Container
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Title
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Series: Motion Pictures - Produced
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The Strange Love of Martha Ivers : Hal B. Wallis Production, 1946. Paramount
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Box
12
Folder
9
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Final script, “Love Lies Bleeding,” by Robert
Rossen, 1945 September 21
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I Walk Alone : Hal B. Wallis Production, 1947. Paramount
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Box
12
Folder
10
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Final script, “Deadlock,” by Charles Schnee,
1946 November 27 : With numerous changes of December 1946, January and February 1947.
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Mourning Becomes Electra : RKO Radio Pictures, 1947
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Box
12
Folder
11
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Final script by Dudley Nichols, 1947 February 25 : With changes of March 12, 1947.
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The Walls of Jericho : 20th Century-Fox Film Corp., 1948
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Box
12
Folder
12
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Revised final script by Lamar Trotti, 1947 October 8 : With numerous changes of October, November, December 1947, and January 1948.
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A Letter to Three Wives : 20th Century-Fox Film Corp., 1948
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Box
12
Folder
13
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Final script by Joseph L. Mankiewicz, 1948 May 19
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Champion : Screen Plays Production, 1949. United Artists
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Box
12
Folder
14
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Contract, 1948
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Box
12
Folder
15
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Financial correspondence, distribution receipts, 1949-1952
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Box
12
Folder
15
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Two television scripts, 1952
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Young Man With a Horn : Warner Brothers, 1950
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Box
12
Folder
16
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Second revised final script (Part I) by Carl Foreman,
1949 July 6 : With numerous changes of July, August 1949, and January 13, 1950.
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The Glass Menagerie : Warner Brothers, 1950
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Box
12
Folder
17
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Revised final (Part I) by Tennessee Williams, adapted by Peter Berneis, 1949 October 25 : With numerous changes of November, December 1949, and January 1950.
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Ace in the Hole : Paramount Pictures Corp., 1951
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Box
12
Folder
18
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Final script, “The Big Carnival,” by Billy
Wilder, Lesser Samuels, and Walter Newman, 1950 July 6 : With numerous changes of July, August, and September 1950.
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The Big Trees : Warner Brothers, 1952
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Box
12
Folder
19
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Final script (Part I) by John Twist, 1951 June 15 : With changes of June, July, and August 1951.
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Box
12
Folder
19
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Treatment, 1951 May 30
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The Big Sky : Winchester Pictures Production, 1952. RKO Radio
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Box
13
Folder
1
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Final script (as shot) by Dudley Nichols, 1951 October 17
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Box
13
Folder
1
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Typescript treatment by A. B. Guthrie Jr.
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The Bad and the Beautiful : MGM Pictures, 1952
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Box
13
Folder
2
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Script, “Tribute to a Bad Man” / by Charles
Schnee, 1952 March 26 : With numerous changes of April, May, June 1952.
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The Juggler : Stanley Kramer Company Production, 1953. Columbia
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Box
13
Folder
3
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Contract, 1952 June
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Box
13
Folder
4
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Correspondence, 1952-1959
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Box
13
Folder
5
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Final draft script by Michael Blankfort, 1952 June 3
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The Story of Three Loves : MGM Pictures, 1953
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Box
13
Folder
6
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Combined shooting script containing “The Jealous Lover” / by John Collier, “Mademoiselle” / by Jan Lustig and George Froeschel, and “Equilibrium” / by John Collier; adapted by Jan Lustig and George Foreschel, 1952 February 18, 1951 September 18, 1952 June 2 : With added scenes from August 12, 1952.
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Act of Love : Anatole Litvak Production, 1953. United Artists
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Box
13
Folder
7
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Contracts, 1953
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Box
13
Folder
8-9
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Correspondence, 1952 September-1954 March
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20,000 Leagues Under the Sea : Walt Disney Production, 1954. Buena Vista
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Box
13
Folder
10
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Correspondence, 1954 February-1963 August
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Box
13
Folder
11
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Contract, insurance, finance, music, clippings, 1954
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Box
13
Folder
12
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Final shooting script by Earl Felton, with changes of January-April 1954
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The Racers : 20th Century-Fox, 1955
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Box
13
Folder
13
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Contracts, 1954
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Box
13
Folder
14
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Correspondence, 1954
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Box
13
Folder
15
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Revised final shooting script by Charles Kaufman, 1954 July 31
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Box
13
Folder
15
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Clippings, reviews
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Man Without a Star : Universal, 1955
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Box
13
Folder
15
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Contracts and associated correspondence, 1954, 1956
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Box
13
Folder
17-19
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Correspondence, 1954 June-1967 February
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Financial and Distribution Records
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Box
13
Folder
20
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Reports, 1957 August-1966 December
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Box
13
Folder
21-22
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Statements, 1955 June-1966 December
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Promotion and Publicity
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Box
13
Folder
23
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Tour correspondence, 1955
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Box
13
Folder
24
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Clippings
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Box
13
Folder
25
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Revised second draft script by Borden Chase, 1954 June 16
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Ulysses : Lux Film, 1953 or 1954. Paramount
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Box
13
Folder
26
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Correspondence, 1953 June-1956 September
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Box
14
Folder
1
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English dialogue; notes by Anne Buydens
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Indian Fighter : Bryna Productions, 1955. United Artists
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Box
14
Folder
2
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Contracts, 1955-1959
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Box
14
Folder
3-9
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Correspondence, 1951-1965 July
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Box
14
Folder
10
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Correspondence regarding literary material, 1955 February-1957 August
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Distribution
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Box
14
Folder
11
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General papers
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Box
14
Folder
12-24
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Distribution reports, 1955-1969 November
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Box
15
Folder
1
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Sales and liquidation reports, 1956 January-1957 September
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Box
15
Folder
2
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Miscellaneous, 1955-1966
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Financial Records
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Box
15
Folder
3
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Checks
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Box
64
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Journal, ledgers, budget detail balance sheets, invoice,
records, checks, cash production costs, voucher
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Box
15
Folder
4-6
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Payroll checks and sheets
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Box
15
Folder
7
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Insurance and pension records
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Box
15
Folder
8
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Production and location costs
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Box
15
Folder
9
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Tax reports and miscellany
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Box
15
Folder
10
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Transportation sheets
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Production
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Box
15
Folder
11
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Call sheets
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Box
15
Folder
12
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Key set captions
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Box
15
Folder
13
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Casting
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Box
15
Folder
14-15
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Correspondence and papers regarding David Weshner, producer's
representative, 1955 August-1961 September
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Box
15
Folder
16
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Cutting and dialogue continuities
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Box
15
Folder
17
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Daily production reports
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Box
16
Folder
1
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Dubbing
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Box
16
Folder
2
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Extras and Indians required
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Box
16
Folder
3
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Film inventory
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Box
16
Folder
4
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Location - ideas and miscellany
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Box
16
Folder
5
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Location - Oregon Production, 1955 February-1960 September
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Box
16
Folder
6
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Shooting schedule
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Box
16
Folder
7
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Sound and photography, schedule of charges, title page and credits
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Box
16
Folder
8
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Staff and crew sheet
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Box
16
Folder
9
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Wardrobe plot
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Promotion and Publicity
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Box
16
Folder
10-13
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Clippings
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Box
16
Folder
14
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Copy
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Box
16
Folder
15
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Newspaper serialization
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Box
16
Folder
16
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Personal Appearance Tour
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Box
16
Folder
17
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Previews
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Box
16
Folder
18
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Publicity and advertisements
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Box
16
Folder
19
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Vital statistics
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Scripts
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Box
16
Folder
20
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Script treatment, synopsis, first draft script,
1954 October
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Box
16
Folder
21
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Script / unknown author, circa 1955 May
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Box
16
Folder
22
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Script (final draft?), undated
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Lust for Life : MGM, 1956
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Box
16
Folder
23
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Contracts
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Box
16
Folder
24-25
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Correspondence, 1955 April-1963 January
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Box
17
Folder
1
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Production file, cast sheets
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Box
17
Folder
2
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Script, 1955 October 13 : With changes of November and December 1955.
