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U.S. Mss 99AN/1.2
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Accidents Will Happen
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Box/Folder
1/1
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Final: by George Bricker, Anthony Coldewey, and Victor C. Rose, 24 August to 27 August with revisions to 20 October 1937; changes
circa 131pp.; 6pp.
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Across the Pacific
|
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Box/Folder
1/2
|
Novel: Aloha means goodby, by Robert Carson. Saturday Evening Post, 28 June to 26 July 1941
29pp.
|
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Box/Folder
1/3
|
Novel: Aloha means goodby, by Carson, 22 December 1941
177pp.
|
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Box/Folder
1/4
|
Temporary: no author shown, 13 January 1942
192pp.
|
|
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Box/Folder
1/5
|
Revised Temporary: by Richard Macaulay, 14 February 1942
111pp.
: Incomplete.
|
|
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Box/Folder
1/6
|
Final: by Macaulay, 24 February with revisions to 2 March 1942
134pp.
|
|
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Box/Folder
1/7
|
Revised Final: by Macaulay, 5 March with revisions to 24 April 1942
circa 125pp.
|
|
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Action in the North Atlantic
|
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Box/Folder
2/1
|
Treatment: Heroes without uniforms, by Guy Gilpatric, 25 May 1942
142pp.
|
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Box/Folder
2/2
|
Short Story: Damn the torpedoes, by Helen Lawrenson. Harper's, July 1942
4pp.
|
|
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Box/Folder
2/3
|
Temporary: by John Howard Lawson, 18 July to 1 August 1942
133pp.
|
|
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Box/Folder
2/4
|
Final: by Lawson and W.R. Burnett, 10 August with revisions to 14 August 1942
circa 190pp.
|
|
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Box/Folder
2/5
|
Revised Final: by Lawson and Burnett, 1 September with revisions to 17 December 1942
circa 170pp.
|
|
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Adventure in Iraq
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Box/Folder
2/6
|
Temporary: by Robert E Kent, 15 July 1942
83pp.
|
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Box/Folder
2/7
|
Screenplay: by George R. Bilson and Kent, 31 July 1942
93pp.
|
|
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Box/Folder
2/8
|
Final: by Bilson and Kent, 25 August with revisions to 29 September 1942
97pp.
|
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Adventures of Don Juan
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Box/Folder
3/1
|
Treatment: by Max Brand, undated
58pp.
|
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Box/Folder
3/2
|
Treatment: by Brand, 14 February 1944
57pp.
|
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Box/Folder
3/3
|
Treatment: by John Taintor Foote, 26 April 1944
162pp.
|
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Box/Folder
3/4
|
Temporary: by Foote and William Faulkner, 13 July 1944
153pp.
|
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Box/Folder
3/5
|
Revised Temporary: by Herbert Dalmas, 1 November 1944
155pp.
|
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Box/Folder
3/6
|
Final: by Dalmas, 2 December to 22 December 1944 with revisions to 15 January 1945
circa 165pp.
|
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Box/Folder
3/7
|
Screenplay: by Harold Goldman, 9 December 1944 to 13 January 1945
182pp.
|
|
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Box/Folder
4/1
|
Revised Final: no author shown, 19 January 1945
176pp.
|
|
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Box/Folder
4/2
|
Revised Final 2: no author shown, 17 February to 19 February with revisions to 22 February 1945
circa 140pp.
|
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Box/Folder
4/3
|
Revised Final 3: by Goldman and Dalmas, 20 March to 16 May 1945
149pp.
|
|
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Box/Folder
4/4
|
Story Outline: by George Oppenheimer, 1 April 1947
6pp.
|
|
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Box/Folder
4/5
|
Screenplay: by Oppenheimer, 5 April 1947
146pp.
|
|
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Box/Folder
4/6
|
Temporary: by Oppenheimer, 18 July 1947
146pp.
|
|
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Box/Folder
4/7
|
Comments: by Harry Kurnitz, undated
11pp.
|
|
|
Box/Folder
4/8
|
Screenplay: by Kurnitz, 20 August 1947
149pp.
|
|
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Box/Folder
4/9
|
Screenplay: by Kurnitz, undated
148pp.
|
|
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Box/Folder
5/1
|
Revised Temporary: by Kurnitz, 23 August to 15 September 1947
150pp.
|
|
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Box/Folder
5/2
|
Final: by Oppenheimer and Kurnitz, 9 October 1947 with revisions to 17 March 1948
circa 140pp.
|
|
|
Adventures of Jane Arden
|
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|
Box/Folder
5/3
|
Temporary: no author shown, 17 October 1938
133pp.
|
|
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Box/Folder
5/4
|
Final: by Lawrence Kimball and Charles Curran, 24 October with revisions to 9 November 1938
circa 120pp.
|
|
|
Adventures of Mark Twain
|
|
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Box/Folder
5/5
|
Play: Mark Twain, by Harold Sherman, undated
142pp.
|
|
|
Box/Folder
5/6
|
Research: Mark Twain material, by Bernard De Voto, 24 November 1941
37pp.
|
|
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Box/Folder
5/7
|
Research: America's Twainiana cycle, by Floyd C. Shoemaker. Speech delivered in Hannibal, Missouri, 1 December 1941
3pp.
|
|
|
Box/Folder
5/8
|
Story Outline: by Harry Chandlee, undated
36pp.
|
|
|
Box/Folder
5/9
|
Story Outline: by Alan LeMay and Harold M. Sherman, 23 August 1941
9pp.
|
|
|
Box/Folder
5/10
|
Treatment: by Sherman, undated
264pp.
|
|
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Box/Folder
6/1
|
Treatment: by LeMay and Sherman, 13 October 1941
145pp.
: Annotated.
|
|
|
Box/Folder
6/2
|
Treatment: by Sherman, undated
: Incomplete.
31pp.
|
|
|
Box/Folder
6/3
|
Treatment: by Sherman, undated
115pp.
|
|
|
Box/Folder
6/4
|
Treatment: by Howard Koch (annotated), undated; “Memorandum of proposed revision to Mark Twain treatment.”
180pp.; 2pp.
|
|
|
Box/Folder
6/5
|
Screenplay: by LeMay, 28 February to 11 March 1942
109pp.
: Annotated.
|
|
|
Box/Folder
6/6
|
Screenplay: by LeMay, 20 March to 2 April 1942
152pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
6/7
|
Screenplay: by LeMay, 20 March to 15 April 1942
183pp.
|
|
|
Box/Folder
6/8
|
Temporary: no author shown, 28 April with revisions to 20 May 1942
circa 185pp.
|
|
|
Box/Folder
7/1
|
Comments: by W.G. Beymer, 5 May 1942
43pp.
|
|
|
Box/Folder
7/2
|
Final: no author shown, undated with revisions to 28 September 1942
circa 195pp.
|
|
|
The Adventures of Robin Hood
|
|
|
Box/Folder
7/3
|
Temporary: by Rowland Leigh, 23 November 1936
164pp.
|
|
|
Box/Folder
7/4
|
Revised Temporary: Robin Hood, by Norman Reilly Raine, 7 July 1937
165pp.
|
|
|
Box/Folder
7/5
|
Revised Temporary 2: Robin Hood, by Raine, 6 August to 20 August 1937
100pp.
: Incomplete.
|
|
|
Box/Folder
7/6
|
Final: Robin Hood, by Raine and Seton I Miller, 4 September to 11 September 1937
168pp.
: Incomplete.
|
|
|
Box/Folder
7/7
|
Revised Final: Robin Hood, by Raine and Miller, 14 September to 17 September 1937
190pp.
|
|
|
Box/Folder
8/1
|
Revised Final 2: Robin Hood, by Raine and Miller, 21 September 1937
166pp.
|
|
|
Box/Folder
8/2
|
Revised Final 3: by Raine and Miller, undated with revisions to 5 January 1938
circa 185pp.
|
|
|
Box/Folder
8/3
|
Revised Final 4: by Raine and Miller, 25 September 1937
162pp.
|
|
|
Adventurous Blonde
|
|
|
Box/Folder
8/4
|
Temporary: by Robertson White and David Diamond, 10 May 1937
118pp.
|
|
|
Box/Folder
8/5
|
Final: no author shown, 22 May with revisions to 16 June 1937
circa 122pp.
|
|
|
Affectionately Yours
|
|
|
Box/Folder
8/6
|
Story Outline: by Fanya Foss and Aleen Leslie, undated
33pp.
|
|
|
Box/Folder
8/7
|
Short Story: no author shown, 29 August 1940
34pp.
|
|
|
Box/Folder
8/8
|
Plot Summary: no author shown, undated; cast of characters by Foss and Leslie , 2 July 1940; memo from Mark Hellinger to Hal Wallis , 9 September 1940
9pp., 5pp., 1p.
|
|
|
Box/Folder
8/9
|
Temporary: no author shown, 30 October 1940
159pp.
|
|
|
Box/Folder
9/1
|
Final: by Edward Kaufman, 3 December to 14 December 1940
170pp.
|
|
|
Box/Folder
9/2
|
Revised Final: by Kaufman, 7 January with revisions to 13 February 1941
circa 150pp.
|
|
|
Air Force
|
|
|
Box/Folder
9/3
|
Temporary: by Dudley Nichols, 24 April 1942
193pp.
: Incomplete.
|
|
|
Box/Folder
9/4
|
Revised Temporary: no author shown, 29 May 1942
189pp.
|
|
|
Box/Folder
9/5
|
Revised Temporary 2: no author shown, 12 June to 13 June 1942
207pp.
|
|
|
Box/Folder
9/6
|
Final: no author shown, 18 June to 30 June 1942
140pp.
: Incomplete.
|
|
|
Box/Folder
10/1
|
Revised Final: by Nichols, 3 July with revisions to 8 October 1942, and new ending
circa 175pp., 6pp.
|
|
|
Box/Folder
10/2
|
Novel: by John O Watson. New York, 1943
241pp.
|
|
|
Alcatraz Island
|
|
|
Box/Folder
10/3
|
Temporary: Alcatraz, by Crane Wilbur, 7 April 1937
122pp.
|
|
|
Box/Folder
10/4
|
Final: Alcatraz, by Wilbur, 21 April 1937
107pp.
|
|
|
Box/Folder
10/5
|
Revised Final: Alcatraz, by Wilbur, 28 April with revisions to 30 April 1937
122pp.
|
|
|
Box/Folder
10/6
|
Revised Final 2: Alcatraz, by Wilbur, 5 May with revisions to 1 July 1937; added scenes
circa 110pp., 7pp.
|
|
|
Alexander Hamilton
|
|
|
Box/Folder
11/1
|
Play: Hamilton, by Mary P. Hamlin and George Arliss, undated
118pp.
|
|
|
Box/Folder
11/2
|
Temporary: by Julien Josephson and Maude T. Howell, 25 March 1931
72pp.
: Annotated.
|
|
|
Box/Folder
11/3
|
Final: by Josephson and Howell, 28 March 1931
79pp.
|
|
|
Box/Folder
11/4
|
Revised Final: by Josephson and Howell, 10 April 1931
81pp.
: Annotated.
|
|
|
Alias the Doctor
|
|
|
Box/Folder
11/5
|
Play: Environment, by Von Russell, 12 September 1931
86pp.
|
|
|
Box/Folder
11/6
|
Comments: (“Mr. Zanuck's suggestions on proposed treatment of 'Environment'”), by Darryl F. Zanuck, 18 September 1931
3pp.
|
|
|
Box/Folder
11/7
|
Comments: (“Notes on Barthelmess' story 'Alias the doctor'”), by Zanuck, undated
5pp.
|
|
|
Box/Folder
11/8
|
Story Outline: Environment, no author shown, 22 September 1931
3pp.
|
|
|
Box/Folder
11/9
|
Treatment: no author shown, undated
59pp.
|
|
|
Box/Folder
11/10
|
Treatment: Environment, no author shown, 17 October 1931
62pp.
|
|
|
Box/Folder
11/11
|
Treatment: no author shown, 23 October 1931
69pp.
|
|
|
Box/Folder
11/12
|
Revised Final: no author shown, 19 November 1931
106pp.
|
|
|
Alibi Ike
|
|
|
Box/Folder
11/13
|
Short Story: by Ring Lardner, undated
26pp.
|
|
|
Box/Folder
11/14
|
Temporary: by William Wister Haines, 20 January 1935
135pp.
|
|
|
Box/Folder
11/15
|
Revised Temporary: by Haines, 31 January 1935
126pp.
|
|
|
Box/Folder
12/1
|
Final: by Haines, 27 February 1935
139pp.
|
|
|
Box/Folder
12/2
|
Revised Final: by Haines, 1 March 1935
139pp.
|
|
|
Box/Folder
12/3
|
Revised Final 2: by Haines, 20 March 1935
127pp.
|
|
|
All This, and Heaven Too
|
|
|
Box/Folder
12/4
|
Novel: by Rachel Field. New York, 1938
596pp.
|
|
|
Box/Folder
12/5
|
Story Outline: by Harriet Hinsdale, 20 December 1938
63pp.
|
|
|
Box/Folder
12/6
|
Treatment: by Casey Robinson, 10 May 1939
182pp.
|
|
|
Box/Folder
12/7
|
Temporary: by Robinson, 22 November 1939
198pp.
|
|
|
Box/Folder
13/1
|
Final: by Robinson, 4 January to 23 January 1940
181pp.
|
|
|
Box/Folder
13/2
|
Revised Final: by Robinson, 5 February 1940
162pp.
|
|
|
All Through the Night
|
|
|
Box/Folder
13/3
|
Short Story: by Leonard Q Ross and Leonard Spigelgass, 19 March 1941
61pp.
|
|
|
Box/Folder
13/4
|
Temporary: by Spigelgass, 30 April 1941
140pp.
|
|
|
Box/Folder
13/5
|
Revised Temporary: by Spigelgass and Edwin Gilbert, 2 June to 26 June 1941
137pp.
|
|
|
Box/Folder
13/6
|
Final: by Spigelgass and Gilbert, 19 July to 28 July 1941
136pp.
|
|
|
Box/Folder
13/7
|
Revised Final: by Spigelgass and Gilbert, 31 July to 14 August with revisions to 3 November 1941, and new ending
circa 140pp., 3pp.
|
|
|
Always A Bride
|
|
|
Box/Folder
14/1
|
Temporary: and so she was married, by Robert E Kent, 6 September 1940
120pp.
|
|
|
Box/Folder
14/2
|
Final: by Kent, 14 September with revisions to 24 September 1940
circa 115pp.
|
|
|
Always in My Heart
|
|
|
Box/Folder
14/3
|
Play: Fly away home, by Dorothy Bennett and Irving White, New York, 1935
118pp.
|
|
|
Box/Folder
14/4
|
Temporary: no author shown, 20 August 1941
128pp.
|
|
|
Box/Folder
14/5
|
Final: by Adele Comandini, 5 September 1941
134pp.
|
|
|
Box/Folder
14/6
|
Revised Final: by Comandini, 9 October with revisions to 14 November 1941
circa 135pp.
|
|
|
Always Leave Them Laughing
|
|
|
Box/Folder
14/7
|
Short Story: The small time, by Max Shulman, Colliers, 24 July 1948
4pp.
|
|
|
Box/Folder
14/8
|
Plot Summary: The small time, by Elma L Wentz, 18 February 1948
1p.
|
|
|
Box/Folder
14/9
|
Story Outline: The thief of Broadway, by Richard Mealand and Shulman, undated and notes for revision
59pp., 3pp.
|
|
|
Box/Folder
14/10
|
Plot Summary: The thief of Broadway, by P Mathias, 17 May 1948
1p.
|
|
|
Box/Folder
14/11
|
Story Outline: Thief of Broadway, by Jerry Wald, 17 January 1949
3pp.
|
|
|
Box/Folder
14/12
|
Treatment: Thief of Broadway, by Shulman, 17 February 1949
37pp.
|
|
|
Box/Folder
14/13
|
Treatment: The thief of Broadway, by Shulman, 2 March 1949
61pp.
|
|
|
Box/Folder
15/1
|
Treatment: by Shulman, 18 March 1949
130pp.
|
|
|
Box/Folder
15/2
|
Treatment: by Jack Rose and Melville Shavelson, 24 May 1949
11pp.
|
|
|
Box/Folder
15/3
|
Treatment: by Rose and Shavelson, 27 May 1949
27pp.
|
|
|
Box/Folder
15/4
|
Treatment: by Rose and Shavelson, 7 June 1949
36pp.
|
|
|
Box/Folder
15/5
|
Screenplay: by Rose and Shavelson, undated
143pp.
|
|
|
Box/Folder
15/6
|
Temporary: by Rose and Shavelson. 9 July to 11 July with revisions to 16 July 1949
circa 110pp.
|
|
|
Box/Folder
15/7
|
Comments: (“Changed pages”) by Rose and Shavelson, 11 July to 15 July 1949
38pp.
|
|
|
Box/Folder
15/8
|
Final: by Rose and Shavelson, 20 July with revisions to 19 September 1949
circa 112pp.
|
|
|
Box/Folder
15/9
|
Comments: (“Changed pages”) by Rose and Shavelson, 26 July to 2 August 1949
circa 110pp.
|
|
|
Box/Folder
15/10
|
Comments: (“Changed pages”) by Rose and Shavelson, 26 July to 20 September 1949
32pp.
|
|
|
Box/Folder
15/11
|
Comments: (“Changed pages”) by Hal Collins and Robert Gordon, 16 August to 23 August 1949
8pp.
|
|
|
Box/Folder
15/12
|
Comments: (“Changed pages”) by Ivan Goff and Ben Roberts, 23 August to 30 August 1949
27pp.
|
|
|
Box/Folder
15/13
|
Reader Synopsis: The thief of Broadway, by Ardel Wray, 20 October 1955
1p.
|
|
|
Always Together
|
|
|
Box/Folder
16/1
|
Screenplay: A cool million, by Phoebe and Henry Ephron (incomplete), 19 August 1946; outline; memo from Alex Gottlieb to J.L. Warner
65pp.; 10pp.; 1p.
|
|
|
Box/Folder
16/2
|
Screenplay: A cool million, by the Ephrons and I.A.L. Diamond, 13 November 1946
137pp.
|
|
|
Box/Folder
16/3
|
Screenplay: Head over heels, by the Ephrons and Diamond, 6 April 1947, and memo from Gottlieb to Warner
130pp.; 1p.
|
|
|
Box/Folder
16/4
|
Temporary: Head over heels, by the Ephrons and Diamond, 17 May 1947
129pp.
|
|
|
Box/Folder
16/5
|
Final: Head over heels, by the Ephrons and Diamond, 28 May with revisions to 23 June 1947
circa 115pp.
|
|
|
The Amazing Dr. Clitterhouse
|
|
|
Box/Folder
16/6
|
Play: by Barre Lyndon, 10 March 1937
136pp.
|
|
|
Box/Folder
16/7
|
Treatment: by John Wexley, undated
116pp.
|
|
|
Box/Folder
16/8
|
Temporary: by Wexley and John Huston, 30 November to 20 December 1937
197pp.
|
|
|
Box/Folder
17/1
|
Revised Temporary: by Wexley and Huston, 29 December 1937
178pp.
|
|
|
Box/Folder
17/2
|
Revised Temporary 2: by Wexley and Huston, 8 January 1938
179pp.
|
|
|
Box/Folder
17/3
|
Final: by Wexley and Huston, 26 January with revisions to 12 March 1938
circa 165pp.
|
|
|
An Angel From Texas
|
|
|
Box/Folder
17/4
|
Treatment: by Wally Klein, 12 December 1939
17pp.
|
|
|
Box/Folder
17/5
|
Temporary: by Bertram Millhauser, 10 January 1940
45pp.
: Incomplete.
|
|
|
Box/Folder
17/6
|
Revised Temporary: by Fred Niblo, Jr, 30 January 1940
128pp.
|
|
|
Box/Folder
17/7
|
Final: by Millhauser and Niblo, 5 February with revisions to 15 March 1940
circa 150pp.
|
|
|
Angels Wash Their Faces
|
|
|
Box/Folder
17/8
|
Treatment: The battle of city hall, by Niven Busch and Jonathan Finn, 13 August 1938
24pp.
|
|
|
Box/Folder
17/9
|
Treatment: The battle of city hall, by Busch, undated
53pp.
|
|
|
Box/Folder
18/1
|
Screenplay: The battle of city hall, by Busch and Robert Buckner, 15 November 1938
154pp.
|
|
|
Box/Folder
18/2
|
Temporary: The battle of city hall, no author shown, 24 January 1939
140pp.
: Incomplete.
|
|
|
Box/Folder
18/3
|
Screenplay: Boys' week, the battle of city hall (“Fessier's revisions”), 26 January to 4 February 1939
143pp.
|
|
|
Box/Folder
18/4
|
Final: The battle of city hall, by Michael Fessier, Busch, and Buckner, 7 February with revisions to 6 April 1939
circa 130pp.
|
|
|
Another Dawn
|
|
|
Box/Folder
18/5
|
Treatment: by Laird Doyle, 18 January 1936
36pp.
|
|
|
Box/Folder
18/6
|
Treatment: by Doyle, 13 February 1936
69pp.
|
|
|
Box/Folder
18/7
|
Temporary: by Doyle, 24 February to 3 March 1936
157pp.
|
|
|
Box/Folder
18/8
|
Final: by Doyle, 18 August 1936
124pp.
|
|
|
Box/Folder
18/9
|
Revised Final: by Doyle, 1 September with revisions to 7 October 1936
circa 165pp.
|
|
|
Anthony Adverse
|
|
|
Box/Folder
19/1
|
Novel: by Hervey Allen. New York, 1933
1224pp.
|
|
|
Box/Folder
19/2
|
Plot Summary: by Allen, undated
21pp.
|
|
|
Box/Folder
19/3
|
Plot Summary: by Jean Hollingsworth, 5 July 1933
28pp.
|
|
|
Box/Folder
19/4
|
Research: (“Descriptive material taken from the book for Anthony Adverse”) no author shown, 7 October 1935
130pp.
|
|
|
Box/Folder
19/5
|
Treatment: by Sheridan Gibney, 10 April 1934
42pp.
|
|
|
Box/Folder
19/6
|
Screenplay: by Gibney, 28 July 1934
153pp.
|
|
|
Box/Folder
19/7
|
Temporary: by Gibney, 18 July 1935
179pp.
|
|
|
Box/Folder
19/8
|
Revised Temporary: by Gibney, 7 September 1935
184pp.
|
|
|
Box/Folder
20/1
|
Final: by Gibney, 25 October 1935
196pp.
|
|
|
Box/Folder
20/2
|
Revised Final: no author shown, 2 November 1935 with revisions to 12 February 1936
circa 195pp.
|
|
|
April Showers
|
|
|
Box/Folder
20/3
|
Treatment: Barbary host, by Joe Laurie, Jr. and Abel Green, undated
15pp.
|
|
|
Box/Folder
20/4
|
Treatment: Barbary host, by Laurie and Green, undated
15pp.
|
|
|
Box/Folder
20/5
|
Treatment: Barbary host, by Peter Milne, undated
21pp.
|
|
|
Box/Folder
20/6
|
Screenplay: Barbary host, by Milne, undated
120pp.
: Annotated.
|
|
|
Box/Folder
20/7
|
Screenplay: Barbary host, by Milne (annotated), 19 October 1946; memo from William Jacobs to J.L. Warner
140pp.; 1p.
|
|
|
Box/Folder
20/8
|
Screenplay: Barbary host by Milne, 13 December 1946
115pp.
|
|
|
Box/Folder
20/9
|
Screenplay: Barbary host, no author shown, 11 February 1947
145pp.
|
|
|
Box/Folder
20/10
|
Screenplay: Barbary host, by Phoebe and Henry Ephron and Milne, 11 April 1947
123pp.
|
|
|
Box/Folder
20/11
|
Screenplay: Barbary host (“Footlights”), by Milne, 8 July to 5 August 1947
|
|
|
Box/Folder
21/1
|
Temporary: Footlights, by Milne and the Ephrons, 23 July 1947
73pp.
: Incomplete.
|
|
|
Box/Folder
21/2
|
Final: by Milne and the Ephrons, 13 August to 21 August 1947
117pp.
|
|
|
Box/Folder
21/3
|
Comments: by Wilkie Mahoney, undated
77pp.
|
|
|
Box/Folder
21/4
|
Revised Final: by Milne and the Ephrons, 26 August with revisions to 22 October 1947
circa 120pp.
|
|
|
Arsenic and Old Lace
|
|
|
Box/Folder
21/5
|
Play: by Joseph Kesselring, 14 January 1941
95pp.
|
|
|
Box/Folder
21/6
|
Play: by Kesselring. New York, 1941
187pp.
|
|
|
Box/Folder
21/7
|
Reader Synopsis: by Dorothea Cartwright Doe, 18 January 1941
17pp.
|
|
|
Box/Folder
21/8
|
Temporary: by Julius J and Philip G Epstein, 10 October 1941
72pp.
: Incomplete.
|
|
|
Box/Folder
21/9
|
Revised Temporary: (“And final”) by the Epsteins, 16 October with revisions to 5 December 1941
160pp.
|
|
|
Box/Folder
21/10
|
Reader Synopsis: by Rodney Graham, 5 June 1947
1p.
|
|
|
As the Earth Turns
|
|
|
Box/Folder
22/1
|
Novel: by Gladys Hasty Carroll. New York, 1933
339pp.
|
|
|
Box/Folder
22/2
|
Treatment: by Ernest Pascal, 10 July 1933
27pp.
|
|
|
Box/Folder
22/3
|
Screenplay: no author shown, undated
142pp.
|
|
|
Box/Folder
22/4
|
Temporary: no author shown, 25 August 1933
115pp.
|
|
|
Box/Folder
22/5
|
Final: by Pascal, 23 October with revisions to 6 December 1933
118pp.
|
|
|
Babbitt
|
|
|
Box/Folder
22/6
|
Novel: by Sinclair Lewis. New York, 1922
401pp.
|
|
|
Box/Folder
22/7
|
Treatment: by Tom Reed and Niven Busch, 14 April 1934
40pp.
|
|
|
Box/Folder
23/1
|
Screenplay: no author shown, undated
123pp.
: Annotated.
|
|
|
Box/Folder
23/2
|
Temporary: by Mary McCall, Jr, 3 August 1934
116pp.
|
|
|
Box/Folder
23/3
|
Final: by McCall, 15 August with revisions to 27 August 1934
circa 125pp.
|
|
|
Baby Face
|
|
|
Box/Folder
23/4
|
Short Story: no author shown, 9 November 1932
8pp.
|
|
|
Box/Folder
23/5
|
Treatment: by Gene Markey and Kathryn Scola, 21 November 1932
41pp.
|
|
|
Box/Folder
23/6
|
Screenplay: by Markey and Scola, 15 December 1932
138pp.
|
|
|
Box/Folder
23/7
|
Final: by Markey and Scola, 17 December 1932
138pp.
|
|
|
Back in Circulation
|
|
|
Box/Folder
23/8
|
Short Story: Angle shooter, by Adela Rogers St. John, 7 August 1936; galleys, from Motion Picture Review, 3 January 1937
66pp., 11pp.
|
|
|
Box/Folder
23/9
|
Treatment: Angle shooter, by Warren Duff, undated
43pp.
|
|
|
Box/Folder
23/10
|
Temporary: Angle shooter, by Duff, 4 October 1936
156pp.
|
|
|
Box/Folder
23/11
|
Final: Angle shooter, by Duff, 15 March with revisions to 22 April 1937
circa 155pp.
|
|
|
Back Pay
|
|
|
Box/Folder
24/1
|
Short Story: by Fannie Hurst, 9 February 1938
41pp.
|
|
|
Box/Folder
24/2
|
Screenplay: by Francis Edward Faragoh, undated
114pp.
|
|
|
Box/Folder
24/3
|
Final: by Faragoh, 21 November 1929; production information
90pp., 39pp.
|
|
|
Background to Danger
|
|
|
Box/Folder
24/4
|
Novel: by Eric Ambler. New York, 1937
280pp.
|
|
|
Box/Folder
24/5
|
Treatment: by W.R. Burnett, undated
11pp.
|
|
|
Box/Folder
24/6
|
Screenplay: by Fred Niblo, Jr, 4 October 1941
124pp.
|
|
|
Box/Folder
24/7
|
Temporary: by M Coates Webster and Arthur Arent, 20 August 1941
117pp.
|
|
|
Box/Folder
24/8
|
Revised Temporary: by Philip MacDonald, 8 July 1942
132pp.
|
|
|
Box/Folder
24/9
|
Final: no author shown, 8 August with revisions to 3 September 1942
circa 120pp.
|
|
|
Bad Men of Missouri
|
|
|
Box/Folder
25/1
|
Treatment: no author shown, undated
16pp.
|
|
|
Box/Folder
25/2
|
Treatment: by Harold Shumate, undated
9pp.
: Annotated.
|
|
|
Box/Folder
25/3
|
Temporary: by Robert E Kent and Barry Trivers, 5 November 1940
41pp.
: Incomplete.
|
|
|
Box/Folder
25/4
|
Revised Temporary: by Kent, 19 November with revisions to 30 November 1940
122pp.
|
|
|
Box/Folder
25/5
|
Revised Temporary 2: by Kent and Lester Cole, 11 January 1941
128pp.
|
|
|
Box/Folder
25/6
|
Final: by Shumate, 19 February to 24 February 1941
116pp.
|
|
|
Box/Folder
25/7
|
Revised Final: by Charles Grayson, 5 March to 12 March 1941
110pp.
|
|
|
Box/Folder
25/8
|
Revised Final 2: by Grayson, 19 March with revisions to 30 April 1941
circa 120pp.
|
|
|
The Beast With Five Fingers
|
|
|
Box/Folder
25/9
|
Short Story: by W.F. Harvey, 31 March 1943
37pp.
|
|
|
Box/Folder
25/10
|
Treatment: by Graham Baker, undated
80pp.
|
|
|
Box/Folder
25/11
|
Screenplay: by Baker, 24 March 1945
108pp.
|
|
|
Box/Folder
25/12
|
Screenplay: by Richard Weil, undated
115pp.
|
|
|
Box/Folder
26/1
|
Screenplay: by Griffin Jay, 19 May 1945
109pp.
: Annotated.
|
|
|
Box/Folder
26/2
|
Temporary: by Curt Siodmak, 5 September 1945
129pp.
|
|
|
Box/Folder
26/3
|
Final: by Siodmak, 8 November 1945
138pp.
|
|
|
Box/Folder
26/4
|
Revised Final: by Harold Goldman, 10 November to 24 November 1945
131pp.
|
|
|
Beauty and the Boss
|
|
|
Box/Folder
26/5
|
Temporary: Churchmouse, by Ladislaus Fodor and Paul Frank. (Adaptation by Joseph Jackson.) 5 December 1931
122pp.
|
|
|
Box/Folder
26/6
|
Screenplay: A church mouse, by Fodor and Frank. (Adaptation by Jackson.) 8 December 1931
116pp.
|
|
|
Box/Folder
26/7
|
Final: A church mouse, by Fodor and Frank (Adaptation by Jackson), 12 December 1931
106pp.
|
|
|
Bedside
|
|
|
Box/Folder
26/8
|
Short Story: by Manuel Seff and Harvey Thew, 27 April 1933
42pp.
|
|
|
Box/Folder
26/9
|
Treatment: by Lillie Hayward, undated
78pp.
: Annotated.
|
|
|
Box/Folder
26/10
|
Temporary: by Hayward and James Wharton, 22 August 1933
139pp.
|
|
|
Box/Folder
27/1
|
Final: by Hayward and Rian James, 19 September 1933
125pp.
|
|
|
The Beloved Brat
|
|
|
Box/Folder
27/2
|
Temporary: Too much of everything, by Jean Negulesco and Wally Klein, 6 August 1937
93pp.
: Incomplete.
|
|
|
Box/Folder
27/3
|
Final: Too much of everything, by Negulesco and Klein, 11 August 1937
125pp.
|
|
|
Box/Folder
27/4
|
Revised Final: Too much of everything, by Lawrence Kimble and Negulesco, 31 August with revisions to 19 October 1937
circa 125pp.
|
|
|
Bengal Tiger
|
|
|
Box/Folder
27/5
|
Temporary: Bengal killer, by Roy Chanslor, 2 April with revisions to 8 April 1936
circa 140pp.
|
|
|
Box/Folder
27/6
|
Final: Bengal killer, by Chanslor, 14 April with revisions to 5 May 1936
circa 110pp.
|
|
|
Between Two Worlds
|
|
|
Box/Folder
27/7
|
Treatment: Outward bound, by George R Bilson, 23 July 1942
12pp.
|
|
|
Box/Folder
27/8
|
Screenplay: Outward bound, by Daniel Fuchs, 14 August 1943
175pp.
|
|
|
Box/Folder
28/1
|
Temporary: Outward bound, by Fuchs, 22 September 1943
143pp.
|
|
|
Box/Folder
28/2
|
Final: Outward bound, by Fuchs, 1 October with revisions to 16 November 1943
circa 140pp.
|
|
|
Beyond the Forest
|
|
|
Box/Folder
28/3
|
Novel: by Stuart Engstrand. New York, 1948
303pp.
|
|
|
Box/Folder
28/4
|
Plot Summary: (“Novel outline--Wisconsin Bovary”) by Engstrand, undated
18pp.
|
|
|
Box/Folder
28/5
|
Treatment: by Lenore Coffee, 22 December 1948
18pp.
|
|
|
Box/Folder
28/6
|
Temporary: by Coffee, 18 February 1949
173pp.
|
|
|
Box/Folder
28/7
|
Revised Temporary: by Coffee, 9 March to 11 March 1949
130pp.
|
|
|
Box/Folder
28/8
|
Final: by Coffee, 31 March to 13 April 1949
158pp.
|
|
|
Box/Folder
29/1
|
Revised Final: Rosa Moline, by Coffee, 19 April 1949
131pp.
|
|
|
Box/Folder
29/2
|
Revised Final 2: Rose Moline, by Coffee, 26 April with revisions to 10 May 1949
circa 130pp.
|
|
|
Box/Folder
29/3
|
Revised Final 3: by Coffee, 12 May with revisions to 29 July 1949
circa 120pp.
|
|
|
Big Boy
|
|
|
Box/Folder
29/4
|
Play: no author shown, undated
76pp.
|
|
|
Box/Folder
29/5
|
Temporary: (“Play by Harold Attridge, scenario and dialogue by Rex Taylor”), March 1930
circa 125pp.
|
|
|
Box/Folder
29/6
|
Final: no author shown, 14 April 1930
circa 100pp.
|
|
|
Big Business Girl
|
|
|
Box/Folder
29/7
|
Novel: by “One of Them.” New York, 1930
278pp.
|
|
|
Box/Folder
29/8
|
Treatment: by Robert Lord, November 1930
74pp.
|
|
|
Box/Folder
30/1
|
Final: by Lord, 19 December 1930
112pp.
|
|
|
Big City Blues
|
|
|
Box/Folder
30/2
|
Play: New York town, by Ward Morehouse, 23 February 1932
130pp.
|
|
|
Box/Folder
30/3
|
Treatment: New York town, by Robert Lord, 25 February 1932
18pp.
|
|
|
Box/Folder
30/4
|
Temporary: New York town, no author shown, 16 March 1932
149pp.
|
|
|
Box/Folder
30/5
|
Final: New York town, by Lillie Hayward and Morehouse, 20 March 1932; added scenes , 29 June 1932
127pp., 4pp.
|
|
|
Big Hearted Herbert
|
|
|
Box/Folder
30/6
|
Play: by Sophie Kerr and Anna Steese Richardson, 3 April 1934
85pp.
|
|
|
Box/Folder
30/7
|
Screenplay: by Delmer Daves, 22 May 1934
146pp.
|
|
|
Box/Folder
30/8
|
Temporary: by Lillie Hayward and Daves, 6 June 1934
133pp.
|
|
|
Box/Folder
30/9
|
Final: by Hayward and Ben Markson, 15 June to 19 June with revisions to 26 June 1934
circa 130pp.
|
|
|
Big Noise
|
|
|
Box/Folder
31/1
|
Final: Big business, by William Jacobs and George Bickner. (“story by Edward Hartman.”), 8 February with revisions to 18 February 1936
circa 170pp.
|
|
|
The Big Punch
|
|
|
Box/Folder
31/2
|
Short Story: The holy terror, by George Carleton Brown, undated
58pp.
|
|
|
Box/Folder
31/3
|
Story Outline: The holy terror, by Bernard Girard, 1947-8
13pp.
|
|
|
Box/Folder
31/4
|
Screenplay: The fighting terror, by Girard, 4 November 1947
114pp.
|
|
|
Box/Folder
31/5
|
Temporary: The fighting terror, by Girard, 29 November 1947
123pp.
|
|
|
Box/Folder
31/6
|
Final: The fighting terror, by Girard, 5 January 1948
98pp.
|
|
|
Box/Folder
31/7
|
Revised Final: by Girard, 8 January with revisions to 10 June 1948
circa 100pp.
|
|
|
The Big Shakedown
|
|
|
Box/Folder
31/8
|
Short Story: Cut rate, or Public menace, by Niven Busch, undated
6pp.
|
|
|
Box/Folder
31/9
|
Treatment: The shakedown, by Robert Lee and Eugene Solow, undated
34pp.
|
|
|
Box/Folder
31/10
|
Screenplay: The shakedown, by Lee and Solow, undated
118pp.
|
|
|
Box/Folder
31/11
|
Screenplay: The shakedown, by Busch, 10 June 1933
142pp.
|
|
|
Box/Folder
31/12
|
Screenplay: The shakedown, by Busch, 17 June 1933
117pp.
|
|
|
Box/Folder
31/13
|
Final: The shakedown, by Lee and Solow, revised by Rian James, 14 August 1933
63pp.
: Incomplete.
|
|
|
Box/Folder
32/1
|
Revised Final: by Lee and Solow, revised by James, 23 August with revisions to 25 October 1933
circa 130pp.
|
|
|
The Big Shot
|
|
|
Box/Folder
32/2
|
Treatment: Warden Lawes story, by Daniel Fuchs 7 October 1941
69pp.
|
|
|
Box/Folder
32/3
|
Screenplay: The world is ours, by Fuchs, 21 November 1941
130pp.
|
|
|
Box/Folder
32/4
|
Comments: by Bertram Millhauser, 22 November 1941
19pp.
|
|
|
Box/Folder
32/5
|
Temporary: The world is ours, by Fuchs, 13 December 1941
144pp.
|
|
|
Box/Folder
32/6
|
Final: The world is ours, by Millhauser, 17 December 1941
68pp.
: Incomplete.
|
|
|
Box/Folder
32/7
|
Revised Final: Escape from crime, by Fuchs and Millhauser, 31 December 1941 with revisions to 14 February 1942
circa 130pp.
|
|
|
The Big Sleep
|
|
|
Box/Folder
32/8
|
Novel: by Raymond Chandler. Cleveland, 1939
165pp.
|
|
|
Box/Folder
33/1
|
Screenplay: by William Faulkner and Leigh Brackett, 11 September 1944
166pp.
|
|
|
Box/Folder
33/2
|
Temporary: by Faulkner and Brackett, 26 September 1944
172pp.
|
|
|
Box/Folder
33/3
|
Final: (“Cutter's script”) by Faulkner and Brackett, 16 March 1946
168pp.
|
|
|
The Big Stampede
|
|
|
Box/Folder
33/4
|
Final: by Marion Jackson, 22 June 1932
73pp.
|
|
|
Black Fury
|
|
|
Box/Folder
33/5
|
Play: Bohunk, by Harry R Irving, 1932
104pp.
|
|
|
Box/Folder
33/6
|
Screenplay: January Volkanik, by M.A. Musmanno, undated; alternate ending
184pp., 3pp.
|
|
|
Box/Folder
33/7
|
Treatment: Black hell, by Abem Finkel, 4 May 1934
133pp.
|
|
|
Box/Folder
33/8
|
Treatment: Black hell, by Finkel, 1 June 1934
141pp.
: Annotated.
|
|
|
Box/Folder
33/9
|
Treatment: Black hell, by Finkel, 13 June 1934
132pp.
|
|
|
Box/Folder
34/1
|
Temporary: Black hell, by Finkel and Carl Erickson, 4 September 1934
166pp.
|
|
|
Box/Folder
34/2
|
Final: Black hell, by Finkel and Erickson, 8 October with revisions to 17 October 1934
circa 160pp.
|
|
|
Black Legion
|
|
|
Box/Folder
34/3
|
Short Story: by Robert Lord, 8 June 1936
22pp.
|
|
|
Box/Folder
34/4
|
Treatment: by Abem Finkel and Lord, 8 July 1936
76pp.
|
|
|
Box/Folder
34/5
|
Temporary: no author shown, 20 July 1936
80pp.
: Incomplete.
|
|
|
Box/Folder
34/6
|
Final: by Finkel and William Wister Haines, undated with revisions to 27 November 1936
circa 160pp.
|
|
|
Blackwell's Island
|
|
|
Box/Folder
34/7
|
Treatment: by Lee Katz, undated
48pp.
|
|
|
Box/Folder
34/8
|
Screenplay: by Katz, undated
136pp.
|
|
|
Box/Folder
34/9
|
Final: no author shown, 21 June to 25 June 1938
119pp.
|
|
|
Box/Folder
35/1
|
Revised Final: by Crane Wilbur, 3 July with revisions to 12 September 1938
circa 170pp.
|
|
|
Blazing Sixes
|
|
|
Box/Folder
35/2
|
Temporary: Miracle mountain, by Anthony Coldewey, 12 January 1937
119pp.
|
|
|
Box/Folder
35/3
|
Final: Miracle mountain, by John T Neville, 20 January with revisions to 30 January 1937
circa 120pp.
|
|
|
Blessed Event
|
|
|
Box/Folder
35/4
|
Play: by Manuel Sepp and Forrest Wilson, 1930
148pp.
|
|
|
Box/Folder
35/5
|
Screenplay: by Howard J Green, 2 April 1932
141pp.
|
|
|
Box/Folder
35/6
|
Screenplay: by Green, 7 April 1932
147pp.
|
|
|
Box/Folder
35/7
|
Final: by Green, 12 April 1932
137pp.
: Annotated.
|
|
|
Blonde Crazy
|
|
|
Box/Folder
35/8
|
Screenplay: Larceny Lane, by Kubec Glasmon and John Bright, undated
102pp.
|
|
|
Box/Folder
36/1
|
Temporary: Larceny Lane, by Glasmon and Bright, 22 May 1931
104pp.
|
|
|
Box/Folder
36/2
|
Final: Larceny Lane, by Glasmon and Bright, 27 May with revisions to 22 September 1931
circa 136pp.
|
|
|
Blondes At Work
|
|
|
Box/Folder
36/3
|
Temporary: by Albert DeMond, 2 August 1937
115pp.
|
|
|
Box/Folder
36/4
|
Revised Temporary: by DeMond, 19 August 1937
133pp.
|
|
|
Box/Folder
36/5
|
Final: by DeMond, 8 September with revisions to 2 October 1937
circa 120pp.
|
|
|
Blondie Johnson
|
|
|
Box/Folder
36/6
|
Story Outline: by Earl Baldwin, undated
10pp.
|
|
|
Box/Folder
36/7
|
Screenplay: by Baldwin, 9 October 1932
circa 105pp.
: Annotated.
|
|
|
Box/Folder
36/8
|
Temporary: no author shown, 14 October 1932
112pp.
|
|
|
Box/Folder
36/9
|
Final: by Baldwin, 19 October with revisions to 31 December 1932
circa 115pp.
: Annotated.
|
|
|
Blues in the Night
|
|
|
Box/Folder
37/1
|
Play: Hot nocturne, by Edwin Gilbert, 1940
147pp.
|
|
|
Box/Folder
37/2
|
Temporary: Hot nocturne, by Robert Rossen and Gilbert, 4 April 1941
171pp.
|
|
|
Box/Folder
37/3
|
Story Outline: Hot nocturne, by Gilbert, 10 May 1941; memo from Gilbert to H Wallis
22pp., 1p.
|
|
|
Box/Folder
37/4
|
Treatment: Hot nocturne, by Rossen, 12 May 1941
58pp.
|
|
|
Box/Folder
37/5
|
Final: Hot nocturne, by Rossen, 22 May 1941
104pp.
: Incomplete.
|
|
|
Box/Folder
37/6
|
Revised Final: by Rossen, 6 June to 30 June with revisions to 2 July 1941
circa 150pp.
|
|
|
The Body Disappears
|
|
|
Box/Folder
37/7
|
Screenplay: The black widow, by Scott Darling and Erna Lazarus, undated
111pp.
|
|
|
Box/Folder
37/8
|
Screenplay: The man who wasn't there, by Darling and Lazarus, undated
118pp.
|
|
|
Box/Folder
37/9
|
Final: Black widow, by Darling and Lazarus, 17 July with revisions to 25 July 1941
circa 105pp.
|
|
|
Border Town
|
|
|
Box/Folder
38/1
|
Novel: by Carroll Graham, New York, 1934
309pp.
|
|
|
Box/Folder
38/2
|
Treatment: by Edward Chodorov, 23 March 1934
28pp.
|
|
|
Box/Folder
38/3
|
Screenplay: by Graham, 4 May 1934
122pp.
|
|
|
Box/Folder
38/4
|
Screenplay: by Graham, 18 June 1934
151pp.
|
|
|
Box/Folder
38/5
|
Revised Temporary: no author shown, 22 June 1934
196pp.
|
|
|
Box/Folder
38/6
|
Revised Temporary 2: no author shown, 5 July 1934
156pp.
|
|
|
Box/Folder
38/7
|
Temporary: New border town, by Robert Lord, Laird Doyle, and Wallace Smith, 27 July 1934
86pp.
: Incomplete.
|
|
|
Box/Folder
38/8
|
Treatment: by Doyle and Lord, 4 August 1934
130pp.
|
|
|
Box/Folder
39/1
|
Final: no author shown, 13 August with revisions to 11 September 1934
circa 155pp.
|
|
|
Born for Trouble
|
|
|
Box/Folder
39/2
|
Short Story: Murder in the death house, by Jerry Chodorov, 30 April 1935
52pp.
|
|
|
Box/Folder
39/3
|
Temporary: Murder in the death house, by Raymond L. Schrock, 23 December 1941
53pp.
: Incomplete.
|
|
|
Box/Folder
39/4
|
Final: Murder in the death (“big”) house, by Schrock, 5 January with revisions to 19 January 1942
circa 110pp.
|
|
|
Boulder Dam
|
|
|
Box/Folder
39/5
|
Short Story: Water--the giver of life, or the story of the Boulder Dam project, by Dan M Templin, undated
26pp.
|
|
|
Box/Folder
39/6
|
Screenplay: The cinch, by Templin, undated
117pp.
|
|
|
Box/Folder
39/7
|
Treatment: Gabby Delaney, by Sy Bartlett, 7 June 1934
28pp.
|
|
|
Box/Folder
39/8
|
Treatment: An untitled story, by Ralph Block and Bartlett, 26 June 1934
76pp.
|
|
|
Box/Folder
39/9
|
Temporary: Backfire, by Block and Bartlett, 31 July 1934
142pp.
: Annotated.
|
|
|
Box/Folder
39/10
|
Screenplay: Backfire, by Laird Doyle, 14 December 1934
126pp.
|
|
|
Box/Folder
39/11
|
Revised Temporary: Backfire, no author shown, 5 January 1935
134pp.
|
|
|
Box/Folder
40/1
|
Final: Backfire, no author shown, 28 March with revisions to 21 October 1935
circa 230pp.
|
|
|
Boy Meets Girl
|
|
|
Box/Folder
40/2
|
Play: Boy meets girl and spring song, by Bella and Samuel Spewack. New York, 1936
158pp.
|
|
|
Box/Folder
40/3
|
Temporary: by the Spewacks, 25 March 1937
154pp.
|
|
|
Box/Folder
40/4
|
Final: by the Spewacks, 10 September 1937
139pp.
|
|
|
Box/Folder
40/5
|
Revised Final: by the Spewacks, 22 February with revisions to 1 March 1938
139pp.
|
|
|
The Bride Came C.O.D.
|
|
|
Box/Folder
40/6
|
Short Story: by Kenneth Earl and M M Musselman, undated
82pp.
|
|
|
Box/Folder
40/7
|
Plot Summary: by David Wear III, 6 September 1940
12pp.
|
|
|
Box/Folder
40/8
|
Temporary: by Philip and Julius Epstein, 8 November 1940
137pp.
|
|
|
Box/Folder
41/1
|
Final: by the Epsteins, 25 November with revisions to 29 November 1940
circa 135pp.
|
|
|
Box/Folder
41/2
|
Revised Final: by the Epsteins, 30 December 1940 with revisions to 26 March 1941
circa 145pp.
|
|
|
Box/Folder
41/3
|
Reader Synopsis: by Dorothea Cartwright Doe, 24 April 1951
1p.
|
|
|
Brides Are Like That
|
|
|
Box/Folder
41/4
|
Play: Applesauce, by Barry Conners, New York, 1926
111pp.
|
|
|
Box/Folder
41/5
|
Screenplay: Red apples, by Ben Markson, 20 October 1934
125pp.
|
|
|
Box/Folder
41/6
|
Final: Red apples, by Markson, 19 July with revisions to 8 November 1935
circa 115pp.
|
|
|
Bright Lights (1931) (Adventure in Africa)
|
|
|
Box/Folder
41/7
|
Treatment: by Humphrey Pearson, undated
circa 110pp.
|
|
|
Box/Folder
41/8
|
Final: by Henry McCarthy and Pearson, January 1930; production notes and shooting schedule
99pp., 37pp.
|
|
|
Bright Lights(1935)
|
|
|
Box/Folder
41/9
|
Treatment: Molly and me, by Lois Leeson, undated
14pp.
|
|
|
Box/Folder
41/10
|
Treatment: (“Sequence outline”) Molly and me, by Ben Markson, 2 January 1935
24pp.
|
|
|
Box/Folder
42/1
|
Treatment: Molly and me, by Bert Kalmar and Harry Ruby, undated
125pp.
|
|
|
Box/Folder
42/2
|
Screenplay: Molly and me, or Queen of burlesque, no author shown, undated
58pp.
|
|
|
Box/Folder
42/3
|
Screenplay: Back to Broadway, no author shown, 5 April 1935
124pp.
|
|
|
Box/Folder
42/4
|
Screenplay: Back to Broadway, no author shown, 18 April 1935
123pp.
|
|
|
Box/Folder
42/5
|
Final: no author shown, 1 May 1935
116pp.
|
|
|
British Agent
|
|
|
Box/Folder
42/6
|
Novel: by R H Bruce Lockhart, New York, 1933
354pp.
|
|
|
Box/Folder
42/7
|
Plot Summary: (“Notes on British Agent for Robert Presnell”) by Pierre Collings, undated
7pp.
|
|
|
Box/Folder
42/8
|
Research: (“Character sketches from the book”) no author shown, 17 April 1934
56pp.
|
|
|
Box/Folder
42/9
|
Screenplay: by Robert R Presnell, 29 December 1933
155pp.
|
|
|
Box/Folder
43/1
|
Temporary: by Laird Doyle, 27 March to 13 April 1934; new ending
167pp., 8pp.
|
|
|
Box/Folder
43/2
|
Revised Temporary: by Doyle, 25 April 1934
137pp.
|
|
|
Box/Folder
43/3
|
Final: by Doyle, 28 April with revisions to 15 May 1934
circa 130pp.
|
|
|
British Intelligence
|
|
|
Box/Folder
43/4
|
Temporary: Enemy agent (“Based on a play by A P Kelly”) by Lee Katz, 24 February 1939
95pp.
|
|
|
Box/Folder
43/5
|
Final: Enemy agent, by Katz, 4 March 1939
108pp.
|
|
|
Box/Folder
43/6
|
Revised Final: Enemy agent, by Katz, 11 March with revisions to 25 April 1939
circa 110pp.
|
|
|
Broad-Minded
|
|
|
Box/Folder
43/7
|
Treatment: by Bert Kalmar and Harry Ruby, undated
83pp.
|
|
|
Box/Folder
43/8
|
Temporary: by Kalmar and Ruby, 17 January 1931
103pp.
|
|
|
Box/Folder
43/9
|
Final: by Kalmar and Ruby, 30 January 1931; new ending , 21 February 1931
116pp., 11pp.
|
|
|
Broadway Babies
|
|
|
Box/Folder
44/1
|
Short Story: Broadway musketeers, by Jay Gelzer. Good Housekeeping, October 1928
16pp.
|
|
|
Box/Folder
44/2
|
Story Outline: by Anthony Coldewey, 16 January 1929
5pp.
|
|
|
Box/Folder
44/3
|
Treatment: Broadway musketeers, by Monte Katterjohn, 14 January 1929
68pp.
|
|
|
Box/Folder
44/4
|
Screenplay: (“Dialogue for Broadway musketeers”) no author shown, undated
59pp.
|
|
|
Box/Folder
44/5
|
Final: (“Titles only, no dialogue”) by Katterjohn, undated
114pp.
: Annotated.
|
|
|
Broadway Gondolier
|
|
|
Box/Folder
44/6
|
Treatment: by Sig Herzig, Hans Kraly, and E Y Harburg, undated
34pp.
|
|
|
Box/Folder
44/7
|
Screenplay: by Herzig, 27 November 1934
120pp.
|
|
|
Box/Folder
44/8
|
Screenplay: by Warren Duff, 25 January 1935
133pp.
|
|
|
Box/Folder
44/9
|
Temporary: no author shown, 7 February 1935
147pp.
|
|
|
Box/Folder
44/10
|
Revised Temporary: no author shown, 26 February 1935
134pp.
|
|
|
Box/Folder
44/11
|
Final: no author shown, 6 March with revisions to 22 April 1935
150pp.
|
|
|
Broadway Hostess
|
|
|
Box/Folder
45/1
|
Temporary: by George Bricker, 27 July 1935
111pp.
|
|
|
Box/Folder
45/2
|
Final: by Bricker, 30 July with revisions to 10 September 1935
circa 145pp.
|
|
|
Broadway Musketeers
|
|
|
Box/Folder
45/3
|
Temporary: Three girls on Broadway, by Don Ryan and Kenneth Gamet, 19 April 1938
113pp.
|
|
|
Box/Folder
45/4
|
Final: Three girls on Broadway, by Ryan and Gamet, 7 May with revisions to 2 July 1938
circa 125pp.
|
|
|
Brother Orchid
|
|
|
Box/Folder
45/5
|
Short Story: by Richard Connell. Collier's, 21 May 1938
7pp.
|
|
|
Box/Folder
45/6
|
Screenplay: by Earl Baldwin, 30 September 1938
96pp.
|
|
|
Box/Folder
45/7
|
Story Outline: by Baldwin, 1 December 1938
5pp.
|
|
|
Box/Folder
45/8
|
Temporary: by Baldwin, 9 February 1939
153pp.
|
|
|
Box/Folder
45/9
|
Story Outline: by Baldwin, 21 August 1939; memo from Mark Hellinger to Hal Wallis
13pp., 1p.
|
|
|
Box/Folder
45/10
|
Revised Temporary: by Baldwin, 18 December 1939
133pp.
|
|
|
Brother Rat
|
|
|
Box/Folder
46/1
|
Play: by John Monks Jr. and Fred F Finklehoffe, undated
145pp.
|
|
|
Box/Folder
46/2
|
Temporary: by Jerry Wald and Richard Macauley, 13 April with revisions to 15 April 1938
circa 160pp.
|
|
|
Box/Folder
46/3
|
Revised Temporary: by Wald and Macauley, 9 May 1938
161pp.
|
|
|
Box/Folder
46/4
|
Final: by Wald and Macauley, 16 June 1938
156pp.
|
|
|
Brother Rat and A Baby
|
|
|
Box/Folder
46/5
|
Story Outline: by John Monks Jr. and Fred F Finklehoffe, undated
32pp.
|
|
|
Box/Folder
46/6
|
Screenplay: by Monks and Finklehoffe, 21 July 1939
173pp.
|
|
|
Box/Folder
46/7
|
Final: no author shown, 31 August with revisions to 5 September 1939
circa 145pp.
|
|
|
Bullet Scars
|
|
|
Box/Folder
47/1
|
Story Outline: False faces (Crime doctor), by Sy Bartlett and Charles Belden, 31 January 1935
18pp.
|
|
|
Box/Folder
47/2
|
Screenplay: The crime doctor, by Bartlett and Belden, undated
117pp.
: Incomplete.
|
|
|
Box/Folder
47/3
|
Screenplay: The crime doctor, by Bartlett and Belden, undated
141pp.
|
|
|
Box/Folder
47/4
|
Temporary: by Robert E Kent, 2 December 1941
106pp.
|
|
|
Box/Folder
47/5
|
Final: by Kent, 10 December 1941 with revisions to 8 January 1942
circa 120pp.
|
|
|
Bullets for O'Hara
|
|
|
Box/Folder
47/6
|
Temporary: (“From the screenplay 'Public enemy's wife' by Abem Finkel and Harold Buckley”) by Raymond L Schrock, 11 April 1941
42pp.
: Incomplete.
|
|
|
Box/Folder
47/7
|
Final: by Schrock, 22 April with revisions to 26 April 1941
circa 105pp.
|
|
|
Box/Folder
47/8
|
Revised Final: by Schrock, 1 May with revisions to 7 May 1941
circa 105pp.
|
|
|
Bullets or Ballots
|
|
|
Box/Folder
47/9
|
Treatment: All the evidence, by Martin Mooney, 14 November 1935
67pp.
|
|
|
Box/Folder
47/10
|
Story Outline: and the home of the racket, no author shown, 23 November 1935
25pp.
|
|
|
Box/Folder
47/11
|
Screenplay: All the evidence, by Mooney, 14 December 1935
109pp.
|
|
|
Box/Folder
47/12
|
Story Outline: All the evidence, by Seton I Miller, 4 January 1936
28pp.
: Annotated.
|
|
|
Box/Folder
47/13
|
Story Outline: All the evidence, by Miller, 10 January 1936
27pp.
|
|
|
Box/Folder
48/1
|
Temporary: Bullets and ballots, by Miller, 5 February 1936
175pp.
|
|
|
Box/Folder
48/2
|
Final: Bullets and ballots, by Miller, 5 February with revisions to 28 March 1936
circa 160pp.
|
|
|
Bureau of Missing Persons
|
|
|
Box/Folder
48/3
|
Treatment: Missing persons bureau story, by Robert R Presnell and Carl Erickson, 4 March 1933
109pp.
|
|
|
Box/Folder
48/4
|
Treatment: Missing persons bureau story, by Presnell, 30 March 1933
89pp.
|
|
|
Box/Folder
48/5
|
Temporary: by Presnell, 6 May 1933
116pp.
|
|
|
Box/Folder
48/6
|
Revised Temporary: by Presnell, 12 June 1933
127pp.
|
|
|
Box/Folder
48/7
|
Final: by Presnell, 15 June 1933
121pp.
|
|
|
Busses Roar
|
|
|
Box/Folder
48/8
|
Temporary: by George R Bilson and Anthony Coldewey, 23 April to 29 April 1942
circa 110pp.
|
|
|
Box/Folder
48/9
|
Final: by Bilson and Coldewey, 2 May with revisions to 5 May 1942
circa 110pp.
|
|
|
Cabin in the Cotton
|
|
|
Box/Folder
49/1
|
Novel: by Harry Harrison Kroll, New York, 1931
289pp.
|
|
|
Box/Folder
49/2
|
Treatment: no author shown, undated
26pp.
|
|
|
Box/Folder
49/3
|
Treatment: by Paul Green, 24 March 1932
39pp.
|
|
|
Box/Folder
49/4
|
Screenplay: by Green, 30 March 1932
16pp.
: Incomplete.
|
|
|
Box/Folder
49/5
|
Screenplay: by Green, 16 April 1932
115pp.
|
|
|
Box/Folder
49/6
|
Final: by Green, 22 April with revisions to 10 May 1932
circa 170pp.
|
|
|
Cain and Mabel
|
|
|
Box/Folder
49/7
|
Short Story: by H.C. Witwer. Cosmopolitan, June 1922
31pp.
|
|
|
Box/Folder
49/8
|
Treatment: by Earl Baldwin, 25 November 1935
28pp.
|
|
|
Box/Folder
49/9
|
Temporary: by Baldwin, 6 February 1936
100pp.
|
|
|
Box/Folder
49/10
|
Revised Temporary: by Baldwin, 7 March 1936
175pp.
|
|
|
Box/Folder
49/11
|
Revised Temporary 2: by Laird Doyle, 28 March 1936
144pp.
|
|
|
Box/Folder
50/1
|
Final: by Doyle, April with revisions to 29 June 1936
circa 150pp.
|
|
|
California Mail
|
|
|
Box/Folder
50/2
|
Final: The pony express rider, by Roy Chanslor and Harold Buckley, 10 June with revisions to 18 June 1936
circa 130pp.
|
|
|
Call It a Day
|
|
|
Box/Folder
50/3
|
Play: by C.L. Anthony, undated
235pp.
|
|
|
Box/Folder
50/4
|
Temporary: by Sheridan Gibney (“Stage play by Dodie Smith”), 9 October 1936
171pp.
|
|
|
Box/Folder
50/5
|
Revised Temporary: by Gibney, 31 October 1936
171pp.
|
|
|
Box/Folder
50/6
|
Final: by Casey Robinson, 11 November with revisions to 2 December 1936
circa 210pp.
|
|
|
Calling All Husbands
|
|
|
Box/Folder
51/1
|
Temporary: Good men don't marry, by Robert E. Kent, 9 July 1940
113pp.
|
|
|
Box/Folder
51/2
|
Final: Good men don't marry, by Kent, 13 July with revisions to 19 July 1940
108pp.
|
|
|
Calling Philo Vance
|
|
|
Box/Folder
51/3
|
Final: Philo Vance comes back, by Tom Reed (“Story by S.S. Van Dine”), 20 July with revisions to 24 July 1939
circa 105pp.
|
|
|
Box/Folder
51/4
|
Revised Final: Philo Vance comes back, by Reed, 26 July with revisions to 8 August 1939
circa 110pp.
|
|
|
Captain Blood
|
|
|
Box/Folder
51/5
|
Novel: by Rafael Sabatini. Boston, 1922
356pp.
|
|
|
Box/Folder
51/6
|
Story Outline: by Casey Robinson, 1 December 1934
35pp.
|
|
|
Box/Folder
51/7
|
Temporary: by Robinson, 13 February 1935
142pp.
: Incomplete.
|
|
|
Box/Folder
52/1
|
Revised Temporary: by Robinson, 22 March 1935
166pp.
|
|
|
Box/Folder
52/2
|
Final: by Robinson, 29 March 1935
circa 175pp.
: Incomplete.
|
|
|
Box/Folder
52/3
|
Revised Final: by Robinson, 24 July with revisions to 4 October 1935
circa 200pp.
|
|
|
Captain Thunder
|
|
|
Box/Folder
52/4
|
Short Story: Married in Mexico, by Hal Davitt and Pierre Couderc, undated
24pp.
|
|
|
Box/Folder
52/5
|
Treatment: The gay caballero, by Gordon Rigby, 7 March 1930
19pp.
|
|
|
Box/Folder
52/6
|
Final: The gay caballero, by Rigby (“Dialogue by William K Wells and George Rosener”), undated
104pp.
|
|
|
The Captain's Kid
|
|
|
Box/Folder
52/7
|
Short Story: Way for a pirate, by Earl Felton, 6 February 1936
47pp.
|
|
|
Box/Folder
52/8
|
Screenplay: Way for a pirate, by Roy Chanslor, 29 March 1936
120pp.
|
|
|
Box/Folder
52/9
|
Screenplay: Way for a pirate, by Tom Reed, undated
102pp.
: Incomplete.
|
|
|
Box/Folder
53/1
|
Temporary: Way for a pirate, no author shown, 9 May 1936
114pp.
|
|
|
Box/Folder
53/2
|
Final: Way for a pirate, by Reed, 16 May 1936
122pp.
|
|
|
Box/Folder
53/3
|
Revised Final: Way for a pirate, by Reed, 19 May with revisions to 8 June 1936; additional scenes , 16 July 1936
circa 115pp., 9pp.
|
|
|
Captains of the Clouds
|
|
|
Box/Folder
53/4
|
Short Story: Bush pilot, by Roland Gillett, 17 October 1940
12pp.
|
|
|
Box/Folder
53/5
|
Short Story: Bush pilots, by Arthur T Horman, undated
28pp.
|
|
|
Box/Folder
53/6
|
Plot Summary: Bush pilots, by L Cruikshank, 25 November 1940
1p.
|
|
|
Box/Folder
53/7
|
Treatment: Bush pilots, by Norman Reilly Raine, 28 February 1941
38pp.
|
|
|
Box/Folder
53/8
|
Treatment: Bush pilot, by Raine, 11 March 1941
43pp.
|
|
|
Box/Folder
53/9
|
Temporary: The shadow of their wings, no author shown, 9 May to 31 May 1941
187pp.
|
|
|
Box/Folder
53/10
|
Revised Temporary: The shadow of their wings, by Richard Macauley, Raine, and Horman, 12 June 1941
76pp.
: Incomplete.
|
|
|
Box/Folder
53/11
|
Revised Temporary 2: by Macauley, Horman, and Raine, 25 June 1941
141pp.
|
|
|
Box/Folder
53/12
|
Final: by Horman, Macauley, and Raine, 9 July with revisions to 3 October 1941
circa 135pp.
|
|
|
Box/Folder
53/13
|
Reader Synopsis: by Karnot, 21 July 1941
1p.
|
|
|
Captured
|
|
|
Box/Folder
54/1
|
Short Story: Fellow prisoners, by Phillip Gibbs. Liberty, 13 September 1930
9pp.
|
|
|
Box/Folder
54/2
|
Story Outline: Fellow prisoners, by Edward Chodorov, 20 January 1933
9pp.
|
|
|
Box/Folder
54/3
|
Treatment: Fellow prisoners, by John Monk Saunders, undated
26pp.
|
|
|
Box/Folder
54/4
|
Treatment: Fellow prisoners, by James Ashmore Creelman, undated
83pp.
|
|
|
Box/Folder
54/5
|
Temporary: Fellow prisoners, by Chodorov, 25 February 1933
141pp.
|
|
|
Box/Folder
54/6
|
Final: no author shown, undated; revised pages to , 16 March 1933
120pp., 40pp.
|
|
|
Casablanca
|
|
|
Box/Folder
54/7
|
Revised Final: no author shown, 1 June 1942
158pp.
|
|
|
The Case of the Black Cat
|
|
|
Box/Folder
54/8
|
Novel: The case of the caretaker's cat, by Erle Stanley Gardner. New York, 1935
309pp.
|
|
|
Box/Folder
54/9
|
Temporary: The case of the caretaker's cat, no author shown, 8 June 1936
122pp.
|
|
|
Box/Folder
54/10
|
Final: The case of the caretaker's cat, no author shown, 23 June 1936
122pp.
|
|
|
The Case of the Black Parrot
|
|
|
Box/Folder
55/1
|
Play: in the next room, by Eleanor Robson and Harriet Ford. New York, 1923
65pp.
|
|
|
Box/Folder
55/2
|
Temporary: by Robert E Kent, 16 October 1940
107pp.
|
|
|
Box/Folder
55/3
|
Final: by Kent, 19 October with revisions to 23 October 1940
circa 100pp.
|
|
|
The Case of the Curious Bride
|
|
|
Box/Folder
55/4
|
Novel: by Erle Stanley Gardner, 8 May 1934
298pp.
|
|
|
Box/Folder
55/5
|
Treatment: no author shown, 4 August 1934
90pp.
|
|
|
Box/Folder
55/6
|
Temporary: by Tom Reed, 17 August 1934; comment, “Notation: insert at page 13A,” by Harry Joe Brown , undated
116pp.; 1p.
|
|
|
Box/Folder
55/7
|
Revised Temporary: no author shown, 28 August 1934
133pp.
|
|
|
Box/Folder
55/8
|
Final: no author shown, 24 January with revisions to 12 February 1935
circa 155pp.
: Annotated.
|
|
|
The Case of the Howling Dog
|
|
|
Box/Folder
56/1
|
Novel: by Erle Stanley Gardner, undated
289pp.
|
|
|
Box/Folder
56/2
|
Treatment: by Ben Markson, 21 April 1934
28pp.
|
|
|
Box/Folder
56/3
|
Final: by Markson, 26 May with revisions to 6 June 1934
circa 130pp.
|
|
|
The Case of the Lucky Legs
|
|
|
Box/Folder
56/4
|
Novel: by Erle Stanley Gardner. New York, 1934
282pp.
|
|
|
Box/Folder
56/5
|
Temporary: no author shown, 21 March 1935
127pp.
|
|
|
Box/Folder
56/6
|
Revised Temporary: no author shown, 31 May 1935
123pp.
|
|
|
Box/Folder
57/1
|
Final: no author shown, 1 July with revisions to 9 July 1935
circa 150pp.
|
|
|
Box/Folder
57/2
|
Revised Final: no author shown, 16 July 1935
circa 135pp.
|
|
|
The Case of the Stuttering Bishop
|
|
|
Box/Folder
57/3
|
Novel: by Erle Stanley Gardner. New York, 1936
276pp.
|
|
|
Box/Folder
57/4
|
Temporary: by Kenneth Gamet and Don Ryan, 24 November 1936
135pp.
|
|
|
Box/Folder
57/5
|
Final: by Gamet and Ryan, 28 November with revisions to 1 December 1936
circa 135pp.
|
|
|
The Case of the Velvet Claws
|
|
|
Box/Folder
57/6
|
Novel: by Erle Stanley Gardner. New York, 1933
310pp.
|
|
|
Box/Folder
58/1
|
Screenplay: by Robert N Lee, 13 February 1935
124pp.
|
|
|
Box/Folder
58/2
|
Temporary: by Tom Reed, 22 February 1936
113pp.
|
|
|
Box/Folder
58/3
|
Final: by Reed, 13 March 1936
circa 120pp.
: Incomplete.
|
|
|
The Castle on the Hudson
|
|
|
Box/Folder
58/4
|
Temporary: Twenty thousand years in Sing Sing, by Courtney Terrett and Robert Lord (“Story by Warden Lewis E Lawes, Wilson Mizner, and Brown Holmes”), 26 April 1939
123pp.
|
|
|
Box/Folder
58/5
|
Final: Twenty thousand years in Sing Sing, by Terrett and Lord, 18 May 1939
131pp.
|
|
|
Box/Folder
58/6
|
Revised Final: Twenty thousand years in Sing Sing, by Terrett and Lord, 20 June with revisions to 22 June 1939
circa 145pp.
|
|
|
Ceiling Zero
|
|
|
Box/Folder
58/7
|
Play: by Frank Wead, undated
111pp.
|
|
|
Box/Folder
59/1
|
Play: (“Promptbook”) by Wead, 10 April 1935; production notes
192pp., 8pp.
|
|
|
Box/Folder
59/2
|
Temporary: by Wead, 7 September 1935
141pp.
|
|
|
Box/Folder
59/3
|
Final: no author shown, 28 September 1935
170pp.
|
|
|
Box/Folder
59/4
|
Revised Final: no author shown, 8 October 1935
168pp.
|
|
|
Central Airport
|
|
|
Box/Folder
59/5
|
Screenplay: Hawk's mate, by Jack Moffitt, 17 September 1932
158pp.
|
|
|
Box/Folder
59/6
|
Screenplay: Grand central airport, by Rian James and James Seymour, 29 October 1932
158pp.
|
|
|
Box/Folder
59/7
|
Screenplay: Grand central airport, by James and Seymour, 31 October 1932
158pp.
|
|
|
Box/Folder
60/1
|
Final: Grand central airport, by James and Seymour, 8 November with revisions to 15 November 1932
circa 145pp.
|
|
|
Box/Folder
60/2
|
Comments: (“Assignments of shots and camera angles”) no author shown, undated
17pp.
|
|
|
Central Park
|
|
|
Box/Folder
60/3
|
Plot Summary: no author shown, undated
4pp.
|
|
|
Box/Folder
60/4
|
Story Outline: by Ward Morehouse, 8 April 1932
17pp.
