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Container
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Title
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U.S. Mss 99AN/1G
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Equity Pictures Inc.
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EL# 1: General matters - all Equity pictures
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Box
1
Folder
1
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Pathé agreement with MPTV Inc., 1951-1952
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Box
1
Folder
2-3
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Distribution agreement, 1948-1955
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Notices of interest
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Box
1
Folder
4
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1948-1949 July
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Box
1
Folder
5
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1949 August-1953
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Box
1
Folder
6
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Correspondence, 1947-1957
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EL# 1A: Headin' for Heaven, Enchanted Valley
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Notices of interest
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Box
1
Folder
7
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1947-1948
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Box
1
Folder
8
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1948
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Box
1
Folder
9
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1948-1950
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Box
1
Folder
10
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Correspondence, 1947-1955
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Box
1
Folder
11
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Distribution agreements, 1947-1955
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EL# 1B: Parole Inc.
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Box
1
Folder
12
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Notices of interest, 1948-1954
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Box
1
Folder
13
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Music, etc. rights, 1948
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EL# 1C: Shed No Tears
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Box
1
Folder
14
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Notices of interest, 1948-1949
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Box
1
Folder
15
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Music, etc. rights, 1948
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EL# 1D: An Old Fashioned Girl
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Box
1
Folder
16
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Notices of interest, 1948-1952
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Box
1
Folder
17
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Music, etc. rights, 1948-1949
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EL# 1E: Alimony
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Box
2
Folder
1
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Notices of interest, 1949-1959
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Box
2
Folder
2
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Music, etc. rights, 1949
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EL# 1F: Shamrock Hill
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Box
2
Folder
3
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Notices of interest, 1949-1952
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Box
2
Folder
4
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Music, etc. rights, 1948-1949
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Red Ryder
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EL# 1G: Ride Ryder Ride
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Box
2
Folder
5
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Notices of interest, 1948-1952
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Box
2
Folder
6
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Music, etc. rights, 1948-1949
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EL# 1H: Fighting Redhead
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Box
2
Folder
7
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Notices of interest, 1948-1950
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Box
2
Folder
8
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Music, etc. rights, 1949
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EL# 1J: Cowboy and the Prize Fighter
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Box
2
Folder
9
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Notices of interest, 1948-1949
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Box
2
Folder
10
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Music, etc. rights, 1949-1950
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EL# 1K: Roll Thunder Roll
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Box
2
Folder
11
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Notices of interest, 1948-1949
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EL# 1L: “Equity Action” (Equity vs. Chesapeake, et al.)
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Box
2
Folder
12-14
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Correspondence, 1953-1958
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Box
2
Folder
13
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Miscellaneous exhibits - mostly bookings and billings
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Edward Small Productions
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EL# 2: General Matters - all Small pictures
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Box
3
Folder
1
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Notices of interest, 1948-1950
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Box
3
Folder
2
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Distribution agreement, 1947-1951
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Box
3
Folder
3
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Correspondence, 1947-1953
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Box
3
Folder
4
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Television rights (T-Men, Raw Deal), 1951-1952
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EL# 2A: T-Men
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Box
3
Folder
5
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Distribution agreement, 1947-1954
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Box
3
Folder
6
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Notices of interest, 1947-1951
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Box
3
Folder
7
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Correspondence, 1947-1956
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Box
3
Folder
8
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Music, etc. rights, 1947-1950
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EL# 2B: “T-Men sequel” (“Border Incident”) [not produced]: settlement, 1948-1949
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EL# 2C: Raw Deal (formerly “Corkscrew Alley”)
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Box
3
Folder
10
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Distribution agreement, 1947-1948
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Box
3
Folder
11
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Notices of interest, 1947-1957
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Box
3
Folder
12
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Music, etc. rights, 1947-1949
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Box
3
Folder
13
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EL# 4: Paddy-Faith Pictures Inc.: Repeat Performance, 1946-1948
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EL# 5: Ensign Productions: Blonde Sausage
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Box
3
Folder
14
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Distribution agreement, 1947-1952
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Box
3
Folder
15
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Notices of interest, 1947-1950
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Box
3
Folder
16
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Correspondence, 1947-1952
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EL# 6: Romay Pictures: Return of Rin Tin Tin
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Box
3
Folder
17
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Distribution agreement, 1946
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Box
3
Folder
18
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Notices of interest, 1946-1953
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Box
3
Folder
19
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Correspondence, 1946-1953
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Box
3
Folder
20
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EL# 7: P.R.C. (Sunset Productions): Lighthouse, 1947
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EL# 8: Marathon Pictures Corporation: Close Up, Open Secret
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Box
4
Folder
1
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Distribution agreement, 1947-1955
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Box
4
Folder
2
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Correspondence, 1951-1956
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EL# 9: Cameo Productions: Linda Be Good
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Box
4
Folder
3
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Distribution agreement, 1947-1951
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Box
4
Folder
4
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Notices of interest, 1947-1952
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Box
4
Folder
5
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Correspondence, 1947-1953
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EL# 10: Marfield Company: The Man from Texas
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Box
4
Folder
6
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Notices of interest, 1947-1949
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Box
4
Folder
7
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Correspondence, 1948-1952
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Box
4
Folder
8
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Eagle-Lion Studios vs. ELC & UAC, 1953-1954
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EL# 11: Prudential Pictures: Northwest Stampede
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Box
4
Folder
9
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1946-1949
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Box
4
Folder
10
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Miscellaneous, 1950-1953
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Box
4
Folder
11
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EL# 12: Southern Films: It's a Joke, Son, 1946-1950
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EL# 13: Marfield Productions: Lost Honeymoon
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Box
4
Folder
12
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Notices of interest, 1947-1948
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Box
4
Folder
13
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Correspondence, 1947-1954
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Box
4
Folder
14
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EL# 15: Waldorf Pictures: Disc Jockey, 1947-1948
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EL# 16: Producing Artists: Ruthless
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Box
5
Folder
1
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Distribution agreement, 1948, 1952
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Box
5
Folder
2
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Notices of interest, 1947-1951
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Box
5
Folder
3
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Correspondence, 1947-1953
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Box
5
Folder
4
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EL# 18: Eagle-Lion: Captain Casanova, 1947
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Box
5
Folder
5
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EL# 19: Edward F. Finney Productions: White Fury (produced?), 1948
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Box
5
Folder
6
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EL# 20: Lopert Films: Shoe Shine, 1947-1950
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Box
5
Folder
7
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EL# 21: Hopalong Cassidy-reissues, 1947-1951
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Box
5
Folder
8
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EL# 22: H.B. Motion Picture Productions: Her Sister's Secret: correspondence, 1946-1947
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EL# 23: U.P.A. Films: Sword of the Avenger
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Box
5
Folder
9
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Distribution agreement, 1948-1952
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Box
5
Folder
10
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Notices of interest, 1948-1954
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Box
5
Folder
11
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Correspondence, 1948-1953
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Box
5
Folder
12
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Notes, rights, etc., 1947-1948
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Foreign Distribution
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EL# 24: Miscellaneous Foreign Distribution
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Box
5
Folder
13
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Eagle-Lion miscellaneous correspondence (chronological), 1947-1951
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Miscellaneous agreements (alphabetical)
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Box
5
Folder
14
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ABC Films - Ceylan Film
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Box
5
Folder
15
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Chitaravinol-Fernando
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Box
6
Folder
1
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Film Rights International - Jail
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Box
6
Folder
2
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Lury - Select.
