Wisconsin Swiss Traditional Music Project Collection, 1986-1991

Summary Information

Collection Summary

Title: Wisconsin Swiss Traditional Music Project Collection
Dates: 1986-1991

  • Wisconsin Folklife Center
Unique Identifier: CSUMC0005-CG

Contents: Mills Music Library Wisconsin Music Archives: 1 folder; Wisconsin Historical Society Archives: 12 folders; UW-Madison Folklore Program: 3 folders, 250 black-and-white negatives, 8 contact sheets; James P. Leary: 4 folders, 6 audiocassettes, 1 computer diskette

Center for the Study of Upper Midwestern Cultures
432 East Campus Mall, Room 332
Madison, Wisconsin 53706
Web site: http://csumc.wisc.edu

Archival Locations:
UW-Madison Libraries, Mills Music (Map)
Wisconsin Historical Society (Map)
UW-Madison Folklore Program (Map)

The Wisconsin Swiss Traditional Music Project identified, documented, and recorded a broad sampling of Wisconsin Swiss traditional music, mostly in Green and Dane counties, during 1987-1988. Managed by Project Director Phil Martin, the resulting audiocassette release, Swissconsin: My Homeland, features contemporary and historical studio recordings and portrays primarily the highly proficient, public-oriented performance style often heard in community-produced concerts, recordings, and festivals. The publication Yodeling in Dairyland: A History of Swiss Music in Wisconsin also emerged from the survey in 1991. The collection includes folklorist James P. Leary's interview sound recordings with five Swiss-American musicians, notes from interviews with three more, and selected research materials; Lewis Koch's photography; and Wisconsin Folk Museum project and production files.

Language: Manuscripts are in English and sound recordings are in English and German.

URL to cite for this finding aid: http://digital.library.wisc.edu/1711.dl/wiarchives.uw-csumc-csumc0005cg
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Collection Concordance by Format
Quantity Physical Description Location
Manuscript Materials
1 folder WMA Mills Music Library
12 folders WHS Library-Archives Division
3 folders UW-Madison Folklore Program
4 folders James P. Leary
Sound Recordings
6 1-7/8 ips cassette tapes James P. Leary
Graphic Materials
250 35 mm black-and-white negatives UW-Madison Folklore Program
8 black-and-white contact sheets UW-Madison Folklore Program
Electronic Media
1 3.5-inch computer diskette James P. Leary


Philip N. Martin initiated, directed, and obtained funding for the Wisconsin Swiss Traditional Music Project. Martin enlisted folklorist James P. Leary to interview contemporary Swiss-American musicians and obtain permissions for some reproductions of early commercial recordings, and he hired photographer Lewis Koch to provide photo documentation for the project. Martin selected the musical numbers and produced the master sound recordings for the Swissconsin: My Homeland audiocassette at Marv Nonn's studio outside of Cross Plains, Wisconsin, where the master recordings remain. Martin also wrote the production's liner notes, and Koch designed the insert. Martin later edited and published Leary's related Yodeling in Dairyland: A History of Swiss Music in Wisconsin (1991) through the Wisconsin Folk Museum, and authored the final report to the National Endowment for the Arts, on which portions of this guide are based.

Project History

Phil Martin began the Wisconsin Swiss Traditional Music Project under his research organization, the Wisconsin Folklife Center, which was then based at Folklore Village Farm in Dodgeville where he was Vice-President of the Board of Directors. By the end of the project, Martin had folded the Center into a new non-profit, the Wisconsin Folk Museum, where he was Executive Director. The new Folklife Center grew from Martin's Old-Time Traditional Music in Wisconsin research and productions.

After featuring traditional Norwegian-American and German-American musical traditions in the Folklife Center's “Ethnic Music Series,” Martin turned to Wisconsin's Swiss-American musical traditions. He focused the new project especially on Green County, home to a concentration of Swiss emigrants mostly from the mountainous cantons of Glarus and Bern. The 1986-1988 field and studio recordings made for the project emphasized the public-oriented performance style often heard in community-produced concerts, recordings, and festivals. Assisted by Rudy Burkhalter, a well known Swiss-American musician, the researchers contacted area musicians and arranged recording sessions and interviews. Leary formally interviewed eight Swiss-American musicians: Rudy Burkhalter, Leo and Anna Gempler, Roger Bright, and Al Mueller with sound recordings, and Martha Bernet, Betty Vetterli, and Trudy Brandli with handwritten notes. The interviews focused on personal and family history, musical selections that were recorded, and the role of music in south-central Wisconsin tradition. Lewis Koch photographed the performers, their home interiors, historic personal photos, and farm and town landscapes in the area. Leary also located historic musical recordings of Swiss-American and European-Swiss artists from the Upper Midwest region and across the country.