: Annotated.
|
|
|
Box/Folder
60/5
|
Story Outline: no author shown, 18 April 1932; memo from Morehouse to Hubbard
11pp., 1p.
|
|
|
Box/Folder
60/6
|
Temporary: by Earl Baldwin and Morehouse, 18 June 1932
91pp.
|
|
|
Box/Folder
60/7
|
Screenplay: by Baldwin and Morehouse, 5 July 1932
93pp.
|
|
|
Box/Folder
60/8
|
Final: by Baldwin and Morehouse, 14 July with revisions to 10 August 1932
circa 95pp.
: Annotated.
|
|
|
Chain Lightning
|
|
|
Box/Folder
60/9
|
Short Story: These many years, by J Redmond Prior, undated
107pp.
|
|
|
Box/Folder
60/10
|
Plot Summary: These many years, by Wesley Haynes, 20 February 1948
2pp.
|
|
|
Box/Folder
60/11
|
Plot Summary: These many years, by Judith Bailey, 20 February 1948
27pp.
|
|
|
Box/Folder
60/12
|
Treatment: These many years, by John Twist, 28 June 1948
42pp.
|
|
|
Box/Folder
60/13
|
Story Outline: These many years, by Jacques Le Marechal, 1 July 1948
8pp.
: Incomplete.
|
|
|
Box/Folder
60/14
|
Treatment: These many years, by Liam O'Brien and Vincent Evans, 8 August to 13 October 1948
148pp.
: Incomplete.
|
|
|
Box/Folder
60/15
|
Treatment: These many years, by O'Brien and Evans, 22 October 1948
141pp.
|
|
|
Box/Folder
60/16
|
Treatment: Jet, by O'Brien and Evans, undated
152pp.
|
|
|
Box/Folder
61/1
|
Screenplay: Jet, by O'Brien and Evans, undated
166pp.
|
|
|
Box/Folder
61/2
|
Screenplay: Jet, by O'Brien and Evans, 24 January to 5 February 1949
140pp.
|
|
|
Box/Folder
61/3
|
Temporary: Jet, by O'Brien and Evans, 10 February 1949
130pp.
|
|
|
Box/Folder
61/4
|
Screenplay: These many years, by O'Brien and Evans, 29 March 1949
43pp.
: Incomplete.
|
|
|
Box/Folder
61/5
|
Screenplay: These many years, by O'Brien and Evans, 11 April 1949
107pp.
: Incomplete.
|
|
|
Box/Folder
61/6
|
Final: by O'Brien and Evans, 11 April 1949
120pp.
: Incomplete.
|
|
|
Box/Folder
61/7
|
Revised Final: by O'Brien and Evans, 30 April with revisions to 23 June 1949
circa 125pp.
|
|
|
Box/Folder
61/8
|
Comments: (“Revisions on 'These many years' ”) by Anthony Veiller, 7 May to 21 June 1949
circa 80pp.
|
|
|
Box/Folder
61/9
|
Reader Synopsis: (“These many years [Chain lightning]”) by Elma LeCron, 19 December 1957
1pp.
|
|
|
Chances
|
|
|
Box/Folder
61/10
|
Novel: by Hamilton Gibbs, Boston, 1930
285pp.
|
|
|
Box/Folder
62/1
|
Temporary: by Waldemar Young, 13 January 1931
96pp.
|
|
|
Box/Folder
62/2
|
Final: by Young, 23 January 1931
108pp.
|
|
|
The Charge of the Light Brigade
|
|
|
Box/Folder
62/3
|
Treatment: by Abraham S Jacoby, 18 May 1935
26pp.
|
|
|
Box/Folder
62/4
|
Treatment: Into the jaws of death, by Jacoby, 11 June 1935
48pp.
|
|
|
Box/Folder
62/5
|
Screenplay: by Michel Jacoby and Rowland Leigh, 19 July 1935
204pp.
|
|
|
Box/Folder
62/6
|
Temporary: by M Jacoby and Leigh, 27 August 1935
162pp.
|
|
|
Box/Folder
62/7
|
Comments: (“Analysis of script”) by Captain John Rochford, 4 December 1935
55pp.
|
|
|
Box/Folder
62/8
|
Screenplay: no author shown, 21 January 1936
169pp.
|
|
|
Box/Folder
62/9
|
Revised Temporary: by M. Jacoby and Leigh, 30 January with revisions to 19 February 1936
circa 165pp.
: Annotated.
|
|
|
Box/Folder
62/10
|
Final: by M Jacoby and Leigh, 25 March with revisions to 27 March 1936
circa 145pp.
|
|
|
Cherokee Strip
|
|
|
Box/Folder
63/1
|
Short Story: Cherokee strip stampeders, by Ed Earl Repp. New Western, Oct-Nov, 1936
27pp.
|
|
|
Box/Folder
63/2
|
Treatment: by Joseph K Watson and Luci Ward, 26 October 1936
59pp.
|
|
|
Box/Folder
63/3
|
Final: by Watson and Ward, 9 November with revisions to 10 November 1936
circa 140pp.
|
|
|
Box/Folder
63/4
|
Revised Final: by Watson and Ward, 17 November with revisions to 8 December 1936
circa 115pp.
|
|
|
Cheyenne
|
|
|
Box/Folder
63/5
|
Story Outline: by Alan Le May, 17 July 1944
5pp.
|
|
|
Box/Folder
63/6
|
Novel: by Paul I Wellman, 19 December 1944
184pp.
|
|
|
Box/Folder
63/7
|
Plot Summary: by Wellman, 14 September 1944
15pp.
|
|
|
Box/Folder
63/8
|
Plot Summary: by Wellman, 18 September 1944
23pp.
|
|
|
Box/Folder
63/9
|
Plot Summary: by Wellman, 22 September 1944
40pp.
|
|
|
Box/Folder
63/10
|
Story Outline: by Thames Williamson, 4 December 1945
6pp.
|
|
|
Box/Folder
63/11
|
Screenplay: by Emmet Lavery, 1 September 1945
152pp.
|
|
|
Box/Folder
63/12
|
Temporary: by Le May, 28 November 1945
87pp.
|
|
|
Box/Folder
63/13
|
Revised Temporary: by Le May and Wellman, 14 December 1945
126pp.
|
|
|
Box/Folder
64/1
|
Revised Temporary 2: no author shown, 19 January 1946
138pp.
|
|
|
Box/Folder
64/2
|
Final: by Le May and Williamson, 20 February 1946
150pp.
|
|
|
Box/Folder
64/3
|
Revised Final: by Le May and Williamson, 9 March with revisions to 17 May 1946
circa 155pp.
|
|
|
A Child Is Born
|
|
|
Box/Folder
64/4
|
Final: by Robert Rossen, 7 March with revisions to 25 March 1939
circa 135pp.
|
|
|
China Clipper
|
|
|
Box/Folder
64/5
|
Treatment: by Frank Wead, 9 January 1936
15pp.
|
|
|
Box/Folder
64/6
|
Treatment: no author shown, 16 January 1936
19pp.
|
|
|
Box/Folder
64/7
|
Temporary: by Wead, 15 February 1936
150pp.
|
|
|
Box/Folder
64/8
|
Revised Temporary: by Wead, 20 February 1936
159pp.
|
|
|
Box/Folder
65/1
|
Revised Temporary 2: by Wead, 18 March 1936
178pp.
|
|
|
Box/Folder
65/2
|
Revised Temporary 3: by Wead, 25 March 1936
165pp.
|
|
|
Box/Folder
65/3
|
Revised Temporary 4: by Wead, 11 April 1936
146pp.
|
|
|
Box/Folder
65/4
|
Treatment: Log of the China clipper, no author shown (annotated), 21 April 1936; Dialogue for “The March of Time,” , undated
41pp., 2pp.
|
|
|
Box/Folder
65/5
|
Final: by Wead, undated, with revisions to 8 June 1936
circa 160pp.
|
|
|
Christmas in Connecticut
|
|
|
Box/Folder
65/6
|
Short Story: by Aileen Hamilton, undated
85pp.
|
|
|
Box/Folder
65/7
|
Screenplay: by Lionel Houser, 1 January to 4 February 1944
134pp.
|
|
|
Box/Folder
66/1
|
Temporary: by Houser, 21 March 1944
143pp.
|
|
|
Box/Folder
66/2
|
Final: by Houser and Adele Commandini, 11 May with revisions to 10 July 1944
circa 155pp.
|
|
|
The Church Mouse
|
|
|
Box/Folder
66/3
|
Play: A church mouse, by Ladislaus Fodor. New York, 1932
96pp.
|
|
|
Cinderella Jones
|
|
|
Box/Folder
66/4
|
Short Story: Judy adjudicates, by Philip Wylie. Redbook, April 1943
7pp.
|
|
|
Box/Folder
66/5
|
Treatment: Judy adjudicates, by Lionel Wiggam, 11 June 1943
25pp.
: Incomplete.
|
|
|
Box/Folder
66/6
|
Treatment: Judy adjudicates, by Charles Hoffman, 16 July 1943
67pp.
|
|
|
Box/Folder
66/7
|
Screenplay: Judy adjudicates, by Hoffman, 27 July to 31 August 1943
170pp.
|
|
|
Box/Folder
66/8
|
Temporary: Judy adjudicates, by Hoffman, 8 September with revisions to 9 September 1943
circa 130pp.
|
|
|
Box/Folder
66/9
|
Final: Judy adjudicates, by Hoffman, 12 October 1943 with revisions to 1 March 1944
circa 140pp.
|
|
|
The Circus Clown
|
|
|
Box/Folder
66/10
|
Treatment: Sawdust (Joe E Brown Circus story), by Bert Kalmar and Harry Ruby, 13 October 1933
39pp.
|
|
|
Box/Folder
66/11
|
Treatment: Sawdust, by Kalmar and Ruby, 10 November 1933; memo from Jim Seymour to Hal Wallis
16pp., 1p.
|
|
|
Box/Folder
66/12
|
Screenplay: Sawdust, by Kalmar and Ruby, 4 December 1933
92pp.
|
|
|
Box/Folder
67/1
|
Temporary: Sawdust, by Kalmar and Ruby with revisions by Tom Buckingham, 17 January 1934
112pp.
|
|
|
Box/Folder
67/2
|
Final: Sawdust, by Kalmar and Ruby, 1 February with revisions to 17 March 1934; revised pages and memo from Seymour to all departments
circa 100pp., 55pp.
|
|
|
City for Conquest
|
|
|
Box/Folder
67/3
|
Novel: by Aben Kandel. New York, 1936
467pp.
|
|
|
Box/Folder
67/4
|
Plot Summary: by J P Cannon, 11 January 1936
21pp.
|
|
|
Box/Folder
67/5
|
Treatment: by Edward Chodorov, 7 December 1936
60pp.
|
|
|
Box/Folder
67/6
|
Treatment: by John Wexley, 3 October 1939
52pp.
: Annotated.
|
|
|
Box/Folder
67/7
|
Treatment: by Wexley (annotated), 26 October 1939; memo from Wexley to Hal Wallis
21pp., 1p.
|
|
|
Box/Folder
67/8
|
Treatment: (“Line by line outline of continuity”) by Wexley, 20 November 1939; memo from Wexley to Wallis
12pp., 1p.
|
|
|
Box/Folder
67/9
|
Temporary: by Wexley, 12 March 1940
177pp.
|
|
|
Box/Folder
68/1
|
Screenplay: by Wexley, 8 May 1940
152pp.
: Annotated.
|
|
|
Box/Folder
68/2
|
Screenplay: by Wexley, undated
224pp.
: Annotated.
|
|
|
Box/Folder
68/3
|
Final: by Wexley, 15 May with revisions to 18 July 1940
circa 160pp.
|
|
|
Box/Folder
68/4
|
Reader Synopsis: by Rocklin, 10 June 1946
1p.
|
|
|
Code of the Secret Service
|
|
|
Box/Folder
68/5
|
Temporary: Smashing the money ring, by Lee Katz and Dean Franklin, 9 November 1938
110pp.
|
|
|
Box/Folder
68/6
|
Final: Smashing the money ring, by Katz and Franklin, 23 November 1938 with revisions to 13 February 1939
circa 140pp.
|
|
|
Colleen
|
|
|
Box/Folder
68/7
|
Treatment: Irene, by Robert Lord, 6 April 1935
26pp.
|
|
|
Box/Folder
68/8
|
Treatment: by Peter Milne, 27 April 1935
83pp.
: Annotated.
|
|
|
Box/Folder
68/9
|
Screenplay: by Milne, 6 June 1935
circa 135pp.
: Annotated.
|
|
|
Box/Folder
68/10
|
Screenplay: by Milne, 1 July 1935
138pp.
|
|
|
Box/Folder
69/1
|
Temporary: by Milne and F Hugh Herbert, 9 July 1935
143pp.
|
|
|
Box/Folder
69/2
|
Revised Temporary: by Milne and Herbert, 1 October 1935
140pp.
|
|
|
Box/Folder
69/3
|
Final: by Milne and Herbert, 5 October 1935
141pp.
|
|
|
Box/Folder
69/4
|
Revised Final: by Milne and Herbert, 14 October to 21 October with revisions to 31 December 1935
circa 140pp.
|
|
|
College Coach
|
|
|
Box/Folder
69/5
|
Treatment: by Manuel Seff and Niven Busch, 18 July 1933
39pp.
: Annotated.
|
|
|
Box/Folder
69/6
|
Temporary: by Seff and Busch, 17 August 1933
149pp.
|
|
|
Box/Folder
69/7
|
Final: by Seff and Busch, 21 August to 7 September 1933
142pp.
|
|
|
Colorado Territory
|
|
|
Box/Folder
70/1
|
Treatment: Dark canyon, by Edmund H North, 1 March to 23 March 1948
54pp.
|
|
|
Box/Folder
70/2
|
Screenplay: Dark canyon, by North, 24 March 1948
121pp.
|
|
|
Box/Folder
70/3
|
Screenplay: Dark canyon, by North, 14 May 1948
136pp.
|
|
|
Box/Folder
70/4
|
Temporary: Dark canyon, by North, 1 June 1948
124pp.
|
|
|
Box/Folder
70/5
|
Treatment: The Colorado story, by John Twist, 17 July to 27 July 1948
37pp.
|
|
|
Box/Folder
70/6
|
Final: Colorado bound, by Twist, 26 August to 14 September with revisions to 3 September 1948
circa 110pp.
: Incomplete.
|
|
|
Box/Folder
70/7
|
Revised Final: by Twist, 15 September with revisions to 19 October 1948
circa 115pp.
|
|
|
Comet Over Broadway
|
|
|
Box/Folder
70/8
|
Short Story: by Faith Baldwin. Cosmopolitan, March 1937
15pp.
|
|
|
Box/Folder
70/9
|
Story Outline: no author shown, undated
10pp.
|
|
|
Box/Folder
70/10
|
Treatment: by Fritz Falkenstein and N Brewster Morse, undated
35pp.
|
|
|
Box/Folder
70/11
|
Treatment: by Falkenstein and Morse, undated
44pp.
|
|
|
Box/Folder
70/12
|
Screenplay: by Falkenstein and Morse, undated
122pp.
|
|
|
Box/Folder
70/13
|
Treatment: by Mark Hellinger, 7 December 1937; memo from J L Warner to Hal Wallis
12pp.; 1p.?
|
|
|
Box/Folder
70/14
|
Treatment: by Hellinger, undated
150pp.
|
|
|
Box/Folder
71/1
|
Temporary: by Hellinger, 31 January to 4 March 1938
153pp.
|
|
|
Box/Folder
71/2
|
Final: no author shown, 29 March 1938
145pp.
|
|
|
Box/Folder
71/3
|
Revised Temporary: Curtain call, no author shown, 25 June 1938
82pp.
: Incomplete.
|
|
|
Box/Folder
71/4
|
Final: Curtain call, no author shown, 9 July 1938
126pp.
|
|
|
Box/Folder
71/5
|
Revised Final: Curtain call, no author shown, 13 July with revisions to 27 July 1938
circa 115pp.
|
|
|
Confession
|
|
|
Box/Folder
71/6
|
Temporary: Mazurka, by Margaret LeVino, 10 November 1936
216pp.
|
|
|
Box/Folder
72/1
|
Revised Temporary: Mazurka, by Julius Epstein, 16 January 1937
189pp.
|
|
|
Box/Folder
72/2
|
Final: Mazurka, by Epstein, 9 February with revisions to 9 March 1937
circa 170pp.
|
|
|
Confessions of A Nazi Spy
|
|
|
Box/Folder
72/3
|
Novel: Nazi spies in America, by Leon G Turrou. New York, 1938
299pp.
|
|
|
Box/Folder
72/4
|
Screenplay: Storm over America, no author shown, 7 December 1938
circa 200pp.
|
|
|
Box/Folder
72/5
|
Screenplay: Spy story, no author shown, undated
circa 165pp.
: Annotated.
|
|
|
Box/Folder
72/6
|
Comments: (“Spy story notes”) no author shown, undated
23pp.
: Annotated.
|
|
|
Box/Folder
73/1
|
Temporary: Storm over America, no author shown, 24 December 1938
172pp.
|
|
|
Box/Folder
73/2
|
Revised Temporary: Storm over America, no author shown, 12 January 1939
193pp.
|
|
|
Box/Folder
73/3
|
Final: by Milton Krims and John Wexley, 27 January with revisions to 7 March 1939
circa 155pp.
|
|
|
The Confidential Agent
|
|
|
Box/Folder
73/4
|
Novel: The confidential agent: An entertainment, by Graham Greene. New York, 1939
301pp.
: Annotated.
|
|
|
Box/Folder
73/5
|
Screenplay: by Robert Buckner, 5 February 1945
72pp.
|
|
|
Box/Folder
73/6
|
Temporary: by Buckner, 12 March 1945
165pp.
|
|
|
Box/Folder
73/7
|
Revised Temporary: by Buckner, 14 April to 30 April 1945
158pp.
|
|
|
Box/Folder
74/1
|
Final: by Buckner, 26 May with revisions to 17 August 1945
circa 155pp.
|
|
|
Conflict
|
|
|
Box/Folder
74/2
|
Short Story: The pentacle, by Robert Siodmak and Alfred Neumann, undated
49pp.
|
|
|
Box/Folder
74/3
|
Plot Summary: The pentacle, by Wilfrid Pettitt, 23 July 1942
2pp.
|
|
|
Box/Folder
74/4
|
Screenplay: The pentacle, by Arthur T Horman, 12 February 1943
138pp.
|
|
|
Box/Folder
74/5
|
Temporary: The pentacle, by Horman, 3 April 1943
145pp.
|
|
|
Box/Folder
74/6
|
Revised Final: by Horman with additional dialogue by Vincent Lawrence, 13 May 1943
138pp.
|
|
|
The Conspirators
|
|
|
Box/Folder
74/7
|
Novel: by Frederic Prokosch. New York, 1943
338pp.
|
|
|
Box/Folder
74/8
|
Story Outline: (“Sketch of action”) by Frederick Faust, 9 April 1943
11pp.
|
|
|
Box/Folder
74/9
|
Treatment: by Faust, 15 April 1943
33pp.
|
|
|
Box/Folder
74/10
|
Screenplay: by Faust, 29 May 1943
124pp.
|
|
|
Box/Folder
75/1
|
Treatment: by Elliot Paul, 1 June 1943
151pp.
|
|
|
Box/Folder
75/2
|
Temporary: by Faust, 7 June 1943
137pp.
|
|
|
Box/Folder
75/3
|
Screenplay: by Frank Gruber, 11 September to 18 October 1943
circa 120pp.
|
|
|
Box/Folder
75/4
|
Screenplay: by Vladimir Pozner, 18 October to 1 November 1943
168pp.
|
|
|
Box/Folder
75/5
|
Revised Temporary: by Pozner, 16 November 1943
158pp.
|
|
|
Box/Folder
75/6
|
Final: no author shown, 29 November 1943
164pp.
|
|
|
Box/Folder
75/7
|
Screenplay: by Jack Moffitt, 12 February to 18 March 1944
circa 165pp.
|
|
|
Box/Folder
76/1
|
Revised Final: no author shown, 22 February with revisions to 2 June 1944
circa 160pp.
|
|
|
Box/Folder
76/2
|
Comments: (“Suggestions”) by Moffitt, 10 April 1944; memo from Moffitt to Chertok
6pp.; 1p.
|
|
|
Box/Folder
76/3
|
Comments: (“Comments and changes on 'The conspirators' ['Give me this woman'])” by Leo Rosten, 11 April 1944; memo from Chertok to J L Warner
16pp.; 1p.
|
|
|
The Constant Nymph
|
|
|
Box/Folder
76/4
|
Play: by Margaret Kennedy and Basil Dean, 16 January 1940
154pp.
|
|
|
Box/Folder
76/5
|
Screenplay: by Kay Van Riper, undated
102pp.
: Incomplete.
|
|
|
Box/Folder
76/6
|
Temporary: no author shown, 29 May 1940
196pp.
|
|
|
Box/Folder
76/7
|
Final: no author shown, 10 June with revisions to 20 June 1940; alternate ending
circa 165pp.; 2pp.
|
|
|
Box/Folder
76/8
|
Revised Final: by E Goulding, 6 May with revisions to 5 July 1941
circa 170pp.
|
|
|
Box/Folder
77/1
|
Revised Final 2: no author shown, 27 August with revisions to 17 September 1941
circa 145pp.
|
|
|
Box/Folder
77/2
|
Revised Final 3: no author shown, 28 January with revisions to 10 April 1942
160pp.
|
|
|
Convention City
|
|
|
Box/Folder
77/3
|
Treatment: by Peter Milne (under pseudonym Will Turner), 22 February 1933
52pp.
|
|
|
Box/Folder
77/4
|
Screenplay: by Robert Lord, undated
139pp.
|
|
|
Box/Folder
77/5
|
Temporary: by Lord, 1 June 1933
154pp.
|
|
|
Box/Folder
77/6
|
Comments: (“Notes on 'Convention city' ”) no author shown, undated
16pp.
|
|
|
The Corn Is Green
|
|
|
Box/Folder
77/7
|
Play: by Emlyn Williams, New York, 1938
184pp.
|
|
|
Box/Folder
77/8
|
Screenplay: by Casey Robinson, 6 June to 10 August 1943
201pp.
|
|
|
Box/Folder
78/1
|
Temporary: by Robinson, 5 November 1943
179pp.
|
|
|
Box/Folder
78/2
|
Final: by Robinson, 1 December 1943 with revisions to 10 March 1944
circa 180pp.
|
|
|
Box/Folder
78/3
|
Revised Final: by Robinson and Frank Cavett, 9 May with revisions to 26 June 1944
circa 165pp.
|
|
|
Cowboy From Brooklyn
|
|
|
Box/Folder
78/4
|
Play: Howdy stranger, by Robert Sloane and Louis Pelletier, Jr. New York, 1937
112pp.
|
|
|
Box/Folder
78/5
|
Temporary: Howdy stranger, by Earl Baldwin, 29 November 1937
149pp.
|
|
|
Box/Folder
78/6
|
Final: Howdy stranger, no author shown, 21 December 1937 with revisions to 12 March 1938; alternate ending
circa 125pp.; 5pp.
|
|
|
Cowboy Quarterback
|
|
|
Box/Folder
78/7
|
Temporary: Lighthorse Harry, no author shown, 11 March 1939
122pp.
|
|
|
Box/Folder
79/1
|
Final: Lighthorse Harry, by Fred Niblo, Jr, 22 March to 25 March 1939
105pp.
|
|
|
Box/Folder
79/2
|
Revised Final: Lighthorse Harry, by Niblo, 31 March to 17 April 1939
circa 110pp.
|
|
|
The Crash
|
|
|
Box/Folder
79/3
|
Novel: Children of pleasure, by Larry Barretto, New York, 1932
311pp.
|
|
|
Box/Folder
79/4
|
Temporary: Children of pleasure, by Courtenay Terrett, 20 April 1932
circa 120pp.
|
|
|
Box/Folder
79/5
|
Final: Children of pleasure, by Barretto and Earl Baldwin, 26 April with revisions to 4 May 1932
circa 115pp.
|
|
|
Crime By Night
|
|
|
Box/Folder
79/6
|
Novel: Forty whacks, by Geoffry Homes. New York, 1941
246pp.
|
|
|
Box/Folder
79/7
|
Treatment: Forty whacks, by Jack Moffitt, 1 January 1942
15pp.
|
|
|
Box/Folder
80/1
|
Temporary: Forty whacks, by Dale Van Every, 26 January 1942
138pp.
|
|
|
Box/Folder
80/2
|
Treatment: Forty whacks, by Fred Niblo Jr. and Hector Chevigny, 23 April 1942
46pp.
|
|
|
Box/Folder
80/3
|
Treatment: Forty whacks, by Robert Kent, 14 May 1942
66pp.
|
|
|
Box/Folder
80/4
|
Screenplay: Forty whacks, by Kent, undated
107pp.
|
|
|
Box/Folder
80/5
|
Story Outline: Forty whacks, by Joel Malone and Rich Hall, undated
2pp.
|
|
|
Box/Folder
80/6
|
Treatment: Forty whacks, by Malone and Hall, July 1942
67pp.
|
|
|
Box/Folder
80/7
|
Screenplay: Forty whacks, by Malone, 23 July to 21 August 1942
139pp.
|
|
|
Box/Folder
80/8
|
Screenplay: Forty whacks, no author shown, 15 August 1942
151pp.
|
|
|
Box/Folder
80/9
|
Screenplay: Forty whacks, by Malone, 31 August 1942
118pp.
: Annotated.
|
|
|
Box/Folder
80/10
|
Revised Temporary: Forty whacks, by Richard Weil and Malone, 26 September 1942
115pp.
|
|
|
Box/Folder
81/1
|
Final: Forty whacks, by Weil and Malone, 1 October with revisions to 8 October 1942
circa 115pp.
|
|
|
Crime School
|
|
|
Box/Folder
81/2
|
Final: by Crane Wilbur, 24 January 1938
84pp.
: Incomplete.
|
|
|
Box/Folder
81/3
|
Revised Final: by Wilbur, 27 January with revisions to 11 March 1938
circa 125pp.
|
|
|
The Crooner
|
|
|
Box/Folder
81/4
|
Novel: Crooner, by Rian James. New York, 1932
288pp.
|
|
|
Box/Folder
81/5
|
Treatment: by Charles Kenyon, undated
32pp.
|
|
|
Box/Folder
81/6
|
Screenplay: by Kenyon, 8 April 1932
118pp.
: Annotated.
|
|
|
Box/Folder
81/7
|
Temporary: by Kenyon, 9 April 1932
44pp.
: Incomplete.
|
|
|
Box/Folder
81/8
|
Final: by Kenyon, 13 April with revisions to 30 April 1932; memo
circa 115pp.; 1p.
|
|
|
The Crowd Roars
|
|
|
Box/Folder
82/1
|
Novel: The roar of the crowd, by James Corbett. New York, 1925
329pp.
|
|
|
Box/Folder
82/2
|
Final: The roar of the crowd, no author shown, 6 December to 19 December 1931
109pp.
|
|
|
Box/Folder
82/3
|
Final: The roar of the crowd, no author shown, 6 December 1931
109pp.
: Annotated.
|
|
|
Cry Wolf
|
|
|
Box/Folder
82/4
|
Novel: by Marjorie Carleton, New York, 1945
217pp.
|
|
|
Box/Folder
82/5
|
Plot Summary: by David Kuntz, 3 January to 31 March 1945
15pp.
|
|
|
Box/Folder
82/6
|
Novel: by Carleton. Condensation in Liberty, 2 June 1945
15pp.
|
|
|
Box/Folder
82/7
|
Treatment: by Catherine Turney, 26 May 1945
25pp.
|
|
|
Box/Folder
82/8
|
Screenplay: by Turney, 9 June to 21 July 1945
169pp.
|
|
|
Box/Folder
82/9
|
Screenplay: by Turney, 28 July to 11 August 1945
circa 145pp.
: Incomplete.
|
|
|
Box/Folder
83/1
|
Temporary: by Turney, 24 August 1945
172pp.
|
|
|
Box/Folder
83/2
|
Screenplay: by Turney, 9 March 1946
31pp.
: Incomplete.
|
|
|
Box/Folder
83/3
|
Screenplay: by Turney, 15 March 1946
71pp.
: Incomplete.
|
|
|
Box/Folder
83/4
|
Screenplay: by Turney, 16 March to 13 April 1946
116pp.
|
|
|
Box/Folder
83/5
|
Final: by Turney, 16 March with revisions to 30 September 1946
circa 120pp.
|
|
|
Box/Folder
83/6
|
Reader Synopsis: by P Mathias, 12 May 1948
1p.
|
|
|
Dames
|
|
|
Box/Folder
83/7
|
Treatment: by Robert Lord, 16 September 1933
43pp.
|
|
|
Box/Folder
83/8
|
Screenplay: Stage struck, by Tom Buckingham, 11 October 1933
114pp.
|
|
|
Box/Folder
83/9
|
Treatment: by Earl Baldwin, 28 December 1933
20pp.
: Annotated.
|
|
|
Box/Folder
83/10
|
Screenplay: by Baldwin, undated
151pp.
|
|
|
Box/Folder
83/11
|
Screenplay: by Baldwin, 14 February 1934
114pp.
|
|
|
Box/Folder
83/12
|
Screenplay: by Manuel Seff, 22 February 1934
55pp.
: Incomplete.
|
|
|
Box/Folder
83/13
|
Screenplay: by Delmer Daves, 23 February 1934
32pp.
: Incomplete.
|
|
|
Box/Folder
83/14
|
Treatment: by Lord and Daves, 26 February 1934
29pp.
|
|
|
Box/Folder
83/15
|
Treatment: no author shown, undated
21pp.
|
|
|
Box/Folder
84/1
|
Temporary: by Daves, 2 March 1934
106pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
84/2
|
Final: by Daves, 16 March with revisions to 27 March 1934
126pp.
|
|
|
Dance Charlie Dance
|
|
|
Box/Folder
84/3
|
Temporary: by Crane Wilbur, 29 December 1936
105pp.
|
|
|
Box/Folder
84/4
|
Final: by Wilbur, 4 January with revisions to 22 January 1937
circa 160pp.
|
|
|
Dancing Sweeties
|
|
|
Box/Folder
84/5
|
Treatment: Three flights up, by Harry Fried, undated
52pp.
|
|
|
Box/Folder
84/6
|
Final: Those who dance, by Gordon Rigby and Joseph A Jackson, 30 January 1930
101pp.
|
|
|
Danger Signal
|
|
|
Box/Folder
84/7
|
Novel: by Phyllis Bottome. Boston, 1939
312pp.
|
|
|
Box/Folder
85/1
|
Treatment: by John Wexley, 20 May 1940
58pp.
|
|
|
Box/Folder
85/2
|
Treatment: (“Scene-by-scene outline of continuity”) by Wexley, 12 June 1940
15pp.
|
|
|
Box/Folder
85/3
|
Screenplay: by Wexley, undated
175pp.
: Annotated.
|
|
|
Box/Folder
85/4
|
Screenplay: by Wexley, 9 August 1940
150pp.
: Annotated.
|
|
|
Box/Folder
85/5
|
Comments: (“Ideas for a revise on the screenplay of 'Danger signal' ”) by Robert Hunt, 17 September 1940
9pp.
|
|
|
Box/Folder
85/6
|
Treatment: by Hunt, 27 September 1940
34pp.
|
|
|
Box/Folder
85/7
|
Temporary: by Howard Koch, Anne Froelick, and Heinz Herald, 30 November with revisions to 11 December 1940
56pp.
: Incomplete.
|
|
|
Box/Folder
85/8
|
Revised Temporary: by Koch, Froelick, and Herald, 10 January 1941
114pp.
|
|
|
Box/Folder
85/9
|
Screenplay: by Vera Caspary, 4 May 1943
61pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
85/10
|
Screenplay: by Caspary, 7 May 1943
120pp.
: Incomplete.
|
|
|
Box/Folder
85/11
|
Story Outline: by Thomas Job, 15 May 1943
12pp.
|
|
|
Box/Folder
85/12
|
Screenplay: by Job and Jo Pagano, 5 June 1943
98pp.
: Incomplete.
|
|
|
Box/Folder
86/1
|
Revised Temporary 2: by Job and Pagano, 23 August 1943
138pp.
|
|
|
Box/Folder
86/2
|
Screenplay: by Arthur Horman, 18 October 1943
130pp.
|
|
|
Box/Folder
86/3
|
Screenplay: by Adele Commandini, 24 June with revisions to 5 August 1944
circa 160pp.
|
|
|
Box/Folder
86/4
|
Final: by Commandini, 28 December 1944 with revisions to 3 January 1945
149pp.
|
|
|
Box/Folder
86/5
|
Revised Final: by Commandini and Graham Baker, 1 February with revisions to 3 March 1945
144pp.
: Incomplete.
|
|
|
Box/Folder
86/6
|
Revised Final 2: by Commandini and Baker (“additional dialogue by Alvah Bessie”), 30 March with revisions to 7 May 1945
140pp.
|
|
|
Dangerous
|
|
|
Box/Folder
86/7
|
Temporary: Hard luck dame, by Laird Doyle, 30 June 1935
146pp.
|
|
|
Box/Folder
86/8
|
Final: Hard luck dame, by Doyle, 9 August with revisions to 26 August 1935
circa 130pp.
|
|
|
Dangerous Female see the Maltese Falcon (1931)
|
|
|
Dangerously They Live
|
|
|
Box/Folder
87/1
|
Short Story: Remember tomorrow, by Marion Parsonnet, undated
82pp.
|
|
|
Box/Folder
87/2
|
Screenplay: Remember tomorrow, by Parsonnet, undated
169pp.
|
|
|
Box/Folder
87/3
|
Temporary: Remember tomorrow, by Parsonnet, 11 July 1941
112pp.
: Incomplete.
|
|
|
Box/Folder
87/4
|
Revised Temporary: Remember tomorrow, by Parsonnet, 31 July 1941
124pp.
|
|
|
Box/Folder
87/5
|
Final: Remember tomorrow, by Parsonnet, 16 August with revisions to 27 August 1941
circa 115pp.
|
|
|
Box/Folder
87/6
|
Revised Final: Remember tomorrow, by Parsonnet, 29 August with revisions to 19 September 1941
circa 115pp.
|
|
|
Daredevil Drivers
|
|
|
Box/Folder
87/7
|
Screenplay: Truck war, by Charles R Condon, undated
153pp.
|
|
|
Box/Folder
87/8
|
Temporary: Highway pirates, by Sherman L Lowe, 15 September 1937
78pp.
: Incomplete.
|
|
|
Box/Folder
87/9
|
Final: Highway pirates, by Lowe, 21 September with revisions to 30 September 1937
circa 125pp.
|
|
|
Dark Hazard
|
|
|
Box/Folder
88/1
|
Novel: by W.R. Burnett. New York, 1933
295pp.
|
|
|
Box/Folder
88/2
|
Temporary: by Ralph Block and Brown Holmes, 7 August 1933
131pp.
|
|
|
Box/Folder
88/3
|
Final: by Block and Holmes, 26 August with revisions to 21 December 1933; alternate ending
circa 150pp.; 4pp
|
|
|
Dark Horse
|
|
|
Box/Folder
88/4
|
Story Outline: by Darryl Zanuck, 7 January 1932
23pp.
|
|
|
Box/Folder
88/5
|
Treatment: by Joseph Jackson, 29 January 1932
45pp.
: Annotated.
|
|
|
Box/Folder
88/6
|
Temporary: by Jackson, 22 February 1932
106pp.
|
|
|
Box/Folder
88/7
|
Final: by Jackson, 9 March to 18 March 1932
117pp.
|
|
|
Dark Passage
|
|
|
Box/Folder
88/8
|
Novel: by David Goodis. New York, 1946
248pp.
|
|
|
Box/Folder
89/1
|
Novel: by Goodis. Serialized in Saturday Evening Post, 20 July to 7 September 1946
59pp.
|
|
|
Box/Folder
89/2
|
Screenplay: by Delmer Daves, 12 April 1946; memo from Wald to Warner
131pp.; 1p.
|
|
|
Box/Folder
89/3
|
Temporary: by Daves, 24 May with revisions to 9 September 1946
circa 130pp.
|
|
|
Box/Folder
89/4
|
Final: by Daves, 15 October with revisions to 29 November 1946
circa 150pp.
|
|
|
Dark Victory
|
|
|
Box/Folder
89/5
|
Play: by George Brewer Jr. and Bertram Block, 8 January 1936
104pp.
|
|
|
Box/Folder
89/6
|
Screenplay: by Casey Robinson, 1 July 1938
70pp.
: Incomplete.
|
|
|
Box/Folder
89/7
|
Treatment: by Robinson, Mr Goulding, and Mr Lewis, 20 July 1938
36pp.
|
|
|
Box/Folder
89/8
|
Screenplay: by Robinson, undated
185pp.
|
|
|
Box/Folder
89/9
|
Temporary: by Robinson, 27 September with revisions to 28 September 1938
160pp.
|
|
|
Daughters Courageous
|
|
|
Box/Folder
90/1
|
Temporary: Fly away home, by Julius J and Philip G Epstein, 11 January 1939
148pp.
|
|
|
Box/Folder
90/2
|
Final: American family, by the Epsteins, 27 January with revisions to 18 February 1939
circa 155pp.
|
|
|
The Dawn Patrol (1930)
|
|
|
Box/Folder
90/3
|
Temporary: by Seton I Miller, 19 February 1930
143pp.
|
|
|
Box/Folder
90/4
|
Final: (“Revised”) by Miller and Dan Totheroh, 14 March 1930; alternate ending
136pp.; 1p.
|
|
|
The Dawn Patrol(1938)
|
|
|
Box/Folder
90/5
|
Short Story: The flight commander, by John Monk Saunders, undated
18pp.
|
|
|
Box/Folder
90/6
|
Plot Summary: The flight commander, by Ivan Goff, 29 August 1936; typescript of above
1p.; 11pp.
|
|
|
Box/Folder
90/7
|
Temporary: by Seton I Miller and Dan Totheroh, 11 June 1938
163pp.
|
|
|
Box/Folder
90/8
|
Final: by Miller and Totheroh, 6 July with revisions to 30 July 1938
165pp.
|
|
|
Box/Folder
91/1
|
Revised Final: by Miller and Totheroh, 4 August with revisions to 29 August 1938
circa 170pp.
|
|
|
Deception
|
|
|
Box/Folder
91/2
|
Play: Monsieur Lamberthier, by Louis Verneuil. Translated from the French, 8 November 1927
107pp.
|
|
|
Box/Folder
91/3
|
Treatment: Jealousy, by S.K. Lauren, 1 April 1944
39pp.
|
|
|
Box/Folder
91/4
|
Screenplay: Jealousy, by Lauren, 19 August 1944
165pp.
|
|
|
Box/Folder
91/5
|
Treatment: Jealousy, by Joseph Than and John Collier, 14 July 1945
16pp.
|
|
|
Box/Folder
91/6
|
Screenplay: Her conscience, by Collier and Than, 29 September 1945; comments
145pp.; 1p.
|
|
|
Box/Folder
91/7
|
Temporary: Her conscience, by Than and Collier, 15 January 1946
129pp.
|
|
|
Box/Folder
91/8
|
Final: by Collier and Than, 28 February with revisions to 7 March 1946
48pp.
: Incomplete.
|
|
|
Box/Folder
91/9
|
Revised Final: by Collier and Than, 16 March with revisions to 10 April 1946
circa 140pp.
|
|
|
Box/Folder
91/10
|
Revised Final 2: by Collier and Than, 20 April with revisions to 30 August 1946
circa 125pp.
|
|
|
The Decision of Christopher Blake
|
|
|
Box/Folder
92/1
|
Play: Christopher Blake, by Moss Hart, undated
72pp.
|
|
|
Box/Folder
92/2
|
Plot Summary: Christopher Blake, by Dorothea Cartwright Doe, 14 August 1947
21pp.
|
|
|
Box/Folder
92/3
|
Story Outline: by Ranald MacDougall, 20 February 1947; comments by author
9pp.; 5pp.
|
|
|
Box/Folder
92/4
|
Screenplay: by MacDougall, 11 March 1947
6pp.
: Incomplete.
|
|
|
Box/Folder
92/5
|
Screenplay: by MacDougall, 18 March to 1 April 1947
24pp.
: Incomplete.
|
|
|
Box/Folder
92/6
|
Screenplay: The private world of Christopher Blake, by MacDougall, 8 April to 20 May 1947
164pp.
|
|
|
Box/Folder
92/7
|
Screenplay: The private world of Christopher Blake, by MacDougall, 22 May 1947
135pp.
|
|
|
Box/Folder
92/8
|
Temporary: The private world of Christopher Blake, by MacDougall, 29 May 1947
134pp.
|
|
|
Box/Folder
92/9
|
Final: The private world of Christopher Blake, by MacDougall, 10 July to 19 July 1947
circa 135pp.
|
|
|
Box/Folder
92/10
|
Final: The private world of Christopher Blake, by MacDougall, 22 July with revisions to 16 September 1947
circa 135pp.
|
|
|
Box/Folder
92/11
|
Final: The private world of Christopher Blake, by MacDougall, 22 July with revisions to 18 September 1947
circa 135pp.
|
|
|
Box/Folder
92/12
|
Reader Synopsis: Christopher Blake, by Doe, 30 July 1948
1p.
|
|
|
Deep Valley
|
|
|
Box/Folder
93/1
|
Novel: by Dan Totheroh. New York, 1942
312pp.
|
|
|
Box/Folder
93/2
|
Treatment: by Totheroh, 9 September 1942
33pp.
: Incomplete.
|
|
|
Box/Folder
93/3
|
Treatment: (“Notes and criticism--treatment”) by Delmer Daves, 17 December 1942; comments
75pp.; 8pp.
|
|
|
Box/Folder
93/4
|
Treatment: by Daves, 11 February 1943
52pp.
|
|
|
Box/Folder
93/5
|
Treatment: by Daves, 17 February 1943
68pp.
|
|
|
Box/Folder
93/6
|
Screenplay: by Totheroh, 19 August 1942
35pp.
: Incomplete.
|
|
|
Box/Folder
93/7
|
Treatment: by Totheroh, 26 August 1942
30pp.
|
|
|
Box/Folder
93/8
|
Screenplay: by Albert Maltz, 30 April to 7 August 1943
182pp.
|
|
|
Box/Folder
93/9
|
Screenplay: by Stephen Avery and Salka Viertel, undated
68pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
93/10
|
Screenplay: by Viertel, 31 May 1946
173pp.
|
|
|
Box/Folder
93/11
|
Screenplay: by James Gray, 13 June 1946
60pp.
: Incomplete.
|
|
|
Box/Folder
93/12
|
Screenplay: by Viertel and Gray, 14 June 1946
52pp.
: Incomplete.
|
|
|
Box/Folder
93/13
|
Screenplay: by Viertel and Gray, 27 June 1946
43pp.
: Incomplete.
|
|
|
Box/Folder
93/14
|
Screenplay: by Viertel and Gray, 3 July to 5 August 1946
111pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
94/1
|
Temporary: by Maltz, 19 August 1943
148pp.
|
|
|
Box/Folder
94/2
|
Revised Temporary: by Maltz, 27 June 1944
130pp.
|
|
|
Box/Folder
94/3
|
Final: by Viertel and Gray, 1 July 1946
136pp.
|
|
|
Box/Folder
94/4
|
Revised Final: by Viertel and Avery, 27 August with revisions to 5 November 1946
circa 130pp.
|
|
|
The Desert Song(1929)
|
|
|
Box/Folder
94/5
|
Play: no author shown, undated
85pp.
|
|
|
Box/Folder
94/6
|
Treatment: by Harvey H Gates, undated
27pp.
|
|
|
Box/Folder
94/7
|
Screenplay: by Gates, 22 September 1928
circa 160pp.
|
|
|
The Desert Song (1943)
|
|
|
Box/Folder
94/8
|
Story Outline: by Robert Buckner and Charles Grayson, 26 August 1941
11pp.
|
|
|
Box/Folder
94/9
|
Screenplay: by Grayson, undated
144pp.
|
|
|
Box/Folder
94/10
|
Revised Temporary 2: by Buckner, 24 March to 20 April 1942
171pp.
: Incomplete.
|
|
|
Box/Folder
95/1
|
Final: by Buckner, 1 May with revisions to 3 September 1942
circa 185pp.
|
|
|
Desirable
|
|
|
Box/Folder
95/2
|
Story Outline: A lady surrenders, by Mary C. McCall Jr., undated
6pp.
|
|
|
Box/Folder
95/3
|
Treatment: Roan colt, by McCall, 24 April 1934
27pp.
|
|
|
Box/Folder
95/4
|
Temporary: Lady surrenders, by McCall, 21 May 1934
121pp.
|
|
|
Box/Folder
95/5
|
Final: Lady surrenders, by McCall, 7 June with revisions to 29 June 1934
circa 125pp.
|
|
|
Desperate Journey
|
|
|
Box/Folder
95/6
|
Treatment: Forced landing, by Arthur T Horman, 1 December 1941
51pp.
|
|
|
Box/Folder
95/7
|
Screenplay: by Robert Rossen and Horman, 16 January 1942
56pp.
: Incomplete.
|
|
|
Box/Folder
95/8
|
Temporary: Forced landing, no author shown, undated
circa 185pp.
|
|
|
Box/Folder
95/9
|
Final: by Horman, 21 January with revisions to 8 April 1942
circa 155pp.
|
|
|
Destination Tokyo
|
|
|
Box/Folder
95/10
|
Novel: by Steve Fisher. New York, 1943
230pp.
|
|
|
Box/Folder
96/1
|
Novel: by Fisher. Serialized in Liberty, 30 October to 11 December 1943
circa 55pp.
|
|
|
Box/Folder
96/2
|
Treatment: by Fisher, 6 April 1943
46pp.
|
|
|
Box/Folder
96/3
|
Treatment: no author shown, 13 May 1943
32pp.
|
|
|
Box/Folder
96/4
|
Temporary: by Fisher, 1 May 1943
135pp.
|
|
|
Box/Folder
96/5
|
Revised Temporary: by Delmer Daves, 14 May 1943
180pp.
: Annotated.
|
|
|
Box/Folder
96/6
|
Revised Temporary 2: by Daves, undated
155pp.
: Annotated.
|
|
|
Box/Folder
96/7
|
Final: no author shown, 20 June with revisions to 13 September 1943
circa 170pp.
|
|
|
Devil Dogs of the Air
|
|
|
Box/Folder
96/8
|
Story Outline: Air devils, by John Monk Saunders, 4 April 1934
11pp.
|
|
|
Box/Folder
96/9
|
Treatment: Air devils, by Saunders and Malcolm Stuart Boylan, 28 April 1934
40pp.
|
|
|
Box/Folder
96/10
|
Treatment: Air devils, by Boylan, 1 June 1934
89pp.
|
|
|
Box/Folder
96/11
|
Treatment: All good soldiers have wings, by Boylan, 15 June 1934
102pp.
|
|
|
Box/Folder
97/1
|
Screenplay: Air devils, by Boylan, 18 August 1934; memo from William Koenig to Orry Kelly
136pp.; 1p.
|
|
|
Box/Folder
97/2
|
Temporary: Flying marines, no author shown, 7 September 1934
35pp.
: Incomplete.
|
|
|
Box/Folder
97/3
|
Final: The flying marines, no author shown, 26 September with revisions to 23 October 1934
circa 180pp.
|
|
|
Devil's Island
|
|
|
Box/Folder
97/4
|
Temporary: The return of Doctor X, by Anthony Coldewey and Raymond L Schrock, 25 May 1938
55pp.
: Incomplete.
|
|
|
Box/Folder
97/5
|
Revised Temporary: The return of Doctor X, by Kenneth Gamet and Don Ryan, 14 June 1938
circa 100pp.
: Incomplete.
|
|
|
Box/Folder
97/6
|
Final: by Gamet and Ryan, undated with revisions to 12 July 1938
circa 125pp.
|
|
|
Devil's Saddle Legion
|
|
|
Box/Folder
97/7
|
Short Story: Hell's saddle legion, by Ed Earl Repp. Big Book Western, Nov-December 1936
56pp.
|
|
|
Box/Folder
97/8
|
Temporary: by Repp, 10 March 1937
136pp.
|
|
|
Box/Folder
97/9
|
Final: by Repp, 17 March with revisions to 31 March 1937
circa 125pp.
|
|
|
Devotion
|
|
|
Box/Folder
98/1
|
Treatment: by Theodore Reeves, undated
53pp.
|
|
|
Box/Folder
98/2
|
Screenplay: by Reeves, 11 February 1942
186pp.
|
|
|
Box/Folder
98/3
|
Screenplay: by Reeves, 7 March 1942; memo from James J Geller to Robert Buckner; unsigned memo
133pp.; 1p.; 1p.
|
|
|
Box/Folder
98/4
|
Temporary: by Reeves, 21 May 1942
155pp.
|
|
|
Box/Folder
98/5
|
Screenplay: by Keith Winter, June 1942
214pp.
|
|
|
Box/Folder
98/6
|
Revised Temporary: by Winter, 6 October to 16 October 1942
138pp.
|
|
|
Box/Folder
98/7
|
Screenplay: by John Collier (annotated), 11 November 1942; memo from story department
87pp.; 1p.
|
|
|
Box/Folder
98/8
|
Final: no author shown, 29 October 1942 with revisions to 5 January 1943
circa 165pp.
|
|
|
Dinky
|
|
|
Box/Folder
99/1
|
Treatment: by Frank Fenton, Samuel Gelson Brown, and John Fante, undated
66pp.
|
|
|
Box/Folder
99/2
|
Treatment: by Fante, undated; notes
72pp.; 5pp.
|
|
|
Box/Folder
99/3
|
Screenplay: by Harry Sauber, 23 November 1934
116pp.
|
|
|
Box/Folder
99/4
|
Final: by Sauber, 4 January with revisions to 14 January 1935
circa 120pp.
|
|
|
Box/Folder
99/5
|
Revised Final: by Sauber, 23 January with revisions to 25 January 1935; memo from Maxwell Arnow to studio personnel
circa 130pp.; 1p.
|
|
|
Dispatch From Reuters
|
|
|
Box/Folder
99/6
|
Treatment: The romance of Reuters, by Valentine Williams, undated
77pp.
|
|
|
Box/Folder
99/7
|
Screenplay: This man Reuter, by Williams and Wolfgang Wilhelm, 25 July 1939
115pp.
|
|
|
Box/Folder
99/8
|
Treatment: This man Reuter, by Milton Krims, 5 September 1939
27pp.
|
|
|
Box/Folder
99/9
|
Temporary: This man Reuter, by Krims, 19 December 1939
182pp.
|
|
|
Box/Folder
100/1
|
Revised Temporary: This man Reuter, by Krims, 9 April 1940
148pp.
|
|
|
Box/Folder
100/2
|
Final: This man Reuter, by Krims, 16 April with revisions to 28 June 1940
circa 150pp.
|
|
|
Disraeli
|
|
|
Box/Folder
100/3
|
Play: by Louis N Parker. New York, 1911
114pp.
|
|
|
Box/Folder
100/4
|
Temporary: by Julien Josephson, 15 May 1929
99pp.
|
|
|
Box/Folder
100/5
|
Final: by Josephson, undated
107pp.
|
|
|
Dive Bomber
|
|
|
Box/Folder
100/6
|
Treatment: Beyond the blue sky, by Frank Wead, undated
102pp.
|
|
|
Box/Folder
100/7
|
Temporary: by Wead, 2 January 1941
105pp.
: Incomplete.
|
|
|
Box/Folder
100/8
|
Treatment: by Wead and Robert Buckner, 24 January to 27 January 1941
23pp.
|
|
|
Box/Folder
100/9
|
Revised Temporary: by Wead and Buckner, 4 February to 24 February 1941
147pp.
|
|
|
Box/Folder
101/1
|
Revised Temporary 2: by Wead and Buckner, 3 March 1941
118pp.
: Incomplete.
|
|
|
Box/Folder
101/2
|
Final: by Wead and Buckner, 11 March with revisions to 30 April 1941
circa 145pp.
|
|
|
Divorce Among Friends
|
|
|
Box/Folder
101/3
|
Treatment: Two time marriage, by Jack Townley, undated
31pp.
|
|
|
Box/Folder
101/4
|
Screenplay: A husband's privileges, by Harvey Thew, undated
118pp.
|
|
|
Box/Folder
101/5
|
Screenplay: A husband's privileges, by Thew, undated
131pp.
|
|
|
Box/Folder
101/6
|
Final: A husband's privileges, no author shown (incomplete), undated; “Final breakdown (by sequence)”
92pp.; 42pp.
|
|
|
Dr. Monica
|
|
|
Box/Folder
101/7
|
Play: adapted by Laura Walker from the Polish of Marja M Szczepkowska, 16 November 1933
55pp.
|
|
|
Box/Folder
101/8
|
Story Outline: no author shown, 19 December 1933
9pp.
|
|
|
Box/Folder
101/9
|
Screenplay: by Charles Kenyon, undated
95pp.
|
|
|
Box/Folder
101/10
|
Temporary: by Kenyon, 9 February 1934
106pp.
|
|
|
Box/Folder
101/11
|
Final: by Kenyon, 17 February to 22 February 1934; alternate ending
110pp.; 23pp.
|
|
|
Dr. Socrates
|
|
|
Box/Folder
102/1
|
Novel: by W.R. Burnett. Serialized in Collier's, 16 March to 20 April 1935
27pp.
|
|
|
Box/Folder
102/2
|
Novel: by Burnett, undated
185pp.
|
|
|
Box/Folder
102/3
|
Screenplay: by James M Cain, 1 February 1935
47pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
102/4
|
Screenplay: by Cain, 28 February 1935
23pp.
: Incomplete.
|
|
|
Box/Folder
102/5
|
Temporary: no author shown, 17 May 1935
157pp.
: Incomplete.
|
|
|
Box/Folder
102/6
|
Final: by Mary McCall, Jr, 5 June to 8 June 1935; changes
125pp.; 4pp.
|
|
|
Box/Folder
102/7
|
Revised Final: by McCall, 11 June with revisions to 10 July 1935
circa 110pp.
|
|
|
Box/Folder
102/8
|
Revised Final: (“With censor changes”) by McCall, 11 June with revisions to 10 July 1935
circa 200pp.
: Annotated.
|
|
|
Doctor X
|
|
|
Box/Folder
103/1
|
Play: by Howard W. Comstock and Allen C. Miller, 18 January 1932
98pp.
|
|
|
Box/Folder
103/2
|
Screenplay: by George Rosener, 19 January 1932
72pp.
: Incomplete.
|
|
|
Box/Folder
103/3
|
Screenplay: by Rosener, 19 January to 8 February 1932
97pp.
|
|
|
Box/Folder
103/4
|
Final: no author shown, 10 March with revisions to 17 March 1932; alternate scene
circa 95pp.; 15pp.
|
|
|
Don't Bet on Blondes
|
|
|
Box/Folder
103/5
|
Short Story: Not on your life, by Isabel Dawn and James Boyce, undated
33pp.
|
|
|
Box/Folder
103/6
|
Temporary: Not on your life, by Dawn and Boyce de Gaw, 3 November 1934 to 10 February 1935
172pp.
|
|
|
Box/Folder
103/7
|
Revised Temporary: Not on your life, by Dawn and de Gaw, 28 March 1935
127pp.
|
|
|
Box/Folder
103/8
|
Final: Not on your life, by Dawn and de Gaw, 17 April with revisions to 19 April 1935
117pp.
|
|
|
Doorway to Hell
|
|
|
Box/Folder
103/9
|
Treatment: A handful of clouds, by Rowland Brown, undated
43pp.
|
|
|
Box/Folder
103/10
|
Treatment: A handful of clouds, by Brown, 10 April 1930
62pp.
|
|
|
Box/Folder
103/11
|
Screenplay: A handful of clouds, no author shown, undated
102pp.
: Annotated.
|
|
|
Box/Folder
103/12
|
Temporary: A handful of clouds, by George Rosener, 22 April 1930
89pp.
: Annotated.
|
|
|
Box/Folder
103/13
|
Final: A handful of clouds, by Brown and (“special dialogue by”) Rosener, undated; added scenes
104pp.; 3pp.
|
|
|
The Doughgirls
|
|
|
Box/Folder
104/1
|
Play: by Joseph Fields. New York, 1943
204pp.
|
|
|
Box/Folder
104/2
|
Treatment: by James V Kern and Sam Hellman, 27 August 1943
18pp.
|
|
|
Box/Folder
104/3
|
Screenplay: by Kern and Hellman, 7 September to 10 October 1943
201pp.
|
|
|
Box/Folder
104/4
|
Temporary: by Kern and Hellman, 27 October 1943
156pp.
|
|
|
Box/Folder
104/5
|
Final: by Kern and Hellman, 21 February 1944
148pp.
|
|
|
Down the Stretch
|
|
|
Box/Folder
104/6
|
Temporary: Blood lines, by William Jacobs, 22 January 1936; additional shot
134pp.; 1p.
|
|
|
Box/Folder
104/7
|
Final: Blood lines, by Jacobs, 25 January with revisions to 27 January 1936
120pp.
|
|
|
Box/Folder
105/1
|
Revised Final: Blood lines, by Jacobs, 17 April with revisions to 2 June 1936
circa 120pp.
|
|
|
Draegerman Courage
|
|
|
Box/Folder
105/2
|
Story Outline: Cave in!, by Anthony Coldewey, 25 April 1936
13pp.
|
|
|
Box/Folder
105/3
|
Temporary: Cave in, by Coldewey, 27 May 1936
124pp.
|
|
|
Box/Folder
105/4
|
Final: Cave in, by Coldewey, 4 June with revisions to 26 June 1936
circa 110pp.
|
|
|
The Dragon Murder Case
|
|
|
Box/Folder
105/5
|
Novel: by S S Van Dine. New York, 1933
311pp.
|
|
|
Box/Folder
105/6
|
Treatment: by Rian James, 29 December 1933
47pp.
|
|
|
Box/Folder
105/7
|
Screenplay: by James, 23 January 1934
136pp.
|
|
|
Box/Folder
105/8
|
Screenplay: by James and Robert N Lee, 17 February 1934
137pp.
|
|
|
Box/Folder
106/1
|
Temporary: by James and Lee, 13 March 1934
125pp.
|
|
|
Box/Folder
106/2
|
Final: by Lee and F Hugh Herbert, 5 May with revisions to 9 May 1934; changed scenes
139pp.; c 50pp.
|
|
|
Dust Be My Destiny
|
|
|
Box/Folder
106/3
|
Novel: by Jerome Odlum, undated
219pp.
|
|
|
Box/Folder
106/4
|
Research: Magazine pictures and notes, no author shown, undated
6pp.
|
|
|
Box/Folder
106/5
|
Treatment: by Robert Rossen, undated
18pp.
|
|
|
Box/Folder
106/6
|
Screenplay: no author shown, undated
179pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
106/7
|
Screenplay: by Rossen, 13 October 1938
150pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
106/8
|
Screenplay: no author shown, undated
circa 150pp.
|
|
|
Box/Folder
107/1
|
Temporary: no author shown, 8 February 1939
168pp.
|
|
|
Box/Folder
107/2
|
Final: by Rossen, 1 April with revisions to 8 June 1939
circa 145pp.
|
|
|
Each Dawn I Die
|
|
|
Box/Folder
107/3
|
Novel: by Jerome Odlum. Indianapolis, 1938
291pp.
|
|
|
Box/Folder
107/4
|
Treatment: by Norman Reilly Raine, 12 May 1938
150pp.
|
|
|
Box/Folder
107/5
|
Temporary: by Raine, 8 July 1938
202pp.
|
|
|
Box/Folder
107/6
|
Revised Temporary: by Raine, 18 November 1938
173pp.
|
|
|
Box/Folder
108/1
|
Revised Temporary 2: by Raine, 22 December 1938
165pp.
|
|
|
Box/Folder
108/2
|
Final: no author shown, 28 January with revisions to 22 April 1939
circa 155pp.
|
|
|
Earthworm Tractors
|
|
|
Box/Folder
108/3
|
Novel: Alexander Botts--earthworm tractors, by William Hazlett Upson. New York, 1927
289pp.
|
|
|
Box/Folder
108/4
|
Treatment: Alexander Botts, earthworm tractors, by Peter Milne, 27 March 1934
27pp.
|
|
|
Box/Folder
108/5
|
Treatment: by Paul Gerard Smith and Milne, 5 April 1934
20pp.
|
|
|
Box/Folder
108/6
|
Screenplay: by Milne and Joe Traub, undated
102pp.
|
|
|
Box/Folder
108/7
|
Screenplay: by Smith, 4 May 1934
157pp.
|
|
|
Box/Folder
108/8
|
Treatment: by Joel Sayre, 25 September 1934
23pp.
|
|
|
Box/Folder
108/9
|
Temporary: by Sayre, 23 October with revisions to 2 November 1934
circa 155pp.
: Annotated.
|
|
|
Box/Folder
109/1
|
Revised Temporary: no author shown (annotated), undated; sequence by Sayre and Upson; sequence by Wald and Epstein
121pp.; 20pp.; 21pp.
|
|
|
Box/Folder
109/2
|
Revised Temporary 2: no author shown, 13 November 1934
118pp.
|
|
|
Box/Folder
109/3
|
Revised Temporary 3: by Richard Macaulay, Traub, and Hugh Cummings, 18 February 1936
138pp.
|
|
|
Box/Folder
109/4
|
Final: no author shown, 27 February 1936
129pp.
|
|
|
Box/Folder
109/5
|
Revised Final: no author shown, 6 March 1936
131pp.
|
|
|
East of the River
|
|
|
Box/Folder
109/6
|
Short Story: Mama Ravioli, or Two sons, by John Fante and Ross B Wills, undated
38pp.
|
|
|
Box/Folder
109/7
|
Treatment: Mama Ravioli, by Abem Finkel, 5 August 1939
53pp.
|
|
|
Box/Folder
109/8
|
Temporary: Mama Ravioli, by Finkel, 26 October 1939
140pp.
|
|
|
Box/Folder
110/1
|
Revised Temporary: Bad boy, no author shown, 19 December 1939
149pp.
|
|
|
Box/Folder
110/2
|
Final: Bad boy, no author shown, 27 June 1940
97pp.
|
|
|
Box/Folder
110/3
|
Revised Final: no author shown, 9 July with revisions to 29 Jul. 1940
circa 120pp.
|
|
|
Easy to Love
|
|
|
Box/Folder
110/4
|
Playscript: As good as new, by Thompson Buchanan, 1930
119pp.
|
|
|
Box/Folder
110/5
|
Screenplay: As good as new, by Robert Presnell and Walter De Leon, undated
94pp.
|
|
|
Box/Folder
110/6
|
Temporary: As good as new, by Presnell and De Leon, 11 March 1931
95pp.
|
|
|
Box/Folder
110/7
|
Treatment: by David Boehm, 27 January 1933
43pp.
|
|
|
Box/Folder
110/8
|
Screenplay: As good as new. no author shown, undated
109pp.
: Annotated.
|
|
|
Box/Folder
110/9
|
Revised Temporary 2: As good as new, no author shown, 11 February 1933
122pp.
|
|
|
Box/Folder
110/10
|
Screenplay: Laid in Vienna, by Boehm, 22 February 1933
85pp.
|
|
|
Box/Folder
111/1
|
Revised Temporary 3: by Carl Erickson and Boehm, 21 August 1933
116pp.
|
|
|
Box/Folder
111/2
|
Final: by Erickson, Boehm and Manuel Seff, 5 October 1933; new ending
124pp.; 16pp.
|
|
|
Edge of Darkness
|
|
|
Box/Folder
111/3
|
Novel: by William Woods. New York, 1942
334pp.
: Annotated.
|
|
|
Box/Folder
111/4
|
Screenplay: by Robert Rossen, 16 May 1942
66pp.
: Incomplete.
|
|
|
Box/Folder
111/5
|
Temporary: by Rossen, 9 June with revisions to 20 July 1942
214pp.
|
|
|
Box/Folder
111/6
|
Final: no author shown, 24 July with revisions to 10 November 1942
158pp.
|
|
|
Elmer the Great
|
|
|
Box/Folder
112/1
|
Play: by Ring Lardner, 24 September 1932
112pp.
|
|
|
Box/Folder
112/2
|
Temporary: by Tom Geraghty, 15 November 1932
159pp.
|
|
|
Box/Folder
112/3
|
Revised Temporary: no author shown, 13 December 1932
149pp.
|
|
|
Box/Folder
112/4
|
Final: by Geraghty, 21 December 1932
124pp.
|
|
|
Embraceable You
|
|
|
Box/Folder
112/5
|
Short Story: Sunburst, by Dietrich V Hanneken and Aleck Block, undated
71pp.
|
|
|
Box/Folder
112/6
|
Screenplay: Sunburst, by Edna Anhalt, undated
106pp.
: Incomplete.
|
|
|
Box/Folder
112/7
|
Temporary: Sunburst kid, by Anhalt, 9 February 1948
109pp.
|
|
|
Box/Folder
112/8
|
Final: Sunburst kid, by Anhalt, 20 February with revisions to 9 April 1948
circa 125pp.
|
|
|
Employees' Entrance
|
|
|
Box/Folder
113/1
|
Play: Banjo seat shorts, by David Boehm, 3 August 1932
149pp.
|
|
|
Box/Folder
113/2
|
Treatment: The machine, by Robert Presnell, 25 August 1932
90pp.
|
|
|
Box/Folder
113/3
|
Treatment: by Charles Kenyon, 29 August 1932
32pp.
|
|
|
Box/Folder
113/4
|
Final: The machine, by Presnell, 1 September 1932
123pp.
|
|
|
Box/Folder
113/5
|
Revised Final: by Presnell, 9 September with revisions to 17 October 1932
circa 125pp.
|
|
|
Empty Holsters
|
|
|
Box/Folder
113/6
|
Novel: Outlawed guns, by Ed Earl Repp. Smashing Western, November 1936
80pp.
|
|
|
Box/Folder
113/7
|
Novel: Outlawed guns, or Empty holsters, by Repp. Typescript of above, undated
circa 200pp.
|
|
|
Box/Folder
113/8
|
Final: no author shown, 18 February 1937
121pp.
|
|
|
Escape From Crime
|
|
|
Box/Folder
113/9
|
Screenplay: Camera trap, by Raymond L Schrock, undated
circa 155pp.
|
|
|
Box/Folder
113/10
|
Temporary: Picture snatcher, by Schrock, 2 February 1942
117pp.
|
|
|
Box/Folder
114/1
|
Final: by Schrock, 3 March 1942
100pp.
|
|
|
Escape in the Desert
|
|
|
Box/Folder
114/2
|
Treatment: Strangers in our midst, by Marvin Borowsky, 27 July 1943
53pp.
|
|
|
Box/Folder
114/3
|
Temporary: Strangers in our midst, by Borowsky, 29 September 1943
146pp.
|
|
|
Box/Folder
114/4
|
Screenplay: Strangers in our midst, by Frank Gruber, 10 January 1944
112pp.
|
|
|
Box/Folder
114/5
|
Screenplay: Strangers in our midst, by Gruber, 14 January to 28 January 1944
147pp.
|
|
|
Box/Folder
114/6
|
Revised Temporary: Strangers in our midst, no author shown, 25 February 1944
131pp.
|
|
|
Box/Folder
114/7
|
Story Outline: (“Outline of action for the proposed revision of 'Petrified forest' ['Strangers in our midst']”) by Thomas Job, 17 March 1944
11pp.
|
|
|
Box/Folder
114/8
|
Final: Strangers in our midst, by Job, 12 April 1944
132pp.
|
|
|
Box/Folder
114/9
|
Revised Final: Strangers in our midst, by Job, 29 April to 12 June with revisions to 16 September 1944
circa 135pp.
|
|
|
Escape Me Never
|
|
|
Box/Folder
115/1
|
Novel: The fool of the family, by Margaret Kennedy. New York, 1930
337pp.
|
|
|
Box/Folder
115/2
|
Play: by Kennedy, 1933
90pp.
|
|
|
Box/Folder
115/3
|
Screenplay: by Lenore Coffee, 26 August to 28 September 1943
81pp.
: Incomplete.
|
|
|
Box/Folder
115/4
|
Temporary: by Coffee, 15 December 1943
164pp.
|
|
|
Box/Folder
115/5
|
Screenplay: by Coffee and Thames Williamson, 5 May to 23 June 1945
178pp.
|
|
|
Box/Folder
115/6
|
Final: by Coffee and Williamson, 24 August 1945
circa 150pp.
|
|
|
Box/Folder
115/7
|
Revised Final: by Coffee and Williamson, 3 October 1945
138pp.
: Incomplete.
|
|
|
Box/Folder
115/8
|
Revised Final 2: by Coffee and Williamson, 9 November 1945 with revisions to 1 February 1946
circa 145pp.
|
|
|
Espionage Agent
|
|
|
Box/Folder
116/1
|
Treatment: Career man, by Robert Buckner, undated
59pp.
|
|
|
Box/Folder
116/2
|
Treatment: Career man, by Buckner, undated
34pp.
|
|
|
Box/Folder
116/3
|
Treatment: Career man, by Buckner, 13 January 1938
13pp.
|
|
|
Box/Folder
116/4
|
Screenplay: Career man, by Buckner, 10 March 1938
143pp.
|
|
|
Box/Folder
116/5
|
Comments: (“Revisions for 'Career man' ”) by Buckner, 26 May 1938
circa 14pp.
|
|
|
Box/Folder
116/6
|
Treatment: Career man, by Warren Duff, 18 November 1938
42pp.
|
|
|
Box/Folder
116/7
|
Screenplay: Career man, by Duff, 30 December 1938
184pp.
|
|
|
Box/Folder
116/8
|
Temporary: Career man, by Duff and Frank Donoghue, 9 March 1939
181pp.
|
|
|
Box/Folder
116/9
|
Revised Temporary: Career man, by Duff, Donoghue, and James Hilton, 28 April 1939; alternate ending
168pp.; 1p.
|
|
|
Box/Folder
116/10
|
Revised Temporary 2: Career man, by Duff, Donoghue, and Hilton, 1 May 1939; alternate endings
152pp.; 1p.
|
|
|
Box/Folder
117/1
|
Final: Career man, by Duff, Donoghue, and Hilton, 4 May to 24 May with revisions to 1 June 1939; alternate endings
circa 140pp.; 4pp.
|
|
|
Box/Folder
117/2
|
Revised Final: Career man, no author shown, 8 June to 28 June with revisions to 7 September 1939; alternate ending
circa 155pp.; 2pp.
|
|
|
Box/Folder
117/3
|
Reader Synopsis: Career man--espionage agent, by William Shenker, 13 August 1940
1p.
|
|
|
Ever in My Heart
|
|
|
Box/Folder
117/4
|
Short Story: by Beulah Marie Dix and Bertram Milhauser, 18 May 1933
43pp.
|
|
|
Box/Folder
117/5
|
Temporary: by Milhauser, 23 June to 28 June 1933
140pp.
|
|
|
Box/Folder
117/6
|
Revised Temporary: by Milhauser, 10 July 1933
135pp.
|
|
|
Box/Folder
117/7
|
Final: by Milhauser, 13 July with revisions to 4 August 1933; shooting schedule
circa 135pp.; 1p.
|
|
|
Ever Since Eve
|
|
|
Box/Folder
117/8
|
Screenplay: by Lee Perenchio and Gene Baker, 14 November 1935
124pp.
|
|
|
Box/Folder
117/9
|
Treatment: by Lillie Hayward, undated
56pp.
