Reginald Rose Papers, 1952-1979


Summary Information
Title: Reginald Rose Papers
Inclusive Dates: 1952-1979

Creator:
  • Rose, Reginald, 1920-
Call Number: U.S. Mss 94AN; Audio 484A; DC 013-DC 210; DC 213-DC 270; FA 001-FA 004

Quantity: 27.2 cubic feet (68 archives boxes), 3 tape recordings, and 260 films

Repository:
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research
Contact Information

Archival Locations:
Wisconsin Historical Society (Map)

Abstract:
Papers of Reginald Rose, a noted writer for television, motion pictures, and the stage. Television files containing variant drafts of scripts, correspondence, clippings, and production information comprise the bulk of the collection. Of these, there are extensive files on Alcoa-Goodyear Theatre (NBC), Danger (CBS), Playhouse 90 (CBS), and Studio One (CBS). For The Defenders (CBS), which Rose created and wrote, there are scripts and a film for every episode of the program's five-year history. The remainder of the collection consists of motion picture scripts, including Twelve Angry Men (UA, 1957), which Rose adapted from a Studio One teleplay and then co-produced; unproduced ideas; plays; and sound recordings of eight of his early television plays.

Language: English

URL to cite for this finding aid: http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0094an

Biography/History

Reginald Rose, one of the most successful and prolific writers of television's “Golden Age,” was born December 10, 1920, in New York City. He began to write at the age of ten and was preoccupied with that endeavor throughout his early years, turning out numerous essays and several novels.

After attending City College of New York in 1937 and 1938, Rose became an advertising copywriter and at that same time began to write for the theater. Not until 1951, however, did he publish his first script, and then for a different medium. Entitled “The Bus to Nowhere,” it had a science fiction theme and was a segment of the CBS series Out There.

Following that initial success, Rose extended his writing to movies and the stage. His most well-known film is Twelve Angry Men (1957); Rose adapted the screenplay from his television script of the same name and also served as co-producer of the movie. Awards for Twelve Angry Men were numerous. Rose received three Emmys for his original television script, and for the film he received honors from the Writers' Guild of America, the Mystery Writers of America, and the Berlin Film Festival. To the stage Rose has contributed Black Monday, The Porcelain Year and an adaptation of Twelve Angry Men.

It is in the field of television that Reginald Rose has achieved most fame. He wrote many scripts for Playhouse 90, Studio One and other critically-acclaimed dramatic series during the 1950s. In 1960 he created the series, The Defenders, which ran for five consecutive seasons. Rose is often cited for his ability and willingness to tackle sensitive social issues and to produce commercially successful scripts based upon them. As Robert Reed of The Defenders cast has said, “It's Reggie's mind that dominates the show. . . his concern with ethics, with issues, with right and wrong.”

Scope and Content Note

The Reginald Rose Papers have been organized in two parts. Part 1 is the Original Collection comprised of the materials received in the Archives in 1969. These materials date 1952-1967 and consist of 53 boxes of scripts, correspondence, and other papers, 3 tape recordings, and 260 films. Part 2 consists of additions received in 1980 which date 1970-1979 and consist of 15 boxes of scripts, correspondence, and other papers.

Part 1, Original Collection, 1952-1967

Part 1 of the collection is divided into the three major genres of Rose's work: Motion Pictures, Theater, and Television. The bulk of the collection is in the field of television and this category, in turn, is divided into three sub-categories: television--general, television--series., and unproduced ideas. Within the designation “television--general” (Boxes 7-19) are the individual scripts written by Rose for such programs as Studio One, Playhouse 90 and Alcoa Theatre. “Television--series” (Boxes 20-52) are the series that Rose created: The Carroll Files, Dear Friends, The Defenders, Flanagan, James the Fifth, and The New Yorkers. Finally, “unproduced ideas” (Box 53) are those script ideas which were not produced.

Within each of the categories, materials are arranged alphabetically by title. The one exception to this rule is The Defenders series (Boxes 22-47); within The Defenders, scripts are filed chronologically by date of production (air time). A chronological arrangement presents a clearer picture of the development of this important and long-running series.

Material filed with each script in the collection documents the production, from outline and notes, through several drafts, to the final script. Much of the terminology (such as “original carbon,” “first draft,” etc.) has been retained as Rose used it. There are several holograph scripts in the collection.

The small amount of correspondence in the collection is filed with the particular script to which it pertains. Of particular interest are the letters referring to The Defenders (Box 22) and those referring to The Sacco-Vanzetti Story (Box 16). In order to present the latter historic case objectively, Rose wrote to the jurors and attorneys in the trial; their responses form part of the correspondence.

Perhaps the most valuable part of the collection is The Defenders files, for this series is present in its entirety -- 132 scripts and the film for each script. A synopsis of each program is located in Box 22, and for each episode there are varying amounts of production material, scripts, and revisions. Production information for each script is included on the list below, with the exception of the producer, Herbert Brodkin, and the two male leads, E.G. Marshall and Robert Reed, as they remained in their roles throughout the entire series.

Also included in Part 1 are three tape recordings containing performances of eight of Rose's early television scripts.

Part 2, 1980 Additions, 1970-1979

Part 2, the 1980 additions, consist of scripts, screenplays, correspondence, and miscellany, illustrating Rose's more recent writing projects. The films represented are Baxter! (1973), The Killer Elite (1975, which was completely rewritten by other writers and in its final form no longer lists Rose as a contributor), Somebody Killed Her Husband (1978), and The Wild Geese (1978). Television productions include The Four of Us (ABC, 1976), Studs Lonigan (NBC, 1979), and The Adversaries (unproduced).

The additions are arranged in a single alphabetical order by title of production, and materials for each are in alphabetical order thereunder. Scripts and screenplay materials are arranged chronologically, usually beginning with outlines and treatments and ending with final scripts.

Administrative/Restriction Information
Acquisition Information

Presented by Reginald Rose, Stamford, Connecticut, July 24, 1969. Additions placed on deposit by Reginald Rose, Westport, Connecticut, 1980. Accession Number: MCHC69-60, MCHC80-31


Processing Information

Processed by Julia Minnich, July 1970. Additions processed by Geoff Wexler and Menzi Behrnd-Klodt, July 1983.


Contents List
Series: Part 1, Original Collection, 1952-1967
U.S. Mss 94AN
Subseries: Motion Pictures
Dino(1957)
Note

Producer: Bernice Black

Director: Thomas Carr

Screen Play: Reginald Rose

Cast: Sal Mineo

Box   1
Folder   1
First draft, script revision
Box   1
Folder   2
Final script
The Man in the Net(1959)
Note

Producer: Walter Mirisch

Director: Michael Curtiz

Screen Play: Reginald Rose

Cast: Alan Ladd

Box   1
Folder   3
Novel by Patrick Quentin on which screenplay was based
Box   1
Folder   4
Outline, original carbon
Box   1
Folder   5
First draft
Box   1
Folder   6
Revised first draft
Man of the West(1958)
Note

Producer: Walter Mirisch

Director: Anthony Mann

Screen Play: Reginald Rose

Cast: Gary Cooper

Box   2
Folder   1
Correspondence
Box   2
Folder   2
Treatment and notes
Box   2
Folder   3
Original mimeo script
Box   2
Folder   4
Revised mimeo
Box   2
Folder   5
Script revisions
A Most Private Intrigue
Box   2
Folder   6
Novel by Leo Rosten on which the screenplay was based
Box   2
Folder   7
Notes
Box   2
Folder   8
Script, pp. 1 - 180
Box   3
Folder   1
Script, pp. 181 - 257
Box   3
Folder   2
First draft , (1968 April 9)
Box   3
Folder   3
Screen play
Twelve Angry Men(1957)
Note