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Box
6
Folder
3
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Société - Variety
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Box
6
Folder
4
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EL# 24-A-1: Ambassador Films (Austria)
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Box
6
Folder
5
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EL# 24-A-1A: Luis Martinez (Venezuela)
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Box
6
Folder
6
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EL# 24-A-2: Asa Film Udlyning (Denmark)
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Box
6
Folder
7
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EL# 24-A-3: Astor Filmi (Finland)
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Box
6
Folder
8
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EL# 24-A-4: Austurbaejarbio (Iceland)
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Box
6
Folder
9
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EL# 24-A-5: Advance Films (Great Britain)
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Box
6
Folder
10
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EL# 24-A-6: J.W. Agusti (South America)
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Box
6
Folder
11
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EL# 24-A-7: Henry R. Arias (Holland)
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Box
6
Folder
12
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EL# 24-A-8: Abbey Films (Eire)
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Box
6
Folder
13
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EL# 24-B-1: Baraland (Africa)
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Box
6
Folder
14
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EL# 24-B-2: Bermuda General Theatres
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Box
6
Folder
15
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EL# 24-B-3: Solly V. Bianco (Egypt)
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Box
6
Folder
16
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EL# 24-B-4: British Empire Films (New Zealand)
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Box
6
Folder
17
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EL# 24-B-5: George Bookbinder (Hungary)
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Box
6
Folder
18
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EL# 24-C-1: Caribe Films (Colombia)
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Box
6
Folder
19
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EL# 24-C-2: Colony Theatres (Bermuda)
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Box
6
Folder
20
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EL# 24-C-3: Cinematográfica Blucksmann (Uruguay)
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Box
6
Folder
21
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EL# 24-C-5: Cavalcade Pictures (Philippines)
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Box
6
Folder
22
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EL# 24-C-6: Condor Film Productions (Great Britain)
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Box
6
Folder
23
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EL# 24-C-7: Cobian Theatres of Puerto Rico (Cuba)
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Box
6
Folder
24
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EL# 24-C-8: Condor Film Productions (Great Britain)
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Box
6
Folder
25
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EL# 24-C-9: CADEF (Consorcio Autonomo) (Brazil)
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Box
7
Folder
1
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EL# 24-D-1: Distribuidora Mundial (Ecuador)
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Box
7
Folder
2
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EL# 24-E-1: Eduardo lberra (Peru)
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Box
7
Folder
3
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EL# 24-E-2: Maxence Elize (Guianas)
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Box
7
Folder
4
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EL# 24-E-3: Eos Film (Siertz)
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Box
7
Folder
5
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EL# 24-E-4: Euro-Mex Films (Mexico)
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Box
7
Folder
6
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EL# 24-F-1: Five Continent Films (Holland)
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Box
7
Folder
7
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EL# 24-F-2: Fernando Franko (Turkey)
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Box
7
Folder
8
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EL# 24-F-3: Films Union (Mexico)
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Box
7
Folder
9
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EL# 24-F-4: Francam (Martinique)
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Box
7
Folder
10
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EL# 24-F-5: Fernando Franko (Turkey)
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Box
7
Folder
11
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EL# 24-G-1: H. Goodman (Condor Film Productions) (Great Britain)
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Box
7
Folder
12
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EL# 24-G-2: Gimeno matter - Cacuio Film Exchange
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Box
7
Folder
13
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EL# 24-G-3: General Film Distributors, Alliance Films (Canada)
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Box
7
Folder
14
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EL# 24-G-4: General Overseas Corporation
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Box
7
Folder
15
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EL# 24-H-1: Hungarian Film Industry
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Box
7
Folder
16
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EL# 24-J-1: Jacques Grinieff contract (Orient)
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Box
7
Folder
17
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EL# 24-K-1: H. Kahlenberg, Lumina Film (Holland)
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Box
7
Folder
18
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EL# 24-L-1: Leo Films (Chile)
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Box
7
Folder
19
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EL# 24-L-2: Liberty Films (Hungary)
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Box
7
Folder
20
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EL# 24-L-3: Luxor Films (Belgium)
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Box
7
Folder
21
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EL# 24-L-4: Luis Martinez (Venezuela)
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Box
7
Folder
22
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EL# 24-L-5: Lynn Yost (Central America)
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Box
7
Folder
23
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EL# 24-M-1: Meteor Films (Great Britain)
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Box
7
Folder
24
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EL# 24-M-2: Marchena, Moron and Company
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Box
7
Folder
25
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EL# 24-M-3: Meteor Film (Holland)
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Box
7
Folder
26
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EL# 24-M-4: Maxence Elize (Trinidad)
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Box
7
Folder
27