: Annotated.
|
|
|
Box/Folder
118/1
|
Temporary: by Hayward and Jerry Wald, 15 July 1936
139pp.
|
|
|
Box/Folder
118/2
|
Revised Temporary: by Lawrence Riley, 12 September 1936
89pp.
: Incomplete.
|
|
|
Box/Folder
118/3
|
Revised Temporary 2: by Riley and Earl Baldwin, 7 November 1936
139pp.
|
|
|
Box/Folder
118/4
|
Final: by Riley, Baldwin, Hayward, and Wald, 19 January 1937
136pp.
|
|
|
Box/Folder
118/5
|
Revised Final: no author shown, 8 February 1937
52pp.
: Incomplete.
|
|
|
Box/Folder
118/6
|
Revised Final 2: no author shown, 26 February to 1 March 1937
128pp.
|
|
|
Box/Folder
118/7
|
Revised Final 3: no author shown, 20 March with revisions to 27 April 1937
circa 150pp.
|
|
|
Everybody's Hobby
|
|
|
Box/Folder
118/8
|
Temporary: The hobby family, by William Brockway, 1 April 1939
93pp.
|
|
|
Box/Folder
119/1
|
Final: The hobby family, by Brockway and Kenneth Gamet, 12 April with revisions to 14 April 1939
circa 110pp.
|
|
|
Box/Folder
119/2
|
Revised Final: The hobby family, by Brockway and Gamet, 17 April with revisions to 19 April 1939
circa 115pp.
|
|
|
Ex-Lady
|
|
|
Box/Folder
119/3
|
Treatment: no author shown, 3 December 1932
55pp.
|
|
|
Box/Folder
119/4
|
Temporary: no author shown, 5 December 1932
55pp.
|
|
|
Box/Folder
119/5
|
Final: no author shown, undated with revisions to 29 December 1932
circa 100pp.
|
|
|
Expensive Husbands
|
|
|
Box/Folder
119/6
|
Screenplay: She hired a husband, by Kyrill de Shishmareff, 19 November 1936
127pp.
|
|
|
Box/Folder
119/7
|
Temporary: She hired a husband, no author shown, 23 April 1937
126pp.
|
|
|
Box/Folder
119/8
|
Final: She hired a husband, no author shown, 24 April 1937
103pp.
|
|
|
Box/Folder
119/9
|
Revised Final: no author shown, 14 June with revisions to 28 June 1937
circa 105pp.
|
|
|
Expensive Women
|
|
|
Box/Folder
119/10
|
Novel: Passionate sonata, by Wilson Collison, undated
circa 230pp.
|
|
|
Box/Folder
120/1
|
Treatment: Passionate sonata, by Harvey Thew, undated
56pp.
: Annotated.
|
|
|
Box/Folder
120/2
|
Screenplay: Passionate sonata, by Thew, undated
111pp.
|
|
|
Box/Folder
120/3
|
Temporary: Passionate sonata, by Thew, 12 March 1931
105pp.
|
|
|
Box/Folder
120/4
|
Final: Passionate sonata, by Thew, 14 March 1931; tag ending
99pp.; 1p.
|
|
|
The Expert
|
|
|
Box/Folder
120/5
|
Short Story: Old man Minick, by Edna Ferber, undated
19pp.
|
|
|
Box/Folder
120/5
|
Play: Minick, by Ferber and George S Kaufman, undated
142pp. (In same volume as above.)
|
|
|
Box/Folder
120/6
|
Story Outline: Minick, by Julien Josephson and Maude T Howell, 5 October 1931
11pp.
|
|
|
Box/Folder
120/7
|
Treatment: Minick, by Josephson and Howell, 12 October 1931
20pp.
|
|
|
Box/Folder
120/8
|
Temporary: Minick, by Josephson and Howell, 12 November 1931
190pp.
|
|
|
Box/Folder
120/9
|
Revised Temporary: Old man Minnick, by Josephson and Howell, 19 November 1931
116pp.
: Incomplete.
|
|
|
The Famous Ferguson Case
|
|
|
Box/Folder
120/10
|
Screenplay: Untitled story, by Courtney Terrett, 10 October 1931
circa 60pp.
|
|
|
Box/Folder
102/11
|
Screenplay: Circulation, by Terrett, 27 November 1931
108pp.
|
|
|
Box/Folder
120/12
|
Temporary: Circulation, by Terrett and Harvey Thew, 5 December 1931
111pp.
|
|
|
Box/Folder
120/13
|
Screenplay: by Terrett and Thew, 16 December 1931
113pp.
|
|
|
Box/Folder
121/1
|
Final: by Terrett and Thew, 22 December 1931 with revisions to 18 January 1932
circa 110pp.
|
|
|
Fashions of 1934
|
|
|
Box/Folder
121/2
|
Screenplay: King of fashion, by Warren Duff, 27 July 1933
132pp.
|
|
|
Box/Folder
121/3
|
Temporary: King of fashion, by Gene Markey and Kathryn Scola, 12 September 1933
121pp.
|
|
|
Box/Folder
121/4
|
Screenplay: King of fashion, no author shown, 9 October 1933
141pp.
|
|
|
Box/Folder
121/5
|
Final: King of fashion, no author shown, undated with revisions to 13 November 1933
circa 140pp.
|
|
|
Father Is A Prince
|
|
|
Box/Folder
121/6
|
Temporary: Father knows best, by Robert E Kent, 7 August 1940
99pp.
|
|
|
Box/Folder
121/7
|
Final: Father knows best, by Kent, 15 August with revisions to 22 August 1940
circa 110pp.
|
|
|
Father's Son (1930)
|
|
|
Box/Folder
121/8
|
Final: by Hope Loring, 23 June 1930
125pp.
|
|
|
Father's Son (1941)
|
|
|
Box/Folder
121/9
|
Temporary: Father and son, by Fred Niblo, Jr, 14 October 1940
127pp.
|
|
|
Box/Folder
122/1
|
Final: Father and son, by Niblo, 22 October 1940
106pp.
|
|
|
Female
|
|
|
Box/Folder
122/2
|
Novel: no author shown [Donald Henderson Clarke], 24 January 1933 galleys
80pp.
|
|
|
Box/Folder
122/3
|
Treatment: by Gene Markey and Kathryn Scola, 15 April 1933
23pp.
|
|
|
Box/Folder
122/4
|
Temporary: by Markey and Scola, 23 May 1933; alternate ending
102pp.; 13pp.
|
|
|
Box/Folder
122/5
|
Final: by Markey and Scola, 12 July with revisions to 9 September 1933; “retakes and added scenes.”
112pp.; c 50pp.
|
|
|
Fifty Million Frenchmen
|
|
|
Box/Folder
122/6
|
Play: by Herbert Fields and Cole Porter, 1929
95pp.
|
|
|
Box/Folder
122/7
|
Plot Summary: by H Hinsdale, 1 June 1934
1p.
|
|
|
Box/Folder
122/8
|
Plot Summary: no author shown, undated
11pp.
|
|
|
Box/Folder
122/9
|
Story Outline: no author shown, undated
22pp.
|
|
|
Box/Folder
122/10
|
Story Outline: by Joseph Jackson, undated
26pp.
|
|
|
Box/Folder
122/11
|
Final: no author shown, 9 August 1930; added scene; changed dialogue
127pp.; 3pp.; 25pp.
|
|
|
Fighter Squadron
|
|
|
Box/Folder
123/1
|
Treatment: by Seton I Miller, 16 December 1947
48pp.
|
|
|
Box/Folder
123/2
|
Screenplay: by Miller (annotated), 10 February 1948; outline
72pp.; 29pp.
|
|
|
Box/Folder
123/3
|
Temporary: by Miller, 18 March with revisions to 21 May 1948
circa 140pp.
: Annotated.
|
|
|
Box/Folder
123/4
|
Final: by Miller, 19 May to 11 June 1948
83pp.
: Incomplete.
|
|
|
Box/Folder
123/5
|
Final: by Miller, 19 May with revisions to 14 June 1948
circa 140pp.
: Annotated.
|
|
|
Box/Folder
123/6
|
Revised Final: by Miller, 16 June to 25 June with revisions to 13 July 1948; added scenes
circa 150pp.; 2pp.
|
|
|
Box/Folder
123/7
|
Revised Final 2: by Miller, 20 July with revisions to 19 August 1948
circa 155pp.
|
|
|
The Fighting 69th
|
|
|
Box/Folder
124/1
|
Research: Father Duffy's story, by Francis P Duffy. New York, 1919
382pp.
|
|
|
Box/Folder
124/2
|
Research: Chaplain Duffy of the sixty-ninth regiment New York, by Ella M E Flick. Philadelphia, 1935
203pp.
|
|
|
Box/Folder
124/3
|
Research: Address by Colonel William J Donovan at unveiling of statue to Father Duffy at Times Square, New York City, by Colonel Donovan, 2 May 1937
3pp.
|
|
|
Box/Folder
124/4
|
Research: What a man--Father Francis Patrick Duffy, no author shown, undated
16pp.
: Annotated.
|
|
|
Box/Folder
124/5
|
Research: Notes on fighting sixty-ninth, no author shown, undated
56pp.
|
|
|
Box/Folder
124/6
|
Story Outline: by Dean Franklin, undated
14pp.
: Annotated.
|
|
|
Box/Folder
124/7
|
Screenplay: by Fred Niblo Jr. and Franklin, 28 June 1939
220pp.
|
|
|
Box/Folder
124/8
|
Comments: (“George Boothby's notes on 'The fighting sixty-ninth' ”) by Boothby, 5 July 1939
7pp.
|
|
|
Box/Folder
124/9
|
Screenplay: by Niblo and Franklin, 30 June 1939
140pp.
|
|
|
Box/Folder
124/10
|
Treatment: by Norman Reilly Raine, 27 July 1939
45pp.
|
|
|
Box/Folder
124/11
|
Final: by Raine, 29 August 1939
92pp.
: Incomplete.
|
|
|
Box/Folder
125/1
|
Revised Final: by Raine, Niblo, and Franklin, 18 September with revisions to 26 December 1939; added scenes
circa 185pp.; 9pp.
|
|
|
Find the Blackmailer
|
|
|
Box/Folder
125/2
|
Short Story: Blackmail with feathers, by G T Fleming-Roberts. Detective Novels Magazine, August 1942
17pp.
|
|
|
Box/Folder
125/3
|
Temporary: Blackmail, by Robert E Kent, 22 October 1942
100pp.
|
|
|
Box/Folder
125/4
|
Final: Blackmail, by Kent, 29 October with revisions to 5 November 1942
circa 100pp.
|
|
|
The Finger Points
|
|
|
Box/Folder
125/5
|
Story Outline: The mob, by Whitfield, undated
8pp.
|
|
|
Box/Folder
125/6
|
Treatment: The mob, by John Monk Saunders, undated
130pp.
|
|
|
Box/Folder
125/7
|
Screenplay: The mob, by Saunders and Robert Lord, December 1930
130pp.
: Annotated.
|
|
|
Box/Folder
125/8
|
Final: The mob, by Saunders and Lord, 27 December 1930
131pp.
|
|
|
The Firebird
|
|
|
Box/Folder
125/9
|
Play: by Ludwig (Lajos) Zilahy. Translated from the Hungarian, 30 December 1933
67pp.
|
|
|
Box/Folder
125/10
|
Play: by Zilahy, adapted by Jeffrey Dell, 9 January 1934
95pp.
|
|
|
Box/Folder
126/1
|
Temporary: by Ralph Block and Doris Malloy, 27 February 1934
108pp.
|
|
|
Box/Folder
126/2
|
Screenplay: by Charles Kenyon, 21 April 1934
126pp.
: Incomplete.
|
|
|
Box/Folder
126/3
|
Revised Temporary: by Kenyon, 27 June 1934
116pp.
|
|
|
Box/Folder
126/4
|
Final: by Kenyon, 21 July 1934
125pp.
|
|
|
Box/Folder
126/5
|
Revised Final: by Kenyon, 25 July with revisions to 28 July 1934
circa 110pp.
|
|
|
Fireman, Save My Child
|
|
|
Box/Folder
126/6
|
Story Outline: by Lloyd Bacon and Ray Enright, undated
4pp.
|
|
|
Box/Folder
126/7
|
Treatment: by Bacon and Enright, undated
18pp.
|
|
|
Box/Folder
126/8
|
Treatment: no author shown, undated
78pp.
|
|
|
Box/Folder
126/9
|
Screenplay: by Robert Lord and Arthur Caesar, 19 September to 24 September 1931
149pp.
|
|
|
Box/Folder
126/10
|
Temporary: by Lord and Caesar, 5 October to 17 October 1931
152pp.
|
|
|
Box/Folder
126/11
|
Final: by Lord and Caesar, 5 November 1931
120pp.
|
|
|
First Lady
|
|
|
Box/Folder
127/1
|
Play: by Katharine Dayton and George S Kaufman. New York, 1935
194pp.
|
|
|
Box/Folder
127/2
|
Temporary: by Rowland Leigh, 6 April 1937
167pp.
|
|
|
Box/Folder
127/3
|
Revised Temporary: by Leigh, 20 April 1937
149pp.
|
|
|
Box/Folder
127/4
|
Final: by Leigh, 26 April with revisions to 7 May 1937
circa 135pp.
|
|
|
Five Star Final
|
|
|
Box/Folder
127/5
|
Play: by Louis Weitzenkorn, 11 February 1931
134pp.
|
|
|
Box/Folder
127/6
|
Final: by Byron Morgan, 4 April with revisions to 14 April 1931
circa 135pp.
|
|
|
Flamingo Road
|
|
|
Box/Folder
128/1
|
Novel: by Robert Wilder. New York, 1942
342pp.
|
|
|
Box/Folder
128/2
|
Play: by R and Sally Wilder, 1945
110pp.
|
|
|
Box/Folder
128/3
|
Treatment: by Jerry Wald, 6 December 1946
72pp.
|
|
|
Box/Folder
128/4
|
Treatment: by Alfred Hayes and James Gunn, 27 December 1946
73pp.
|
|
|
Box/Folder
128/5
|
Treatment: by Hayes, 13 January 1947
19pp.
|
|
|
Box/Folder
128/6
|
Story Outline: by Hayes, 4 February 1947
14pp.
|
|
|
Box/Folder
128/7
|
Story Outline: by Hayes, 6 February 1947
15pp.
|
|
|
Box/Folder
128/8
|
Screenplay: by Hayes, 24 February 1947
170pp.
|
|
|
Box/Folder
128/9
|
Story Outline: by Edmund H. North, 17 March 1947
11pp.
|
|
|
Box/Folder
128/10
|
Treatment: by North, 27 May to 10 June 1947
19pp.
|
|
|
Box/Folder
128/11
|
Final: by North, 20 October 1947
135pp.
|
|
|
Box/Folder
128/12
|
Revised Final: by R Wilder, 13 August with revisions to 25 August 1948
circa 160pp.
|
|
|
Box/Folder
129/1
|
Revised Final 2: by R Wilder, 9 September with revisions to 8 December 1949
circa 165pp.
|
|
|
Flaxy Martin
|
|
|
Box/Folder
129/2
|
Story Outline: The black gate, by David Lang, 4 November 1947
19pp.
|
|
|
Box/Folder
129/3
|
Screenplay: The black gate, by Lang, 4 November to 11 November 1947
114pp.
|
|
|
Box/Folder
129/4
|
Temporary: The black gate, by Lang, 28 February 1948
118pp.
|
|
|
Box/Folder
129/5
|
Revised Temporary: The black gate, by Lang, 15 March with revisions to 23 March 1948
circa 115pp.
|
|
|
Box/Folder
129/6
|
Final: The black gate, by Lang, 27 March 1948
119pp.
|
|
|
Box/Folder
129/7
|
Revised Final: Smart money, by Lang, 2 April with revisions to 4 May 1948
circa 120pp.
|
|
|
Flight Angels
|
|
|
Box/Folder
129/8
|
Treatment: Tough angels, by Maurice Leo, undated
32pp.
: Annotated.
|
|
|
Box/Folder
129/9
|
Treatment: Tough angels, by Leo, undated
77pp.
|
|
|
Box/Folder
129/10
|
Treatment: Tough angels, by Leo, 2 March 1939
89pp.
|
|
|
Box/Folder
130/1
|
Screenplay: Tough angels, by Leo, 1 September 1939
163pp.
|
|
|
Box/Folder
130/2
|
Temporary: Flight 8, by Leo and Tom Reed, 7 February 1940
124pp.
|
|
|
Box/Folder
130/3
|
Final: Flight 8, by Leo and Reed, 16 February 1940
114pp.
|
|
|
Box/Folder
130/4
|
Revised Final: Flight 8, by Leo and Reed, 21 February with revisions to 12 March 1940
circa 130pp.
|
|
|
Flight From Destiny
|
|
|
Box/Folder
130/5
|
Novel: Trial and error by Anthony Berkeley. New York, 1937
351pp.
|
|
|
Box/Folder
130/6
|
Play: Trial and error, by Berkeley, undated
144pp.
|
|
|
Box/Folder
130/7
|
Temporary: Trial and error, by Robert Rossen, 9 November 1939
162pp.
|
|
|
Box/Folder
131/1
|
Revised Temporary: Trial and error, no author shown, 5 September to 13 September 1940
132pp.
|
|
|
Box/Folder
131/2
|
Final: Trial and error, by Rossen, 20 September 1940
127pp.
|
|
|
Box/Folder
131/3
|
Revised Final: Trial and error, by Rossen and Barry Trivers, 28 September to 23 October with revisions to 25 October 1940
circa 125pp.
|
|
|
Flirtation Walk
|
|
|
Box/Folder
131/4
|
Treatment: Eyes right, by Elliott Nugent, 12 May to 15 May 1930
29pp.
|
|
|
Box/Folder
131/5
|
Treatment: by Delmer Daves, 14 December 1933
36pp.
|
|
|
Box/Folder
131/6
|
Temporary: by Daves, 3 February 1934
104pp.
|
|
|
Box/Folder
131/7
|
Revised Temporary: by Daves, 14 February 1934
120pp.
|
|
|
Box/Folder
131/8
|
Revised Temporary 2: by Daves, 1 May 1934
120pp.
|
|
|
Box/Folder
131/9
|
Revised Temporary 3: by Daves, 3 May 1934
120pp.
|
|
|
Box/Folder
132/1
|
Final: by Daves, 18 May with revisions to 25 May 1934
circa 120pp.
|
|
|
Box/Folder
132/2
|
Revised Final: by Daves, 28 May with revisions to 29 May 1934; changes
circa 125pp.; 14pp.
|
|
|
Box/Folder
132/3
|
Comments: (“ 'Flirtation walk' rewritten show”) no author shown, undated
14pp.
|
|
|
Box/Folder
132/4
|
Revised Final 2: by Daves, 22 June 1934
123pp.
|
|
|
Flirting Widow
|
|
|
Box/Folder
132/5
|
Play: Green stockings, by A.E.W. Mason. New York, 1910
122pp.
|
|
|
Box/Folder
132/6
|
Screenplay: Green stockings, by John F Goodrich, undated
73pp.
|
|
|
Box/Folder
132/7
|
Final: Green stockings, by Goodrich, 18 October to 21 October 1929
87pp.
|
|
|
The Florentine Dagger
|
|
|
Box/Folder
132/8
|
Novel: by Ben Hecht. New York, 1923
256pp.
|
|
|
Box/Folder
132/9
|
Final: by Tom Reed, with additional dialogue by Brown Holmes, 14 December with revisions to 18 December 1934; changes
125pp.; c 135p.
|
|
|
Flowing Gold
|
|
|
Box/Folder
133/1
|
Novel: by Rex Beach. New York, 1922
377pp.
|
|
|
Box/Folder
133/2
|
Temporary: by Tom Reed, 1 February 1940
57pp.
: Incomplete.
|
|
|
Box/Folder
133/3
|
Revised Temporary: by Kenneth Gamet, 18 May 1940
131pp.
|
|
|
Box/Folder
133/4
|
Final: by Gamet, 1 June with revisions to 22 July 1940
circa 135pp.
|
|
|
Fly-Away Baby
|
|
|
Box/Folder
133/5
|
Temporary: by Don Ryan and Kenneth Gamet, 26 January with revisions to 3 February 1937; alternate ending
circa 135pp.; 3pp.
|
|
|
Box/Folder
133/6
|
Final: by Ryan and Gamet, 5 February with revisions to 16 February 1937
circa 125pp.
|
|
|
Flying Fortress
|
|
|
Box/Folder
133/7
|
Final: by Brock Williams and Edward Dryhurst, 8 May 1941
circa 210pp.
|
|
|
Fog Over Frisco
|
|
|
Box/Folder
134/1
|
Novel: The five fragments, by George Dyer. New York, 1932
315pp.
|
|
|
Box/Folder
134/2
|
Treatment: Five fragments, by Robert N Lee and Eugene Solow, 16 September 1933
46pp.
|
|
|
Box/Folder
134/3
|
Temporary: Five fragments, by Lee, 11 January 1934
128pp.
|
|
|
Box/Folder
134/4
|
Final: Golden gate, by Lee, 15 January 1934
131pp.
|
|
|
Fools for Scandal
|
|
|
Box/Folder
134/5
|
Play: Return engagement, no author shown [Nancy Hamilton, James Shute, and Rosemary Casey], 12 February 1937
138pp.
|
|
|
Box/Folder
134/6
|
Screenplay: Food for scandal, no author shown, 8 September 1937
62pp.
: Incomplete.
|
|
|
Box/Folder
134/7
|
Story Outline: Food for scandal, no author shown, undated
1p.
: Incomplete.
|
|
|
Box/Folder
134/8
|
Temporary: Food for scandal, no author shown, 2 October 1937
180pp.
|
|
|
Box/Folder
135/1
|
Revised Temporary: Food for scandal, no author shown, 27 October to 8 November 1937
89pp.
: Incomplete.
|
|
|
Box/Folder
135/2
|
Final: Food for scandal, by Herbert and Joseph Fields, undated with revisions to 28 December 1937
circa 145pp.
|
|
|
Footlight Parade
|
|
|
Box/Folder
135/3
|
Treatment: Prologue, by James Seymour and Manuel Seff, undated
84pp.
: Annotated.
|
|
|
Box/Folder
135/4
|
Temporary: by Seymour and Seff, 13 May 1933
124pp.
: Incomplete.
|
|
|
Box/Folder
135/5
|
Revised Temporary: by Seymour and Seff, 22 May 1933
149pp.
|
|
|
Box/Folder
135/6
|
Final: by Seymour and Seff, 2 June 1933
152pp.
|
|
|
Box/Folder
135/7
|
Revised Final: by Seymour and Seff, 10 June 1933
152pp.
: Incomplete.
|
|
|
Box/Folder
135/8
|
Revised Final: by Seymour and Seff, 10 June 1933 with revisions to ND
circa 155pp.
|
|
|
The Footloose Heiress
|
|
|
Box/Folder
136/1
|
Temporary: The hobo and the heiress, by Robertson White, 23 January 1937
127pp.
|
|
|
Box/Folder
136/2
|
Revised Temporary: The hobo and the heiress, by White, 16 February 1937
124pp.
|
|
|
Box/Folder
136/3
|
Final: The hobo and the heiress, by White, 22 February with revisions to 2 April 1937
circa 115pp.
|
|
|
Footsteps in the Dark
|
|
|
Box/Folder
136/4
|
Play: by Bernard Merivale and Jeffrey Dell, based on the original Hungarian of L Fodor, undated
135pp.
|
|
|
Box/Folder
136/5
|
Temporary: Blondie White, by Frank Cavett, 21 February 1938
134pp.
|
|
|
Box/Folder
136/6
|
Temporary: by John Wexley, 25 March 1939
161pp.
|
|
|
Box/Folder
136/7
|
Final: by Norman Reilly Raine, 21 February 1940
126pp.
|
|
|
Box/Folder
137/1
|
Revised Temporary: by Lester Cole, 13 August 1940
145pp.
|
|
|
Box/Folder
137/2
|
Revised Final: by Cole, 12 September 1940
145pp.
|
|
|
Box/Folder
137/3
|
Revised Final 2: by Cole, 1 October with revisions to 11 December 1940
circa 145pp.
|
|
|
42nd Street
|
|
|
Box/Folder
137/4
|
Novel: by Bradford Ropes, 10 August 1932
378pp.
|
|
|
Box/Folder
137/5
|
Treatment: by Whitney Bolton, 16 August 1932
38pp.
|
|
|
Box/Folder
137/6
|
Treatment: by Bolton and James Seymour, 22 August 1932
22pp.
|
|
|
Box/Folder
137/7
|
Temporary: by Bolton and Seymour, 8 September 1932
198pp.
|
|
|
Box/Folder
138/1
|
Revised Temporary: by Bolton and Seymour, 16 September 1932
152pp.
|
|
|
Box/Folder
138/2
|
Final: no author shown, undated
156pp.
|
|
|
The Fountainhead
|
|
|
Box/Folder
138/3
|
Novel: by Ayn Rand. New York, 1943
754pp.
|
|
|
Box/Folder
138/4
|
Temporary: by Rand, 20 January 1945
179pp.
|
|
|
Box/Folder
138/5
|
Screenplay: by Rand, 25 February 1947
283pp.
|
|
|
Box/Folder
139/1
|
Revised Temporary: by Rand, 20 April to 11 June 1948
156pp.
|
|
|
Box/Folder
139/2
|
Final: by Rand, 20 June with revisions to 9 September 1948
circa 140pp.
|
|
|
Four Daughters
|
|
|
Box/Folder
139/3
|
Final: Because of a man--sister act, no author shown, 18 March with revisions to 1 June 1938
circa 140pp.
|
|
|
Four Mothers
|
|
|
Box/Folder
139/4
|
Story Outline: by Fanny Goulding MacEwen, 12 January 1940
12pp.
|
|
|
Box/Folder
139/5
|
Story Outline: by Stephen Morehouse Avery, 22 March 1940
9pp.
|
|
|
Box/Folder
139/6
|
Treatment: by Avery, undated
32pp.
|
|
|
Box/Folder
139/7
|
Screenplay: by Avery, undated
104pp.
|
|
|
Box/Folder
139/8
|
Temporary: by Avery, 14 June 1940
135pp.
|
|
|
Box/Folder
139/9
|
Final: by Avery, 8 July to 11 July 1940
134pp.
|
|
|
Box/Folder
139/10
|
Revised Final: by Avery, 12 July with revisions to 17 September 1940
135pp.
|
|
|
Four Wives
|
|
|
Box/Folder
140/1
|
Story Outline: by Maurice A Hanline, undated
18pp.
|
|
|
Box/Folder
140/2
|
Treatment: by Lenore Coffee, undated
46pp.
|
|
|
Box/Folder
140/3
|
Screenplay: by Hanline, 18 January 1939
160pp.
|
|
|
Box/Folder
140/4
|
Temporary: by Julius J and Philip G Epstein, 12 July 1939
129pp.
|
|
|
Box/Folder
140/5
|
Final: by the Epsteins, 3 August 1939
132pp.
|
|
|
Box/Folder
140/6
|
Revised Final: by the Epsteins, 12 August with revisions to 24 August 1939
circa 130pp.
|
|
|
Four's A Crowd
|
|
|
Box/Folder
140/7
|
Novel: All rights reserved, by Wallace Sullivan, undated
121pp.
|
|
|
Box/Folder
140/8
|
Treatment: All rights reserved, by Sig Herzig, 8 October 1937
58pp.
|
|
|
Box/Folder
140/9
|
Treatment: All rights reserved, by Herzig, 27 October 1937
51pp.
|
|
|
Box/Folder
140/10
|
Treatment: All rights reserved, no author shown, undated
8pp.
: Incomplete.
|
|
|
Box/Folder
141/1
|
Temporary: All rights reserved, by Casey Robinson, 29 December 1937 to 8 January 1938
163pp.
|
|
|
Box/Folder
141/2
|
Final: All rights reserved, by Robinson, 25 January to 2 February 1938
97pp.
: Incomplete.
|
|
|
Box/Folder
141/3
|
Revised Final: All rights reserved, by Robinson, 8 February to 11 February with revisions to 22 March 1938
circa 160pp.
|
|
|
Freshman Love
|
|
|
Box/Folder
141/4
|
Play: The college widow, by George Ade. New York, 1923
112pp.
|
|
|
Box/Folder
141/5
|
Temporary: by George Bricker and Earl Felton, 5 September 1935
116pp.
|
|
|
Box/Folder
141/6
|
Final: by Bricker and Felton, 21 September with revisions to 27 September 1935
circa 113pp.
|
|
|
Box/Folder
141/7
|
Reader Synopsis: by Harriet Hinsdale, 26 September 1935
12pp.
|
|
|
Box/Folder
141/8
|
Revised Final: no author shown, 3 October with revisions to 11 October 1935
circa 120pp.
: Annotated.
|
|
|
Friends of Mr. Sweeney
|
|
|
Box/Folder
142/1
|
Novel: by Elmer Davis. New York, 1926
282pp.
|
|
|
Box/Folder
142/2
|
Temporary: by Warren Duff and Sidney Sutherland, 7 February 1934
124pp.
|
|
|
Box/Folder
142/3
|
Final: by Duff and Sutherland, with additional dialogue by Erwin Gelsey and F. Hugh Herbert, 22 February 1934
128pp.
|
|
|
Frisco Jenny
|
|
|
Box/Folder
142/4
|
Short Story: Common ground, by Gerald Beaumont, undated
15pp.
|
|
|
Box/Folder
142/5
|
Treatment: Common ground, by John Francis Larkin and Lillie Hayward, 24 August 1932
35pp.
|
|
|
Box/Folder
142/6
|
Treatment: Common ground, by Larkin and Hayward, 3 September 1932
26pp.
|
|
|
Box/Folder
142/7
|
Treatment: Common ground, by Larkin and Hayward, 6 September 1932
28pp.
|
|
|
Box/Folder
142/8
|
Screenplay: Common ground, by Larkin and Hayward, 17 September 1932
126pp.
: Incomplete.
|
|
|
Box/Folder
142/9
|
Final: Common ground, by Robert Lord and Wilson Mizner, 21 September with revisions to 5 October 1932
119pp.
|
|
|
Frisco Kid
|
|
|
Box/Folder
142/10
|
Story Outline: Frisco story, by Warren Duff and Seton I. Miller, 10 April 1935
10pp.
|
|
|
Box/Folder
142/11
|
Treatment: by Duff and Miller, 30 April 1935
51pp.
|
|
|
Box/Folder
142/12
|
Temporary: by Duff and Miller, 19 June 1935
160pp.
|
|
|
Box/Folder
143/1
|
Final: by Duff and Miller, 8 July 1935
151pp.
|
|
|
Box/Folder
143/2
|
Revised Final: by Duff and Miller, 30 July 1935,
: Incomplete.
96pp.
|
|
|
Box/Folder
143/3
|
Revised Final 2: no author shown, 6 August with revisions to 21 September 1935
circa 125pp.
|
|
|
From Headquarters (1929)
|
|
|
Box/Folder
143/4
|
Final: by Harvey H Gates, 12 November 1928
circa 100pp.
|
|
|
From Headquarters (1933)
|
|
|
Box/Folder
143/5
|
Treatment: Headquarters, by Robert N Lee, 8 May 1933
23pp.
|
|
|
Box/Folder
143/6
|
Temporary: Headquarters, by Lee and Peter Milne, 31 July 1933
109pp.
|
|
|
Box/Folder
143/7
|
Final: by Lee and Milne, 18 August with revisions to 24 August 1933,
: Incomplete.
122pp.
|
|
|
Front Page Woman
|
|
|
Box/Folder
144/1
|
Short Story: Women are bum newspapermen, by Richard Macaulay. Saturday Evening Post, 1 September 1934
5pp.
|
|
|
Box/Folder
144/2
|
Treatment: Women are bum newspapermen, by Roy Chanslor and Lillie Hayward, undated
14pp.
|
|
|
Box/Folder
144/3
|
Screenplay: Women are bum newspapermen, by Chanslor and Hayward, 8 November 1934
131pp.
|
|
|
Box/Folder
144/4
|
Temporary: Women are bum newspapermen, by Chanslor, Hayward, and Laird Doyle, 19 February 1935
122pp.
: Annotated.
|
|
|
Box/Folder
144/5
|
Final: by Chanslor, Hayward, and Doyle, 15 April with revisions to 2 May 1935
circa 125pp.
|
|
|
Fugitive From Justice
|
|
|
Box/Folder
144/6
|
Treatment: Million dollar fugitive, by Leonard Neubauer, undated
11pp.
|
|
|
Box/Folder
144/7
|
Temporary: Million dollar fugitive, by Alex Gottlieb, 4 October 1939
103pp.
|
|
|
Box/Folder
144/8
|
Final: Million dollar fugitive, by Gottlieb, 13 October with revisions to 27 October 1939
circa 105pp.
|
|
|
Fugitive in the Sky
|
|
|
Box/Folder
144/9
|
Treatment: Heroes of the air, by George Bricker, undated
16pp.
|
|
|
Box/Folder
144/10
|
Temporary: The flying hostess, by Bricker, 19 June 1936
108pp.
|
|
|
Box/Folder
144/11
|
Final: Heroes of the air, by Bricker, 7 July with revisions to 27 August 1936
circa 130pp.
|
|
|
G-Men
|
|
|
Box/Folder
145/1
|
Treatment: G-man, by Seton I. Miller, 16 January 1935
46pp.
|
|
|
Box/Folder
145/2
|
Temporary: G-man, no author shown, 12 February 1935
111pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
145/3
|
Final: The g-man, by Miller, 14 February with revisions to 27 March 1935
circa 160pp.
|
|
|
Gambling Lady
|
|
|
Box/Folder
145/4
|
Short Story: by Doris Malloy, undated
47pp.
|
|
|
Box/Folder
145/5
|
Treatment: no author shown, 19 September 1933
16pp.
|
|
|
Box/Folder
145/6
|
Final: by Malloy and Ralph Block, 10 November 1933, Incomplete
96pp.
|
|
|
Box/Folder
145/7
|
Revised Final: by Malloy and Block, 17 November to 21 November 1933
145pp.
|
|
|
Gambling on the High Seas
|
|
|
Box/Folder
145/8
|
Temporary: Floating trouble, by Robert E. Kent, 16 August 1939
92pp.
|
|
|
Box/Folder
145/9
|
Final: Floating trouble, by Kent, 17 August with revisions to 18 August 1939
circa 145pp.
|
|
|
Box/Folder
145/10
|
Revised Final: by Kent, 21 August with revisions to 23 August 1939
circa 110pp.
|
|
|
Garden of the Moon
|
|
|
Box/Folder
146/1
|
Novel: by H. Bedford-Jones and Barton Browne. Serialized in Saturday Evening Post, 28 August to 2 October 1937
circa 74pp.
|
|
|
Box/Folder
146/2
|
Novel: by Bedford-Jones and Browne, 13 November 1937
192pp.
|
|
|
Box/Folder
146/3
|
Treatment: by Jerry Wald and Richard Macaulay, undated
87pp.
|
|
|
Box/Folder
146/4
|
Treatment: by Wald and Macaulay, 8 January 1937
74pp.
|
|
|
Box/Folder
146/5
|
Treatment: by Wald and Macaulay, 14 January 1938
87pp.
: Annotated.
|
|
|
Box/Folder
146/6
|
Screenplay: by Wald and Macaulay, 25 February 1938
174pp.
|
|
|
Box/Folder
146/7
|
Final: by Wald and Macaulay, 17 March 1938
148pp.
|
|
|
Box/Folder
146/8
|
Revised Final: by Wald and Macaulay, 24 March with revisions to 9 April 1938
circa 170pp.
|
|
|
The Gay Sisters
|
|
|
Box/Folder
147/1
|
Novel: by Stephen Longstreet, 8 March 1941
362pp.
|
|
|
Box/Folder
147/2
|
Treatment: by Lenore Coffee, undated, Incomplete
14pp.
|
|
|
Box/Folder
147/3
|
Screenplay: by Coffee, 15 May 1941
198pp.
|
|
|
Box/Folder
147/4
|
Temporary: by Coffee, 19 June with revisions to 3 October 1941
circa 160pp.
|
|
|
Box/Folder
147/5
|
Revised Temporary: by Coffee, 6 December with revisions to 16 December 1941
circa 170pp.
|
|
|
Box/Folder
147/6
|
Final: by Coffee, 3 January with revisions to 25 February 1942
circa 160pp.
|
|
|
Gentleman Jim
|
|
|
Box/Folder
148/1
|
Treatment: Gentleman Jim Corbett, no author shown, 5 September 1941
63pp.
|
|
|
Box/Folder
148/2
|
Screenplay: Gentleman Jim Corbett, by Hugh Wedlock and Howard Snyder, undated, Incomplete
75pp.
|
|
|
Box/Folder
148/3
|
Temporary: Gentleman Jim Corbett, by Aeneas MacKenzie and Wally Kline, 11 November 1941
153pp.
|
|
|
Box/Folder
148/4
|
Revised Temporary: Gentleman Jim Corbett, by Horace McCoy, 13 March 1942
186pp.
|
|
|
Box/Folder
148/5
|
Revised Temporary 2: Gentleman Jim Corbett, by Vincent Lawrence and McCoy, 5 May to 14 May 1942
148pp.
|
|
|
Gentlemen Are Born
|
|
|
Box/Folder
148/6
|
Short Story: Just out of college, by Robert Lee Johnson, 11 April 1934
15pp.
|
|
|
Box/Folder
148/7
|
Screenplay: Just out of college, by Johnson, 1 May 1934
100pp.
|
|
|
Box/Folder
148/8
|
Temporary: Just out of college, by Eugene Solow and Johnson, 11 June 1934
115pp.
|
|
|
Box/Folder
148/9
|
Final: Just out of college, by Solow and Johnson, 17 June 1934
115pp.
|
|
|
Box/Folder
149/1
|
Revised Final: Just out of college, by Solow and Johnson, 23 June 1934
124pp.
|
|
|
George Washington Slept Here
|
|
|
Box/Folder
149/2
|
Play: by George S. Kaufman and Moss Hart, 1940
129pp.
|
|
|
Box/Folder
149/3
|
Treatment: by Julius J. and Phillip G. Epstein, undated
27pp.
|
|
|
Box/Folder
149/4
|
Treatment: by Everett Freeman, undated, Incomplete
10pp.
|
|
|
Box/Folder
149/5
|
Screenplay: by Freeman, undated
circa 90pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
149/6
|
Temporary: by Freeman, 4 March with revisions to 16 March 1942
144pp.
: Annotated.
|
|
|
Box/Folder
149/7
|
Revised Temporary: by Freeman, 25 March with revisions to 30 March 1942
circa 175pp.
: Annotated.
|
|
|
Box/Folder
149/8
|
Final: by Freeman, 3 April with revisions to 8 June 1942
circa 140pp.
|
|
|
The Girl from Jones Beach
|
|
|
Box/Folder
149/9
|
Story Outline: The Fargo girl, by Allen Boretz, undated
18pp.
|
|
|
Box/Folder
149/10
|
Screenplay: by I.A.L. Diamond, 12 August to 11 November 1947,
: Incomplete.
125pp.
|
|
|
Box/Folder
150/1
|
Screenplay: by Diamond, undated
139pp.
|
|
|
Box/Folder
150/2
|
Screenplay: by Diamond, undated
128pp.
|
|
|
Box/Folder
150/3
|
Screenplay: by Diamond with additional dialogue by Phillip and Julius Epstein, with revisions, undated
circa 145pp.
: Annotated.
|
|
|
Box/Folder
150/4
|
Temporary: by Diamond with additional dialogue by the Epsteins, 7 April 1948
130pp.
|
|
|
Box/Folder
150/5
|
Final: by Diamond with additional dialogue by the Epsteins, 24 April with revisions to 16 July 1948
circa 130pp.
|
|
|
The Girl From 10th Avenue
|
|
|
Box/Folder
150/6
|
Play: The outcast, no author shown, 14 January 1933
101pp.
|
|
|
Box/Folder
150/7
|
Screenplay: Outcast, by Charles Kenyon, undated
: Incomplete; outline of ending.
107pp.; 2pp.
|
|
|
Box/Folder
150/8
|
Temporary: Men on her mind, no author shown, 15 February 1935
124pp.
|
|
|
Box/Folder
151/1
|
Final: Men on her mind, by Kenyon, 1 March to 20 March 1935
124pp.
|
|
|
Girl Missing
|
|
|
Box/Folder
151/2
|
Story Outline: Money for nothing, by Don Mullally and Carl Erickson, undated
17pp.
|
|
|
Box/Folder
151/3
|
Treatment: Money isn't everything, by Ben Markson, undated
28pp.
|
|
|
Box/Folder
151/4
|
Screenplay: by Mullally and Erickson, undated
122pp.
|
|
|
Box/Folder
151/5
|
Final: no author shown, undated with revisions to 23 November 1932
circa 145pp.
|
|
|
Girls on Probation
|
|
|
Box/Folder
151/6
|
Temporary: by Crane Wilbur, 22 April with revisions to 23 April 1938
circa 130pp.
|
|
|
Box/Folder
151/7
|
Final: by Wilbur, 28 April with revisions to 18 June 1938
circa 115pp.
|
|
|
Give Me Your Heart
|
|
|
Box/Folder
151/8
|
Play: Sweet aloes, by Jay Mallory, 3 December 1935
119pp.
|
|
|
Box/Folder
151/9
|
Temporary: Sweet aloes, no author shown, 25 February 1936
152pp.
|
|
|
Box/Folder
152/1
|
Revised Temporary: Sweet aloes, by Casey Robinson, 8 April 1936
131pp.
|
|
|
Box/Folder
152/2
|
Final: Sweet aloes, by Robinson, 24 April with revisions to 25 May 1936
circa 160pp.
|
|
|
The Go-Getter
|
|
|
Box/Folder
152/3
|
Short Story: no author shown, 26 November 1935
42pp.
|
|
|
Box/Folder
152/4
|
Temporary: by Delmer L. Daves, 14 January 1936
129pp.
|
|
|
Box/Folder
152/5
|
Final: by Daves, 16 November with revisions to 11 December 1936
circa 130pp.
|
|
|
Go into Your Dance
|
|
|
Box/Folder
152/6
|
Novel: by Bradford Ropes. New York, 1934
316pp.
|
|
|
Box/Folder
152/7
|
Plot Summary: by F.K. Butler, 10 December 1933
14pp.
|
|
|
Box/Folder
152/8
|
Treatment: Casino de Paree, no author shown, undated
25pp.
: Annotated.
|
|
|
Box/Folder
153/1
|
Screenplay: Casino de Paree, no author shown, 7 September 1934, Incomplete
86pp.
|
|
|
Box/Folder
153/2
|
Temporary: Casino de Paree, by Earl Baldwin, 31 October to 9 November 1934
141pp.
|
|
|
Box/Folder
153/3
|
Final: Casino de Paree, by Baldwin, 20 November 1934 with revisions to 25 January 1935
circa 145pp.
|
|
|
God Is My Co-Pilot
|
|
|
Box/Folder
153/4
|
Novel: by Col. Robert L. Scott. New York, 1943
277pp.
|
|
|
Box/Folder
153/5
|
Novel: by Scott. Condensed in Liberty, 6 November 1943
16pp.
|
|
|
Box/Folder
153/6
|
Treatment: by Abem Finkel, 24 July 1943
87pp.
: Annotated.
|
|
|
Box/Folder
153/7
|
Treatment: by Finkel, 10 September 1943
100pp.
|
|
|
Box/Folder
153/8
|
Treatment: by Finkel, 12 October 1943
107pp.
|
|
|
Box/Folder
153/9
|
Screenplay: by Finkel, 25 October to 11 December 1943
221pp.
|
|
|
Box/Folder
154/1
|
Screenplay: by Steve Fisher, 1 January to 5 February 1944
173pp.
|
|
|
Box/Folder
154/2
|
Temporary: no author shown, 18 February 1944
162pp.
|
|
|
Box/Folder
154/3
|
Final: by Fisher, 7 March with revisions to 15 March 1944
158pp.
|
|
|
Box/Folder
154/4
|
Revised Final: by Peter Milne, 22 April to 20 May 1944
154pp.
|
|
|
Box/Folder
154/5
|
Revised Final 2: by Milne, 26 May with revisions to 3 October 1944
circa 150pp.
|
|
|
God's Country and the Woman
|
|
|
Box/Folder
154/6
|
Novel: by James Oliver Carwood. New York, 1915
347pp.
|
|
|
Box/Folder
155/1
|
Final: by Norman Reilly Raine and William Jacobs, 1 July with revisions to 7 August 1936
circa 145pp.
|
|
|
God's Gift to Women
|
|
|
Box/Folder
155/2
|
Play: The devil was sick, by Jane Hinton, undated
120pp.
|
|
|
Box/Folder
155/3
|
Screenplay: The devil was sick, no author shown, undated
115pp.
|
|
|
Box/Folder
155/4
|
Final: The devil was sick, by Joseph Jackson, 2 January 1930
98pp.
|
|
|
Going Highbrow
|
|
|
Box/Folder
155/5
|
Short Story: Social pirates, by Ralph Spence, undated
21pp.
|
|
|
Box/Folder
155/6
|
Screenplay: Social pirates, by Edward Kaufman and Sy Bartlett, 22 January 1935
142pp.
|
|
|
Box/Folder
155/7
|
Temporary: Social pirates, by Kaufman and Bartlett, 8 February 1935
136pp.
|
|
|
Box/Folder
155/8
|
Final: Social pirates, by Kaufman and Bartlett, 28 February 1935
121pp.
|
|
|
Box/Folder
155/9
|
Revised Final: Social pirates, by Kaufman and Bartlett, 8 March 1935
115pp.
|
|
|
Going Places
|
|
|
Box/Folder
156/1
|
Temporary: Head over heels, by Sig Herzig, 17 May 1938
103pp.
|
|
|
Box/Folder
156/2
|
Final: no author shown, 28 July with revisions to 16 August 1938
131pp.
|
|
|
Going Wild
|
|
|
Box/Folder
156/3
|
Play: The aviator, by James Montgomery, undated
circa 105pp.
|
|
|
Box/Folder
156/4
|
Treatment: by Humphrey Pearson, undated
23pp.
|
|
|
Box/Folder
156/5
|
Final: by Pearson and Henry McCarty, 13 May 1930
105pp.
|
|
|
Gold Diggers in Paris
|
|
|
Box/Folder
156/6
|
Short Story: (“Original screenplay”) Here come the girls, by Jerry Horwin and James Seymour, 18 December 1936
53pp.
|
|
|
Box/Folder
156/7
|
Treatment: The gold diggers in London, by Horwin, 27 March 1937; memo from W. MacEwen to H. Wallis
37pp.; 1p.
|
|
|
Box/Folder
156/8
|
Treatment: Golddiggers of 1938, by Jerry Wald and Richard Macaulay, 28 August 1937
|
|
|
Box/Folder
156/9
|
Temporary: no author shown, 6 October 1937, Incomplete
32pp.
|
|
|
Box/Folder
156/10
|
Final: no author shown, 4 January with revisions to 24 March 1938
circa 140pp.
|
|
|
Gold Diggers of 1935
|
|
|
Box/Folder
156/11
|
Story Outline: by Robert Lord, undated
9pp.
|
|
|
Box/Folder
156/12
|
Treatment: by Lord and Peter Milne, 26 April 1934
19pp.
|
|
|
Box/Folder
156/13
|
Treatment: by Lord and Milne, 15 May 1934
47pp.
: Annotated.
|
|
|
Box/Folder
156/14
|
Temporary: by Milne and Manuel Seff, 16 June to 20 June 1934
124pp.
|
|
|
Box/Folder
157/1
|
Final: by Milne and Seff, 18 September with revisions to 5 November 1934
circa 120pp.
|
|
|
Gold Diggers of 1937
|
|
|
Box/Folder
157/2
|
Play: Sweet mystery of life, by Richard Maibaum, Mike Wallach, and George Haight, undated
circa 150pp.
|
|
|
Box/Folder
157/3
|
Temporary: by Tom Reed, 26 February 1936
133pp.
|
|
|
Box/Folder
157/4
|
Revised Temporary: by Warren Duff and Reed, 8 June 1936
125pp.
|
|
|
Box/Folder
157/5
|
Revised Temporary 2: by Duff, 1 July 1936, Incomplete
87pp.
|
|
|
Box/Folder
157/6
|
Final: by Duff and Reed, undated with revisions to 15 September 1936
circa 150pp.
|
|
|
Gold Diggers of 1933
|
|
|
Box/Folder
158/1
|
Play: The gold diggers, by Avery Hopwood, undated
144pp.
: Annotated.
|
|
|
Box/Folder
158/2
|
Treatment: High life, by Erwin Gelsey and James Seymour, 29 November 1932; memo from Gelsey and Seymour to Mr Hubbard
15pp.; 1p.
|
|
|
Box/Folder
158/3
|
Treatment: High life, by Seymour, undated
17pp.
|
|
|
Box/Folder
158/4
|
Treatment: High life, by Gelsey and Seymour, undated
23pp.
: Annotated.
|
|
|
Box/Folder
158/5
|
Treatment: High life, by David Boehm and Seymour, 23 December 1932
26pp.
|
|
|
Box/Folder
158/6
|
Screenplay: High life, by Seymour, Boehm, and Ben Markson, 3 February 1933
140pp.
|
|
|
Box/Folder
158/7
|
Revised Temporary: High life, by Seymour and Boehm, 18 January 1933
107pp.
|
|
|
Box/Folder
158/8
|
Final: High life, by Seymour and Boehm, 27 January 1933
145pp.
|
|
|
Box/Folder
158/9
|
Revised Final: by Seymour, Boehm, and Markson, 8 February with revisions to 11 February 1933; alternate ending
150pp.; 2pp.
|
|
|
Gold Dust Gertie
|
|
|
Box/Folder
158/10
|
Play: The wife of the party, by Lon D Hollister, undated
152pp.
|
|
|
Box/Folder
158/11
|
Treatment: Red hot sinners, by William K Wells, 22 July 1930
87pp.
|
|
|
Box/Folder
159/1
|
Treatment: Red hot sinners, by Wells, undated
73pp.
: Annotated.
|
|
|
Box/Folder
159/2
|
Treatment: Red hot sinners, by Wells, undated
139pp.
: Annotated.
|
|
|
Box/Folder
159/3
|
Temporary: Red hot sinners, by Wells, undated
112pp.
|
|
|
Box/Folder
159/4
|
Final: Red hot sinners, no author shown, 23 January 1931
130pp.
|
|
|
Gold Is Where You Find It
|
|
|
Box/Folder
159/5
|
Novel: by Clements Ripley, undated
321pp.
|
|
|
Box/Folder
159/6
|
Novel: by Ripley. Galleys, undated
185pp.
|
|
|
Box/Folder
159/7
|
Treatment: no author shown, undated
22pp.
|
|
|
Box/Folder
159/8
|
Treatment: no author shown, 15 July 1937
23pp.
|
|
|
Box/Folder
159/9
|
Treatment: by Michel Jacoby and Ripley, undated
59pp.
|
|
|
Box/Folder
160/1
|
Screenplay: by Jacoby and Ripley, 19 August 1936
198pp.
: Annotated.
|
|
|
Box/Folder
160/2
|
Temporary: by Jacoby and Ripley, 26 September 1936
140pp.
|
|
|
Box/Folder
160/3
|
Revised Temporary: no author shown, 26 June with revisions to 28 June 1937, Incomplete
69pp.
|
|
|
Box/Folder
160/4
|
Final: no author shown, 24 July to 12 August with revisions to 11 August 1937
: Incomplete.
110pp.
|
|
|
Box/Folder
160/5
|
Revised Final: no author shown, 28 August with revisions to 11 October 1937; alternate ending
160pp.; 2pp.
|
|
|
The Golden Arrow
|
|
|
Box/Folder
160/6
|
Short Story: by Michael Arlen. Liberty, undated
6pp.
|
|
|
Box/Folder
160/7
|
Temporary: The cream princess, by Charles Kenyon, 17 December 1935
151pp.
|
|
|
Box/Folder
160/8
|
Revised Temporary: by Kenyon, 7 January 1936, Incomplete
107pp.
|
|
|
Box/Folder
161/1
|
Final: by Kenyon, 11 January with revisions to 8 February 1936; alternate endings; memos from Mr. Bischoff to Mr. Green
155pp.; 4pp.; 2pp.
|
|
|
Box/Folder
161/2
|
Final: by Kenyon, 11 January with revisions to 8 February 1936; alternate endings; memos from Mr. Bischoff to all departments and to Mr. Green
150pp.; 4pp.; 3pp.
|
|
|
Golden Dawn
|
|
|
Box/Folder
161/3
|
Play: by Otto Harbach and Oscar Hammerstein II, undated
150pp.
|
|
|
Box/Folder
161/4
|
Screenplay: by Walter B Anthony, undated
103pp.
|
|
|
Box/Folder
161/5
|
Final: by Anthony, 12 June 1929; added sequence
circa 100pp.; 3pp.
|
|
|
Goodbye Again
|
|
|
Box/Folder
161/6
|
Play: by Allan Scott and George Haight. New York, 1932
128pp.
|
|
|
Box/Folder
161/7
|
Final: by Ben Markson, 20 March 1933
131pp.
|
|
|
The Goose and the Gander
|
|
|
Box/Folder
162/1
|
Temporary: by Charles Kenyon, 5 November 1934
135pp.
|
|
|
Box/Folder
162/2
|
Final: by Kenyon, 16 November 1934 with revisions to 7 January 1935
circa 120pp.
|
|
|
The Gorilla Man
|
|
|
Box/Folder
162/3
|
Temporary: by Anthony Coldewey, 21 July 1942
109pp.
|
|
|
Box/Folder
162/4
|
Final: by Coldewey, 27 July with revisions to 30 July 1942
circa 110pp.
|
|
|
Grand Slam
|
|
|
Box/Folder
162/5
|
Novel: by B Russell Herts. New York, 1932
288pp.
|
|
|
Box/Folder
162/6
|
Treatment: by David Boehm, 2 August 1932
31pp.
|
|
|
Box/Folder
162/7
|
Screenplay: no author shown, undated
120pp.
|
|
|
Box/Folder
162/8
|
Temporary: by Boehm and Erwin Gelsey, 7 September 1932
139pp.
|
|
|
Box/Folder
163/1
|
Final: by Boehm and Gelsey, 20 October with revisions to 12 November 1932
circa 135pp.
|
|
|
Granny Get Your Gun
|
|
|
Box/Folder
163/2
|
Novel: The case of the dangerous dowager, by Erle Stanley Gardner, 7 August 1936
283pp.
|
|
|
Box/Folder
163/3
|
Temporary: by Kenneth Gamet, 3 August to 14 August 1939
124pp.
|
|
|
Box/Folder
163/4
|
Final: by Gamet, 13 September with revisions to 15 September 1939
112pp.
|
|
|
Box/Folder
163/5
|
Revised Final: by Gamet, 26 September with revisions to 10 October 1939
circa 95pp.
|
|
|
The Great Divide
|
|
|
Box/Folder
163/6
|
Play: by William Vaughn Moody. New York, 1906
82pp.
|
|
|
Box/Folder
163/7
|
Screenplay: no author shown, undated
circa 140pp.
|
|
|
Box/Folder
163/8
|
Screenplay: by Monte Katterjohn, undated
circa 140pp.
|
|
|
Box/Folder
164/1
|
Screenplay: no author shown, 18 April 1929
100pp.
|
|
|
Box/Folder
164/2
|
Final: no author shown, undated
circa 100pp.
|
|
|
The Great Garrick
|
|
|
Box/Folder
164/3
|
Screenplay: Ladies and gentlemen, by Ernest Vajda, 7 October 1936
191pp.
|
|
|
Box/Folder
164/4
|
Treatment: by Elaine Ryan, undated
circa 55pp.
|
|
|
Box/Folder
164/5
|
Treatment: by Robert Rossen, 6 February 1937
56pp.
|
|
|
Box/Folder
164/6
|
Temporary: by Vajda, 15 April 1937
151pp.
|
|
|
Box/Folder
164/7
|
Revised Temporary: by Vajda and Rowland Leigh, 7 May 1937
149pp.
|
|
|
Box/Folder
164/8
|
Final: by Vajda and Leigh, 3 June with revisions to 21 July 1937
circa 148pp.
|
|
|
The Great Lie
|
|
|
Box/Folder
165/1
|
Novel: The far horizon, by Polan Banks. New York, 1936
316pp.
|
|
|
Box/Folder
165/2
|
Treatment: The far horizon, by Guy Endore, undated
53pp.
|
|
|
Box/Folder
165/3
|
Treatment: January heights, by Endore, 28 November 1939; memo from Endore to Henry Blanke
30pp.; 1p.
|
|
|
Box/Folder
165/4
|
Treatment: January heights, by Abem Finkel and Endore, undated
25pp.
|
|
|
Box/Folder
165/5
|
Screenplay: January heights, by Finkel and Endore, 6 January 1940
119pp.
|
|
|
Box/Folder
165/6
|
Temporary: January heights, by Michael Hogan, 14 February with revisions to 4 March 1940, Incomplete
circa 95pp.
|
|
|
Box/Folder
165/7
|
Treatment: January heights, by Richard Sherman, 7 March 1940
37pp.
: Annotated.
|
|
|
Box/Folder
165/8
|
Screenplay: January heights, by Sherman, 16 March 1940
134pp.
|
|
|
Box/Folder
165/9
|
Revised Temporary: January heights, by Sherman, 21 May 1940
172pp.
|
|
|
Box/Folder
166/1
|
Story Outline: Women of today, by Lenore Coffee, 18 June 1940
19pp.
|
|
|
Box/Folder
166/2
|
Revised Temporary 2: Women of today (January heights), by Coffee, 9 August to 26 September 1940
158pp.
|
|
|
Box/Folder
166/3
|
Revised Temporary 3: January heights, by Coffee, 15 October to 17 October 1940, Incomplete
114pp.
|
|
|
Box/Folder
166/4
|
Final: Far horizon (January heights), no author shown, 29 October with revisions to 5 November 1940
: Incomplete.
circa 145pp.
|
|
|
Box/Folder
166/5
|
Revised Final: Far horizon, by Coffee, 7 November with revisions to 10 December 1940
circa 135pp.
: Annotated.
|
|
|
Great Mr. Nobody
|
|
|
Box/Folder
166/6
|
Treatment: The stuff of heroes, by Al Martin and Ivan Goff, 10 March 1939
67pp.
|
|
|
Box/Folder
166/7
|
Temporary: Stuff of heroes, by Goff and Martin, 19 October 1939
130pp.
|
|
|
Box/Folder
166/8
|
Treatment: Stuff of heroes, by Warren Duff, 11 January 1940; memo from Blanke to Hal Wallis
32pp.; 1p.
|
|
|
Box/Folder
167/1
|
Treatment: The stuff of heroes, by James Seymour and Goff, 4 February 1940
58pp.
|
|
|
Box/Folder
167/2
|
Treatment: Stuff of heroes, by Delmer Daves and Abem Finkel, 13 February 1940
38pp.
|
|
|
Box/Folder
167/3
|
Treatment: Stuff of heroes, by Daves and Finkel, 5 March 1940
75pp.
|
|
|
Box/Folder
167/4
|
Screenplay: Stuff of heroes, by Daves, 5 April 1940
150pp.
|
|
|
Box/Folder
167/5
|
Story Outline: Stuff of heroes, by Stephen Morehouse Avery, 17 May 1940
10pp.
|
|
|
Box/Folder
167/6
|
Revised Temporary: Stuff of heroes, by Ben Markson, 10 October 1940
120pp.
|
|
|
Box/Folder
167/7
|
Final: Stuff of heroes, by Markson, 28 October 1940
112pp.
|
|
|
Box/Folder
167/8
|
Revised Final: Stuff of heroes, by Markson and Kenneth Gamet, 5 November with revisions to 26 November 1940
circa 110pp.
|
|
|
The Great O'Malley
|
|
|
Box/Folder
167/9
|
Short Story: The making of O'Malley, by Gerald Beaumont, 12 March 1936
23pp.
|
|
|
Box/Folder
167/10
|
Treatment: The making of O'Malley, by Carl Erickson, 11 April 1932
24pp.
|
|
|
Box/Folder
167/11
|
Treatment: Making of O'Malley, by Milton Krims, undated
16pp.
|
|
|
Box/Folder
167/12
|
Temporary: The making of O'Malley, by Martin Mooney and Mary C. McCall Jr., 27 April 1936
112pp.
|
|
|
Box/Folder
168/1
|
Revised Temporary: The making of O'Malley, by Tom Reed, 3 July with revisions to 21 July 1936
127pp.
|
|
|
Box/Folder
168/2
|
Final: The making of O'Malley, no author shown, 21 July to 23 July with revisions to 21 July 1936
: Incomplete.
95pp.
|
|
|
Box/Folder
168/3
|
Revised Final: The making of O'Malley, no author shown, undated with revisions to 13 August 1936
circa 130pp.
|
|
|
The Green Goddess
|
|
|
Box/Folder
168/4
|
Play: by William Archer, New York, 1920
97pp.
|
|
|
Box/Folder
168/5
|
Research: (“Film continuity, distinctive pictures production”) by Forrest Halsey, 1923
circa 45pp.
|
|
|
Box/Folder
168/6
|
Final: no author shown, undated
113pp.
: Annotated.
|
|
|
Green Light
|
|
|
Box/Folder
168/7
|
Novel: by Lloyd C. Douglas. Serialized in Cosmopolitan, October 1934 to March 1935
circa 40pp.
|
|
|
Box/Folder
168/8
|
Novel: by Douglas. Boston and New York, 1936
326pp.
|
|
|
Box/Folder
169/1
|
Temporary: by Paul Green, 27 December 1935
152pp.
|
|
|
Box/Folder
169/2
|
Revised Temporary: by Milton Krims, 26 February 1936
172pp.
: Annotated.
|
|
|
Box/Folder
169/3
|
Revised Temporary 2: by Krims, 11 April 1936
172pp.
|
|
|
Box/Folder
169/4
|
Revised Temporary 3: by Krims, 19 June 1936
143pp.
|
|
|
Box/Folder
169/5
|
Final: by Krims, 2 July with revisions to 26 August 1936
circa 190pp.
|
|
|
The Green Pastures
|
|
|
Box/Folder
169/6
|
Novel: by Marc Connelly. New York, 1929
173pp.
|
|
|
Box/Folder
170/1
|
Temporary: no author shown, 23 October 1935
165pp.
|
|
|
Box/Folder
170/2
|
Final: no author shown, 31 December 1935 with revisions to 2 March 1936
circa 165pp.
|
|
|
Guns of the Pecos
|
|
|
Box/Folder
170/3
|
Temporary: Lone star ranger, by Harold Buckley. 5 May 1936
113pp.
|
|
|
Box/Folder
170/4
|
Final: Lone star ranger, by Buckley (“Story by Anthony Coldewey”) , 7 May with revisions to 19 May 1936
circa 160pp.
|
|
|
Happiness Ahead
|
|
|
Box/Folder
170/5
|
Treatment: (“Original story”) Window panes, by Harry Sauber, undated
18pp.
|
|
|
Box/Folder
170/6
|
Temporary: Window pane, by Sauber and Brian Marlow. 5 June 1934
139pp.
|
|
|
Box/Folder
170/7
|
Revised Temporary: Gentlemen are born, by Sauber and Marlow, undated
140pp.
|
|
|
Box/Folder
170/8
|
Final: Gentlemen are born, by Sauber and Marlow, 22 June with revisions to 31 July 1934
circa 155pp.
|
|
|
Hard to Get
|
|
|
Box/Folder
171/1
|
Short Story: Stuffed skirt, by Stephen Morehouse Avery. Typescript, 30 September 1932, from Cosmopolitan
24pp.
|
|
|
Box/Folder
171/2
|
Screenplay: Stuffed skirt, by Avery, 21 December 1932
132pp.
|
|
|
Box/Folder
171/3
|
Temporary: Stuffed skirt, by Avery, 25 November 1933
126pp.
|
|
|
Box/Folder
171/4
|
Story Outline: Glamour girl, by Wally Klein and Joseph Schrank, undated
12pp.
|
|
|
Box/Folder
171/5
|
Temporary: for lovers only, by Schrank and Klein, 28 April 1938
153pp.
|
|
|
Box/Folder
171/6
|
Final: for lovers only, by Jerry Wald, Maurice Leo, and Richard Macaulay, 21 May with revisions to 25 June 1938
146pp.
|
|
|
Hard to Handle
|
|
|
Box/Folder
171/7
|
Treatment: The inside, by Houston Branch, undated
41pp.
|
|
|
Box/Folder
171/8
|
Plot Summary: The inside, by E J Dormer, 14 July 1932
2pp.
|
|
|
Box/Folder
171/9
|
Treatment: (“Adaptation”) the inside, by Robert Lord, 12 August 1932
87pp.
|
|
|
Box/Folder
171/10
|
Temporary: The inside, by Lord and Wilson Mizner, 23 September 1932
: Incomplete.
106pp.
|
|
|
Box/Folder
171/11
|
Final: The inside, by Lord and Mizner, 13 October to 15 October with revisions to 17 October 1932
132pp.
|
|
|
The Hard Way
|
|
|
Box/Folder
172/1
|
Short Story: by Jerry Wald, undated
20pp.
|
|
|
Box/Folder
172/2
|
Temporary: by Irwin Shaw, 30 August 1941
185pp.
|
|
|
Box/Folder
172/3
|
Revised Temporary: by Shaw, 9 October 1941
187pp.
: Annotated.
|
|
|
Box/Folder
172/4
|
Comments: (“ 'The hard way'-cast”) by Steve Trilling, 6 November 1941
2pp.
|
|
|
Box/Folder
172/5
|
Treatment: by Arch Oboler, 29 December 1941
20pp.
|
|
|
Box/Folder
172/6
|
Final: no author shown, 5 February with revisions to 16 February 1942
circa 170pp.
|
|
|
Box/Folder
172/7
|
Revised Final: no author shown, 25 February to 1 April with revisions to 17 March 1942
circa 170pp.
|
|
|
Harold Teen
|
|
|
Box/Folder
172/8
|
Temporary: no author shown, 21 November 1933
116pp.
|
|
|
Box/Folder
172/9
|
Final: by Al Cohn and Paul Gerard Smith, 28 November with revisions to 21 December 1933
circa 125pp.
|
|
|
The Hatchet Man
|
|
|
Box/Folder
172/10
|
Play: The honorable Mr Wong, by Achmed Abdullah and David Belasco, undated
182pp.
|
|
|
Box/Folder
173/1
|
Treatment: The honorable Mr Wong, by J Grubb Alexander, 11 September 1931
53pp.
|
|
|
Box/Folder
173/2
|
Treatment: The honorable Mr Wong, by Alexander, 26 September 1931
66pp.
|
|
|
Box/Folder
173/3
|
Treatment: (“Temporary shooting script”) the honorable Mr Wong, by Alexander, 1 October 1931
66pp.
|
|
|
Box/Folder
173/4
|
Revised Temporary: The honorable Mr Wong, by Alexander, 14 October 1931
90pp.
|
|
|
Box/Folder
173/5
|
Final: The honorable Mr Wong, by Alexander, 26 October 1931
97pp.
|
|
|
Haunted Gold
|
|
|
Box/Folder
173/6
|
Final: by Adele Buffington, 15 September 1932
104pp.
|
|
|
Havana Widows
|
|
|
Box/Folder
173/7
|
Treatment: by Earl Baldwin, 7 June 1933
18pp.
|
|
|
Box/Folder
173/8
|
Temporary: by Baldwin, 14 July 1933
: Incomplete.
86pp.
|
|
|
Box/Folder
173/9
|
Final: by Baldwin, 28 July with revisions to 18 September 1933; new ending; dialogue for retake
128pp.; 2pp.; 1p.
|
|
|
He Couldn't Say No
|
|
|
Box/Folder
173/10
|
Short Story: Larger than life, by Norman Matson. Hearst's International Cosmopolitan, January 1936
6pp.
|
|
|
Box/Folder
173/11
|
Play: Larger than life, by Joseph Schrank, undated
129pp.
|
|
|
Box/Folder
173/12
|
Temporary: Larger than life, by Schrank and Ben Grauman Kohn, 21 December 1936
186pp.
|
|
|
Box/Folder
174/1
|
Final: Larger than life, by Schrank, Kohn, and Robertson White, 10 August with revisions to 12 August 1937
circa 115pp.
|
|
|
He Was Her Man
|
|
|
Box/Folder
174/2
|
Treatment: (“Original story”) Without honor, by Robert Lord and Niven Busch, undated
20pp.
|
|
|
Box/Folder
174/3
|
Treatment: Without honor, by Busch and Tom Buckingham, undated
17pp.
|
|
|
Box/Folder
174/4
|
Temporary: Without honor, no author shown, 16 January 1934
123pp.
|
|
|
Box/Folder
174/5
|
Final: Without honor, by Buckingham and Busch, 22 January with revisions to 24 January 1934
115pp.
: Annotated.
|
|
|
Heart of New York
|
|
|
Box/Folder
174/6
|
Novel: Mendel Marantz, by David Freedman. New York, 1922
301pp.
|
|
|
Box/Folder
174/7
|
Play: Mendel, Inc., by Freedman, 12 November 1931
143pp.
|
|
|
Box/Folder
174/8
|
Temporary: Mendel, Inc., by Arthur Caesar and Houston Branch, 7 December 1931
150pp.
|
|
|
Box/Folder
174/9
|
Final: Mendel, Inc., by Caesar and Branch, 12 December 1931
129pp.
|
|
|
Box/Folder
175/1
|
Revised Final: Mendel, Inc., by Caesar and Branch, 24 December 1931
135pp.
|
|
|
Heart of the North
|
|
|
Box/Folder
175/2
|
Novel: by William Byron Mowery. Serialized in Redbook, November 1929 to April 1930
circa 60pp.
|
|
|
Box/Folder
175/3
|
Screenplay: by Sherman L Lowe, undated
: Incomplete.
138pp.
|
|
|
Box/Folder
175/4
|
Temporary: by George Bricker and Lowe, 7 June 1938
121pp.
|
|
|
Box/Folder
175/5
|
Final: by Lee Katz, 25 June to 28 June 1938
: Incomplete.
