Summary Information
David Merrick Papers
1952-1961
U.S. Mss 18AN
9.2 c.f. (23 archives boxes, 1 flat box)
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research Contact Information
Wisconsin Historical Society (Map)
Papers of a theatrical producer, consisting of extensive business records, scripts, and correspondence for twelve plays presented by Merrick either alone or in association with others. Among these are Destry Rides Again (1959), The Entertainer (1958), Fanny (1954), Look Back in Anger (1957), The Matchmaker (1955), and Romanoff and Juliet (1957). Seven boxes of the collection are comprised entirely of scripts for plays, motion pictures, musicals, and adaptations of novels and stories which were submitted for production by various authors.
English
http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0018an ↑ Bookmark this ↑
Biography/History
Theatrical producer David Merrick was born November 27, 1912, in St. Louis, Missouri. He was interested in the theatre at an early age and availed himself of every opportunity to see “everything live that came to town in the way of entertainment.”
He entered Washington University on a scholarship. While there he out-ranked Tennessee Williams by winning second prize in a playwriting contest. He transferred to St. Louis University where he earned a degree in law, never ranking lower academically than third or fourth in his class. At both colleges he directed and wrote plays but he came to prefer production. He went to New York where he practiced law until 1949.
In 1940 he first ventured on Broadway by investing $5,000 in The Male Animal, produced by Herman Shumlin. This investment brought him a return of $20,000. He also worked for Shumlin as a playreader, agent and general manager. Shumlin has since called Merrick “a milestone in our modern theatre, where the exploitation of plays has become a lost art. He has revived it. I don't know of anybody in my time in the theatre who's done a job of producing so well or on such a scale.”
Despite his successful law practice Merrick was bored with the law technicalities and he had an increasing interest in the theatre. So, in 1949 he put aside law and made his first production venture, Clutterbuck. Subsequent productions were as follows:
| 1954: |
Fanny, with rights from Marcel Pagnol who wrote the trilogy upon which the musical is based. It starred Ezio Pinza and Walter Slezak. |
| 1956: |
The Matchmaker by Thornton Wilder |
| 1957: |
Look Back in Anger by John Osborne |
| 1958: |
The Entertainer by John Osborne, starring Laurence Olivier |
| |
The World of Suzie Wong, by Paul Osborn, based on a novel by Richard Mason |
| |
Epitaph for George Dillon by John Osborne and Anthony Creighton |
| |
Maria Golovin by Gian Carlo Menotti |
| |
La Plume de Ma Tante, written, devised and directed by Robert Dhery, won the Drama Critics' Circle Award as the best musical of the season. Elizabeth Seal was cited as the best musical-comedy actress. |
| 1958-59: |
Romanoff and Juliet by Peter Ustinov; Ustinov also acted in it. |
| |
Jamaica, with book by E. Y. Harburg and Fred Saidy |
| 1959: |
Destry Rides Again, with music and lyrics by Harold Rome and book by Leonard Gershe |
| |
Gypsy, suggested by the memoirs of Gypsy Rose Lee; book by Arthur Laurents |
| |
Take Me Along, based on Ah, Wilderness by Eugene O'Neill |
| 1960: |
The Good Soup by Felicien Marceau; adapted and directed by Garson Kanin; starred Ruth Gordon |
| |
Vintage '60, a musical revue |
| |
Irma La Douce, with book and lyrics by Alexandre Breffort |
| |
A Taste of Honey, by Shelagh Delaney, won the Drama Critics' Circle Award as the best foreign play; a Tony was given to Joan Plowright as the best dramatic actress of the year. |
| |
Becket, by Jean Anouilh, starred Laurence Olivier. It won four of the American Theatre Wing's annual Tonys, for the most distinguished playwriting, costumes, sets, staging. |
| |
Do Re Mi, with book by Garson Kanin. |
| 1961: |
Carnival, originally based on story The Seven Souls of Clement O'Reilly by Paul Gallico and filmed as Lili. |
At one time during 1960-61 Merrick had six shows running in New York. He is rated as one of two or three most successful theatrical producers in America today. This is attributed to his talent for promotion and his tireless dedication to his productions. Although critics have facetiously called him the “Barnum of Broadway Producers,” because of his use of gimmicks for publicity and promotion, no one can adversely criticize his financial uprightness and acumen. John Kobler in the September 16, 1961 issue of the Saturday Evening Post writes: “... only four of Merrick's twenty-one productions have failed to return their backers' investment. Two broke even. The others have yielded gross profits totaling close to $50,000,000.” Fanny grossed $7,500,000. The unsuccessful productions were Epitaph for George Dillon (66 performances), The Good Soup (21 performances), Maria Golovin (5 performances) and Vintage '60 (8 performances).