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EL# 24-M-5: Marchena, Moron and Company (Arabia)
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Box
7
Folder
28
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EL# 24-M-6: Malagan Film Exchange (Singapore)
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Box
7
Folder
29
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EL# 24-M-7: Monark Film (Sweden)
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Box
7
Folder
30
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EL# 24-M-8: Charles H. Monks (Bermuda)
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Box
7
Folder
31
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EL# 24-N-1: Nathan Films (Israel)
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Box
7
Folder
32
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EL# 24-N-2: Near East Films
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Box
8
Folder
1
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EL# 24-N-3: Enrique Narcy (Argentina)
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Box
8
Folder
2
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EL# 24-0-1 through 5: ORPA Company
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Box
8
Folder
3
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EL# 24-P-1: Palam Films (Israel)
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Box
8
Folder
4
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EL# 24-R-1: Roodal Theatres (Caribbean)
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Box
8
Folder
5
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EL# 24-R-2: Rafael Casau Jurado (Spain)
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Box
8
Folder
6
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EL# 24-R-3: Renown Pictures (Great Britain)
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Box
8
Folder
7
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EL# 24-S-1: Ste. Uncibel (Belgium)
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Box
8
Folder
8
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EL# 24-S-2: Simplex (China)
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Box
8
Folder
9
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EL# 24-T-1: Tobis Portuguesa (Portugal)
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Box
8
Folder
10
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EL# 24-T-2: Triangel Film (Norway)
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Box
8
Folder
11
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EL# 24-T-3: Teatrenes Films Koutor (Denmark)
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Box
8
Folder
12
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EL# 24-T-4 through 6: Edmond Tenoudji (Belgium, France)
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Box
8
Folder
13
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EL# 24-T-7: Juan Torena (Philippines)
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Box
8
Folder
14
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EL# 24-U-1: União Cinematográfica Brasileira
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Box
8
Folder
15
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EL# 24-U-2: United Artists Corporation (South Africa)
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Miscellaneous agreements
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Box
8
Folder
16
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Saber Films (South America)
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Box
8
Folder
17
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Transpacific Film (Philippines)
: Includes miscellaneous papers from Producing Artists Prelude to Night.
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Box
8
Folder
18
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Variety Films Distributors (Trinidad)
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Box
8
Folder
19
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EL# 25: Eagle-Lion Films Mexico: correspondence and agreements of subsidiary, 1948-1949
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EL# 26: International Film Distributors Ltd. (Canada)
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Box
8
Folder
20
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Distribution agreements, documents, 1949-1951
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Box
8
Folder
21
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Correspondence, 1947-1951
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Box
9
Folder
1
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General correspondence, 1948-1952
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Box
9
Folder
2
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Eagle-Lion Films of Canada, 1947-1951
: This is a J. Arthur Rank company, not related to the Eagle-Lion of this series.
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EL# 27: Anglo-American Agreement
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Box
9
Folder
3
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Anglo-American Agreement with Board of Trade, 1950-1951
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Box
9
Folder
4
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International Film Distributors (Canada) agreements, 1947-1949
: Includes PRC/PRC Ltd. agreement, 1944.
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EL# 28: J. Arthur Rank
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Box
9
Folder
5
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Distribution agreements, 1945-1953
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|
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Box
9
Folder
6
|
Distribution agreements, United Kingdom, 1945-1951
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|
|
Box
9
Folder
7
|
Notices of interest, 1950-1957
|
|
|
Box
9
Folder
8
|
Delivery items (copyrights, code seals, etc.), 1948-1951
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|
|
Box
9
Folder
9
|
Salt to the Devil litigation, 1955-1956
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|
Box
9
Folder
10-12
|
Correspondence, 1946-1957
|
|
|
Box
9
Folder
13
|
EL# 29: Army and Navy, contracts and correspondence, 1946-1951
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Box
10
Folder
1
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EL# 31: Movies En Route, correspondence, 1948-1949
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EL# 32: Gamma Film
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Box
10
Folder
2
|
1948-1951
|
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Box
10
Folder
3
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EL# 32A: Nach Dem Sturm, 1949-1952
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Box
10
Folder
4
|
EL# 32B: Economic Cooperation Administration, 1949-1950
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EL# 34: Spring in Park Lane (British Lion Film Corporation)
|
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Box
10
Folder
5
|
Distribution agreement, 1949, 1956
|
|
|
Box
10
Folder
6
|
Notices of interest, 1949-1953
|
|
|
Box
10
Folder
7
|
Correspondence, 1949-1955
|
|
|
Box
10
Folder
8
|
Music cue sheet, code seal
|
|
|
Box
10
Folder
9
|
EL# 36: Ron Harris, 16 mm agreement, 1950
|
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EL# 38: Madison Pictures
|
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Box
10
Folder
10
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Agreements, 1945-1952
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|
|
Box
10
Folder
11
|
Correspondence, 1945-1955
|
|
|
EL# 117: Realart Pictures
|
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Box
10
Folder
12
|
Agreements, 1947-1950
|
|
|
Box
10
Folder
13
|
Correspondence, 1948-1950
|
|
|
Box
10
Folder
14
|
EL# 119: “Prince Valiant” (Hearst Corporation): agreements, 1947-1950
: Film was never produced.
