Summary Information
Agnes Moorehead Papers
1923-1974
- Moorehead, Agnes, 1900-1974
U.S. Mss 161AN
67.0 c.f. (70 archives boxes and 92 flat boxes)
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research Contact Information
Wisconsin Historical Society (Map)
Papers of Agnes Moorehead, a prominent actress known for her work in radio, television, motion pictures, and theater. Over half the collection is comprised of scrapbooks, 1928-1973, containing correspondence and fan mail, clippings, programs, photographs, and memorabilia. Prominent correspondents include Norman Corwin, Joan Crawford, Bette Davis, Paul Gregory, Helen Hayes, Mary McCarthy, and Aaron Spelling. Several volumes are devoted to particular roles including her appearances in Citizen Kane, Don Juan in Hell, Journey Into Fear, The Magnificent Ambersons, and Mrs. Parkington.
English
http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0161an ↑ Bookmark this ↑
Biography/History
Agnes Robertson Moorehead was born on December 6, 1901, in Clinton, Massachusetts, and spent most of her childhood in St. Louis, Missouri. After graduation from Muskingum College in New Concord, Ohio, in 1923, she taught at Soldiers Grove, Wisconsin for five years while earning a Master's degree in English from the University of Wisconsin. She then enrolled at the American Academy of Dramatic Arts in New York City and graduated in 1929.
After playing a few roles on Broadway, she became a radio actress in the early 1930s. She performed in over fifty radio programs during radio's “Golden Age” in the 1930s and 1940s, including The Shadow, Mayor of the Town, Cavalcade of America, Mercury Theatre of the Air, and Ceiling Unlimited. In 1943 for Suspense Theatre, she performed the leading role in “Sorry, Wrong Number”; she later earned a gold record for the commercial recording of this role.
In 1940 she went to Hollywood with Orson Welles for the role of Charles Foster Kane's mother in the film Citizen Kane. Eventually in her film career she played more than seventy roles, earning five Academy Award nominations for supporting roles in The Magnificent Ambersons (RKO, 1942), Mrs. Parkinson (MGM, 1944), All that Heaven Allows (U, 1955), Johnny Belinda (WB, 1948), and Hush, Hush...Sweet Charlotte (Fox, 1965). Miss Moorehead's television career was likewise long and varied, but perhaps she is best remembered for her part in the series Bewitched, 1963-1971. She was nominated five times for an Emmy for this show, but won an Emmy in 1967 for a guest appearance on the series Wild, Wild West. She also appeared on The Red Skelton Show, The Shirley Temple Show, Burke's Law, Bonanza, Marcus Welby, M.D., and many others.
She considered one of the highlights of her career to be the 1952 tour of Don Juan in Hell with Charles Laughton, Charles Boyer, and Cedric Hardwicke. Staged by Charles Laughton, Don Juan was very successful in both the United States and Great Britain. It was revived several times, in 1972 with Miss Moorehead, Ricardo Montalban, Edward Mulhare, and Paul Henreid.
In addition to her film and TV careers, she also organized and taught at her own drama school in California. She lectured and performed at colleges, universities, and organizations all over the country in her one-woman show, titled Come Closer, I'll Give You an Earful and The Fabulous Redhead.
She was married twice, first to Jack Lee (1930-1952), second to Robert Gist (1953-1954), and she raised a foster son, Sean. She died on April 30, 1974, at the Methodist Hospital in Rochester, Minnesota.
Scope and Content Note
The Agnes Moorehead Papers, 1923-1974, include material, mainly scripts, on her work as an actress. They are organized in the categories Radio, Motion Pictures, Television, and Theatre. There are also 104 scrapbooks, whose contents overlap the materials in the other series and include all Moorehead's correspondence (including greeting cards for all occasions), clippings, programs, photographs, and miscellany, 1928-1973. In addition, the collection includes files of materials submitted to Moorehead for her review but rejected by her, and miscellany. This collection extensively documents Moorehead's exceptional career, in which she was continuously employed as an actress, often in several media simultaneously, for forty-five years.