The resulting cassette production, Swissconsin: My Homeland, published in 1988 by the Wisconsin Folklife Center, included accordion and alphorn playing, yodeling and choral singing, and alpine-style dance bands. Contemporary recordings of Rudy Burkhalter, Martha Bernet, Anna Gempler, Bob and Scott Lorenz, Alfred and Martha Stucki, Betty Vetterli, the Edelweiss Stars, the Monroe Swiss Singers, and the New Glarus Alphorn Trio, were interspersed with historic reissues of recordings by influential Swiss and Swiss-American performers (Rudy Burkhalter, Louis Alder and his Mountaineers, the Moser Brothers, and the Swiss Family Frauenfelder). Subsequently, in 1991 the Folk Museum published James P. Leary's related Yodeling in Dairyland: A History of Swiss Music in Wisconsin. One essay in the book provides an overview of Swiss music in Wisconsin, the other focuses on Rudy Burkhalter, an influential performer whose varied career, in the Old World and the New, epitomizes the Swiss-American musical experience. Swissconsin was included in the American Folklife Center's American Folk Music and Folklore Recordings 1988: A Selected List (Washington, DC: Library of Congress). In 2004, the Center for the Study of Upper Midwestern Cultures re-released Swissconsin in CD format.

Martin obtained National Endowment for the Arts (Folk Arts) funding for the project, with Folklore Village Farm as the sponsoring non-profit organization, and the University of Wisconsin-Madison Folklore Program contributed to production costs. Under the Wisconsin Folk Museum, Martin applied grants to the project from the Webcrafters-Frautschi Foundation, the Wisconsin Arts Board, and the Dane County Cultural Affairs Commission.

Scope and Content Note

At Mills Music Library, Box 4 of the Wisconsin Folk Museum Collection contains a folder entitled “Swiss Music Project,” 1986-1989, which includes biographical sketches of the musicians, letters, musical scores, press releases, notes, and the final report to the NEA. Other related materials are interspersed throughout the Collection.

The “Wisconsin Folk Museum Records” (call number M98-044) at the Wisconsin Historical Society Library-Archives Division contain 12 artist files related to the Swiss project, formerly maintained by the Wisconsin Folk Museum. These files include tape indexes, field notes, flyers, copies of newspaper articles, letters, and some release forms.

There are three folders at the UW-Madison Folklore Program. The first, the official NEA grant file, contains original NEA grant proposals, a copy of the final report to NEA, official grant correspondence from and to NEA and UW-Madison, as well as handwritten budget accounting notes. A second contains invoices, correspondence, the audiocassette insert, and handwritten notes detailing the production of Swissconsin. A third file for Yodeling in Dairyland contains invoices, newspaper clippings, and a listing of Swiss photographs, a description of the photographs and an indication of who provided them, and a copy of the publication. Negatives and contact sheets in Folklore Program custody were made primarily in Monroe and New Glarus and are images of buildings, dancing, people in ethnic dress, and historical photographs.

In his personal collection, Jim Leary has six audiocassettes and four folders related to the project. The audiocassettes contain Swiss music and interviews with Swiss musicians by Leary. The “Swiss Project: Sources” folder contains Leary's background research materials--brochures, bibliographies, reference material, newspapers, letters, and handwritten notes--on the history of Swiss music in the United States and Wisconsin. The correspondence folder includes correspondence with other scholars on the topic of Swiss music. Chief correspondents are Brigitte Bachmann-Geiser of the Swiss Museum and Institute for Folkmusic and Musical Instruments, Bern, Switzerland and folklorist Regina Bendix, then of Lewis and Clark College, Portland, Oregon. The “Various Artists” folder contains a range of items including newspaper clippings; biographical notes on artists, including Martha Bernet, Betty Vetterli, Trudy Brandli and the Monroe Swiss Singers; and sound recording logs by Leary on the interviews with Rudy Burkhalter, Roger Bright, Leo and Anna Gempler, and Albert Mueller. Typed versions of the sound recording logs, in paper and on a computer diskette, completed by student assistant Jocelyne Bodden, are in the fourth folder.

