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M2004-184
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Series: Personal and General
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Box
1
Folder
1
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Mildred Freed Alberg itinerary, undated
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Box
1
Folder
1 (continued)
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Conveyance from Lewis Fox to Somer and Mildred Alberg for a parcel of land in Ridgefield, Connecticut: copy, 1959 December
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Box
1
Folder
1
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Purdue University newsletter on the work of Gerald Leonards, Mildred Freed Alberg's brother-in-law, professor of engineering, 1963 October
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Box
1
Folder
1
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Letter from Beryl Leonards to Mildred Freed Alberg, 1971
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Box
1
Folder
1
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Postcards between the Albergs and the Leonardses, 1972
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Box
1
Folder
1
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Correspondence, undated
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Box
1
Folder
2
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Leonards family snapshots from Beryl Leonards, West Lafayette, Indiana, to Mildred Freed Alberg: photocopies, 1962 October 4
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Box
1
Folder
2 (continued)
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Helyn Hope Leonards and Stuart Michael Pape wedding snapshots, Pound Ridge, New York: photocopies, undated
: Helyn Hope Leonards was Mildred Freed Alberg's niece. The wedding took place at the Albergs' house in Pound Ridge, New York.
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Series: Milberg Enterprises General and Other Projects
: Contracts, legal files, and financial papers of Mildred Freed Alberg's production company. Similar materials relating to specific productions are filed with those productions.
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Box
1
Folder
3
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Correspondence, list of literary properties
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Box
1
Folder
4
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Contracts for television adaptations of literary properties, 1959-1962
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Box
1
Folder
5
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Contracts between Milberg Enterprises and Duane McKinney and George Sullivan, circa 1956-circa 1960
: Regarding scenic and costume design for Our American Heritage programs, 1959-1960; and for the sale of literary property in The Cradle Song (Hallmark Hall of Fame, broadcast May 6, 1956, and April 10, 1960) and Captain Brassbound's Conversion (Hallmark Hall of Fame, broadcast May 2, 1960) to Compass, 1959.
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Box
1
Folder
6
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Agency contracts, releases, and correspondence between Mildred Freed Alberg, Creative Management Associates, and the William Morris Agency, 1961-1966
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Box
1
Folder
7
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Directors, musical directors, and choreographers contracts between Milberg Enterprises and Fielder Cook, Frank Denning, Bernard Green, James Lee, Alex Segal, Vladimir Selinsky, and Jack Smight, 1959-1961
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Box
1
Folder
8
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Adaptations, production idea men, script editors, contracts, circa 1959
: With James Costigan, March 23, 1959, for script of The Cradle Song (Hallmark Hall of Fame, broadcast by NBC April 10, 1960); contracts with Florence Britton and James Lee for various episodes of Our American Heritage.
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Box
1
Folder
9
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Contract between James Costigan, Mildred Freed Alberg, The Little Moon Company, and Milberg Enterprises, circa 1964
: Regarding Costigan's scripting The Little Moon of Alban (Hallmark Hall of Fame, broadcast March 18, 1964) and Ondine.
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Box
1
Folder
10
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Production cost estimates and correspondence, circa 1961
: Statements from NBC to Milberg Enterprises, and correspondence and estimates from Himan Brown, 1961, for The Moth and Nero Wolf Pilot.
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Box
2
Folder
1
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Kermit Bloomgarden statements on the profits of The Music Man, 1959-1960
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Box
2
Folder
2
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Breed, Abbott and Morgan, law firm, correspondence
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Box
2
Folder
3
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Charles H. Renthal, accountants, correspondence, 1959-1964
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Box
2
Folder
4
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Charles H. Renthal, accountants, statements for various productions, and general balance sheets, 1959-1961
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Series: Hallmark Hall of Fame
: Television drama series sponsored by Hallmark Cards Inc., and broadcast by National Broadcasting Corporation from 1951 to 1978. Mildred Freed Alberg was associated with the series, first as an assistant producer from 1953 to 1956, then as Executive Producer from 1956 to 1959, during which time the programs were produced by Milberg Enterprises. Materials are organized into a general section, consisting mostly of contracts for the series, and then program by program in chronological order of broadcasting. See also scrapbooks in Box 19-20.