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Spring Reunion : Bryna Productions, 1957. United Artists
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Contracts
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Box
17
Folder
3
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Employment, 1956 January-July
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Box
17
Folder
4
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Free lance contracts
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Box
17
Folder
5-12
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Correspondence, 1956 January-1959
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Box
17
Folder
13
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Literary material - correspondence, 1956 January-1958 February
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|
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Distribution
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Box
17
Folder
14-16
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Box office reports, 1957 March-1959 July
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Box
17
Folder
17-24
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Statements, 1956-1969 September
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|
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Financial records
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Box
18
Folder
1-10
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Accounts payable vouchers
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Box
18
Folder
11
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Bank statements
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Box
18
Folder
12
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Budget
|
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Box
18
Folder
13
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Budget and cost reports, 1956 May-1957 April
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Box
19
Folder
1
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Budget - summaries of detail budget and cost reports,
1956 May-1957 April
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Box
19
Folder
2
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Correspondence, 1956 June-1957 March
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Box
19
Folder
3
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Insurance
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Box
65
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Journal, ledgers of assets and liabilities, vouchers, cash
and check records, payroll, production costs
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Box
19
Folder
4
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Negative cost report
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Box
19
Folder
5
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Notebooks
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Box
19
Folder
6
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Petty cash vouchers
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Box
19
Folder
7
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Promissory notes
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Box
19
Folder
8
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Miscellany
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Production files
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Box
19
Folder
9
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Casting
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Box
19
Folder
10
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Continuity breakdown, 1956 May 24
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Box
19
Folder
11
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Cutting and dialogue continuity, 1956 November
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Box
19
Folder
12
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Daily production reports, 1956 May-July
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Box
19
Folder
13
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Music, 1956 May-1957 February
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Box
19
Folder
14
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Production miscellany
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Box
19
Folder
15
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Production files - general, 1956-1957
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Box
19
Folder
16
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Shooting schedules and call sheets, 1956 May-July
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|
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Promotion and Publicity
|
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Box
19
Folder
17
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Miscellany
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Box
19
Folder
18-19
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Press releases, 1956 March-1957
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Box
19
Folder
20
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Publicity, 1956 June-1957 June
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Box
19
Folder
21
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Sneak previews, 1956 October-November
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Box
19
Folder
22
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Clippings
|
|
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Scripts
|
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Box
19
Folder
23
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Feature story manual, circa 1957
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Box
19
Folder
24
|
Notes of Robert Pirosh, 1956 February
|
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Box
19
Folder
25
|
Original play by Robert Alan Aurthur
|
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Box
19
Folder
26-27
|
Rough draft fragments
|
|
Box
19
Folder
28
|
First draft by Robert Pirosh and Elick Moll
|
|
Box
19
Folder
29
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Original draft by Pirosh and Moll, from the teleplay by Robert Alan Aurthur, 1956 March 21
|
|
Box
19
Folder
30
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Second draft by Pirosh and Moll, from the teleplay by Aurthur, 1956 March 21
|
|
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Revised Final by Pirosh and Moll
|
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Box
20
Folder
1
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1956 April 24
|
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Box
20
Folder
2
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1956 April 24
|
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Box
20
Folder
3
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1956 April 24 : With revisions of May 15 and June 18, 1956.
|
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Box
20
Folder
4
|
Synopses
|
|
Box
20
Folder
5
|
Treatment
|
|
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Top Secret Affair : Warner Brothers, 1957
|
|
Box
20
Folder
6
|
Production file, 1956-1966
|
|
Box
20
Folder
7
|
Final script, “Melville Goodwin USA,”
1956 September 20
|
|
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Gunfight at the O.K. Corral : Wallis-Paramount-Hazen Prod., 1957. Paramount
|
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Box
20
Folder
8
|
Contracts
|
|
Box
20
Folder
9
|
Correspondence; final script by Leon Uris,
1956 February 22
|
|
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The Careless Years : Michael and Bryna Productions, 1957. United Artists
|
|
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Contracts
|
|
Box
20
Folder
10
|
Arthur Hiller employment contract, 1956 November-1957 January
|
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Box
20
Folder
11
|
Dean Stockwell employment contracts and correspondence,
1956 December-1957 November
|
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Box
20
Folder
12-13
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Natalie Trundy employment contracts
|
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Box
20
Folder
14
|
Other contracts
|
|
Box
20
Folder
15-17
|
Correspondence, 1956 July-1963 July
|
|
Box
20
Folder
18
|
Literary property
|
|
|
Distribution
|
|
Box
20
Folder
19
|
Agreements
|
|
Box
20
Folder
20-21
|
Percentage engagement billing reports, 1957-1959
|
|
Box
20
Folder
22-24
|
Statements, 1960-1961, 1965, 1967-1973
|
|
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Foreign Distribution Revenue Statements
|
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Box
20
Folder
25-27
|
1960-1964
|
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Box
21
Folder
1
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1966
|
|
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Financial Records
|
|
Box
21
Folder
2
|
Accounts payable vouchers, 1956 December-1957 June
|
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Box
21
Folder
3
|
Bank reconciliations
|
|
Box
21
Folder
4
|
Budget
|
|
Box
21
Folder
5
|
Statements, 1957-1959
|
|
Box
21
Folder
6
|
Insurance
|
|
|
Production Files
|
|
Box
21
Folder
7
|
Casting
|
|
Box
21
Folder
8
|
Daily production reports, 1956 December-1957 January
|
|
Box
21
Folder
9
|
Music, 1956 February-1957 June
|
|
Box
21
Folder
10
|
Production files, 1953-1959
|
|
Box
21
Folder
11
|
Shooting schedule, notes, call sheets
|
|
|
Promotion and Publicity
|
|
Box
21
Folder
12
|
Photography, captions, dialogue and cutting continuities
|
|
Box
21
Folder
13
|
Previews
|
|
Box
21
Folder
14
|
Publicity, 1957
|
|
Box
21
Folder
15
|
Publicity releases
|
|
Box
21
Folder
16
|
Clippings, 1957-1958
|
|
|
Scripts
|
|
Box
21
Folder
17
|
“Young Lovers” by Eddie Lewis,
1956 November 8
|
|
Box
21
Folder
18
|
Revised, 1956 December 13
|
|
Box
21
Folder
19
|
Revised by Edward Lewis, 1956 December 26
|
|
Box
21
Folder
20
|
Synopsis
|
|
|
Lizzie : Bryna Productions, 1957. MGM
|
|
Box
21
Folder
21-22
|
Contracts
|
|
Box
21
Folder
23-25
|
Correspondence, 1956 March-1959 September
|
|
Box
21
Folder
26
|
Correspondence with Loew's Inc., 1956-1960
|
|
Box
21
Folder
27
|
Literary material, 1956-1960
|
|
|
Distribution
|
|
|
Statements and Reports
|
|
Box
21
Folder
28-29
|
1957 March-July
|
|
Box
22
Folder
1-5
|
1957 August-1966
|
|
|
Financial Records
|
|
Box
22
Folder
6-11
|
Accounts payable vouchers
|
|
Box
22
Folder
12
|
Bank deposits, 1956
|
|
Box
22
Folder
13
|
Bank reconciliations
|
|
Box
22
Folder
14
|
Budget, 1956 August 14
|
|
Box
22
Folder
15
|
Summary of detail budget and cost report
|
|
Box
22
Folder
16
|
Check authorizations and pension plan
|
|
Box
22
Folder
17
|
Daily payroll, 1956 August-September
|
|
Box
22
Folder
18
|
Financing, 1956-1957
|
|
Box
22
Folder
19
|
Insurance, 1956-1957
|
|
Box
22
Folder
20
|
Financial report, 1956 September-1957 February
|
|
|
Production Files
|
|
Box
22
Folder
21
|
Casting- biographies and cast lists
|
|
Box
22
Folder
22
|
Music, 1956-1957
|
|
Box
22
Folder
23
|
Production and distribution contract,
1956
|
|
Box
22
Folder
24
|
Production file, 1956-1957
|
|
Box
22
Folder
25
|
Production reports
|
|
Box
22
Folder
26
|
Vital statistics, credit information, call sheets, daily time sheets, 1956 October-1957 January
|
|
|
Promotion
|
|
Box
22
Folder
27
|
Photography - retakes, montages, captions, shooting schedule
|
|
Box
23
Folder
1
|
Press releases; article by Shirley Jackson
|
|
Box
23
Folder
2
|
Preview information
|
|
Box
23
Folder
3-4
|
Publicity, 1956-1957
|
|
Box
23
Folder
5
|
Trailers, advertisements
|
|
Box
23
Folder
6
|
Clippings
|
|
|
Scripts
|
|
Box
23
Folder
7
|
Synopsis
|
|
Box
23
Folder
8
|
Original, “Hidden Faces” / by Mel Dinelli
|
|
Box
23
Folder
9
|
Original revised, “Hidden Faces” / by Dinelli, 1956 June 4
|
|
Box
23
Folder
10
|
Revised, “Hidden Faces” (partial), 1956 July 18
|
|
Box
23
Folder
11
|
Revised, “Hidden Faces” (fragments), 1956 August 3, 6
|
|
Box
23
Folder
12
|
Original second draft by Dinelli, 1956 August 14
|
|
Box
23
Folder
13
|
Revised fragments by Eddie Lewis : Pages from August 14, 1956 script
|
|
Box
23
Folder
14
|
Revised, “Woman in Hell,” 1956 August 23
|
|
Box
23
Folder
15
|
Revised final by Dinelli, 1956 August 27 : With revisions of September 5, 1956.