Producer: Henry Fonda, Reginald Rose

Director: Sidney Lumet

Screen Play: Reginald Rose

Cast: Henry Fonda, Lee J. Cobb, Ed Begley, E.G. Marshall, Jack Warden

Box   3
Folder   4
Correspondence: , 1956 July - 1966 June
Box   3
Folder   5
Business papers: , 1955 August - 1960 October
Box   3
Folder   6
Production budget
Box   3
Folder   7
Promotion material, cast list, award list, photo
Box   3
Folder   8
Script: original carbon
Box   3
Folder   9
Script: first draft
Box   4
Folder   1
First draft with revisions
Box   4
Folder   2
Shooting script
Box   4
Folder   3
Script revisions
Subseries: Theater
Black Monday, See TV Scripts, Box 7, Folders 2-5
Note: Vandam Theater, New York, New York; Opened: 1962 March 6; Staged and presented by: William Hunt.
The Porcelain Year, 1965 October 9
Note

National Theatre, Washington, D.C.,

Producer: Katzka-Berne in association with Defender Productions

Director: Alex Segal

Writer: Reginald Rose

Cast: Barbara Bel Geddes, Arthur Hill, Martin Balsam

Box   5
Folder   1
Correspondence, 1965 June 9 - 1965 October 29 and undated
Box   5
Folder   2
Business papers, contracts, auditions
Box   5
Folder   3
Clippings, reviews
Box   5
Folder   4
Script
Box   5
Folder   5
First draft
Box   5
Folder   6
Second draft, revised second draft, revision pages
Box   5
Folder   7
Third draft, revised
Box   5
Folder   8
Working script
Box   6
Folder   1
Final draft
Box   6
Folder   2
Final script
Box   6
Folder   3
Playbills, German translation
Twelve Angry Men
Box   6
Folder   4
Correspondence, 1958 October 31 - 1956 November 22
Box   6
Folder   5
Business papers, 1958 December 31 - 1965 March 31
Box   6
Folder   6
Playbills
Box   6
Folder   7
Original foreign version
Box   6
Folder   8
London version, 1964
Box   6
Folder   9
Dutch version: Twaalf Mannen
Box   6
Folder   10
Foreign translations and limited English editions
Box   6
Folder   11
Clippings, photos
Subseries: Television
Television--General
“An Almanac of Liberty,” Studio One, 1954 November 8
Note

Producer: Felix Jackson

Director: Paul Nickell

Script: Reginald Rose

Box   7
Folder   1
Original and mimeo script
“Black Monday,” NTA Play of the Week, 1961 February
Note

Producer: David Susskind

Director: Ralph Nelson Script: Reginald Rose

Box   7
Folder   2
Treatment, notes, original script
Box   7
Folder   3
First draft, 1960 December
Box   7
Folder   4
Script, playbill
Box   7
Folder   5
Swedish translation
“Broken Spur,” Studio One, 1955 February 14
Note

Producer: Felix Jackson

Director: Paul Nickell

Script: Reginald Rose

Box   8
Folder   1
Outline, script
“The Bus to Nowhere,” Out There, 1952 February
Box   8
Folder   2
Script, by Reginald Rose
484A/1
Tape recording, 1951 December
U.S. Mss 94AN
“Climax,” 1958 March 18 (unproduced)
Note

Producer: Gil Fates, Arnold Peyser

Director: Frank Bunetta

Script: Reginald Rose

Box   8
Folder   3
Teletranscription
Box   8
Folder   4
Outline, sketches
Conflict, CBS Pilot, 1955
Box   8
Folder   5
Outline, script by Reginald Rose
“Crime in the Streets,” Elgin Theatre, 1955 March 8
Note

Producer: Herbert Brodkin

Script: Reginald Rose

Box   8
Folder   6
Two variant drafts
Box   8
Folder   7
Published version: New Directions, Kristen Segal play based on the work of Reginald Rose
“Cruel Day,” Playhouse 90, 1960 February 24
Note

Producer: Herbert Brodkin

Director: Franklin Schaffner

Script: Reginald Rose

Box   9
Folder   1
Outline, script
Box   9
Folder   2
First draft, 1959 November 16
Box   9
Folder   3
Revised draft, 1960 February 24
Box   9
Folder   4
Final script
“Dear Friends,” CBS Playhouse, 1967 December 6
Note

Producer: Herbert Brodkin

Director: Paul Bogart

Script: Reginald Rose

Cast: Patricia Barry, James Daly, Rosemary Harris, Anne Jackson, Hope Lange, Pernell Roberts, Eli Wallach, David Wayne

Box   9
Folder   5
Correspondence, 1967 January 10 - December 9
Box   9
Folder   6
Clippings
Box   9
Folder   7
Photographs, cast list, shooting schedule
Box   9
Folder   8
Character sketches, outlines
Box   9
Folder   9
Script
Box   9
Folder   10
Original typed script
Box   10
Folder   1
First draft, program
Box   10
Folder   2
Second draft
Box   10
Folder   3
Revised second draft
Box   10
Folder   4
Third revision
Box   10
Folder   5
Final revision
Box   11
Folder   1
Script, play script
Box   11
Folder   2
Revision sheets
“The Death and Life of Larry Bensen,” Studio One, 1954 September 20
Note

Producer: Felix Jackson

Director: Paul Nickell

Script: Reginald Rose

Box   11
Folder   3
Treatment, script and amateur version
“The Defender,” Studio One, 1957 February 25 and March 4
Note

Producer: Herbert Brodkin

Director: Robert Mulligan

Script: Reginald Rose

Box   11
Folder   4
Outline, first draft (Part I and Part II)
Box   11
Folder   5
First mimeo (Part I and Part II)
Box   11
Folder   6
Second mimeo
Box   12
Folder   1
Parody for Caesar Hour, amateur play version
Box   12
Folder   2
Revision pages
“Dino,” Studio One, 1956 January 2
Note

Producer: Felix Jackson

Director: Paul Nickell

Script: Reginald Rose

Box   12
Folder   3
Outline, script
Box   12
Folder   4
Published versions: Maturity, Scope, Best Short Plays
“The Enormous Radio,” Revlon Theatre, 1955 August
Note

Producer: Donald Davis

Director: Daniel Petrie

Script: John Cheever, Reginald Rose

Box   12
Folder   5
Script
484A/3
Tape recording, “Enormous Radio,” Mirror Theatre, 1933 July 21
U.S. Mss 94AN
“The Expendable House,” Goodyear Playhouse, 1955 October 9
Note

Producer: Herbert Brodkin

Director: Daniel Petrie

Script: Reginald Rose

Box   12
Folder   6
First Draft
Box   12
Folder   7
Second Revision
“The Final Ingredient,” Eternal Light, 1959 April 19
Box   12
Folder   8
Correspondence, 1956 February 14, outline, budget sheets, notes
Box   12
Folder   9
Two variant scripts, published version
Box   12
Folder   10
Passover Opera, based on “The Final Ingredient,” produced on Directions '65, 1965 April 18
“The Formula,” Studio One, 1952 November 4
Note

Producer: John Haggott

Director: Franklin Schaffner

Box   13
Folder   1
Novel by Gordon Saegar, on which the script, by Reginald Rose, was based
Box   13
Folder   2
Script
484A/2
Tape recording
U.S. Mss 94AN
“The Incredible World of Horace Ford,” Studio One, 1955 June 13
Note

Producer: Felix Jackson

Director: Franklin Schaffner

Script: Reginald Rose

Box   13
Folder   3
Outline, first draft
Box   13
Folder   4
Two variant scripts
“The Kill,” Studio One, 1952 September 22
Note