84pp.
|
|
|
Box/Folder
175/6
|
Revised Final: by Vincent Sherman and Katz, 2 July to 9 July with revisions to 10 September 1938; added scenes
146pp.; 9pp.
|
|
|
Hearts Divided
|
|
|
Box/Folder
175/7
|
Play: Glorious Betsy, by Rida Johnson Young, 3 May 1934
89pp.
|
|
|
Box/Folder
175/8
|
Revised Temporary: Glorious, by Casey Robinson: 31 August 1935
151pp.
|
|
|
Box/Folder
175/9
|
Revised Temporary 2: Glorious, no author shown, 6 September 1935
159pp.
|
|
|
Box/Folder
176/1
|
Revised Temporary 3: Glorious, no author shown, 21 October 1935
156pp.
|
|
|
Box/Folder
176/2
|
Temporary: Marion Davies production no. 2, no author shown, 11 December 1935
124pp.
|
|
|
Box/Folder
176/3
|
Temporary: no author shown, 13 December 1935 with revisions to ND
circa 135pp.
|
|
|
Box/Folder
176/4
|
Revised Temporary: no author shown, 24 December 1935
127pp.
|
|
|
Box/Folder
176/5
|
Final: no author shown, 4 January with revisions to 11 January 1936
127pp.
|
|
|
Box/Folder
176/6
|
Revised Final: no author shown, 27 January with revisions to 7 February 1936
circa 145pp.
|
|
|
Heat Lightning
|
|
|
Box/Folder
176/7
|
Play: by Leon Abrams and George Abbott. Copied , 29 September 1933
105pp.
|
|
|
Box/Folder
177/1
|
Temporary: no author shown, 9 November 1933
101pp.
|
|
|
Box/Folder
177/2
|
Final: by Brown Holmes and Warren Duff, 16 November with revisions to 18 November 1933
circa 105pp.
|
|
|
Hell's Kitchen
|
|
|
Box/Folder
177/3
|
Screenplay: by Crane Wilbur, undated
121pp.
|
|
|
Box/Folder
177/4
|
Temporary: by Wilbur, 16 November 1938
: Incomplete.
67pp.
|
|
|
Box/Folder
177/5
|
Revised Temporary: by Wilbur, 26 November 1938
125pp.
|
|
|
Box/Folder
177/6
|
Final: by Wilbur, 29 November 1938
: Incomplete.
47pp.
|
|
|
Box/Folder
177/7
|
Revised Final: by Wilbur, 30 November 1938
120pp.
|
|
|
Box/Folder
177/8
|
Revised Final 2: no author shown, 28 December 1938 with revisions to 20 February 1939
circa 145pp.
|
|
|
Her Husband's Secretary
|
|
|
Box/Folder
177/9
|
Temporary: by Lillie Hayward, 10 November 1936
109pp.
|
|
|
Box/Folder
178/1
|
Final: by Hayward, 13 November 1936 with revisions to 7 January 1937
circa 135pp.
|
|
|
Her Kind of Man
|
|
|
Box/Folder
178/2
|
Treatment: Melancholy, by Charles Hoffman and James V Kern, undated
30pp.
|
|
|
Box/Folder
178/3
|
Screenplay: Melancholy, by Kern, undated
105pp.
|
|
|
Box/Folder
178/4
|
Comments: (“Outline-Melancholy”) by W.R. Burnett, 2 August 1943
3pp.
|
|
|
Box/Folder
178/5
|
Screenplay: by Burnett, 10 August to 8 November 1943
circa 165pp.
: Annotated.
|
|
|
Box/Folder
178/6
|
Screenplay: Dancing with tears, by Gordon Kahn, 10 March 1945
: Incomplete; outline.
circa 110pp.; 5pp.
|
|
|
Box/Folder
178/7
|
Temporary: Dancing with tears, by Kahn, 2 April 1945
140pp.
|
|
|
Box/Folder
178/8
|
Final: Dancing with tears, by Kahn and Leopold Atlas, 6 July with revisions to 30 November 1945
circa 155pp.
: Annotated.
|
|
|
Her Majesty Love
|
|
|
Box/Folder
178/9
|
Screenplay: Miller story, by Robert Lord, August 1931
106pp.
|
|
|
Box/Folder
178/10
|
Screenplay: Miller story, by Lord, 14 August 1931
118pp.
|
|
|
Box/Folder
178/11
|
Final: by Lord, 22 August with revisions to 25 August 1931
circa 110pp.
|
|
|
Here Comes Carter
|
|
|
Box/Folder
179/1
|
Screenplay: The lowdown, by Michel Jacoby, undated
104pp.
|
|
|
Box/Folder
179/2
|
Final: Loudspeaker lowdown, by Roy Chanslor, 2 June with revisions to 9 June 1936
circa 130pp.
|
|
|
Here Comes Happiness
|
|
|
Box/Folder
179/3
|
Temporary: by Charles Linton Tedford, 16 November 1940
111pp.
|
|
|
Box/Folder
179/4
|
Final: by Tedford, 27 November to 28 November 1940
105pp.
|
|
|
Here Comes the Navy
|
|
|
Box/Folder
179/5
|
Treatment: Hey, sailor, by Ben Markson, undated
89pp.
|
|
|
Box/Folder
179/6
|
Temporary: Hey, sailor, by Markson, 10 March 1934
147pp.
|
|
|
Box/Folder
179/7
|
Final: Hey, sailor, by Markson and Baldwin, 27 March 1934; added scenes
127pp.; 3pp.
|
|
|
Heroes for Sale
|
|
|
Box/Folder
179/8
|
Screenplay: Breadline, no author shown, undated
123pp.
: Annotated.
|
|
|
Box/Folder
179/9
|
Final: Breadline, by Robert Lord and Wilson Mizner, 20 February to 25 February 1933
143pp.
|
|
|
Box/Folder
180/1
|
Revised Final: Breadline, by Lord and Mizner, 1 March with revisions to 4 March 1933
140pp.
|
|
|
Hi Nellie
|
|
|
Box/Folder
180/2
|
Short Story: by Roy Chanslor. Copied , 8 June 1933
37pp.
|
|
|
Box/Folder
180/3
|
Treatment: by James Wharton, 4 August 1933
53pp.
|
|
|
Box/Folder
180/4
|
Treatment: by Sidney Sutherland, 19 August 1933
57pp.
: Annotated.
|
|
|
Box/Folder
180/5
|
Temporary: no author shown, 4 October 1933
: Incomplete.
105pp.
|
|
|
Box/Folder
180/6
|
Revised Temporary: no author shown, undated
145pp.
: Annotated.
|
|
|
Box/Folder
180/7
|
Final: by Abem Finkle and Sutherland, 12 October with revisions to 17 October 1933
circa 140pp.
|
|
|
The Hidden Hand
|
|
|
Box/Folder
180/8
|
Play: Invitation to a murder, no author shown, undated
105pp.
: Annotated.
|
|
|
Box/Folder
180/9
|
Screenplay: Find my body, by Anthony Coldewey, 24 April 1942
112pp.
: Annotated.
|
|
|
Box/Folder
180/10
|
Screenplay: Dressed to kill, by Raymond L Schrock, undated
111pp.
|
|
|
Box/Folder
181/1
|
Temporary: by Coldewey and Schrock, 26 May 1942
106pp.
|
|
|
Box/Folder
181/2
|
Final: by Coldewey and Schrock, 17 June with revisions to 26 June 1942
circa 115pp.
|
|
|
High Pressure
|
|
|
Box/Folder
181/3
|
Play: Hot money, by Aben Kandel, undated
131pp.
|
|
|
Box/Folder
181/4
|
Screenplay: Sinners all, by Joseph Jackson, 28 September 1931
99pp.
|
|
|
Box/Folder
181/5
|
Temporary: by Jackson, 1 October 1931
100pp.
|
|
|
Box/Folder
181/6
|
Final: by Jackson, 23 October 1931
117pp.
|
|
|
High Sierra
|
|
|
Box/Folder
181/7
|
Novel: by W.R. Burnett. New York, 1940
292pp.
|
|
|
Box/Folder
181/8
|
Revised Final: by John Huston and Burnett, 31 July with revisions to 6 September 1940
142pp.
|
|
|
Highway West
|
|
|
Box/Folder
182/1
|
Treatment: Highway 99, by Kenneth Gamet, undated
24pp.
|
|
|
Box/Folder
182/2
|
Screenplay: Highway 99, by Gamet, undated
116pp.
: Annotated.
|
|
|
Box/Folder
182/3
|
Temporary: Highway 99, by Charles Kenyon, 9 December to 30 December with revisions to 28 December 1940
129pp.
|
|
|
Box/Folder
182/4
|
Final: Highway 99, by Allen Rivkin and Kenyon, 30 December 1940 to 10 January 1941 with revisions to 4 January 1941
circa 125pp.
|
|
|
Box/Folder
182/5
|
Revised Final: Highway 99, by Gamet, Rivkin, and Kenyon, 4 February to 8 February with revisions to 19 February 1941
circa 120pp.
|
|
|
Hollywood Canteen
|
|
|
Box/Folder
182/6
|
Screenplay: One in a million, by Delmer Daves, 14 September 1943
96pp.
: Annotated.
|
|
|
Box/Folder
182/7
|
Screenplay: by Daves, undated
105pp.
|
|
|
Box/Folder
182/8
|
Temporary: by Daves, 15 October with revisions to 10 December 1943
circa 110pp.
|
|
|
Box/Folder
182/9
|
Treatment: by Agnes Christine Johnston, 27 April 1944
: Incomplete.
17pp.
|
|
|
Box/Folder
182/10
|
Screenplay: by Daves, 20 May 1944
105pp.
|
|
|
Box/Folder
182/11
|
Temporary: (“Special sequences for Hollywood canteen”) no author shown, 24 May 1944
18pp.
|
|
|
Box/Folder
183/1
|
Final: by Daves, 29 May with revisions to 27 July 1944
circa 110pp.
|
|
|
Box/Folder
183/2
|
Reader Synopsis: by W. Geoffrey, 15 December 1944
1p.
|
|
|
Box/Folder
183/3
|
Reader Synopsis: by V Volland, 24 January 1946
1p.
|
|
|
Hollywood Hotel
|
|
|
Box/Folder
183/4
|
Temporary: by Jerry Wald and Maurice Leo, 8 February 1937
153pp.
|
|
|
Box/Folder
183/5
|
Treatment: by Wald and Dick Macauley, 12 May 1937
19pp.
|
|
|
Box/Folder
183/6
|
Revised Temporary: no author shown, 15 June 1937
: Incomplete.
115pp.
|
|
|
Box/Folder
183/7
|
Final: no author shown, 25 June to 4 July 1937
167pp.
|
|
|
Box/Folder
183/8
|
Revised Final: Hollywood bandwagon, by Wald, Leo, and Macauley, 21 July with revisions to 16 August 1937
circa 165pp.
|
|
|
Box/Folder
183/9
|
Revised Final 2: by Wald, Leo, and Macauley, 18 August with revisions to 4 November 1937; added scenes
circa 170pp.; 2pp.
|
|
|
Homicide
|
|
|
Box/Folder
184/1
|
Screenplay: Night beat, by William Sackheim, 23 December 1947 to 24 April 1948
134pp.
|
|
|
Box/Folder
184/2
|
Temporary: Night beat, by Sackheim, 6 May 1948
122pp.
|
|
|
Box/Folder
184/3
|
Final: Night beat, by Sackheim, 2 June with revisions to 30 June 1948
circa 120pp.
|
|
|
Honeymoon for Three
|
|
|
Box/Folder
184/4
|
Temporary: Occasionally yours, by Earl Baldwin, 20 January 1940
144pp.
|
|
|
Box/Folder
184/5
|
Revised Temporary: by Julius J Epstein and Phillip G Epstein, 9 May 1940
: Incomplete.
77pp.
|
|
|
Box/Folder
184/6
|
Final: no author shown, 10 June with revisions to 12 June 1940
circa 130pp.
|
|
|
Box/Folder
184/7
|
Revised Final: by Baldwin and the Epsteins, 21 June with revisions to 14 August 1940
circa 130pp.
|
|
|
The Horn Blows At Midnight
|
|
|
Box/Folder
184/8
|
Short Story: Come blow your horn, by Audrey Wisberg, undated
27pp.
|
|
|
Box/Folder
184/9
|
Treatment: by Jacques Thery, undated
38pp.
|
|
|
Box/Folder
184/10
|
Screenplay: At midnight blows the horn, by Thery and Ivan Goff, undated
: Incomplete; treatment.
82pp.; 35pp.
|
|
|
Box/Folder
185/1
|
Temporary: by Sam Hellman, 22 September 1942
153pp.
|
|
|
Box/Folder
185/2
|
Final: by Hellman and James V Kern, 10 June with revisions to 3 August 1943
circa 150pp.
|
|
|
Box/Folder
185/3
|
Revised Final: by Hellman and Kern, 12 November 1943 with revisions to 17 October 1944
circa 145pp.
|
|
|
The Hot Heiress
|
|
|
Box/Folder
185/4
|
Story Outline: no author shown, undated
10pp.
|
|
|
Box/Folder
185/5
|
Final: by Joseph Fields, Richard Rodgers, and Lorenz Hart, 6 June 1930
94pp.
|
|
|
Hot Money
|
|
|
Box/Folder
185/6
|
Temporary: There's millions in it, by William Jacobs, 12 March 1936
129pp.
|
|
|
Box/Folder
185/7
|
Final: There's millions in it, by Jacobs, 19 March with revisions to 7 April 1936
137pp.
|
|
|
Hotel Berlin
|
|
|
Box/Folder
185/8
|
Novel: Hotel Berlin, 1943, by Vicki Baum. Serialized in Collier's, , 6 November to 4 December 1943
42pp.
|
|
|
Box/Folder
186/1
|
Novel: Hotel Berlin ′43, by Baum. New York, 1944
250pp.
|
|
|
Box/Folder
186/2
|
Screenplay: Berlin hotel--1943, by Vladimir Pozner, 27 December 1943 to 25 March 1944
circa 235pp.
|
|
|
Box/Folder
186/3
|
Temporary: Berlin hotel, by Pozner, 1 February 1944
: Incomplete.
101pp.
|
|
|
Box/Folder
186/4
|
Final: no author shown, 6 April 1944
190pp.
|
|
|
Box/Folder
186/5
|
Treatment: Berlin hotel, by Jo Pagano and Alvah Bessie, 19 May to 10 June 1944; “Outline of leading characters,” , 3 June 1944
36pp.; 7pp.
|
|
|
Box/Folder
186/6
|
Comments: (“Berlin hotel--list of main changes in treatment”) by Pagano and Bessie, 14 June 1944; “Supplementary notes on the basic relationship between Lisa Dorn and Martin Richter.”
6pp.; 2pp.
|
|
|
Box/Folder
186/7
|
Screenplay: by Pagano and Bessie, 24 June 1944
: Incomplete.
151pp.
|
|
|
Box/Folder
186/8
|
Revised Final: by Pagano and Bessie, 22 August to 30 September 1944
173pp.
|
|
|
Box/Folder
186/9
|
Revised Final 2: by Pagano and Bessie, 24 October with revisions to 20 December 1944; added scene
circa 150pp.; 3pp.
|
|
|
The House Across the Street
|
|
|
Box/Folder
187/1
|
Screenplay: by Russell S Hughes, 30 March to 25 May 1948
circa 110pp.
|
|
|
Box/Folder
187/2
|
Screenplay: by Hughes, 26 May 1948
125pp.
: Annotated.
|
|
|
Box/Folder
187/3
|
Final: by Hughes, 19 June with revisions to 30 July 1948
circa 125pp.
|
|
|
Box/Folder
187/4
|
Comments: (“Annotated script changes”) no author shown, 20 July to 23 July 1948
circa 100pp.
|
|
|
Box/Folder
187/5
|
Comments: (“Script changes, 'Hi Nellie”') by Richard Bare, 27 July 1948
38pp.
|
|
|
The House on 56th Street
|
|
|
Box/Folder
187/6
|
Story Outline: by Austin Parker, undated
11pp.
|
|
|
Box/Folder
187/7
|
Treatment: by Parker, 22 March 1932
20pp.
|
|
|
Box/Folder
187/8
|
Treatment: by Joseph Santley, undated
25pp.
|
|
|
Box/Folder
187/9
|
Treatment: by Santley, 13 April 1933
25pp.
|
|
|
Box/Folder
187/10
|
Temporary: by Sheridan Gibney, 26 June 1933
141pp.
|
|
|
Box/Folder
187/11
|
Final: by Gibney and Parker, 18 July with revisions to 8 August 1933; new ending
circa 120pp.; 18pp.
|
|
|
Housewife
|
|
|
Box/Folder
187/12
|
Treatment: by Robert Lord and Lillie Hayward, 9 January 1934
50pp.
|
|
|
Box/Folder
187/13
|
Temporary: by Manuel Seff and Hayward, 12 February 1934
123pp.
|
|
|
Box/Folder
188/1
|
Revised Temporary: by Seff and Hayward, 28 March 1934
136pp.
|
|
|
Box/Folder
188/2
|
Final: by Seff and Hayward, 5 April 1934
136pp.
|
|
|
Humoresque
|
|
|
Box/Folder
188/3
|
Short Story: by Fannie Hurst. Cosmopolitan, March 1919
39pp.
|
|
|
Box/Folder
188/4
|
Treatment: by W. Faulkner, undated
26pp.
|
|
|
Box/Folder
188/5
|
Treatment: by Melvin Levy, 3 November 1941
20pp.
: Annotated.
|
|
|
Box/Folder
188/6
|
Treatment: by Levy, 8 November 1941
24pp.
|
|
|
Box/Folder
188/7
|
Treatment: by Sarah Y Mason and Victor Heerman, undated
29pp.
|
|
|
Box/Folder
188/8
|
Treatment: by Mason and Heerman, 2 December 1941
103pp.
|
|
|
Box/Folder
188/9
|
Treatment: by Waldo Salt, undated
33pp.
|
|
|
Box/Folder
188/10
|
Screenplay: by Salt, 16 May 1942; summary of ending
118pp.; 7pp.
|
|
|
Box/Folder
188/11
|
Treatment: by Richard Weil, 5 May 1943
65pp.
|
|
|
Box/Folder
188/12
|
Screenplay: by Barney Glazer, undated
121pp.
|
|
|
Box/Folder
188/13
|
Temporary: by Glazer, 10 May to 14 May 1945
: Incomplete.
52pp.
|
|
|
Box/Folder
188/14
|
Screenplay: by Clifford Odets (incomplete), 14 March to 4 April 1945; excerpts from “Rhapsody in Blue” script by Odets; four memos from Lil B. to Johnny; memo from Jerry Wald to story department
circa 130pp.; circa 100pp.; 1p. each; 1p.
|
|
|
Box/Folder
189/1
|
Revised Temporary: by Odets and Glazer, 16 June 1945
150pp.
|
|
|
Box/Folder
189/2
|
Screenplay: by Zachary Gold, 4 August to 11 August 1945
: Incomplete.
39pp.
|
|
|
Box/Folder
189/3
|
Screenplay: by Gold, 10 August to 18 August 1945
: Incomplete.
73pp.
|
|
|
Box/Folder
189/4
|
Revised Temporary 2: by Gold, 20 August with revisions to 2 October 1945; alternate ending
circa 170pp.; 2pp.
|
|
|
Box/Folder
189/5
|
Plot Summary: by Gold, 8 September 1945
3pp.
|
|
|
Box/Folder
189/6
|
Screenplay: by Odets and Gold, 8 November 1945
127pp.
|
|
|
Box/Folder
189/7
|
Screenplay: by Odets and Gold, 17 November 1945
130pp.
: Annotated.
|
|
|
Box/Folder
189/8
|
Final: by Odets and Gold, 23 November with revisions to 8 December 1945
132pp.
|
|
|
Box/Folder
189/9
|
Revised Final: by Odets and Gold, 15 December 1945 with revisions to 20 March 1946
circa 145pp.
|
|
|
I Am A Fugitive From A Chain Gang
|
|
|
Box/Folder
190/1
|
Novel: I am a fugitive from a Georgia chain gang, by Robert E Burns, New York, 1932
260pp.
|
|
|
Box/Folder
190/2
|
Treatment: I am a fugitive, no author shown, 15 April 1932
16pp.
|
|
|
Box/Folder
190/3
|
Treatment: I am a fugitive, by Brown Holmes, 23 April 1932
87pp.
|
|
|
Box/Folder
190/4
|
Screenplay: I am a fugitive from a Georgia chain gang, by Sheridan Gibney, undated
133pp.
: Annotated.
|
|
|
Box/Folder
190/5
|
Temporary: by Gibney and Holmes, 31 May 1932
147pp.
|
|
|
Box/Folder
190/6
|
Screenplay: by Howard J Green, 19 July 1932
148pp.
|
|
|
Box/Folder
190/7
|
Screenplay: by Green, Holmes, and Gibney, 23 July 1932
144pp.
|
|
|
I Am A Thief
|
|
|
Box/Folder
190/8
|
Treatment: by Ralph Block and Doris Malloy, undated
39pp.
|
|
|
Box/Folder
190/9
|
Screenplay: by Block and Malloy, 28 April 1934
115pp.
|
|
|
Box/Folder
190/10
|
Temporary: no author shown, 16 August 1934
127pp.
|
|
|
Box/Folder
191/1
|
Final: by Block and Malloy, 21 August with revisions to 24 August 1934
circa 120pp.
|
|
|
I Found Stella Parish
|
|
|
Box/Folder
191/2
|
Short Story: Judas tree, by John Monk Saunders, 21 September 1934
33pp.
|
|
|
Box/Folder
191/3
|
Screenplay: The Judas tree, by Saunders, 21 November 1934
93pp.
|
|
|
Box/Folder
191/4
|
Temporary: Stella Parrish, by Mary C. McCall Jr., 25 January 1935
128pp.
|
|
|
Box/Folder
191/5
|
Revised Temporary: by McCall, 19 February 1935
114pp.
|
|
|
Box/Folder
191/6
|
Treatment: Stella Parish, by Casey Robinson, 14 May 1935
30pp.
|
|
|
Box/Folder
191/7
|
Revised Temporary 2: by Robinson, 1 August 1935
155pp.
|
|
|
Box/Folder
191/8
|
Final: by Robinson, 13 August with revisions to 4 September 1935
circa 160pp.
|
|
|
I Like Your Nerve
|
|
|
Box/Folder
191/9
|
Screenplay: There's no such word, by Roland Pertwee, 21 February 1931
110pp.
: Annotated.
|
|
|
Box/Folder
191/10
|
Screenplay: There's no such word, by Houston Branch, undated
123pp.
|
|
|
Box/Folder
191/11
|
Temporary: by Branch, 20 March 1931
105pp.
: Annotated.
|
|
|
Box/Folder
192/1
|
Final: by Branch, 26 March with revisions to 27 April 1931
105pp.
|
|
|
I Live for Love
|
|
|
Box/Folder
192/2
|
Treatment: (“Original story”) Romance in a glass house, by Jerry Wald and Julius Epstein, 23 May 1935
20pp.
|
|
|
Box/Folder
192/3
|
Screenplay: Romance in a glass house, by Epstein, Wald, and Robert and rews, undated
: Annotated and incomplete.
70pp.
|
|
|
Box/Folder
192/4
|
Temporary: Romance in a glass house, by Wald, Epstein, and and rews, 20 June 1935
91pp.
|
|
|
Box/Folder
192/5
|
Revised Temporary: Romance in a glass house, by Epstein, Wald, and and rews, 22 June 1935
106pp.
|
|
|
Box/Folder
192/6
|
Final: Romance in a glass house, by Epstein, Wald, and and rews, 25 June 1935
109pp.
|
|
|
I Loved A Woman
|
|
|
Box/Folder
192/7
|
Story Outline: Red meat, by David Karsner, 10 November 1932
9pp.
|
|
|
Box/Folder
192/8
|
Treatment: Red meat, no author shown, 28 November 1932
27pp.
|
|
|
Box/Folder
192/9
|
Revised Treatment: Red meat, by Charles Kenyon and Sidney Sutherland, 10 December 1932
45pp.
|
|
|
Box/Folder
192/10
|
Revised Treatment 2: Red meat, by Kenyon and Sutherland, 28 December 1932
60pp.
|
|
|
Box/Folder
192/11
|
Revised Treatment 3: Red meat, by Kenyon and Sutherland, 14 January 1933
62pp.
|
|
|
Box/Folder
192/12
|
Temporary: Red meat, by Kenyon and Sutherland, 17 January 1933
62pp.
|
|
|
Box/Folder
192/13
|
Revised Temporary: Red meat, no author shown, 1 June 1933
133pp.
|
|
|
Box/Folder
192/14
|
Final: Red meat, by Kenyon and Sutherland, 13 June with revisions to 18 July 1933; new ending
circa 140pp.; 4pp.
|
|
|
I Married A Doctor
|
|
|
Box/Folder
193/1
|
Novel: Main street, by Sinclair Lewis. New York, 1920
451pp.
|
|
|
Box/Folder
193/2
|
Play: Main street, by Harvey O'Higgins and Harriet Ford, 1921
circa 100pp.
|
|
|
Box/Folder
193/3
|
Temporary: by Casey Robinson, 20 May 1935; memo from Mr. Arnow to Wallis, Brown, Alborn, Mayo, Wright, and Burns
135pp.; 2pp.
|
|
|
Box/Folder
193/4
|
Final: by Robinson, 13 January with revisions to 31 January 1936
circa 145pp.
|
|
|
I Sell Anything
|
|
|
Box/Folder
193/5
|
Short Story: (“Original screenplay”) I'll sell anything, by Albert J Cohen and Robert T Shannon, 30 March 1934
83pp.
|
|
|
Box/Folder
193/6
|
Treatment: I'll sell anything, by Sidney Sutherland, undated
24pp.
|
|
|
Box/Folder
193/7
|
Temporary: by Brown Holmes and Sutherland, 27 June 1934
134pp.
|
|
|
Box/Folder
193/8
|
Final: no author shown, 5 July with revisions to 15 August 1934
circa 150pp.
|
|
|
I Was Framed
|
|
|
Box/Folder
194/1
|
Treatment: It might happen to you, by Jerome Odlum, 1 October 1938
23pp.
|
|
|
Box/Folder
194/2
|
Treatment: (“Original story”) It might happen to you, by Odlum, 6 October 1938
36pp.
|
|
|
Box/Folder
194/3
|
Treatment: (“Original story”) It might happen to you, by Odlum, undated
98pp.
|
|
|
Box/Folder
194/4
|
Temporary: by Robert E Kent, 15 January 1942
96pp.
|
|
|
Box/Folder
194/5
|
Final: by Kent, 26 January 1942
101pp.
|
|
|
Illegal
|
|
|
Box/Folder
194/6
|
Screenplay: by Roland Pertwee, undated
91pp.
|
|
|
Box/Folder
194/7
|
Reader Synopsis: by Polly Breck, 18 March 1932
2pp.
|
|
|
Illicit
|
|
|
Box/Folder
194/8
|
Play: by Edith Fitzgerald and Robert Riskin, undated
circa 140pp.
|
|
|
Box/Folder
194/9
|
Final: by Harvey Thew (annotated), 24 July 1930; shooting schedule; wardrobe plot; prop list
133pp.; 3pp.; 4pp.; 37pp.
|
|
|
In Caliente
|
|
|
Box/Folder
194/10
|
Treatment: Caliente, by Ralph Block and Warren Duff, 4 August 1934
28pp.
|
|
|
Box/Folder
194/11
|
Screenplay: Caliente, by Block and Duff, 19 November 1934
108pp.
|
|
|
Box/Folder
194/12
|
Temporary: no author shown, 28 November 1934
128pp.
|
|
|
Box/Folder
195/1
|
Revised Temporary: Caliente, by Block and Duff, additional dialogue by Jerry Wald and Jules Epstein, 8 December 1934
131pp.
|
|
|
Box/Folder
195/2
|
Final: Caliente, by Wald and Epstein, 10 December 1934 with revisions to 8 March 1935
circa 120pp.
|
|
|
In Our Time
|
|
|
Box/Folder
195/3
|
Treatment: no author shown, undated
14pp.
|
|
|
Box/Folder
195/4
|
Treatment: by Ellis St Joseph, undated
12pp.
|
|
|
Box/Folder
195/5
|
Screenplay: by St Joseph, 22 April 1943
: Incomplete.
40pp.
|
|
|
Box/Folder
195/6
|
Temporary: by St Joseph, 28 April to 12 May 1943
: Incomplete.
73pp.
|
|
|
Box/Folder
195/7
|
Final: by St Joseph, 20 May with revisions to 24 May 1943
: Incomplete.
70pp.
|
|
|
Box/Folder
195/8
|
Revised Final: by St Joseph, 29 May with revisions to 23 August 1943
circa 140pp.
|
|
|
In This Our Life
|
|
|
Box/Folder
195/9
|
Novel: by Ellen Glasgow. New York, 1941
467pp.
|
|
|
Box/Folder
195/10
|
Story Outline: no author shown, 17 April 1941
19pp.
|
|
|
Box/Folder
196/1
|
Screenplay: no author shown, 18 June 1941
141pp.
|
|
|
Box/Folder
196/2
|
Screenplay: no author shown, 9 July 1941 with revisions to undated
c145pp.
: Annotated.
|
|
|
Box/Folder
196/3
|
Final: by Howard Koch, 9 September 1941
72pp.
: Incomplete.
|
|
|
Box/Folder
196/4
|
Revised Final: by Koch, 3 October with revisions to 8 December 1941
circa 145pp.
|
|
|
Indianapolis Speedway
|
|
|
Box/Folder
196/5
|
Short Story: The roar of the crowd, by Howard Hawks, 16 October 1931
12pp.
|
|
|
Box/Folder
196/6
|
Screenplay: The roaring road, by Sig Herzig and Wally Klein, 25 August 1938
172pp.
|
|
|
Box/Folder
196/7
|
Temporary: The roaring road, by Herzig and Klein, 14 December 1938
176pp.
|
|
|
Box/Folder
196/8
|
Final: The roaring road, by Herzig and Klein, undated with revisions to 1 February 1939
circa 175pp.
|
|
|
The Inspector General
|
|
|
Box/Folder
197/1
|
Play: by Nikolai Gogol. New York, 1931
115pp.
|
|
|
Box/Folder
197/2
|
Plot Summary: by Hawthorne, 6 January 1932
5pp.
|
|
|
Box/Folder
197/3
|
Screenplay: by Ben Hecht and Charles Lederer, 8 December 1947
118pp.
: Annotated.
|
|
|
Box/Folder
197/4
|
Comments: (“Scene outline and notes”) by Sylvia Fine and Jerry Wald, 10 December to 23 December 1947
circa 55pp.
|
|
|
Box/Folder
197/5
|
Screenplay: Happy times, by Hecht and Lederer, 7 February 1948
135pp.
|
|
|
Box/Folder
197/6
|
Screenplay: by Hecht and Lederer, 21 February 1948
99pp.
|
|
|
Box/Folder
197/7
|
Plot Summary: (“Of 12/8/47 Screenplay”) no author shown, 23 February 1948
1p.
|
|
|
Box/Folder
197/8
|
Comments: (“Notes”) by Wald, S Fine, Millard Lampell, and Bobbie Fine, 11 February to 26 February 1948
20pp.
|
|
|
Box/Folder
197/9
|
Treatment: by Wald, 1 March 1948
18pp.
: Incomplete.
|
|
|
Box/Folder
197/10
|
Comments: (“Additional notes--'The happy times' ”) by Wald, 2 March 1948
3pp.
|
|
|
Box/Folder
197/11
|
Treatment: Happy times, by Wald, 9 March 1948
16pp.
: Incomplete.
|
|
|
Box/Folder
197/12
|
Treatment: Happy times, by Jack Rose, 16 March to 23 March 1948
28pp.
: Incomplete.
|
|
|
Box/Folder
197/13
|
Treatment: The happy times, by Lampell, 19 March 1948
35pp.
: Annotated.
|
|
|
Box/Folder
197/14
|
Comments: (“General criticisms”) by Fine, Wald, Rose, and Lampell, 23 March 1948
14pp.
|
|
|
Box/Folder
197/15
|
Comments: (“Notes”) by Fine, Wald, Rose, and Lampell, 24 March 1948
25pp.
|
|
|
Box/Folder
197/16
|
Treatment: The happy times, by Rose, 25 March 1948
30pp.
: Incomplete.
|
|
|
Box/Folder
197/17
|
Treatment: The happy times, by Rose and Lampell, 26 March 1948
59pp.
|
|
|
Box/Folder
197/18
|
Comments: (“Notes for revamping treatment”) by Wald, Fine, Rose, and Lampell, 31 March 1948
11pp.
|
|
|
Box/Folder
197/19
|
Treatment: The happy times, by Lampell and Rose, 3 April 1948
66pp.
: Annotated.
|
|
|
Box/Folder
197/20
|
Treatment: The happy times, by Lampell and Rose, 14 April 1948
65pp.
|
|
|
Box/Folder
197/21
|
Screenplay: The happy times, by Lampell and Philip Rapp, 22 April 1948
20pp.
: Incomplete.
|
|
|
Box/Folder
197/22
|
Screenplay: The happy times, by Lampell and Rapp, 22 April 1948
36pp.
: Incomplete.
|
|
|
Box/Folder
197/23
|
Comments: by Wald, S Fine and B Fine, 20 April to 23 April 1948
23pp.
|
|
|
Box/Folder
197/24
|
Temporary: Happy times, by Lampell and Rapp, 29 April 1948
26pp.
: Incomplete.
|
|
|
Box/Folder
197/25
|
Comments: (“Suggestions based on the Lampell-Rose treatment of 'Inspector general' ”) by Wald, S Fine, and Henry Koster, 1 May to 3 May 1948
11pp.
|
|
|
Box/Folder
197/26
|
Screenplay: The happy times, by Lampell and Rapp, 7 May 1948
57pp.; 3pp.
: Incomplete; outline.
|
|
|
Box/Folder
198/1
|
Screenplay: The happy times, by Harry Kurnitz, 18 May to 8 June 1948
70pp.
: Incomplete.
|
|
|
Box/Folder
198/2
|
Story Outline: The happy times, by Kurnitz, 14 June 1948
5pp.
|
|
|
Box/Folder
198/3
|
Revised Temporary: Happy times, by Kurnitz, 19 June to 6 July 1948
148pp.
|
|
|
Box/Folder
198/4
|
Screenplay: Happy times, by Kurnitz, 17 June to 20 July 1948
130pp.
: Incomplete.
|
|
|
Box/Folder
198/5
|
Comments: (“Notes and suggestions for 'Happy times' ”) by Wald, 20 July 1948
21pp.
|
|
|
Box/Folder
198/6
|
Screenplay: Happy times, by Kurnitz and Rapp, 27 July 1948
143pp.
|
|
|
Box/Folder
198/7
|
Comments: by Rapp, Wald, Fine, Koster, and Kurnitz, 28 July 1948
8pp.
|
|
|
Box/Folder
198/8
|
Screenplay: by Rapp, undated
59pp.
: Incomplete.
|
|
|
Box/Folder
198/9
|
Final: Happy times, by Kurnitz and Rapp, 7 August with revisions to 13 October 1948
circa 140pp.
|
|
|
Box/Folder
198/10
|
Screenplay: by Rapp and Kurnitz, 24 August to 4 September 1948
58pp (pp 86-end)
: Incomplete (second half of screenplay).
|
|
|
Box/Folder
198/11
|
Screenplay: (Miscellaneous pages) by Rapp and Kurnitz, 1 September to 18 September 1948
31pp.; 50pp.
: Incomplete; changes.
|
|
|
Box/Folder
198/12
|
Screenplay: by Wald, 4 September 1948
56pp. (pp 89-end)
: Incomplete.
|
|
|
Box/Folder
198/13
|
Comments: (“Changes for 'Happy times' ”) by Rapp, 22 September to 23 September 1948
circa 50pp.
|
|
|
Box/Folder
198/14
|
Comments: (“Changes for 'Happy times' ”) by Rapp, 24 September 1948
circa 25pp.
|
|
|
Box/Folder
198/15
|
Screenplay: by Rapp and Wald, 25 September 1948
57pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
198/16
|
Comments: (“Changes--'The happy times' ”) by Kurnitz, 5 October 1948 to 7 January 1949
21pp.
|
|
|
Box/Folder
198/17
|
Comments: (“ 'Happy times' [added scenes]”) by Rapp, 14 June to 5 July 1949
29pp.
|
|
|
International Squadron
|
|
|
Box/Folder
199/1
|
Temporary: The flight patrol, by Barry Trivers, 21 January 1941
144pp.
|
|
|
Box/Folder
199/2
|
Final: Flight patrol, by Trivers, 21 February to 26 February with revisions to 15 March 1941
circa 110pp.
|
|
|
Box/Folder
199/3
|
Revised Final: Flight patrol, by Trivers, 19 March with revisions to 19 July 1941
circa 120pp.
|
|
|
Invisible Menace
|
|
|
Box/Folder
199/4
|
Play: Without warning, by Ralph Spenser Zink, 4 June 1937
107pp.
|
|
|
Box/Folder
199/5
|
Temporary: Without warning, by Crane Wilbur, 29 June 1937
116pp.
|
|
|
Box/Folder
199/6
|
Final: Without warning, by Wilbur, 27 July with revisions to 10 August 1937
circa 120pp.
|
|
|
Invisible Stripes
|
|
|
Box/Folder
199/7
|
Novel: by Lewis E Lawes. New York, 1938
315pp.
|
|
|
Box/Folder
200/1
|
Story Outline: (“Screen treatment”) by Jonathan Finn, undated
16pp.
|
|
|
Box/Folder
200/2
|
Temporary: by Warren Duff, 1 August 1939
157pp.
|
|
|
Box/Folder
200/3
|
Final: by Duff, 22 August with revisions to 20 October 1939; tag scenes
circa 150pp.; 4pp.
|
|
|
The Irish in Us
|
|
|
Box/Folder
200/4
|
Short Story: (“A screen story”) by Frank Orsatti, undated
15pp.
|
|
|
Box/Folder
200/5
|
Treatment: by Malcolm Stuart Boylan, undated
12pp.
: Annotated and Incomplete
|
|
|
Box/Folder
200/6
|
Treatment: by Earl Baldwin, 18 December 1934
18pp.
|
|
|
Box/Folder
200/7
|
Treatment: by Baldwin, 11 January 1935
31pp.
|
|
|
Box/Folder
200/8
|
Temporary: by Baldwin, 8 May 1935
128pp.
|
|
|
Box/Folder
200/9
|
Final: by Baldwin, 22 May 1935
116pp.
|
|
|
Isle of Fury
|
|
|
Box/Folder
200/10
|
Temporary: Three in Eden, by Robert D and rews, 1 April 1936
124pp.
|
|
|
Box/Folder
200/11
|
Revised Temporary: Three in Eden, by and rews, 18 April 1936
125pp.
|
|
|
Box/Folder
200/12
|
Final: Three in Eden, by and rews and William Jacobs, 10 June with revisions to 20 June 1936
circa 115pp.
|
|
|
It All Came True
|
|
|
Box/Folder
201/1
|
Novel: Better than life, by Louis Bromfield, 31 December 1935
230pp.
|
|
|
Box/Folder
201/2
|
Treatment: and it all came true, by Delmer Daves, 20 November 1936
32pp.
|
|
|
Box/Folder
201/3
|
Temporary: and it all came true, by Daves, 22 January 1937
171pp.
|
|
|
Box/Folder
201/4
|
Revised Temporary: and it all came true, by Lawrence Kimble, 7 July 1937
148pp.
|
|
|
Box/Folder
201/5
|
Revised Temporary 2: and it all came true, by Casey Robinson, 17 September with revisions to 22 September 1937
circa 170pp.
: Annotated.
|
|
|
Box/Folder
201/6
|
Final: The roaring nineties, by Robinson, 9 February 1939
140pp.
|
|
|
It's A Great Feeling
|
|
|
Box/Folder
202/1
|
Treatment: The gay nineties, by I A L Diamond, undated
20pp.
|
|
|
Box/Folder
202/2
|
Screenplay: The gay nineties, by Diamond, undated
85pp.
: Incomplete.
|
|
|
Box/Folder
202/3
|
Screenplay: The gay nineties, by Diamond, 22 April 1948; memo from Alex Gottlieb, producer, to J L Warner
106pp.; 1p.
|
|
|
Box/Folder
202/4
|
Screenplay: Two guys of the nineties, no author shown, 12 May 1948
127pp.
|
|
|
Box/Folder
202/5
|
Temporary: Two guys and a gal, by Diamond and Charles Hoffman, 7 June 1948
106pp.
|
|
|
Box/Folder
202/6
|
Revised Temporary: Two guys and a gal, by Diamond and Hoffman, 29 June 1948
106pp.
|
|
|
Box/Folder
202/7
|
Story Outline: (“Outline of a suggested treatment”) Two guys from Hollywood, no author shown, 7 July 1948
7pp.
|
|
|
Box/Folder
202/8
|
Final: Two guys and a gal, by Jack Rose and Mel Shavelson, 28 July with revisions to 8 October 1948
circa 107pp.
|
|
|
It's Love I'm After
|
|
|
Box/Folder
202/9
|
Screenplay: A gentleman after midnight, by Maurice Hanline, undated
125pp.
|
|
|
Box/Folder
202/10
|
Temporary: Love derby, no author shown, 16 December 1936
149pp.
|
|
|
Box/Folder
203/1
|
Revised Temporary: Love derby, by Casey Robinson, 8 March with revisions to 19 March 1937
circa 180pp.
|
|
|
Box/Folder
203/2
|
Final: A gentleman after midnight, by Robinson, 1 April with revisions to 14 April 1937
155pp.
|
|
|
Box/Folder
203/3
|
Revised Final: A gentleman after midnight, by Robinson, 16 April with revisions to 3 June 1937
circa 160pp.
|
|
|
It's Tough to Be Famous
|
|
|
Box/Folder
203/4
|
Novel: The goldfish bowl, no author shown, 5 November 1931
269pp.
|
|
|
Box/Folder
203/5
|
Treatment: The goldfish bowl, by Robert Lord, undated
circa 35pp.
: Annotated.
|
|
|
Box/Folder
203/6
|
Temporary: The goldfish bowl, no author shown, 3 December 1931 Part 1
69pp.
|
|
|
Box/Folder
203/7
|
Temporary: The goldfish bowl, by Lord, 9 December 1931 Part 2
67pp.
|
|
|
Box/Folder
203/8
|
Final: The goldfish bowl, by Lord, 16 December 1931
120pp.
|
|
|
I've Got Your Number
|
|
|
Box/Folder
204/1
|
Story Outline: Telephone story, by Robert N Lee and Paul G Smith, 2 August 1933
8pp.
|
|
|
Box/Folder
204/2
|
Story Outline: Hell's bells, no author shown, undated
15pp.
|
|
|
Box/Folder
204/3
|
Treatment: Hell's bells, by William Rankin and Warren B Duff, 1 September 1933
32pp.
|
|
|
Box/Folder
204/4
|
Temporary: Hell's bells, by Duff and Sidney Sutherland, 23 October 1933
115pp.
: Incomplete.
|
|
|
Box/Folder
204/5
|
Final: Hell's bells, by Duff and Sutherland, 1 November 1933
117pp.
|
|
|
Jailbreak
|
|
|
Box/Folder
204/6
|
Short Story: Murder in Sing Sing, by Jonathan Finn, 4 November 1935
68pp.
|
|
|
Box/Folder
204/7
|
Treatment: Murder in Sing Sing, by Joseph Hoffman, undated
17pp.
|
|
|
Box/Folder
204/8
|
Screenplay: Murder in Sing Sing, by Hoffman and Robert D and rews, undated
136pp.
|
|
|
Box/Folder
204/9
|
Final: Murder in Sing Sing, by and rews and Hoffman, 8 January 1936
135pp.
|
|
|
Box/Folder
204/10
|
Temporary: Murder in Sing Sing, by and rews and Hoffman, 20 January with revisions to 31 January 1936
circa 180pp.
|
|
|
Box/Folder
204/11
|
Revised Final: Murder in Sing Sing, by and rews and Hoffman, 11 February with revisions to 17 February 1936
circa 120pp.
|
|
|
Janie
|
|
|
Box/Folder
204/12
|
Novel: by Josephine Bentham. Ladies Home Journal, April 1941
15pp.
|
|
|
Box/Folder
205/1
|
Play: by Bentham and Herschel Williams, undated
194pp.
|
|
|
Box/Folder
205/2
|
Treatment: by Agnes C. Johnston, 5 August to 19 August 1943
55pp.
|
|
|
Box/Folder
305/3
|
Temporary: by Johnston, 16 October 1943
146pp.
|
|
|
Box/Folder
205/4
|
Screenplay: by Charles Hoffman, 15 November to 18 December 1943
circa 165pp.
|
|
|
Box/Folder
205/5
|
Final: by Johnston and Hoffman, 29 November with revisions to 11 December 1943
123pp.
: Incomplete.
|
|
|
Box/Folder
205/6
|
Revised Final: by Johnston and Hoffman, 16 December 1943 with revisions to 22 February 1944
circa 150pp.
|
|
|
Janie Gets Married
|
|
|
Box/Folder
205/7
|
Treatment: by Josephine Bentham and Gertrude Keck (annotated), 29 September 1944; memo
59pp.; 1p.
|
|
|
Box/Folder
205/8
|
Comments: (“Analysis of problems and possibilities for Janie gets married”) by Anges Christine Johnson, 21 October 1944
8pp.
|
|
|
Box/Folder
205/9
|
Story Outline: by Johnson, 21 October 1944
11pp.
|
|
|
Box/Folder
205/10
|
Temporary: by Johnson, 30 January 1945
144pp.
|
|
|
Box/Folder
206/1
|
Final: by Johnson, 13 March with revisions to 11 September 1945
143pp.
|
|
|
The Jazz Singer
|
|
|
Box/Folder
448/9
|
Final: by Alfred A. Cohn, undated
97pp. (xerox copy)
|
|
|
Box/Folder
207/2
|
Temporary: The heir chaser, by Bertram Millhauser, 28 October to 11 November 1933
118pp.
|
|
|
Box/Folder
207/3
|
Final: The heir chaser, by Millhauser, 22 November with revisions to 8 December 1933
121pp.
|
|
|
Jewel Robbery
|
|
|
Box/Folder
206/2
|
Play: by Laszlo Fodor, adapted by Bertram Bloch, undated
96pp.
|
|
|
Box/Folder
206/3
|
Temporary: by Erwin Gelsey, 22 February 1932
106pp.
|
|
|
Box/Folder
206/4
|
Final: by Gelsey, 2 March with revisions to 16 March 1932
circa 125pp.
|
|
|
Jezebel
|
|
|
Box/Folder
206/5
|
Play: by Owen Davis, undated
104pp.
|
|
|
Box/Folder
206/6
|
Screenplay: by Robert Buckner, 30 April 1937, Annotated
131pp.
|
|
|
Box/Folder
206/7
|
Treatment: by Clements Ripley, 14 July 1937; background and character sketches
58pp.; 21pp.
|
|
|
Box/Folder
206/8
|
Temporary: by Abem Finkel and Ripley, 20 September to 27 October 1937
174pp.
|
|
|
Box/Folder
206/9
|
Final: no author shown, 13 October with revisions to 30 December 1937
circa 165pp.
|
|
|
Jimmy the Gent
|
|
|
Box/Folder
207/1
|
Treatment: The heir chaser, by Laird Doyle and Ray Nazarro, 26 August 1933
44pp.
|
|
|
John Loves Mary
|
|
|
Box/Folder
207/4
|
Play: by Norman Krasna (annotated), 5 June 1947; production information
86pp.; 9pp.
|
|
|
Box/Folder
207/5
|
Screenplay: by Phoebe and Henry Ephron, 24 June 1947
158pp.
|
|
|
Box/Folder
207/6
|
Screenplay: by the Ephrons, 21 August 1947
159pp.
|
|
|
Box/Folder
207/7
|
Temporary: by the Ephrons, 7 October 1947
162pp.
|
|
|
Box/Folder
207/8
|
Revised Temporary: by the Ephrons, 30 December 1947 with revisions to 7 January 1948
circa 155pp.
|
|
|
Box/Folder
207/9
|
Final: by the Ephrons, 12 January with revisions to 23 February 1948
circa 150pp.
|
|
|
Johnny Belinda
|
|
|
Box/Folder
208/1
|
Play: by Elmer Harris, undated
92pp.
|
|
|
Box/Folder
208/2
|
Screenplay: by Jerry Wald, 17 October 1946
130pp.
|
|
|
Box/Folder
208/3
|
Treatment: by Irmgard Von Cube and Allen Vincent, undated
83pp.
: Annotated.
|
|
|
Box/Folder
208/4
|
Screenplay: by Von Cube and Vincent, 4 March 1947
46pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
208/4
|
Memo from Jerry Wald to Jack Warner, 5 March 1947
1p.
|
|
|
Box/Folder
208/5
|
Screenplay: by Von Cube and Vincent, 29 March 1947
163pp.
|
|
|
Box/Folder
208/6
|
Treatment: no author shown, undated
17pp.
|
|
|
Box/Folder
208/7
|
Temporary: by Von Cube and Vincent, 1 August 1947
162pp.
|
|
|
Box/Folder
208/8
|
Final: by Von Cube and Vincent, 22 August with revisions to 13 November 1947
circa 155pp.
|
|
|
Journal of A Crime
|
|
|
Box/Folder
208/9
|
Screenplay: by J Deval. Translated from the French motion picture script by R.C. Callaway, 16 October 1933
153pp.
|
|
|
Box/Folder
208/10
|
Temporary: (“Dialogue by”) by Charles Kenyon, 30 October 1933
108pp.
|
|
|
Juarez
|
|
|
Box/Folder
209/1
|
Play: Juarez and Maximilian, by Franz Werfel. New York, 1926
160pp.
|
|
|
Box/Folder
209/2
|
Novel: Phantom crown, by Bertita Harding. New York, 1934
381pp.
|
|
|
Box/Folder
209/3
|
Research: (“Some notes on the life of Benito Juarez”) by Jesse John Dossick, undated
179pp.
|
|
|
Box/Folder
209/4
|
Research: (“Historical period of Benito Pablo Juarez”) by A E MacKenzie, 26 August 1937
39pp.
|
|
|
Box/Folder
209/5
|
Research: (“The character and career of Benito Juarez”) by MacKenzie, 10 September 1937
26pp.
|
|
|
Box/Folder
209/6
|
Treatment: Phantom crown, by Wolfgang Reinhardt, 15 February 1938
141pp.
|
|
|
Box/Folder
209/7
|
Screenplay: The phantom crown, no author shown, 2 June with revisions to 1 August 1938
circa 230pp.
|
|
|
Box/Folder
210/1
|
Temporary: by John Huston, Aeneas MacKenzie, and Reinhardt, 17 September 1938
165pp.
|
|
|
Box/Folder
210/2
|
Revised Temporary: no author shown, 22 October 1938
180pp.
|
|
|
Box/Folder
210/3
|
Final: by Huston, MacKenzie, Reinhardt, and Abem Finkel, 29 October 1938 with revisions to 9 January 1939
circa 175pp.
|
|
|
Juke Girl
|
|
|
Box/Folder
210/4
|
Treatment: (“Original story”) Jook girl, by Theodore Pratt, 1 May 1941
45pp.
|
|
|
Box/Folder
210/5
|
Revised Treatment: Jook girl, by Albert I Bezzerides and Kenneth Gamet, 12 June 1941
17pp.
|
|
|
Box/Folder
210/6
|
Temporary: Jook girl, by Bezzerides and Gamet, 10 July 1941
151pp.
|
|
|
Box/Folder
210/7
|
Revised Temporary: Jook girl, by Gamet and Bezzerides, 26 August 1941
166pp.
|
|
|
Box/Folder
211/1
|
Revised Temporary 2: by Bezzerides and Gamet, 25 September 1941; synopsis of ending
154pp.; 2pp.
|
|
|
Box/Folder
211/2
|
Final: by Bezzerides and Gamet, 3 October to 13 October 1941 with revisions to 24 January 1942
circa 160pp.
|
|
|
June Bride
|
|
|
Box/Folder
211/3
|
Play: Feature for June, by Eileen Tighe and Graeme Lorimer, undated
126pp.
|
|
|
Box/Folder
211/4
|
Story Outline: June bride (Feature for June), by David Horwich, 16 November 1944; release
8pp.; 1p.
|
|
|
Box/Folder
211/5
|
Treatment: by Ted Strauss, undated
24pp.
|
|
|
Box/Folder
211/6
|
Story Outline: Feature for June, by Anne Froelick, 9 November 1945
12pp.
|
|
|
Box/Folder
211/7
|
Story Outline: Feature for June, by Walter Doniger and Malvin Wald, undated
10pp.
|
|
|
Box/Folder
211/8
|
Treatment: Feature for June, by Doniger and Wald, 12 April 1946
40pp.
|
|
|
Box/Folder
211/9
|
Story Outline: (“Possible approach”) Feature for June, by Theodore St John Cox, 15 July 1946; release
13pp.; 1p.
|
|
|
Box/Folder
211/10
|
Screenplay: by Ranald MacDougall, undated
140pp.
|
|
|
Box/Folder
211/11
|
Screenplay: Feature for June, by MacDougall, 27 March 1948
101pp.
|
|
|
Box/Folder
211/12
|
Final: by MacDougall, 8 April to 15 April 1948
144pp.
|
|
|
Kansas City Princess
|
|
|
Box/Folder
212/1
|
Treatment: The princess of Kansas City, by Cy Bartlett, 20 February 1934
41pp.
|
|
|
Box/Folder
212/2
|
Story Outline: The princess of Kansas City, by Manuel Seff and Bartlett, 3 March 1934
11pp.
|
|
|
Box/Folder
212/3
|
Treatment: The princess of Kansas City, no author shown, undated
53pp.
|
|
|
Box/Folder
212/4
|
Comments: (“Suggestion on first 14pp of Bartlett treatment”) by Lou Edelman, 9 March 1934
1p.
|
|
|
Box/Folder
212/5
|
Temporary: by Seff and Bartlett, 24 April to 28 April 1934
152pp.
|
|
|
Box/Folder
212/6
|
Final: by Seff and Bartlett, 5 May with revisions to 8 May 1934
circa 135pp.
|
|
|
The Kennel Murder Case
|
|
|
Box/Folder
212/7
|
Novel: by S S Van Dine. New York: Charles Scribner's Sons, 1933
307pp.
|
|
|
Box/Folder
212/8
|
Screenplay: by Ben Markson and Robert N Lee, 1 July 1933
106pp.
|
|
|
Box/Folder
212/9
|
Temporary: no author shown, 10 July to 14 July 1933
148pp.
|
|
|
Box/Folder
213/1
|
Revised Temporary: by Lee and Peter Milne, 17 July 1933
125pp.
|
|
|
Box/Folder
213/2
|
Final: by Lee and Milne, 18 July with revisions to 31 July 1933
circa 125pp.
|
|
|
The Key
|
|
|
Box/Folder
213/3
|
Play: by R Gore-Brown and J L Hardy, 6 October 1933
100pp.
|
|
|
Box/Folder
213/4
|
Screenplay: by Earl Felton and Jack Dormer, 23 November 1933
circa 100pp.
|
|
|
Box/Folder
213/5
|
Temporary: by Laird Doyle, 4 January to 10 January 1934
134pp.
|
|
|
Box/Folder
213/6
|
Revised Temporary: by Doyle, 15 January 1934
125pp.
|
|
|
Box/Folder
213/7
|
Revised Temporary 2: by Doyle, 25 January 1934
117pp.
|
|
|
Box/Folder
213/8
|
Final: by Doyle, 3 February with revisions to 6 February 1934
circa 125pp.
|
|
|
Box/Folder
213/9
|
Revised Final: by Doyle, 9 February 1934; alternate ending , 1 March 1934
123pp.; 9pp.
|
|
|
The Keyhole
|
|
|
Box/Folder
214/1
|
Short Story: Adventuress, by Alice D G Miller, 13 September 1932
33pp.
|
|
|
Box/Folder
214/2
|
Story Outline: Adventuress, by Robert Presnell, undated
13pp.
|
|
|
Box/Folder
214/3
|
Screenplay: The private detective, by Presnell, 19 October 1932
119pp.
|
|
|
Box/Folder
214/4
|
Final: by Presnell, 18 November to 25 November 1932
103pp.
|
|
|
Box/Folder
214/5
|
Revised Final: by Presnell, 1 December with revisions to 30 December 1932
circa 110pp.
|
|
|
The Kid Comes Back
|
|
|
Box/Folder
214/6
|
Treatment: Trial horse, by E J Flanagan, 28 May 1936
39pp.
|
|
|
Box/Folder
214/7
|
Temporary: Trial horse, by George Bricker, 29 September 1936
112pp.
|
|
|
Box/Folder
214/8
|
Final: The trial horse, by Bricker, 24 October with revisions to 31 October 1936
c110pp.
|
|
|
Kid from Kokomo
|
|
|
Box/Folder
214/9
|
Short Story: Broadway cavalier, by Dalton Trumbo, undated
24pp.
|
|
|
Box/Folder
214/10
|
Treatment: Broadway cavalier, by Ring Lardner, Jr, undated
41pp.
|
|
|
Box/Folder
214/11
|
Temporary: Broadway cavalier, no author shown, 20 July 1938
123pp.
|
|
|
Box/Folder
214/12
|
Final: Broadway cavalier, by Jerry Wald and Richard Macaulay, 14 November to 26 November 1938 with revisions to 5 January 1939; new ending
circa 130pp.; 4pp.
|
|
|
Kid Galahad
|
|
|
Box/Folder
215/1
|
Novel: by Francis Wallace. Serialized in Saturday Evening Post, 11 April to 16 May 1936
circa 50pp.
|
|
|
Box/Folder
215/2
|
Story Outline: by Seton I Miller, undated
38pp.
|
|
|
Box/Folder
215/3
|
Final: by Miller, 28 November 1936 with revisions to 8 February 1937
circa 185pp.
|
|
|
Kid Nightingale
|
|
|
Box/Folder
215/4
|
Screenplay: Kid Caruso, by Raymond Schrock, 9 May 1939
130pp.
|
|
|
Box/Folder
215/5
|
Temporary: The singing swinger, no author shown. 20 May to 24 May 1939
116pp.
|
|
|
Box/Folder
215/6
|
Final: no author shown, 27 May with revisions to 17 July 1939
circa 115pp.
|
|
|
The King and the Chorus Girl
|
|
|
Box/Folder
215/7
|
Temporary: The grand passion, by Norman Krasna and Groucho Marx, 19 August 1936
134pp.
|
|
|
Box/Folder
215/8
|
Temporary: by Krasna and Marx, 24 September 1936
151pp.
|
|
|
Box/Folder
215/9
|
Revised Temporary: by Krasna and Marx, 2 November 1936
157pp.
|
|
|
Box/Folder
216/1
|
Final: by Krasna and Marx, 12 November with revisions to 9 December 1936
circa 160pp.
|
|
|
King of Hockey
|
|
|
Box/Folder
216/2
|
Screenplay: The shrinking violet, by George Bricker, 4 April 1936
111pp.
|
|
|
Box/Folder
216/3
|
Temporary: The shrinking violet, by Bricker, 8 April 1936; alternate ending
111pp.; 1p.
|
|
|
Box/Folder
216/4
|
Revised Temporary: The shrinking violet, by Bricker, 5 May 1936
146pp.
|
|
|
Box/Folder
216/5
|
Final: The shrinking violet, by Bricker, 12 June with revisions to 16 June 1936
circa 115pp.
|
|
|
Box/Folder
216/6
|
Revised Final: The shrinking violet, by Bricker, 25 June with revisions to 17 July 1936
circa 125pp.
|
|
|
King of the Lumberjacks
|
|
|
Box/Folder
217/1
|
Temporary: Timber wolf, by Lee Katz, 22 August 1939
95pp.
|
|
|
Box/Folder
217/2
|
Revised Temporary: Timber, by Robert E. Kent, 1 September 1939
125pp.
|
|
|
Box/Folder
217/3
|
Final: Timber, by Crane Wilbur, 13 September to to 15 September 1939
112pp.
|
|
|
Box/Folder
217/4
|
Revised Final: Timber, by Wilbur, 26 September with revisions to 11 October 1939
circa 105pp.
|
|
|
King of the Underworld
|
|
|
Box/Folder
217/5
|
Temporary: Lady doctor (“based on a story by W.R. Burnett”), by George Bricker, 5 May 1938
125pp.
|
|
|
Box/Folder
217/6
|
Final: Lady doctor, by Bricker and Vincent Sherman, 16 May with revisions to 30 August 1938
circa 135pp.
|
|
|
King's Row
|
|
|
Box/Folder
217/7
|
Plot Summary: by Harriet Hinsdale, 17 August 1940
91pp.
|
|
|
Box/Folder
217/8
|
Treatment: by Casey Robinson, 4 September 1940
186pp.
|
|
|
Box/Folder
218/1
|
Temporary: by Robinson, 18 January 1941
231pp.
: Annotated.
|
|
|
Box/Folder
218/2
|
Final: by Robinson, 17 April 1941
178pp.
|
|
|
Box/Folder
218/3
|
Reader Synopsis: by Robinson and Walter Doniger, 25 September 1954
139pp.
|
|
|
The King's Vacation
|
|
|
Box/Folder
218/4
|
Short Story: (Untitled), by Ernest Pascal, undated
21pp.
|
|
|
Box/Folder
218/5
|
Treatment: by Pascal and Maude T Howell, 27 September 1932
79pp.
|
|
|
Box/Folder
218/6
|
Temporary: by Pascal and Howell, 19 October 1932
116pp.
: Incomplete.
|
|
|
Box/Folder
218/7
|
Screenplay: by Pascal and Howell, 29 October 1932
103pp.
|
|
|
Box/Folder
218/8
|
Final: by Pascal and Howell, 2 November with revisions to 9 November 1932
circa 105pp.
: Annotated.
|
|
|
Kiss in the Dark
|
|
|
Box/Folder
219/1
|
Story Outline: Cleopatra Arms, or the genius and the model, by Everett Freeman, 18 September 1947
7pp.
|
|
|
Box/Folder
219/2
|
Screenplay: Cleopatra arms, by Harry Kurnitz, 7 January 1948; note from Kurnitz to J L Warner
149pp.; 1p.
|
|
|
Box/Folder
219/3
|
Screenplay: Cleopatra arms, by Kurnitz, 14 January 1948
137pp.
: Annotated.
|
|
|
Box/Folder
219/4
|
Final: by Kurnitz, 31 January with revisions to 4 February 1948
137pp.
|
|
|
Box/Folder
219/5
|
Revised Final: by Kurnitz, 8 March with revisions to 12 April 1948
circa 140pp.
|
|
|
Kiss Me Again
|
|
|
Box/Folder
219/6
|
Play: M'lle Modiste, by Henry Blossom and Victor Herbert, undated
94pp.
|
|
|
Box/Folder
219/7
|
Temporary: M'lle Modiste, by Julian Josephson and Paul Perez, 10 February 1930
92pp.
: Incomplete.
|
|
|
Box/Folder
219/8
|
Final: M'lle Modiste, by Josephson and Perez, 15 February 1930
114pp.
|
|
|
Box/Folder
219/9
|
Comments: (“M'lle Modiste musical breakdown”) no author shown, 1931
1p.
|
|
|
Kisses for Breakfast
|
|
|
Box/Folder
219/10
|
Temporary: Her husband said “no”, by Kenneth Gamet, 28 September 1940
140pp.
|
|
|
Box/Folder
220/1
|
Revised Temporary: She stayed kissed (Her husband said no), by Gamet, 3 October 1940
126pp.
|
|
|
Box/Folder
220/2
|
Final: She stayed kissed, by Gamet, 15 October 1940
129pp.
|
|
|
Box/Folder
220/3
|
Revised Final: She stayed kissed, by Gamet, 27 November with revisions to 9 December 1940
circa 130pp.
|
|
|
Knockout
|
|
|
Box/Folder
220/4
|
Screenplay: by Michael Fessier, 5 January 1940
129pp.
|
|
|
Box/Folder
220/5
|
Screenplay: Patent leather kid, by John Wexley and Warren Duff, 18 March 1940
193pp.
|
|
|
Box/Folder
220/6
|
Temporary: by M Coates Webster, 18 October to 5 November 1940
106pp.
: Incomplete.
|
|
|
Box/Folder
220/7
|
Revised Temporary: by Webster, 7 November 1940
117pp.
|
|
|
Box/Folder
220/8
|
Final: by Webster, 14 November 1940 with revisions to 13 January 1941
circa 120pp.
|
|
|
Knute Rockne--All American
|
|
|
Box/Folder
221/1
|
Treatment: (“Original story in detailed treatment”) the life of Knute Rockne, by Robert H Buckner, 20 March 1939
78pp.
|
|
|
Box/Folder
221/2
|
Screenplay: The spirit of Knute Rockne, by Buckner, 2 May 1939
142pp.
|
|
|
Box/Folder
221/3
|
Temporary: The spirit of Knute Rockne, by Buckner, 15 May 1939
134pp.
|
|
|
Box/Folder
221/4
|
Revised Temporary: The life of Knute Rockne, by Buckner, 14 February 1940
116pp.
|
|
|
Box/Folder
221/5
|
Final: The life of Knute Rockne, by Buckner, 12 March with revisions to 23 May 1940
circa 125pp.
|
|
|
Ladies Must Live
|
|
|
Box/Folder
221/6
|
Temporary: Small town, by Robert E Kent, 28 May 1940
111pp.
|
|
|
Box/Folder
221/7
|
Final: by Kent, 5 June with revisions to 12 June 1940
circa 100pp.
|
|
|
Ladies They Talk About
|
|
|
Box/Folder
221/8
|
Play: Women in prison, or Thirteen bars, or Nan Taylor, by Dorothy Mackaye and Carlton Miles, 19 July 1932
102pp.
|
|
|
Box/Folder
221/9
|
Temporary: Women in prison, by Brown Holmes and William J McGrath, 10 September 1932
111pp.
|
|
|
Box/Folder
222/1
|
Revised Temporary: Women in prison, by Holmes and McGrath, 20 September 1932
131pp.
|
|
|
Box/Folder
222/2
|
Final: Women in prison, by Sidney Sutherland, 14 October 1932
circa 120pp.
|
|
|
Lady Gangster
|
|
|
Box/Folder
222/3
|
Temporary: Women in prison, by Anthony Coldewey, 16 January 1942
106pp.
|
|
|
Box/Folder
222/4
|
Final: Women in prison, by Coldewey, 31 January with revisions to 9 February 1942; alternate ending
circa 95pp.; 3pp.
|
|
|
Lady Killer
|
|
|
Box/Folder
222/5
|
Story Idea: Finger man, by Rosalind Schaefer, undated
3pp.
|
|
|
Box/Folder
222/6
|
Screenplay: Hoodlum number 7, by John F Larkin, 15 February 1933
111pp.
|
|
|
Box/Folder
222/7
|
Treatment: Finger man, by Ben Markson and Lillie Hayward, 31 March 1933
32pp.
: Annotated.
|
|
|
Box/Folder
222/8
|
Treatment: Finger man, by Markson and Hayward, 22 April 1933
42pp.
|
|
|
Box/Folder
222/9
|
Temporary: Finger man, by Markson and Hayward, 2 June 1933
126pp.
|
|
|
Box/Folder
222/10
|
Revised Temporary: Finger man, no author shown, 17 August 1933
148pp.
: Incomplete.
|
|
|
Box/Folder
222/11
|
Final: Finger man, by Markson, 22 August with revisions to 21 October 1933
122pp.
|
|
|
The Lady Takes a Sailor
|
|
|
Box/Folder
223/1
|
Novel: The octopus and Miss Smith, by Jerry Gruskin, undated
181pp.
|
|
|
Box/Folder
223/2
|
Treatment: The octopus and Miss Smith, by Everett Freeman and Gruskin, 30 March 1948
18pp.
|
|
|
Box/Folder
223/3
|
Screenplay: The octopus and Miss Smith, by Freeman, 11 June 1948
140pp.
|
|
|
Box/Folder
223/4
|
Temporary: The octopus and Miss Smith, by Freeman, 30 November 1948 with revisions to 28 January 1949
circa 145pp.
|
|
|
Box/Folder
223/5
|
Final: The octopus and Miss Smith, by Freeman and Harry Kurnitz, 10 February 1949
158pp.
|
|
|
Box/Folder
223/6
|
Revised Final: The octopus and Miss Smith, by Freeman and Kurnitz, 2 March with revisions to 29 September 1949; alternate ending
circa 145pp.; 9pp.
|
|
|
Lady Who Dared
|
|
|
Box/Folder
223/7
|
Short Story: Whisper market, by W.E. Scutt, undated
76pp.
|
|
|
Box/Folder
223/8
|
Final: Devil's playground, by Forrest Halsey and Kathryn Scola, 17 March 1930
80pp.
|
|
|
Box/Folder
223/9
|
Final: (Spanish-English version) by Alvaro Gimeno, Halsey, and Scola, October 1930
144pp.
|
|
|
Lady With Red Hair
|
|
|
Box/Folder
224/1
|
Novel: (Autobiography) Portrait of a lady with red hair, by Mrs Leslie Carter. Liberty, 15 January to 19 March 1927
circa 80pp.
|
|
|
Box/Folder
224/2
|
Screenplay: Portrait of a lady, by Fritz Falkenstein and N Brewster Morse, 5 January 1937
155pp.
: Incomplete.
|
|
|
Box/Folder
224/3
|
Temporary: by Falkenstein and Morse, 25 January 1937
157pp.
|
|
|
Box/Folder
224/4
|
Revised Temporary: by Charles Kenyon, 29 May 1930
183pp.
|
|
|
Box/Folder
224/5
|
Final: by Kenyon, 26 June with revisions to 8 July 1940
circa 155pp.
|
|
|
Box/Folder
224/6
|
Revised Final: by Kenyon, 2 August 1940
137pp.
|
|
|
Box/Folder
224/7
|
Revised Final 2: by Kenyon and Milton Krims, 13 August with revisions to 4 October 1940
circa 135pp.
|
|
|
The Land Beyond the Law
|
|
|
Box/Folder
224/8
|
Treatment: (“Rough continuity”) the last bad man, by Marion Jackson, undated
37pp.
|
|
|
Box/Folder
225/1
|
Final: Bad man's territory, by Luci Ward and Joseph K Watson, undated with revisions to 22 September 1936
circa 110pp.
|
|
|
Box/Folder
225/2
|
Revised Final: Bad man's territory, by Ward and Watson, 30 September with revisions to 2 December 1936
circa 110pp.
|
|
|
Larceny, Inc.
|
|
|
Box/Folder
225/3
|
Play: the night before Christmas, by Laura and S J Perelman, undated
circa 140pp.
|
|
|
Box/Folder
225/4
|
Temporary: the night before Christmas, by Everett Freeman and Edwin Gilbert, 13 September to 20 September 1941
113pp.
: Incomplete.
|
|
|
Box/Folder
225/5
|
Final: the night before Christmas, by Freeman and Gilbert, 6 October 1941
162pp.
|
|
|
Box/Folder
225/6
|
Revised Final: the night before Christmas, by Freeman and Gilbert, 29 October with revisions to 12 December 1941
circa 150pp.
|
|
|
The Lash
|
|
|
Box/Folder
226/1
|
Novel: Adios!, by Lanier and Virginia Stivers Bartlett, 1929
309pp.
|
|
|
Box/Folder
226/2
|
Final: Adios, by Bradley King, 24 May 1930; production notes
111pp.; 29pp.
|
|
|
Last Flight
|
|
|
Box/Folder
226/3
|
Novel: Single lady, by John Monk Saunders. New York, 1931
383pp.
|
|
|
Box/Folder
226/4
|
Treatment: Spent bullets (from the Liberty serial “Nikki and her war birds”), by Saunders, undated
circa 180pp.