In April 1961 Merrick was given a special Antoinette Perry theater award “in recognition of a fabulous production record over the past seven years.” Garson Kanin has said of Merrick: “I revere the guy. He keeps the theater alive in a day when the chances against bringing in a hit are a hundred to one.”
Merrick is said not to like gimmicks for promotion but he uses them--successfully so--as a means of stimulating attendance on the part of those who need such gimmicks to attract them to the theatre and thereby to safeguard the producer, director, playwright and cast. For example, when Fanny opened, it did not receive good notices. Merrick had a sculptor to make a life-sized statue in the nude, of the show's belly dancer. This statue was placed opposite a bust of Shakespeare in the Poet's Corner of New York's Central Park. Life carried a photograph of the statue; posters for the show were displayed on the French Riviera. Fanny continued for a run of 888 performances. The Matchmaker received good notices but Merrick prolonged its run by placing a monkey at the wheel of an antique British taxicab, concealing the actual driver, and sending the cab down Broadway with a sign reading “I am driving my master to see The Matchmaker.” In the fall of 1960 when it appeared that theatre attendance would be lessened by a 7:30 curtain time, Merrick irked his competitors by returning to an 8:30 - 8:40 curtain time on Wednesday evenings.
Mr. Merrick insists upon keeping his private life private.
Scope and Content Note
The collection consists of detailed business records, scripts and correspondence for twelve Merrick productions staged between 1954 and 1960, as well as a file of scripts for plays offered for production.
The Merrick Papers are arranged as PRODUCTION FILES and SCRIPT FILES.
The PRODUCTION FILES are arranged alphabetically by title and include such hits as The Matchmaker, Fanny, and Gypsy, as well as unsuccessful productions such as The Good Soup and Maria Golovin. The documented works range from comedy and musicials to more serious drama. Unfortunately, some of Merrick's most important productions of the period such as La Plume de Ma Tante, A Taste of Honey, and Becket are not represented in the collection.
For each production, the documentation is arranged alphabetically by type. Variously included are box office statements, contracts and other legal material, detailed correspondence, clippings and reviews, and playbills. Scripts are not included for every production, although there is a working outline for Fanny prepared by Goodrich and Hackett, a typed and a mimeographed script of The Good Soup by Garson Kanin, and annotated actors' scripts for several productions. For some productions there are also photographs, posters (separated to the WCFTR Title and Poster files), and information on lighting and the physical production. Records on The Entertainer include a file of musical scores.
Bills and other detailed financial records, which comprised a major part of the collection as originally received in 1960, were weeded in 1991, as this information was found to be adequately summarized in the financial statements and in the weekly settlements submitted to Merrick by the theatres.
The SCRIPT FILES consist of typed or mimeographed drafts of plays apparently offered to Merrick for production. There is no documentation here about Merrick's evaluation of any of these scripts, although a few are for plays that he eventually produced such as Carnival, I Can Get It For You Wholesale, and Subways Are for Sleeping. Others are for plays that were apparently never produced. The fact, however, that many of the most important American playwrights of the 1950's and 1960's are represented makes the file of interest. Scripts are arranged alphabetically by playwright.
