Summary Information
Harry D. Buckley Files: United Artists Corporation Records, Series 2B 1922-1952
- Buckley, Harry D., 1893-1955
- United Artists Corporation
U.S. Mss 99AN/2B
24.4 cubic feet (63 archives boxes)
Wisconsin Historical Society (Map)
Files documenting Harry D. Buckley's
various executive responsibilities during his career at United Artists. The files, which
include much correspondence, cover a 30 year time span, and are arranged into four series:
Title Registration Files, Executive Correspondence, Exchange Files, and Labor
Files.
Forms part of the United Artists Corporation collection.
English
http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-99an002b ↑ Bookmark this ↑
Administrative/Restriction Information
The records in this series were extracted from accession M95-233 which was comprised of
unprocessed and partially processed files. The files were received in 1969 and some work was
done on them prior to box and folder lists being prepared and call numbers being assigned in
1994-1995.
Scope and Contents
Harry D. Buckley joined United Artists soon after World War I as manager of the Kansas City
exchange. Later Douglas Fairbanks Sr. hired him as road manager for Robin Hood (1922)
after which Buckley was appointed general manager for the Douglas Fairbanks Picture Corporation
and then business and personal agent for both Fairbanks and Mary Pickford. Buckley resigned
from this position in 1926 to become vice president at United Artists and assistant to
Joseph M. Schenck. In 1934 he was appointed corporate treasurer and in 1941 became assistant
secretary.
Buckley's files relate to the various executive responsibilities he exercised for the
company and are arranged into the following series: Title Registration Files, Executive
Correspondence, Exchange Files, and Labor Files. Much of the Executive Correspondence dating
from the 1920s concerns Buckley's relations with the Douglas Fairbanks Picture Corporation
(there is no direct correspondence with Fairbanks however), the foreign distribution of
United Artists products, and the exhibition and distribution of particular films such as
The House of Rothschild (1934).
Dating from the early years of his tenure as vice-president is correspondence with
exchanges and the Hays Office. The majority of the material from this period is financial in
nature covering such topics as shared advertising and exploitation expenses although there
is some correspondence with production companies. Of special interest in this series is the
impact of censorship on the advertising of the film The Outlaw (1943)
starring Jane Russell.
Correspondence which appears to represent Buckley's work as assistant corporate secretary
(1941-1950) also documents the career of Harry J. Muller who also served as assistant
secretary from 1933-1950. This file contains financial and legal correspondence exchanged
between the two men as well as correspondence of both executives with other parties.
The Exchange Files deal with office management, labor disputes, and supplies. Some of the
files are broken down into subcategories on "frontroom" clerical employees and "backroom"
blue color employees. A large portion of Buckley's later exchange correspondence appears to
have been handled by A.E. Bollengier, the exchange manager, when it referred to routine
matters pertaining to wages and salary adjustments.
Related to this aspect of the exchange correspondence are the Labor Files which consist of
correspondence, agreements, documents presented in court or to the National Labor Relations
Board, and employment and salary data for various unions (IATSE, Screen Office Professional
Employees Guild, Screen Publicists Guild, Colosseum of Motion Picture Salesmen) that
represented United Artists office personnel during the World War II era.
The Title Registration Files are included because Buckley was in charge of United Artists'
dealings with the Title Registration Bureau of the Motion Picture Producers and Directors
Association. Most of the correspondence, however, was actually the work of Buckley's
assistants Flora Gordon and later a Miss Rees.
As a member of the Motion Picture Producers and Distributors of America (MMPDA), United
Artists had the power to register titles for its independent producers who were not members.
As a result, the file consists mainly of correspondence between United Artists and producers
and United Artists and the Title Bureau with United Artists channeling registration requests
to the MMPDA and explaining the bureau's actions to the producers. A complete list of all of
the represented film titles is included in the first box.
Subject Terms
Motion Picture Producers and Distributors of AmericaMotion picture industry.Motion pictures -- Distribution.