Related Material

Leary, James P. and Richard March. “Swissconsin.” Radio Program No. 29. Down Home Dairyland. Madison, Wis.: Wisconsin Arts Board and University of Wisconsin. 1996. Reissue. Madison, Wis.: The Center for the Study of Upper Midwestern Cultures. 2004.

Family Farm Program, Smithsonian Festival of American Folklife, Washington, D.C. 1991.

German-American Music Project Collection (CSUMC0003-CG)


Swissconsin: My Homeland. Mount Horeb, Wis.: Wisconsin Folklife Center. 1988. Reissue. Madison, Wis.: The Center for the Study of Upper Midwestern Cultures. 2004.

Yodeling in Dairyland: A History of Swiss Music in Wisconsin. Mount Horeb, Wis.: Wisconsin Folk Museum. 1991.

Key Subjects
Groups (Ethnic, National, Cultural, Religious, etc.)

  • Swiss
  • Swiss Americans


  • Alphorn
  • Button-key accordion
  • Piano


  • English language
  • German language
  • Swiss-German language


  • Bern (Switzerland : Canton)
  • Glarus (Switzerland : Canton)
  • Green County (Wis.)
  • Monroe (Wis.)
  • New Glarus (Wis.)
  • Switzerland


  • Alder, Louis
  • Albright, George
  • Bernet, Martha
  • Brandli, Trudy
  • Bright, Roger
  • Burkhalter, Rudy
  • Colstad, John
  • Gempler, Anna
  • Gempler, Leo
  • Hofman, Karl
  • Hofman, Helen
  • Lorenz, Robert (“Bob”)
  • Lorenz, Scott
  • Mattman, Heinz
  • Mueller, Albert
  • Streiff, Clayton
  • Stucki, Alfred
  • Stucki, Martha
  • Vetterli, Betty


  • Edelweiss Stars
  • Louis Alder and his Mountaineers
  • Monroe Swiss Singers
  • Moser Brothers
  • New Glarus Alphorn Trio
  • Peters Brothers
  • Swiss Family Frauenfelder


  • Band music--Alpine-style
  • Choral singing
  • Dance music
  • Music, Swiss
  • Yodeling

Project documentation and Swissconsin, created under the Wisconsin Folklife Center, then associated with Folklore Village Farm, was subsumed by the Wisconsin Folk Museum, which attained official 501(c)3 non-profit status in 1988. Yodeling in Dairyland was published by the Museum in 1991. When the Folk Museum closed in 1995-1996, materials in the Museum's archives transferred to Mills Music Library and the Wisconsin Historical Society, while the University of Wisconsin-Folklore Program acquired remaining copies of productions and rights to productions and sales of both Swissconsin and Yodeling. The 2004 CD reissue of Swissconsin was published by UW-Madison's Center for the Study of Upper Midwestern Cultures. James P. Leary has retained his original research and documentary materials listed here.

Processing History

Documentation transferred to Mills Music Library and the Wisconsin Historical Society had previously been accessioned by Ruth Forrester (formerly Fahnestock) at the Wisconsin Folk Museum, 1991-1992. The materials at Mills remain part of the Wisconsin Folk Museum Collection, of which the Swiss materials are a small, integrated part (see paper inventory on file). The materials at the Historical Society Archives consist of artist files in the Wisconsin Folk Museum Collection. Project files that transferred to the University of Wisconsin-Madison Folklore Program are intact from 1996, but some have remained open working files.


Contact individual repositories for access information.

Wisconsin Music Archives at Mills Music Library
University of Wisconsin-Madison
B162 Memorial Library
728 State St.
Madison, Wisconsin 53706-1494
Email: askmusic@library.wisc.edu
Phone: (608) 263-1884
Web site: http://music.library.wisc.edu
Wisconsin Historical Society
Library-Archives Division
Reference Services, Archives
816 State St.
Madison, Wisconsin 53706
Email: askarchives@wisconsinhistory.org
Phone: (608) 264-6460
Web site: http://www.wisconsinhistory.org/Content.aspx?dsNav=N:1142
UW-Madison Folklore Program
Prof. James P. Leary
2315 Sterling Hall
475 N. Charter Street
Madison, Wisconsin 53706
Email: jpleary@wisc.edu
Phone: (608) 262-8107
Web site: http://folklore.wisc.edu/
Prof. James P. Leary
209 S. 4th St.
Mount Horeb, Wisconsin 53572
Email: jpleary@wisc.edu
Phone: (608) 437-4816

Consult institutional repositories for specific information on use restrictions. Review of the materials held by James P. Leary and the UW-Madison Folklore Program for non-profit personal, educational, and research purposes may be arranged. Duplication for public presentation, publication, and production requires negotiation with Leary and the people documented or their representatives.