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|
Box
11
Folder
1
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EL# 120: Arena Films: Rachel, 1949
|
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EL# 121: Vog Film: Dedee
|
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Box
11
Folder
2
|
Agreement, 1949-1952
|
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Box
11
Folder
3
|
Notices of interest, correspondence, 1946-1949
|
|
|
Box
11
Folder
4
|
EL# 122: Quebec Productions: Whispering City agreements, correspondence, music, 1947-1952
|
|
|
Box
11
Folder
5
|
EL# 123: Merit Productions: The Iron Cage, 1949-1950
|
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|
EL# 124: Monoqram Pictures: It's a Small World
|
|
|
Box
11
Folder
6
|
Distribution agreement, 1950-1953
|
|
|
Box
11
Folder
7
|
Correspondence, delivery items, 1950-1957
|
|
|
Box
11
Folder
8
|
EL# 125: Williams-Belanos fight film: correspondence agreement, 1948
|
|
|
Box
11
Folder
9
|
EL# 126: Cavalier Productions: Twelve Against the Underworld, 1948
|
|
|
EL# 127: United California Productions: Let's Live a Little
|
|
|
Box
11
Folder
10
|
Distribution agreement, 1948
|
|
|
Box
11
Folder
11
|
Notices of interest, 1947-1953
|
|
|
Box
11
Folder
12
|
Correspondence, 1947-1951
|
|
|
EL# 128: Crestview Productions: Adventures of Gallant Bess
|
|
|
Box
11
Folder
13
|
Notices of interest, 1947-1955
|
|
|
Box
11
Folder
14
|
Correspondence, 1948-1953
|
|
|
Box
11
Folder
15
|
Briskin vs. Eagle-Lion - correspondence, documents, 1955-1958
|
|
|
EL# 129: Masque Productions: Million Dollar Weekend
|
|
|
Box
12
Folder
1
|
Distribution agreement, 1948-1955
|
|
|
Box
12
Folder
2
|
Notices of interest, 1948-1954
|
|
|
Box
12
Folder
3
|
Correspondence, copyright, etc., 1948-1954
|
|
|
EL# 131: Danches Bros. Productions: Untamed Fury
|
|
|
Box
12
Folder
4
|
Distribution agreement, 1946-1952
|
|
|
Box
12
Folder
5
|
Danches vs. Eagle-Lion correspondence, 1948-1956
|
|
|
EL# 132: William Moss Productions: The Big Cat
|
|
|
Box
12
Folder
6
|
Distribution agreement, 1948-1956
|
|
|
Box
12
Folder
7-8
|
Notices of interest, 1948-1952
|
|
|
Box
12
Folder
9
|
Correspondence, 1948-1957
|
|
|
Box
12
Folder
10
|
Color and employment agreements, 1948-1950
|
|
|
Box
12
Folder
11
|
Breakdown and budget
|
|
|
EL# 133: Andre Cauvin: Black Shadows
|
|
|
Box
12
Folder
12
|
Distribution agreement, 1949-1951
|
|
|
Box
12
Folder
13
|
Notices of interest, 1949-1950
|
|
|
Box
12
Folder
14
|
Correspondence, 1949-1955
|
|
|
Walter Wanger Productions
|
|
|
Box
13
Folder
1
|
EL# 134: Anne of the Indies, 1948-1950
|
|
|
EL# 135A&B: Tulsa & Reign of Terror
|
|
|
Box
13
Folder
2
|
Distribution agreements, 1948, 1952, 1954
|
|
|
Box
13
Folder
3
|
Notices of interest, 1947-1953
|
|
|
Box
13
Folder
4
|
Correspondence, 1947-1953
|
|
|
Box
13
Folder
5
|
Music, etc. rights, 1948-1949
|
|
|
Box
13
Folder
6
|
Breakdown and budget (R of 8)
|
|
|
Box
13
Folder
7
|
EL# 135C: The Blank Wall: agreement and correspondence, 1948-1950
|
|
|
Contemporary Productions
|
|
|
EL# 138A: Port of New York
|
|
|
Box
13
Folder
8
|
Notices of interest, 1949
|
|
|
Box
13
Folder
9
|
Correspondence, 1949-1957
|
|
|
Box
13
Folder
10
|
Music rights, breakdowns, etc., 1949-1950
|
|
|
EL# 138B: Trapped
|
|
|
Box
13
Folder
11
|
Distribution agreement, 1949, 1954
|
|
|
Box
13
Folder
12
|
Notices of interest (1949), correspondence (1947-1956), 1947-1956, 1949
|
|
|
Box
13
Folder
13
|
Music, etc. rights, breakdowns, 1949-1950
|
|
|
George Pal Productions
|
|
|
EL# 139: Destination Moon
|
|
|
Box
14
Folder
1
|
Distribution agreement, 1949-1957
|
|
|
Box
14
Folder
2
|
Notices of interest, 1950-1958
|
|
|
Box
14
Folder
3
|
Correspondence, 1950-1957
|
|
|
Box
14
Folder
4
|
Music, etc. rights, 1949-1950
|
|
|
EL# 140: The Great Rupert
|
|
|
Box
14
Folder
5
|
Distribution agreements, 1949
|
|
|
Box
14
Folder
6
|
Notices of interest, 1949-1957
|
|
|
Box
14
Folder
7
|
Correspondence, 1950-1953
|
|
|
Box
14
Folder
8
|
Music, etc. rights, 1949-1950
|
|
|
EL# 141: Kaladore Corporation: The Torch
|
|
|
Box
14
Folder
9
|
Distribution agreement, 1949, 1952
|
|
|
Box
14
Folder
10
|
Notices of interest, 1949-1957
|
|
|
Box
14
Folder
11
|
Correspondence, 1950-1953
|
|
|
Box
14
Folder
12
|
Music, etc. rights, 1950
|
|
|
EL# 142: Peter Rathvon: The Sundowners
: Also contains material on Destination Moon, The Great Rupert, High Lonesome, The Torch, The Sun Sets at Dawn
|
|
|
Box
14
Folder
13
|
Distribution agreement, 1949, 1956
|
|
|
Box
14
Folder
14
|
Notices of interest, 1949-1953
|
|
|
Box
14
Folder
15
|
Correspondence, 1949-1956
|
|
|
Box
14
Folder
16
|
Music, etc. rights
|
|
|
EL# 143: Central National Pictures Corporation: The Golden Gloves Story