Producer: Donald Davis, Dorothy Mathews

Director: Franklin Schaffner

Box   13
Folder   5
Script
484A/1 (continued)
Tape recording
U.S. Mss 94AN
“Letter from Cairo,” Westinghouse Summer Theatre, 1953 August 31
Note

Producer: John Haggott

Director: Matt Harlib

Script: Reginald Rose

Box   13
Folder   6
Script
“Little Man, Big World,” Studio One, 1952 October 13
Note

Producer: Donald Davis, Dorothy Mathews

Director: Paul Nickell

Script: Reginald Rose

Box   13
Folder   7
Novel written by W.R. Burnett on which script was based
Box   14
Folder   1
Script
484A/2 (continued)
Tape recording
U.S. Mss 94AN
Love That Guy, CBS Pilot, 1953 April 23
Note

Producer: Ezra Stone

Director: John Wray

Script: Reginald Rose

Cast: Jack Carter, Paul Lynde, Pat Barry

Box   14
Folder   2
Script
“Marriage of Strangers,” Playhouse 90, 1959 May 14
Box   14
Folder   3
Correspondence, 1959 April 27 - 1965 August 30
Note: Also includes rehearsal schedule and censor's notes.
Box   14
Folder   4
Unproduced screenplay, Three Empty Rooms, on which script was based
Box   14
Folder   5
Script
Box   14
Folder   6
London script
“The Missing Night,” Danger, 1953 July
Note

Producer: Franklin Heller

Director: John Peyser

Script: Reginald Rose

Box   14
Folder   7
Script
484A/3 (continued)
Tape recording
U.S. Mss 94AN
“A Name for Baby,” Danger, 1953 September 22
Note

Producer: Franklin Heller

Director: John Peyser

Script: Reginald Rose

Box   14
Folder   8
Script
“A Night of Reckoning,” Danger, 1954 January 5
Note

Producer: Charles Russell

Script: Reginald Rose

Box   15
Folder   1
Original typed script, broadcast script
“Operation Nightmare,” Danger, 1953 June 23
Box   15
Folder   2
Script
484A/3 (continued)
Tape recording
U.S. Mss 94AN
“A Quiet Game of Cards,” Playhouse 90, 1959 January 29
Note

Producer: Herbert Brodkin

Director: Alex Segal

Script: Reginald Rose

Box   15
Folder   3
Outline, first draft
Box   15
Folder   4
First mimeo script
Box   15
Folder   5
Final revision
“The Remarkable Incident at Carson Corners,” Studio One, 1954 February
Box   15
Folder   6
Outline, original typed script by Reginald Rose
Box   15
Folder   7
Japanese TV version, amateur stage version
“The Roman Kid,” Westinghouse Summer Theatre, 1953 August 3
Note

Producer: John Haggott

Director: Judson Whiting

Script: Reginald Rose

Box   15
Folder   8
Script
“The Sacco-Vanzetti Story,” Sunday Playhouse, 1960 June 3 and June 10
Note

Producer: Alex March

Director: Sidney Lumet

Script: Reginald Rose

Cast: Martin Balsam, Steven Hill, Frank Campanella, Peter Falk

Box   16
Folder   1
Correspondence, 1959 September 8 - 1960 June, undated
Box   16
Folder   2
Research material
Box   16
Folder   3
Cast list, rehearsal schedule, original typed script
Box   16
Folder   4
First draft (Part I)
Box   16
Folder   5
First revisions (Part I and Part II)
Box   16
Folder   6
Second revision (Part I and Part II)
Box   16
Folder   7
Third revision (Part I and Part II)
Box   17
Folder   1
Fourth revision (Part I and Part II)
Box   17
Folder   2
Fifth revision (Part I and Part II)
Box   17
Folder   3
Unproduced theater version titled, This Agony, This Triumph
The Smallest Revolution, CBS Pilot Script, 1955
Box   17
Folder   4
Correspondence, 1959 March 6
Note: Also includes outline, reference material.
Box   17
Folder   5
Three variant scripts
Something Special, NBC Special, 1960 December 4
Note

Producer: Michael Abbott

Director: Dick Schneider

Script: Reginald Rose

Box   17
Folder   6
Three variant scripts
“Three Empty Rooms,” Studio One, 1955 September 26
Note

Producer: Felix Jackson

Director: Franklin Schaffner

Script: Reginald Rose

Box   17
Folder   7
Original outline and script
Box   17
Folder   8
Mimeo script, revision sheets
“Thunder on Sycamore Street,” Studio One, 1954 April
Box   17
Folder   9
Correspondence, 1959 May 8, outline, script by Reginald Rose
Box   18
Folder   1
British TV version
Box   18
Folder   2
Published version
“Tragedy in a Temporary Town,” Alcoa Theatre, 1956 February 19
Note

Producer: Herbert Brodkin

Director: Sidney Lumet

Script: Reginald Rose

Box   18
Folder   3
Outline, typed script
Box   18
Folder   4
First mimeo, published version in Scholastic Teacher
A Tribute to Eleanor Roosevelt on Her Diamond Jubilee, 1959 October 25
Note

Producer: David Susskind

Director: Dick Schneider

Script: Reginald Rose

Box   18
Folder   5
Correspondence, 1960 June 21, notes
Box   18
Folder   6
Script
“12:32 A.M.,” Studio One, 1954 December 13
Note

Producer: Felix Jackson

Director: Franklin Schaffner

Script: Reginald Rose

Box   19
Folder   1
Outline, notes, script
Box   19
Folder   2
Two variant scripts
“Twelve Angry Men,” Studio One, 1954 September 20
Box   19
Folder   3
Synopsis, script
“You're Wanted on the Phone, Al,” Danger, 1952 April
Box   19
Folder   4
Script
484A/1 (continued)
Tape recording
U.S. Mss 94AN
Television--Series
The Carroll Files
Box   20
Folder   1
Story ideas, cast notes, summary sheets
Box   20
Folder   2
Script for pilot entitled, “Scavenger Hunt”
Box   20
Folder   3
“Scavenger Hunt,” first and second draft
Dear Friends
Box   20
Folder   4
Series projection
“Cross Right and Smile, Honey”
Box   20
Folder   5
Outline
Box   20
Folder   6
Script revision
Box   20
Folder   7
Final Draft
“Generation Gap”
Box   20
Folder   8
Outline, two scripts, revisions
“New Blood for a Grand Old Party”
Box   21
Folder   1
Outline
Box   21
Folder   2
First draft
Box   21
Folder   3
Second draft
Box   21
Folder   4
Mimeo
“Spring Lightning”
Box   21
Folder   5
Two variant scripts
Box   21
Folder   6
First draft
Box   21
Folder   7
Second draft
Box   21
Folder   8
Final draft
Box   21
Folder   9
First mimeo, revision pages
The Defenders
Note

