Summary Information
Charlotte Russell Partridge and Miriam Frink Papers 1862-1980
- Partridge, Charlotte Russell, 1882-1975
- Frink, Miriam, 1892-1978
Milwaukee Mss 167; PH Milwaukee Mss 167; Audio 1318A; Audio 1330A; AD 921
31.5 cubic feet (69 archives boxes and 6 flat boxes), 9 tape recordings, 6.3 cubic feet of photographs (15 archives boxes and 1 lantern slide box), and 1 film reel (16 mm)
UW-Milwaukee Libraries, Archives / Milwaukee Area Research Ctr. (Map)Wisconsin Historical Society (Map)
Papers of Charlotte Russell Partridge and Miriam Frink, who in 1920 co-founded the Layton School of Art in Milwaukee, Wisconsin, and shared their personal and professional lives for fifty-five years. The collection contains the personal, professional, and civic papers of the two women with a focus on Wisconsin art, artists, and art education. Included are institutional records, photographs, slides, lantern slides, and 16 mm film footage of the Layton School of Art and Layton Art Gallery; administrative records and photographs of Wisconsin Depression-era federal art projects which Partridge directed; reference files of Wisconsin art exhibits and artists; and records of Wisconsin art organizations. There are materials pertaining to Frank Lloyd Wright and his 1930 architectural exhibit at the Layton Art Gallery. English
http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-mil00167 ↑ Bookmark this ↑
Biography/History
As it awarded Charlotte Russell Partridge a distinguished service award in 1965, the Wisconsin Chapter of the American Institute of Architects cited her for “a lifetime of activity in promoting the cause of art.” Foremost among her accomplishments was establishment of the Layton School of Art to prepare students for professional art-related careers in industry. Partridge served as director of the school for 34 years, developing it into a nationally recognized and accredited four-year professional art institution. Born in Minneapolis in 1881, Charlotte spent her childhood in Duluth. Father Frederick was an invalid and financial assistance came from Mother Carrie's wealthy brother, Arthur Orr. Uncle Arthur sent Charlotte to Dana Hall, a college preparatory school in Massachusetts. Poor grades and her father's death brought Charlotte home where she found her mother, sister, and brother in much reduced circumstances. The family soon relocated to Illinois. Charlotte and her sister, Eleanor, were sent to Northern Illinois Teacher's College in DeKalb. They both graduated in 1905 and were rewarded with a summer tour of Europe. Charlotte and Eleanor returned to teaching jobs in Oak Park, Illinois.
Family changes in 1909 included Eleanor's marriage to Arthur Harris, Mother's marriage to Henry Jordan, and brother Thomas Orr's bad conduct discharge from the Navy. Always a difficult child, the family grew increasingly suspicious that Orr (as he was called) was mentally unbalanced. Taking major responsibility for Orr took an emotional toll on Charlotte. Her mother urged her to give up teaching and offered to pay for Charlotte to attend an art school. She did go back to school, but her responsibility and concern for Orr continued until his death in 1963.
Charlotte thrived in her studies at the progressive Chicago School of Applied and Normal Art (later renamed the Church School of Art) and received her diploma in 1912 for a two-year course in normal art. She taught at the school for a year after graduation and later at the Francis Parker School in Chicago and the Chicago Kindergarten College. Concurrently, she engaged a studio where she devoted herself to design work, freelanced as a commercial artist, and studied painting at the traditional Chicago Art Institute night school. Her mother worried that Charlotte was “doing too much.” In fact, overworking became a lifelong habit for Charlotte. Under five feet tall, she was once described as a “tiny bundle of vision and energy.”
After she earned an Institute certificate, Charlotte jumped at an opportunity to do summer teaching at Commonwealth Art Colony in Boothbay Harbor, Maine with her mentor and former teacher, Miss Emma M. Church.
In 1914, Charlotte came to Milwaukee-Downer as a faculty member and later became head of the Fine Arts Department. She blew fresh air into a tired art curriculum and initiated one of the first occupational therapy courses in the country. Charlotte taught art as self-expression, a new concept in art education. Downer faculty member Elizabeth Upham later said, “Charlotte was a great teacher, especially of design and composition. She pioneered this field in art education.”
Charlotte met Miriam Frink, an English teacher at Downer, and the two hit it off based on mutual interests in theater, music, and art. Their friendship grew and in 1921 they rented their first apartment. The two lived together until 1973 when Charlotte entered the Mequon Care Center. She resided there until her death in 1975 at 92 years of age. Charlotte and Miriam built a studio cottage at Fox Point in 1930. Charlotte designed the cottage and closely supervised the carpenter, who had never built anything larger than a hen house. Their home in Mequon was completed in 1938. Functional and aesthetically pleasing, the house was designed according to sketches drawn by Charlotte and she supervised its construction.
Charlotte found Downer limiting and bristled under college president Ellen Sabin's strict rule. However, starting an art school had not occurred to her until Emma Church, in poor health, asked Charlotte to direct hers. Unwilling to move to Chicago, Charlotte bought Church's equipment and started her own art school in Milwaukee. Layton Art Gallery trustees committed their gallery basement, Miriam Frink joined Charlotte as co-director, and the Layton School of Art was incorporated as a non-profit institution of higher learning in August 1920. The school opened that fall with day and night courses for adult students and free Saturday classes for children.
Miriam and Charlotte continued teaching at Downer for two more years, while the women shared administrative duties and educational ideas at Layton. At Layton, Miriam taught literature appreciation and oversaw business and student activities, while Charlotte taught art classes and assumed responsibility for faculty and community activities.
In 1922, Partridge became director of the Layton Art Gallery, a position she kept until 1953. She also served on its board of trustees from 1921 to 1973. She brought current and important art exhibitions to Milwaukee and promoted Wisconsin artists through individual and group exhibits. Expanding the gallery's role, she prepared and circulated exhibitions by Wisconsin artists around the state and was involved in organizing the Wisconsin Centennial Art Exhibition in 1948.
A staunch supporter of modern art and design, Miss Partridge was involved in occasional controversies with artistic traditionalists. The American Institute of Architects criticized her in 1930 for showing an exhibit of Frank Lloyd Wright's work at the Layton gallery. Wright personally came to Milwaukee to set up the exhibit and speak on architecture. Critical in reviving Wright's sagging career, the exhibit traveled to various cities in the U.S. and Europe between 1930 and 1931. Asked to help plan and carry out the Public Works of Art Project, Charlotte went to Washington, D.C. in 1933. She helped lay the basic principles of the Federal Arts projects that gave financial support and creative impetus to America's unemployed artists during the Depression. She later served as Wisconsin State Chair of the project from 1933 to 1934 and continued as director of the Wisconsin Federal Art Project from 1935 to 1939. In 1940, she was asked by the Federal Works Agency to survey contemporary art and art institutions in the U.S. through Carnegie grant funding.
The Layton School of Art prospered and in 1951, with enrollment at 1,100 students, the school moved into its own building on Prospect Avenue. Employing cantilever construction and walls of glass block, the building was hailed as the most modern, picturesquely situated and functionally beautiful art school in the country.
Then, in a 1954 meeting, the Layton Board of Trustees voted to “retire” Partridge and Frink. Carried out over their objections and those of faculty, students, and alumni, the retirement was effective immediately. Earlier, Edmund Lewandowski had been chosen to replace them. The Board's position was that the work was too exhausting for them, but Partridge was told the school should be directed by a man.
A Layton graduate, Edmund Lewandowski was a controversial choice. Many felt that he was chiefly interested in promoting himself and were dismayed that Partridge had not been consulted regarding her replacement. Margaret Davis Clark, an alumna, later said, “I felt it was the beginning of the end. The school could not go on in the same way. It was very sad.”
Although embittered, the two remained involved with and dedicated to the institution. Partridge continued her service on the school's board of trustees until 1973, and both women continued their involvement with the Layton Art League. However, the ever-busy Charlotte had time on her hands and turned her attention to civic work.
Throughout her life, Charlotte was actively involved in an impressive array of professional and civic organizations. These included the Wisconsin Design-Craftsmen, Wisconsin Painters and Sculptors, Milwaukee Art Center, Women's Advertising Club of Milwaukee, Women's Auxiliary of the State Historical Society, and the Zonta Club of Milwaukee.
As president of the Zonta Service Committee, Charlotte spearheaded the Zonta Manor project. Zonta Manor was planned as a non-profit apartment building offering moderately-priced, independent living for the elderly. Serving as president of Zonta Manor Inc. from 1957 to 1965, she versed herself in the needs of the elderly and designed practical, innovative aids which were incorporated into the structure by architects Willis and Lillian Leenhouts. The building ran into financial difficulty and, in 1967, ownership transferred to the American Baptist Management Corporation which carried on its original purpose.
Miss Partridge was also a board member (circa 1966-1969) of the Walnut Area Improvement Council (WAICO), a self-help neighborhood project in a Milwaukee African American neighborhood. Charlotte did whatever was asked of her, which included guiding the group in parliamentary procedure and recruiting artists to teach at the community house.
In awarding Charlotte an honorary Doctor of Fine Arts degree in 1969, Lawrence University President Thomas S. Smith stated, “Your contributions to Wisconsin art--farsighted, even prophetic--have reached beyond the field of art into industry and the general cultural and social life of the state.” Frank Lloyd Wright stated it more succinctly, “She is something of a captain herself.”
Charlotte Partridge once said of Miriam Frink, her lifelong friend and companion, “Miss Frink is the head and I am the feet of the school.” Margaret Clark Davis stated, “Charlotte was marvelous and Miriam was tremendous along with her... Miriam was like a Great Dane--[she] protected, undergirded, and saw to it that things worked out for Charlotte.” Tall and dignified, Miss Frink had an authoritarian appearance. She ran the business end of the school and was the disciplinarian. Although herself talented in writing and oral interpretation, Miriam always took a back seat to Charlotte. Their individual talents complemented each other and the two, together, made Layton unique.
Miriam's father, Charles, was a prominent local physician in Elkhart, Indiana, where Miriam was born in 1892. Miriam's mother, Maude Robinson, was liberal, progressive, and taught Miriam to be open to new ideas. Frink received degrees at Milwaukee-Downer and Smith colleges, returning to Downer in 1915 to teach freshman English.
After Charlotte's death, Miriam continued working with a researcher hired to write a history of the Layton school and their biographies. In early 1977, she gave up the home the two had shared. Miriam Frink spent her last days at the Mequon Care Center and died later that year, at age 85, following a stroke.
Scope and Content Note
Papers of Partridge and Frink, who shared their personal and professional lives for fifty-five years. The collection is extensive and contains the personal, professional, and civic papers of the two women. The bulk of the collection relates to Wisconsin art, artists, and art education. Included are institutional records of the Layton School of Art and Layton Art Gallery, administrative records and photographs of Wisconsin Depression-era federal art projects, reference files of Wisconsin art exhibits and artists, and records of Wisconsin art organizations. The papers of both women may be found throughout many of the ten manuscript series, although the bulk of the papers are Charlotte's.
Researchers using the collection should be aware that Partridge, Frink, and Susan Habenicht, Frink's niece who was hired to write a history of the school, have all made later notes on documents and, in some cases, reorganized the files. Habenicht's red-penned notes and underlines are mostly found in the personal correspondence. Notes written by Charlotte or Miriam are often dated. Since original order of some files was confused, portions of the papers were reorganized to facilitate research use.
The Partridge and Frink Papers have been organized into ten series of paper records and five series of photographs. The pan series of paper records and five series of photographs. The paper record series are: Personal Papers of Charlotte Russell Partridge, Personal Papers of Miriam Frink, Researcher's Files, Layton School of Art, Layton Art Gallery, Layton Art Trust, Federal Arts Programs, Reference File, Walnut Area Improvement Council, and Zonta Club and Zonta Manor.
PERSONAL PAPERS OF CHARLOTTE RUSSELL PARTRIDGE (1862-1978) contain a variety of materials. Notable are her personal correspondence and that of her family, biographical items, papers concerning family history and family members, lectures given by Charlotte, materials relating to her work as a faculty member and head of the Fine Arts Department at Milwaukee-Downer College, scattered records of various civic and service organizations, journals and materials pertaining to her European and Latin American travels, and some of her written work and sketches.
Charlotte's incoming correspondence from family, companion Miriam Frink, friends, and professional acquaintances comprises the bulk of the series. The correspondence is organized chronologically and begins in 1862 with earlier letters written between members of her mother's family (Orr). Some of Charlotte's outgoing correspondence is included, sent primarily to family members.
There also are scattered items concerning Charlotte's education including records of the Church School of Art Alumni Group. A small file contains sketches and items concerning the Mequon house and Fox Point Studio.