The Radio materials, 1936-1959, include scripts for episodes on such series as Mayor of the Town, Mercury Theatre of the Air, Campbell Playhouse, Theater Guild of the Air, Bringing Up Father, and Reg'lar Fellas. There is a particularly large number of scripts for those series in which Moorehead
either starred or was a regularly featured player, including Four Corners, USA, Cavalcade of America, Suspense Theater, Ceiling Unlimited, and Orson Welles Almanac. The script for “Sorry, Wrong Number” is arranged with others from Suspense Theater, on which it originally was presented.
The Motion Picture materials include scripts of produced and unproduced films, Screen Actors Guild materials, and Fan Club Files. The scripts of produced films include those for which Moorehead received Academy Award nominations. These include All That Heaven Allows, Hush, Hush...Sweet Charlotte, Johnny Belinda, Mrs. Parkington, and The Magnificent Ambersons. Several other well-known titles are also included; among them are The Caine Mutiny, Dark Passage, Harlow, The Magnificent Obsession, Our Vines Have Tender Grapes, Tammy Tell Me True, and Show Boat. Consult the contents list for a complete alphabetical listing. Moorehead also kept records from the Screen Actors Guild, 1945-1949, which are arranged in three folders. Three other folders concern fan clubs; two relate only to Moorehead and one concerns stars James Stewart, Jane Wyman, and John Wayne.
The bulk of her Television files, 1954-1974, include scripts from the pilot and the series Bewitched, 1963-1971, in which she was one of the three main characters; her contract allowed her to appear in no more than eight out of twelve episodes, leaving her free for other activities. Moorehead also appeared in such series as ABC Movie of the Week, Bonanza, Burke's Law, The Jonathan Winters Show, Marcus Welby, M.D., Night Gallery, The Red Skelton Show, Shirley Temple's Storybook, and Wild, Wild West. Boxes 51-53 contain scripts Moorehead rejected, including two folders concerning the series I Dream of Jeannie.
Included in the Theater materials, 1944-1973, are scripts arranged in two groups--those in which Moorehead appeared and those she rejected. She appeared in The Pink Jungle (1959); Prescription: Murder (1962), by which the television series Columbo may have been partially inspired; The Rivalry (1957) about the Lincoln-Douglas debates; High Spirits (Dallas, 1965), a musical version of Noel Coward's Blithe Spirit; and Lord Pengo (1962). Cactus Flower was one script she rejected. Six folders of materials concern her one-woman show in which she did readings from famous literary works; the scripts also include her transitional lines. This show was variously called The Fabulous Redhead, Come Closer, I'll Give You An Earful, and The Agnes Moorehead Show. There are also scripts and publicity materials on her three road tours of Don Juan in Hell, 1951 through 1972.
In box 59 are Materials Submitted to Moorehead for Review. These include novels and short stories, some of which were intended for use in her one-woman show. Only two titles are dated, 1958, 1967. Arrangement is alphabetical by title.
Boxes 60-62 contain Miscellany, arranged in an alphabetical subject file. It includes her acting notes from the American Academy of Dramatic Arts and Harvard University classes, and files on various lectures Moorehead gave on such topics as acting, film, the theater, and the production of Don Juan in Hell.
The 104 Scrapbooks, 1928-1973, are unusual because in them Moorehead preserved her correspondence (including Christmas and other greeting cards), clippings, programs, photographs, memorabilia, and other documents concerning her career. Her secretary, Mrs. Georgia Johnstone, carefully arranged these documents into these scrapbooks. The scrapbooks are roughly chronological in arrangement and should be used in conjunction with the other series in this collection. Six scrapbooks are arranged around specific productions: Don Juan in Hell (2 volumes), Citizen Kane, Mrs. Parkington, The Magnificent Ambersons, and Journey Into Fear. Moorehead perhaps considered these to have been her most important roles at the time the scrapbooks were compiled; she may have changed her opinion later in her career since she was often quoted as saying her favorite role was the one she was currently doing. The correspondence in these scrapbooks concerns discussions of her roles; arrangements for tours and personal appearances; fan mail from children and adults; Christmas cards; and congratulatory telegrams from others in the entertainment industry. There is recurrent correspondence from Norman Corwin, Paul Gregory, Himan Brown, Aaron Spelling, Helen Hayes, Bette Davis, Joan Crawford, Mary McCarthy and other directors, producers, writers, and actors of less prominence. The correspondence reflects the wide variety of social relationships that Moorehead maintained in the entertainment industry throughout her career.