Contents List
U.S. Mss 99AN/2B
|
Series: Title Registration File
|
|
|
Alphabetical file
|
|
Box
1
Folder 1-3
|
A, undated
|
|
Box
1
Folder 4
|
Adventures of Robinson Crusoe, undated
|
|
Box
1
Folder 5
|
Alexander the Great, undated
|
|
Box
1
Folder 6-7
|
B, undated
|
|
Box
2
Folder 1-4
|
B, undated (continued)
|
|
Box
3
Folder 1
|
Bachelor Party, undated
|
|
Box
3
Folder 2
|
The Big Country, undated
|
|
Box
3
Folder 3
|
Bride and Brother Karamazov, undated
|
|
Box
4
Folder 1-4
|
C, undated
|
|
Box
5
Folder 1-3
|
D, undated
|
|
Box
5
Folder 4
|
E, undated
|
|
Box
6
Folder 1-2
|
F, undated
|
|
Box
6
Folder 3
|
G, undated
|
|
Box
7
Folder 1
|
G, undated (continued)
|
|
Box
7
Folder 2-4
|
H, undated
|
|
Box
8
Folder 1-4
|
I-J, undated
|
|
Box
8
Folder 5
|
K, undated
|
|
Box
9
Folder 1-3
|
L, undated
|
|
Box
9
Folder 4
|
M, undated
|
|
Box
10
Folder 1-3
|
M, undated (continued)
|
|
Box
10
Folder 4
|
N, undated
|
|
Box
11
Folder 1-2
|
O, undated
|
|
Box
11
Folder 3-4
|
P, undated
|
|
Box
11
Folder 5
|
Q, undated
|
|
Box
12
Folder 1-3
|
R, undated
|
|
Box
12
Folder 4
|
Romeo and Juliet, undated
|
|
Box
13
Folder 1-5
|
S, undated
|
|
Box
14
Folder 1-2
|
S, undated (continued)
|
|
Box
14
Folder 3
|
Sabre Jet, undated
|
|
Box
15
Folder 1
|
Shark River, undated
|
|
Box
15
Folder 2-4
|
T, undated
|
|
Box
15
Folder 5
|
T-U, undated
|
|
Box
16
Folder 1
|
V, undated
|
|
Box
16
Folder 2-3
|
W, undated
|
|
Box
16
Folder 4
|
Y, undated
|
|
|
Subject File
|
|
Box
17
Folder 1
|
Alperson, E. (Salkay Corporation), 1944
|
|
Box
17
Folder 2
|
Angelus Pictures Inc., 1943-1944
|
|
Box
17
Folder 3
|
Bagnall, George L., 1944-1946
|
|
Box
17
Folder 4
|
Bennett, Constance, 1944
|
|
Box
17
Folder 5
|
Bergner, Elizabeth, 1936-1940
|
|
Box
17
Folder 6
|
Bogeaus, Benedict, 1943-1944
|
|
Box
17
Folder 7
|
British Ministry of Information, 1943
|
|
Box
17
Folder 8
|
Bronston, Samuel, 1943-1944
|
|
Box
17
Folder 9
|
Cagney Productions, 1943-1944
|
|
Box
17
Folder 10
|
Chaplin Film Corporation, 1935-1944
|
|
Box
17
Folder 11
|
Comet Productions, 1945
|
|
Box
17
Folder 12
|
Cowan, Lester, 1944
|
|
Box
17
Folder 13
|
Crosby Productions, 1942-1945
|
|
Box
17
Folder 14
|
Eagle-Lion Films Inc., 1944-1945
|
|
Box
17
Folder 15
|
Ealing Studios, 1942-1944
|
|
Box
17
Folder 16
|
Goldwyn, Samuel, 1945-1946
|
|
Box
17
Folder 17
|
Gordon, Flora, 1934-1936
|
|
Box
17
Folder 18-19
|
Hays Office Title Committee, 1934-1944
|
|
Box
17
Folder 20
|
Lesser and Lubitsch, 1939
|
|
Box
17
Folder 21
|
Levey, Jules, 1944-1946
|
|
Box
17
Folder 22
|
Loew, David, 1939-1945
|
|
Box
18
Folder 1
|
Loew-Lyons, 1943-1944
|
|
Box
18
Folder 2-6
|
London Films, 1933-1946
|
|
Box
18
Folder 7
|
Miscellaneous films, 1937-1942
|
|
Box
19
Folder 1
|
Miscellaneous films, 1943-1945
|
|
Box
19
Folder 2-3
|
