; rough draft, annotated; author's final draft; studio's final draft, edited.
Box   30	“A Hundred Million Tomorrows,” Mar. 12, 1964 Scope and Content Note: Correspondence, 1963; story outline, annotated; first draft; author's final draft; studio's final draft, edited.
Box   30	“The Immunity,” Oct. 5, 1961 Scope and Content Note: Production notes; story idea; story outline, annotated; first draft, annotated and additions; studio's final draft, edited.
Box   30	“An Island Like A Peacock,” May 16, 1963 Scope and Content Note: Correspondence, 1963; production notes; story idea, annotated; rough draft, annotated; revised draft; author's final draft; studio's final draft, edited.
Box   31	“The Jail Ward,” Feb. 14, 1963 Scope and Content Note: Correspondence, 1962; production notes; story outline; rough draft; author's final draft; studio's final drafts, one and two, edited.
Box   31	“Johnny Temple,” Dec. 28, 1961 Scope and Content Note: Correspondence, 1961; production notes; story idea, annotated; story outline, annotated; rough draft, annotated; second draft, annotated; re-write-Tegland, annotated; authors' final draft; studio's final draft, edited.
Box   31	“The Last Leaves On The Tree,” Oct. 22, 1964 Scope and Content Note: Author's first draft, annotated; author's final draft; studio's final draft, edited.
Box   32	“The Legacy,” Dec. 13, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea; treatment, annotated; story outline; rough draft, annotated; first draft, annotated; second draft, annotated; author's final draft; studio's final draft, edited.
Box   32	“The Lonely Ones,” Nov. 9, 1961 Scope and Content Note: Correspondence, 1961; production notes; story idea, annotated; treatment; story outline; rough draft-Kneubuhl, annotated; final draft-Kneubuhl, annotated; first draft-Tegland, annotated; author's final draft; studio's final draft, edited.
Box   33	“Love Is A Sad Song,” Jan. 3, 1963 Scope and Content Note: Production notes; story outline, author's final draft; studio's final drafts, one and two, edited.
Box   33	“Man Is A Rock,” Sept. 24, 1964 Scope and Content Note: Correspondence, 1964; production notes; story outline; author's final draft; studio's final draft, edited.
Box   33	“The Mask Makers,” Oct. 18, 1962 Scope and Content Note: Correspondence, 1962; production notes; outline & treatment-Golberg, annotated; story outline-McNeely, annotated; first draft-McNeely; author's final draft; studio's final draft, edited.
Box   33	“Maybe Love Will Save My Apartment House,” Oct. 1, 1964 Scope and Content Note: Production notes; first draft, annotated; author's final draft; studio's final draft, edited.
Box   34	“The Middle of Ernie Mann,” Apl. 23, 1964 Scope and Content Note: Correspondence, 1963-64; production notes; story outline; author's final draft; studio's final draft, edited.
Box   34	“A Million Dollar Property,” Oct. 21, 1961 Scope and Content Note: Production notes; story outlines one and two, annotated; author's final draft; studio's final draft, edited.
Box   34	“The Mosaic,” Jan. 31, 1963 Scope and Content Note: Correspondence, 1962; production notes; treatment; rough draft, annotated; author's final draft; studio's final draft, edited.
Box   34	“My Brother, The Doctor,” Jan. 4, 1962 Scope and Content Note: Production notes; story idea, annotated; story outline, annotated; revised drafts, one and two, annotated; author's final draft; studio's final draft, edited.
Box   35	“Never Too Old For The Circus,” Jan. 30, 1964 Scope and Content Note: Correspondence, 1962-63; production notes; story outline; second draft-Gethers; re-write-Brewer; author's final draft; studio's final drafts, one and two edited.
Box   35	“A Nickel's Worth Of Prayer,” Apr. 16, 1964 Scope and Content Note: Correspondence, 1963; author's final draft; studio's final draft, edited.
Box   35	“Oh, My Daughter!,” Jan. 25, 1962 Scope and Content Note: Correspondence, 1961-62; story idea, annotated; treatment; story outline, annotated; rough draft, annotated; author's final draft; studio's final draft, edited.