Muskingum College in New Concord, Ohio was bequeathed the personal library of Agnes Moorehead. It also received some duplicate materials separated from this manuscript collection, including scripts, plaques, awards, tape recordings, and photographs.
Administrative/Restriction Information
Loaned for arrangement and description by Franklin B. Rohner, Executor of the Estate of Agnes Moorehead, Los Angeles, California, May 31 and November 20, 1975. Accession Number: MCHC75-044, MCHC75-135
Processed by Eleanor McKay and C. Swiss, February 26, 1976.
Contents List
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U.S. Mss 161AN
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Series: Radio
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Box
1
Folder
1
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Abbott and Costello Program, 1942, October 22
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Box
1
Folder
2
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The Agnes Moorehead Matinee, undated
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Box
1
Folder
3
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The Aldrich Family, 1940, August 1 - 1940, November 14
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Box
1
Folder
4
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Alice Adams, undated
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Box
1
Folder
5
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The American Theatre, undated
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Box
1
Folder
6
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Anacin Hollywood Star Theatre, 1949, June 4
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Box
1
Folder
7
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Armstrong Theatre of Today, 1942, July 11 - 1950, February 24
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Box
1
Folder
8
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Barbed Wire Sky, 1947, May 6
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Box
1
Folder
9
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The Bell of Destra, undated
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Box
1
Folder
10
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Best Plays, 1952, August 10
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Box
1
Folder
11
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Betty Crocker Magazine of the Air, 1948, August 31
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Box
1
Folder
12
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Blind Alley, undated
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Box
1
Folder
13
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Bob Crosby's Music Shop, 1940, March 2
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Bringing Up Father
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Box
1
Folder
14
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1941, July 22 - 1941, August 19
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Box
1
Folder
15
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1941, August 26 - 1941, September 16
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Box
2
Folder
1
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By Kathleen Norris, 1940, August 26 - 1941, March 6
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The Campbell Playhouse
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Box
2
Folder
2
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1939, October 1
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Box
2
Folder
3
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1939, October 22
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Box
2
Folder
4
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1939, December 10
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Box
2
Folder
5
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1940, February 4
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Box
2
Folder
6
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1940, February 11
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Box
2
Folder
7
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Case History1952, May 10 - 1952, May 11
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Cavalcade of America
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Box
2
Folder
8
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1939, March 8 - 1940, January 30
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Box
2
Folder
9
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1940, February 20 - 1940, November 6
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Box
3
Folder
1
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1940, November 20 - 1941, March 19
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Box
3
Folder
2
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1941, March 26 - 1941, July 28
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Box
3
Folder
3
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1941, August 4 - 1941, September 15
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Box
3
Folder
4
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1945, June 18 - 1946, March 25
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Box
3
Folder
5
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1946, October 4
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Box
3
Folder
6
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1950, March 7
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Box
3
Folder
7
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CBS Open House, 1945, June 4
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Box
3
Folder
8
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CBS Radio Mystery Theatre, undated
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Box
3
Folder
9
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Ceiling Unlimited, 1942, November 23 - 1943, June 7
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Box
4
Folder
1
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Charlie and Jessie, 1941, January 8
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Box
4
Folder
2
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City Desk, 1936, May 17
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Box
4
Folder
3
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Columbia Workshop, 1941, July 13
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Box
4
Folder
4
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“Dear Joe” Rally, 1944, June 30
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Box
4
Folder
5
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Death and Transfiguration, undated
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Box
4
Folder
6
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Easter Sunrise Service, 1956, April 1
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Box
4
Folder
7
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Edgar Bergen with Charlie McCarthy, 1950, November 26
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Box
4
Folder
8
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The Edwards of England, 1936, February 3
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Box
4
Folder
9
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Elgin Show, 1945, December 25
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Box
4
Folder
10
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Evelyn Bigsby, 1945, November 25
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Box
4
Folder
11
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Find That Clue, 1948, May 1
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Box
4
Folder
12
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Flight Before Fury, undated
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Box
4
Folder
13
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Flying Red Horse Tavern, 1936, February 14
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Box
4
Folder
14
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Forecast, 1941, August 4
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Four Corners, U.S.A.