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General
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Box
2
Folder
5
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Contract between Milberg Productions and NBC, 1957 June 14
: For six television programs to be broadcast between October 17, 1957, and April 25, 1958.
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Box
2
Folder
6
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TV adaptations, original property contracts, 1954-1959
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Box
2
Folder
7
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TV adaptations, production idea man, script editor, contracts, 1955-1958
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Box
2
Folder
8
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TV directors, musical directors, choreographers, contracts, 1956-1958
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Box
3
Folder
1
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TV composers and arrangers contracts, 1955-1957
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Box
3
Folder
2
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TV standard forms, miscellaneous, motion picture releases, contracts, 1955-1958
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Hamlet (broadcast April 26, 1953) / NBC presents Maurice Evans' production of William Shakespeare's Hamlet / adapted for television by Mildred Freed Alberg and Tom Hughes Sand
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Box
3
Folder
3
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Script
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Box
3
Folder
4
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Script, press clippings and reviews, 1953 April
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Box
3
Folder
5
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Photographs: black and white, photocopies
: One photograph of Solver Alberg?, Mildred Freed Alberg, and Maurice Evans? in his Hamlet costume mostly concealed by a striped dressing gown, and one photograph of a drawing of a much younger Evans in the role.
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Box
3
Folder
5 (continued)
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Souvenir programs for stage versions of Hamlet with Maurice Evans, 1938, 1945
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Box
3
Folder
5 (continued)
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NBC Trade news handouts about the 1953 broadcast
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Box
3
Folder
5 (continued)
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NBC package program promotion, broadcast 1953 February 26
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Macbeth (broadcast November 28, 1954) / Maurice Evans and Judith Anderson in Macbeth by William Shakespeare
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Box
3
Folder
6
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Review clippings: copies
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Box
3
Folder
6 (continued)
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Cast, crew, settings, and prop lists
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Box
3
Folder
6 (continued)
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Rehearsal schedules
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Box
3
Folder
6 (continued)
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Script, revised 1954 October 18
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Alice in Wonderland (broadcast October 23, 1955) / Maurice Evans Productions, by Lewis Carroll, from the stage play by Le Gallienne and Friebus, adapted for television by Florida Friebus
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Box
3
Folder
7
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Script: copy
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The Devil's Disciple (broadcast November 20, 1955) / by George Bernard Shaw, adapted for television by S. Mark Smith
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Box
4
Folder
1
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Script, acts 1, 2, and 3
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Dream Girl (broadcast December 11, 1955) / by Elmer Rice, adapted for television by S. Mark Smith
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Box
4
Folder
2
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Script
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The Corn is Green (broadcast January 8, 1956) / by Emlyn Williams, adapted for Television by Arthur Arent, Maurice Evans Productions
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Box
4
Folder
3
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Script: copy
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The Good Fairy (broadcast February 5, 1956) / by Ferenc Molnár, adapted for television by Jean Kerr, Maurice Evans Productions
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Box
4
Folder
4
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Script
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Cradle Song (broadcast May 6, 1956) / by Gregorio and Maria Martinez Sierra, translated by John Garrett Underhill, written for television by James Costigan
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Box
4
Folder
5
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Script: copy
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Born Yesterday (broadcast October 28, 1956) / by Garson Kanin
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Box
4
Folder
6
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Script: copy
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Man and Superman (broadcast November 7, 1956) / by George Bernard Shaw, adapted for television by Joseph Schrank
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Box
5
Folder
1
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Script
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The Little Foxes (broadcast December 16, 1956) / by Lillian Hellman
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Box
5
Folder
2
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Script
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The Lark (broadcast February 10, 1957) / by James Costigan, based on the play by Jean Anouilh, adapted for the stage by Lillian Hellman
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Box
5
Folder
3
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Script
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There Shall Be No Night (broadcast March 17, 1957) / by Robert Sherwood, adapted for television by Morton Wishengrad
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Box
5
Folder
4
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Production schedules
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Box
5
Folder
4 (continued)
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Script, acts 1, 2, and 3