A smaller series, PERSONAL PAPERS OF MIRIAM FRINK (circa 1911-1975) includes some biographical information, personal correspondence, family documents, scattered materials concerning her teaching career at Milwaukee-Downer, some of her own written work, and a few items from the American Association of University Women and the Meta Berger Memorial Committee. It appears that Frink did not save many of her own papers. Notes were discovered in which Miriam instructed Susan Habenicht to dispose of some of her files.
RESEARCHER'S FILES (1920-1976) concern materials developed and compiled by researchers hired by Charlotte and Miriam to write a history of the school and their biographies. Margaret Fish Rahill was hired around 1964 and let go in 1970 due to concerns over her progress. Frink's niece, Susan Frink Habenicht was hired to complete the project, which appears to have ended around the time Miriam went into the nursing home. Habenicht had physical possession of much of the collection at her residence in Boulder, Colorado until about 1976 when the papers were shipped to Golda Meir Library, University of Wisconsin-Milwaukee. The Researcher's Files are a particularly rich source of condensed information about the school and its co-founders. Included are correspondence; notes written by the researcher and the two women; research files; transcribed oral interviews; and an unpublished manuscript of the school's history and Charlotte's biography and obituary, written by Habenicht.
Of particular note are the transcribed interviews Habenicht conducted with Partridge, Frink, and Layton alumnae Margaret Davis Clark and Mary Lou Ballweg. The Clark interview is especially valuable in describing teaching methodology of the two women and the school's learning environment and atmosphere. Selected audio recordings of these interviews were retained to provide samples of verbal expression, when the transcription was not complete, and for important segments (e.g. discussion of Frank Lloyd Wright exhibit). There is also a transcribed interview with Partridge conducted by an Archives of American Art staff member.
The LAYTON SCHOOL OF ART (1910-1980) files are extensive and include the institutional records which Partridge and Frink took with them upon their departure in 1954. There are also records which were received and compiled by the two women up to the time of the school's closure. Included are administrative, statistical, financial, curricular, historical, publicity, and student-related materials. However, few files could be regarded as “complete” and it is likely they were part of a larger administrative subject file housed in the school office. For the most part, original order has been retained when known.
The most complete records relate to publicity and student recruitment as Partridge paid a great deal of attention to getting out information about the school and keeping it in the public eye. News Clippings were meticulously saved in scrapbooks and later, in loose form.
Special note should be made of a lengthy run of general correspondence (1921-1972). Correspondence with faculty documents Charlotte's emphasis on locating and hiring excellent teaching staff. Files pertaining to the Board of Trustees, finances, fund raising, the 1951 school building, enrollment, Layton Art League, and forced retirement of the two women are sizeable and thorough.
Notably lacking are annual yearbooks, and much in the way of student/staff directories and campus newsletters or newspapers. Materials pertaining to student activities and governance is thin.
Partridge served as both director and curator of the LAYTON ART GALLERY (1882-1975) and the records reflect that dual function, as they pertain both to gallery administration and gallery exhibitions. Administrative files include annual reports, articles of incorporation and by-laws, records and meeting minutes of the Board of Trustees, correspondence, financial records, catalogues and records of the permanent collection, items pertaining to gallery activities such as teas and concerts, public and radio lectures given by Partridge to promote art and gallery usage, and news clippings (1888-1962). Gallery diaries, 1911-1946, contain both narrative and statistical information about exhibitions and patrons. Files document Partridge's involvement in planning the Milwaukee County War Memorial Center. Also contained are newsletters, catalogs, and miscellaneous records of various Wisconsin art and artist organizations, including the Wisconsin Designer-Craftsmen and Wisconsin Painters and Sculptors.
Much of the series pertains to exhibitions. Organized alphabetically by exhibition name, individual files may include exhibit programs, invitations, Partridge's notes, correspondence with artist or promoter, records of incurred expenses, news clippings, press releases, list of exhibited works, and miscellaneous materials.
Partridge served on the Wisconsin Centennial Art Committee which held an exhibition of Wisconsin artists in the Layton Gallery and at the Wisconsin State Fair in 1948. The series contains records of the committee and personal history cards for each artist.
Other files concern the Frank Lloyd Wright exhibition at the Layton Gallery in 1930. Partridge wrote a narrative account of events surrounding the exhibition. Reference files about Wright were compiled by Charlotte and also form a part of this series. A taped NBC radio interview (circa 1956), entitled “Meet Frank Lloyd Wright” features interviews with Wright himself, Charlotte Partridge, Douglas Orr (former president of the American Institute of Architects), Walter Bublitz, real estate developer William Zeckendorf, Madison Mayor Ivan A. Nestingen, son David Wright, and H. F. Johnson of Johnson Wax Co. It was part of the radio series, “Biographies in Sound,” moderated by Morgan Beatty.
A small series, the LAYTON ART TRUST (1927-1952) contains financial and administrative records, minutes of trust board meetings, annual reports, and audit reports. The trust was established through provisions in Dr. Ernest Copeland's will. Trust income was allocated to either the gallery or school and allocation decisions were made by gallery trustees rather than the trustees of the art trust.
FEDERAL ARTS PROGRAMS (1933-1952) include administrative, personnel, and project records relating to the Public Works of Art and Federal Arts projects in Wisconsin. Partridge directed both. Although she was involved in early federal planning for these Depression-era art projects, evidence of this activity is not found in this series.
Records pertaining to artists accepted into the project and their artistic assignments form the bulk of the Public Works of Art Project files. Included are lists of artists, location artwork, a general index to artists, and a master list of allocated projects.
Files of the Federal Arts Project, a project under the Works Progress Administration, are less complete. Correspondence is primarily with federal project personnel, participating artists, and Margaret Davis Clark, who succeeded Charlotte as project director after her resignation in 1939. Other files include news clippings, mural competitions for Wausau and West Allis post offices, records concerning project-related exhibitions, and scattered materials of various projects including Civilian Conservation Corp camp artists, the Index of American Design, and WPA Handicraft Project.
Correspondence, reports, and survey data pertain to a National Arts Survey which Charlotte conducted in 1940, through Carnegie grant funding. The survey was conducted for the Section of Fine Arts, Federal Works Agency. Reports include “Art in Public Buildings” and “Report of Six Month Study of Art in the United States.” Survey data is arranged by state and is not complete.
Records documenting Partridge's work with the National Advisory Committee on WPA Community Service Projects and the Wisconsin-based WPA Advisory Committee, and the resulting National Art Week planning and activity files also form a part of the series.
Miss Partridge compiled a REFERENCE FILE (circa 1923-circa 1970) containing information about Wisconsin artists and Wisconsin galleries and various art collections. The files contain news clippings, and exhibition invitations, flyers, and programs. Individual artist files are organized alphabetically by the artist's last name and may also contain correspondence and photocopies of photographs.
The WALNUT AREA IMPROVEMENT COUNCIL (1965-1971) files contain board meeting minutes, scattered financial records, correspondence, newsletters, and miscellaneous materials concerning a self-help neighborhood group organized in one of Milwaukee's African American neighborhoods. There is one file about professional architects who assisted the council.
Both Charlotte and Miriam were involved with the ZONTA CLUB AND ZONTA MANOR (1935-1965). There is some material concerning the Zonta Club of Milwaukee, but the bulk of the records pertain to the planning and construction of Zonta Manor, an apartment housing project for elderly persons of moderate incomes. Included are administrative records, meeting minutes and reports, committee records, correspondence, financial records, and building planning and construction files.
Photographs, glass slides, transparencies, lantern slides, and 16mm film footage form the second part of the collection. It has been divided into five series: Charlotte Partridge, Miriam Frink, Layton Art Gallery, Layton School of Art, and Federal Art Projects.
The CHARLOTTE PARTRIDGE series contains snapshots and formal portraits of Charlotte and her family. Subject related photographs include the Church School of Art in Chicago, Commonwealth Art Colony (Boothbay Harbor, Maine), Charlotte's theatrical performances for the Woman's Club of Milwaukee, Milwaukee-Downer College, Zonta Club of Milwaukee and Zonta Manor, Charlotte's and Miriam's home in Mequon, Wisconsin and Fox Point Studio, a 1934 trip to Mexico, and images documenting other events in Charlotte's life.
The MIRIAM FRINK series includes snapshots and formal portraits of Miriam and her family. There are also group and recreational views of Miriam's student days at Elkhart High School (Indiana) and Milwaukee-Downer College.
LAYTON ART GALLERY images pertain to the building, Frederick Layton, permanent art collection, and several exhibitions which the gallery sponsored. The two photographs of the 1930 Frank Lloyd Wright exhibit in the gallery may be the only views of that exhibit which toured the United States and Europe between 1930 and 1931. There are also a series of photographs for the Army-At-War Art and Wisconsin Centennial Art exhibitions.
The bulk of photographs in the LAYTON SCHOOL OF ART series pertain to classroom work and student projects. However, images also include various school buildings, faculty art work, graduating classes, children's art classes, the Board of Trustees, snapshots of Layton faculty and other Wisconsin artists, and miscellaneous images. Three 16 mm film segments depict Layton classroom activities.
Photographs in the FEDERAL ART PROJECTS series are extensive, primarily consisting of views of project artists and their work for two projects: the Public Works of Art Project and Federal Arts Program. There are also images of work completed under the Index to American Design project and miscellaneous photographs relating to some aspect of the depression-era federal art projects. Photographs documenting Partridge's work for the National Arts Survey, a project funded by the Carnegie Corporation under Federal Works Agency sponsorship, include murals found in post offices and public buildings throughout the county.
Related Material
See also Layton School of Art and Design Records (Milwaukee Mss 168), Federal Art Project (Wis.) Records (Mss 1; Micro 1036), and the Charlotte Russell Partridge Collected Papers (Milwaukee Mss ED).
Administrative/Restriction Information
Presented by the Golda Meir Library, University of Wisconsin-Milwaukee; Miriam Frink, Mequon, Wisconsin; and Carolyn McGregor, River Hills, Wisconsin, 1969, 1975, 1983, 1984, 1988. Accession Number: M69-431, M75-428, M83-136, M84-332, M88-067
Processed by Gayle Martinson, 1998.
