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Series: Section 1: Productions
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Reel
1
Frame
1
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Volume 1, 1878-1881 (Chicago Theatres)
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Chamber Concerts - Brand's Hall
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Huguenots - McVicker's
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Martha - McVicker's
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Chimes of Normandy - Grand Opera House
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Fanchon the Cricket - Hooley's Theatre
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Jane Eyre - Hooley's
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Little Barefoot - Hooley's
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H.M.S. Pinafore - Hooley's
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The Banker's Daughter - Haverly's Theatre
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Our Next President, or The Dark Horse - McVicker's
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Mother and Son - Haverly's
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Widow Bedott - Haverly's
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Joshua Whitcomb - McVicker's
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Lotta - McVicker's
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The Hunchback - McVicker's
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Lady of Lyons - McVicker's
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Il Trovatore, Mignon, Aida - McVicker's
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Lucia di Lammermoor - McVicker's
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Concert - McCornick Hall
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Narcissa - McVicker's
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Drink - McVicker's
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Lucia di Lammermoor - Haverly's
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David Garrick - Hooley's
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An Alarming Sacrifice - Hooley's
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Herrmann (performance) - McVicker's
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Chamber Concert - Central Music Hall
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Concert - Beethoven Society
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Faust - McVicker's
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Hearts of Oak - Hooley's
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Concert - Fairbank Hall
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Jane Shore - McVicker's
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Sharps and Flats - Hooley's
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Our American Cousin - McVicker's
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The Two Orphans - Hooley's
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Lemons - Hooley's
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Humpty Dumpty (pantomime) - McVicker's
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Concerts - Exposition Building
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Pirates of Penzance (D'Oyly Carte)
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Fatinitza - McVicker's
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The False Friend - Union Square Theatre
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All the Rage - McVicker's
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The Danicheffs - Union Square
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Led Astray - Union Square
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Banker's Daughter - Union Square
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Concert - Hooley's
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Our Bachelors - Hooley's
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Marble Heart - Hooley's
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Genuine Colored Minstrels - Haverly's
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Arrah na Pogue, or the Wicklow Wedding - Grand Opera House
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Around the World in 80 Days - Kiralfy Brothers
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Hazel Kirke - McVicker's
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School for Scandal - Hooley's
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Aida - Haverly's
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Fatinitza - Grand Opera House
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Concert - Brand's Hall
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Lorle - Hooley's
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Linda di Chamouni - Haverly's
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Rigoletto - Haverly's
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Aida - McVicker's
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The World - McVicker's
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Felicia, or, Woman's Love - Union Square
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Patience, or, Bunthorne's Bride - Emelie Melville Opera Co.
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Boccaccio - McVicker's
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Aida - Haverly's
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I Puritani - McVicker's
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The Rivals - McVicker's
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Mary Stuart - Hooley's
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The Shaughraun - Grand Opera House
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A Cup of Tea - Grand Opera House
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Comedy of Errors - Grand Opera House
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Reel
1
Frame
104
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Volume 2, 1890-1893 (New York Theatres)
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The Charity Ball, by David Belasco and Henry C. DeMille - Lyceum Theatre
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The Idler, by C. Haddon Chambers
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Squire Kate, by Robert Buchanan
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Nerves, by J. Comyns Carr
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The Open Gate, by C. Haddon Chambers
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The Senator
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The Dancing Girl, by Henry Arthur Jones
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The Master of Woodbarrow, by Jerome K. Jerome
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Hamlet, with Edwin Booth
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The Strange Adventures of Miss Brown, by Robert Buchanan and C. Marlowe
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The Grand Duchess, by Charles L. Kenney and Edgar Smith
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Rip van Winkle
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Robin Hood, opera by DeKoven and Smith
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A Trip to Chinatown
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Fatinitza
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The Foresters, by Alfred Lord Tennyson
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Railroad of Love
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The Lion Tamer, by J. Cheever Goodwin
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Charley's Aunt, by Brandon Thomas
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Die Fledermaus, adapted by Sidney Rosenfield
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Dorothy, by B. C. Stephenson
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A Trip to Africa
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The Country Fair, by Charles Barnard
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Bootles' Baby
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The Queen's Mate
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The Marquis
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Alabama, by Augustus Thomas
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Girl Wanted
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Finnigan's Courtship
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Evangeline
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Dr. Jekyll and Mr. Hyde, dramatization by T.R. Sullivan
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America, by Imre Kiralfy
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Bluebeard, Jr., or, Fatima and the Fairy, by Clay M. Greene
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Nancy and Company
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The Editor, by Aldrich and Charles Vincent
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Siberia
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Beau Brummell, by Clyde Fitch and Ricahrd Mansfield
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Twelfth Night
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The Ironmaster, by A.W. Pinero
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Castles in the Air, by Charles Alfred Byrne
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Monbars, adapted by Louis Nathal
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Erminie, by Jakobowski and Paulton
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Falka, by Chassaigne and Farnie
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Frederic Lemaitre, by Clyde Fitch
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Barbara, by Jerome K. Jerome
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The Tinted Venus, or, Tweedle's Nightmare, by W.C.K. Wilde
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In Honor Bound, by Sydney Grundy
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My Milliner's Bill
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Mr. Wilkinson's Widows, by William Gillette
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Aristocracy, by Bronson Howard
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Miss Helyett, by David Belasco - Columbia Theatre
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The Mikado, by W.S. Gilbert and Arthur Sullivan
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My-Card-Oh, a burlesque on The Mikado, by E.D. Gooding
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Americans Abroad, by Victorien Sardou
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Sweet Lavender, by A.W. Pinero
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The Old Homestead, by Denman Thompson and George W. Ryer
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The Highest Bidder
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The Henrietta, by Bronson Howard
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A Rag Baby, by Charles H. Hoyt
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The Lion's Mouth, by Henry Guy Carleton
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Country Circus, by Charles Bernard and C.B. Jefferson
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Jane, by Harry Nichols and W. Lestocq
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The Witch, by Philip Hamilton and Marie Madison
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A Night in Venice
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The Prodigal Daughter, by Henry Pettitt and St. Augustus Harris
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The Lady or the Tiger? by Sydney Rosenfeld
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The Isle of Champagne, by Charles Alfred Byrne and Louis Harrison
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The May Queen
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Lady Bountiful
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The Danites
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Tuxedo, by Ed. Marble
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The City Directory
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A Parlor Match, by Charles H. Hoyt
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Boccaccio, translated by Henry B. Smith
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Asyoulikeit, an original travesty of Shakespeare's As You Like It, by William Duncan Preston
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The Tar and the Tartar, by Adam Itzel, Jr. and Harry B. Smith
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Beggar Student
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Panjandrum, by J. Cheever Goodwin
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Wang, by J. Cheever Goodwin
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Rosedale
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Old Friends, by Lady Violet Greville
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The Grey Mare, by George B. Sims and Cecil Raleigh
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Cleopatra, by Sardou
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The Girl I Left Behind Me, by David Belasco and Franklin Fyles
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Little Puck, by Archibald Clavering Gunter
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The Mountebanks, by W.S. Gilbert and Alfred Cellier
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A Society Fad
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His Wedding Day, by H. Graham
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Delmonico's at Six, by Glen MacDonough
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Brother John, by Martha Morton
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Lady Windermere's Fan
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Thrilby, by J.W. Herbert
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Frederic LeMaitre, by Clyde Fitch
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The Poet and the Puppets, by Charles Brookfield
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A Woman of No Importance
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The Private Secretary, adapted by William Gillette
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The Guardsman, or, The American Girl in London, by George R. Sims and Cecil Raleigh
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Sweet Will, by Henry Arthur Jones
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The Arabian Nights, by Sydney Grundy
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The Three Guardsmen
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Don Caesar de Bazan
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The Professor's Love Story, by J.M. Barrie
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1492
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Carmen
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A Temperance Town, by Charles H. Hoyt
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The Princess Nicotine, by Charles Alfred Byrne and Louis Harrison
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A Doll's House, by Henrik Ibsen
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Reel
1
Frame
249
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Volume 3, 1898-1899 (Predominantly New York Theatres)
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A Bachelor's Romance
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A Southern Romance
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Prisoner of Zenda
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Shore Acres - Fifth Avenue Theatre
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Rip van Winkle - Boston Theatre
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Cricket on the Hearth, by Albert Smith
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Lend Me Five Shillings
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An American Citizen, by Madeline Lucette Ryley - Knickerbocker Theatre
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A Ward of France, by Franklin Fyles and Eugene W. Presbrey - Wallack's
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A Marriage of Convenience, by Dumas, translated by Sydney Grundy - Empire Theatre
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The Nancy Hanks, by Frank Tannehill, Jr. - Garden Theatre
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The Salt of the Earth, by Joseph Arthur - Wallack's
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As You Like It - Knickerbocker
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The Princess and the Butterfly, by Arthur W. Pinero - Lyceum Theatre
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The Whirl of the Town, by Hugh Morton - Harlem Opera House
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Pousse Café, by Edgar Smith and Louis deLange - Weber and Fields Broadway Music Hall
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The Little Minister, by J.M. Barrie - Garrick Theatre
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Twelfth Night
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The Tree of Knowledge, by R.C. Carton - Lyceum
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Cumberland `61, by Franklin Fyles - Grand Opera House
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The Highwayman - Broadway Theatre
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A Normandy Wedding, by J. Cheever Goodwin and Charles Alfred Byrne - Herald Square Theatre
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Sweet Inniscarra, by Augustus Pitou - 14th Street Theatre
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In Gay New York, by Hugh Morton - 14th Street Theatre
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The Master, by G. Stuart Ogilvie - Garden Theatre
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The Conquerors, by Paul M. Potter - Empire
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Way Down East, by Lottie Blair Parker - Manhattan Theatre
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The Man From Mexico, adapted by H.A. Du Souchet - Bijou Theatre
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A Virginia Courtship, by Eugene W. Presbrey - Knickerbocker
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The New East Lynne, by McKee Rankin - Grand Opera House
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The Moth and the Flame, by Clyde Fitch - Montauk Theatre
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The Geisha, by George Edwardes - Daly's Theatre
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A Bit of Old Chelsea, by Mrs. Oscar Beringer - Fifth Avenue Theatre
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Love Finds the Way, by Marguerite Merington - Fifth Avenue Theatre
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The Bride-Elect, by John Philip Sousa - Knickerbocker
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Carmen, by Bizet - American Theatre
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La Poupee, by Maurice Ordonneau and Arthur Sturgess
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Lord Chumley, by Henry deMille and David Belasco - Montauk
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His Honor, the Mayor, Charles Henry Meltzer and A.E. Lancaster - Empire
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The Charlatan, by Charles Klein - Knickerbocker
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A Brace of Partridges, by Robert Ganthony - Madison Square Theatre
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The Adventure of Lady Ursula, by Anthony Hope - Lyceum
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The Christian, by Hall Caine - Knickerbocker
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The Fortune-Teller, by Harry B. Smith - Wallack's
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The Marquis of Michigan, by Glem MacDonough and Edward W. Townsend - Bijou
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Cyrano de Bergerac, play by Edmond Rostand - Garden Theatre
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A Stranger in New York, by Charles H. Hoyt - Grand Opera House
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The Evil Eye, by Charles H. Yale - Walnut Street Theatre
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The Wrong Mr. Wright, by George H. Broadhurst - Grand Opera House
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Moths, adapted by Helen Adell - Pike Opera House
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The Little Host, by Edgar Smith and Louis de Lange - Grand Opera
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A Female Drummer, by Charles E. Blaney - Walnut Street
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Why Smith Left Home, by George H. Broadhurst
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The Bride-Elect, by John Philip Sousa
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Hon. John Grigsby, by Charles Klein - Grand Opera House
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A Gilded Fool, by Henry Guy Carleton - Pike Opera House
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My Friend from India, by H.A. Du Souchet
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In Old Kentucky, by T.C. Dazey - Walnut Street Theatre
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The Butterflies, by Henry Guy Carleton - Pike Opera House
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The Sign of the Cross, by Wilson Barrett - Grand Opera House
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A High Born Lady - Walnut Street Theatre
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The Golden Horseshoe, by Robert Breitenbach - Grand Opera House
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Rupert of Hentzau, by Anthony Hope - Grand Opera House?
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Nathan Hale, by Clyde Fitch - Knickerbocker
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A Runaway Girl, by Seymour Hicks and Harry Nichols - Fifth Avenue Theatre
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Trelawny of the “Wells,” by Arthur W. Pinero - Lyceum
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The Great Ruby, by Cecil Raleigh and Henry Hamilton
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At the White Horse Tavern, by Sydney Rosenfeld - Wallack's
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The King's Musketeer, by Henry Hamilton - Knickerbocker
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Frou-Frou, by Henri Meilhac and Ludovic Halevy - Fifth Avenue Theatre
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John Ingerfield, by Jerome K. Jerome - Lyceum
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The Musketeers, by Sydney Grundy - Broadway
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The French Maid, by Basil Hood and Walters Laughter
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Lord and Lady Algy, by R.C. Carton - Empire
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Colinette, by Henry Guy Carleton - Knickerbocker
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Because She Loved Him So, by William Gillette - Madison Square Theatre
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An American Beauty
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Girl From Paris
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At Piney Ridge
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Under the Red Robe
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Reel
1
Frame
470
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Volume 4, 1899-1900 (New York Theatres)
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Shenandoah, by Bronson Howard - Broadway Theatre
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The Rivals, by Richard Brinsley Sheridan - Montauk Theatre
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The Cuckoo, adapted by Charles Brookfield - Wallack's
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We-'Uns of Tennessee, by Lee Arthur - American Theatre
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A Reign of Error, by John J. McNally - Victoria Theatre
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Zaza, by David Belasco - Garrick Theatre
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Romeo and Juliet - Empire Theatre
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Carmen, adapted by Henry Hamilton - Harlem Opera House
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A Romance of Athlone, by Augustus Pitou - Grand Opera House
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Whirl-a-gig, by Edgar Smith and Harry B. Smith - Weber and Fields' Broadway Music Hall
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The Girl From Martin's - Weber and Fields'
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Phroso, dramatized by Edward Rose and H.V. Esmond - Harlem Opera House
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Miss Hobbs, by Jerome K. Jerome - Lyceum
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The Winter's Tale - Grand Opera House
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Held by the Enemy, by William Gillette - Murray Hill Theatre
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The Children of the Ghetto, by Israel Zangwill
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Gismonda, by Sardou
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The Only Way, adapted from A Tale of Two Cities by Freeman Wills - Garden Theatre
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A Stranger in a Strange Land, by Sidney Wilmer and Walter Vincent - Manhattan Theatre
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Barbara Frietchie, by Clyde Fitch - Criterion Theatre
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More Than Queen, by Emile Bergerat - Broadway Theatre
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Robespierre, by Victorien Sardou - Knickerbocker
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A Greek Slave - Herald Square Theatre
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Carmen, by Bizet - Metropolitan Opera House
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Ben-Hur, arranged by William Young - Broadway Theatre
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The Maneuvers of Jane, by Henry Arthur Jones - Daly's Theatre
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The Singing Girl, score by Victor Herbert, lyrics by Harry B. Smith - The Casino Theatre
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The Cowboy and the Lady, by Clyde Fitch - Knickerbocker
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Faust - Metropolitan Opera House
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Papa's Wife, by Harry B. Smith - Manhattan Theatre
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Captain Lettarblair, by Marguerite Merington - Murray Hill Theatre
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When We Were Twenty-One, by H.V. Esmond - Knickerbocker
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The Mascot, by Audran - American Theatre
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Naughty Anthony, by David Belasco - Herald Square Theatre
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Brother Officers, by Leo Trevor - Empire
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Sister Mary, by Glen McDonough - Grand Opera House
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An Evening With Mozart - Women's Philharmonic Society of New York
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Hearts Are Trumps, by Cecil Raleigh - Garden Theatre
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Oliver Goldsmith, by Augustus Thomas - Fifth Avenue Theatre
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My Daughter-in-Law, by Fabrice Carre and Paul Bilhaud - Lyceum
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The Interrupted Honeymoon, by F. Kinsey Peile - Daly's Theatre
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Sherlock Holmes, by William Gillette and A. Conan Doyle - Garrick
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The Pride of Jennico, by Abby Sage Richardson and Grace Livingston Furniss - Criterion
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Annual Concert of Madame Eugenie Pappenheim - Mendelssohn Hall
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Third Private Rehearsal - Mendelssohn Glee Club
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Quo Vadis, dramatization by Jeannette L. Gilder - Herald Square
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A Night in Venice, by Johann Strauss - American Theatre
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Lohengrin - American Theatre
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A Midsummer Night's Dream - Grand Opera House
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A Royal Family, by R. Marshall - Lyceum
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Arizona, by Augustus Thomas - Herald Square
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Sag Harbor - Theatre Republic
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King Henry V - Garden Theatre
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L'Aiglon, by Edmond Rostand - Knickerbocker
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The Gay Lord Quez, by Arthur W. Pinero - Criterion
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David Harum, dramatized by R. and M.W. Hitchcock - Garrick
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Bendix String Quarterre - Mendelssohn Hall
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An American Citizen, by Madeline Lucette Ryley
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Aristocracy, by Bronson Howard
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The Little Minister, by J. M. Barrie - Metropolitan Opera House
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A Trip to Chinatown, by Charles H. Hoyt - Bijou
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The Girl From Maxim's, by George Feydeau
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Hamlet - Powers' Theatre
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Lost River - McVicker's Theatre
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Mrs. Dane's Defence, by Henry Arthur Jones - Empire
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Aristocracy, by Bronson Howard - Murray Hill Theatre
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Janice Meredith, by Paul Leicester Ford and Edward E. Rose - Wallack's
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Nell Gwyn, by Mrs. C.A. Doremus - Murray Hill Theatre
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The Burgomaster, by Frank Pixley - Manhattan Theatre
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Lady Huntworth's Experiment, by R.C. Carton - Daly's Theatre
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Hodge, Podge & Co. - Grand Opera House
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My Lady, by R.A. Barnet and H.L. Heartz - Victoria
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Captain Jinks of the Horse Marines, by Clyde Fitch - Garrick
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Reel
1
Frame
654
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Volume 5, 1900-1901 (with inscription “Dramatic Scrap Book Volume IIII, Property of C.E. Hungerford, Nov. 18, 1900”
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L'Aiglon, by Edmond Rostand; with Sarah Bernhardt - Garden Theatre
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Julius Caesar - Her Majesty's Theatre, London
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Mrs. Dane's Defence, by Henry Arthur Jones - Empire Theatre
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Mrs. Dane's Defence - Wyndham's Theatre, London
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A Message from Mars, by Richard Ganthony - Avenue Theatre
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His Wife's Picture, by Ernest Cosham - Avenue Theatre
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English Nell, by Anthony Hope and Edward Rose - Prince of Wales Theatre, London
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The Lackey's Carnival, by Henry Arthur Jones - Duke of York's Theatre, London
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Self and Lady, by Pierre Decourcelle - Columbia Theatre
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The Yellow Peril, by Edward Ferris and Paul Heriot - Vaudeville Theatre
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The Gay Lord Quex - Criterion Theatre
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San Toy, by Edward Morton - Daly's Theatre
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The Mikado - Metropolitan Opera House
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Sweet Anne Page, by Louis de Lange and Edgar Smith
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A Royal Family, by R. Marshall - Lyceum
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Zaza, by David Belasco - Garrick
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The Rogers Brothers in Central Park - Montauk Theatre
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The Cadet Girl, adapted by Harry B. Smith - Columbia Theatre
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L'Aiglon, adapted by Louis N. Parker - Knickerbocker
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The Sprightly Romance of Marsac, by Molly Elliot Seawell and William Young - Theatre Republic
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Richard Carvel, dramatized by Edward E. Rose - Empire
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The Great White Diamond - Star Theatre
|
|
|
Star and Garter, by John J. McNally - Victoria
|
|
|
In the Palace of the King, dramatized by Lorimer Stoddard - Theatre Republic
|
|
|
My Lady Dainty, by Madeline Lucette Ryley - Columbia Theatre
|
|
|
Hodge, Podge & Co. - Madison Square Theatre
|
|
|
Foxy Quiller, by De Koven and Smith - Broadway Theatre
|
|
|
A Royal Rogue, by Charles Klein - Broadway Theatre
|
|
|
Janice Meredith - Wallack's
|
|
|
David Garrick - Garden Theatre
|
|
|
Tom Pinch - Garden Theatre
|
|
|
All On Account of Eliza, by Leo. Ditrichstein - Amphion Theatre
|
|
|
Florodora, by Owen Hall - The Casino Theatre
|
|
|
Fiddle-dee-dee, by Edgar Smith - Weber and Fields'
|
|
|
Vienna Life - Broadway Theatre
|
|
|
The Burgomaster, by Frank Pixley - Manhattan Theatre
|
|
|
The Rebel, by Jas. B. Fagan - Grand Opera House
|
|
|
Program of the Alhambra, London
|
|
|
Program of the Orpheum, Brooklyn
|
|
|
Program of Koster and Bial's Music Hall
|
|
|
Program of Proctor's 23rd Street Theatre
|
|
|
Miss Prinnt, by George V. Hobart - Gayety Theatre
|
|
|
Captain Jinks of the Horse Marines, by Clyde Fitch - Garrick
|
|
|
Barbara Frietchie, by Clyde Fitch - Academy of Music
|
|
|
Lovers' Lane, by Clyde Fitch - Manhattan Theatre
|
|
|
Lady Huntworth's Experiment, by R.C. Carton - Daly's Theatre
|
|
|
The Climbers, by Clyde Fitch - Bijou
|
|
|
Reel
1
Frame
801
|
Volume 6, 1901-1902 (New York and Chicago Theatres)
|
|
|
The Husking Bee - Betts Academy , (1896)
|
|
|
Program, Benefit Performance - Auditorium Theatre, Chicago
|
|
|
Miss Hobbs - Dearborn Theatre, Chicago
|
|
|
The Masked Ball, adapted by Clyde Fitch - Dearborn Theatre
|
|
|
The Governor's Son, by George M. Cohan - Great Northern Theatre, Chicago
|
|
|
Miss Simplicity, by R.A. Barnet - Grand Opera House
|
|
|
Janice Meredith - Wallack's
|
|
|
Don Caesar's Return, by Victor Mapes - Wallacks
|
|
|
All On Account of Eliza, by Leo. Ditrichstein - Wallack's
|
|
|
A Gentleman of France, dramatized of Harriet Ford - Wallack's
|
|
|
The Messenger Boy, by James T. Tanner and Alfred Murray - Daly's
|
|
|
The King's Musketeer, adapted by Henry Hamilton - Daly's
|
|
|
To Have and To Hold, dramatized by E.F. Boddington - Knickerbocke
|
|
|
Rogers Brothers in Washington, by Harry B. Smith and Maurice Levi - Knickerbocker
|
|
|
Are You a Mason? adapted by Leo Ditrichstein - Garrick
|
|
|
Catherine, by Henri Lavedan - Garrick
|
|
|
Richard Lovelace, by Lawrence Irving - Garden Theatre
|
|
|
Alice of Old Vincennes, dramatized by Edward E. Rose - Garden
|
|
|
The Auctioneer, by Lee Arthur and Charles Klein - Bijou
|
|
|
The Widow Jones, by John J. McNally - Bijou
|
|
|
Dolly Varden, by Stanislaus Stange - Herald Square Theatre
|
|
|
Beaucaire, by Booth Tarkington and Evelyn Greenleaf Sutherland - Herald Square
|
|
|
As You Like It - Theatre Republic
|
|
|
Joan o' the Shoals, by Evelyn Greenleaf Sutherland - Theatre Republic
|
|
|
The Second Mrs. Tanqueray, by Arthur Wing Pinero - Theatre Republic
|
|
|
The Notorious Mrs. Ebbsmith, by Arthur Wing Pinero - Theatre Republic
|
|
|
King Charles I, by W.G. Wills - Harlem Opera House
|
|
|
D'Arcy of the Guards, by Louis Evan Shipman - Savoy Theatre
|
|
|
Lovers Lane, by Clyde Fitch - Manhattan Theatre
|
|
|
Under Two Flags, by Paul M. Potter - Academy of Music
|
|
|
The Little Duchess, by Reginald De Koven and Harry B. Smith - The Casino Theatre
|
|
|
Miss Simplicity, by R.A. Barnet - The Casino
|
|
|
Frocks and Frills, adapted by Sydney Grundy - Daly's
|
|
|
Notre Dame, by Paul M. Potter - Daly's
|
|
|
A Message From Mars, by Richard Ganthony - Garrick
|
|
|
Sky Farm, by Edward E. Kidder - Garrick
|
|
|
Garrett O'Magh, by Augustus Pitou - 14th Street Theatre
|
|
|
Up York State, by David Higgins and Georgia Waldron - 14th Street
|
|
|
Sweet and Twenty, by Basil Hood - Madison Square
|
|
|
The Liberty Belles, by Harry B. Smith - Madison Square
|
|
|
The Girl and the Judge, by Clyde Fitch - Lyceum
|
|
|
Under Southern Skies, by Lottie Blair Parker - Theatre Republic
|
|
|
The Widerness, by H.V. Esmond - Empire
|
|
|
The Twin Sister, by Ludwig Fulda - Empire
|
|
|
The Unwelcome Mrs. Hatch, by Mrs. Burton Harrison - Manhattan
|
|
|
A Bit of Old Chelsea, by Mrs. Oscar Beringer - Manhattan
|
|
|
Tess of the d'Urbervilles, adapted by Lorimer Stoddard - Manhattan
|
|
|
The Helmet of Navarre, adapted by Bertha Runkle and Lawrence Marston - Criterion
|
|
|
A Royal Rival, adapted by Gerald du Maurier - Criterion
|
|
|
The Second in Command, by Robert Marshall - Empire
|
|
|
Richard Carvel, by Edward E. Rose - Empire
|
|
|
Francesca da Rimini, by George H. Boker's - Victoria
|
|
|
Lady Margaret, adapted by Edward Rose - Bijou
|
|
|
Diplomacy, by Victorien Sardou - Empire
|
|
|
The Importance of Being Earnest - Empire
|
|
|
Maid Marian, by Harry B. Smith - Garden Theatre
|
|
|
A Runaway Girl, by Seymour Hicks and Harry Nichols - Fifth Avenue Theatre
|
|
|
The Toreador, by James T. Tanner and Harry Nicholls - Knickerbocker
|
|
|
San Toy, by Edward Morton - Daly's
|
|
|
Du Barry, by David Belasco - Criterion
|
|
|
The Hunchback, by James Sheridan Knowles - Garrick
|
|
|
A Modern Magdalen, adapted by Haddon Chambers - Bijou
|
|
|
Her Lord and Master, by Martha Morton - Manhattan
|
|
|
Life, by Anson Pond - Garden
|
|
|
The Great Lafayette Show - The Casino
|
|
|
The Lion's Bride - The Casino
|
|
|
Soldier's of Fortune, by Augustus Thomas - Savoy
|
|
|
The Diplomat, by Martha Morton - Madison Square
|
|
|
When Knighthood Was in Flower, by Paul Kester - Harlem Opera House
|
|
|
If I Were King, by Justin Huntly McCarthy - Harlem Opera House
|
|
|
A Gentleman of France, dramatized by Harriet Ford - Wallack's
|
|
|
The Last Appeal, by Leo Ditrichstein - Wallack's
|
|
|
The Sleeping Beauty and the Beast, by J. Hickory Wood and Arthur Collins - Broadway Theatre
|
|
|
Foxy Grandpa, by R. Melville Baker - 14th Street Theatre
|
|
|
Quo Vadis, dramatized by Stanislaus Stange - The New York
|
|
|
Hurly Burly, by Harry B. Smith and Edgar Smith - Weber and Field
|
|
|
Catherine, by Edgar and Harry B. Smith
|
|
|
The Hall of Fame, by Sydney Rosenfeld - The New York
|
|
|
Hoity Toity, by Edgar Smith - Weber and Fields'
|
|
|
Depleurisy, a travesty on Sardou's Diplomacy - Weber and Fields'
|
|
|
The Curl and the Judge, adapted from The Girl and the Judge, by Clyde Fitch - Weber and Fields'
|
|
|
The Rivals, by Richard Brinsley Sheridan - Harlem Opera House
|
|
|
Frou-Frou, adapted by Augustin Daly - Garrick
|
|
|
The Show Girl, by R.A. Barnet - Wallack's
|
|
|
King Dodo, by Frank Pixley - Daly's
|
|
|
Hearts Aflame, by Genevieve G. Haines - Garrick
|
|
|
Lady of Lyons, by Sir Edward Bulwer-Lytton - Garrick
|
|
|
A Doll's House, by Henrik Ibsen - Manhattan
|
|
|
Little Italy, by Horace B. Fry - Manhattan
|
|
|
Divorçons, by Victorien Sardou - Manhattan
|
|
|
Program of Hammerstein's Paradise Gardens
|
|
|
The Chaperons, by Frederic Ranken - The New York
|
|
|
A Chinese Honeymoon, by George Dance - Casino
|
|
|
The Defender, by Allen Lowe - Herald Square
|
|
|
Japan by Night - Madison Square Roof Garden
|
|
|
Because She Loved Him So - American Academy of Dramatic Arts, Carnegie Lyceum
|
|
|
The Mikado - Madison Square Roof Garden
|
|
|
The Wizard of Oz, by L. Frank Baum - Grand Opera House
|
|
|
The Storks, by Richard Carle and Guy F. Steely - Dearborn Theatre
|
|
|
Masonic Temple Theatre Program (Chicago)
|
|
|
Pickings from Puck, by Clarence Sinn - Great Northern Theatre
|
|
|
King Dodo, by Frank Pixley - The Studebaker?
|
|
|
Robert Emmet, by Brandon Tynan - 14th Street Theatre
|
|
|
Quincy Adams Sawyer and Mason's Corner Folks, by Justin Adams - Academy of Music
|
|
|
Show Girl, or The Cap of Fortune, by R.A. Barnet - Grand Opera
|
|
|
The New Clown, by H.M. Paull - Garrick
|
|
|
The Emerald Isle, by Arthur Sullivan, Edward German and Basil Hood - Herald Square
|
|
|
Mistress Nell, by George C. Hazelton, Jr. - Murray Hill Theatre
|
|
|
Soldiers of Fortune, by Augustus Thomas - Savoy
|
|
|
The Mummy and the Humming Bird, by Isaac Henderson - Empire
|
|
|
King High Ball, by Charles Horwitz - The New York
|
|
|
Captain Molly, by George C. Hazelton - Manhattan
|
|
|
Robin Hood, by Reginald DeKoven and Harry B. Smith - Academy of Music
|
|
|
Hearts Aflame, by Genevieve G. Haines - Bijou
|
|
|
Mrs. Jack, by Grace Livingston Furniss - Wallack's
|
|
|
David Harum, dramatized by R. and M.W. Hitchcock - Criterion
|
|
|
The Governor's Son, by George M. Cohan - Grand Opera
|
|
|
The Two Schools, by Alfred Capus - Madison Square
|
|
|
A Rose o' Plymouth-Town, by Beulah Marie Dix and Evelyn Greenleaf Sutherland - Manhattan
|
|
|
Iris, by A.W. Pinero - Criterion
|
|
|
Everyman - Mendelssohn Hall
|
|
|
First American Tour of Pietro Mascagni - Metropolitan Opera
|
|
|
Twirly Whirly, by Edgar Smith - Weber and Fields'
|
|
|
His Excellency the Governor, by R. Marshall - Garrick
|
|
|
The Joy of Living, by Hermann Sudermann - Garden
|
|
|
The Night of the Party, by Weedon Grossmith - Princess Theatre
|
|
|
The Ninety and Nine, by Ramsay Morris - Academy of Music
|
|
|
The Silver Slipper, by Owen Hall - Broadway
|
|
|
The Chaperons, by Frederick Ranken - Grand Opera
|
|
|
An American Invasion, by Madeline Lucette Ryley - Bijou
|
|
|
Sherlock Holmes, by William Gillette - Knickerbocker
|
|
|
A Country Mouse, by Arthur Law - Savoy
|
|
|
A Country Girl, by James T. Tanner - Daly's
|
|
|
The Sword of the King, by Ronald MacDonald - Wallack's
|
|
|
Imprudence, by H.V. Esmond - Empire
|
|
|
A Cigarette Maker's Romance, by Charles Hannan - Herald Square
|
|
|
Audrey, by Mary Johnson - Madison Square
|
|
|
The Chaperons - Folly Theatre
|
|
|
The Crisis, by Winston Churchill - Wallack's
|
|
|
The Cardinal, by Louis N. Parker - Garden
|
|
|
The Mocking Bird, by Sydney Rosenfeld - Bijou
|
|
|
Mary of Magdala, by Paul Heyse - Manhattan
|
|
|
The Stubbornness of Geraldine, by Clyde Fitch - Garrick
|
|
|
Fad and Folly, by Safford Waters and Rupert Hughes - Mrs. Osborn's Playhouse
|
|
|
The Darling of the Gods, by David Belasco and John Luther Long - Belasco Theatre
|
|
|
The Cavalier, dramatized by Paul Kester and George Middleton - Criterion
|
|
|
When Johnny Comes Marching Home, by Stanislaus Stange - The New York
|
|
|
The Paraders, by Raymand W. Peck - La Salle
|
|
|
The Storks, by Richard Carle and Guy F. Steely - Dearborn
|
|
|
The Billionaire, by Harry B. Smith and Gustave Kerker - Daly's
|
|
|
Heidelberg, or, When All the World is Young, adapted by Aubrey Boucicault - Princess
|
|
|
The Sultan of Sulu, by Alfred G. Wathall - Wallack's
|
|
|
Farewell Performances of Eleonora Duse in Francesca da Rimini - Metropolitan Opera
|
|
|
Twirly Whirly - Weber and Fields'
|
|
|
The Stickiness of Gelatine, a parody of The Stubbornness of Geraldine, by Clyde Fitch - Weber and Fields'
|
|
|
The Mocking Bird, by Sydney Rosenfeld - Amphion Theatre
|
|
|
The Unforeseen, by Robert Marshall - Empire
|
|
|
The Girl with the Green Eyes, by Clara Bloodgood - Savoy
|
|
|
Julius Caesar - Herald Square
|
|
|
Gretna Green, by Grace Livingston Furniss - Madison Square
|
|
|
The Cross-Ways, by Mrs. Langtry and J. Hartley Manners - Garrick
|
|
|
The Eternal City, by Hall Caine - Victoria
|
|
|
The Wizard of Oz, by L. Frank Baum - Majestic Theatre
|
|
|
Mr. Blue Beard, by J. Hickory Wood and Arthur Collins - Knickerbocker
|
|
|
Mr. Pickwick, book by Charles Klein - Herald Square
|
|
|
The Billionaire, by Harry B. Smith and Gustave Kerker - Daly's
|
|
|
The Little Princess, by Frances Hodgson Burnett
|
|
|
Ghosts, by Henrik Ibsen - Manhattan
|
|
|
The Consul, by Charles F. Nirdlinger - Princess
|
|
|
Mice and Men, by Madeleine Lucette Ryley - Garrick
|
|
|
If I Were King, by Justin Huntly McCarthy - Garden
|
|
|
Jim Bludso of the Prairie Belle, by I.N. Morris - 14th Street
|
|
|
The Bold Soger Boy, by Theo. Burt Sayre - 14th Street
|
|
|
The Bird in the Cage, by Clyde Fitch - Bijou
|
|
|
The Earl of Pawtucket, by Augustus Thomas - Madison Square
|
|
|
Lohengrin - Metropolitan Opera
|
|
|
Mme. Roger-Miclos Recital - Mendelssohn Hall
|
|
|
The Darling of the Gods, by David Belasco and John Luther Long - Belasco Theatre
|
|
|
Mr. Pickwick - Herald Square
|
|
|
The Frisky Mrs. Johnson, by Clyde Fitch - Princess
|
|
|
The Girl with the Green Eyes, by Clara Bloodgood - Savoy
|
|
|
The Sporting Duchess, by Augustus Harris, Cecil Raleigh, and Henry Hamilton - American
|
|
|
A Bunch of Keys, by Charles H. Hoyt - Murray Hill
|
|
|
Mr. Bluebeard, by J. Hickory Wood and Arthur Collins - Knickerbocker
|
|
|
Hearts are Trumps, by Cecil Raleigh and Arthur Collins - 5th Avenue Theatre
|
|
|
The Stranglers of Paris, by David Belasco - American
|
|
|
The Great Ruby, by Cecil Raleigh and Henry Hamilton - 5th Ave.
|
|
|
Mr. Walker's Ward, by Mark E. Swan - 5th Avenue
|
|
|
Dora, by Charles Reade - 5th Avenue
|
|
|
An Arabian Night, by Augustin Daly - 5th Avenue
|
|
|
The New Boy, by Arthur Law - 5th Avenue
|
|
|
Rome - Pain's
|
|
|
Captain Swift, by Haddon Chambers - 5th Avenue
|
|
|
The Nominee, by Leander Richardson and William Yardley - 5th Ave
|
|
|
Peaceful Valley, by Edward E. Kidder - 5th Avenue
|
|
|
Jeanne du Barry, by Lorraine Hollis - American
|
|
|
Lend Me Five Shillings, by John Madison Morton - Murray Hill
|
|
|
David Garrick, by T.W. Robertson - Murray Hill
|
|
|
Madame Sans Gene, by Victorien Sardou - American
|
|
|
Shenandoah, by Bronson Howard - American
|
|
|
A Man From Mexico, by H.A. Du Souchet - American
|
|
|
Reaping the Whirlwind, by Owen Davis - American
|
|
|
The City of New York, by Walter Fessler - American
|
|
|
At the White Horse Tavern, by Sydney Rosenfeld - 5th Avenue
|
|
|
The Royal Box, by Charles Coghlan - 5th Avenue
|
|
|
A Pair of Lunatics, by W.R. Walker - 5th Avenue
|
|
|
A Midnight Bell, by Charles H. Hoyt - 5th Avenue
|
|
|
The Gentle Mr. Bellew of France, by Clay M. Greene - 5th Ave.
|
|
|
A Trip to Chinatown, by Charles H. Hoyt - 5th Avenue
|
|
|
Locked Out at 3 A.M., by E.B. Harvier - 5th Avenue
|
|
|
The Still Alarm, by Joseph Arthur - 5th Avenue
|
|
|
Humbug, by Fred. Marsden - 5th Avenue
|
|
|
A Stag at Bay, by Margaret Townsend and Arturo Cuyas - 5th Ave.
|
|
|
Reel
2
Frame
1
|
Volume 7, 1901-1902
|
|
|
Fiddle-dee-dee, by Edgar Smith - Weber and Fields'
|
|
|
Under Two Flags, by Paul M. Potter - Garden
|
|
|
The Master-at-Arms, adapted by Miron L. Leffingwell - American
|
|
|
The Climbers, by Clyde Fitch - Bijou
|
|
|
Miss Prinnt, by George V. Hobart - Grand Opera
|
|
|
Richard Carvel, by Edward E. Rose - Star Theatre, Buffalo
|
|
|
The Mormon Wife, by Madeline Merli and Charles E. Blaney - Lyceum
|
|
|
The Viceroy, by Victor Herbert and Harry B. Smith - Star
|
|
|
Program from Shea's Garden Theatre
|
|
|
The Price of Peace, by Cecil Raleigh - Broadway
|
|
|
On the Quiet, by Augustus Thomas - Madison Square
|
|
|
San Toy, by Edward Morton - Daly's
|
|
|
The Casino Girl, by Harry B. Smith - Knickerbocker
|
|
|
In the Palace of the King, dramatized by Lorimer Stoddard - Theatre Republic
|
|
|
Program of The New York
|
|
|
The Giddy Throng, by Sydney Rosenfeld - The New York
|
|
|
Recital of Miss Frieda Stender - Mendelssohn Hall
|
|
|
Mistress Nell, by George C. Hazelton, Jr. - Wallack's
|
|
|
Lovers' Lane, by Clyde Fitch - Theatre Republic
|
|
|
When Knighthood Was in Flower, adapted by Paul Kester - Criterion
|
|
|
The Brixton Burglary, by Frederick W. Sidney - Herald Square
|
|
|
Diplomacy, by Victorien Sardou - Empire
|
|
|
Florodora, by Owen Hall - The Casino
|
|
|
The Strollers, by George W. Lederer - Knickerbocker
|
|
|
The Forest Lovers, dramatized by Clo Graves - Lyceum
|
|
|
Don Caesar's Return, by Victor Mapes - Wallack's
|
|
|
Tom Moore, by Theodore Burt Sayre - Herald Square
|
|
|
The Messenger Boy, by James T. Tanner and Alfred Murray - Daly's
|
|
|
Program of The New York
|
|
|
The Auctioneer, by Lee Arthur and Charles Klein - Bijou
|
|
|
Rogers Brothers in Washington, by John J. McNally - Knickerbocke
|
|
|
Under Southern Skies, by Lottie Blair Parker - Theatre Republic
|
|
|
The Sleeping Beauty and the Beast, by J. Hickory Wood and Arthur Collins - Broadway
|
|
|
The Girl and the Judge, by Clyde Fitch - Lyceum
|
|
|
Notre Dame, by Paul M. Potter - Daly's
|
|
|
The Colleen Bawn, or, The Bride of Garryowen, by Dion Boucicault - Murray Hill
|
|
|
Soldiers of Fortune, by Augustus Thomas - Savoy
|
|
|
King Dodo, by Frank Pixley - Daly's
|
|
|
The Chaperons, by Frederic Ranken - The New York
|
|
|
Show Girl, or, The Cap of Fortune, by R.A. Barnet - Wallack's
|
|
|
The Mummy and the Humming Bird, by Isaac Henderson - Empire
|
|
|
Aunt Jeannie, by E.F. Benson - Garden
|
|
|
The Rogers Brothers in Harvard, by John J. McNally - Knickerbocker
|
|
|
The Altar of Friendship, by Madeline Lucette Ryler - Broad Street Theatre
|
|
|
The Eternal City, by Hall Caine - Garrick
|
|
|
The Toreador, by Geo. Edwardes - Chestnut Street Theatre
|
|
|
The Two Orphans - Grand Opera House
|
|
|
Reel
2
Frame
125
|
Volume 8, 1901-1902 (with inscription “Dramatic Scrap-book. Volume V. Property of C.E. Hungerford, Watertown-New York”)
|
|
|
Reproduced photographs of Marie Derickson(?), Gladys, Thompson, Belle Harper, Frances Duff, Ethel Barrymore
|
|
|
Du Barry, by David Belasco - Criterion
|
|
|
The Little Duchess, by Reginald De Koven and Harry B. Smith - The Casino
|
|
|
Sweet and Twenty, by Basil Hood - Madison Square
|
|
|
Beaucaire, by Booth Tarkington and Evelyn Greenleaf Sutherland - Herald Square
|
|
|
In the Palace of the King, dramatized by Lorimer Stoddard - Newark Theatre
|
|
|
The Second in Command, by Robert Marshall - Empire
|
|
|
The Girl and the Judge, by Clyde Fitch - Lyceum
|
|
|
The Messenger Boy, by James T. Tanner and Alfred Murray - Daly's
|
|
|
The Way of the World, by Clyde Fitch
|
|
|
Captain Jinks of the Horse Marines, by Clyde Fitch - Montauk
|
|
|
A Message From Mars, by Richard Ganthony - Garrick
|
|
|
Hoity Toity, by Edgar Smith - Weber and Fields'
|
|
|
Rogers Brothers in Washington, by Harry B. Smith - Knickerbocker
|
|
|
The Auctioneer, by Lee Arthur and Charles Klein - Bijou
|
|
|
Il Trovatore, Castle Square Opera Co. - Broadway Theatre
|
|
|
The Strollers, by Geroge W. Lederer - Montauk
|
|
|
Up York State, by David Higgins and Georgia Waldron - 14th St.