|
|
Box
23
Folder
16-17
|
Scripts by Dinelli, undated
|
|
Box
23
Folder
18
|
Fragments (alternate ending)
|
|
|
Paths of Glory : Bryna Productions, Harris-Kubrick Productions, 1957. United Artists
|
|
Box
23
Folder
19-26
|
Correspondence, 1957 January-1958 December
|
|
Box
23
Folder
27
|
Distribution feports, 1965
|
|
Box
23
Folder
28
|
Financial papers - contracts and casting biographies, box office receipts
|
|
Box
23
Folder
29-30
|
Production files - reports, production schedule, notes
|
|
|
Promotion and Publicity
|
|
Box
23
Folder
31
|
Advertising campaign, budget, billing, ads
|
|
Box
23
Folder
32
|
Pictorial synopsis and captions
|
|
Box
23
Folder
33
|
Press publicity, 1957 March-May
|
|
Box
24
Folder
1-4
|
Press releases, 1957 January-1959 February
|
|
Box
24
Folder
5
|
Trailers, 1957 June-September
|
|
Box
24
Folder
6
|
Clippings
|
|
|
Scripts
|
|
Box
24
Folder
7
|
Second sraft by Stanley Kubrick, Jim Thompson, and Calder Willingham, 1956 November 26
|
|
Box
24
Folder
8
|
Third draft by Kubrick, Thompson and Willingham,
1957 February 25
|
|
Box
24
Folder
9
|
Third Draft, 1957 February 25
|
|
Box
24
Folder
10
|
Script, undated
|
|
Box
24
Folder
11
|
Synopsis
|
|
|
Ride Out For Revenge : Bryna Productions, 1957. United Artists
|
|
Box
24
Folder
12-13
|
Contracts and insurance, 1957
|
|
Box
24
Folder
14
|
Correspondence, 1956 December-1959 May
|
|
Box
24
Folder
15
|
Literary material, 1956 December-1958 April
|
|
|
Distribution
|
|
Box
24
Folder
16
|
Box office reports, 1958 February-1968 April
|
|
Box
24
Folder
17-26
|
Distribution reports and statements, 1957-1966
|
|
Box
25
Folder
1
|
Distribution reports and statements, 1967-1969
|
|
|
Financial Records
|
|
Box
25
Folder
2
|
General financial records, 1954 October-1959 August
|
|
|
Accounts Payable Vouchers
|
|
Box
25
Folder
3-5
|
A-W
|
|
Box
25
Folder
6
|
General Film Labs Corporation
|
|
Box
25
Folder
7-9
|
Hal Roach Studio
|
|
Box
25
Folder
10
|
Banking records, insurance, income tax, budget cost and negative cost reports
|
|
Box
25
Folder
11
|
Checks and check stubs
|
|
Box
25
Folder
12
|
Payroll work sheets
|
|
|
Production Files
|
|
Box
25
Folder
13
|
General production files, 1957 March-June
|
|
Box
25
Folder
14
|
Daily production reports
|
|
Box
25
Folder
15
|
Dialogue and cutting continuity, feature stories
|
|
Box
25
Folder
16
|
Promotion and publicity, 1956 February-1957 November
|
|
|
Scripts
|
|
|
Script by Norman Retchin
|
|
Box
25
Folder
17
|
undated
|
|
Box
25
Folder
18
|
1957 February 7, 25
|
|
Box
26
Folder
1
|
1957 February 25 : With revisions of March 6, 18, 1957; and including cast and crew lists, shooting schedule.
|
|
|
The Vikings : Bryna Productions, 1958. United Artists
|
|
|
Correspondence
|
|
Box
26
Folder
2-22
|
1955 January-1957 December
|
|
Box
27
Folder
1-24
|
1957 December-1962 December
|
|
Box
27
Folder
25
|
Correspondence with Elmo Williams, 1958-1960 March
|
|
Box
28
Folder
1
|
Literary material, 1953 December-1959 September
|
|
|
Distribution
|
|
|
Audit
|
|
Box
28
Folder
2
|
Jack Foster, 1960 May-1968 May
|
|
Box
28
Folder
3
|
Ben Solomon, 1959 February-1962 September
|
|
Box
28
Folder
4
|
Campaign approaches, reports of play dates, screening schedules
|
|
Box
28
Folder
5-6
|
Correspondence of producers' representatives regarding distribution, 1957 March-1960 October
|
|
Box
28
Folder
7
|
Correspondence of Ben Henry, 1958 February-1961 May
|
|
Box
28
Folder
8
|
Daily grosses, 1958 July-August
|
|
Box
28
Folder
9
|
Examination of United Artists Corporation, 1958 November-1962 July
|
|
Box
28
Folder
10
|
Percentages regarding payments, 1959 February-1965 March
|
|
Box
28
Folder
11
|
Report of domestic sales and billings, 1958 June-1960 August
|
|
Box
28
Folder
12-21
|
Reports and statements, 1957 June-1970 October
|
|
Box
29
Folder
1-3
|
Reports and statements after reissue, 1960 October-1968 October
|
|
|
Financial Records
|
|
Box
29
Folder
4
|
Budget correspondence, 1957 April-1962 November
|
|
Box
29
Folder
5
|
Budgets - production, advertising, and photography; expense statements, premiere costs
|
|
Box
29
Folder
6
|
Budget summary
|
|
|
Employment
|
|
Box
29
Folder
7
|
Contracts, 1955 December-1958 March
|
|
Box
29
Folder
8
|
Correspondence, 1956 January-1962 September
|
|
Box
29
Folder
9
|
Tony Curtis's percentage, 1959-1969
|
|
Box
29
Folder
10-11
|
Financial correspondence, 1956 August-1972 May
|
|
Box
29
Folder
12
|
Financial documents, 1959
|
|
Box
29
Folder
13
|
Financing - general, 1959 March-1960 June
|
|
Box
29
Folder
14
|
Financing notes, 1956 August-1961 March
|
|
Box
29
Folder
15
|
Insurance correspondence, 1957-1961 January
|
|
Box
29
Folder
16
|
Insurance policies, 1957 February-1958 October
|
|
Box
29
Folder
17
|
Petty cash summaries
|
|
Box
29
Folder
18
|
Work papers, 1958 December-1965 January
|
|
|
Production Files
|
|
Box
29
Folder
19
|
Casting biographies
|
|
|
Correspondence
|
|
Box
29
Folder
20
|
Regarding Viking ships, 1957 November-1961 January
|
|
Box
30
Folder
1-3
|
Regarding Viking ships #1-3, 1958 January-1959 April
|
|
Box
30
Folder
4
|
Costs, 1957 January-1959 January
|
|
Box
30
Folder
5
|
Credits, 1957 July-1958 July
|
|
Box
30
Folder
6
|
Inventory of props, wardrobe, and equipment, 1958 August
|
|
|
Music
|
|
Box
30
Folder
7
|
Music scores
|
|
Box
30
Folder
8
|
Peter Vincent Music Corporation, 1958 March-1962 December
|
|
Box
30
Folder
9
|
Unart music, 1957 August-1968 March
|
|
Box
30
Folder
10
|
Production - general, 1956 December-1962 June
|
|
Box
30
Folder
11
|
Shooting schedule, cutting and dialogue continuity, art work
|
|
|
Promotion and Publicity
|
|
Box
30
Folder
12-15
|
Advertising releases, Germany, France, and Norway, 1957
|
|
Box
30
Folder
16
|
Advertisements
|
|
Box
30
Folder
17
|
Billings and advertisements
|
|
Box
30
Folder
18
|
Feature story manual
|
|
Box
30
Folder
19-20
|
Photography, captions, photo placement reports
|
|
Box
30
Folder
21
|
Plans, schedules, party
|
|
Box
30
Folder
22-23
|
Premiere materials, London premiere
|
|
Box
31
Folder
1-5
|
Press releases, 1956 September-1958 July, undated
|
|
Box
31
Folder
6
|
Research material
|
|
Box
31
Folder
7
|
Television promotion
|
|
Box
31
Folder
8-15
|
Clippings
|
|
|
Scripts
|
|
Box
31
Folder
16
|
Synopsis
|
|
Box
31
Folder
17
|
Script by Dale Wasserman, 1956 January 25
|
|
Box
31
Folder
18
|
Script by Noel Langley, 1956 December 6
|
|
Box
31
Folder
19
|
Revised Final by Langley, 1957 January 17
|
|
Box
31
Folder
20
|
Script by Calder Willingham, 1957 May 27
|
|
Box
31
Folder
21
|
Script by Willingham, 1957 May 27 : With revisions of August 9, 1957
|
|
Box
31
Folder
22
|
Script by Willingham and Langley, 1957 May 27 : With revisions of August and September 1957
|
|
Box
31
Folder
23
|
Script by Willingham and Langley, 1957 May 27 : With revisions of August 1957
|
|
Box
31
Folder
24
|
Script with revisions of August 1957 : Kirk Douglas's Copy
|
|
Box
32
Folder
1
|
Script, 1957 May 27 : With revisions of September 1957
|
|
Box
32
Folder
2-3
|
Script fragments
|
|
Box
32
Folder
4
|
Script notes, cast and credit sheet, production information
|
|
|
The Fearmakers : United Artists, 1958
|
|
Box
32
Folder
5
|
Correspondence, contracts, synopsis, 1949-1950 : Film entitled “Blazing Bright”?