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Box
4
Folder
15
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1941, February 23 - 1941, July 13
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Box
4
Folder
16
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1941, July 27 - 1941, August 17
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Box
4
Folder
17
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1941, August 24
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Box
5
Folder
1
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Fred Allen Show, 1939, October 11
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Box
5
Folder
2
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Gang Busters, 1940, June 6
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Box
5
Folder
3
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Grand Central Station, 1940, October 18 - 1941, March 11
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Box
5
Folder
4
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Grandma's Boy Wendell, undated
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Box
5
Folder
5
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Great Plays, 1940, November 17
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Box
5
Folder
6
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Hallmark Charlotte Greenwood Show, 1945, October 14
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Box
5
Folder
7
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Hayes vs. Hayes, undated
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Box
5
Folder
8
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Hedda Hopper Show, 1951, April 1
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Box
5
Folder
9
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Helen Hayes Theatre, 1940, November 3 - 1941, January 5
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Box
5
Folder
10
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Henrietta Potter, undated
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Box
5
Folder
11
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Holiday1944, January 2
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Box
5
Folder
12
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Hollywood Star Playhouse, 1950, July
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Box
5
Folder
13
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Hollywood Theatre of the Air, 1943, August 2-5
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Box
5
Folder
14
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How Did You Meet, 1941, January 8
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Box
5
Folder
15
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Human Nature in Action, 1940, February 2
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Box
5
Folder
16
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In Your Name, undated
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Box
5
Folder
17
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Inner Sanctum Mysteries, 1941, June 20
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Box
5
Folder
18
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It's Fun to be Married, undated
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Jack Carson Show
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Box
5
Folder
19
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1944, January 19 - 1944, May 31
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Box
5
Folder
20
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1944, June 14 - 1944, September 27
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Box
6
Folder
1
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Jeeves, undated
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Box
6
Folder
2
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Jerry Lester Show, 1940, August 27
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Box
6
Folder
3
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The Legend of Teresa, 1947, December 15
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Box
6
Folder
4
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Lincoln Highway, 1941, March 15
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Box
6
Folder
5
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This Lonely Heart, undated
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Box
6
Folder
6
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Luncheon at the Waldorf with Ilka Chase, 1940, February 24
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Box
6
Folder
7
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Lynn Looks at Hollywood, 1948, November 12
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Box
Folder
8
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Manhatten at Midnight, 1941, August 20
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Mayor of the Town
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Box
6
Folder
9
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946, January 12 - 1947, October 8
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Box
6
Folder
10
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1948, February 4 - 1948, April 14
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Box
6
Folder
11
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undated
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Box
6
Folder
12
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Meet Mr. Meek, 1940, August 28 - 1940, September 4
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Box
6
Folder
13
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Mother Knew Best, undated
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Box
6
Folder
14
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Mother's Day, 1946, March 2
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Box
6
Folder
15
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Mystery in the Air, 1947, July 24 - 1947, August 14
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Box
6
Folder
16
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One Great Hour, undated
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Box
6
Folder
17
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Operation Dawn, 1949, May 4
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Orson Welles Almanac
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Box
6
Folder
18
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1944, February 9 - 1944, March 1
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Box
7
Folder
1
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1944, March 8 - 1944, March 29
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Box
7
Folder
2
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1944, April 19 - 1944, May 10
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Box
7
Folder
3
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The Orson Welles Show, 1942, January 12 - 1943, January 31
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Box
7
Folder
4
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Philco Hall of Fame, undated
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Box
7
Folder
5
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Phillip Morris Playhouse, 1949, April 29
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Box
7
Folder
6
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Phillip Morris Program, 1940, September 8 - 1941, August 7
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Box
7
Folder
7
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Reg'lar Fellas, 1941, July 13 - 1941, July 27
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Box
7
Folder
8
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Request Performance, 1945, October 28
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Box
7
Folder
9
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Satan's Waitin', undated
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Box
7
Folder
10
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Screen Guild Players, 1943, May 31 - 1948, February 9
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Box
8
Folder
1
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Seventh War Loan, 1945, May 31 - 1945, June 27
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Box
8
Folder
2
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Short, Short Story Program, 1940, January 29 - 1940, July 10
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Box
8
Folder
3
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Showboat, 1936, May 14
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Box
8
Folder
4
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Song of the Undefeated, undated
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Box
8
Folder
5
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The Star and the Story, 1944, July 9
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Box
8
Folder
6
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Stars in the Afternoon, 1945, September 23
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Box
8
Folder
7
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Studio One, 1947, July 8
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Suspense
: See Also Box 9, Folder 18.