Contents List
Milwaukee Mss 167
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Series: Personal Papers of Charlotte Russell Partridge
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Box
1
Folder
1
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Biographical Materials, 1882-1978
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Box
1
Folder
2
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Calendars [Personal], 1941-1943, 1968
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Correspondence
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Box
1
Folder
3-12
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1862-1902
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Box
2
Folder
1-9
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1902-1904
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Box
3
Folder
1-8
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1905-1909
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Box
4
Folder
1-11
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1909-1917
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Box
5
Folder
1-9
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1917-1922
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Box
6
Folder
1-7
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1922-1924
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Box
7
Folder
1-8
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1925-1927
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Box
8
Folder
1-13
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1928-1939
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Box
9
Folder
1-10
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1940-1961
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Box
10
Folder
1-2
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1962-1974, undated
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Additional Correspondence Received in 2003
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Box
76
Folder
1
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1899-1919
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Box
76
Folder
2
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1920-1929
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Box
76
Folder
3
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1930-1939
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Box
76
Folder
4
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1940-1949
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Box
76
Folder
5
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1950-1959
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Box
76
Folder
6
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1960-1972
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Box
77
Folder
1
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undated
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Box
10
Folder
3
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Education, 1898-1914
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Box
10
Folder
4
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Artwork
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Box
70
Folder
1
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Diplomas and Awards
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Northern Illinois State Normal
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Box
10
Folder
5
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Nature Study Science Tablet, circa 1905
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Box
10
Folder
6
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Zoology Science Tablet, circa 1905
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Church School of Art Alumni Group
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Box
10
Folder
7
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Record Book, 1913-1915, 1940-1943
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Box
10
Folder
8
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Records, 1940-1943
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Box
10
Folder
9
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Honorary Degree from Lawrence University, 1969
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Box
77
Folder
2
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School papers, assignments, and grade reports, 1898-1902
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Family--Orr and Partridge
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Box
10
Folder
10-11
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Family History, 1867-1960
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Box
11
Folder
1
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Family Financial Record of Carrie Partridge [mother], 1894-1901
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Box
11
Folder
2
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Harris, Eleanor P. [sister]
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Box
11
Folder
3
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Partridge, Thomas Orr [brother]
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Box
11
Folder
4
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Unceasing Quest, unpublished manuscript of autobiographical fiction authored by Franklin L. Pierce [cousin], circa 1944
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Box
11
Folder
5
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House in Mequon and Fox Point Studio, 1930-1974, undated
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Box
11
Folder
6-7
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Lectures [Charlotte Russell Partridge's]
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Box
75
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Metal object with an “M” (for Miriam) and a “C” (for Charlotte) soldered together, undated
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Box
11
Folder
8
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Milwaukee-Downer College, 1917-1974
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Box
12
Folder
1-2
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Milwaukee-Downer College (continued)
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Box
12
Folder
3
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Class Notes and Materials
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Organizations
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Box
12
Folder
4
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Memberships
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Box
12
Folder
5
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Archives of American Art, 1966-1974
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Box
12
Folder
6
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City Club of Milwaukee, 1927-1933
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Box
12
Folder
7
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Conservation Organizations
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Box
12
Folder
8
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Delta Kappa Gamma
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Box
12
Folder
9
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Educational Committee of the Mayor's Committee of 100 on Youth, 1935-1937
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Box
12
Folder
10
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Family Service of Milwaukee, 1947-1967
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Box
12
Folder
11
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Junior League of Milwaukee, 1945-1965
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Box
12
Folder
12
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Lyric Opera Group, 1968-1969
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Box
12
Folder
13
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Milwaukee County Historical Society, 1931-1965
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Box
12
Folder
14
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Miscellaneous Community Services, 1919-1970
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Box
12
Folder
15
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National Conference of Christians and Jews
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Box
12
Folder
16
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National Society of the Colonial Dames of America
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Box
12
Folder
17
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State Historical Society of Wisconsin, 1947-1966
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Box
12
Folder
18
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And the Arts, 1937-1967
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Box
12
Folder
19
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Women's Auxiliary of the State Historical Society, 1954-1966
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Box
13
Folder
1
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Wisconsin Federation of Women's Clubs
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Box
13
Folder
2
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Woman's Clubs of Wisconsin
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Box
13
Folder
3
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Women's Advertising Club of Milwaukee, 1950-1954
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Box
77
Folder
3
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Personal notes and receipts, 1927-1962
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Box
77
Folder
4
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Personal items, address books, and programs, 1903-1974
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Box
13
Folder
4
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Travels
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Box
13
Folder
5
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European Trip, 1905
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Box
13
Folder
6
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European Trip Journals, 1905
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Box
13
Folder
7
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Seminar in Mexico [Committee on Cultural Relations with Latin American], 1933-1940
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Box
13
Folder
8
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World War II Activities, 1941-1943
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Writings and Sketches
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Box
13
Folder
9
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Charlotte Russell Partridge Pantomimes
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Box
13
Folder
10
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Design and Sketch Book, circa 1912
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Box
13
Folder
11
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Notes and Sketches [Charlotte Russell Partridge's]
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Box
13
Folder
12
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Sketches
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Box
13
Folder
13
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Writings
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Series: Personal Papers of Miriam Frink
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Box
13
Folder
14
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Biographical Information
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Box
13
Folder
15
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Correspondence, 1913-1975
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Box
14
Folder
1-2
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Correspondence (continued)
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Box
14
Folder
3
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John E. Emmerling, Attorney, 1967-1972
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Box
14
Folder
4
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Frink Family, 1936-1965
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Box
14
Folder
5
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Milwaukee-Downer College, 1911-1946
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Organizations
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Box
14
Folder
6
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American Association of University Women
|
|
Box
14
Folder
7
|
Meta Berger Memorial Committee, 1939-1946
|
|
Box
14
Folder
8
|
Smith College
|
|
Box
14
Folder
9
|
WPA Federal Art Project
|
|
Box
14
Folder
10
|
Watercolor Sketch of Miriam Frink by the St. Croix River, by Dudley Crafts Watson, 1923 September 7
|
|
Box
14
Folder
11
|
Writings and Notes
|
|
|
Series: Researcher's Files
|
|
Box
14
Folder
12
|
Correspondence, 1962-1976
|
|
|
Notes
|
|
|
Partridge and Frink Notes
|
|
Box
14
Folder
13
|
Frink's Notes to the Researcher
|
|
Box
14
Folder
14
|
Possible Researchers/Writers of LSA History
|
|
Box
14
Folder
15
|
Notes Regarding Margaret Fish Rahill
|
|
Box
14
Folder
16
|
Researcher's Notes
|
|
Box
14
Folder
17
|
Layton Art Gallery Exhibits
|
|
Box
15
Folder
1-2
|
Layton School of Art from , 1920 to 1930
|
|
Box
15
Folder
3-4
|
Partridge Family Correspondence from , 1882 to 1920
|
|
Box
15
Folder
5
|
Project Plans and Outlines
|
|
Box
15
Folder
6
|
Research Files
|