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The Yeomen of the Guard (broadcast April 10, 1957) / by Sir William Gilbert and Sir Arthur Sullivan, adapted for television by William Nichols
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Box
5
Folder
5
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Script: copy
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The Green Pastures (broadcast October 17, 1957) / written and adapted for television by Marc Connelly
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Box
5
Folder
6
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Scene and lighting sequence
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Box
5
Folder
6 (continued)
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Script
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On Borrowed Time (broadcast November 17, 1957) / by Paul Osborn, adapted for television by James Costigan
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Box
6
Folder
1
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Script: copy
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Twelfth Night, or, What You Will (broadcast December 15, 1957) / by William Shakespeare, adapted for television by William Nichols
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Box
6
Folder
2
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Script: copy
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Hans Brinker, or The Silver Skates (broadcast February 9, 1958) / by Sally Benson
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Box
6
Folder
3-6
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Scripts: four
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Little Moon of Alban (broadcast March 24, 1958) / by James Costigan
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Box
6
Folder
7
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Script
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Dial “M” for Murder (broadcast April 25, 1958) / written and adapted for television by Frederick Knott
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Box
7
Folder
1
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Scene and lighting sequence
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Box
7
Folder
1 (continued)
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Script
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Johnny Belinda (broadcast October 13, 1958) / by Theodore Apstein, from the play by Elmer Harris
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Box
7
Folder
2
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Budget; cast and crew lists
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Box
7
Folder
2 (continued)
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Rehearsal schedules
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Box
7
Folder
2 (continued)
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Prop list
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Box
7
Folder
2 (continued)
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Scene and lighting sequence
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Box
7
Folder
2 (continued)
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Time sequences
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Box
7
Folder
2 (continued)
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Advertisement scripts
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Box
7
Folder
2 (continued)
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Program script
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Kiss Me Kate (broadcast November 20, 1958) / by Sam and Bella Spewack, music and lyrics by Cole Porter
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Box
7
Folder
3-5
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Cast lists
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Box
7
Folder
3-5 (continued)
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Rehearsal schedules
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Box
7
Folder
3-5 (continued)
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Script, 1958 November 13
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Box
7
Folder
3-5 (continued)
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Script, amended, after 1958 November 13
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Box
7
Folder
3-5 (continued)
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Script in manila envelope labeled “'Kiss Me Kate' Revised,” after 1958 November 13
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The Christmas Tree (broadcast December 14, 1958) / by Helen Deutsch
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Box
7
Folder
6
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Script: “The Hallmark Christmas Tree”
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Box
8
Folder
1
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Script
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Box
8
Folder
1 (continued)
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Rehearsal schedules
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Berkeley Square (broadcast February 5, 1959) / by John L. Balderston, adapted for television by Theodore Apstein
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Box
8
Folder
2
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Script, acts 1, 2, and 3, 1959 January 24
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The Green Pastures (broadcast March 23, 1959) / written and adapted for television by Marc Connelly
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Box
8
Folder
3
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Script
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Ah, Wilderness! (broadcast April 16, 1959) / by Eugene O'Neill, adapted for television by Robert Hartung
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Box
8
Folder
4
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Script
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Box
8
Folder
4 (continued)
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Production schedule
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Series: Impasse of Two Angels
: Impasse of Two Angels (unproduced?) / by James Costigan: Milberg Productions
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Box
8
Folder
5
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Television play script, 1958
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Series: Undine
: Undine (unproduced?) / by James Costigan: Milberg Productions
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Box
8
Folder
6
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Television play script, undated
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Series: Our American Heritage
: Television series produced by Milberg Enterprises, sponsored by Equitable Life Insurance, and broadcast as “specials” (in the 1959-1960 season, as part of the series “Sunday Showcase”) by NBC, 1959-1961.