: Annotated.
|
|
|
Box/Folder
226/5
|
Temporary: Spent bullets (from the Liberty serial “Nikki and her war birds”), by Byron Morgan, 25 March 1931
139pp.
|
|
|
Box/Folder
226/6
|
Final: Spent bullets (from the Liberty serial “Nikke and her war birds”), by Morgan, 6 April with revisions to 10 April 1931
circa 130pp.
|
|
|
The Last Ride
|
|
|
Box/Folder
227/1
|
Screenplay: Murder on wheels, by Raymond L Schrock, undated with revisions to 27 August 1942
circa 170pp.
|
|
|
Box/Folder
227/2
|
Temporary: Murder on wheels, by Schrock, 22 August 1942
106pp.
: Incomplete.
|
|
|
Box/Folder
227/3
|
Final: Murder on wheels, by Schrock, 29 August with revisions to 8 September 1942
circa 105pp.
|
|
|
The Law in Her Hands
|
|
|
Box/Folder
227/4
|
Story Outline: Women at law, no author shown, undated
4pp.
|
|
|
Box/Folder
227/5
|
Temporary: Lawyer woman, by George Bricker and Luci Ward, 4 January 1936
105pp.
|
|
|
Box/Folder
227/6
|
Revised Temporary: Lawyer woman, by Bricker, 10 January 1936
108pp.
|
|
|
Box/Folder
227/7
|
Final: Lawyer woman, by Bricker and Ward, 29 January with revisions to 3 February 1936; changes
114pp.; c 60pp.
|
|
|
Law of the Tropics
|
|
|
Box/Folder
227/8
|
Temporary: King rubber, by Barry Trivers, 8 March to 14 March 1941
120pp.
|
|
|
Box/Folder
228/1
|
Revised Temporary: King rubber, by M Coates Webster, 31 March to 14 April 1941
119pp.
|
|
|
Box/Folder
228/2
|
Final: King rubber, by Trivers, 16 April to 19 April 1941
58pp.
: Incomplete.
|
|
|
Box/Folder
228/3
|
Revised Final: King rubber, by Trivers, 24 April with revisions to 5 May 1941
113pp.
|
|
|
Box/Folder
228/4
|
Revised Final 2: King rubber, no author shown, 15 May 1941
51pp.
: Incomplete.
|
|
|
Box/Folder
228/5
|
Revised Final 3: King rubber, no author shown, 19 May with revisions to 18 June 1941
circa 105pp.
|
|
|
Lawyer Man
|
|
|
Box/Folder
228/6
|
Short Story: by Mark S Popkin, 7 May 1932
83pp.
|
|
|
Box/Folder
228/7
|
Novel: by Popkin, 6 July 1932
260pp.
|
|
|
Box/Folder
228/8
|
Treatment: by Rian James, 15 July 1932
38pp.
|
|
|
Box/Folder
228/9
|
Treatment: by Charles Kenyon, undated
67pp.
: Annotated.
|
|
|
Box/Folder
228/10
|
Treatment: by James and James Seymour, 22 July to 2 August 1932; changes
30pp.; 16pp.
|
|
|
Box/Folder
228/11
|
Screenplay: by James and Seymour, 29 July 1932
180pp.
|
|
|
Box/Folder
228/12
|
Temporary: by James and Seymour, 13 August 1932
167pp.
|
|
|
Box/Folder
229/1
|
Final: by James and Seymour, 2 September with revisions to 9 September 1932
122pp.
|
|
|
Life Begins
|
|
|
Box/Folder
229/2
|
Play: Birth, by Mary McDougal Axelson, undated
103pp.
|
|
|
Box/Folder
229/3
|
Temporary: Woman's day, by Earl Baldwin, 5 April 1932
116pp.
|
|
|
Box/Folder
229/4
|
Final: by Baldwin, 19 April 1932
110pp.
|
|
|
Life of Emile Zola
|
|
|
Box/Folder
229/5
|
Story Outline: the truth is on the march, by Geza Herczeg and Heinz Herald, 15 July 1936
18pp.
|
|
|
Box/Folder
229/6
|
Treatment: the truth is on the march, by Herczeg and Herald, September 1936
80pp.
|
|
|
Box/Folder
229/7
|
Screenplay: the truth is on the march, by Herczeg and Herald, undated
119pp.
|
|
|
Box/Folder
229/8
|
Temporary: the truth is on the march, by Herczeg and Herald, 7 November 1936
200pp.
|
|
|
Box/Folder
229/9
|
Revised Temporary: the story of Emile Zola, by Norman Reilly Raine, 10 December 1936 to 14 January 1937
184pp.
|
|
|
Box/Folder
230/1
|
Revised Temporary 2: the story of Emile Zola, no author shown, 28 January 1937
172pp.
|
|
|
Box/Folder
230/2
|
Final: the story of Emile Zola, no author shown, 6 February to 9 February 1937
161pp.
|
|
|
Box/Folder
230/3
|
Research: Letter to youth by Emile Zola, translated by Harriet Hinsdale, 6 March 1937
13pp.
|
|
|
Box/Folder
230/4
|
Revised Final: Zola, by Raine, 16 March with revisions to 17 March 1937
172pp.
|
|
|
The Life of Jimmy Dolan
|
|
|
Box/Folder
230/5
|
Novel: Sucker, by Bertram Millhauser and Beulah Marie Dix, undated
252pp.
|
|
|
Box/Folder
230/6
|
Temporary: Sucker, by David Boehm and Erwin Gelsey, 7 October 1932
139pp.
|
|
|
Box/Folder
230/7
|
Final: Sucker, by Boehm and Gelsey, 7 November with revisions to 30 November 1932
circa 140pp.
|
|
|
The Life of the Party
|
|
|
Box/Folder
230/8
|
Treatment: no author shown, undated
30pp.
|
|
|
Box/Folder
230/9
|
Treatment: (“Skeleton treatment by sequences”) no author shown, undated
34pp.
|
|
|
Box/Folder
231/1
|
Temporary: no author shown, 21 April 1930
124pp.
|
|
|
Box/Folder
231/2
|
Final: no author shown, 23 April 1930
107pp.
|
|
|
Lilly Turner
|
|
|
Box/Folder
231/3
|
Play: by Phillip Dunning and George Abbott (based on a story by Frances Fox Dunning). Copied , 4 October 1932
152pp.
|
|
|
Box/Folder
231/4
|
Treatment: by Sidney Sutherland, 19 October 1932
12pp.
|
|
|
Box/Folder
231/5
|
Screenplay: by Sutherland, 10 November 1932
122pp.
|
|
|
Box/Folder
231/6
|
Screenplay: by Robert R Presnell, 14 December 1932
114pp.
|
|
|
Box/Folder
231/7
|
Treatment: by Gene Markey and Kathryn Scola, 29 December 1932
22pp.
|
|
|
Box/Folder
231/8
|
Final: by Markey and Scola, 20 January with revisions to 27 January 1933
circa 120pp.
|
|
|
Little Bigshot
|
|
|
Box/Folder
231/9
|
Short Story: by Harrison Jacobs, undated
16pp.
|
|
|
Box/Folder
231/10
|
Treatment: by Jacobs, 1 May 1934
71pp.
|
|
|
Box/Folder
231/11
|
Temporary: by Jacobs, 23 April 1935
143pp.
|
|
|
Box/Folder
231/12
|
Revised Temporary: by Robert Andrews, Julius J Epstein, and Jerry Wald, 9 May 1935
130pp.
|
|
|
Box/Folder
232/1
|
Final: by Andrews, Epstein, and Wald, 14 May 1935
122pp.
|
|
|
Box/Folder
232/2
|
Revised Final: by Andrews, Epstein, and Wald, 23 May with revisions to 7 June 1935
circa 150pp.
|
|
|
Little Caesar
|
|
|
Box/Folder
232/3
|
Novel: by W.R. Burnett. New York, 1949
308pp.
|
|
|
Box/Folder
232/4
|
Treatment: by Robert N Lee, undated
75pp.
: Annotated.
|
|
|
Box/Folder
232/5
|
Temporary: by Lee, 30 April 1930
126pp.
|
|
|
Box/Folder
232/6
|
Final: by Francis Edwards Faragoh, 7 July 1930
128pp.
|
|
|
The Little Giant
|
|
|
Box/Folder
232/7
|
Treatment: Tin gods, by Robert Lord, 23 November 1932
33pp.
|
|
|
Box/Folder
232/8
|
Temporary: by Lord, 9 January 1933
131pp.
|
|
|
Box/Folder
233/1
|
Final: by Lord and Wilson Mizner, 14 January 1933
circa 60pp.
: Incomplete.
|
|
|
Box/Folder
233/2
|
Revised Final: by Lord and Mizner, 18 January 1933
141pp.
|
|
|
Little Miss Thoroughbred
|
|
|
Box/Folder
233/3
|
Temporary: Little lady luck, by Albert Demond and George Bricker, 15 January 1938
135pp.
|
|
|
Box/Folder
233/4
|
Final: Little lady luck, by Demond and Bricker, 22 January with revisions to 15 February 1938
circa 120pp.
|
|
|
Living on Velvet
|
|
|
Box/Folder
233/5
|
Short Story: Tragedy with music, by Jerry Wald and Julius Epstein, undated
44pp.
|
|
|
Box/Folder
233/6
|
Temporary: by Wald and Epstein, 11 October 1934
121pp.
|
|
|
Box/Folder
233/7
|
Revised Temporary: by Wald and Epstein, 22 October 1934
119pp.
|
|
|
Box/Folder
233/8
|
Final: by Wald and Epstein, 31 October with revisions to 23 November 1934
circa 120pp.
|
|
|
Local Boy Makes Good
|
|
|
Box/Folder
233/9
|
Play: the poor nut, by J.C. and Elliot Nugent. New York, 1925
115pp.
|
|
|
Box/Folder
233/10
|
Temporary: by Robert Lord, 30 May 1931
115pp.
|
|
|
Box/Folder
234/1
|
Final: by Lord, 6 June to 9 June 1931
121pp.
|
|
|
Look for the Silver Lining
|
|
|
Box/Folder
234/2
|
Research: (“Research material on 'Marilyn Miller' ”) no author shown, 26 September 1945
46pp.
|
|
|
Box/Folder
234/3
|
Treatment: Life of Marilyn Miller, by Bert Kalmar and Harry Ruby, 12 May 1942
20pp.
|
|
|
Box/Folder
234/4
|
Treatment: Marilyn Miller, no author shown, undated
circa 140pp.
|
|
|
Box/Folder
234/5
|
Treatment: Marilyn Miller, by Ruby and Kalmar, 27 June 1942
168pp.
|
|
|
Box/Folder
234/6
|
Temporary: Marilyn Miller, by Kalmar and Ruby, 11 August 1942
188pp.
|
|
|
Box/Folder
234/7
|
Treatment: (“Synopsis of screenplay”) Marilyn Miller, by S.K. Lauren, undated
circa 50pp.
: Annotated.
|
|
|
Box/Folder
234/8
|
Screenplay: Silver lining, by Lauren, undated
189pp.
|
|
|
Box/Folder
234/9
|
Temporary: the silver lining, by Harry Clork and Lauren, 10 February 1944
60pp.
: Incomplete.
|
|
|
Box/Folder
234/10
|
Screenplay: Silver lining, by Clork, undated to 14 March 1944
134pp.
|
|
|
Box/Folder
235/1
|
Revised Temporary: the silver lining, by Clork and Lauren, 27 March 1944
140pp.
|
|
|
Box/Folder
235/2
|
Treatment: the silver lining, by Marian Spitzer, 22 December 1944; research material, “Silver lining background”
71pp.; 1p.
|
|
|
Box/Folder
235/3
|
Revised Temporary 2: the silver lining, by Spitzer, 22 January to 12 March 1945
129pp.
|
|
|
Box/Folder
235/4
|
Screenplay: the silver lining, by Spitzer and Harold Goldman, 10 July 1945
139pp.
: Annotated.
|
|
|
Box/Folder
235/5
|
Final: the silver lining, by Spitzer and Lynn Root, 31 January 1946
116pp.
|
|
|
Box/Folder
235/6
|
Treatment: the silver lining, by Frederick Hazlitt Brennan, 4 November 1947
16pp.
|
|
|
Box/Folder
235/7
|
Treatment: the silver lining, by Brennan, 13 November 1947
33pp.
|
|
|
Box/Folder
235/8
|
Screenplay: Silver lining, by Brennan, 2 January 1948
129pp.
: Annotated (autographed by Brennan).
|
|
|
Box/Folder
235/9
|
Temporary: Silver lining, by Phoebe and Henry Ephron, et al, 2 March 1948
115pp.
|
|
|
Box/Folder
235/10
|
Final: Silver lining, by the Ephrons, 31 March with revisions to 25 June 1948
circa 110pp.
|
|
|
Loose Ankles
|
|
|
Box/Folder
236/1
|
Play: by Sam Janney, undated
circa 130pp.
|
|
|
Box/Folder
236/2
|
Play: a desperate woman, by Janney, undated
circa 115pp.
|
|
|
Box/Folder
236/3
|
Temporary: by Janney, undated
153pp.
|
|
|
Box/Folder
236/4
|
Final: by Janney and Gene Towne, undated
circa 90pp.
|
|
|
Box/Folder
236/5
|
Revised Final: by Janney and Towne, undated; production information
circa 90pp.; 34pp.
|
|
|
A Lost Lady
|
|
|
Box/Folder
236/6
|
Novel: by Willa Cather. New York, 1923
174pp.
|
|
|
Box/Folder
236/7
|
Plot Summary: by Jean Hollingsworth, 11 July 1933
8pp.
|
|
|
Box/Folder
236/8
|
Story Outline: by Gene Markey and Kathryn Scola, 16 March 1934
19pp.
|
|
|
Box/Folder
236/9
|
Temporary: by Markey and Scola, 30 April 1934
112pp.
|
|
|
Box/Folder
236/10
|
Final: by Markey and Scola, 19 May with revisions to 20 July 1934
circa 110pp.
|
|
|
Box/Folder
236/11
|
Reader Synopsis: (“Final script synopsized”) no author shown, 2 May 1947
1p.
|
|
|
Love and Learn
|
|
|
Box/Folder
237/1
|
Screenplay: Happiness ahead (out of the blue), by Eugene Conrad, 3 November 1945
142pp.
|
|
|
Box/Folder
237/2
|
Screenplay: Happiness ahead, by Conrad, 24 November 1945
151pp.
|
|
|
Box/Folder
237/3
|
Temporary: by Conrad, 31 December 1945
129pp.
|
|
|
Box/Folder
237/4
|
Final: by Conrad and Francis Swann, 3 June 1946
119pp.
|
|
|
Box/Folder
237/5
|
Screenplay: by Lynn Root, 22 July 1946
79pp.
: Incomplete.
|
|
|
Box/Folder
237/6
|
Revised Final: by Conrad and Swann, 26 July 1946
138pp.
|
|
|
Box/Folder
237/7
|
Revised Final 2: by Conrad and Swann, 22 August with revisions to 24 September 1946
147pp.
|
|
|
Love Begins At Twenty
|
|
|
Box/Folder
237/8
|
Screenplay: by Dalton Trumbo and Tom Reed, undated
102pp.
|
|
|
Box/Folder
238/1
|
Temporary: by Trumbo, 26 February 1936
129pp.
|
|
|
Box/Folder
238/2
|
Final: by Trumbo and Reed, 11 March 1936
115pp.
|
|
|
Box/Folder
238/3
|
Revised Final: by Trumbo and Reed, 18 March with revisions to 30 March 1936
124pp.
|
|
|
Love, Honor and Behave
|
|
|
Box/Folder
238/4
|
Short Story: Everybody was very nice, by Stephen Vincent Benet, 29 August 1936
24pp.
|
|
|
Box/Folder
238/5
|
Treatment: Everybody was so nice, by Clements Ripley, 15 October 1936
42pp.
|
|
|
Box/Folder
238/6
|
Temporary: Everybody was very nice, by Ripley and Michel Jacoby, 17 December 1936
143pp.
|
|
|
Box/Folder
238/7
|
Revised Temporary: Everybody was very nice, no author shown, 7 July 1937
152pp.
|
|
|
Box/Folder
238/8
|
Final: Everybody was very nice, no author shown, 16 November with revisions to 16 December 1937
circa 135pp.
|
|
|
Love Is a Racket
|
|
|
Box/Folder
239/1
|
Novel: by Rian James, 31 August 1931
142pp.
|
|
|
Box/Folder
239/2
|
Screenplay: by Courtenay Terrett (annotated), undated; added scenes; outline; comments
121pp.; 3pp.; 6pp.; 1p.
|
|
|
Box/Folder
239/3
|
Temporary: by Terrett, 8 February 1932
124pp.
|
|
|
Box/Folder
239/4
|
Final: by Terrett, 16 February 1932; production notes
125pp.; 57pp.
|
|
|
Love Is on the Air
|
|
|
Box/Folder
239/5
|
Final: Inside story, by Morton Grant, 24 May 1937
124pp.
|
|
|
Box/Folder
239/6
|
Revised Final: Inside story, by Grant, 29 May with revisions to 1 July 1937
circa 135pp.
|
|
|
The Mad Genius
|
|
|
Box/Folder
239/7
|
Play: the idol, by Martin Brown, undated
98pp.
|
|
|
Box/Folder
239/8
|
Plot Summary: the idol, by Sanford J Greenburgh, 7 August 1929
13pp.
|
|
|
Box/Folder
239/9
|
Screenplay: the idol, by J Grubb Alexander, undated
107pp.
|
|
|
Box/Folder
240/1
|
Final: the idol, by Harvey Thew, 27 January 1931, Unfinished
63pp.
|
|
|
Box/Folder
240/2
|
Revised Final: the genius, by Thew, 5 February 1931
116pp.
|
|
|
Box/Folder
240/3
|
Revised Final 2: the genius, by Thew, 10 March 1931
102pp.
|
|
|
Box/Folder
240/4
|
Reader Synopsis: the genius, no author shown, undated
1p.
|
|
|
Madame Dubarry
|
|
|
Box/Folder
240/5
|
Screenplay: by Edward Chodorov, 10 February 1934
112pp.
|
|
|
Box/Folder
240/6
|
Temporary: by Chodorov, 23 February 1934
121pp.
|
|
|
Box/Folder
240/7
|
Revised Temporary: by Chodorov, 6 March 1934
121pp.
|
|
|
Box/Folder
240/8
|
Final: by Chodorov, 9 March 1934
121pp.
|
|
|
Make Your Own Bed
|
|
|
Box/Folder
240/9
|
Play: on the hiring line, by Harvey O'Higgins and Harriet Ford. New York, 1919
116pp.
|
|
|
Box/Folder
240/10
|
Treatment: on the hiring line, by Richard Weil, 20 July 1943
21pp.
|
|
|
Box/Folder
240/11
|
Screenplay: on the hiring line, by Francis Swann and Weil, 20 September 1943
147pp.
|
|
|
Box/Folder
241/1
|
Temporary: on the hiring line, by Swann, 8 October 1943
145pp.
|
|
|
Box/Folder
241/2
|
Final: by Swann and Edmund Joseph, 20 November 1943 with revisions to 17 March 1944
circa 160pp.
|
|
|
The Male Animal
|
|
|
Box/Folder
241/3
|
Play: by James Thurber and Elliot Nugent, undated
90pp.
|
|
|
Box/Folder
241/4
|
Temporary: by Stephen Morehouse Avery, 27 March 1941
165pp.
|
|
|
Box/Folder
241/5
|
Revised Temporary: by Julius Epstein, Philip Epstein, and Avery, 13 June 1941
145pp.
|
|
|
Box/Folder
241/6
|
Final: by the Epsteins and Avery, 1 August with revisions to 5 November 1941; budget detail
circa 145pp.; 1p.
|
|
|
The Maltese Falcon(1931)
|
|
|
Box/Folder
241/7
|
Final: by Maude Fulton and Brown Holmes, 12 January 1931
146pp.
|
|
|
The Maltese Falcon (1941)
|
|
|
Box/Folder
242/1
|
Temporary: by John Huston, 15 May 1941
168pp.
: Missing, 4/18/89.
|
|
|
Box/Folder
241/1a
|
Final: by John Huston, 26 May 1941
147pp.
: Added to collection 5/21/9?; see provenance info. with script.
|
|
|
Mammy
|
|
|
Box/Folder
242/2
|
Play: Mister Bones, by Irving Berlin and James Gleason, undated
164pp.
: Annotated.
|
|
|
Box/Folder
242/3
|
Treatment: (“Brief synopsis--notes”) by Berlin, 8 April to 18 April 1929
25pp.
|
|
|
Box/Folder
242/4
|
Treatment: by Berlin, 19 April 1929
71pp.
|
|
|
Box/Folder
242/5
|
Treatment: no author shown, undated
37pp.
|
|
|
Box/Folder
242/6
|
Final: by L.G. Rigby and Joseph Jackson, undated
100pp.
: Annotated.
|
|
|
The Man From Monterey
|
|
|
Box/Folder
242/7
|
Final: by Lesley Mason, 3 January 1933
101pp.
|
|
|
Man Hunt
|
|
|
Box/Folder
242/8
|
Treatment: by Earl Felton, undated
57pp.
|
|
|
Box/Folder
242/9
|
Screenplay: by Roy Chanslor, 5 October 1935
142pp.
|
|
|
Box/Folder
242/10
|
Screenplay: by Chanslor, 11 October 1935
124pp.
: Annotated.
|
|
|
Box/Folder
243/1
|
Final: by Chanslor, 19 October 1935
116pp.
|
|
|
Box/Folder
243/2
|
Revised Final: by Chanslor, 23 October with revisions to 24 October 1935
115pp.
|
|
|
Box/Folder
243/3
|
Revised Final 2: by Chanslor, 29 October 1935
125pp.
|
|
|
The Man I Love
|
|
|
Box/Folder
243/4
|
Novel: Night shift, by Maritta Wolff. New York, 1942
662pp.
|
|
|
Box/Folder
243/5
|
Story Outline: (“Preliminary notes”) Night shift, by Jo Pagano, 1 February 1945
6pp.
|
|
|
Box/Folder
243/6
|
Treatment: (“Continuity outline”) Night shift, by Pagano, 10 February 1945
19pp.
|
|
|
Box/Folder
243/7
|
Screenplay: Night shift, by Pagano, 16 February 1945
144pp.
|
|
|
Box/Folder
243/8
|
Screenplay: Night shift, by Catherine Turney, 12 May to 19 May 1945
139pp.
|
|
|
Box/Folder
243/9
|
Temporary: Why was I born?, by Turney and Pagano, 5 June 1945
138pp.
|
|
|
Box/Folder
244/1
|
Final: Why was I born?, by Turney, 30 June 1945
144pp.
|
|
|
Box/Folder
244/2
|
Revised Final: by Turney, 14 July with revisions to 11 September 1945
circa 140pp.
|
|
|
Man of Iron
|
|
|
Box/Folder
244/3
|
Novel: the story of a country boy, by Dawn Powell. New York, 1934
303pp.
|
|
|
Box/Folder
244/4
|
Treatment: the story of a country boy, no author shown, 9 April 1934
67pp.
|
|
|
Box/Folder
244/5
|
Temporary: Country boy, by Bertram Millhauser, 14 May 1934
122pp.
|
|
|
Box/Folder
244/6
|
Revised Temporary: Country boy, by William Wister Haines, 7 August 1935
116pp.
|
|
|
Box/Folder
244/7
|
Final: Country boy, by Haines, 23 August 1935
111pp.
|
|
|
Box/Folder
244/8
|
Revised Final: Country boy, by Haines, 4 September 1935
112pp.
|
|
|
Man to Man
|
|
|
Box/Folder
245/1
|
Novel: Barber John's boy, by Ben Ames Williams, undated
176pp.
|
|
|
Box/Folder
245/2
|
Treatment: Barber John's boy, no author shown, undated
36pp.
: Annotated.
|
|
|
Box/Folder
245/3
|
Screenplay: Barber John's boy, by Joseph Jackson, undated
99pp.
|
|
|
Box/Folder
245/4
|
Final: Barber John's boy, by Jackson, undated
112pp.
|
|
|
Man Wanted
|
|
|
Box/Folder
245/5
|
Screenplay: Working wives, no author shown, undated
110pp.
|
|
|
Box/Folder
245/6
|
Screenplay: Working wives, by Robert Lord, 19 December 1931
102pp.
|
|
|
Box/Folder
245/7
|
Temporary: (“Part III”) Working wives, no author shown, 6 January 1932
59pp.
: Incomplete.
|
|
|
Box/Folder
245/8
|
Final: Working wives, no author shown, 5 January with revisions to 20 February 1932
circa 115pp.
|
|
|
The Man Who Came to Dinner
|
|
|
Box/Folder
245/9
|
Play: by George S Kaufman and Moss Hart, 1939, New York , 1942
586pp; 100pp.
: Included in Six Plays by Kaufman and Hart.
|
|
|
Box/Folder
245/10
|
Plot Summary: by David Wear III, 6 December 1940
1p.
|
|
|
Box/Folder
245/11
|
Screenplay: no author shown, 29 November 1940
128pp.
|
|
|
Box/Folder
246/1
|
Temporary: no author shown, 24 February 1941
162pp.
|
|
|
Box/Folder
246/2
|
Final: by Julius J and Philip G Epstein, 9 July 1941
146pp.
|
|
|
Box/Folder
246/3
|
Revised Final: by the Epsteins, 13 July with revisions to 9 October 1941
circa 145pp.
|
|
|
Box/Folder
246/4
|
Reader Synopsis: by Frances Baumfeld, 28 February 1946
1p.
|
|
|
The Man Who Dared
|
|
|
Box/Folder
246/5
|
Temporary: Hero for a day, by Lee Katz, 22 December 1938
105pp.
|
|
|
Box/Folder
246/6
|
Final: Hero for a day, by Katz, 31 December 1938 with revisions to 11 February 1939; added scenes
circa 110pp.; 19pp.
|
|
|
The Man Who Played God
|
|
|
Box/Folder
246/7
|
Short Story: by Gouverneur Morris, undated
21pp.
|
|
|
Box/Folder
246/8
|
Play: by Jules Eckert Goodman, undated
101pp.
|
|
|
Box/Folder
246/9
|
Research: (“Scenario” for Distinctive Productions, Inc, 1922 version of title) by Forrest Halsey, undated
14pp.
|
|
|
Box/Folder
246/10
|
Research: (Story outline for Distinctive Productions, Inc, 1922 version of title) no author shown, undated
13pp.
|
|
|
Box/Folder
246/11
|
Research: (List of titles for Distinctive Productions, Inc, 1922 version of title) no author shown, undated
6pp.
|
|
|
Box/Folder
246/12
|
Research: (Continuity from Distinctive Productions, Inc, 1922 version of title) by Halsey, undated
50pp.
: Annotated.
|
|
|
Box/Folder
246/13
|
Temporary: no author shown, 13 October 1931
66pp.
|
|
|
Box/Folder
247/1
|
Final: no author shown, 13 November 1931
99pp.
|
|
|
The Man Who Talked Too Much
|
|
|
Box/Folder
247/2
|
Temporary: Broadway lawyer, by Tom Reed, 9 March to 12 March 1940
104pp.
|
|
|
Box/Folder
247/3
|
Revised Temporary: Broadway lawyer, by Walter De Leon and Reed, 22 March to 29 March 1940
123pp.
|
|
|
Box/Folder
247/4
|
Final: Broadway lawyer, by De Leon and Reed, 3 April to 6 April 1940
133pp.
|
|
|
Box/Folder
247/5
|
Revised Final: the sentence, by De Leon and Reed, 18 April to 26 April with revisions to 20 May 1940; additional scenes
circa 140pp; 2pp.
|
|
|
The Man With Two Faces
|
|
|
Box/Folder
247/6
|
Play: the dark tower, by Alexander Woollcott and George S Kaufman. Copied 11 January 1934
102pp.
|
|
|
Box/Folder
247/7
|
Temporary: Dark tower, by Tom Reed and Niven Niven Busch, 20 February 1934
107pp.
|
|
|
Box/Folder
247/8
|
Final: the dark tower, by Reed and Busch, 28 February 1934
circa 115pp.
|
|
|
Mandalay
|
|
|
Box/Folder
247/9
|
Short Story: by Paul Hervey Fox. Copied , 1 July 1933
37pp.
|
|
|
Box/Folder
247/10
|
Temporary: no author shown, 27 September 1933
39pp.
: Incomplete.
|
|
|
Box/Folder
248/1
|
Revised Temporary: no author shown, 5 October to 13 October 1933
79pp.
: Incomplete.
|
|
|
Box/Folder
248/2
|
Final: by Austin Parker and Charles Kenyon, 14 October to 8 December 1933; changes
118pp.; 21pp.
|
|
|
Manhattan Parade
|
|
|
Box/Folder
248/3
|
Play: She means business, by Samuel Shipman, undated
106pp.
: Annotated.
|
|
|
Box/Folder
248/4
|
Comments: (“Notes on treatment of 'She means business' ”) by Robert Lord, 17 August 1931
11pp.
|
|
|
Box/Folder
248/5
|
Temporary: She means business, by Lord and Houston Branch, 31 August to 12 September 1931; annotations on part 2
51pp.; 3pp.
|
|
|
Box/Folder
248/6
|
Final: She means business, by Lord and Branch with additional dialogue by S J Perelman, 16 September with revisions to 2 November 1931
circa 145pp.
|
|
|
Manpower
|
|
|
Box/Folder
248/7
|
Temporary: Handle with care, by Jerry Wald and Richard Macaulay, 25 January 1941
161pp.
|
|
|
Box/Folder
248/8
|
Revised Temporary: Handle with care, by Wald and Macaulay, 19 February with revisions to 25 February 1941
155pp.
|
|
|
Box/Folder
248/9
|
Final: Man power, by Macaulay and Wald, 4 March with revisions to 15 May 1941
circa 150pp.
|
|
|
Marked Woman
|
|
|
Box/Folder
249/1
|
Treatment: the men behind, no author shown, 22 August 1936
67pp.
|
|
|
Box/Folder
249/2
|
Treatment: Five women, by Robert Rossen and Abem Finkel, 3 October 1936
34pp.
|
|
|
Box/Folder
249/3
|
Temporary: by Rossen and Finkel, undated to 28 November 1936
161pp.
: Incomplete.
|
|
|
Marry the Girl
|
|
|
Box/Folder
249/4
|
Novel: by Edward Hope, undated
235pp.
|
|
|
Box/Folder
249/5
|
Screenplay: no author shown, undated
152pp.
: Annotated.
|
|
|
Box/Folder
249/6
|
Screenplay: by Tom Reed and Brown Holmes, undated
133pp.
|
|
|
Box/Folder
249/7
|
Temporary: no author shown, 18 October 1935
133pp.
|
|
|
Box/Folder
249/8
|
Final: no author shown, 24 November 1936
114pp.
|
|
|
Box/Folder
250/1
|
Revised Final: no author shown, 5 December with revisions to 22 December 1936
circa 115pp.
|
|
|
Mary Jane's Pa
|
|
|
Box/Folder
250/2
|
Play: by Edith Ellis. New York, 1914
177pp.
|
|
|
Box/Folder
250/3
|
Screenplay: Wanderlust, no author shown, 6 December 1934
124pp.
|
|
|
Box/Folder
250/4
|
Temporary: Wanderlust, no author shown, 16 December 1934
121pp.
|
|
|
Box/Folder
250/5
|
Final: Wanderlust, no author shown, 29 December 1934
125pp.
|
|
|
Box/Folder
250/6
|
Revised Final: Wanderlust, no author shown, 4 January 1935
123pp.
|
|
|
Mary Stevens, M.D.
|
|
|
Box/Folder
250/7
|
Short Story: (“Synopsis”) by Virginia Kellogg, 11 February 1933
16pp.
|
|
|
Box/Folder
250/8
|
Treatment: by John Francis Larkin, 8 February 1933
20pp.
|
|
|
Box/Folder
250/9
|
Treatment: by Rian James, 13 February 1933
14pp.
|
|
|
Box/Folder
250/10
|
Story Outline: no author shown, undated
19pp.
|
|
|
Box/Folder
250/11
|
Temporary: by James, 3 March 1933
133pp.
|
|
|
Box/Folder
251/1
|
Final: no author shown, 14 March with revisions to 24 March 1933
circa 125pp.
|
|
|
The Mask of Dimitrios
|
|
|
Box/Folder
251/2
|
Novel: a coffin for Dimitrios, by Eric Ambler. Philadelphia, July 1943
225pp.
|
|
|
Box/Folder
251/3
|
Novel: a coffin for Dimitrios, by Ambler. Condensed in Liberty, 31 July 1943
16pp.
|
|
|
Box/Folder
251/4
|
Treatment: a coffin for Dimitrios, by Lester Cole, undated
52pp.
|
|
|
Box/Folder
251/5
|
Screenplay: Coffin for Dimitrios, by James E Grant, undated
91pp.
: Incomplete.
|
|
|
Box/Folder
251/6
|
Screenplay: Coffin for Dimitrios, by Frank Gruber, 6 July 1943
131pp.
|
|
|
Box/Folder
251/7
|
Temporary: by Gruber, 30 July 1943
156pp.
|
|
|
Box/Folder
251/8
|
Final: by Gruber, 18 November 1943 with revisions to 6 January 1944
circa 150pp.
|
|
|
Massacre
|
|
|
Box/Folder
251/9
|
Research: Massacre, by Robert Gessner. New York, 1931
418pp.
|
|
|
Box/Folder
252/1
|
Comments: (“Synopsis for plot revision”), no author shown, undated
10pp.
|
|
|
Box/Folder
252/2
|
Screenplay: by Ralph Block, 30 June 1933
201pp.
|
|
|
Box/Folder
252/3
|
Comments: no author shown, undated
2pp.
|
|
|
Box/Folder
252/4
|
Temporary: by Block and Sheridan Gibney, 5 September 1933
151pp.
|
|
|
Box/Folder
252/5
|
Revised Temporary: by Block and Gibney, 27 September 1933
131pp.
|
|
|
Box/Folder
252/6
|
Final: by Block and Gibney, 28 September with revisions to 23 November 1933
circa 130pp.
|
|
|
The Match King
|
|
|
Box/Folder
252/7
|
Novel: by Einar Thorvaldson. New York, 1932
251pp.
|
|
|
Box/Folder
252/8
|
Plot Summary: no author shown, undated
14pp.
|
|
|
Box/Folder
252/9
|
Treatment: no author shown, undated
41pp.
: Annotated.
|
|
|
Box/Folder
252/10
|
Screenplay: no author shown, 4 August 1932
126pp.
: Annotated.
|
|
|
Box/Folder
253/1
|
Final: by Huston Branch and Sidney Sutherland, 16 August 1932
121pp.
|
|
|
The Matrimonial Bed
|
|
|
Box/Folder
253/2
|
Play: Au premier de ces messieurs!..., by Yves Mirande and Mouezy-Eon, undated
170pp.
|
|
|
Box/Folder
253/3
|
Play: Matriominal bed (Mr. what's his name), by Seymour Hicks, from the French of Mirande, undated
147pp.
|
|
|
Box/Folder
253/4
|
Final: Playboy, by Harvey Thew, undated
136pp.
|
|
|
Maybe It's Love(1930)
|
|
|
Box/Folder
253/5
|
Final: by Joseph Jackson, 17 April 1930
125pp.
|
|
|
Maybe It's Love(1935)
|
|
|
Box/Folder
253/6
|
Play: Saturday's children, by Maxwell Anderson, undated
94pp.
|
|
|
Box/Folder
253/7
|
Screenplay: Saturday's children, by Lawrence Hazard, 10 April to 24 April 1934
96pp.
|
|
|
Box/Folder
253/8
|
Screenplay: Saturday's children, by Hazard, 27 April 1934
148pp.
|
|
|
Box/Folder
253/9
|
Temporary: Halfway to heaven, by Hazard, 26 June 1934
129pp.
|
|
|
Box/Folder
254/1
|
Final: Halfway to heaven, no author shown, 22 August to 23 August 1934
115pp.
|
|
|
Box/Folder
254/2
|
Revised Final: Halfway to heaven, no author shown, 28 August 1934
114pp.
: Annotated.
|
|
|
The Mayor of Hell
|
|
|
Box/Folder
254/3
|
Short Story: Junior republic story, by Islin Auster. Copied 10 November 1932
circa 35pp.
|
|
|
Box/Folder
254/4
|
Story Outline: Junior republic, by Edward Chodorov, 18 November 1932
51pp.
|
|
|
Box/Folder
254/5
|
Story Outline: (“Second treatment”) Junior republic, by Chodorov, 2 December 1932
74pp.
|
|
|
Box/Folder
254/6
|
Revised Temporary: Reform school, by Chodorov, 7 January 1933
197pp.
|
|
|
Box/Folder
254/7
|
Final: Reform school, by Chodorov, 18 January 1933
166pp.
|
|
|
Melody for Two
|
|
|
Box/Folder
254/8
|
Short Story: Special arrangements, by Richard Macaulay, 7 October 1935
32pp.
|
|
|
Box/Folder
254/9
|
Treatment: (“Screenplay outline”) Special arrangements, by Joseph K Watson and Luci Ward, 27 June 1936
56pp.
|
|
|
Box/Folder
254/10
|
Screenplay: (“Third draft”) King of swing, by Watson and Ward, 28 July 1936
122pp.
|
|
|
Box/Folder
254/11
|
Temporary: King of swing, by Watson and Ward, 31 July 1936
101pp.
|
|
|
Box/Folder
255/1
|
Revised Temporary: King of swing, by George Bricker, 14 August to 18 August 1936
103pp.
|
|
|
Box/Folder
255/2
|
Final: by Bricker, 21 August 1936
103pp.
|
|
|
Box/Folder
255/3
|
Revised Final: by Bricker, 26 August with revisions to 10 September 1936
circa 110pp.
|
|
|
Men Are Such Fools
|
|
|
Box/Folder
255/4
|
Novel: by Faith Baldwin, undated
252pp.
|
|
|
Box/Folder
255/5
|
Story Outline: by Melville Baker, 18 April 1936
17pp.
|
|
|
Box/Folder
255/6
|
Screenplay: by Baker, 8 May 1936
30pp.
: Incomplete.
|
|
|
Box/Folder
255/7
|
Screenplay: by F Hugh Herbert, 20 June 1936
126pp.
|
|
|
Box/Folder
255/8
|
Treatment: (“Outline of treatment”) by Stanley Logan and Rowland Leigh, undated
57pp.
|
|
|
Box/Folder
255/9
|
Temporary: by Leigh, 13 November 1936
150pp.
|
|
|
Box/Folder
255/10
|
Screenplay: by Horace Jackson, 28 August 1937
96pp.
|
|
|
Box/Folder
256/1
|
Revised Temporary: by Jackson, 28 September with revisions to 10 October 1937
150pp.
|
|
|
Box/Folder
256/2
|
Final: by Norman Reilly Raine and Jackson, 26 November to 11 December 1937
115pp.
: Incomplete.
|
|
|
Box/Folder
256/3
|
Revised Final: by Raine and Jackson, 13 December 1937 with revisions to 6 January 1938
circa 135pp.
|
|
|
Men in Exile
|
|
|
Box/Folder
256/4
|
Screenplay: Outcast island, by Roy Chanslor, undated
83pp.
|
|
|
Box/Folder
256/5
|
Temporary: by Chanslor, 8 October 1936
112pp.
|
|
|
Box/Folder
256/6
|
Final: by Chanslor, 13 October with revisions to 2 December 1936; revisions
103pp.; c 70pp.
|
|
|
The Merry Frinks
|
|
|
Box/Folder
256/7
|
Story Outline: the happy family, by Gene Markey, 7 October 1933
5pp.
|
|
|
Box/Folder
256/8
|
Temporary: the happy family, by Markey and Katherine Scola, 10 February 1934
123pp.
: Incomplete.
|
|
|
Box/Folder
257/1
|
Final: the happy family, by Markey and Scola, 15 February to 16 February with revisions to 22 February 1934
circa 140pp.
|
|
|
Merry Wives of Reno
|
|
|
Box/Folder
257/2
|
Treatment: (“Story outline”) by Robert Lord, January 1931
84pp.
|
|
|
Box/Folder
257/3
|
Temporary: by Lord, 21 April 1931
128pp.
|
|
|
Box/Folder
257/4
|
Revised Temporary: by Lord, 23 April 1931
118pp.
|
|
|
Box/Folder
257/5
|
Final: by Lord, Brown Holmes, and Joe Traub, 19 December 1933
115pp.
|
|
|
Midnight Alibi
|
|
|
Box/Folder
257/6
|
Short Story: the old doll's house, by Damon Runyon. Colliers Weekly, 13 May 1933
4pp.
|
|
|
Box/Folder
257/7
|
Short Story: the old doll's house, by Runyon. Typescript of above, 4 November 1933
15pp.
|
|
|
Box/Folder
257/8
|
Story Outline: (“Sketch of treatment”) the old doll's house, by Poland-Collings, 20 January 1933
17pp.
|
|
|
Box/Folder
257/9
|
Screenplay: the old doll's house, by Warren Duff, undated
circa 85pp.
: Incomplete.
|
|
|
Box/Folder
257/10
|
Temporary: the old doll's house, by Duff, undated. 6 March to 7 March 1934
125pp.
|
|
|
Box/Folder
257/11
|
Final: the old doll's house, by Duff, 8 March to 19 March 1934
103pp.
|
|
|
Midnight Court
|
|
|
Box/Folder
258/1
|
Temporary: Justice after dark, by Don Ryan and Kenneth Gamet, 3 October 1936
114pp.
|
|
|
Box/Folder
258/2
|
Final: Justice after dark, by Ryan and Gamet, 7 October with revisions to 13 November 1936; revised pages
119pp.; c 50 pp.
|
|
|
A Midsummer Night's Dream
|
|
|
Box/Folder
258/3
|
Screenplay: no author shown, undated
circa 250pp.
|
|
|
Box/Folder
258/4
|
Temporary: no author shown, 3 November 1934
115pp.
|
|
|
Box/Folder
258/5
|
Revised Temporary: no author shown, 26 November 1934
113pp.
|
|
|
Box/Folder
258/6
|
Final: no author shown, 6 December 1934
113pp.
|
|
|
Box/Folder
258/7
|
Screenplay: by Charles Kenyon and Mary C. McCall, undated
119pp.
: Annotated.
|
|
|
Box/Folder
259/1
|
Postproduction: Playscript by William Shakespeare. Foreword by Max Reinhardt. “Illustrated with scenes from the spectacular Warner Bros. production.” New York, 1935
85pp.
|
|
|
Mildred Pierce
|
|
|
Box/Folder
259/2
|
Treatment: by Thames Williamson, 21 January 1944
28pp.
|
|
|
Box/Folder
259/3
|
Temporary: by Catherine Turney, 3 April with revisions to 9 May 1944
147pp.; 28pp.
: Incomplete; treatment outline.
|
|
|
Box/Folder
259/4
|
Comments: (“Notes on Mildred Pierce”) by Albert Maltz, 27 May to 24 June 1944
62pp.
|
|
|
Box/Folder
259/5
|
Revised Temporary: by Turney, 11 August 1944
194pp.
|
|
|
Box/Folder
259/6
|
Screenplay: by Margaret Gruen, 16 September to 14 October 1944
149pp.; 11pp.
: Incomplete; outline.
|
|
|
Box/Folder
259/7
|
Screenplay: by Ranald MacDougall, 28 October to 2 December 1944
179pp.
: Incomplete.
|
|
|
Box/Folder
259/8
|
Screenplay: by William Faulkner, 18 November to 2 December 1944
126pp.
: This script is also available on Micro 853.
|
|
|
Box/Folder
259/9
|
Screenplay: by Louise Pierson, 24 November to 16 December 1944
119pp.
|
|
|
Box/Folder
259/10
|
Revised Final: by MacDougall, 5 December 1944 with revisions to 24 February 1945
174pp.
|
|
|
Million Dollar Baby
|
|
|
Box/Folder
260/1
|
Novel: Miss Wheelwright discovers America, by Leonard Spigelgass, undated
156pp.
|
|
|
Box/Folder
260/2
|
Treatment: Miss Wheelwright discovers America, by Leonard Hoffman and John Lucas, undated
37pp.
: Incomplete.
|
|
|
Box/Folder
260/3
|
Treatment: Miss Wheelwright discovers America, no author shown, undated
25pp.
|
|
|
Box/Folder
260/4
|
Temporary: Miss Wheelwright discovers America, by Richard Macaulay and Jerry Wald, 20 August 1940
147pp.
|
|
|
Box/Folder
260/5
|
Revised Temporary: Miss Wheelwright discovers America, by Macaulay and Wald, 23 October 1940
183pp.
|
|
|
Box/Folder
260/6
|
Final: Miss Wheelwright discovers America, by Casey Robinson, 11 December to 18 December 1940
107pp.
: Incomplete.
|
|
|
Box/Folder
260/7
|
Revised Final: Miss Wheelwright discovers America, by Robinson, 20 December 1940 to 14 January 1941 with revisions to 6 February 1941
circa 170pp.
|
|
|
The Millionaire
|
|
|
Box/Folder
260/8
|
Short Story: Idle hands, by Earl Derr Biggers. Copied from Saturday Evening Post, 11 June 1921
56pp.
|
|
|
Box/Folder
260/9
|
Screenplay: (“Dialogue script final form”) the ruling passion, by Booth Tarkington, undated
96pp.
|
|
|
Box/Folder
260/10
|
Screenplay: the rulling passion, by Tarkington, undated
112pp.
|
|
|
Box/Folder
260/11
|
Temporary: the ruling passion, by Tarkington, 18 December 1930
circa 105pp.
|
|
|
Box/Folder
261/1
|
Final: the ruling passion, by Tarkington, 24 December 1930
118pp.
|
|
|
Box/Folder
261/2
|
Revised Final: by Tarkington, 7 January 1931
116pp.
|
|
|
The Mind Reader
|
|
|
Box/Folder
261/3
|
Story Outline: (“Picture synopsis”) by Vivian Cosby, undated
20pp.
|
|
|
Box/Folder
261/4
|
Treatment: by Rian James, 19 August 1932
48pp.
|
|
|
Box/Folder
261/5
|
Treatment: (“Story line-up”) no author shown, 20 August 1932
33pp.
|
|
|
Box/Folder
261/6
|
Treatment: by James and Houston Branch, 25 August 1932
57pp.
|
|
|
Box/Folder
261/7
|
Treatment: by James and Branch, 8 September 1932
70pp.
|
|
|
Box/Folder
261/8
|
Treatment: by James and Branch, 21 September 1932
43pp.
|
|
|
Box/Folder
261/9
|
Temporary: by James and Branch, 8 October 1932
148pp.
|
|
|
Box/Folder
261/10
|
Final: no author shown, 5 November 1932 with revisions to 7 January 1933
circa 115pp.
|
|
|
Misbehaving Ladies
|
|
|
Box/Folder
261/11
|
Final: Queen of Main Street, by Julien Josephson, 10 May to 26 May 1930
112pp.
|
|
|
Miss Pacific Fleet
|
|
|
Box/Folder
261/12
|
Short Story: by Frederick Hazlitt Brennan. Colliers Weekly, 17 March 1934
5pp.
|
|
|
Box/Folder
261/13
|
Short Story: by Brennan, 28 March 1934, Typescript of above
22pp.
|
|
|
Box/Folder
261/14
|
Treatment: by Carl Erickson, undated
23pp.
|
|
|
Box/Folder
261/15
|
Treatment: by Malcolm Stuart Boylan, 3 October 1934
79pp.
: Annotated.
|
|
|
Box/Folder
261/16
|
Story Outline: (“Synopsic adaptation”) by Delmer Daves, 3 November 1934
29pp.
|
|
|
Box/Folder
262/1
|
Screenplay: by Daves, 27 November 1934
136pp.
|
|
|
Box/Folder
262/2
|
Temporary: no author shown, 17 December 1934
152pp.
|
|
|
Box/Folder
262/3
|
Story Outline: (“Outline of treatment”), no author shown, 27 May 1935
11pp.
|
|
|
Box/Folder
262/4
|
Screenplay: by Lucile Newmark, 18 July 1935
78pp.
: Annotated.
|
|
|
Box/Folder
262/5
|
Revised Temporary: (“Part I”) by Newmark, Peter Milne, and Patsy Flick, 30 August 1935
67pp.
: Incomplete.
|
|
|
Box/Folder
262/6
|
Final: no author shown, undated with revisions to 5 October 1935; changes
circa 130pp.; 10pp.
|
|
|
Miss Pinkerton
|
|
|
Box/Folder
262/7
|
Novel: by Mary Roberts Rinehart. New York, 1931
309pp.
|
|
|
Box/Folder
262/8
|
Treatment: (“Sequence outline”) by Lillie Hayward and Niven Busch (annotated), 18 January 1932; alternate ending
32pp.; 3pp.
|
|
|
Box/Folder
262/9
|
Final: Miss Pinkerton of Scotland Yard, no author shown, 9 February with revisions to 16 February 1932
101pp.
|
|
|
Missing Witnesses
|
|
|
Box/Folder
263/1
|
Temporary: by Kenneth Gamet and Don Ryan, 25 May 1937
110pp.
: Annotated.
|
|
|
Box/Folder
263/2
|
Revised Temporary: by Gamet and Ryan, 8 June 1937
120pp.
|
|
|
Box/Folder
263/3
|
Final: by Gamet and Ryan, 17 June with revisions to 5 August 1937
circa 105pp.
|
|
|
Mission to Moscow
|
|
|
Box/Folder
263/4
|
Novel: by Joseph E Davies. New York, 1941
683pp.
|
|
|
Box/Folder
263/5
|
Treatment: by Erskine Caldwell, 4 August 1942
125pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
263/6
|
Treatment: by Caldwell, 21 August 1942
122pp.
: Incomplete.
|
|
|
Box/Folder
263/7
|
Screenplay: by Caldwell, undated
39pp.
: Incomplete.
|
|
|
Box/Folder
263/8
|
Story Outline: (“Suggested treatment”) by Howard Koch, 28 August 1942
9pp.
: Incomplete.
|
|
|
Box/Folder
263/9
|
Story Outline: by Koch, 6 September 1942
18pp.
|
|
|
Box/Folder
263/10
|
Temporary: by Koch, 29 September to 6 October 1942
41pp.
: Incomplete.
|
|
|
Box/Folder
264/1
|
Final: by Koch, 15 October to 9 December 1942 with revisions to 15 April 1943
181pp.
|
|
|
Box/Folder
264/2
|
Postproduction: Reader's synopsis, by Alex Evelove, undated
3pp.
|
|
|
Box/Folder
264/3
|
Postproduction: Reader's synopsis, by Cecil Piantadosi, 6 February 1946
1p.
|
|
|
Box/Folder
264/4
|
Postproduction: Detailed synopsis, by Piantadosi, 8 February 1946
11pp.
|
|
|
Mr. Chump
|
|
|
Box/Folder
264/5
|
Temporary: by George Bricker, 5 March 1938
115pp.
|
|
|
Box/Folder
264/6
|
Final: by Bricker, 10 March with revisions to 25 March 1938
circa 120pp.
|
|
|
Mr. Cohen Takes a Walk
|
|
|
Box/Folder
264/7
|
Short Story: by Mary Roberts Rinehart. Copied from Good Housekeeping, February 1933
37pp.
|
|
|
Box/Folder
264/8
|
Plot Summary: no author shown, undated
5pp.
|
|
|
Box/Folder
264/9
|
Final: by Brock Williams, undated
95pp.
|
|
|
Mr. Dodd Takes to the Air
|
|
|
Box/Folder
264/10
|
Novel: the great crooner, by Clarence Budington Kelland. New York, 1933
247pp.
|
|
|
Box/Folder
264/11
|
Story Outline: the great crooner, no author shown, 24 November 1936
76pp.
|
|
|
Box/Folder
265/1
|
Screenplay: the great crooner, by William Wister Haines, 6 February 1937
155pp.
|
|
|
Box/Folder
265/2
|
Temporary: by Haines, 22 March 1937
163pp.
|
|
|
Box/Folder
265/3
|
Final: no author shown, 15 April 1937
168pp.
|
|
|
Box/Folder
265/4
|
Revised Final: no author shown, 23 April with revisions to 14 May 1937
circa 150pp.
|
|
|
Mr. Skeffington
|
|
|
Box/Folder
265/5
|
Novel: by Elizabeth. New York, 1940
330pp.
|
|
|
Box/Folder
265/6
|
Treatment: by Lenore Coffee, 12 August 1940
52pp.
|
|
|
Box/Folder
266/1
|
Temporary: by John Huston, 3 December 1940
138pp.
|
|
|
Box/Folder
266/2
|
Revised Temporary: by Julius J and Philip G Epstein, 26 September 1942
178pp.
|
|
|
Box/Folder
266/3
|
Screenplay: by the Epsteins, 23 December 1942
149pp.
|
|
|
Box/Folder
266/4
|
Final: by the Epsteins, 25 June with revisions to 3 September 1943
circa 155pp.
|
|
|
Box/Folder
266/5
|
Revised Final: by the Epsteins, 5 October 1943 with revisions to 29 January 1944
circa 160pp.
|
|
|
Moby Dick
|
|
|
Box/Folder
266/6
|
Novel: by Herman Melville. New York, 1955
536pp.
|
|
|
Box/Folder
266/7
|
Plot Summary: by a E MacKenzie, 26 May 1937
9pp.
: This document was apparently used for consideration of remakes rather than for use in 1930 production.
|
|
|
Box/Folder
266/8
|
Screenplay: Sea beast, by Oliver H P Garrett, undated
circa 110pp.
|
|
|
Box/Folder
267/1
|
Screenplay: by Garrett, undated
circa 115pp.
|
|
|
Box/Folder
267/2
|
Final: by Garrett and J Grubb Alexander, 11 March 1930
120pp.
|
|
|
Box/Folder
267/3
|
Postproduction: Reader's synopsis, no author shown, 1 May 1947
1p.
: This document was apparently used for consideration of remakes rather than for use in 1930 production.
|
|
|
A Modern Hero
|
|
|
Box/Folder
267/4
|
Novel: by Louis Bromfield, undated, Galleys
130pp.
|
|
|
Box/Folder
267/5
|
Treatment: by Gene Markey and Kathryn Scola, 10 June 1933
25pp.
|
|
|
Box/Folder
267/6
|
Temporary: by Markey and Scola, 18 October 1933
143pp.
|
|
|
Box/Folder
267/7
|
Final: by Markey and Scola, 14 November with revisions to 27 November 1933
circa 140pp.
|
|
|
Money and the Woman
|
|
|
Box/Folder
267/8
|
Novel: by James M Cain. Serialized in Liberty, 17 February to 16 March 1940
31pp.
|
|
|
Box/Folder
267/9
|
Novel: the embezzler, by Cain, undated, Typescript
133pp.
|
|
|
Box/Folder
267/10
|
Treatment (“Tentative synopsis”): by Cain, undated
33pp.
|
|
|
Box/Folder
268/1
|
Temporary: by Robert Presnell, 10 April to 17 April 1940
139pp.
|
|
|
Box/Folder
268/2
|
Final: by Presnell, 24 April to 26 April with revisions to 30 April 1940
circa 130pp.
|
|
|
Box/Folder
268/3
|
Revised Final: by Presnell, 11 May with revisions to 2 July 1940
circa 140pp.
|
|
|
Moonlight on the Prairie
|
|
|
Box/Folder
268/4
|
Treatment: (“Suggestion for western picture”) no author shown, undated
31pp.
|
|
|
Box/Folder
268/5
|
Final: the boss of Bar B Ranch, no author shown, undated with revisions to 25 July 1935; revised pages
90pp.; 3pp.
|
|
|
Mother's Cry
|
|
|
Box/Folder
268/6
|
Final: by Lenore J Coffee, 28 June to 10 July 1930
106pp.
|
|
|
Box/Folder
268/7
|
Novel: (“With illustrations from the film”) by Helen Grace Carlisle. New York, 1930
267pp.
|
|
|
Mountain Justice
|
|
|
Box/Folder
269/1
|
Screenplay: by Luci Ward, 28 February 1936
178pp.
|
|
|
Box/Folder
269/2
|
Temporary: by Norman Reilly Raine and Ward, 25 July 1936
179pp.
|
|
|
Box/Folder
269/3
|
Final: by Raine and Ward, 25 August with revisions to 22 September 1936; revised pages
149pp.; c 50pp.
|
|
|
The Mouthpiece
|
|
|
Box/Folder
269/4
|
Play: by Frank J Collins, 28 March 1931
94pp.
|
|
|
Box/Folder
269/5
|
Temporary: by Joseph Jackson, 18 November 1931
91pp.
|
|
|
Box/Folder
269/6
|
Final: by Jackson and Earl Baldwin, 9 January 1932
120pp.
|
|
|
Murder By An Aristocrat
|
|
|
Box/Folder
269/7
|
Novel: by Mignon G Eberhart. New York, 1932
310pp.
|
|
|
Box/Folder
269/8
|
Story Outline: no author shown, 10 September 1934
20pp.
|
|
|
Box/Folder
270/1
|
Screenplay: by Luci Ward, 6 December 1935
126pp.
: Annotated.
|
|
|
Box/Folder
270/2
|
Temporary: by Ward, 19 December 1935
109pp.
|
|
|
Box/Folder
270/3
|
Final: by Ward and Roy Chanslor, 3 January with revisions to 6 January 1936
104pp.
|
|
|
Murder in the Air
|
|
|
Box/Folder
270/4
|
Story Outline: Secret Service #3, by Raymond Schrock, undated
12pp.
|
|
|
Box/Folder
270/5
|
Screenplay: Uncle Sam awakens--Secret Service series, no author shown, undated
98pp.
: Incomplete.
|
|
|
Box/Folder
270/6
|
Temporary: Uncle Sam Awakens--Secret Service series, no author shown, 1 September with revisions to 5 September 1939
119pp.
|
|
|
Box/Folder
270/7
|
Revised Temporary: Uncle Sam awakens--Secret Service series, no author shown, undated with revisions to 9 September 1939
100pp.
: Incomplete.
|
|
|
Box/Folder
270/8
|
Final: the enemy within, by Schrock, 13 September with revisions to 19 September 1939
112pp.
|
|
|
Murder in the Clouds
|
|
|
Box/Folder
271/1
|
Temporary: by Dore Schary and Roy Chanslor, 16 August 1934
111pp.
: Incomplete.
|
|
|
Box/Folder
271/2
|
Final: by Schary and Chanslor, 21 August 1934
circa 115pp.
|
|
|
The Murder of Dr. Harrigan
|
|
|
Box/Folder
271/3
|
Novel: From this dark stairway, by M G Eberhart. New York, 1931
312pp.
|
|
|
Box/Folder
271/4
|
Temporary: From this dark stairway, no author shown, 20 February 1935
119pp.
|
|
|
Box/Folder
271/5
|
Final: From this dark stairway, no author shown, 29 June with revisions to 1 July 1935
circa 110pp.
|
|
|
Murder on the Waterfront
|
|
|
Box/Folder
271/6
|
Temporary: Without warning, by Robert E Kent, 14 October 1942
108pp.
|
|
|
Box/Folder
271/7
|
Final: Without warning, by Kent, 24 October with revisions to 4 November 1942
108pp.
|
|
|
My Bill
|
|
|
Box/Folder
272/1
|
Play: Courage, by Tom Barry, undated
111pp.
|
|
|
Box/Folder
272/2
|
Temporary: by Robertson White and Lee Katz, 31 December 1937
136pp.
|
|
|
Box/Folder
272/3
|
Revised Temporary: by Milton Herbert Gropper and George R Bilson, 1 March 1938
83pp.
: Incomplete.
|
|
|
Box/Folder
272/4
|
Final: by Sherman and White, 28 March with revisions to 21 April 1938
circa 120pp.
|
|
|
My Dream Is Yours
|
|
|
Box/Folder
272/5
|
Treatment: Forever and always, by Allen Rivkin and Laura Kerr, 8 July 1947
37pp.
|
|
|
Box/Folder
272/6
|
Temporary: Forever and always, by Rivkin and Kerr, 5 August to 15 August 1947
89pp.
: Incomplete.
|
|
|
Box/Folder
272/7
|
Revised Temporary: Forever and always, by Rivkin and Kerr, 25 August to 19 September 1947
144pp.
|
|
|
Box/Folder
272/8
|
Final: Forever and always, by Marion Parsonnet and Tom D'Andrea, 17 October with revisions to 18 October 1947
133pp.
: Incomplete.
|
|
|
Box/Folder
272/9
|
Revised Final: by Dane Lussier, 24 January 1948
132pp.
|
|
|
Box/Folder
273/1
|
Revised Final 2: by Harry Kurnitz and Lussier, 12 March with revisions to 18 May 1948
circa 130pp.
|
|
|
My Love Came Back
|
|
|
Box/Folder
273/2
|
Screenplay: Episode, by Walter Reisch, undated, In German
102pp.
|
|
|
Box/Folder
273/3
|
Revised Temporary 2: Episode, by Robert Henry Buckner, 2 March 1939
162pp.
|
|
|
Box/Folder
273/4
|
Revised Temporary 3: Episode, by Ivan Goff, 25 October 1939
142pp.
|
|
|
Box/Folder
273/5
|
Final: Episode, no author shown, 3 April to 4 April with revisions to 16 May 1940
circa 140pp.
|
|
|
My Past
|
|
|
Box/Folder
273/6
|
Novel: Ex-mistress, anonymous. New York, 1930
365pp.
|
|
|
Box/Folder
273/7
|
Screenplay: the ex-mistress, by Perry Vekroff, undated
91pp.
|
|
|
Box/Folder
274/1
|
Screenplay: Ex-mistress, by Charles Kenyon, undated
86pp.
: Annotated.
|
|
|
Box/Folder
274/2
|
Temporary: Ex-mistress, by Kenyon, undated
113pp.
: Annotated.
|
|
|
Box/Folder
274/3
|
Final: Ex-mistress, by Kenyon, undated
103pp.
|
|
|
My Reputation
|
|
|
Box/Folder
274/4
|
Novel: Instruct my sorrows, by Clare Jaynes. New York, 1942
383pp.
|
|
|
Box/Folder
274/5
|
Screenplay: Instruct my sorrows, by Catherine Turney, undated
137pp.
|
|
|
Box/Folder
274/6
|
Temporary: Instruct my sorrows, by Turney, 15 July 1943
153pp.
|
|
|
Box/Folder
274/7
|
Revised Temporary: by Turney, 25 August with revisions to 22 September 1943
circa 155pp.
|
|
|
Box/Folder
275/1
|
Final: by Turney, 30 October 1943 with revisions to 28 January 1944
circa 165pp.
|
|
|
My Wild Irish Rose
|
|
|
Box/Folder
275/2
|
Research: Song in his heart (biography of Chauncey Olcott), by Rita Olcott. New York, 1939
304pp.
|
|
|
Box/Folder
275/3
|
Treatment: by Dale Van Every, 15 January 1944
71pp.
|
|
|
Box/Folder
275/4
|
Treatment: by Joseph S. Tushinsky, 28 March 1944
82pp.
|
|
|
Box/Folder
275/5
|
Screenplay: by Frank Cavett, 10 April 1945
122pp.
|
|
|
Box/Folder
275/6
|
Treatment: by William Kozlenko, 15 November 1945
47pp.
|
|
|
Box/Folder
275/7
|
Story Outline: by Peter Milne, 2 January 1945
20pp.
|
|
|
Box/Folder
275/8
|
Treatment: by Milne, 15 February 1946
57pp.
|
|
|
Box/Folder
275/9
|
Screenplay: by Milne, 6 April to 13 April 1946
123pp.
|
|
|
Box/Folder
275/10
|
Screenplay: by Milne, 20 April 1946
122pp.
|
|
|
Box/Folder
276/1
|
Screenplay: Song in his heart, by Vincent Lawrence, 22 July to 3 August 1946
114pp.
: Incomplete.
|
|
|
Box/Folder
276/2
|
Screenplay: Song in his heart, by Milne with additional dialogue by Lawrence, revisions by William Jacobs, 29 July to 8 August 1946
110pp.
|
|
|
Box/Folder
276/3
|
Temporary: by Milne and Lawrence, 10 August 1946
130pp.
|
|
|
Box/Folder
276/4
|
Screenplay: Song in his heart, by Wilkie Mahoney, 20 August to 4 September 1946
141pp.
: Annotated.
|
|
|
Box/Folder
276/5
|
Screenplay: by Milne, undated
116pp.
|
|
|
Box/Folder
276/6
|
Final: by Milne, 11 September 1946 with revisions to 14 February 1947
circa 115pp.
|
|
|
The Mysterious Doctor
|
|
|
Box/Folder
276/7
|
Story Outline: by Richard Weil, 2 June 1942
12pp.
|
|
|
Box/Folder
276/8
|
Story Outline: (“Second draft”) by Weil, 10 June 1942
22pp.
|
|
|
Box/Folder
276/9
|
Temporary: by Weil, 27 July 1942
99pp.
|
|
|
Box/Folder
276/10
|
Final: by Weil, 5 August with revisions to 13 August 1942
circa 105pp.
|
|
|
Mystery House
|
|
|
Box/Folder
277/1
|
Novel: the mystery of hunting's end, by M G Eberhart. New York, 1930
341pp.
|
|
|
Box/Folder
277/2
|
Temporary: the mystery of hunting's end, by Robertson White, 20 September 1937
121pp.
|
|
|
Box/Folder
277/3
|
Final: the mystery of hunting's end, by Sherman L Lowe, 19 October with revisions to 26 October 1937
circa 109pp.
|
|
|
Box/Folder
277/4
|
Revised Final: the mystery of hunting's end, by Lowe, 29 October 1937 with revisions to 15 January 1938; changes
circa 120pp.; 42pp.
|
|
|
Mystery of the Wax Museum
|
|
|
Box/Folder
277/5
|
Story Outline: the wax works, by Charles S Belden, 4 January 1932
12pp.
|
|
|
Box/Folder
277/6
|
Treatment: Wax works, by Don Mullaly, 30 July 1932
32pp.
|
|
|
Box/Folder
277/7
|
Treatment: the wax works, by Carl Erickson, 30 July 1932
17pp.
|
|
|
Box/Folder
277/8
|
Treatment: the wax works, no author shown, 5 August 1932
48pp.
|
|
|
Box/Folder
277/9
|
Treatment: the wax works, no author shown, 11 August 1932
48pp.
: Annotated.
|
|
|
Box/Folder
277/10
|
Screenplay: the wax works, by Mullaly and Erickson, 22 August 1932
103pp.
|
|
|
Box/Folder
277/11
|
Temporary: Wax museum, by Mullaly and Erickson, 1 September 1932
99pp.
|
|
|
Box/Folder
278/1
|
Final: Wax museum, by Mullaly and Erickson, 22 September with revisions to 30 September 1932
108pp.
|
|
|
Nancy Drew and the Hidden Staircase
|
|
|
Box/Folder
278/2
|
Novel: the hidden staircase, by Carolyn Keene. New York, 1930
206pp.
|
|
|
Box/Folder
278/3
|
Temporary: by Kenneth Gamet, 3 April 1939
126pp.
: Incomplete.
|
|
|
Box/Folder
278/4
|
Final: by Gamet, 22 April with revisions to 28 April 1939
circa 125pp.
|
|
|
Box/Folder
278/5
|
Postproduction: Reader's synopsis, by William Roberts, 5 August 1940
1p.
|
|
|
Nancy Drew--Detective
|
|
|
Box/Folder
278/6
|
Novel: the password to Larkspur Lane, by Carolyn Keene. New York, 1933
220pp.
|
|
|
Box/Folder
278/7
|
Temporary: the password to Larkspur Lane, by Kenneth Gamet, 4 August 1938
118pp.
|
|
|
Box/Folder
279/1
|
Final: the password to Larkspur Lane, by Gamet, 20 August with revisions to 1 November 1938; tag
115pp.; 2pp.
|
|
|
Box/Folder
279/2
|
Postproduction: Reader's synopsis, the password to Larkspur Lane, by Loralee May, 14 January 1941
1p.
|
|
|
Nancy Drew--Reporter
|
|
|
Box/Folder
279/3
|
Temporary: by Kenneth Gamet, 18 October to 20 October 1938
120pp.
|
|
|
Box/Folder
279/4
|
Final: by Gamet, 26 October to 2 November 1938 with revisions to 4 January 1939; added scenes
circa 140pp.; 3pp.
|
|
|
Nancy Drew--Trouble Shooter
|
|
|
Box/Folder
279/5
|
Temporary: by Kenneth Gamet, 21 January 1939
129pp.
|
|
|
Box/Folder
279/6
|
Final: by Gamet, 28 January with revisions to 10 February 1939; tag
circa 130pp.; 3pp.
|
|
|
Box/Folder
279/7
|
Postproduction: Reader's synopsis, by Smith Dawless, 22 March 1939
1p.
|
|
|
The Narrow Corner
|
|
|
Box/Folder
279/8
|
Treatment: by Robert R Presnell, 18 January 1933
93pp.
|
|
|
Box/Folder
279/9
|
Final: by Presnell, 1 February to 8 February 1933
138pp.
|
|
|
Naughty But Nice
|
|
|
Box/Folder
280/1
|
Treatment: Always leave them laughing/Words with music, no author shown, undated
14pp.
|
|
|
Box/Folder
280/2
|
Treatment: Words with music, by Jerry Wald and Richard Macaulay, 25 July 1938
72pp.
|
|
|
Box/Folder
280/3
|
Screenplay: Always leave them laughing, by Wald and Macaulay, 13 October 1938
147pp.
|
|
|
Box/Folder
280/4
|
Temporary: Always leave them laughing, by Wald and Macaulay, 12 September 1938
151pp.
|
|
|
Box/Folder
280/5
|
Final: Always leave them laughing, by Macaulay and Wald, 21 October 1938
132pp.
|
|
|
Box/Folder
280/6
|
Revised Final: Always leave them laughing, by Macaulay and Wald, 25 October with revisions to 2 November 1938
circa 130pp.
|
|
|
The Naughty Flirt
|
|
|
Box/Folder
280/7
|
Final: Man crazy, by Earl Baldwin and Richard Weil, 10 March 1930
113pp.
|
|
|
Navy Blues
|
|
|
Box/Folder
280/8
|
Story Outline: by Arthur T Horman, undated
37pp.
|
|
|
Box/Folder
280/9
|
Screenplay: by Horman and Sam Perrin, 21 January 1941; alternate ending
165pp.; 1p.
|
|
|
Box/Folder
280/10
|
Temporary: by Horman and Perrin, 21 February 1941
163pp.
|
|
|
Box/Folder
281/1
|
Revised Temporary: by Jerry Wald and Richard Macaulay, 25 March 1941
143pp.
|
|
|
Box/Folder
281/2
|
Final: by Wald and Macaulay, 4 April with revisions to 13 June 1941
circa 140pp.
|
|
|
Never Say Goodbye
|
|
|
Box/Folder
281/3
|
Short Story: Don't ever leave me, by Ben and Norma Barzman, undated
106pp.
|
|
|
Box/Folder
281/4
|
Plot Summary: Don't ever leave me, by Stephen Karnot, 10 May 1944
1p.
|
|
|
Box/Folder
281/5
|
Plot Summary: Don't ever leave me, by Karnot, 12 May 1944
17pp.
|
|
|
Box/Folder
281/6
|
Screenplay: Don't ever leave me, by B. Barzman, 24 June 1944
61pp.