Pickford Company , 1933-1946
|
|
Box
19
Folder 4
|
Pressburger, Arnold, 1941-1945
|
|
Box
19
Folder 5
|
Producers Corporation of America, 1944-1945
|
|
Box
19
Folder 6
|
Protested titles, 1942-1944
|
|
Box
19
Folder 7
|
Ravinowitch, 1942-1945
|
|
Box
19
Folder 8
|
Roach Studios, 1938-1939
|
|
Box
19
Folder 9
|
Rogers, Charles R., 1942-1946
|
|
Box
19
Folder 10
|
Rowland, Richard, 1940-1944
|
|
Box
20
Folder 1
|
Selznick, David O., 1943-1945
|
|
Box
20
Folder 2
|
Sherman, Harry, 1943
|
|
Box
20
Folder 3
|
Skirball, Jack, 1944-1945
|
|
Box
20
Folder 4
|
Small, Edward, 1938-1945
|
|
Box
20
Folder 5
|
Stone, Andrew, 1943-1944
|
|
Box
20
Folder 6
|
Stromberg, Hunt, 1942-1945
|
|
Box
20
Folder 7
|
U.S. Sound Recording Company, 1937
|
|
Box
20
Folder 8
|
United Artists Productions, 1941-1944
|
|
Box
20
Folder 9
|
Vanguard Films Inc., 1943
|
|
Box
20
Folder 10
|
Wanger, Walter, 1936-1945
|
|
Box
20
Folder 11
|
World in Action (short subjects), 1942-1944
|
|
Box
20
Folder 12
|
World Window (scenic shorts), 1938-1939
|
|
|
Series: Executive Correspondence
|
|
Box
21
Folder 1-6
|
Personal correspondence, 1925-1929
|
|
Box
21
Folder 7
|
Alibi, first run correspondence and agreements, 1929
|
|
Box
22
Folder 1-4
|
Allied Artists, correspondence and balance sheets, 1925-1927
|
|
Box
22
Folder 5
|
American Recono Inc. (film processing), 1930
|
|
Box
22
Folder 6
|
Applications, 1928
|
|
Box
22
Folder 7
|
Artistes Associes, 1926
|
|
Box
22
Folder 8
|
Associated Authors, 1925
|
|
Box
22
Folder 9-11
|
Australia, correspondence and balance sheets, 1925-1926
|
|
Box
23
Folder 1
|
Bankers Trust Company loan correspondence, 1941-1950
|
|
Box
23
Folder 2
|
Bitter Sweet, British distribution, 1933
|
|
Box
23
Folder 3
|
Black Pirate, exhibition material, 1926
|
|
Box
23
Folder 4
|
Blueprints of home office, 1944-1947
|
|
Box
23
Folder 5
|
Bogeaus, benefit, 1944-1945
|
|
Box
23
Folder 6
|
Boston, proposed theater construction, 1930-1932
|
|
Box
23
Folder 7
|
Branch operations committee, 1949-1953
|
|
Box
23
Folder 8
|
Broadway Theatre, 1947-1948
|
|
Box
24
Folder 1
|
Broadway Theatre, 1947-1948 (continued)
|
|
Box
24
Folder 2
|
Cagney Productions, 1943-1948
|
|
Box
24
Folder 3
|
Carnegie Hall, 1947-1948
|
|
Box
24
Folder 4
|
Catherine the Great, opening night arrangements, 1934
|
|
Box
24
Folder 5
|
Censorship boards, 1926
|
|
Box
24
Folder 6
|
Chaplin Studios, 1947-1950
|
|
Box
24
Folder 7
|
Cincinnati, theater building proposals, 1930-1931
|
|
Box
24
Folder 8
|
Comparative statements by country, 1926-1927
|
|
Box
24
Folder 9
|
Comparative statements for Robin Hood and
Thief of Baghdad, 1924
|
|
Box
24
Folder 10-11
|
Confidential Reports Inc., 1945-1952
|
|
Box
25
Folder 1-3
|
Confidential Reports Inc., 1945-1952 (continued)
|
|
Box
26
Folder 1
|
Contracts and exhibition, 1927
|
|