Producer: Herbert Brodkin

Cast: E.G. Marshall, Robert Reed

Box   22
Folder   1
Correspondence, 1960 November 22 - 1965 July 22
Box   22
Folder   2
Fan mail, unanswered
Box   22
Folder   3
Budget sheets: , 1960 November 7 - 1962 December 6
Box   22
Folder   4
Series projection, character description, list of district attorneys
Box   22
Folder   5
Synopses of scripts, shows 1 - 132
Box   22
Folder   6
Article on The Defenders, Television Quarterly, 1964 Fall
Box   22
Folder   7
Publicity material
DC 013-DC 210, DC 213-DC 270,
FA 001-FA 004
“Quality of Mercy,” 1961 September 16
Note: Synopsis number 14. See Box 22, Folder 5.
Box   23
Folder   1
Cast list, two variant scripts, revision sheets
“Killer Instinct,” 1961 September 23
Note: Synopsis number 9. See Box 22, Folder 5.
Box   23
Folder   2
Cast list, script, revision sheets
“Death Across the Counter,” 1961 September 30
Note: Synopsis number 1. See Box 22, Folder 5.
Box   23
Folder   3
Cast list, outline, script
“The Riot;” , 1961 October 7
Note: Synopsis number 4. See Box 22, Folder 5.
Box   23
Folder   4
Cast list, two variant scripts
“The Young Lovers,” 1961 October 14
Note: Synopsis number 13. See Box 22, Folder 5.
Box   23
Folder   5
Cast list, two variant scripts
“The Boy Between,” 1961 October 21
Note: Synopsis number 7. See Box 22, Folder 5.
Box   23
Folder   6
Cast list, two variant scripts
“The Hundred Lives of Harry Simms,” 1961 October 28
Note: Synopsis number 8. See Box 22, Folder 5.
Box   23
Folder   7
Cast list, two variant scripts, revision pages
“The Accident,” 1961 November 4
Note: Synopsis number 2. See Box 22, Folder 5.
Box   24
Folder   1
Cast list, three variant scripts
“The Trial of Jenny Scott,” 1961 November 11
Note: Synopsis number 6. See Box 22, Folder 5.
Box   24
Folder   2
Cast list, outline, two variant scripts
“The Man with the Concrete Thumb,” 1961 November 18
Note: Synopsis number 5. See Box 22, Folder 5.
Box   24
Folder   3
Cast list, two variant scripts
“The Treadmill,” 1961 November 25
Note: Synopsis number 15. See Box 22, Folder 5.
Box   24
Folder   4
Cast list, two variant scripts
“Perjury,” 1961 December 2
Note: Synopsis number 10. See Box 22, Folder 5.
Box   24
Folder   5
Cast list, two variant scripts
“The Attack,” 1961 December 9
Note: Synopsis number 23. See Box 22, Folder 5.
Box   24
Folder   6
Cast list, script
“The Prowler,” 1961 December 16
Note: Synopsis number 18. See Box 22, Folder 5.
Box   25
Folder   1
Cast list, script
“Gideon's Follies,” 1961 December 23
Note: Synopsis number 25. See Box 22, Folder 5.
Box   25
Folder   2
Cast list, two variant scripts
“The Best Defense,” 1961 December 30
Note: Synopsis number 12. See Box 22, Folder 5.
Box   25
Folder   3
Cast list, script
“The Bedside Murder,” 1962 January 6
Note: Synopsis number 11. See Box 22, Folder 5.
Box   25
Folder   4
Cast list, two variant scripts
“The Search,” 1962 January 20
Note: Synopsis number 20. See Box 22, Folder 5.
Box   25
Folder   5
Cast list, three variant scripts
“Storm at Birch Glen,” 1962 January 27
Note: Synopsis number 17. See Box 22, Folder 5.
Box   25
Folder   6
Cast list, two variant scripts
“The Point Shaver,” 1962 February 3
Note: Synopsis number 22. See Box 22, Folder 5.
Box   25
Folder   7
Cast list, outline, two variant scripts
Box   26
Folder   1
1st, 2nd and 3rd Mimeos
“The Locked Room,” 1962 February 10
Note: Synopsis number 24. See Box 22, Folder 5.
Box   26
Folder   2
Cast list, three variant scripts
“The Empty Chute,” 1962 February 17
Note: Synopsis number 16. See Box 22, Folder 5.
Box   26
Folder   3
Cast list, script, revision pages
“The Crusader,” 1962 February 25
Note: Synopsis number 3. See Box 22, Folder 5.
Box   26
Folder   4
Cast list, two variant scripts
“The Hickory Indian,” 1962 March 3
Note: Synopsis number 26. See Box 22, Folder 5.
Box   26
Folder   5
Cast list, two variant scripts
“The Iron Man,” 1962 March 10
Note: Synopsis number 21. See Box 22, Folder 5.
Box   27
Folder   1
Cast list, two outlines, two variant scripts
“The Tarnished Cross,” 1962 March 17
Note: Synopsis number 27. See Box 22, Folder 5.
Box   27
Folder   2
Cast list, holograph script, two typed scripts
“The Last Six Months,” 1962 March 31
Note: Synopsis number 28. See Box 22, Folder 5.
Box   27
Folder   3
Cast list, two variant scripts
“The Naked Heiress,” 1962 April 7
Note: Synopsis number 29. See Box 22, Folder 5.
Box   27
Folder   4
Cast list, three variant scripts
“Reunion With Death” , 1962 April 21
Note: Synopsis number 30. See Box 22, Folder 5.
Box   28
Folder   1
Cast list, outline, script
“The Benefactor,” 1962 April 28
Note: Synopsis number 19. See Box 22, Folder 5.
Box   28
Folder   2
Cast list, two variant scripts
“Along Came a Spider,” 1962 May 5
Note: Synopsis number 31. See Box 22, Folder 5.
Box   28
Folder   3
Cast list, script
“The Broken Barrelhead,” 1962 May 26
Note: Synopsis number 32. See Box 22, Folder 5.
Box   28
Folder   4
Cast list, two variant scripts, revision sheets
“The Voices of Death,” 1962 September 15
Note: Synopsis number 35. See Box 22, Folder 5.
Box   28
Folder   5
Cast list, outline, holograph script, typewritten script
“Blood County,” 1962 September 22
Note: Synopsis number 33. See Box 22, Folder 5.
Box   28
Folder   6
Cast list, revision sheets
“The Indelible Silence,” 1962 September 29
Note: Synopsis number 36. See Box 22, Folder 5.
Box   28
Folder   7
Cast list, script
“Seven Ghosts of Simon Gray,” 1962 October 6
Note: Synopsis number 34. See Box 22, Folder 5.
Box   28
Folder   8
Cast list, outline, two variant scripts
“The Unwanted,” 1962 October 13
Note: Synopsis number 39. See Box 22, Folder 5.
Box   29
Folder   1
Cast list, outline, three variant scripts
“The Madman,” (Part I), 1962 October 20
Note: Synopsis number 41. See Box 22, Folder 5.
Box   29
Folder   2
Cast list, outline, holograph script, three mimeo scripts
“The Madman,” (Part II), 1962 October 27
Note: Synopsis number 46. See Box 22, Folder 5.
Box   29
Folder   3
Cast list, script, revision sheets
“The Bigamist,” 1962 November 3
Note: Synopsis number 43. See Box 22, Folder 5.
Box   29
Folder   4
Cast list, outline, script
“The Avenger,” 1962 November 17
Note: Synopsis number 37. See Box 22, Folder 5.
Box   30
Folder   1
Cast list, outline, notes, two variant scripts
“The Invisible Badge,” 1962 November 24
Note: Synopsis number 44. See Box 22, Folder 5.
Box   30
Folder   2
Cast list, outline, notes, three variant scripts
“The Hidden Jungle,” 1962 December 1
Note: Synopsis number 40. See Box 22, Folder 5.