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Box
8
Folder
8
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1943, June 29 - 1948, November 18
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Box
8
Folder
9
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1949, June 2 - 1957, June 30
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Box
8
Folder
10
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1958, August 31 - 1959, August 23
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Box
8
Folder
11
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undated
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Box
9
Folder
1
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The Summing Up, 1944, June 12
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Box
9
Folder
2
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The Sunny Side of the Atom, 1947, June 30
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Box
Folder
3
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The Theatre Guild on the Air, 1948, January 4
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Box
9
Folder
4
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This Is My Best, 1944, September 5 - 1945, April 10
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Box
9
Folder
5
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This Is Your FBI, 1952, February 15
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Box
9
Folder
6
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Town Hall Tonight, 1939, June 14 - 1939, June 21
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Box
9
Folder
7
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Tune-Up Time, 1939, March 16
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Box
9
Folder
8
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The Turn of the Screw, undated
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Box
9
Folder
9
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Uncle Sam Presents, 1942, December 4
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Box
9
Folder
10
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We Care, 1948, April 25
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Box
Folder
11
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Which Is Which?, 1945, March 14
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Box
9
Folder
12
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Who Knows?, 1941, August 8
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Box
9
Folder
13
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The Woman in the Mirror, undated
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Box
9
Folder
14
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Words with Music, undated
: “Broadcasts restricted to Army use only”
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Box
9
Folder
15
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Radio Interviews, undated
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Box
Folder
16
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Radio Contracts, 1940, November 2 - 1945, December 5
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Box
9
Folder
17
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Recording Script-The Monkey's Paw, circa 1949, August
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Box
9
Folder
18
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Recording Script-Sorry Wrong Number, undated
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Series: Motion Pictures - Produced
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Action Report (1945, Producer Unknown)
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Box
10
Folder
1
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Script, February 12, 1945
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Adventures of Captain Fabian (1951, REP)
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Box
10
Folder
2
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Script, “The Bargain,” by Errol Flynn, May 8, 1950
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Box
10
Folder
3
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Script, “The Bargain,” by Errol Flynn, June 20, 1950
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All that Heaven Allows (1955, U)
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Box
10
Folder
4
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Script, by Deg Fenwick, August 16, 1954
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Box
10
Folder
5
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Script, by Deg Fenwick, December 9, 1954
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Box
10
Folder
6
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Script, by Deg Fenwick, December 31, 1954
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Appointment in Berlin (1943, COL)
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Box
10
Folder
7
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Script, by Horace McCoy, February 5, 1943
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Bachelor in Paradise (1961, MGM)
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Box
11
Folder
1
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Script, by Valentine Davies and Hal Kanter, March 15, 1961
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The Band Wagon (1953, MGM)
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Box
11
Folder
2
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Script, by Betty Comden and Adolph Green, August 28, 1952
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The Barkeleys of Broadway (1949, MGM)
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Box
11
Folder
3
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Script, “You Made Me Love You,” by Betty Comden and Adolph Green, May 13, 1948
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The Bat (1959, AA)
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Box
11
Folder
4
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Script, by Crane Wilbur, undated
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Box
11
Folder
4
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Shooting Schedule, April 14, 1959
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The Beginning of the End (1947, MGM)
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Box
11
Folder
5
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Script, by Frank Wead, March 22, 1946
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Beyond the Forest (1949, WB)
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Box
11
Folder
6
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Script, Part I, “Rose Moline,” by Lenore Coffee, March 31, 1949
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Box
11
Folder
7
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Script, Revised Part I, “Rose Moline,” by Lenore Coffee, April 19, 1949
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The Big Street (1942, RKO)
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Box
12
Folder
1
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Script, by Leonard Spigelgass, April 13, 1942
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The Blazing Forest (1952, PAR)
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Box
12
Folder
2