|
Box
15
Folder
7
|
Charlotte's Obituary
|
|
Box
15
Folder
8
|
Layton School of Art News clipping Collection at the Milwaukee Public Library, 1920-1967
|
|
Audio 1330A
|
Taped Interviews
|
|
1330A/1-2
|
With Mary Lou Ballweg and Miriam Frink, 1975
|
|
Milwaukee Mss 167
|
Transcribed Interviews
|
|
Box
15
Folder
9
|
With Margaret Davis Clark, 1974
|
|
Box
15
Folder
10
|
With Miriam Frink, 1973-1975
|
|
1330A/3-5
|
Taped Interview, 1973-1975 : Portions of Miriam Frink Interview not well transcribed.
|
|
Milwaukee Mss 167
Box
15
Folder
11
|
With Charlotte Partridge [by Archives of American Art staff], 1965
|
|
Box
16
Folder
1
|
With Charlotte Partridge, 1973
|
|
Audio 1330A
|
Taped Interview
|
|
1330A/6
|
Portion on Layton History
|
|
1330A/7
|
Portion on Frank Lloyd Wright Exhibit
|
|
Milwaukee Mss 167
|
Unpublished Manuscript, written by Susie Habenicht [M. Frink's niece]
|
|
Box
16
Folder
2
|
Preface
|
|
Box
16
Folder
3
|
Layton School of Art History and Partridge Biography
|
|
|
Series: Layton School of Art
|
|
|
Historical Context and Background
|
|
Box
16
Folder
4
|
Historical Documents, 1916-1972
|
|
Box
16
Folder
5
|
Church School of Art, 1910-1943
|
|
Box
16
Folder
6
|
Establishment of the School, 1920
|
|
Box
16
Folder
7
|
Memorabilia
|
|
Box
16
Folder
8
|
“Save Layton,” 1973-1977
|
|
Box
16
Folder
9
|
Closing of Layton, 1973-1975
|
|
|
Academics
|
|
Box
16
Folder
10
|
Accreditation, 1923-1953
|
|
Box
16
Folder
11
|
Curriculum, 1920-1954
|
|
Box
16
Folder
12
|
Chicago Excursions [class field trips], 1925-1937
|
|
Box
17
Folder
1
|
Evening Classes, 1921-1953
|
|
Box
17
Folder
2
|
Junior and Free Saturday Classes [children], 1924-1958
|
|
Box
17
Folder
3
|
Summer Classes, 1927-1957
|
|
Box
17
Folder
4
|
Rules and Regulations
|
|
Box
17
Folder
5-6
|
Schedule of Classes, 1922-1954
|
|
|
Day Classes
|
|
Box
17
Folder
7
|
Advertising Design, 1928-1952
|
|
Box
17
Folder
8
|
Appreciation of Literature, 1923-1936
|
|
Box
17
Folder
9
|
Architectural, 1923-1924
|
|
Box
17
Folder
10
|
Architectural Design, 1947-1950
|
|
Box
17
Folder
11
|
Basic Design, 1926-1951
|
|
Box
17
Folder
12
|
Costume Design, 1925-1932
|
|
Box
17
Folder
13
|
Dress Design, 1946-1953
|
|
Box
17
Folder
14
|
Handicrafts and Printmaking, 1924-1950
|
|
Box
17
Folder
15
|
History of Art, 1921-1954
|
|
Box
18
Folder
1
|
Industrial Design, 1929-1953
|
|
Box
18
Folder
2
|
Interior Design, 1927-1952
|
|
Box
18
Folder
3
|
Lettering, 1925-1935
|
|
Box
18
Folder
4
|
Nature Analysis, 1924-1932
|
|
Box
18
Folder
5
|
Painting and Illustration, 1926-1953
|
|
Box
18
Folder
6
|
Perspective, 1925-1951
|
|
Box
18
Folder
7
|
Photography, 1937-1953
|
|
Box
18
Folder
8
|
Psychology, 1928-1929
|
|
Box
18
Folder
9
|
Sculpture and Modeling, 1926-1952
|
|
Box
18
Folder
10
|
Stagecraft, 1940-1949
|
|
Box
18
Folder
11-12
|
Teacher Training, 1922-1951
|
|
Box
18
Folder
13
|
Alumni
|
|
Box
18
Folder
14
|
Alumni Association, 1972-1973
|
|
Box
18
Folder
15
|
Correspondence, 1939-1960
|
|
Box
18
Folder
16
|
Newsletters, 1960-1974
|
|
Box
18
Folder
17
|
Layton Art Club [alumni], 1934-1935
|
|
Box
18
Folder
18
|
Art Schools
|
|
Box
18
Folder
19
|
Milwaukee School of the Arts, 1974-1980
|
|
Box
19
Folder
1
|
Board of Trustees
|
|
Box
19
Folder
2-3
|
Correspondence, 1923-1974
|
|
Box
19
Folder
4-5
|
Meeting Minutes, 1929-1973
|
|
Box
19
Folder
6
|
Reports, 1927-1961
|
|
Box
19
Folder
7
|
Resolutions regarding Trustee Deaths, 1924-1955
|
|
Box
19
Folder
8
|
Competitions
|
|
Box
19
Folder
9
|
Milwaukee Journal Annual Calendar Art Contest
|
|
Box
20
Folder
1
|
Wisconsin State Fair
|
|
Box
20
Folder
2-7
|
Correspondence, 1921-1972
|
|
Box
20
Folder
8
|
Barnes Foundation
|
|
Box
20
Folder
9
|
Oberlaender Trust
|
|
Box
20
Folder
10
|
Cultural Inventory of Milwaukee, 1955-1956
|
|
Box
20
Folder
11
|
Enrollment Reports, 1924-1930
|
|
Box
21
Folder
1-4
|
Enrollment Reports, 1931-1963
|
|
|
Facilities
|
|
Box
21
Folder
5
|
Buildings-General
|
|
Box
70
Folder
2
|
Blueprints and Floorplans
|
|
Box
21
Folder
6-10
|
New Building, 1945-1953
|
|
Box
22
Folder
1
|
New Building, 1953-1961
|
|
Box
22
Folder
2
|
Equipment, 1951-1953
|
|
Box
22
Folder
3
|
Landscaping, 1951-1953
|
|
Box
22
Folder
4
|
Lane Property, 1946-1952
|
|
Box
22
Folder
5
|
Photography Department, 1951-1952
|
|
Box
22
Folder
6
|
Siesel Construction, 1949-1954
|
|
Box
22
Folder
7
|
Waldheim [architect], 1949-1954
|
|
Box
22
Folder
8
|
Faculty
|
|
|
Correspondence
|
|
Box
22
Folder
9
|
A-B, 1920-1965
|
|
Box
23
Folder
1-3
|
C-Z, 1920-1965
|
|
Box
23
Folder
4-6
|
1920-1948
|
|
Box
24
Folder
1
|
Boris Lovet-Lorski, 1949-1960
|
|
Box
24
Folder
2
|
Letter and Watercolors from Gerrit Sinclair, 1922
|
|
Box
24
Folder
3
|
Directories, 1923-1954
|
|
Box
24
Folder
4
|
Meetings, 1945-1953
|
|
Box
24
Folder
5
|
Notices to Faculty, 1934-1954
|
|
Box
24
Folder
6-8
|
Financial Materials
|
|
|
Audit Reports
|
|
Box
24
Folder
9-10
|
1936-1955
|
|
Box
25
Folder
1
|
1956-1972
|
|
|
Financial Record Books
|
|
Box
25
Folder
2
|
Daybook [Night School], 1925-1938
|
|
Box
25
Folder
3-4
|
Daybook [Day and Night School], 1925-1936
|
|
|
Journals
|
|
Box
71
|
1920-1923 1 volume
|
|
Box
71
|
1923-1925 1 volume
|
|
Box
71
|
1925-1928 1 volume
|
|
Box
71
|
1928-1930 1 volume
|
|
Box
72
|
1930-1933 1 volume
|
|
Box
72
|
1933-1937 1 volume
|
|
Box
72
|
1937-1944 1 volume
|
|
Box
25
Folder
5
|
Petty Cash Book, 1920-1929
|
|
Box
25
Folder
6
|
Trial Balance Book, 1920-1937
|
|
Box
25
Folder
7
|
Pension Plans
|
|
|
Fund raising
|
|
Box
26
Folder
1
|
Art Sale and Auction, 1929-1934
|
|
Box
26
Folder
2
|
Beaux Arts Ball, 1950-1952
|
|
Box
26
Folder
3
|
Carnegie Corporation
|
|
Box
26
Folder
4
|
Donations
|
|
Box
26
Folder
5-6
|
Fund Drive, 1941-1942
|
|
|
New Building Fund raising
|
|
Box
26
Folder
7-9
|
Fund Drive, 1949-1954
|
|
Box
26
Folder
10
|
Building Fund Reports, 1950-1951
|
|
Box
27
Folder
1
|
Second Phase Campaign-Report and Analysis, 1951-1952
|
|
Box
27
Folder
2
|
Layton Building Fund, 1959-1962
|
|
Box
27
Folder
3
|
Graduates [Lists and Statistics], 1929-1951
|
|
Box
27
Folder
4
|
Graduation
|
|
Box
70
Folder
3
|
Diploma [Sample], 1924
|
|
Box
27
Folder
5
|
Diplomas [Sample], 1949
|
|
Box
27
Folder
6
|
Guggenheim Foundation [Fellowships]
|
|
Box
27
Folder
7
|
Inter-American Relations in the Field of Art [Department of State], 1940
|
|
Box
27
Folder
8-9
|
Job Opportunities [Placement], 1921-1954
|
|
Box
27
Folder
10-11
|
Layton Art League, 1935-1970
|
|
Box
27
Folder
12
|
House and Garden Tour, 1936-1965
|
|
Box
28
Folder
1
|
Brochures, 1946-1970
|
|
Box
28
Folder
2
|
Building Fund, 1950-1952
|
|
Box
28
Folder
3
|
Membership Lists
|
|
Box
28
Folder
4
|
Lecture Program and Special Classes
|
|
Box
28
Folder
5
|
Memos and Notes [Charlotte Russell Partridge]
|
|
Box
28
Folder
6
|
The Milwaukee Arts Monthly, 1922
|
|
|
Newsletters
|
|
Box
28
Folder
7
|
Layton Yearly Gazette, 1939
|
|
Box
28
Folder
8
|
Palette Scrapings,
1927-1931
|
|
Box
28
Folder
9
|
Thumbtack, 1932-1942
|
|
Box
28
Folder
10-13
|
National Youth Administration [WPA], 1935-1943
|
|
Box
29
Folder
1
|
Payrolls, 1935-1939
|
|
|
Public Relations
|
|
Box
29
Folder
2
|
Advertising
|
|
Box
29
Folder
3
|
Advertising Service
|
|
Box
29
Folder
4
|
Publicity
|
|
Box
29
Folder
5
|
News Releases
|
|
|
News clipping Scrapbooks
|
|
Box
29
Folder
6
|
1920-1924
|
|
Box
30
Folder
1-9
|
1925-1952
|
|
Box
31
Folder
1-4
|
1953-1977
|
|
Box
31
Folder
5
|
Recruitment [of students], 1926-1949
|
|
Box
31
Folder
6
|
Registration
|
|
Box
31
Folder
7-8
|
“Retirement” of Charlotte Russell Partridge and Miriam Frink, 1951-1955
|
|
Box
31
Folder
9
|
Clippings, 1954
|
|
|
Correspondence Received
|
|
Box
31
Folder
10
|
1951-1954
|
|
Box
32
Folder
1
|
1954
|
|
Box
32
Folder
2
|
Edmund Lewandowski
|
|
Box
32
Folder
3
|
Meetings with Vogel, 1954
|
|
Box
32
Folder
4
|
Miscellaneous Materials, 1954-1955
|
|
Box
32
Folder
5
|
Notes of Charlotte Russell Partridge and Miriam Frink, 1953-1954
|
|
Box
32
Folder
6
|
Dedication Plaque, 1954-1955
|
|
Box
32
Folder
7
|
Scholarships
|
|
Box
32
Folder
8-9
|
Applicants and Recipients
|
|
Box
32
Folder
10
|
Correspondence
|
|
Box
33
Folder
1
|
Lists of Scholarship and Award Winners
|
|
Box
33
Folder
2
|
Scholastic Art Awards, 1934-1955
|
|
Box
33
Folder
3
|
Selective Service
|
|
Box
33
Folder
4-5
|
Soldier Letters [World War II]
|
|
Box
33
Folder
6
|
Soldier Letters, 1951-1954
|
|
Box
33
Folder
7
|
Staff
|
|
Box
33
Folder
8
|
Students
|
|
Box
33
Folder
9
|
Activities, 1921-1972
|
|
Box
33
Folder
10
|
Correspondence, 1921-1954
|
|
Box
33
Folder
11
|
Bureau of Immigrations [Mui Lun Kwan], 1931
|
|
Box
33
Folder
12
|
Layton Student Association, 1952
|
|
Box
33
Folder
13
|
Notices to Students, 1926-1954
|
|
Box
33
Folder
14
|
Student Council, 1941-1956
|
|
Box
34
Folder
1
|
Record Book, 1951-1952
|
|
Box
34
Folder
2
|
Student Directories, 1924-1949
|
|
Box
74
|
Student Scrapbook of Marquerite Grossenbach, 1920-1925
|
|
|
Students Who Died
|
|
Box
34
Folder
3
|
Hoppin, Helen Ione, 1919-1925
|
|
Box
34
Folder
4
|
Artwork
|
|
Box
34
Folder
5
|
Bookplates drawn by Hoppin
|
|
Box
34
Folder
6
|
Poems, Letters, etc., 1917-1925
|
|
Box
34
Folder
7
|
Pauley, Floyd, 1935
|
|
Box
34
Folder
8
|
Veterans
|
|
Box
34
Folder
9
|
War Effort [World War II]
|
|
Box
34
Folder
10
|
National Poster Competitions, 1940-1942
|
|
Box
34
Folder
11
|
Waupun State Prison, 1931-1942
|
|
Box
34
Folder
12
|
Wiken Plan [cooperation between Milwaukee's art groups], 1941-1942
|
|
Box
34
Folder
13
|
Wisconsin Centennial Committee on Wisconsin Women, 1946-1950
|
|
|
Series: Layton Art Gallery
|
|
|
Administration
|
|
Box
34
Folder
14-15
|
Annual Reports, 1907-1952
|
|
Box
35
Folder
1
|
Articles of Incorporation and By-laws
|
|
Box
35
Folder
2
|
“Opening of the Layton Art Gallery, April 5th A.D. 1888”
|
|
Box
35
Folder
3
|
Gallery History, 1882-1975
|
|
Box
74
Folder
1
|
Award to F. Layton [National Institute of Social Sciences]
|
|
Box
75
|
Scroll of Recognition to F. Layton [Wisconsin Painters and Sculptures], 1916
|
|
|
Gallery Diaries
|
|
Box
35
Folder
4
|
1911-1917
|
|
Box
73
|
1929-1935
|
|
Box
73
|
1935-1940
|
|
Box
73
|
1940-1946
|
|
Box
35
Folder
5
|
Information on Gallery Diaries, 1946
|
|
Box
35
Folder
6
|
Board of Trustees, 1920-1971
|
|
Box
35
Folder
7-8
|
Meeting Minutes, 1920-1973
|
|
Box
35
Folder
9
|
Trustees' Budget Committee/Finance Committee, 1933-1967
|
|
Box
35
Folder
10
|
Christmas Sale of Wisconsin Arts and Crafts
|
|
|
Entry Lists
|
|
Box
35
Folder
11-12
|
[A-Q], 1949
|
|
Box
36
Folder
11
|
[R-Z], 1949
|
|
Box
36
Folder
2-3
|
[A-Z], 1950
|
|
Box
36
Folder
4-5
|
Correspondence
|
|
Box
36
Folder
6
|
Jerry, Sylvester (Charles A. Wustum Museum of Fine Arts, Racine, Wisconsin)
|
|
Box
36
Folder
7
|
Milwaukee Art Center
|
|
Box
36
Folder
8
|
Milwaukee County Interracial Groups
|
|
Box
36
Folder
9
|
Milwaukee County War Memorial Center
|
|
Box
37
Folder
1-2
|
Milwaukee County War Memorial Center
|
|
Box
37
Folder
3-4
|
Public Service Letters
|
|
Box
37
Folder
5
|
With Wisconsin Artists, 1922-1938
|
|
Box
37
Folder
6
|
Exhibitions
|
|
Box
37
Folder
7
|
Exhibitions Sent to National Exhibition of American Art, New York
|
|
Box
37
Folder
8
|
Exhibitions on Loan [Loaned out]
|
|
|
Exhibitions Out
|
|
Box
37
Folder
9
|
Permanent Collection
|
|
Box
38
Folder
1-4
|
Wisconsin Artists, 1921-1951
|
|
Box
70
Folder
4
|
Miscellaneous Posters
|
|
|
Temporary Exhibits
|
|
Box
38
Folder
5-6
|
1921, 1924-1930
|
|
Box
39
Folder
1-6
|
1931-1955
|
|
Box
40
Folder
1-2
|
1956-1968, undated
|
|
Box
40
Folder
3
|
All-Milwaukee Photographic Group, 1936-1944
|
|
Box
40
Folder
4
|
Architectural League of New York [includes contacts made with Frank Lloyd Wright], 1937-1938
|
|
Box
40
Folder
5
|
Army at War Art Exhibition, 1944-1945
|
|
Box
40
Folder
6
|
Art Directors Club of Chicago
|
|
Box
40
Folder
7
|
Austrian Werkbund
|
|
Box
40
Folder
8
|
Britain in Wartime, 1944
|
|
Box
40
Folder
9
|
Colonial Dames Exhibition of Wisconsin-Owned Portraits
|
|
Box
40
Folder
10
|
Danish Posters
|
|
Box
40
Folder
11
|
Fifty Great Prints of the Year
|
|
Box
40
Folder
12
|
Gilcenstein, Enrico
|
|
Box
41
Folder
1
|
Hale, Frank Gardner [jewelry and enamels]
|
|
Box
41
Folder
2
|
Huppler, Dudley and John Wilde
|
|
Box
41
Folder
3
|
La Tausca Exhibit
|
|
Box
41
Folder
4
|
Layton Student Work
|
|
Box
41
Folder
5
|
Annual Student Exhibit
|
|
Box
41
Folder
6
|
Former Layton Students
|
|
Box
41
Folder
7
|
Photo Pictorialists
|
|
Box
41
Folder
8
|
Public School Art
|
|
|
Wisconsin Artists
|
|
Box
41
Folder
9-10
|
Individual Artists
|
|
Box
41
Folder
11
|
Muhs, Frederick
|
|
Box
41
Folder
12
|
Nutting, Myron C.
|
|
Box
41
Folder
13-14
|
Groups of Wisconsin Artists
|
|
Box
42
Folder
1
|
Wisconsin Centennial Exhibit, 1948
|
|
Box
42
Folder
2-4
|
Centennial Art Committee
|
|
|
Wisconsin Artists Personal History Cards
|
|
Box
42
Folder
5-9
|
A-L, 1948
|
|
Box
43
Folder
1-4
|
M-Z, 1948
|
|
Box
43
Folder
5
|
Wisconsin Press Art
|
|
Box
43
Folder
6
|
Wright, Frank Lloyd Exhibit, 1930
|
|
Box
43
Folder
7
|
Exhibit Clippings
|
|
Box
43
Folder
8
|
Materials Related to the Exhibit, 1930-1935
|
|
Box
43
Folder
9
|
Request for Wright's Involvement in Architectural League of New York Exhibit, 1938
|
|
|
Wright Reference File
|
|
Box
43
Folder
10-13
|
1940s-1960s
|
|
Box
43
Folder
14
|
Discussions/Lectures, 1945-1958
|
|
Box
43
Folder
15
|
Frank Lloyd Wright Day, 1956 and Testimonial Dinner, , 1955
|
|
Box
44
Folder
1
|
Monona Terrace, 1954-1959
|
|
Box
44
Folder
2
|
Publications
|
|
Box
44
Folder
3
|
Taliesin East and West
|
|
1330A/8
|
Taped interview - Wright on NBC Radio, circa 1956
|
|
1318A
|
“Biographies in Sound” on Frank Lloyd Wright, 1956 August 7 : Includes remarks by Partridge.