Box   30
Folder   3
Cast list, outline, script
“The Savage Infant,” 1962 December 8
Note: Synopsis number 49. See Box 22, Folder 5.
Box   30
Folder   4
Cast list, outline, script
“The Apostle,” 1962 December 15
Note: Synopsis number 45. See Box 22, Folder 5.
Box   30
Folder   5
Cast list, outline, script
“Grandma TNT,” 1962 December 22
Note: Synopsis number 38. See Box 22, Folder 5.
Box   30
Folder   6
Cast list, outline, two variant scripts
“Death Takes the Stand,” 1962 December 29
Note: Synopsis number 42. See Box 22, Folder 5.
Box   31
Folder   1
Cast list, four variant scripts
“Kill or Be Killed,” 1963 January 5
Note: Synopsis number 47. See Box 22, Folder 5.
Box   31
Folder   2
Cast list, script
“A Man Against Himself,” 1963 January 12
Note: Synopsis number 48. See Box 22, Folder 5.
Box   31
Folder   3
Cast list, script
“The Poisoned Fruit Doctrine,” 1963 January 19
Note: Synopsis number 50. See Box 22, Folder 5.
Box   31
Folder   4
Cast list, outline, script
“The Poltergeist,” 1963 January 26
Note: Synopsis number 51. See Box 22, Folder 5.
Box   31
Folder   5
Cast list, four variant scripts
“Ordeal,” 1963 February 2
Note: Synopsis number 52. See Box 22, Folder 5.
Box   32
Folder   1
Cast list, outline, script
“The Hour Before Doomsday,” 1963 February 9
Note: Synopsis number 56. See Box 22, Folder 5.
Box   32
Folder   2
Cast list, outline, script
“The Traitor,” 1963 February 16
Note: Synopsis number 53. See Box 22, Folder 5.
Box   32
Folder   3
Cast list, outline, script
“The Eye of Fear,” 1963 February 23
Note: Synopsis number 54. See Box 22, Folder 5.
Box   32
Folder   4
Cast list, outline, script
“Metamorphosis,” 1963 March 2
Note: Synopsis number 55. See Box 22, Folder 5.
Box   32
Folder   5
Cast list, outline, script
“The Last Illusion,” 1963 March 9
Note: Synopsis number 57. See Box 22, Folder 5.
Box   32
Folder   6
Cast list, outline, script
“The Heathen,” 1963 March 23
Note: Synopsis number 58. See Box 22, Folder 5.
Box   32
Folder   7
Cast list, outline, script
“A Book for Burning,” 1963 March 30
Note: Synopsis number 60. See Box 22, Folder 5.
Box   33
Folder   1
Cast list, outline, script
“The Taste of Vengeance,” 1963 April 6
Note: Synopsis number 59. See Box 22, Folder 5.
Box   33
Folder   2
Cast list, outline, two variant scripts
“The Colossus,” 1963 April 13
Note: Synopsis number 61. See Box 22, Folder 5.
Box   33
Folder   3
Cast list, outline, two variant scripts
“Judgment Eve,” 1963 April 20
Note: Synopsis number 62. See Box 22, Folder 5.
Box   33
Folder   4
Cast list, outline, two variant scripts
“The Brother Killers,” 1963 April 27
Note: Synopsis number 63. See Box 22, Folder 5.
Box   33
Folder   5
Cast list, outline, script
“The Noose,” 1963 May 11
Note: Synopsis number 64. See Box 22, Folder 5.
Box   33
Folder   6
Cast list, outline, script
“The Trial of Twenty-Two,” 1963 May 18
Note: Synopsis number 66. See Box 22, Folder 5.
Box   34
Folder   1
Cast list, outline, script
“Everybody Else is Dead,” 1963 May 25
Note: Synopsis number 65. See Box 22, Folder 5.
Box   34
Folder   2
Cast list, outline, script
“The Weeping Baboon,” 1963 September 28
Note: Synopsis number 73. See Box 22, Folder 5.
Box   34
Folder   3
Cast list, outline, holograph script, two typed scripts
“The Empty Heart,” 1963 October 5
Note: Synopsis number 71. See Box 22, Folder 5.
Box   34
Folder   4
Cast list, outline, two variant scripts
“The Captives” , 1963 October 12
Note: Synopsis number 74. See Box 22, Folder 5.
Box   34
Folder   5
Cast list, outline, script, shooting schedule
“The Bagman,” 1963 October 19
Note: Synopsis number 75. See Box 22, Folder 5.
Box   34
Folder   6
Cast list, outline, script, shooting schedule
“Conspiracy of Silence,” 1963 October 26
Note: Synopsis number 68. See Box 22, Folder 5.
Box   34
Folder   7
Cast list, outline, script
“The Cruel Hook,” 1963 November 2
Note: Synopsis number 69. See Box 22, Folder 5.
Box   35
Folder   1
Cast list, outline, three variant scripts, revision pages
“The Star Spangled Ghetto,” 1963 November 9
Note: Synopsis number 76. See Box 22, Folder 5.
Box   35
Folder   2
Cast list, outline, script, three variant typed scripts
“Loophole,” 1963 November 16
Note: Synopsis number 67. See Box 22, Folder 5.
Box   35
Folder   3
Cast list, outline, two variant scripts
“Seal of Confession,” 1963 November 30
Note: Synopsis number 78. See Box 22, Folder 5.
Box   35
Folder   4
Cast list, outline, two variant scripts, censor notes
“The Gentle Assassin,” 1963 December 7
Note: Synopsis number 80. See Box 22, Folder 5.
Box   36
Folder   1
Cast list, outline, two variant scripts
“The Crowd Pleaser,” 1963 December 14
Note: Synopsis number 70. See Box 22, Folder 5.
Box   36
Folder   2
Cast list, outline, script
“Old Lady Ironsides,” 1963 December 21
Note: Synopsis number 82. See Box 22, Folder 5.
Box   36
Folder   3
Cast list, outline, script
“Fugue For Trumpet and Small Boy,” 1963 December 28
Note: Synopsis number 77. See Box 22, Folder 5.
Box   36
Folder   4
Cast list, outline, two variant scripts
“Claire Cheval Died in Boston,” 1964 January 4
Note: Synopsis number 72. See Box 22, Folder 5.
Box   36
Folder   5
Cast list, outline, two variant scripts
“Death Watch,” 1964 January 11
Note: Synopsis number 83. See Box 22, Folder 5.
Box   36
Folder   6
Cast list, outline, four variant scripts
“The Blacklist,” 1964 January 18
Note: Synopsis number 84. See Box 22, Folder 5.
Box   37
Folder   1
Cast list, outline, two variant scripts, revision sheets
“Who'll Dig His Grave?” , 1964 January 25
Note: Synopsis number 79. See Box 22, Folder 5.
Box   37
Folder   2
Cast list, outline, script
“All the Silent Voices,” 1964 February 1
Note: Synopsis number 85. See Box 22, Folder 5.
Box   37
Folder   3
Cast list, outline, script, revision sheets
“The Secret,” 1964 February 8
Note: Synopsis number 86. See Box 22, Folder 5.
Box   37
Folder   4
Cast list, outline, script
“The Pill Man,” 1964 February 22
Note: Synopsis number 83. See Box 22, Folder 5.
Box   37
Folder   5
Cast list, outline, 1st and 2nd draft
Box   37
Folder   6
Ruben rewrite, Shaw rewrite, final script
“Drink Like a Lady,” 1964 February 29
Note: Synopsis number 90. See Box 22, Folder 5.
Box   38
Folder   1
Cast list, outline, two variant scripts
“Survival,” 1964 March 13
Note: Synopsis number 91. See Box 22, Folder 5.
Box   38
Folder   2
Cast list, outline, script, revision sheets
“Moment of Truth,” 1964 March 21
Note: Synopsis number 92. See Box 22, Folder 5.
Box   38
Folder   3
Cast list, outline, script, revision sheets