Administrative/Restriction Information
Presented by David Merrick, New York, N.Y., 1961-1962. Accession Number: MCHC61-064 and MCHC62-088
Contents List
|
Series: Production Files
|
|
|
Destry Rides Again(1959)
|
|
|
Box
1
Folder
1-4
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Box office statements, 1959-1961
|
|
|
Box
1
Folder
5
|
Contracts
|
|
|
Correspondence
|
|
|
Box
1
Folder
6
|
Insurance, 1959-1961
|
|
|
Box
1
Folder
7-9
|
Miscellaneous, 1958-1961
|
|
|
Box
1
Folder
10
|
Tickets for opening night
|
|
|
Box
2
Folder
1
|
Financial statements, 1959-1960
|
|
|
Box
2
Folder
2
|
Miscellany
|
|
|
Box
2
Folder
3
|
Publicity
|
|
|
Box
2
Folder
4
|
Physical production
|
|
|
WCFTR Title File
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Photographs
|
|
|
WCFTR Poster File
|
Posters
|
|
|
Box
2
Folder
5
|
Royalties
|
|
|
Box
2
Folder
6
|
Salary lists
|
|
|
Scripts
|
|
|
Box
2
Folder
7
|
Treatments
|
|
|
Box
2
Folder
8
|
Mimeo script by Leonard Gershe, n.d.
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|
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Box
2
Folder
9-10
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Actors' scripts (anno.)
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|
|
Box
2
Folder
11
|
Theatre parties
|
|
|
Box
2
Folder
12
|
Weekly settlements
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|
|
The Entertainer(1958)
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|
|
Box
3
Folder
1
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Box office statements, 1958
|
|
|
Box
3
Folder
2
|
Contracts
|
|
|
Box
3
Folder
3
|
Correspondence, 1957-1961
|
|
|
Box
3
Folder
4
|
Financial statements
|
|
|
Box
3
Folder
5
|
Lighting cue sheets, etc
|
|
|
Box
3
Folder
6
|
Miscellany
|
|
|
Box
24
|
Musical score
|
|
|
WCFTR Title File
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Photographs
|
|
|
WCFTR Poster File
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Posters
|
|
|
Box
3
Folder
7
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Prompt book
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|
|
Box
3
Folder
8
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Royalties
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|
|
Box
3
Folder
9
|
Weekly settlements
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|
|
Epitaph for George Dillon(1958)
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|
|
Box
3
Folder
10
|
Box office statements, 1958-1959
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|
|
Box
3
Folder
11
|
Contracts
|
|
|
Box
3
Folder
12
|
Correspondence, 1958-1960
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|
|
Box
3
Folder
13
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Financial statements and weekly settlements
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|
|
Box
3
Folder
14
|
Miscellany
|
|
|
WCFTR Poster File
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Posters
|
|
|
Box
3
Folder
15
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Press coverage
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|
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Fanny(1954)
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|
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Box
3
Folder
16
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Arbitration correspondence
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|
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Box office statements
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|
|
Box
3
Folder
17
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1954-1955
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|
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Box
4
Folder
1-8
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1955-1957
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|
|
Box
4
Folder
9
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Contracts and rights
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|
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Correspondence
|
|
|
Box
5
Folder
1
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Actors Equity, 1953-1957
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|
|
Box
5
Folder
2
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Banking, 1954-1960
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|
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Box
5
Folder
3
|
League of New York Theatres, 1954-1955
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|
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Box
5
Folder
4
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Theatre parties, 1954-1955
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|
|
Box
5
Folder
5
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Ticket requests and complaints, 1954-1956
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|
|
Box
5
Folder
6
|
Miscellany, 1952-1960
|
|
|
Box
5
Folder
7
|
Financial statements
|
|
|
Box
5
Folder
8
|
Insurance
|
|
|
Box
5
Folder
9
|
Miscellany
|
|
|
Box
5
Folder
10
|
Physical production
|
|
|
Box
5
Folder
11
|
Publicity
|
|
|
Box
5
Folder
12
|
Royalties
|
|
|
WCFTR Title File
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Photographs
|
|
|
WCFTR Poster File
|
Posters
|
|
|
Box
5
Folder
13
|
Salary lists
|
|
|
Scripts
|
|
|
Box
5
Folder
14
|
Digest of Marius, Fanny, and Cesar by Goodrich and Hackett
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|
|
Box
5
Folder
15
|
Typed script, n.d.