: Incomplete.
|
|
|
Box/Folder
281/7
|
Screenplay: Don't ever leave me, by Barzman, undated
97pp.
: Incomplete.
|
|
|
Box/Folder
281/8
|
Treatment: Don't ever leave me, by Barzman, 19 August 1944
31pp.
|
|
|
Box/Folder
281/9
|
Screenplay: Don't ever leave me, by Barzman, 22 August 1944
25pp.
: Incomplete.
|
|
|
Box/Folder
281/10
|
Treatment: Don't ever leave me, by S K Lauren and Barzman, 13 September 1944
40pp.
|
|
|
Box/Folder
281/11
|
Screenplay: Don't ever leave me, by Adele Commandini, 7 October to 17 October 1944
56pp.
: Incomplete.
|
|
|
Box/Folder
281/12
|
Story Outline: Don't ever leave me, by Commandini, 14 October 1944
8pp.
|
|
|
Box/Folder
281/13
|
Screenplay: Don't ever leave me, by Commandini, 11 November to 23 December 1944
135pp.
|
|
|
Box/Folder
281/14
|
Comments: (“Notes on 'Don't ever leave me' ”) by Jo Pagano, 14 December 1944
6pp.
|
|
|
Box/Folder
281/15
|
Treatment: Don't ever leave me, by Charles Hoffman and Vincent Sherman, 28 December 1944
13pp.
: Incomplete.
|
|
|
Box/Folder
281/16
|
Treatment: (“Story line”) Don't ever leave me, by James Kern and Lewis R Foster, 20 January to 27 January 1945
56pp.
|
|
|
Box/Folder
281/17
|
Treatment: (“Story line”) by Foster, 25 January 1945
54pp.
|
|
|
Box/Folder
281/18
|
Screenplay: Don't ever leave me, by Foster, 3 February 1945
20pp.
: Incomplete.
|
|
|
Box/Folder
282/1
|
Screenplay: Don't ever leave me, by I a L Diamond, 10 February to 17 March 1945
205pp.
|
|
|
Box/Folder
282/2
|
Screenplay: Don't ever leave me, by Diamond, 7 April 1945
circa 150pp.
|
|
|
Box/Folder
282/3
|
Screenplay: Don't ever leave me, by Diamond, 7 April to 21 April 1945
145pp.
|
|
|
Box/Folder
282/4
|
Temporary: Don't ever leave me, by Diamond, 20 April 1945
145pp.
|
|
|
Box/Folder
282/5
|
Screenplay: Don't ever leave me, by Diamond, 19 May to 2 June 1945
135pp.
|
|
|
Box/Folder
282/6
|
Revised Temporary: Don't ever leave me (Never say goodbye), by Diamond, 2 June 1945
135pp.
|
|
|
Box/Folder
282/7
|
Final: Don't ever leave me, by Diamond, 5 July 1945
132pp.
|
|
|
Box/Folder
282/8
|
Postproduction: Reader's synopsis, Don't ever leave me (Never say goodbye), by Sol Schwartz, 25 April 1946
1p.
|
|
|
Night and Day
|
|
|
Box/Folder
283/1
|
Treatment: by Jack Moffitt, July 1943
58pp.
|
|
|
Box/Folder
283/2
|
Treatment: by Steve Fisher, 11 September 1943
59pp.
|
|
|
Box/Folder
283/3
|
Treatment: by Moffitt, 16 September 1943
81pp.
: Annotated.
|
|
|
Box/Folder
283/4
|
Temporary: by Elick Moll and Moffitt, 31 January 1944
147pp.
|
|
|
Box/Folder
283/5
|
Final: by Moll and Moffitt, 11 March to 22 March 1944
circa 150pp.
|
|
|
Box/Folder
283/6
|
Treatment: by Charles Hoffmann and Leo Townsend, 28 August 1944
25pp.
|
|
|
Box/Folder
283/7
|
Treatment: by Hoffmann and Townsend, 16 September 1944
50pp.
: Annotated.
|
|
|
Box/Folder
283/8
|
Screenplay: by Hoffmann and Townsend, 14 October to 9 December 1944; alternate ending
141pp.; 10pp.
|
|
|
Box/Folder
283/9
|
Temporary: by Hoffmann and Townsend, 22 December 1944
128pp.
|
|
|
Box/Folder
283/10
|
Revised Temporary: by Hoffmann and Townsend, 27 March 1945
117pp.
|
|
|
Box/Folder
284/1
|
Final: by Hoffmann and Townsend, 5 May to 26 May 1945
112pp.
|
|
|
Box/Folder
284/2
|
Revised Final: by Hoffmann and Townsend, 12 June with revisions to 18 September 1945
circa 130pp.
|
|
|
A Night At the Ritz
|
|
|
Box/Folder
284/3
|
Treatment: King of the Ritz, by Albert J Cohen and Robert T Shannon, 19 May 1934
104pp.
|
|
|
Box/Folder
284/4
|
Temporary: King of the Ritz, by Shannon and Cohen, 18 July 1934
138pp.
|
|
|
Box/Folder
284/5
|
Final: King of the Ritz, by Shannon and Cohen, revised by Manuel Seff, 8 December to 10 December with revisions to 31 December 1934
circa 135pp.
|
|
|
Night Nurse
|
|
|
Box/Folder
284/6
|
Novel: by Dora Macy. New York, 1930
282pp.
|
|
|
Box/Folder
284/7
|
Treatment: by Oliver H P Garrett, undated
61pp.
|
|
|
Box/Folder
284/8
|
Screenplay: by Garrett, 24 November 1930
140pp.
: Annotated.
|
|
|
Box/Folder
285/1
|
Temporary: by Garrett and Charles Kenyon, 30 December 1930
143pp.
|
|
|
Box/Folder
285/2
|
Final: by Garrett and Kenyon, 24 March 1931
129pp.
|
|
|
Night Unto Night
|
|
|
Box/Folder
285/3
|
Novel: by Philip Wylie. New York, 1944
372pp.
|
|
|
Box/Folder
285/4
|
Treatment: by Kathryn Scola, 13 April 1946
76pp.
|
|
|
Box/Folder
285/5
|
Treatment: by Scola, 20 April 1946
75pp.
|
|
|
Box/Folder
285/6
|
Screenplay: by Scola, 27 June 1946
148pp.
|
|
|
Box/Folder
285/7
|
Screenplay: by Zachary Gold, undated
151pp.
: Annotated.
|
|
|
Box/Folder
285/8
|
Temporary: by Scola, 26 July 1946
148pp.
|
|
|
Box/Folder
286/1
|
Final: by Scola, 18 September 1946 with revisions to 17 January 1947
circa 145pp.
: Incomplete.
|
|
|
Nine Lives Are Not Enough
|
|
|
Box/Folder
286/2
|
Novel: by Jerome Odlum. New York, 1940
253pp.
|
|
|
Box/Folder
286/3
|
Temporary: by Fred Niblo Jr, 1 May 1941
125pp.
|
|
|
Box/Folder
286/4
|
Revised Temporary: by Niblo, 17 May 1941
133pp.
|
|
|
Box/Folder
286/5
|
Final: by Niblo, 29 May with revisions to 5 June 1941
circa 115pp.
|
|
|
No Place to Go
|
|
|
Box/Folder
286/6
|
Temporary: Not wanted, by Lee Katz, 25 March 1939
107pp.
|
|
|
Box/Folder
286/7
|
Final: Not wanted, by Larry Kimble, Fred Niblo Jr, and Katz, 25 April 1939
circa 115pp.
|
|
|
No Time for Comedy
|
|
|
Box/Folder
287/1
|
Play: by S N Behrman. New York, 1939
216pp.
|
|
|
Box/Folder
287/2
|
Treatment: no author shown, undated
23pp.
|
|
|
Box/Folder
287/3
|
Screenplay: by Julius J and Philip G. Epstein, undated
160pp.
|
|
|
Box/Folder
287/4
|
Temporary: by the Epsteins, 5 April 1940
142pp.
|
|
|
Box/Folder
287/5
|
Final: by the Epsteins, 24 April with revisions to 27 April 1940
circa 140pp.
|
|
|
Nobody Lives Forever
|
|
|
Box/Folder
287/6
|
Novel: by W.R. Burnett. New York, 1943
243pp.
|
|
|
Box/Folder
287/7
|
Novel: by Burnett. Serialized in Collier's, 9 October to 30 October 1943
38pp.
|
|
|
Box/Folder
288/1
|
Screenplay: by Burnett, undated
181pp.
|
|
|
Box/Folder
288/2
|
Temporary: I wasn't born yesterday, by Burnett, 20 July 1943
156pp.
|
|
|
Box/Folder
288/3
|
Revised Temporary: no author shown, 11 July with revisions to 8 August 1944
161pp.
|
|
|
Box/Folder
288/4
|
Final: by Burnett, 19 August with revisions to 29 September 1944
circa 150pp.
|
|
|
Nora Prentiss
|
|
|
Box/Folder
288/5
|
Story Outline: the man who died twice, by Jack Sobell and Paul Francis Webster, March to April 1938
22pp.
|
|
|
Box/Folder
288/6
|
Treatment: the man who died twice, by Vincent Sherman, undated
34pp.
|
|
|
Box/Folder
288/7
|
Screenplay: the man who died twice, by Phillip MacDonald, 8 January 1945
151pp.
|
|
|
Box/Folder
288/8
|
Screenplay: the man who died twice, by N Richard Nash, 28 February 1945
162pp.
|
|
|
Box/Folder
288/9
|
Temporary: the man who died twice, the deep end, by Nash, 11 September to 15 October 1945
137pp.
|
|
|
Box/Folder
289/1
|
Screenplay: the man who died twice, by Nash, 21 November 1945
141pp.
|
|
|
Box/Folder
289/2
|
Final: the sentence, by Nash and Ranald MacDougall, 5 January with revisions to 18 April 1946
circa 148pp.
|
|
|
Northern Pursuit
|
|
|
Box/Folder
289/3
|
Novel: Five thousand Trojan horses, by Leslie T White. Serialized in Adventure Magazine, 1942, Typescript
182pp.
|
|
|
Box/Folder
289/4
|
Treatment: (“Breakdown outline”) to the last man, by a I Bezzerides, September 1942
12pp.
|
|
|
Box/Folder
289/5
|
Treatment: to the last man, by Bezzerides, 7 November 1942
62pp.
|
|
|
Box/Folder
289/6
|
Screenplay: to the last man, by Bezzerides, undated
25pp.
: Incomplete.
|
|
|
Box/Folder
289/7
|
Screenplay: to the last man, by Bezzerides, 2 January 1943
58pp.
: Incomplete.
|
|
|
Box/Folder
289/8
|
Story Outline: to the last man, by Thomas Job and William Faulkner, 2 February 1943; notes
16pp.; 1p.
|
|
|
Box/Folder
289/9
|
Screenplay: to the last man, by Faulkner and Job, 9 February to 19 February 1943
circa 60pp.
: Incomplete.
|
|
|
Box/Folder
289/10
|
Screenplay: to the last man, by Faulkner, 26 February to 1 March 1943
circa 60pp.
: Incomplete.
|
|
|
Box/Folder
289/11
|
Temporary: to the last man, no author shown, 12 March to 31 March 1943
92pp.
: Incomplete.
|
|
|
Box/Folder
289/12
|
Final: to the last man, no author shown, 8 March with revisions to 13 July 1943
circa 160pp.
|
|
|
A Notorious Affair
|
|
|
Box/Folder
290/1
|
Play: Fame, by Audrey and Waveney Carten, undated
113pp.
|
|
|
Box/Folder
290/2
|
Treatment: Fame, by Brown Holmes, undated
40pp.
|
|
|
Box/Folder
290/3
|
Final: Faithful; by J Grubb Alexander, 9 November 1929; cast list, staff list, shooting schedule
90pp.; 3pp.
|
|
|
Now, Voyager
|
|
|
Box/Folder
290/4
|
Novel: by Olive Higgins Prouty. Boston, 1941
340pp.
|
|
|
Box/Folder
290/5
|
Treatment: by Edmund Goulding, undated
15pp.
|
|
|
Box/Folder
290/6
|
Temporary: by Casey Robinson, 19 February to 4 March 1942
114pp.
: Incomplete.
|
|
|
Box/Folder
290/7
|
Final: by Robinson, 25 March to 26 March with revisions to 3 April 1942
circa 170pp.
|
|
|
Box/Folder
290/8
|
Revised Final: by Robinson, 8 April with revisions to 9 June 1942
circa 170pp.
|
|
|
Numbered Men
|
|
|
Box/Folder
291/1
|
Play: Jailbreak, by Dwight Taylor, undated
100pp.
|
|
|
Box/Folder
291/2
|
Final: Jailbreak, by Al Cohn and Henry McCarty, 30 December 1929; production notes
112pp.; 11pp.
|
|
|
The Nurse's Secret
|
|
|
Box/Folder
291/3
|
Temporary: the return of Miss Pinkerton, by Anthony Coldewey, 21 January 1941
107pp.
|
|
|
Box/Folder
291/4
|
Final: the return of Miss Pinkerton, by Coldewey, 29 January with revisions to 24 February 1941
circa 110pp.
|
|
|
Objective Burma
|
|
|
Box/Folder
291/5
|
Treatment: (“Story outline”) Burma objective, by Alvah Bessie, 7 January 1944
18pp.
|
|
|
Box/Folder
291/6
|
Story Outline: by Jerry Wald, 8 January 1944
5pp.
|
|
|
Box/Folder
291/7
|
Treatment: by Bessie (annotated), 12 January 1944; memo from Jerry Wald
51pp.; 1p.
|
|
|
Box/Folder
291/8
|
Temporary: by Ranald MacDougall, 4 February to 21 March 1944
215pp.
|
|
|
Box/Folder
291/9
|
Comments: (“Story outline from conference notes”) by MacDougall, 8 March 1944, Annotated
10pp.
|
|
|
Box/Folder
291/10
|
Treatment: (“Revised story outline, sets and scenes”) by MacDougall and Lester Cole, 11 March 1944
32pp.
|
|
|
Box/Folder
291/11
|
Revised Temporary: by MacDougall and Cole, 4 April with revisions to 14 April 1944
155pp.
: Incomplete.
|
|
|
Box/Folder
292/1
|
Final: by MacDougall and Cole, 15 April 1944
164pp.
|
|
|
Box/Folder
292/2
|
Revised Final: by MacDougall and Cole, 22 April with revisions to 12 September 1944
circa 160pp.
|
|
|
Off the Record
|
|
|
Box/Folder
292/3
|
Short Story: the fourth estate, by Saul Elkins and Sally Sandlin, undated
41pp.
|
|
|
Box/Folder
292/4
|
Screenplay: Unfit to print, or the fourth estate, by Elkins and Sandlin, 16 November 1937
184pp.
|
|
|
Box/Folder
292/5
|
Screenplay: (“Second draft”) Unfit to print, or the fourth estate, by Elkins and Sandlin, 16 November 1937
166pp.
|
|
|
Box/Folder
292/6
|
Temporary: Unfit to print, or the fourth estate, by Niven Busch and Lawrence Kimble, 21 January to 17 February 1938
159pp.
|
|
|
Box/Folder
292/7
|
Final: Unfit to print, no author shown, 3 August with revisions to 3 November 1938
circa 115pp.
|
|
|
The Office Wife
|
|
|
Box/Folder
293/1
|
Novel: by Faith Baldwin, serialized in Cosmopolitan, October 1929 to March 1930
47pp.
|
|
|
Box/Folder
293/2
|
Temporary: by Charles Kenyon, undated
101pp.
: Annotated.
|
|
|
Box/Folder
293/3
|
Final: no author shown, 21 April 1930
97pp.
: Annotated.
|
|
|
Box/Folder
293/4
|
Postproduction: by Baldwin. New York, 1930, Illustrated with stills from the film
279pp.
|
|
|
Oh Sailor Behave
|
|
|
Box/Folder
293/5
|
Temporary: See Naples and die, by Joseph Jackson, undated
79pp.
: Annotated.
|
|
|
Box/Folder
293/6
|
Final: See Naples and die, by Jackson, undated
97pp.
|
|
|
Oil for the Lamps of China
|
|
|
Box/Folder
293/7
|
Novel: by Alice Tisdale Hobart. Indianapolis, 1933
403pp.
|
|
|
Box/Folder
294/1
|
Treatment: by Laird Doyle, 7 July 1934
118pp.
|
|
|
Box/Folder
294/2
|
Temporary: by Doyle, 8 November 1934
137pp.
|
|
|
Box/Folder
294/3
|
Final: by Doyle, undated with revisions to 27 November 1934
circa 140pp.
|
|
|
Box/Folder
294/4
|
Revised Final: by Doyle, 16 January with revisions to 2 May 1935
circa 140pp.
|
|
|
Oklahoma Kid
|
|
|
Box/Folder
294/5
|
Revised Final: by Warren Duff, 4 October to 11 October with revisions to 12 December 1938
circa 135pp.
|
|
|
Box/Folder
294/6
|
Postproduction: (“Pilot script”) Teleplay, by Wells Root and Robert Warnes Leach, undated
38pp.
|
|
|
Old Acquaintance
|
|
|
Box/Folder
294/7
|
Play: by John van Druten, 18 January 1941
117pp.
|
|
|
Box/Folder
294/8
|
Screenplay: by Lenore Coffee, 19 January 1942
56pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
294/8
|
Memo from Coffee to Henry Blanke
1p.
|
|
|
Box/Folder
294/9
|
Screenplay: by Coffee, undated
circa 70pp.
: Incomplete.
|
|
|
Box/Folder
295/1
|
Temporary: no author shown, 4 April 1942
174pp.
|
|
|
Box/Folder
295/2
|
Revised Temporary: by van Druten, 20 July to 12 August 1942
circa 220pp.
|
|
|
Box/Folder
295/3
|
Final: by van Druten and Edmund Goulding, 9 September 1942 with revisions to 28 January 1943
circa 175pp.
: Annotated.
|
|
|
Old English
|
|
|
Box/Folder
295/4
|
Short Story: a stoic, by John Galsworthy, 7 November 1936
103pp.
|
|
|
Box/Folder
295/5
|
Play: by Galsworthy, undated
106pp.
|
|
|
Box/Folder
295/6
|
Final: no author shown, 24 April 1930
97pp.
|
|
|
The Old Maid
|
|
|
Box/Folder
295/7
|
Novel: by Edith Wharton. New York, 1924
191pp.
|
|
|
Box/Folder
296/1
|
Play: by Zoe Akins. New York, 1936
188pp.
|
|
|
Box/Folder
296/2
|
Temporary: no author shown, 9 January 1939
145pp.
|
|
|
Box/Folder
296/3
|
Revised Temporary: by Casey Robinson, 6 February to 17 February 1939
75pp.
: Incomplete.
|
|
|
Box/Folder
296/4
|
Final: by Robinson, 27 February 1939
106pp.
: Incomplete.
|
|
|
Box/Folder
296/5
|
Revised Final: by Robinson, 14 March with revisions to 11 April 1939
circa 160pp.
|
|
|
On Dress Parade
|
|
|
Box/Folder
296/6
|
Temporary: the dead end kids at Valley Forge, no author shown, 26 May to 1 June 1939
135pp.
|
|
|
Box/Folder
296/7
|
Revised Temporary: the dead end kids in military school, by Tom Reed, 3 June 1939
113pp.
|
|
|
Box/Folder
296/8
|
Final: the dead end kids in military school, by Reed, 6 June 1939
102pp.
|
|
|
Box/Folder
297/1
|
Revised Final: the dead end kids in military school, by Reed, 8 June with revisions to 22 August 1939
circa 104pp.
|
|
|
On Trial
|
|
|
Box/Folder
297/2
|
Play: by Elmer Rice, undated
111pp.
: Annotated.
|
|
|
Box/Folder
297/3
|
Temporary: the Strickland case, no author shown, 7 December 1938
97pp.
|
|
|
Box/Folder
297/4
|
Final: Woman in shadow, by Don Ryan, 13 December with revisions to 20 December 1938
circa 100pp.
|
|
|
On With the Show
|
|
|
Box/Folder
297/5
|
Play: Shoestring, by Humphrey W. Pearson, undated
89pp.
|
|
|
Box/Folder
297/6
|
Treatment: (“Skeleton outline”) Shoestring, by Robert Lord, January 1929
13pp.
: Annotated.
|
|
|
Box/Folder
297/7
|
Final: Broadway or bust, by Lord, February 1929
91pp.
|
|
|
On Your Toes
|
|
|
Box/Folder
297/8
|
Play: by Richard Rodgers, Larry Hart, and George Abbott, 11 April 1936
63pp.
|
|
|
Box/Folder
297/9
|
Treatment: by Lawrence Riley, Sig Herzig, and Robert Lord, 13 February 1937
118pp.
|
|
|
Box/Folder
297/10
|
Temporary: by Riley and Herzig, 24 January 1938
117pp.
|
|
|
Box/Folder
297/11
|
Treatment: by Jerry Wald and Richard Macaulay, 20 March 1939
36pp.
|
|
|
Box/Folder
298/1
|
Revised Temporary: by Wald and Macaulay, 25 April 1939
150pp.
|
|
|
Box/Folder
298/2
|
Revised Temporary 2: by Wald and Macaulay, 29 April 1939
135pp.
|
|
|
Box/Folder
298/3
|
Final: by Wald and Macaulay, 5 May with revisions to 15 July 1939
circa 135pp.
: Annotated.
|
|
|
Once a Doctor
|
|
|
Box/Folder
298/4
|
Screenplay: Intern, by Frank Daugherty and Paul Perez, 29 June 1936
101pp.
|
|
|
Box/Folder
298/5
|
Temporary: by Robertson White and Ben Grauman Kohn, 12 August 1936
103pp.
|
|
|
Box/Folder
298/6
|
Final: by White and Kohn, 15 August with revisions to 20 August 1936
circa 125pp.
|
|
|
One Foot in Heaven
|
|
|
Box/Folder
298/7
|
Treatment: (“Outline for a treatment”) by Harry Chandlee and Abem Finkel, undated
31pp.
: Annotated.
|
|
|
Box/Folder
298/8
|
Treatment: by Chandlee and Finkel, 27 December 1940
74pp.
|
|
|
Box/Folder
298/9
|
Treatment: (“Notes for a treatment”) by Casey Robinson and Hartzell Spence, 30 January 1941
17pp.
|
|
|
Box/Folder
298/10
|
Treatment: by Robinson, undated
52pp.
|
|
|
Box/Folder
299/1
|
Temporary: by Robinson, 26 April 1941
132pp.
|
|
|
Box/Folder
299/2
|
Final: by Robinson, 7 May with revisions to 24 July 1941
circa 140pp.
|
|
|
One Last Fling
|
|
|
Box/Folder
299/3
|
Short Story: by Herbert Clyde Lewis, undated
109pp.
|
|
|
Box/Folder
299/4
|
Screenplay: by Lewis, undated
172pp.
: Annotated.
|
|
|
Box/Folder
299/5
|
Temporary: by Lewis, 28 January 1947
151pp.
|
|
|
Box/Folder
299/6
|
Screenplay: by Richard Flournoy, undated
119pp.
|
|
|
Box/Folder
299/7
|
Revised Temporary: by Flournoy, 22 July 1947
127pp.
|
|
|
Box/Folder
300/1
|
Revised Temporary 2: by Flournoy, 20 September 1947
140pp.
|
|
|
Box/Folder
300/2
|
Revised Temporary 3: (“Shooting script”) by Flournoy, 27 January with revisions to 10 March 1948
circa 105pp.
|
|
|
One More Tomorrow
|
|
|
Box/Folder
300/3
|
Play: the animal kingdom, by Philip Barry. New York, 1931
198pp.
|
|
|
Box/Folder
300/4
|
Research: “Final script for RKO production”) Animal kingdom, by Horace Jackson, 1932; censor replacement dialogue , 12 December 1932
104pp.; 5pp.
|
|
|
Box/Folder
300/5
|
Screenplay: Animal kingdom, by Helen Deutsch, undated to 30 December 1942
circa 75pp.
: Incomplete.
|
|
|
Box/Folder
300/6
|
Screenplay: Animal kingdom, no author shown, 6 January 1943
circa 180pp.
|
|
|
Box/Folder
300/7
|
Screenplay: the animal kingdom, by Francis Swann, 18 January 1943
42pp.
: Incomplete.
|
|
|
Box/Folder
300/8
|
Screenplay: the animal kingdom, by Charles Hoffman, 16 February to 16 March 1943
148pp.
|
|
|
Box/Folder
300/9
|
Screenplay: Animal kingdom, by Hoffman, 22 March to 30 April 1943
circa 120pp.; 3pp.
: Incomplete; story outline.
|
|
|
Box/Folder
301/1
|
Comments: (“Miscellaneous material taken from Winters' secretary's desk”) Animal kingdom, by Keith Winter, 25 March to 21 April 1943
circa 50pp.
: Incomplete.
|
|
|
Box/Folder
301/2
|
Screenplay: Animal kingdom, by Hoffman and Winter, 29 March with revisions to 8 May 1943
circa 140pp.
: Incomplete.
|
|
|
Box/Folder
301/3
|
Temporary: Animal kingdom, no author shown, 30 March to 2 April 1943
27pp.
: Incomplete.
|
|
|
Box/Folder
301/4
|
Final: Animal kingdom, no author shown, 5 April with revisions to 13 May 1943
140pp.
: Incomplete.
|
|
|
Box/Folder
301/5
|
Comments: (“Suggested changes for 'Animal kingdom' ”) by P G and J J Epstein, 28 May 1943
4pp.
|
|
|
Box/Folder
301/6
|
Story Outline: (“Outline treatment”) Animal kingdom, by Hoffman and Catherine Turney, 2 June 1943
9pp.
|
|
|
Box/Folder
301/7
|
Screenplay: Animal kingdom, by the Epsteins, 11 June 1943
circa 145pp.
|
|
|
Box/Folder
301/8
|
Comments: (Changed pages) Animal kingdom, by Turney, 9 September to 21 September 1943; memo from Blanke
circa 40pp.; 1p.
|
|
|
Box/Folder
301/9
|
Revised Final: Animal kingdom, no author shown, 15 September with revisions to 30 October 1943; additional scenes
circa 140pp.; 3pp.
|
|
|
One Night At Susie's
|
|
|
Box/Folder
301/10
|
Short Story: by Frederick Hazlitt Brennan, in Liberty Magazine, 22 June 1929
7pp.
|
|
|
Box/Folder
301/11
|
Final: by Forrest Halsey and Kathryn Scola, 27 January 1930
76pp.
|
|
|
One Sunday Afternoon
|
|
|
Box/Folder
301/12
|
Play: by James Hagan. New York, 1933
114pp.
|
|
|
Box/Folder
302/1
|
Screenplay: no author shown, 10 November 1947
130pp.
|
|
|
Box/Folder
302/2
|
Treatment: by Robert Richards, 17 November 1947
circa 40pp.
|
|
|
Box/Folder
302/3
|
Treatment: by Richards, 19 November 1947
95pp.
|
|
|
Box/Folder
302/4
|
Temporary: by Richards, 3 December to 13 December with revisions to 18 December 1947
circa 165pp.
|
|
|
Box/Folder
302/5
|
Screenplay: by Richards, 23 December 1947
150pp.
|
|
|
Box/Folder
302/6
|
Revised Temporary: by Richards, 3 January 1948
121pp.
|
|
|
Box/Folder
302/7
|
Final: by Richards, 13 January with revisions to 8 March 1948
circa 130pp.
|
|
|
One Way Passage
|
|
|
Box/Folder
302/8
|
Story Outline: S S Atlantic, by Robert Lord, 9 April 1931
10pp.
|
|
|
Box/Folder
302/9
|
Treatment: S S Atlantic, by Lord and James Ashmore Creelman, 6 May 1931; story outline
114pp.; 10pp.
|
|
|
Box/Folder
303/1
|
Treatment: the golden gate, no author shown, 2 April 1932
54pp.
|
|
|
Box/Folder
303/2
|
Temporary: (“In treatment form”) by Wilson Mizner and Joseph Jackson, 14 April 1932
54pp.
|
|
|
Box/Folder
303/3
|
Revised Temporary: no author shown, undated
109pp.
|
|
|
Box/Folder
303/4
|
Final: by Mizner and Jackson, 3 May 1932
98pp.
: Annotated.
|
|
|
Other Men's Women
|
|
|
Box/Folder
303/5
|
Final: Steel highway, by Maude Fulton, 2 July 1930
92pp.
|
|
|
Out of the Fog
|
|
|
Box/Folder
303/6
|
Play: the gentle people, by Irwin Shaw, 9 October 1940
136pp.
|
|
|
Box/Folder
303/7
|
Treatment: the gentle people, by Jerry Wald and Richard Macaulay, 5 November 1940
20pp.
: Annotated.
|
|
|
Box/Folder
303/8
|
Temporary: Gentle people, by Wald and Macaulay, 16 December 1940
184pp.
|
|
|
Box/Folder
303/9
|
Revised Temporary: Gentle people, no author shown, 23 January to 4 February 1941
173pp.
|
|
|
Box/Folder
303/10
|
Final: Gentle people, by Robert Rossen, 6 February to 8 February 1941
151pp.
|
|
|
Box/Folder
304/1
|
Revised Final: Gentle people, by Rossen, 12 February with revisions to 10 March 1941
circa 155pp.
|
|
|
Outward Bound
|
|
|
Box/Folder
304/2
|
Play: by Sutton Vane. New York, 1924
171pp.
|
|
|
Box/Folder
304/3
|
Screenplay: by J Grubb Alexander, undated
108pp.
: Annotated.
|
|
|
Box/Folder
304/4
|
Final: by Alexander, 28 May 1930
127pp.
|
|
|
Over the Goal
|
|
|
Box/Folder
304/5
|
Temporary: Block that kick, by William Jacobs and Anthony Coldewey, 19 June 1937
131pp.
|
|
|
Box/Folder
304/6
|
Final: Block that kick, by Jacobs and Coldewey, 23 June with revisions to 26 August 1937
circa 130pp.
|
|
|
Over the Wall
|
|
|
Box/Folder
304/7
|
Final: One more tomorrow, by Crane Wilbur and George Bricker, 20 July with revisions to 26 July 1937
circa 115pp.
|
|
|
Box/Folder
304/8
|
Revised Final: One more tomorrow, by Wilbur and Bricker, 28 July with revisions to 4 August 1937
circa 120pp.
: Incomplete.
|
|
|
Page Miss Glory
|
|
|
Box/Folder
305/1
|
Play: by Joseph Schrank and Phillip Denning, 28 October 1934
circa 120pp.
: Annotated.
|
|
|
Box/Folder
305/2
|
Treatment: by Delmer Daves and Robert Lord, 23 January 1935
84pp.
: Annotated.
|
|
|
Box/Folder
305/3
|
Screenplay: by Daves and Lord, 16 February 1935
156pp.
: Incomplete.
|
|
|
Box/Folder
305/4
|
Temporary: by Daves and Lord, 27 February 1935
170pp.
|
|
|
Box/Folder
305/5
|
Final: by Daves and Lord, 14 March with revisions to 22 April 1935
circa 165pp.
|
|
|
Parachute Jumper
|
|
|
Box/Folder
305/6
|
Novel: Some call it love, by Rian James, 29 March 1932
248pp.
|
|
|
Box/Folder
305/7
|
Treatment: Some call it love, by Kathleen Ridgeway, 11 June 1932
56pp.
|
|
|
Box/Folder
305/8
|
Temporary: Some call it love, by John Francis Larkin, 25 July 1932
157pp.
|
|
|
Box/Folder
305/9
|
Final: Parachute, by Larkin, 13 August 1932
105pp.
|
|
|
Box/Folder
306/1
|
Revised Final: Parachute, by Larkin, 30 August 1932
111pp.
|
|
|
Box/Folder
306/2
|
Revised Final 2: Parachute, by Larkin, 18 September 1932
111pp.
|
|
|
Party Husband
|
|
|
Box/Folder
306/3
|
Novel: by Geoffrey Barnes. New York, 1930
292pp.
|
|
|
Box/Folder
306/4
|
Treatment: no author shown, undated
24pp.
|
|
|
Box/Folder
306/5
|
Screenplay: (“Adaptation and dialogue”) by Charles Kenyon, undated
140pp.
|
|
|
Box/Folder
306/6
|
Temporary: by Kenyon, 19 December 1930
101pp.
: Annotated.
|
|
|
Box/Folder
306/7
|
Final: by Kenyon, 27 December 1930
104pp.
|
|
|
Passage From Hong Kong
|
|
|
Box/Folder
307/1
|
Novel: the agony column, by Earl Derr Biggers. New York, 1916
159pp.
|
|
|
Box/Folder
307/2
|
Temporary: by Fred Niblo Jr, 5 March 1941
107pp.
|
|
|
Box/Folder
307/3
|
Final: by Niblo, 14 March with revisions to 17 April 1941
105pp.
|
|
|
Passage to Marseille
|
|
|
Box/Folder
307/4
|
Novel: Men without country, by Charles Nordhoff and James Norman Hall. New York, 1942
122pp.
|
|
|
Box/Folder
307/5
|
Novel: Men without country, by Nordhoff and Hall. in Atlantic, June 1942
27pp.
|
|
|
Box/Folder
307/6
|
Screenplay: Sans patrie, by Casey Robinson, undated
circa 150pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
307/7
|
Screenplay: by Robinson, 26 March 1943
158pp.
|
|
|
Box/Folder
307/8
|
Screenplay: by Jack Moffitt, 25 May 1943
circa 160pp.
: Annotated.
|
|
|
Box/Folder
308/1
|
Final: Men without country, by Robinson, 30 September 1942
151pp.
|
|
|
Box/Folder
308/2
|
Revised Final: by Robinson, 13 April 1943
140pp.
|
|
|
Box/Folder
308/3
|
Revised Final 2: by Robinson, 11 June with revisions to 19 June 1943
circa 155pp.
|
|
|
Box/Folder
308/4
|
Revised Final 3: by Robinson, 19 July with revisions to 13 October 1943
circa 150pp.
|
|
|
The Patient in Room 18
|
|
|
Box/Folder
308/5
|
Novel: by Mignon G Eberhart. New York, 1929
302pp.
|
|
|
Box/Folder
308/6
|
Temporary: by Eugene Solow, 18 August 1937
110pp.
|
|
|
Box/Folder
308/7
|
Final: by Robertson White and Solow, 23 August with revisions to 4 October 1937
circa 110pp.
|
|
|
The Payoff
|
|
|
Box/Folder
309/1
|
Short Story: Sports writer, by George Bricker, 4 October 1934
22pp.
|
|
|
Box/Folder
309/2
|
Screenplay: the real McCoy, no author shown, undated
144pp.
|
|
|
Box/Folder
309/3
|
Temporary: the real McCoy, no author shown, 1 February 1935
143pp.
|
|
|
Box/Folder
309/4
|
Revised Temporary: the real McCoy, no author shown, 17 May 1935
128pp.
|
|
|
Box/Folder
309/5
|
Final: the real McCoy, no author shown, 4 June 1935
116pp.
|
|
|
Penrod and His Twin Brother
|
|
|
Box/Folder
309/6
|
Temporary: Boy of mine, by William Jacobs and Hugh Cummings, 2 April 1937
133pp.
|
|
|
Box/Folder
309/7
|
Final: Boy of mine, by Jacobs and Cummings, 20 April with revisions to 26 August 1937
circa 120pp.
|
|
|
Box/Folder
309/8
|
Revised Final: by Jacobs and Cummings, 8 September with revisions to 4 October 1937
circa 130pp.
|
|
|
Penrod and Sam (1931)
|
|
|
Box/Folder
310/1
|
Novel: by Booth Tarkington. New York, 1916
249pp.
|
|
|
Box/Folder
310/2
|
Screenplay: by Waldemar Young, undated
122pp.
|
|
|
Box/Folder
310/3
|
Temporary: by Young, 15 April to 21 April 1931
116pp.
|
|
|
Box/Folder
310/4
|
Final: by Young, 22 April to 13 May 1931
circa 115pp.
|
|
|
Penrod and Sam (1937)
|
|
|
Box/Folder
310/5
|
Screenplay: no author shown, undated
137pp.
|
|
|
Box/Folder
310/6
|
Temporary: by Lillie Hayward and Hugh Cummings, 28 August 1936
120pp.
|
|
|
Box/Folder
310/7
|
Revised Temporary: by Hayward and Cummings, 14 September 1936
119pp.
: Annotated.
|
|
|
Penrod's Double Trouble
|
|
|
Box/Folder
311/1
|
Short Story: by Ernest Booth, undated
28pp.
: Annotated.
|
|
|
Box/Folder
311/2
|
Temporary: by Crane Wilbur, 8 November 1937
134pp.
|
|
|
Box/Folder
311/3
|
Final: by Wilbur, 3 December 1937
119pp.
|
|
|
Box/Folder
311/4
|
Revised Final: by Wilbur, 8 December with revisions to 10 December 1937
circa 130pp.
|
|
|
The Perfect Specimen
|
|
|
Box/Folder
311/5
|
Short Story: by Samuel Hopkins Adams, in Cosmopolitan, December 1935
28pp.
|
|
|
Box/Folder
311/6
|
Screenplay: by Lawrence Kimble, undated
154pp.
|
|
|
Box/Folder
311/7
|
Screenplay: by Fritz Falkenstein and N Brewster Morse, 15 August 1936
160pp.
|
|
|
Box/Folder
311/8
|
Temporary: by Lawrence Riley, 9 December 1936
152pp.
|
|
|
Box/Folder
311/9
|
Treatment: (“Changes in script”) by Stanley Logan, 12 February 1937
circa 45pp.
: Annotated.
|
|
|
Box/Folder
312/1
|
Revised Temporary: no author shown, 20 April 1937
107pp.
: Incomplete.
|
|
|
Box/Folder
312/2
|
Revised Temporary 2: no author shown, 26 April with revisions to 28 April 1937
158pp.
|
|
|
Box/Folder
312/3
|
Final: no author shown, 11 May with revisions to 26 June 1937
circa 160pp.
|
|
|
Personal Maid's Secret
|
|
|
Box/Folder
312/4
|
Short Story: Living up to Lizzie, by Lillian Day, in Saturday Evening Post, 8 December 1934
3 pp.
|
|
|
Box/Folder
312/5
|
Temporary: Living up to Lizzie, by F Hugh Herbert and Lillie Hayward, 26 April 1935
127pp.
|
|
|
Box/Folder
312/6
|
Final: Living up to Lizzie, by Herbert and Hayward, 26 June with revisions to 7 August 1935; added scenes
109pp.; 5pp.
|
|
|
The Personality Kid
|
|
|
Box/Folder
312/7
|
Screenplay: (“Treatment and continuity”) Shanghai orchids, by David Boehm, 11 December 1933
116pp.
|
|
|
Box/Folder
312/8
|
Temporary: Shanghai orchids, by Gene Towne and Graham Baker, 22 June 1933
138pp.
|
|
|
Box/Folder
312/9
|
Temporary: Shanghai orchids, by Boehm, 2 January 1934
111pp.
|
|
|
Box/Folder
313/1
|
Temporary: One-man woman, by F Hugh Herbert and Erwin Gelsey, 25 January 1934
117pp.
|
|
|
Box/Folder
313/2
|
Final: One-man woman, by Gelsey and Herbert, 3 February 1934
117pp.
|
|
|
Box/Folder
313/3
|
Revised Final: One-man woman, by Gelsey and Herbert, 9 February 1934
110pp.
|
|
|
The Petrified Forest
|
|
|
Box/Folder
313/4
|
Play: by Robert Emmet Sherwood, 12 June 1935
126pp.
|
|
|
Box/Folder
313/5
|
Screenplay: no author shown, 31 August 1935
132pp.
|
|
|
Box/Folder
313/6
|
Screenplay: by Charles Kenyon, 9 September 1935
129pp.
|
|
|
Box/Folder
313/7
|
Temporary: no author shown, undated
164pp.
: Annotated.
|
|
|
Box/Folder
313/8
|
Revised Temporary: no author shown, 23 September 1935
119pp.
|
|
|
Box/Folder
313/9
|
Final: no author shown, 7 October 1935
128pp.
|
|
|
Picture Snatcher
|
|
|
Box/Folder
314/1
|
Novel: by Danny Ahearn, 9 November 1932
136pp.
|
|
|
Box/Folder
314/2
|
Screenplay: (“Continuity-treatment”) by P J Wolfson and Allen Rivkin, 21 November 1932
99pp.
|
|
|
Box/Folder
314/3
|
Screenplay: (“1st draft”) by Wolfson and Rivkin, 3 December 1932
124pp.
|
|
|
Box/Folder
314/4
|
Screenplay: (“2nd draft”) by Wolfson and Rivkin, 10 December 1932
101pp.
|
|
|
Box/Folder
314/5
|
Final: by Ben Markson, 15 December 1932 with revisions to 10 February 1933; alternate ending
circa 105pp.; 9pp.
|
|
|
Pillow to Post
|
|
|
Box/Folder
314/6
|
Play: From pillar to post, by Rose Simon Kohn, undated
117pp.
|
|
|
Box/Folder
314/7
|
Play: Pillar to post, by Kohn, 1944
134pp.
|
|
|
Box/Folder
314/8
|
Treatment: Pillar to post, by Charles Hoffman, 21 April 1944
22pp.
|
|
|
Box/Folder
314/9
|
Screenplay: Pillar to post, by Hoffman. 10 June to 19 June 1944
146pp.
|
|
|
Box/Folder
314/10
|
Temporary: Pillar to post, by Hoffman, 7 July 1944
140pp.
|
|
|
Box/Folder
314/11
|
Final: Pillar to post, by Hoffman, 3 August with revisions to 1 November 1944
circa 150pp.
|
|
|
Play Girl
|
|
|
Box/Folder
315/1
|
Short Story: God's gift to women, by Frederick Hazlitt Brennan, typescript from Liberty, 19 July 1930
12pp.
|
|
|
Box/Folder
315/2
|
Screenplay: (“Adaptation and dialogue”) God's gift to women, by Maude Fulton. ND. Typescript
88pp.
|
|
|
Box/Folder
315/3
|
Temporary: Eight to five, no author shown, 15 December 1931
48pp.
: Incomplete.
|
|
|
Box/Folder
315/4
|
Final: Eight to five, no author shown, 17 December to 24 December 1931
102pp.
|
|
|
Playing Around
|
|
|
Box/Folder
315/5
|
Short Story: Sheba, by Vina Delmar, in Redbook, February 1929
6pp.
|
|
|
Box/Folder
315/6
|
Plot Summary: (“A comedy drama by Frances Nordstrom”) no author shown, undated
8pp.
|
|
|
Box/Folder
315/7
|
Screenplay: by Adele Comandini, undated
112pp.
: Annotated.
|
|
|
Box/Folder
315/8
|
Temporary: by Harvey Thew and Humphrey Pearson, 31 August 1929
158pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
315/9
|
Final: by Thew and Pearson, 5 September 1929; production information; trailer dialogue
90pp.; 30pp.; 5pp.
|
|
|
Polo Joe
|
|
|
Box/Folder
315/10
|
Temporary: by Peter Milne and Hugh Cummings, 5 May 1936
120pp.
|
|
|
Box/Folder
315/11
|
Final: by Milne and Cummings, 16 May with revisions to 22 May 1936; alternate ending
117pp.; 10pp.
|
|
|
Box/Folder
315/12
|
Revised Final: by Milne and Cummings, 28 May with revisions to 16 June 1936
circa 120pp.
|
|
|
Possessed
|
|
|
Box/Folder
316/1
|
Short Story: One man's secret, by Rita Weiman, in Cosmopolitan, March 1943
7pp.
|
|
|
Box/Folder
316/2
|
Plot Summary: One man's secret, by David Wear III, 26 February 1943
1p.
|
|
|
Box/Folder
316/3
|
Story Outline: (“Detailed synopsis”) by Wes Haynes, 28 December 1943
9pp.
|
|
|
Box/Folder
316/4
|
Treatment: One man's secret, by Richard Aldington and Thomas Job, 1 June 1944
14pp.
: Incomplete.
|
|
|
Box/Folder
316/5
|
Treatment: One man's secret, by Aldington and Job, 10 June 1944
22pp.
|
|
|
Box/Folder
316/6
|
Treatment: One man's secret, by Aldington and Job, 24 June 1944; summary part III
57pp.; 6pp.
|
|
|
Box/Folder
316/7
|
Treatment: Intrigue, by Whitman Chambers, 9 September 1944
34pp.
|
|
|
Box/Folder
316/8
|
Treatment: Intrigue, by W.R. Burnett and Chambers, 23 September 1944
53pp.
|
|
|
Box/Folder
316/9
|
Temporary: One man's secret, by Burnett and Chambers, 16 December 1944
137pp.
|
|
|
Box/Folder
316/10
|
Screenplay: the secret, by Barre Lyndon, 24 November 1945
150pp.
|
|
|
Box/Folder
316/11
|
Treatment: the secret, by Silvia Richards, 1 December 1945
7pp.; 12pp.
: Incomplete; characters and story outline.
|
|
|
Box/Folder
316/12
|
Screenplay: the secret, by Richards, 8 December 1945 to 2 March 1946
140pp.
: Incomplete.
|
|
|
Box/Folder
316/13
|
Screenplay: the secret, by Richards and Ranald MacDougall, 8 April 1946
148pp.
: Annotated.
|
|
|
Box/Folder
316/14
|
Final: the secret, by Richards and MacDougall, 9 April to 1 May with revisions to 17 May 1946
circa 145pp.
|
|
|
Box/Folder
316/15
|
Revised Final: the secret, by Richards and MacDougall, 5 June with revisions to 6 November 1946
circa 165pp.
|
|
|
Prairie Thunder
|
|
|
Box/Folder
317/1
|
Final: by Ed Earl Repp, 25 May 1937
82pp.
|
|
|
Pride of the Marines
|
|
|
Box/Folder
317/2
|
Research: Al Schmid: hero, by Roger Butterfield, in Life, 22 March 1943
5pp.
|
|
|
Box/Folder
317/3
|
Research: (“Notes on research trip to San Diego”) by Marvin Borowsky, August 1943
9pp.
|
|
|
Box/Folder
317/4
|
Research: Sergeant Schmid, marine, by Butterfield, in Cosmopolitan, November 1943
5pp.
|
|
|
Box/Folder
317/5
|
Research: Al Schmid, marine, by Butterfield. New York, 1944
142pp.
|
|
|
Box/Folder
317/6
|
Treatment: a line on Al Schmid, by a I Bezzerides and Alvah Bessie, 3 April 1943
26pp.
|
|
|
Box/Folder
317/7
|
Comments: (“Suggestions for Al Schmid--marine”), by Albert Maltz, 20 September 1943
24pp.
|
|
|
Box/Folder
317/8
|
Story Outline: This is our victory (Al Schmid: hero), by Borowsky, 18 October 1943
6pp.
|
|
|
Box/Folder
317/9
|
Treatment: the foundry (Al Schmid: hero), by Ranald MacDougall, 1 November 1943
20pp.
|
|
|
Box/Folder
317/10
|
Treatment: Al Schmid: hero, by MacDougall and Borowsky, 8 November 1943
28pp.
|
|
|
Box/Folder
317/11
|
Treatment: Al Schmid: hero, by MacDougall and Borowsky, 15 November to 11 December 1943
118pp.
: Incomplete.
|
|
|
Box/Folder
317/12
|
Treatment: Sergeant Schmid--marine, by Borowsky and MacDougall, 11 December 1943
87pp.
|
|
|
Box/Folder
317/13
|
Story Outline: Al Schmid: hero, by MacDougall, 24 December 1943
6pp.
|
|
|
Box/Folder
317/14
|
Screenplay: Al Schmid: hero, by MacDougall, 11 December 1943 to 29 January 1944
circa 80pp.
: Incomplete.
|
|
|
Box/Folder
317/15
|
Temporary: Al Schmid--marine, by Borowsky and MacDougall, 15 February to 16 February with revisions to 2 March 1944
182pp.
: Incomplete.
|
|
|
Box/Folder
317/16
|
Treatment: Al Schmid: hero (By the dawn's early light), by Borowsky, 11 March 1944
27pp.
: Incomplete.
|
|
|
Box/Folder
317/17
|
Revised Temporary: This love of ours, by Maltz and Borowsky, 8 April 1944
21pp.
|
|
|
Box/Folder
317/18
|
Revised Temporary 2: This love of ours, by Maltz and Borowsky, 25 April 1944
151pp.
: Incomplete.
|
|
|
Box/Folder
318/1
|
Screenplay: Al Schmid: hero (This love of ours), by Maltz, 6 May 1944
31pp.
: Incomplete.
|
|
|
Box/Folder
318/2
|
Treatment: Al Schmid: hero (This love of ours), by Margaret Buell Wilder, 13 May to 20 May 1944
58pp.
: Incomplete.
|
|
|
Box/Folder
318/3
|
Treatment: (“Scene outline”), Al Schmid: hero (This love of ours), by Maltz, 22 July 1944
27pp.
|
|
|
Box/Folder
318/4
|
Revised Temporary 3: This love of ours, by Maltz and Borowsky, 18 August 1944
131pp.
: Incomplete.
|
|
|
Box/Folder
318/5
|
Screenplay: This love of ours, by Maltz, 16 September to 30 September 1944
177pp.
|
|
|
Box/Folder
318/6
|
Revised Temporary 4: This love of ours, by Maltz, 4 October 1944
180pp.
|
|
|
Box/Folder
318/7
|
Comments: (“Additional dialogue for 'Al Schmid: hero' [This love of ours]”), by Tom D'Andrea, 7 October to 28 October 1944
circa 70pp.
|
|
|
Box/Folder
318/8
|
Final: This love of ours, by Maltz, 24 October 1944 with revisions to 13 February 1945
circa 160pp.
|
|
|
Pride of the Bluegrass
|
|
|
Box/Folder
318/9
|
Temporary: Gantry the great, by Vincent Sherman, 26 January 1939
107pp.
: Incomplete.
|
|
|
Box/Folder
319/1
|
Final: Gantry the great, by Sherman, 3 February with revisions to 4 February 1939
circa 140pp.
|
|
|
Box/Folder
319/2
|
Revised Final: Gantry the great, by Sherman, 13 February with revisions to 20 March 1939
circa 130pp.
|
|
|
The Prime Minister
|
|
|
Box/Folder
319/3
|
Research: Benjamin Disraeli, Earl of Beaconsfield: a biographical appraisement of the man and his career, 1804-1881, by a E. MacKenzie , undated
22pp.
|
|
|
Box/Folder
319/4
|
Story Outline: Peace with honor, no author shown, undated
29pp.
|
|
|
Box/Folder
319/5
|
Temporary: by Michael Hogan, 11 December 1939
188pp.
|
|
|
Box/Folder
319/6
|
Screenplay: Disraeli, no author shown, 16 December 1939
circa 85pp.
|
|
|
Box/Folder
319/7
|
Revised Temporary: by Hogan, 16 April 1940
143pp.
|
|
|
Box/Folder
319/8
|
Final: An empire was built, by Hogan and Brock Williams, undated with revisions to ND
circa 145pp.
|
|
|
The Prince and the Pauper
|
|
|
Box/Folder
320/1
|
Novel: by Mark Twain. New York, 1881
281pp.
|
|
|
Box/Folder
320/2
|
Treatment: (“Adaptation and outline of screenplay”) by Howard Estabrook, 4 September to 9 September 1935
45pp.
|
|
|
Box/Folder
320/3
|
Temporary: by Laird Doyle, 28 September 1936
155pp.
: Incomplete.
|
|
|
Box/Folder
320/4
|
Screenplay: by Doyle, 29 October 1936
173pp.
|
|
|
Box/Folder
320/5
|
Final: by Doyle, 3 November with revisions to 30 November 1936
circa 165pp.
|
|
|
Princess O'Rourke
|
|
|
Box/Folder
320/6
|
Screenplay: by Norman Krasna, undated
148pp.
|
|
|
Box/Folder
320/7
|
Final: by Krasna, 23 June with revisions to 6 July 1942
circa 150pp.
|
|
|
Private Detective
|
|
|
Box/Folder
321/1
|
Short Story: Invitation to murder, by K Krause, undated
41pp.
|
|
|
Box/Folder
321/2
|
Screenplay: by Lee Katz, undated
102pp.
|
|
|
Box/Folder
321/3
|
Screenplay: Torchy's invitation to a murder, by Raymond L. Schrock, undated
122pp.
|
|
|
Box/Folder
321/4
|
Temporary: Torchy's invitation to a murder, by Earle Snell, 5 May 1939
91pp.
|
|
|
Box/Folder
321/5
|
Final: Torchy's invitation to a murder, by Snell and Schrock, 22 June 1939
102pp.
|
|
|
Box/Folder
321/6
|
Revised Final: Invitation to a murder, by Snell and Schrock, 15 July with revisions to 30 August 1939
circa 115pp.
|
|
|
Private Detective 62
|
|
|
Box/Folder
321/7
|
Short Story: Man killer, by Raoul Whitfield, in Black Mask, April 1932
22pp.
|
|
|
Box/Folder
321/8
|
Short Story: Man killer, by Whitfield, 30 September 1932, Typescript of above
49pp.
|
|
|
Box/Folder
321/9
|
Story Outline: (“Treatment--synopsis”) the keyhole, by Whitfield, undated
6pp.
|
|
|
Box/Folder
321/10
|
Treatment: the keyhole, by Whitfield, 1 October 1932
43pp.
|
|
|
Box/Folder
321/11
|
Screenplay: (“Continuity and dialogue”) Private detective, by Rian James, 4 January 1933
120pp.
|
|
|
Box/Folder
321/12
|
Screenplay: Private detective, by James, 14 January 1933
115pp.
|
|
|
Box/Folder
321/13
|
Final: Private detective, by James, 18 January 1933
116pp.
|
|
|
The Private Lives of Elizabeth and Essex
|
|
|
Box/Folder
322/1
|
Play: Elizabeth the queen, by Maxwell Anderson. New York, 1930
128pp.
|
|
|
Box/Folder
322/2
|
Temporary: the knight and the lady, by Norman Reilly Raine and Aeneas McKenzie, 6 March 1939
141pp.
|
|
|
Box/Folder
322/3
|
Final: the knight and the lady, by Raine and McKenzie, 24 March with revisions to 13 April 1939
circa 140pp.
|
|
|
Box/Folder
322/4
|
Revised Final: the knight and the lady, by Raine and McKenzie, 21 April with revisions to 2 May 1939
circa 135pp.
|
|
|
The Public Enemy
|
|
|
Box/Folder
322/5
|
Novel: Beer and blood: the story of a couple o' wrong guys, by Kubec Glasmon and John Bright, undated
348pp.
|
|
|
Box/Folder
322/6
|
Final: by Harvey Thew, 18 January 1931
134pp.
|
|
|
Public Enemy's Wife
|
|
|
Box/Folder
322/7
|
Short Story: by P J Wolfson, undated
16pp.
|
|
|
Box/Folder
322/8
|
Screenplay: by Harold Buckley and Abem Finkel, 11 December 1935
149pp.
|
|
|
Box/Folder
323/1
|
Screenplay: by Finkel and Buckley, 28 December 1935
130pp.
: Annotated.
|
|
|
Box/Folder
323/2
|
Temporary: by Finkel and Buckley, 11 January 1936
137pp.
|
|
|
Box/Folder
323/3
|
Final: by Finkel and Buckley, 4 March with revisions to 6 June 1936
circa 135pp.
|
|
|
Public Wedding
|
|
|
Box/Folder
323/4
|
Screenplay: Hard to handle, by Houston Branch, 18 November 1936
105pp.
|
|
|
Box/Folder
323/5
|
Temporary: by Roy Chanslor, 11 January with revisions to 12 January 1937
circa 100pp.
|
|
|
Box/Folder
323/6
|
Final: by Chanslor, 13 January with revisions to 29 January 1937
circa 105pp.
|
|
|
The Purchase Price
|
|
|
Box/Folder
323/7
|
Novel: the mud lark, by Arthur Stringer, serialized in Saturday Evening Post. 28 November to 31 December 1931
circa 70pp.
|
|
|
Box/Folder
323/8
|
Novel: the mud lark, by Stringer, 24 February 1932
205pp.
|
|
|
Box/Folder
324/1
|
Treatment: (“Preliminary”) the mud lark, by Austin Parker, undated
15pp.
|
|
|
Box/Folder
324/2
|
Treatment: (“Adaptation”) the mud lark, by Robert Lord, 5 March 1932
80pp.
: Annotated.
|
|
|
Box/Folder
324/3
|
Treatment: (“Second version, outline”) the mud lark, by Lord, 12 March 1932
88pp.
|
|
|
Box/Folder
324/4
|
Temporary: the mud lark, by Lord, 21 March 1932
95pp.
|
|
|
Box/Folder
324/5
|
Screenplay: (“Revised script--revised temporary”) the mud lark, by Lord, 28 March 1932
117pp.
: Annotated.
|
|
|
Box/Folder
324/6
|
Screenplay: (“Second revised script”) the mud lark, by Lord, 1 April 1932
121pp.
|
|
|
Box/Folder
324/7
|
Final: the mud lark, by Lord, 5 April 1932
113pp.
|
|
|
Racket Busters
|
|
|
Box/Folder
324/8
|
Research: the people of the state of New York against Paul N Coulcher, and others, transcript of stenographer's minutes, undated
133pp.
|
|
|
Box/Folder
324/9
|
Story Outline: the market, by Robert Rossen and Leonardi Bercovici, 11 December 1937
25pp.
|
|
|
Box/Folder
324/10
|
Treatment: the market, by Rossen and Bercovici, 18 December 1937
25pp.
|
|
|
Box/Folder
324/11
|
Screenplay: (“First draft screen treatment”) the market, by Rossen and Bercovici, 15 January 1938
159pp.
|
|
|
Box/Folder
324/12
|
Temporary: no author shown, 11 February 1938
156pp.
|
|
|
Box/Folder
325/1
|
Screenplay: (“Second draft”) by Rossen, 28 February 1938
108pp.
|
|
|
Box/Folder
325/2
|
Screenplay: by Rossen and Warren Duff, undated
142pp.
|
|
|
Box/Folder
325/3
|
Revised Temporary: by Duff and Rossen, 4 April 1938
54pp.
: Incomplete.
|
|
|
Box/Folder
325/4
|
Final: by Duff and Rossen, 14 April with revisions to 11 May 1938
circa 125pp.
|
|
|
Ready, Willing and Able
|
|
|
Box/Folder
325/5
|
Short Story: by Richard Macaulay, in Saturday Evening Post, 14 September 1935
6pp.
|
|
|
Box/Folder
325/6
|
Temporary: by Ben Markson and Patsy Flick, 2 January 1936
115pp.
|
|
|
Box/Folder
325/7
|
Treatment: by Lew Lipton, 20 January 1936
39pp.
|
|
|
Box/Folder
325/8
|
Revised Temporary: by Mary C. McCall Jr., 8 March 1936
106pp.
|
|
|
Box/Folder
325/9
|
Screenplay: by Jerry Wald and Sig Herzig, 28 July 1936
136pp.
|
|
|
Box/Folder
325/10
|
Revised Temporary 2: no author shown, 18 August to 19 August 1936
132pp.
|
|
|
Box/Folder
326/1
|
Final: no author shown, 11 September with revisions to 23 November 1936; memo from Maxwell Arnon to Hal Wallis et al
circa 145pp.; 1p.
|
|
|
Box/Folder
326/2
|
Revised Final: no author shown, 17 September with revisions to 23 November 1936
circa 140pp.
|
|
|
Recaptured Love
|
|
|
Box/Folder
326/3
|
Short Story: Misdeal, by Basil Woon, undated; theme, synopsis, cast of characters and scenario
33pp.; 5pp.
|
|
|
Box/Folder
326/4
|
Treatment: Misdeal, no author shown, undated
35pp.
|
|
|
Box/Folder
326/5
|
Temporary: (“First draft”) Fame, by Charles Kenyon, undated
116pp.
|
|
|
Box/Folder
326/6
|
Final: Fame, by Kenyon, undated
109pp.
|
|
|
Red Hot Tires
|
|
|
Box/Folder
326/7
|
Temporary: Racing luck, by Tristram Tupper, 6 September 1934
130pp.
|
|
|
Box/Folder
326/8
|
Final: Racing luck, by Tupper and Dore Schary, 26 September 1934
121pp.
|
|
|
Registered Nurse
|
|
|
Box/Folder
327/1
|
Play: Miss Benton R N, by Florence Johns and Wilton Lackaye, Jr, 22 June 1933
136pp.
|
|
|
Box/Folder
327/2
|
Treatment: Miss Benton R N, by Sidney Sutherland, 19 July 1933
55pp.
|
|
|
Box/Folder
327/3
|
Treatment: Miss Benton R N, by Lillie Hayward, undated
18pp.
|
|
|
Box/Folder
327/4
|
Treatment: by Hayward, 6 September 1933
45pp.
: Annotated.
|
|
|
Box/Folder
327/5
|
Story Outline: (“Revised plot outline”) by Hayward and Peter Milne, 16 September 1933
16pp.
|
|
|
Box/Folder
327/6
|
Screenplay: by Hayward and Milne, 19 October 1933
108pp.
|
|
|
Box/Folder
327/7
|
Screenplay: by Hayward and Milne, 4 November 1933
110pp.
|
|
|
Box/Folder
327/8
|
Temporary: by Hayward and Milne, 29 November 1933
91pp.
|
|
|
Box/Folder
327/9
|
Final: by Hayward and Milne, 9 December with revisions to 13 December 1933
circa 115pp.
|
|
|
The Return of Doctor X
|
|
|
Box/Folder
327/10
|
Short Story: the doctor's secret, by William J Makin, in Detective Fiction Weekly, 30 July 1938
19pp.
: Annotated.
|
|
|
Box/Folder
327/11
|
Screenplay: the doctor's secret, by Anthony Coldewey, undated
106pp.
: Annotated.
|
|
|
Box/Folder
327/12
|
Temporary: by Crane Wilbur and Jo Pagano, 2 May to 4 May 1939
96pp.
: Incomplete.
|
|
|
Box/Folder
327/13
|
Final: by Lee Katz, 15 May to 19 May with revisions to 16 May 1939
circa 75pp.
: Incomplete.
|
|
|
Box/Folder
327/14
|
Revised Final: by Katz, 20 May with revisions to 21 July 1939
circa 145pp.
|
|
|
Return of the Terror
|
|
|
Box/Folder
328/1
|
Play: the terror, no author shown, undated
138pp.
|
|
|
Box/Folder
328/2
|
Treatment: by Robert N Lee and Eugene Solow, 28 October 1933
31pp.
|
|
|
Box/Folder
328/3
|
Story Outline: by Lee and Solow, 3 November 1933
8pp.
|
|
|
Box/Folder
328/4
|
Treatment: by Lee, 18 November 1933
39pp.
|
|
|
Box/Folder
328/5
|
Story Outline: by Solow, 20 November 1933
9pp.
|
|
|
Box/Folder
328/6
|
Treatment: by Solow, 22 November 1933
60pp.
: Annotated.
|
|
|
Box/Folder
328/7
|
Screenplay: by Solow, 28 November 1933
115pp.
: Annotated.
|
|
|
Box/Folder
328/8
|
Screenplay: by Solow and Peter Milne, 19 January 1934
107pp.
|
|
|
Box/Folder
328/9
|
Final: no author shown, undated with revisions to 14 February 1934
circa 115pp.
|
|
|
Rhapsody in Blue
|
|
|
Box/Folder
328/10
|
Research: George Gershwin, by Isaac Goldberg. New York, 1931
293pp.
|
|
|
Box/Folder
328/11
|
Plot Summary: George Gershwin, by Victor a Perry, 25 January 1944
1p.
|
|
|
Box/Folder
328/12
|
Story Outline: the life of George Gershwin, by Robert Rossen, 5 September 1941
18pp.
|
|
|
Box/Folder
328/13
|
Treatment: by Kathryn Scola and Ira Gershwin, 24 October 1941
23pp.
|
|
|
Box/Folder
328/14
|
Treatment: by Rossen and Scola, 6 November 1941
11pp.
|
|
|
Box/Folder
328/15
|
Screenplay: (“First rough draft”) by Clifford Odets, 8 May 1942
172pp.
: Incomplete.
|
|
|
Box/Folder
329/1
|
Temporary: by Odets, 28 August 1942
324pp.
: Annotated.
|
|
|
Box/Folder
329/2
|
Treatment: by Sonya Levien, 30 January 1943
144pp.
|
|
|
Box/Folder
329/3
|
Screenplay: by Harry Chandlee, 19 February 1943
170pp.
|
|
|
Box/Folder
329/4
|
Final: by Howard Koch, 16 June 1943
144pp.
|
|
|
Box/Folder
329/5
|
Screenplay: by Elliot Paul, 29 June to 13 July 1943
128pp.
: Incomplete.
|
|
|
Box/Folder
329/6
|
Revised Final: by Paul, 1 July with revisions to 24 September 1943
circa 145pp.
|
|
|
Box/Folder
329/7
|
Reader Synopsis: by Dorothea Cartwright Doe, 7 December 1943
1p.
|
|
|
Box/Folder
329/8
|
Revised Final 2: (“Picture script”), by Koch and Paul, 23 May with revisions to 25 May 1945
circa 150pp.
|
|
|
The Rich Are Always With Us
|
|
|
Box/Folder
330/1
|
Novel: by E Pettit. New York, 1931
314pp.
|
|
|
Box/Folder
330/2
|
Treatment: by Robert Lord, 7 May 1931
23pp.
|
|
|
Box/Folder
330/3
|
Screenplay: Our social whirl, no author shown, 15 May 1931
102pp.
|
|
|
Box/Folder
330/4
|
Screenplay: Shadows on the wall, by Maude Fulton, undated
118pp.
|
|
|
Box/Folder
330/5
|
Screenplay: Shadows on the wall, by Austin Parker, 5 November 1931
104pp.
|
|
|
Box/Folder
330/6
|
Screenplay: Shadows on the wall, by Parker, 11 December 1931
125pp.
|
|
|
Box/Folder
330/7
|
Temporary: by Parker, 28 December 1931
102pp.
|
|
|
Box/Folder
330/8
|
Final: by Parker, 12 January 1932
102pp.
|
|
|
Ride 'Em Cowboy
|
|
|
Box/Folder
330/9
|
Final: by Scott Mason, 19 May 1932
77pp.
|
|
|
The Right to Live
|
|
|
Box/Folder
330/10
|
Play: the sacred flame, by W.S. Maugham, undated
110pp.
|
|
|
Box/Folder
330/11
|
Screenplay: the future belongs to you, or the right to live, by Ralph Block, 18 August 1934
120pp.
|
|
|
Box/Folder
331/1
|
Temporary: by Block, 21 August 1934
150pp.
|
|
|
Box/Folder
331/2
|
Revised Temporary: by Block, 17 September 1934
114pp.
|
|
|
Box/Folder
331/3
|
Final: by Block, 17 September with revisions to 23 October 1934; “English release ending”; memo, cast listing, from Maxwell Arnow , 29 September 1934
circa 120pp.; 7pp.; 1p.
|
|
|
River's End (1930)
|
|
|
Box/Folder
331/4
|
Novel: by James Oliver Curwood. New York, 1919
303pp.
|
|
|
Box/Folder
331/5
|
Play: by Daniel Kussell and Earnest Culbertson. Based on the novel by Curwood, undated
118pp.
: Annotated.
|
|
|
Box/Folder
331/6
|
Treatment: (“Scenario and reused dialogue”) by Marshall Neilan, undated
54pp.
|
|
|
Box/Folder
331/7
|
Final: by Charles Kenyon, undated
112pp.
|
|
|
River's End(1940)
|
|
|
Box/Folder
331/8
|
Treatment: by Robert E Kent, undated
66pp.
|
|
|
Box/Folder
332/1
|
Treatment: (“Broad structural outline”) by Bertram Millhauser, 5 February 1940
60pp.
|
|
|
Box/Folder
332/2
|
Temporary: by Millhauser, 9 March 1940
116pp.
: Incomplete.
|
|
|
Box/Folder
332/3
|
Revised Temporary: no author shown, 25 April to 29 April 1940
103pp.
|
|
|
Box/Folder
332/4
|
Final: no author shown, 4 May to 16 May with revisions to 29 June 1940; added scenes
circa 125pp.; 3pp.
|
|
|
Road Gang
|
|
|
Box/Folder
332/5
|
Story Outline: Prison farm, by Harold Buckley, 1 July 1935
8pp.
|
|
|
Box/Folder
332/6
|
Story Outline: Texas prison farms. by Buckley, undated
25pp.
|
|
|
Box/Folder
332/7
|
Screenplay: Prison farm, by Buckley and Abem Finkel, 6 August 1935
circa 145pp.
: Annotated.
|
|
|
Box/Folder
332/8
|
Screenplay: Prison farm, no author shown, undated
145pp.
|
|
|
Box/Folder
332/9
|
Temporary: Prison farm, no author shown, 10 September 1935
114pp.
|
|
|
Box/Folder
332/10
|
Final: Prison farm, by Dalton Trumbo, 8 October with revisions to 25 October 1935
circa 120pp.
|
|
|
Road to Paradise
|
|
|
Box/Folder
333/1
|
Play: Cornered, no author shown, undated
118pp.
|
|
|
Box/Folder
333/2
|
Final: At bay, by F Hugh Herbert, undated
96pp.
|
|
|
The Road to Singapore
|
|
|
Box/Folder
333/3
|
Play: Heat wave, by Roland Pertwee, undated
157pp.
|
|
|
Box/Folder
333/4
|
Screenplay: Heat wave, by J Grubb Alexander, undated
76pp.
|
|
|
Box/Folder
333/5
|
Final: Co-respondent, by Alexander, 16 April 1931
93pp.
|
|
|
Box/Folder
333/6
|
Revised Final: Co-respondent, by Alexander, 23 April with revisions to 29 May 1931
96pp.
: Annotated.
|
|
|
The Roaring Twenties
|
|
|
Box/Folder
333/7
|
Treatment: the world moves on, by Mark Hellinger, undated
51pp.
|
|
|
Box/Folder
333/8
|
Treatment: the world moves on, by Frank Donaghue, undated
66pp.
: Incomplete.
|
|
|
Box/Folder
333/9
|
Treatment: the world moves on, no author shown, undated
35pp.
|
|
|
Box/Folder
333/10
|
Temporary: the world moves on, by Earl Baldwin and Donaghue, 20 April 1939
90pp.
: Incomplete.
|
|
|
Box/Folder
333/11
|
Treatment: the world moves on, no author shown, 10 May 1939
17pp.
|
|
|
Box/Folder
333/12
|
Screenplay: the world moves on, by Jerry Wald and Richard Macaulay, 2 June 1939
47pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
334/1
|
Final: by Wald and Macaulay, 15 June to 5 July 1939
136pp.
: Incomplete.
|
|
|
Box/Folder
334/2
|
Revised Final: the world moves on, by Wald and Macaulay, 7 July with revisions to 28 August 1939
181pp.
|
|
|
Romance on the High Seas
|
|
|
Box/Folder
334/3
|
Screenplay: Romance in high c, by S Pondal Rios and Carlos a Olivari, translated from Spanish by Clarice Chapman, undated
78pp.
|
|
|
Box/Folder
334/4
|
Screenplay: Romance in high c, by Julius J and Philip G Epstein. 4 December 1946 to 3 January 1947
156pp.