|
|
|
The New Yorkers, by Glen McDonough - Grand Opera House
|
|
|
The Liberty Belles, by Harry B. Smith - Madison Square
|
|
|
On the Quiet, by Augustus Thomas - Montauk
|
|
|
The Toreador, by James T. Tanner and Harry Nicholls - Knickerbocker
|
|
|
The Christian, by Hall Caine - Academy of Music
|
|
|
Miss Simplicity, by R.A. Barnet - The Casino
|
|
|
Dolly Varden, by Stanislaus Stange - Herald Square
|
|
|
The Sleeping Beauty and the Beast - Broadway
|
|
|
Under Two Flags, by Paul M. Potter - Academy of Music
|
|
|
Foxy Grandpa, by R. Mellville Baker - 14th Street
|
|
|
The Diplomat, by Martha Morton - Madison Square
|
|
|
The Little Duchess, by Reginald De Koven and Harry B. Smith - Grand Opera House
|
|
|
The Importance of Being Earnest - Empire
|
|
|
A Modern Magdalen, adapted by Haddon Chambers - Bijou
|
|
|
Soldiers of Fortune, by Augustus Thomas - Savoy
|
|
|
The Wild Rose, by Harry B. Smith and Geo. V. Hobart - Knickerbocker
|
|
|
The Show Girl, by R.A. Barnet - Wallack's
|
|
|
Reel
2
Frame
261
|
Volume 9, 1902-1904
|
|
|
Iris, by A.W. Pinero - Criterion
|
|
|
The Cavalier, dramatized by Paul Kester and George Middleton - Criterion
|
|
|
The Cardinal, by Louis N. Parker - Garden
|
|
|
A Country Girl, by James T. Tanner - Daly's
|
|
|
When Johnny Comes Marching Home, by Stanislaus Stange - The New York
|
|
|
A Modern Magdalen, adapted by Haddon Chambers - Grand Opera
|
|
|
The Darling of the Gods - Belasco Theatre
|
|
|
Fad and Folly, by Safford Waters and Rupert Hughes - Mrs. Osborn's Playhouse
|
|
|
The Stubbornness of Geraldine, by Clyde Fitch - Garrick
|
|
|
Imprudence, by H.V. Esmond - Empire
|
|
|
The Girl with the Green Eyes, by Clara Bloodgood - Savoy
|
|
|
The Mocking Bird, by Sydney Rosenfeld - Bijou
|
|
|
Audrey, by Mary Johnson - Madison Square
|
|
|
Mary of Magdala, by Paul Heyse - Manhattan
|
|
|
The Ninety and Nine, by Ramsay Morris - Academy of Music
|
|
|
Twirly Whirly - Weber and Fields'
|
|
|
The Sultan of Sulu, by Alfred G. Wathall - Wallack's
|
|
|
When All the World Was Young, adapted by Aubrey Boucicault - Princess
|
|
|
Magda, Farewell Performance of Eleonora Duse - Metropolitan Oper
|
|
|
Gretna Green, by Grace Livingston Furniss - Madison Square
|
|
|
The Bird in the Cage, by Clyde Fitch - Bijou
|
|
|
Jim Bludso of the Prairie Belle, by I.N. Morris - 14th Street
|
|
|
The Little Princess, by Frances Hodgson Burnett - Criterion
|
|
|
The Prince of Pilsen, by Frank Pixley - Broadway
|
|
|
Twirly Whirly - Weber and Fields'
|
|
|
The Big Little Princess, by Edgar Smith - Weber and Fields'
|
|
|
The Earl of Pawtucket, by Augustus Thomas - Manhattan
|
|
|
A Message from Mars, by Richard Ganthony - Criterion
|
|
|
The Henrietta, by Bronson Howard - Grand Opera House
|
|
|
Mice and Men, by Madeleine Lucette Ryley - Garrick
|
|
|
The Taming of Helen, by Ricahrd Harding Davis - Savoy
|
|
|
Resurrection, by Henri Bataille and Michael Morton - Victoria
|
|
|
Princess Proud, by George Sanford Parsons
|
|
|
There & Back, by George Arliss - Princess
|
|
|
Skipper & Co., Wall Street, by H.J.W. Dam - Garrick
|
|
|
The Wizard of Oz - Majestic
|
|
|
The Runaways, by Addison Burkhardt - Casino
|
|
|
Running for Office, by George M. Cohan - Grand Opera
|
|
|
Checkers, by Henry M. Blossom, Jr. - American
|
|
|
Ulysses, by Stephen Phillips - Garden
|
|
|
The Jersey Lily, by George V. Hobart - Victoria
|
|
|
A Midsummer Night's Dream - New Amsterdam Theatre
|
|
|
A Clean Slate, by R. C. Carton - Madison Square
|
|
|
The Light that Failed, adapted by George Fleming - Knickerbocker
|
|
|
John Ermine of the Yellowstone, by Louis Evan Shipman - Manhattan
|
|
|
Under Cover, by Edward Harrigan - Murray Hill
|
|
|
Three Little Maids, by Paul Rubens - Garden
|
|
|
Raffles, the Amateur Cracksman, by E.W. Hornung and Eugene Presbrey - Princess
|
|
|
Her Own Way, by Clyde Fitch - New Amsterdam
|
|
|
Red Feather, by Charles Klein - Lyric Theatre
|
|
|
Cousin Kate, by Hubert Henry Davies - Hudson Theatre
|
|
|
Carrots, by Jules Renard - Hudson
|
|
|
The Frisky Mrs. Johnson, by Clyde Fitch - Grand Opera
|
|
|
Mam'sell Napoleon, adapted by Joseph W. Herbert - Knickerbocker
|
|
|
La Traviata - Metropolitan Opera
|
|
|
The Marriage of Kitty, adapted by Cosmo Gordon Lennox - Hudson
|
|
|
Winsome Winnie, by Frederick Ranken, Jakobowski and Paulton - Casino
|
|
|
The Pretty Sister of Jose, by Frances Hodgson Burnett - Empire
|
|
|
My Lady Molly, by G.H. Jessop - Daly's
|
|
|
The Office Boy, by Harry B. Smith - Grand Opera
|
|
|
The Taming of the Shrew, rearranged by Augustin Daly - Lyric
|
|
|
That Man and I, by Frances Hodgson Burnett - Savoy
|
|
|
Reel
2
Frame
427
|
Volume 10, 1903-1904
|
|
|
A Doll's House, by Henrik Ibsen - Garrick
|
|
|
Minnie Maddern Fiske - Reproductions
|
|
|
Blanche Bates - Reproductions
|
|
|
The Darling of the Gods - Belasco Theatre (Cast photos)
|
|
|
Dorothy Revell - Reproductions
|
|
|
George Arliss - Reproductions
|
|
|
The Fighting Hope, by William J. Hurlbut - Belasco
|
|
|
Maxine Elliott - Reproductions
|
|
|
The Altar of Friendship, by Madeleine Lucette Ryley - Powers' Theatre
|
|
|
Her Own Way, by Clyde Fitch - Illinois Theatre, Chicago
|
|
|
Nathaniel C. Goodwin - Reproductions
|
|
|
Charles Cherry - Reproductions
|
|
|
Margaret Anglin - Reproductions
|
|
|
The Winderness, by H.V. Esmond - Powers' Theatre
|
|
|
Charles Richman - Reproductions
|
|
|
The Unforeseen, by Robert Marshall - Empire
|
|
|
Henry Miller - Reproductions
|
|
|
The Taming of Helen, by Richard Harding Davis - Garrick
|
|
|
Zira, by J. Hartley Manners and Henry Miller - Garrick
|
|
|
Grace Elliston - Reproductions
|
|
|
Laura Hope Crews - Reproductions
|
|
|
Her Husband's Wife, by A.E. Thomas - Illinois Theatre, Chicago
|
|
|
Nance O'Neill- Reproductions
|
|
|
Magda - Benefit Matinee
|
|
|
The Little Princess, by Frances Hodgson Burnett - Powers'
|
|
|
Millie Tempest - Reproductions
|
|
|
Marie Tempest - Reproductions
|
|
|
The Marriage of Kitty, by Cosmo Gordon Lennox - Powers' New Theatre
|
|
|
Reel
2
Frame
564
|
Volume 11, 1903-1904
|
|
|
The Storks, by Richard Carle and Guy F. Steely - Majestic
|
|
|
Program from Keith's Theatre, Boston
|
|
|
Imprudence, by H.V. Esmond - Hollis St. Theatre
|
|
|
Hearts Adrift, by Langdon McCornick - Boston Music Hall
|
|
|
Oliver Twist, dramatized by C.E. Callahan - American
|
|
|
The Sleeping Beauty and the Beast - Colonial Theatre
|
|
|
Resurrection, by Henri Bataille and Michael Morton - Victoria
|
|
|
The Jewel of Asia, by Frederic Ranken and Harry B. Smith - Criterion
|
|
|
In Dahomey, book by J.A. Shipp - New York Theatre
|
|
|
Dangers of Paris - American
|
|
|
The Big Little Princess, by Edgar Smith - Weber and Fields'
|
|
|
The Bishop's Move, by John Oliver Hobbes and Murray Carson - Manhattan
|
|
|
Mr. Pickwick, by Charles Klein - Herald Square
|
|
|
Annual Benefit of the Actors' Home of America - Metropolitan Opera House
|
|
|
In the Palace of the King, dramatized by Lorimer Stoddard - American
|
|
|
The Billinoaire, by Harry B. Smith and Gustave Kerker - Daly's
|
|
|
The Wizard of Oz - Majestic
|
|
|
Blue Jeans, by Joseph Arthur - 5th Avenue Theatre
|
|
|
Cynthia, by Hubert Henry Davies - Madison Square
|
|
|
Nancy Brown, by George H. Broadhurst and Frederic Ranken - Bijou
|
|
|
The Prince of Pilsen, by Frank Pixley - Broadway
|
|
|
The Darling of the Gods - Belasco Theatre
|
|
|
Lost in the Desert, by Owen Davis - American
|
|
|
The Mocking Bird, by Sydney Rosenfeld - Hyperion Theatre
|
|
|
In Posterland - 14th Street
|
|
|
Pretty Peggy, by Frances Aymar Mathews - Herald Square
|
|
|
My Partner, by Bartley Campbell - American
|
|
|
The Taming of Helen, by Richard Harding Davis - Savoy
|
|
|
The Suburban, by C.T. Dazey - Academy of Music
|
|
|
Devil's Island, by Vera de Noye - American
|
|
|
Resurrection, by Henri Bataille and Michael Morton - Victoria
|
|
|
The Prince of Pilsen - Broadway
|
|
|
The Jewel of Asia, by Frederick Ranken and Harry B. Smith - Daly's
|
|
|
The Sultan of Sulu, by Alfred G. Wathall - Wallack's
|
|
|
The Christian, by Hall Caine - American
|
|
|
The Henrietta, by Bronson Howard - Grand Opera House
|
|
|
More Than Queen, by Charles Frederic Nirdlinger and Charles Henry Meltzer - American
|
|
|
Pretty Peggy - Herald Square
|
|
|
Farewell Matinee by Mme. Roger-Miclos, with Ben Davies - Mendelssohn Hall
|
|
|
On the Stroke of Twelve, by Joseph LeBrandt - Third Avenue Family Theatre
|
|
|
Little Lord Fauntleroy, by Frances Hodgson Burnett - Casino
|
|
|
A Social Highwayman, dramatized by Marie Stone - 5th Ave.
|
|
|
A Fool and His Money, by George H. Broadhurst - Madison Square
|
|
|
The Starbucks, by Opie Read - Daly's
|
|
|
Barbara Freitchie, by Clyde Fitch - American
|
|
|
The Cherry Pickers, by Joseph Arthur - 5th Avenue
|
|
|
My Lady Peggy Goes to Town, by Frances Aymar Mathews - Daly's
|
|
|
Running for Office, by George M. Cohan - 14th Street
|
|
|
The Auctioneer - Victoria
|
|
|
The Runaways, by Addison Burkhardt
|
|
|
Who is Brown? by Frank Wyatt - 5th Avenue
|
|
|
A Desperate Chance, by Theodore Kremer - New Star Theatre
|
|
|
Skipper & Co., Wall Street, by H.J.W. Dam - Garrick
|
|
|
A Fool and His Money - Madison Square
|
|
|
The Vinegar Buyer, by Herbert Hall Winslow - Savoy
|
|
|
Facing the Music, by James Henry Darnley - Garrick
|
|
|
John Henry, by George V. Hobart and Edward E. Rose - Herald Square
|
|
|
Romeo and Juliet - Knickerbocker
|
|
|
The Blonde in Black, by H.B. Smith - Knickerbocker
|
|
|
The Darling of the Gallery Gods, by George V. Hobart - Crystal Gardens
|
|
|
The Dress Parade, by George V. Hobart - Crystal Gardens
|
|
|
Program of Paradise Roof Garden
|
|
|
The Sultan of Sulu - Manhattan Beach Theatre
|
|
|
The Runaways, by Addison Burkhardt - Casino
|
|
|
A Son of Rest, by George Weston - 14th Street
|
|
|
A Princess of Kensington, by Basil Hood - Broadway
|
|
|
Personal, by Eugene Presbrey - Bijou
|
|
|
The Evil Men Do, by Theodore Kremer - American
|
|
|
Three Little Maids, by Paul Rubens - Daly's
|
|
|
Mrs. Deering's Divorce, by Percy Fendall - Savoy
|
|
|
Peggy From Paris, by George Ade - Wallack's
|
|
|
Drink, by Charles Reade - Academy of Music
|
|
|
Hedda Gabler, by Henrik Ibsen - Manhattan
|
|
|
Hearts Courageous, by Ramsay Morris and Franklyn Fyles - Broadway
|
|
|
Old Heidelberg, by Wilhelm Meyer-Forster - Lyric
|
|
|
Marta of the Lowlands, by Wallace Gillpatrick and Guido Marburg Manhattan
|
|
|
Whoop-dee-doo, by Edgar Smith - Weber and Fields'
|
|
|
Babes in Toyland, by Glen MacDonough and Victor Herbert - Majestic
|
|
|
Under Cover, by Edward Harrigan - Murray Hill
|
|
|
Checkers, by Henry M. Blossom, Jr. - American
|
|
|
Arrah-na-Pogue, by Dion Boucicault - 14th Street
|
|
|
The Best of Friends, by Cecil Raleigh - Academy of Music
|
|
|
The Proud Prince, by Justin Huntly McCarthy - Herald Square
|
|
|
Her Own Way, by Clyde Fitch - Garrick
|
|
|
Winsome Winnie, by Jakobowski and Paulton - Casino
|
|
|
A Girl from Dixie, by H.B. Smith - Madison Square
|
|
|
The Sacrament of Judas, by Louis Tiercelin - Princess
|
|
|
Raffles, the Amateur Cracksman - Princess
|
|
|
Mother Goose, by J. Hickroy Wood and Arthur Collins - New Amsterdam
|
|
|
Sweet Kitty Bellairs, by David Belasco - Belasco Theatre
|
|
|
The Pretty Sister of Jose, by Frances Hodgson Burnett - Empire
|
|
|
Our New Minister, by Denman Thompson and George W. Ryer - American
|
|
|
Je ne Sais Quoi, by Francis de Croisset - Vaudeville Theatre
|
|
|
The Stammerer, by dr Ferandy - Vaudeville
|
|
|
Captain Barrington, by Victor Mapes - Manhattan
|
|
|
The Marriage of Kitty, by Cosmo Gordon Lennox - Hudson
|
|
|
The Girl from Kay's, by Owne Hall - Herald Square
|
|
|
Red Feather, by Charles Klein - Lyric
|
|
|
Tosca - Metropolitan Opera
|
|
|
Aida - Metropolitan Opera
|
|
|
Terence, dramatized by Mrs. Edmund Nash Morgan - New York Theatre
|
|
|
Mam'selle Napoleon, by Jean Richepin, adapted by Joseph W. Herbert - Knickerbocker
|
|
|
My Lady Molly, by G.H. Jessop - Daly's
|
|
|
The Virginian, dramatized by Owen Wister and Kirke la Shelle - Manhattan
|
|
|
Glad of It, by Clyde Fitch - Savoy
|
|
|
The Other Girl, by Augustus Thomas - Criterion
|
|
|
Program from the Victoria Theatre
|
|
|
By Right of Sword, dramatized by Mrs. Doremus, Leonidas Westervelt, and Arthur W. Marchmont - American
|
|
|
The Taming of the Shrew, rearranged by Augustin Daly - Lyric
|
|
|
Sergeant Kitty, by R.H. Burnside - Daly's
|
|
|
Sherlock Holmes, by A. Conan Doyle and William Gillette - Grand Opera
|
|
|
Merely Mary Ann, adapted by Israel Zangwill - Garden
|
|
|
Olympe, by Pierre Decourcelle - Knickerbocker
|
|
|
The Younger Mrs. Parling, by C. Haddon Chambers - Garrick
|
|
|
The Light that Lies in Woman's Eyes, by E.H. Sothern - Criterion
|
|
|
An English Daisy, by Seymour Hicks and Walter Slaughter - Casino
|
|
|
If Women Were Men, by Will C. Murphey - New Star Theatre
|
|
|
An Irish Gentleman, by Ramsey Morris - 14th Street
|
|
|
The Medal and the Maid, by Owen Hall - Broadway
|
|
|
The Office Boy, by Harry B. Smith - Amphion
|
|
|
The Triumph of Love, by Martha Morton Conheim - Criterion
|
|
|
The Admirable Crichton, by J.M. Barrie - New Lyceum Theatre
|
|
|
The Tenderfoot, by Richard Carle - New York Theatre
|
|
|
Mice and Men, by Madeleine Lucette Ryley - Garrick
|
|
|
The Virginian, by Owen Wister - Manhattan
|
|
|
Ranson's Folly, by Richard Harding Davis - Hudson
|
|
|
Ivan the Terrible, by Alexis Tolstoi - New Amsterdam
|
|
|
Merely Mary Ann, by Israel Zangwill - Criterion
|
|
|
Out of the Fold, by Langdon McCormick - American
|
|
|
As You Like It - Daly's
|
|
|
The Girl From Kay's, by Owen Hall - Herald Square
|
|
|
The County Chairman, by George Ade - Wallack's
|
|
|
Beau Brummel, by Clyde Fitch - New Amsterdam
|
|
|
The Secret of Polichinelle, by Pierre Wolff - Garden
|
|
|
Dr. Jekyll and Mr. Hyde - New Amsterdam
|
|
|
A Midnight Marriage, by Hal Reid - American
|
|
|
Love's Pilgrimage, by Horace B. Fry - Wallack's
|
|
|
The Two Orphans, by Adolf d'Ennery and Eugene Cormon - New Amsterdam
|
|
|
The Shepherd King, by Arnold Reeves and Wright Lorimer - Knickerbocker
|
|
|
The Girl with the Green Eyes, by Clyde Fitch - Grand Opera
|
|
|
The Dictator, by Richard Harding Davis - Criterion
|
|
|
The Pit, by Channing Pollock - Lyric
|
|
|
Wang, by J. Cheever Goodwin - Lyric
|
|
|
The Yankee Consul, by Henry M. Blossom, Jr. - Broadway
|
|
|
Camille, by Alexandre Duman - Hudson
|
|
|
The Man From China, by Paul West - Majestic
|
|
|
Piff! Paff!! Pouf!!!, by Stanislaus Stange - Casino
|
|
|
Two Little Sailor Boys, by Walter Howard - Academy of Music
|
|
|
A Venetian Romance, by Cornelia Osgood Tyler - Knickerbocker
|
|
|
Tit for Tat, adapted by Leo Ditrichstein - Savoy
|
|
|
Adrea, by David Belasco and John Luther Long - Belasco Theatre
|
|
|
Mr. Wix of Wickham, by Herbert Darnley - Bijou
|
|
|
Isle of Spice, by Allen Lowe and Geo. E. Stoddard - Majestic
|
|
|
The Fatal Wedding, by Theodore Kremer - 58th Street Theatre
|
|
|
A Madcap Princess - Knickerbocker
|
|
|
The Southerners, by Will Mercer and Richard Grant - New York
|
|
|
The Maid and the Mummy, by Richard Carle - New York
|
|
|
More to be Pitied than Scorned, by Charles E. Blaney - 58th St.
|
|
|
Her Heart's Idol, by Julian Loraine - 58th Street
|
|
|
Girls will be Girls, by R. Melville Baker and Joseph Hart - 14th Street
|
|
|
The White Tigress of Japan, by Charles A. Taylor - American
|
|
|
Higgledy-Piggledy, by Edgar Smith - Weber Music Hall
|
|
|
The Harvester, by Charles M. Skinner - Lyric
|
|
|
The Duke of Killicrankie, by Robert Marshall - Empire
|
|
|
Granny, by Clyde Fitch - New Lyceum
|
|
|
The Sorceress, by Victorien Sardou - New Amsterdam
|
|
|
Love's Lottery, by Stanislaus Stange - Broadway
|
|
|
Mrs. Wiggs of the Cabbage Patch, dramatized by Anne Crawford Flexner - Savoy
|
|
|
The College Widow, by George Ade - Garden
|
|
|
The School Girl, by Paul M. Potter and Henry Hamilton - Daly's
|
|
|
The Coronet of the Duchess, by Clyde Fitch - Garrick
|
|
|
The Street Singer, by Hal Reid - American
|
|
|
Taps, by Franz Adam Beyerlein - Lyric
|
|
|
Letty, by Arthur W. Pinero - Hudson
|
|
|
Fires of St. John, by Sudermann - Daly's
|
|
|
Magda, by Sudermann - Daly's
|
|
|
Woodland, by Frank Pixley - New York
|
|
|
Parsifal, by Richar Wagner - New York
|
|
|
Humpty Dumpty, by J. Hickory Wood and Arthur Collins - New Amsterdam
|
|
|
Monna Vanna, by Maurice Maeterlinck
|
|
|
Glittering Gloria, by Hugh Morton - Daly's
|
|
|
La Gioconda - Metropolitan Opera
|
|
|
Judith of Bethulia, by Thomas Bailey Aldrich - Daly's
|
|
|
Siberia, by Bartley Campbell - Academy of Music
|
|
|
His Last Dollar, by David Higgins and Baldwin G. Cooke - America
|
|
|
The Sho-Gun, George Ade - Wallack's
|
|
|
Mrs. Black is Back, by George V. Hobart - Bijou
|
|
|
Leah Kleschna, by C.M.S. McLellan - Manhattan
|
|
|
The Winter's Tale - Knickerbocker
|
|
|
Little Johnny Jones - New York Theatre
|
|
|
Fantana, by Sam S. Shubert and Robert B. Smith - Lyric
|
|
|
Friquet, by Pierre Berton and Gyp - Savoy
|
|
|
You Never Can Tell, by Bernard Shaw - Garrick
|
|
|
The Woman in the Case, by Clyde Fitch - Herald Square
|
|
|
The Music Master, by Charles Klein - Bijou
|
|
|
The Millionaire Detective, by Charles E. Blaney and Howard Hall American
|
|
|
The Pearl and the Pumpkin, by Paul West and W.W. Denslow - Broadway
|
|
|
The Prince Chap, by Edward People - Joe Weber's Theatre
|
|
|
King Lear, Edwin Booth's edition - Garden
|
|
|
Queen of the White Slaves, by Arthur J. Lamb - American
|
|
|
York State Folks, by Arthur Sidman - Majestic
|
|
|
The Ham Tree, by George V. Hobart - New York
|
|
|
The White Cat, by J. Hickory Wood and Arthur Collins - New Amsterdam
|
|
|
The Girl I Left Behind Me, by Belasco and Fyles - Castle Square Theatre
|
|
|
The Belle of Avenue A, by Harry Williams and Aaron Hoffman - Alvin Theatre
|
|
|
Happyland, by Reginald DeKoven and Frederic Ranken - Lyric
|
|
|
Reel
2
Frame
806
|
Volume 12, 1903-1904
|
|
|
Masonic Temple Theatre Program, Chicago
|
|
|
Grace Cameron - Reproductions
|
|
|
When Johnny Comes Marching Home, by Stanislaus Stange - McVicker Theatre, Chicago
|
|
|
May Robson - Reproductions
|
|
|
Jerome Sykes - Obituary
|
|
|
The Billionaire - Daly's
|
|
|
Nellie Follis - Reproductions
|
|
|
Marie Doro - Reproductions
|
|
|
Benefit for the Chicago Tribune Free Ice Fund, Powers' Theatre, Program
|
|
|
Katherine Gray - Reproductions
|
|
|
Babes in Toyland - Grand Opera House
|
|
|
A Chinese Honeymoon - Casino
|
|
|
A Chinese Honeymoon - Illinois Theatre
|
|
|
When Johnny Comes Marching Home
|
|
|
Katherine Grey - Reproductions
|
|
|
Cecilia Loftus - Reproductions
|
|
|
Nancy Brown, by George H. Broadhurst and Frederic Ranken - Garri
|
|
|
Marie Cahill - Reproductions
|
|
|
Mother Goose - New Amsterdan
|
|
|
Edith St. Clair - Reproductions
|
|
|
Babette, by Harry B. Smith - Illinois Theatre
|
|
|
Fritzi Scheff - Reproductions
|
|
|
Mlle. Modiste, by Henry Blossom - Illinois Theatre
|
|
|
The Office Boy, by Harry B. Smith - Illinois Theatre
|
|
|
Frank Daniels - Reproductions
|
|
|
The Sho-Gun, by George Ade - The Studebaker, Chicago
|
|
|
The Silver Slipper, by Owen Hall - McVicker's Theatre, Chicago
|
|
|
Reel
2
Frame
920
|
Volume 13, 1903-1904
|
|
|
The Prince of Pilsen, by Frank Pixley
|
|
|
Florodora, by Owen Hall
|
|
|
Ben-Hur, arranged by William Young
|
|
|
The Tenderfoot, by Richard Carle
|
|
|
Gideons Minstrel Carnival
|
|
|
Along the Mohawk, by Nelson Lewis
|
|
|
Buried at Sea
|
|
|
Iris
|
|
|
A Country Girl
|
|
|
The Vinegar Buyer, by Herbert Hall Winslow
|
|
|
A Bunch of Keys
|
|
|
Alexander the Great, by Rupert Hughes and Collin Kemper
|
|
|
Ghosts, by Henrik Ibsen
|
|
|
The New Dominion
|
|
|
Program of the Suzanne Adams Company
|
|
|
Soldiers of Fortune, by Augustus Thomas
|
|
|
The Bonnie Brier Bush, dramatized by James MacArthur
|
|
|
James Henry Stoddart - obituary
|
|
|
D'Arcy of the Guards, by Louis Evan Shipman
|
|
|
Herrmann - Program
|
|
|
Mrs. Wiggs of the Cabbage Patch
|
|
|
Taming of the Shrew
|
|
|
The Merchant of Venice
|
|
|
Mr. Jolly of Joliet
|
|
|
Quincy Adams Sawyer, dramatized by Justin Adams
|
|
|
Richard III
|
|
|
Haverly's Mastodon Minstrels - Playbill
|
|
|
Under Two Flags, by Paul M. Potter
|
|
|
Tim Murphy - Playbill
|
|
|
At Valley Force, by William L. Roberts
|
|
|
Southern Enchantment, by Billy McClain
|
|
|
The Sultan of Sulu, by George Ade
|
|
|
A Trip to Chinatown
|
|
|
Resurrection, by Leo Tolstoi
|
|
|
Pickings From Puck
|
|
|
We Are King
|
|
|
Hamlet
|
|
|
The Convict's Daughter
|
|
|
Ottokar Malek - Concert Program
|
|
|
The Punkin Husker
|
|
|
The Silver Slipper
|
|
|
Mrs. Deering's Divorce, by Percy Fendall
|
|
|
The Degenerates, by Sydney Grundy
|
|
|
The Cavalier, dramatized by Paul Kester and George Middleton
|
|
|
The Isle of Spice, by Allen Lowe and Geo. E. Stoddard
|
|
|
Alphonse and Gaston, by Allen Lowe
|
|
|
Harriet's Honeymoon, by Leo Ditrichstein
|
|
|
Peck's Bad Boy
|
|
|
A Gilden Fool, by Henry Guy Carleton
|
|
|
Concert by Madam Lillian Blauvelt
|
|
|
Are You a Mason? adapted by Leo Ditrichstein
|
|
|
Twelfth Night
|
|
|
The Eternal City, by Hall Caine
|
|
|
Ole Olson
|
|
|
The Whitewashing of Julia
|
|
|
Weary Willie Walker
|
|
|
Parsifal, in concert form - New York Symphony Orchestra
|
|
|
Mice and Men
|
|
|
A Girl From Dixie, by Harry B. Smith
|
|
|
The Office Boy, by Harry B. Smith
|
|
|
By Right of Sword, by Mrs. Charles Doremus Leonidas Westervelt and A. W. Marchmont
|
|
|
The Tenderfoot, by Richard Carle
|
|
|
The County Chairman, by George Ade
|
|
|
Bird Center, by Glen MacDonough
|
|
|
David Garrick's Love
|
|
|
Stetsons Uncle Tom's Cabin
|
|
|
Woodland, by Frank Pixley
|
|
|
We Are King
|
|
|
A Chinese Honeymoon, by George Dance
|
|
|
Human Hearts`
|
|
|
Resurrection, by Henry Bataille and Michael Morton
|
|
|
McFadden's Row of Flats
|
|
|
The Rivals, by Richard Brimsley Sheridan
|
|
|
Babes in Toyland
|
|
|
Two Men and a Girl, by Frederick Paulding
|
|
|
When a Man [sic] Marries
|
|
|
In Dahomey, by J. A. Shipp
|
|
|
The Forbidden Land
|
|
|
Weather Beaten Benson
|
|
|
Lew Dockstader and His Minstrel Company
|
|
|
Glittering Gloria, by Hugh Morton
|
|
|
Twelfth Night
|
|
|
San Toy, by Edward Morton
|
|
|
A Box of Monkeys
|
|
|
Jerry Burke
|
|
|
The Missing Mrs. Pettijohn, by Alice Yates Grant
|
|
|
The Runaways, by Addison Burkhardt
|
|
|
Don Caesar de Bazan, by G. A. A'Beckett and Mark Lemon
|
|
|
Othello
|
|
|
The March of Time, by Cosmo Gordon Lenox
|
|
|
A Country Mouse, by Arthur Law
|
|
|
A Message From Mars, by Richard Ganthony
|
|
|
Candida, by George Bernard Shaw
|
|
|
Cousin Kate, by Herbert Henry Davies
|
|
|
Peggy From Paris, by George Ade
|
|
|
Davy Crockett, by Frank Mayo
|
|
|
An American Woman
|
|
|
Sergeant Kitty, by R. H. Burnside
|
|
|
The Earl of Pawtucket, by Augustus Thomas
|
|
|
Sherlock Holmes, by William Gillette
|
|
|
The Girl From Kay's, by Owen Hall
|
|
|
The Maid and the Mummy, by Richard Carle
|
|
|
Red Feather, by Reginald DeKoven and Charles Emerson Cook
|
|
|
Mother Goose
|
|
|
The Silver Slipper
|
|
|
MacBeth
|
|
|
The Evolution of Minstrelsy - Al. G. Field's Greater Minstrels
|
|
|
Yankee Counsul
|
|
|
Opera Festival Program - English Grand Opera Company
|
|
|
Mistress Nell, by George C. Hazelton
|
|
|
The Virginian, by Owen Wister and Kirke la Shelle
|
|
|
Mrs. Wiggs of the Cabbage Patch
|
|
|
His Highness the Bey
|
|
|
The Woman in the Case, by Clyde Fitch
|
|
|
Mrs. Temple's Telegram, by Frank Wyatt
|
|
|
The County Chairman
|
|
|
The Tenderfoot
|
|
|
The Illusion of Beatrice, by Martha Morton
|
|
|
The Forbidden Land, by Guy F. Steely
|
|
|
A Corner in Coffee, dramatized by Owen Davis
|
|
|
David Garrick, by T.W. Robertson
|
|
|
Uncle Ben, or, My Lady Help
|
|
|
Richard III, adapted by Colly Cibber
|
|
|
Richelieu, by Sir Edward Bulwer-Lytton
|
|
|
Othello
|
|
|
Hamlet
|
|
|
David Garrick
|
|
|
The Sho-Gun, by George Ade
|
|
|
The Pit, adapted by Channing Pollock
|
|
|
Trilby, dramatized by Paul M. Potter
|
|
|
The Heir to the Hoorah
|
|
|
Cousin Billy, by Clyde Fitch
|
|
|
The Little Father of the Wilderness, by Austin Strong and Lloyd Osbourne
|
|
|
Ann La Mont, by Paul Armstrong
|
|
|
The Eternal City
|
|
|
Land of Nod
|
|
|
The Rollicking Girl
|
|
|
The American Lord, by Charles T. Dazey and George H. Broadhurst
|
|
|
Devil's Auction, by Charles H. Yale
|
|
|
When Knighthood was in Flower, dramatized by Paul Kester
|
|
|
The Marriage of Kitty, adapted by Cosmo Gordon Lennox
|
|
|
Strongheart, by William C. DeMille
|
|
|
Parsifal
|
|
|
Captain Debonnaire
|
|
|
The Wizard of Oz
|
|
|
The Old Homestead, by Denman Thompson
|
|
|
Dorcas, by Harry and Edward Paulton
|
|
|
The Virginian, by Owen Wister and Kirke la Shelle
|
|
|
The Lily and the Prince, by Carina Jordan
|
|
|
The Sleeping Beauty and the Beast
|
|
|
Rip van Winkle
|
|
|
A Message From Mars
|
|
|
The Gingerbread Man, by Frederic Ranken
|
|
|
La Boheme
|
|
|
Faust, adapted by Charles Gounod
|
|
|
The Valkyrie, by Richard Wagner
|
|
|
The Rivals, by Richard Brinsley Sheridan
|
|
|
The Lion and the Mouse, by Charles Klein
|
|
|
David Garrick, by T.W. Robertson
|
|
|
The Man Who Was, dramatized by Kinsey Piele
|
|
|
The Professor's Love Story, by J.M.B.
|
|
|
The Middleman, by Henry Arthur Jones
|
|
|
Big Jubilee Minstrels
|
|
|
Candida
|
|
|
Little Johnny Jones, by George M. Cohan
|
|
|
Mary, Mary, Quite Contrary, adapted by Eugene W. Presbrey
|
|
|
Lew Dockstader and his Great Minstrel Company
|
|
|
Concert by Kubelik
|
|
|
The Genius, by William C. and Cecil deMille
|
|
|
The Free Lance, by Harry B. Smith
|
|
|
On the Quiet, by Augustus Thomas
|
|
|
The Magic Melody
|
|
|
The Wizard of Oz
|
|
|
Coming Thro' the Rye, by George V. Hobart
|
|
|
The Umpire, by Will M. Hough and Frank R. Adams
|
|
|
The Man on the Box, dramatized by Grace Livingston Furniss
|
|
|
The Man From Now, by John Kendrick Bangs and Vincent Bryan
|
|
|
Old Innocence, by Richard Kingsley
|
|
|
Checkers
|
|
|
The District Leader, by Joseph E. Howard
|
|
|
Wonderland, by Victor Herbert and Glen MacDonough
|
|
|
The Toast of the Town, by Clyde Fitch
|
|
|
The Maid and the Mummy, by Richard Carle
|
|
|
Peer Gynt, by Henrik Ibsen
|
|
|
Beau Brummel
|
|
|
The Straight Road, by Clyde Fitch
|
|
|
Lew Dockstader and his Minstrel Company
|
|
|
Julius Caesar
|
|
|
The College Widow, by George Ade
|
|
|
The Mountain Climber, by C. Kraatz and M. Neal
|
|
|
The Squaw Man, by Edwin Milton Royle
|
|
|
The County Chairman, by George Ade
|
|
|
The Ham Tree, by George V. Hobart
|
|
|
In the Bishop's Carriage, dramatized by Channing Pollock
|
|
|
Red Feather
|
|
|
Primrose All-Star Minstrels
|
|
|
Painting the Town, by Herman Perlet
|
|
|
She Stoops to Conquer, or, The Mistakes of a Night, by Oliver Goldsmith
|
|
|
The Gingerbread Man, by Frederic Ranken
|
|
|
MacBeth
|
|
|
The Little Joker, by Herbert Hall Winslow
|
|
|
The Virginian
|
|
|
Dorothy Vernon of Haddon Hall, by Charles Major
|
|
|
The Lilac Room, by Evelyn Greenleaf Sutherland and Beulah Marie Dix
|
|
|
The Prince of India, dramatized by J.I.C. Clarke
|
|
|
The Royal Chef
|
|
|
The Clansman, by Thomas Dixon, Jr.
|
|
|
Sergeant Kitty, by R.H. Burnside
|
|
|
Sapho, by Clyde Fitch
|
|
|
Isle of Spice, by Allen Lowe and George E. Stoddard
|
|
|
Madam Butterfly
|
|
|
Program of Boyd Theatre School of Acting
|
|
|
Mrs. Warren's Profession, by George Bernard Show
|
|
|
The Lion and the Mouse
|
|
|
Alice-Sit-by-the-Fire, by J.M. Barrie
|
|
|
The Duel, by Henri Lavedan
|
|
|
The Mikado
|
|
|
Bohemian Girl, by Balfe
|
|
|
Said Pasha, by Richard Stahl
|
|
|
Fra Diavolo, by Auber
|
|
|
Mascot, by Audran
|
|
|
Captain Jinks, by Clyde Fitch
|
|
|
The Strength of the Weak, by Alice M. Smith and Charlotte Thompson
|
|
|
Kerry Gow
|
|
|
Mlle. Fi Fi
|
|
|
The Crisis, by Winston Churchill
|
|
|
The Eternal City
|
|
|
The Sambo Girl, by Harry B. Smith
|
|
|
The Mayor of Tokio, by Richard Carle
|
|
|
Edmund Burke, by Theodore Bury Sayre
|
|
|
The Little Gray Lady, by Channing Pollock
|
|
|
Reel
3
Frame
1
|
Volume 14, 1902-1912
|
|
|
Because She Loved Him So, adapted by William Gillette - American Academy of Dramatic Arts, Carnegie Lyceum
|
|
|
Sweet Lavender, by Arthur W. Pinero - American Academy of Dramatic Arts
|
|
|
The Wife, by David Belasco and Henry C. De Mille - American Academy of Dramatic Arts
|
|
|
Thorn Against Thorn, by Samuel Emery - American Academy of Dramatic Arts
|
|
|
Byegones, by Edythe R. Schmitt and Alison M. Lederer - American Academy of Dramatic Arts
|
|
|
A Desperate Chance, by Margaret Cameron - American Academy of Dramatic Arts
|
|
|
Margaret Harstein, by Estella Johnstone - American Academy of Dramatic Arts
|
|
|
A Young Scapegrace, from the French by Elizabeth C. Bunner - American Academy of Dramatic Arts
|
|
|
The Golden Book, by Anna Hempstead Branch - American Academy
|
|
|
Cherry Blossoms, by Van Tassel Sutphen - American Academy
|
|
|
The Serious Family, by Morris Barnett - American Academy
|
|
|
The Girl I Left Behind Me - Academy Stock Company
|
|
|
A Game of Hearts, by Channing Pollock - Asbury Park Opera House
|
|
|
Captain Charlie, by Theodore Burt Sayre
|
|
|
The Earl and the Girl Company
|
|
|
The Banker's Daughter, by Bronson Howard - Hopkins Grand Opera House
|
|
|
Miss Innocence, by Harry B. Smith - Chestnut Street Opera House
|
|
|
The Pink Lady, adapted by Georges Berr and Marcel Guillemaud - Forrest Theatre
|
|
|
A Yankee Circus on Mars, arranged by Frederic Thompson - New York Hippodrome
|
|
|
Zira, by J. Hartley Manners and Henry Miller - Princess
|
|
|
The Marriage of William Ashe, dramatized by Margaret Mayo - Garrick
|
|
|
Farewell to Monte Cristo, by James O'Neill - West End Theatre
|
|
|
Wonderland, by Victor Herbert and Glen MacDonough - Majestic
|
|
|
The Squaw Man, by Edwin Milton Royle - Wallack's
|
|
|
Twiddle-Twaddle, by Edgar Smith - Joe Weber's Music Hall
|
|
|
Forty-Five Minutes from Broadway, by George M. Cohan - New Amsterdam
|
|
|
The Gingerbread Man, by Frederic Ranken - Liberty Theatre
|
|
|
As Ye Sow, by Rev. John Snyder - Garden
|
|
|
The Toast of the Town, by Clyde Fitch - Colonial Theatre
|
|
|
Man and Superman, by Bernard Shaw - Hudson Theatre
|
|
|
The Education of Mr. Pipp, by Augustus Thomas - Liberty
|
|
|
The Rogers Brothers in Ireland, by John J. McNally - New York
|
|
|
Bedford's Hope, by Lincoln J. Carter - 14th Street
|
|
|
The Clansman, by Thomas Dixon, Jr. - Liberty
|
|
|
Before and After, by Leo Ditrichstein - Manhattan
|
|
|
Mexicana, by Clara Driscoll and Robert B. Smith - Lyric
|
|
|
Julie Bonbon, by Clara Lipman- Fields Theatre
|
|
|
The Prisoner of Zenda, dramatized by Edward E. Rose - Proctor's 5th Avenue Theatre
|
|
|
The Redskin, by Donald MacLaren - Liberty
|
|
|
If I Were King, by Justin Huntley McCarthy - Proctor's
|
|
|
Farewell Appearance by Henry De Vries - Proctor's
|
|
|
The Vanderbilt Cup, by Sydney Rosenfeld - Broadway
|
|
|
The Galloper, by Richard Harding Davis - Teller's Broadway Theatre
|
|
|
George Washington, Jr., by George M. Cohan - Herald Square
|
|
|
The District Leader, by Joseph E. Howard - Wallack's
|
|
|
Mr. Hopkinson, by R.C. Carton - Fields
|
|
|
His Honor the Mayor, by C.J. Campbell and R.M. Skinner - Wallack
|
|
|
The Embarrassment of Riches, by Louis Kaufman Anspacher - Wallack's
|
|
|
The Man From Now, by John Kendrick Bangs and Vincent Bryan - New Amsterdam
|
|
|
The Kreutzer Sonata, adapted by Langdon Mitchell - Lyric
|
|
|
The Little Stranger, by Michael Morton - Hackett Theatre
|
|
|
The Duchess of Dantzic, by Henry Hamilton - Daly's
|
|
|
The Lion and the Mouse, by Charles Klein - Lyceum
|
|
|
Peter Pan, by J.M. Barrie - Empire
|
|
|
Mrs. Leffingwell's Boots, by Augustus Thomas - New Lyceum
|
|
|
The Girl of the Golden West, by David Belasco - Belasco Theatre
|
|
|
Mlle. Modiste, by Victor Herbert and Henry Blossom - Knickerbocker
|
|
|
The Dancing Girl, by Henry Arthur Jones - Chicago Opera House
|
|
|
The Hypocrites, by Henry Arthur Jones - Hudson
|
|
|
The Rollicking Girl, by Sydney Rosenfeld - Herald Square
|
|
|
Brewster's Millions, dramatized by Winchell Smith and Byron Ongley - Hudson
|
|
|
Fritz in Tammany Hall, by John J. McNally - Herald Square
|
|
|
Sergeant Brue, by Owen Hall - Knickerbocker
|
|
|
Cousin Billy, by Clyde Fitch - Criterion
|
|
|
The Chorus Lady, by James Forbes - Hackett
|
|
|
The Mollusc, by Hubert Henry Davies - Garrick
|
|
|
Mrs. Peckham's Carouse, by George Ade - Garrick
|
|
|
Les Trois Mouquetaires, by Paul Cazeneuve - Theatre National Français
|
|
|
Strongheart, by William C. De Mille - Powers
|
|
|
A Blot in the `Scutcheon, by Robert Browning - Park Theatre
|
|
|
Molly Moonshine, by Edward Milton Royle and George V. Hobart - Tremont Theatre
|
|
|
Cymbeline, by Shakespeare - Broad Street Theatre
|
|
|
The New York Idea, by Langdon Mitchell - Majestic
|
|
|
The Grand Mogul, by Frank Pixley - Colonial
|
|
|
The Parisian Model, by Harry B. Smith - Illinois
|
|
|
The Road to Yesterday, by B.M. Dix and E.G. Sutherland - Garrick
|
|
|
Mama's Papa, adapted by Jos. Hart - Hyde and Behman's Theatre
|
|
|
Pioneer Days, by Carroll Fleming - New York Hippodrome
|
|
|
Neptune's Daughter, by Manuel Klein and Edward P. Temple
|
|
|
The Comet, by Owen Johnson - Bijou
|
|
|
Miss Hook of Holland, by Paul A. Rubens and Austen Hurgon - Criterion
|
|
|
The Yankee Prince, by George M. Cohan - Knickerbocker
|
|
|
The Jesters, translated by John Raphael - Empire
|
|
|
Her Sister, by Clyde Fitch and Cosmo Gordon Lennox - Hudson
|
|
|
The Hoyden, translated by Cosmo Hamilton - Knickerbocker
|
|
|
The Great Divide, by William Vaughn Moody - Daly's
|
|
|
The Prima Donna, by Henry Blossom and Victor Herbert - Knickerbocker
|
|
|
Hip! Hip! Hooray! by Edgar Smith - Webers
|
|
|
The Warrens of Virginia, by William C. De Mille - Belasco
|
|
|
The Dancer and the King, by Charles E. Blaney and J. Searle Dawley - West End
|
|
|
The Top o' th' World, by Mark E. Swan - Majestic
|
|
|
Virginius, by Sheridan Knowles - West End
|
|
|
Mefistofele, by Arrigo Boito - Metropolitan Opera
|
|
|
The Thief, by Henri Bernstein - Lyceum
|
|
|
The Christian Pilgrim, adapted by James MacArthur - Liberty
|
|
|
The Gay White Way, by Sydney Rosenfeld - Casino
|
|
|
The Daughters of Men, by Charles Klein - Chestnut Street
|
|
|
A Knight for a Day, by Robert B. Smith - Wallack's
|
|
|
The Talk of New York, by George M. Cohan - Knickerbocker
|
|
|
Polly of the Circus, by Margaret Mayo - Liberty
|
|
|
Rigoletto - Metropolitan Opera
|
|
|
Haensel und Gretel - Metropolitan Opera
|
|
|
Pagliacci - Metropolitan Opera
|
|
|
The Rejuvenation of Aunt Mary, by Anne Warner - Madison Square
|
|
|
The Girl Behind the Counter, by Leedham Bantock and Arthur Anderson - Herald Square
|
|
|
Rosmersholm, by Henrick Ibsen - Lyric
|
|
|
The Witching Hour, by Augustus Thomas - Hackett
|
|
|
A House of a Thousand Candles, by George Middleton - Daly's
|
|
|
Funabashi, by Irvin S. Cobb - Casino
|
|
|
A Waltz Dream, by Felix Doermann and Leopold Jacobson - Broadway
|
|
|
The Servant in the House, by Charles Rann Kennedy - Savoy
|
|
|
The Honor of the Family, by Emile Fabre - Hudson
|
|
|
Our American Cousin, by Tom Taylor - Lyric
|
|
|
Hamlet, Prince of Denmark - Lyric
|
|
|
Bandanna Land, by J.A. Shipp and Alex. Rogers - Majestic
|
|
|
Nearly a Hero, by H.B. Smith - Casino
|
|
|
The Soul Kiss, by Harry B. Smith - New York
|
|
|
The-Merry-Go-Round, by Edgar Smith - New Circle
|
|
|
Don Quixote, dramatized by Paul Kester - Lyric
|
|
|
Three Twins, by Charles Dickson - Herald Square
|
|
|
Mary's Lamb, by Richard Carle - New York
|
|
|
Ziegfeld Follies of 1908 - Jardin of Paris
|
|
|
The Mimic World, by Edgar Smith - Casino
|
|
|
Classmates, by William C. DeMille and Margaret Turnbull - Hudson
|
|
|
The Girl Question, by Hough and Adams - Wallack's
|
|
|
The Merry Widow - New Amsterdam
|
|
|
The Easiest Way, by Eugene Walter - Stuyvesant Theatre
|
|
|
The Wolf, by Eugene Walter - Lyric
|
|
|
Lady Frederick, by W. Somerset Maugham - Hudson
|
|
|
Paid in Full, by Eugene Walter - Astor
|
|
|
The Golden Butterfly, by Harry B. Smith - Broadway
|
|
|
Going Some, by Paul Armstrong and Rex Beach - Belasco
|
|
|
The Third Degree, by Charles Klein - Hudson
|
|
|
The Morals of Marcus, by W.J. Locke - Criterion
|
|
|
Mr. Hamlet of Broadway, by Edgar Smith - Casino
|
|
|
The Pied Piper, by Austin Strong and R.H. Burnside - Majestic
|
|
|
Havana, by George Grossmith and Graham Hill - Casino
|
|
|
The Return of Eve, by Lee Wilson Dodd - Herald Square
|
|
|
The Girl from Rector's, by Paul M. Potter - Weber's
|
|
|
A Stubborn Cinderella, by Hough and Adams - Broadway
|
|
|
The Queen of the Moulin Rouge, by Paul M. Potter - Circle
|
|
|
The House Next Door, by J. Hartley Manners - Gaiety
|
|
|
A Woman's Way, by Thompson Buchanan - Hackett
|
|
|
King Richard III - Academy of Music
|
|
|
The Spring Maid, by Harry B. and Robert B. Smith - Liberty
|
|
|
The Jolly Bachelors, by Glen MacDonough - Broadway
|
|
|
The Chocolate Soldier, by Stanislaus Stange - Casino
|
|
|
Program of the New Theatre, New York
|
|
|
The Hen Pecks, by Glen MacDonough - Broadway
|
|
|
La Saison des Ballets Russes (The Russian Ballets) Cleopatra, Les Sylphides, Sheherazade - Winter Garden
|
|
|
Around the World, by Carroll Fleming - New York Hippodrome
|
|
|
The Arab, by Edgar Selwyn - Lyceum
|
|
|
Passers-by, by C. Haddon Chambers - Criterion
|
|
|
Everywoman, by Walter Browne - Herald Square
|
|
|
The Boss, by Edward Sheldon - Astor
|
|
|
I'll Be Hanged if I Do, by Edgar Selwyn and William Collier - William Collier's Comedy Theatre
|
|
|
Over Night, by Philip H. Bartholomae - Hackett
|
|
|
The Red Rose, by Lee Harrison - Globe
|
|
|
Snobs, by George Bronson-Howard - Hudson
|
|
|
The Concert, by Herman Bahr - Belasco
|
|
|
Baby Mine, by Margaret Mayo - Daly's
|
|
|
Madame Sherry, by Otto Hauerbach - New Amsterdam
|
|
|
The Bachelor Belles, by Harry B. Smith - Globe
|
|
|
The Foolish Virgin, by Henri Bataille - Knickerbocker
|
|
|
The Country Boy, by Edgar Selwyn - Liberty
|
|
|
Ziegfeld Follies of 1910 - Colonial
|
|
|
The Gamblers, by Charles Klein - Maxine Elliott's Theatre
|
|
|
The Woman, by William C. De Mille - Republic
|
|
|
The Summer Widowers, by Glen MacDonough - Broadway
|
|
|
Dante's Inferno - Gane's Manhattan Theatre
|
|
|
Kismet, by Edward Knoblauch - Garrick
|
|
|
The Hope, by Cecil Raleign and Henry Hamilton - Theatre Royal Drury Lane
|
|
|
The Scala - Program
|
|
|
Les Transatlantiques, by Abel Hermant and Franc-Nohain
|
|
|
Kismet - Knickerbocker
|
|
|
The Bird of Paradise, by Richard Walton Tully - Maxine Elliott's
|
|
|
Little Boy Blue, by Rudolph Schanzer and Carl Lindau - Lyric
|
|
|
Monsieur Beaucaire, by Booth Tarkington and E.G. Sutherland - Daly's
|
|
|
Over the River, by George V. Hobart and H.A. DuSouchet - Globe
|
|
|
The Durbar in Kinemacolor
|
|
|
The Man From Cook's, by Henry Blossom - New Amsterdam
|
|
|
45 Minutes from Broadway, by George M. Cohan - George M. Cohan's Theatre
|
|
|
Whirl of Society, by Harrison Rhodes and Harold Attridge - The Winter Garden
|
|
|
The Greyhound, by Paul Armstrong and Wilson Mizner - Astor
|
|
|
Oliver Twist, adapted by J. Comyns Carr - Empire
|
|
|
The Typhoon, by Emil Nyitray and Bryon Ongley - Hudson
|
|
|
Bunty Pulls the Strings, by Graham Moffat - William Collier's
|
|
|
Disraeli, by Louis N. Parker - Wallack's
|
|
|
The Garden of Allah, dramatized by Hichens - The Century
|
|
|
The Quaker Girl, by James T. Tanner - Park
|
|
|
A Butterfly on the Wheel, by Edward G. Hemmerde and Francis Neilson - 39th Street Theatre
|
|
|
The Rainbow, by A.E. Thomas - Liberty
|
|
|
Officer 666, by Augustin MacHugh - Gaiety
|
|
|
The City, by Clyde Fitch - Lyric
|
|
|
Seven Days, by Mary Roberts Rinehart and Avery Hopwood - Chestnut Street Opera House
|
|
|
The Fortune Hunter, by Winchell Smith - Garrick
|
|
|
The Man From Home, by Booth Tarkington and Harry Leon Wilson - Adelphi
|
|
|
A Fool There Was, by Porter Emerson Browne - Forrest
|
|
|
Madame X, by Alexandre Bisson - Lyric
|
|
|
Mlle. Mischief, by Kraatz and Von Sterk, adapted by Sydney Rosenfeld - Lyric
|
|
|
Alias Jimmy Valentine, by Paul Armstrong - Adelphi
|
|
|
What Every Woman Knows, by J.M. Barrie - Broad Street
|
|
|
Reel
3
Frame
257
|
Volume 15, 1904-1905
|
|
|
Trelawny of the Wells, by Arthur Wing Pinero - Murray Hill
|
|
|
The Virginian, by Owen Wister - Manhattan
|
|
|
A Chinese Honeymoon, by George Dance - Grand Opera House
|
|
|
When We Were Twenty-One, by H.V. Esmond - Murray Hill
|
|
|
Terence, dramatized by Mrs. Edmund Nash Morgan - New York
|
|
|
Sweet Kitty Bellairs, by David Belasco - Belasco Theatre
|
|
|
The Girl From Kay's, by Owen Hall - Herald Square
|
|
|
Incog, by Mrs. Romualdo Pacheco - Murray Hill
|
|
|
All on Account of Eliza, by Leo Ditrichstein - Murray Hill
|
|
|
The Charity Ball, by David Belasco and Henry C. De Mille - Murray Hill
|
|
|
The Man of Destiny, by George Bernard Shaw - Vaudeville Theatre
|
|
|
Concert by Sousa and His Band - Metropolitan Opera
|
|
|
Christopher, Junior, by Madeleine Lucette Ryley - Murray Hill
|
|
|
The Cowboy and the Lady, by Clyde Fitch - Murray Hill
|
|
|
The Maister of Woodbarrow, by Jerome K. Jerome - Murray Hill
|
|
|
The Secret of Polichinelle, by Pierre Wolff - Garden
|
|
|
Merely Mary Ann, by Israel Zangwill - Garrick
|
|
|
Camille, by Alexandre Dumas - Hudson
|
|
|
The Two Orphans, by Adolf d'ennery and Eugene Cormon - New Amsterdam
|
|
|
The County Chairman, by George Ade - Wallack's
|
|
|
The Serio-Comic Governess, by Israel Zangwill - New Lyceum
|
|
|
Mrs. Wiggs of the Cabbage Patch - Savoy
|
|
|
Mr. Wix of Wickham, by Herbert Darnley - Bijou
|
|
|
Candida, by Bernard Shaw - Berkeley Lyceum
|
|
|
The Coronet of the Duchess, by Clyde Fitch - Garrick
|
|
|
Taps, by Franz Adam Beyerlein - Lyric
|
|
|
The Duke of Killicrankie, by Robert Marshall - Empire
|
|
|
Lew Dockstader and His Great Minstrel Company - Herald Square
|
|
|
The Altar of Friendship, by Madeline Lucette Ryley - Proctor's
|
|
|
The Sho-Gun, by George Ade - Wallack's
|
|
|
Joseph Entangled, by Henry Arthur Jones - Garrick
|
|
|
The College Widow, by George Ade - Garden
|
|
|
Romeo and Juliet - Knickerbocker
|
|
|
Becky Sharp, by Langdon Mitchell - Manhattan
|
|
|
Little Johnny Jones, by George M. Cohan - Liberty
|
|
|
Mrs. Black is Back, by George V. Hobart - Bijou
|
|
|
The Sorceress, by Victorien Sardou - New Amsterdam
|
|
|
Granny, by Clyde Fitch - New Lyceum
|
|
|
Love's Lottery, by Stanislaus Stange - Broadway
|
|
|
Zaza, by Pierre Berton and Ch. Simon - Lyric
|
|
|
The Yankee Consul, by Henry M. Blossom, Jr. - Grand Opera
|
|
|
It Happened in Nordland, by Glen MacDonough - Lew Fields' Theatre
|
|
|
The Usurper, by I.N. Morris - Knickerbocker
|
|
|
The Fortunes of the King, by Mrs. Charles A. Doreums and Leonidas Westervelt - Lyric
|
|
|
Humpty Dumpty - New Amsterdam
|
|
|
Leah Kleschna, by C.M.S. McLellan - Manhattan
|
|
|
The Serio-Comic Governess, by Israel Zangwill - Harlem Opera
|
|
|
Home Folks, by C.T. Dazey - New York
|
|
|
Merely Mary Ann - New Amsterdam
|
|
|
Sunday, by Thomas Raceward - Hudson
|
|
|
A Madcap Princess - Grand Opera
|
|
|
Common Sense Bracket, by Charles W. Doty - 14th Street
|
|
|
Vaudeville Program of the Circle Theatre
|
|
|
The Winter's Tale - Knickerbocker
|
|
|
Friquet, by Pierre Berton and “Gyp,” - Savoy
|
|
|
The Middleman, by Henry Arthur Jones - Knickerbocker
|
|
|
Strongheart, by William C. DeMille - Hudson
|
|
|
At the Threshold, by Jackson D. Haag - Berkeley Lyceum
|
|
|
Strolling Players, by Arthur Hornblow - Berkeley Lyceum
|
|
|
Richter's Wife, by Julie Herne - Manhattan
|
|
|
Cousin Billy, by Clyde Fitch - Criterion
|
|
|
Love and the Man, by H.V. Esmond - Knickerbocker
|
|
|
The Lady Shore, by Mrs. Vance Thompson and Lena R. Smith - Hudson
|
|
|
London Assurance, by Dion L. Boucicault - Knickerbocker
|
|
|
The Woman in the Case, by Clyde Fitch - Herald Square
|
|
|
Sherlock Holmes, by William Gillette - Empire
|
|
|
She Stoops to Conquet, by Oliver Goldsmith - New Amsterdam
|
|
|
Adrea, by David Belasco and John Luther Long - Belasco
|
|
|
Mrs. Leffingwell's Boots, by Augustus Thomas - New Lyceum
|
|
|
The School for Husbands, by Stanislaus Stange - Wallack's
|
|
|
The Education of Mr. Pipp, by Augustus Thomas - Liberty
|
|
|
The Harvester, by Charles M. Skinner - Harlem Opera
|
|
|
Program of the New York Hippodrome
|
|
|
Sergeant Brue, by Owen Hall - Knickerbocker
|
|
|
The Heir to the Hoorah, by Paul Armstrong - Hudson
|
|
|
Reel
3
Frame
428
|
Volume 16, 1905-1906
|
|
|
The College Widow - Garden
|
|
|
Trilby, by William A. Brady - New Amsterdam
|
|
|
The Merchant of Venice - American
|
|
|
The Prodigal Son, by Hall Caine - New Amsterdam
|
|
|
Fantana, by Sam S. Shubert and Robert S. Smith - Lyric
|
|
|
Her Great Match, by Clyde Fitch - Criterion
|
|
|
The Music Master, by Charles Klein - Bijou
|
|
|
Du Barry - Belasco Theatre
|
|
|
The Taming of the Shrew - Knickerbocker
|
|
|
The Squaw Man, by Edwin Milton Boyle - Wallack's
|
|
|
Man and Superman, by Bernard Shaw - Hudson
|
|
|
David Garrick, by Charles J. Bell - Madison Square
|
|
|
The Man on the Box, dramatized by Grace Livingston Furniss - Madison Square
|
|
|
Oliver Twist, arranged by J. Comyns Carr - Proctor's
|
|
|
The Lion and the Mouse, by Charles Klein - Lyceum
|
|
|
The Prince Chap, by Edward Peple - Joe Weber's Theatre
|
|
|
Mary, Mary, Quite Contrary, adapted from Sardou's play, Les Pattes de Mouche - Garrick
|
|
|
Mrs. Temple's Telegram, by Frank Wyatt - The Shubert-Park
|
|
|
The Mayor of Tokio, by Richard Carle - New York
|
|
|
Before and After, by Leo Ditrichstein - Manhattan
|
|
|
The Marriage of William Ashe, dramatized by Margaret Mayo - Garrick
|
|
|
The Girl of the Golden West, by David Belasco - Belasco
|
|
|
Phedre, by Racine, with Sarah Bernhardt - Lyric
|
|
|
The Gingerbread Man, by Frederic Ranken - Liberty
|
|
|
The Redemption of David Corson, by Lottie Blair Parker - Majesti
|
|
|
A Case of Arson, by H. Heyermans - Madison Square
|
|
|
The Braisley Diamond, by Tremayne and Hall - Madison Square
|
|
|
Peter Pan - Empire
|
|
|
Veronique, by A. Vanloo and G. Duval - Broadway
|
|
|
The Walls of Jericho, by Alfred Sutro - Savoy
|
|
|
Before and After, by Leo Ditrichstein - Manhattan
|
|
|
Shenandoah - Yorkville Theatre
|
|
|
Lucky Miss Dean, by Sidney Bowkett - Madison Square
|
|
|
The Galloper, by Richard Harding Davis - Garden
|
|
|
The Vanderbilt Cup, by Sydney Rosenfeld - Broadway
|
|
|
For Love's Sweet Sake, by Clay M. Greene - Princess
|
|
|
The Bishop, by John Oliver Hobbes and Murray Carson - Princess
|
|
|
Buster Brown - American
|
|
|
The Triangle, by Rupert Hughes - Manhattan
|
|
|
The Title Mart, by Winston Churchill - Madison Square
|
|
|
Mme. Yvette Guilbert - French songs, Lyceum Theatre
|
|
|
Reel
3
Frame
511
|
Volume 17, 1905-1906
|
|
|
When Knighthood Was in Flower, by Charles Major, dramatized by Paul Kester - Majestic
|
|
|
Alice and the Eight Princesses, by Glen MacDonough - Grand Opera
|
|
|
Land of Nod, by Frank R. Adams and Will M. Hough - Chicago Opera-House
|
|
|
Her Great Match, by Clyde Fitch - Criterion
|
|
|
Strongheart, by William C. DeMille - Teller's Broadway Theatre
|
|
|
The Walls of Jericho, by Alfred Sutro - Savoy
|
|
|
The Rollicking Girl, by Sydney Rosenfeld - New Montauk Theatre
|
|
|
The Merchant of Venice - Knickerbocker
|
|
|
Little Johnny Jones - Teller's Broadway Theatre
|
|
|
Miss Dolly Dollars, by Victor Herbert and Harry B. Smith - New Montauk
|
|
|
Raffles, the Amateur Cracksman, by E.W. Hornung and Eugene Presbrey - Teller's Broadway Theatre
|
|
|
The Belle of Avenue A, by Harry Williams and Aaron Hoffman - Majestic
|
|
|
Mary, Mary, Quite Contrary - Garrick
|
|
|
Zira, by J. Hartley Manners and Henry Miller - Princess
|
|
|
Mrs. Leffingwell's Boots, by Augustus Thomas - Teller's Broadway
|
|
|
The Vanderbilt Cup, by Sydney Rosenfeld - Broadway
|
|
|
Man and Superman, by Bernard Shaw - Hudson
|
|
|
Peter Pan - Empire
|
|
|
Alice Sit-by-the-Fire, by J.M. Barrie - Criterion
|
|
|
The Duel, by Henri Lavedan - Hudson
|
|
|
The Girl of the Golden West - Belasco
|
|
|
Mlle. Modiste - Knickerbocker
|
|
|
Don Pasquale - Metropolitan Opera
|
|
|
I Pagliacci - Metropolitan Opera
|
|
|
The Sho-Gun, by George Ade - Teller's Broadway
|
|
|
A Society Circus, by Frederic Thompson - New York Hippodrome
|
|
|
The Squaw Man - Wallack's
|
|
|
It Happened in Nordland, by Glen MacDonough - Teller's Broadway
|
|
|
Leah Kleschna - Academy of Music
|
|
|
Candida - Proctor's
|
|
|
Benefit for the New York Home for Destitute Crippled Children - Broadway Theatre
|
|
|
Brown of Harvard, by Rida Johnson Young - Princess
|
|
|
Pierre of the Plains, adapted by Edgar Selwyn - Hudson
|
|
|
The Lion and the Mouse, by Charles Klein - Lyceum
|
|
|
Program from Proctor's 23rd Street Theatre
|
|
|
Brown of Harvard - Princess
|
|
|
Benefit Performance in Aid of the Relief Fund of the San Francisco Sufferers - Metropolitan Opera
|
|
|
Portraits of various actors and actresses
|
|
|
Clarice, by William Gillette - Garrick
|
|
|
Twiddle-Twaddle, by Edgar Smith - Teller's
|
|
|
The Squaw Man's Girl of the Golden West - Teller's
|
|
|
Reel
3
Frame
686
|
Volume 18, 1906-1907
|
|
|
Alice Sit-by-the-Fire - Criterion
|
|
|
Pantaloon, by J.M. Barrie - Criterion
|
|
|
Mexicana, by Clara Driscoll and Robert B. Smith - Lyric
|
|
|
Abyssinia, by J.A. Shipp and Alex. Rogers - Majestic
|
|
|
Behind the Mask, by Edmund Day - Academy of Music
|
|
|
Bedford's Hope, by Lincoln J. Carter - American
|
|
|
The Clansman, by Thomas Dixon, Jr.