|
|
|
Box
15
Folder
1
|
Distribution agreement, 1949-1953
|
|
|
Box
15
Folder
2
|
Notices of interest, 1950
|
|
|
Box
15
Folder
3
|
Correspondence, 1949-1953
|
|
|
Box
15
Folder
4
|
Music, etc. rights
|
|
|
Television
|
|
|
Box
15
Folder
5
|
EL# 144: Television data, 1948-1953
|
|
|
Box
15
Folder
6
|
EL# 145: University Television Theatre, 1948-1949
|
|
|
Box
15
Folder
7
|
EL# 147: Columbia Broadcasting System, 1948-1949
|
|
|
Box
15
Folder
8
|
EL# 149: Ziv: composers' contracts, 1950
|
|
|
EL# 150: Alliance Productions: Prehistoric Women
|
|
|
Box
15
Folder
9
|
Distribution agreement, 1950, 1956
|
|
|
Box
15
Folder
10
|
Correspondence, 1950-1953
|
|
|
Box
15
Folder
11
|
Music, etc. rights
|
|
|
Box
15
Folder
12
|
Correspondence on “overrides” to Cinecolor, 1950-1956
|
|
|
EL# 151: Ventura Pictures: Rogue River
|
|
|
Box
15
Folder
13
|
Distribution agreement, 1950-1952
|
|
|
Box
15
Folder
14
|
Notices of interest, 1950-1957
|
|
|
Box
15
Folder
15
|
Correspondence, 1950-1954
|
|
|
Box
15
Folder
16
|
Music, etc. rights
|
|
|
EL# 152: Coronado-Neptune Productions: Eye Witness
|
|
|
Box
16
Folder
1
|
Distribution agreements, 1950, 1953
|
|
|
Box
16
Folder
2
|
Notices of interest, 1950-1954
|
|
|
Box
16
Folder
3
|
Correspondence, 1950-1957
|
|
|
Box
16
Folder
4
|
Music, etc. rights
|
|
|
Box
16
Folder
5
|
EL# 153: Daniel M. Angel: The Body Said No, 1950
|
|
|
Box
16
Folder
6
|
EL# 154: Kingswood Films: Sunken Treasure: correspondence, 1950
|
|
|
Box
16
Folder
7
|
EL# 155: Irving Allen Enterprises: New Mexico, 1950-1957
|
|
|
EL# 156: Juno Productions: Kill or Be Killed
|
|
|
Box
16
Folder
8
|
Distribution agreement, 1949-1953
|
|
|
Box
16
Folder
9
|
Notices of interest, 1949-1950
|
|
|
Box
16
Folder
10
|
Correspondence, 1949-1953
|
|
|
Box
16
Folder
11
|
Music, etc. rights
|
|
|
Box
16
Folder
12
|
EL# 158: Frederick Feher-Music Film Corporation: correspondence and agreements (Hansel and Gretel), 1949-1950
|
|
|
EL# 159: Lux Films: Her Favorite Husband
|
|
|
Box
16
Folder
13
|
Distribution agreement, 1950-1952
|
|
|
Box
16
Folder
14
|
Correspondence, 1950
|
|
|
EL# 160: Drake Investment Corporation: G.I. Joe
|
|
|
Box
16
Folder
15
|
Distribution agreements, 1949
|
|
|
Box
16
Folder
16
|
Producer's assignments, 1949-1952
|
|
|
Box
16
Folder
17
|
Correspondence, 1949-1957
|
|
|
Box
16
Folder
18
|
Curtis vs. Cowan-Bollengier testimony, 1952
|
|
|
EL# 161: Fortune Film Corporation: Zamba
|
|
|
Box
16
Folder
19
|
Distribution agreement and notices of interest, 1949-1956
|
|
|
Box
16
Folder
20
|
Correspondence, 1949-1956
|
|
|
Box
16
Folder
21
|
Music, etc. rights
|
|
|
EL# 162: Renown Pictures: The Glass Mountain
|
|
|
Box
17
Folder
1
|
Distribution agreement and notices of interest, 1949-1952
|
|
|
Box
17
Folder
2
|
Correspondence, 1949-1952
|
|
|
EL# 163: Walter Gould: Sarumba
|
|
|
Box
17
Folder
3
|
Distribution agreement and notices of interest, 1949-1952
|
|
|
Box
17
Folder
4
|
Correspondence, 1949-1952
|
|
|
EL# 164: Griffon Films: One Minute to Midnight
|
|
|
Box
17
Folder
5
|
Distribution agreement and notices of interest, 1949-1955
|
|
|
Box
17
Folder
6
|
Correspondence, 1949-1952
|
|
|
EL# 165: Howard Brown Productions: The Kangaroo Kid
|
|
|
Box
17
Folder
7
|
Distribution agreement, 1949-1957
|
|
|
Box
17
Folder
8
|
Notices of interest; music, etc. rights, 1950-1957
|
|
|
Box
17
Folder
9
|
Correspondence, 1949-1955
|
|
|
Box
17
Folder
10
|
EL# 166: Sons of the Pioneers, 1949
|
|
|
Box
17
Folder
11
|
EL# 167: Embassy Productions: Death of a Dream, 1950
|
|
|
EL# 168: Arfran Productions: High Lonesome
|
|
|
Box
17
Folder
12
|
Distribution agreement, 1950
|
|
|
Box
17
Folder
13
|
Notices of interest, 1950-1954
|
|
|
Box
17
Folder
14
|
Correspondence, 1950-1953
|
|
|
Box
17
Folder
15
|
Music, etc. rights
|
|
|
EL# 169: Robert T. Kane Productions: Canon City, He Walked by Night
|
|
|
Box
18
Folder
1
|
Distribution agreement, 1948
|
|
|
Box
18
Folder
2-3
|
Notices of interest, 1948-1956
|
|
|
Box
18
Folder
4
|
Correspondence, 1948-1956
|
|
|
Box
18
Folder
5
|
Music, etc. rights
|
|
|
Box
18
Folder
6
|
EL# 170: Eagle-Lion Studios: Red Stallion in the Rockies: correspondence, etc., 1948-1951
|
|
|
Box
18
Folder
7
|
EL# 171: Cavalier Productions: The World and Little Willie, 1948-1949
|
|
|
EL# 172: Freedom Productions: Guilty of Treason
|
|
|
Box
18
Folder
8
|
Distribution agreement, 1950-1951
|
|
|
Box
18
Folder
9
|
Notices of interest, 1949-1952
|
|
|
Box
18
Folder
10
|
Correspondence, 1949-1953
|
|
|
Box
18
Folder
11
|
Music, etc. rights
|
|
|
Box
19
Folder
1
|
EL# 173: Winslow Productions: The Winslow Boy, 1950-1953
: Original file folder was marked, “Mr. King has the files on Winslow Boy.”