: Incomplete.
|
|
|
Box/Folder
334/5
|
Screenplay: Romance in high c, by the Epsteins. 9 January to 23 January 1947
circa 125pp.
|
|
|
Box/Folder
334/6
|
Temporary: Romance in high c, by the Epsteins, 27 March 1947
127pp.
|
|
|
Box/Folder
334/7
|
Final: Romance in high c, by the Epsteins, 24 April to 3 May 1947
135pp.
|
|
|
Box/Folder
334/8
|
Screenplay: Romance in high c, by I a L Diamond, 7 May to 12 May 1947
128pp.
|
|
|
Box/Folder
335/1
|
Revised Final: Romance in high c, by the Epsteins and Diamond, 14 May with revisions to 18 July 1947
circa 130pp.
|
|
|
Roughly Speaking
|
|
|
Box/Folder
335/2
|
Novel: (Autobiography) by Louise Randall Pierson. New York, 1943
332pp.
|
|
|
Box/Folder
335/3
|
Treatment: by Pierson, 30 August to 2 October 1943
102pp.
|
|
|
Box/Folder
335/4
|
Temporary: by Pierson, 17 December with revisions to 20 December 1943
197pp.
|
|
|
Box/Folder
335/5
|
Final: by Pierson, 17 March to 15 April 1944
22pp.
: Incomplete.
|
|
|
Box/Folder
335/6
|
Revised Temporary: no author shown, 27 March 1944
83pp.
: Incomplete.
|
|
|
Box/Folder
335/7
|
Revised Final: by Pierson, 19 April with revisions to 23 August 1944
circa 200pp.
: Annotated.
|
|
|
The Ruling Voice
|
|
|
Box/Folder
336/1
|
Screenplay: (“Story by Rowland V. Lee and Donald W. Lee”) Upper underworld, by Byron Morgan, undated; “synopsis of latter part.”
94pp.; 4pp.
: Incomplete.
|
|
|
Box/Folder
336/2
|
Temporary: Upper underworld, by Morgan, 14 February 1931
156pp.
|
|
|
Box/Folder
336/3
|
Final: Upper underworld, by Robert Lord and Morgan, 25 February with revisions to 16 June 1931
circa 150pp.
|
|
|
Safe in Hell
|
|
|
Box/Folder
336/4
|
Play: by Houston Branch, 1930
111pp.
|
|
|
Box/Folder
336/5
|
Temporary: by Maude Fulton, 29 April 1931
104pp.
|
|
|
Box/Folder
336/6
|
Final: by Joseph Jackson and Fulton, 30 May with revisions to 2 June 1931
circa 105pp.
|
|
|
Box/Folder
336/7
|
Revised Final: by Jackson and Fulton, 20 June with revisions to 24 September 1931
circa 105pp.
|
|
|
The St. Louis Kid
|
|
|
Box/Folder
336/8
|
Short Story: the perfect week-end, by Frederick Hazlitt Brennan, 29 March 1936
20pp.
|
|
|
Box/Folder
336/9
|
Treatment: a perfect two and a half weeks, by Warren Duff and Seton I Miller, undated
26pp.
|
|
|
Box/Folder
336/10
|
Temporary: a perfect week-end, by Duff and Miller, 28 June 1934
133pp.
|
|
|
Box/Folder
337/1
|
Final: a perfect week-end, by Duff and Miller, 6 June with revisions to 9 August 1934
circa 130pp.
|
|
|
Sally
|
|
|
Box/Folder
337/2
|
Play: by Guy Bolton, 6 August 1941
99pp.
|
|
|
Box/Folder
337/3
|
Story Outline: no author shown, undated
8pp.
|
|
|
Box/Folder
337/4
|
Treatment: no author shown, undated
26pp.
|
|
|
Box/Folder
337/5
|
Final: by Waldemar Young, 12 June 1929
circa 120pp.
|
|
|
Box/Folder
337/6
|
Reader Synopsis: no author shown, 12 May 1947
1p.
|
|
|
San Antonio
|
|
|
Box/Folder
337/7
|
Story Outline: Montana, by W.R. Burnett, 16 December 1943
6pp.
|
|
|
Box/Folder
337/8
|
Temporary: by Burnett, 10 April 1944
155pp.
|
|
|
Box/Folder
337/9
|
Screenplay: by Alan Le May, 11 May to 17 June 1944
122pp.
|
|
|
Box/Folder
337/10
|
Revised Temporary: no author shown, 22 May to 2 June 1944
105pp.
: Incomplete.
|
|
|
Box/Folder
337/11
|
Screenplay: (“Revisions in revised temporary”) by Le May, 24 June to 1 July 1944
circa 145pp.
|
|
|
Box/Folder
337/12
|
Revised Temporary 2: no author shown, 29 June 1944
147pp.
|
|
|
Box/Folder
338/1
|
Revised Final: by Le May and Burnett, 26 August with revisions to 24 October 1944
circa 145pp.
|
|
|
San Quentin
|
|
|
Box/Folder
338/2
|
Short Story: Captain of the yard, by John Bright and Robert Tasker, undated
7pp.
|
|
|
Box/Folder
338/3
|
Screenplay: (“First draft”) by Bright and Tasker, 23 February 1935
134pp.
|
|
|
Box/Folder
338/4
|
Screenplay: (“Revised first draft”) by Bright and Tasker, 25 February to 28 February 1935
134pp.
|
|
|
Box/Folder
338/5
|
Treatment: (“Outline”) by Charles S Belden, 21 May 1935
19pp.
|
|
|
Box/Folder
338/6
|
Temporary: by Bright, Tasker and Belden, 20 July 1936
125pp.
|
|
|
Box/Folder
338/7
|
Revised Temporary: by Humphrey Cobb and Peter Milne, 19 September 1936
129pp.
|
|
|
Box/Folder
338/8
|
Final: by Cobb and Milne, undated with revisions to 22 December 1936; changes; memo--cast listing-- from Maxwell Arnow , 2 October 1936
circa 120pp.; 9pp.; 1p.
|
|
|
Santa Fe Trail
|
|
|
Box/Folder
338/9
|
Revised Final: by Robert Buckner, 2 July with revisions to 28 November 1940; new tag
160pp.; 3pp.
|
|
|
Saratoga Trunk
|
|
|
Box/Folder
339/1
|
Novel: by Edna Ferber, undated
340pp.
|
|
|
Box/Folder
339/2
|
Treatment: (“Outline”) by Casey Robinson, undated
53pp.
|
|
|
Box/Folder
339/3
|
Temporary: by Robinson, 17 October 1941
198pp.
|
|
|
Box/Folder
339/4
|
Final: by Robinson, 30 September 1942
166pp.
|
|
|
Box/Folder
339/5
|
Treatment: (“Outline”) by Robinson, 22 December 1942
14pp.
|
|
|
Box/Folder
339/6
|
Revised Final: by Robinson, 4 February to 25 February with revisions to 23 February 1943
circa 180pp.
: Incomplete.
|
|
|
Box/Folder
339/7
|
Revised Final 2: by Robinson, 2 March with revisions to 28 May 1943
circa 170pp.
|
|
|
Satan Met a Lady
|
|
|
Box/Folder
340/1
|
Screenplay: Maltese Falcon, by Brown Holmes, 8 September 1934
187pp.
|
|
|
Box/Folder
340/2
|
Temporary: Filthy lucre, no author shown, 1 October 1934
circa 140pp.
|
|
|
Box/Folder
340/3
|
Revised Temporary: Money man, or Filthy lucre, by Holmes, 30 November 1934
136pp.
|
|
|
Box/Folder
340/4
|
Revised Temporary 2: Money man, by Holmes, 31 May 1935
142pp.
|
|
|
Box/Folder
340/5
|
Final: the man with the black hat, by Holmes, 22 November with revisions to 9 December 1935
circa 145pp.
|
|
|
Saturday's Children
|
|
|
Box/Folder
340/6
|
Story Outline: no author shown, undated
3pp.
|
|
|
Box/Folder
340/7
|
Story Outline: no author shown, undated
10pp.
|
|
|
Box/Folder
340/8
|
Screenplay: by Charles Kaufman, undated
37pp.
: Incomplete.
|
|
|
Box/Folder
340/9
|
Screenplay: Married, pretty and poor, by Julius J and Phillip G Epstein, undated
157pp.
|
|
|
Box/Folder
340/10
|
Temporary: Married, pretty and poor, by the Epsteins, 11 November 1939
134pp.
|
|
|
Box/Folder
341/1
|
Final: Married, pretty and poor, by the Epsteins, 14 December 1939 with revisions to 16 January 1940
circa 140pp.
|
|
|
Say It With Songs
|
|
|
Box/Folder
341/2
|
Screenplay: by Darryl Zanuck and Harvey H Gates, undated
circa 95pp.
|
|
|
Box/Folder
341/3
|
Final: Jolson story, by Zanuck and Gates, undated
circa 120pp.
|
|
|
Scarlet Dawn
|
|
|
Box/Folder
341/4
|
Novel: Revolt, no author shown, 23 March 1932
68pp.
|
|
|
Box/Folder
341/5
|
Screenplay: Revolt, by Niven Busch and Erwin Gelsey, 1 April 1932
119pp.
|
|
|
Box/Folder
341/6
|
Screenplay: Revolt, by Douglas Fairbanks Jr, Busch, and Gelsey, undated
98pp.
|
|
|
Box/Folder
341/7
|
Final: Revolt, by Busch and Gelsey, 3 May 1932
98pp.
|
|
|
Scarlet Pages
|
|
|
Box/Folder
341/8
|
Play: by Samuel Shipman and John B Hymer, undated
110pp.
|
|
|
Box/Folder
341/9
|
Screenplay: by Walter Anthony, undated
93pp.
|
|
|
Box/Folder
341/10
|
Final: by Maude Fulton, undated
84pp.
|
|
|
The Sea Hawk
|
|
|
Box/Folder
342/1
|
Treatment: (“Outline”) Beggars of the sea, by Seton I Miller, 25 August 1938
25pp.
|
|
|
Box/Folder
342/2
|
Screenplay: Beggars of the sea, by Miller, undated
175pp.
|
|
|
Box/Folder
342/3
|
Revised Temporary: by Miller, 13 May 1939
158pp.
|
|
|
Box/Folder
342/4
|
Final: no author shown, 28 August to 21 September 1939
135pp.
|
|
|
Box/Folder
342/5
|
Treatment: by Howard Koch, undated
38pp.
|
|
|
Box/Folder
342/6
|
Revised Final: by Miller and Koch, 23 January 1940
150pp.
|
|
|
Box/Folder
342/7
|
Revised Final 2: by Miller and Koch, 30 January with revisions to 23 March 1940
circa 150pp.
|
|
|
The Sea Wolf
|
|
|
Box/Folder
342/8
|
Novel: by Jack London. New York, 1904
321pp.
|
|
|
Box/Folder
343/1
|
Treatment: (“Temporary outline”) by Abem Finkel and Norman Reilly Raine, 26 February 1938
119pp.
|
|
|
Box/Folder
343/2
|
Treatment: (“Temporary outline”) by Finkel and Raine, 7 October 1938
111pp.
|
|
|
Box/Folder
343/3
|
Temporary: by Robert Rossen, 17 September 1940
89pp.
: Incomplete.
|
|
|
Box/Folder
343/4
|
Revised Temporary: by Rossen, 25 September 1940
168pp.
|
|
|
Box/Folder
343/5
|
Final: by Rossen, 22 October 1940 with revisions to 6 January 1941
circa 155pp.
|
|
|
The Secret Bride
|
|
|
Box/Folder
343/6
|
Play: Concealment, by Leonard Ide, 6 April 1934
97pp.
|
|
|
Box/Folder
343/7
|
Story Outline: Concealment, by Tom Buckingham, undated
13pp.
|
|
|
Box/Folder
343/8
|
Screenplay: Concealment, by Hugh Hebert and Buckingham, 4 August 1934
45pp.
: Incomplete.
|
|
|
Box/Folder
343/9
|
Screenplay: Concealment, by Buckingham and Herbert, 28 August 1934
111pp.
: Incomplete.
|
|
|
Box/Folder
343/10
|
Temporary: Concealment, by Buckingham and Herbert, 1 September 1934
116pp.
|
|
|
Box/Folder
344/1
|
Final: Concealment, no author shown, undated
117pp.
|
|
|
Secret Enemies
|
|
|
Box/Folder
344/2
|
Temporary: by Raymond L Schrock (“based on original story by Seton I Miller”), 7 May 1942
111pp.
|
|
|
Box/Folder
344/3
|
Final: by Schrock, 19 May with revisions to 25 May 1942
circa 110pp.
|
|
|
Secret Service of the Air
|
|
|
Box/Folder
344/4
|
Temporary: the murder plane, by Raymond L Schrock, 9 July 1938
132pp.
|
|
|
Box/Folder
344/5
|
Final: the murder plane, by Schrock, 29 August 1938
110pp.
|
|
|
Box/Folder
344/6
|
Revised Final: the murder plane, by Schrock, 7 September with revisions to 13 September 1938
circa 115pp.
|
|
|
Box/Folder
344/7
|
Revised Final 2: the murder plane, by Schrock, 19 September to 21 September with revisions to 8 November 1938; added scenes
circa 120pp.; 19pp.
|
|
|
Secrets of An Actress
|
|
|
Box/Folder
345/1
|
Temporary: Lovely lady, by Charles Kenyon, 3 September 1935
105pp.
|
|
|
Box/Folder
345/2
|
Revised Temporary: Lovely lady, by Rowland Leigh, 18 December 1935
126pp.
|
|
|
Box/Folder
345/3
|
Revised Temporary 2: Lovely lady, by Leigh, 24 February 1937
143pp.
|
|
|
Box/Folder
345/4
|
Revised Temporary 3: Lovely lady, by Milton Krims and Julius Epstein, 31 January 1938
67pp.
: Incomplete.
|
|
|
Box/Folder
345/5
|
Final: Lovely lady, by Krims and Epstein, 5 February to 2 March with revisions to 10 March 1938
circa 120pp.
|
|
|
Sergeant Murphy
|
|
|
Box/Folder
345/6
|
Treatment: Golden girl, by Sy Bartlett, 6 December 1935
76pp.
|
|
|
Box/Folder
345/7
|
Temporary: by Abem Finkel, 21 April 1936
153pp.
|
|
|
Box/Folder
345/8
|
Revised Temporary: no author shown, 26 April 1937
114pp.
|
|
|
Box/Folder
345/9
|
Final: by Finkel and William Jacobs, undated with revisions to 3 July 1937
circa 115pp.
|
|
|
Sergeant York
|
|
|
Box/Folder
346/1
|
Novel: (Autobiography) the diary of Sergeant York, by Alvin C. York, serialized in Liberty, 14 July to 4 August 1928
10pp.
|
|
|
Box/Folder
346/2
|
Novel: Sergeant York, last of the long hunters, by Tom Skeyhill. Philadelphia, 1930
240pp.
|
|
|
Box/Folder
346/3
|
Research: (“Data for York story: compilation of material”), undated
158pp.
|
|
|
Box/Folder
346/4
|
Treatment: American rifleman, by Fred Niblo Jr, 29 April 1940
78pp.
|
|
|
Box/Folder
346/5
|
Story Outline: by Julien Josephson and Harry Chandlee, 8 May 1940
29pp.
|
|
|
Box/Folder
346/6
|
Treatment: the amazing story of Sergeant York, by Chandlee and Abem Finkel, 11 July 1940
105pp.
|
|
|
Box/Folder
346/7
|
Temporary: no author shown, 17 September to 24 September 1940
194pp.
|
|
|
Box/Folder
346/8
|
Final: no author shown, 10 January to 20 January 1941
83pp.
: Incomplete.
|
|
|
Box/Folder
346/9
|
Revised Final: by Finkel, Chandlee, John Huston, and Howard Koch, 31 January with revisions to 26 March 1941
circa 160pp.
|
|
|
Box/Folder
346/10
|
Reader Synopsis: by Doug Woolf, 29 June 1946
1p.
|
|
|
Sh! the Octopus
|
|
|
Box/Folder
347/1
|
Play: by Donald Gallagher and Ralph Murphy, undated
115pp.
|
|
|
Box/Folder
347/2
|
Temporary: by George Bricker, 19 June 1937
112pp.
|
|
|
Box/Folder
347/3
|
Final: by Bricker, 25 June with revisions to 28 July 1937
circa 120pp.
|
|
|
Shadow of a Woman
|
|
|
Box/Folder
347/4
|
Novel: He fell down dead, by Virginia Perdue. New York, 1943
216pp.
|
|
|
Box/Folder
347/5
|
Screenplay: He fell down dead, by Arthur Horman, 18 December 1943
138pp.
|
|
|
Box/Folder
347/6
|
Screenplay: He fell down dead, by Horman (“as cut by Gottlieb”), 12 February to 11 March 1944
162pp.
|
|
|
Box/Folder
347/7
|
Temporary: Dangerous marriage, by Horman, 5 April 1944
146pp.
|
|
|
Box/Folder
347/8
|
Screenplay: Dangerous marriage, by Graham Baker, 30 September to 11 November 1944
131pp.
|
|
|
Box/Folder
348/1
|
Screenplay: Dangerous marriage, by Baker, 18 November to 2 December 1944
134pp.
|
|
|
Box/Folder
348/2
|
Final: by Baker and Whitman Chambers, 18 January 1945
127pp.
|
|
|
Box/Folder
348/3
|
Revised Final: by Chambers and Baker, 8 February with revisions to 24 July 1945
circa 145pp.
|
|
|
Shadows on the Stairs
|
|
|
Box/Folder
348/4
|
Play: Murder on the second floor, by Frank Vosper, undated
103pp.
|
|
|
Box/Folder
348/5
|
Temporary: Murder on the second floor, by Anthony Coldewey, 26 nov 1940
102pp.
|
|
|
Box/Folder
348/6
|
Final: Murder on the second floor, by Coldewey, 6 December with revisions to 18 December 1940
circa 105pp.
|
|
|
She Couldn't Say No
|
|
|
Box/Folder
348/7
|
Play: by Benjamin M Kaye. New York, 1932
99pp.
|
|
|
Box/Folder
348/8
|
Temporary: by Earl Baldwin, 7 March 1940
62pp.
: Incomplete.
|
|
|
Box/Folder
348/9
|
Revised Temporary: by Baldwin, 26 March 1940
102pp.
|
|
|
Box/Folder
348/10
|
Final: no author shown, 5 October with revisions to 9 October 1940
circa 100pp.
|
|
|
She Had to Say Yes
|
|
|
Box/Folder
349/1
|
Screenplay: (“First draft, rough dialogue) by John Francis Larkin, 6 October 1932
109pp.
|
|
|
Box/Folder
349/2
|
Screenplay: by Larkin, 22 October 1932, Annotated
112pp.
|
|
|
Box/Folder
349/3
|
Screenplay: (“Continuity and dialogue”) by Don Mullally, 25 November 1932
52pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
349/4
|
Screenplay: by Rian James, 1 December 1932
122pp.
|
|
|
Box/Folder
349/5
|
Final: no author shown, 7 December with revisions to 19 December 1932
circa 130pp.
|
|
|
She Loved a Fireman
|
|
|
Box/Folder
349/6
|
Temporary: Two platoons, by Carlton Sand and Morton Grant, 21 June 1937
106pp.
|
|
|
Box/Folder
349/7
|
Final: Two platoons, by Sand and Grant, 27 June with revisions to 15 July 1937
circa 100pp.
|
|
|
Shine on Harvest Moon
|
|
|
Box/Folder
349/8
|
Story Outline: by Bert Granet, undated
8pp.
|
|
|
Box/Folder
349/9
|
Screenplay: by Granet, undated; outline of ending
118pp.; 3pp.
|
|
|
Box/Folder
349/10
|
Screenplay: by Richard Weil, undated
49pp.
: Incomplete.
|
|
|
Box/Folder
349/11
|
Story Outline: by Sam Hellman, 24 February 1943
12pp.
|
|
|
Box/Folder
349/12
|
Temporary: by Weil and Hellman, 6 April 1943
119pp.
|
|
|
Box/Folder
350/1
|
Revised Temporary: by Weil, Hellman, and (“additional dialogue by”) James Kern, 22 May 1943
133pp.
|
|
|
Box/Folder
350/2
|
Final: by Weil, Hellman, (“additional dialogue by”) Kern, and Francis Swann, 9 June with revisions to 29 July 1943
circa 115pp.
|
|
|
Box/Folder
350/3
|
Revised Final: by Weil, Hellman, (“additional dialogue by”) Kern, and Swann, 8 July with revisions to 21 September 1943
circa 115pp.
|
|
|
Shining Victory
|
|
|
Box/Folder
350/4
|
Play: Jupiter laughs, by a J Cronin, 20 September 1939
125pp.
|
|
|
Box/Folder
350/5
|
Treatment: Jupiter laughs, by Warren Duff and Guy Endore, undated
76pp.
: Annotated.
|
|
|
Box/Folder
350/6
|
Screenplay: Jupiter laughs, by Duff and Endore, undated
145pp.
: Annotated (Robert Lord's notes).
|
|
|
Box/Folder
350/7
|
Temporary: Winged victory, by Howard Koch, 14 September with revisions to 23 September 1940
circa 115pp.
|
|
|
Box/Folder
350/8
|
Final: Winged victory, by Koch and Anne Froelick, 28 November 1940 with revisions to 3 February 1941
circa 110pp.
|
|
|
Shipmates Forever
|
|
|
Box/Folder
351/1
|
Treatment: Anchors aweigh, by Malcom Stuart Boylan. (Original story by Commander H a Jones, USN.) undated
85pp.
|
|
|
Box/Folder
351/2
|
Story Outline: Anchors aweigh, by Charles S Belden, undated
9pp.
|
|
|
Box/Folder
351/3
|
Treatment: Anchors aweigh, by Belden, undated
29pp.
|
|
|
Box/Folder
351/4
|
Screenplay: Jones of Annapolis, no author shown, undated
87pp.
: Incomplete.
|
|
|
Box/Folder
351/5
|
Treatment: Anchors aweigh, by Delmer Daves, 3 May 1935
circa 65pp.
: Annotated.
|
|
|
Box/Folder
351/6
|
Temporary: Anchors aweigh, by Daves. 18 May 1935
188pp.
|
|
|
Box/Folder
351/7
|
Final: Anchors aweigh, by Daves, 25 May with revisions to 11 July 1935
circa 190pp.
|
|
|
A Shot in the Dark
|
|
|
Box/Folder
351/8
|
Temporary: No hard feelings, by M Coates Webster, 7 January 1941
106pp.
|
|
|
Box/Folder
351/9
|
Final: No hard feelings, by Webster, 14 January with revisions to 6 February 1941
circa 105pp.
|
|
|
Show of Shows
|
|
|
Box/Folder
351/10
|
Treatment: by Darryl Zanuck, 1929
49pp.
|
|
|
Box/Folder
351/11
|
Postproduction: (“Dialogue transcript, foreign version”), undated
20pp.
|
|
|
Showgirl in Hollywood
|
|
|
Box/Folder
352/1
|
Novel: by J P McEvoy, serialized in Liberty, 22 June to 28 September 1929
70pp.
|
|
|
Box/Folder
352/2
|
Treatment: (“First draft outline”) by Harvey Thew, 16 September 1929
43pp.
|
|
|
Box/Folder
352/3
|
Screenplay: by Thew, 7 October 1929
128pp.
|
|
|
Box/Folder
352/4
|
Final: by Thew, 24 October 1929
154pp.
|
|
|
Side Show
|
|
|
Box/Folder
352/5
|
Screenplay: by William K Wells, 9 February 1931
circa 93pp.
|
|
|
Box/Folder
352/6
|
Screenplay: by Wells, undated
94pp.
|
|
|
Box/Folder
352/7
|
Final: by Wells, 23 March 1931
100pp.
|
|
|
Box/Folder
352/8
|
Revised Final: no author shown, 6 April with revisions to 28 April 1931
circa 85pp.
|
|
|
Side Streets
|
|
|
Box/Folder
352/9
|
Novel: Fur coats, by Ann Garrick, copied October 1933
85pp.
|
|
|
Box/Folder
352/10
|
Short Story: Fur coats, adapted by Ethel Hill from Garrick's novel, October 1933
65pp.
|
|
|
Box/Folder
352/11
|
Temporary: Fur coats, by Manuel Seff, 26 December 1933
131pp.
|
|
|
Box/Folder
352/12
|
Final: Fur coats, by Seff, 6 January 1934
55pp.
: Incomplete.
|
|
|
Box/Folder
353/1
|
Revised Final: Fur coats, by Seff, 11 January with revisions to 31 January 1934
128pp.
|
|
|
The Silk Express
|
|
|
Box/Folder
353/2
|
Treatment: by Houston Branch, 2 November 1932
38pp.
|
|
|
Box/Folder
353/3
|
Screenplay: no author shown, 16 December 1932
111pp.
|
|
|
Box/Folder
353/4
|
Temporary: by Branch, 23 December 1932
108pp.
|
|
|
Box/Folder
353/5
|
Final: by Branch and Ben Markson, 4 January with revisions to 7 March 1933
circa 115pp.
|
|
|
Silver Dollar
|
|
|
Box/Folder
353/6
|
Novel: Silver dollar--The story of the Tabors, by David Karsner. New York, 1932
354pp.
|
|
|
Box/Folder
353/7
|
Research: Cabin life in Colorado, by Mrs H.A.W. Tabor, 1884
14pp.
|
|
|
Box/Folder
353/8
|
Treatment: by Harvey Thew, 23 March 1932
65pp.
|
|
|
Box/Folder
353/9
|
Screenplay: by Thew, 18 April 1932
145pp.
|
|
|
Box/Folder
353/10
|
Revised Temporary: by Thew, 10 May 1932
125pp.
|
|
|
Box/Folder
353/11
|
Final: by Thew and Carl Erickson, 23 July with revisions to 22 September 1932
circa 110pp.
|
|
|
Silver River
|
|
|
Box/Folder
354/1
|
Final: by Stephen Longstreet, 17 April with revisions to 7 August 1947
circa 150pp.
|
|
|
Sing Me a Love Song
|
|
|
Box/Folder
354/2
|
Treatment: Let's pretend, by Harry Sauber, 20 March 1935
37pp.
|
|
|
Box/Folder
354/3
|
Temporary: Let's pretend, by Sauber and Ben Markson, 18 June 1935
135pp.
|
|
|
Box/Folder
354/4
|
Revised Temporary: Let's pretend, by Jerry Wald and Sig Herzig, 7 March 1936
161pp.
|
|
|
Box/Folder
354/5
|
Final: Let's pretend, by Herzig and Wald, 11 March with revisions to 5 June 1936
circa 145pp.
|
|
|
Box/Folder
354/6
|
Revised Final: Let's pretend, by Herzig and Wald, 16 June 1936
132pp.
|
|
|
Box/Folder
354/7
|
Revised Final 2: Let's pretend, by Herzig and Wald, 25 June with revisions to 31 July 1936
circa 130pp.
|
|
|
Singapore Woman
|
|
|
Box/Folder
354/8
|
Temporary: the jinx woman, no author shown, 27 September with revisions to 11 November 1940
circa 125pp.
|
|
|
Box/Folder
355/1
|
Final: the jinx woman, by M Coates Webster and Allen Rivkin (“original story by Laird Doyle”), 28 November 1940
106pp.
|
|
|
Box/Folder
355/2
|
Revised Final: Singapore, by Webster and Rivkin, 24 December 1940 with revisions to 28 February 1941
circa 125pp.
|
|
|
The Singing Kid
|
|
|
Box/Folder
355/3
|
Story Outline: Little pal, by Robert Lord, 3 August 1935
23pp.
|
|
|
Box/Folder
355/4
|
Treatment: Little pal, by Lord, 14 August 1935
circa 65pp.
: Annotated.
|
|
|
Box/Folder
355/5
|
Temporary: no author shown, 17 September 1935
128pp.
|
|
|
Box/Folder
355/6
|
Revised Temporary: by Warren Duff, Patsy Flick, and Lord, 2 October 1935
circa 138pp.
|
|
|
Box/Folder
355/7
|
Final: by Duff and Flick, 22 October 1935
134pp.
|
|
|
Box/Folder
355/8
|
Reader Synopsis: (Of final script) by Harriet Hinsdale, 25 October 1935
8pp.
|
|
|
Box/Folder
355/9
|
Revised Final: by Duff and Flick, 4 November 1935 with revisions to 6 January 1936
circa 150pp.
|
|
|
The Singing Marine
|
|
|
Box/Folder
356/1
|
Story Outline: by Delmer Daves, 23 July 1936
34pp.
|
|
|
Box/Folder
356/2
|
Treatment: by Daves, undated
139pp.
|
|
|
Box/Folder
356/3
|
Screenplay: by Daves, undated
174pp.
: Annotated.
|
|
|
Box/Folder
356/4
|
Temporary: by Daves, 17 October 1936
163pp.
|
|
|
Box/Folder
356/5
|
Revised Temporary: by Daves, 4 November 1936
156pp.
|
|
|
Box/Folder
356/6
|
Final: by Daves, 6 January 1937
157pp.
|
|
|
Box/Folder
356/7
|
Revised Final: by Daves, 15 January with revisions to 30 March 1937
circa 155pp.
|
|
|
Sinner's Holiday
|
|
|
Box/Folder
357/1
|
Play: Penny arcade, by Marie Baumer, undated
146pp.
|
|
|
Box/Folder
357/2
|
Screenplay: Penny arcade, by George Rosener, 5 April 1930
57pp.
: Incomplete.
|
|
|
Box/Folder
357/3
|
Temporary: Penny arcade, by Harvey Thew and Rosener, undated
126pp.
|
|
|
Box/Folder
357/4
|
Final: Penny arcade, by Rosener and Thew, undated
circa 95pp.
|
|
|
The Sisters
|
|
|
Box/Folder
357/5
|
Novel: by Myron Brinig. New York, 1937
570pp.
|
|
|
Box/Folder
357/6
|
Treatment: by Milton Krims, 13 November 1937
49pp.
|
|
|
Box/Folder
357/7
|
Temporary: by Krims, 15 January 1938
232pp.
|
|
|
Box/Folder
358/1
|
Revised Temporary: by Krims, 26 April 1938
193pp.
|
|
|
Box/Folder
358/2
|
Revised Temporary 2: by Krims, 11 May 1938
181pp.
|
|
|
Box/Folder
358/3
|
Final: by Krims, 21 May 1938
168pp.
|
|
|
Box/Folder
358/4
|
Revised Final: by Krims, 4 June with revisions to 30 July 1938
circa 170pp.
|
|
|
Sit Tight
|
|
|
Box/Folder
358/5
|
Final: no author shown, 28 May 1930
101pp.
|
|
|
6 Day Bike Rider
|
|
|
Box/Folder
358/6
|
Short Story: (“Original story outline”) no author shown, undated
7pp.
|
|
|
Box/Folder
358/7
|
Temporary: Six day bicycle race, by Earl Baldwin, undated
130pp.
|
|
|
Box/Folder
358/8
|
Final: Six day bicycle race, by Baldwin, undated with revisions to 7 July 1934
circa 115pp.
|
|
|
A Slight Case of Murder
|
|
|
Box/Folder
359/1
|
Play: by Howard Lindsay and Damon Runyon, undated
84pp.
|
|
|
Box/Folder
359/2
|
Temporary: by Mary C. McCall Jr., 7 January 1936
110pp.
|
|
|
Box/Folder
359/3
|
Final: no author shown, undated to 19 November 1937
158pp.
|
|
|
Slim
|
|
|
Box/Folder
359/4
|
Novel: by William Wister Haines. Boston, 1934
414pp.
|
|
|
Box/Folder
359/5
|
Screenplay: by Edward Chodorov, 27 March 1935
131pp.
|
|
|
Box/Folder
359/6
|
Treatment: by Charles Kenyon and Haines, undated
23pp.
|
|
|
Box/Folder
359/7
|
Screenplay: by Haines, 27 June 1935
129pp.
|
|
|
Box/Folder
359/8
|
Temporary: by Delmer Daves, 24 December 1935
141pp.
|
|
|
Box/Folder
360/1
|
Final: by Haines, 26 October with revisions to 16 November 1936
circa 145pp.
|
|
|
Box/Folder
360/2
|
Revised Final: by Haines, 21 November with revisions to 23 December 1936
circa 145pp.
|
|
|
Smart Blonde
|
|
|
Box/Folder
360/3
|
Short Story: No hard feelings, by Frederick Nebel, in Black Mask, undated
14pp.
|
|
|
Box/Folder
360/4
|
Temporary: No hard feelings, by Kenneth Gamet and Don Ryan, 11 August 1936
115pp.
|
|
|
Box/Folder
360/5
|
Final: No hard feelings, by Gamet and Ryan, 18 August 1936
115pp.
|
|
|
Smart Girls Don't Talk
|
|
|
Box/Folder
360/6
|
Screenplay: Dames don't talk, by William Sackheim, 4 November to 2 December 1947
124pp.
|
|
|
Box/Folder
360/7
|
Temporary: Dames don't talk, by Sackheim, 17 January 1948
115pp.
|
|
|
Box/Folder
360/8
|
Final: Dames don't talk, by Sackheim, 28 January with revisions to 3 February 1948
circa 120pp.
|
|
|
Smart Money
|
|
|
Box/Folder
361/1
|
Treatment: by Lucien Hubbard, 27 January 1931
30pp.
: Annotated.
|
|
|
Box/Folder
361/2
|
Treatment: (“Continuity outline”) Gambling story, no author shown, 9 February 1931
37pp.
|
|
|
Box/Folder
361/3
|
Final: the idol, no author shown, 25 February 1931
118pp.
|
|
|
Smarty
|
|
|
Box/Folder
361/4
|
Play: Hit me again, by F Hugh Herbert, undated
110pp.
|
|
|
Box/Folder
361/5
|
Temporary: Hit me again, by Herbert and Carl Erickson, 9 December 1933
136pp.
|
|
|
Box/Folder
361/6
|
Final: Hit me again, no author shown, undated
150pp.
: Annotated.
|
|
|
Smashing the Money Ring
|
|
|
Box/Folder
361/7
|
Temporary: Secret service story, by Anthony Coldewey, 26 May 1939
98pp.
|
|
|
Box/Folder
361/8
|
Final: Queer money, no author shown, 10 June with revisions to 15 June 1939
110pp.
|
|
|
Box/Folder
361/9
|
Revised Final: Queer money, no author shown, 17 June with revisions to 16 August 1939
111pp.
|
|
|
The Smiling Ghost
|
|
|
Box/Folder
362/1
|
Treatment: by Stuart Palmer, undated
40pp.
|
|
|
Box/Folder
362/2
|
Temporary: by Palmer, 28 December 1940
114pp.
|
|
|
Box/Folder
362/3
|
Revised Temporary: by Palmer, Ralph Spence, and Ben Markson, 23 January 1941
80pp.
: Incomplete.
|
|
|
Box/Folder
362/4
|
Screenplay: by Spence, 3 February 1941
147pp.
|
|
|
Box/Folder
362/5
|
Revised Temporary: by Kenneth Gamet, 13 March to 24 March 1941
140pp.
|
|
|
Box/Folder
362/6
|
Final: by Gamet, 26 March 1941
123pp.
|
|
|
Snowed Under
|
|
|
Box/Folder
362/7
|
Novel: by Lawrence Saunders, 27 April 1935
135pp.
|
|
|
Box/Folder
362/8
|
Temporary: by Edward Chodorov, 20 June with revisions to 2 July 1935
circa 128pp.
|
|
|
Box/Folder
362/9
|
Revised Temporary: no author shown, 3 October 1935
123pp.
|
|
|
Box/Folder
363/1
|
Screenplay: by Mary C. McCall Jr., 12 October 1935
113pp.
|
|
|
Box/Folder
363/2
|
Revised Temporary 2: no author shown, 25 October 1935
117pp.
|
|
|
Box/Folder
363/3
|
Final: no author shown, 19 November 1935
117pp.
|
|
|
Box/Folder
363/4
|
Revised Final: no author shown, 22 November 1935
69pp.
: Incomplete.
|
|
|
Box/Folder
363/5
|
Revised Final 2: no author shown, 29 November 1935
136pp.
|
|
|
So Big
|
|
|
Box/Folder
363/6
|
Novel: by Edna Ferber. New York, 1924
360pp.
|
|
|
Box/Folder
363/7
|
Final: by J Grubb Alexander, 22 December 1931 to 18 January 1932
131pp.
|
|
|
So Long Letty
|
|
|
Box/Folder
363/8
|
Play: by Elmer Harris and Oliver Morosco, undated
circa 85pp.
|
|
|
Box/Folder
363/9
|
Treatment: (“Outline for treatment”) by Robert Lord, March 1929
25pp.
|
|
|
Box/Folder
363/10
|
Treatment: (“Notes for second draft”) no author shown, undated
circa 20pp.
|
|
|
Box/Folder
364/1
|
Temporary: by Lord and Arthur Caesar, May 1929
126pp.
|
|
|
A Soldier's Plaything
|
|
|
Box/Folder
364/2
|
Short Story: Come easy, by Vina Delmar, undated
55pp.
|
|
|
Box/Folder
364/3
|
Treatment: Come easy, by Perry Vekroff, undated
circa 100pp.
|
|
|
Box/Folder
364/4
|
Final: Come easy, by Vekroff and Arthur Caesar, 1 April 1930
102pp.
|
|
|
Somewhere in Sonora
|
|
|
Box/Folder
364/5
|
Novel: Somewhere south in Sonora, by Will Levington Comfort. New York, 1925
237pp.
|
|
|
Son of a Sailor
|
|
|
Box/Folder
364/6
|
Screenplay: Son of the gobs, by Alfred a Cohn and Paul Gerrard Smith, 6 June 1933
93pp.
|
|
|
Box/Folder
364/7
|
Screenplay: Son of the gobs, by Smith and Peter Milne, 16 June 1933
114pp.
|
|
|
Box/Folder
364/8
|
Temporary: Son of the gobs, no author shown, undated
54pp.
: Incomplete.
|
|
|
Box/Folder
364/9
|
Final: Son of the gobs, no author shown, 8 August with revisions to 18 August 1933
circa 120pp.
|
|
|
Son of the Gods
|
|
|
Box/Folder
365/1
|
Novel: by Rex Beach. New York, 1929
392pp.
|
|
|
Box/Folder
365/2
|
Treatment: by Bradley King, undated
34pp.
|
|
|
Box/Folder
365/3
|
Screenplay: (“First draft continuity”) by King, undated
110pp.
|
|
|
Box/Folder
365/4
|
Final: no author shown, undated
111pp.
|
|
|
Song of the Saddle
|
|
|
Box/Folder
365/5
|
Treatment: (“Synoptic outline”) the singing kid, by William Jacobs, 24 July 1935
45pp.
|
|
|
Box/Folder
365/6
|
Temporary: the singing kid, by Jacobs, 23 August 1935
92pp.
|
|
|
Box/Folder
365/7
|
Final: Desert schooners, by Jacobs, 5 September with revisions to 10 September 1935
circa 115pp.
|
|
|
Sons o' Guns
|
|
|
Box/Folder
365/8
|
Play: by Fred Thompson and Jack Donahue, undated
circa 100pp.
|
|
|
Box/Folder
365/9
|
Story Outline: by Julius J Epstein and Jerry Wald, undated
8pp.
|
|
|
Box/Folder
365/10
|
Temporary: no author shown, 17 December 1935
138pp.
: Incomplete.
|
|
|
Box/Folder
366/1
|
Final: no author shown, undated to 7 January 1936
78pp.
: Incomplete.
|
|
|
Box/Folder
366/2
|
Revised Final: no author shown, 13 January 1936
110pp.
|
|
|
Sons of the Sea
|
|
|
Box/Folder
366/3
|
Screenplay: Fathers and sons, by Emeric Pressburger and Michael Powell, undated
196pp.
|
|
|
Box/Folder
366/4
|
Treatment: Atlantic ferry, by Gordon Wellesley and Edward Dryhurst, 11 November 1940; memo from story department to Harold Rodner
86pp.; 1p.
|
|
|
Box/Folder
366/5
|
Final: Atlantic ferry, by Wellesley and Dryhurst, undated
circa 210pp.
|
|
|
South of Suez
|
|
|
Box/Folder
366/6
|
Treatment: the gentleman from Kimberley, by Sheridan Gibney, 15 August 1935
31pp.
|
|
|
Box/Folder
366/7
|
Temporary: by Barry Trivers, 19 July to 23 July 1940
153pp.
|
|
|
Box/Folder
367/1
|
Final: by Trivers, 14 August with revisions to 22 August 1940
circa 140pp.
|
|
|
Box/Folder
367/2
|
Revised Final: by Trivers, 3 September to 6 September with revisions to 3 October 1940
circa 140pp.
|
|
|
Special Agent
|
|
|
Box/Folder
367/3
|
Treatment: by Martin Mooney, 23 May 1934
42pp.
|
|
|
Box/Folder
367/4
|
Screenplay: by Laird Doyle, May 1935
118pp.
|
|
|
Box/Folder
367/5
|
Temporary: no author shown, 10 May 1935
53pp.
: Incomplete.
|
|
|
Box/Folder
367/6
|
Revised Temporary: no author shown, 31 May 1935
84pp.
: Incomplete.
|
|
|
Box/Folder
367/7
|
Final: no author shown, undated with revisions to 3 July 1935
circa 140pp.
|
|
|
Spring Is Here
|
|
|
Box/Folder
367/8
|
Play: by Owen Davis (music by Richard Rodgers, lyrics by Lorenz Hart), undated
circa 110pp.
|
|
|
Box/Folder
367/9
|
Revised Temporary: by James a Starr, 1 October 1929
61pp.
: Incomplete.
|
|
|
Box/Folder
367/10
|
Final: by Starr, 11 October 1929
79pp.
|
|
|
Spy Ship
|
|
|
Box/Folder
368/1
|
Temporary: Caught in the fog, by Robert E Kent, 20 February 1942
107pp.
|
|
|
Box/Folder
368/2
|
Final: Caught in the fog, by Kent, 7 March with revisions to 12 March 1942
circa 105pp.
|
|
|
The Squall
|
|
|
Box/Folder
368/3
|
Play: by Jean Bart, undated
105pp.
|
|
|
Box/Folder
368/4
|
Treatment: by Lajos Biro, undated
24pp.
|
|
|
Box/Folder
368/5
|
Screenplay: (“First draft continuity”) by Bradley King, undated
circa 120pp.
: Annotated.
|
|
|
Box/Folder
368/6
|
Final: (For sound and silent versions) by King, 12 May 1929
circa 250pp.
|
|
|
Stage Struck
|
|
|
Box/Folder
368/7
|
Treatment: Dames, by Robert Lord, 16 September 1933
43pp.
|
|
|
Box/Folder
368/8
|
Screenplay: by Tom Buckingham, 2 August 1935
114pp.
: Annotated.
|
|
|
Box/Folder
368/9
|
Temporary: no author shown, 31 August 1935
126pp.
|
|
|
Box/Folder
369/1
|
Revised Temporary: by Buckingham and Patsy Flick, 4 December 1935
135pp.
|
|
|
Box/Folder
369/2
|
Revised Temporary 2: by Buckingham and Flick, 10 January 1936
133pp.
|
|
|
Box/Folder
369/3
|
Final: by Buckingham and Flick, 29 January with revisions to 6 February 1936
circa 125pp.
: Annotated.
|
|
|
Box/Folder
369/4
|
Revised Final: no author shown, undated with revisions from 11 March to 9 June 1936
circa 120pp.
|
|
|
Stallion Road
|
|
|
Box/Folder
369/5
|
Novel: by Stephen Longstreet. New York, 1945
303pp.
|
|
|
Box/Folder
369/6
|
Novel: Condensation of above by Longstreet. Liberty, 1 September 1945
8pp.
|
|
|
Box/Folder
369/7
|
Story Outline: by Longstreet, 26 November 1945
9pp.
|
|
|
Box/Folder
369/8
|
Treatment: (“Short outline”) by Longstreet, 28 November to 3 December 1945
26pp.
|
|
|
Box/Folder
369/9
|
Screenplay: by Longstreet, 12 December 1945
178pp.
|
|
|
Box/Folder
370/1
|
Revised Temporary: by Longstreet, 25 January 1946
152pp.
|
|
|
Box/Folder
370/2
|
Final: by Longstreet, 14 March to 15 March 1946
78pp.
: Incomplete.
|
|
|
Box/Folder
370/3
|
Revised Final: by Longstreet, 28 March with revisions to 9 May 1946
circa 145pp.
|
|
|
Star Witness
|
|
|
Box/Folder
370/4
|
Screenplay: This is the answer, by Lucien Hubbard, 3 March 1931
101pp.
: Annotated.
|
|
|
Box/Folder
370/5
|
Temporary: by Hubbard, 24 April 1931
96pp.
|
|
|
Box/Folder
370/6
|
Final: by Hubbard, 13 May with revisions to 27 May 1931
circa 100pp.
|
|
|
Stars Over Broadway
|
|
|
Box/Folder
370/7
|
Short Story: Thin air, by Mildred Cram, 14 August 1934
41pp.
|
|
|
Box/Folder
370/8
|
Short Story: Thin air, by Cram. Cosmopolitan, November 1934
7pp.
|
|
|
Box/Folder
370/9
|
Story Outline: Thin air, no author shown, undated
3pp.
|
|
|
Box/Folder
370/10
|
Temporary: Thin air, by Jerry Wald and Julius Epstein, 19 April 1935
120pp.
: Annotated.
|
|
|
Box/Folder
370/11
|
Revised Temporary: Radio jamboree, by Wald and Epstein, 18 June 1935
119pp.
|
|
|
Box/Folder
371/1
|
Final: by Wald and Epstein, 7 August with revisions to 27 August 1935
circa 170pp.
|
|
|
Steel Against the Sky
|
|
|
Box/Folder
371/2
|
Screenplay: High towers, by Jessie Lasky Jr. and Maurice Hanline, 29 May 1941
122pp.
|
|
|
Box/Folder
371/3
|
Final: Bridges built at night, by Hanline and Lasky, 12 July to 18 July 1941
121pp.
|
|
|
Box/Folder
371/4
|
Revised Final: Bridges built at night, by Hanline and Lasky, 4 August 1941
124pp.
|
|
|
Box/Folder
371/5
|
Revised Final 2: Bridges built at night, no author shown, 5 August 1941
115pp.
|
|
|
Box/Folder
371/6
|
Revised Final 3: Bridges built at night, no author shown, 12 August 1941
120pp.
|
|
|
Stolen Holiday
|
|
|
Box/Folder
371/7
|
Story Outline: Francis-Chanel story, by Warren Duff, 1 November 1935; memo from Duff to Hal Wallis
6pp.; 1p.
|
|
|
Box/Folder
371/8
|
Treatment: Mistress of fashion, or Stolen holiday, by Duff, 27 November 1935
41pp.
|
|
|
Box/Folder
371/9
|
Temporary: Mistress of fashion, by Duff and Virginia Kellogg, 16 February 1936
134pp.
|
|
|
Box/Folder
372/1
|
Revised Temporary: Mistress of fashion, by Casey Robinson, 1 June with revisions to 2 June 1936
circa 165pp.
|
|
|
Box/Folder
372/2
|
Revised Temporary 2: Mistress of fashion, by Robinson, 23 June 1936
139pp.
|
|
|
Box/Folder
372/3
|
Final: Mistress of fashion, by Robinson, 7 July with revisions to 11 August 1936
circa 125pp.
|
|
|
A Stolen Life
|
|
|
Box/Folder
372/4
|
Plot Summary: of Das Geraubte Leben, by the Paris office, 19 March 1935
13pp.
|
|
|
Box/Folder
372/5
|
Novel: (“Translation of the Czech book 'Uluopeny Zivot' by K J Benes”) no author shown, December 1943
439pp.
|
|
|
Box/Folder
372/6
|
Plot Summary: (of the translation mss) by Mel Dinelli, 8 March 1944
21pp.
|
|
|
Box/Folder
372/7
|
Research: (“Dialogue transcription of Britishmade picture, distributed by Paramount in 1939. Screenplay by Margaret Kennedy.”) undated
36pp.
|
|
|
Box/Folder
373/1
|
Treatment: by Frank Cavett, undated
12pp.
|
|
|
Box/Folder
373/2
|
Screenplay: by Cavett, 14 February 1944
53pp.
: Incomplete.
|
|
|
Box/Folder
373/3
|
Screenplay: by Cavett, 8 April 1944
64pp.
: Incomplete.
|
|
|
Box/Folder
373/4
|
Treatment: by Cavett, 28 July 1944
5pp.
: Incomplete.
|
|
|
Box/Folder
373/5
|
Treatment: by Margaret Wilder, 5 August 1944
12pp.
: Incomplete.
|
|
|
Box/Folder
373/6
|
Treatment: by Wilder, 12 August to 23 September 1944
65pp.
|
|
|
Box/Folder
373/7
|
Treatment: by Catherine Turney, 19 August 1944
16pp.
|
|
|
Box/Folder
373/8
|
Screenplay: by Turney, 26 August to 21 October 1944
189pp.
|
|
|
Box/Folder
373/9
|
Treatment: by Wilder, 30 September 1944
74pp.
: Annotated.
|
|
|
Box/Folder
373/10
|
Screenplay: by Turney, 28 October to 23 December 1944
circa 165pp.
|
|
|
Box/Folder
373/11
|
Final: by Turney, 1 November with revisions to 22 December 1944
circa 165pp.
|
|
|
Box/Folder
373/12
|
Screenplay: by Turney, 13 January to 3 March 1945
circa 135pp.
: Incomplete.
|
|
|
Box/Folder
373/13
|
Revised Final: by Turney, 23 January 1945 with revisions to 9 January 1946
circa 175pp.
|
|
|
Box/Folder
374/1
|
Comments: (“Changed pages”) by Turney, 24 March to 30 June 1945
circa 65pp.
: Incomplete.
|
|
|
Box/Folder
374/2
|
Reader Synopsis: by Sol Swartz, 29 April 1946
1p.
|
|
|
The Story of Dr Ehrlich's Magic Bullet
|
|
|
Box/Folder
374/3
|
Research: Paul Ehrlich, the man and the scientist: recollections of the years 1902-15, by Martha Marquardt. 3 April 1939
79pp.
|
|
|
Box/Folder
374/4
|
Treatment: Ehrlich, by Norman Burnstine, 8 October 1938
94pp. and 2pp.
|
|
|
Box/Folder
374/5
|
Treatment: 606, no author shown, 7 December 1938
55pp.
|
|
|
Box/Folder
374/6
|
Screenplay: Ehrlich, by Burnstine and Heinz Herald, 21 March 1939
235pp.
|
|
|
Box/Folder
374/7
|
Screenplay: the life of Dr Ehrlich, by John Huston and Herald, 8 May 1939
circa 235pp.
|
|
|
Box/Folder
374/8
|
Temporary: Test 606, by Huston, Herald, and Burnstine, 12 August 1939
177pp.
|
|
|
Box/Folder
374/9
|
Revised Temporary: Dr Ehrlich, no author shown, 22 September 1939
159pp.
|
|
|
Box/Folder
375/1
|
Final: Dr Ehrlich, no author shown, 13 October with revisions to 1 December 1939
circa 145pp.
|
|
|
The Story of Louis Pasteur
|
|
|
Box/Folder
375/2
|
Screenplay: Pasteur, by Pierre Collings, 24 January 1935
118pp.
|
|
|
Box/Folder
375/3
|
Temporary: the death fighter, no author shown, 27 July 1935
131pp.
|
|
|
Box/Folder
375/4
|
Revised Temporary: the fighter, no author shown, 3 August 1935
130pp.
|
|
|
Box/Folder
375/5
|
Final: Enemy of man, by Sheridan Gibney and Collings, 7 August 1935
127pp.
|
|
|
The Story of Seabiscuit
|
|
|
Box/Folder
375/6
|
Story Outline: by John Taintor Foote, 19 August 1947
8pp.
|
|
|
Box/Folder
375/7
|
Screenplay: Seabiscuit, by Foote, undated
115pp.
|
|
|
Box/Folder
375/8
|
Temporary: Seabiscuit, by Foote, 8 October 1947
84pp.
: Incomplete.
|
|
|
Box/Folder
376/1
|
Revised Temporary: Seabiscuit, by Foote, 22 October with revisions to 23 October 1947
112pp.
|
|
|
Box/Folder
376/2
|
Reader Synopsis: no author shown, 9 December 1947
1p.
|
|
|
Box/Folder
376/3
|
Revised Temporary 2: Always sweethearts, by Foote, 28 February 1949
132pp.
|
|
|
Box/Folder
376/4
|
Final: Always sweethearts, by Foote, 6 April with revisions to 12 April 1949
circa 120pp.
|
|
|
Box/Folder
376/5
|
Reader Synopsis: by Ardel Wray, 20 October 1955
1p.
|
|
|
Stranded
|
|
|
Box/Folder
376/6
|
Novel: Lady with badge, by Frank Wead and Ferdinand Reyher, undated
153pp.
|
|
|
Box/Folder
376/7
|
Treatment: by Delmer Daves, 15 September 1934
137pp.
|
|
|
Box/Folder
376/8
|
Temporary: no author shown, 31 October 1934
139pp.
|
|
|
Box/Folder
376/9
|
Revised Temporary: by Daves, 31 December 1934
141pp.
|
|
|
Box/Folder
377/1
|
Screenplay: by Carl Erickson, 13 February 1935
135pp.
|
|
|
Box/Folder
377/2
|
Final: no author shown, 23 February 1935
86pp.
: Incomplete.
|
|
|
Box/Folder
377/3
|
Revised Final: by Daves, 9 March 1935
circa 140pp.
|
|
|
Strange Alibi
|
|
|
Box/Folder
377/4
|
Short Story: Give me liberty, by Leslie T White, undated
51pp.
|
|
|
Box/Folder
377/5
|
Temporary: by Kenneth Gamet, 11 December 1940
115pp.
|
|
|
Box/Folder
377/6
|
Final: by Gamet and Fred Niblo, Jr, 31 December 1940
112pp.
|
|
|
Box/Folder
377/7
|
Revised Final: by Gamet, 8 January with revisions to 10 February 1941
circa 115pp.
|
|
|
The Strange Love of Molly Louvain
|
|
|
Box/Folder
377/8
|
Play: Tinsel girl, by Maurine Watkins, 14 November 1931
99pp.
|
|
|
Box/Folder
377/9
|
Story Outline: Tinsel girl, no author shown, undated
9pp.
|
|
|
Box/Folder
377/10
|
Screenplay: Tinsel girl, by Erwin Gelsey, 1 December 1931
108pp.
: Annotated.
|
|
|
Box/Folder
378/1
|
Treatment: Tinsel girl, no author shown, 12 January 1932
73pp.
: Annotated.
|
|
|
Box/Folder
378/2
|
Temporary: Tinsel girl, by Gelsey and Brown Holmes, 28 January 1932
95pp.
|
|
|
Box/Folder
378/3
|
Final: Tinsel girl, no author shown, 29 January 1932
circa 100pp.
|
|
|
Stranger in Town
|
|
|
Box/Folder
378/4
|
Story Outline: Competition, by Carl Erickson, 28 December 1931
4pp.
|
|
|
Box/Folder
378/5
|
Treatment: Competition, no author shown, 22 January 1932
46pp.
: Annotated.
|
|
|
Box/Folder
378/6
|
Temporary: Competition, no author shown, 5 March 1932
122pp.
|
|
|
Box/Folder
378/7
|
Screenplay: Competition, no author shown, 16 March 1932
96pp.
|
|
|
Box/Folder
378/8
|
Final: Competition, by Julien Josephson and Harvey Thew, 25 March to 30 March 1932
110pp.
|
|
|
Strawberry Blonde
|
|
|
Box/Folder
378/9
|
Story Outline: One Sunday afternoon, by Milton Krims (“From the play by James Hagan”), 16 January 1940
13pp.
|
|
|
Box/Folder
378/10
|
Treatment: One Sunday afternoon, by Julius and Philip Epstein, undated
18pp.
|
|
|
Box/Folder
378/11
|
Temporary: One Sunday afternoon, by the Epsteins, 9 August with revisions to 24 September 1940
circa 140pp.
|
|
|
Box/Folder
378/12
|
Final: by the Epsteins, 15 October with revisions to 11 December 1940
circa 150pp.
|
|
|
Street of Women
|
|
|
Box/Folder
379/1
|
Treatment: by Charles Kenyon, 17 December 1931
23pp.
|
|
|
Box/Folder
379/2
|
Treatment: no author shown, 7 January 1932
51pp.
|
|
|
Box/Folder
379/3
|
Screenplay: by Alice D G Miller, undated
108pp.
|
|
|
Box/Folder
379/4
|
Screenplay: by Mary McCall Jr, undated
69pp.
: Annotated.
|
|
|
Box/Folder
379/5
|
Temporary: by McCall, 9 February 1932
76pp.
|
|
|
Box/Folder
379/6
|
Final: by McCall, 23 February with revisions to 17 March 1932
circa 95pp.
|
|
|
Submarine D-1
|
|
|
Box/Folder
379/7
|
Treatment: Submarine story, by Frank Wead, 15 November 1935
105pp.
|
|
|
Box/Folder
379/8
|
Treatment: Submarine story, by Wead, 5 December 1935
116pp.
|
|
|
Box/Folder
379/9
|
Temporary: Submarine story, by Wead, 11 April 1936
171pp.
|
|
|
Box/Folder
379/10
|
Revised Temporary: Submarine story, by Wead, 28 July 1936
168pp.
|
|
|
Box/Folder
380/1
|
Revised Temporary 2: Submarine story, by Wead, 2 December 1936
168pp.
|
|
|
Box/Folder
380/2
|
Revised Temporary 3: Submarine S-262, no author shown, 9 June 1937
113pp.
: Incomplete.
|
|
|
Box/Folder
380/3
|
Final: Submarine S-262, by Wead, 11 June with revisions to 18 August 1937
circa 180pp.
|
|
|
Successful Calamity
|
|
|
Box/Folder
380/4
|
Play: by Clare Kummer. New York, 1922
96pp.
|
|
|
Box/Folder
380/5
|
Treatment: by Maude Howell, 24 August 1931
34pp.
|
|
|
Box/Folder
380/6
|
Treatment: by Julian Josephson and Howell, 8 September 1931
36pp.
|
|
|
Box/Folder
380/7
|
Temporary: by Josephson and Howell, 5 January 1932
108pp.
|
|
|
Box/Folder
380/8
|
Revised Temporary: by Austin Parker, 5 February 1932
77pp.
|
|
|
Box/Folder
380/9
|
Final: by Howell, Josephson, and Parker, 17 February 1932
116pp.
|
|
|
Svengali
|
|
|
Box/Folder
381/1
|
Novel: Trilby, by George DuMaurier. New York, 1894
464pp.
|
|
|
Box/Folder
381/2
|
Plot Summary: by Kent Williamson, 23 March 1944
17pp.
|
|
|
Box/Folder
381/3
|
Play: Trilby, no author shown, undated
circa 80pp.
|
|
|
Box/Folder
381/4
|
Treatment: (“Synopsis of screenplay”) Trilby, by J Grubb Alexander, 1931
39pp.
: Annotated.
|
|
|
Box/Folder
381/5
|
Reader Synopsis: (of 1931 screenplay by Alexander) by Wes Haynes, 15 May 1947
1p.
|
|
|
Sweepstakes Winner
|
|
|
Box/Folder
381/6
|
Temporary: by Al De Mond and John Krafft, 19 November 1938
141pp.
|
|
|
Box/Folder
381/7
|
Revised Temporary: by De Mond and Krafft, 29 November to 30 November 1938
134pp.
|
|
|
Box/Folder
381/8
|
Revised Temporary 2: by Krafft and De Mond, 10 December 1938
121pp.
|
|
|
Box/Folder
381/9
|
Final: by Krafft and De Mond, 15 December 1938 with revisions to 17 February 1939
circa 115pp.
|
|
|
Sweet Adeline
|
|
|
Box/Folder
382/1
|
Play: by Oscar Hammerstein II and Jerome Kern, 16 April 1934
160pp.
|
|
|
Box/Folder
382/2
|
Story Outline: by Edward Chodorov, 5 May 1934
3pp.
|
|
|
Box/Folder
382/3
|
Treatment: no author shown, undated
27pp.
: Annotated.
|
|
|
Box/Folder
382/4
|
Screenplay: no author shown (annotated), undated; “notes on 2d draft, coming”
127pp.; 1p.
|
|
|
Box/Folder
382/5
|
Temporary: by Irwin S Gelsey, 25 July 1934
117pp.
|
|
|
Box/Folder
382/6
|
Final: by Gelsey, 16 August 1934
132pp.
|
|
|
Box/Folder
382/7
|
Revised Final: by Gelsey, undated with revisions to 2 October 1934
circa 140pp.
|
|
|
Sweet Kitty Bellairs
|
|
|
Box/Folder
382/8
|
Play: by David Belasco, 12 March 1935
207pp.
|
|
|
Box/Folder
382/9
|
Treatment: (“Screenplay synopsis”) by J Grubb Alexander, undated
30pp.
|
|
|
Box/Folder
382/10
|
Final: by Alexander, undated; additional sequences
90pp.; 4pp.
|
|
|
Box/Folder
382/11
|
Postproduction: Script for trailer, by Alexander, undated
6pp.
|
|
|
Sweet Mama
|
|
|
Box/Folder
383/1
|
Final: by Earl Baldwin, 24 January with revisions to 30 January 1930; production schedule and other information
circa 95pp.; c 50pp.
|
|
|
Sweet Music
|
|
|
Box/Folder
383/2
|
Story Outline: Say it with music, by Jerry Wald and Julie Epstein, undated
4pp.
|
|
|
Box/Folder
383/3
|
Temporary: Say it with music, by Wald and Carl Erickson, 18 May 1934
116pp.
|
|
|
Box/Folder
383/4
|
Revised Temporary: Say it with music, by Wald and Erickson, 28 May 1934
124pp.
|
|
|
Box/Folder
383/5
|
Final: no author shown, 11 September with revisions to 12 October 1934
circa 125pp.
|
|
|
Swing Your Lady
|
|
|
Box/Folder
383/6
|
Play: by Kenyon Nicholson and Charles Robinson, 28 December 1936
132pp.
|
|
|
Box/Folder
383/7
|
Short Story: Toe-holds on Artemis, by Howard R Marsh. Liberty, undated
4pp.
|
|
|
Box/Folder
383/8
|
Treatment: (“Rough outline”) by Joseph Schrank and Maurice Leo, 15 April 1937
62pp.
|
|
|
Box/Folder
383/9
|
Temporary: by Schrank and Leo, 29 June 1937
226pp.
|
|
|
Box/Folder
384/1
|
Revised Temporary: by Schrank and Leo, 20 August 1937
190pp.
|
|
|
Box/Folder
384/2
|
Final: by Schrank and Leo, 25 August with revisions to 19 October 1937
circa 160pp.
|
|
|
Talent Scout
|
|
|
Box/Folder
384/3
|
Temporary: by George R Bilson, 30 December 1936
105pp.
|
|
|
Box/Folder
384/4
|
Revised Temporary: by Bilson, 12 January to 14 January 1937
122pp.
|
|
|
Box/Folder
384/5
|
Final: no author shown, 14 January with revisions to 3 February 1937
circa 115pp.
|
|
|
Task Force
|
|
|
Box/Folder
384/6
|
Research: (“The Story of McCluskey”) by Delmer Daves, 11 March 1944
95pp.
|
|
|
Box/Folder
384/7
|
Research: (“Notes for aircraft carrier story”) compiled by Jerry Wald, 17 March 1944
219pp.
|
|
|
Box/Folder
385/1
|
Treatment: (“Story notes”) Aircraft carrier, by Ranald MacDougall and Captain Mort Seligman, USN, 4 April 1945; “continuity for dummy film.”
120pp.; 10pp.
|
|
|
Box/Folder
385/2
|
Screenplay: by MacDougall, 9 June to 28 July 1945
183pp.
: Incomplete.
|
|
|
Box/Folder
385/3
|
Story Outline: no author shown, 11 June 1945; memo from Jerry Wald to J L Warner
21pp.; 1p.
|
|
|
Box/Folder
385/4
|
Temporary: no author shown, 28 June to 17 August 1945
115pp.
: Incomplete.
|
|
|
Box/Folder
385/5
|
Revised Temporary: by MacDougall, 23 August to 24 August 1945
175pp.
|
|
|
Box/Folder
385/6
|
Screenplay: by MacDougall, 25 August 1945
157pp.
|
|
|
Box/Folder
385/7
|
Screenplay: by MacDougall, 15 September 1945
189pp.
|
|
|
Box/Folder
385/8
|
Screenplay: by Daves, 9 October to 3 November 1945
161pp.
|
|
|
Box/Folder
386/1
|
Screenplay: by Daves, 1948
126pp.
|
|
|
Box/Folder
386/2
|
Temporary: Task force 2, by Daves, 9 July 1948
128pp.
|
|
|
Box/Folder
386/3
|
Revised Temporary: Task force 2, by Daves and MacDougall. 5 October 1948
81pp.
: Incomplete.
|
|
|
Box/Folder
386/4
|
Revised Temporary 2: Task force 2, by Daves and MacDougall, 7 October to 20 October with revisions to 15 October 1948
circa 130pp.
|
|
|
Box/Folder
386/5
|
Screenplay: Task force 2, by Lawrence E Watkin, 23 September to 15 October 1948
142pp.
|
|
|
Box/Folder
386/6
|
Final: by Daves and MacDougall, 22 October 1948
131pp.
|
|
|
Taxi
|
|
|
Box/Folder
386/7
|
Play: Blind spot, by Kenyon Nicholson, 1 July 1931
120pp.
|
|
|
Box/Folder
386/8
|
Temporary: Blind spot, no author shown, 8 September 1931
102pp.
|
|
|
Box/Folder
386/9
|
Final: Taxi, please, by Kubec Glasmon and John Bright, 14 September with revisions to 25 September 1931
circa 100pp.
|
|
|
Tear Gas Squad
|
|
|
Box/Folder
387/1
|
Temporary: the singing cop, by Don Ryan and Kenneth Gamet, 9 December 1937
139pp.
|
|
|
Box/Folder
387/2
|
Final: the singing cop, by Ryan and Gamet, 22 December 1937
117pp.
|
|
|
Box/Folder
387/3
|
Revised Final: the singing cop, by Ryan, Gamet, and George Bricker, 26 March with revisions to 31 March 1938
circa 120pp.
|
|
|
Box/Folder
387/4
|
Temporary: the state cop, no author shown, 27 July to 29 July 1939
97pp.
|
|
|
Box/Folder
387/5
|
Final: the state cop, no author shown, 5 August with revisions to 18 August 1939
circa 120pp.
|
|
|
Telegraph Trail
|
|
|
Box/Folder
387/6
|
Final: by Kurt Kempler, 2 August 1932
82pp.
|
|
|
The Tenderfoot
|
|
|
Box/Folder
387/7
|
Play: by Richard Carle, undated
105pp.
|
|
|
Box/Folder
387/8
|
Plot Summary: no author shown, undated
2pp.
|
|
|
Box/Folder
387/9
|
Plot Summary: the butter and egg man, by Regina Mermel, 24 September 1925
8pp.
|
|
|
Box/Folder
387/10
|
Screenplay: by Arthur Caesar, undated
121pp.
: Incomplete.
|
|
|
Box/Folder
387/11
|
Temporary: by Monty Banks, Earl Baldwin, and Caesar, 2 February to 3 February 1932
107pp.
|
|
|
Box/Folder
388/1
|
Final: by Baldwin, Banks, and Caesar, 9 February with revisions to 29 February 1932
circa 125pp.
: Annotated.
|
|
|
Thank Your Lucky Stars
|
|
|
Box/Folder
388/2
|
Story Outline: by Everett Freeman and Arthur Schwartz, 20 May 1942
14pp.
|
|
|
Box/Folder
388/3
|
Temporary: by Norman Panama and Melvin Frank, 21 September 1942
96pp.
|
|
|
Box/Folder
388/4
|
Final: by Panama and Frank, 14 October 1942 with revisions to 27 January 1943; added scenes
circa 130pp.; 3pp.
|
|
|
That Certain Woman
|
|
|
Box/Folder
388/5
|
Temporary: by Edmund Goulding, 11 December 1936
112pp.
|
|
|
Box/Folder
388/6
|
Revised Temporary: by Goulding, 21 January 1937
159pp.
|
|
|
Box/Folder
388/7
|
Final: by Goulding, 18 March with revisions to 10 April 1937
circa 170pp.
|
|
|
That Hagen Girl
|
|
|
Box/Folder
389/1
|
Novel: by Edith Roberts. New York, 1946
311pp.
|
|
|
Box/Folder
389/2
|
Screenplay: by Charles Hoffman, 20 December 1946
151pp.
|
|
|
Box/Folder
389/3
|
Temporary: by Hoffman, 19 April 1947
132pp.
|
|
|
Box/Folder
389/4
|
Final: Mary Hagen, by Hoffman, 14 May 1947
124pp.
|
|
|
Box/Folder
389/5
|
Revised Final: Mary Hagen, by Hoffman, 29 May with revisions to 5 August 1947
circa 135pp.
|
|
|
Box/Folder
389/6
|
Screenplay: by Ranald MacDougall, 10 June to 24 June 1947
135pp.
|
|
|
That Man's Here Again
|
|
|
Box/Folder
389/7
|
Short Story: Young nowheres, by I a R Wylie. Saturday Evening Post, 16 April 1927
7pp.
|
|
|
Box/Folder
389/8
|
Temporary: Love begins, by Lillie Hayward, 8 October 1936
110pp.
|
|
|
Box/Folder
390/1
|
Revised Temporary: Love begins, by Hayward, 13 October 1936
114pp.
|
|
|
Box/Folder
390/2
|
Final: Love begins, by Hayward, 7 November with revisions to 1 December 1936
circa 115pp.
|
|
|
That Way With Women
|
|
|
Box/Folder
390/3
|
Treatment: the millionaire, by Leo Townsend, 13 July 1945
51pp.
|
|
|
Box/Folder
390/4
|
Treatment: the millionaire, by Townsend, 8 August 1945
47pp.
|
|
|
Box/Folder
390/5
|
Screenplay: the millionaire, by Townsend, 2 October 1945
130pp.
|
|
|
Box/Folder
390/6
|
Screenplay: the millionaire, by Townsend, 24 November 1945
133pp.
|
|
|
Box/Folder
390/7
|
Final: a very rich man, by Townsend and Francis Swann, 31 December 1945 with revisions to 7 January 1946
144pp.
|
|
|
Box/Folder
390/8
|
Revised Final: a very rich man, by Townsend and Swann, 28 January with revisions to 3 April 1946
137pp.
|
|
|
They Call It Sin
|
|
|
Box/Folder
391/1
|
Novel: by Alberta Stedman Eagan. New York, 1932
315pp.
|
|
|
Box/Folder
391/2
|
Treatment: by Lillie Hayward, 11 April 1932
40pp.
|
|
|
Box/Folder
391/3
|
Treatment: by Hayward and Howard J Green, 27 April 1932
25pp.
|
|
|
Box/Folder
391/4
|
Temporary: no author shown, undated
128pp.