Preferred Citation

Please consult repositories for guidelines. We suggest the following citation form when using direct quotes from a person documented: [Name of person documented]. [Date]. [Tape/video/other]-recorded interview by [Fieldworker name]. [Place interviewed]. [Name of collection/project]. [Repository, city, state]. When using a specific image: [Identify subject matter/people in caption]. Photo/image by [Photographer/fieldworker name]. [Date]. Courtesy of [repository]. To quote fieldworker, follow bibliographical style.

Collection Inventory and Description
Series: I: MANUSCRIPT MATERIALS. Mills Music Library Wisconsin Music Archives. Wisconsin Folk Museum Collection.
Box   4
Swiss Music Project, 1986-1989
Series: II: MANUSCRIPT MATERIALS. Wisconsin Historical Society Library-Archives Division. Wisconsin Folk Museum Records, M98-044. Artist Files
Box   1
Artists A-J
Alphorn Trio (New Glarus, Clayton Streiff)
Bernet, Martha
Burkhalter, Rudy
Edelweiss Stars
Frauenfelder, Reynard (“Rheiny”)
Gempler, Anna B.
Box   2
Artists K-Z
Lorenz, Robert (“Bob”)
Monroe Swiss Singers (Trudy Brandli)
Rindlisbacher, Otto
Streiff, Clayton
Stucki, Martha (Mrs. Alfred)
Vetterli, Betty
Series: III: MANUSCRIPT MATERIALS. UW-Madison Folklore Program. Wisconsin Folk Museum Records. Swiss-American Music Project Files.
Folder   1
Grants: NEA/Swiss Project
Folder   2
Production--Swissconsin cassette
Folder   3
Production--Yodeling in Dairyland
Series: IV: MANUSCRIPT MATERIALS. James P. Leary Research Collection. Swiss-American Music Project Files.
Folder   1
Swiss Project: Sources
Folder   2
Swiss Project: Correspondence
Folder   3
Various Artists: notes, clippings, letters, interview notes on Martha Bernet, Betty Vetterli, and Trudy Brandli (Monroe Swiss Singers), 1986-1987
Folder   4
Typed interview sound recording logs for Bright, Burkhalter, Gemplers, and Mueller
Series: V: SOUND RECORDINGS. James P. Leary. Wisconsin Folk Museum Swiss-American Music Project Files.
Tape   1-2
Rudy Burkhalter, Madison, 1987 February 19
Tape   3
Rudy Burkhalter, Madison, 1987 April 16
Tape   4
Leo and Anna Gempler, Monroe, 1987 September 17
Tape   4
Roger Bright, New Glarus, 1987 September 17
Tape   5
Albert Mueller, West Allis, 1987 September 25
Tape   6
Recordings on 78s: Moser Brothers, Peters Brothers
Series: VI: GRAPHIC MATERIALS. UW-Madison Folklore Program. Wisconsin Folk Museum Records. Swiss-American Music Project Files.
Negatives and Contact Sheets
Physical Description: The negatives are housed in plastic pages holding up to 6 strips of negative strips of 6 images each; the sheets are labelled #30-#37. The contact sheets are filed with the matching negatives, and are in the box with the manuscript materials. 
Sheet   30
Maennerchor at Turner Hall, 1985, Madison rosemaler (maybe Gary Albrecht?), Swiss Chorus, Monroe
Sheet   31-32
New Glarus city scenes
Sheet   33
New Glarus and Monroe
Sheet   34
Dancing at New Glarus Hotel to Roger Bright and his orchestra
Sheet   35
March, 1988, Monroe, north of Monroe, New Glarus, Swiss Historical Village, Puempel's bar
Sheet   36
Swiss American musician Rudy Burkhalter, historical images
Sheet   37
Swiss American Turnfest, Monroe, historical images
Series: VII: ELECTRONIC MEDIA. James P. Leary Research Collection. Swiss-American Music Project Files.
Interview sound recording logs
Physical Description: 1 diskette (in folder 4)