|
|
|
EL# 174: Jackie Robinson
: File contained “out” card signed “Bernstein, Legal, 9/14/59.”
|
|
|
EL# 175: Ventura Pictures: Boy from Indiana
|
|
|
Box
19
Folder
2
|
Distribution agreement, 1949-1952
|
|
|
Box
19
Folder
3
|
Notices of interest, 1949-1953
|
|
|
Box
19
Folder
4
|
Correspondence, 1949-1956
|
|
|
Box
19
Folder
5
|
Music, etc. rights
|
|
|
EL# 176: Hollow Triumph Inc.: Hollow Triumph (The Scar)
|
|
|
Box
19
Folder
6
|
Distribution agreement, 1948
|
|
|
Box
19
Folder
7
|
Notices of interest, 1948-1952
|
|
|
Box
19
Folder
8
|
Correspondence, 1948-1950
|
|
|
Box
19
Folder
9
|
Rights, etc.
|
|
|
Box
19
Folder
10-11
|
EL# 177: The Spiritualist Inc.: The Spiritualist (Amazing Mr. X), 1947-1952
|
|
|
EL# 178: John Sutherland Productions: Lady at Midnight, The Strange Mrs. Crane
|
|
|
Box
19
Folder
12
|
Distribution agreement, 1948-1956
|
|
|
Box
20
Folder
1
|
Notices of interest, 1948-1950
|
|
|
Box
20
Folder
2
|
Correspondence, 1947-1950
|
|
|
EL# 179: Southwest Productions: Mickey
|
|
|
Box
20
Folder
3
|
Distribution agreement, 1947-1951
|
|
|
Box
20
Folder
4
|
Documents, 1947-1950
|
|
|
Box
20
Folder
5
|
Correspondence, 1946-1951
|
|
|
Box
20
Folder
6
|
Rights, etc., 1946-1952
|
|
|
EL# 180: Jack Schwarz Productions
|
|
|
Box
20
Folder
7
|
Distribution agreements, 1950-1957
|
|
|
Box
20
Folder
8-10
|
Notices of interest, 1950-1957
|
|
|
Box
21
Folder
1-3
|
Correspondence, 1950-1958
|
|
|
Box
21
Folder
4
|
Studio agreement, 1950-1951
|
|
|
Box
21
Folder
5
|
George Bagnall TV deal, 1952
|
|
|
Music, etc. rights, and correspondence for:
|
|
|
Box
21
Folder
6
|
EL# 180-A: The Fighting Stallion
|
|
|
Box
21
Folder
7
|
EL# 180-B: Forbidden Jungle
|
|
|
Box
21
Folder
8
|
EL# 180-C: Federal Man
|
|
|
Box
21
Folder
9
|
EL# 180-D: Timber Fury
|
|
|
Box
21
Folder
10
|
EL# 180-E: I Killed Geronimo
|
|
|
Box
21
Folder
11
|
EL# 180-F: Korea Patrol
|
|
|
Box
21
Folder
12
|
EL# 180-G: Cattle Queen
|
|
|
Box
21
Folder
13
|
EL# 180-H: Border Outlaws
|
|
|
Box
21
Folder
14
|
EL# 180-I: Badman's Gold
|
|
|
Box
21
Folder
15
|
EL# 180-J: The Hoodlum
|
|
|
Box
21
Folder
16
|
EL# 180-K: Buffalo Bill in Tomahawk Territory
|
|
|
Box
21
Folder
17
|
EL# 180-L: Son of the Renegade
|
|
|
EL# 181: Holiday Films: The Sun Sets at Dawn
|
|
|
Box
21
Folder
18
|
Documents and agreements, 1949-1958
|
|
|
Box
21
Folder
19
|
Correspondence and rights, 1950-1951
|
|
|
Box
22
Folder
1
|
Distribution agreement, 1949-1950
|
|
|
Box
22
Folder
2
|
Notices of interest, 1950-1952
|
|
|
Box
22
Folder
3
|
EL# 182: Vista Pictures: A Doll's House: agreements and correspondence, 1949-1952
|
|
|
Box
22
Folder
4
|
EL# 184: Alice in Wonderland import claim correspondence, 1951-1952
|
|
|
Box
22
Folder
5
|
EL# 185: Adelphi Films: Paper Gallows: agreements and correspondence, 1950-1952
|
|
|
Box
22
Folder
6
|
EL# 186: Edward L. Alperson Productions: Tillie's Punctured Romance: correspondence and agreement, 1950-1952
|
|
|
Box
22
Folder
7
|
EL# 187: James S. Burkett Productions: The Monster: correspondence, 1950
|
|
|
Box
22
Folder
8
|
EL# 188: Johnny One Eye: correspondence, 1957
|
|
|
EL# 189: Benedict Bogeaus Pictures: My Outlaw Brother
|
|
|
Box
22
Folder
9
|
Distribution agreement, 1950
|
|
|
Box
22
Folder
10
|
Correspondence, 1950-1960
: Includes television dispute.