|
|
|
Thunder Road : DRM Productions, 1958. United Artists
|
|
Box
32
Folder
6-9
|
Correspondence, 1957 January-1958 June
|
|
|
Promotion and Publicity
|
|
Box
32
Folder
10
|
Feature story manual
|
|
Box
32
Folder
11
|
Captions for photographs
|
|
Box
32
Folder
12
|
Clippings
|
|
Box
32
Folder
13-14
|
Press releases, 1957 August-1958 December
|
|
Box
32
Folder
15
|
Final shooting script, “The Whippoorwill,” 1957 August 15 : With revisions of September 4, 1957, by James Atlee Phillips and Walter Wise; script notes; synopsis
|
|
|
The Devil's Disciple : Hecht-Hill-Lancaster Films, Ltd. and Brynaprod., S.A., 1959. United Artists
|
|
Box
32
Folder
16
|
Correspondence, 1958 January-1960 March
|
|
Box
32
Folder
17
|
Promotion and publicity, 1959 August
|
|
|
Scripts
|
|
Box
32
Folder
18
|
Synopsis
|
|
Box
32
Folder
19
|
Second draft by John Dighton, 1957 January 21
|
|
Box
32
Folder
20
|
Third Draft by Dighton, 1957 March 11 : With revisions of April, May, June 1958
|
|
|
Last Train From Gun Hill : Wallis-Hazen Productions, 1959. Paramount
|
|
Box
32
Folder
21
|
Agreements, 1958 May-1959 June
|
|
Box
32
Folder
22
|
Contracts
|
|
Box
32
Folder
23
|
Correspondence, 1958 February-1960 October
|
|
Box
32
Folder
24
|
Distribution statements, 1959 September-1966 January
|
|
Box
32
Folder
25
|
Financial audit, 1958 February-1963 October
|
|
|
Scripts
|
|
Box
32
Folder
26
|
Second draft, “Last Train From Harper's Junction” / by James Poe, 1958 February 6
|
|
Box
32
Folder
27
|
Third draft, “Last Train From Laredo,” Part I / by Poe and Edmund North, 1958 March 10
|
|
Box
32
Folder
28
|
Final, “Last Train From Gun Hill” / by Poe, 1958 March 25 : With revisions of April 7, 8, 1958
|
|
Box
33
Folder
1
|
Script, “Last Train From Laredo,” by Poe and North, undated
|
|
Box
33
Folder
1
|
Notes
|
|
|
Two-Headed Spy : Bryna Productions, 1959. Columbia
|
|
Box
33
Folder
2
|
Correspondence, clippings, 1954 October-1955 February
|
|
|
Spartacus : Bryna Productions, 1960. Universal
|
|
|
Correspondence
|
|
Box
33
Folder
3-21
|
1957 January-1960 August
|
|
Box
34
Folder
1-6
|
1960 August-1964 May
|
|
Box
34
Folder
7
|
Literary material, 1958 January-1965 February
|
|
Box
34
Folder
8
|
Literary agreements, 1958 June-1960 June
|
|
Box
34
Folder
9
|
Chandler book, 1960 March-October
|
|
|
Distribution
|
|
Box
34
Folder
10
|
Audit notes, 1966
|
|
Box
34
Folder
11
|
Box office records, 1961 March-December
|
|
Box
34
Folder
12
|
Examination of Universal Pictures Company Inc., 1960 November-1963 June
|
|
Box
34
Folder
13
|
Grosses, 1961 July-1967 July
|
|
Box
34
Folder
14
|
Pantages Theater receipts
|
|
Box
34
Folder
15
|
Recap of opinion cards
|
|
Box
34
Folder
16-18
|
Reports and statements, 1959 March-1969 September
|
|
|
Financial Records
|
|
Box
34
Folder
19
|
Billing and miscellany
|
|
Box
35
Folder
1-2
|
Budgets, cost reports, statements, 1958-1959
|
|
|
Employment Contracts
|
|
Box
35
Folder
3
|
General, 1959-1961
|
|
Box
35
Folder
4
|
Stanley Kubrick, 1959 March-1961 January
|
|
Box
35
Folder
5
|
Lawrence Olivier, 1958 November-1961 April
|
|
Box
35
Folder
6
|
Peter Ustinov, 1959-1965 July
|
|
Box
35
Folder
7-8
|
General financing, 1958 May-1962 July
|
|
Box
35
Folder
9
|
Insurance, 1959 February-April
|
|
|
Production Files
|
|
Box
35
Folder
10
|
Casting
|
|
|
Continuities
|
|
Box
35
Folder
11
|
Continuity and dialogue
|
|
Box
35
Folder
12
|
Continuity breakdown
|
|
Box
35
Folder
13
|
Combined continuities
|
|
Box
35
Folder
14-15
|
Dialogue continuities
|
|
Box
35
Folder
16
|
Cutting and editing
|
|
Box
35
Folder
17-19
|
Daily production reports, 1958 December-1960 August
|
|
Box
35
Folder
20
|
Editorial schedules, 1959
|
|
Box
35
Folder
21
|
Looping schedule and notes, 1959 February-August
|
|
Box
35
Folder
22
|
Miscellany
|
|
Box
35
Folder
23
|
Music, 1960 August-1964 June
|
|
Box
36
Folder
1
|
Music notes
|
|
Box
36
Folder
2
|
Operations - daily log
|
|
Box
36
Folder
3
|
Operations desk for studio sets
|
|
Box
36
Folder
4
|
Post-production and completion schedules
|
|
Box
36
Folder
5
|
Schedule of production deadlines and weekly advance schedules, 1958 December-1959 June
|
|
Box
36
Folder
6
|
Shooting
|
|
Box
36
Folder
7-9
|
Shooting calls and special orders, 1958 December-1960 August
|
|
Box
36
Folder
10
|
Shooting schedules, 1959 February-December
|
|
Box
36
Folder
11
|
Wardrobe and costuming
|
|
Box
36
Folder
12
|
Title credits and notes
|
|
|
Promotion and Publicity
|
|
Box
36
Folder
13-14
|
Advertisements, 1959-1968
|
|
Box
36
Folder
15
|
Comic book - proofs and final printed book
|
|
Box
66
|
Group sales publications, library kit on movie
|
|
Box
36
Folder
16-17
|
Group sales reports, correspondence, and publications
|
|
Box
36
Folder
18
|
Interviews with Kirk Douglas
|
|
Box
36
Folder
19-21
|
Market reports
|
|
Box
37
Folder
1
|
Minutes of ad meetings, reports on publicity
|
|
Box
37
Folder
2-3
|
Miscellany
|
|
Box
37
Folder
4
|
Novel by Howard Fast
|
|
Box
37
Folder
5
|
Photography - sketches
|
|
Box
37
Folder
6
|
Publicity releases, 1958 March-1959 December
|
|
Box
37
Folder
7-9
|
Press releases, 1959 January-December, undated
|
|
Box
37
Folder
10
|
Previews and premieres
|
|
Box
37
Folder
11
|
Publicity - general
|
|
Box
37
Folder
12
|
Publicity tours and Olivier Party
|
|
Box
37
Folder
13
|
Radio, television, records
|
|
Box
37
Folder
14
|
Sketches and study guides
|
|
Box
37
Folder
15-16
|
Souvenir books, correspondence, drafts, advertising, trailers
|
|
|
The Year of Spartacus (unpublished book by David Chandler)
|
|
Box
37
Folder
17-18
|
Drafts
|
|
Box
38
Folder
1
|
Drafts
|
|
Box
38
Folder
2-3
|
Interviews with Kirk Douglas
|
|
Box
38
Folder
4
|
Interview with Dalton Trumbo
|
|
Box
38
Folder
5-6
|
Interviews with Stanley Kubrick, Edward Lewis, Jean Simmons, Tony Curtis, Irving Lerner, Bob Forest, Marshall Green, Mel Tucker, Alexander Golitzen
|
|
Box
38
Folder
7-8
|
Clippings
|
|
|
Scripts
|
|
Box
38
Folder
9
|
Preliminary research
|
|
Box
38
Folder
10-11
|
Treatment, 1958 May-June
|
|
Box
38
Folder
10-11
|
Suggested step outline
|
|
Box
38
Folder
12
|
First draft by Howard Fast, undated
|
|
Box
38
Folder
13
|
First draft by Fast and Edward Lewis, 1958 July 15 : With revisions of August 5, 6, 1958
|
|
Box
38
Folder
14
|
Second draft, 1958 September 22
|
|
Box
38
Folder
15
|
Final, 1958 December 9
|
|
Box
38
Folder
16
|
Revised final, 1959 January 16 : With revisions of January-June 1959
|
|
Box
38
Folder
17
|
Final shooting script, 1959 September 14
|
|
Box
39
Folder
1-3
|
Script fragments and notes
|
|
Box
39
Folder
4
|
Script material - by Dalton Trumbo
|
|
Box
39
Folder
5
|
Script material - dialogue by Peter Ustinov
|
|
Box
39
Folder
6-15
|
Shot sequences and script revisions, 1-54
|
|
Box
39
Folder
16
|
Outline and other scenes by Fast
|
|
Box
39
Folder
17
|
Notes and synopses by Fast
|
|
Box
39
Folder
18
|
Scene outlines (battle scenes and others)
|
|
|
Strangers When We Meet : Bryna-Quine Productions, 1960. Columbia
|
|
Box
39
Folder
19-23
|
Distribution reports and statements, 1960-1969
|
|
|
Financial records
|
|
Box
39
Folder
24
|
Final cost list
|
|
Box
39
Folder
25
|
Weekly production costs, 1959 October-1960 June
|
|
Box
40
Folder
1
|
Final draft script by Evan Hunter, 1959 September 25 : With correspondence
|
|
|
Michael Strogoff : Bryna Productions, 1960.