|
|
|
Program for an East Indian Matinee, with Ruth St. Denis - Hudson
|
|
|
George Washington, Jr., by George M. Cohan - Herald Square
|
|
|
Gallops, by David Gray - Garrick
|
|
|
It's All Your Fault, by Edgar Selwyn - Savoy
|
|
|
What the Butler Saw, by Edward A. Parry and Fredk. Mouillot - Garrick
|
|
|
Mr. Hopkinson, by R.C. Carton - Fields
|
|
|
The Lightning Conductor, by Harry B. Smith - New National Theatre
|
|
|
Mlle. Modiste - Knickerbocker
|
|
|
Arms and the Man, by Bernard Shaw - Lyric
|
|
|
Brown of Harvard, by Rida Johnson Young - Princess
|
|
|
Program of the Victoria
|
|
|
The Strength of the Weak, by Alice M. Smith and Charlotte Thompson - Liberty
|
|
|
Zira, by J. Hartley Manners and Henry Miller - Majestic
|
|
|
Vaudeville Program of the Colonial Theatre
|
|
|
Cousin Louisa, by Frederick Paulding - Daly's
|
|
|
Program from a John Philip Sousa Concert - New York Hippodrome
|
|
|
His Honor the Mayor, by C.E. Campbell and R.M. Skinner - New York
|
|
|
His House in Order, by Arthur W. Pinero - Empire
|
|
|
Program of the United States Marine Band - New York Hippodrome
|
|
|
Paolo and Francesca, by Stephen Phillips - New Amsterdam
|
|
|
Travelogues at the Lyceum Theatre
|
|
|
The Love Letter, by Victorien Sardou - Lyric
|
|
|
The Shulamite, by Claude Askew and Edward Knoblauch - Lyric
|
|
|
The Girl Raffled, by Charles E. Blaney - 14th Street
|
|
|
Nurse Marjorie, by Israel Zangwill - Liberty
|
|
|
The Love Route, by J.C. Huffman - Lincoln Square Theatre
|
|
|
The Rich Mr. Hoggenheimer, by Harry B. Smith - Wallack's
|
|
|
La Traviata - Metropolitan Opera
|
|
|
Mamselle Sallie, by Robert B. Smith - Grand Opera
|
|
|
Othello - Academy of Music
|
|
|
Caesar and Cleopatra, by G. Bernard Shaw - New Amsterdam
|
|
|
The Light Eternal, by Martin V. Merle - Majestic
|
|
|
The Rose of the Rancho, by David Belasco and Richard Walton Tully - Belasco
|
|
|
Mrs. Dane's Defense, by Henry Arthur Jones
|
|
|
Clothes, by Avery Hopwood and Channing Pollock - Manhattan
|
|
|
The Law and the Man, adapted from Victor Hugo's Les Miserables - Manhattan
|
|
|
Hedda Gabler, by Henrik Ibsen - Princess
|
|
|
The Three of Us, by Rachel Crothers - Madison Square
|
|
|
The Great Divide, by William Vaughn Moody - Princess
|
|
|
Elisir d'Amore, by Donizetti - Manhattan Opera House
|
|
|
The Hypocrites, by Henry Arthur Jones - Hudson
|
|
|
The New York Idea, by Langdon Mitchell - Lyric
|
|
|
The Parisian Model, by Harry B. Smith - Broadway
|
|
|
The Girl Who Has Everything, by Clyde Fitch - Liberty
|
|
|
John the Baptist, by Herman Sudermann - Lyric
|
|
|
Il Trovatore - Manhattan Opera House
|
|
|
The Aero Club, by Sydney Rosenfeld - Criterion
|
|
|
Jeanne d'Arc, by Percy Mackaye - Lyric
|
|
|
The Truth, by Clyde Fitch - Lyceum
|
|
|
Fantana, by Sam S. Shubert and Robert B. Smith - Yorkville
|
|
|
The Straight Road, by Clyde Fitch - Astor
|
|
|
Program of the Victoria
|
|
|
The Sunken Bell, by Gerhart Hauptmann - Lyric
|
|
|
The Chorus Lady, by James Forbes - Hackett
|
|
|
Aida - Manhattan Opera House
|
|
|
Lucia di Lammermoor - Manhattan Opera House
|
|
|
Brewster's Millions, dramatized by Winchell Smith and Byron Ongley - New Amsterdam
|
|
|
Reel
3
Frame
823
|
Volume 19, 1907
|
|
|
The Chorus Lady, by James Forbes - Savoy
|
|
|
The Little Cherub, by Owen Hall - Criterion
|
|
|
The Great Divide, by William Vaughn Moody - Princess
|
|
|
About Town, by Joseph Herbert - Lew Fields' Herald Square Theatre
|
|
|
When We Were Twenty-One, by H.V. Esmond - Goodwin Matinees
|
|
|
Popularity, by George M. Cohan - Wallack's
|
|
|
The Measure of a Man, by Cora Maynard
|
|
|
The Hypocrites, by Henry Arthur Jones - Hudson
|
|
|
Caesar and Cleopatra, by G. Bernard Shaw - New Amsterdam
|
|
|
Alice Sit-by-the-Fire, by J.M. Barrie - New Montauk
|
|
|
The Hypocrites - Hudson
|
|
|
Forty-Five Minutes From Broadway, by George M. Cohan - New York
|
|
|
Cymbeline, by Shakespeare - Astor
|
|
|
Mrs. Dane's Defense, by Henry Arthur Jones - Lyric
|
|
|
The Chorus Lady - Hackett
|
|
|
Brown of Harvard - Shubert
|
|
|
The Red Mill, by Henry Blossom and Victor Herbert - Knickerbocker
|
|
|
The Daughters of Men, by Charles Klein - Astor
|
|
|
The Prince Chap, by Edward Peple - Shubert
|
|
|
The Lion and the Mouse, by Charles Klein - Lyceum
|
|
|
Dream City, by Edgar Smith - Weber's
|
|
|
The Road to Yesterday, by B.M. Dix and E.G. Sutherland - Lew Fields' Herald Square
|
|
|
Brown of Harvard - Majestic
|
|
|
The Squaw Man - New Montauk
|
|
|
The Truth - Criterion
|
|
|
The Rich Mr. Hoggenheimer - Wallack's
|
|
|
The Straight Road, by Clyde Fitch - Astor
|
|
|
Vaudeville Program from the Orpheum
|
|
|
The Law and the Man, written by Wilton Lackaye - Manhattan
|
|
|
Genesee of the Hills, by Marah Ellis Ryan and McPherson Turnbull - Astor
|
|
|
The Sunken Bell, by Gerhart Hauptmann - Lyric
|
|
|
Captain Jinks, by Clyde Fitch - Empire
|
|
|
The Mills of the Gods, by George Broadhurst - Astor
|
|
|
The Belle of Mayfair, by Charles H.E. Brookfield and Cosmo Hamilton - Astor
|
|
|
Brewster's Millions - Hudson
|
|
|
The Hypocrites - New Montauk
|
|
|
The Red Mill - Knickerbocker
|
|
|
The Spring Chicken, by Richard Carle - Daly's
|
|
|
The Boys of Company “B”, by Rida Johnson Young - Lyceum
|
|
|
Program of the Actors' Society of America
|
|
|
His Excellency the Governor, by Robert Marshall - Empire
|
|
|
Captain Jinks - Empire
|
|
|
The Boys of Company “B” - Lyceum
|
|
|
Cousin Kate, by Hubert Henry Davies - Empire
|
|
|
The Boys of Company “B” - Lyceum
|
|
|
The Chorus Lady - Hackett
|
|
|
The Road to Yesterday, by B.M. Dix and E.G. Sutherland - Lyric
|
|
|
Comtesse Coquette, by Roberto Bracco - Bijou
|
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Ethel Barrymore - Reproductions
|
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Maude Adams - Reproductions
|
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Reel
4
Frame
1
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Volume 20, 1907
|
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Genesee of the Hills, by Marah Ellis Ryan and McPherson Turnbull - Astor
|
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In the Bishop's Carriage, by Channing Pollock - Grand Opera
|
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Carmen - Manhattan Opera House
|
|
|
All-of-a-Sudden Peggy, by Ernest Denny - Bijou
|
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Charley's Aunt, by Brandon Thomas - Lincoln Square
|
|
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On Parole, by Louis Evan Shipman - Majestic
|
|
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Lucia di Lammermoor - Metropolitan Opera
|
|
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Madama Butterfly - Metropolitan Opera
|
|
|
The Spoilers, by Rex Beach and James MacArthur - New York
|
|
|
Pioneer Days, by Carroll Fleming - New York Hippodrome
|
|
|
Neptune's Daughter, by Manuel Klein and Edward P. Temple - New York Hippodrome
|
|
|
Circus Events - New York Hippodrome
|
|
|
The Tattooed Man, by Harry B. Smith and A.N.C. Fowler - Criterior
|
|
|
Caught in the Rain
|
|
|
The Silver Box, by John Galsworthy - Empire
|
|
|
The Grand Mogul, by Frank Pixley - New Amsterdam
|
|
|
Salomy Jane, by Paul Armstrong - Liberty
|
|
|
A Doll's House, by Henrik Ibsen - Bijou
|
|
|
Man and Superman, by Bernard Shaw - Grand Opera
|
|
|
His Excellency the Governor, by Robert Marshall - Empire
|
|
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The Primrose Path, by Bayard Veiller - Majestic
|
|
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The Road to Yesterday, by B.M. Dix and E.G. Sutherland - Lyric
|
|
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The Red Mill - Knickerbocker
|
|
|
The Boys of Company “B” - Lyceum
|
|
|
Blue Jeans, by Joseph Arthur - Keith and Proctor's 5th Avenue Theatre
|
|
|
Divorçons, by Victorien Sardou - Wallack's
|
|
|
Comtesse Coquette - Bijou
|
|
|
The Dancer and the King, by Charles E. Blaney and J. Searl Dawley - Blaney's Lincoln Square Theatre
|
|
|
Uncle Tom's Cabin, dramatized by James W. Harkins and Edwin Barbour - Majestic
|
|
|
Program from Pastor's Theatre
|
|
|
Program from Jardin de Paris
|
|
|
The Round Up, by Edmund Day - New Amsterdam
|
|
|
Sappho and Phaon, by Percy Mackaye - Lyric
|
|
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The Round Up - Broadway Theatre
|
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H.M.S. Pinafore, by Gilbert and Sullivan - Blaney's Lincoln Squar
|
|
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La Gioconda - Manhattan Opera
|
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Reel
4
Frame
70
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Volume 21, 1905-1908
|
|
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Benefit Matinee for St. Lukes Hospital - Lyric Theatre
|
|
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Playbills - New York Theatres
|
|
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Reel
4
Frame
230
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Volume 22, 1907-1908
|
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Tom Jones, adapted by Robert Courtneidge and A.M. Thompson - Astor
|
|
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Concerts by Victor Herbert's Orchester - Broadway Theatre
|
|
|
O'Neill of Derry, by Theodore Burt Sayne - Liberty
|
|
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The Right of Way, by Eugene W. Presbrey - Wallack's
|
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The Gay White Way, by Sydney Rosenfeld - The Casino
|
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Reel
4
Frame
245
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The Rejuvenation of Aunt Mary, by Anne Warner - Garden
|
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The Toy Maker of Nuremberg, by Austin Strong
|
|
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My Wife, by Michael Morton - Empire
|
|
|
Souvenir Brochur (cover only) from a testimonial to Mrs. McKee Rankin (Kitty Blanchard) - Broadway Theatre
|
|
|
The Merry Widow - New Amsterdam
|
|
|
The Servant in the House, by Charles Rann Kennedy - Savoy
|
|
|
Love's Comedy, by Henrik Ibsen - Hudson
|
|
|
Marta of the Lowlands, by Angel Guimera - Garden
|
|
|
Miss Hook of Holland, by Paul A. Rubens and Austen Hurgon - Criterion
|
|
|
The Wife, by David Belasco and Henry C. DeMille - Blaney's Lincoln Square
|
|
|
The Royal Mounted, by Cecil B. and William C. DeMille
|
|
|
The Soul Kiss, by Harry B. Smith - New York
|
|
|
Poem - “Ah! There Were Actors Then,” by Harry B. Smith
|
|
|
Poem - “To Mlle. Adeline Genée, Dancing,” by Louis Untermeyer
|
|
|
The Thief, by Henri Bernstein - Lyceum
|
|
|
Pudd'n Head Wilson, dramatized by Frank Mayo - Keith and Proctor's Harlem Opera House
|
|
|
Polly of the Circus, by Margaret Mayo - Liberty
|
|
|
The Yankee Prince, by George M. Cohan - Knickerbocker
|
|
|
The Witching Hour, by Augustus Thomas - Hackett
|
|
|
A Grand Army Man, by David Belasco, Pauline Phelps, and Marion Short - David Belasco's Stuyvesant Theatre
|
|
|
The Life of Mary Anne Clarke, by Beatrice Morgan, Mrs. C.A. Doremus and Henry C. Colwell - Keith and Proctor's
|
|
|
The Governor and the Boss, by Guy Fletcher Bragdon and William Postance - Blaney's Lincoln Square
|
|
|
Paid in Full, by Eugene Walter - Astor
|
|
|
Girls, by Clyde Fitch - Daly's
|
|
|
The Warrens of Virginia, by William C. DeMille - Stuyvesant
|
|
|
The Wolf, by Eugene Walker - Lyric
|
|
|
The Battle of Port Arthur, by Owen Davis - New York Hippodrome
|
|
|
Lady Gay's Garden Party, by Manuel Klein and Edward P. Temple - New York Hippodrome
|
|
|
Father and the Boys, by George Ade - Empire
|
|
|
The Girl Behind the Counter, by Leedham Bantock and Arthur Anderson - Lew Fields' Herald Square
|
|
|
The-Merry-Go-Round, by Edgar Smith - New Circle Theatre
|
|
|
The Honor of the Family, by Emile Fabre - Hudson
|
|
|
Vaudeville Program from Colonial Theatre
|
|
|
Program from Hammerstein's Roof Garden and Victoria
|
|
|
If I Were King, by Justin Huntly McCarthy - Academy of Music
|
|
|
Ziegfeld Follies of 1908
|
|
|
The Regeneration, by Owen Kildare and Walter Hackett - Wallack's
|
|
|
Benefit Program - Siasconset Casino
|
|
|
The Round Up, by Edmund Day - Academy of Music
|
|
|
The Merry Widow - New Amsterdam
|
|
|
The Mollusc, by Hubert Henry Davies - Garrick
|
|
|
Program of Isadora Duncan in her Celebrated Classical Dances - Criterion
|
|
|
All for a Girl, by Rupert Hughes - Bijou
|
|
|
Wildfire, by George Broadhurst and George V. Hobart - Liberty
|
|
|
Diana of Dobson's, by Cicely Hamilton - Savoy
|
|
|
Vaudeville Program from Colonial Theatre
|
|
|
Reel
4
Frame
363
|
Volume 23, 1907-1908 (including Autographs)
|
|
|
William H. West Big Jubilee Minstrels
|
|
|
The 3 of Us, by Rachel Crothers
|
|
|
Miss Pocahontas, by R.A. Barnet and R.M. Baker
|
|
|
We Are King
|
|
|
Jewels of Fire
|
|
|
David Garrick's Love
|
|
|
The Prince of Pilsen
|
|
|
Sergeant Brue, by Owen Hall
|
|
|
Piff! Paff!! Pouf!!! by Stanislaus Stange
|
|
|
The Heir to the Hoorah, by Paul Armstrong
|
|
|
The Royal Chef
|
|
|
The Yankee Regent, by Irving B. Lee and Charles S. Adelman
|
|
|
The Stronger Sex
|
|
|
Rip van Winkle
|
|
|
Brewster's Millions
|
|
|
Before and After
|
|
|
45 Minutes From Broadway
|
|
|
The Prince Chap
|
|
|
Lew Dockstader and his Minstrel Company
|
|
|
Klaw and Erlanger's Advanced Vaudeville
|
|
|
The Blue Moon
|
|
|
Mlle. Emma Calve - Tour
|
|
|
The Belle of Mayfair, by Charles H.E. Brookfield and Cosmo Hamilton
|
|
|
The House of a Thousand Candles, dramatized by George Middleton
|
|
|
Zira
|
|
|
The Honor of the Family, by Emile Fabre
|
|
|
Isle of Spice, by Allen Lowe and George E. Stoddard
|
|
|
Little Johnny Jones
|
|
|
The Squaw Man
|
|
|
The Man of the Hour, by George Broadhurst
|
|
|
Checkers, by Henry M. Blossom, Jr.
|
|
|
The Tattooed Man, by Victor Herbert
|
|
|
The Grand Mogul, by Frank Pixley
|
|
|
Happyland, by Reginald De Koven and Frederick Ranken
|
|
|
Jan Kubelik - Concert
|
|
|
Two Men and a Girl, by Frederick Paulding
|
|
|
The Clansman, by Thomas Dixon, Jr.
|
|
|
The Girl Over There, by Harry Sheldon White
|
|
|
A Doll's House
|
|
|
Hedda Gabler
|
|
|
The Girl Who Has Everything, by Clyde Fitch
|
|
|
Lucia di Lammermoor, by the Italian Grand Opera Company
|
|
|
A Doll's House
|
|
|
The Red Mill
|
|
|
The Land of Nod, by Frank B. Adams and Will M. Hough
|
|
|
Coming Thro' the Rye, by George V. Hobart
|
|
|
The Spring Chicken, by George Edwards
|
|
|
We Are King, by Lt. Gordon Kean
|
|
|
Mrs. Warren's Profession, by George Bernard Shaw
|
|
|
The Girl Question, by Hough and Adams
|
|
|
The Land of Dollars, by George Ade
|
|
|
Program for Italian Grand Opera Company
|
|
|
Classmates, by William C. DeMille and Margaret Turnbull
|
|
|
The Man of the Hour, by George Broadhurst
|
|
|
The Second Mrs. Tanqueray, by A.W. Pinero
|
|
|
Reel
4
Frame
421
|
The Notorious Mrs. Ebbsmith, by A.W. Pinero
|
|
|
Brown of Harvard
|
|
|
A Knight for a Day, by Robert B. Smith
|
|
|
The Lion and the Mouse
|
|
|
The Man on the Box
|
|
|
The Gingerbread Man
|
|
|
When Knights Were Bold, by Charles Marlowe
|
|
|
The Kreutzer Sonata, by Jacob Gordin
|
|
|
The Beauty Spot, by Joseph W. Herbert - Burwood Theatre
|
|
|
The Great John Ganton, by J. Hartly Manners
|
|
|
The Witching Hour, by Augustus Thomas
|
|
|
Mr. Lode of Koal, by J.A. Shipp and Alex. Rogers
|
|
|
Going Some, by Paul Armstrong and Rex Beach
|
|
|
Concert Program from Innes' Orchestral Band
|
|
|
The Great Divide
|
|
|
Paid in Full, by Eugene Walter
|
|
|
Ben Hur
|
|
|
Ziegfeld's Follies of 1907
|
|
|
The Witching Hour
|
|
|
Three Twins, by Charles Dickson
|
|
|
The Top o' th' World, by Mark E. Swan
|
|
|
The Right of Way, by Eugene W. Presbrey
|
|
|
Forty-Five Minutes From Broadway
|
|
|
Travelogue Programs - Boy's Theater, Omaha, Nebraska
|
|
|
Girls, by Clyde Fitch
|
|
|
A Knight for a Day
|
|
|
The Devil, adapted by Oliver Herford
|
|
|
Polly of the Circus, by Margaret Mayo
|
|
|
Mirele Effros, the Jewish Queen Lear
|
|
|
The Richest Girl, by Gavault and Morton
|
|
|
Little Johnny Jones
|
|
|
Under the Greenwood Tree, by Henry V. Esmond
|
|
|
The Rogers Brothers in Panama, by Sylvester Maguire and Aaron Hoffman
|
|
|
A Girl at the Helm, by Robert B. Smith
|
|
|
Faust - Italian Grand Opera Company
|
|
|
Aida
|
|
|
Paid in Full
|
|
|
The Virginian
|
|
|
The Servant in the House
|
|
|
Old Innocence
|
|
|
Father and the Boys
|
|
|
The Call of the North, by George Broadhurst
|
|
|
Mrs. Wiggs of the Cabbage Patch
|
|
|
The Substitute, by Beulah M. Dix and Evelyn Greenleaf Sutherland
|
|
|
The House of Bondage, by Seymour Obermer
|
|
|
The Lion and the Mouse
|
|
|
A Midsummer Night's Dream
|
|
|
Al. G. Field's Greater Minstrels
|
|
|
A Stubborn Cinderella, by Hough and Adams
|
|
|
The Family, by Robert H. Davis
|
|
|
The Old Guard
|
|
|
The Taming of the Shrew
|
|
|
The Red Mill
|
|
|
The Golden Girl
|
|
|
Sham
|
|
|
Reel
4
Frame
482
|
The Yankee Prince
|
|
|
Via Wireless, dramatized by Paul Armstrong and Winchel Smith
|
|
|
The Goddess of Liberty, by Hough and Adams
|
|
|
The Golden Butterfly, by Harry B. Smith
|
|
|
A Lucky Star, by Anne Crawford Flexner
|
|
|
Your Humble Servant, by Booth Tarkington and Henry Leon Wilson
|
|
|
Sweet Clover, by Pauline Phelps and Marion Short - Krug Theatre
|
|
|
Under Southern Skies, by Lottie Blair Parker - Krug
|
|
|
The Peddler, by Hal Reid
|
|
|
Zaza, adapted by David Belasco
|
|
|
Whoop-dee-doo
|
|
|
Buster Brown
|
|
|
A Son of Rest, by George Weston
|
|
|
A Pair of Pinks
|
|
|
Happy Hooligan
|
|
|
The Burglas and the Lady, by Langdon McCormick
|
|
|
Girl Raffles, by Charles E. Blaney
|
|
|
Girls Will be Girls, by Joseph Hart and R. Melville Baker
|
|
|
The Mysterious Burglas, by Jos. Lebrandt
|
|
|
The Girl With Green Eyes, by Clyde Fitch
|
|
|
The Spenders, adapted by Edward F. Rose
|
|
|
Reel
4
Frame
525
|
Volume 24, 1908
|
|
|
Agnes, by George Cameron - Majestic
|
|
|
Three Twins, by Charles Dickson - Lew Fields Herald Square
|
|
|
The Girls of Gottenberg, by George Grossmith, Jr. and L.E. Berman - Knickerbocker
|
|
|
The Traveling Salesman, by James Forbes - Gaiety
|
|
|
Mater, by Percy Mackaye - Savoy
|
|
|
Pierre of the Plains, by Edgar Selwyn - Hudson
|
|
|
Love Watches, by R. De Flers and G. Caillavet, adapted by Gladys Unger - Lyceum
|
|
|
The Great Question, by Frederick Paulding - Majestic
|
|
|
A Gentleman from Mississippi, by Harrison Rhodes and Thomas A. Wise - Bijou
|
|
|
Program from Blaney's Lincoln Square Theatre
|
|
|
Little Nemo, by Harry B. Smith - New Amsterdam
|
|
|
Myself--Bettina, by Rachel Crothers - Daly's
|
|
|
Sporting Days, by R.H. Burnside - New York Hippodrome
|
|
|
Program from the Victoria
|
|
|
Paid in Full, by Eugene Walter - Weber's
|
|
|
Hamley
|
|
|
Malia, by Luigi Capuana - Broadway
|
|
|
Samson, by Henri Bernstein - Criterion
|
|
|
Iphigenie en Aulide, scenes by Christopher Gluck, with Isadora Duncan - Carnegie Hall
|
|
|
The Stronger Sex, by John Valentine - Weber's
|
|
|
The Blue Mouse, by Clyde Fitch - Lyric
|
|
|
Lady Frederick, by W. Somerset Maugham - Hudson
|
|
|
The Devil, by Ferenc Molnar - Belasco
|
|
|
What Every Woman Knows, by J.M. Barrie - Empire
|
|
|
The Pied Piper, by Austin Strong and R.H. Burnside - Majestic
|
|
|
Salvation Nell, by Edward Sheldon - Hackett
|
|
|
Program from the Victoria
|
|
|
Program from the Colonial Theatre
|
|
|
Mary Jane's Pa, by Edith Ellis - Garden
|
|
|
Reel
4
Frame
594
|
Volume 25, 1909
|
|
|
Kassa, by John Luther Long - Liberty
|
|
|
The Dawn of a Tomorrow, by Frances Hodgson Burnett - Lyceum
|
|
|
The Fighting Hope, by William J. Hurlbut - Belasco
|
|
|
The Barber of New Orleans, by Edward Childs Carpenter - Daly's
|
|
|
Kitty Grey, adapted by J.W. Pigott - New Amsterdam
|
|
|
The Patriot, by J. Hartley Manners and William Collier - Garrick
|
|
|
The Fair Co-ed, by George Ade - Knickerbocker
|
|
|
The Conflict, by Maurice V. Samuels - Garden
|
|
|
A Fool There Was, by Porter Emerson Browne - Liberty
|
|
|
The House Next Door, by J. Hartley Manners - Gaiety
|
|
|
Vaudeville Program from the Colonial Theatre
|
|
|
The Climax, by Edward Locke - Weber's
|
|
|
Vaudeville Programs from the Colonial Theatre
|
|
|
The Writing on the Wall, by William J. Hurlbut - Savoy
|
|
|
The Battle, by Cleveland Moffett - Savoy
|
|
|
The Man From Home, by Booth Tarkington and Harry Leon Wilson - Astor
|
|
|
The Return of Eve, by Lee Wilson Dodd - Lew Fields' Herald Square
|
|
|
The Girl From Rector's, by Paul M. Potter - Weber's
|
|
|
Hamlet - New Amsterdam
|
|
|
An Englishman's Home, by Guy du Maurier - Criterion
|
|
|
A Stubborn Cinderella, by Hough and Adams - Broadway
|
|
|
The Beauty Spot, by Joseph W. Herbert - Lew Fields' Herald Square
|
|
|
The Happy Marriage, by Clyde Fitch - Garrick
|
|
|
The Red Moon, by Bob Cole - Majestic
|
|
|
“The Actor's Prayer,” by Anne Peacock
|
|
|
The Third Degree, by Charles Klein - Hudson
|
|
|
The Marble Heart, or, the Sculptor's Dream, by Charles Selby - Academy of Music
|
|
|
The Easiest Way, by Eugene Walter - Stuyvesant
|
|
|
“The Player's Prayer,” by Parmlee Brackett
|
|
|
The Midnight Sons, by Glen MacDonough - Broadway
|
|
|
Poem - “To Lotta Faust,” by Anne Peacock
|
|
|
Reel
4
Frame
661
|
Volume 26, 1909
|
|
|
Elsie Ferguson - Reproductions
|
|
|
Program of the Lambs Gambol
|
|
|
The Mollusc, by Hubert Henry Davies - Empire
|
|
|
Review of The Melting Pot; review written by Alan Dale
|
|
|
The Melting Pot, by Israel Zangwill - Comedy Theatre
|
|
|
The Passing of the Third Floor Back, by Jerome K. Jerome - Maxine Elliott's Theatre
|
|
|
A Citizen's Home, by H.H. Boyd - Majestic
|
|
|
The Fortune Hunter, by Winchell Smith - Gaiety
|
|
|
Review by Alan Dale of The Fortune Hunter
|
|
|
The Love Cure, by Oliver Herford - New Amsterdam
|
|
|
The Awakening of Helena Richie, by Charlotte Thompson - Savoy
|
|
|
Review by Acton Davies of The Awakening of Helena Richie
|
|
|
Springtime, by Booth Tarkingston and Harry Leon Wilson - Liberty
|
|
|
Review by Acton Davies of Springtime
|
|
|
Such a Little Queen, by Channing Pollock - Hackett
|
|
|
Review by Acton Davies of Such a Little Queen
|
|
|
Detective Sparkes, by Michael Morton - Grand Opera
|
|
|
The Harvest Moon, by Augustus Thomas - Garrick
|
|
|
Program from the Plaza Music Hall
|
|
|
Arsène Lupin, by Francis de Croisset and Maurice Leblanc - Lyceum
|
|
|
Mr. Lode of Koal, by J.A. Shipp and Alex. Rogers - Majestic
|
|
|
Review of Mr. Lode of Koal
|
|
|
Review of Idols
|
|
|
Idols, dramatized by Roy Hornimann - Bijou
|
|
|
Program of Victor Herbert and his Orchestra - New York
|
|
|
Review by Alan Dale of The Belle of Brittany
|
|
|
The Belle of Brittany, by Leedham Bantock and P.J. Barrow - Daly'
|
|
|
Program of the Fifth Avenue Theatre
|
|
|
Is Matrimony a Failure? by Leo Ditrichstein - Belasco
|
|
|
A Trip to Japan, by R.H. Burnside - New York Hippodrome
|
|
|
Circus Program - New York Hippodrome
|
|
|
Maori Dancers - New York Hippodrome
|
|
|
The Ballet of Jewels, by R.H. Burnside - New York Hippodrome
|
|
|
Inside the Earth, by R.H. Burnside - New York Hippodrome
|
|
|
His Name on the Door, by Frank Lord - Garden
|
|
|
The Lottery Man, by Rida Johnson Young
|
|
|
Review by Alan Dale of The Lottery Man
|
|
|
Program of the American Music Hall
|
|
|
The Wedding Day, by Jessie Trimble - Hackett
|
|
|
Review of The Dollar Princess
|
|
|
The Dollar Princess, adapted by George Grossmith, Jr. - Knickerbocker
|
|
|
Israel, by Henri Bernstein - Criterion
|
|
|
Review by Alan Dale of Israel
|
|
|
Reel
4
Frame
738
|
Volume 27, 1909-1910
|
|
|
Reviews and Newsclippings, mainly from St. Louis newspapers, regarding:
|
|
|
Peter Pan
|
|
|
Actress Marguerite Clark
|
|
|
The Chimes of Normandy
|
|
|
The Golden Garter
|
|
|
Robin Hood
|
|
|
Snow White
|
|
|
Carmen
|
|
|
The Wishing Ring
|
|
|
Baby Doll
|
|
|
Merely Mary Ann
|
|
|
Reel
4
Frame
814
|
Volume 28, 1909-1910
|
|
|
The Lily, adapted by David Belasco - Stuyvesant
|
|
|
The Next of Kin, by Charles Klein - Hudson
|
|
|
Review by Alan Dale of The Next of Kin
|
|
|
A Little Brother of the Rich, by Joseph Medill Patterson and Harriet Ford - Wallack's
|
|
|
Reel
4
Frame
824
|
Review by Alan Dale of Little Brother of the Rich
|
|
|
The Silver Star, by Harry B. Smith - New Amsterdam
|
|
|
Program of the Twelfth Night Club - Berkeley Lyceum
|
|
|
The Commanding Officer, by Theodore Burt Sayre - Savoy
|
|
|
Review by Alan Dale of The Commanding Officer
|
|
|
The Old Town, by George Ade - Globe
|
|
|
Review by Alan Dale of The Old Town
|
|
|
Vaudeville Program of the Colonial Theatre
|
|
|
The Goddess of Liberty, by Adams and Hough - Weber's
|
|
|
Review by Alan Dale of The Goddess of Liberty
|
|
|
The Little Town of Bethlehem, by Katrina Trask - Garden
|
|
|
A Lucky Star, by Anne Crawford Flexner - Hudson
|
|
|
Seven Days, by Mary Roberts Rinehart and Avery Hopwood - Astor
|
|
|
Review by Alan Dale of Seven Days
|
|
|
Alias Jimmy Valentine, by Paul Armstrong - Wallack's
|
|
|
Review by Alan Dale of Alias Jimmy Valentine
|
|
|
The Barrier, by Eugene W. Presbrey - New Amsterdam
|
|
|
Review of The Barrier
|
|
|
Program - Ruth St. Denis in Her Repertoire of Hindoo Dances - Hudson
|
|
|
The Watcher, by Cora Maynard - Comedy
|
|
|
Review of The Watcher
|
|
|
Madame X, by Alexandre Bisson - New Amsterdam
|
|
|
Review of Madame X
|
|
|
Your Humble Servant, by Booth Tarkington and Harry Leon Wilson - Garrick
|
|
|
Review by Alan Dale of Your Humble Servant
|
|
|
The Jolly Bachelors, by Glen MacDonough - Broadway
|
|
|
Review by Alan Dale of The Jolly Bachelors
|
|
|
Program of Hammerstein's Victoria
|
|
|
The School for Scandal, by Richard Brinsley Sheridan - New Theatre
|
|
|
Program of Greek drama and music - Carnegie Lyceum
|
|
|
The Turning Point, by Preston Gibson - Hackett
|
|
|
The Affinity, by Eugene Brieux - West End
|
|
|
Review of The Affinity (2)
|
|
|
Don, by Rudolf Besier - New Theatre
|
|
|
Review by Alan Dale of Don
|
|
|
Sister Beatrice, by Maurice Maeterlinck - New Theatre
|
|
|
Brand, by Henrik Ibsen
|
|
|
Review by Alan Dale of Sister Beatrice
|
|
|
Review by Alan Dale of Pillars of Society
|
|
|
The Bachelor's Baby, by Francis Wilson - Criterion
|
|
|
Review by Alan Dale of The Bachelor's Baby
|
|
|
Mrs. Dot, by W. Somerset Maugham - Lyceum
|
|
|
Review by Acton Davies of Mrs. Dot
|
|
|
Just a Wife, by Eugene Walter - Belasco
|
|
|
Review by Acton Davies of Just a Wife
|
|
|
The City, by Clyde Fitch - Lyric
|
|
|
Review of The City
|
|
|
A Skylark, by William Harris, Jr. - New York
|
|
|
Mid-Channel, by Arthur W. Pinero - Empire
|
|
|
Review of Mid-Channel
|
|
|
Caste, by T.W. Robertson - Empire
|
|
|
Review by Acton Davies of Caste
|
|
|
The Arcadians, by Mark Ambient and A.M. Thompson - Knickerbocker
|
|
|
Review of The Arcadians
|
|
|
Bobby Burnit, by Winchell Smith - Republic Theatre
|
|
|
Reel
4
Frame
954
|
Volume 29, 1911
|
|
|
Reproductions of photos of famous dramatists and critics
|
|
|
The Country Boy, by Edgar Selwyn - Liberty
|
|
|
Review by Acton Davies of The Country Boy
|
|
|
The Echo, by William Le Baron and Deems Taylor - Globe
|
|
|
Mother, by Jules Eckert Goodman - Hackett
|
|
|
Love Among the Lions, by Winchell Smith
|
|
|
Miss Patsy, by Sewell Collins - Nazimova's 39th Street Theatre
|
|
|
Review by Alan Dale of Miss Patsy
|
|
|
The Deserters, by Robert Peyton Carter and Anna Alice Chapin - Hudson
|
|
|
Review by Alan Dale of The Deserters
|
|
|
Our Miss Gibbs, by James T. Tanner - Knickerbocker
|
|
|
Review of Our Miss Gibbs
|
|
|
Decorating Clementine, by Armand de Caillavet and Robert de Flers - Lyceum
|
|
|
Review by Alan Dale of Decorating Clementine
|
|
|
L'Enfant Prodigue, by Michel Carré - Carnegie Lyceum
|
|
|
Smith, by W. Somerset Maugham - Empire
|
|
|
Review by Alan Dale of Smith
|
|
|
The International Cup, by R.H. Burnside - New York Hippodrome
|
|
|
Circus Program - New York Hippodrome
|
|
|
The Ballet of Niagara, by R.H. Burnside - New York Hippodrome
|
|
|
The Earthquake, by R.H. Burnside - New York Hippodrome
|
|
|
Judy Forgot, by Avery Hopwood - Broadway
|
|
|
Review by Acton Davies of Judy Forgot
|
|
|
Rebecca of Sunnybrook Farm, by Kate Douglas Wiggin and Charlotte Thompson - Republic
|
|
|
Review of Rebecca of Sunnybrook Farm
|
|
|
Hans, the Flute Player, by Maurive Vaucaire and Georges Mitchell Manhattan Opera House
|
|
|
“Get-Rich-Quick” Wallingford, by George M. Cohan - Gaiety
|
|
|
Review by Alan Dale of “Get-Rich-Quick” Wallingford
|
|
|
The Concert, by Herman Bahr - Belasco
|
|
|
Review by Alan Dale of The Concert
|
|
|
The Nest Egg, by Anne Caldwell - Bijou
|
|
|
Review by Alan Dale of The Nest Egg
|
|
|
Pomander Walk, by Louis N. Parker - Wallack's
|
|
|
Review by Acton Davies of Pomander Walk
|
|
|
Naughty Marietta, by Rida Johnson Young - New York
|
|
|
Review by Acton Davies of Naughty Marietta
|
|
|
Madame Sherry, by Otto Hauerbach - New Amsterdam
|
|
|
Review of Madame Sherry
|
|
|
The Paradise of Mahomet, by Harry B. and Robert B. Smith - Lew Fields Herald Square
|
|
|
Vaudeville Program of Colonial Theatre
|
|
|
The Scarecrow, by Percy Mackaye - Garrick
|
|
|
Review by Acton Davies of The Scarecrow
|
|
|
The Boss, by Edward Sheldon - Astor
|
|
|
Review by Acton Davies of The Boss
|
|
|
Program - Ruth St. Denis in a Repertoire of Egyptian and Hindoo Dances - New Amsterdam
|
|
|
The Piper, by Josephine Preston Peabody - New Theatre
|
|
|
Review by Acton Davies of The Piper
|
|
|
Thais, by Paul Wilstach - Criterion
|
|
|
Review of Thais
|
|
|
Baby Mine, by Margaret Mayo - Nazimova's 39th St. Theatre
|
|
|
Becky Sharp, by Langdon Mitchell - Lyceum
|
|
|
The Nigger, by Edward Sheldon - Manhattan Opera House
|
|
|
Little Miss Fix-It, by William J. Hurlbut and Harry B. Smith - Globe
|
|
|
Mrs. Bumpstead-Leigh, by Harry James Smith - Lyceum
|
|
|
Review by Alan Dale of Mrs. Bumpstead-Leigh
|
|
|
Reel
5
Frame
1
|
Volume 30, 1911
|
|
|
Review by Acton Davies of Nobody's Widow
|
|
|
Review by Alan Davies of The Pink Lady
|
|
|
Bunty Pulls the Strings, by Graham Moffat - William Collier's Comedy Theatre
|
|
|
Gypsy Love, by Harry B. and Robert B. Smith - Globe
|
|
|
The Price, by George Broadhurst - Hudson
|
|
|
Review by Acton Davies of The Price
|
|
|
The Lady from the Sea, by Henrik Ibsen - Lyric
|
|
|
Reviews of The Lady from the Sea
|
|
|
Program of Keith and Proctor's Fifth Avenue Theatre
|
|
|
Review by Alan Dale of The First Lady in the Land
|
|
|
The First Lady in the Land, by Charles Nirdlinger - Gaiety
|
|
|
Disraeli, by Louis N. Parker - Wallack's
|
|
|
Review by Acton Davies of Disraeli
|
|
|
The Return of Peter Grimm, by David Belasco - Belasco
|
|
|
Nobody's Widow, by Avery Hopwood - Hudson
|
|
|
The Lights o' London, by George R. Sims - Lyric
|
|
|
Program - Greek Study Circle - Cincinnati Woman's Club
|
|
|
The Girl in the Taxi, by Antony Mars - Grand Opera House, Cincinnati
|
|
|
Program - B.F. Keith's - Cincinnati
|
|
|
The Fourth Estate, by George Medill Patterson and Harriet Ford
|
|
|
The Witness for the Defense, by A.E.W. Mason - Grand Opera House, Cincinnati
|
|
|
Review by Alan Dale of Witness for the Defense - Empire
|
|
|
Program - Vladimir De Pachmann - Cincinnati Grand Opera House
|
|
|
Passers-By, by C. Haddon Chambers - Criterion
|
|
|
Review of Passers-By
|
|
|
The Enchantress, by Fred. De Gresac and Harry B. Smith - New York
|
|
|
The Arab, by Edgar Selwyn - Astor
|
|
|
Reel
5
Frame
60
|
Volume 31, 1911-1912
|
|
|
The Little Millionaire, by George M. Cohan(?) - George M. Cohan's Theatre
|
|
|
The Littlest Rebel, by Edward Peple - Liberty
|
|
|
Review by Alan Dale of The Littlest Rebel
|
|
|
The Garden of Allah, by Robert Hichens - Century Theatre
|
|
|
Program of The Twelfth Night Club - Berkeley Lyceum
|
|
|
The Marionettes, by Pierre Wolff - Lyceum
|
|
|
Review by Alan Dale of The Marionettes
|
|
|
Program - Tetrazzini - The Hippodrome
|
|
|
The Trail of the Lonesome Pine, by Eugene Walter - New Amsterdam
|
|
|
Review by Acton Davies of Trail of the Lonesome Pine
|
|
|
Everywoman, by Walter Browne - Lew Fields Herald Square
|
|
|
Review by Acton Davies of Everywoman
|
|
|
The Complete Coronation of King George and Queen Mary of England in Motion Pictures - Kinemacolor Theatre
|
|
|
The Talker, by Marion Fairfax - Harris Theatre
|
|
|
Review by Acton Davies of The Talker
|
|
|
Sumurun, by Friedrich Freska - The Casino
|
|
|
Review of Sumurun
|
|
|
Over the River, by George V. Hobart and H.A. DuSouchet - Globe
|
|
|
Review by Acton Davies of Over the River
|
|
|
Whirl of Society, by Harrison Rhodes and Harold Attridge - The Winter Garden
|
|
|
The Rainbow, by A.E. Thomas - Liberty
|
|
|
Review by Alan Dale of The Rainbow
|
|
|
The Bird of Paradise, by Richard Walton Tully - Maxine Elliott's Theatre
|
|
|
Review by Acton Davies of The Bird of Paradise
|
|
|
Oliver Twist, adapted by J. Comyns Carr - New Amsterdam
|
|
|
Review by Acton Davies of Oliver Twist
|
|
|
Program of the Benefit Performance for Stage Children's Fund - Lyric Theatre
|
|
|
Program of the Colonial Theatre
|
|
|
Reel
5
Frame
141
|
Volume 32, 1912
|
|
|
The Gamblers, by Charles Klein - Sam S. Shubert Theatre
|
|
|
Review by Alan Dale of The Gamblers
|
|
|
The Woman, by William C. DeMille - Republic
|
|
|
Review by Acton Davies of The Woman
|
|
|
Around the World, by Arthur Voegtlin - New York Hippodrome
|
|
|
Little Boy Blue, by Rudolph Schanzer and Carl Lindau - Lyric
|
|
|
Review by Alan Dale of Little Boy Blue
|
|
|
Officer 666, by Augustin MacHugh - Gaiety
|
|
|
Review by Alan Dale of Officer 666
|
|
|
The Quaker Girl, by James T. Tanner - Park
|
|
|
A Winsome Widow, by Charles H. Hoyt - Ziegfeld Moulin Rouge
|
|
|
The Marriage-Not, by Joseph Noel - Maxine Elliott's
|
|
|
The Wall Street Girl, by Margaret Mayo and Edgar Selwyn - George M. Cohan's Theatre
|
|
|
Review by Acton Davies of The Wall Street Girl
|
|
|
Robin Hood, book by Harry B. Smith - New Amsterdam
|
|
|
A Butterfly on the Wheel, by Edward G. Hemmerde and Francis Neilson - 39th Street Theatre
|
|
|
Bought and Paid For, by George Broadhurst - The Playhouse
|
|
|
The Pirates of Penzance - The Casino
|
|
|
Program from Hammerstein's Roof Garden
|
|
|
A Winsome Widow - Ziegfeld Moulin Rouge
|
|
|
The Rose Maid, adapted by Harry B. Smith and Raymond Peck - Globe
|
|
|
The Ne'er-Do-Well - Lyric
|
|
|
Review by Alan Dale of The Rose Maid
|
|
|
Milestones, by Arnold Bennett and Edward Knoblauch - Liberty
|
|
|
Reel
5
Frame
215
|
Volume 33, 1912
|
|
|
Newsclippings, mainly regarding actress Suzanne Willa
|
|
|
Reel
5
Frame
302
|
Volume 34, 1912 (inscribed “Daniel Blum, April 20, 1912”)
|
|
|
Reproductions - Alla Nazimova
|
|
|
Handwritten index to plays and players
|
|
|
Macushla - McVickers
|
|
|
Gypsy Love, by Lehar - Chicago Opera House
|
|
|
The Opera Ball, by Sydney Rosenfeld - Garrick
|
|
|
The Runaway, by Michael Morton - Powers
|
|
|
The Rose of Panama - Lew Fields American Music Hall
|
|
|
Miss Innocence, by Harry B. Smith - Illinois
|
|
|
The Marionettes, by Pierre Wolff - Illinois
|
|
|
Obituary - Frank Gillmore , (1943)
|
|
|
Julius Caesar - Garrick
|
|
|
A Single Man, by Hubert Henry Davies - Powers
|
|
|
Officer 666 - Grand Opera House
|
|
|
Obituary - John Miltern , (1937)
|
|
|
Ready Money - Cort Theatre
|
|
|
Hokey Pokey, by Edgar Smith - Auditorium
|
|
|
The Quaker Girl - Illinois
|
|
|
The Slim Princess, by Henry Blossom - Studebaker
|
|
|
A Modern Eve - Garrick
|
|
|
The Bird of Paradise - Garrick
|
|
|
The Garden of Allah - Auditorium
|
|
|
Obituary - Dorothy Donnelly , (1928)
|
|
|
The Red Widow - George M. Cohan's Grand Opera House
|
|
|
The Siren - Chicago Opera House
|
|
|
Obituary - Donald Brian , (1948)
|
|
|
Vaudeville Program - George M. Cohan's Grand Opera House
|
|
|
Little Nemo, by Harry E. Smith
|
|
|
The Man Who Stood Still, by Jules Eckert Goodman
|
|
|
The Fortune Hunter, by Winchell Smith - Olympic
|
|
|
Rebecca of Sunnybrook Farm
|
|
|
Reel
5
Frame
445
|
Volume 35, 1912-1913
|
|
|
The Enchantress - Illinois
|
|
|
The Girl at the Gate - LaSalle Opera House
|
|
|
Obituary - Forest George Winant , (1928)
|
|
|
The Blindness of Virtue, by Cosmo Hamilton - Studebaker
|
|
|
The Concert - Blackstone
|
|
|
Primrose - Blackstone
|
|
|
The Attack - Powers
|
|
|
Bella Donna - Blackstone
|
|
|
The Perplexed Husband - Powers
|
|
|
The Passing Show of 1912 - Garrick
|
|
|
The “Mind the Paint” Girl - Illinois
|
|
|
The Silver Wedding - Cort
|
|
|
Broadway to Paris - American Music Hall
|
|
|
The Ghost Breaker - Cort
|
|
|
The Tik Tok Man of Oz - Grand Opera Hall
|
|
|
Obituary - Beatrice Michelena , (1942)
|
|
|
When Dreams Come True - Garrick
|
|
|
Within the Law - Olympic
|
|
|
Obituary - Margaret Illington , (1934)
|
|
|
Obituary - Bayard Veiller , (1943)
|
|
|
The Whip - Auditorium
|
|
|
Letter to Daniel Blum from Leonore Harris, n.d.