|
|
Milwaukee Mss 167
Box
44
Folder
4
|
Finances
|
|
Box
44
Folder
5-8
|
Audit Reports, 1919-1972
|
|
|
Journals
|
|
Box
74
|
1910-1925
|
|
Box
74
|
1925-1931
|
|
Box
45
Folder
1
|
1931-1941
|
|
Box
45
Folder
2
|
Receipts and Disbursements, 1924-1931
|
|
Box
45
Folder
3
|
Gallery Collection [Permanent], 1888-1966
|
|
Box
45
Folder
4
|
Catalogues, 1888-1921
|
|
Box
45
Folder
5
|
Copeland Collection and Trust
|
|
Box
45
Folder
6
|
Gifts
|
|
Box
45
Folder
7
|
Insurance on Permanent Collection Loaned
|
|
Box
73
|
Record of Copies Made of Art Works in Layton Gallery, 1892-1922
|
|
Box
45
Folder
8
|
Gallery Concerts
|
|
Box
45
Folder
9
|
Gallery Teas
|
|
Box
45
Folder
10
|
Gallery Tours
|
|
Box
45
Folder
11
|
Gimbel Wisconsin Art Collection
|
|
Box
45
Folder
12
|
Artist Biography Cards
|
|
|
Lectures
|
|
Box
46
Folder
1
|
In the Gallery, 1905, 1925-1952
|
|
Box
46
Folder
2-3
|
Out of the Gallery, 1923-1954
|
|
|
Radio Lectures
|
|
Box
46
Folder
4
|
“Art in Education,” 1933-1934
|
|
Box
46
Folder
5
|
“Art News,” 1933-1939
|
|
Box
46
Folder
6
|
“Century of Progress,” 1933
|
|
Box
46
Folder
7
|
Guest Speakers, 1933-1935
|
|
Box
46
Folder
8
|
“Layton School of Art,” 1933-1939
|
|
|
Merger
|
|
Box
46
Folder
9
|
Basic Documents and Minutes, 1888-1964
|
|
Box
46
Folder
10
|
Layton Gallery with Milwaukee Art Institute, 1920-1955
|
|
Box
46
Folder
11
|
Layton Gallery with Milwaukee War Memorial Center, 1946-1955
|
|
Box
46
Folder
12
|
Minnesota State Fair, 1922-1923
|
|
Box
46
Folder
13
|
Pictures and Antiques on the Market : Small sample
|
|
Box
46
Folder
14
|
Publicity
|
|
|
News clippings Scrapbooks
|
|
Box
47
Folder
1
|
1888-1927
|
|
Box
47
Folder
2
|
Exhibitions, 1920-1930
|
|
Box
47
Folder
3-6
|
1929-1963
|
|
Box
47
Folder
7
|
Rules
|
|
Box
47
Folder
8
|
Staff
|
|
|
Studies and Surveys
|
|
Box
47
Folder
9
|
Study of Museum Visitor Circulation, 1925-1926
|
|
Box
47
Folder
10
|
Survey of Art Schools, circa 1926
|
|
Box
47
Folder
11
|
Educational Activities in Art Museums Survey, 1938
|
|
Box
48
Folder
1
|
UNESCO Museum Programs
|
|
|
Wisconsin Art and Artist Organizations
|
|
Box
48
Folder
2
|
Allis Chalmers Sketch Club, 1953-1962
|
|
Box
48
Folder
3
|
Art Directors Club, 1954-1960
|
|
Box
48
Folder
4
|
League of Milwaukee Artists, 1930-1963
|
|
Box
48
Folder
5
|
Madison Art Association, 1952
|
|
Box
48
Folder
6
|
Men's Sketch Club of Milwaukee, 1945-1963
|
|
Box
48
Folder
7
|
Seven Arts Society, 1934-1962
|
|
Box
48
Folder
8
|
Walrus Club, 1927-1953
|
|
Box
48
Folder
9
|
Wisconsin Artists Federation, 1938-1964
|
|
Box
48
Folder
10-11
|
Wisconsin Designer-Craftsmen, 1938-1972 : See also Wisconsin Society of Applied Artists.
|
|
|
Annual Exhibition
|
|
Box
48
Folder
12
|
Catalogs, 1956-1966
|
|
Box
48
Folder
13
|
Prospectus, 1947-1961
|
|
Box
48
Folder
14
|
News clippings, 1939-1966
|
|
Box
48
Folder
15
|
Newsletter, 1938-1967
|
|
Box
48
Folder
16
|
Wisconsin Painters and Sculptors, 1935-1967
|
|
|
Annual Exhibition
|
|
Box
49
Folder
1-2
|
Catalogs, 1925-1967
|
|
Box
49
Folder
3
|
Prospectus, 1917-1967
|
|
Box
49
Folder
4-5
|
News clippings, 1923-1961
|
|
Box
49
Folder
6
|
Wisconsin Printmakers, 1945-1962
|
|
Box
49
Folder
7
|
Wisconsin Society of Applied Artists, 1915-1962 : Became Wisconsin Designer-Craftsmen
|
|
Box
49
Folder
8
|
Wisconsin Watercolor Society, 1954-1956
|
|
Box
49
Folder
9
|
World War II and Art
|
|
|
Series: Layton Art Trust
|
|
Box
50
Folder
1-2
|
Administration, 1930-1951
|
|
Box
50
Folder
3
|
Annual Reports, 1938-1952
|
|
Box
50
Folder
4-6
|
Audit Reports, 1927-1952
|
|
Box
50
Folder
7
|
Receipts and Disbursements, 1928-1940
|
|
|
Series: Federal Art Programs
|
|
|
Public Works of Art Project [U.S. Treasury Dept.], 1933-1934
|
|
|
Administration
|
|
|
Correspondence
|
|
Box
50
Folder
8
|
1933-1934
|
|
Box
51
Folder
1
|
1934-1939
|
|
Box
51
Folder
2
|
Advisory Committee, 1934
|
|
Box
51
Folder
3
|
Chicago [Regional Office], 1933-1934
|
|
Box
51
Folder
4
|
Form Letters
|
|
Box
51
Folder
5
|
Technical Committee, 1934
|
|
Box
51
Folder
6
|
Outdoor Relief (Federal Emergency Relief Administration), 1934-1935
|
|
Box
51
Folder
7
|
Publicity
|
|
Box
51
Folder
8
|
News clippings
|
|
|
Artists
|
|
Box
51
Folder
9-10
|
Artists Accepted, A-Z, 1933-1934
|
|
Box
51
Folder
11-12
|
Artists Dropped, A-Z
|
|
Box
52
Folder
1-2
|
Artists Rejected, A-Z
|
|
Box
52
Folder
3-4
|
Assignments of Wisconsin Artists, 1934
|
|
Box
52
Folder
5
|
Work Programs of Individual Artists [artwork produced], 1934
|
|
Box
52
Folder
6
|
General Index [to artists], 1933-1934
|
|
Box
52
Folder
7
|
Lists of Artists, 1934
|
|
Box
52
Folder
8
|
Location of Artists' Works, 1934
|
|
Box
52
Folder
9
|
Mass Protest of Artists, 1934
|
|
Box
52
Folder
10
|
Oaths Mail [Wisconsin artists employed on the project], 1933-1934
|
|
Box
52
Folder
11
|
Payroll, 1934
|
|
|
Projects
|
|
Box
52
Folder
12
|
Allocation Master List, 1934
|
|
Box
53
Folder
1-3
|
Allocations, A-Z, 1934
|
|
Box
53
Folder
4
|
Milwaukee County Courthouse Mural
|
|
Box
53
Folder
5
|
Register of Photographed Murals, 1934
|
|
Box
53
Folder
6
|
Requests for Projects, 1934
|
|
Box
53
Folder
7
|
Late Requests for Paintings, 1934-1935
|
|
|
Federal Arts Project [Works Progress Administration]
|
|
Box
53
Folder
8-9
|
Administration, 1935-1939
|
|
Box
53
Folder
10
|
Correspondence, 1934-1940
|
|
Box
54
Folder
1
|
Correspondence (continued)
|
|
Box
54
Folder
2
|
Charlotte Russell Partridge's Directorship, 1935-1937
|
|
Box
54
Folder
3
|
Cahill, Holger [Director, Federal Arts Project]
|
|
Box
54
Folder
4
|
Clark, Margaret Davis
|
|
Box
54
Folder
5
|
Holzhauer, Mildred
|
|
Box
54
Folder
6
|
Washington D. C., 1938-1942
|
|
Box
54
Folder
7
|
With Artists, 1935-1952
|
|
Box
54
Folder
8
|
Electricity Agreement
|
|
Box
54
Folder
9
|
News clippings
|
|
Box
54
Folder
10-11
|
Techniques
|
|
Box
54
Folder
12
|
WPA Artists
|
|
|
Competitions
|
|
Box
54
Folder
13
|
Wausau Post Office Mural, 1938-1939
|
|
Box
54
Folder
14
|
West Allis Post Office Mural, 1940-1943
|
|
|
Exhibitions
|
|
Box
54
Folder
15
|
Chicago Exhibits
|
|
Box
55
Folder
1
|
Local Exhibitions, 1935-1945
|
|
Box
55
Folder
2
|
Minnesota State Fair, 1937-1938
|
|
Box
55
Folder
3
|
National Exhibitions
|
|
|
Projects
|
|
Box
55
Folder
4
|
C.C.C. Camp Artists, 1934-1935
|
|
Box
55
Folder
5
|
Index of American Design, 1938-1939
|
|
Box
55
Folder
6
|
New York City Projects, 1938-1942
|
|
Box
55
Folder
7
|
New York World's Fair, 1937-1939
|
|
Box
55
Folder
8
|
Petition regarding Art Project to Phillip La Follette
|
|
Box
55
Folder
9
|
Treasury Relief Art Project, 1935-1937
|
|
Box
55
Folder
10
|
Virginia Artists' Colony, 1935
|
|
Box
55
Folder
11
|
WPA Handicraft Project, 1938
|
|
Box
55
Folder
12
|
Federal Sponsored Community Art Centers, undated : Bound by Wisconsin Handicraft Project artists
|
|
Box
56
Folder
1-2
|
Wisconsin Artists Calendar, 1936, 1938
|
|
|
National Arts Survey for Federal Works Agency, Section of Fine Arts, 1940
|
|
Box
56
Folder
3-4
|
Correspondence, 1938-1941
|
|
|
Reports [Charlotte Russell Partridge's]
|
|
Box
56
Folder
5
|
Art in Public Buildings, 1940 November
|
|
Box
56
Folder
6
|
Locations of Murals, 1940
|
|
Box
56
Folder
7
|
“Report of Six Month Study of Art in the United States,” 1940
|
|
|
Surveys
|
|
Box
56
Folder
8
|
California, 1940
|
|
Box
56
Folder
9
|
Connecticut, Illinois, and Indiana
|
|
Box
56
Folder
10
|
Delaware
|
|
Box
56
Folder
11
|
Massachusetts, Michigan, and Minnesota
|
|
Box
56
Folder
12
|
New Jersey, New York, and Ohio
|
|
Box
56
Folder
13
|
Pennsylvania
|
|
Box
56
Folder
14
|
Rhode Island and Vermont
|
|
Box
56
Folder
15
|
Wisconsin
|
|
|
Advisory Committee Work, 1940-1941
|
|
Box
57
Folder
1-3
|
National Advisory Committee on WPA Community Service Projects, 1940-1941
|
|
Box
57
Folder
4
|
National Art Week, 1941
|
|
Box
70
Folder
3
|
National Art Week
|
|
Box
57
Folder
5
|
Workers' Service Radio Scripts, 1940
|
|
Box
57
Folder
6
|
WPA Advisory Committee (Wisconsin), 1940-1941
|
|
Box
57
Folder
7-8
|
National Art Week (Wisconsin), 1941
|
|
|
Series: Reference File
|
|
|
Exhibitions and Galleries
|
|
|
Exhibitions
|
|
Box
58
Folder
1
|
Around the State
|
|
Box
58
Folder
2
|
At Fairs
|
|
Box
58
Folder
3
|
In the Milwaukee Area
|
|
Box
58
Folder
4-7
|
Of Wisconsin Artists, 1940-1966
|
|
Box
58
Folder
8
|
Out of State
|
|
Box
58
Folder
9
|
Allis Art Library
|
|
Box
58
Folder
10
|
American Galleries
|
|
Box
58
Folder
11
|
Charles Zadok Collection
|
|
Box
58
Folder
12
|
Bresler Galleries
|
|
Box
58
Folder
13
|
Bradley Galleries
|
|
Box
58
Folder
14
|
Irving Galleries
|
|
Box
58
Folder
15
|
Meta Mold Aluminum Company
|
|
|
Milwaukee Art Center
|
|
Box
58
Folder
16
|
Exhibitions
|
|
Box
59
Folder
1-2
|
Exhibitions (continued)
|
|
Box
59
Folder
3
|
Milwaukee Art Institute
|
|
Box
59
Folder
4
|
Annual Exhibition of Wisconsin Art
|
|
Box
59
Folder
5
|
Exhibitions
|
|
Box
59
Folder
6
|
Milwaukee-Downer College
|
|
Box
59
Folder
7
|
Milwaukee Jewish Center
|
|
Box
59
Folder
8-9
|
Milwaukee Journal Gallery [started by Charlotte Russell Partridge]
|
|
Box
59
Folder
10
|
Milwaukee Public Library
|
|
Box
60
Folder
1
|
Other Milwaukee Galleries
|
|
Box
60
Folder
2
|
Paine Art Center, Oshkosh Public Museum
|
|
Box
60
Folder
3
|
Neville Museum, Door County, Wisconsin
|
|
Box
60
Folder
4
|
Schuenke Galleries
|
|
Box
60
Folder
5
|
Wustum Museum, Racine, Wisconsin
|
|
Box
60
Folder
6
|
Other Wisconsin Galleries
|
|
|
Wisconsin Artists
|
|
Box
60
Folder
7
|
Art in Wisconsin
|
|
Box
60
Folder
8
|
Lists of, 1923-1956
|
|
Box
60
Folder
9
|
Individual Artists, A-C
|
|
Box
60
Folder
10
|
Anders, Willi
|
|
Box
60
Folder
11
|
Anderson, Donald
|
|
Box
60
Folder
12
|
Alshuler, Roberta
|
|
Box
60
Folder
13
|
Altman, Harold
|
|
Box
60
Folder
14
|
Baker, Helen
|
|
Box
60
Folder
15
|
Bakker, Gerhard
|
|
Box
60
Folder
16
|
Barnes, Burt
|
|
Box
60
Folder
17
|
Beck, John Leonard
|
|
Box
60
Folder
18
|
Behnke, Nile J.