|
|
Box
40
Folder
2
|
Correspondence, 1958 January-1966 November
|
|
Box
40
Folder
2
|
Script treatment, news releases, clippings
|
|
Box
40
Folder
3
|
Literary material, 1957-1958
|
|
|
The Last Sunset : Bryna Productions, 1961. Universal
|
|
|
Correspondence
|
|
Box
40
Folder
4
|
General, 1959 July-1961 April
|
|
Box
40
Folder
5
|
Literary material, 1959 May-1961 September
|
|
Box
40
Folder
6
|
Distribution statements, 1961 September-1968 March
|
|
|
Financial Records
|
|
Box
40
Folder
7
|
Budget, 1959-1960 November
|
|
|
Employment
|
|
Box
40
Folder
8
|
General, 1960 March-1961 May
|
|
Box
40
Folder
9
|
Robert Aldrich, 1959-1960
|
|
Box
40
Folder
10
|
Eugene Frenke and James Bonham, 1959 July-1961 January
|
|
Box
40
Folder
11
|
General financing, 1959-1961 March
|
|
Box
40
Folder
12
|
Statements; casting
|
|
Box
40
Folder
13-14
|
Production files, 1959-1965 January
|
|
Box
40
Folder
15
|
Promotion - press releases
|
|
|
Scripts
|
|
Box
40
Folder
16
|
“Sundown at Crazy Horse” / unknown author,
1959 March 20
|
|
Box
40
Folder
17
|
First draft, “Day of the Gun” / by Edward Lewis?, 1960 March 10
|
|
Box
40
Folder
18
|
Revised first draft, “Day of the Gun,”
1960 March 22 : With revisions of March 25, 1960
|
|
Box
40
Folder
19
|
Second draft, “Day of the Gun,” 1960 April 8 : With revisions of April 12, 1960
|
|
Box
40
Folder
20
|
Final, “Day of the Gun,” 1960 June 1
|
|
|
Town Without Pity : Mirisch Company and Osweg Ltd., 1961. United Artists
|
|
|
Production Files
|
|
Box
40
Folder
21
|
Cutting continuity, 1961 October
|
|
Box
40
Folder
22
|
Dialogue continuity, 1961 October
|
|
|
Lonely Are the Brave : Bryna Productions, 1962. Universal
|
|
Box
40
Folder
23
|
Assignment of rights, 1961 April-August
|
|
Box
40
Folder
24-27
|
Correspondence, 1959-1971 April
|
|
|
Distribution
|
|
Box
40
Folder
28
|
Reports, 1961-1968
|
|
Box
40
Folder
29
|
Grosses, 1962 May-1963 February
|
|
|
Financial Records
|
|
Box
40
Folder
30
|
General financing, 1961 May-December
|
|
|
Employment Contracts
|
|
Box
40
Folder
31
|
Edward Abbey, 1958 February-1961 May
|
|
Box
40
Folder
32
|
Walter Matthau, 1961 May-1962 May
|
|
Box
40
Folder
33
|
David Miller, 1961 March-August
|
|
Box
41
Folder
1
|
General employment files
|
|
|
Production Files
|
|
Box
41
Folder
2
|
Casting
|
|
Box
41
Folder
3
|
Continuity breakdown
|
|
Box
41
Folder
4
|
Daily production report, 1961 April-October
|
|
Box
41
Folder
5
|
Music notes
|
|
Box
41
Folder
6
|
Title information, schedules, miscellaneous production
|
|
Box
41
Folder
7
|
Promotion - clippings
|
|
|
Scripts
|
|
Box
41
Folder
8
|
“The Brave Cowboy” / unknown author,
1960 September 22
|
|
Box
41
Folder
9
|
First draft, “The Brave Cowboy” / unknown author, 1960 October 18
|
|
Box
41
Folder
10
|
Revised second draft, “The Last Hero” / unknown author, 1961 March 23 : With revisions of March 27, 1961
|
|
Box
41
Folder
11
|
Final, “The Last Hero” / unknown author, 1961 April 12 : With revisions of April, May, June, and November 1961
|
|
|
Two Weeks in Another Town : John Houseman Productions, 1962. MGM
|
|
Box
41
Folder
12
|
Script by Charles Schnee, 1961 September 16 : With revisions of October, November, December 1961
|
|
|
The Hook : Perlberg-Seaton Productions, 1963. MGM
|
|
Box
41
Folder
13
|
Correspondence, 1962 March-1968 February
|
|
Box
41
Folder
14
|
Distribution reports, 1964-1966
|
|
|
Financial Records
|
|
Box
41
Folder
15
|
Contracts, 1962
|
|
Box
41
Folder
16
|
General financing, 1962-1965
|
|
Box
41
Folder
17
|
Production - casting
|
|
Box
41
Folder
18
|
Script by Henry Denker, 1962 May 1 : With revisions of April, May, June 1962
|
|
|
For Love or Money : Universal, 1963
|
|
Box
41
Folder
19
|
Financial records - cost statements, contracts; promotion
|
|
Box
41
Folder
20
|
Production Statements, 1965-1966
|
|
|
Scripts
|
|
Box
41
Folder
21
|
First draft, “Three on a Match” / by Larry Markes and Michael Morris, 1962 January 23
|
|
Box
41
Folder
21
|
Correspondence, 1962 July-1963 May
|
|
Box
41
Folder
22
|
Final, “Three on a Match” / by Markes and Morris,
1962 June 26 : With revisions of July and August 1962
|
|
|
The List of Adrian Messenger : Bryna Productions, 1963. Universal
|
|
Box
41
Folder
23
|
Assignment of title copy, 1962 March-1963 January
|
|
Box
41
Folder
24
|
Correspondence, 1962 April-1963 September
|
|
Box
41
Folder
25
|
Literary property, 1961 February-April
|
|
Box
41
Folder
26
|
Literary material, 1961 March-1962 July
|
|
Box
41
Folder
27
|
Distribution - grosses, 1963 May-1971 July
|
|
|
Financial Records
|
|
Box
41
Folder
28
|
Budget, 1962
|
|
|
Employment Files
|
|
Box
41
Folder
29
|
General employment, 1962 July-1963 March
|
|
|
Contracts
|
|
Box
41
Folder
30
|
John Huston, 1962 April-1964 January
|
|
Box
41
Folder
31
|
Charles Schnee, 1961 December-1964 April
|
|
Box
41
Folder
32
|
George C. Scott, 1962 August-1963 April
|
|
Box
41
Folder
33
|
Dana Wynter, 1962 August-1964 September
|
|
Box
41
Folder
34
|
General financing, 1960 August-1965 August
|
|
Box
42
Folder
1
|
Miscellaneous, 1962 March-November
|
|
|
Production Files
|
|
Box
42
Folder
1A
|
Casting, music, promotion
|
|
Box
42
Folder
2
|
Production files, 1962 July-November
|
|
Box
42
Folder
3
|
Production statements, 1963-1966
|
|
|
Scripts
|
|
Box
42
Folder
4
|
Treatment, 1961 May
|
|
Box
42
Folder
5
|
Revised treatment, 1961 June
|
|
Box
42
Folder
6
|
First draft by Alec Coppel, 1961 June 22
|
|
Box
42
Folder
7
|
Revised first draft by Coppel, 1961 October 18 : With revisions of October, November 1961
|
|
Box
42
Folder
8
|
Revised first draft by Coppel, 1961 November 10
|
|
Box
42
Folder
9
|
Final by Charles Schnee, 1962 March 5 : With later revisions and notes
|
|
Box
42
Folder
10
|
Revised final by Anthony Veiller, 1962 July 13 : With revisions of July, August, October, November, 1962
|
|
|
Seven Days in May : Joel Productions, 1964. Paramount
|
|
|
Correspondence
|
|
Box
42
Folder
11
|
General, 1962 June-1969 February
|
|
Box
42
Folder
12
|
Literary property rights, 1962-1966
|
|
Box
42
Folder
13
|
Seven Arts correspondence, 1962-1967
|
|
Box
42
Folder
14
|
Seven Arts agreements and correspondence, 1963-1969
|
|
Box
42
Folder
15
|
Warrants, 1963-1965
|
|
|
Distribution
|
|
Box
42
Folder
16
|
Grosses, 1964 February-1965 July
|
|
Box
42
Folder
17
|
Statements, 1965 January-1969 September
|
|
Box
42
Folder
18
|
Sale of interest, 1968
|
|
|
Financial Records
|
|
Box
42
Folder
19
|
Budget, 1963-1964
|
|
Box
42
Folder
20
|
Financial correspondence, 1963-1969
|
|
|
Employment Contracts
|
|
Box
42
Folder
21
|
General, 1963
|
|
Box
42
Folder
22
|
Nick Cravat, 1964-1967
|
|
Box
42
Folder
23
|
John Frankenheimer, 1962-1968
|
|
Box
42
Folder
24
|
Ellsworth Fredericks and Sydney Guilaroff,
1963
|
|
Box
42
Folder
25
|
Ava Gardner, 1963
|
|
Box
42
Folder
26
|
Jerry Goldsmith and David Amram, 1963-1964
|
|
Box
42
Folder
27
|
Burt Lancaster, 1963-1965
|
|
Box
42
Folder
28
|
Fredric March, 1963
|
|
Box
42
Folder
29
|
Edmond O'Brien and Martin Balsam, 1963-1964
|
|
Box
42
Folder
30
|
Others, 1963-1967
|
|
Box
42
Folder
31
|