|
|
|
Obituary - Leonore Harris , (1953)
|
|
|
Romance - Princess
|
|
|
Obituary - Doris Keane , (1945)
|
|
|
Damaged Goods - Blackstone
|
|
|
Shameen Dhu - Olympic
|
|
|
The Passing Show of 1912 - Auditorium
|
|
|
The Beauty Shop - Cohan's Grand Opera House
|
|
|
Unnamed play - (starring Fritzi Scheff)
|
|
|
Unnamed play - Cohan's Grand Opera House
|
|
|
The Road to Happiness - Garrick
|
|
|
Bought and Paid For - Olympic
|
|
|
Obituary - Martin Brown , (1936)
|
|
|
Reel
5
Frame
683
|
Volume 36, 1912-1913
|
|
|
Little Miss Brown - 48th Street Theatre
|
|
|
The Merry Countess, adapted by Gladys Unger and Arthur Anderson from Die Fledermaus - Casino
|
|
|
Trial Marriage, by Elmer Harris - Hudson
|
|
|
Review by Alan Dale of Trial Marriage
|
|
|
“Broadway” Jones, by George M. Cohan - George M. Cohan's Theatre
|
|
|
Review of Broadway Jones
|
|
|
Little Women, dramatized by Marian de Forest - The Playhouse
|
|
|
The “Mind the Paint” Girl, by Arthur Wing Pinero - Lyceum
|
|
|
A Rich Man's Son, by James Forbes - Harris
|
|
|
Review of A Rich Man's Son
|
|
|
The Case of Becky, by Edward Locke - Belasco
|
|
|
Review of The Case of Becky
|
|
|
The Yellow Jacket, by George C. Hazelton and Benrimo - Fulton
|
|
|
Review of The Yellow Jacket
|
|
|
Never Say Die, by W.H. Post and William Collier - 48th St. Theatre
|
|
|
The Governor's Lady, by Alice Bradley - Republic
|
|
|
Review of The Governor's Lady
|
|
|
Hindle Wakes, by Stanley Houghton - Maxine Elliott's Theatre
|
|
|
Stop Thief, by Carlyle Moore - Gaiety
|
|
|
The “Affairs” of Anatol, by Arthur Schnitzler - Maxine Elliott's
|
|
|
Review of The “Affairs” of Anatol
|
|
|
Reel
5
Frame
748
|
Volume 37, 1912-1913
|
|
|
Carmen - Philadelphia Opera House
|
|
|
The Arcadians, by Mark Ambient and A.M. Thompson - Forrest
|
|
|
Maggie Pepper, by Charles Klein - Garrick
|
|
|
Lecture - Paul J. Rainey's African Hunt, delivered by Reginald Carrington - Weber's
|
|
|
A Winsome Widow, by Charles H. Hoyt - Ziegfeld Moulin Rouge
|
|
|
The Perplexed Husband, by Alfred Sutro - Empire
|
|
|
Program of The Winter Garden
|
|
|
The Model, by Augustus Thomas - Harris
|
|
|
Ready Money, by James Montgomery - Maxine Elliott's
|
|
|
Hanky Panky, by Edgar Smith - Broadway
|
|
|
The “Mind the Paint” Girl - Lyceum
|
|
|
The Governor's Lady - Republic
|
|
|
The Ne'er-Do-Well, by Charles Klein - Lyric
|
|
|
Milestones, by Arnold Bennett and Edward Knoblauch - Liberty
|
|
|
The Master of the House, by Edgar James - Lyric
|
|
|
Reel
5
Frame
775
|
The Case of Becky - Belasco
|
|
|
The Daughter of Heaven, by Pierre Loti and Judith Gautier
|
|
|
Little Miss Brown, by Philip Bartholomae - 48th Street
|
|
|
Oh! Oh! Delphine, by C.M.S. McLellan - Knickerbocker
|
|
|
Ziegfeld Follies, Series of 1912 - Moulin Rouge
|
|
|
Trial Marriage - Hudson
|
|
|
Never Say Die - 48th Street
|
|
|
C.O.D., by Frederic Chapin - Gaiety
|
|
|
A Scrape o' the Pen, by Graham Moffat - Weber's
|
|
|
The Red Petticoat, by Rida Johnson Young and Paul West - Daly's
|
|
|
The Whip, by Cecil Raleigh and Henry Hamilton - Manhattan Opera
|
|
|
Hindle Wakes - Maxine Elliott's
|
|
|
The Yellow Jacket - Fulton
|
|
|
Our Wives, by Helen Krafft and Frank Mandel - Gaiety
|
|
|
Hawthorne of the U.S.A., by James Bernard Fagan - Astor
|
|
|
Bella Donna, adapted by Robert Hichens - Wallack's
|
|
|
The “Affairs” of Anatol - Maxine Elliott's
|
|
|
The High Road, by Edward Sheldon - Hudson
|
|
|
A Good Little Devil, by Rosemonde Gerard and Maurice Rostand - Republic
|
|
|
The Poor Little Rich Girl, by Eleanor Gates - Hudson
|
|
|
Peg o' My Heart, by J. Hartley Manners - Cort
|
|
|
Little Women - The Playhouse
|
|
|
Joseph and His Brethren, by Louis N. Parker - Century
|
|
|
The Honeymoon Express, by Joseph W. Herbert and Harold Atteridge The Winter Garden
|
|
|
The Man With Three Wives, by Franz Lehar - Weber and Fields'
|
|
|
“Broadway” Jones - George M. Cohan's Theatre
|
|
|
The Spy, by Peter Le Marchant - Empire
|
|
|
The Conspiracy, by Robert Baker and John Emerson - Garrick
|
|
|
Thais, by Jules Massenet - Metropolitan Opera
|
|
|
Madame Butterfly - Metropolitan Opera
|
|
|
Snow White and the Seven Dwarfs, dramatized by Jessie Braham White - West End
|
|
|
Rutherford and Son, by Githa Sowerby - West End
|
|
|
The Man From Home - B.F. Keith's Harlem Opera House
|
|
|
Fanny's First Play - William Collier's Comedy Theatre
|
|
|
The Firefly, by Otto Hauerbach - Casino
|
|
|
The Miracle, by Karl Vollmoeller - Park
|
|
|
Fine Feathers, by Eugene Walter - Astor
|
|
|
The Spendthrift, by Porter Emerson Browne - B.F. Keith's Harlem Opera House
|
|
|
Program - Ruth St. Denis and her Company of Native Actors in New Hindoo and Japanese Dance Plays - Bakawali, O-Mika - Fulton Theatre
|
|
|
The Master Mind, by Daniel D. Carter - Harris
|
|
|
Everyman - Children's Theatre
|
|
|
Liberty Hall, by R.C. Carton - Empire
|
|
|
Stop Thief - Gaiety
|
|
|
The Ghost Breaker, by Paul Dickey and Charles W. Goddard - Lyceum
|
|
|
Romance, by Edward Sheldon - Maxine Elliott's
|
|
|
Father and the Boys, by George Ade - B.F. Keith's
|
|
|
The Geisha, by Owen Hall - Weber and Field's
|
|
|
All for the Ladies, by Henry Blossom - West End
|
|
|
Reel
5
Frame
873
|
Within the Law, by Bayard Veiller - Eltinge Theatre
|
|
|
Quo Vadis? - Astor
|
|
|
The Five Frankforters, by Basil Hood - 39th Street Theatre
|
|
|
The Talker, by Marion Fairfax - B.F. Keith's
|
|
|
Years of Discretion, by Frederic Hatton and Fanny Locke Hatton - Belasco
|
|
|
The Lady of the Slipper, or, A Modern Cinderella, by Anne Caldwell and Lawrence McCarty - Charles Dillingham's Globe
|
|
|
Widow by Proxy, by Catherine Chisholm Cushing - George M. Cohan's
|
|
|
Mrs. Peckham's Carouse, by George Ade - George M. Cohan's
|
|
|
Arizona, by Augustus Thomas - Lyric
|
|
|
Program of the Colonial Theatre
|
|
|
The Woman, by William C. deMille - B.F. Keith's
|
|
|
The Sunshine Girl, by Paul A. Rubens and Cecil Raleigh - Knickerbocker
|
|
|
Iolanthe, or, the Peer and the Peri, by Gilbert and Sullivan - Casino
|
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|
Damaged Goods, by Eugene Brieux - Fulton
|
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|
The Purple Road, by Fred de Gresac and William Cary Duncan - Liberty
|
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|
The Argyle Case, by Harriet Ford and Harvey J. O'Higgins - Criterion
|
|
|
The Amazons, by Arthur Wing Pinero - Empire
|
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|
North of 53, by Beverly B. Dobbs - Lyceum
|
|
|
Food, by William C. de Mille - Princess
|
|
|
Fear, by H.R. Lenormand and Jean d'Auguzan - Princess
|
|
|
Fancy Free, by Stanley Houghton - Princess
|
|
|
Any Night, by Edward Ellis - Princess
|
|
|
Ziegfeld Follies, Series of 1913 - New Amsterdam
|
|
|
Jack London's Adventures in the South Sea Islands, by Martin Johnson - Criterion
|
|
|
The Million, from the French of Berr and Guillemand - B.F. Keith's
|
|
|
The Passing Show of 1913, by Harold Atteridge - The Winter Garden
|
|
|
All Aboard, by Mark Swan - Lew Fields' 44th Street Roof Garden
|
|
|
The Lure, by George Scarborough - Maxine Elliott's
|
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|
Potash and Perlmutter, by Montague Glass - George M. Cohan's
|
|
|
The Family Cupboard, by Owen Davis - The Playhouse
|
|
|
Adele, by Paul Herbe - H.H. Frazee's Longacre Theatre
|
|
|
Believe Me, Xantippe, by Frederick Ballard - 39th Street
|
|
|
The Fight, by Bayard Veiller - Hudson
|
|
|
The Winning of Barbara Worth, by Edwin Milton Royle - Nixon's Apollo Theatre
|
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|
Sweethearts, by Harry B. Smith and Fred de Gresac - New Amsterdam
|
|
|
Where Ignorance is Bliss, by Ferenc Molnar - Lyceum
|
|
|
Kiss Me Quick, by Philip Bartholomae - 48th Street
|
|
|
The Blue Bird, by Maurice Maeterlinck - Majestic
|
|
|
Seven Keys to Baldpate, by George M. Cohan - Cohan and Harris' Astor Theatre
|
|
|
The Last Days of Pompeii, dramatization of Bulwer Lytton's Novel - Wallack's
|
|
|
The Tempermental Journey, adapted by Leo Ditrichstein - Republic
|
|
|
What Happened to Mary, by Owen Davis - West End
|
|
|
Hamlet, Farewell performance of Forbes-Robertson - Sam S. Shubert Theatre
|
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The Light That Failed, adapted by George Fleming - Sam S. Shubert Theatre
|
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Reel
5
Frame
944
|
At Bay, by George Scarborough - 39th Street Theatre
|
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Nearly Married, by Edgar Selwyn - Gaiety
|
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The Doll Girl, by Leo Stein and A.M. Willner - Globe
|
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|
The Marriage Market, by M. Brody and F. Martos - Knickerbocker
|
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|
Caesar and Cleopatra, by George Bernard Shaw, Farewell appearance of Forbes-Robertson - Sam S. Shubert Theatre
|
|
|
Half an Hour, by J.M. Barrie - Lyceum
|
|
|
The Younger Generation, by Stanley Houghton - Lyceum
|
|
|
Toddles, by Clyde Fitch
|
|
|
The Queen's Champion, by Graham Hill and Hubert Ericsen - Aldwych Theatre, London
|
|
|
Boris Godunoff - Metropolitan Opera
|
|
|
The Love Leash, by Anna Steese Richardson and Edmund Breese - Harris
|
|
|
Ben-Hur, arranged by William Young - New York
|
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Ben Hur, arranged by William Young - Manhattan Opera
|
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The Only Son, by Winchell Smith - B.F. Keith's
|
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Reel
5
Frame
966
|
Volume 38, 1913
|
|
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A Good Little Devil, by Rosemonde Gerard and Maurice Rostand - Republic
|
|
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Review of A Good Little Devil
|
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|
The Whip - Manhattan Opera
|
|
|
The Lady of the Slipper - Globe
|
|
|
Review by Acton Davies of The Lady of the Slipper
|
|
|
Peg o' My Heart, by J. Hartley Manners - Cort
|
|
|
Review of Peg o' My Heart
|
|
|
Fanny's First Play - William Collier's Comedy Theatre [by George Bernard Shaw]
|
|
|
Review of Fanny's First Play
|
|
|
Oh! Oh! Delphine, by C.M.S. McLellan - New Amsterdam
|
|
|
The Poor Little Rich Girl, by Eleanor Gates - Hudson
|
|
|
Review of The Poor Little Rich Girl
|
|
|
Bought and Paid For, by George Broadhurst - Taylor's Colonial
|
|
|
The American Maid, by Leonard Leibling - Broadway
|
|
|
All for the Ladies, by Henry Blossom - Lyric
|
|
|
Review of All for the Ladies
|
|
|
Little Women - The Playhouse
|
|
|
Fine Feathers, by Eugene Walter - Astor
|
|
|
Review of Fine Feathers
|
|
|
The Lady From Oklahoma, by Elizabeth Jordan - 48th Street
|
|
|
Review by Alan Dale of The Lady From Oklahoma
|
|
|
The Purple Road, by Fred de Gresac and William Cary Duncan - Liberty
|
|
|
Review by Acton Davies of The Purple Road
|
|
|
Within the Law, by Bayard Veiller - Eltinge
|
|
|
Review of Within the Law
|
|
|
Rosedale, by Lester Wallack's - Lyric
|
|
|
Review by Alan Dale of Rosedale
|
|
|
Divorçons, by Victorien Sardou and Emile de Najac - The Playhouse
|
|
|
Review of Divorçons
|
|
|
Reel
5
Frame
1032
|
Volume 39, 1913
|
|
|
Romance, by Edward Sheldon - Maxine Elliott's
|
|
|
Review of Romance
|
|
|
The Switchboard, by Elgar Wallace - Princess Players
|
|
|
Food, by William C. deMille - Princess Players
|
|
|
Fear, by H.R. Lenormand and Jean d'Auguzan - Princess Players
|
|
|
Fancy Free, by Stanley Houghton - Princess Players
|
|
|
Any Night, by Edward Ellis - Princess Players
|
|
|
Review of Princess Players four short plays
|
|
|
Program - The Palace Theatre
|
|
|
Review by Alan Dale of Sarah Bernhardt's Vaudeville performance at the Palace Theatre
|
|
|
Her Own Money, by Mark E. Swan - Collier's Comedy Theatre
|
|
|
The Family Cupboard, by Owen Davis - The Playhouse
|
|
|
Kiss Me Quick - 48th Street
|
|
|
Program - Hammerstein's Roof Garden
|
|
|
Potash and Perlmutter - George M. Cohan's Theatre
|
|
|
When Dreams Come True, by Philip Bartholomae - Lew Fields' 44th Street Music Hall
|
|
|
Review of When Dreams Come True
|
|
|
Quo Vadis? - Astor
|
|
|
Program - The Palace Theatre
|
|
|
Lieber Augustun, by Leo Fall - Casino
|
|
|
Review by Alan Dale of Lieber Augustin
|
|
|
Adele, by Paul Herve - H.H. Frazee's Longacre
|
|
|
Review by Alan Dale of Adele
|
|
|
To-day, by George Broadhurst and Abraham S. Schomer - 48th Street
|
|
|
Review by Acton Davies of To-day
|
|
|
The Fight, by Bayard Veiller - Hudson
|
|
|
Review of The Fight
|
|
|
Tante, by C. Haddon Chambers - Empire
|
|
|
Review by Alan Dale of Tante
|
|
|
Reel
6
Frame
1
|
Volume 40, 1914
|
|
|
Review by James O'Donnell Bennett of Her Own Money
|
|
|
The Younger Generation, by Stanley Houghton - Lyceum
|
|
|
Half an Hour, by J.M. Barrie - Lyceum
|
|
|
Review by Acton Davies of The Younger Generation and Half an Hour
|
|
|
The Marriage Market, by M. Brody and F. Martos - Knickerbocker
|
|
|
Review by Alan Dale of The Marriage Market
|
|
|
Kitty MacKay, by Catherine Chisholm Cushing - Comedy
|
|
|
Review by Alan Dale of Kitty MacKay
|
|
|
The Strange Woman, by William Hurlbut - Gaiety
|
|
|
Review by Alan Dale of The Strange Woman
|
|
|
Hamlet, farewell performance of Forbes-Robertson - Manhattan Opera
|
|
|
The Things That Count, by Laurence Eyre - The Playhouse
|
|
|
Review by Acton Davies of The Things That Count
|
|
|
The Legend of Leonora, by J.M. Barrie - Empire
|
|
|
Review by Acton Davies of The Legend of Leonora
|
|
|
Don't Weaken, by Walter Hackett - Maxine Elliott's
|
|
|
At Bay, by George Scarborough - 39th Street
|
|
|
Review by Acton Davies of At Bay
|
|
|
En Deshabille, by Edward Goodman - Princess Players
|
|
|
Hari-Kari, by Julian Johnson - Princess Players
|
|
|
The Black Mask, by F. Tennyson Jesse and H.M. Harwood - Princess
|
|
|
The Bride, by William Hurlburt - Princess Players
|
|
|
Russia, by Gaston Charles Richard - Princess Players
|
|
|
A Thousand Years Ago, by Percy Mackaye - Sam S. Shubert Theatre
|
|
|
Review by Alan Dale of A Thousand Years Ago
|
|
|
The Misleading Lady, by Charles Goddard and Paul Dickey - Fulton
|
|
|
Review by Acton Davies of The Misleading Lady
|
|
|
Travelogue - Cruising Through the Philippines
|
|
|
The Secret, by Henri Bernstein - Belasco
|
|
|
Review by Alan Dale of The Secret
|
|
|
Young Wisdom, by Rachel Crothers - Gaiety
|
|
|
Review by Alan Dale of Young Wisdom
|
|
|
Help Wanted, by Jack Lait - Maxine Elliott's
|
|
|
Review by Acton Davies of Help Wanted
|
|
|
The Queen of the Movies, by Glen MacDonough - Globe
|
|
|
Review by Alan Dale of The Queen of the Movies
|
|
|
When Claudia Smiles, by Anne Caldwell - Lyric
|
|
|
Review by Acton Davies of When Claudia Smiles
|
|
|
The Midnight Girl, by Paul Herve - 44th Street
|
|
|
Review by Acton Davies of The Midnight Girl
|
|
|
Too Many Cooks, by Frank Craven - 39th Street
|
|
|
Review by Alan Dale of Too Many Cooks
|
|
|
Omar, the Tentmaker, by Richard Walton Tully - Lyric
|
|
|
Review by Alan Dale of Omar, the Tentmaker
|
|
|
Reel
6
Frame
56
|
Volume 41, 1914-1915
|
|
|
Jerry, by Catherine Chisholm Cushing - Lyceum
|
|
|
Review of Jerry
|
|
|
Seven Keys to Baldpate, by George M. Cohan - Astor
|
|
|
Sari, by Julius Wilhelm and Fritz Grunbaum - New Amsterdam
|
|
|
Review by Acton Davies of Sari
|
|
|
The Yellow Ticket, by Michael Morton - Eltinge
|
|
|
Review by Alan Dale of The Yellow Ticket
|
|
|
The Dummy, by Harvey J. O'Higgins and Harriet Ford - Hudson
|
|
|
Cabiria, by Gabriele d'Annunzio - Knickerbocker
|
|
|
The Truth, by Clyde Fitch - Little Theatre
|
|
|
Program - B.F. Keith's Palace Theatre
|
|
|
My Lady's Dress, by Edward Knoblauch - The Playhouse
|
|
|
The Beautiful Adventure, by R. De Flers and A. De Caillavet - Lyceum
|
|
|
Innocent, by George Broadhurst - Eltinge
|
|
|
Pygmalion, by G. Bernard Shaw - Park
|
|
|
It Pays to Advertise, by Roi Cooper Megrue and Walter Hackett - George M. Cohan's
|
|
|
The Miracle Man, by George M. Cohan - Astor
|
|
|
Wars of the World, by Arthur Voegtlin - New York Hippodrome
|
|
|
Life, by Thompson Buchanan - Manhattan Opera
|
|
|
A Pair of Silk Stockings - Little Theatre
|
|
|
Daddy Long-Legs, by Jean Webster - Gaiety
|
|
|
Review of Daddy Long-Legs
|
|
|
The Phantom Rival, by Leo Ditrichstein - Belasco
|
|
|
Polygamy, by Harvey O'Higgins and Harriet Ford - The Playhouse
|
|
|
Review of Polygamy
|
|
|
Sinners, by Owen Davis - The Playhouse
|
|
|
Article about Sinners
|
|
|
Du Barry - Candler Theatre
|
|
|
A Mix-Up, by Parker A. Hord - 39th Street
|
|
|
Under Cover, by Roi Cooper Megrue - Cort
|
|
|
Reel
6
Frame
128
|
Volume 42, 1914-1915
|
|
|
A Modern Girl - Olympic
|
|
|
The Auctioneer - Powers
|
|
|
Her Own Money - Studebaker
|
|
|
The Little Parisienne - Auditorium
|
|
|
The Marriage Market - Illinois
|
|
|
The Strange Woman - Illinois
|
|
|
Daddy Long-Legs, by Jean Webster - Powers
|
|
|
Potash and Perlmutter - Olympic
|
|
|
Obituary - Barney Bernard , (1943)
|
|
|
The Revolt - American Music Hall
|
|
|
Obituary - Helen Ware , (1939)
|
|
|
The Legend of Leonora - Blackstone
|
|
|
The Ladies' Shakespeare - Blackstone
|
|
|
Kitty MacKay - Princess
|
|
|
Program - Majestic
|
|
|
Obituary - Marshall Montgomery , (n.d.)
|
|
|
Obituary - May Irwin , (1938)
|
|
|
Our Children - Princess
|
|
|
Obituary - Christine Norman , (n.d.)
|
|
|
The Dummy - Powers
|
|
|
Obituary - Harriet Ford , (1949)
|
|
|
Get-Rich-Quick Wallingford - Willard
|
|
|
The Argyle Case - Willard
|
|
|
Ready Money - Willard
|
|
|
Rolling Stones - La Salle
|
|
|
Obituary - Ernest Glendenning , (1936)
|
|
|
Graustark - Willard
|
|
|
Sari - Illinois
|
|
|
Alias Jimmy Valentine - Willard
|
|
|
Obituary - William Gillette , (1937)
|
|
|
Obituary - Blanche Bates , (1941)
|
|
|
Diplomacy - Blackstone
|
|
|
The Three Twins - Willard
|
|
|
The Crinoline Girl - Olympic
|
|
|
The Traveling Salesman - Willard
|
|
|
The Girl From Utah - Illinois
|
|
|
The Lady We Love - La Salle
|
|
|
King Lear - Garrick
|
|
|
Reel
6
Frame
345
|
Volume 43, 1914-1918
|
|
|
Reviews and Newspaper Articles Regarding:
|
|
|
The Elder Son
|
|
|
The White Feather
|
|
|
The Critic
|
|
|
She's in Agan
|
|
|
Mr. Myd's Mystery
|
|
|
No. 13 Washington Square
|
|
|
A Place in the Sun
|
|
|
Ruggles of Red Gap
|
|
|
Stop, Look, Listen
|
|
|
The Devil's Garden
|
|
|
Captain Brassbound's Conversion
|
|
|
Justice
|
|
|
Servant-Master-Lover
|
|
|
My Lady's Name
|
|
|
Please Help Emily
|
|
|
Flora Bella
|
|
|
Nothing But the Truth
|
|
|
The Intruder
|
|
|
Come Out of the Kitchen
|
|
|
The Gods of the Mountain
|
|
|
King Argimenes and the Unknown Warrior
|
|
|
Johnny Get Your Gun
|
|
|
Magic
|
|
|
The Little Man
|
|
|
The Willow Tree
|
|
|
The Fugitive
|
|
|
Lonely Soldiers
|
|
|
Art and Opportunity
|
|
|
The Star Gazer
|
|
|
Fancy Free
|
|
|
Circus - Royal Alexandra Theatre, Toronto
|
|
|
Mr. Barnum
|
|
|
An Ideal Husband
|
|
|
Reel
6
Frame
512
|
Volume 44, 1915
|
|
|
The Hawk, by Francis de Croisset - Maxine Elliott's
|
|
|
Review of The Hawk
|
|
|
Kick In, by Willard Mack - Republic Theatre
|
|
|
Annual Benefit in Behalf of the Actors Fund of America - Century Theatre
|
|
|
Program - B.F. Keith's Palace Theatre
|
|
|
War Brides, by Marion Craig Wentworth - B.F. Keith's
|
|
|
Children of Earth, by Alice Brown - Booth Theatre
|
|
|
Program - Saison Ballet Russe - with Anna Pavlowa
|
|
|
Program - The Strand
|
|
|
Program - B.F. Keith's Palace Theatre
|
|
|
The Law of the Land, by George Broadhurst - 48th Street
|
|
|
Dance Revue by Ida Fuller - William Morris Jardin de Danse
|
|
|
The Trap, by Richard Harding Davis and Jules Eckert Goodman - Booth
|
|
|
Review of The Trap
|
|
|
Jack's Romance, by Augustus Pitou, Sr. - Grand Opera House
|
|
|
Program - James Barnes' Moving Pictures Through Central Africa From Coast to Coast - Princess
|
|
|
Chin-Chin, or, A Modern Aladdin, by Anne Caldwell and R.H. Burnside - Globe
|
|
|
Twin Beds, by Salisbury Field and Margaret Mayo - Fulton
|
|
|
Snatched From a Burning Death, by Charles L. Gaskill - Vitagraph
|
|
|
Cupids Column, by Frank Dazey - Vitagraph
|
|
|
A Child of the North, by Frederic Chapin - Vitagraph
|
|
|
The Jarr Family Discovers Harlem, by Roy L. McCardell - Vitagraph
|
|
|
The Radium Thieves, by John Laughran - Vitagraph
|
|
|
Fads and Fancies, by Glen MacDonough - Knickerbocker
|
|
|
Review of Fads and Fancies
|
|
|
The Man Who Married a Dumb Wife, by Anatole France - Wallack's
|
|
|
Androcles and the Lion, by Bernard Shaw - Wallack's
|
|
|
Program - B.F. Keith's Palace Theatre
|
|
|
Outcast, by Hubert Henry Davies - Lyceum
|
|
|
Hello, Broadway, by George M. Cohan - Astor
|
|
|
Marie-Odile, by Edward Knoblauch - Belasco
|
|
|
Review of Marie-Odile
|
|
|
The Shadow, by Dario Niccodemi and Michael Morton - Empire
|
|
|
Review of The Shadow
|
|
|
The White Feather, by Lechmere Worrall and J.E. Harold Terry - Comedy
|
|
|
Review of The White Feather
|
|
|
The Law of the Land, by George Broadhurst - 48th Street
|
|
|
On Trial, by Elmer L. Reizenstein - Candler Theatre
|
|
|
Alice in Wonderland, dramatized by Alice Gerstenberg - Booth
|
|
|
The Show Shop, by James Forbes - Hudson
|
|
|
The Peasant Girl, by Leo Stein, adapted by Edgar Smith - 44th Street Theatre
|
|
|
Inside the Lines, by Earl Derr Biggers - Longacre
|
|
|
Reel
6
Frame
580
|
Volume 45, 1915-1916
|
|
|
Experience, by George V. Hobart - The Casino
|
|
|
Program - B.F. Keith's Palace
|
|
|
The Song of Songs, by Edward Sheldon - Eltinge
|
|
|
Watch Your Step, by Irving Berlin and H.B. Smith - New Amsterdam
|
|
|
Trilby, by Paul M. Potter - Sam S. Shubert Theatre
|
|
|
The Sorcerer - 48th Street
|
|
|
Trial by Jury - 48th Street
|
|
|
She's in Again, by Thomas J. Gray - Gaiety
|
|
|
Articles about Julia Dean
|
|
|
The Blindness of Virtue, by Cosmo Hamilton - Castle Square
|
|
|
Program - B.F. Keith's Theatre, Boston
|
|
|
Young America, by Fred Ballard - Gaiety
|
|
|
Program - B.F. Keith's, Boston
|
|
|
Review of Young America
|
|
|
Hip-Hip-Hooray, by R.H. Burnside
|
|
|
Review of Hip-Hip-Hooray
|
|
|
Mrs. Boltay's Daughters, by Marion Fairfax - Comedy
|
|
|
His Father's Footsteps - Knickerbocker
|
|
|
The Martyr's of the Alamo - Knickerbocker
|
|
|
Fickle Fatty's Fall - Knickerbocker
|
|
|
Matrimony - Knickerbocker
|
|
|
Under Fire, by Roi Cooper Megrue - Hudson
|
|
|
The Princess Pat, by Henry Blossom - Cort
|
|
|
Review of The Princess Pat
|
|
|
Program - Broadway Theatre
|
|
|
Review of film of Carmen - Strand Theatre
|
|
|
First Private Concert of The Singers Club of New York
|
|
|
Major Barbara, by George Bernard Shaw - The Playhouse
|
|
|
Because He Loved Her - Knickerbocker
|
|
|
Peggy - Knickerbocker
|
|
|
Just a Woman, by Eugene Walter - 48th Street
|
|
|
Review of Just a Woman
|
|
|
Program - Century Lyceum Theatre
|
|
|
The Mountaineer, by Kenneth and Roy Webb - Century Lyceum
|
|
|
Our Mrs. McChesney, by George V. Hobart and Edna Ferber - Lyceum
|
|
|
The Unchastened Woman, by Louis K. Anspacher - 39th Street
|
|
|
Margaret Schiller, by Hall Caine - New Amsterdam
|
|
|
Fair and Warmer, by Avery Hopwood - Eltinge
|
|
|
Review of Fair and Warmer
|
|
|
Joan of Arc - film
|
|
|
Program - B.F. Keith's Palace
|
|
|
With Villa and His Forces, by H. Sherman Martin Knickerbocker (lecture with photos)
|
|
|
The Raiders - Knickerbocker
|
|
|
The Bright Lights - Knickerbocker
|
|
|
To Have and To Hold (film)
|
|
|
Out of the Drifts (film) - Broadway
|
|
|
The House of Glass, by Max Marcin - Candler
|
|
|
Katinka - 44th Street
|
|
|
One Day - Broadway Theatre
|
|
|
The Code of Marcia Gray - Broadway
|
|
|
The Lost Bridegroom (film)
|
|
|
The Stepping Stone - Knickerbocker
|
|
|
By Stork Delivery - Knickerbocker
|
|
|
The New York Idea, by Langdon Mitchell - The Playhouse
|
|
|
Obituary - Ernest Lawford , (n.d.)
|
|
|
Program - B.F. Keith's Palace
|
|
|
Reel
6
Frame
660
|
Volume 46, 1915-1916
|
|
|
The Princess of Israel
|
|
|
The Songbird - Grand Opera House
|
|
|
The Shadow - Blackstone
|
|
|
Outcast, by Hubert Henry Davies - Powers
|
|
|
Peg o' My Heart - Cort
|
|
|
Obituary - Peggy O'Neil , (1947?)
|
|
|
All Over Town - Garrick
|
|
|
Program - Majestic
|
|
|
Beverly's Balance - Grand Opera House
|
|
|
Peg o' My Heart - Cort
|
|
|
The Lady in Red - Cohan's Grand Opera House
|
|
|
Obituary - Valli Valli , (1927)
|
|
|
It Pays to Advertise, by Roi Cooper Megrue and Walter Hackett - Cohan's Grand Opera House
|
|
|
Pollyanna - Blackstone
|
|
|
The Only Girl - Garrick
|
|
|
Inside the Lines, by Earl Derr Biggers - Cort
|
|
|
Kick In - Olympic
|
|
|
Program - Majestic
|
|
|
Watch Your Step - Illinois
|
|
|
Obituary - Harry Kelly , (1936)
|
|
|
His Majesty Bunker Bean - Cort
|
|
|
Marie-Odile - Powers
|
|
|
Obituary - Harry Holliday , (1942)
|
|
|
Program - Palace
|
|
|
Program - Majestic
|
|
|
Program - Palace
|
|
|
Program - Majestic
|
|
|
Experience - Garrick
|
|
|
Program - Majestic
|
|
|
Program - Palace
|
|
|
Sherlock Holmes - Blackstone
|
|
|
Program - Palace
|
|
|
Reel
6
Frame
877
|
Volume 47, 1916
|
|
|
Vaudeville Program - Palace
|
|
|
Obituary - Joe Weber , (1942)
|
|
|
Young America - Cohan's Opera House
|
|
|
Vaudeville Program - Palace
|
|
|
Chin-Chin - Illinois
|
|
|
Obituary - Douglas Stevenson , (1935)
|
|
|
Young America - Cohan's Grand Opera House
|
|
|
Obituary - Jasper the dog
|
|
|
Vaudeville Program - Palace
|
|
|
Obituary - Emma Calvé , (1942)
|
|
|
Vaudeville Program - Palace (3)
|
|
|
Jane O'Day From Broadway - Cohan's Grand Opera
|
|
|
Rio Grande - Blackstone
|
|
|
Vaudeville Program - Palace (2)
|
|
|
Taming of the Shrew - Princess
|
|
|
Our Mrs. McChesney - Powers
|
|
|
Harry Lauder - Garrick
|
|
|
Molly o' - Cohan's Grand Opera
|
|
|
The Little Minister - Blackstone
|
|
|
33 Washington Square - Cohan's Grand Opera
|
|
|
Treasure Island - Colonial
|
|
|
A Pair of Queens - Cort
|
|
|
Mr. Lazarus - Princess
|
|
|
Vaudeville Program - Majestic
|
|
|
Review of Vaudeville at the Majestic
|
|
|
Fair and Warmer - Cort
|
|
|
Cohan Revue 1916 - Cohan's Grand Opera
|
|
|
Common Clay - Olympic
|
|
|
Pom-Pom - Illinois
|
|
|
Step This Way - Garrick
|
|
|
Please Help Emily - Powers
|
|
|
Go To It - Princess
|
|
|
If I Were King - Blackstone
|
|
|
Hit-the-Trail-Holiday - Cohan's Grand
|
|
|
Follies of 1916 - Illinois
|
|
|
Fixing Sister - Princess
|
|
|
Obituary - Ernest Young , (1918)
|
|
|
The Boomerang - Powers
|
|
|
His Bridal Night - Olympic
|
|
|
Reel
6
Frame
1068
|
Obituary - Rosa Olitzka , (1949)
|
|
|
Reel
7
Frame
1
|
Volume 48, 1917-1919
|
|
|
Betty - Illinois
|
|
|
Obituary - Cosmo Hamilton , (1942)
|
|
|
Very Good Eddie - American Music Hall
|
|
|
The Heart of Paddy Whack - Olympic
|
|
|
Turn to the Right - Cohan's Grand Opera
|
|
|
Follow Me - Garrick
|
|
|
Obituary - Anna Held , (n.d.)