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Box
8
Folder
7
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Correspondence, with Foote, Cone & Belding
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Box
8
Folder
7 (continued)
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Show routine, 1960 December 30
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Box
9
Folder
1
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Contracts for Our American Heritage series, 1959-1961
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Box
9
Folder
1 (continued)
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Correspondence and production information
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Box
9
Folder
2
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Educational use, with agreements with entertainment industry unions regarding the educational use of programs in series, 1959-1962
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Divided We Stand: A Crucial Year in the Life of Thomas Jefferson (broadcast October 18, 1959) / by Morton Wishengrad, a Milberg Production
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Box
9
Folder
3
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Scripts
: Three identical copies; a copy, dated August 26, 1959; and two different annotated versions.
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The Practical Dreamer (broadcast November 22, 1959) / by Paul Crabtree, a Milberg Production
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Box
9
Folder
4
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Scripts: copies
: Two copies of script, one with hand-written notes on timing.
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Destiny West! (broadcast January 24, 1960) / by William Altman, a Milberg Production
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Box
9
Folder
5
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Script: copy, heavily annotated, 1960 January 19
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Shadow of a Soldier (broadcast February 21, 1960) / by John Whedon, a Milberg Production
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Box
10
Folder
1-2
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Rehearsal schedules
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Box
10
Folder
1-2 (continued)
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Show routine
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Box
10
Folder
1-2 (continued)
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Scripts
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Autocrat and Son (broadcast March 20, 1960) / by Ernest Kinoy, a Milberg Production
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Box
10
Folder
3
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Scripts: copies
: Two copies, one with timings hand-written in.
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Millionaire's Mite: The Paradox of Andrew Carnegie (broadcast April 10, 1960) / by Ernest Kinoy, a Milberg Production
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Box
10
Folder
4-5
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Cast and crew lists
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Box
10
Folder
4-5 (continued)
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Rehearsal schedules
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Box
10
Folder
4-5 (continued)
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Advertisement scripts
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Box
10
Folder
4-5 (continued)
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Program scripts
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Not without Honor (broadcast October 21, 1960) / by Ernest Kinoy for Milberg Productions
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Box
10
Folder
6
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Schedule, 1960 August 17
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Box
10
Folder
6 (continued)
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Script, titled “Odd Destiny,” 1960 August 10
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Box
10
Folder
7
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Script, 1960 August 16
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Box
10
Folder
7 (continued)
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Correspondence and shooting schedules
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Box
11
Folder
1-2
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Script and schedules, 1960 August 26
: Titled “Odd Destiny,”crossed out and replaced with, “Not without Honor.”
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Box
11
Folder
1-2 (continued)
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Script, titled “Odd Destiny,” 1960 August 29
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Box
11
Folder
1-2 (continued)
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Schedules
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Born a Giant (broadcast December 2, 1960) / by Mann Rubin for Milberg Productions
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Box
11
Folder
3
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Script, 1960 September 28
: Two versions of Part 1, one of Part 2.
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The Invincible Teddy (broadcast January 13, 1961) / by Tad Mosel, for Milberg Productions
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Box
11
Folder
4
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Script, 1960 July 21
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Box
11
Folder
4 (continued)
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Script, “as aired,” 1960 August 1
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The Secret Rebel (broadcast March 11, 1961)
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Box
11
Folder
5
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Script: copy, 1961 January 18
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Not in Vain (broadcast April 1, 1961) / by Richard Goldhurst, a Milberg Production
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Box
11
Folder
6
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Show routines
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Box
11
Folder
6 (continued)
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Rehearsal schedules
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Box
11
Folder
6 (continued)
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Lists of scenes
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Box
11
Folder
6 (continued)
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Script: second draft, 1961 January 20, revised 1961 January 25
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Box
11
Folder
6 (continued)
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Script: new pages, 1961 February
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Box
11
Folder
6 (continued)
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Script: final draft, 1961 February 17, marked tape 1961 February 20, air 1961 April 1
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Gentleman's Decision (broadcast April 22, 1961) / by John Whedon, a Milberg Production
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Box
11
Folder
7
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Production notes
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Box
11
Folder
7 (continued)
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Rehearsal schedules
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Box
11
Folder
7 (continued)
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Script: copy, revised final draft, as broadcast, 1961 February 28
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Woodrow Wilson and the Unknown Soldier (broadcast May 13, 1961) / by David Shaw, a Milberg Production
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Box
11
Folder
8
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Script: copy, final draft, as broadcast, 1961 April 13
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Series: Little Moon of Alban (Stage Version)
: Play by James Costigan, based on his Hallmark Hall of Fame episode / produced by Milberg Enterprises, opened Longacre Theatre, New York City, December 1, 1960, closed December 17, 1960.