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|
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Box
6
Folder
1-2
|
Weekly settlements, 1954-1957
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|
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The Good Soup (1960)
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|
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Box
6
Folder
3
|
Box office statements, 1960
|
|
|
Box
6
Folder
4
|
Contracts
|
|
|
Box
6
Folder
5
|
Correspondence, 1958-1961
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|
|
Box
6
Folder
6
|
Financial statements and weekly settlements
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|
|
Box
6
Folder
7
|
Marceau correspondence, 1959-1960
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|
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Box
6
Folder
8
|
Physical production
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|
|
WCFTR Poster File
|
Posters
|
|
|
Box
6
Folder
9
|
Programs
|
|
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Box
6
Folder
10
|
Reviews
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|
|
Scripts
|
|
|
Box
6
Folder
10A
|
Typed script adapted by Garson Kanin, May 15, 1959
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Box
6
Folder
11
|
Mimeo script, June 1, 1959
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|
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Box
6
Folder
12
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Theatre parties
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|
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Jamaica(1958)
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|
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Box office statements
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|
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Box
6
Folder
13-14
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1957-1958
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|
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Box
7
Folder
1-3
|
1958-1959
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|
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Box
7
Folder
4
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Contracts
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|
|
Box
7
Folder
5
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Correspondence, 1956-1960
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|
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Box
7
Folder
6
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Financial statements, 1957-1960
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|
|
Box
7
Folder
7
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Insurance
|
|
|
Box
7
Folder
8
|
Physical production
|
|
|
WCFTR Poster File
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Posters
|
|
|
Box
7
Folder
9
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Publicity
|
|
|
Box
7
Folder
10
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Royalties
|
|
|
Box
7
Folder
11
|
Salary lists
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|
|
Box
7
Folder
12
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Tickets for opening night
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|
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Box
7
Folder
13-14
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Weekly settlements
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Juniper and the Pagans
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Box
7
Folder
15
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Box office statements, 1959
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|
|
Box
7
Folder
16
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Contracts
|
|
|
Box
7
Folder
17
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Correspondence, 1959-1960
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|
|
Box
7
Folder
18
|
Financial statement and weekly settlements
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|
|
Box
8
Folder
1
|
Lighting
|
|
|
Box
8
Folder
2
|
Miscellany
|
|
|
WCFTR Title File
|
Photographs
|
|
|
Box
8
Folder
3
|
Reviews
|
|
|
Box
8
Folder
4-5
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Scripts (Actors, anno.)
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Look Back in Anger(1957)
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|
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Box
8
Folder
6-8
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Box office statements, 1957-1959
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|
|
Box
8
Folder
9
|
Contracts and rights
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|
|
Box
8
Folder
10
|
Correspondence
|
|
|
Box
9
Folder
1
|
Financial statements
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|
|
Box
9
Folder
2
|
Physical production
|
|
|
WCFTR Poster File
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Poster
|
|
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Box
9
Folder
3
|
Programs
|
|
|
Box
9
Folder
4
|
Publicity
|
|
|
Box
9
Folder
5
|
Royalties
|
|
|
Box
9
Folder
6
|
Salary lists
|
|
|
Box
9
Folder
7-8
|
Weekly settlements, 1957-1959
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|
|
Maria Golovin(1958)
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|
|
Box
9
Folder
9
|
Bills
|
|
|
Box
9
Folder
10
|
Contracts
|
|
|
Box
9
Folder
11
|
Correspondence, 1958
|
|
|
WCFTR Title File
|
Photographs
|
|
|
Box
9
Folder
12
|
Publicity and reviews
|
|
|
Box
9
Folder
13
|
Weekly settlements, box office statements, and salary lists
|
|
|
The Matchmaker(1956)
|
|
|
Box office statements
|
|
|
Box
9
Folder
14-16
|
1955-1956
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|
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Box
10
Folder
1
|
1957, n.d.