Box   35	“Once I Wrote A Song,” n.d. Scope and Content Note: Production notes; story outline; second draft-“Cora,” annotated; author's final draft...
Box   36	“Once I Wrote A Song,” continued Scope and Content Note: Studio's final draft, edited.
Box   36	“One Clear Bright Sunday Morning,” Nov. 7, 1963 Scope and Content Note: Production notes; story outline, first draft; author's final draft; studio's final draft, edited.
Box   36	“One For The Road,” Apl. 12, 1962 Scope and Content Note: Correspondence, 1962; production notes; story outline; studio's final draft, edited.
Box   36	“Onions, Garlic, And The Flowers That Bloom In Spring,” Feb. 2, 1964 Scope and Content Note: Correspondence, 1963; production notes; story outline; first draft; author's final draft; studio's final draft, edited.
Box   36	“Operation Lazarus,” May 24, 1962 Scope and Content Note: Correspondence, 1962; production notes; story outline; rough draft, annotated; revision, annotated; author's final draft; studio's final draft, edited.
Box   37	“The Oracle,” Dec. 19, 1963 Scope and Content Note: Correspondence, 1963; production notes; first draft, annotated; author's final draft; studio's final draft, edited.
Box   37	“The Pack Rat and the Prima Donna,” Nov. 28, 1963 Scope and Content Note: Correspondence, 1963; production notes; rough draft, annotated; author's final draft; studio's final draft, edited.
Box   37	“The Patient,” Nov. 23, 1961 Scope and Content Note: Production notes; story idea; treatments, one and two; story outline; rough draft, annotated; author's final draft, annotated; studio's final draft, edited.
Box   37	“A Place Among Monuments,” Dec. 27, 1962 Scope and Content Note: Correspondence, 1962; production notes; story outline, annotated; rough draft, annotated; author's final draft; studio's final draft, edited.
Box   38	“Quid Pro Quo,” Mar. 26, 1964 Scope and Content Note: Production notes; story outline; author's final draft; studio's final draft, edited.
Box   38	“Road To The Heart,” May 17, 1962 Scope and Content Note: Correspondence, 1962; production notes; story outline; rough draft, annotated; second draft; author's final draft; studio's final drafts, one and two, edited.
Box   38	“The Roaring Boy-O,” Feb. 15, 1962 Scope and Content Note: Correspondence, 1961-62; production notes; story idea, annotated; treatments, one and two, annotated; story outline; rough draft; [UNK] draft; story outline-Whedon's, annotated; rewrite-Whedon's annotated; revised draft, annotated.
Box   39	“The Roaring Boy-O,” continued Scope and Content Note: Author's final draft, annotated; studio's final drafts, one and two, edited.
Box   39	“Rome Will Never Leave You, I, II, III,” Nov. 12-26, 1964 Scope and Content Note: Correspondence, 1964; production notes; story outlines, one, two and three, annotated; I-“The Journey”: author's final draft; studio's final draft, edited; II-“The Contessa”: author's final draft; studio's final drafts, edited; III-“The Marriage Contract”: author's final draft; studio's final drafts, edited.
Box   40	“The Search,” Feb. 1, 1962 Scope and Content Note: Correspondence, 1961; production notes; author's notes; story idea; treatment, annotated; story outline; rough draft, annotated; second draft, annotated; studio's final draft, edited.
Box   40	“The Season To Be Jolly,” Dec. 21, 1961 Scope and Content Note: Correspondence, 1961; story outline; first draft, annotated; author's final draft; studio's final draft, edited.
Box   40	“Second Chance,” Dec. 7, 1961 Scope and Content Note: Correspondence, 1961; story idea; story outline, annotated; rough draft; revised draft, annotated; production notes; final draft: “Fighting Chance...”
Box   41	“Second Chance,” continued Scope and Content Note: Author's final draft: “Second Chance,” annotated; studio's first draft, annotated; author's final draft; studio's final drafts, one and two, edited.