|
|
|
Seven Chances - Cort
|
|
|
Good Gracious Annabelle - Cort
|
|
|
Obituary - Lola Fisher , (1926)
|
|
|
Pals First - Illinois
|
|
|
Dollars and Sense, by Alan Brooks - Garrick
|
|
|
13th Chair - Garrick
|
|
|
Vaudeville Program - Palace
|
|
|
Rambler Rose, by Harry B. Smith - Illinois
|
|
|
Maytime - Studebaker
|
|
|
The Music Master - Powers
|
|
|
Hitchy-Koo - Colonial
|
|
|
Obituary - Lillian Russell , (1922)
|
|
|
Oh, Boy - La Salle
|
|
|
The Riviera Girl - Blackstone
|
|
|
Friendly Enemies, by Samuel Shipman and Aaron Hoffman - Woods
|
|
|
General Post, by J.E. Harold Terry - Powers
|
|
|
Just Around the Corner - Cort
|
|
|
The Gypsy Trail - Cort
|
|
|
Oh, Look - La Salle
|
|
|
A Cure for Curables, by Earl Derr Biggers and Lawrence Whitman - Studebaker
|
|
|
Benefit - Cohan's Grand Opera House
|
|
|
The Wanderer, by Maurice V. Samuels - Auditorium
|
|
|
A Marriage of Convenience - Blackstone
|
|
|
Eyes of Youth - Princess
|
|
|
Obituary - Margaret Illington , (1934)
|
|
|
The Crowded Hour, by Edgar Selwyn and Channing Pollock - Woods
|
|
|
Happiness, by J. Hartley Manners - Powers'
|
|
|
Il Trovatore - Auditorium
|
|
|
The Copperhead, by Augustus Thomas - Studebaker
|
|
|
Polly With a Past, by George Middleton and Guy Bolton - Powers
|
|
|
A Tailor-Made Man, by Harry James Smith - Cohan's Grand Opera
|
|
|
Three Faces East, by Anthony Paul Kelly - Olympic
|
|
|
Ziegfeld Follies, 1918 - Colonial
|
|
|
Going Up, by Otto Harbach - Cohan's Grand Opera
|
|
|
Hitchy-Koo-- 1918, by Glen MacDonough - Illinois
|
|
|
The Off Chance, by R.C. Carton - Powers
|
|
|
Head Over Heels, by Edgar Allan Woolf - Illinois
|
|
|
Obituary - Boyd Marshall , (1950)
|
|
|
Honeymoon Town, by Will M. Hough - La Salle
|
|
|
Up In Mabel's Room, by Wilson Collison and Otto Harbach - Woods
|
|
|
Actor's Equity Benefit - Auditorium
|
|
|
The Canary, from the French of Georges Barr and Louis Verneuil - Colonial
|
|
|
Jack O'Lantern, by Anne Caldwell and R.H. Burnside - Colonial
|
|
|
The Brat, by Maude Fulton - Harris
|
|
|
Tillie
|
|
|
Reel
7
Frame
193
|
Volume 49, 1919
|
|
|
Newsclippings and articles concerning actress Suzanne Willa
|
|
|
Reel
7
Frame
341
|
Volume 50, 1919
|
|
|
Fifty-Fifty, Ltd. - Globe Theatre, Atlantic City, N.J.
|
|
|
Mis' Nell of N'Orleans - Apollo Theatre, Atlantic City
|
|
|
Roads of Destiny - Lyric, Philadelphia
|
|
|
She's A Good Fellow - Forrest, Philadelphia
|
|
|
Roly Boly Eyes - Apollo, Atlantic City
|
|
|
Forever After - Globe, Atlantic City
|
|
|
Toby's Bow - Adelphi
|
|
|
Sinbad - Shubert, Philadelphia
|
|
|
Geo. White's Scandals of 1919 - Forrest
|
|
|
Good Morning Judge! - Chestnut Street Opera House
|
|
|
Hon. Abe Potash - Adelphi
|
|
|
The Jest - Plymouth, New York
|
|
|
Obituary - Sem Benelli , (1949)
|
|
|
Shubert's Gaieties of 1919 - Winter Garden, New York
|
|
|
39 East - Lyric
|
|
|
The Shubert Gaieties of 1919 - Chestnut Street Opera House
|
|
|
Hamlet - Broad Street Theatre
|
|
|
The Little Blue Devil - Lyric
|
|
|
Look Who's Here - Garrick, Philadelphia
|
|
|
Sinbad - Shubert, Philadelphia
|
|
|
A Little Journey - Adelphi
|
|
|
Sometime - Chestnut Street Opera House
|
|
|
Vaudeville Program - Keith's, Philadelphia
|
|
|
The Unknown Purple - Lyric
|
|
|
John Ferguson - Broad Street Theatre
|
|
|
The Haunted Violin - Garrick, Philadelphia
|
|
|
Tea For Three - Adelphi
|
|
|
Monte Cristo, Jr. - Shubert, Philadelphia
|
|
|
Apple Blossoms - Globe, New York
|
|
|
The Magic Melody - Shubert, New York
|
|
|
The Dancer - Lyric, New York
|
|
|
The Royal Vagabond - Cohan and Harris, New York
|
|
|
Déclassée - Empire, New York
|
|
|
Obituary - Claude E. King , (1941)
|
|
|
The Passing Show of 1919 - Winter Garden
|
|
|
Monte Cristo, Jr. - Shubert, Philadelphia
|
|
|
The Lonely Romeo - Shubert, Philadelphia
|
|
|
Oh My Dear - Chestnut Street Opera House
|
|
|
Daddies - Broad Street
|
|
|
Tiger! Tiger! - Garrick, Philadelphia
|
|
|
The Acquittal - George M. Cohan's Grand
|
|
|
Ziegfeld Follies - Colonial
|
|
|
Civilian Clothes - Olympic
|
|
|
Ladies First - Cort
|
|
|
Little Simplicity - La Salle
|
|
|
Reel
7
Frame
528
|
Volume 51, 1919-1922
|
|
|
Newsclippings and reviews concerning:
|
|
|
Driftwood
|
|
|
A Friendly Divorce
|
|
|
A Little Journey
|
|
|
An Ideal Husband
|
|
|
Art and Opportunity
|
|
|
Billeted
|
|
|
Scandal
|
|
|
Hobohemia
|
|
|
Caesar's Wife
|
|
|
My Lady Friends
|
|
|
39 East
|
|
|
Take It From Me
|
|
|
Dark Rosaleen
|
|
|
Scandal
|
|
|
Dark Rosaleen
|
|
|
An Exchange of Wives
|
|
|
He and She
|
|
|
The Charm School
|
|
|
Nice People
|
|
|
Swords
|
|
|
The Silver Fox
|
|
|
Blossom Time
|
|
|
Everyday
|
|
|
Her Salary Man
|
|
|
Danger!
|
|
|
S.S. Tenacity
|
|
|
The Silver Fox
|
|
|
The First Fifty Years
|
|
|
Creditors
|
|
|
Billeted
|
|
|
The Rotters
|
|
|
A Pinch Hitter
|
|
|
West of Pittsburg
|
|
|
Savva
|
|
|
Pomp and Circumstance
|
|
|
Her Salary Man
|
|
|
Disraeli
|
|
|
Honor Bright
|
|
|
Bull-Dog Drummond
|
|
|
The Painted Lady
|
|
|
The Lady Cristilinda
|
|
|
Husbands Are a Problem
|
|
|
Glamour
|
|
|
The Wheel
|
|
|
Program - Auditorium Theatre, Baltimore
|
|
|
The Picture of Dorian Gray
|
|
|
Reel
7
Frame
707
|
Volume 52, 1920
|
|
|
The Rose of China - Chestnut Street Opera House
|
|
|
Nothing But Love - Shubert, Philadelphia
|
|
|
Vaudeville Program - Keith's, Philadelphia
|
|
|
The Hottentot - Broad Street Theatre
|
|
|
Hitchy-Koo of 1919 - Forrest, Philadelphia
|
|
|
Greenwich Village Follies - Shubert, Philadelphia
|
|
|
The Crimson Alibi - Adelphi
|
|
|
Forever After - Lyric, Philadelphia
|
|
|
Aphrodite - Century, New York
|
|
|
Monsieur Beaucaire - New Amsterdam
|
|
|
Ben Hur - Forrest
|
|
|
Tillie's Nightmare - Broad, Philadelphia
|
|
|
Elsie Janis and Her Gang - Garrick, Philadelphia
|
|
|
Somebody's Sweetheart - Chestnut Street Opera
|
|
|
Adam and Eva - Longacre, New York
|
|
|
Ziegfeld Midnight Frolic - Ziegfeld Roof, New Amsterdam Theatre
|
|
|
Irene - Vanderbilt Theatre, New York
|
|
|
One Night in Rome - George M. Cohan's, New York
|
|
|
The Guest of Honor - Lyric, Philadelphia
|
|
|
Macbeth - Broad, Philadelphia
|
|
|
Dere Mable - Garrick
|
|
|
Frivolities of 1920 - Chestnut Street Opera
|
|
|
Listen Lester - Forrest
|
|
|
The Ed Wynn Carnival - Garrick
|
|
|
Aphrodite - Century
|
|
|
The Tragedy of Richard III - Plymouth
|
|
|
Welcome Stranger - Cohan's Grand, Chicago
|
|
|
Monte Cristo, Jr. - Woods
|
|
|
Obituary - Jack Squires , (1938)
|
|
|
Golden Days - Powers
|
|
|
Clarence - Blackstone
|
|
|
The “Ruined” Lady - Princess
|
|
|
Mary - Garrick
|
|
|
Oui, Madame - Philadelphia Theatre
|
|
|
The Girl From Home - Forrest
|
|
|
Betty Be Good - Chestnut Street Opera
|
|
|
Twelfth Night - Lyric
|
|
|
Linger Longer Letty - Chestnut Street Opera
|
|
|
Follies - Forrest
|
|
|
Civilian Clothes - Lyric
|
|
|
The Sweetheart Shop - Illinois
|
|
|
The Greenwich Village Follies - Studebaker
|
|
|
Century Midnight Whirl(?) - La Salle
|
|
|
Mamma's Affair - Cort
|
|
|
The Storm - Olympic
|
|
|
Reel
7
Frame
909
|
Volume 53, 1920-1921
|
|
|
Honey Girl - Cohan's Grand Opera
|
|
|
Buddies - Woods
|
|
|
The Purple Mask - Studebaker
|
|
|
The Passion Flower - Central
|
|
|
Aphrodite - Auditorium
|
|
|
Geo. White's Scandals - Colonial
|
|
|
Honey Girl - Cohan's Grand
|
|
|
Scrambled Wives - Playhouse
|
|
|
Beyond the Horizon - Princess
|
|
|
Smilin' Through - Cort
|
|
|
The Blue Flame - Garrick
|
|
|
Happy-Go-Lucky - Playhouse
|
|
|
Reel
7
Frame
967
|
Sonya - Princess
|
|
|
Not So Long Ago - Studebaker
|
|
|
Cinderella On Broadway - Studebaker
|
|
|
Abraham Lincoln - Blackstone
|
|
|
Obituary - John Drinkwater , (1937)
|
|
|
Ziegfeld Follies - Colonial
|
|
|
The Bat - Princess
|
|
|
As You Were - Studebaker
|
|
|
The Half Moon - Illinois
|
|
|
Famous Mrs. Fair - Blackstone
|
|
|
Mecca - Auditorium
|
|
|
The Charm School - Central
|
|
|
The Tavern - Cohan's Grand
|
|
|
Obituary - Lowell Sherman , (1934)
|
|
|
Mecca - Auditorium
|
|
|
Florodora - Studebaker
|
|
|
My Lady Friends - Central
|
|
|
Follies of 1920 - Colonial
|
|
|
Cognac - Studebaker
|
|
|
When We Were Young - La Salle
|
|
|
Obituary - Alma Tell , (1937)
|
|
|
Hitchy-Koo 1921 - Illinois
|
|
|
Shavings - Powers
|
|
|
Happy-Go-Lucky - Playhouse
|
|
|
Obituary - O.P. Heggie , (1936)
|
|
|
Just Suppose - Blackstone
|
|
|
Woman to Woman - Playhouse
|
|
|
Kissing Time - La Salle
|
|
|
East Is West - Garrick
|
|
|
Just Suppose - Blackstone
|
|
|
Dulcy - Cort
|
|
|
Reel
8
Frame
1
|
Volume 54, 1921-1922
|
|
|
Golden Days - Gaiety, New York
|
|
|
Tip-Top - Colonial
|
|
|
George White's Scandals - Illinois
|
|
|
Nice People - Cort
|
|
|
Afgar - Studebaker
|
|
|
The Skin Game - Central
|
|
|
Greenwich Village Follies - Garrick
|
|
|
Elsie Janis and Her Gang - Illinois
|
|
|
The Gold Diggers - Powers
|
|
|
Enter Madame - Playhouse
|
|
|
Little Old New York - Cohan's Grand
|
|
|
Ragged Robin - Olympic
|
|
|
Ziegfeld Follies - Colonial
|
|
|
The Last Waltz - Garrick
|
|
|
Lightnin' - Blackstone
|
|
|
Obituary - Minnie Palmer , (1936)
|
|
|
Blood and Sand - Illinois
|
|
|
Bluebeard's 8th Wife - Garrick
|
|
|
The Easiest Way - Powers
|
|
|
The Varying Shore - Woods
|
|
|
Lady Billy - Illinois
|
|
|
The Silver Fox - La Salle
|
|
|
Only 38 - Olympic
|
|
|
The Intimate Strangers - Powers
|
|
|
Ziegfeld Frolic - Colonial
|
|
|
Ladies Night - Woods
|
|
|
Red Pepper - Apollo
|
|
|
The O'Brien Girl - Cohan's Grand
|
|
|
The Dream Maker - Powers
|
|
|
Anna Christie - Cort
|
|
|
Just Married - La Salle
|
|
|
The Nightcap - Playhouse
|
|
|
It Pays to Smile - Olympic
|
|
|
Obituary - May Robson , (1942)
|
|
|
Lightnin' - Blackstone
|
|
|
Obituary - Frank Bacon , (1922)
|
|
|
Liliom - Garrick
|
|
|
Molly Darling - Palace
|
|
|
Lilies of the Field - Powers
|
|
|
Garrison and the Girls - Cohan's Grand
|
|
|
For Goodness Sake - Garrick
|
|
|
The Hotel Mouse - Apollo
|
|
|
Her Temporary Husband - Cort
|
|
|
Liliom - Great Northern
|
|
|
Reel
8
Frame
178
|
Volume 55, 1921
|
|
|
Tickle Me - Illinois
|
|
|
Pitter Patter - Playhouse
|
|
|
Gertie's Garter - Woods
|
|
|
Bab - Blackstone
|
|
|
The Meanest Man in the World - Gohan's Grand Opera
|
|
|
Samson and Delilah - Playhouse
|
|
|
Call the Doctor - Powers
|
|
|
Broadway Brevities of 1920 - Studebaker
|
|
|
East Is West - Garrick
|
|
|
Bab - Blackstone
|
|
|
Thy Name Is Woman - Playhouse
|
|
|
The Sign on the Door - Woods
|
|
|
Passing Thou - Apollo
|
|
|
Peg o' My Heart - Powers
|
|
|
Romance - Garrick
|
|
|
Clair de Lune - Empire, New York
|
|
|
Sally - New Amsterdam
|
|
|
Opera - Theatro Municipal, Rio de Janeiro, Brazil
|
|
|
C'Est de la Folie! - Folies-Bergere, Paris
|
|
|
Phi-Phi - Des Bouffes-Parisiens, Paris
|
|
|
Dans Un Fauteuil - Casino de Paris
|
|
|
Paris-en-Shimmy-Se - Ambassadeurs, Paris
|
|
|
Short plays - Grand Guignol
|
|
|
Die Braut des Lucullus - Theater des Westens, Berlin
|
|
|
Die Konigin der Nacht - Neues Operettenhaus, Berlin
|
|
|
Die Strafensangerin - Metropol, Berlin
|
|
|
Prinzessin Olala - Berliner Theater, Berlin
|
|
|
League of Notions - New Oxford, London
|
|
|
Now and There - Vaudeville Theatre, London
|
|
|
Pins and Needles - Gaiety, London
|
|
|
The Edge o' Beyond - Garrick, London
|
|
|
Christopher Sly - New Theatre, London
|
|
|
Sybil - Daly's Theatre, London
|
|
|
The Gypsy Princess - Strand Theatre, London
|
|
|
Cairo - His Majesty's Theatre, London
|
|
|
Obituary - Oscar Asche , (n.d.)
|
|
|
The Speckled Band - St. James' Theatre, London
|
|
|
Fun of the Fayre - London Pavilion
|
|
|
The Peep Show - London Hippodrome
|
|
|
Obituary - Stanley Lupino , (1942)
|
|
|
Quality Street - Theatre Royal, Haymarket, London
|
|
|
Now and Then
|
|
|
Reel
8
Frame
388
|
Volume 56, 1922-1925
|
|
|
Newsclippings and reviews regarding:
|
|
|
The Lady Christilinda
|
|
|
Why Not?
|
|
|
Roger Bloomer
|
|
|
The Voice
|
|
|
Goodness Knows
|
|
|
Poppy
|
|
|
Sally of the Sawdust
|
|
|
Scaramouche
|
|
|
Queen Victoria
|
|
|
The Best People
|
|
|
The Creaking Chair
|
|
|
Nerves
|
|
|
No, No, Nanette
|
|
|
Sancho Panza
|
|
|
That Awful Mrs. Eaton
|
|
|
Bewitched
|
|
|
The Student Prince
|
|
|
Parasites
|
|
|
The Spook Sonata
|
|
|
The New Poor
|
|
|
The Magnolia Lady
|
|
|
They Knew What They Wanted
|
|
|
Processional
|
|
|
Mrs. Partridge Presents
|
|
|
The Habitual Husband
|
|
|
The Undertow
|
|
|
Processional
|
|
|
Out of Step
|
|
|
The Complex
|
|
|
Wild Birds
|
|
|
The School Maid
|
|
|
June Days
|
|
|
Lucky Sam McCarver
|
|
|
Lovely Lady
|
|
|
The Carolinian
|
|
|
Arabesque
|
|
|
Love `Em and Leave `Em
|
|
|
Reel
8
Frame
669
|
Volume 57, 1922-1923
|
|
|
To The Ladies - Cohan's Grand Opera
|
|
|
The Guilty One - Woods
|
|
|
Good Morning Dearie - Colonial
|
|
|
Bull Dog Drummond - Powers
|
|
|
The White Peacock - Playhouse
|
|
|
Just Married - La Salle
|
|
|
Obituary - Lynne Overman , (1943)
|
|
|
The Blushing Bride - Great Northern
|
|
|
The Goldfish - Studebaker
|
|
|
Bombo - Apollo
|
|
|
The Circle - Selwyn
|
|
|
Perfect Fool - Illinois
|
|
|
Julius Caesar - Olympic
|
|
|
The Cat and the Canary - Princess
|
|
|
The Green Goddess - Great Northern
|
|
|
Under False Pretenses - La Salle
|
|
|
Thank-U - Cort
|
|
|
Six Cylinder Love - Harris
|
|
|
To The Ladies - Cohan's Grand Opera
|
|
|
Robin Hood - Cohan's Grand Opera
|
|
|
Anna Christie - Studebaker
|
|
|
The French Doll - Powers
|
|
|
A Bill of Divorcement - Central
|
|
|
Revue Russe - Playhouse
|
|
|
The Green Goddess - Great Northern
|
|
|
The First Year - Woods
|
|
|
The Hairy Ape - Studebaker
|
|
|
Performance - Ruth St. Denis and Ted Shawn - Ripon, Wisconsin Auditorium
|
|
|
Kempy, by J.C. Nugent and Elliott Nugent - Selwyn
|
|
|
Music Box Revue - Colonial
|
|
|
Shuffle Along - Olympic
|
|
|
So This Is London - Cohan's Grand Opera
|
|
|
Field of Ermine - Powers
|
|
|
The Czarina - Powers
|
|
|
Music Box Revue - Colonial
|
|
|
Spice of 1922 - Studebaker
|
|
|
Mister Antonio - Powers
|
|
|
La Tendresse - Blackstone
|
|
|
Obituary - Henry Miller , (1926)
|
|
|
Greenwich Village Follies - Great Northern
|
|
|
He Who Gets Slapped - Playhouse
|
|
|
Orange Blossoms - Illinois
|
|
|
Zeno - Great Northern
|
|
|
Captain Applejack - Harris
|
|
|
The Demi-Virgin - La Salle
|
|
|
Make It Snappy - Apollo
|
|
|
Two Little Girls in Blue - Colonial
|
|
|
Reel
8
Frame
866
|
Volume 58, 1923
|
|
|
Shore Leave - Powers
|
|
|
Elsie - Illinois
|
|
|
The Twist - La Salle
|
|
|
Partners Again - Selwyn
|
|
|
The Wheel of Life - Blackstone
|
|
|
The Torch Bearers - Powers
|
|
|
To Love - Playhouse
|
|
|
The Last Warning - Blackstone
|
|
|
The Awful Truth - Powers
|
|
|
In Springtime of Youth - Illinois
|
|
|
The Monster - La Salle
|
|
|
Sally - Colonila
|
|
|
Peter Weston - Harris
|
|
|
The Crooked Square - Princess
|
|
|
George White's Scandals - Illinois
|
|
|
Two Fellows and a Girl - Cohan's Grand Opera House
|
|
|
Hurricane - Selwyn
|
|
|
Peter and Paula - Playhouse
|
|
|
Tangerine - Garrick
|
|
|
Bristol Glass - Blackstone
|
|
|
For All of Us - Studebaker
|
|
|
Steve - Princess
|
|
|
Loyalties - Powers
|
|
|
The Passing Show of 1922 - Apollo
|
|
|
Why Not? - Powers
|
|
|
Light Wines and Beer - Harris
|
|
|
Rolling Home - Harris
|
|
|
Hitchy-Koo, 1923 - Garrick
|
|
|
Chains - Playhouse
|
|
|
The Dancing Girl - Colonial
|
|
|
Up She Goes - Studebaker
|
|
|
You and I - Playhouse
|
|
|
Zander the Great - Powers
|
|
|
Mr. Battling Buttler - Apollo
|
|
|
The Dancing Honeymoon - Apollo
|
|
|
Polly Preferred - La Salle
|
|
|
Nifties of 1923 - Ohio Theatre, Cleveland
|
|
|
Obituary - Sam Bernard , (1927)
|
|
|
Spring Cleaning - Adelphi
|
|
|
Greenwich Village Follies - Hanna Theatre, Cleveland
|
|
|
The Song and Dance Man - Hartman Theatre, Columbus, Ohio
|
|
|
Secrets - Ohio
|
|
|
Passing Show of 1923 - Hanna Theatre
|
|
|
Deep Tangled Wildwood - Blackstone
|
|
|
The Song and Dance Man - Ohio
|
|
|
Sancho Panza - Ohio
|
|
|
Up the Ladder - Playhouse
|
|
|
Reel
8
Frame
1044
|
Volume 59, 1923-1924
|
|
|
Laugh, Clown, Laugh - Ohio Theatre
|
|
|
Obituary - Irene Fenwick Barrymore , (1936)
|
|
|
The Rise of Rosie O'Reilly - Cohan's Grand Opera
|
|
|
Common Sense - Ohio Theatre
|
|
|
Children of the Moon - Playhouse
|
|
|
I'll Say She Is! - Studebaker
|
|
|
As You Like It - Hartman, Columbus, Ohio
|
|
|
Ziegfeld Follies - Ohio, Cleveland
|
|
|
Chauve-Souris - Hanna Theatre, Cleveland
|
|
|
Obituary - Nikita Balieff , (1936)
|
|
|
The Devil's Disciple - Hanna
|
|
|
Little Nellie Kelly - Ohio Theatre
|
|
|
Peer Gynt - Hanna
|
|
|
Kiki - Ohio
|
|
|
The Merchant of Venice - Illinois
|
|
|
The Highwayman - Playhouse
|
|
|
Merton of the Movies - Blackstone
|
|
|
Mary, Mary, Quite Contrary - American Theatre, St. Louis
|
|
|
We Moderns - Blackstone
|
|
|
The Town Clown - Ohio
|
|
|
Moonlight - Hanna
|
|
|
Caroline - Hanna
|
|
|
The Lady in Ermine - Hanna
|
|
|
Vaudeville - B.F. Keith's Palace Theatre
|
|
|
Hamlet - Hanna
|
|
|
Helen of Troy, N.Y. - Ohio
|
|
|
The Lullaby - Illinois
|
|
|
Concert - Geraldine Farrar - Sandusky, Boston
|
|
|
George White's Scandals - Ohio
|
|
|
Mefistofele - Cleveland Public Auditorium
|
|
|
Silence - Hanna
|
|
|
The Miracle - Century, New York
|
|
|
Music Box Revue - Music Box Theatre, New York
|
|
|
Kid Boots - Earl Carroll Theatre, New York
|
|
|
Music Box Bevue - Ohio
|
|
|
The Changelings - Ohio
|
|
|
Topsy and Eva - Selwyn
|
|
|
Vanities - Ohio
|
|
|
The Old Soak - Hanna
|
|
|
Obituary - Thomas A. Wise
|
|
|
The Best People - Adelphi
|
|
|
One Kiss - Ohio
|
|
|
The Fool - Hanna
|
|
|
Trimmed in Scarlet - Auditorium, Toledo, Ohio
|
|
|
Tsar Fyodor Ivanovitch - Hanna
|
|
|
Little Miss Bluebeard - Ohio
|
|
|
Reel
9
Frame
1
|
Volume 60, 1924
|
|
|
Innocent Eyes - Apollo
|
|
|
Henky - La Salle
|
|
|
Greenwich Village Follies - Apollo
|
|
|
The Horse Thief - Cohan's Grand Opera
|
|
|
Grounds for Divorce - Princess
|
|
|
Sun Up - La Salle
|
|
|
No No Nanette - Harris
|
|
|
Simon Called Peter - Great Northern
|
|
|
Easy Street - Playhouse
|
|
|
The Werewolf - Adelphi
|
|
|
Leah Kleschna - Great Northern
|
|
|
Obituary - Arnold Daly
|
|
|
Wildflower - Garrick
|
|
|
Artists and Models - Apollo
|
|
|
The Deluge - Cort
|
|
|
Obituary - Emelie Polini
|
|
|
Vaudeville - Palace
|
|
|
No No Nanette - Harris
|
|
|
Obituary - Louise Groody , (1961)
|
|
|
Morphia - Adelphi
|
|
|
Obituary - Lowell Sherman , (1934)
|
|
|
Dixie To Broadway - Garrick
|
|
|
Obituary - Florence Mills
|
|
|
Tarnish - Playhouse
|
|
|
The Shame Woman - Princess
|
|
|
Meet the Wife - Blackstone
|
|
|
Wages for Wives - Cort
|
|
|
Mary Jane McKane - Garrick
|
|
|
In the Next Room - Princess
|
|
|
Vogues and Frolics - Apollo
|
|
|
Beggar on Horseback - Adelphi
|
|
|
Seventh Heaven - Cohan's Grand Opera
|
|
|
The Magic Ring - Illinois
|
|
|
The Swan - Blackstone
|
|
|
Tarnish - Playhouse
|
|
|
The Sweet Little Devil - Garrick
|
|
|
Cyrano de Bergerac - Great Northern
|
|
|
Applesauce - La Salle
|
|
|
White Cargo - Cort
|
|
|
Obituary - Gladys Frazin
|
|
|
Expressing Willie - Princess
|
|
|
The Potters - Great Northern
|
|
|
Greenwich Village Follies - Apollo
|
|
|
Vaudeville - Palace
|
|
|
Ziegfeld Follies - Illinois
|
|
|
Plain Jane - Hanna
|
|
|
Strange Bed Fellows - Playhouse
|
|
|
The Goose Hangs High - Princess
|
|
|
Lucia di Lammermoor - Auditorium
|
|
|
Reel
9
Frame
194
|
Volume 61, 1924-1925
|
|
|
Romeo and Juliet - Garrick
|
|
|
Cheaper to Marry - Playhouse
|
|
|
Le Prophéte - Auditorium
|
|
|
Dumb as a Fox - Great Northern
|
|
|
Thais - Auditorium
|
|
|
The Outsider - Garrick
|
|
|
Who Knows-- - Selwyn
|
|
|
The Love Test - Central
|
|
|
Saint Joan - Blackstone
|
|
|
Vaudeville - Palace
|
|
|
Aida - Auditorium
|
|
|
Sakura - Playhouse
|
|
|
Obituary - Harold Vosburg
|
|
|
Sitting Pretty - Garrick
|
|
|
Music Box Revue - Illinois
|
|
|
Lollipop - Selwyn
|
|
|
L'Amore dei Tre Re - Auditorium
|
|
|
High Stakes - Great Northern
|
|
|
The Show-Off - Cohan's Grand Opera
|
|
|
The Passing Show of 1924 - Apollo
|
|
|
Pretty Little Pussy - Adelphi
|
|
|
Samson and Delilah - Auditorium
|
|
|
The Mikado - Great Northern
|
|
|
Mefistoféle - Auditorium
|
|
|
Robin Hood - Great Northern
|
|
|
Abie's Irish Rose - Studebaker
|
|
|
The Second Mrs. Tanqueray - Blackstone
|
|
|
The Dream Girl - Studebaker
|
|
|
Vaudeville - Palace
|
|
|
George White's Scandals - Selwyn
|
|
|
Andre Charlot's Revue of 1924 - Garrick
|
|
|
The Chocolate Soldier - Great Northern
|
|
|
The Rivals - Illinois
|
|
|
Hassard Short's Ritz Revue - Apollo
|
|
|
Minick - Playhouse
|
|
|
Ritz Revue - Apollo
|
|
|
Aren't We All? - Blackstone
|
|
|
Parasites - Princess
|
|
|
The Student Prince - Great Northern
|
|
|
Ritz Revue - Apollo
|
|
|
The Dream Girl - Studebaker
|
|
|
Vanities - Selwyn
|
|
|
Stepping Stones - Illinois
|
|
|
Hell-Bent for Heaven, by Hatcher Hughes - Playhouse
|
|
|
Ma Pettengill - Blackstone
|
|
|
Reel
9
Frame
371
|
Volume 62, 1925
|
|
|
Cobra - Princess
|
|
|
Vaudeville - Palace
|
|
|
Moonlight - Apollo
|
|
|
Badges - Garrick
|
|
|
Is Zat So? - Adelphi
|
|
|
Rose-Marie - Woods
|
|
|
The Green Hat - Selwyn
|
|
|
Be Yourself - Harris
|
|
|
Milgrim's Progress - Cohan's Grand Opera
|
|
|
The Knife in the Wall - La Salle
|
|
|
Cobra - Princess
|
|
|
Vaudeville - Palace
|
|
|
Obituary - Ben Welch , (1926)
|
|
|
Going Crooked - Cort
|
|
|
The Lady Next Door - Cort
|
|
|
Vaudeville - Palace
|
|
|
New Brooms - Blackstone
|
|
|
She Had to Know - Studebaker
|
|
|
Cheerio - La Salle
|
|
|
Artists and Models of 1924 - Apollo
|
|
|
June Days - Garrick
|
|
|
Rose-Marie - Woods
|
|
|
June Days - Garrick
|
|
|
The Gorilla - Harris
|
|
|
June Days - Garrick
|
|
|
Laff That Off - Harris
|
|
|
Vaudeville - Palace
|
|
|
The Patsy - La Salle
|
|
|
Puzzles of 1925 - Harris
|
|
|
Naughty Riquette - Apollo
|
|
|
Ladies of the Evening - Blackstone
|
|
|
Candida - Princess
|
|
|
The Grab Bag - Illinois
|
|
|
The Pearl of Great Price - Ohio
|
|
|
Sky High - Hanna
|
|
|
Vaudeville - Keith's Palace
|
|
|
The Pelican - Nixon's Apollo, Atlantic City
|
|
|
Aloma of the South Seas - Lyric, New York
|
|
|
Artists and Models, Paris Edition - New Winter Garden
|
|
|
George White's Scandals - Apollo
|
|
|
The Cradle Snatchers - Music Box
|
|
|
Captain Jinks - Martin Beck Theatre
|
|
|
Sunny - New Amsterdam
|
|
|
The Vagabond King - Casino
|
|
|
Louie the 14th - Cosmopolitan
|
|
|
Reel
9
Frame
568
|
Volume 63, 1925-1926
|
|
|
Kid Boots - Woods
|
|
|
The Fall Guy - Adelphi
|
|
|
Rain - Harris
|
|
|
Desire Under the Elms - Princess
|
|
|
What Price Glory - Studebaker
|
|
|
The Judge's Husband - Adelphi
|
|
|
Some Day - Olympic
|
|
|
Aloma of the South Seas - Garrick
|
|
|
Obituary - George Gaul , (1939)
|
|
|
Greenwich Village Follies - Apollo
|
|
|
A Lady's Virtue - Selwyn
|
|
|
Martha - Auditorium
|
|
|
Der Rosenkavalier - Auditorium
|
|
|
The Music Box Revue - Illinois
|
|
|
Vaudeville - Palace
|
|
|
The Naked Man - Garrick
|
|
|
Obituary - Gilda Leary , (1927)
|
|
|
Castles in the Air - Olympic
|
|
|
One of the Family - Princess
|
|
|
The Dove - Blackstone
|
|
|
The Kiss in a Taxi - Adelphi
|
|
|
Pigs - Cort
|
|
|
Magda - Princess
|
|
|
Il Trovatore - Auditorium
|
|
|
Dancing Mothers - Selwyn
|
|
|
Ziegfeld Follies - Illinois
|
|
|
Big Boy - Apollo
|
|
|
Rigoletto - Auditorium
|
|
|
Old English - Adelphi
|
|
|
What Price Glory - Studebaker
|
|
|
Performance - Ruth Draper - Harris
|
|
|
Young Blood - Princess
|
|
|
They Knew What They Wanted - Harris
|
|
|
These Charming People - Selwyn
|
|
|
Gay Paree - Apollo
|
|
|
Castles in the Air - Olympic
|
|
|
The Vortex - Selwyn
|
|
|
Concert - Fritz Kreisler - Orchestra Hall
|
|
|
Lawful Larceny - Adelphi
|
|
|
Accused - Studebaker
|
|
|
The Love City - Selwyn
|
|
|
Charlot Revue - Selwyn
|
|
|
The Student Prince - Great Northern
|
|
|
The Tragedy of Man - Goodman
|
|
|
Reel
9
Frame
767
|
Volume 64, 1926
|
|
|
Charlot Revue of 1926 - Selwyn
|
|
|
My Girl - La Salle
|
|
|
Charlot Revue of 1926 - Selwyn
|
|
|
Vaudeville - Palace
|
|
|
Close Quarters - Blackstone
|
|
|
Naughty Cinderella - Selwyn
|
|
|
Carmencita and the Soldier - Great Northern
|
|
|
The Man of Destiny - Goodman Theatre
|
|
|
The Duchess of Elba - Harris
|
|
|
The Sport of Kings - Playhouse
|
|
|
Betty Dear - La Salle
|
|
|
The Dybbuk - Great Northern
|
|
|
Hush Money - Harris
|
|
|
Gentlemen Prefer Blondes - Selwyn
|
|
|
The Home Towners - Four Cohan's Grand Opera House
|
|
|
John Gabriel Borkman - Princess
|
|
|
The Master Builder - Princess
|
|
|
A Midsummer Night's Dream - Goodman
|
|
|
Obituary - Jack Buchanan , (1957)
|
|
|
Divorcons - Blackstone
|
|
|
Obituary - Bruce McRae , (1927)
|
|
|
If I Was Rich - La Salle
|
|
|
The City Chap - Woods
|
|
|
Raquel Meller - Blackstone
|
|
|
By the Way - Garrick
|
|
|
Artists and Models, Paris Edition - Appollo
|
|
|
The Arabian - Studebaker
|
|
|
Conscience - Adelphi
|
|
|
Black Velvet - Playhouse
|
|
|
Obituary - Arthur Albertson , (c. 1926)
|
|
|
Le Maire's Affairs - Woods
|
|
|
Dearest Enemy - Tremont Theatre, Boston
|
|
|
The Great Temptations - New Winter Garden
|
|
|
Iolanthe - Plymouth
|
|
|
Ziegfeld Follies - Globe
|
|
|
Obituary - Edna Leedom , (1937)
|
|
|
Lulu Belle - Belasco
|
|
|
Americana - Belmont
|
|
|
George White's Scandals - Apollo
|
|
|
What Every Woman Knows - Bijou
|
|
|
LeMaire's Affairs - Woods
|
|
|
The Poor Nut - Cort
|
|
|
Reel
9
Frame
957
|
Volume 65, 1926-1927
|
|
|
Song of the Fame - Apollo
|
|
|
Pay to Bearer - Adelphi
|
|
|
Coal Oil Jennie - Blackstone
|
|
|
Passing Show of 1926 - Cohan's
|
|
|
The Great Gatsby - Studebaker
|
|
|
Treat `Em Rough - Harris
|
|
|
Kongo - Princess
|
|
|
Vaudeville - New Palace (Opening)
|
|
|
Earl Carroll Vanities - Apollo
|
|
|
First Love - Selwyn
|
|
|
Tip-Toes - Illinois
|
|
|
The Cocoanuts - Erlanger
|
|
|
Vaudeville - Palace
|
|
|
Princess Flavia - Four Cohans Theatre
|
|
|
She Couldn't Say No! - Olympic
|
|
|
Alias the Deacon - Playhouse
|
|
|
Bubbling Over - Selwyn
|
|
|
Aida - Auditorium
|
|
|
Sin of Sins - Adelphi
|
|
|
Greenwich Village Follies - Apollo
|
|
|
The Shelf - La Salle
|
|
|
Lucia di Lammermoor - Auditorium
|
|
|
The Honor of the Family - Blackstone
|
|
|
Carmen - Auditorium
|
|
|
The Butter and Egg Man - Selwyn
|
|
|
Obituary - Gregory Kelly , (c. 1926)
|
|
|
Vaudeville - Palace
|
|
|
Young Woodley - Blackstone
|
|
|
The Vagabond King - Great Northern
|
|
|
Yes, Yes, Yvette - Four Cohans
|
|
|
Miss Calico - Princess
|
|
|
The Runaway Road - Studebaker
|
|
|
The Jewess - Auditorium
|
|
|
Young Woodley - Blackstone
|
|
|
A Witch of Salem - Auditorium
|
|
|
The Jazz Singer - Harris
|
|
|
The Shanghai Gesture - Adelphi
|
|
|
Cradle Snatchers - Harris
|
|
|
La Traviata - Auditorium
|
|
|
The Last of Mrs. Cheyney - Blackstone
|
|
|
Juno and the Paycock - Goodman
|
|
|
The Jewels of the Madonna - Auditorium
|
|
|
Reel
10
Frame
1
|
Volume 66, 1927
|
|
|
The Woman Disputed - Olympic
|
|
|
12 Miles Out - Cort
|
|
|
Don Giovanni - Auditorium
|
|
|
Vaudeville - Palace
|
|
|
Obituary - Florence Moore , (1935)
|
|
|
Concert - Fritz Kreisler - Auditorium
|
|
|
On Approval - Erlanger
|
|
|
Craig's Wife - Selwyn
|
|
|
Ghosts - Illinois
|
|
|
Ned McCobb's Daughter - Princess
|
|
|
A Night in Paris - Apollo
|
|
|
Mordkin Ballet - Studebaker
|
|
|
Elsie Janis - Vaudeville - Palace
|
|
|
Oh Please - Erlanger
|
|
|
The Comedienne - Illinois
|
|
|
Night Hawk - Blackstone
|
|
|
Obituary - William Courtenay , (1933)
|
|
|
Obituary - Nick Long, Jr. (1949)
|
|
|
Oh Please - Erlanger
|
|
|
Katja - Garrick
|
|
|
The Donovan Affair - Selwyn
|
|
|
New York Exchange - Olympic
|
|
|
What Every Woman Knows - Four Cohans
|
|
|
Sunny - Illinois
|
|
|
Obituary - Jack Donahue
|
|
|
Oh Please - Erlanger
|
|
|
The Pigeon - Goodman
|
|
|
Ned McCobb's Daughter - Princess
|
|
|
Oh Please - Erlanger
|
|
|
Concert - Amelita Galli-Curci - Medinah Temple
|
|
|
Trelawny of the Wells - Blackstone
|
|
|
Obituary - John Drew , (1927)
|
|
|
Obituary - Wilton Lackaye , (1932)
|
|
|
Obituary - O.P. Heggie , (1936)
|
|
|
The Noose - Selwyn
|
|
|
The Nightingale - Great Northern
|
|
|
Big Boy - Apollo
|
|
|
Reel
10
Frame
161
|
Volume 67, 1927
|
|
|
Twinkle Twinkle - Erlanger
|
|
|
That French Lady - Playhouse
|
|
|
Obituary - Louis Mann
|
|
|
Obituary - Clara Lipman Mann , (1952)
|
|
|
Tenth Avenue - Adelphi
|
|
|
Obituary - William Boyd , (1935)
|
|
|
As You Like It - Goodman
|
|
|
The Madcap - Olympic
|
|
|
Gay Paree - Garrick
|
|
|
Different Women - Woods
|
|
|
Obituary - Frank Keenan , (1929)
|
|
|
The Barker - Blackstone
|
|
|
The Wild Westcotts - Cort
|
|
|
Listen Dearie - Garrick
|
|
|
La Boheme - Ravinia
|
|
|
The Barker - Blackstone
|
|
|
Pagliacci - Ravinia
|
|
|
My Maryland - Lyric, Philadelphia
|
|
|
The Circus Princess - Winter Garden
|
|
|
Merry-Go-Round - Klaw, New York
|
|
|
Obituary - Marie Cahill , (1933)
|
|
|
The Road to Rome - Playhouse
|
|
|
Peggy-Ann - Vanderbilt Theatre
|
|
|
Bits from Charlot Revues - Paramount Theatre
|
|
|
Hit the Deck - Belasco Theatre
|
|
|
Obituary - Stella Mayhew , (1934)
|
|
|
Africana - Daly's 63rd St. Theatre
|
|
|
Grand Street Follies - Little Theatre
|
|
|
Rio Rita - Ziegfeld Theatre
|
|
|
Obituary - J. Harold Murray , (1940)
|
|
|
Saturday's Children - Booth Theatre
|
|
|
Crime - Adelphi
|
|
|
George White's Scandals - Erlanger
|
|
|
Manon Lescaut - Ravinia
|
|
|
Obituary - Frederick Stock , (1942)
|
|
|
Vaudeville - Palace
|
|
|
Reel
10
Frame
342
|
Volume 68, 1927
|
|
|
LeMaire's Affairs - Woods
|
|
|
The Spider - Olympic
|
|
|
Yours Truly - 4 Cohans Grand Opera House
|
|
|
Tommy - Cort
|
|
|
Chicago - Harris
|
|
|
Vaudeville - Palace
|
|
|
Pygmalion - Studebaker
|
|
|
Obituary - Beryl Mercer
|
|
|
Hoosiers Abroad - Blackstone
|
|
|
An American Tragedy - Garrick
|
|
|
The Guardsman - Studebaker
|
|
|
Broadway - Selwyn
|
|
|
Vaudeville - Palace
|
|
|
Queen High - 4 Cohans Grand Opera
|
|
|
The Second Man - Studebaker
|
|
|
The Desert Song - Great Northern
|
|
|
The Road to Rome - Adelphi
|
|
|
The Doctor's Dilemma - Studebaker
|
|
|
The Tower of Nesle - Goodman
|
|
|
Countess Maritza - Olympic
|
|
|
Madame Butterfly - Auditorium
|
|
|
The Play's the Thing - Harris
|
|
|
Obituary - Holbrook Blinn , (c. 1927)
|
|
|
Heartbreak House - Studebaker
|
|
|
Countess Maritza - Olympic
|
|
|
The Springboard - Blackstone
|
|
|
Reel
10
Frame
510
|
Volume 69, 1927-1928
|
|
|
The Ramblers - Garrick
|
|
|
Obituary - Georgia O'Ramey
|
|
|
The Road to Rome - Adelphi
|
|
|
Murray Hill - Princess
|
|
|
The Barber of Seville - Auditorium
|
|
|
Outbreak - Goodman
|
|
|
A Night in Spain - 4 Cohans Opera House
|
|
|
La Tosca - Auditorium
|
|
|
Mr. Pim Passes By - Studebaker
|
|
|
Lulu Belle - Illinois
|
|
|
The Squall - Adelphi
|
|
|
The Merry Wives of Windsor - Illinois
|
|
|
Behold This Dreamer - Blackstone
|
|
|
Obituary - Thomas A. Wise , (1928)
|
|
|
Tannhauser - Auditorium
|
|
|
Just Fancy - Olympic
|
|
|
Die Fledermaus - Auditorium
|
|
|
2 Girls Wanted - Cort
|
|
|
Broadway - Selwyn
|
|
|
Criss-Cross - Erlanger
|
|
|
It Makes a Difference - Princess
|
|
|
Earl Carroll's Vanities - Illinois
|
|
|
Obituary - Charles E. Mack , (1934)
|
|
|
Obituary - Johnny Dooley
|
|
|
The Constant Wife - Harris
|
|
|
Her Cardboard Lover - Adelphi
|
|
|
Peggy-Ann - Selwyn
|
|
|
The Silver Cord - Studebaker
|
|
|
Hit the Deck - Woods
|
|
|
Yen - Little Theatre, Cleveland
|
|
|
The School for Scandal - The Play House, Cleveland
|
|
|
Reel
10
Frame
680
|
Volume 70, 1928
|
|
|
Honeymoon Lane - Ohio Theatre, Cleveland
|
|
|
Good News - Selwyn
|
|
|
Oh Kay! - Garrick
|
|
|
The Beggar's Opera - Eighth Street Theatre
|
|
|
The Plough and the Stars - Blackstone
|
|
|
Juno and the Paycock - Blackstone
|
|
|
The Wild Duck - Goodman
|
|
|
Concert - Ignaz Paderewski - Auditorium
|
|
|
The Letter - Olympic
|
|
|
Diplomacy - Blackstone
|
|
|
Obituary - William Faversham , (1940)
|
|
|
The Letter - Olympic
|
|
|
She's My Baby - Illinois
|
|
|
Excess Baggage - Garrick
|
|
|
Good News - Selwyn
|
|
|
The Constant Wife - Harris
|
|
|
Sir Harry Lauder - Olympic
|
|
|
Beggar's Opera
|
|
|
She Stoops to Conquer - Blackstone
|
|
|
N.V.A. Benefit - Auditorium
|
|
|
Artists and Models - 4 Cohans Grand Opera
|
|
|
Obituary - Florence Moore , (1935)
|
|
|
The Love Call - Olympic
|
|
|
Sidewalks of New York - Woods
|
|
|
Four Walls - Adelphi
|
|
|
The Baby Cyclone - Blackstone
|
|
|
Straight Thru the Door - Princess
|
|
|
Obituary - William Hodge , (c. 1931)
|
|
|
She's My Baby - Illinois
|
|
|
A Man's Man - Adelphi
|
|
|
Sunny Days - 4 Cohans Grand Opera
|
|
|
Obituary - Rosalie Claire
|
|
|
Reel
10
Frame
877
|
Volume 71, 1928-1930
|
|
|
Appearances - Metropolitan Theatre, Seattle
|
|
|
The Merchant of Venice - Metropolitan, Seattle
|
|
|
Ken-Geki - Metropolitan
|
|
|
The Front Page - Belasco, Los Angeles
|
|
|
The Beggar's Opera - Curran, San Francisco
|
|
|
Vaudeville - Orpheum, San Francisco
|
|
|
This Thing Called Love - President, San Francisco
|
|
|
Polly - Metropolitan, Seattle
|
|
|
Vaudeville - Orpheum, Seattle
|
|
|
Spite Corner - President, San Francisco
|
|
|
The Pirate - Belasco, Los Angeles
|
|
|
Obituary - Doris Keane , (1945)
|
|
|
Strange Interlude - Biltmore
|
|
|
Little Orchid Annie - Mayan Theatre
|
|
|
The Kingdom of God - Mason
|
|
|
The Love Duel - Mason
|
|
|
The Jade God - Vine Street Theatre, Los Angeles
|
|
|
The Masquerader - Hollywood Playhouse
|
|
|
Expressing Willie - Vine Street
|
|
|
Little Accident - Belasco, Los Angeles
|
|
|
Follow Thru - Apollo, Chicago
|
|
|
Pleasure Bound - Majestic
|
|
|
Journey's End - Adelphi
|
|
|
The Perfect Alibi - Garrick
|
|
|
Rain or Shine - Grand Opera House
|
|
|
New Moon - Great Northern
|
|
|
Caprice - Blackstone
|
|
|
Kibitzer - Woods
|
|
|
Fioretta - Erlanger
|
|
|
Show Boat - Illinois
|
|
|
The Youngest - Vine Street
|
|
|
Moon Madness - Figueroa Playhouse
|
|
|
Julius Caesar - Pasadena Community Playhouse
|
|
|
Merely Mary Ann - Vine Street
|
|
|
Girl Trouble - Hollywood Playhouse
|
|
|
In His Arms - Vine Street
|
|
|
The Climax - Hollywood Playhouse
|
|
|
The Queen Was in the Parlour - Belasco
|
|
|
Follow Thru - Mason
|
|
|
Diamond Lil - Biltmore
|
|
|
Chauve-Souris - Curran, San Francisco
|
|
|
Bambina - Curran [Blum produced]
|
|
|
Obituary - Marie Wells , (1949)
|
|
|
Obituary - Frederick Graham , (1947)
|
|
|
Obituary - Ernest Wood , (1942)
|
|
|
Reel
11
Frame
1
|
Volume 72, 1926-1929 (Title page inscribed “Brandt and Brandt, 101 Park Avenue, New York”)
|
|
|
Reviews, newsclippings, and programs concerning:
|
|
|
Love `Em and Leave `Em(1926)
|
|
|
Nirvana(1926)
|
|
|
The Moon Is a Gong(1926)
|
|
|
Andrew Takes a Wife(1926)
|
|
|
Holding Helen(1926)
|
|
|
The Man in the Next Roomb(1926)
|
|
|
Black Boy(1926)
|
|
|
Daughters of Music(1926)
|
|
|
The Squall(1926)
|
|
|
Ned McCobb's Daughter(1926)
|
|
|
Henry Behave(1926)
|
|
|
The Barker(1927)
|
|
|
Ballyhoo(1927)
|
|
|
The Barker(1927)
|
|
|
Loud Speaker(1927)
|
|
|
Revelry(1927)
|
|
|
The Second Man (1927)
|
|
|
Love is Like That(1927)
|
|
|
Yes, Yes, Yvette(1927)
|
|
|
Love is Like That(1927)
|
|
|
Solitaire Man(1927)
|
|
|
Four Walls(1927)
|
|
|
Creoles(1927)
|
|
|
Murray Hill(1927)
|
|
|
The Springboard(1927)
|
|
|
The Racket(1927)
|
|
|
Dracula(1927)
|
|
|
Coquette(1927)
|
|
|
The International
|
|
|
Salvation(1928)
|
|
|
The Silver Cord(1926)
|
|
|
These Modern Women(1928)
|
|
|
March Hares(1927 and 1928)
|
|
|
Him(1928)
|
|
|
Don't Tell George
|
|
|
Little Accident(1928)
|
|
|
Exceeding Small(1928)
|
|
|
The Bellamy Trial (film) , (1928)
|
|
|
Serena Blandish(1929)
|
|
|
Before You're 25(1929)
|
|
|
The Ringer(1929)
|
|
|
Jarnegan(1929)
|
|
|
An Old Fashioned Girl(1929)
|
|
|
Trevelyn's Ghost(1929)
|
|
|
A Bridal Suite for Three(1922)
|
|
|
Kaleema(1921)
|
|
|
Reel
11
Frame
212
|
Volume 73, 1928-1933 (later productions first)
|
|
|
The Fall Guy - El Capitan, Hollywood
|
|
|
Sherlock Holmes - Biltmore, Los Angeles
|
|
|
Lucky Dog - Mayan Theatre
|
|
|
The Last of Mrs. Cheyney - El Capitan
|
|
|
Cyrano de Bergerac - Biltmore
|
|
|
Springtime for Henry - Hollywood Playhouse
|
|
|
The First Mrs. Fraser - Curran, San Francisco
|
|
|
Square Crooks - El Capitan
|
|
|
The Merchant of Venice - Biltmore
|
|
|
A Church Mouse - El Capitan
|
|
|
The Barretts of Wimpole Street - Biltmore
|
|
|
Hullabaloo - El Capitan
|
|
|
Cynara - Biltmore
|
|
|
Reunion in Vienna - Belasco
|
|
|
The Marquise - El Capitan
|
|
|
The Rose of Flanders - Mayan
|
|
|
The Cat and the Fiddle - Belasco
|
|
|
Brief Moment - Pasadena Community Playhouse
|
|
|
Obituary - Paul Gregory , (1942)
|
|
|
Tattle Tales - Hollywood Playhouse
|
|
|
Bridal Wise - El Capitan
|
|
|
The Pirates of Penzance - Studebaker
|
|
|
The Mikado - Studebaker
|
|
|
The 19th Hole - Erlanger
|
|
|
The Little Clay Cart - Goodman Theatre, Chicago
|
|
|
Excess Baggage - Garrick
|
|
|
A Man With Red Hair - Adelphi
|
|
|
Elmer the Great - Blackstone
|
|
|
Vaudeville - New Orpheum Palace, Chicago
|
|
|
The Road to Rome - Belasco
|
|
|
The Baby Cyclone - El Capitan
|
|
|
The Trial of Mary Dugan - Adelphi
|
|
|
The Command to Love - Studebaker
|
|
|
Manhattan Mary - Grand Opera House
|
|
|
Whispering Friends - Illinois
|
|
|
Present Arms - Woods
|
|
|
By Request - Erlanger
|
|
|
Arms and the Man - Blackstone
|
|
|
Burlesque - Harris
|
|
|
Reel
11
Frame
409
|
Volume 74, Records of Daniel Blum's production of Bambina, 1930
|
|
|
Reel
11
Frame
476
|
Volume 75, 1930-1931
|
|
|
Oh, Susanna - Mayan
|
|
|
Bambina - Mayan
|
|
|
The New Moon - Majestic
|
|
|
Journey's End - Belasco
|
|
|
Ladies of the Jury - El Capitan
|
|
|
The Nut Farm - Vine Street
|
|
|
Let Us Be Gay - El Capitan
|
|
|
The Desert Song - Majestic
|
|
|
The Hero - Hollywood Music Box
|
|
|
Broken Dishes - El Capitan
|
|
|
Obituary - Percy Pollock
|
|
|
Rah Rah Daze - Mason
|
|
|
Among the Married - Vine Street
|
|
|
Holiday - Hollywood Playhouse
|
|
|
June Moon - Belasco
|
|
|
The Imaginary Invalid - Music Box
|
|
|
The Student Prince - Majestic
|
|
|
Brothers - El Capitan
|
|
|
Performance - Maurice Chevalier - Mayan
|
|
|
Obituary - Ben Bernie , (1943)
|
|
|
The Criminal Code - Belasco
|
|
|
The Great John Ganton - Vine Street
|
|
|
Strictly Dishonorable - Biltmore
|
|
|
Nancy's Private Affair - El Capitan
|
|
|
Fata Morgana - Hollywood Playhouse
|
|
|
To The Ladies - El Capitan
|
|
|
Rebound - Belasco
|
|
|
Obituary - Robert Williams
|
|
|
The Champion - Hollywood Playhouse
|
|
|
The Poor Nut - El Capitan
|
|
|
Dishonored Lady - Biltmore
|
|
|
It's a Wise Child - Belasco
|
|
|
Obituary - Helen Lowell
|
|
|
Thin Ice - Hollywood Playhouse
|
|
|
Parlor, Bedroom and Bath - El Capitan
|
|
|
The Temptations of 1930 - Mayan
|
|
|
Death Takes a Holiday - Biltmore
|
|
|
Obituary - Alfred D. Hickman , (1931)
|
|
|
The Apple Cart - Hollywood Music Box
|
|
|
Young Sinners - Belasco
|
|
|
Concert - Fritz Kreisler - Philharmonic Auditorium
|
|
|
My Girl Friday - Vine Street
|
|
|
The Bird of Flame - Belasco
|
|
|
The Infinite Shoeblack - Music Box
|
|
|
Michael and Mary - El Capitan
|
|
|
Ghosts - Vine Street
|
|
|
Peter Pan - Music Box
|
|
|
Porgy - Music Box
|
|
|
Obituary - Evelyn Preer , (1932)
|
|
|
Up Pops the Devil - Belasco
|
|
|
The Masquers Public Revel - El Capitan
|
|
|
Reel
11
Frame
692
|
Volume 76, 1931-1932
|
|
|
Elmer the Great - El Capitan
|
|
|
Once in a Lifetime - Mayan
|
|
|
Berkeley Square - Belasco
|
|
|
Justice - Music Box
|
|
|
What Every Woman Knows - Pasadena Community Playhouse
|
|
|
The Merchant of Venice - Music Box
|
|
|
Waterloo Bridge - Music Box
|
|
|
French Leave - Music Box
|
|
|
Richelieu - Pasadena Community Playhouse
|
|
|
Paris in Spring - Majestic
|
|
|
Topaze - Belasco
|
|
|
Elizabeth the Queen - Belasco
|
|
|
That's Gratitude - El Capitan
|
|
|
Whisperng Friends - El Capitan
|
|
|
Street Scene - Mayan
|
|
|
Obituary - David Landau , (1935)
|
|
|
The Shanghai Gesture - Music Box
|
|
|
Mrs. Bumpstead-Leigh - Mayan
|
|
|
Obituary - Minnie Maddern Fiske
|
|
|
Irene - El Capitan
|
|
|
Tomorrow and Tomorrow - Belasco
|
|
|
The Vinegar Tree - Belasco
|
|
|
The Man in Possession - Mayan
|
|
|
Oh Boy - El Capitan
|
|
|
Three Men and a Woman - Biltmore
|
|
|
Nine O'Clock Revue - Music Box
|
|
|
The School for Scandal - Biltmore
|
|
|
The Greeks Had a Word for It - Belasco
|
|
|
As Husbands Go - Columbia, San Francisco
|
|
|
Ada Beats the Drum - El Capitan
|
|
|
Camille - Belasco
|
|
|
Girl Crazy - Biltmore
|
|
|
The Silent Witness - Belasco
|
|
|
Private Lives - Hollywood Playhouse
|
|
|
Tonight or Never - Belasco
|
|
|
Concert - Lawrence Tibbett - Philharmonic Auditorium
|
|
|
Canaries Sometimes Sing - Pasadena Community Playhouse
|
|
|
Measure For Measure - Biltmore
|
|
|
A Winter's Tale - Biltmore
|
|
|
The Scamp - Hollywood Playhouse
|
|
|
Grand Hotel - Belasco
|
|
|
Crazy Quilt - Biltmore
|
|
|
Obituary - Minnie Maddern Fiske , (1932)
|
|
|
Reel
11
Frame
883
|
Volume 77, 1933
|
|
|
Uncle Tom's Cabin, , dramatized by G.L. Aiken - Alvin Theatre, N.Y.