|
|
Box
60
Folder
19
|
Bentley, Lester
|
|
Box
60
Folder
20
|
Beringer, Joan
|
|
Box
60
Folder
21
|
Berman Fred
|
|
Box
60
Folder
22
|
Biberstein, Franz
|
|
Box
60
Folder
23
|
Biesel, Fred
|
|
Box
60
Folder
24
|
Bieck, Marie
|
|
Box
60
Folder
25
|
Bode, Marion
|
|
Box
60
Folder
26
|
Boerner, Edward A.
|
|
Box
60
Folder
27
|
Boggs, Franklin
|
|
Box
60
Folder
28
|
Bohrod, Aaron
|
|
Box
60
Folder
29
|
Borchardt, Gordon
|
|
Box
61
Folder
1
|
Bradley, Jospeh Crane
|
|
Box
61
Folder
2
|
Brink, Guido
|
|
Box
61
Folder
3
|
Brunt, Louis
|
|
Box
61
Folder
4
|
Buffmire, Frank E.
|
|
Box
61
Folder
5
|
Burnham, Carol Lou
|
|
Box
61
Folder
6
|
Chapin, James
|
|
Box
61
Folder
7
|
Chase, Jessie
|
|
Box
61
Folder
8
|
Chase, Rebecca
|
|
Box
61
Folder
9
|
Christianson, Esther
|
|
Box
61
Folder
10
|
Clayton, Charles
|
|
Box
61
Folder
11
|
Clemens, Paul Lewis
|
|
Box
61
Folder
12
|
Cohn, Abraham
|
|
Box
61
Folder
13
|
Colescott, Warrington
|
|
Box
61
Folder
14
|
Colt, John
|
|
Box
61
Folder
15
|
Conant, Howard
|
|
Box
61
Folder
16
|
Conigliaro, Nicola
|
|
Box
61
Folder
17
|
Curry, John Stewart
|
|
Box
61
Folder
18
|
Czebotar, Theodore
|
|
Box
61
Folder
19
|
Individual Artists, D-G
|
|
Box
61
Folder
20
|
Daley, Richard
|
|
Box
61
Folder
21
|
Davidson, Jo
|
|
Box
61
Folder
22
|
Dietrich, George Adams
|
|
Box
61
Folder
23
|
Dietrich, Tom
|
|
Box
61
Folder
24
|
Dix, Charles
|
|
Box
61
Folder
25
|
Dommisse, Durwood
|
|
Box
61
Folder
26
|
Dornbusch, Adrian
|
|
Box
61
Folder
27
|
Doud, Jane Foster
|
|
Box
61
Folder
28
|
Drover, Alvin
|
|
Box
61
Folder
29
|
Dutkovich, Martin
|
|
Box
61
Folder
30.
|
Ebert, LeRoy
|
|
Box
61
Folder
31
|
Erskine, Gertrude Kundman
|
|
Box
61
Folder
32
|
Ewart, Ruth
|
|
Box
61
Folder
33
|
Faber, Eugene
|
|
Box
61
Folder
34
|
Farrell, Celine
|
|
Box
61
Folder
35
|
Fein, Sylvia
|
|
Box
61
Folder
36
|
Fernekes, Max
|
|
Box
61
Folder
37
|
Ferrara, Joseph
|
|
Box
61
Folder
38
|
Fischer, Hulda Rotier
|
|
Box
61
Folder
39
|
Florsheim, Richard
|
|
Box
61
Folder
40
|
Flower, Forrest
|
|
Box
61
Folder
41
|
Fournier, Alexis Jean
|
|
Box
61
Folder
42
|
Frame, Mabel
|
|
Box
61
Folder
43
|
Frank, Sepp
|
|
Box
61
Folder
44
|
Franz, Edward
|
|
Box
61
Folder
45
|
Frederiksen, George
|
|
Box
61
Folder
46
|
Friebert, Joseph and Betsy Ritz
|
|
Box
61
Folder
47
|
Garret, Lillian
|
|
Box
61
Folder
48
|
Gebhardt, Harold and Evelyn Sindel
|
|
Box
61
Folder
49
|
Geerlings, Gerald
|
|
Box
61
Folder
50
|
Gerard, Paula
|
|
Box
61
Folder
51
|
Gerstein, Mary
|
|
Box
61
Folder
52
|
Gessert, Earl
|
|
Box
61
Folder
53
|
Glasier, Marshall
|
|
Box
62
Folder
1
|
Goundie, George H.
|
|
Box
62
Folder
2
|
Green, Edward and Dorinne
|
|
Box
62
Folder
3
|
Greer, Jefferson
|
|
Box
62
Folder
4
|
Groenke, Sherman
|
|
Box
62
Folder
5
|
Groom, Emily
|
|
Box
62
Folder
6
|
Grossenbach, Maugerite : Also known as M. Barnum
|
|
Box
62
Folder
7
|
Grotenrath, Ruth : See also Lichtner, Schomer
|
|
Box
62
Folder
8
|
Gruppe, Antoinette
|
|
Box
62
Folder
9
|
Individual Artists, H-K
|
|
Box
62
Folder
10
|
Hansen, Armin O.
|
|
Box
62
Folder
11
|
Harlos, Stella
|
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Box
62
Folder
12
|
Hauser, Alonzo
|
|
Box
62
Folder
13
|
Heldner, Knute
|
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Box
62
Folder
14
|
Hicks, Morley
|
|
Box
62
Folder
15
|
Himmelfarb, Samuel
|
|
Box
62
Folder
16
|
Hlavacek, Joseph
|
|
Box
62
Folder
17
|
Hoffinan, Maximilian
|
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Box
62
Folder
18
|
Holberg, Richard
|
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Box
62
Folder
19
|
Holty, Carl
|
|
Box
62
Folder
20
|
Jansen, Richard
|
|
Box
62
Folder
21-22
|
Jegart, Rudolph
|
|
Box
62
Folder
23
|
Jensen, Richard
|
|
Box
62
Folder
24
|
Johnson, F.T.
|
|
Box
62
Folder
25
|
Jung, Wayne B.
|
|
Box
62
Folder
26
|
Kanellos, Vassos and Charlotte
|
|
Box
62
Folder
27
|
Karidis, Jerry
|
|
Box
62
Folder
28
|
Kazlov, Brian and Peter
|
|
Box
62
Folder
29
|
Kishner, Mel
|
|
Box
62
Folder
30
|
Kittleson, Earl
|
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Box
62
Folder
31
|
Knapp, Will
|
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Box
62
Folder
32
|
Knaths, Karl
|
|
Box
62
Folder
33
|
Kops, Simon
|
|
Box
62
Folder
34
|
Kormendi, Eugene and Elizabeth
|
|
Box
62
Folder
35
|
Kotilainen, Hans
|
|
Box
62
Folder
36
|
Kraynik, Rosemary and Ted
|
|
Box
62
Folder
37
|
Individual Artists, L-R
|
|
Box
62
Folder
38
|
Lachowicz, William and Dorothy
|
|
Box
62
Folder
39
|
Landt, Gerald
|
|
Box
63
Folder
1
|
LeClair, Charles
|
|
Box
63
Folder
2
|
Lee, Frances Newell
|
|
Box
63
Folder
3
|
Lee, Lowell M.
|
|
Box
63
Folder
4
|
Leenhouts, Lillian and Willis
|
|
Box
63
Folder
5
|
Lemp, Louise Pabst
|
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Box
63
Folder
6
|
Lewandoski, Edmund
|
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Box
63
Folder
7
|
Lichtner, Schomer and Ruth Grotenrath
|
|
Box
63
Folder
8
|
Lipp, Franz
|
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Box
63
Folder
9
|
Lippold, Richard
|
|
Box
63
Folder
10
|
Logan, Fred and Clarice George
|
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Box
63
Folder
11
|
Logan, Robert Dwight
|
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Box
63
Folder
12
|
Lovet-Lorski, Boris
|
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Box
63
Folder
13
|
Lusk, John
|
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Box
63
Folder
14
|
Lutiger, Harold
|
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Box
63
Folder
15
|
Madson, Jack
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Box
63
Folder
16
|
Major, Charlotte
|
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Box
63
Folder
17
|
Manierre, Samuel
|
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Box
63
Folder
18
|
Marr, Carl
|
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Box
63
Folder
19
|
Marshall, Scott
|
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Box
63
Folder
20
|
Matejovic, Philip
|
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Box
63
Folder
21
|
Matting, Donald
|
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Box
63
Folder
22
|
Mayer, Chester
|
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Box
63
Folder
23
|
Mayer, Louis
|
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Box
63
Folder
24
|
Mears, Helen R.
|
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Box
63
Folder
25
|
Mecikalski, Eugene
|
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Box
63
Folder
26
|
Meeker, Dean
|
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Box
63
Folder
27
|
Meredith, Dorothy
|
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Box
63
Folder
28
|
Miller, Donna
|
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Box
63
Folder
29
|
Moeller, Gustave
|
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Box
63
Folder
30
|
Moore, Gregory
|
|
Box
63
Folder
31
|
Morton, Edward
|
|
Box
63
Folder
32
|
Moynihan, Helen
|
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Box
63
Folder
33
|
Muhs, Frederick
|
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Box
63
Folder
34
|
Mundt, Donald
|
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Box
63
Folder
35
|
Muschinski, Joseph
|
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Box
63
Folder
36
|
New, George
|
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Box
63
Folder
37
|
Nowicki, Ervin E.
|
|
Box
63
Folder
38
|
Nutting, Myron
|
|
Box
63
Folder
39
|
O'Keefe, Georgia
|
|
Box
63
Folder
40
|
Owen, Jean
|
|
Box
63
Folder
41
|
Ozonott, Ida
|
|
Box
63
Folder
42
|
Pagac, John
|
|
Box
63
Folder
43
|
Parsons, David
|
|
Box
63
Folder
44
|
Pauley, Floyd
|
|
Box
63
Folder
45
|
Pelikan, Alfred G.
|
|
Box
63
Folder
46
|
Pescheret, Leon
|
|
Box
63
Folder
47
|
Peter, George
|
|
Box
63
Folder
48
|
Piccoli Girolamo
|
|
Box
63
Folder
49
|
Poehlmann, Jo Anna
|
|
Box
63
Folder
50
|
Pohl, LaVera
|
|
Box
63
Folder
51
|
Polchert, Stephen J.
|
|
Box
64
Folder
1
|
Pollard, George and Nan
|
|
Box
64
Folder
2
|
Potterveld, Burton
|
|
Box
64
Folder
3
|
Powell, Louis
|
|
Box
64
Folder
4
|
Priebe, Alan
|
|
Box
64
Folder
5
|
Priebe, Karl
|
|
Box
64
Folder
6
|
Quabius, Kempert
|
|
Box
64
Folder
7
|
Quirt, Walter W.