Box   41	“A Sense of Tempo,” May 7, 1964 Scope and Content Note: Correspondence, 1964; production notes; story outline; first draft; second draft, annotated; author's final draft; studio's final draft, edited.
Box   41	“Shining Image,” Oct. 12, 1961 Scope and Content Note: Production notes; story outline, annotated; rough draft, annotated; studio's final draft, edited.
Box   41	“Ship's Doctor,” Apr. 18, 1963 Scope and Content Note: Correspondence, 1962; production notes; story outline, annotated; rough draft, annotated; author's final draft; studio's final draft, edited.
Box   42	“Sister Mike,” Mar. 14, 1963 Scope and Content Note: Correspondence, 1962; production notes; story idea; story outlines, one and two-revised; first draft, annotated; revised draft, annotated; author's final draft; studio's final drafts, one, two, and three, edited.
Box   42	“The Sleeping Princess,” Apr. 11, 1963 Scope and Content Note: Correspondence, 1962-63; production notes; story outline; author's final draft; studio's final drafts, one and two, edited.
Box   42	“Solomon's Choice,” Mar. 29, 1962 Scope and Content Note: Correspondence, 1961-62; production notes; story outline; rough draft; author's final draft; studio's final draft, edited.
Box   43	“Something of Importance,” May 3, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea; treatment; story outline; rough draft, annotated; author's final draft; studio's final drafts, one and two, edited.
Box   43	“The Soul Killer,” Nov. 22, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea; treatment; revised treatment; story outline; rough draft, annotated; author's final draft; studio's final draft, edited.
Box   43	“The Sound of a Faraway Hill,” Oct. 29, 1964 Scope and Content Note: Correspondence, 1964; production notes; story outline; rough draft; second draft, annotated; author's final draft; studio's final draft, edited.
Box   44	“Speak Not In Angry Whispers,” May 14, 1964 Scope and Content Note: Production notes; story outline, annotated; first draft; author's final draft; studio's final draft, edited.
Box   44	“The Stepping Stone,” Feb. 22, 1962 Scope and Content Note: Correspondence, 1961-62; production notes; story idea; treatment; story outline; rough draft, annotated; author's final draft; studio's final draft, edited.
Box   44	“The Thing Speaks For Itself,” Jan. 10, 1963 Scope and Content Note: Correspondence, 1963; production notes; treatment; rough draft, annotated; author's final draft; studio's final draft, edited.
Box   44	“Tightrope To Nowhere,” Apr. 25, 1963 Scope and Content Note: Correspondence, 1962-63; production notes; story idea, annotated; story outline, annotated; rough draft; second draft; author's final draft; studio's final draft, edited.
Box   45	“A Time For Every Purpose,” Dec. 27, 1962 Scope and Content Note: Correspondence, 1962; story outline; production notes; treatment; revision, annotated; re-write-Tegland, Tegland, annotated; studio's final drafts, one, two and three, edited.
Box   45	“To Each His Own Prison,” May 23, 1963 Scope and Content Note: Correspondence, 1963; production notes; story idea, annotated; story outline, annotated; first draft, annotated; author's final draft; studio's final draft, edited.
Box   45	“To Walk In Grace,” Feb. 13, 1964 Scope and Content Note: Correspondence, 1964; production notes; studio's final drafts, one and two, edited.
Box   46	“Tomorrow Is A Fickle Girl,” Feb. 19, 1964 Scope and Content Note: Production notes; author's final draft; studio's final drafts, one and two, edited.
Box   46	“A Trip To Niagara,” Feb. 21, 1963 Scope and Content Note: Correspondence, 1962; production notes; rough draft, annotated; author's final draft; studio's final draft, edited.
Box   46	“Twenty-Four Hours,” Sept. 28, 1961 (Pilot Script) Scope and Content Note: Studio's final draft, edited.
Box   46	“Tyger, Tyger I, II,” Jan. 16-23, 1964 Scope and Content Note: Correspondence, 1963-64; production notes; story outlines, parts one & two; first draft; author's final draft; studio's final draft, I & II, edited.