“The Hidden Fury,” 1964 March 28
Note: Synopsis number 93. See Box 22, Folder 5.
Box   38
Folder   4
Cast list, outline, three variant scripts
“Die Laughing,” 1964 April 11
Note: Synopsis number 89. See Box 22, Folder 5.
Box   38
Folder   5
Cast list, outline, two variant scripts
“Fade Away (Mayday! Mayday!),” 1964 April 18
Note: Synopsis number 94. See Box 22, Folder 5.
Box   38
Folder   6
Cast list, outline, two variant scripts, revision sheets
“The Thief,” 1964 April 25
Note: Synopsis number 95. See Box 22, Folder 5.
Box   39
Folder   1
Cast list, outline, two variant scripts
“Yankee Come Home,” 1964 May 2
Note: Synopsis number 96. See Box 22, Folder 5.
Box   39
Folder   2
Cast list, outline, script
“The Man Who Saved His Country,” 1964 May 9
Note: Synopsis number 81. See Box 22, Folder 5.
Box   39
Folder   3
Cast list, outline, script
“Mind Over Murder,” 1964 May 16
Note: Synopsis number 97. See Box 22, Folder 5.
Box   39
Folder   4
Cast list, outline, two variant scripts, revision sheets
“The Sixth Alarm,” 1964 May 23
Note: Synopsis number 98. See Box 22, Folder 5.
Box   39
Folder   5
Cast list, outline, two variant scripts, revision sheets
“The Fine Line,” 1964 May 30
Note: Synopsis number 99. See Box 22, Folder 5.
Box   39
Folder   6
Cast list, outline, script, revision sheets
“The Non-Violent,” 1964 June 6
Note: Synopsis number 100. See Box 22, Folder 5.
Box   40
Folder   1
Cast list, outline, two variant scripts, revision sheets
“Stowaway,” 1964 June 13
Note: Synopsis number 101. See Box 22, Folder 5.
Box   40
Folder   2
Cast list, outline, four variant scripts, revision sheets
“Hollow Triumph,” 1964 June 20
Note: Synopsis number 102. See Box 22, Folder 5.
Box   40
Folder   3
Cast list, outline, three variant scripts, revision sheets
“The Uncivil War,” 1964 June 27
Note: Synopsis number 103. See Box 22, Folder 5.
Box   40
Folder   4
Cast list, outline, script
“The 700-Year Old Gang,” (Part I), 1964 September 24
Note: Synopsis number 104. See Box 22, Folder 5.
Box   41
Folder   1
Cast list, outline, three variant scripts, revision sheets
“The 700-Year Old Gang,” (Part II), 1964 October 1
Note: Synopsis number 105. See Box 22, Folder 5.
Box   41
Folder   2
Cast list, two variant scripts, revision sheets
“Hero of the People,” 1964 October 8
Note: Synopsis number 106. See Box 22, Folder 5.
Box   41
Folder   3
Cast list, outline, first draft, third draft
Box   41
Folder   4
Mimeo (first), Shaw rewrite, second mimeo
“Go-Between,” 1964 October 15
Note: Synopsis number 111. See Box 22, Folder 5.
Box   42
Folder   1
Cast list, outline, three variant scripts, revision sheets
“Conflict of Interests” , 1964 October 22
Note: Synopsis number 108. See Box 22, Folder 5.
Box   42
Folder   2
Cast list, outline, three variant scripts, revision sheets
“The Man Who,” 1964 October 29
Note: Synopsis number 113. See Box 22, Folder 5.
Box   42
Folder   3
Cast list, outline, three variant scripts
“The Turning Point,” 1964 November 5
Note: Synopsis number 109. See Box 22, Folder 5.
Box   42
Folder   4
Cast list, outline, three variant scripts
“A Taste of Ashes,” 1964 November 12
Note: Synopsis number 87. See Box 22, Folder 5.
Box   43
Folder   1
Cast list, outline, three variant scripts
“Comeback,” 1964 November 26
Note: Synopsis number 107. See Box 22, Folder 5.
Box   43
Folder   2
Cast list, outline, three variant scripts, revision sheets
“The Seige,” 1964 December 3
Note: Synopsis number 112. See Box 22, Folder 5.
Box   43
Folder   3
Cast list, outline, four variant scripts, revision sheets
“Whitewash,” 1964 December 10
Note: Synopsis number 114. See Box 22, Folder 5.
Box   44
Folder   1
Cast list, outline, three variant scripts, script revisions
“A Voice Loud and Clear,” 1964 December 24
Note: Synopsis number 115. See Box 22, Folder 5.
Box   44
Folder   2
Cast list, outline, four variant scripts
“King of the Hill,” 1964 December 31
Note: Synopsis number 110. See Box 22, Folder 5.
Box   44
Folder   3
Cast list, outline, four variant scripts, revision sheets
“Whipping Boy,” 1965 January 7
Note: Synopsis number 117. See Box 22, Folder 5.
Box   44
Folder   4
Cast list, outline, four variant scripts, notes
“Eyewitness,” 1965 January 14
Note: Synopsis number 116. See Box 22, Folder 5.
Box   45
Folder   1
Cast list, four variant scripts, script revision
“Silent Killer,” 1965 January 21
Note: Synopsis number 118. See Box 22, Folder 5.
Box   45
Folder   2
Cast list, outline, three variant scripts, script revisions
“Death on Wheels,” 1965 January 28
Note: Synopsis number 119. See Box 22, Folder 5.
Box   45
Folder   3
Cast list, outline, three variant scripts
“The Unwritten Law,” 1965 February 4
Note: Synopsis number 120. See Box 22, Folder 5.
Box   46
Folder   1
Cast list, outline, three variant scripts
“The Objector,” 1965 February 11
Note: Synopsis number 121. See Box 22, Folder 5.
Box   46
Folder   2
Cast list, outline, three variant scripts
“Fires of the Mind,” 1965 February 18
Note: Synopsis number 122. See Box 22, Folder 5.
Box   46
Folder   3
Cast list, outline, three variant scripts, script revisions
“No-Knock,” 1965 February 25
Note: Synopsis number 123. See Box 22, Folder 5.
Box   46
Folder   4
Cast list, outline, four variant scripts
“Merry-Go-Round Mender,” 1965 March 4
Note: Synopsis number 124. See Box 22, Folder 5.
Box   47
Folder   1
Cast list, outline, three variant scripts, script revisions
“Nobody Asks What Side You're On,” 1965 March 11
Note: Synopsis number 125. See Box 22, Folder 5.
Box   47
Folder   2
Cast list, outline, three variant scripts, script revisions
“Impeachment,” 1965 March 18
Note: Synopsis number 126. See Box 22, Folder 5.
Box   47
Folder   3
Cast list, outline, three variant scripts, script revisions
“The Sworn Twelve,” 1965 March 25
Note: Synopsis number 127. See Box 22, Folder 5.
Box   47
Folder   4
Cast list, outline, three variant scripts, script revisions
“Law and Disorder,” 1965, April 8
Note: Synopsis number 128. See Box 22, Folder 5.
Box   48
Folder   1
Cast list, outline, three variant scripts, script revisions
“Youths and Maidens on an Evening Walk,” 1965 April 15
Note: Synopsis number 129. See Box 22, Folder 5.
Box   48
Folder   2
Cast list, outline, three variant scripts, script revisions
“The Prosecutor,” 1965 April 29
Note: Synopsis number 130. See Box 22, Folder 5.
Box   48
Folder   3
Cast list, outline, three variant scripts
“The Bum's Rush,” 1965 May 6
Note: Synopsis number 131. See Box 22, Folder 5.
Box   48
Folder   4