|
|
Box
64
Folder
8
|
Raab, George
|
|
Box
64
Folder
9
|
Raine, Earle
|
|
Box
64
Folder
10
|
Rathsack, Laurence
|
|
Box
64
Folder
11
|
Redell, Ray
|
|
Box
64
Folder
12
|
Riter, Carl
|
|
Box
64
Folder
13
|
Rost, Tom
|
|
Box
64
Folder
14
|
Rotier, Peter
|
|
Box
64
Folder
15
|
Rueping, Kurt
|
|
Box
64
Folder
16
|
Rupnow, Norman
|
|
Box
64
Folder
17
|
Individual Artists, S
|
|
Box
64
Folder
18
|
Savage, Eugene
|
|
Box
64
Folder
19
|
Schaefer, Josephine
|
|
Box
64
Folder
20
|
Schellin, Robert
|
|
Box
64
Folder
21
|
Schultz, Harold
|
|
Box
64
Folder
22
|
Schwartz, Lester O.
|
|
Box
64
Folder
23
|
Sessler, Alfred
|
|
Box
64
Folder
24
|
Sinclair, Gerrit
|
|
Box
64
Folder
25
|
Spicuzza, Francesco
|
|
Box
64
Folder
26
|
Spransy, Celeste
|
|
Box
64
Folder
27
|
Steichen, Edward
|
|
Box
64
Folder
28
|
Stem, Lucia
|
|
Box
64
Folder
29
|
Sternfeld, Edith
|
|
Box
64
Folder
30
|
Stoltenberg, Hans J.
|
|
Box
64
Folder
31
|
Stuart, Kenneth
|
|
Box
64
Folder
32
|
Summ, Helmut
|
|
Box
64
Folder
33
|
Individual Artists, T-Z
|
|
Box
64
Folder
34
|
Thomas, Howard
|
|
Box
64
Folder
35
|
Thomasita, Sister Mary
|
|
Box
64
Folder
36
|
Thompson, Janet Reid
|
|
Box
65
Folder
1
|
Thrall, Arthur
|
|
Box
65
Folder
2
|
Thwaites, Charles and Antoinette
|
|
Box
65
Folder
3
|
Tillotson, Alexander
|
|
Box
65
Folder
4
|
Townley, Hugh
|
|
Box
65
Folder
5
|
Ulbricht, Elsa
|
|
Box
65
Folder
6
|
Valentine, Marion Kissinger
|
|
Box
65
Folder
7
|
Vassilev, Kyril
|
|
Box
65
Folder
8
|
Veenedaal, Wilfred
|
|
Box
65
Folder
9
|
Volk, Victor
|
|
Box
65
Folder
10
|
Von Neumann, Robert and Angela
|
|
Box
65
Folder
11
|
Wagner, Ferd
|
|
Box
65
Folder
12
|
Waldheim, Jack
|
|
Box
65
Folder
13
|
Watrous, James
|
|
Box
65
Folder
14
|
Watson, Dudley Crafts
|
|
Box
65
Folder
15
|
Weaver, Jack
|
|
Box
65
Folder
16
|
Weismann, Donald L.
|
|
Box
65
Folder
17
|
White, Doris
|
|
Box
65
Folder
18
|
Wiken, Dick
|
|
Box
65
Folder
19
|
Wilde, John
|
|
Box
65
Folder
20
|
Young, Jane
|
|
Box
65
Folder
21
|
Zingale, Santos
|
|
|
Series: Walnut Improvement Council
|
|
Box
65
Folder
22-24
|
WAICO - General Materials, 1965-1971
|
|
Box
65
Folder
25
|
Architects Concerned in WAICO, 1969-1970
|
|
Box
66
Folder
1-3
|
Board Minutes, 1966-1971
|
|
Box
66
Folder
4
|
Treasurer
|
|
|
Series: Zonta Club and Zonta Manor
|
|
Box
66
Folder
5
|
Zonta Club of Milwaukee, 1935-1937
|
|
Box
66
Folder
6
|
Cookbook, 1954-1959
|
|
Box
66
Folder
7
|
Radio Lectures, 1938-1939
|
|
Box
66
Folder
8
|
Service Committee, 1954-1958
|
|
|
Zonta Manor
|
|
|
Administrative
|
|
Box
66
Folder
9-10
|
General Materials, 1956-1969
|
|
Box
67
Folder
1-5
|
General Materials, 1956-1969 (continued)
|
|
Box
67
Folder
6
|
Annual Meetings of Members and Reports, 1958-1965
|
|
Box
67
Folder
7
|
Background - Historical and Legal, 1954-1963
|
|
Box
67
Folder
8
|
Building Manager [Sue Elling], 1964-1965
|
|
|
Committees
|
|
Box
67
Folder
9
|
Admissions
|
|
Box
67
Folder
10
|
Executive, 1959-1965
|
|
Box
67
Folder
11
|
House
|
|
Box
68
Folder
1
|
Liaison
|
|
|
Correspondence
|
|
Box
68
Folder
2
|
From Members, 1956-1960
|
|
Box
68
Folder
3
|
Ruess, Henry S., 1956-1965
|
|
Box
68
Folder
4
|
Application for Spic & Span Community Service Award, 1960-1961
|
|
|
Building Construction
|
|
Box
68
Folder
5
|
Building Dedication, 1964-1965
|
|
Box
68
Folder
6
|
House at 1831 N. Cambridge
|
|
Box
68
Folder
7-8
|
Leenhouts, Willis and Lillian [architects]
|
|
Box
68
Folder
9
|
Specifications for Zonta Manor Inc., 1963
|
|
Box
70
Folder
5
|
Floorplans and Renderings
|
|
Box
68
Folder
10
|
Vivrett, Walter K. [building consultant]
|
|
Box
69
Folder
1
|
Community Welfare Council of Milwaukee County. Committee on Aging
|
|
|
Finances
|
|
Box
69
Folder
2
|
FHA Loan
|
|
Box
69
Folder
3
|
Financial Materials
|
|
Box
69
Folder
4
|
Fund raising
|
|
Box
69
Folder
5
|
Piper, Vincent
|
|
Box
69
Folder
6
|
Planning
|
|
Box
69
Folder
7
|
Development Study
|
|
Box
69
Folder
8
|
Shea, Edmund
|
|
Box
69
Folder
9
|
Public Relations
|
|
Box
69
Folder
10
|
Wisconsin Governor's Conference on Aging, 1958-1963
|
|
PH Milwaukee Mss 167
|
Series: Charlotte R. Partridge Photographs
|
|
|
Portraits
|
|
Box
1
Folder
1
|
Childhood
|
|
Box
1
Folder
2
|
Young Adult
|
|
Box
1
Folder
3
|
Middle Adult Years
|
|
Box
1
Folder
4
|
Elderly
|
|
Box
1
Folder
5
|
Snapshots
|
|
Box
1
Folder
6
|
In Duluth [unidentified groups]
|
|
Box
1
Folder
7
|
Miriam and Charlotte
|
|
Box
1
Folder
8
|
With her Dogs
|
|
Box
1
Folder
9-12
|
Partridge and Orr Families
|
|
Box
1
Folder
13
|
Carrie Orr Partridge Jordan [Charlotte Russell Partridge's mother]
|
|
Box
1
Folder
14
|
Orr [Arthur] Home in Madison, Indiana
|
|
|
Personal photographs, 1903, 1937, 1945, 1961, undated : Additions presented in 2003.
|
|
|
Subject-Related
|
|
Box
1
Folder
15
|
Area Events and Organizations
|
|
Box
1
Folder
16
|
Awards and Honorary Degrees
|
|
Box
1
Folder
17
|
Church School of Art, Chicago
|
|
Box
1
Folder
18
|
Commonwealth Art Colony, Boothbay Harbor, Maine
|
|
Box
1
Folder
19-20
|
Dana Hall [college preparatory school], Massachusetts
|
|
Box
1
Folder
21
|
Fox Point Studio
|
|
Box
1
Folder
22
|
John G. Whittier School, Oak Park, Illinois
|
|
Box
1
Folder
23
|
Mequon Home
|
|
Box
15
Folder
5
|
8 color slides
|
|
Box
1
Folder
24
|
Interiors
|
|
Box
1
Folder
25
|
Mexico, 1934
|
|
Box
1
Folder
26
|
Milwaukee - Downer College
|
|
Box
1
Folder
27
|
Oberlander Group
|
|
Box
1
Folder
28
|
Woman's Club of Milwaukee - Theatrical Performances
|
|
Box
1
Folder
29
|
Zonta Club of Milwaukee
|
|
Box
1
Folder
30
|
Zonta Manor
|
|
|
Series: Miriam Frink Photographs
|
|
Box
1
Folder
31-32
|
Portraits
|
|
Box
1
Folder
33
|
Snapshots
|
|
Box
1
Folder
34
|
At Milwaukee Downer and Elkhart High School
|
|
Box
1
Folder
35-36
|
With Family
|
|
Box
1
Folder
37
|
Family
|
|
Box
2
Folder
1
|
Birthplace of Angeline Shaw Frink
|
|
|
Series: Layton Art Gallery Photographs
|
|
|
Administrative
|
|
|
Building
|
|
Box
2
Folder
2
|
Exterior
|
|
Box
2
Folder
3
|
Interior
|
|
Box
16
Folder
1
|
Lantern slide
|
|
Box
2
Folder
4
|
Layton, Frederick
|
|
Box
16
Folder
2
|
Lantern slide
|
|
Box
2
Folder
5-11
|
Permanent Collection
|
|
Box
16
Folder
3-26
|
Lantern slides
|
|
Box
2
Folder
12-13
|
Exhibitions
|
|
Box
2
Folder
14
|
Architectural League Exhibition- Milwaukee Decorative Arts and Crafts
|
|
Box
2
Folder
15-17
|
Army-At-War Art
|
|
Box
2
Folder
18
|
Artist's Work [non-Wisconsin]
|
|
Box
2
Folder
19
|
Frank Lloyd Wright
|
|
Box
2
Folder
20-21
|
Layton School Exhibit Panels
|
|
Box
2
Folder
22
|
Wisconsin Centennial Art
|
|
|
Series: Layton School of Art Photographs
|
|
Box
2
Folder
23
|
Board of Trustees
|
|
|
Buildings
|
|
Box
2
Folder
24
|
Original Building
|
|
|
1951 Building
|
|
Box
2
Folder
25
|
Exterior
|
|
Box
2
Folder
26
|
Interior
|
|
Box
2
Folder
27
|
Planning and Construction
|
|
Box
2
Folder
28
|
The Arthur K. Camp House
|
|
Box
2
Folder
29-30
|
Campus Views
|
|
|
Classes
|
|
Box
2
Folder
31
|
Architecture
|
|
Box
2
Folder
32-33
|
Children's Art
|
|
Box
3
Folder
1-3
|
Children's Art (continued)
|
|
AD 921
Segment
3
|
Children's Outdoor Nature Class
|
|
PH Milwaukee Mss 167
Box
3
Folder
4-6
|
Costume and Textile
|
|
Box
3
Folder
7-8
|
Drawing and Painting
|
|
Box
3
Folder
9
|
Charlotte Russell Partridge Teaching
|
|
Box
3
Folder
10-13
|
Industrial Design and Graphics
|
|
Box
3
Folder
14
|
Life Drawing
|
|
Box
16
Folder
35-36
|
Lantern slides
|
|
Box
3
Folder
15-16
|
Miscellaneous
|
|
AD 921
Segment
1
|
Art Exhibit/Indoor and Outdoor Layton Art Classes
|
|
AD 921
Segment
2
|
Students Demonstrating Various Art Processes
|
|
PH Milwaukee Mss 167
Box
3
Folder
17-18
|
Photography
|
|
Box
3
Folder
19
|
Pottery
|
|
Box
3
Folder
20-23
|
Sculpturing
|
|
Box
3
Folder
24-28
|
Sketching
|
|
Box
3
Folder
29-30
|
Faculty
|
|
Box
3
Folder
31
|
Faculty Art Works
|
|
Box
3
Folder
32
|
Baker, Gerhard
|
|
Box
3
Folder
33
|
Flower, Forrest
|
|
Box
3
Folder
34
|
Groom, Emily
|
|
Box
3
Folder
35
|
Jansen, Richard
|
|
Box
3
Folder
36
|
Jegart, Rudolf
|
|
Box
4
Folder
1
|
Lovet-Lorski, Boris
|
|
Box
4
Folder
2
|
Nutting, Myron
|
|
Box
4
Folder
3
|
Priebe, Karl
|