Box
26
Folder 2
|
Copyright registration of Pickford releases, 1925
|
|
Box
26
Folder 3
|
Corporate data, 1935-1950
|
|
Box
26
Folder 4
|
Coslow, Sam (regarding Copacabana), 1946-1948
|
|
Box
26
Folder 5
|
Crosby Productions, 1945-1947
|
|
Box
26
Folder 6
|
D, 1925-1927
|
|
Box
26
Folder 7
|
Denison, E.J., 1928
|
|
Box
26
Folder 8
|
Discontinuing old pictures, 1929
|
|
Box
26
Folder 9
|
Egyptian Theatre (Hollywood), 1930
|
|
Box
26
Folder 10
|
Electrical Research Products, 1928
|
|
Box
26
Folder 11
|
Employment, Charles Stern, 1935
|
|
Box
26
Folder 12-18
|
Employment contracts for executives, A-W (including Giannini), undated
|
|
Box
27
Folder 1
|
European financial statements, 1926
|
|
Box
27
Folder 2
|
Exchange miscellany, undated
|
|
Box
27
Folder 3
|
Exhibitor correspondence, 1925-1926
|
|
Box
27
Folder 4
|
Equipment for Pickford/Fairbanks studio, 1924-1927
|
|
Box
27
Folder 5
|
F, 1925-1927
|
|
|
Fairbanks Picture Corporation
|
|
Box
27
Folder 6-10
|
Correspondence, 1923-1926
|
|
Box
28
Folder 1-11
|
Correspondence, 1927-1933
|
|
Box
29
Folder 1
|
Correspondence, 1934
|
|
Box
29
Folder 2
|
Refunds requested and granted, 1925-1927
|
|
Box
29
Folder 3
|
Foreign release dates, 1925-1927
|
|
Box
29
Folder 4
|
Foreign release dates, sales to foreign countries, 1925-1926
|
|
Box
29
Folder 5
|
Far East balance sheets, 1925-1926
|
|
Box
29
Folder 6
|
Florida sales report, 1926
|
|
Box
29
Folder 7
|
Fox, C.D., 1926-1927
|
|
Box
29
Folder 8
|
G, 1925-1926
|
|
Box
29
Folder 9
|
The Gaucho, 1927-1928
|
|
Box
29
Folder 10-11
|
Germany, 1925-1927
|
|
Box
29
Folder 12
|
Gloria (Swanson) Productions, 1930-1934
|
|
Box
29
Folder 13
|
Goldfarb, Robert (regarding office equipment), 1947-1950
|
|
Box
29
Folder 14
|
Golden Pictures, 1945-1948
|
|
Box
29
Folder 15
|
Goldwyn, Samuel, 1928
|
|
Box
30
Folder 1
|
The Great Dictator souvenir books, 1940
|
|
Box
30
Folder 2
|
Griffith, D.W., Inc., 1928-1929
|
|
Box
30
Folder 3
|
Havana, 1928
|
|
Box
30
Folder 4-8
|
Hays Office, 1927-1947
|
|
Box
30
Folder 9
|
Home office lease, 1941-1947
|
|
Box
30
Folder 10
|
Hopalong Cassidy Productions (advertising and expenses), 1946-1948
|
|
|
The House of Rothschild road show
|
|
Box
30
Folder 11
|
General correspondence, 1934
|
|
Box
31
Folder 1-2
|
Astor Theater (New York), 1934
|
|
Box
31
Folder 3
|
Majestic Theater (Boston), 1934
|
|
Box
31
Folder 4
|
Ohio Theater (Cleveland), 1934
|
|
Box
31
Folder 5
|
Hughes Productions (regarding The Outlaw censorship), 1946-1950
|
|
Box
31
Folder 6
|
J, 1925
|
|
Box
31
Folder 7
|
Justice Department, 1927-1928, 1938
|
|
Box
31
Folder 8
|
Kiddie Machine Corporation, 1950
|
|
Box
31
Folder 9
|
Krushen, Mori (manager of Exhibitor Service Department), 1945-1951
|
|
Box
31
Folder 10
|
Larkin, Mark (press representative for Fairbanks), 1925-1927