|
|
|
Obituary - Otis Skinner , (1942)
|
|
|
Take a Chance, by B.G. De Sylva and Laurence Schwab - Apollo
|
|
|
Shooting Star, by Noel Pierce and Bernard C. Schoenfeld - Selwyn
|
|
|
One Sunday Afternoon, by James Hagan - 48th Street
|
|
|
John Ferguson, by St. John G. Ervine - Belmont
|
|
|
Dangerous Corner, by J.B. Priestley - Waldorf
|
|
|
The Bohemian Girl, by Michael Balfe - Majestic
|
|
|
Pirates of Penzance - Majestic
|
|
|
Home James, by A.E. Thomas - Palace Theatre, Netcong, N.J. [later brought to New York as “No More Ladies”]
|
|
|
Prima Donna, by Hatcher Hughes and Lillian Harris - Lyric Theatre, Summit, N.J.
|
|
|
A Party, by Ivor Novello - The Playhouse
|
|
|
Double Door, by Elizabeth McFadden - Ritz
|
|
|
Obituary - Aleta Freel , (1935)
|
|
|
Hold Your Horses, by Russel Crouse and Corey Ford - Winter Garden
|
|
|
Men in White, by Sidney Kingsley - Broadhurst
|
|
|
Ah, Wilderness! by Eugene O'Neill - Guild
|
|
|
The Pursuit of Happiness, by Alan Child and Isabelle Loudon - Avon
|
|
|
As Thousands Cheer, by Irving Berlin and Moss Hart - Music Box
|
|
|
Her Man of Wax, by Julian Thompson - Shubert
|
|
|
The School for Husbands, adapted by Arthur Guiterman and Lawrence Langer - Empire
|
|
|
The Curtain Rises, by B.M. Kaye - Vanderbilt
|
|
|
Obituary - Marilyn Miller , (1936)
|
|
|
Obituary - Otis Skinner , (1942)
|
|
|
Reel
11
Frame
1036
|
Volume 78, 1933
|
|
|
The Green Bay Tree, by Mordaunt Shairp - Cort
|
|
|
Obituary - O.P. Heggie , (1936)
|
|
|
Three and One, adapted by Lewis Galantiere and John Houseman - Longacre
|
|
|
Benefit Performance for Actor's Dinner Club - Imperial
|
|
|
It Pays to Sin, by Johann Vaszary - Morosco
|
|
|
Eight Bells, by Percy G. Mandley - Hudson
|
|
|
Thunder on the Left, by Jean Ferguson Black - Maxine Elliott's
|
|
|
Murder at the Vanities, by Earl Carroll and Rufus King - Majestic
|
|
|
Her Master's Voice, by Clare Kummer - Plymouth
|
|
|
Mary of Scotland, by Maxwell Anderson - Alvin
|
|
|
Ten Minute Alibi, by Anthony Armstrong - Ethel Barrymore Theatre
|
|
|
She Loves Me Not, by Howard Lindsay - 46th Street
|
|
|
Roberta, by Otto Harbach - New Amsterdam
|
|
|
Obituary - Lyda Roberti , (1938)
|
|
|
Obituary - Fay Templeton , (1939)
|
|
|
Tobacco Road, by Jack Kirkland - Masque
|
|
|
Obituary - Maude Odell , (1937)
|
|
|
All Good Americans, by Laura and S.J. Perelman - Henry Miller's Theatre
|
|
|
The Lake, by Dorothy Massingham and Murray MacDonald - Martin Beck Theatre
|
|
|
Obituary - Blanche Bates , (1941)
|
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Reel
12
Frame
1
|
Volume 79, 1933
|
|
|
Forsaking All Others, by Edward Roberts and Frank Cavett - Times Square Theatre
|
|
|
Dinner at Eight, by George S. Kaufman and Edna Ferber - Music Box
|
|
|
Melody, by George White - Casino
|
|
|
Biography, by S.N. Behrman - Avon
|
|
|
The Cherry Orchard, by Anton Chekov - New Amsterdam
|
|
|
Autumn Crocus, by C.L. Anthony - Morosco
|
|
|
Music in the Air, by Oscar Hammerstein - 44th Street
|
|
|
Strike Me Pink - Majestic
|
|
|
Design for Living, by Noel Coward - Ethel Barrymore
|
|
|
The Party's Over, by Daniel Kusell - Vanderbilt
|
|
|
Obituary - Ross Alexander , (1937)
|
|
|
Three-Cornered Moon, by Gertrude Tonkonogy - Cort
|
|
|
Alien Corn, by Sidney Howard - Belasco
|
|
|
Twentieth Century, by Ben Hecht and Charles MacArthur - Broadhur
|
|
|
Reunion in Vienna, by Robert E. Sherwood - Broad Street Theatre, Newark, N.J.
|
|
|
Autumn Crocus - 46th Street
|
|
|
Young Sinners, by Elmer Harris - Ambassador
|
|
|
The Late Christopher Bean, by Sidney Howard - Henry Miller's
|
|
|
Yeomen of the Guard, by Gilbert and Sullivan - St. James
|
|
|
Alice in Wonderland, by Lewis Carroll - New Amsterdam
|
|
|
H.M.S. Pinafore, by Gilbert and Sullivan - St. James
|
|
|
Trial by Jury, by Gilbert and Sullivan - St. James
|
|
|
Of Thee I Sing, by George S. Kaufman and Morrie Ryskind - Imperial
|
|
|
Goodbye Again, by Allan Scott and George Haight - Plymouth
|
|
|
Counsellor-at-Law, by Elmer Rice - 46th Street
|
|
|
Both Your Houses, by Maxwell Anderson - Ethel Barrymore
|
|
|
When Ladies Meet, by Rachel Crothers - Royale
|
|
|
Patience, by Gilbert and Sullivan - St. James
|
|
|
Obituary - Milton Aborn , (1933)
|
|
|
Another Language, by Rose Franken - Waldorf
|
|
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Reel
12
Frame
150
|
Volume 80, 1934
|
|
|
Let 'Em Eat Cake, by George S. Jaufman and Morrie Ryskind - Imperial
|
|
|
Jezebel, by Owen Davis - Ethel Barrymore
|
|
|
The Dark Tower, by Alexander Woollcott and George S. Kaufman - Morosco
|
|
|
Champagne, Sec, by Alan Child - 44th Street
|
|
|
Sailor, Beware!, by Kenyon Nicholson and Charles Robinson - Lyceum
|
|
|
Ziegfeld Follies - Winter Garden
|
|
|
Mary of Scotland, by Maxwell Anderson - Alvin
|
|
|
False Dreams, Farewell, by Hugh Stange - Little Theatre
|
|
|
Mackerel Skies, by John Haggart - The Playhouse
|
|
|
The Joyous Season, by Philip Barry - Belasco
|
|
|
Wednesday's Child, by Leopold Atlas - Longacre
|
|
|
The Wind and the Rain, by Merton Hodge - Ritz
|
|
|
Richard of Bordeaux, by Gordon Daviot - Empire
|
|
|
Obituary - Hugh Buckler , (1936)
|
|
|
When in Rome, by Austin Major - 49th Street
|
|
|
They Shall Not Die, by John Wexley - Royale
|
|
|
Broomsticks, Amen!, by Elmer Greensfelder - Little
|
|
|
Peace on Earth, by George Sklar and Albert Maltz - Civic Repertory Theatre
|
|
|
New Faces, by Leonard Sillman and others - Fulton
|
|
|
Reel
12
Frame
294
|
Volume 81, 1934
|
|
|
Gentlewoman, by John Howard Lawson - Cort
|
|
|
One More Honeymoon, by Leo F. Reardon - Little
|
|
|
4 Saints in 3 Acts, by Gertrude Stein and Virgil Thompson - Empire
|
|
|
The Perfumed Lady, by Harry Wagstaff Gribble - Ambassador
|
|
|
Moor Born, by Dan Totheroh - The Playhouse
|
|
|
House of Remsen, by Nicholas Soussanin and William J. Perlman - Henry Miller's
|
|
|
Yellow Jack, by Sidney Howard - Martin Beck Theatre
|
|
|
Obituary - John E. Miltern , (1937)
|
|
|
Stevedore, by Paul Peters and George Sklar - Civic Repertory
|
|
|
Are You Decent?, by Crane Wilbur - Ambassador
|
|
|
The Shatter'd Lamp, by Leslie Reade - Maxine Elliott's
|
|
|
Obituary - Hugh and John Buckler , (1936)
|
|
|
Men in White, by Sidney Kingsley - Broadhurst
|
|
|
Her Master's Voice, by Clare Kummer - Plymouth
|
|
|
The Lady From the Sea, by Henrik Ibsen - Little
|
|
|
Picnic, by Gretchen Damrosch - National
|
|
|
The Chocolate Soldier, by Oscar Straus, bernauer and Jacobson - St. James
|
|
|
The Milky Way, by Lynn Rott and Harry Clork - Cort
|
|
|
Bitter Sweet, by Noel Coward - 44th Street
|
|
|
Dodsworth, by Sinclair Lewis - Shubert
|
|
|
The Shining Hour, by Keith Winter - Booth
|
|
|
Come What May, by Richard F. Flournoy - Plymouth
|
|
|
Obituary - Hal Skelly , (1934)
|
|
|
She Loves Me Not, by Howard Lindsay - 46th Street
|
|
|
No More Ladies, by A.E. Thomas - Morosco
|
|
|
Invitation to a Murder, by Rufus King - Masque
|
|
|
Dodsworth - Shubert
|
|
|
That Certain Business, by Homer B. Mason and Kenneth Keith - St. James
|
|
|
Reel
12
Frame
435
|
Volume 82, 1934
|
|
|
Kill That Story, by Harry Madden and Philip Dunning - Booth
|
|
|
Are You Decent? by Crane Wilbur - Ambassador
|
|
|
No More Ladies, by A.E. Thomas - Morosco
|
|
|
As Thousands Cheer, by Irving Berlin and Moss Hart - Music Box
|
|
|
The Gondoliers, or, The King of Barataria, by Gilbert and Sullivan, presented by the D'Oyly Carte Opera Company - Martin Beck Theatre
|
|
|
The Pirates of Penzance, by Gilbert and Sullivan, presented by the D'Oyly Carte Opera Company - Martin Beck
|
|
|
Lady Jane, by H.M. Harwood - Plymouth
|
|
|
Too Many Boats, by Owen Davis - The Playhouse
|
|
|
Judgment Day, by Elmer Rice - Belasco
|
|
|
Tight Britches, by John Taintor Foote and Hubert Hayes - Avon
|
|
|
Strangers at Home, by Charles Divine - Longacre
|
|
|
Errant Lady, by Nat N. Dorfman - Fulton
|
|
|
First Episode, by Terence Rattigan and Philip Heimann - Ritz
|
|
|
Alley Cat, by Dinehart and Samuel Shipman - 48th Street
|
|
|
The Red Cat, by Rudolph Lothar and Hans Adler - Broadhurst
|
|
|
A Ship Comes In, by Joseph Anthony - Morosco
|
|
|
The Great Waltz, by Moss Hart - Center
|
|
|
Obituary - H. Reeves-Smith , (1938)
|
|
|
The Distaff Side, by John Van Druten - Booth
|
|
|
Small Miracle, by Norman Krasna - Golden Theatre
|
|
|
Dream Child, staged by Julius Evans - Vanderbilt
|
|
|
Merrily We Roll Along, by George S. Kaufman and Moss Hart - Music Box
|
|
|
The First Legion, by Emmet Lavery - 46th Street
|
|
|
Divided by Three, by Margaret Leech and Beatrice Kaufman - Ethel Barrymore
|
|
|
Roll Sweet Chariot, by Paul Green - Cort
|
|
|
Spring Freshet, by Owen Davis - Plymouth
|
|
|
Continental Varieties - Little Theatre
|
|
|
Obituary - Ralphael Raphael , (1942)
|
|
|
Obituary - Nikita Balieff , (1936)
|
|
|
Dance With Your Gods, by Kenneth Perkins - Mansfield
|
|
|
Reel
12
Frame
576
|
Volume 83, 1934
|
|
|
All the King's Horses, by Frederick Herendeen - Shubert Grand Opera House
|
|
|
New Faces, by Leonard Sillman - Fulton
|
|
|
While Parents Sleep, by Anthony Kimmins - The Playhouse
|
|
|
Caviar, by Leo Randole - Forrest
|
|
|
Jig Saw, by Dawn Powell - Ethel Barrymore
|
|
|
Kykunkor (The Witch Woman), by Asadata Dafora - Little
|
|
|
Every Thursday, by Doty Hobart - Royale
|
|
|
Mary of Scotland, by Maxwell Anderson - Guild
|
|
|
Her Majesty, the Widow, by John Charles Brownell - Ritz
|
|
|
Her Cardboard Lover, by Jacques Duval - Westchester Playhouse
|
|
|
The Barretts of Wimpole Street, by Rudolf Besier - Brooklyn Academy of Music
|
|
|
Tobacco Road, by Jack Kirkland - 48th Street
|
|
|
Obituary - Maude Odell , (1937)
|
|
|
The Chimes of Corneville - The Country Playhouse
|
|
|
Mary Rose, by J.M. Barrie - Westchester Playhouse
|
|
|
Coquette, by George Abbott and Ann Preston Bridges - Westchester Playhouse
|
|
|
The Bride of Torozko, by Otto Indig - Westport Country Playhouse
|
|
|
The Firebrand, by Edwin Justus Mayer - Millbrook Theatre, Millbrook, New York
|
|
|
Laura Garnett, by Leslie and Sewell Stokes - Washington Theatre, Dobbs Ferry, New York
|
|
|
The O'Neil Woman, by Sam Forrest - Ridgeway Theatre, White Plains New York
|
|
|
Sailor, Beware, by Kenyon Nicholson and Charles Robinson - Lyceum
|
|
|
Roberta, by Otto Harbach - New Amsterdam
|
|
|
Obituary - Fay Templeton , (1939)
|
|
|
Love on an Island, by Helen Deutsch - Westport Country Playhouse
|
|
|
The Light Behind the Shadow, adapted by Jose Ruben - Ridgeway
|
|
|
Reprise, by William D. Bristol - Washington Theatre
|
|
|
Spring Song, by Samuel and Bela Spewack - Ridgeway
|
|
|
Fools Rush In, by Leonard Sillman - Show Boat Venture, New Rochelle, New York
|
|
|
New Faces, by Leonard Sillman - Castle Theatre, Long Beach
|
|
|
A Villa at Cannes, by Elaine Sterne Carrington - Ridgeway
|
|
|
Keep Moving, by Max Rich and Jack Scholl - Forrest
|
|
|
Life Begins at Eight Forty, by Ira Gershwin and E.Y. Harburg - Winter Garden
|
|
|
Saluta, adapted by Eugene Conrad and Maurice Marks - Imperial
|
|
|
Tobacco Road
|
|
|
Reel
12
Frame
748
|
Volume 84, October-November 1934
|
|
|
Order Please, by Edward Childs Carpenter - The Playhouse
|
|
|
Bridal Quilt, by Tom Powers - Biltmore
|
|
|
A Sleeping Clergyman, by James Bridie - Guild
|
|
|
Personal Appearance, by Lawrence Riley - Henry Miller's
|
|
|
Lost Horizons, by John Hayden - Eddie Dowling's St. James Theatre
|
|
|
Hipper's Holiday, by John Crump - Maxine Elliott's
|
|
|
Within the Gates, by Sean O'Casey - National
|
|
|
Obituary - John Murphy , (1934)
|
|
|
Conversation Piece, by Noel Coward - 44th Street
|
|
|
Obituary - Athole Stewart , (1940)
|
|
|
Iolanthe, by Gilbert and Sullivan - Martin Beck
|
|
|
Between Two Worlds, by Elmer Rice - Belasco
|
|
|
Geraniums in My Window, by Samuel Ornitz and Vera Caspary - Longacre
|
|
|
Allure, by Leigh Burton Wells - Empire
|
|
|
The Yeomen of the Guard, by Gilbert and Sullivan - Martin Beck
|
|
|
The Farmer Takes a Wife, by Frank B. Elser and Marc Connelly - 46th Street
|
|
|
Obituary - Herb Williams , (1936)
|
|
|
Princess Ida, by Gilbert and Sullivan - Martin Beck
|
|
|
Ladies' Money, by George Abbott - Ethel Barrymore
|
|
|
L'Aiglon, by Edmond Rostand - Broadhurst
|
|
|
Jayhawker, by Sinclair Lewis and Lloyd Lewis - Cort
|
|
|
Obituary - Walter Kelly
|
|
|
Say When, by Jack McGowan - Imperial
|
|
|
Reel
12
Frame
900
|
Volume 85, November-December 1934
|
|
|
Dark Victory, by George Brewer, Jr. and Bertram Bloch - Plymouth
|
|
|
All Rights Reserved, by Irving Kaye Davis - Ritz
|
|
|
The New Gossoon, by George Shiels - Golden
|
|
|
Drama at Inish, by Lennox Robinson - Golden
|
|
|
Continental Varieties - Little
|
|
|
Brittle Heaven, by Vincent York and Frederick J. Pohl - Vanderbilt
|
|
|
Church Street, by Lennox Robinson - Golden
|
|
|
The Resurrection, by W.B. Yeats - Golden
|
|
|
The Distaff Side, by John Van Druten - Booth
|
|
|
The Coiner, by Bernard Duffy - Golden
|
|
|
The Well of the Saints, by J.M. Synge - Golden
|
|
|
The Children's Hour, by Lillian Hellman - Maxine Elliott's
|
|
|
Anything Goes, by Guy Bolton and P.G. Wodehouse - Alvin
|
|
|
But Not For Love, by Geraldine Emerson - Empire
|
|
|
Ruddigore, by Gilbert and Sullivan - Martin Beck
|
|
|
Africana, by Donald Heywood - Venice
|
|
|
Page Miss Glory, by Joseph Schrank and Philip Dunning - Mansfield
|
|
|
Obituary - Peggy Shannon , (1941)
|
|
|
Gold Eagle Guy, by Melvin Levy - Morosco
|
|
|
The Plough and the Stars, by Sean O'Casey - Golden
|
|
|
The Whiteheaded Boy, by Lennox Robinson - Golden
|
|
|
Hedda Gabler - Broadhurst
|
|
|
Juno and the Paycock, by Sean O'Casey - Golden
|
|
|
Post Road, by Wilbur Daniel Steele and Norma Mitchell - Masque
|
|
|
Revenge With Music, by Howard Dietz and Arthur Schwartz - New Amsterdam
|
|
|
So Many Paths, by Irving Kaye Davis - Ritz
|
|
|
The Playboy of the Western World, by J.M. Synge - Golden
|
|
|
The Coiner - Golden
|
|
|
The Drunkard, by H.S. Smith - American Music Hall
|
|
|
Sailors of Cattaro, by Friedrich Wolf - Civic Repertory
|
|
|
The Cradle Song, by Gregorio and Maria Martinez Sierra - Broadhurst
|
|
|
The Sky's the Limit!, by Pierce Johns and Hendrik Booraem - Fulton
|
|
|
Dark Victory, by George Brewer, Jr. and Bertram Bloch - Little
|
|
|
Reel
12
Frame
1036
|
Volume 86, December 1934-January 1935
|
|
|
Valley Forge, by Maxwell Anderson - Guild
|
|
|
Ode to Liberty, adapted by Sidney Howard - Lyceum
|
|
|
Fools Rush In, by Leonard Sillman - The Playhouse
|
|
|
Romeo and Juliet - Martin Beck Theatre
|
|
|
Mother Lode, by Dan Totheroh and George O'Neil - Cort
|
|
|
Piper Paid, by Sarah B. Smith and Viola Brothers Shore - Ritz
|
|
|
Accent on Youth, by Samson Raphaelson - Plymouth
|
|
|
Birthday, by Ainee and Philip Stuart - 49th Street
|
|
|
The O'Flynn, by Brian Hooker and Russell Janney - Broadway
|
|
|
Portrait of Gilbert, by Carlton Miles - Longacre
|
|
|
Thumbs Up - Eddie Dowling's St. James Theatre
|
|
|
Obituary - Paul McCullough , (1936)
|
|
|
Obituary - Barnett Parker , (1941)
|
|
|
Obituary - J. Harold Murray , (1940)
|
|
|
Ruth Draper - Character Sketches - Ethel Barrymore Theatre
|
|
|
Calling All Stars - Hollywood Theatre
|
|
|
Richelieu, by Arthur Goodrich - 44th Street
|
|
|
Rain From Heaven, by S.N. Behrman - Golden
|
|
|
Elizabeth the Queen, by Maxwell Anderson - Montclair Theatre, Montclair, New Jersey
|
|
|
The Petrified Forest, by Robert Sherwood - Broadhurst
|
|
|
Obituary - Robert Hudson , (1937)
|
|
|
Obituary (“Missing Presumed Lost” in Plane Crash) - Leslie Howard , (1943)
|
|
|
Richard III - 44th Street
|
|
|
The Old Maid, by Zoe Akins - Empire
|
|
|
Living Dangerously, by Reginald Simpson and Frank Gregory - Morosco
|
|
|
Reel
13
Frame
1
|
Volume 87, January-February 1935
|
|
|
Laburnum Grove, by J.B. Priestley - Booth
|
|
|
Fly Away Home, by Dorothy Bennett and Irving White - 48th Street
|
|
|
Creeping Fire, by Marie Baumer - Vanderbilt
|
|
|
Little Shot, by Percival Wilde - The Playhouse
|
|
|
Point Valaine, by Noel Coward - Ethel Barrymore
|
|
|
Escape Me Never, by Margaret Kennedy - Sam S. Shubert Theatre
|
|
|
Nowhere Bound, by Leo Birinski - Imperial
|
|
|
Crime and Punishment, by Fyodor Dostoievsky - Biltmore
|
|
|
Prisoners of War, by J.R. Ackerley - Ritz
|
|
|
Within the Gates, by Sean O'Casey - National
|
|
|
Three Men on a Horse, by John Cecil Holm and George Abbott - The Playhouse
|
|
|
Loose Moments, by Courtenay Savage and Bertram Hobbs - Vanderbilt
|
|
|
It's You I Want, by Maurice Braddell - Cort
|
|
|
On To Fortune, by Lawrence Langner and Armina Marshall - Fulton
|
|
|
Field of Ermine, by Jacinto Benavente - Mansfield
|
|
|
The Eldest, by Eugenie Courtright - Ritz
|
|
|
Rain, by John Colton and Clemence Randolph - Music Box
|
|
|
Romeo and Juliet - Martin Beck
|
|
|
Bitter Oleander, by Federico Garcia Lorca - Lyceum
|
|
|
Noah, by Andre Obey - Longacre
|
|
|
Revisor, by Nikolai Gogol - Majestic
|
|
|
The Simpleton of the Unexpected Isles, by George Bernard Shaw - Guild
|
|
|
Cross Ruff, by Noel Taylor - Masque
|
|
|
Revue Folies Bergeres - French Casino, New York
|
|
|
The Bishop Misbehaves, by Frederick Jackson - Cort
|
|
|
Obituary - Walter Connolly , (1940)
|
|
|
Obituary - Lucy Beaumont
|
|
|
The Post-Depression Gaieties, presented for The Author's League Fund and The Stage Relief Fund - New Amsterdam
|
|
|
Reel
13
Frame
147
|
Volume 88, February-April 1935
|
|
|
Awake and Sing, by Clifford Odets - Belasco
|
|
|
The Distant Shore, by Donald Blackwell and Theodore St. John - Morosco
|
|
|
The Barretts of Wimpole Street, by Rudolf Besier - Martin Beck
|
|
|
Times Have Changed, adapted by Louis Bromfield - National
|
|
|
Obituary - Moffat Johnston , (1935)
|
|
|
Obituary - Robert Loraine , (1935)
|
|
|
The Green Pastures, by Marc Connelly - 44th Street
|
|
|
Obituary - Richard B. Harrison , (1935)
|
|
|
Petticoat Fever, by Mark Reed - Ritz
|
|
|
De Luxe, by Louis Bromfield and John Gearon - Booth
|
|
|
Life Begins at 8:40 - Winter Garden
|
|
|
Panic, by Archibald MacLeish - Imperial
|
|
|
Black Pit, by Albert Maltz - Civic Repertory
|
|
|
A Woman of the Soil, by John Charles Brownell - 49th Street
|
|
|
Till the Day I Die, by Clifford Odets - Longacre
|
|
|
Waiting for Lefty - Longacre
|
|
|
Lady of Letters, by Turner Bullock - Mansfield
|
|
|
The Dominant Sex, by Michael Egan - Cort
|
|
|
Mansion on the Hudson, by Cornelia Otis Skinner - Booth
|
|
|
Flowers of the Forest, by John van Druten - Martin Beck
|
|
|
Ceiling Zero, by Frank Wead - Music Box
|
|
|
A Journey By Night, adapted by Arthur Goodrich - Sam S. Shubert Theatre
|
|
|
Kind Lady, by Edward Chodorov - Booth
|
|
|
Symphony, by Charles March - Cort
|
|
|
Reel
13
Frame
281
|
Volume 89, April-September 1935
|
|
|
Something Gay, Adelaide Heilbron - Morosco
|
|
|
To See Ourselves, by E.M. Delafield - Ethel Barrymore
|
|
|
If a Body, by Edward Knoblock and George Rosener - Biltmore
|
|
|
Obituary - Courtney White
|
|
|
The Old Maid, by Zoe Akins - Empire
|
|
|
The Hook-Up, by Jack Lait and Stephen Gross - Cort
|
|
|
Parade - Guild
|
|
|
Weather Permitting, by Edward Sargent Brown - Masque
|
|
|
Seven Keys to Baldpate, by George M. Cohan - National
|
|
|
Knock on Wood, by Allen Rivkin - Cort
|
|
|
Earl Carroll Sketch Book - Winter Garden
|
|
|
Yeomen of the Guard, by Gilbert and Sullivan - Adelphi
|
|
|
The Gondoliers, by Gilbert and Sullivan - Adelphi
|
|
|
Anything Goes, by Guy Bolton and P.G. Wodehouse - Alvin
|
|
|
The Great Waltz, by Moss Hart - Center
|
|
|
Smile at Me, by Edward J. Lambert - Fulton
|
|
|
Obituary - Jack Osterman , (1939)
|
|
|
Caesar and Cleopatra, by George Bernard Shaw - County Theatre, Suffern, New York
|
|
|
Moon Over Mulberry Street, by Nicholas Cosentino - Lyceum
|
|
|
Awake and Sing, by Clifford Odets - Belasco
|
|
|
Waiting for Lefty, by Clifford Odets - Belasco
|
|
|
A Slight Case of Murder, by Damon Runyon and Howard Lindsay - 48th Street
|
|
|
Night of January 16, by Ayn Rand - Ambassador
|
|
|
Obituary - Edmund Breese , (1936)
|
|
|
Few Are Chosen, by N. Lawlor - 58th Street
|
|
|
At Home Abroad - Winter Garden
|
|
|
Obituary - Herb Williams , (1936)
|
|
|
A Touch of Brimstone, by Leonora Kaghan and Anita Philips - Boulevard Theatre
|
|
|
Life's Too Short, by John Whedon and Arthur Caplan - Broadhurst
|
|
|
If This Be Treason, by John Haynes Holmes and Reginald Lawrence - Music Box
|
|
|
Reel
13
Frame
418
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Volume 90, September-October 1935
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Blind Alley, by James Warwick - Booth
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Winterset, by Maxwell Anderson - Martin Beck
|
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Paths of Glory, adapted by Sidney Howard - Plymouth
|
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Remember the Day, by Philo Higley and Philip Dunning - National
|
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Othello - Ethel Barrymore
|
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The Taming of the Shrew - Guild
|
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Most of the Game, by John van Druten - Cort
|
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Squaring the Circle, by Valentine Katayev - Lyceum
|
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Macbeth - Ethel Barrymore
|
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Sweet Mystery of Life, by Richard Maibaum, Michael Wallach, and George Haight - Sam S. Shubert Theatre
|
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Achilles Had a Heel, by Martin Flavin - 44th Street
|
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Jubilee, by Moss Hart and Cole Porter - Imperial
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Triumph, by George Austin - Fulton
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Bright Star, by Philip Barry - Empire
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Strip Girl - Longacre
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Porgy and Bess - Alvin
|
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Obituary - George Gershwin , (1937)
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Eden End, by J.B. Preistley - Masque
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Reel
13
Frame
549
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Volume 91, October-December 1935
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Substitute for Murder, by William Jourdan Rapp and Leonardo Bercovici - Ethel Barrymore
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Crime Marches On, by Bertrand Robinson and Maxwell Hawkins - Morosco
|
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Mulatto, by Langston Hughes - Vanderbilt
|
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Good Men and True, by Brian Marlow and Frank Merlin - Biltmore
|
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Dead End, by Sidney Kingsley - Belasco
|
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On Stage, by B.M. Kaye - Mansfield
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There's Wisdom in Women, by Joseph O. Kesselring - Cort
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The Body Beautiful, by Robert Rossen - Plymouth
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Play, Genius, Play! by Judith Kandel - St. James
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Provincetown Follies - Provincetown Playhouse
|
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Pride and Prejudice, dramatized by Helen Jerome - Music Box
|
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Let Freedom Ring, by Albert Bein - Broadhurst
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Night In the House, by Rodney Ackland - Booth
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Parnell, by Elsie Schauffler - Ethel Barrymore
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Obituary - Elsie Schauffler , (1935)
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Obituary - Alexander Frank
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Mother Sings, by Hugh Stange - 58th Street
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Night In the House - Booth
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Jumbo - Hippodrome
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For Valor, by Martha Hedman and Henry Arthur House - Empire
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Abide With Me, by Clare Boothe Brokaw - Ritz
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Sunday Nights at 9 - Barbizon Plaza Theatre
|
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The Ragged Edge, by Mary Heathfield - Fulton
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Whatever Goes Up, by Milton Lazarus - Biltmore
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First Lady, by Katharine Dayton and George S. Kaufman - Music Box
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Boy Meets Girl, by Bella and Samuel Spewack - Cort
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How Beautiful With Shoes, by Wilbur Daniel Steele and Anthony Brown - Booth
|
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One Good Year, by Stephen Gross and Lin S. Root - Lyceum
|
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Stick-in-the-Mud, by Frederick Hazlitt Brennan - 48th Street
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Rosmersholm, by Henrik Ibsen - Sam S. Shubert
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Camille, by Alexandre Dumas, fils - Sam S. Shubert
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Reel
13
Frame
689
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Volume 92, December 1935-January 1936
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Weep for the Virgins, by Nellise Child - 46th Street
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May Wine, by Frank Mandel - St. James
|
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A Sunny Morning, by Serafin and Joaquin Alvarez Quintero - Sam S. Shubert
|
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The Women Have Their Way, by Serafin and Joaquin Alvarez Quintero - Sam S. Shubert
|
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Paradise Lost, by Clifford Odets - Longacre
|
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This Our House, by Joel W. Schenker and Allan Fleming - 58th St.
|
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Ghosts, by Henrik Ibsen - Empire
|
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|
Three Men On a Horse, by John Cecil Holm and George Abbott - The Playhouse
|
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|
George White's Scandals - The Majestic
|
|
|
Libel! by Edward Wooll - Henry Miller's
|
|
|
Obituary - Colin Clive , (1937)
|
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Romeo and Juliet - Martin Beck
|
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The Season Changes, by Arthur Richman - Booth
|
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Continental Varieties of 1936 - Masque
|
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Ghosts - Empire
|
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Tapestry in Gray, by Martin Flavin - Sam S. Shubert
|
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Victoria Regina, by Laurence Housman - Broadhurst
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Hell Freezes Over, by John Patrick - Ritz
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Tomorrow's a Holiday! by Leo Perutz and Hans Adler - Golden
|
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Mid-West, by James Hagen - Booth
|
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O Evening Star! by Zoe Akins - Empire
|
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|
Obituary - Josie Intropidi , (1941)
|
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|
Obituary - Jobyna Howland
|
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|
Granite, by Clemence Dane - Vanderbilt
|
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|
Porgy and Bess - Alvin
|
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|
I Want a Policeman! by Rufus King and Milton Lazarus - Lyceum
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Russet Mantle, by Lynn Riggs - Masque
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Reel
13
Frame
838
|
Volume 93, January-February 1936
|
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A Room in Red and White, by Roy Hargrave - 46th Street
|
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Obituary - Leslie Adams , (1936)
|
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Ethan Frome, dramatized by Owen Davis and Donald Davis - National
|
|
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The Illustrators' Show - 48th Street
|
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|
The Puritan, dramatized by Chester Erskin - Belmont
|
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George White's Scandals - New Amsterdam
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Lady Precious Stream, by S.I. Hsiung - Booth
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Ziegfeld Follies - Winter Garden
|
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Call It a Day, by Dodie Smith - Morosco
|
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The Children's Hour - Maxine Elliott's
|
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The Sap Runs High, by H.T. Porter and Alfred Henri White - Bijou
|
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|
Murder in the Old Red Barn - American Music Hall
|
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Alice Takat, by Jose Ruben - Golden
|
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|
Obituary - Percy Ames , (1936)
|
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Among Those Sailing, by Laura Walker - Longacre
|
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Co-Respondent Unknown, by Mildred Harris and Harold Goldman - Rit
|
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|
Black Widow, by Samuel John Park - Mansfield
|
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|
Obituary - Lucille La Verne , (1945)
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Ruth Draper - Performance - Booth Theatre
|
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Fresh Fields, by Ivor Novello - Empire
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Reel
13
Frame
975
|
Volume 94, February-March 1936
|
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Come Angel Band, by Stuart Anthony and Dudley Nichols - 46th St.