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|
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Box
10
Folder
2
|
Contracts
|
|
|
Correspondence
|
|
|
Box
10
Folder
3
|
Actor's Equity, 1955-1956
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|
|
Box
10
Folder
4
|
Cast, 1955-1957
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|
|
Box
10
Folder
5
|
Miscellaneous, 1955-1961
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|
|
Box
10
Folder
6
|
Financial statements, 1955-1957
|
|
|
Box
10
Folder
7
|
Health insurance
|
|
|
Box
10
Folder
8
|
Miscellany
|
|
|
Box
10
Folder
9
|
Physical production
|
|
|
Box
10
Folder
10
|
Programs
|
|
|
Box
10
Folder
11
|
Publicity
|
|
|
Box
10
Folder
12
|
Royalties
|
|
|
Box
11
Folder
1
|
Salary list
|
|
|
Box
11
Folder
2
|
Visas for cast
|
|
|
Box
11
Folder
3
|
Weekly settlements, 1955-1957
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|
|
Romanoff and Juliet(1958)
|
|
|
Box
11
Folder
4-8
|
Box office statements, 1957-1959
|
|
|
Box
12
Folder
1
|
Contracts
|
|
|
Box
12
Folder
2
|
Correspondence, 1956-1960
|
|
|
Box
12
Folder
3
|
Financial statements, 1957-1957
|
|
|
Box
12
Folder
4
|
Miscellany
|
|
|
WCFTR Title File
|
Photographs
|
|
|
Box
12
Folder
5
|
Physical production
|
|
|
WCFTR Poster File
|
Posters
|
|
|
Box
12
Folder
6
|
Programs
|
|
|
Box
12
Folder
7
|
Publicity
|
|
|
Box
12
Folder
8
|
Reviews and notices
|
|
|
Box
12
Folder
9
|
Royalties
|
|
|
Box
12
Folder
10-11
|
Salary lists
|
|
|
Box
12
Folder
12
|
Scripts (Actor's)
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|
|
Box
12
Folder
13
|
Tours
|
|
|
Box
13
Folder
1-3
|
Weekly settlements, 1957-1959
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|
|
Take Me Along(1959)
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|
|
Box
13
Folder
4-5
|
Box office statements, 1959-1960
|
|
|
Box
13
Folder
6-7
|
Contracts
|
|
|
Correspendence
|
|
|
Box
13
Folder
8
|
Actor's Equity, 1960-1961
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|
|
Box
13
Folder
9
|
Investors, 1959-1961
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Miscellaneous
|
|
|
Box
13
Folder
10
|
1955-1959
|
|
|
Box
14
Folder
1
|
1960-1961
|
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Box
14
Folder
2
|
Theatre parties, 1959-1960
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|
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Box
14
Folder
3
|
Ticket complaints, 1959-1960
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|
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Box
14
Folder
2
|
Theatre parties, 1959-1960
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|
|
Box
14
Folder
4
|
Financial accounts for theatre parties
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|
|
Box
14
Folder
5
|
Financial statements, 1959-1961
|
|
|
Box
14
Folder
6-7
|
Legal Miscellany
|
|
|
Box
14
Folder
8
|
Miscellany
|
|
|
Box
14
Folder
9
|
Opening night in New York
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|
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Box
14
Folder
10
|
Physical production
|
|
|
WCFTR Poster File
|
Posters
|
|
|
Box
14
Folder
11
|
Programs
|
|
|
Box
15
Folder
1
|
Promotion and publicity
|
|
|
Box
15
Folder
2
|
Royalties
|
|
|
Box
15
Folder
3
|
Salary lists
|
|
|
Box
15
Folder
4
|
Weekly settlements, 1959-1960
|
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|
Other plays
|
|
|
Box
15
Folder
5
|
Miscellaneous printed material
|
|
|
WCFTR Poster File
|
Posters for World of Suzie Wong, Taste of Honey, Gypsy, Do Re Mi, Crucible, Carnival, Beckett
|
|
|
Series: Script Files
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|
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Box
16
Folder
1
|
Achard, Marcel
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The Idiot, typed script, n.d.
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|
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Box
16
Folder
2
|
Adelman, Louis C.