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Script, “Green Gold of Nevada,” July 10, 1951
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The Blue Veil (1951, RKO)
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Box
12
Folder
3
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Script, by Norman Corwin, original story by Francois Campaux, February 21, 1951
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Born to be Loved (1959, UI)
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Box
12
Folder
4
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Synopsis, by Hugo Haas, undated
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Caged (1950, WB)
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Box
12
Folder
5
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Script, “The Cage,” by B.C. Schoenfeld and V. Kellog, original story by V. Kellog, June 15, 1949
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Box
12
Folder
6
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Script, “The Cage,” by B.C. Schoenfeld and V. Kellog, original story by V. Kellog, June 23, 1949
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The Caine Mutiny (1954, COL)
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Box
12
Folder
7
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Script, by Herman Wouk, September 30, 1953
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Captain Black Jack (1952, Classic)
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Box
13
Folder
1
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Script, “Blackjack,” undated
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Charlotte's Web (1973, PAR)
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Box
13
Folder
2
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Script, based on book by E.B. White, December 29, 1971
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Citizen Kane (1941, RKO)
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Box
13
Folder
3
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Program, 1941
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Cock-Eyed Miracle (1946, MGM)
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Box
13
Folder
4
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Script, “But Not Goodbye,” by Karen DeWolf, June 26, 1945
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The Conqueror (1956, RKO)
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Box
13
Folder
5
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Script, by Oscar Millard, February 4, 1954
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Crime Doctor's Man Hunt (1946, COL)
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Box
13
Folder
6
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Script, “Crime Doctor's Honor,” by Leigh Brackett, March 29, 1946
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A Dangerous Profession (1949, RKO)
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|
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Box
14
Folder
1
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Script, “The Bail Bond Story,” by Martin Rackin and Warren Duff, April 12, 1949
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The Dark Passage (1947, WB)
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Box
14
Folder
2
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Script, by Delmar Daves, from a novel by David Goodis, October 15, 1946
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Dear, Dead Delilah (1972, Southern Star Productions)
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Box
14
Folder
3
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Script, by John Farris, undated
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Desert Fury (1947, PAR)
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Box
14
Folder
4
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Script, “Desert Town,” by Robert Rossen, July 24, 1946
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The Devil's Own (1967, F)
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Box
14
Folder
5
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Script, by John Kneubuhl, based on book by Norah Lofts, undated
|
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Down to the Sea in Ships (1949, F)
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Box
14
Folder
6
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Script, July 13, 1948
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Dragon Seed (1944, MGM)
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Box
15
Folder
1
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Script, by Marguerite Roberts, August 13, 1943
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A Dream of Kings (1969, NGP)
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Box
15
Folder
2
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Script, by Harry Mark Petrakis, April 20, 1968
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The Female Animal (1956, U)
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Box
15
Folder
3
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Script, “Occupation: Female,” by Robert Hill, based on a story by Albert Zugsmith, April 25, 1957
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Finder's Keepers (1951, U)
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|
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Box
15
Folder
4
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Script, “Oh Baby,” by Richard H. Morris, January 11, 1951
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For Our Vines Have Tender Grapes (1945, MGM)
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Box
15
Folder
5
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Script, by Dalton Trumbo, February 4, 1944
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Box
15
Folder
6
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Script, by Dalton Trumbo, October 2, 1944
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40 Carats (1973, COL)
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Box
16
Folder
1
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Script, by Leonard Gershe, April 5, 1972
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Fourteen Hours (1951, F)
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Box
16
Folder
2
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Script, by John Paxton, May 25, 1950
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The Ghost that Walks Alone (1944, COL)
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|
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Box
16
Folder
3
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Script, “The Wedding Guest Sat on a Stone,” by Clarence Upson Young, November 3, 1943
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Giant (1956, WB)
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Box
16
Folder
4
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Synopsis, based on a book by Edna Ferber, undated
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Good Day for a Hanging, (1958, COL)
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|
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Box
16
Folder
5
|
Script, “Judgement Day,” by Maurice Zimm, based on a story by John Reese, undated