|
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Searching for the Sun, by Don Totheroh - 58th Street
|
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|
Mainly for Lovers, by Philip Johnson - 48th Street
|
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|
Hallowe'en, by Henry Myers - Vanderbilt
|
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|
End of Summer, by S.N. Behrman - Guild
|
|
|
Obituary - Osgood Perkins , (1937)
|
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|
Love on the Dole, by Ronald Gow and Walter Greenwood - Sam S. Shubert
|
|
|
Obituary - Reginald Bach , (1941)
|
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|
The Postman Always Rings Twice, by James M. Cain - Lyceum
|
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At Home Abroad, by Howard Dietz and Arthur Schwartz - Majestic
|
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|
Three Wise Fools, by Austin Strong - Golden
|
|
|
Obituary - William Gillette , (1937)
|
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|
Sweet Aloes, by Jay Mallory - Booth
|
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|
Dear Old Darling - Alvin
|
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|
The Fields Beyond, by Francis Bosworth - Mansfield
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Saint Joan, by Bernard Shaw - Martin Beck
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Star Spangled, by Robert Ardrey - Golden
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|
Co-Respondent Unknown - Ritz
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Case of Clyde Griffiths, by Theodore Dreiser - Ethel Barrymore
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Idiot's Delight, by Robert E. Sherwood - Sam S. Shubert
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Reel
14
Frame
1
|
Volume 95, April-September 1936
|
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Bitter Stream, by Victor Wolfson - Civic Repertory
|
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The Mikado - Majestic
|
|
|
Obituary - Frank Moulan , (1939)
|
|
|
On Your Toes, by Rodgers and Hart and George Abbott - Imperial
|
|
|
Lady Luck, by Hyman Adler and R.L. Hill - Adelphi
|
|
|
Pirates of Penzance - Majestic
|
|
|
Bury the Dead, by Irwin Shaw - Ethel Barrymore
|
|
|
Macbeth - Lafayette Theatre
|
|
|
H.M.S. Pinafore - Majestic
|
|
|
Cyrano de Bergerac, English version by Brian Hooker - New Amsterdam
|
|
|
Pre-Honeymoon, by Alford Van Ronkel and Anne Nichols - Lyceum
|
|
|
Iolanthe, by Gilbert and Sullivan - Majestic
|
|
|
Parnell, by Elsie Schauffler - 48th Street
|
|
|
Ghosts - Golden
|
|
|
A Private Affair, by Gaston Valcourt - Masque
|
|
|
New Faces of 1936, by Leonard Sillman - Vanderbilt
|
|
|
The Dance of Death, by W.H. Auden - Adelphi
|
|
|
The County Chairman, by George Ade - National
|
|
|
Winterset, by Maxwell Anderson - Martin Beck
|
|
|
Dead End - Belasco
|
|
|
First Lady, by Katharine Dayton and George S. Kaufman - Music Box
|
|
|
The Kick Back, by Edwin Harvey Blum - Ritz
|
|
|
Class of '29, by Orrie Lashin and Milo Hastings - Federal
|
|
|
Love for Love, by William Congreve - Country Playhouse, Westport
|
|
|
Parnell - El Capitan, Hollywood
|
|
|
Help Yourself, adapted by John J. Coman - Federal
|
|
|
Elizabeth the Queen, by Maxwell Anderson - Westchester Playhouse
|
|
|
The Would-Be Gentleman, by Moliere - The Country Playhouse
|
|
|
The Emperor Jones, by Eugene O'Neill - The County Theatre, Suffern, New York
|
|
|
First Love, by Guy Andros and Norma Mitchell - Boulevard
|
|
|
The Mikado - Martin Beck
|
|
|
Spring Dance, by Philip Barry - Empire
|
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Parnell - The County Theatre
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Ziegfeld Follies - Winter Garden
|
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Reel
14
Frame
132
|
Volume 96, September-October 1936
|
|
|
The Golden Journey, by Edwin Gilbert - Booth
|
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|
Seen But Not Heard, by Marie Baumer and Martin Berkeley - Henry Miller's
|
|
|
Arrest That Woman, by Maxine Alton - National
|
|
|
Reflected Glory, by George Kelly - Morosco
|
|
|
So Proudly We Hail, by Joseph M. Viertel - 46th Street
|
|
|
Horse Eats Hat, by Edwin Denby and Orson Welles - Federal
|
|
|
Night Must Fall, by Emlyn Williams - Ethel Barrymore
|
|
|
Love From a Stranger, by Frank Vosper - Fulton
|
|
|
Obituary - Frank Vosper , (1937)
|
|
|
Mimie Scheller, by Alfred L. Golden - Ritz
|
|
|
White Horse Inn, by Erik Charell - Center
|
|
|
Cox and Box, by Maddison Morton, F.C. Burnand and Arthur Sullivar Martin Beck Theatre
|
|
|
H.M.S. Pinafore, by Gilbert and Sullivan - Martin Beck
|
|
|
Patience, by Gilbert and Sullivan - Martin Beck
|
|
|
St. Helena, by R.C. Sherriff and Jeanne de Casalis - Lyceum
|
|
|
Hamlet - Empire
|
|
|
The Laughing Woman, by Gordon Daviot - Golden
|
|
|
And Stars Remain, by Julius J. and Philip G. Epstein - Guild
|
|
|
Daughters of Atreus, by Robert Turney - 44th Street
|
|
|
Tovarich, by Jacques Deval - Plymouth
|
|
|
Swing Your Lady! by Kenyon Nicholson and Charles Robinson - Booth
|
|
|
Iron Men, by Francis Gallagher - Longacre
|
|
|
White Man, by Samson Raphaelson - National
|
|
|
Ten Million Ghosts, by Sidney Kingsley - St. James
|
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Reel
14
Frame
280
|
Volume 97, October-December 1936
|
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It Can't Happen Here, by John C. Moffitt and Sinclair Lewis - Federal
|
|
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Sweet River, by George Abbott - 51st Street
|
|
|
Green Waters, by Max Catto - Masque
|
|
|
Red, Hot and Blue! byCole Porter, Howard Lindsay, and Russel Crouse - Alvin
|
|
|
Black Limelight, by Gordon Sherry - Mansfield
|
|
|
Hamlet - Imperial
|
|
|
Double Dummy, by Tom McKnight and Doty Hobart - Golden
|
|
|
Matrimony Pfd., by Louis Verneuil - The Playhouse
|
|
|
Plumes in the Dust, by Sophie Treadwell - 46th Street
|
|
|
Hedda Gabler - Longacre
|
|
|
200 Were Chosen, by E.P. Conkle - 48th Street
|
|
|
Tonight at 8:30, three plays by Noel Coward - National
|
|
|
Johnny Johnston, by Paul Green - 44th Street
|
|
|
Forbidden Melody, by Otto Harbach - New Amsterdam
|
|
|
Tonight at 8:30 - National
|
|
|
Prelude to Exile, by William McNally - Guild
|
|
|
The Country Wife, by William Wycherley - Henry Miller's
|
|
|
Tonight at 8:30 - National
|
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|
The Holmses of Baker Street, by Basil Mitchell - Masque
|
|
|
Aged 26, by Anne Crawford Flexner - Lyceum
|
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Reel
14
Frame
424
|
Volume 98, December 1936-February 1937
|
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|
You Can't Take It With You, by Moss Hart and George S. Kaufman - Booth
|
|
|
Stage Door, by George S. Kaufman and Edna Ferber - Music Box
|
|
|
Obituary - Priestly Morrison , (1938)
|
|
|
The Wingless Victory, by Maxwell Anderson - Empire
|
|
|
The Show is On, by Vincente Minnelli - Winter Garden
|
|
|
The Women, by Clare Boothe - Ethel Barrymore
|
|
|
Promise, by Henry Bernstein - Anne Nichols' Little Theatre
|
|
|
Othello - New Amsterdam
|
|
|
The Eternal Road, by Franz Werfel - Manhattan Opera House
|
|
|
Obituary - Rosamond Pinchot , (1938)
|
|
|
High Tor, by Maxwell Anderson - Martin Beck
|
|
|
But For the Grace of God, by Leopold Atlas - Guild
|
|
|
Doctor Faustus, by Christopher Marlowe - Federal
|
|
|
Lady Chatterley's Love, dramatized by Vincent Marr - Brooklyn
|
|
|
Obituary - James Hall , (1940)
|
|
|
Tide Rising, by George Brewer, Jr. - Lyceum
|
|
|
And Now Goodbye, by Philip Howard - John Golden Theatre
|
|
|
Obituary - Richie Ling , (1937)
|
|
|
Frederika, by Franz Lehar - Imperial
|
|
|
Reel
14
Frame
569
|
Volume 99, February-March 1937
|
|
|
The Masque of Kings, by Maxwell Anderson - Sam S. Shubert
|
|
|
Yes, My Darling Daughter, by Mark Reed - The Playhouse
|
|
|
Fulton of Oak Falls, by Parker Fennelly - Morosco
|
|
|
King Richard II - St. James
|
|
|
Be So Kindly, by Sara Sandberg - Anne Nichols' Little Theatre
|
|
|
An Enemy of the People, by Henrik Ibsen - Hudson
|
|
|
Obituary - Dodson Mitchell , (1939)
|
|
|
Marching Song, by John Howard Larson - Bayes
|
|
|
Having Wonderful Time, by Arthur Kober - Lyceum
|
|
|
The Amazing Dr. Clitterhouse, by Barré Lyndon - Hudson
|
|
|
Now You've Done It, by Mary Coyle Chase - Henry Miller's
|
|
|
Storm Over Patsy, by Bruno Frank - Guild
|
|
|
Arms for Venus, by Randolph Carter - John Golden
|
|
|
Brother Rat, by John Monks, Jr. and Fred F. Finklehoffe - Biltmore
|
|
|
Cross-Town, by Joseph O. Kesselring - 48th Street
|
|
|
Candida, by Bernard Shaw - Empire
|
|
|
Sun Kissed, by Raymond Van Sickle - Anne Nichols' Little Theatre
|
|
|
Behind Red Lights, by Samuel Shipman and Beth Brown - Mansfield
|
|
|
Obituary - Samuel Shipman , (1937)
|
|
|
Chalked Out, by Lewis E. Lawes and Jonathan Finn - Morosco
|
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|
Reel
14
Frame
715
|
Volume 100, April-November 1937
|
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|
Bet Your Life, by Fritz Blocki and Willie Howard - John Golden
|
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|
Susan and God, by Rachel Crothers - Forrest
|
|
|
Babes in Arms, by Rodgers and Hart - Sam S. Shubert
|
|
|
Excursion, by Victor Wolfson - Martin Jones' Vanderbilt Theatre
|
|
|
Sea Legs, by Arthur Swanstrom - Mansfield
|
|
|
Libel! byEdward Wooll - Pasadena Community Playhouse
|
|
|
Merchant of Venice - Federal
|
|
|
Montezuma, by Gerhart Hauptmann - Pasadena Playhouse Association
|
|
|
Amphitryon 38, adapted by S.N. Behrman - Biltmore
|
|
|
Virginia, by Laurence Stallings and Owen Davis - Center
|
|
|
The Show is On - Winter Garden
|
|
|
George and Margaret, by Gerald Savory - Morosco
|
|
|
Blow Ye Winds, by Valentine Davies - 46th Street
|
|
|
The Lady Has a Heart, by Ladislaus Bus-Fekete - Longacre
|
|
|
The Star-Wagon, by Maxwell Anderson - Empire
|
|
|
French Without Tears, by Terence Rattigan - Henry Miller's
|
|
|
Katie Roche, by Teresa Deevy - Ambassador
|
|
|
To Quito and Back, by Ben Hecht - Guild
|
|
|
The Far-Off Hills, by Lennox Robinson - Ambassador
|
|
|
In Clover, by Allan Scott - Martin Jones' Vanderbilt
|
|
|
Obituary - Helen Stickland , (1938)
|
|
|
Angel Island, by Bernie Angus - National
|
|
|
A Hero is Born, by Theresa Helburn - Federal
|
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|
As You Like It - Ritz
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Reel
14
Frame
856
|
Volume 101, November 1937-January 1938
|
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|
Many Mansions, by Jules Eckert Goodman and Eckert Goodman - Biltmore
|
|
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I'd Rather Be Bright, by George S. Kaufman and Moss Hart - Alvin
|
|
|
Antony and Cleopatra, by Shakespeare - Mansfield
|
|
|
Obituary - Conway Tearle
|
|
|
Madame Bovary, adapted by Benn W. Levy - Broadhurst
|
|
|
Father Malachy's Miracle, by Brian Doherty - St. James
|
|
|
Too Many Heroes, by Dore Schary - Hudson
|
|
|
Robin Landing, by Stanley Young - 46th Street
|
|
|
The Ghost of Yankee Doodle, by Sidney Howard - Guild
|
|
|
Obituary - Eliot Cabot , (1938)
|
|
|
The Playboy of the Western World, by J.M. Synge - Ambassador
|
|
|
In the Train, by Frank O'Connor - Ambassador
|
|
|
Processional, by John Howard Lawson - Federal
|
|
|
The New Gossoon, by George Shiels - Ambassador
|
|
|
Of Mice and Men, by John Steinbeck - Music Box
|
|
|
Brown Sugar, by Bernie Angus - Biltmore
|
|
|
Hooray For What! byHoward Lindsay and Russel Crouse - Winter Garden
|
|
|
Merely Murder, by A.E. Thomas - Playhouse
|
|
|
Julius Caesar - Mercury
|
|
|
Edna His Wife, by Margaret Ayer Barnes - Little
|
|
|
Golden Boy, by Clifford Odets - Belasco
|
|
|
Barchester Towers, by Thomas Job - Martin Beck
|
|
|
Drama at Inish, by Lennox Robinson - Ambassador
|
|
|
Love of Women, by Aimee and Philip Stuart - John Golden
|
|
|
Western Waters, by Richard Carlson - Hudson
|
|
|
Tell Me, Pretty Maiden, by Dorothy Day Wendell - Mansfield
|
|
|
Time and the Conways, by J.B. Priestley - Ritz
|
|
|
Performance - London Intimate Opera Company - Little Theatre
|
|
|
Between the Devil, by Howard Dietz and Arthur Schwartz - Imperial
|
|
|
The Shoemakers' Holiday, by Thomas Dekker - Mercury
|
|
|
Three Waltzes, adapted by Clare Kummer and Rowland Leigh - Majestic
|
|
|
The Greatest Show on Earth, by Vincent Duffey and Irene Alexander The Playhouse
|
|
|
The Cradle Will Rock, by Marc Blitzstein - Windsor
|
|
|
Yr Obedient Husband, by Horace Jackson - Broadhurst
|
|
|
Right This Way, by Marianne Brown Waters - 46th Street
|
|
|
A Doll's House, adapted by Thornton Wilder - Morosco
|
|
|
All That Glitters, by John Baragwanath and Kenneth Simpson - Biltmore
|
|
|
If I Were You, by Paul Hervey Fox and Benn W. Levy - Mansfield
|
|
|
Stop-Over, by Matt Taylor and Sam Taylor - Lyceum
|
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Reel
14
Frame
1000
|
Volume 102, January-April 1938
|
|
|
On Borrowed Time, by Paul Osborn - Longacre
|
|
|
Amphitryon 38 - Sam S. Shubert
|
|
|
How to Get Tough About It, by Robert Ardrey - Martin Beck
|
|
|
Journeyman, dramatized by Alfred Hayes and Leon Alexander - Fulto
|
|
|
Coriolanus, by Charles Hopkins - Maxine Elliott's
|
|
|
Roosty, by Martin Berkeley - Lyceum
|
|
|
Murder in the Cathedral, by T.S. Eliot - Ritz
|
|
|
Wine of Choice, by S.N. Behrman - Guild
|
|
|
Bachelor Born, by Ian Hay - The Playhouse
|
|
|
Casey Jones, by Robert Ardrey - Fulton
|
|
|
The Patsy, by Barry Connors - Majestic, Brooklyn
|
|
|
Censored, by Conrad Seiler and Max Marcin - 46th Street
|
|
|
Once is Enough, by Frederick Lonsdale - Henry Miller's
|
|
|
Obituary - Wilfrid Seagram , (1938)
|
|
|
Pins and Needles, by Harold J. Rome - Labor Stage, New York
|
|
|
There's Always a Breeze, by Edward Caulfield - Windsor
|
|
|
Who's Who, by Leonard Sillman - Hudson
|
|
|
The Shining Hour, by Keith Winter - Brooklyn Institute of Arts and Sciences
|
|
|
Wine of Choice - Guild
|
|
|
Who's Who - Hudson
|
|
|
I Am My Youth, by Ernest Pascal and Edwin Blum - The Playhouse
|
|
|
The Hill Between, by Lula Vollmer - Little
|
|
|
One-Third of a Nation - Federal and Adelphi
|
|
|
Whiteoaks, by Mezo de la Roche - Hudson
|
|
|
Obituary - Stephen Haggard , (1943)
|
|
|
All the Living, by Hardie Albright - Fulton
|
|
|
Spring Thaw, by Clare Kummer - Martin Beck
|
|
|
The Sea Gull, by Chekov - Sam S. Shubert
|
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Schoolhouse on the Lot, by Joseph A. Fields and Jerome Chodorov - Ritz
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Shadow and Substance, by Paul Vincent Carroll - John Golden
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Whiteoaks - Hudson
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On Borrowed Time - Longacre
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What a Life, by Clifford Goldsmith - Biltmore
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The Merry Wives of Windsor - Empire
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An Evening With Cecilia Loftus - Lyceum
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Reel
15
Frame
1
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Volume 103, April-November 1938
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Escape This Night, by Robert Steiner and Leona Heyert - 44th St.
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Washington Jitters, by John Boruff and Walter Hart - Guild
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Three Sisters, by Anton Chekov - The American Theatre Council's Committee of the Apprentice Theatre
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The Circle, by W. Somerset Maugham - The Playhouse
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I Married an Angel, adapted by Rodgers and Hart - Sam S. Shubert
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Prologue to Glory, by E.P. Conkle - Federal
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Susan and God, by Rachel Crothers - Plymouth
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Our Town, by Thornton Wilder - Morosco
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The Two Bouquets, by Eleanor and Herbert Farjeon - Windsor
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Haiti, by William du Bois - Federal
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Candida, by George Bernard Shaw - Westchester Playhouse
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The Fabulous Invalid, by Moss Hart and George S. Kaufman - Broadhurst
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The Good, by Chester Erskin - Windsor
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Big Blow, by Theodore Pratt - Federal
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Oscar Wilde, by Leslie and Sewell Stokes - Fulton
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Hamlet - St. James
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Obituary - George Graham , (1939)
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You Never Know, by Cole Porter - Winter Garden
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Abe Lincoln in Illinois, by Robert E. Sherwood - Plymouth
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A Woman's a Fool -- (To Be Clever), by Dorothy Bennett and Link Hannah - National
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Knickerbocker Holiday, by Maxwell Anderson - Ethel Barrymore
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Madame Capet, adapted by George Middleton - Cort
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Lightnin', by Winchell Smith and Frank Bacon - John Golden
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Missouri Legend, by E.B. Ginty - Empire
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Dame Nature, by Andre Birabeau - Booth
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Waltz in Goose Step, by Oliver H.P. Garrett - Hudson
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Where Do We Go From Here? byWilliam Bowers - Vanderbilt
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Danton's Death, by Georg Buchner - Mercury
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Reel
15
Frame
141
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Volume 104, November 1938-January 1939
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The Boys From Syracuse, by Rodgers and Hart - Alvin
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Gloriana, by Ferdinand Bruckner - Little
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Lorelei, by Jacques Deval - Longacre
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Great Lady, by Earle Crooker and Lowell Brentano - Majestic
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American Landscape, by Elmer Rice - Cort
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Here Come the Clowns, by Philip Barry - Booth
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Sing Out the News, by Harold J. Rome - Music Box
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Leave It To Me! byCole Porter - Imperial
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Spring Meeting, by M.J. Farrell and John Perry - Morosco
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Rocket to the Moon, by Cliffoed Odets - Belasco
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Bright Rebel, by Stanley Young - Lyceum
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Outward Bound, by Sutton Vane - The Playhouse
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Window Shopping, by Louis E. Shecter and Norman Clark - Longacre
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Blossom Time, by A.M. Willner and H. Reichert, adapted by Dorothy Donnelly - 46th Street
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Michael Drops In, by William Du Bois - John Golden
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The Merchant of Yonkers, by Thornton Wilder - Guild
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Everywhere I Roam, by Arnold Sundgaard and Marc Connelly - National
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Mamba's Daughters, by Dorothy and DuBose Heyward - Empire
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The Gentle People, by Irwin Shaw - Belasco
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The Primrose Path, by Robert L. Buckner and Walter Hart - Biltmore
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Obituary - Helen Westley , (1942)
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The White Steed, by Paul Vincent Carroll - Cort
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Dear Octopus, by Dodie Smith - Broadhurst
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The Importance of Being Earnest, by Oscar Wilde - Vanderbilt
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The American Way, by George S. Kaufman and Moss Hart - Center
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Set to Music, by Noel Coward - Music Box
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Reel
15
Frame
284
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Volume 105, January-April 1939
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Henry IV (Part I) - St. James
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Jeremiah, by Stefan Zweig - Guild
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Obituary - Stefan and Elizabeth Zweig
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One For the Money, by Nancy Hamilton - Booth
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The Gondoliers, by Gilbert and Sullivan - Martin Beck
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I Must Love Someone, by Jack Kirkland and Leyla Georgie - Longacre
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Stars in Your Eyes, by J.P. McEvoy - Majestic
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Mrs. O'Brien Entertains, by Harry Madden - Lyceum
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Lew Leslie's Blackbirds of 1939 - Hudson
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Kiss the Boys Goodbye, by Clare Boothe
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Naughty-Naught '00, by J. Van Ostend Van Antwerp - American Music Hall
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The Little Foxes, by Lillian Hellman - National
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Off to Buffalo! by Max Liebman and Allen Boretz - Ethel Barrymore
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Miss Swan Expects, by Bella and Samuel Spewack - Cort
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The Mikado - Federal
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Vaudeville - 44th Street
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Close Quarters, by Gilbert Lennox - John Golden
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Family Portrait, by Lenore Coffee and William Joyce Cowen - Morosco
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Awake and Sing, by Clifford Odets - Windsor
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Please, Mrs. Garibaldi, by Mary McCarthy - Belmont
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Hellzapoppin' - Winter Garden
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The Hot Mikado - Broadhurst
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The Philadelphia Story, by Philip Barry - Sam S. Shubert
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The Flashing Stream, by Charles Morgan - Biltmore
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The Happiest Days, by Charlotte Armstrong - Vanderbilt
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My Heart's in the Highlands, by William Saroyan - Guild
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Androcles and the Lion, by George Bernard Shaw - Federal
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Oscar Wilde, by Leslie and Sewell Stokes - Fulton
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No Time for Comedy, by S.N. Behrman - Ethel Barrymore
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Mexicana - 46th Street
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Pins and Needles (Second Edition), by Harold J. Rome - Labor Stage
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Reel
15
Frame
433
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Volume 106, April-November 1939
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Sing For Your Supper - Federal
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The Mother, by Karel Capek - Lyceum
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Wuthering Heights, adapted by Randolph Carter - Longacre
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The Aquacade Revue, by Billy Rose and Ted Fetter - World's Fair
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Day in the Sun, by Edward R. Sammis and Ernest V. Heyn - Biltmore
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The Brown Danube, by Burnet Hershey - Lyceum
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Filling Station - Martin Beck
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The Devil and Daniel Webster, by Stephen Vincent Benet and Dougla Moore - Martin Beck
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Susanna, Don't You Cry, by Sarah Newmeyer and Clarence Loomis - Martin Beck
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The Streets of Paris - Broadhurst
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From Vienna (the Refugee Artists Group Revue) - Music Box
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Yokel Boy, by Lew Brown - Majestic
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Seventh Heaven, by Austin Strong and Winchell Smith - Maplewood Theatre, Maplewood, New Jersey
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Tonight at 8:30 - Paper Mill Playhouse, Millburn, New Jersey
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Flight Into China, by Pearl Buck - Paper Mill Playhouse
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Journey's End, by R.C. Sherriff - Empire
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The Straw Hat Revue, by Max Liebman - Ambassador
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They Knew What They Wanted, by Sidney Howard - Empire
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Skylark, by Samson Raphaelson - Morosco
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Ladies and Gentlemen, by Charles MacArthur and Ben Hecht - Martin Beck
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The Man Who Came to Dinner, by Moss Hart and George S. Kaufman - Music Box
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Too Many Girls, by Rodgers and Hart - Imperial
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The Time of Your Life, by William Saroyan - Booth
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Summer Night, by Vicki Baum and Benjamin Glazer - St. James
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Life With Father, by Howard Lindsay and Russel Crouse - Empire
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Margin For Error, by Clare Boothe - Plymouth
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Sea Dogs, by Wilson Starbuck - Maxine Elliott's
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Reel
15
Frame
581
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Volume 107, November 1939-March 1940
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Thunder Rock, by Robert Ardrey - Mansfield
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The World We Make, by Sidney Kingsley - Guild
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Aries Is Rising, by Caroline North and Earl Blackwell - John Golden
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Key Largo, by Maxwell Anderson - Ethel Barrymore
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Obituary - Harold C. Johnsrud , (c. 1939)
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George White's Scandals, 1939 Edition - Hollywood
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Obituary - Harold Whalen
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Swingin' The Dream, by Gilbert Seldes and Erik Charell - Center
|
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Very Warm for May, by Jerome Kern and Oscar Hammerstein, 2nd - Alvin
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Hamlet - 44th Street
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Farm of Three Echoes, by Noel Langley - Cort
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Du Barry Was a Lady, by Cole Porter - 46th Street
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Obituary - Hugh Cameron , (1941)
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The Woman Brown, by Dorothy Cumming - Biltmore
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Morning's at Seven, by Paul Osborn - Longacre
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I Married an Angel, by Rodgers and Hart - Biltmore, Los Angeles
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She Couldn't Say No, by B.M. Kaye - El Capitan
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|
|
Meet the People Musical Revue - Hollywood Theatre Alliance
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The Taming of the Shrew - Alvin
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When We Are Married, by J.B. Priestley - Lyceum
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Two On an Island, by Elmer Rice - Broadhurst
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The Unconquered, by Ayn Rand - Biltmore
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Folies Bergere - Broadway
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Geneva, by George Bernard Shaw - Henry Miller's
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Two For the Show, by Nancy Hamilton - Booth
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My Dear Children, by Catherine Turney and Jerry Horwin - Belasco
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Reunion in New York Musical Revue - Little
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Leave Her to Heaven, by John Van Druten - Longacre
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Night Music, by Clifford Odets - Broadhurst
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The Weak Link, by Allan Wood - John Golden
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Goodbye in the Night, by Jerome Mayer - Biltmore
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Reel
15
Frame
748
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Volume 108, March-July 1940
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The Fifth Column, by Ernest Hemingway - Alvin
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See My Lawyer, by Richard Maibaum and Harry Clork - Adelphi
|
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Ladies in Retirement, by Edward Percy and Reginald Denham - Henry Miller's
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Iliom, by Ferenc Molnar - 44th Street
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Mamba's Daughters, by Dorothy and DuBose Heyward - Broadway
|
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An International Incident, by Vincent Sheean - Ethel Barrymore
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Higher and Higher, by Rodgers and Hart - Sam S. Shubert
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Lady in Waiting, by Margery Sharp - Martin Beck
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Juno and the Paycock, by Sean O'Casey - Mansfield
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King Richard II - St. James
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Heavenly Express, by Albert Bein - National
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Suspect, by Edward Percy and Reginald Denham - The Playhouse
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The Male Animal, by James Thurber and Elliott Nugent - Cort
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There Shall Be No Night, by Robert E. Sherwood - Alvin
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Morning Star, by Sylvia Regan - Longacre
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Love's Old Sweet Song, by William Saroyan - Plymouth
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|
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Romeo and Juliet - 51st Street
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Separate Rooms, by Joseph Carole and Alan Dinehart - Mansfield
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Keep Off the Grass - Broadhurst
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|
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Louisiana Purchase, by Irving Berlin - Imperial
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Love For Love, by William Congreve - Hudson
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The Red Mill, by Henry Blossom - Philharmonic Auditorium
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Goodbye to Love, by Sheldon Davis - El Capitan
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Reel
15
Frame
896
|
Volume 109, June-December 1940
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The Merry Wives Swing It! - El Capitan, Los Angeles
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The Scarlet Virgin, by Ramon Cerva - Mayan Theatre, Los Angeles
|
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Tonight at 8:30, by Noel Coward - El Capitan
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Kind Lady, by Edward Chocorov - The Playhouse
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Jupiter Laughs, by A.J. Cronin - Biltmore
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Hold On To Your Hats - Sam S. Shubert
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Diamond Horseshoe Revue
|
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The Command to Love, by Lothar and Gottwald - New Brighton Theatr
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Journey to Jerusalem, by Maxwell Anderson - National
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|
Johnny Belinda, by Elmer Harris - Belasco
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It Happens on Ice - Center Theatre
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|
George Washington Slept Here, by George S. Kaufman and Moss Hart - Lyceum
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Cabin in the Sky, by Lynn Rott - Martin Beck
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Panama Hattie, by Cole Porter - 46th Street
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Return Engagement, by Lawrence Riley - John Golden
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Charley's Aunt, by Brandon Thomas - Cort
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Suzanna and the Elders, by Lawrence Langner and Armina Marshall - Morosco
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Quiet Please, by F. Hugh Herbert and Hans Kraly - Guild
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Glamour Preferred, by Florence Ryerson and Colin Clements - Booth
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Blind Alley, by James Warwick - Windsor
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Twelfth Night - St. James
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The Corn is Green, by Emlyn Williams - National
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Fledgling, by Eleanor Carroll Chilton and Philip Lewis - Hudson
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Reel
15
Frame
1039
|
Volume 110, December 1940-March 1941
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Romantic Mr. Dickens, by H.H. and Marguerite Harper - The Playhouse
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Delicate Story, by Ferenc Molnar - Henry Miller's
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Retreat to Pleasure, by Irwin Shaw - Belasco
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Cue For Passion, by Edward Chodorov and H.S. Kraft - Royale
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Old Acquaintance, by John Van Druten - Morosco
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Ruth Draper and Paul Draper - Revue - Booth
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All in Fun, by Leonard Sillman - Majestic
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Flight to the West, by Elmer Rice - Guild
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The Lady Who Came to Stay, by Kenneth Whtie - Maxine Elliott's
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Pal Joey, by John O'Hara - Ethel Barrymore
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Eight O'Clock Tuesday, by Robert Wallsten and Mignon G. Eberhart-Henry Miller's
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The Flying Gerardos, by Kenyon Nicholson and Charles Robinson - The Playhouse
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My Sister Eileen, by Joseph Fields and Jerome Chodorov - Biltmore
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Night of Love, adapted by Rowland Leigh - Hudson
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Arsenic and Old Lace, by Joseph Kesselring - Fulton
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Crazy With the Heat, by Irvin Graham - 44th Street
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Lady in the Dark, by Moss Hart - Alvin
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Boys and Girls Together - Broadhurst
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Mr. and Mrs. North, by Owen Davis - Belasco
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The Cream in the Well, by Lynn Riggs - Booth
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Tanyard Street, by Louis D'Alton - Little
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Claudia, by Rose Franken - Booth
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Liberty Jones, by Philip Barry - Sam S. Shubert
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Brooklyn Biarritz, by Beatrice Alliott and Howard Newman - Royale
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Reel
16
Frame
1
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Volume 111, February-October 1941
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The Talley Method, by S.N. Berhman - Henry Miller's
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They Walk Alone, by Max Catto - John Golden
|
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Out of the Frying Pan, by Francis Swann - Windsor
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My Fair Ladies, by Arthur L. Jarrett and Marcel Klauber - Hudson
|
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The Doctor's Dilemma, by Bernard Shaw - Shubert
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Native Son, by Paul Green and Richard Wright - St. James
|
|
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Watch on the Rhine, by Lillian Hellman - Martin Beck
|
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The Circle of Chalk, adapted by Klabund - The Studio Theatre of the Dramatic Workshop of the New School, New York
|
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It Happens on Ice - Center Theatre, Rockefeller Center
|
|
|
The Trojan Women, by Euripedes - Cort
|
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|
Steps Leading Up, by George Harr - Cort
|
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The Beautiful People, by William Saroyan - Lyceum
|
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The Happy Days, adapted by Zoe Akins - Henry Miller's
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Somewhere in France, by Carl Zuckmayer and Fritz Kortner - Guild
|
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The Vinegar Tree, by Paul Osborne - El Capitan
|
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Anna Christie, by Eugene O'Neill - Lobero Theatre, Santa Barbara, California
|
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Jump for Joy - Mayan Theatre, Los Angeles
|
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The Royal Family, by Edna Ferber and George S. Kaufman - Pasadena Playhouse
|
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Fun for the Money, by Charles Sherman - Hollywood Playhouse
|
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The Wookey, by Frederick Hazlitt Brennan - Plymouth
|
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A Kiss For Cinderella, by James M. Barrie - Maplewood Theatre
|
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The Distant City, by Edwin B. Self - Longacre
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Mr. Big, by Arthur Sheekman and Margaret Shane - Lyceum
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Anne of England, by Mary Cass Canfield and Ethel Borden - St. James
|
|
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Ladies in Retirement, by Edwary Percy and Reginald Denham - Jersey
|
|
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The Pursuit of Happiness, by Mr. and Mrs. Lawrence Langner - Broa...[?]
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Best Foot Forward, by John Cecil Holm - Ethel Barrymore
|
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Porgy and Bess - Maplewood Theatre
|
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Viva O'Brien, by William K. Wells and Eleanor Wells - Majestic
|
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Candle in the Wind, by Maxwell Anderson - Shubert
|
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Ah, Wilderness! byEugene O'Neill - Guild
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Reel
16
Frame
137
|
Volume 112, October 1941-January 1942
|
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Lady in the Dark, by Moss Hart - Alvin
|
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All Men Are Alike, by Vernon Sylvaine - Hudson
|
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The Land Is Bright, by George S. Kaufman and Edna Ferber - Music Box
|
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Let's Face It! byHerbert and Dorothy Fields - Imperial
|
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Blithe Spirit, by Noel Coward - Morosco
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Walk Into My Parlor, by Alexander Greendale - Forrest
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The Walrus and the Carpenter, by A.M. Langley - Cort
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Claudia, by Rose Franken - Selwyn
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Little Dark Horse, by Andre Birabeau - John Golden
|
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Junior Miss, by Jerome Chodorov and Joseph Fields - Lyceum
|
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Ring Around Elizabeth, by Charl Armstrong - The Playhouse
|
|
|
The Days of Our Youth, by Frank Gabirelson - Studio Theatre
|
|
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Sons o' Fun - Winter Garden
|
|
|
Spring Again, by Isabel Leighton and Bertram Bloch - Henry Miller's
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Angel Street, by Patrick Hamilton - John Golden
|
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Macbeth - National
|
|
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Golden Wings, by William Jay and Guy Bolton - Cort
|
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Hope For a Harvest, by Sophie Treadwell - Guild
|
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Sunny River, by Oscar Hammerstein, 2nd - St. James
|
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Brooklyn, U.S.A., by John Bright and Asa Bordages - Forrest
|
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The Criminals, by Ferdinand Bruckner - Studio Theatre of the New School
|
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Theatre, by Guy Bolton and Somerset Maugham - Hudson
|
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In Time to Come, by Howard Koch and John Huston - Mansfield
|
|
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The First Crocus, by Arnold Sundgaard - Longacre
|
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Cuckoos on the Hearth, by Parker W. Fennelly - Ambassador
|
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Out of My House, by Horton Foote - Theatre of the American Scene
|
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Letters to Lucerne, by Fritz Rotter and Allen Vincent - Cort
|
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Reel
16
Frame
287
|
Volume 113, January - April 1942
|
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Hit the Deck, by Herbert Fields - Maplewood Theatre
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The Rivals, by Richard Brinsley Sheridan - Shubert
|
|
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High Kickers, by Bert Kalmar and Harry Ruby - Broadhurst
|
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Clash by Night, by Clifford Odets - Belasco
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Jason, by Samson Raphaelson - Hudson
|
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All in Favor, by Louis Hoffman and Don Hartman - Henry Miller's
|
|
|
Obituary - J.R. Waters , (1945)
|
|
|
Porgy and Bess - Majestic
|
|
|
Obituary - Ruby Elzy , (1943)
|
|
|
Solitaire, by John Van Druten - Plymouth
|
|
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Lily of the Valley, by Ben Hecht - Windsor
|
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Hedda Gabler - Longacre
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The Green Table, by Kurt Jooss - St. James
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H.M.S. Pinafore - St. James
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Papa Is All, by Patterson Greene - Guild
|
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Heart of a City, by Lesley Storm - Henry Miller's
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The Big City, by Kurt Jooss - St. James
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A Ball in Old Vienna - St. James
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The Mikado - St. James
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They Should Have Stood in Bed, by Leo Rifkin, Frank Tarloff, and David Shaw - Mansfield
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Plan M, by James Edward Grant - Belasco
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Under This Roof, by Herbert B. Ehrmann - Windsor
|
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Guest in the House, by Hagar Wilde and Dale Eunson - Plymouth
|
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Priorities of 1942 - 46th Street
|
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Nathan the Wise, by Gotthold Ephraim Lessing - Studio Theatre
|
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Banjo Eyes, by Quillan and Elinson - Hollywood Theatre
|
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Cafe Crown, by H.S. Kraft - Cort
|
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Of “V” We Sing - Concert Theatre
|
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The Moon is Down, by John Steinbeck - Martin Beck
|
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Yesterday's Magic, by Emlyn Williams - Guild
|
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Mexican Mural, by Ramon Naya - Chanin Theatre
|
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Autumn Hill, by Norma Mitchell and John Harris - Booth
|
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Candida - Shubert
|
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Reel
16
Frame
424
|
Volume 114, April-October 1942
|
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Keep 'Em Laughing - 44th Street
|
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Without Love, by Philip Barry - Shubert
|
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The Walking Gentleman, by Grace Perkins and Fulton Oursler - Belasco
|
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Harlem Cavalcade - Ritz
|
|
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War and Peace, dramatized by Alfred Neumann, Ervin Piscator, Harold L. Anderson and Maurice Kurtz - Studio Theatre
|
|
|
The Strings, My Lord, Are False, by Paul Vincent Carroll - Royale
|
|
|
Uncle Harry, by Thomas Job - Broadhurst
|
|
|
Top-Notchers - 44th Street
|
|
|
By Jupiter, by Rodgers and Hart - Shubert
|
|
|
Outward Bound, by Sutton Vane - Barter Theatre
|
|
|
Naughty, Naughty - Beaux Arts, Los Angeles
|
|
|
Reflected Glory, by George Kelly - Windsor, Bronx
|
|
|
This Is the Army, by Irving Berlin - Broadway
|
|
|
Sailor Beware, by Kenyon Nicholson and Charles Robinson - Windsor
|
|
|
Candida - Mosque, Newark, New Jersey
|
|
|
Pygmalion - Windsor
|
|
|
The Morning Star, by Emlyn Williams - Morosco
|
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Black Narcissus, adapted by Rumer Godden - Maplewood Theatre
|
|
|
Vickie, by S.M. Herzig - Plymouth
|
|
|
Strip For Action, by Howard Lindsay and Russel Crouse - National
|
|
|
The Merry Widow, by Victor Leon and Leo Stein - Windsor
|
|
|
Magic, by G.K. Chesterton - Belasco
|
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|
Hello Out There, by William Saroyan - Belasco
|
|
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The Eve of St. Mark, by Maxwell Anderson - Cort
|
|
|
Obituary - Lem Ward , (c. 1942)
|
|
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Count Me In - Ethel Barrymore
|
|
|
Stage Door, by George S. Kaufman and Edna Ferber - Windsor
|
|
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Wine, Women and Song - Ambassador
|
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Star and Garter - Music Box
|
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|
Bird in Hand, by John Drinkwater - Morosco
|
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Reel
16
Frame
570
|
Volume 115, October 1942-March 1943
|
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The Damask Cheek, by John Van Druten and Lloyd Morris - The Playhouse
|
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|
Little Darling, by Eric Hatch - Biltmore
|
|
|
Mr. Sycamore, by Ketti Frings - Guild
|
|
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Obituary - John Philliber , (1944)
|
|
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The Skin of Our Teeth, by Thornton Wilder - Plymouth
|
|
|
Yankee Point, by Gladys Hurlbut - Longacre
|
|
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The Great Big Doorstep, by Frances Goodrich and Albert Hackett - Morosco
|
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Janie, by Josephine Bentham and Herschel Williams - Henry Miller's
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Lifeline, by Norman Armstrong - Belasco
|
|
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The Pirate, by S.N. Behrman - Martin Beck
|
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Beat the Band, by George Marion, Jr. and George Abbott - 46th Street
|
|
|
Winter Soldiers, by Dan James - Studio Theatre of the New School for Social Research
|
|
|
Only the Heart, by Horton Foote - Provincetown Playhouse
|
|
|
The Willow and I, by John Patrick - Windsor
|
|
|
Cry Havoc, by Allan R. Kenward - Music Box, Los Angeles
|
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|
Hey Rookie - Belasco
|
|
|
Heaven Can Wait, by Harry Segall - Pasadena Playhouse
|
|
|
Ken Murray's Blackouts of 1943 - El Capitan
|
|
|
The Return of Ulysses, by Emil Ludwig - Pasadena Playhouse
|
|
|
Turnabout Theatre - Hollywood
|
|
|
Private Lives, by Noel Coward - Erlanger Theatre, Chicago
|
|
|
Counterattack, by Janet and Philip Stevenson - Windsor
|
|
|
New Faces of 1943, by Leonard Sillman and John Lund - Ritz
|
|
|
This Rock, by Walter Livingston Faust - Longacre
|
|
|
The Three Sisters, by Anton Chekhov - Ethel Barrymore
|
|
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Dark Eyes, by Elena Miramova - Belasco
|
|
|
The Patriots, by Sidney Kingsley - National
|
|
|
Men In Shadow, by Mary Hayley Bell - Morosco
|
|
|
Reel
16
Frame
719
|
Volume 116, March-July 1943
|
|
|
Show Time, a Variety Show - Broadhurst
|
|
|
The Family, by Victor Wolfson - Windsor
|
|
|
Oklahoma! byRodgers and Hammerstein - St. James
|
|
|
Richard III - Forrest
|
|
|
Tomorrow the World, by James Gow and Arnaud d'Usseau - Ethel Barrymore
|
|
|
Sons and Soldiers, by Irwin Shaw - Morosco
|
|
|
Obituary - Max Reinhardt , (1943)
|
|
|
Stars on Ice - Center Theatre, Rochefeller Center
|
|
|
Jane Eyre, dramatized by Helen Jerome - Windsor, Bronx
|
|
|
Ziegfeld Follies - Winter Garden
|
|
|
Without Love, by Philip Barry - Adams Theatre, Newark
|
|
|
Harriet, by Florence Ryerson and Colin Clements - Henry Miller's
|
|
|
Something For the Boys, by Cole Porter, Herbert and Dorothy Fields - Alvin
|
|
|
Let Us Be Gay, by Rachel Crothers - Adams
|
|
|
The Doughgirls, by Joseph Fields - Lyceum
|
|
|
Death Takes a Holiday, by Walter Ferris - Flatbush Theatre, Brooklyn
|
|
|
The Army Play by Play
|
|
|
Where E'er We Go, by John B. O'Dea
|
|
|
First Cousins, by Kurt S. Kasznar
|
|
|
Button Your Lip, by Irving Gaynor Neiman
|
|
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Mail Call, by Ralph Nelson
|
|
|
Pack Up Your Troubles, by Alfred D. Geto
|
|
|
The Corn Is Green, by Emlyn Williams - Martin Beck
|
|
|
Kiss and Tell, by F. Hugh Herbert - Biltmore
|
|
|
The Milky Way, by Lynn Root and Harry Clork - Windsor
|
|
|
Stage Door, by George S. Kaufman and Edna Ferber - Audubon Theatre, New York
|
|
|
The Skin of Our Teeth, by Thornton Wilder - Plymouth
|
|
|
Early to Bed, by George Marion, Jr. - Broadhurst
|
|
|
Biography, by S.N. Behrman - Audubon
|
|
|
Madame X, by Alexandre Bisson - Audubon
|
|
|
Those Endearing Young Charms, by Edward Chodorov - Booth
|
|
|
The Vagabond King, by Brian Hooker and Russell Janney - Shubert
|
|
|
Reel
16
Frame
867
|
Volume 117, July-December 1943
|
|
|
The Student Prince, by Sigmund Romberg and Dorothy Donnelly - Broadway
|
|
|
Without Love, by Philip Barry - Audubon Theatre
|
|
|
Stars on Ice - Center Theatre, Rockefeller Center
|
|
|
The Two Mrs. Carrolls, by Martin Vale - Booth
|
|
|
Caprice, by Sil-Vara - Audubon
|
|
|
The Snark was a Boojum, by Owen Davis - 48th Street
|
|
|
Blossom Time, adapted by Dorothy Donnelly - Ambassador
|
|
|
The Skin of Our Teeth, by Thornton Wilden - Plymouth
|
|
|
Rosalinda, by Johann Strauss - Imperial
|
|
|
My Dear Public, by Irving Caesar and Charles Gottesfeld - 46th Street
|
|
|
Murder Without Crime, by J. Lee Thompson - Cort
|
|
|
A New Life, by Elmer Rice - Royale
|
|
|
Land of Fame, by Albert and Mary Bein - Belasco
|
|
|
The Merry Widow, by Sidney Sheldon and Ben Roberts - Majestic
|
|
|
Oklahoma! - St. James
|
|
|
Laugh Time - Shubert
|
|
|
One Touch of Venus, by S.J. Perelman and Ogden Nash - Imperial
|
|
|
Katherine Dunham and Her Tropical Revue - Martin Beck
|
|
|
Three's a Family, by Phoebe and Henry Ephron - Longacre
|
|
|
The Naked Genius, by Gypsy Rose Lee - Plymouth
|
|
|
Artists and Models - Broadway
|
|
|
Outrageous Fortune, by Rose Franken - 48th Street
|
|
|
What's Up, by Alan Jay Lerner and Arthur Pierson - National
|
|
|
Winged Victory, by Moss Hart - 44th Street
|
|
|
A Connecticut Yankee, adapted by Herbert Fields - Martin Beck
|
|
|
Get Away Old Man, by William Saroyan - Cort
|
|
|
The World's Full of Girls, by Nunnally Johnson - Royale
|
|
|
The Innocent Voyage, by Paul Osborn - Belasco
|
|
|
Reel
16
Frame
1021
|
Volume 118, December 1943-July 1944
|
|
|
The Voice of the Turtle, by John van Druten - Morosco
|
|
|
Carmen Jones, by Oscar Hammerstein - Broadway
|
|
|
Susan and God, by Rachel Crothers - City Center of Music and Drama
|
|
|
Lovers and Friends, by Dodie Smith - Plymouth
|
|
|
Pillar to Post, by Rose Simon Kohn - The Playhouse
|
|
|
Doctors Disagree, by Rose Franken - Bijou
|
|
|
Over Twenty-One, by Ruth Gordon - Music Box
|
|
|
Ramshackle Inn, by George Batson - Royale
|
|
|
Our Town, by Thornton Wilder - New York City Center of Music and Drama
|
|
|
Listen, Professor! by Alexander Afinogenov, adapted by Peggy Phillips - Forrest
|
|
|
Storm Operation, by Maxwell Anderson - Belasco
|
|
|
Jackpot, by Howard Dietz and Vernon Duke - Alvin
|
|
|
Wallflower, by Mary Orr and Reginald Denham - Cort
|
|
|
Thank You, Svoboda, by H.S. Kraft - Mansfield
|
|
|
Othello - Shubert
|
|
|
Bright Boy, by John Boruff - The Playhouse
|
|
|
Mexican Hayride, by Herbert and Dorothy Fields - Winter Garden
|
|
|
Jacobowsky and the Colonel, by Frank Werfel, adapted by S.N. Behrman - Martin Beck
|
|
|
The Cherry Orchard, by Chekhov - National
|
|
|
Decision, by Edward Chodorov - Belasco
|
|
|
From Morn to Midnight, by Georg Kaiser - Gate Theatre Studio
|
|
|
Meet the People of 1944, by Henry Myers, Edward Eliscu and Jay Gorney - Music Box
|
|
|
Song of Norway, by Robert Wright and George Forrest - Philharmonic Auditorium, Los Angeles
|
|
|
Good Night Ladies, by Cyrus Wood - Biltmore, Los Angeles
|
|
|
Reel
17
Frame
1
|
Volume 119, August 1944-May 1945
|
|
|
An Evening for the Lab (one act plays) - Actors' Laboratory Theatre, Hollywood
|
|
|
Night Must Fall, by Emlyn Williams - MusArt Theatre, Los Angeles
|
|
|
The New Moon, by Oscar Hammerstein, Frank Mandel and Lawrence Schwab - Philharmonic Auditorium
|
|
|
A Doll's House - Biltmore
|
|
|
Black Savannah, by Samuel R. Golding and Norbert Faulkner - Jewel Box
|
|
|
Othello - Biltmore
|
|
|
King Lear - Pasadena Playhouse
|
|
|
Harriet, by Florence Ryerson and Colin Clements - Biltmore
|
|
|
Sing Out, Sweet Land, by Walter Kerr - Great Northern, Chicago
|
|
|
The Firebrand of Florence, by Edwin Justus Mayer and Ira Gershwin - Alvin
|
|
|
Foolish Notion, by Philip Barry - Martin Beck
|
|
|
Kiss Them for Me, by Luther Davis - Belasco
|
|
|
The Deep Mrs. Sykes, by George Kelly - Booth
|
|
|
Ten Little Indians, by Agatha Christie - Broadhurst
|
|
|
The Late George Apley, by John P. Marquand and George S. Kaufman Lyceum
|
|
|
On the Town, by Betty Comden and Adolph Green - Adelphi
|
|
|
Soldier's Wife, by Rose Franken - John Golden
|
|
|
Dear Ruth, by Norman Krasna - Henry Miller's
|
|
|
The Hasty Heart, by John Patrick - Hudson
|
|
|
Too Hot for Maneuvers, by Les White and Bud Pearson - Broadhurst
|
|
|
Hats Off to Ice - Center Theatre, Rockefeller Center
|
|
|
Common Ground, by Edward Chodorov - Fulton
|
|
|
Hope for the Best, by William McCleary - Royale
|
|
|
A Bell for Adano, by Paul Osborn - Cort
|
|
|
Follow the Girls, by Guy Bolton and Eddie Davis - 44th Street
|
|
|
Reel
17
Frame
133
|
Volume 120, May-July 1945
|
|
|
Harvey, by Mary Chase - 48th Street
|
|
|
I Remember Mama, by John van Druten - Music Box
|
|
|
Bloomer Girl, by Harold Arlen and E.Y. Harburg - Shubert
|
|
|
Seven Lively Arts, by Moss Hart and Ben Hecht - Ziegfeld
|
|
|
Laffing Room Only - Winter Garden
|
|
|
Anna Lucasta, by Philip Yordan - Mansfield
|
|
|
The Overtons, by Vincent Lawrence - Forrest
|
|
|
Hamlet - Klein Memorial Auditorium, Bridgeport, Connecticut
|
|
|
Oklahoma! - St. James
|
|
|
Dark of the Moon, by Howard Richardson and William Berney - 46th Street
|
|
|
Carousel, by Rodgers and Hammerstein - Majestic
|
|
|
Foxhole in the Parlor, by Elsa Shelley - Booth
|
|
|
Memphis Bound, by Don Walker and Clay Warnick - Broadway
|
|
|
Up in Central Park, by Herbert and Dorothy Fields - New Century
|
|
|
The Barretts of Wimpole Street, by Rudolf Besier - Ethel Barrymore
|
|
|
Round Trip, by Mary Orr and Reginald Denham - Biltmore
|
|
|
The Glass Menagerie, by Tennessee Williams - Playhouse
|
|
|
Hollywood Pinafore, by George S. Kaufman - Alvin
|
|
|
Concert Varieties - Ziegfeld
|
|
|
The Voice of the Turtle, by John van Druten - Morosco
|
|
|
Volpone - Actors' Laboratory
|
|
|
Rose Marie, by Otto Harbach and Oscar Hammerstein - Philharmonic Auditorium
|
|
|
Trio, by Dorothy and Howard Baker - Belasco
|
|
|
Reel
17
Frame
265
|
Volume 121, August-December 1945
|
|
|
Mourning Becomes Electra, by Eugene O'Neill - Pasadena Playhouse
|
|
|
Mary of Scotland, by Maxwell Anderson - Pasadena Playhouse
|
|
|
Golden Boy, by Clifford Odets - Pasadena Playhouse
|
|
|
Song Without Words - Philharmonic Auditorium
|
|
|
Rebecca, by Daphne du Maurier - Biltmore
|
|
|
Suds In Your Eye, dramatized by Jack Kirkland - Belasco
|
|
|
The Red Mill, by Henry Blossom - Biltmore
|
|
|
Candida - Phoenix Theatre, Westwood, California
|
|
|
The Assassin, by Irwin Shaw - National
|
|
|
Polonaise, by Gottfried Reinhardt and Anthony Veiller - Alvin
|
|
|
Carib Song, by William Archibald - Adelphi
|
|
|
The Girl From Nantucket, by Jacques Belasco and Kay Twomey - Adelphi
|
|
|
Life With Father, by Clarence Day - Bijou
|
|
|
The Secret Room, by Robert Turney - Royale
|
|
|
Are You With It? bySam Perrin and George Balzer - New Century
|
|
|
Beggars Are Coming to Town, by Theodore Reeves - Coronet
|
|
|
The Tempest - New York City Center of Music and Drama
|
|
|
Skydrift, by Harry Kleiner - Belasco
|
|
|
The Rich Full Life, by Vina Delmar - John Golden
|
|
|
The Rugged Path, by Robert E. Sherwood - Plymouth
|
|
|
Marriage is for Single People, by Stanley Richards - Cort
|
|
|
The Day Before Spring, by Alan Jay Lerner and Frederick Loewe - National
|
|
|
Deep Are the Roots, by Arnaud d'Usseau and James Gow - Fulton
|
|
|
You Touched Me! byTennessee Williams and Donald Windham - Booth
|
|
|
A Sound of Hunting, by Harry Brown - Lyceum
|
|
|
Strange Fruit, by Lilliam Smith - Royale
|
|
|
Marinka, by George Marion, Jr., and Karl Farkas - Ethel Barrymore
|
|
|
Reel
17
Frame
393
|
Volume 122, December 1945-February 1946
|
|
|
The French Touch, by Joseph Fields and Jerome Chodorov - Cort
|
|
|
Brighten the Corner, by John Cecil Holm - Lyceum
|
|
|
Dream Girl, by Elmer Rice - Coronet
|
|
|
State of the Union, by Howard Lindsay and Russel Crouse - Hudson
|
|
|
Hamlet (GI Version) - Columbus Circle Theatre
|
|
|
Billion Dollar Baby, by Betty Comden and Adolph Green - Alvin
|
|
|
The Mermaids Singing, by John van Druten - Empire
|
|
|
Little Women, adapted by Marian De Forest - New York City Center
|
|
|
Home of the Brave, by Arthur Laurents - Bealsco
|
|
|
Therese, by Thomas Job - Biltmore
|
|
|
Pygmalion - Ethel Barrymore
|
|
|
A Joy Forever, by Vincent McConnor - Biltmore
|
|
|
The Desert Song, by Otto Harback, Oscar Hammerstein and Frank Mandel - New York City Center of Music and Drama
|
|
|
The Would-Be Gentleman - Booth
|
|
|
The Magnificent Yankee, by Emmet Lavery - Royale
|
|
|
Dunningan's Daughter, by S.N. Behrman - John Golden
|
|
|
Nellie Bly, by Joseph Quillan and Johnny Burke - Adelphi
|
|
|
January Thaw, adapted by William Roos - John Golden
|
|
|
Apple of His Eye, by Kenyon Nicholson and Charles Robinson - Biltmore
|
|
|
O Mistress Mine, by Terence Rattigan - Empire
|
|
|
The Winter's Tale - Cort
|
|
|
Lute Song, by Sidney Howard and Will Irwin - Plymouth
|
|
|
Born Yesterday, by Garson Kanin - Lyceum
|
|
|
Reel
17
Frame
527
|
Volume 123, February-May 1946
|
|
|
The Duchess Misbehaves, by Gladys Shelley - Adelphi
|
|
|
Jeb, by Robert Ardrey - Martin Beck
|
|
|
Antigone, adapted by Lewis Galantiere - Cort
|
|
|
State of the Union, by Howard Lindsay and Russel Crouse - Shubert
|
|
|
Truckline Cafe, by Maxwell Anderson - Belasco
|
|
|
Three to Make Ready, by Nancy Hamilton - Adelphi
|
|
|
Little Brown Jug, by Marie Baumer - Martin Beck
|
|
|
He Who Gets Slapped, English version by Judith Guthrie - Booth
|
|
|
Flamingo Road, by Robert and Sally Wilder - Belasco
|
|
|
I Like It Here, by A.B. Shiffrin - John Golden
|
|
|
Song of Bernadette, dramatized by Jean and Walter Kerr - Belasco
|
|
|
Walk Hard, by Abram Hill - Chanin Auditorium, New York
|
|
|
Candida - Cort
|
|
|
Carmen Jones, by Oscar Hammerstein - New York City Center of Music and Drama
|
|
|
Show Boat, by Oscar Hammerstein - Ziegfeld
|
|
|
Obituary - Jerome Kern , (n.d.)