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Dressed In Clean Clothes, typed script, 1958
|
|
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Box
16
Folder
3
|
Agran, Michael
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Genie, mimeo script, 1961
|
|
|
Box
16
Folder
4
|
Allan, Ted
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The Secret of the World, mimeo script, n.d.
|
|
|
Box
16
Folder
5
|
Barefield, Jack G.
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Catstick, mimeo script, n.d.
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|
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Box
16
Folder
6
|
Barrington, Lowell
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Like Father, typed script, n.d.
|
|
|
Box
16
Folder
7
|
Barry, Pete and Bob Kaufman
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|
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The Right People, mimeo script, n.d.
|
|
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Box
15
Folder
6
|
Bart, Lionel and Joan Maitland
|
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Blitz!, mimeo script, n.d.
|
|
|
Box
17
Folder
1
|
Beloin, Edmund and Henry Garson
|
|
|
The Red Parasol mimeo script, n.d.
|
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Box
17
Folder
2
|
Billetdoux, Francois
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|
|
The Auction, mimeo script adapted by Benn Levin, n.d.
|
|
|
Box
17
Folder
3
|
Bridges, James
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|
|
The Days of Dancing, mimeo script (anno.), 1961
|
|
|
Box
17
Folder
4
|
Bush-Fekete, L.& M.
|
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The Classmate, mimeo script, n.d.
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|
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Box
17
Folder
5
|
Chapman, Tedwell
|
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Drop In Anytime, mimeo script, 1960
|
|
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Box
17
Folder
6
|
Coleman, Lonnie
|
|
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Jolly's Progress, mimeo script, June 9, 1959
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|
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Box
17
Folder
7
|
Comden, Betty & Green Adolf
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|
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Subways are for Sleeping, typed script, May 12, 1961
|
|
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Box
17
Folder
8
|
Cook, Howard
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|
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Vashti, mimeo script, n.d.
|
|
|
Box
18
Folder
1
|
Copely, Gerard
|
|
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An Othello Story, mimeo script, n.d.
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|
|
Box
18
Folder
2
|
Coudert, Jo
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|
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A House Is Not, mimeo script, n.d.
|
|
|
Box
18
Folder
3
|
Donleavy, J.P.
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|
|
Fairy Tales Of New York, mimeo script, n.d.
|
|
|
Box
18
Folder
4
|
Drugger, Abel (Earl Grey)
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|
Esther the Queen, mimeo script, n.d.
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|
|
Box
18
Folder
5
|
Durston, David E.
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|
|
The Individual, mimeo script, 1960
|
|
|
Box
18
Folder
6
|
Fervar, Mitty
|
|
|
The Jackass Came to a Halt, typed script, n.d.
|
|
|
Box
18
Folder
7
|
Gottlieb, Alex
|
|
|
Grounds for Marriage, mimeo script, n.d.
|
|
|
Grossman, Budd
|
|
|
Box
19
Folder
1
|
Girl In Blue Jeans, mimeo script, n.d.
|
|
|
Box
19
Folder
2
|
The Over-Exposure of Harold Burke, typed script,, 1959
|
|
|
Box
19
Folder
3
|
Hayes, Joseph
|
|
|
The Midnight Sun, mimeo script, n.d.
|
|
|
Box
19
Folder
4
|
Hunter, Evan
|
|
|
And Kill A Stranger, mimeo script, n.d.
|
|
|
Box
19
Folder
5
|
John, Errol
|
|
|
Moon On A Rainbow Shawl, typed script, n.d.
|
|
|
Box
19
Folder
6
|
Jupp, Kenneth
|
|
|
The Socialities, typed script, n.d.
|
|
|
Box
19
Folder
7
|
Kehl, Gerry
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|
|
Jam Tomorrow, typed script, n.d.
|
|
|
Box
19
Folder
8
|
Knox, Alexander
|
|
|
Mr. and Mrs. Harmon, mimeo script, n.d.
|
|
|
Box
20
Folder
1
|
Lacey, Franklin
|
|
|
Brave New World, mimeo script, April 21, 1961
|
|
|
Box
20
Folder
2
|
Laurents, Arthur
|
|
|
The Sleep Walkers, typed script, n.d.