: Annotated.
|
|
|
Box/Folder
391/5
|
Revised Temporary: by Green and Hayward, 26 May 1932
108pp.
|
|
|
Box/Folder
391/6
|
Final: by Green and Hayward, 3 June 1932
105pp.
|
|
|
They Died With Their Boots On
|
|
|
Box/Folder
391/7
|
Revised Temporary: by Wally Kline and Aeneas MacKenzie, 27 May 1941
152pp.
|
|
|
Box/Folder
391/8
|
Final: by Kline and MacKenzie, 17 June with revisions to 5 September 1941
circa 150pp.
|
|
|
They Made Me a Criminal
|
|
|
Box/Folder
392/1
|
Temporary: the baby face kid, by Sig Herzig, 20 April 1938
146pp.
|
|
|
Box/Folder
392/2
|
Final: by Herzig, 23 July with revisions to 20 December 1938; additional shots
147pp.; 17pp.
|
|
|
They Won't Forget
|
|
|
Box/Folder
392/3
|
Novel: Death in the deep south, by Ward Greene. New York, 1936
283pp.
|
|
|
Box/Folder
392/4
|
Temporary: Death in the deep south, by Aben Kandel, 8 January to 25 January 1937
170pp.
|
|
|
Box/Folder
392/5
|
Revised Temporary: in the deep south, by Kandel, 6 February 1937
144pp.
|
|
|
Box/Folder
392/6
|
Final: in the deep south, by Kandel and Robert Rossen, undated with revisions to 30 March 1937
circa 175pp.
|
|
|
Thieves Fall Out
|
|
|
Box/Folder
393/1
|
Play: Thirty days hath September, by Irving Gaumont and Jack Sobel, 19 October 1938
113pp.
|
|
|
Box/Folder
393/2
|
Temporary: Thirty days hath September, by Charles Grayson, 24 October to 12 November 1940
120pp.
|
|
|
Box/Folder
393/3
|
Final: Thirty days hath September, by Grayson and Ben Markson, 9 December to 15 December 1940
133pp.
|
|
|
Box/Folder
393/4
|
Revised Final: Thirty days hath September, by Grayson and Markson, 23 December 1940 with revisions to 28 January 1941
circa 130pp.
|
|
|
This Was Paris
|
|
|
Box/Folder
393/5
|
Revised Final: by Brock Williams and Edward Dryhurst, undated
187pp.
|
|
|
Those Who Dance
|
|
|
Box/Folder
393/6
|
Novel: by George Kibbe Turner. Everybody's Magazine, November 1922
circa 50pp.
|
|
|
Box/Folder
393/7
|
Novel: by Turner, 27 May 1937
94pp.
|
|
|
Box/Folder
393/8
|
Treatment: by James a Starr, undated
33pp.
|
|
|
Box/Folder
393/9
|
Final: His woman, by Joseph Jackson, undated
95pp.
|
|
|
Three Cheers for the Irish
|
|
|
Box/Folder
394/1
|
Treatment: by Richard Macaulay and Jerry Wald, 27 December 1938
40pp.
|
|
|
Box/Folder
394/2
|
Screenplay: You can't beat the Irish, by Macaulay and Wald, 9 February 1939
147pp.
|
|
|
Box/Folder
394/3
|
Temporary: You can't beat the Irish, by Macaulay and Wald, 2 March 1939
171pp.
|
|
|
Box/Folder
394/4
|
Revised Temporary: by Macaulay and Wald, 11 May 1939
151pp.
|
|
|
Box/Folder
394/5
|
Final: by Macaulay and Wald, 30 September 1939
145pp.
|
|
|
Box/Folder
394/6
|
Revised Final: by Macaulay and Wald, 12 December 1939 with revisions to 6 January 1940
138pp.
|
|
|
Three Faces East
|
|
|
Box/Folder
394/7
|
Play: by Anthony Paul Kelly, 1917
71pp.
|
|
|
Box/Folder
394/8
|
Screenplay: by Oliver H P Garrett, undated
76pp.
|
|
|
Three Men on a Horse
|
|
|
Box/Folder
395/1
|
Play: by John Cecil Holm and George Abbott, 1934
89pp.
|
|
|
Box/Folder
395/2
|
Play: by Holm, 15 June 1935
132pp.
|
|
|
Box/Folder
395/3
|
Treatment: (“Outline”) by Laird Doyle, 26 June 1936
63pp.
|
|
|
Box/Folder
395/4
|
Temporary: by Doyle, 2 July to 16 July 1936
241pp.
|
|
|
Box/Folder
395/5
|
Final: no author shown, 17 July 1936
157pp.
|
|
|
Three on a Match
|
|
|
Box/Folder
395/6
|
Temporary: by Kubec Glasmon and John Bright, 5 May to 19 May 1932
109pp.
|
|
|
Box/Folder
395/7
|
Final: by Glasmon and Bright, 7 May to 24 May 1932
123pp.
|
|
|
Box/Folder
395/8
|
Revised Final: by Glasmon and Bright, 28 May with revisions to 3 June 1932
circa 125pp.
|
|
|
Three Sons o' Guns
|
|
|
Box/Folder
396/1
|
Temporary: Mother's boys, by Fred Niblo, Jr, 16 December 1940
122pp.
|
|
|
Box/Folder
396/2
|
Final: Mother's boys, by Niblo, 24 January with revisions to 18 February 1941
circa 125pp.
|
|
|
Three Strangers
|
|
|
Box/Folder
396/3
|
Short Story: Three men and a girl, by John Huston, undated
49pp.
: Annotated.
|
|
|
Box/Folder
396/4
|
Temporary: by Huston, 13 March 1939
131pp.
|
|
|
Box/Folder
396/5
|
Treatment: by Robert Lord, 29 August to 18 September 1940
23pp.
|
|
|
Box/Folder
396/6
|
Revised Temporary: by Huston and Howard Koch, 21 September 1940
126pp.
|
|
|
Box/Folder
396/7
|
Final: by Frank Gruber, 15 June 1943
130pp.
|
|
|
Box/Folder
396/8
|
Revised Final: by Huston and Koch, 12 December 1944 with revisions to 5 February 1945
circa 140pp.
|
|
|
Tiger Rose
|
|
|
Box/Folder
397/1
|
Play: by Willard Mack, undated
118pp.
|
|
|
Box/Folder
397/2
|
Final: by Harvey Thew and Gordon Rigby, undated
91pp.
|
|
|
Box/Folder
397/3
|
Reader Synopsis: by Harriet Hinsdale, 6 November 1934
16pp.
|
|
|
Box/Folder
397/4
|
Reader Synopsis: by L G Rigby and Thew, 9 May 1947
1p.
|
|
|
Tiger Shark
|
|
|
Box/Folder
397/5
|
Treatment: (“Suggested story lineup”) Fishing story, no author shown, 18 January 1932
25pp.
|
|
|
Box/Folder
397/6
|
Treatment: (“Story lineup”) Fishing story, no author shown, 25 January 1932
23pp.
|
|
|
Box/Folder
397/7
|
Treatment: Tuna, no author shown, 20 February 1932
60pp.
|
|
|
Box/Folder
397/8
|
Treatment: by Wells Root, undated
49pp.
|
|
|
Box/Folder
397/9
|
Temporary: no author shown, undated
105pp.
: Annotated.
|
|
|
Box/Folder
397/10
|
Final: by Root, 27 April with revisions to 19 May 1932
circa 135pp.
|
|
|
Till We Meet Again
|
|
|
Box/Folder
397/11
|
Plot Summary: West of Frisco, by Milton Krims, 17 June 1939
9pp.
|
|
|
Box/Folder
397/12
|
Screenplay: West of Frisco, by Krims, 28 July 1939
105pp.
|
|
|
Box/Folder
397/13
|
Screenplay: We shall meet again, no author shown, undated
117pp.
|
|
|
Box/Folder
397/14
|
Temporary: We shall meet again, by Warren Duff, 22 September 1939
138pp.
|
|
|
Box/Folder
397/15
|
Final: We shall meet again, by Duff, 16 November 1939 with revisions to 3 February 1940
circa 180pp.
|
|
|
The Time, the Place and the Girl
|
|
|
Box/Folder
398/1
|
Treatment: by Leonard Lee, 8 June 1944
36pp.
|
|
|
Box/Folder
398/2
|
Screenplay: by Lee, 24 June with revisions to 9 September 1944
140pp.
|
|
|
Box/Folder
398/3
|
Temporary: by Lee, 8 September with revisions to 11 September 1944
118pp.
|
|
|
Box/Folder
398/4
|
Screenplay: by Lynn Starling, 9 December 1944
131pp.
|
|
|
Box/Folder
398/5
|
Revised Temporary: by Starling, 24 January 1945
112pp.
|
|
|
Box/Folder
398/6
|
Screenplay: by Agnes C. Johnston, 10 February 1945
110pp.
|
|
|
Box/Folder
398/7
|
Screenplay: (“Special material”) by Francis Swann, undated
155pp.
|
|
|
Box/Folder
398/8
|
Final: by Johnston, 12 February 1945
46pp.
: Incomplete.
|
|
|
Box/Folder
398/9
|
Revised Final: no author shown, 9 March 1945
73pp.
: Incomplete.
|
|
|
Box/Folder
398/10
|
Revised Final 2: no author shown, 21 March with revisions to 21 May 1945
circa 120pp.
|
|
|
Times Square Playboy
|
|
|
Box/Folder
399/1
|
Play: the homeowners, by George M Cohan, undated
circa 150pp.
|
|
|
Box/Folder
399/2
|
Temporary: (“F draft continuity”) the gentlemen from Big Bend, by Roy Chanslor, 23 December 1935
114pp.
|
|
|
Box/Folder
399/3
|
Final: the gentlemen from Big Bend, by Chanslor, 8 January with revisions to 27 January 1936
circa 115pp.
|
|
|
To Have and Have Not
|
|
|
Box/Folder
399/4
|
Novel: by Ernest Hemingway. New York, 1937
262pp.
|
|
|
Box/Folder
399/5
|
Novel: by Hemingway. New York, 1953
180pp.
|
|
|
Box/Folder
399/6
|
Temporary: by Jules Furthman, 14 October with revisions to 23 November 1943
208pp.
|
|
|
Box/Folder
399/7
|
Revised Temporary: by Furthman, 30 December 1943 with revisions to 5 January 1944
111pp.
: Incomplete.
|
|
|
Box/Folder
400/1
|
Final: by Furthman, 22 January with revisions to 14 February 1944
151pp.
|
|
|
Box/Folder
400/2
|
Revised Final: by Furthman, 26 February with revisions to 22 April 1944
112pp.
|
|
|
To the Victor
|
|
|
Box/Folder
400/3
|
Treatment: the Paris story, by Richard Brooks, 13 February 1947
24pp.
|
|
|
Box/Folder
400/4
|
Screenplay: (“Extremely temporary script”) the Paris story, by Brooks, 12 March 1947
159pp.
|
|
|
Box/Folder
400/5
|
Screenplay: (“Temporary script”) the Paris story, by Brooks, 20 March 1947
153pp.
|
|
|
Box/Folder
400/6
|
Temporary: by Brooks, 16 May with revisions to 18 June 1947
142pp.
|
|
|
Box/Folder
400/7
|
Revised Temporary: by Brooks, 21 June 1947
142pp.
|
|
|
Box/Folder
401/1
|
Revised Temporary 2: by Brooks, 1 July 1947
140pp.
|
|
|
Box/Folder
401/2
|
Final: by Brooks, 3 September to 4 September with revisions to 9 September 1947
circa 145pp.
|
|
|
Box/Folder
401/3
|
Revised Final: by Brooks, 9 September with revisions to 22 October 1947
circa 135pp.
|
|
|
Too Young to Know
|
|
|
Box/Folder
401/4
|
Short Story: by Harlan Ware. Serialized in Saturday Evening Post, 16 December 1944 to 6 January 1945
15pp.
|
|
|
Box/Folder
401/5
|
Story: Typescript of above and All the king's men, by Ware, undated
101pp.
|
|
|
Box/Folder
401/6
|
Screenplay: by Jo Pagano, 26 December 1944 to 20 January 1945
129pp.
|
|
|
Box/Folder
401/7
|
Screenplay: by Harold Goldman, 20 January to 3 February 1945
133pp.
|
|
|
Box/Folder
401/8
|
Temporary: by Pagano, 9 January to 21 January 1945
122pp.
|
|
|
Box/Folder
401/9
|
Final: by Pagano, 25 January to 1 February with revisions to 14 March 1945
circa 125pp.
: Incomplete.
|
|
|
Top Speed
|
|
|
Box/Folder
402/1
|
Play: in the good old summertime, by Bolton, Kaimar, and Ruby, undated
149pp.
|
|
|
Box/Folder
402/2
|
Temporary: by Humphrey Pearson and Henry McCarty, 27 February 1930
134pp.
: Annotated.
|
|
|
Box/Folder
402/3
|
Final: by Pearson and McCarty, 4 March 1930
circa 125pp.
|
|
|
Torchy Blane in Chinatown
|
|
|
Box/Folder
402/4
|
Short Story: the purple hieroglyph, by Will F Jenkins, undated
61pp.
|
|
|
Box/Folder
402/5
|
Temporary: Murder will out, no author shown, 30 March 1938
92pp.
|
|
|
Box/Folder
402/6
|
Temporary: by George Bricker, 13 July 1938
124pp.
|
|
|
Box/Folder
402/7
|
Treatment: by Bricker, 13 July 1938
21pp.
: Annotated.
|
|
|
Box/Folder
402/8
|
Final: by Bricker, 12 August with revisions to 1 September 1938
121pp.
|
|
|
Box/Folder
402/9
|
Final: by Bricker, 12 August with revisions to 1 September 1938
circa 125pp.
|
|
|
Torchy Blane in Panama
|
|
|
Box/Folder
403/1
|
Story Outline: a blonde at sea, by Anthony Coldewey, 27 November 1937
8pp.
|
|
|
Box/Folder
403/2
|
Temporary: by George Bricker, 12 December 1937
128pp.
|
|
|
Box/Folder
403/3
|
Revised Temporary: by Bricker, 5 January 1938
128pp.
|
|
|
Box/Folder
403/4
|
Final: by Bricker, 7 January with revisions to 18 January 1938
circa 125pp.
|
|
|
Torchy Gets Her Man
|
|
|
Box/Folder
403/5
|
Temporary: Torchy finds out, by Albert De Mond, 28 May with revisions to 31 May 1938
circa 120pp.
|
|
|
Box/Folder
403/6
|
Final: Torchy finds out, by De Mond, 14 July with revisions to 1 August 1938
circa 110pp.
|
|
|
Torchy Plays With Dynamite
|
|
|
Box/Folder
403/7
|
Screenplay: Dead or alive, by Earle Snell, 22 December 1938
121pp.
: Annotated.
|
|
|
Box/Folder
403/8
|
Temporary: Dead or alive, by Snell and Charles Belden, 25 March 1939
108pp.
|
|
|
Box/Folder
404/1
|
Final: Dead or alive, by Snell and Belden, 29 March with revisions to 4 April 1939
circa 115pp.
|
|
|
Box/Folder
404/2
|
Revised Final: Dead or alive, by Snell and Belden, 24 April with revisions to 22 May 1939
circa 110pp.
|
|
|
Torchy Runs for Mayor
|
|
|
Box/Folder
404/3
|
Final: by Earle Snell, 26 November with revisions to 22 December 1938
circa 120pp.
|
|
|
Torrid Zone
|
|
|
Box/Folder
404/4
|
Plot Summary: (“Skeleton outline”) by Richard Macaulay and Jerry Wald, 6 September 1939
14pp.
|
|
|
Box/Folder
404/5
|
Screenplay: by Macaulay and Wald, 8 November 1939
103pp.
: Incomplete.
|
|
|
Box/Folder
404/6
|
Screenplay: by Macaulay and Wald, 19 January 1940
153pp.
: Annotated.
|
|
|
Box/Folder
404/7
|
Temporary: by Wald and Macaulay, 26 December 1939
147pp.
|
|
|
Box/Folder
404/8
|
Final: by Wald and Macaulay, 1 February with revisions to 12 March 1940
circa 160pp.
|
|
|
Box/Folder
404/9
|
Comments: by Loralee May, 29 October 1940
1p.
|
|
|
Tovarich
|
|
|
Box/Folder
405/1
|
Story Outline: by Jacques Deval, 23 May 1934
18pp.
|
|
|
Box/Folder
405/2
|
Treatment: by Casey Robinson, 6 April to 9 April 1937
60pp.
: Annotated.
|
|
|
Box/Folder
405/3
|
Temporary: by Robinson, 5 May to 26 May 1937
141pp.
|
|
|
Box/Folder
405/4
|
Final: by Robinson, 28 May to 17 June 1937
158pp.
|
|
|
Trailin' West
|
|
|
Box/Folder
405/5
|
Temporary: on secret service, by Anthony Coldewey, 6 April 1936
113pp.
|
|
|
Box/Folder
405/6
|
Final: on secret service, by Coldewey, 10 April with revisions to 17 April 1936
118pp.
|
|
|
Traveling Saleslady
|
|
|
Box/Folder
405/7
|
Treatment: by Frank Howard Clark, 12 April 1934
55pp.
|
|
|
Box/Folder
405/8
|
Temporary: by F Hugh Herbert, 6 December 1934
143pp.
|
|
|
Box/Folder
405/9
|
Revised Temporary: by Herbert and Benny Rubin, 12 December 1934
142pp.
|
|
|
Box/Folder
406/1
|
Final: by Herbert and Rubin, 28 December 1934
131pp.
|
|
|
Box/Folder
406/2
|
Comments: (“Rough outline”) by Manuel Seff, 4 January 1935
6pp.
: Annotated.
|
|
|
Box/Folder
406/3
|
Revised Final: no author shown, 10 January 1935
144pp.
|
|
|
Treachery Rides the Range
|
|
|
Box/Folder
406/4
|
Treatment: (“Synoptic outline”) Treachery rides the trail, by William Jacobs, undated
31pp.
|
|
|
Box/Folder
406/5
|
Temporary: Treachery rides the trail, by Jacobs, 6 November 1935
91pp.
|
|
|
Box/Folder
406/6
|
Final: Treachery rides the trail, no author shown, undated with revisions to 29 November 1935
circa 100pp.
|
|
|
The Treasure of the Sierra Madre
|
|
|
Box/Folder
406/7
|
Novel: by B Traven. New York, 1935
366pp.
|
|
|
Box/Folder
406/8
|
Screenplay: no author shown, undated
152pp.
: Annotated.
|
|
|
Box/Folder
406/9
|
Final: by John Huston, 17 August with revisions to 21 August 1946
141pp.
|
|
|
Box/Folder
407/1
|
Revised Final: by Huston, 10 January with revisions to 9 June 1947
143pp.
|
|
|
Truck Busters
|
|
|
Box/Folder
407/2
|
Temporary: Night freight, by Robert E Kent, 28 April 1942
108pp.
|
|
|
Box/Folder
407/3
|
Final: Night freight, by Kent and Raymond L Schrock, 26 June with revisions to 7 July 1942
circa 115pp.
|
|
|
Truth About Youth
|
|
|
Box/Folder
407/4
|
Play: When we were twenty-one, by H V Esmond. New York, 1903
80pp.
|
|
|
Box/Folder
407/5
|
Temporary: When we were twenty-one, by B Harrison Orkow, 21 March 1930
100pp.
|
|
|
Box/Folder
407/6
|
Final: When we were twenty-one, by Orkow, 6 April 1930; production schedule
100pp.; 20pp.
|
|
|
Tugboat Annie Sails Again
|
|
|
Box/Folder
407/7
|
Short Story: by Norman Reilly Raine. Saturday Evening Post, 1 October 1938
7pp.
|
|
|
Box/Folder
407/8
|
Temporary: by Kenneth Gamet, 7 October 1939
113pp.
|
|
|
Box/Folder
407/9
|
Revised Temporary: Tugboat Annie, by Walter de Leon, 13 March 1940
150pp.
|
|
|
Box/Folder
407/10
|
Final: by de Leon, 29 May with revisions to 12 June 1940
circa 130pp.
|
|
|
Twenty Million Sweethearts
|
|
|
Box/Folder
408/1
|
Story Outline: Hot air, by Paul Moss and Jerry Wald, undated
3pp.
|
|
|
Box/Folder
408/2
|
Temporary: Hot air, by Warren Duff and Harry Sauber, 9 December 1933
125pp.
|
|
|
Box/Folder
408/3
|
Final: Hot air, by Duff and Sauber, 20 December 1933
121pp.
|
|
|
Twenty Thousand Years in Sing Sing
|
|
|
Box/Folder
408/4
|
Novel: (Autobiography) by Lewis E Lawes. New York, 1932
412pp.
|
|
|
Box/Folder
408/5
|
Novel: (Autobiography) by Lawes. Partial typescript of above, 28 January 1932
circa 430pp.
|
|
|
Box/Folder
408/6
|
Temporary: by Courtenay Terrett, 13 May 1932
104pp.
|
|
|
Box/Folder
409/1
|
Final: by Terrett and Robert Lord, 24 May with revisions to 1 June 1932
122pp.
|
|
|
Box/Folder
409/2
|
Revised Temporary: no author shown, 2 August 1932
126pp.
|
|
|
Box/Folder
409/3
|
Revised Final: by Terrett and Lord (“Photoplay by Wilson Mizner and Brown Holmes”), 19 August 1932
115pp.
|
|
|
Two Against the World(1932)
|
|
|
Box/Folder
409/4
|
Short Story: the higher ups, by Marion Dix and Jerome Allen, 25 February 1932
30pp.
|
|
|
Box/Folder
409/5
|
Treatment: by Sheridan Gibney, 26 March 1932
36pp.
: Annotated.
|
|
|
Box/Folder
409/6
|
Temporary: no author shown, 13 April 1932
36pp.
|
|
|
Box/Folder
409/7
|
Screenplay: by Gibney, 16 April 1932
127pp.
|
|
|
Box/Folder
409/8
|
Revised Temporary: by Gibney, 23 April 1932
130pp.
|
|
|
Box/Folder
409/9
|
Final: by Gibney, 14 May with revisions to 8 June 1932; alternate ending
circa 105pp.; 24pp.
|
|
|
Two Against the World (1936)
|
|
|
Box/Folder
409/10
|
Screenplay: by Michael Jacoby, 4 February 1936
104pp.
|
|
|
Box/Folder
410/1
|
Temporary: the voice of life, by Jacoby, 10 February 1936
131pp.
|
|
|
Box/Folder
410/2
|
Final: the voice of life, by Jacoby, 13 February with revisions to 28 February 1936
circa 125pp.
|
|
|
Two Guys From Milwaukee
|
|
|
Box/Folder
410/3
|
Screenplay: Royal welcome, by Charles Hoffman, 14 March 1944
137pp.
|
|
|
Box/Folder
410/4
|
Temporary: a guy from Milwaukee, by Hoffman and I a L Diamond, 31 October 1945
139pp.
|
|
|
Box/Folder
410/5
|
Final: by Hoffman and Diamond, 24 November with revisions to 30 November 1945
65pp.
: Incomplete.
|
|
|
Box/Folder
410/6
|
Revised Final: by Hoffman and Diamond, 6 December 1945 with revisions to 3 January 1946
circa 145pp.
|
|
|
Two Guys From Texas
|
|
|
Box/Folder
410/7
|
Treatment: Howdy, stranger, by I a L Diamond, 15 January 1946
37pp.
|
|
|
Box/Folder
410/8
|
Screenplay: Howdy, stranger, by Diamond, 16 February 1946
113pp.
|
|
|
Box/Folder
410/9
|
Screenplay: Howdy, stranger, by Diamond and Francis Swann, 30 April 1946
115pp.
|
|
|
Box/Folder
411/1
|
Screenplay: Howdy, stranger, by Diamond and Swann, 7 May 1946
111pp.
|
|
|
Box/Folder
411/2
|
Screenplay: Howdy, stranger, by Diamond, 28 June 1946
114pp.
|
|
|
Box/Folder
411/3
|
Screenplay: Howdy, stranger, by Diamond, 5 November 1946
121pp.
|
|
|
Box/Folder
411/4
|
Temporary: by Diamond, 3 January 1947
111pp.
|
|
|
Box/Folder
411/5
|
Revised Temporary: by Diamond and Allen Boretz, 7 February 1947
110pp.
|
|
|
Box/Folder
411/6
|
Final: by Diamond and Boretz, 18 February with revisions to 29 April 1947; alternate ending
circa 85pp.; 21pp.
|
|
|
The Two Mrs. Carrolls
|
|
|
Box/Folder
411/7
|
Play: by Martin Vale. London, 1931
95pp.
|
|
|
Box/Folder
411/8
|
Temporary: by Thomas Job, 20 September 1944
150pp.
|
|
|
Box/Folder
411/9
|
Final: by Job, 16 February with revisions to 19 September 1945; alternate ending
circa 135pp.; 2pp.
|
|
|
Two Seconds
|
|
|
Box/Folder
412/1
|
Play: no author shown, 11 November 1931
circa 130pp.
|
|
|
Box/Folder
412/2
|
Screenplay: by Harvey Thew (annotated), undated; Pages from another screenplay and letter
117pp.; 11pp.
|
|
|
Box/Folder
412/3
|
Final: by Thew, 31 December 1931 with revisions to 17 February 1932
circa 160pp.
: Annotated.
|
|
|
Uncertain Glory
|
|
|
Box/Folder
412/4
|
Treatment: by Laszlo Vadnay, 10 April 1943
96pp.
|
|
|
Box/Folder
412/5
|
Screenplay: by Vadnay, 10 May to 19 June 1943
169pp.
|
|
|
Box/Folder
412/6
|
Screenplay: by Vadnay, 11 June to 16 July 1943
138pp.
|
|
|
Box/Folder
412/7
|
Screenplay: no author shown, undated
154pp.
|
|
|
Box/Folder
412/8
|
Temporary: by Vadnay, 23 June 1943
168pp.
|
|
|
Box/Folder
413/1
|
Revised Temporary: by Vadnay, 17 July 1943
152pp.
|
|
|
Box/Folder
413/2
|
Final: by Vadnay and Frederick Faust, 5 August 1943
59pp.
: Incomplete.
|
|
|
Box/Folder
413/3
|
Revised Final: by Vadnay and Faust, 16 August with revisions to 17 September 1943
circa 160pp.
|
|
|
Box/Folder
413/4
|
Comments: (“Changes in revised final”) by Lilli Hatvany, 1 September 1943, with note attached
10pp.
|
|
|
Box/Folder
413/5
|
Comments: (“Changes in revised final”) by Robert Buckner, 15 September to 19 October 1943
circa 60pp.
|
|
|
Box/Folder
413/6
|
Reader Synopsis: Last vacation revised final, by T Chapman, 15 September 1943
3pp.
|
|
|
Box/Folder
413/7
|
Reader Synopsis: Last vacation, by T Chapman, 16 September 1943
3pp.
|
|
|
Box/Folder
413/8
|
Postproduction: Novelization by Herb Meadow from the screenplay by Laszlo Vadnay and Max Brand. New York, 1944
212pp.
|
|
|
Under Eighteen
|
|
|
Box/Folder
413/9
|
Short Story: Sky life, by Frank Dazey, 8 August 1931
28pp.
|
|
|
Box/Folder
413/10
|
Treatment: Sky life, by Agnes Christine Johnston, 8 August 1931
37pp.
|
|
|
Box/Folder
413/11
|
Temporary: Poor little ritz girl, no author shown, 5 September to 9 September 1931
99pp.
|
|
|
Box/Folder
413/12
|
Final: Poor little ritz girl, no author shown, 15 September with revisions to 10 October 1931
circa 120pp.
|
|
|
Underground
|
|
|
Box/Folder
414/1
|
Treatment: by Oliver H P Garrett and Edwin Justus Mayer, undated
59pp.
|
|
|
Box/Folder
414/2
|
Temporary: by Mayer, 20 June 1939
181pp.
|
|
|
Box/Folder
414/3
|
Revised Temporary: no author shown, 29 July 1939
155pp.
|
|
|
Box/Folder
414/4
|
Revised Temporary 2: no author shown, 11 August 1939
164pp.
|
|
|
Box/Folder
414/5
|
Treatment: by John Huston, undated
10pp.
|
|
|
Box/Folder
414/6
|
Treatment: (“Plan to rewrite 'Underground' with a war background”) by Robert Lord, 8 September 1939
12pp.
|
|
|
Box/Folder
414/7
|
Final: by Charles Grayson, 24 January 1941
159pp.
|
|
|
Box/Folder
414/8
|
Revised Final: no author shown, 14 February with revisions to 19 April 1941
circa 110pp.
|
|
|
The Unfaithful
|
|
|
Box/Folder
415/1
|
Treatment: by James Gunn, 4 May 1946
38pp.
|
|
|
Box/Folder
415/2
|
Screenplay: by Gunn, 15 June 1946
139pp.
: Annotated.
|
|
|
Box/Folder
415/3
|
Treatment: by David Goodis, 27 August 1946
19pp.
|
|
|
Box/Folder
415/4
|
Treatment: by Goodis and Vincent Sherman, 17 September 1946
15pp.
|
|
|
Box/Folder
415/5
|
Screenplay: by Goodis, 24 September to 8 October 1946
140pp.
|
|
|
Box/Folder
415/6
|
Temporary: by Gunn and Goodis, 12 October to 4 December 1946; memo from Jerry Wald
155pp.; 1p.
|
|
|
Box/Folder
415/7
|
Final: no author shown, 30 November 1946 with revisions to 6 March 1947
circa 130pp.
|
|
|
Union Depot
|
|
|
Box/Folder
415/8
|
Play: by Joe Laurie Jr, Gene Fowler, and Douglas Durkin. 17 July 1931, copyright 1929
103pp.
|
|
|
Box/Folder
415/9
|
Treatment: by Walter De Leon, undated
22pp.
: Annotated.
|
|
|
Box/Folder
415/10
|
Comments: (“Suggested ending for 'Union depot' ”) by Darryl Zanuck, undated
7pp.
|
|
|
Box/Folder
415/11
|
Treatment: by De Leon and Kenyon Nicholson, 31 August 1931
44pp.
|
|
|
Box/Folder
415/12
|
Treatment: by De Leon and Nicholson, 23 September 1931
110pp.
|
|
|
Box/Folder
415/13
|
Temporary: by K Glasmon and John Bright, 6 October 1931
96pp.
|
|
|
Box/Folder
415/14
|
Final: no author shown, 10 October with revisions to 3 November 1931; added scene
93pp.; 1p.
|
|
|
The Unsuspected
|
|
|
Box/Folder
416/1
|
Novel: by Charlotte Armstrong, undated
246pp.
|
|
|
Box/Folder
416/2
|
Novel: by Armstrong. Serialized in Saturday Evening Post, 11 August to 29 September 1945
circa 100pp.
|
|
|
Box/Folder
416/3
|
Screenplay: by Richard Sale, 26 November 1945
132pp.
|
|
|
Box/Folder
416/4
|
Screenplay: by Ranald MacDougall, 27 May 1946
74pp.
: Incomplete.
|
|
|
Box/Folder
416/5
|
Story Outline: no author shown, 3 September 1946
5pp.
|
|
|
Box/Folder
416/6
|
Temporary: by MacDougall, 28 October 1946
75pp.
: Incomplete.
|
|
|
Box/Folder
416/7
|
Revised Temporary: by MacDougall, 1 November with revisions to 22 November 1946
147pp.
: Incomplete.
|
|
|
Box/Folder
416/8
|
Screenplay: by Bess Meredyth, 6 December 1946
59pp.
: Incomplete.
|
|
|
Box/Folder
416/9
|
Final: by MacDougall, 12 December 1946 with revisions to 3 January 1947
157pp.
|
|
|
Box/Folder
417/1
|
Screenplay: by Meredyth, 30 December 1946 to 21 January 1947
171pp.
|
|
|
Box/Folder
417/2
|
Revised Final: by MacDougall, 8 January with revisions to 19 June 1947
165pp.
|
|
|
Untamed Africa
|
|
|
Box/Folder
417/3
|
Treatment: (“Narration for film”) no author shown, undated
29pp.
|
|
|
Upper World
|
|
|
Box/Folder
417/4
|
Short Story: by Ben Hecht, 12 October 1933
74pp.
|
|
|
Box/Folder
417/5
|
Temporary: by Ben Markson and Charles Kenyon, 27 November 1933
125pp.
|
|
|
Box/Folder
417/6
|
Final: by Markson and Kenyon, 7 December with revisions to 26 December 1933
121pp.
|
|
|
Valley of the Giants
|
|
|
Box/Folder
417/7
|
Novel: by Peter B Kyne. New York, 1918
388pp.
|
|
|
Box/Folder
417/8
|
Treatment: by Seton I Miller, undated
32pp.
|
|
|
Box/Folder
418/1
|
Temporary: by Miller, 1 November 1937
171pp.
: Annotated.
|
|
|
Box/Folder
418/2
|
Final: by Miller, 28 March 1938
78pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
418/3
|
Revised Final: by Miller, 11 April with revisions to 12 May 1938
circa 120pp.
|
|
|
Varsity Show
|
|
|
Box/Folder
418/4
|
Story Outline: by L F Edelman, 8 February 1936
12pp.
|
|
|
Box/Folder
418/5
|
Treatment: by Warren Duff, undated
32pp.
: Annotated.
|
|
|
Box/Folder
418/6
|
Temporary: no author shown, 17 March 1937
54pp.
: Incomplete.
|
|
|
Box/Folder
418/7
|
Treatment: by Richard Macaulay, 21 March 1936
43pp.
|
|
|
Box/Folder
418/8
|
Revised Temporary: no author shown, 6 April 1937
175pp.
|
|
|
Box/Folder
418/9
|
Final: no author shown, 16 April 1937
112pp.
: Incomplete.
|
|
|
Box/Folder
418/10
|
Revised Final: no author shown, 17 April 1937
117pp.
: Incomplete.
|
|
|
Box/Folder
419/1
|
Revised Final 2: no author shown, 23 April with revisions to 24 June 1937
153pp.
|
|
|
Box/Folder
419/2
|
Screenplay: by Duff and Herzig, 27 May 1937
170pp.
|
|
|
The Verdict
|
|
|
Box/Folder
419/3
|
Short Story: Murder in the big bow, by Anthony Abbot. Reader's Digest, August 1944
3pp.
|
|
|
Box/Folder
419/4
|
Novel: the big bow mystery, by Israel Zangwill, 30 September 1944
140pp.
|
|
|
Box/Folder
419/5
|
Treatment: (“Outline of action”) Open verdict, by Thomas Job, 4 October 1944
19pp.
|
|
|
Box/Folder
419/6
|
Screenplay: Open verdict, by Barre Lyndon, 8 March 1945
59pp.
: Incomplete.
|
|
|
Box/Folder
419/7
|
Story Outline: Open verdict, by Lyndon, 15 March 1945
14pp.
|
|
|
Box/Folder
419/8
|
Screenplay: Open verdict, by Lyndon, 12 April 1945
176pp.
|
|
|
Box/Folder
419/9
|
Temporary: the verdict, by Lyndon, 28 June to 3 July 1945
139pp.
|
|
|
Box/Folder
419/10
|
Final: no author shown, 30 August with revisions to 13 September 1945
60pp.
: Incomplete.
|
|
|
Box/Folder
419/11
|
Revised Final: the open verdict, by Lyndon and Peter Milne, 18 September 1945
129pp.
: Incomplete.
|
|
|
A Very Honorable Guy
|
|
|
Box/Folder
420/1
|
Treatment: by Earl Baldwin, 1 November 1933
18pp.
|
|
|
Box/Folder
420/2
|
Short Story: by Damon Runyon, 3 November 1933
18pp.
|
|
|
Box/Folder
420/3
|
Temporary: by Baldwin, 28 November 1933
83pp.
: Incomplete.
|
|
|
Box/Folder
420/4
|
Final: by Baldwin, 2 December with revisions to 23 December 1933
circa 150pp.
|
|
|
The Very Thought of You
|
|
|
Box/Folder
420/5
|
Screenplay: by Lionel Wiggam, 17 April 1943
161pp.
|
|
|
Box/Folder
420/6
|
Screenplay: the young and the brave, by Wiggam, 17 May 1943
171pp.
: Annotated.
|
|
|
Box/Folder
420/7
|
Comments: by Alvah Bessie, 20 July 1943
5pp.
|
|
|
Box/Folder
420/8
|
Temporary: by Wiggam, 20 July 1943
139pp.
|
|
|
Box/Folder
420/9
|
Revised Temporary: by Bessie, 14 September 1943
132pp.
|
|
|
Box/Folder
420/10
|
Revised Temporary 2: by Bessie, 3 February with revisions to 29 February 1944
circa 160pp.
|
|
|
Box/Folder
421/1
|
Final: by Bessie and Delmer Daves, 2 March with revisions to 22 June 1944
circa 160pp.
|
|
|
Virginia City
|
|
|
Box/Folder
421/2
|
Plot Summary: the gold train, by Robert Buckner, undated
8pp.
|
|
|
Box/Folder
421/3
|
Treatment: Nevada, by Buckner, 8 July 1939
31pp.
|
|
|
Box/Folder
421/4
|
Screenplay: Nevada, by Buckner, 14 July 1939
52pp.
|
|
|
Box/Folder
421/5
|
Treatment: by Buckner, 9 August 1939
19pp.
|
|
|
Box/Folder
421/6
|
Screenplay: by Buckner, 1 September 1939
108pp.
|
|
|
Box/Folder
421/7
|
Temporary: by Buckner, 15 September 1939
158pp.
|
|
|
Box/Folder
421/8
|
Revised Temporary: by Buckner, 9 October 1939
62pp.
: Incomplete.
|
|
|
Box/Folder
421/9
|
Final: by Buckner, 23 October 1939 with revisions to 6 January 1940
circa 160pp.
|
|
|
Box/Folder
421/10
|
Revised Final: by Buckner, 2 November 1939 with revisions to 6 January 1940
circa 160pp.
|
|
|
The Voice of the Turtle
|
|
|
Box/Folder
422/1
|
Play: by John Van Druten. New York, 1943
161pp.
|
|
|
Box/Folder
422/2
|
Plot Summary: by Wes Haynes, 23 September 1943
2pp.
|
|
|
Box/Folder
422/3
|
Short Story: by Van Druten. Collier's, 29 April 1944
14pp.
|
|
|
Box/Folder
422/4
|
Screenplay: no author shown, undated
145pp.
: Annotated.
|
|
|
Box/Folder
422/5
|
Temporary: by Van Druten, 23 February 1946
179pp.
|
|
|
Box/Folder
422/6
|
Revised Temporary: by Van Druten, 9 April 1946
149pp.
|
|
|
Box/Folder
422/7
|
Revised Temporary 2: by Van Druten, 15 October 1946
153pp.
|
|
|
Box/Folder
422/8
|
Screenplay: by Van Druten, 15 October 1946
134pp.
|
|
|
Box/Folder
422/9
|
Final: by Van Druten, 14 November 1946 with revisions to 22 April 1947
circa 135pp.
|
|
|
Box/Folder
422/10
|
Story Outline: by Kay Walch, 20 April 1948
1p.
|
|
|
Voltaire
|
|
|
Box/Folder
423/1
|
Play: by Lawrence Dudley and George Gibbs, 18 August 1932
129pp.
|
|
|
Box/Folder
423/2
|
Treatment: by Maude T Howell, 3 October 1932
49pp.
|
|
|
Box/Folder
423/3
|
Screenplay: by Paul Green, 8 December 1932
190pp.
: Annotated.
|
|
|
Box/Folder
423/4
|
Temporary: by Green, 29 December 1932
169pp.
|
|
|
Box/Folder
423/5
|
Treatment: by Green, 31 January 1933
17pp.
|
|
|
Box/Folder
423/6
|
Treatment: no author shown, 3 February 1933
28pp.
|
|
|
Box/Folder
423/7
|
Treatment: no author shown, 7 February 1933
35pp.
|
|
|
Box/Folder
423/8
|
Revised Temporary: by Green and Howell, 9 February 1933
33pp.
|
|
|
Box/Folder
423/9
|
Revised Temporary 2: by Green and Howell, 23 February 1933
125pp.
: Annotated.
|
|
|
Box/Folder
423/10
|
Final: no author shown, 25 February 1933
110pp.
|
|
|
The Wagons Roll At Night
|
|
|
Box/Folder
423/11
|
Plot Summary: Carnival troupe, no author shown, undated
6pp.
|
|
|
Box/Folder
423/12
|
Temporary: Carnival, by Fred Niblo Jr, 19 August 1940
164pp.
|
|
|
Box/Folder
423/13
|
Final: Carnival, by Niblo and Barry Trivers, 7 September 1940
119pp.
|
|
|
Box/Folder
424/1
|
Revised Final: Carnival, by Niblo and Trivers, 30 September with revisions to 11 November 1940
circa 125pp.
|
|
|
The Walking Dead
|
|
|
Box/Folder
424/2
|
Short Story: by Joseph a Fields and Ewart Adamson, undated
6pp.
|
|
|
Box/Folder
424/3
|
Screenplay: by Lillie Hayward and Robert D Andrews, undated
33pp.
|
|
|
Box/Folder
424/4
|
Treatment: (“Development”) by Adamson, undated
68pp.
|
|
|
Box/Folder
424/5
|
Temporary: by Adamson, 1 November 1935
133pp.
|
|
|
Box/Folder
424/6
|
Final: no author shown, undated with revisions to 11 December 1935
circa 120pp.
|
|
|
Wallflower
|
|
|
Box/Folder
424/7
|
Play: by Reginald Denham and Mary Orr, undated
200pp.
|
|
|
Box/Folder
424/8
|
Plot Summary: by H Hinsdale, 2 February 1944
2pp.
|
|
|
Box/Folder
424/9
|
Story Outline: by Hinsdale, 4 February 1944
7pp.
|
|
|
Box/Folder
424/10
|
Treatment: by Margret Buell Wilder, 7 July 1944
13pp.
|
|
|
Box/Folder
424/11
|
Story Outline: by Wilder, 13 July 1944
6pp.
|
|
|
Box/Folder
424/12
|
Treatment: by Wilder, 28 July 1944
37pp.
|
|
|
Box/Folder
424/13
|
Story Outline: by James Bloodworth, 16 August 1944
11pp.
|
|
|
Box/Folder
424/14
|
Treatment: by Bloodworth, 24 August 1944
16pp.
|
|
|
Box/Folder
424/15
|
Treatment: by Bloodworth, 30 August 1944
25pp.
|
|
|
Box/Folder
424/16
|
Treatment: by Bloodworth, 9 September 1944
12pp.
: Incomplete.
|
|
|
Box/Folder
424/17
|
Treatment: by Bloodworth, 16 September 1944
15pp.
: Incomplete.
|
|
|
Box/Folder
424/18
|
Screenplay: by Louise Pierson, 23 September 1944
53pp.
: Incomplete.
|
|
|
Box/Folder
424/19
|
Treatment: by Geller, 5 October 1944
11pp.
: Incomplete.
|
|
|
Box/Folder
425/1
|
Screenplay: by Pierson, 3 October to 4 November 1944
100pp.
: Incomplete.
|
|
|
Box/Folder
425/2
|
Screenplay: by Pierson, 6 November to 10 November 1944
52pp.
: Incomplete.
|
|
|
Box/Folder
425/3
|
Temporary: by Pierson, 16 November 1944
167pp.
|
|
|
Box/Folder
425/4
|
Screenplay: by Pierson, 18 November 1944 to 6 January 1945
169pp.
|
|
|
Box/Folder
425/5
|
Story Outline: by Pierson, 25 January 1945
8pp.
|
|
|
Box/Folder
425/6
|
Story Outline: by Pierson, 27 January 1945
6pp.
: Incomplete.
|
|
|
Box/Folder
425/7
|
Screenplay: by Pierson, 3 February to 10 February 1945
84pp.
: Incomplete.
|
|
|
Box/Folder
425/8
|
Screenplay: by Pierson, 17 February to 10 March 1945
87pp.
: Incomplete.
|
|
|
Box/Folder
425/9
|
Treatment: by Agnes Johnston, 27 April 1945
19pp.
|
|
|
Box/Folder
425/10
|
Treatment: by Johnston, 2 May 1945
10pp.
: Incomplete.
|
|
|
Box/Folder
425/11
|
Treatment: by Johnston, 19 May 1945
35pp.
: Incomplete.
|
|
|
Box/Folder
425/12
|
Screenplay: by Johnston, undated
134pp.
|
|
|
Box/Folder
425/13
|
Screenplay: by Johnston, 20 August 1945
133pp.
|
|
|
Box/Folder
425/14
|
Treatment: by Alex Gottlieb, 22 September 1945
circa 35pp.
: Incomplete.
|
|
|
Box/Folder
426/1
|
Screenplay: by Phoebe and Henry Ephron, 7 March 1946
144pp.
|
|
|
Box/Folder
426/2
|
Final: by the Ephrons, 23 May 1946
139pp.
|
|
|
Box/Folder
426/3
|
Revised Final: by the Ephrons, 10 June 1946
137pp.
|
|
|
Box/Folder
426/4
|
Revised Final 2: by the Ephrons, 16 November 1946 with revisions to 26 March 1947
134pp.
|
|
|
Box/Folder
426/5
|
Reader Synopsis: by Kay Walch, 6 June 1948
1p.
|
|
|
Watch on the Rhine
|
|
|
Box/Folder
426/6
|
Play: by Lillian Hellman. Cleveland, 1941
170pp.
|
|
|
Box/Folder
426/7
|
Treatment: by Alice Hunter, 10 April 1941
23pp.
|
|
|
Box/Folder
426/8
|
Treatment: by Dashiell Hammett, undated
32pp.
|
|
|
Box/Folder
426/9
|
Screenplay: by Hammett, undated
180pp.
|
|
|
Box/Folder
427/1
|
Temporary: by Hammett, 8 April to 27 April 1942
152pp.
|
|
|
Box/Folder
427/2
|
Final: by Hammett and Hellman, 25 May with revisions to 3 August 1942
133pp.
|
|
|
Box/Folder
427/3
|
Reader Synopsis: by Cecil Piantadosi, 24 January 1946
1p.
|
|
|
Waterfront
|
|
|
Box/Folder
427/4
|
Temporary: no author shown, 30 January 1939
115pp.
|
|
|
Box/Folder
427/5
|
Revised Temporary: no author shown, 6 February to 10 February 1939
95pp.
|
|
|
Box/Folder
427/6
|
Final: by Don Ryan and Lee Katz, 14 February with revisions to 31 March 1939
97pp.
|
|
|
We Are Not Alone
|
|
|
Box/Folder
427/7
|
Novel: by James Hilton. Boston, 1937
231pp.
|
|
|
Box/Folder
428/1
|
Screenplay: by Hilton, undated
224pp.
|
|
|
Box/Folder
428/2
|
Temporary: by Milton Krims, 29 June 1938
197pp.
|
|
|
Box/Folder
428/3
|
Revised Temporary: by Hilton, 21 March 1939
217pp.
|
|
|
Box/Folder
428/4
|
Final: by Hilton, 1 June with revisions to 22 November 1939
circa 185pp.
|
|
|
Weekend Marriage
|
|
|
Box/Folder
428/5
|
Novel: by Faith Baldwin. New York, 1931
312pp.
|
|
|
Box/Folder
429/1
|
Treatment: by Sheridan Gibney, 25 January 1932
19pp.
|
|
|
Box/Folder
429/2
|
Treatment: by Gibney, 4 February 1932
16pp.
|
|
|
Box/Folder
429/3
|
Temporary: by Gibney, 4 March 1932
97pp.
|
|
|
Box/Folder
429/4
|
Final: by Gibney, 11 March with revisions to 21 March 1932
97pp.
|
|
|
We're in the Money
|
|
|
Box/Folder
429/5
|
Treatment: the trouble twins, or Serves you right, by George R Bilson, 11 January 1935
15pp.
|
|
|
Box/Folder
429/6
|
Screenplay: Serves you right, by Erwin Gelsey, undated
123pp.
: Incomplete.
|
|
|
Box/Folder
429/7
|
Temporary: no author shown, 24 April 1935
98pp.
: Incomplete.
|
|
|
Box/Folder
429/8
|
Final: no author shown, 30 April with revisions to 31 May 1935
136pp.
|
|
|
West of Shanghai
|
|
|
Box/Folder
429/9
|
Screenplay: War lord, by Tom Reed, 8 January 1937
107pp.
|
|
|
Box/Folder
429/10
|
Temporary: China bandit, by Crane Wilbur, 6 February 1937
113pp.
|
|
|
Box/Folder
429/11
|
Revised Temporary: China bandit, by Wilbur, 15 February 1937
123pp.
|
|
|
Box/Folder
429/12
|
Final: China bandit, by Wilbur, 22 February with revisions to 17 March 1937
circa 135pp.
|
|
|
When Were You Born?
|
|
|
Box/Folder
430/1
|
Treatment: by Anthony Coldewey, 23 December 1937
38pp.
|
|
|
Box/Folder
430/2
|
Screenplay: by Coldewey, 12 January 1938
120pp.
|
|
|
Box/Folder
430/3
|
Temporary: by Coldewey, 14 February 1938
115pp.
|
|
|
Box/Folder
430/4
|
Final: by Coldewey, 18 February with revisions to 27 April 1938
circa 125pp.
|
|
|
While the Patient Slept
|
|
|
Box/Folder
430/5
|
Novel: by Mignon G Eberhart. New York, 1930
313pp.
|
|
|
Box/Folder
430/6
|
Temporary: no author shown, 13 November with revisions to 17 November 1934
circa 145pp.
|
|
|
Box/Folder
430/7
|
Final: no author shown, undated
121pp.
|
|
|
Whiplash
|
|
|
Box/Folder
431/1
|
Story Outline: by Kenneth Earl, undated
42pp.
|
|
|
Box/Folder
431/2
|
Screenplay: by Earl, 25 May 1946
159pp.
|
|
|
Box/Folder
431/3
|
Screenplay: by Gordon Kahn, undated
163pp.
|
|
|
Box/Folder
431/4
|
Screenplay: by Kahn, 26 June 1946
106pp.
: Incomplete.
|
|
|
Box/Folder
431/5
|
Screenplay: by Maurice Geraghty, 12 November 1946
160pp.
|
|
|
Box/Folder
431/6
|
Screenplay: by Harriet Frank Jr, 21 February 1947
130pp.
|
|
|
Box/Folder
431/7
|
Temporary: by Geraghty and Kahn, 14 February 1947
134pp.
|
|
|
Box/Folder
431/8
|
Final: by Geraghty and Frank, 6 March 1947
128pp.
|
|
|
Box/Folder
431/9
|
Revised Final: by Geraghty and Frank, 15 March with revisions to 15 May 1947
circa 140pp.
|
|
|
The White Angel
|
|
|
Box/Folder
432/1
|
Research: Cassandra, by Florence Nightingale, undated
19pp.
|
|
|
Box/Folder
432/2
|
Treatment: Florence Nightingale, by Wilhelm Dieterle, undated
67pp.
: Annotated.
|
|
|
Box/Folder
432/3
|
Story Outline: Angel of mercy, by Michel Jacoby, 4 December 1935
15pp.
|
|
|
Box/Folder
432/4
|
Temporary: Angel of mercy, by Mordaunt Shairp, 5 February 1936
80pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
432/5
|
Final: Florence Nightingale, by Shairp, 22 February with revisions to 29 February 1936
circa 105pp.
|
|
|
Box/Folder
432/6
|
Revised Final: Florence Nightingale, by Shairp, 3 March with revisions to 10 April 1936
circa 135pp.
|
|
|
White Banners
|
|
|
Box/Folder
432/7
|
Novel: by Lloyd C. Douglas, 5 August 1936
480pp.
|
|
|
Box/Folder
432/8
|
Treatment: by Michel Jacoby, 28 October 1936
54pp.
|
|
|
Box/Folder
432/9
|
Treatment: by Cameron Rogers, undated
13pp.
|
|
|
Box/Folder
433/1
|
Temporary: by Rogers, 21 October 1937
153pp.
|
|
|
Box/Folder
433/2
|
Revised Temporary: by Lenore Coffee, 26 November 1937
133pp.
|
|
|
Box/Folder
433/3
|
Final: by Coffee, 6 January with revisions to 19 January 1938
circa 120pp.
: Incomplete.
|
|
|
Box/Folder
433/4
|
Revised Final: by Coffee and Rogers, 27 January with revisions to 23 February 1938
circa 130pp.
|
|
|
White Bondage
|
|
|
Box/Folder
433/5
|
Temporary: Lords of the land, by Anthony Coldewey, 7 October 1936
126pp.
|
|
|
Box/Folder
433/6
|
Revised Temporary: the lords of the land, by Coldewey, 20 October 1936
112pp.
|
|
|
Box/Folder
433/7
|
Final: Lords of the land, by Coldewey, 21 October with revisions to 2 November 1936
circa 115pp.
|
|
|
White Cockatoo
|
|
|
Box/Folder
434/1
|
Novel: by Mignon G Eberhart. New York, 1933
314pp.
|
|
|
Box/Folder
434/2
|
Screenplay: by Ben Markson and Lillie Hayward, undated
136pp.
|
|
|
Box/Folder
434/3
|
Temporary: by Markson and Hayward, 7 September 1934
129pp.
|
|
|
Box/Folder
434/4
|
Final: by Markson and Hayward, 29 September 1934
129pp.
|
|
|
White Heat
|
|
|
Box/Folder
434/5
|
Treatment: by Virginia Kellogg, 16 October 1948; research material dated , 2 July 1928
31pp.; 4pp.
|
|
|
Box/Folder
434/6
|
Treatment: by Kellogg, undated
34pp.
|
|
|
Box/Folder
434/7
|
Treatment: by Ivan Goff and Ben Roberts, 9 November 1948
20pp.
|
|
|
Box/Folder
434/8
|
Temporary: by Goff and Roberts, 10 March to 12 March 1949
130pp.
: Incomplete.
|
|
|
Box/Folder
434/9
|
Revised Temporary: by Goff and Roberts, 8 April 1949
136pp.
|
|
|
Box/Folder
435/1
|
Final: by Goff and Roberts, 20 April to 23 April 1949
94pp.
: Incomplete.
|
|
|
Box/Folder
435/2
|
Revised Final: by Goff and Roberts, 4 May with revisions to 18 June 1949
circa 130pp.
|
|
|
Wide Open
|
|
|
Box/Folder
435/3
|
Novel: the narrow street, by Edwin Bateman Morris. New York, 1924
320pp.
|
|
|
Box/Folder
435/4
|
Screenplay: the narrow street, by Gordon Rigby, undated
119pp.
: Annotated.
|
|
|
Box/Folder
435/5
|
Final: by James a Starr and Arthur Caesar, undated
92pp.
|
|
|
The Widow From Chicago
|
|
|
Box/Folder
435/6
|
Final: by Earl Baldwin and Ruth Rankin, 25 April 1930
118pp.
|
|
|
The Widow From Monte Carlo
|
|
|
Box/Folder
436/1
|
Play: a present from Margate, by Ian Hay and a E.W. Mason, 1 May 1934
119pp.
|
|
|
Box/Folder
436/2
|
Screenplay: Meet the duchess, by Charles S Belden, 31 July 1935
100pp.
|
|
|
Box/Folder
436/3
|
Temporary: Meet the duchess (A present from Margate), by Belden, 15 August 1935
109pp.
|
|
|
Box/Folder
436/4
|
Final: Meet the duchess (A present from Margate), no author shown, 28 August with revisions to 17 October 1935
127pp.
|
|
|
Box/Folder
436/5
|
Revised Final: Meet the duchess (A present from Margate), by F Hugh Herbert, Belden, and George Bricker, 13 September 1935
130pp.
|
|
|
Box/Folder
436/6
|
Revised Final 2: Meet the duchess (A present from Margate), by Herbert, undated with revisions to 17 October 1935
circa 125pp.
|
|
|
Wild Bill Hickok Rides
|
|
|
Box/Folder
436/7
|
Screenplay: the great divide, by Raymond L Schrock, undated
176pp.
|
|
|
Box/Folder
436/8
|
Temporary: the great divide, no author shown, 16 July 1941
122pp.
|
|
|
Box/Folder
437/1
|
Final: the great divide, by Charles Grayson, 8 August to 13 August 1941
107pp.
|
|
|
Box/Folder
437/2
|
Screenplay: by Paul Gerard Smith, undated
123pp.
|
|
|
Box/Folder
437/3
|
Revised Final: by Smith and Grayson, 29 August to 4 September with revisions to 22 October 1941
circa 120pp.
|
|
|
Wild Boys of the Road
|
|
|
Box/Folder
437/4
|
Short Story: Desperate youth, by Danny Ahearn, 10 February 1933
50pp.
|
|
|
Box/Folder
437/5
|
Screenplay: by Earl Baldwin, 22 March 1933
150pp.
|
|
|
Box/Folder
437/6
|
Temporary: by Baldwin, 19 May 1933
146pp.
|
|
|
Box/Folder
437/7
|
Final: by Baldwin, 1 June with revisions to 16 June 1933
circa 135pp.
|
|
|
Wine, Women, and Horses
|
|
|
Box/Folder
437/8
|
Temporary: Lady luck, by Roy Chanslor, 27 February 1937
106pp.
|
|
|
Box/Folder
437/9
|
Final: Lady luck, by Chanslor, 4 March with revisions to 26 March 1937
circa 105pp.
|
|
|
Wings for the Eagle
|
|
|
Box/Folder
438/1
|
Short Story: Untitled Lockheed story, by Byron Morgan and Harrison Okrow, undated
23pp.
|
|
|
Box/Folder
438/2
|
Treatment: the shadow of their wings, by Morgan and Okrow, undated
100pp.
|
|
|
Box/Folder
438/3
|
Temporary: Shadow of their wings, no author shown, 3 December to 24 December with revisions to 15 December 1941
circa 136pp.
: Incomplete.
|
|
|
Box/Folder
438/4
|
Final: by Morgan, Okrow, and Richard Macaulay, 3 January with revisions to 27 March 1942
circa 145pp.
|
|
|
Wings of the Navy
|
|
|
Box/Folder
438/5
|
Story Outline: (“Rough notes on 'Pensacola' story”) by Michael Fessier, 7 January 1938
16pp.
|
|
|
Box/Folder
438/6
|
Story Outline: (“Rough notes on 'Pensacola' story”) by Fessier, 11 January 1938
20pp.
|
|
|
Box/Folder
438/7
|
Treatment: (“Rough notes on 'Pensacola' story”) by Fessier, 7 February 1938
63pp.
|
|
|
Box/Folder
438/8
|
Treatment: by Fessier, undated
102pp.
|
|
|
Box/Folder
438/9
|
Screenplay: by Fessier, 7 April 1938
183pp.
|
|
|
Box/Folder
438/10
|
Temporary: by Fessier, 17 June 1938
144pp.
|
|
|
Box/Folder
438/11
|
Final: by Fessier, 1 July with revisions to 18 August 1938
circa 145pp.
|
|
|
Winner Take All
|
|
|
Box/Folder
439/1
|
Short Story: 133 at 3, by Gerald Beaumont. Redbook, March 1921
8pp.
|
|
|
Box/Folder
439/2
|
Treatment: the main event, by Robert Lord, 22 January 1932
51pp.
|
|
|
Box/Folder
439/3
|
Temporary: the main event, by Lord, 8 February 1932
151pp.
|
|
|
Box/Folder
439/4
|
Final: by Lord and Wilson Mizner, 17 February with revisions to 23 February 1932
circa 145pp.
|
|
|
Winter Meeting
|
|
|
Box/Folder
439/5
|
Novel: by Ethel Vance. Boston, 1946
255pp.
|
|
|
Box/Folder
439/6
|
Temporary: by Catherine Turney, 22 January with revisions to 17 February 1947
circa 130pp.
|
|
|
Box/Folder
439/7
|
Revised Temporary: by Turney, 26 June 1947
133pp.
|
|
|
Box/Folder
439/8
|
Final: by Turney, 18 August to 28 August 1947 with revisions to 20 February 1948
circa 145pp.
|
|
|
The Woman From Monte Carlo
|
|
|
Box/Folder
439/9
|
Play: the night watch (La veille d'armes), by Claude Farrere and Lucien Nepoty, undated
164pp.
|
|
|
Box/Folder
440/1
|
Play: in the night watch, by Michael Morton, undated
102pp.
: Annotated.
|
|
|
Box/Folder
440/2
|
Screenplay: Night watch, by Harvey Thew, undated
78pp.
|
|
|
Box/Folder
440/3
|
Temporary: Night watch, by Thew, 26 September 1931
127pp.
|
|
|
Box/Folder
440/3
|
Final: the marked woman, by Thew, 30 September with revisions to 26 October 1931
circa 105pp.
|
|
|
The Woman in Red
|
|
|
Box/Folder
440/5
|
Novel: North shore, by Wallace Irwin. Boston, 1932
321pp.
|
|
|
Box/Folder
440/6
|
Screenplay: North shore, by Mary McCall Jr and Peter Milne, 5 October 1934
152pp.
|
|
|
Box/Folder
440/7
|
Temporary: North shore, by McCall and Milne, 10 October 1934
146pp.
|
|
|
Box/Folder
440/8
|
Final: North Shore, by McCall and Milne, 30 October to 9 November with revisions to 20 November 1934
circa 135pp.
|
|
|
The Woman in White
|
|
|
Box/Folder
441/1
|
Novel: the moonstone and the woman in white, by Wilkie Collins. New York, 1937
843pp.
|
|
|
Box/Folder
441/2
|
Treatment: by Stephen Morehouse Avery (“? & John Collier”), 14 July to 8 September 1945
35pp.
: Incomplete.
|
|
|
Box/Folder
441/3
|
Screenplay: by Avery, 15 September to 8 December 1945
100pp.
: Incomplete.
|
|
|
Box/Folder
441/4
|
Comments: (“Script changes and suggestions”) by Avery, 5 January 1946
5pp.
|
|
|
Box/Folder
441/5
|
Treatment: by Avery, 2 February to 23 March 1946
166pp.
|
|
|
Box/Folder
441/6
|
Temporary: by Avery, 4 May 1946
143pp.
|
|
|
Box/Folder
441/7
|
Final: by Avery, 22 July with revisions to 4 November 1946
circa 145pp.
|
|
|
Women Are Like That
|
|
|
Box/Folder
441/8
|
Short Story: Return from limbo, by a H Z Carr. Saturday Evening Post, 22 February 1936
6pp.
|
|
|
Box/Folder
441/9
|
Screenplay: Return from limbo, by Horace Jackson, 26 June 1937
127pp.
: Incomplete.
|
|
|
Box/Folder
441/10
|
Temporary: Return from limbo, no author shown, 8 July 1937
131pp.
: Incomplete.
|
|
|
Box/Folder
442/1
|
Revised Temporary: Return from limbo, by Jackson, 24 July 1937
114pp.
: Incomplete.
|
|
|
Box/Folder
442/2
|
Final: Return from limbo, by Jackson, 7 August with revisions to 13 August 1937
circa 145pp.
|
|
|
Women in the Wind
|
|
|
Box/Folder
442/3
|
Novel: by Francis Walton. New York, 1935
308pp.
|
|
|
Box/Folder
442/4
|
Temporary: by Lee Katz and Albert De Mond. 11 August to 12 August 1938
144pp.
|
|
|
Box/Folder
442/5
|
Final: by Katz and De Mond. 19 August to 22 August 1938
126pp.
|
|
|
Box/Folder
442/6
|
Revised Final: no author shown, 30 August to 1 September with revisions to 23 November 1938
circa 125pp.
|
|
|
Wonder Bar
|
|
|
Box/Folder
442/7
|
Play: Die wunder bar, by Geza Herczeg and Karl Farkas, 17 November 1930, In German
161pp.
|
|
|
Box/Folder
443/1
|
Play: Translation of above by Arthur Hanko, 9 January 1931
127pp.
|
|
|
Box/Folder
443/2
|
Play: no author shown, 9 April 1932
76pp.
|
|
|
Box/Folder
443/3
|
Plot Summary: no author shown, undated
3pp.
|
|
|
Box/Folder
443/4
|
Treatment: by Earl Baldwin, 25 August 1933
45pp.
|
|
|
Box/Folder
443/5
|
Screenplay: by Baldwin, 10 October 1933
circa 95pp.
|
|
|
Box/Folder
443/6
|
Temporary: by Baldwin, 14 October 1933
104pp.
|
|
|
Box/Folder
443/7
|
Final: by Baldwin, 26 October 1933
106pp.
|
|
|
Box/Folder
443/8
|
Revised Final: by Baldwin, 10 November 1933
93pp.
|
|
|
Working Man
|
|
|
Box/Folder
443/9
|
Short Story: the adopted father, by Edgar Franklin. All-Story Weekly, 22 January 1916
circa 115pp.
|
|
|
Box/Folder
443/10
|
Research: (“Titles for 'The adopted father' ”) by Forrest Halsey, undated
16pp.
|
|
|
Box/Folder
443/11
|
Research: (“Titles for 'The adopted father' ”) by Halsey, undated
8pp.
: Incomplete.
|
|
|
Box/Folder
443/12
|
Screenplay: (“Film continuity for 'Twenty dollars a week' ”) no author shown, undated
28pp.
|
|
|
Box/Folder
443/13
|
Final: Twenty dollars a week, by Halsey, undated
circa 135pp.
|
|
|
Box/Folder
444/1
|
Treatment: (“Final synopsis”) no author shown, undated
28pp.
|
|
|
Box/Folder
444/2
|
Treatment: the adopted father, by Maude T Howell, 21 May 1932
18pp.
|
|
|
Box/Folder
444/3
|
Treatment: the adopted father, by Charles Kenyon, 21 May 1932
23pp.
|
|
|
Box/Folder
444/4
|
Treatment: the adopted father, by Kenyon, 30 July 1932
41pp.
|
|
|
Box/Folder
444/5
|
Treatment: the adopted father, by Kenyon, 10 August 1932
61pp.
|
|
|
Box/Folder
444/6
|
Temporary: the adopted father, by Kenyon, 19 October 1932
127pp.
|
|
|
Box/Folder
444/7
|
Revised Temporary: the adopted father, by Kenyon, 4 November 1932
121pp.
|
|
|
Box/Folder
444/8
|
Final: the adopted father, by Kenyon (“Revised version by Geroge Arliss and Maude T Howell”), 31 December 1932
117pp.
|
|
|
The World Changes
|
|
|
Box/Folder
444/9
|
Short Story: America kneels, no author shown, 3 March 1933
41pp.
|
|
|
Box/Folder
444/10
|
Screenplay: America kneels, by Edward Chodorov, 15 May 1933
122pp.
|
|
|
Box/Folder
444/11
|
Temporary: America kneels, by Chodorov, 16 June 1933
124pp.
|
|
|
Box/Folder
444/12
|
Revised Temporary: America kneels, by Chodorov, 27 June 1933
95pp.
: Incomplete.
|
|
|
Box/Folder
444/13
|
Final: by Sheridan Gibney, 8 July 1933
136pp.
|
|
|
Box/Folder
445/1
|
Revised Final: by Gibney, 13 July with revisions to 31 July 1933
143pp.
|
|
|
Yankee Doodle Dandy
|
|
|
Box/Folder
445/2
|
Research: (“Material on the life of George M. Cohan”) by Robert Buckner, 4 April 1941
63pp.
|
|
|
Box/Folder
445/3
|
Screenplay: by Buckner (incomplete), 12 June 1941
88pp.
|
|
|
Box/Folder
445/3
|
Screenplay: by Buckner: “Detailed outline of part two,” 19 June 1941
29pp.
|
|
|
Box/Folder
445/3
|
Memo from Buckner to Hal Wallis, 19 June 1941
1p.
|
|
|
Box/Folder
445/4
|
Screenplay: by Buckner (incomplete), 23 June 1941, ; “detailed outline of part two,” , 23 June 1941
88pp.; 30pp.
|
|
|
Box/Folder
445/5
|
Screenplay: by George M. Cohan, undated
169pp.
: Annotated.
|
|
|
Box/Folder
445/6
|
Screenplay: by Buckner, 30 September 1941
155pp.
|
|
|
Box/Folder
445/7
|
Temporary: by Buckner, 16 October 1941
152pp.
|
|
|
Box/Folder
446/1
|
Revised Temporary: by Buckner, 30 October 1941
171pp.
|
|
|
Box/Folder
446/2
|
Final: by Buckner and Julius and Philip Epstein, 25 November 1941 with revisions to 14 January 1942
138pp.
|
|
|
Box/Folder
446/3
|
Reader Synopsis: by Rodney Graham, 29 January 1946
1p.
|
|
|
Yes, My Darling Daughter
|
|
|
Box/Folder
446/4
|
Treatment: by Casey Robinson, 7 April 1938
75pp.
|
|
|
Box/Folder
446/5
|
Screenplay: by Robinson, 14 May 1938
143pp.
|
|
|
Box/Folder
446/6
|
Temporary: by Robinson, 14 September 1938
145pp.
|
|
|
Box/Folder
446/7
|
Final: by Robinson, 27 October with revisions to 2 December 1938
circa 150pp.
|
|
|
You Can't Escape Forever
|
|
|
Box/Folder
446/8
|
Temporary: Deadline, by Hector Chevigny and Fred Niblo Jr, 26 March 1942
149pp.
|
|
|
Box/Folder
446/9
|
Final: by Niblo and Chevigny, 19 May with revisions to 29 June 1942
circa 130pp.
|
|
|
You Can't Get Away with Murder
|
|
|
Box/Folder
447/1
|
Play: Chalked out, by Warden Lewis E Lawes and Jonathan Finn, 30 April 1937
148pp.
|
|
|
Box/Folder
447/2
|
Treatment: Chalked out, by Don Ryan and Kenneth Gamet, undated
11pp.
|
|
|
Box/Folder
447/3
|
Screenplay: Chalked out, by Ryan and Gamet, undated
154pp.
|
|
|
Box/Folder
447/4
|
Temporary: Sing Sing, by Robert Buckner, 5 February 1938
137pp.
|
|
|
Box/Folder
447/5
|
Final: Chalked out, by Buckner, 13 April with revisions to 13 September 1938
circa 135pp.
|
|
|
You Said a Mouthful
|
|
|
Box/Folder
447/6
|
Story Outline: Joe E Brown story, no author shown, undated
6pp.
|
|
|
Box/Folder
447/7
|
Treatment: by Robert Lord, 19 April 1932
67pp.
|
|
|
Box/Folder
447/8
|
Final: by Lord, 4 May 1932
119pp.
|
|
|
Box/Folder
447/9
|
Screenplay: (“Revised treatment”) by Bolton Mallory, 5 August 1932
134pp.
|
|
|
Box/Folder
447/10
|
Screenplay: (“Revised treatment”) by Mallory, 18 August 1932
113pp.
|
|
|
Box/Folder
448/1
|
Revised Final: by Lord and Mallory, 19 August 1932
109pp.
|
|
|
Box/Folder
448/2
|
Revised Final 2: by Lord and Mallory, 20 August to 25 August 1932
115pp.
|
|
|
The Younger Brothers
|
|
|
Box/Folder
448/3
|
Final: by Edna Anhalt, 15 May with revisions to 2 June 1948
circa 120pp.
|
|
|
You're in the Army Now
|
|
|
Box/Folder
448/4
|
Temporary: by Paul Girard Smith and George Beatty, 12 July 1941
123pp.
|
|
|
Box/Folder
448/5
|
Final: no author shown, 23 July 1941
116pp.
|
|
|
Box/Folder
448/6
|
Revised Final: no author shown, 29 July 1941
116pp.
|
|
|
Box/Folder
448/7
|
Revised Final 2: by Smith and Beatty, 29 August with revisions to 6 October 1941
circa 120pp.
|
|