|
|
|
Box
22
Folder
11
|
EL# 190: Golden West Corporation: agreement, 1950
|
|
|
EL# 192: Motion Picture Sales Corporation: Wicked City
|
|
|
Box
22
Folder
12
|
Distribution agreement and notices of interest, 1950-1955
|
|
|
Box
22
Folder
13
|
Correspondence, rights, 1950-1956
|
|
|
EL# 193: EJL Productions: The Second Face
|
|
|
Box
22
Folder
14
|
Agreements, notices of interest, 1950-1953
|
|
|
Box
23
Folder
1
|
Indexed documents, 1950-1951
|
|
|
Box
23
Folder
2
|
Correspondence, 1951-1954
|
|
|
EL# 194: Sterling Productions: Two Lost Worlds
|
|
|
Box
23
Folder
3
|
Distribution agreement and notices of interest, 1950-1952
|
|
|
Box
23
Folder
4
|
Correspondence, 1950-1957
|
|
|
Box
23
Folder
5
|
Music, etc. rights
|
|
|
Box
23
Folder
6
|
EL# 195: Inspiration Pictures: They Kill to Live: agreements, 1950
|
|
|
Horizon Productions
|
|
|
Box
23
Folder
7
|
EL# 196: Hot House: agreement, 1950
|
|
|
EL# 197: When I Grow Up
|
|
|
Box
23
Folder
8
|
Distribution agreement, 1950-1955
|
|
|
Box
23
Folder
9-10
|
Notices of interest, 1950-1958
|
|
|
Box
23
Folder
11
|
Correspondence, 1950-1958
|
|
|
Box
23
Folder
12
|
EL# 198: Olamic Productions: The Marble Faun: agreements, 1950
|
|
|
Box
23
Folder
13
|
EL# 199: Gregory Ratoff Productions: agreement, 1950
|
|
|
Box
23
Folder
14
|
EL# 200: British Artists Ltd.: Fire Island, New York: agreement, 1950
|
|
|
Box
23
Folder
15
|
EL# 201: William K. Howard: White Gold: script correspondence, 1950
|
|
|
Box
23
Folder
16
|
EL# 202: Huntington Hartford, doing business as Motion Picture Productions: agreement, 1950
|
|
|
EL# 203: Coronado Productions: Circle of Danger
|
|
|
Box
24
Folder
1
|
Distribution agreement, 1950-1953
|
|
|
Box
24
Folder
2
|
Notices of interest, 1950-1955
|
|
|
Box
24
Folder
3
|
Correspondence, 1950-1957
|
|
|
Box
24
Folder
4
|
Music, etc. rights
|
|
|
EL# 204: Laurel Films: Mister Universe
|
|
|
Box
24
Folder
5
|
Distribution agreement, 1950-1952
|
|
|
Box
24
Folder
6
|
Notices of interest, 1950-1957
|
|
|
Box
24
Folder
7
|
Correspondence, 1950-1957
|
|
|
Box
24
Folder
8
|
Music, etc. rights
|
|
|
Box
24
Folder
9-10
|
EL# 205: Chemical Bank & Trust Co.: agreements, notices, correspondence, 1950-1955
|
|
|
Box
24
Folder
11
|
EL# 206: Woman in Brown (Vicious Circle): correspondence, 1950-1953
|
|
|
Box
24
Folder
12
|
EL# 207: Spirit of West Point: correspondence, 1951-1952
|
|
|
Box
24
Folder
13
|
EL# 208: Transcontinental Productions: Cry Murder, Project X: agreements and correspondence, 1950-1957
|
|
|
EL# 209: Laurel Films: C-Man, Guilty Bystander
|
|
|
Box
24
Folder
14
|
Distribution agreements, 1950-1952
|
|
|
Box
24
Folder
15
|
Notices of interest, 1951-1953
|
|
|
Box
25
Folder
1
|
Correspondence, 1950-1953
|
|
|
Box
25
Folder
2
|
Irving Kaufman vs. Laurel Films, et al., 1952
|
|
|
EL# 210: Tv-Pic Inc.: Unknown Island
|
|
|
Box
25
Folder
3
|
Agreement and notices of interest, 1950-1952
|
|
|
Box
25
Folder
4
|
Correspondence, 1950-1952
|
|
|
EL# 211: HBYC Productions: Not Wanted
|
|
|
Box
25
Folder
5
|
Distribution agreement, 1950
: Includes agreement for Emerald Productions' Vicious Years.
|
|
|
Box
25
Folder
6
|
Correspondence, 1951-1957
|
|
|
Box
25
Folder
7
|
Woodrow N. Irwin vs. Eagle-Lion Classics, 1954-1955
|
|
|
Box
25
Folder
8
|
EL# 212: Anson Bond Productions: The Judge: agreement and correspondence, 1950-1952
|
|
|
EL# 213: Realart Pictures
|
|
|
Box
25
Folder
9
|
Distribution agreement, correspondence, etc., 1947-1951
|
|
|
Box
25
Folder
10
|
Surrender of rights, 1950-1951
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Box
25
Folder
11
|
EL# 214: Samuel Goldwyn: correspondence on return of prints, 1950-1951
|
|
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Box
25
Folder
12
|
EL# 215: Alexander Korda: distribution correspondence, 1950-1951
|
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Box
26
Folder
1
|
EL# 218: Expert Pictures: Good Time Girl: distribution agreement and correspondence, 1949-1952
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EL# 219: Colonial Productions: Flying Saucer
|
|
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Box
26
Folder
2
|
Distribution agreement, 1950-1951
|
|
|
Box
26
Folder
3
|
Notices of interest, 1950-1954
|
|
|
Box
26
Folder
4
|
Correspondence, 1950-1954
|
|
|
Box
26
Folder
5
|
EL# 220: Agay Productions: Amazon Quest: distribution agreement and correspondence, 1950-1954
|
|
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EL# 221: RD-DR Corporation: Lost Boundaries
|
|
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Box
26
Folder
6
|
Distribution agreement, 1950
|
|
|
Box
26
Folder
7
|
Notices of interest
|
|
|
Box
26
Folder
8