Insurance, 1963-1967
|
|
Box
42
Folder
32
|
Reconciliation of cash, 1963
|
|
|
Production Files
|
|
Box
42
Folder
33
|
Credits, 1963-1964
|
|
Box
42
Folder
34
|
Daily production reports,
1963
|
|
Box
43
Folder
1
|
Production file, 1962-1969
|
|
|
Promotion and Publicity
|
|
Box
43
Folder
2
|
Advertising and publicity, 1963-1965
|
|
Box
43
Folder
3
|
Correspondence and campaigns
|
|
|
Scripts
|
|
Box
43
Folder
4
|
First draft by Rod Serling, 1962 November 8 : With later revisions
|
|
Box
43
Folder
5
|
First draft by Serling, undated
|
|
Box
43
Folder
6
|
Second draft by Serling, undated
|
|
Box
43
Folder
7
|
Draft by Serling, undated
|
|
Box
43
Folder
8
|
Script by Serling, undated : With revisions of March 7, 1963
|
|
Box
43
Folder
9
|
Shooting script by Serling, undated : With revisions of May and June 1963
|
|
Box
43
Folder
10
|
Correspondence with Serling, 1962-1964
|
|
Box
43
Folder
11
|
Correspondence with Harper and Row, 1963-1966
|
|
|
In Harm's Way : Sigma Productions, 1965. Paramount
|
|
Box
43
Folder
12
|
Correspondence, 1964 March-1965 October
|
|
Box
43
Folder
13
|
Distribution reports, 1965-1966
|
|
|
Production Files
|
|
Box
43
Folder
14
|
Call sheets
|
|
Box
43
Folder
15
|
Production files, reviews
|
|
Box
43
Folder
16
|
Script by Wendell Mayes, undated : With revisions of June and September 1964
|
|
|
Heroes of Telemark : Benton Film Productions, 1965. Columbia
|
|
Box
43
Folder
17
|
Correspondence, 1964 June-1967 December
|
|
|
Financial Records
|
|
Box
43
Folder
18
|
Contracts
|
|
Box
43
Folder
19
|
Finances, production files, promotion
|
|
Box
43
Folder
20
|
Financial statements, 1966
|
|
Box
43
Folder
21
|
Sale of interest, 1968
|
|
|
Scripts
|
|
Box
43
Folder
22
|
Script, “The Unknown Battle” / by Ivan Moffat,
1964 August 7
|
|
Box
43
Folder
23
|
Script by Moffat, 1964 November 20
|
|
Box
44
Folder
1
|
Script notes
|
|
|
Mickey One : Florin Corporation, 1965. Columbia
|
|
Box
43
Folder
24
|
Shooting script by A. M. Surgal, 1964 January 28 : With revisions of February and March 1964
|
|
|
Cast a Giant Shadow : Mirisch-Llenroc-Batjac, 1966. United Artists
|
|
Box
44
Folder
2
|
Correspondence, 1965 February-1967 April
|
|
Box
44
Folder
3
|
Second draft revised script by Melville Shavelson,
1964 October 20
|
|
Box
44
Folder
4
|
Financial records, production files, distribution, advertisements, miscellany
|
|
|
Grand Prix : Joel Productions, 1966. MGM
|
|
Box
44
Folder
5
|
Correspondence with Cinerama, 1964 October-1970 January
|
|
Box
44
Folder
6
|
Cinerama warrants, 1969 January-1973 March
|
|
|
Legal Papers
|
|
Box
44
Folder
7
|
Lawsuit of John Surtees, 1966 July-1970 September
|
|
Box
44
Folder
8
|
“Bound Volume to Accompany FGW's Memorandum to File Dated September 9, 1968”
|
|
Box
44
Folder
9
|
Regarding John Frankenheimer Productions, 1965-1968 June
|
|
|
Scripts
|
|
Box
44
Folder
10
|
Story outlines, character and story notes
|
|
Box
44
Folder
11
|
Original treatment by Robert Alan Aurthur, 1965 July 22
|
|
Box
44
Folder
12
|
First draft by Aurthur, undated
|
|
Box
44
Folder
13
|
Revised first draft by Aurthur, 1965 October 28
|
|
|
Hawaii : Mirisch Company and Highland Films, 1966. United Artists
|
|
Box
44
Folder
14-15
|
First draft script (Parts I and II), 1963 March 1
|
|
|
Is Paris Burning? : Seven Arts Productions, 1966. Paramount
|
|
Box
44
Folder
16
|
Correspondence, contract, 1965 July-1966 June
|
|
|
Seconds : Douglas and Lewis Productions, 1966. Paramount
|
|
|
Correspondence
|
|
Box
45
Folder
1
|
General, 1963 July-1968 March
|
|
Box
45
Folder
2
|
Lewis John Carlino correspondence and contracts, 1962 February-1965 August
|
|
Box
45
Folder
3
|
A. Morgan Maree correspondence
|
|
Box
45
Folder
4
|
Random House correspondence, 1963 July-December
|
|
Box
45
Folder
5
|
Literary purchase, 1963 July-1968 July
|
|
|
Financial Records
|
|
|
Agreements and Correspondence
|
|
Box
45
Folder
6
|
with J. Frankenheimer Productions, 1963 August-1966 August
|
|
Box
45
Folder
7
|
regarding Loan-Out Contracts from Gibraltar Productions, 1965-1966 June
|
|
Box
45
Folder
8
|
Insurance, 1965 April-1970 April
|
|
Box
45
Folder
9
|
Statements, 1966 October-1969 December
|
|
|
Production Files
|
|
Box
45
Folder
10
|
Art and design - correspondence with Saul Bass, 1965 May-1966 May
|
|
Box
45
Folder
11
|
Credits, 1965 October-1966 October
|
|
Box
45
Folder
12
|
Music, 1965 December
|
|
|
Scripts
|
|
Box
45
Folder
13
|
First draft by Lewis John Carlino, 1964 January 3
|
|
Box
45
Folder
14
|
Second draft by Carlino, 1964 November 10
|
|
|
Revised Second Draft by Carlino
|
|
Box
45
Folder
15
|
1964 November 27
|
|
Box
45
Folder
16
|
1964 November 27 : With revisions of March 22, 1965
|
|
|
Revised by Carlino
|
|
Box
45
Folder
17
|
1965 March 22
|
|
Box
45
Folder
18
|
1965 June 10
|
|
Box
45
Folder
19
|
1965 June 10 : With revisions of July 1, 1965
|
|
Box
45
Folder
20
|
Script by Carlino, undated
|
|
|
The Way West : Harold Hecht Corp., 1967. United Artists
|
|
Box
45
Folder
21
|
Financial statements, 1967 July-1969 November
|
|
|
Script by Irving Ravetch and Ben Maddow
|
|
Box
45
Folder
22
|
1965 June 29
|
|
Box
45
Folder
23
|
1965 June 29 : With revisions of December 9, 1965
|
|
|
The War Wagon : Batjac Productions and Marvin Schwartz Productions, 1967. Universal
|
|
Box
45
Folder
24
|
Script, “The Kiowa War Wagon” / by Clair Huffaker, circa 1966
|
|
Box
45
Folder
25
|
Final draft by Huffaker, 1966 August 9
|
|
|
A Lovely Way to Die : Universal, 1968.
|
|
Box
45
Folder
26
|
Final script, “The Pineapple Print” / by A. J. Russell, circa 1968
|
|
|
The Brotherhood : Bryna Productions, 1968. Paramount
|
|
|
Correspondence
|
|
Box
46
Folder
1
|
General, 1965-1972 September
|
|
Box
46
Folder
2
|
With Lewis John Carlino, 1964 October-1968 November
|
|
Box
46
Folder
3
|
Thank you notes, 1967 November-1969 February
|
|
|
Financial Records
|
|
Box
46
Folder
4
|
Financing arrangements - Warner Brothers, 1965 September-1967 June
|
|
Box
46
Folder
5
|
Budget, 1966 March-1968 March
|
|
Box
46
Folder
6
|
Financial and production correspondence, 1967 January-1969 July
|
|
Box
46
Folder
7
|
Employee's contracts, 1967-1968
|
|
|
Production Files
|
|
Box
46
Folder
8
|
Credits, 1967 November-1968 October
|
|
Box
46
Folder
9
|
Music, 1968
|
|
Box
46
Folder
10-11
|
Publicity files, 1965 November-1969
|
|
|
Scripts
|
|
Box
46
Folder
12
|
Third revised treatment, “The Hoods” / by Lewis John Carlino, 1965 July 5
|
|
Box
46
Folder
13
|
Estimating script, “The Hoods” / by Carlino, 1966 March 3
|
|
Box
46
Folder
14
|
First revised by Carlino, 1966 July 8
|
|
Box
46
Folder
15
|
Final revised by Carlino, 1966 August 25
|
|
Box
46
Folder
16
|
Script by Carlino, circa 1966
|
|
Box
46
Folder
17
|
Script (annotated) / unknown author, circa 1966
|
|
Box
46
Folder
18
|
Script by Carlino, 1967 March 8
|
|
Box
46
Folder
19
|
Script by Carlino, 1967 May 12 : With revisions of June, October, November, and December 1967
|
|
Box
46
Folder
20
|
Script by Carlino, 1967 May 12 : With revisions of June and July 1967. Not identical to script in Box 46, Folder 19.