|
|
Box
31
Folder 11
|
Lazarus, Paul, Sr., 1939-1949
|
|
Box
31
Folder 12
|
Lazarus, Paul, Jr., 1945-1950
|
|
Box
32
Folder 1
|
Lesser Productions, 1945-1946
|
|
Box
32
Folder 2
|
Lesserman, Carl, 1941-1946
|
|
Box
32
Folder 3
|
Levey (Jules) Productions, 1942-1944
|
|
Box
32
Folder 4
|
Loew and Lewin Inc., 1940-1944
|
|
Box
32
Folder 5
|
M, 1925-1928
|
|
Box
32
Folder 6
|
Manhattan Productions, 1945
|
|
Box
32
Folder 7
|
Mexico, 1926
|
|
Box
32
Folder 8-10
|
Minneapolis (including lease of Pantages Theater), 1931
|
|
Box
32
Folder 11
|
Miscellaneous correspondence, 1939-1943
|
|
Box
33
Folder 1-2
|
Miscellaneous correspondence, 1944-1950
|
|
Box
33
Folder 3
|
Modern Times, Boston, 1936
|
|
Box
33
Folder 4
|
Modern Times, Philadelphia, 1936
|
|
Box
33
Folder 5
|
Mundus Distribution Corporation, 1934
|
|
Box
33
Folder 6
|
Musical scores for Don Q, Son of Zorro, 1925-1926
|
|
Box
33
Folder 7
|
Musical composition control by Maison Haugel, 1929
|
|
Box
33
Folder 8
|
National Electric Labs, 1943-1944
|
|
Box
33
Folder 9
|
O'Brien, Driscoll and Raftery, 1939-1944
|
|
Box
34
Folder 1
|
O'Brien, Driscoll and Raftery, 1945-1951
|
|
Box
34
Folder 2
|
Office personnel, 1944
|
|
Box
34
Folder 3
|
Philadelphia theater building proposal, 1930-1931
|
|
Box
34
Folder 4
|
Phillips, Joe, 1948-1950
|
|
|
Pickford Company
|
|
Box
34
Folder 5-7
|
Correspondence, 1927-1928
|
|
Box
34
Folder 8
|
Exhibition correspondence, 1929-1931
|
|
Box
34
Folder 9
|
Refunds, 1925-1928
|
|
Box
34
Folder 10
|
Refunds, sales to foreign countries, 1925
|
|
Box
34
Folder 11
|
President's report, 1949
|
|
Box
34
Folder 12
|
Press releases, 1928
|
|
Box
34
Folder 13
|
Price Waterhouse audits, 1926-1927
|
|
Box
34
Folder 14
|
Private showings, 1925-1926
|
|
Box
34
Folder 15
|
Projection equipment, 1925-1927
|
|
Box
35
Folder 1
|
Puttin' On the Ritz, New York, 1930
|
|
Box
35
Folder 2
|
Radio short wave broadcasting station, 1927
|
|
Box
35
Folder 3
|
Receipts, Don Q, Son of Zorro, 1926
|
|
Box
35
Folder 4
|
Receipts, Little Annie Rooney, 1925-1927
|
|
Box
35
Folder 5
|
Refund requests, 1926-1927
|
|
Box
35
Folder 6
|
Regent Theater (Toronto), 1927-1928
|
|
Box
35
Folder 7
|
Riesenfeld, Hugo, 1928
|
|
Box
35
Folder 8
|
Roach, Hal, 1941-1947
|
|
Box
35
Folder 9
|
Ross Checking Service, 1930-1941
|
|
Box
35
Folder 10
|
Russia, 1925-1926
|
|
Box
35
Folder 11
|
Sadie Thompson, 1927-1928
|
|
Box
36
Folder 1
|
Sears, Gradwell, 1941-1951
|
|
Box
36
Folder 2
|
Silverstone, Maurice, 1934-1942
|
|
Box
36
Folder 3-4
|
"Sliding scale," 1942-1947
|
|
Box
36
Folder 5
|
Sociedad Commerciale agreement, 1925
|
|
Box
36
Folder 6
|
Society of Independent Motion Picture Producers, 1945-1948
|
|
Box
36
Folder 7
|
South Africa, 1926
|
|
Box
36
Folder 8-9
|
Sparrows (also includes some references