|
Correspondence, 1950-1955
|
|
|
Box
26
Folder
9
|
EL# 222: Telinvest Inc.: Frustration: distribution agreement and correspondence, 1950-1951
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|
EL# 223: Trinity Productions: Congolaise
|
|
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Box
26
Folder
10
|
Distribution agreement, 1950-1952
|
|
|
Box
26
Folder
11
|
Notices of interest, 1950-1951
|
|
|
Box
26
Folder
12
|
Correspondence, 1950-1952
|
|
|
Box
26
Folder
13
|
EL# 224: Edward L. Alperson Productions: Alaska Patrol: correspondence, etc., 1950-1952
|
|
|
Box
26
Folder
14
|
EL# 225: Associated Artists Productions Ltd.: India Speaks: correspondence, etc., 1950-1951
|
|
|
Box
26
Folder
15
|
EL# 226: Eronel Productions: The Argyle Secrets: distribution agreement and correspondence, 1950-1953
|
|
|
Box
26
Folder
16
|
EL# 227: M.R.S. Pictures: Inner Sanctum: correspondence, etc., 1948-1951
|
|
|
Box
26
Folder
17
|
EL# 228: J. Barrett Mahon Corporation: South of Singapore: distribution agreement, 1950
|
|
|
Box
27
Folder
1
|
EL# 229: Irving Allen Enterprises: The Return of Gilbert and Sullivan: correspondence, etc., 1950-1951
|
|
|
Box
27
Folder
2
|
EL# 230: Laura Della Inc.: Two Gals and a Guy: agreement, correspondence, etc., 1950-1958
|
|
|
Box
27
Folder
3
|
EL# 231: Demyrtha Productions: Double Cross: agreement, correspondence, 1950-1953
|
|
|
Box
27
Folder
4
|
EL# 233: Mayflower Pictures: Cairo Road: agreement, correspondence, 1951
|
|
|
Cusick International Films
|
|
|
EL# 234: The Long Dark Hall
|
|
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Box
27
Folder
5
|
Distribution agreement, 1951-1952
|
|
|
Box
27
Folder
6
|
Notices of interest, 1951-1957
|
|
|
Box
27
Folder
7
|
Correspondence, music, etc. rights, 1951-1954
|
|
|
EL# 235: Pardon My French
|
|
|
Box
27
Folder
8
|
Distribution agreement and notices of interest, 1951-1958
|
|
|
Box
27
Folder
9
|
Correspondence, 1951-1958
|
|
|
Box
27
Folder
10
|
Chesapeake Industries vs. Cusick International Films, 1952-1954
|
|
|
Box
27
Folder
11
|
EL# 236: Mayflower Productions: Sunset at Morning correspondence, 1951
|
|
|
Box
27
Folder
12
|
EL# 237: Revenge-Penthouse Inc. Revenge Is Beautiful, Penthouse Story distribution agreements, 1951
|
|
|
EL# 238: Joseph Harris deal
|
|
|
Box
27
Folder
13
|
Correspondence, 1950-1953
|
|
|
Box
27
Folder
14
|
Documents, 1930-1951
|
|
|
Box
27
Folder
15
|
Schedules and work papers
|
|
|
EL# 239: Harry Thomas agreements
|
|
|
Box
27
Folder
16
|
Correspondence, 1950-1951
|
|
|
Box
27
Folder
17
|
Documents and schedules, 1950
|
|
|
Box
27
Folder
18
|
Working papers
|
|
|
Box
28
Folder
1
|
EL# 240: Twyman Productions
: Removed from files by donor.
|
|
|
Box
28
Folder
2
|
EL# 245: Wally Kline Enterprises: Skip Along Rosenbloom: agreements, correspondence, etc., 1950-1958
|
|
|
Box
28
Folder
3
|
EL# 247: Compo Billing to exhibitors: correspondence, 1950
|
|
|
Box
28
Folder
4
|
EL# 248: Coronado Productions: God's Little Island: correspondence agreement, 1951
|
|
|
Box
28
Folder
5
|
EL# 249: Delivery of Photoplays, 1948-1950
: Correspondence dealing with what documents are necessary to complete the delivery of a motion picture.
|
|
|
Box
28
Folder
6
|
EL# 250: Charlcon Productions: The O'Haras From Ohio: agreement (cancelled), correspondence, 1951
|
|
|
Box
28
Folder
7
|
EL# 254: Renown Film Productions: A Christmas Carol: agreement (never signed), correspondence, 1951-1952
|
|
|
Box
28
Folder
8
|
EL# 256: Establissment Alsa Film: Black Jack: agreements and correspondence, 1949-1951
|
|
|
Box
28
Folder
9
|
EL# 257: Selkirk Productions: Great Force: correspondence, 1951
|
|
|
Box
28
Folder
10
|
EL# 258: Frederick Brisson: The Time Is Now: agreement, correspondence, 1951
|
|
|
EL# 259: Stuart Scheftel: Obsessed (The Evil One)
|
|
|
Box
28
Folder
11
|
Agreement, notices of interest, etc., 1951-1953
|
|
|
Box
28
Folder
12
|
Correspondence, 1951-1954
|
|
|
Box
28
Folder
13
|
EL# 260: Eros Films: contract for British distribution of films, 1951
|
|
|
Box
28
Folder
14
|
Vanguard surrender arrangements, 1951
: Arrangements made when Vanguard Films Inc. was dissolved
|
|
|
Box
28
Folder
15
|
Portrait of Jennie: miscellaneous correspondence, 1949-1950
|
|
|
Box
28
Folder
16
|
Eagle-Lion miscellaneous material: correspondence, copyrights, code seals, title clearances, etc., 1949-1950
|
|
|
Box
28
Folder
17
|
Capital Pledge agreement: Motion Picture Capital Corporation
|
|
|
Box
29
Folder
1
|
Kaladore Bank loan agreement
|
|
|
Box
29
Folder
2
|
Nuys Bank loan agreement
|
|
|
Box
29
Folder
3
|
George Pal Bank loan agreement
|
|
|
Box
29
Folder
4
|
Sun Investment Company pledge agreement
|
|