Cast list, outline, two variant scripts, script revisions
“Only a Child,” 1965 May 13
Note: Synopsis number 132. See Box 22, Folder 5.
Box   48
Folder   5
Cast list, outline, three variant scripts, script revisions
Box   49
Folder   1
Unused outlines
Outlines: cancelled, rejected, or cut off
Box   49
Folder   2
A - De
Box   49
Folder   3
Di - J
Box   49
Folder   4
K - Sp
Box   49
Folder   5
St - Untitled
Rejected Scripts
Box   50
Folder   1
“Black Fury,” “Blind Fury,” “Breaking Point”
Box   50
Folder   2
“The Bunglers,” “By Silence or Deceit,” “Child from Nowhere”
Box   50
Folder   3
“Duel of Hate,” “A Game in No-Trump,” “The Unvanquished”
Box   50
Folder   4
“Woman in the Case”
Flanagan, CBS Pilot, 1960
Box   51
Folder   1
Synopsis, character sketches, outline, two drafts
James the Fifth, TV Pilot
Box   51
Folder   2
Idea, projection-changes, step outline
Box   51
Folder   3
Script
Box   52
Folder   1
Typed pilot script, revised pilot script, mimeo pilot script
The New Yorkers, TV Pilot
Box   52
Folder   2
Holograph idea, typed idea
Box   52
Folder   3
Pilot script
Box   52
Folder   4
Typed pilot script
“A Hill of Beans,” by Robert Crean
Box   52
Folder   5
General notes, 1st draft
Box   52
Folder   6
Second revised script
Box   52
Folder   7
Mimeo Script
Unproduced Ideas
Box   53
Folder   1
“And on the Seventh Day We Hate,” Studio One idea
Box   53
Folder   2
“The Courtroom,” Studio One idea, outline, treatment, rejection letter
Box   53
Folder   3
“Day of Glory,” Studio One idea
Box   53
Folder   4
“The Endless Night,” outline, 1st draft, final script, rejection notice
Box   53
Folder   5
“The Family Tree,” script
Box   53
Folder   6
“The Gathering,” Studio One idea, outline, two various treatments
Box   53
Folder   7
“The Genteel Assassins,” play idea
Box   53
Folder   8
“Half of Forty-Four is Twenty-Two,” idea
Box   53
Folder   9
Horror tale, untitled, idea
Box   53
Folder   10
“The Hunt,” movie idea
Box   53
Folder   11
“The Indestructible Man,” Studio One idea
Box   53
Folder   12
“The Joiner,” outline, treatment, letter
Box   53
Folder   13
“Journey With a Lady,” treatment
Box   53
Folder   14
“The Mouthpiece” idea
Box   53
Folder   15
“Premonition,” Studio One idea
Box   53
Folder   16
“The Pug,” idea
Box   53
Folder   17
“The Risk,” Studio One idea, outline, rejection letter
Box   53
Folder   18
“Savage in the Purple Trunks,” outline
Box   53
Folder   19
“The Silent City,” outline, notes
Box   53
Folder   20
“The Son of a Respectable Man,” Studio One idea, outline
Box   53
Folder   21
“The Unborn,” Studio One synopsis
Box   53
Folder   22
“Wait for a Killer,” script
Box   53
Folder   23
“The Watch,” treatment
Box   53
Folder   24
“What D'ya Read,” outlines
Box   53
Folder   25
“The Wonderful Whatchamacallit,” Studio One idea
Series: Part 2, 1980 Additions, 1970-1979
The Adversaries (Television, 1976. Unproduced?)
Scripts
Box   54
Folder   1
A Concept for a One-Hour Television Series by Rose - Holograph, Typescript, photocopy, 1976 July 23
Pilot Script by Rose
Box   54
Folder   2
Outline - Holograph, Typescript, photocopy, 1976 July 29
Box   54
Folder   3
Script - Holograph, 1976 August 14-19
Box   54
Folder   4
Script - Typescript, 1976 August 19
Box   54
Folder   5
First Mimeo, undated
Box   54
Folder   6
Second Draft - Typescript, 1976 September 6
Box   54
Folder   7
Second Draft Rewrite - Mimeo with Holograph Changes, 1976 September 6
Box   54
Folder   8
Third Draft - Typescript with Revisions, circa 1976 September
Baxter! (Film. Anglo-EMI/Group W, 1973. National General)
Box   54
Folder   9
Breakdown, undated
Box   54
Folder   10
Correspondence, Miscellaneous, 1970 January 28-1972 November 1
Box   54
Folder   11
Miscellany - Call Sheets, Synopsis, Notes, Cast List, 1971 November 28-1972 June 21
Box   54
Folder   12
Newspaper and Magazine Coverage, 1973 January 25-March 28
Box   54
Folder   13
Publicity, 1973 March 4, 9, undated
Screenplays, by Rose
Box   54
Folder   14
“The Boy Who Could Make Himself Disappear,” Step Outlines by Rose and Robert Parrish - Holograph and Typescript, 1970 January 19, 28; 1971 May 18
Box   54
Folder   15
First Draft - Holograph, Started 1970 January 29
Box   55
Folder   1
“The Boy Who Could Make Himself Disappear,” First Draft (Typescript), with Cuts, 1970 January 30
Box   55
Folder   2
“The Boy Who Could Make Himself Disappear,” First Draft (Mimeo), 1970 April 24
Box   55
Folder   3
“The Boy Who Could Make Himself Disappear,” Second Draft (Typescript), 1970 May 4
Box   55
Folder   4
“The Boy Who Could Make Himself Disappear,” Second Draft (Mimeo with Holograph Additions), 1971 April 14
Box   55
Folder   5
“The Boy Who Could Make Himself Disappear,” Third Draft, 1971 April 19
Box   55
Folder   6
Shooting Script, 1971 October 12
Box   55
Folder   7
Unit List, 1971 November 25
The Four of Us (Television. Titus Productions, 1976. ABC)
Box   55
Folder   8
Personnel - Cast, Crew and Staff, circa 1976 February-March 2
Box   55
Folder   9
Rehearsal Schedules, 1976 February 20-26, undated
Scripts by Rose
Box   55
Folder   10
ABC Series Outline - Holograph, Finished 1975 September 30
Box   55
Folder   10A
Untitled Treatment for a One-Hour Television Series, Finished 1975 September 30
Box   55
Folder   11
Pilot Script and Character Sketches - First Draft, Holograph, 1975 November 1
Box   55
Folder   12
Pilot Script and Character Sketches - First Draft, Typescript, 1975 November 1
Box   56
Folder   1
“Family Series” - Pilot Script and Character Sketches, Second Draft, 1975 November 23
Box   56
Folder   2
“Untitled Family Series” - Pilot Script and Character Sketches, Second Draft (Typescript with Holograph Changes), 1975 November 23, 1976 January 7
Box   56
Folder   3
Pilot Script - First Mimeo, circa 1976 February
Box   56
Folder   4
Pilot Script - First Mimeo, Revised, 1976 February 20
Box   56
Folder   5
Pilot Script - Revised Final as Edited for Air, Revised 1976 February 20, March 1, 15, 16
Box   56
Folder   6
Future Story Lines, 1976 March 25
Box   56
Folder   7
Episode #2 - Script, First Draft Holograph, Finished 1976 February 6
Box   56
Folder   8
Episode #2 - First Draft, Typescript with Revisions, 1976 February 6
Box   56
Folder   9
Episode #3 - Script, First Draft, Holograph, Started 1976 February 23
Box   56
Folder   10
Episode #3 - Script, First Draft, Typescript, 1976 March 19
Box   56
Folder   11
Taping Schedule, 1976 March 3
The Killer Elite (Film. Exeter/Persky-Bright, 1975. United Artists, Warner Brothers)
Box   56
Folder   12