|
|
Box
46
Folder
21
|
Insurance, 1967 June-1968 September
|
|
|
The Arrangement : Warner Brothers-Seven Arts and Athena Enterprises, 1969. Warner Brothers
|
|
Box
47
Folder
1
|
Distribution statement, 1971
|
|
Box
47
Folder
2
|
Final script by Elia Kazan, 1968 June 21 : With revisions of July 1968
|
|
Box
47
Folder
3
|
Script changes / unknown author, 1968 October 1
|
|
|
The Gypsy Moths : Joel Productions, 1969. MGM
|
|
Box
47
Folder
4
|
Correspondence and contracts, 1966 April-1967 November
|
|
|
Butch Cassidy and the Sundance Kid : 1969. 20th Century-Fox
|
|
Box
47
Folder
5
|
Script, “The Sundance Kid and Butch Cassidy” / by William Goldman, circa 1969
|
|
|
There Was a Crooked Man : Warner Brothers-Seven Arts Production, 1970. Warner Brothers
|
|
Box
47
Folder
6
|
Correspondence, 1968 August-1970 November
|
|
Box
47
Folder
7
|
Script, “The Prison Story” / by David Newman and Robert Benton, 1968 August 5
|
|
|
The Strawberry Statement : Irwin Winkler, Robert Chartoff, 1970. MGM
|
|
Box
47
Folder
7A
|
Script by Israel Horowitz, undated
|
|
|
Summertree : Bryna Productions, 1971. Columbia
|
|
Box
47
Folder
8-10
|
Correspondence, 1968 April-1972 November
|
|
|
Financial Records
|
|
Box
47
Folder
11
|
Budget, 1969-1971
|
|
|
Employment Contracts
|
|
Box
47
Folder
12
|
Ron Cowen, 1967 December-1970 June
|
|
Box
47
Folder
13
|
Ed Hume (writer), 1969 September-1970
|
|
Box
47
Folder
14
|
John Korty (director) and Stephen Yafa (writer),
1969 March-1970 July
|
|
Box
47
Folder
15
|
Paul Leaf (writer), 1968 August-1969 August
|
|
Box
47
Folder
16
|
Ron McKuen (writer), 1968 July-1971 February
|
|
Box
47
Folder
17
|
Anthony Newley (director), 1969 December-1970 August
|
|
Box
47
Folder
18
|
David Shire (music)
|
|
Box
47
Folder
19
|
Expenditures, 1968 August-1970 September
|
|
Box
47
Folder
20-21
|
Financial statements, 1970 May-October
|
|
Box
47
Folder
22
|
Invoices and financial file, 1970 May-December
|
|
|
Production Files
|
|
Box
47
Folder
23
|
General production account expenses, 1970 November-1971 December
|
|
|
Correspondence
|
|
Box
47
Folder
24
|
1969 June-1970 February
|
|
Box
48
Folder
1-2
|
1970 March-1971 January
|
|
Box
48
Folder
3-4
|
Production costs and schedules, 1970 May-1971 May
|
|
Box
48
Folder
5
|
Production files
|
|
Box
48
Folder
6
|
Tab run expenditures, 1970 April
|
|
|
Scripts
|
|
Box
48
Folder
7
|
Play by Ron Cowen, 1967
|
|
Box
48
Folder
8
|
Script by Rod McKuen, after 1967
|
|
Box
48
Folder
9
|
Script by McKuen (annotated), after 1967
|
|
Box
48
Folder
10
|
First draft by Cowen, 1968 May
|
|
Box
48
Folder
11
|
Draft / unknown author, circa 1968
|
|
Box
48
Folder
12
|
Pre-first draft by Stephen Yafa, 1969 April-June
|
|
Box
48
Folder
13
|
First draft by Stephen H. Yafa (annotated), after 1969
|
|
Box
48
Folder
14
|
Second draft revised, annotated, 1969 July-August
|
|
Box
48
Folder
15
|
Final draft by Ed Hume, 1969 November 4
|
|
Box
48
Folder
16
|
Second draft by Yafa, after 1969
|
|
Box
48
Folder
17
|
Second draft pages by Yafa, after 1969
|
|
Box
48
Folder
18
|
Script by Edward Hume, with revisions 1970 January 19
|
|
Box
48
Folder
19
|
Script by Hume, with revisions 1970 February 25
|
|
Box
48
Folder
20
|
Revised final draft, pages, 1970 March 20
|
|
Box
48
Folder
21
|
Final draft by Hume, 1970 March : With scene cuts and changes (annotated)
|
|
Box
48
Folder
22
|
Draft (annotated) / unknown author, 1970 March
|
|
Box
49
Folder
1
|
Final draft by Hume, with revisions 1970 April and May
|
|
Box
49
Folder
2
|
Script by Hume, circa 1970
|
|
Box
49
Folder
3
|
Script / unknown author, circa 1971
|
|
|
The Light at the Edge of the World : Bryna Productions, 1971. National General
|
|
|
Scripts
|
|
Box
49
Folder
4
|
Treatment by Tom Rowe, undated
|
|
Box
49
Folder
5
|
Second draft, by Rowe, 1969 October 27
|
|
Box
49
Folder
6
|
Second draft (annotated) by Rowe, 1969 October 27
|
|
Box
49
Folder
7
|
Second draft by Rowe, with notes by Norman Kurland, 1969 October 27
|
|
Box
49
Folder
8
|
Script by Rowe and Rachel Billington, 1970 August 7
|
|
Box
49
Folder
9
|
Script pages by Rowe, 1970 November 11
|
|
Box
49
Folder
10
|
Script by Rowe, with additional dialogue by Billington, circa 1970
|
|
Box
49
Folder
11
|
Script by Rowe, with additional dialogue by Lady Rachel Billington and additional ideas by Bertha Dominguez D., circa 1971
|
|
Box
49
Folder
12-13
|
Scripts by Rowe (annotated), circa 1971
|
|
|
A Gunfight : Harvest-Thoroughbred-Joel Production, 1971. Paramount
|
|
Box
49
Folder
14
|
Correspondence, 1969-1972
|
|
Box
49
Folder
15
|
Reviews and production file, 1961-1971
|
|
Box
49
Folder
16
|
Script by Harold Jack Bloom, undated
|
|
|
The Red Sun : Warner Brothers-Seven Arts Productions, 1971. National General
|
|
Box
49
Folder
17
|
Revised draft script by Denne Bart Petitclerc, 1969 March 18
|
|
|
Somtimes a Great Notion : Universal/Newman-Foreman Productions, 1971. Universal
|
|
Box
50
Folder
18
|
Treatment by Frank R. Pierson, circa 1971
|
|
|
Scalawag : Bryna Productions, 1973. Paramount
|
|
|
Correspondence
|
|
Box
50
Folder
1
|
General correspondence, 1966 May-1974 March
|
|
Box
50
Folder
2
|
Coldwater Productions Inc., 1965 June-1969 March
|
|
Box
50
Folder
3
|
Samuelian/Douglas correspondence, 1972-1974
|
|
Box
50
Folder
4
|
Script correspondence and notes, 1966 February-1972 June
|
|
Box
50
Folder
5
|
Technicolor correspondence, 1972-1975
|
|
Box
50
Folder
6
|
Nat Wachsberger dispute, 1971 July-1972 October
|
|
|
Financial Records
|
|
Box
50
Folder
7
|
Banca Commerciale, 1972 April-1975 April
|
|
Box
50
Folder
8
|
Budget, 1971-1972
|
|
Box
50
Folder
9
|
Expenditures, 1965-1973 August
|
|
Box
50
Folder
10
|
Fleischman, Sid, contract and correspondence, 1967 May-1968 October
|
|
Box
50
Folder
11
|
Insurance, 1972 April-1974 August
|
|
Box
50
Folder
12
|
Oceania outstanding bills and settlement, 1972-1975
|
|
Box
50
Folder
13
|
Paid bills, 1965 June-1968
|
|
Box
50
Folder
14
|
Panajotovic, Ika, dispute, 1972-1973
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|
Box
50
Folder
15
|
Shipping documents and bills, 1972 June-August
|
|
Box
50
Folder
16
|
Ultra Films, 1966 October-1969 June
|
|
|
Production Files
|
|
Box
50
Folder
17
|
Automated Dialogue Replacement (ADR) sheets and sound reports, 1972
|
|
Box
50
Folder
18
|
Artists, 1972-1976 February
|
|
Box
50
Folder
19
|
Barbini-Vacca correspondence, 1972 June-December
|
|
Box
50
Folder
20
|
Call sheets and shooting schedules, 1972 June-August
|
|
Box
50
Folder
21
|
Screen credits and MPAA seal, 1966-1973
|
|
Box
51
Folder
1
|
Cue sheets, 1973
|
|
Box
51
Folder
2
|
Daily production reports, 1972 June-August
|
|
Box
51
Folder
3
|
Editing and sound recording, 1972-1973 August
|
|
Box
51
Folder
4
|
Inex (Interexport Film) documents and correspondence, 1972-1974 June
|
|
Box
51
Folder
5
|
Bryna Co./Inex Documents, 1972-1973 January
|
|
Box
51
Folder
6
|
Inter-office production memos, 1972
|
|
Box
67
Folder
1-2
|
Maps and sketches, undated
|
|
Box
51
Folder
7
|
Music - correspondence, scorings, agreements, 1972-1975
|
|
Box
66
|
Music - recording sheets
|
|
Box
51
Folder
8
|
Yugoslavian Unit, 1971 July-1972 September
|
|
|
Promotion and Publicity
|
|
Box
51
Folder
9
|
Promotion and personal appearances, 1972 November-1974 February
|
|
Box
51
Folder
10
|
Publicity, 1972-1974
|
|
|
Scripts
|
|
Box
51
Folder
11
|
Plot synopsis of “Bar Silver” by Albert Maltz, circa 1965 : Includes synopsis of Treasure Island by Robert Louis Stevenson, on which “Bar Silver” and Scalawag are loosely based
|
|
Box
51
Folder
12
|
Treatment, “The Rascals” / by Maltz (original title “Bar Silver”), circa 1966
|
|
Box
51
Folder
13
|
Script, “Bar Silver” / by Maltz, 1965 December-1966 January
|
|
Box
51
Folder
14
|
Script, “Bar Silver” / by Maltz, 1966 March 31
|
|
Box
51
Folder
15
|
Script by Maltz, 1966 August
|
|
Box
51
Folder
16
|
Script by Maltz, 1967 January 11
|
|
Box
51
Folder
17
|
Script by Maltz, 1967 April 4 : With later revisions
|
|
Box
51
Folder
18
|
Revised by Sid Fleischman, from the story and screenplay by Maltz, 1967 May 12
|
|
Box
52
Folder
1
|
Revised draft by Kirk Douglas of a script by Maltz and Fleischman, circa 1971
|
|
Box
52
Folder
2
|
Script by Maltz, Fleischman and Kirk Douglas, 1971 June 4
|
|
Box
52
Folder
3
|
Script by Maltz and Fleischman, 1971 June 4 : With later revisions
|
|
Box
52
Folder
4
|
Final draft by Maltz, Fleischman, and Kirk Douglas, 1971 July 27
|
|
Box
52
Folder
5
|
Final draft by Fleischman and Maltz, 1971 December 17
|
|
Box
52
Folder
6
|
Revised script pages with notes by Kirk Douglas, circa 1971 December
|
|
Box
52
Folder
7-9
|
Script (annotated) by Fleischman, circa 1971
|
|
Box
52
Folder
10
|
Final draft, “Farabutto” (Versione Definitive) by Fleischman, in Spanish, 1971 December 17
|
|
Box
52
Folder
11
|
Revised by Richard Freed, circa 1971?