Box   47	“An Ungodly Act,” Apr. 9, 1964 Scope and Content Note: Correspondence, 1963; production notes; story outline; author's final draft; studio's final draft, edited.
Box   47	“A Very Present Help,” Apr. 5, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea; annotated; treatment, annotated; story outline; rough draft, annotated; author's final draft; studio's final draft, edited.
Box   47	“The Visitors,” Oct. 11, 1962 Scope and Content Note: Correspondence, 1962-64; production notes; story outline; rough draft, annotated; revised draft, annotated; author's final draft; studio's final draft, edited.
Box   47	“Vote of Confidence,” Dec. 26, 1963 Scope and Content Note: Correspondence, 1963; production notes; story outline; rough draft, annotated; author's final draft; studio's final draft, edited.
Box   48	“What's Different About Today?,” Oct. 22, 1964 Scope and Content Note: Correspondence, 1963-64; production notes; story outline, annotated; first draft-McNeely, annotated; script “Camp Gillespie”-McNeil; author's final draft; studio's final draft, edited.
Box   48	“Who Ever Heard Of A Two-Headed Doll?,” Sept. 29, 1963 Scope and Content Note: Correspondence, 1963; production notes; story outline; author's final draft; studio's final draft, edited.
Box   48	“Why Won't Anybody Listen?,” Feb. 27, 1964 Scope and Content Note: Correspondence, 1964; production notes; story outline; author's final draft; studio's final draft, edited.
Box   49	“A Willing Suspension of Disbelief,” Jan. 9, 1964 Scope and Content Note: Correspondence, 1963; production notes; story outline; author's final draft; studio's final draft, edited.
Box   49	“Winter Harvest,” Oct. 19, 1961 Scope and Content Note: Correspondence, 1961-62; story idea; story outline; rough draft; author's final draft; studio's final draft, edited.
Box   49	“Witch Doctor,” Mar. 8, 1962 Scope and Content Note: Correspondence, 1961-62; story idea; story outline; rough draft, annotated; author's final draft; studio's final draft, edited.
	Fireside Theatre
Box   50	“The Blessing Of The Pets,” May 11, 1954.
Box   50	“Brian,” Aug. 20, 1954.
Box   50	“The Cheese Champion,” Nov. 8, 1954.
Box   50	“A Dream For Jimmy,” Oct. 27, 1954.
Box   50	“Father's Keeper,” July 19, 1954.
Box   50	“Harvest of Wrath,” Oct. 15, 1953.
Box   50	“The Innocent And The Guilty,” Nov. 3, 1954.
Box   50	“It's Easy To Get Ahead,” Oct. 7, 1954.
Box   50	“The Last Hat,” May 17, 1954 Note: Annotated.
Box   50	“Luxurious Ladies,” May 1, 1954 Note: Annotated.
Box   50	“The Man Who Liked To Kill,” Apr. 20, 1954 Note: Annotated.
Box   50	“Marked For Death,” Aug. 2, 1954.
Box   50	“Mr. Onion,” Oct. 20, 1954.
Box   50	“A Mother's Duty,” May 31, 1954.
Box   50	“The Mural,” June 7, 1954.
Box   50	“The Ninety-Ninth Day,” July 27, 1954.
Box   50	“No Place To Live,” June 30, 1954.
Box   50	“Not Captain Material,” Sept. 9, 1954.
Box   50	“The Old Order Changeth,” Sept. 10, 1953.
Box   50	“Our Son,” May 19, 1954.
Box   50	“The Reign of Amelika Joe,” Apr. 9, 1954.
Box   50	“Retribution,” n.d.
Box   51	“Second Elopement,” Mar. 30, 1954.
Box   51	“Sergeant Sullivan Speaking,” Aug. 18, 1954.
Box   51	“The Sporting Doctor,” Mar. 4, 1954.
Box   51	“Thank You, Dr. Russell,” May 26, 1954.