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Box
12
Folder
1
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Correspondence, financial records and notes, 1960
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Box
12
Folder
1 (continued)
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Script
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Box
12
Folder
2
|
Loose clippings, 1960 December
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Series: Senator Mark Coffin
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Box
12
Folder
3
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Correspondence with Allen Drury regarding script, 1962
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Box
12
Folder
3 (continued)
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Prospectus for the program, 1962
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Series: Carol Channing Special and Series
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Box
12
Folder
4
|
Correspondence on Carol Channing special and Carol Channing-Will Glickman television series for NBC (unproduced?), 1963
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Series: Round the Bend
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Box
12
Folder
5
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Draft contract between Nevil Shute's estate and Milberg Enterprises selling rights to Round the Bend, 1962 July 20
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Box
12
Folder
5 (continued)
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Correspondence regarding option on the novel, 1961
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Box
12
Folder
5 (continued)
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Outline by Mildred Freed Alberg, before 1963 June 19
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Series: Norman Corwin Projects
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Box
12
Folder
6-7
|
Correspondence, between Mildred Freed Alberg and Norman Corwin, 1962-1963
: With enclosures, concerning various projects, including The Odyssey of Runyon Jones, Double Concerto, and the “Wily Wilby” script (see the Hot Millions files)
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Box
12
Folder
6-7 (continued)
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Clippings
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Box
12
Folder
6-7 (continued)
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Polaroids: black and white photocopies
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Between Americans (adapted from radio play), and Four by Corwin (both unproduced?)
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Box
12
Folder
8
|
Pamphlets proposing television series to be written by Norman Corwin
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The Odyssey of Runyon Jones (unproduced?) / screenplay by Norman Corwin (from his radio play)
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Box
12
Folder
9
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Correspondence and typescript, circa 1963 Spring
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Double Concerto (unproduced?)
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Box
12
Folder
10
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Off-print of radio play
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Box
12
Folder
10 (continued)
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Clippings
|
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Box
12
Folder
10 (continued)
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Letter to Alberg from S. Mark Smith of MCA TV Ltd., refusing television adaptation, 1963 June 3
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Series: A Bird in Hand
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Box
12
Folder
11
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Outline by Alan Barzman for a proposed television series, with letter of rejection from S. Mark Smith of MCA TV Ltd., 1963 June 3
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Series: Hot Millions
: Theatrical motion picture produced by Milberg Enterprises in England and distributed by Metro-Goldwyn-Mayer in 1968, based on the true story “The Wily Wilby” by St. Clair McKelway, originally published in The New Yorker, then reprinted in True Tales from the Annals of Crime and Rascality (New York: Random House, 1951).
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Box
13
Folder
1
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Correspondence between Mildred Freed Alberg and various agents, film directors, actors, regarding script, production, casting opportunities, 1956-1964
: See also correspondence in Norman Corwin Projects.
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Box
13
Folder
2
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Computer accounting and embezzlement clippings, including New York Times, circa 1944
: Includes off-print of “The Wily Wilby” from True Tales from the Annals of Crime and Rascality.
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Box
13
Folder
3
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Wily Wilby outlines for film
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Box
13
Folder
4
|
The Wily Wilby, A True Tale of Crime & Rascality ... / screenplay by Norman Corwin: revised typescript, undated
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Box
13
Folder
5
|
Correspondence between Mildred Freed Alberg and various writers, 1964-1965
: Writers include John Vlahos, Sherwin Bash, George Bellak, Ian Hunter, George Wells, Larry Marks, Sidney Carroll, S.J. Perelman, Ronald Alexander, William Fay, Sol Saks, Phil Davis, among others considered for writing the script of “Wily Wilby,” eventually rejected in favor of Ira Wallach; also lists of possible writers with outlines of their careers.