|
|
Box
52
Folder
12
|
Script by Fleischman and Kirk Douglas, 1972 May 22
|
|
Box
52
Folder
13
|
Final by Fleischman and Kirk Douglas, 1972 August 26
|
|
Box
52
Folder
14
|
Script by Maltz and Fleischman, with revisions by Kirk Douglas, undated
|
|
Box
52
Folder
15
|
Script by Fleischman, undated
|
|
Box
52
Folder
16
|
Annotated / unknown author, undated
|
|
|
Jacqueline Susann's Once Is Not Enough : Howard W. Koch Production, 1975. Paramount
|
|
Box
52
Folder
17
|
Publicity, after 1972
|
|
Box
52
Folder
18
|
First draft script by Julius Epstein, 1973 November 14 : With revisions of December 19, 21, 1973
|
|
|
Posse : Bryna Productions, 1975. Paramount
|
|
|
Correspondence
|
|
Box
52
Folder
19
|
Personal, 1974-1975
|
|
Box
52
Folder
20
|
Hotel, 1973-1974
|
|
Box
52
Folder
21
|
Railroad, 1973 July-1975 July
|
|
Box
52
Folder
22
|
Fred Sills, 1975 October-1977 February
|
|
Box
52
Folder
23
|
Literary agreements and correspondence, 1970 October-1975 January
|
|
Box
52
Folder
24
|
Distribution - foreign distribution, 1975 June-1976 July
|
|
|
Financial Records
|
|
Box
52
Folder
25
|
Budget, 1974 June-1975 May
|
|
Box
53
Folder
1
|
Insurance, 1974
|
|
|
Production Files
|
|
Box
53
Folder
2
|
Production budget, 1972-1973
|
|
Box
53
Folder
3
|
Production reports, 1974
|
|
Box
53
Folder
4
|
Call sheets, 1974
|
|
Box
53
Folder
5
|
Cast (principals) - contracts and correspondence, 1974 September-1975 May
|
|
Box
53
Folder
6
|
Casting correspondence, 1973-1975
|
|
Box
53
Folder
7
|
Casting file, 1974
|
|
Box
53
Folder
8
|
Continuity breakdown, 1974
|
|
Box
53
Folder
9
|
Production correspondence, 1974
|
|
Box
53
Folder
10
|
Correspondence regarding Old Tucson, 1974-1975
|
|
Box
53
Folder
11
|
Correspondence and papers regarding Phil Feldman deal, 1974 July-1975 January
|
|
Box
53
Folder
12
|
Correspondence with Humane Society, 1974 October-1975 June
|
|
Box
53
Folder
13
|
Production cost reports and expenses, 1974 June-1975 August
|
|
Box
53
Folder
14
|
Crew, 1973-1975 March
|
|
Box
53
Folder
15
|
Day Out of Days, 1974
|
|
Box
53
Folder
16
|
Production design and wardrobe, 1974
|
|
Box
53
Folder
17
|
Location permits, 1974
|
|
Box
53
Folder
18
|
Music, 1974-1975 March
|
|
Box
53
Folder
19
|
Props, 1974
|
|
Box
53
Folder
20
|
Screen credit titles, 1974 October-1975 May
|
|
Box
53
Folder
21
|
Script breakdown, circa 1974
|
|
Box
53
Folder
22
|
Shooting schedule, 1974
|
|
Box
53
Folder
23
|
Travel file, 1974
|
|
|
Post-Production Files
|
|
Box
53
Folder
24
|
General files, 1974 January-1975 May
|
|
Box
53
Folder
25
|
Cost schedules, 1974 October-1975 July
|
|
Box
53
Folder
26-27
|
Tab runs, 1975 January-August
|
|
|
Promotion and Publicity
|
|
Box
53
Folder
28
|
Bantam Books paperback edition of Posse, 1974 April-1975 May
|
|
Box
53
Folder
29
|
Preview cards, 1975
|
|
Box
53
Folder
30
|
Promotions, 1974 November-1975 June
|
|
Box
54
Folder
1
|
Publicity files, 1974-1975 July
|
|
|
Scripts
|
|
Box
54
Folder
2
|
Script notes and correspondence, 1974
|
|
Box
54
Folder
3
|
Treatment by Larry Cohen, circa 1967
|
|
Box
54
Folder
4
|
Second revised, 1967 May 1 : With revisions of May 22, 1967
|
|
Box
54
Folder
5
|
Script by Christopher Knopf, pages 1-67, 1971 November 16
|
|
Box
54
Folder
6
|
Script by Knopf, 1972 February 28
|
|
Box
54
Folder
7
|
Treatment by William Roberts, 1974 May 3
|
|
Box
54
Folder
8
|
Script (compilation) by Knopf and Roberts, 1972 February 28 and 1974 May 8
|
|
Box
54
Folder
9
|
Notes from Bill Roberts, 1974 May 14
|
|
Box
54
Folder
10
|
Script (compilation) by Roberts, 1974 May 20 and June 12
|
|
Box
54
Folder
11
|
Script by Knopf, 1972 February 28 : With notes of June 11, 1974
|
|
|
Revised by Roberts
|
|
Box
54
Folder
12
|
1974 June 14
|
|
Box
54
Folder
13-14
|
1974 June 14 : With revisions of July 1, 1974 (annotated)
|
|
Box
54
Folder
15
|
Final revised by Roberts, 1974 August 6 : With revisions of August and September 1974
|
|
Box
54
Folder
16
|
Final revised by Roberts, 1974 September 12
|
|
Box
54
Folder
17
|
Release dialogue script prepared by Berenice Mosk,
1975 May 19
|
|
Box
54
Folder
18
|
Budget correspondence, 1972 April-1975 August
|
|
|
The Sailor Who Fell From Grace With the Sea : Joel Productions, 1976. Avco-Embassy
|
|
Box
54
Folder
19
|
Contract
|
|
Box
54
Folder
20
|
Aurthur-Mishima correspondence, 1965 December-1966 April
|
|
Box
54
Folder
21
|
General correspondence, 1965 September-1966 December
|
|
Box
54
Folder
22
|
Financial - paid bills, 1966 February-July
|
|
|
The Chosen : American International, 1978
|
|
Box
54
Folder
23
|
General correspondence, 1977-1978
|
|
Box
54
Folder
24
|
Production files - travel/wardrobe, 1977-1978
|
|
Box
54
Folder
25
|
Publicity file, 1978
|
|
|
Scripts
|
|
Box
55
Folder
1
|
First draft, “Holocaust” / by Sergio Donati and Martin Herbert, 1977 February
|
|
Box
55
Folder
2
|
Script, “Holocaust 2000” / Donati, Alberto de Martino, and Michael Robson, 1977 April 14
|
|
Box
55
Folder
3
|
Script, “Holocaust 2000” / Sergio Donati, Martin Herbert, Michael Robson, 1977 April 14
|
|
|
The Fury : Frank Yablans Presentations, 1978. 20th Century Fox
|
|
|
Production Files
|
|
Box
55
Folder
4
|
Production files and correspondence, 1977-1978
|
|
|
Shooting Schedule
|
|
Box
55
Folder
5
|
1977 July
|
|
Box
55
Folder
6
|
1977 September 20
|
|
Box
55
Folder
7
|
Publicity file, 1978
|
|
|
Scripts
|
|
Box
55
Folder
8
|
Revised by John Farris, 1977 March 18
|
|
Box
55
Folder
9
|
Final by Farris, 1977 July 8
|
|
Box
55
Folder
10
|
Script revisions and notes by Farris, annotated with suggestions by Kirk Douglas, 1977
|
|
Box
55
Folder
11
|
Revised by Farris, annotated by Kirk Douglas, 1977 September 15
|
|