Box   51	“Three Missions West,” July 16, 1954.
Box   51	“Touch The Earth,” Sept. 8, 1953.
Box   51	“Trial Period,” Oct. 6, 1953.
	Front Page Detective
Box   51	“Galahad,” [1951]
Box   51	“The Lonely One,” Oct. 3, 1951.
	General Electric Theatre
Box   51	“The Crime Of Daphne Rutledge,” [1954]
Box   51	“Dr. Stafford's Patient,” June 19, 1953.
Box   51	“Desert Crossing,” [1954].
Box   51	“Too Old For The Girl,” Jan. 21, 1954.
Box   51	“You Are Young Only Once,” [1954].
	Gruen Theatre
Box   51	“The Other Woman,” n.d. Scope and Content Note: Story outline; rough draft, annotated; author's final draft.
	Gunsmoke
Box   52	“Big Broad,” n.d.
Box   52	“Cara,” n.d.
Box   52	“Chester's Mail Order Bride,” n.d.
Box   52	“Helping Hand,” n.d.
Box   52	“Indian White,” n.d.
Box   52	“The Man Who Would Be Marshall,” n.d.
Box   52	“Mr. and Mrs. Amber,” n.d.
Box   52	“The Pest Hole,” n.d.
Box   52	“Prairie Happy,” n.d.
Box   52	“Professor Lute Bone,” n.d.
Box   52	“Reward For Matt,” n.d.
Box   52	“20-20,” n.d.
	I Am the Law
Box   52	“The Bust of Plato,” [1951-52] Note: Annotated.
Box   52	“The Cowboy And The Blind Man,” Jan. 31, 1952.
Box   52	“The Deadly Pawnshop,” Jan. 24, 1952.
Box   52	“Falling Star,” [1951-52] Note: Annotated.
Box   52	“The Fight Fixer,” Jan. 31, 1952.
Box   52	“Firebug, Firebug,” Jan. 24, 1952.
Box   52	“The General's Coffin,” Feb. 25, 1952.
Box   52	“The Impossible Death,” [1951-52] Note: Annotated.
Box   52	“Juvenile Murder,” Mar. 7, 1952.
Box   53	“The McClury Brothers,” Jan. 22, 1952.
Box   53	“The Mad Cartoonist,” Apr. 7, 1952
Box   53	“Models, Inc.,” Jan. 21, 1952.
Box   53	“The Moon Man,” [1951-52] Note: Annotated.
Box   53	“The Powder Box Cast,” Jan. 24, 1952.
Box   53	“Sleep With Terror,” [1951-52] Note: Annotated.
Box   53	“The Stool Pigeon,” Mar. 4, 1952.
Box   53	“The Train To Auburn,” Mar. 4, 1952.
Box   53	“Who Killed Evelyn?,” Feb. 26, 1952.
	Lassie
Box   53	“The Violin,” [1955] Scope and Content Note: Story outline, final draft.
	McKenzie's Raiders
Box   53	“Indian Agent,” Sept. 2, 1958
	Playhouse 90
Box   53	“Without Incident,” Nov. 29, 1956.
	Public Prosecutor
Box   53	“The Case of the Body Beautiful,” n.d.
Box   53	“The Case of the Strange Suicide,” n.d.
	Rawhide
Box   53	“Incident At El Muerte,” Apr. 21, 1959.
Box   53	“Incident Of The Misplaced Indians,” Jan. 21, 1959.
Box   53	“Incident On The Edge Of Madness,” May 13, 1958.
	The Rebel
Box   54	“Absolution,” Jan. 20, 1960.
Box   54	“The Actress,” May 9, 1960.
Box   54	“The Angry Town,” [1959-60]
Box   54	“The Ballad of Johnny Brown,” Feb. 21, 1961.
Box   54	“The Bequest,” Apr. 15, 1960.
Box   54	“Berserk,” Aug. 5, 1960.
Box   54	“Blank Canyon,” Jan. 11, 1960.
Box   54	“Blind Marriage,” Dec. 12, 1959.