to Black Pirate), 1925-1926
|
|
Box
37
Folder 1
|
State taxes, 1929-1931
|
|
Box
37
Folder 2
|
Statements, 1925-1926
|
|
Box
37
Folder 3
|
Strand Theater (New York), 1925-1926
|
|
Box
37
Folder 4-6
|
Surplus tax claim, 1931-1937
|
|
Box
37
Folder 7-9
|
Technicolor Motion Picture Corporation, 1926-1927, 1944-1950
|
|
Box
37
Folder 10
|
Technicolor Motion Picture Corporation, damaged prints, 1926
|
|
Box
37
Folder 11
|
Thomas, George, 1926
|
|
Box
38
Folder 1-3
|
United Artists Studio, 1929-1930
|
|
Box
38
Folder 4
|
United States, Internal Revenue Department, 1922-1925
|
|
Box
38
Folder 5
|
Veterans Administration, 1934
|
|
Box
38
Folder 6
|
Victor Talking Machine Company, 1928
|
|
Box
38
Folder 7
|
Welfare Fund, 1937-1942
|
|
Box
38
Folder 8
|
Winter Garden Theater, 1945-1946
|
|
Box
38
Folder 9
|
Withholding tax, 1936-1949
|
|
|
Series: Labor Files
|
|
|
Exchange employment files
|
|
Box
38
Folder 10-14
|
Atlanta-Chicago, undated
|
|
Box
39
Folder 1-22
|
Cincinnati-Washington, D.C., undated
|
|
|
Series: Union Files
|
|
Box
40
Folder 1-5
|
Colosseum of Motion Picture Salesmen, 1947-1954
|
|
Box
40
Folder 6
|
Distributing, Processing and Office Workers of America, 1951-1954
|
|
|
IATSE (International Alliance of Theatrical Stage Employees)
|
|
Box
40
Folder 7
|
General, 1945-1946
|
|
Box
41
Folder 1
|
General, 1947-1954
|
|
Box
41
Folder 2
|
General, contracts, 1943-1950
|
|
Box
41
Folder 3-4
|
Home office (Local 63), 1946-1954
|
|
Box
41
Folder 5
|
Projectionists Union, 1938-1947
|
|
|
Screen Office Professional Employees Guild
|
|
Box
41
Folder 6
|
Los Angeles Local #1391, 1942-1948
|
|
Box
41A
Folder 1
|
Los Angeles Local #1391, 1942-1948 (continued)
|
|
Box
42
Folder 1-6
|
New York Local #109, 1942-1951
|
|
Box
42
Folder 7
|
Screen Publicists Guild, 1941
|
|
Box
43
Folder 1-3
|
Screen Publicists Guild, 1943-1951
|
|
|
Series: Exchange Files
|
|
|
Atlanta
|
|
Box
44
Folder 1-2
|
General, 1939-1950
|
|
Box
44
Folder 3
|
Backroom, 1937-1945
|
|
Box
44
Folder 4
|
Frontroom, 1943-1945
|
|
|
Boston
|
|
Box
44
Folder 5-8
|
General, 1939-1950
|
|
Box
45
Folder 1
|
Backroom, 1937-1945
|
|
Box
45
Folder 2
|
Frontroom, 1942-1945
|
|
|
Buffalo
|
|
Box
45
Folder 3-4
|
General, 1939-1949
|
|
Box
45
Folder 5
|
Backroom, 1937-1950
|
|
Box
45
Folder 6
|
Frontroom, 1943-1945
|
|
Box
45
Folder 7
|
Calgary, 1947-1948
|
|
|
Charlotte
|
|
Box
45
Folder 8
|
General, 1939-1941
|
|
Box
46
Folder 1-2
|
General, 1942-1951
|
|
Box
46
Folder 3
|
Backroom, 1937-1945
|
|
Box
46
Folder 4
|
Frontroom, 1943-1945
|
|
|
Chicago
|
|
Box
46
Folder 5-7
|
General, 1938-1948
|
|
Box
47
Folder 1
|
General, 1949-1950
|
|
Box
47
Folder 2
|
Backroom, 1937-1945
|
|
Box
47
Folder 3
|
Frontroom, 1943-1945
|
|
|
Cincinnati
|
|
Box
47
Folder 4-6
|
General, 1938-1950
|
|
Box
47
Folder 7
|