|
|
|
St. Louis Woman, by Harold Arlen and Johnny Mercer - Martin Beck
|
|
|
Woman Bites Dog, by Bella and Samuel Spewack - Belasco
|
|
|
Call Me Mister, by Harold Rome - National
|
|
|
The Voice of the Turtle - Morosco
|
|
|
This, Too, Shall Pass, by Don Appell - Belasco
|
|
|
Henry IV (Part I) - New Century
|
|
|
Henry IV (Part 2) - New Century
|
|
|
Uncle Vanya, by Chekhov - Century
|
|
|
Oedipus - Century
|
|
|
The Critic, by Richard Brinsley Sheridan - Century
|
|
|
On Whitman Avenue, by Maxine Wood - Cort
|
|
|
Around the World in Eighty Days, by Cole Porter - Shubert
|
|
|
Reel
17
Frame
659
|
Volume 124, May-August 1946
|
|
|
School for Brides, by Frank Gill, Jr. and George Carlton Brown - Locust Street Theatre
|
|
|
Annie Get Your Gun, by Irving Berlin, Herbert and Dorothy Fields Imperial
|
|
|
Swan Song, by Ben Hecht and Charles MacArthur - Booth
|
|
|
Second Best Bed, by N. Richard Nash - Ethel Barrymore
|
|
|
The Voice of the Turtle - Morosco
|
|
|
The Dancer, by Milton Lewis and Julian Funt - Biltmore
|
|
|
The Glass Menagerie, by Tennessee Williams - The Playhouse
|
|
|
Cyrano de Bergerac - Alvin
|
|
|
Private Lives, by Noel Coward - Greenwich Playhouse, Greenwich, Connecticut
|
|
|
Icetime - Center Theatre, Rockefeller Center
|
|
|
The Winslow Boy, by Terence Rattigan - Lyric Theatre, London
|
|
|
No Medals - Vaudeville Theatre, London
|
|
|
Crime and Punishment, dramatized by Rodney Ackland - New Theatre, London
|
|
|
Red Roses for Me, by Sean O'Casey - Wyndham's Theatre, London
|
|
|
Can-can, by Max Catto - Adelphi Theatre, London
|
|
|
Better Late, by Leslie Julian Jones - Garrick Theatre, London
|
|
|
Too Late for Anger, by Grey Black “Q” Theatre, London
|
|
|
The Night and the Music, by Robert Nesbitt - Coliseum Theatre, London
|
|
|
The First Gentleman, by Norman Ginsbury - Savoy Theatre, London
|
|
|
Sweetest and Lowest - Ambassadors Theatre, London
|
|
|
Frieda, by Ronald Millar - Westminster Theatre, London
|
|
|
Perchance to Dream, by Ivor Novello - London Hippodrome
|
|
|
Lady from Edinburgh, by Aimee Stuart and L. Arthur Rose - The Playhouse, London
|
|
|
The Guinea-Pig, by Warren Chetham Strode - Criterion Theatre, London
|
|
|
Portrait in Black, by Ivan Goff and Ben Roberts - Piccadilly Theatre, London
|
|
|
The Shop at Sly Corner, by Edward Percy - St. Martin's Theatre, London
|
|
|
Lady Windermere's Fan, by Oscar Wilde - Theatre Royal, London
|
|
|
Under the Counter, by Arthur Macrae - Phoenix Theatre, London
|
|
|
While the Sun Shines, by Terence Rattigan - Globe, London
|
|
|
Fine Feathers, by Robert Nesbitt - Prince of Wales Theatre, London
|
|
|
The Kingmaker, by Margaret Luce - St. James's Theatre, London
|
|
|
The Hasty Heart, by John Patrick - Aldwych Theatre, London
|
|
|
Grand National Night, by Dorothy and Campbell Christie - Apollo Theatre, London
|
|
|
No Room at the Inn, by Joan Temple - Winter Garden, London
|
|
|
Here Come the Boys, by Manning Sherwin and Harold Purcell - Saville Theatre, London
|
|
|
Big Ben, by A.P. Herbert - Adelphi Theatre, London
|
|
|
Make It a Date, by Nina Warner Hooke, Ronald Jeans and Reginald Purdell - Duchess Theatre, London
|
|
|
Vicious Circle, by Jean-Paul Sartre - The Arts Theatre Club, London
|
|
|
Maid in the Ozarks, by Claire Parrish - Belasco, New York
|
|
|
The Merry Wives of Windsor - Biltmore Theatre, Los Angeles
|
|
|
The New Fortune Teller, by Victor Herbert - Auditorium, Los Angeles
|
|
|
Reel
17
Frame
821
|
Volume 125, August-December 1946
|
|
|
The Firefly - Greek Theatre, Los Angeles
|
|
|
State of the Union, by Howard Lindsay and Russel Crouse - Biltmore Theatre, Los Angeles
|
|
|
The Wizard of Oz - Greek Theatre
|
|
|
Ken Murray's Blackouts of 1946 - El Capitan
|
|
|
East Wind - Greek Theatre
|
|
|
Lady Windermere's Fan, by Oscar Wilde - Biltmore
|
|
|
Obsession, by Louis Verneuil - Plymouth, New York
|
|
|
The Bees and the Flowers, by Frederick Kohner and Albert Mannheimer - Cort
|
|
|
Hear That Trumpet, by Orin Jannings - Playhouse
|
|
|
The Iceman Cometh, by Eugene O'Neill - Martin Beck
|
|
|
Mr. Peebles and Mr. Hooker, by Edward E. Paramore, Jr. - Music Box
|
|
|
The Front Page, by Ben Hecht and Charles MacArthur - Royale
|
|
|
Duchess of Malfi, adapted by W.H. Auden - Barrymore
|
|
|
Loco, by Dale Eunson and Katherine Albert - Biltmore
|
|
|
Lysistrata, adapted by Gilbert Seldes - Belasco
|
|
|
Playboy of the Western World, by J.M. Synge - Booth
|
|
|
Present Laughter, by Noel Coward - Plymouth
|
|
|
Happy Birthday, by Anita Loos - Broadhurst
|
|
|
Henry VIII - International Theatre
|
|
|
The Fatal Weakness, by George Kelly - Royale
|
|
|
Years Ago, by Ruth Gordon - Copley
|
|
|
Christopher Blake, by Moss Hart - Music Box
|
|
|
Toplitzky of Notre Dame, by George Marion, Jr. and Sammy Fain - Shubert
|
|
|
A Family Affair, by Henry R. Misrock - The Playhouse
|
|
|
Park Avenue, by Nunnally Johnson and George S. Kaufman - Shubert
|
|
|
No Exit, by Jean-Paul Sartre - Biltmore
|
|
|
If the Shoe Fits, by June Carroll and Robert Duke - Century
|
|
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Joan of Lorraine, by Maxwell Anderson - Alvin
|
|
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Bal Negre - Belasco
|
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Reel
17
Frame
947
|
Volume 126, November 1946-February 1947
|
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Set 'Em Up Tony, by George Lynn - Newark Opera House
|
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|
Another Part of the Forest, by Lillian Hellman - Fulton
|
|
|
Land's End, by Thomas Job - The Playhouse
|
|
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A Flag is Born, by Ben Hecht - Broadway
|
|
|
Annie Get Your Gun - Imperial
|
|
|
Years Ago, by Ruth Gordon - Mansfield
|
|
|
Androcles and the Lion, by Bernard Shaw - International Theatre
|
|
|
Oklahoma! - St. James Theatre
|
|
|
Wonderful Journey, by Harry Segall - Coronet
|
|
|
Toplitzky of Notre Dame - Century
|
|
|
Temper the Wind, by Edward Mabley and Leonard Mins - The Playhouse
|
|
|
Lovely Me, by Jacqueline Susann and Beatrice Cole - Adelphi
|
|
|
Burlesque, by George Manker Watters and Arthur Hopkins - Belasco
|
|
|
Love Goes to Press, by Martha Gellhorn and Virginia Cowles - Biltmore
|
|
|
Beggar's Holiday, by John Latouche - Broadway
|
|
|
The Big Two, by L. Bush-Fekete and Mary Helen Fay - Booth
|
|
|
Made in Heaven! byHagar Wilde - Henry Miller's
|
|
|
Finian's Rainbow, by E.Y. Harburg and Fred Saidy - 46th Street
|
|
|
Little A, by Hugh White - Henry Miller's
|
|
|
Bloomer Girl, by Harold Arlen and E.Y. Harburg - New York City Center of Music and Drama
|
|
|
Street Scene, by Elmer Rice - Adelphi
|
|
|
The Voice of the Turtle - Morosco
|
|
|
The Fatal Weakness, by George Kelly - Royale
|
|
|
All My Sons, by Arthur Miller - Coronet
|
|
|
Sweethearts, by Victor Herbert - Shubert
|
|
|
John Gabriel Borkman, by Henrik Ibsen - International
|
|
|
John Loves Mary, by Norman Krasna - Booth
|
|
|
It Takes Two, by Virgini a Faulkner and Dana Suess - Biltmore
|
|
|
The Story of Mary Surratt, by John Patrick - Henry Miller's
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Reel
18
Frame
1
|
Volume 127, February-May 1947
|
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|
The Wanhope Building, by John Finch - Princess
|
|
|
Craig's Wife, by George Kelly - The Playhouse
|
|
|
What Every Woman Knows, by J.M. Barrie - International
|
|
|
Peer Gynt, by Henrik Ibsen - Fordham University Theatre
|
|
|
King Lear - Century
|
|
|
As You Like It - Century
|
|
|
O'Daniel, by Glendon Swarthout and John Savacool - Princess
|
|
|
Volpone, by Ben Jonson - Century
|
|
|
Hamlet - Century
|
|
|
The Merchant of VenIce - Century
|
|
|
The Importance of Being Earnest, by Oscar Wilde - Royale
|
|
|
Parlor Story, by William McCleery - Biltmore
|
|
|
Yellow Jack, by Sidney Howard - International
|
|
|
Heartsong, by Arthur Laurents - Wilbur
|
|
|
The Glass Menagerie - Plymouth
|
|
|
The Chocolate Soldier, by Rudolph Bernauer and Leopold Jacobson - Colonial
|
|
|
As We Forgive Our Debtors, by Tillman Breiseth - Princess
|
|
|
Songs and Impressions, by Maurice Chevalier - Henry Miller's
|
|
|
Cyrano de Bergerac - Ethel Barrymore
|
|
|
Brigadoon, by Alan Jay Lerner and Frederick Loewe - Ziegfeld
|
|
|
Bathesheba, by Jacques Deval - Ethel Barrymore
|
|
|
The Eagle Has Two Heads, by Jean Cocteau - Plymouth
|
|
|
The Whole World Over, by Konstantine Simonov - Biltmore
|
|
|
The Great Campaign, by Arnold Sundgaard - Princess
|
|
|
Lady Windermere's Fan, by Oscar Wilde - Cort
|
|
|
Tenting Tonight, by Frank Gould - Booth
|
|
|
Barefoot Boy With Cheek, by Max Shulman - Martin Beck
|
|
|
A Young Man's Fancy, by Harry Thurschwell and Alfred Golden - Plymouth
|
|
|
Portrait in Black, by Ivan Goff and Ben Roberts - Booth
|
|
|
Alice in Wonderland, by Lewis Carroll - International
|
|
|
O Mistress Mine, by Terence Rattigan - Empire
|
|
|
Love For Love, by William Congreve - Royale
|
|
|
Reel
18
Frame
126
|
Volume 128, May-November 1947
|
|
|
Oklahoma! - St. James
|
|
|
The Voice of the Turtle - Morosco
|
|
|
The Medium, by Gian-Carlo Menotti - Ethel Barrymore
|
|
|
Icetime of 1948 - Center Theatre, Rockefeller Center
|
|
|
Up in Central Park, by Herbert and Dorothy Fields - New York City Center of Music and Drama
|
|
|
Louisiana Lady, by Isaac Green, Jr. and Eugene Berton - Century
|
|
|
Open House, by Harry Young - Cort
|
|
|
Brigadoon - Ziegfeld
|
|
|
Life With Father, by Howard Lindsay and Russel Crouse - Alvin
|
|
|
Laura, by Vera Caspary and George Sklar - Cort
|
|
|
The Girl of the Golden West, by David Belasco - Westport Playhouse
|
|
|
The Skin of Our Teeth, by Thornton Wilder - Las Palmas Theatre, Los Angeles
|
|
|
The Hasty Heart, by John Patrick - La Jolla Playhouse
|
|
|
Blossom Time, adapted by Sigmund Romberg - Greek Theatre
|
|
|
Louisiana Purchase, by Irving Berlin and Morrie Ryskind - Philharmonic Auditorium
|
|
|
Bittersweet, by Noel Coward - Greek Theatre
|
|
|
Galileo, by Bertolt Brecht - Coronet
|
|
|
The Shining Hour - La Jolla Playhouse
|
|
|
No Exit, by Jean-Paul Sartre - Coronet
|
|
|
The Great Waltz - Philharmonic Auditorium
|
|
|
Biography, by S.N. Behrman - Las Palmas
|
|
|
I Gotta Get Out, by Joseph Fields and Ben Shet - Cort
|
|
|
Our Lan', by Theodore Ward - Royale
|
|
|
The Heiress, by Ruth and Augustus Goetz - Biltmore
|
|
|
How I Wonder, by Donald Ogden Stewart - Hudson
|
|
|
Music in My Heart, by Forman Brown and Patsy Ruth Miller - Adelph
|
|
|
Under the Counter, by Arthur Macrae - Shubert
|
|
|
Command Decision, by William Wister Haines - Fulton
|
|
|
Duet for Two Hands, by Mary Haylet Bell - Booth
|
|
|
Man and Superman, by George Bernard Shaw - Alvin
|
|
|
High Button Shoes, by Jule Styne and Sammy Cahn - New Century
|
|
|
Reel
18
Frame
252
|
Volume 129, October--December 1947
|
|
|
Allegro, by Rodgers and Hammerstein - Majestic
|
|
|
Dear Judas, adapted by Michael Myerberg - Mansfield
|
|
|
Medea, adapted by Robinson Jeffers - Locust Street, Philadelphia
|
|
|
The Flies, by Jean-Paul Sartre - President
|
|
|
An Inspector Calls, by J.B. Priestley - Booth
|
|
|
The Druid Circle, by John van Druten - Morosco
|
|
|
Finian's Rainbow, by E.Y. Harburg and Fred Saidy - 46th Street
|
|
|
Edith Piaf - The Playhouse
|
|
|
A Strretcar Named Desire, by Tennessee Williams - Shubert
|
|
|
This Time Tomorrow, by Jan de Hartog - Ethel Barrymore
|
|
|
For Love Or Money, by F. Hugh Herbert - Henry Miller's
|
|
|
The First Mrs. Fraser, by St. John Ervine - Shubert
|
|
|
Trial Honeymoon, by Conrad S. Smith - Royale
|
|
|
The Winslow Boy, by Terence Ratigan - Empire
|
|
|
Eastward in Eden, by Dorothy Gardner - Royale
|
|
|
Harvey, by Mary Chase - 48th Street
|
|
|
Oklahoma! - St. James
|
|
|
Antony and Cleopatra - Martin Beck
|
|
|
Obituary - Godfrey Tearle , (n.d.)
|
|
|
A Streetcar Named Desire, by Tennessee Williams - Ethel Barrymore
|
|
|
Caribbean Carnival - International
|
|
|
Galileo, by Bertold Brecht - Maxine Elliott's
|
|
|
The Gentleman From Athens, by Emmet Lavery - Mansfield
|
|
|
Reel
18
Frame
376
|
Volume 130, December 1947-February 1948
|
|
|
Angel in the Wings, by Bob Hilliard, Carl Sigman, and others - Coronet
|
|
|
Here's the Pitch, by Craig P. Gilbert - New York City Center
|
|
|
Make Mine Manhattan, by Arnold B. Horwitt and Richard Lewine - Shubert
|
|
|
Crime and Punishment, dramatized by Rodney Ackland - National
|
|
|
Topaze, by Marcel Pagnol - Morosco
|
|
|
The Mikado - New Century Theatre
|
|
|
Skipper Next to God, by Jan De Hartog - Maxine Elliott's
|
|
|
Trial By Jury, by Gilbert and Sullivan - New Century
|
|
|
The Pirates of Penzance, by Gilbert and Sullivan - New Century
|
|
|
The Cradle Will Rock, by Alfred Drake - Mansfield
|
|
|
Volpone, by Ben Jonson - New York City Center of Music and Drama
|
|
|
Harvest of Years, by Dewitt Bodeen - Hudson
|
|
|
Power Without Glory, by Michael Clayton Hutton - Booth
|
|
|
Strange Bedfellows, by Florence Ryerson and Colin Clements - Morosco
|
|
|
Obituary - Colin Clements , (c. 1947)
|
|
|
Make Mine Manhattan, by Arnold B. Horwitt and Richard Lewine - Broadhurst
|
|
|
The Men We Marry, by Elisabeth Cobb and Herschel Williams - Mansfield
|
|
|
All Star Benefit, ANTA - Ziegfeld
|
|
|
Cox and Box, by Maddison Morton, F.C. Burnand and Arthur Sullivan New Century
|
|
|
H.M.S. Pinafore - New Century
|
|
|
Angel Street, by Patrick Hamilton - New York City Center of Music and Drama
|
|
|
The Survivors, by Peter Viertel and Irwin Shaw - The Playhouse
|
|
|
The Last Dance, by Peter Goldbaum and Robin Short - Belasco
|
|
|
Look, Ma, I'm Dancin'! byJerome Lawrence and Robert E. Lee - Adelphi
|
|
|
The Gondoliers, by Gilbert and Sullivan - New Century
|
|
|
The Yeomen of the Guard, by Gilbert and Sullivan - New Century
|
|
|
Reel
18
Frame
489
|
Volume 131, February-April 1948
|
|
|
Kathleen, by Michael Sayers - Mansfield
|
|
|
Four Chekhov Plays - New York Center of Music and Drama
|
|
|
A Tragedian in Spite of Himself
|
|
|
The Bear
|
|
|
On the Harmfulness of Tobacco
|
|
|
The Wedding
|
|
|
A Long Way From Home, by Randolph Goodman and Walter Carroll - Maxine Elliott's
|
|
|
Patience, by Gilbert and Sullivan - New Century
|
|
|
John Bull's Other Ireland, by Bernard Shaw - Mansfield
|
|
|
Doctor Social, by Joseph L. Estry - Booth
|
|
|
A Young Man's Fancy, by Harry Thurschwell and Alfred Golden - Cort
|
|
|
The Big Shot, by William Siegel - Second Ave. Theatre
|
|
|
Ghosts, by Henrik Ibsen - Cort
|
|
|
The Old Lady Says “No!” by Denis Johnston - Mansfield
|
|
|
Mister Roberts, by Thomas Heggen and Joshua Logan - Alvin
|
|
|
Obituary - Thomas Heggen , (1949)
|
|
|
Tonight at 8:30, by Noel Coward - National
|
|
|
Where Stars Walk, by Micheal MacLiammoir - Mansfield
|
|
|
Me and Molly, by Gertrude Berg - Belasco
|
|
|
You Never Can Tell, by Bernard Shaw - Colonial
|
|
|
My Romance, by Rowland Leigh - Shubert
|
|
|
The Hallams, by Rose Franken - Wilbur Theatre, Boston
|
|
|
Songs and Impressions, by Maurice Chevalier - John Golden
|
|
|
The Linden Tree, by J.B. Priestley - Music Box
|
|
|
The Hallams, by Rose Franken - Booth
|
|
|
Medea - Royale
|
|
|
The Respectful Prostitute, by Jean-Paul Sartre - New Stages
|
|
|
Church Street, by Lennox Robinson - New Stages
|
|
|
A Temporary Island, by Halsted Welles - Maxine Elliott's
|
|
|
High Button Shoes, by Jule Styne and Sammy Cahn - Shubert
|
|
|
Joy to the World, by Allan Scott - Plymouth
|
|
|
Macbeth - National
|
|
|
Iolanthe, by Gilbert and Sullivan - New Century
|
|
|
Reel
18
Frame
599
|
Volume 132, April-July 1948
|
|
|
Lazarus Laughed, by Eugene O'Neill - Fordham University Theatre
|
|
|
The Rats of Norway, by Keith Winter - Booth
|
|
|
Hope is the Thing With Feathers, by Richard Harrity - Maxine Elliott's
|
|
|
Celebration, by Horton Foote - Maxine Elliott's
|
|
|
Afternoon Storm, by E.P. Conkle - Maxine Elliott's
|
|
|
To Tell You the Truth, by Eva Wolas - New Stages
|
|
|
The Cup of Trembling, by Louis Paul - Music Box
|
|
|
Angel in the Wings, by Bob Hilliard and Carl Sigman - Coronet
|
|
|
Harvey, by Mary Chase - 48th Street
|
|
|
The Play's the Thing, by Ferenc Molnar - Booth
|
|
|
Inside U.S.A., by Howard Dietz and Arthur Schwartz - New Century
|
|
|
Hold It! byMatt Brooks and Art Arthur - National
|
|
|
Sally, by Guy Bolton, P.G. Wodehouse, and Clifford Grey - Martin Beck
|
|
|
The Alchemist, by Ben Johnson - New York City Center of Music and Drama
|
|
|
Ballet Ballads, by John Latouche and Jerome Moross - Maxine Elliott's
|
|
|
Hope's the Thing, by Richard Harrity - The Playhouse
|
|
|
On Approval, by Frederick Lonsdale - Shubert
|
|
|
S.S. Glencairn, by Eugene O'Neill - New York City Center of Music and Drama
|
|
|
The Vigil, by Ladislas Fodor - Royale
|
|
|
Oedipus Rex, Hebrew version by Saul Chernikhovsky - Broadway
|
|
|
Seeds in the Wind, by Arthur Goodman - Empire
|
|
|
Oklahoma! - St. James
|
|
|
Sleepy Hollow, by Russell Maloney and Miriam Barrista - St. James
|
|
|
The Insect Comedy, by Josef and Karel Capek - New York City Center of Music and Drama
|
|
|
The Vagabond King, by W.H. Post and Brian Hooker - Paper Mill Playhouse, New Jersey
|
|
|
The Merry Widow - Greek Theatre
|
|
|
The Road to Rome, by Robert Sherwood - La Jolla Playhouse
|
|
|
Lend an Ear, by Charles Gaynor - Las Palmas Theatre
|
|
|
Magdalena, by Frederick Hazlitt Brennan and Homer Curran - Philharmonic Auditorium
|
|
|
Reel
18
Frame
721
|
Volume 133, August-October 1948
|
|
|
Anything Goes, by Guy Bolton and P.G. Wodehouse - Greek Theatre
|
|
|
Outward Bound - Laguna Beach Playhouse
|
|
|
Damon and Pythias, by John Banim - Pasadena Playhouse
|
|
|
The Barker, by Kenyon Nicholson - Laguna Beach Playhouse
|
|
|
Serena Blandish, by S.N. Behrman - La Jolla Playhouse
|
|
|
Music in the Air, by Jerome Kern and Oscar Hammerstein - Greek
|
|
|
Harvey, by Mary Chase - 48th Street
|
|
|
Sundown Beach, by Bessie Breuer - Belasco
|
|
|
Blossom Time, by Dorothy Donnelly
|
|
|
Morey Amsterdam's Hilarities - Adelphi
|
|
|
Waltz Me Around Again, by Edward Caulfield - Brighton Theatre
|
|
|
Small Wonder - Coronet
|
|
|
Heaven on Earth, by Barry Trivers - New Century
|
|
|
Show Boat, by Jerome Kern and Oscar Hammerstein - New York City Center
|
|
|
Magdalena - Ziegfeld
|
|
|
A Story For Strangers, by Marc Connelly - Royale
|
|
|
Grandma's Diary, by Albert Wineman Barker - Henry Miller's
|
|
|
Town House, by Gertrude Tonkonogy - National
|
|
|
Time For Elizabeth, by Norman Krasna and Groucho Marx - Fulton
|
|
|
Edward, My Son, by Robert Morley and Noel Langley - Martin Beck
|
|
|
Private Lives, by Noel Coward - Plymouth
|
|
|
Summer and Smoke, by Tennessee Williams - Music Box
|
|
|
Love Life, by Alan Jay Lerner and Kurt Weill - 46th Street
|
|
|
Where's Charley? byGeorge Abbott - St. James
|
|
|
Reel
18
Frame
851
|
Volume 134, October-December 1948
|
|
|
The Leading Lady, by Ruth Gordon - National
|
|
|
My Romance, by Rowland Leigh - Shubert
|
|
|
Life With Mother, by Howard Lindsay and Russel Crouse - Empire
|
|
|
Howdy, Mr. Ice - Center Theatre
|
|
|
Minnie and Mr. Williams, by Richard Hughes - Morosco
|
|
|
The Firefly - Paper Mill Playhouse, Milburn, New Jersey
|
|
|
Set My People Free, by Dorothy Heyward - Hudson
|
|
|
As the Girls Go, by William Roos, Harold Adamson, and Jimmy McHugh - Winter Garden
|
|
|
Bravo! byEdna Ferber and George S. Kaufman - Lyceum
|
|
|
Red Gloves, by Jean-Paul Sartre - Shubert & Mansfield
|
|
|
For Heaven's Sake, Mother! byJulie Berns - Belasco
|
|
|
Goodbye, My Fancy, by Fay Kanin - Morosco
|
|
|
Light Up the Sky, by Moss Hart - Royale
|
|
|
High Button Shoes, by Jule Styne and Sammy Cahn - Broadway
|
|
|
Hippolytus, adapted by Leighton Rollins - Lenox Hill Playhouse
|
|
|
The Young and Fair, by N. Richard Nash - Fulton
|
|
|
The Silver Whistle, by Robert E. McEnroe - Biltmore
|
|
|
Diamond Lil, by Mae West - Montclair Theatre & Coronet
|
|
|
The Belle of New York, by Hugh Morton and Gustave Kerker - Columbia University, Brander Matthews Hall
|
|
|
Anne of the Thousand Days, by Maxwell Anderson - Shubert
|
|
|
Reel
18
Frame
981
|
Volume 135, December 1948-February 1949
|
|
|
Born Yesterday, by Garson Kanin - Henry Miller's
|
|
|
Lend an Ear, by Charles Gaynor - National
|
|
|
Kiss Me, Kate, by Cole Porter - New Century
|
|
|
Inside U.S.A., by Howard Dietz and Arthur Schwartz - Majestic
|
|
|
Make Way for Lucia, by John van Druten - Cort
|
|
|
Jenny Kissed Me, by Jean Kerr - Hudson
|
|
|
Oh, Mr. Meadowbrook! byRonald Telfer and Pauline Jamerson - John Golden
|
|
|
The Madwoman of Chaillot, by Jean Giraudoux - Belasco
|
|
|
Don't Listen, Ladies, by Sacha Guitry - Booth
|
|
|
The Victors, by Jean-Paul Sartre, adapted by Thornton Wilder - New Stages
|
|
|
The Rape of Lucretia, by Ronald Duncan - Ziegfeld
|
|
|
Make Mine Manhattan - Broadhurst
|
|
|
Edward, My Son, by Robert Morley and Noel Langley - Martin Beck
|
|
|
Harvey, by Mary Chase - 48th Street
|
|
|
A Streetcar Named Desire, by Tennessee Williams - Ethel Barrymore
|
|
|
The Smile of the World, by Garson Kanin - Lyceum
|
|
|
Along Fifth Avenue - Broadhurst
|
|
|
Mister Roberts, by Thomas Heggen and Joshua Logan - Alvin
|
|
|
The Shop at Sly Corner, by Edward Percy - Booth
|
|
|
Leaf and Bough, by Joseph Hayes - Cort
|
|
|
All For Love, by Allan Roberts and Lester Lee - Mark Hellinger Theatre
|
|
|
Death of a Salesman, by Arthur Miller - Locust Street Theatre, Philadelphia and Morosco Theatre, New York
|
|
|
Figure of a Girl, by Philip Barry - Walnut Street Theatre
|
|
|
Forward the Heart, by Bernard Reines - 48th Street
|
|
|
Richard III - Booth
|
|
|
My Name is Aquilon, by Philip Barry - Lyceum
|
|
|
Reel
19
Frame
1
|
Volume 136, February-May 1949
|
|
|
Blood Wedding, by Federico Garcia Lorca - New Stages
|
|
|
Romeo and Juliet - Fordham University Theatre
|
|
|
They Knew What They Wanted, by Sidney Howard - Music Box
|
|
|
The Big Knife, by Clifford Odets - National
|
|
|
Anybody Home, by Robert Pyzel - John Golden
|
|
|
Two Blind Mice, by Samuel Spewack - Cort
|
|
|
ANTA Album - Ziegfeld
|
|
|
At War With the Army, by James B. Allardice - Booth
|
|
|
South Pacific, by Rodgers and Hammerstein - Majestic
|
|
|
The Sun and I, by Barrie Stavis - New Stages
|
|
|
Detective Story, by Sidney Kingsley - Hudson
|
|
|
The Nineteenth Hole of Europe, by Vivian Campbell - Experimental Theatre
|
|
|
The Biggest Thief in Town, by Dalton Trumbo - Mansfield
|
|
|
The Traitor, by Herman Wouk - 48th Street
|
|
|
Kiss Me, Kate - New Century
|
|
|
The Ivy Green, by Mervyn Nelson - Lyceum
|
|
|
The Millionairess, by George Bernard Shaw - President
|
|
|
Magnolia Alley, by George Batson - Mansfield
|
|
|
Song of Norway - Paper Mill Playhouse
|
|
|
The Happiest Years, by Thomas Coley and William Roerick - Lyceum
|
|
|
Edward, My Son, by Robert Morley and Noel Langley - Martin Beck
|
|
|
Bruno and Sidney, by Edward Caulfield - New Stages
|
|
|
Mrs. Gibbon's Boys, by Will Glickman and Joseph Stein - Music Box
|
|
|
Gayden, by Mignon and Robert McLaughlin - Plymouth
|
|
|
Medea, adapted by Robinson Jeffers - New York City Center of Music and Drama
|
|
|
Reel
19
Frame
122
|
Volume 137, May-October 1949
|
|
|
Goodbye, My Fancy, by Fay Kanin - Fulton
|
|
|
Man and Superman, by George Bernard Shaw - New York City Center of Music and Drama
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Mr. Adam, by Jack Kirkland - Royale
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Howdy, Mr. Ice of 1950 - Center Theatre
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Miss Liberty, by Irving Berlin - Imperial
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Cabalgata - Broadway
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Amphitryon 38, by Jean Giraudoux - Crest Theatre, Long Beach
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Accent on Youth, by Samson Raphaelson - El Patio Theatre
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The Heiress - Laguna Summer Playhouse
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Ken Murray's Blackouts of 1949 - El Capitan
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John Loves Mary, by Norman Krasna - Biltmore
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Sugar Hill, by James P. Johnson and Flournoy E. Miller - Las Palmas
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Command Decision - La Jolla Playhouse
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Girl Crazy, by George and Ira Gershwin, Guy Bolton and Jack McGowan - Greek Theatre
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Carmen Jones - Greek Theatre
|
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The Father, by August Strindberg - Studio 7, Provincetown Playhouse
|
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Touch and Go, by Jean and Walter Kerr - Broadhurst
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Yes, M'Lord, by W. Douglas Home - Booth
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Twelfth Night - Empire
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Carmen - Winter Garden
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The Browning Version, by Terence Rattigan - Coronet
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Lost in the Stars, by Maxwell Anderson and Kurt Weill - Music Box
|
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Reel
19
Frame
213
|
Volume 138, October-December 1949
|
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Regina, by Marc Blitzstein - 46th Street
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Montserrat, adapted by Lillian Hellman - Fulton
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I Know My Love, by S.N. Behrman - Shubert
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Love Me Long, by Doris Frankel - 48th Street
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Death of a Salesman, by Arthur Miller - Morosco
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The Father, by August Strindberg - Cort
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That Lady, by Kate O'Brien - Martin Beck
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Texas, Li'l Darlin', by John Whedon and Sam Moore - Mark Hellinger
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The Closing Door, by Alexander Knox - Empire
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The Last Mile, by John Wexley - Newark Opera House
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Clutterbuck, by Benn W. Levy - Biltmore
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Metropole, by William Walden - Lyceum
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Gentlemen Prefer Blondes, by Joseph Fields and Anita Loos - Ziegfeld
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Lend an Ear, by Charles Gaynor - Mansfield
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As You Like It - Colonial Theatre
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The Velvet Glove, by Rosemary Casey - Wilbur Theatre
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Diamond Lil, by Mae West - Plymouth
|
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Caesar and Cleopatra, by Bernard Shaw - National
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The Rat Race, by Garson Kanin - Ethel Barrymore
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The Velvet Glove - Booth
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How Long Till Summer, by Sarett and Herbert Rudley - The Playhouse
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She Stoops to Conquer, by Oliver Goldsmith - New York City Center of Music and Drama
|
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Reel
19
Frame
303
|
Volume 139, January-February 1950
|
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The Member of the Wedding, by Carson McCullers - Empire
|
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Happy as Larry, by Donagh MacDonagh - Coronet
|
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The Corn is Green, by Emlyn Williams - New York City Center of Music and Drama
|
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Abi Gezunt, by Jacob Kalich and Sholom Perlmutter - 2nd Avenue Theatre
|
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Alive and Kicking - Winter Garden
|
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The Enchanted, by Jean Giraudoux - Lyceum
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The Man, by Mel Dinelli - Fulton
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Dance Me a Song - Royale
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Design for a Stained Glass Window, by William Berney and Howard Richardson - Mansfield
|
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The Happy Time, by Samuel Taylor - Plymouth
|
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The Devil's Disciple, by George Bernard Shaw - New York City Center of Music and Drama
|
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As You Like It - Cort
|
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|
The Cocktail Party, by T.S. Eliot - Henry Miller's
|
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Mr. Barry's Etchings, by Walter Bullock and Daniel Archer - 48th Street
|
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|
ANTA Album - Ziegfeld
|
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Arms and the Girl, by Herbert and Dorothy Fields and Rouben Mamoulian - 46th Street
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|
The Innocents, by William Archibald - The Playhouse
|
|
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The Heiress, by Ruth and Augustus Goetz - New York City Center of Music and Drama
|
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All You Need is One Good Break, by Arnold Manoff - Mansfield
|
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Come Back, Little Sheba, by William Inge - Booth
|
|
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Reel
19
Frame
416
|
Volume 140, February-June 1950
|
|
|
The Devil's Disciple, by Bernard Shaw - Royale
|
|
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The Bird Cage, by Arthur Laurents - Coronet
|
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Now I Lay Me Down to Sleep, by Elaine Ryan - Broadhurst
|
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The Consul, by Gian-Carlo Menotti - Ethel Barrymore
|
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The Wisteria Trees, by Joshua Logan - Shubert
|
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My Forty Years in Show Business, by Eddie Cantor - Carnegie Hall
|
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Great to Be Alive! by Walter Bullock and Sylvia Regan - Winter Garden
|
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Detective Story, by Sidney Kingsley - Hudson
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Cry of the Peacock, by Jean Anouilh - Mansfield
|
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With a Silk Thread, by Elsa Shelley - Lyceum
|
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Katherine Dunham and Her Company - Broadway
|
|
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Peter Pan, by J.M. Barrie - Imperial
|
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|
A Phoenix Too Frequent, by Christopher Fry - Fulton
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Freight, by Kenneth White - Fulton
|
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Tickets, Please! - Coronet
|
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House on the Cliff, by Erik Martin and Charles Colby - Locust St. Theatre, Philadelphia
|
|
|
The Liar, by Carlo Goldoni - Forrest
|
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Brigadoon, by Alan Jay Lerner and Frederick Loewe - New York City Center of Music and Drama
|
|
|
The Liar, by Carlo Goldoni - Broadhurst
|
|
|
A Streetcar Named Desire - New York City Center of Music and Drama
|
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|
The Show-Off, by George Kelly - The Arena
|
|
|
Kiss Me, Kate, by Cole Porter - New Century
|
|
|
Mr. Roberts, by Thomas Heggen and Joshua Logan - Alvin
|
|
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The Madwoman of Chaillot, by Jean Giraudoux - New York City Center of Music and Drama
|
|
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Julius Caesar - The Arena
|
|
|
The Merry Widow, by Franz Lehar - Melody Fair, Danbury, Conn.
|
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The Cocktail Party, by T.S. Eliot - Henry Miller's
|
|
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Reel
19
Frame
516
|
Volume 141, June-October 1950
|
|
|
Michael Todd's Peep Show - Winter Garden
|
|
|
South Pacific, by Rodgers and Hammerstein - Majestic
|
|
|
The Wisteria Trees, by Joshua Logan - Martin Beck
|
|
|
The Life of the Party, by Lawrence Langner - Westport Playhouse, Westport, Connecticut
|
|
|
All the King's Men, by Robert Penn Warren - President
|
|
|
The Telephone, by Gian-Carlo Menotti - The Arena
|
|
|
The Medium, by Gian-Carlo Menotti - The Arena
|
|
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Parisienne, by Ashley Dukes - Fulton
|
|
|
The Lady From the Sea, by Henrik Ibsen - Fulton
|
|
|
Traveller's Joy, by Arthur Macrae - Westport Playhouse
|
|
|
Miss Mabel, by R.C. Sherriff - Westport Playhouse
|
|
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The Live Wire, by Garson Kanin - The Playhouse
|
|
|
Texas, Li'l Darlin', by John Whedon and Sam Moore - Mark Hellinger
|
|
|
The Amazing Adele, by Pierre Barillet and Jean-Pierre Gredy - Westport Playhouse
|
|
|
Daphne Laureola, by James Bridie - Music Box
|
|
|
Affairs of State, by Louis Verneuil - Royale
|
|
|
Black Chiffon, by Lesley Storn - 48th Street
|
|
|
Southern Exposure, by Owen Crump - Biltmore
|
|
|
Season in the Sun, by Wolcott Gibbs - Cort
|
|
|
Pardon Our French - Broadway
|
|
|
The Gioconda Smile, by Aldous Huxley - Lyceum
|
|
|
Carmen - National
|
|
|
Call Me Madam, by Irving Berlin, Howard Lindsay and Russel Crouse - Imperial
|
|
|
Legend of Sarah, by James Gow and Arnaud d'Usseau - Fulton
|
|
|
Burning Bright, by John Steinbeck - Broadhurst
|
|
|
Arms and the Man, by Bernard Shaw - The Arena
|
|
|
The Curious Savage, by John Patrick - Martin Beck
|
|
|
Reel
19
Frame
631
|
Volume 142, October-December 1950
|
|
|
The Day After Tomorrow, by Frederick Lonsdale - Booth
|
|
|
Mrs. Warren's Profession, by Bernard Shaw - Bleecker Street Playhouse
|
|
|
The Barrier, by Langston Hughes - Broadhurst
|
|
|
Hilda Crane, by Samson Raphaelson - Coronet
|
|
|
Les Ballets de Paris - National
|
|
|
The Lady's Not For Burning, by Christopher Fry - Royale
|
|
|
The Country Girl, by Clifford Odets - Lyceum
|
|
|
Death of a Salesman, by Arthur Miller - Morosco
|
|
|
Bell, Book and Candle, by John van Druten - Ethel Barrymore
|
|
|
A Story For a Sunday Evening, by Paul Crabtree - The Playhouse
|
|
|
Pride's Crossing, by Victor Wolfson - Biltmore
|
|
|
Edwina Black, by William Dinner and William Morum - Booth
|
|
|
The Relapse, by John Vanbrugh - Morosco
|
|
|
Ring Round the Moon, by Jean Anouilh - Martin Beck
|
|
|
Guys and Dolls, by Frank Loesser, Jo Swerling and Abe Burrows - 46th Street
|
|
|
The Tower Beyond Tragedy, by Robinson Jeffers - ANTA Playhouse
|
|
|
The Golden State, by Samuel Spewack - Fulton
|
|
|
The Celler and the Well, by Phillip Pruneau - ANTA Playhouse
|
|
|
Let's Make an Opera, by Benjamin Britten, Eric Crozier - John Golden
|
|
|
Bless You All - Mark Hellinger
|
|
|
Mister Roberts - Alvin
|
|
|
Out of This World, by Cole Porter - New Century
|
|
|
Twentieth Century, by Ben Hecht and Charles MacArthur - ANTA Playhouse
|
|
|
Reel
19
Frame
744
|
Volume 143, December 1950-March 1951
|
|
|
King Lear - National
|
|
|
Captain Brassbound's Conversion, by George Bernard Shaw - New York City Center of Music and Drama
|
|
|
An Enemy of the People, by Henrik Ibsen - Broadhurst
|
|
|
Second Threshold, by Philip Barry - Morosco
|
|
|
Out of This World, by Cole Porter - New Century
|
|
|
Black Chiffon, by Lesley Storm - 48th Street
|
|
|
The House of Bernarda Alba, by Federico Garcia Lorca - ANTA Playhouse
|
|
|
The Royal Family, by George S. Kaufman and Edna Ferber - New York City Center of Music and Drama
|
|
|
Darkness at Noon, by Sidney Kingsley - Alvin
|
|
|
King Lear - National
|
|
|
Four Twelves Are 48, by Joseph Kesselring - 48th Street
|
|
|
Angel in the Pawnshop, by A.B. Shiffrin - Booth
|
|
|
The Road to Rome, by Robert Emmett Sherwood - Equity Library Theatre
|
|
|
King Richard II - New York City Center of Music and Drama
|
|
|
Billy Budd, dramatized by Louis O. Coxe and Robert H. Chapman - Shubert, New Haven, Connecticut
|
|
|
Peer Gynt, American version by Paul Green - ANTA Playhouse
|
|
|
The Mikado - St. James
|
|
|
Where's Charley? byGeorge Abbott - Broadway
|
|
|
The Green Bay Tree, by Mordaunt Shairp - John Golden
|
|
|
The Rose Tattoo, by Tennessee Williams - Martin Beck
|
|
|
Ti-Coq, by Gratien Gelinas - Broadhurst
|
|
|
Billy Budd, by Louis O. Coxe and Robert Chapman - Biltmore
|
|
|
Joan of Lorraine, by Maxwell Anderson - Harout's Ivar Theatre, Hollywood
|
|
|
The High Ground, by Charlotte Hastings - 48th Street
|
|
|
Mary Rose, by J.M. Barrie - ANTA Playhouse
|
|
|
Reel
19
Frame
863
|
Volume 144, March-May 1951
|
|
|
The Autumn Garden, by Lillian Hellman - Coronet
|
|
|
The Moon is Blue, by F. Hugh Herbert - Henry Miller's
|
|
|
Romeo and Juliet - Broadhurst
|
|
|
The Green Pastures, by Marc Connelly - Broadway
|
|
|
L'Ecole des Femmes, by Moliere - ANTA Playhouse
|
|
|
Springtime For Henry, by Benn W. Levy - John Golden
|
|
|
A Tree Grows in Brooklyn, by Betty Smith and George Abbott - Shubert
|
|
|
The King and I, by Rodgers and Hammerstein - St. James
|
|
|
Night Music, by Clifford Odets - ANTA Playhouse
|
|
|
The Guardsman, English version by Grace I. Colbron and Hans Bartsch - Gayety Theatre, Washington, D.C.
|
|
|
Angels Kiss Me, by Scott Michel - National
|
|
|
Make a Wise, by Preston Sturges - Winter Garden
|
|
|
A Tree Grows in Brooklyn, by Betty Smith and George Abbott - Alvi
|
|
|
The Long Days, by Davis Snow - Empire
|
|
|
The Taming of the Shrew - New York City Center of Music and Drama
|
|
|
Gramercy Ghost, by John Cecil Holm - Morosco
|
|
|
The Little Blue Light, by Edmund Wilson - ANTA Playhouse
|
|
|
ANTA Album - Ziegfeld
|
|
|
Stalag 17, by Donald Bevan and Edmund Trzcinski - 48th Street
|
|
|
Dream Girl, by Elmer Rice - New York City Center of Music and Drama
|
|
|
Flahooley, by E.Y. Harburg and Fred Saidy - Broadhurst
|
|
|
Getting Married, by Bernard Shaw - ANTA Playhouse
|
|
|
Idiot's Delight, by Robert E. Sherwood - New York City Center of Music and Drama
|
|
|
Oklahoma! - Broadway
|
|