|
Box
4
Folder
4
|
Rotier, Peter
|
|
Box
4
Folder
5
|
Sinclair, Gerrit
|
|
Box
4
Folder
6
|
Tillotson, Alexander
|
|
Box
4
Folder
7
|
Layton Art League
|
|
|
Student Projects
|
|
Box
15
Folder
1-4
|
72 color, glass-plate slides
|
|
Box
4
Folder
8-9
|
Competitions
|
|
Box
4
Folder
10-15
|
Composition
|
|
Box
16
Folder
27-34
|
Lantern slides
|
|
Box
4
Folder
16
|
Costume Sketches
|
|
Box
4
Folder
17-18
|
Design
|
|
Box
4
Folder
19
|
Fashion Design
|
|
Box
4
Folder
20-21
|
Fashion Shows
|
|
Box
4
Folder
22
|
Furniture Design
|
|
Box
4
Folder
23
|
Illustration
|
|
Box
4
Folder
24-27
|
Industrial Design/Interior Design/Architecture
|
|
Box
4
Folder
28
|
Lettering Graphics
|
|
Box
4
Folder
29-30
|
Life Drawing
|
|
Box
4
Folder
31
|
Miscellaneous
|
|
Box
5
Folder
1
|
Nature
|
|
Box
5
Folder
2
|
Photography
|
|
Box
5
Folder
3-5
|
Portraits and Illustration
|
|
Box
5
Folder
6-9
|
Poster Advertising
|
|
Box
5
Folder
10
|
World War II Theme
|
|
Box
5
Folder
11-13
|
Sculpture and Pottery
|
|
|
Students
|
|
Box
5
Folder
14-16
|
Sketches and Paintings
|
|
Box
5
Folder
17-18
|
Still Life
|
|
Box
5
Folder
19-20
|
Exhibitions
|
|
Box
5
Folder
21
|
Graduating Classes
|
|
Box
5
Folder
22-23
|
Individual Portraits
|
|
Box
5
Folder
24-27
|
Student Life
|
|
Box
5
Folder
28
|
With Charlotte Russell Partridge and Miriam Frink
|
|
Box
5
Folder
29-30
|
Wisconsin Artists
|
|
Box
5
Folder
31
|
Kolilainen, Hans
|
|
|
Series: Federal Art Projects Photographs
|
|
|
Public Works of Art Project-Artists and their Work
|
|
Box
5
Folder
32
|
Andrews, Harold
|
|
Box
5
Folder
33
|
Bailey, Carroll
|
|
Box
5
Folder
34
|
Bakker, Gerhard
|
|
Box
5
Folder
35
|
Bastien, Rufus
|
|
Box
5
Folder
36
|
Biehn, Irving
|
|
Box
6
Folder
1
|
Chase, Jessie
|
|
Box
6
Folder
2
|
Clemons, Paul
|
|
Box
6
Folder
3
|
Colt, Arthur
|
|
Box
6
Folder
4
|
Cozinton, Carl
|
|
Box
6
Folder
5
|
Dietrich, George
|
|
Box
6
Folder
6
|
Elsner, Albert
|
|
Box
6
Folder
7
|
Erickson, Oscar
|
|
Box
6
Folder
8
|
Entz, Bruno
|
|
Box
6
Folder
9
|
Evans, Pryce
|
|
Box
6
Folder
10
|
Faber, Eugene
|
|
Box
6
Folder
11
|
Ferris, Reubey
|
|
Box
6
Folder
12
|
Franz, Edward
|
|
Box
6
Folder
13
|
Frederickson, Lee
|
|
Box
6
Folder
14
|
Gantz, Samuel
|
|
Box
6
Folder
15
|
Gebhardt, Harold
|
|
Box
6
Folder
16
|
George, Clarice
|
|
Box
6
Folder
17
|
Grielens, Jacob
|
|
Box
6
Folder
18
|
Groom, Emily
|
|
Box
6
Folder
19
|
Grotenrath, Ruth
|
|
Box
6
Folder
20
|
Gruppe, Antoinette
|
|
Box
6
Folder
21
|
Hansen, Armin
|
|
Box
6
Folder
22
|
Himmelfarb, Sam
|
|
Box
6
Folder
23
|
Jansen, Richard
|
|
Box
6
Folder
24
|
Kanellos, Charlotte
|
|
Box
6
Folder
25
|
Lichtner, Schomer
|
|
Box
6
Folder
26
|
Logan, Robert Dwight
|
|
Box
6
Folder
27
|
Meredith, Dorothy
|
|
Box
6
Folder
28
|
Morey, Norman
|
|
Box
6
Folder
29
|
Neuman, Robert von
|
|
Box
6
Folder
30
|
Nutting, Myron C.
|
|
Box
6
Folder
31
|
Parsons, David
|
|
Box
6
Folder
32
|
Pollock, Merlin
|
|
Box
6
Folder
33
|
Potterveld, Burton
|
|
Box
6
Folder
34
|
Powell, Louis
|
|
Box
6
Folder
35
|
Ramthun, Bernice
|
|
Box
6
Folder
36
|
Rost, Tom
|
|
Box
6
Folder
37
|
Rotier, Peter
|
|
Box
6
Folder
38
|
Schellin, Robert
|
|
Box
7
Folder
1
|
Sharp, E. H.
|
|
Box
7
Folder
2
|
Sinclair, Gerrit
|
|
Box
7
Folder
3
|
Sindel, Evelyn
|
|
Box
7
Folder
4
|
Stelzner, Raymond
|
|
Box
7
Folder
5
|
Stoltenburg, Hans J.
|
|
Box
7
Folder
6
|
Thwaits, Charles
|
|
Box
7
Folder
7
|
Tiemon, Albert
|
|
Box
7
Folder
8
|
Valentine, Marion
|
|
Box
7
Folder
9
|
Van Treeck, Carl
|
|
Box
7
Folder
10
|
Volk, Victor
|
|
Box
7
Folder
11
|
Watrous, James
|
|
Box
7
Folder
12
|
Winsey, Reid
|
|
Box
7
Folder
13
|
Wupper, Josephine
|
|
Box
7
Folder
14
|
Young, Harold
|
|
Box
7
Folder
15
|
Zingale, Santos
|
|
Box
7
Folder
16
|
Unknown Artists
|
|
|
Federal Arts Program-Artists and their Work
|
|
Box
7
Folder
17
|
Abestetar, Stanley
|
|
Box
7
Folder
18
|
Atwell, Harry
|
|
Box
7
Folder
19
|
Bartz, Eugene
|
|
Box
7
Folder
20
|
Bedore, Lou Matthews
|
|
Box
7
Folder
21
|
Bentley, L.W.
|
|
Box
7
Folder
22
|
Biehn, Irving L.
|
|
Box
7
Folder
23
|
Bielefeld, Otto
|
|
Box
7
Folder
24
|
Blackwell, Ruth : Includes Parklawn Federal Housing Project
|
|
Box
7
Folder
25
|
Bieck, Marie
|
|
Box
7
Folder
26
|
Bolmes, Henry : Includes Parklawn Federal Housing Project
|
|
Box
7
Folder
27
|
Brown, Ernest
|
|
Box
7
Folder
28
|
Chase, Jessie Kalmbach
|
|
Box
7
Folder
29
|
Clemens, Paul
|
|
Box
7
Folder
30
|
Clemens, Ruth
|
|
Box
7
Folder
31
|
Cookem, John
|
|
Box
7
Folder
32
|
Dooley, Thomas
|
|
Box
7
Folder
33-35
|
Elsner, Albert
|
|
Box
8
Folder
1-4
|
Flower, Forrest
|
|
Box
8
Folder
5
|
Franceshi, John
|
|
Box
8
Folder
6
|
Frank, Victor
|
|
Box
8
Folder
7
|
Gebhardt, Evelyn
|
|
Box
8
Folder
8
|
Gebhardt, Harold
|
|
Box
8
Folder
9
|
Gehr, James L.
|
|
Box
8
Folder
10
|
Geuppert, Albert
|
|
Box
8
Folder
11
|
Gielens, Jacob
|
|
Box
8
Folder
12
|
Goldsmith, Richard
|
|
Box
8
Folder
13
|
Goniewich, Art
|
|
Box
8
Folder
14
|
Grenhagen, Merton
|
|
Box
8
Folder
15
|
Guazzelli, Leo
|
|
Box
8
Folder
16
|
Hauser, Alonzo : Greendale Federal Housing Project
|
|
Box
8
Folder
17
|
Humphrey, Don
|
|
Box
8
Folder
18
|
Jansen, Richard
|
|
Box
8
Folder
19
|
Jegart, Rudolf : Includes Parklawn Federal Housing Project
|
|
Box
8
Folder
20
|
Jessen, Agnes
|
|
Box
8
Folder
21
|
Johnson, Margaret : Also Robert Ralph
|
|
Box
8
Folder
22-24
|
Kahlich, Karl : Includes Parklawn Federal Housing Project
|
|
Box
8
Folder
25
|
Kaufman, Emil
|
|
Box
8
Folder
26
|
Knutesen, Edward B.
|
|
Box
8
Folder
27
|
Krasnan, Ann
|
|
Box
8
Folder
28
|
Lang, William
|
|
Box
8
Folder
29
|
Lauterbach, Paul
|
|
Box
8
Folder
30
|
Lewandowski, Edmund
|
|
Box
8
Folder
31
|
Lichtner, Schomer
|
|
Box
8
Folder
32
|
Lindberg, Thorsten
|
|
Box
8
Folder
33
|
Lipscomb, Raymond
|
|
Box
8
Folder
34
|
McKenzie, Bertha
|
|
Box
8
Folder
35
|
Miller, Kenneth
|
|
Box
8
Folder
36
|
Moreno, Alfonso
|
|
Box
8
Folder
37
|
Mueller, Udo
|
|
Box
8
Folder
38
|
Nutting, Myron
|
|
Box
9
Folder
1-4
|
Parsons, David : Includes Parklawn Federal Housing Project
|
|
Box
9
Folder
5
|
Pietsch, Carl
|
|
Box
9
Folder
6
|
Powell, Louis
|
|
Box
9
Folder
7-8
|
Raine, Earl
|
|
Box
9
Folder
9
|
Ralph, Robert : Includes Parklawn Federal Housing Project
|
|
Box
9
Folder
10-11
|
Reiman, Carl
|
|
Box
9
Folder
12-13
|
Sessler, Alfred
|
|
Box
9
Folder
14-15
|
Shamberk, Vladimir
|
|
Box
9
Folder
16
|
Sindel, Evelyn
|
|
Box
9
Folder
17
|
Tieman, Albert
|
|
Box
9
Folder
18
|
Tillotson, Alex
|
|
Box
9
Folder
19-23
|
Thwaites, Charles
|
|
Box
9
Folder
24
|
Volker, August
|
|
Box
9
Folder
25
|
Weisl, Wenzel
|
|
Box
9
Folder
26
|
Wiken, Dick
|
|
Box
9
Folder
27
|
Williams, Ken
|
|
Box
9
Folder
28-30
|
Zingale, Santos
|
|
|
Artwork, Numbered
|
|
Box
10
Folder
1
|
#1-35
|
|
Box
10
Folder
2
|
#36-84
|
|
Box
10
Folder
3
|
#85-125
|
|
Box
10
Folder
4
|
#126-165
|
|
Box
10
Folder
5
|
#166-200
|
|
Box
11
Folder
1
|
#202-245
|
|
Box
11
Folder
2
|
#246-280
|
|
Box
11
Folder
3
|
#281-330
|
|
Box
11
Folder
4
|
#331-370
|
|
Box
11
Folder
5
|
#371-416
|
|
Box
12
Folder
1
|
#417-456
|
|
Box
12
Folder
2
|
#457-502
|
|
Box
12
Folder
3-13
|
Index of American Design Projects
|
|
|
Miscellaneous
|
|
Box
12
Folder
14
|
Art Project Tea, 1941
|
|
Box
12
Folder
15
|
Children's Modeling Class
|
|
Box
12
Folder
16
|
N.Y.A. Projects
|
|
Box
12
Folder
17-18
|
Native American Weaving
|
|
Box
13
Folder
1
|
Parklawn Federal Housing Project, Milwaukee
|
|
|
Post Office Mural Competition
|
|
Box
13
Folder
2
|
Wausau, Wisconsin, 1939
|
|
Box
13
Folder
3
|
West Allis, Wisconsin, 1941
|
|
Box
13
Folder
4
|
Pottery
|
|
Box
13
Folder
5
|
Process Photographs
|
|
Box
13
Folder
6
|
Wood Cut Process
|
|
Box
13
Folder
7
|
Whitnall Park, Milwaukee
|
|
|
National Arts Survey
|
|
Box
13
Folder
8-22
|
Post Office Murals
|
|
Box
14
Folder
1-9
|
Post Office Murals (continued)
|
|
Box
14
Folder
10-17
|
Post Office Sculptures
|
|
Box
14
Folder
18
|
Wisconsin Murals
|
|
Box
14
Folder
19
|
Fond du Lac Post Office
|
|
Box
14
Folder
20-21
|
Wisconsin WPA Murals and Sculptures
|
|
|
Milwaukee Public Museum
|
|
Box
14
Folder
22
|
Botany Room
|
|
Box
14
Folder
23
|
Chinese Hall
|
|
|