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Box
13
Folder
6
|
George Beck material and correspondence, 1965
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Box
13
Folder
7
|
Ira Wallach outlines and scenes, 1965 April 22
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Box
13
Folder
8-9
|
Ira Wallach notes and draft scripts, 1965, undated
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Box
14
Folder
1
|
Ira Wallach scripts (continued)
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Box
14
Folder
2
|
Wily Wilby budget proposals, proposed shooting schedule, draft contracts, list of settings
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Box
14
Folder
3
|
Wily Wilby contracts, 1964-1967
: Contracts with Ira Wallach, George Beck, Norman Corwin, release from William Morris Agency, option on literary property from St. Clair McKelway, and various draft contracts of these agreements.
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Box
14
Folder
4
|
MGM contracts and agreements, 1966-1967
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Box
14
Folder
5
|
Single picture agreement between Milberg Theatrical Productions and Metro-Goldwyn-Mayer regarding Hot Millions, 1968 October
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Box
14
Folder
6
|
Correspondence and agreements, between Milberg, MGM, and Pavor S.A. regarding purchase of the rights to Dominic Torr's novel Diplomatic Cover in relation to the production of Hot Millions, 1967
|
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Box
14
Folder
7
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Contract between Pavor S.A. and Milberg Theatrical Productions regarding Peter Ustinov's appearance in Hot Millions, 1968
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Box
14
Folder
8
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Hot Millions actors contracts between Milberg, Lynn Redgrave, and Peter Ustinov
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Box
14
Folder
9
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Hot Millions Metro and Golden Arrow contracts and related correspondence, 1967-1969
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Box
15
Folder
1
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Pre-production meeting minutes, production budgets, set lists, English, Irish and French location lists, and other pre-production papers, 1967
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Box
15
Folder
2
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MGM statement of Milberg Theatrical Productions participation in Hot Millions, 1967 December 28
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Series: By the Sea, By the Sea
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Box
15
Folder
3
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Contracts between Milberg Enterprises and Nancy Albee granting Milberg a six-month option for a film based on George Albee's, 1967 October 1
: Unproduced?
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Series: Ashes to Ashes
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Box
15
Folder
4-5
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Correspondence and contracts between Mildred Freed Alberg, Robin Lowe, Marc Brandel, Jaydag Productions, and Milberg Theatrical Productions, regarding film scripted by Marc Brandel, 1968-1970
: Unproduced?
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Series: The Going Up of David Lev
: By Ephraim Kishon and Ernest Kinoy, produced by Mildred Freed Alberg. Television drama broadcast by NBC, April 25, 1973.
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Box
15
Folder
6
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Notes and correspondence to and from Mildred Freed Alberg, 1972-1973
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Series: Biblical Archaeology Project
: Project started as a proposal to make a series of documentary television programs on the archaeological background to the Old Testament; and into a proposal for a series of archaeologically accurate dramatizations of the lives of Old Testament notables from Abraham to Solomon. One working title for series: In the Beginning, Great Biographies from the Bible. Only two were eventually produced, The Story of Jacob and Joseph (broadcast by ABC in 1974) and The Story of David (broadcast in two parts by ABC, April 9 and 11, 1976). The materials are arranged in a general section on the development of the project, and then sections on the Jacob and Joseph and David programs.
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Box
15
Folder
7
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Notes for the series
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Box
15
Folder
8
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Presentation and summaries of episodes, 1971 September 1
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Box
15
Folder
9
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Script draft and notes
: Includes proposal for a thirteen episode 1-hour TV Film Series including Script 1, Abraham, Father of Many Nations; Screen Gems proposal and draft script; record cards with notes for the project; drafts of proposal; outlines for “Genesis,” “Exodus,” “Samson,” “David,” and “Solomon” episodes; draft fragments of script for episode 1.
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Box
16
Folder
1
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Script for programs 1 and 2: copy with revisions
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Box
16
Folder
2
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Script for programs 1 and 2: copy, 1971 December 15
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Box
16
Folder
3
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Script for programs 1 and 2: early draft
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Box
16
Folder
4
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Script and brief proposals for programs 1, 2 and 3, 1972 December 11-20
: Program 1: Abraham, Father of Many Nations / by David Davidson and Mildred Freed Alberg; Program 2: Jacob / by Ernest Kinoy; Program 3: Joseph / by David Davidson.