|
|
|
Box
20
Folder
3
|
Lieberman, Leo
|
|
|
The Captains and the Kings, mimeo script, n.d.
|
|
|
Box
20
Folder
4
|
Loos, Anita
|
|
|
Zut Alors, typed script, n.d.
|
|
|
Box
20
Folder
5
|
Love, Edmund G.
|
|
|
The Beautiful and Anxious Maidens, typed script, n.d.
|
|
|
Box
20
Folder
6
|
Love, Edmund G., and Bertrand Castelli
|
|
|
When It's Love, typed script, n.d.
|
|
|
Box
20
Folder
7
|
MacDougall, Roger and Ted Allan
|
|
|
Double Image, mimeo script, n.d.
|
|
|
Box
20
Folder
8
|
Mollison, A. P.
|
|
|
First Night, mimeo script, n.d.
|
|
|
Box
21
Folder
1
|
Neuveux, Georges
|
|
|
La Voleuse De Londres, mimeo script (anno.), n.d.
|
|
|
Box
21
Folder
2
|
Norman, Monty
|
|
|
Box
21
|
The Ballad of Doctor Crippen, typed script, n.d.
|
|
|
Box
21
Folder
3
|
Rachleff, Owen
|
|
|
A Crisis In Bumma, typed script, 1960
|
|
|
Box
21
Folder
4
|
Rattigan, Terence
|
|
|
Joie de Vivre, typed script, n.d.
|
|
|
Box
21
Folder
5
|
Richardson, Jack C.
|
|
|
As Happy As Kings, Mimeo script, n.d.
|
|
|
Box
21
Folder
6
|
Roli, Mino
|
|
|
The Judgement of Paris, mimeo script, n.d.
|
|
|
Box
21
Folder
7
|
Rome, Harold
|
|
|
I Can Get It For You Wholesale, mimeo script, 1961
|
|
|
Box
22
Folder
1
|
Sagan, Francoise
|
|
|
Chateau en Suede, mimeo script (anno.), n.d.
|
|
|
Box
22
Folder
2
|
Saroyan, William
|
|
|
Ho for Heaven, typed script, n.d.
|
|
|
Box
22
Folder
3
|
Scott, Allan
|
|
|
Memo, typed script, 1961
|
|
|
Box
22
Folder
4
|
Selvon, Samuel and Kenneth Pearson
|
|
|
The King of Spades, typed script, n.d.
|
|
|
Box
22
Folder
5
|
Shaffer, Antony
|
|
|
This Savage Parade, mimeo script, February 22, 1961
|
|
|
Box
22
Folder
6
|
Stein, Joseph
|
|
|
Ah Wilderness, typed script, n.d.
|
|
|
Box
22
Folder
7
|
Stewart, Michael
|
|
|
Carnival, mimeo script, n.d.
|
|
|
Box
22
Folder
8
|
Tabori, George
|
|
|
Brouhaha, mimeo script, 1959
|
|
|
Box
22
Folder
9
|
Tute, Warren
|
|
|
A Journey to Nowhere, mimeo script, n.d.
|
|
|
Box
22
Folder
10
|
Wesker, Arnold
|
|
|
The Kitchen, mimeo script, n.d.
|
|
|
Box
23
Folder
1
|
Willingham, Calder
|
|
|
A Song For St. Cecilia, mimeo script, n.d.
|
|
|
Box
23
Folder
2
|
Willis, Ted
|
|
|
Hot Summer Night, mimeo script, ca. 1958
|
|
|
Box
23
Folder
3
|
Young, Stanley
|
|
|
Laurette, mimeo script, n.d.
|
|
|
Unidentified authors
|
|
|
Box
23
Folder
4
|
A Cock to Asclepius, typed script, n.d.
|
|
|
Box
23
Folder
5
|
Here Is The News, mimeo script, n.d.
|
|
|
Box
23
Folder
6
|
Joe Alias, mimeo script, n.d.
|
|
|
Box
23
Folder
7
|
Vincent and His Angels, typed script, n.d.
|
|
|
Box
23
Folder
8
|
A Wonderful Life, typed script, n.d.
|
|
|