Correspondence and Script Notes, 1973 August 6; 1974 June 12, July 17
Screenplay by Rose
Box   56
Folder   13
First Draft - Holograph, Started 1973 March 13
Box   56
Folder   14
First Draft - Typescript, 1973 April 12
Box   57
Folder   1
First Draft, Revised, 1973 May 5
Box   57
Folder   2
First Draft, Revised, 1973 May 8
Box   57
Folder   3
First Mimeo, undated
Box   57
Folder   4
First Mimeo, Revised, with Holograph and Typescript Changes, 1973 July 15
Box   57
Folder   5
Second Mimeo, 1973 July
Box   57
Folder   6
Third Mimeo, Revised, 1973 August-September, 1974 January
Box   57
Folder   7
Rewrite, Holograph and photocopy, Written After Conference with Marty Blum, 1974 Spring
Box   58
Folder   1
Third Mimeo Rewritten as Fourth Draft, Mimeo with Pencil Revisions, 1974 June 1
Box   58
Folder   2
Third Mimeo Rewritten as Fourth Draft, Typescript, 1974 June 1
Box   58
Folder   3
Version Rewritten by Sam Peckinpah, 1974 July
Box   58
Folder   4
Fifth Draft, 1974 August 8
Somebody Killed Her Husband (Film. Melvin Simon, 1978. Columbia Pictures)
Box   58
Folder   5
Correspondence, Miscellaneous, 1977 May 13-1979 April 6
Box   58
Folder   6
Correspondence re: Woody Allen, August 12, 1973-January 16, 1974, undated
Box   58
Folder   7
Crew List, November 25, December 21, 1977
Box   58
Folder   8
Miscellaneous Production Records - Call Sheets, One Liners, 1977 October 17-1978 February 14, 1979 May 30, undated
Box   58
Folder   9
Newspaper and Magazine Coverage, 1977 December 23-1978 October 6, undated
Box   58
Folder   10
Notes on Suggested Changes for Rough Cut, Holograph and Typescript Changes, 1978 February 14
Box   58
Folder   11-12
Novelization by Clyde B. Phillips, 1978 February 27
Box   58
Folder   13
Novelization (Published Paperback) by Clyde B. Phillips, Copyright 1978
Box   58
Folder   14
Publicity, 1978 March 6-June 21
Screenplay by Rose
Box   58
Folder   15
Outlines for Woody Allen Mystery, Holograph, 1973 July 23-25
Box   58
Folder   16
Step Outline and Scene Breakdown, Holograph, 1973 August 10-November 5, undated
Box   59
Folder   1
First Draft, Holograph, Started 1973 August 15
Box   59
Folder   2
“Untitled Screenplay for Woody Allen,” First Draft, Mimeo, 1973 October 19
Box   59
Folder   3
“Screenplay for Woody Allen Film,” Second Draft, Holograph, 1973 November 9
Box   59
Folder   4
“Screenplay for Woody Allen Film,” Second Draft, Holograph, 1973 December 4
Box   59
Folder   5
“Screenplay for Woody Allen Film,” Second Draft, Mimeo, 1973 December 4
Box   59
Folder   6
“True Lies,” Screenplay, Second Draft plus Polish, with Additions and Annotations, 1972 December 4-1973 May 11
Box   59
Folder   7
Second Draft with Cuts, 1977 July
Box   59
Folder   8
Third Draft, 1977 October 3
Box   60
Folder   1
Third Draft, Rewritten to Conform to Location, with Annotations, 1977 October 3
Box   60
Folder   2
Master Script, 1977 November 3, 29
Box   60
Folder   3
Final Shooting Script, Revised 1977 November 3
Box   60
Folder   4
Final Shooting Script, Rose's Personal Copy, with Revisions, 1977 November 3-December 2
Box   60
Folder   5
Final Shooting Script with Revisions, 1977 November 22-December 6
Box   60
Folder   6
Shooting Schedules, 1977 November 18
Studs Lonigan (Television. Lorimar Productions, 1979. NBC)
Box   60
Folder   7
Broadcast Standards Acceptability Report, 1978 April 5, 13, 14
Box   60
Folder   8
Cast List with Addresses, 1978 May 25
Box   60
Folder   9
Correspondence, Miscellaneous; Memos; Character Age-Change Chart, 1976 August 2-1978 June 20, undated
Box   60
Folder   10
Director to Staff Notes, 1978 February 13-May 21
Box   60
Folder   11
Newspaper Coverage and Reviews, 1979 January-August, undated
Box   61
Folder   1
“On Adapting Studs Lonigan for Television,” by Reginald Rose, for New York Times (Unused), 1979 January 31
Scripts by Rose
Box   61
Folder   2
Outline for an Eight-Hour Miniseries for Television, Holograph, 1976 December 16
Box   61
Folder   3
Outline for an Eight-Hour Miniseries for Television, photocopy, 1977 January 18
Box   61
Folder   4
Mixed Outline, circa 1977 January
Box   61
Folder   5-11
First Draft, Holograph, Parts I-VIII, 1977 February 3-July 25
Box   62
Folder   1-5
First Draft, Typescript, 1977 March 8-July 26
Box   62
Folder   6-8
First Mimeo, Parts I-VIII, undated
Box   63
Folder   1-3
First Mimeo with Holograph Changes to Cut Series to Six Hours, undated
Box   63
Folder   4-6
First Mimeo (Orange) of Six Hour Series Before Cuts Made After Phone Call with Lorimar, Parts I-III, undated
Second Mimeo (Green) of Six-Hour Series, 1978 January 30
Box   63
Folder   7
Part I
Box   64
Folder   1-2
Parts II-III
Box   64
Folder   3-5
Third Mimeo of Six-Hour Series with Holograph Changes after Meeting of 1978 March 11-12; January 30-March 12, Parts I-III
Box   64
Folder   6-8
Third Mimeo (Red), March 27, 1978
Box   65
Folder   1-3
Third Mimeo with Additions, 1978 March 27-June 13
Box   65
Folder   4-6
Third Mimeo, Revised with Holograph Changes and Notes, Parts I-III, 1978 March 27-May 29
Box   65
Folder   7
Script Changes, 1978 March 15-May 22
Box   65
Folder   8
Shooting Schedules, Shot Lists, Sets, Action, 1978 July 3, 13, undated
Box   65
Folder   9
Sound - Wild Track List, 1978 May 21
Box   65
Folder   10
Timing, 1978 February 15, May 15
The Wild Geese (Film. Allied Artists, 1978. Allied Artists)
Box   66
Folder   1
Correspondence, Miscellaneous, 1976 January 4-1978 November 10, undated
Box   66
Folder   2
Newspaper Coverage, 1978 January 13-1979 February 11, undated
Box   66
Folder   3
Publicity, 1977 October 7-1978 November 10, undated
Screenplay by Rose
Box   66
Folder   4-5
First Draft, Holograph, Started 1976 May 7
Box   66
Folder   6
First Draft, Holograph with Notations, Received by Euan Floyd on 1976 June 13
Box   66
Folder   7
First Draft, Typescript, Completed 1976 June 26
Box   66
Folder   8
First Draft, Revised, with Notations, 1976 June 26-July 12
Box   67
Folder   1
Second Draft, with Revisions, 1976 September 20-November 20
Box   67
Folder   2
Second Draft with Second Set of Revisions, 1976 December 2
Box   67
Folder   3
Second Draft with Further Revisions, Received from Euan Lloyd December 21, 1976, Cuts and Changes Sent to Lloyd on , 1976 December 24
Box   67
Folder   4
First Mimeo with Additions, Copyright 1977
Box   67
Folder   5
Second Mimeo, Copyright 1977
Box   67
Folder   6
Final Shooting Script, undated
Box   68
Folder   1
Television Version, Copyright 1977
Box   68
Folder   2-3
The Thin White Line, Novel by Daniel Carney (Unpublished), 1976 May