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Box
16
Folder
5
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Script for programs 1 and 2, 1972 January 30-February 1
: Program 1: “Abraham, Father of Many Nations”; and Program 2: “The Patriarchs.”
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Box
16
Folder
6
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Notes, outlines and drafts for the “Exodus” episode
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Box
16
Folder
7
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Picture postcards: blank
: From Puerto Rico, Turkey, Spain, Israel, and others, possibly used for finding locations for shooting. Postcards that were sent are with general correspondence.
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Box
16
Folder
8
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Photographs: photocopies
: Many of them in Spain and Israel, apparently location scouting for Biblical Civilization films. Only a few have any means of identification, many are badly faded, and there is duplication.
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The Story of Jacob and Joseph
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Box
16
Folder
9
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Script: copy, 1971 November 26
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Box
17
Folder
1
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Script: revised draft, 1973 January 4
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Box
17
Folder
2
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Jacob and Joseph / by Ernest Kinoy, 1973
: Part I: Jacob and Esau (suggested new title The Brothers) / A Milberg Theatrical Production, August 19, 1973; Jacob and Joseph by Ernest Kinoy, Part II: Joseph and His Brothers, A Milberg Theatrical Production, July 30, 1973.
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Box
17
Folder
3
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The Story of Jacob and Joseph / by Ernest Kinoy, 1973
: Part I: Jacob and Esau, A Milberg Theatrical Production, August 19, 1973; The Story of Jacob and Joseph by Ernest Kinoy, Part II: Joseph and His Brothers, A Milberg Theatrical Production, July 30, 1973.
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Box
17
Folder
4
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Part I script: copy with revisions, 1973 August 19
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The Story of David, Parts I and II
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Box
17
Folder
5
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Notes and clippings
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Box
17
Folder
6
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Contracts, principally with cast members
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Box
17
Folder
7
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Correspondence: copies, 1975-1976
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Box
18
Folder
1
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Cast lists, shooting schedules, script of The Story of David, Part 2, “David the King” / by Ernest Kinoy, 1975 September
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Box
18
Folder
1 (continued)
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Photographs of sets and locations in the United States and Spain: copies
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Box
18
Folder
2-3
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Contracts, cast and crew contracts for The Story of David, Part II, and related correspondence, 1973-1976
: Includes similar materials relating to “Jacob and Joseph.”
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Box
18
Folder
4
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Correspondence, 1975-1978
: Including production details, and Israel and Spain shoots.
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Box
18
Folder
5
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Clippings on first broadcast, 1976 April
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Series: Hallmark Hall of Fame Scrapbooks
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Box
19
Folder
1
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Scrapbook, 1955-1956
: Clippings on Alice in Wonderland, The Devil's Disciple, Dream Girl, The Corn is Green, The Good Fairy, The Taming of the Shrew, Cradle Song.
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Box
20
Folder
1
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Scrapbook, 1957-1958
: Clippings on The Green Pastures; On Borrowed Time; Twelfth Night; Hans Brinker, or The Silver Skates; Little Moon of Alban; and Dial “M” for Murder.
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Series: Photographs
: Original photographs removed from papers with copies put in their place.
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Box
21
Folder
1
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Leonards family, 1962 summer
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Box
21
Folder
2
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Helyn Hope Leonards wedding, Pound Ridge, New York, undated
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Box
21
Folder
3
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Hallmark Hall of Fame, episode Hamlet, 1953
: One of Solver Alberg?, Mildred Freed Alberg, and Maurice Evans?, his Hamlet costume mostly concealed by a striped dressing gown; and one of a drawing of a much younger Evans in the role.
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Box
21
Folder
4
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Norman Corwin
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Box
21
Folder
5
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The Story of David, Part 2, David the King, 1976
: Sets and locations in the United States and Spain.
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Box
21
Folder
6-9
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Biblical Archaeology Project
: Snapshot prints and negatives, many of them of sites in Spain and Israel, apparently taken as prospective locations; only a few are identified.
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