Box   54	“The Burying of Sammy Hart,” Aug. 4, 1960.
Box   54	“The Calley Kid,” July 25, 1960.
Box   54	“The Captive of Temblor,” Oct. 20, 1959.
Box   54	“The Champ,” June 13, 1960.
Box   54	“The Crime,” Sept. 1, 1959.
Box   54	“The Dark Street,” Aug. 8, 1959.
Box   54	“A Dash of Gray,” [1959-60]
Box   54	“Death Watch,” Apr. 27, 1960.
Box   54	“Decision at Sweetwater,” Dec. 8, 1960.
Box   54	“Don Gringo,” May 27, 1960.
Box   54	“The Earl of Durango,” Apr. 8, 1960 (Pilot Script)
Box   54	“The Executioner,” Mar. 20, 1961.
Box   54	“Explosion,” Feb. 19, 1960.
Box   54	“Fair Game,” Jan. 15, 1960.
Box   54	“The Found,” Dec. 14, 1960.
Box   55	“Glory,” [1959-60]
Box   55	“Gold Seeker,” Oct. 12, 1959.
Box   55	“Grant of Land,” Feb. 16, 1960.
Box   55	“Grave For Johnny Yuma,” Jan. 6, 1960.
Box   55	“The Guard,” Aug. 11, 1960.
Box   55	“Gun City,” Sept. 29, 1959.
Box   55	“Helping Hand,” Feb. 27, 1961.
Box   55	“He's Only A Boy,” [1950-60].
Box   55	“The Hope Chest,” July 7, 1960.
Box   55	“The Hostage,” Mar. 9, 1960.
Box   55	“The Hunted,” June 8, 1960.
Box   55	“In Memoriam,” July 13, 1959.
Box   55	“In Memory Of A Son,” Feb. 10, 1960.
Box   55	“Jerkwater,” Aug. 30, 1960.
Box   55	“Johnny Yuma at Appomatox,” [1950-60].
Box   55	“The Judgment,” [1950-60].
Box   55	“Lady Of Quality,” Feb. 5, 1960.
Box   55	“Land,” [1959-60].
Box   55	“The Last Drink,” Dec. 21, 1960.
Box   55	“The Legacy,” July 1, 1960.
Box   55	“The Misfits,” [1959-60].
Box   55	“Mission - Varina,” Mar. 14, 1961.
Box   55	“Miz Purdy,” Dec. 30, 1960
Box   56	“Night On A Rainbow,” Sept. 7, 1959.
Box   56	“Noblisse Oblige,” Nov. 30, 1959.
Box   56	“Paint A House With Scarlet,” Feb. 1, 1960.
Box   56	“Panic,” [1959-60].
Box   56	“Paperback Hero,” June 30, 1960.
Box   56	“The Pit,” May 18, 1960.
Box   56	“The Promise,” May 3, 1960.
Box   56	“The Proxy,” Mar. 3, 1961.
Box   56	“Run, Killer, Run,” May 24, 1960.
Box   56	“The Rattler,” Dec. 3, 1959.
Box   56	“Road To Jericho,” July 9, 1960.
Box   56	“The Scalp Hunter,” [1959-60].
Box   56	“School Days,” [1959-60].
Box   56	“Shriek of Silence,” Dec. 19, 1960.
Box   56	“Take Dead Aim,” [1959-60].
Box   56	“Threat,” June 28, 1960.
Box   56	“To See The Elephant,” June 14, 1960.
Box   56	“Two Weeks,” Jan. 6, 1961.
Box   56	“The Uncourageous,” Jan. 12, 1961.
Box   56	“The Unsurrendered Sword,” Jan. 6, 1960.
Box   56	“The Unwanted,” [1959-60].
Box   56	“The Vagrants,” [1959-60].
Box   56	“Vindication,” July 19, 1960.
Box   56	“Viscious Circle,” [1959-60].
Box   57	“The Waiting,” Apr. 21, 1960
Box   57	“White,” Aug. 1, 1960.