Backroom, 1937-1945
|
|
Box
48
Folder 1
|
Frontroom, 1943-1945
|
|
|
Cleveland
|
|
Box
48
Folder 2-3
|
General, 1939-1945
|
|
Box
48
Folder 4
|
Backroom, 1937-1945
|
|
Box
48
Folder 5
|
Frontroom, 1943-1945
|
|
|
Dallas
|
|
Box
48
Folder 6-7
|
General, 1939-1945
|
|
Box
49
Folder 1
|
General, 1947-1950
|
|
Box
49
Folder 2
|
Backroom, 1937-1945
|
|
Box
49
Folder 3
|
Frontroom, 1943-1945
|
|
|
Denver
|
|
Box
49
Folder 4-5
|
General, 1939-1950
|
|
Box
49
Folder 6
|
Backroom, 1937-1945
|
|
Box
49
Folder 7
|
Frontroom, 1942-1945
|
|
|
Detroit
|
|
Box
49
Folder 8
|
General, 1939-1942
|
|
Box
50
Folder 1-2
|
General, 1943-1950
|
|
Box
50
Folder 3
|
Backroom, 1937-1939
|
|
Box
50
Folder 4-5
|
Frontroom, 1943-1945
|
|
|
Indianapolis
|
|
Box
50
Folder 6-7
|
General, 1939-1950
|
|
Box
50
Folder 8
|
Backroom, 1937-1941
|
|
Box
51
Folder 1
|
Backroom, 1942-1945
|
|
Box
51
Folder 2
|
Frontroom, 1943-1945
|
|
Box
51
Folder 3-6
|
Kansas City, 1937-1950
|
|
Box
51
Folder 7
|
Los Angeles, 1938-1943
|
|
Box
52
Folder 1-2
|
Los Angeles, 1944-1950
|
|
Box
52
Folder 3-5
|
Milwaukee, 1937-1950
|
|
Box
53
Folder 1-3
|
Minneapolis, 1939-1950
|
|
Box
53
Folder 4-8
|
Montreal, 1939-1949
|
|
Box
54
Folder 1-2
|
New Haven, 1939-1950
|
|
Box
55
Folder 1-3
|
New Orleans, 1939-1950
|
|
Box
54
Folder 3-5
|
New York, 1939-1950
|
|
Box
55
Folder 4
|
Omaha, 1937-1941
|
|
Box
56
Folder 1-3
|
Omaha, 1937-1950
|
|
|
Philadelphia
|
|
Box
56
Folder 4-5
|
General, 1938-1945
|
|
Box
57
Folder 1
|
General, 1947-1950
|
|
Box
57
Folder 2
|
Backroom, 1937-1945
|
|
Box
57
Folder 3
|
Frontroom, 1942-1945
|
|
|
Pittsburgh
|
|
Box
57
Folder 4-5
|
General, 1938-1950
|
|
Box
57
Folder 6
|
Backroom, 1937-1945
|
|
Box
57
Folder 7
|
Frontroom, 1943-1945
|
|
Box
57
Folder 8
|
St. John, 1947-1949
|
|
|
St. Louis
|
|
Box
58
Folder 1-4
|
General, 1939-1950
|
|
Box
58
Folder 5-6
|
Backroom, 1938-1945
|
|
Box
59
Folder 1
|
Frontroom, 1942-1945
|
|
|
Salt Lake City
|
|
Box
59
Folder 2-3
|
General, 1938-1950
|
|
Box
59
Folder 4
|
Backroom, 1937-1945
|
|
Box
59
Folder 5
|
Frontroom, 1942-1945
|
|
|
San Francisco
|
|
Box
59
Folder 6-8
|
General, 1940-1950
|
|
Box
60
Folder 1
|
Backroom, 1937-1945
|
|
Box
60
Folder 2
|
Frontroom, 1942-1945
|
|
|
Seattle
|
|
Box
60
Folder 3-4
|
General, 1939-1950
|
|
Box
60
Folder 5
|
Backroom, 1937-1945
|
|
Box
60
Folder 6
|
Frontroom, 1943-1945
|
|
|
Washington, D.C.
|
|
Box
60
Folder 7-8
|
General, 1942-1945
|
|
Box
61
Folder 1-2
|
General, 1947-1950
|
|
Box
61
Folder 3-4
|
Backroom, 1938-1945
|
|
Box
61
Folder 5
|
Frontroom, 1943-1945
|
|
Box
61
Folder 6
|
Winnipeg, 1947-1949
|
|
Box
61
Folder 7-8
|
Vancouver, 1937-1949
|
|
|
All exchanges
|
|
Box
61
Folder 9
|
Backroom, 1941-1942
|
|
Box
62
Folder 1
|
Backroom, 1945-1946
|
|
Box
62
Folder 2-3
|
Front office, 1942-1944
|
|
|