Box   57	“Yellow Hair,” July 29, 1959.
Box   57	“You Steal My Eyes,” Jan. 26, 1960.
Box   57	“The Yank,” Feb. 22, 1960 Scope and Content Note: Story treatment, final script.
	The Restless Gun
Box   57	“The Child,” Oct. 25, 1957.
Box   57	“Man and Boy,” Aug. 30, 1957.
Box   57	“The Outlander,” Feb. 27, 1958.
Box   57	“Sheriff Billy,” Jan. 30, 1958.
Box   57	“Trail To Sunset,” July 3, 1957.
	The Rifleman
Box   57	“The Brother-in-law,” July 9, 1958.
Box   57	“The Challenge,” Jan. 30, 1959.
Box   57	“Nora,” Mar. 25, 1960 Scope and Content Note: Rough draft, annotated; second draft, annotated; author's final draft.
Box   57	“The Shivaree,” Dec. 4, 1958. Scope and Content Note: First draft, annotated; revised final draft.
	Target
Box   57	“Taps For The General,” Apr. 17, 1958.
	Walt Disney Presents
Box   58	“Daniel Boone: Tamer In the Wilderness I & II,” May 2, 1960 Scope and Content Note: Episodes one and two: “The Vision,” “Chase The Buffalo” story outlines, annotated; rough draft; studio's final drafts, one and two, edited.
Box   58	“The Moon Cussers,” Dec. 28, 1960 Scope and Content Note: Novel synopsis, “Flying Ebony,” annotated; supplementary material; story outline; author's final draft.
	Series: Motion Pictures	⇧
Box   59	The Gunslinger, n.d. Note: Annotated.
Box   59	Trooper Hook, n.d. Scope and Content Note: Story outline; production notes; final draft.
	Series: Auditions, Radio	⇧
Box   59	Cohen, The Detective, n.d.
Box   59	Counsellor At Law, n.d. Scope and Content Note: Audition script; rough draft; annotated; second draft, annotated.
	The Editor's Report, n.d.
Box   59	“The Invasion of Tarawa,” annotated.
Box   59	The Further Affairs of My Man Godfrey, n.d.
Box   59	Galz-A-Poppin', Aug. 12, 1943 Note: Annotated.
Box   59	Glamour!, n.d.
Box   59	Happy Land, n.d. Note: Annotated.
	The Haunting Hour, n.d.
Box   59	“Music Makes Murder,” annotated.
	McGarry, n.d.
Box   59	“Elementary, My Dear McGarry,” Note: Annotated.
Box   59	“McGarry Takes A Trip.”
Box   59	Moods By Laura, n.d.
Box   59	Pop's Diner, Feb. 25, 1945 Note: Annotated.
	Straight Arrow, n.d.
Box   59	Episodes one and two Note: Annotated.
	Series: Auditions, Television	⇧
	The Barbary Coast, n.d.
Box   60	“The Long Gamble” Scope and Content Note: Pilot, annotated.
	Buckskin, n.d.
Box   60	“Journey To The Fort” Scope and Content Note: Pilot, revised final draft.
	Calling All Cars, Apr. 8, 1952
Box   60	“Calling Danger”
	Ethan Allen, n.d.
Box   60	“Ethan's Magnificent Folly” Scope and Content Note: Pilot, annotated.
	The FBI in Peace and War, n.d.
Box   60	“Section Nine - Terror” Scope and Content Note: Pilot, annotated.
	Jackson and Jill, n.d.
Box   60	“J. Lexington Nasby”
	Let George Do It, n.d.
Box   60	“The Crazy Americano” Scope and Content Note: Pilot.
	The Quiet Man, n.d.
Box   60	“A Good Man With A Gun” Scope and Content Note: Pilot, annotated.
Box   60	“The Princess” Scope and Content Note: Annotated.
	Studio One
Box   60	“The Sisters” , n.d. Scope and Content Note: Treatment only.
Box   60	The Valley of the Blue Mountain, [1956] Scope and Content Note: Series presentation; style, form story outlines.