|
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Government Girl (1943, RKO)
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Box
16
Folder
6
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Script, June 11, 1943
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The Great Dan Patch (1949, UA)
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Box
16
Folder
7
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Script, “Dan Patch,” by John Tainter Foote, undated
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The Great Sinner (1949, MGM)
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|
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Box
17
Folder
1
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Script, by Ladislas Fodor and Christopher Isherwood, October 1, 1948
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Harlow (1965, MTC)
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|
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Box
17
Folder
2
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Script, by Karl Tunberg, based on a book by Irving Shulman, undated
|
|
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Her Highness and the Bellboy (1945, MGM)
|
|
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Box
17
Folder
3
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Script, by Richard Connell and Gladys Lehman, August 22, 1944
|
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How the West Was Won (1963, MGM)
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|
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Box
17
Folder
4
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Partial Script, by James Webb, March 23, 1961
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Box
17
Folder
4
|
Music Score, by Sammy Cahn and Robert E. Dolan, May 25, 1961
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|
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Hush, Hush...Sweet Charlotte (1965, F)
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|
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Box
17
Folder
5-6
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Scripts, March 23, 1964
|
|
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I Was a Shoplifter (1950, UI)
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|
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Box
18
Folder
2
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Script, “Shoplifter,” by Irwin Gielgud and William Bowers, based on a story by Irwin Gielgud, October 17, 1949
|
|
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Interlude (1957, U)
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|
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Box
18
Folder
1
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Script, “Unfinished Symphony,” by Daniel Fuchs, February 6, 1956
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|
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The Jackpot (1950, F)
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|
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Box
18
Folder
3
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Script, by Phoebe and Henry Ephron, June 2, 1950
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Jane Eyre (1944, F)
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|
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Box
18
Folder
4
|
Script, February 2, 1943
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Jeanne Eagles (1957, COL)
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|
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Box
18
Folder
5
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Script, December 11, 1956
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Jessica (1962, WA)
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|
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Box
18
Folder
6
|
Script, “Nicolina,” by Edith Sommer, from
The Midwife of Pont Clery, by Flora Sandstrom, July 25, 1960
|
|
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Johnny Belinda (1948, WB)
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|
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Box
19
Folder
1
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Script, by Irmgard Von Cube and Allen Vincent, August 1, 1947
|
|
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Box
19
Folder
2
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Script, by Irmgard Von Cube and Allen Vincent, August 22, 1947
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|
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Journey Into Fear (1948, WB)
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|
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Box
19
Folder
3
|
Script, August 1, 1941
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Box
19
Folder
4
|
Script, January 2, 1942
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Katie Did It (1951, UI)
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|
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Box
19
Folder
5
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Script, by Jack Henley, January 19, 1950
|
|
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Keep Your Powder Dry (1945, MGM)
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|
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Box
19
Folder
6
|
Script, “Woman's Army,” by Mary McCall, Jr., May 15, 1944
|
|
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Box
20
Folder
1
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Script, “Woman's Army,” by Mary McCall, Jr., August 23, 1944
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|
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King of Kings (1961, MGM)
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|
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Box
20
Folder
2
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Script, by Philip Yordan, June 8, 1960
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|
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A Kiss Before Dying (1956, UA)
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|
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Box
20
Folder
3
|
Script, by Lawrence Roman, March 25, 1955
|
|
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The Left Hand of God (1955, F)
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|
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Box
20
Folder
4
|
Script, by Alfred Hayes, February 22, 1955
|
|
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The Light in the Piazza (1962, MGM)
|
|
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Box
20
Folder
5
|
Script, by Julius Epstein, based on a story by Elizabeth Spencer, December 8, 1960
|
|
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The Lost Moment (1947, UI)
|
|
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Box
20
Folder
6
|
Script, “The Lost Love,” by Leonardo Bercovici, from The Aspern Papers by Henry James, January 30, 1947
|
|
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Box
21
Folder
1
|
Script, “The Lost Love,” by Leonardo Bercovici, from The Aspern Papers by Henry James, undated
|
|
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The Loved One (1965, MGM)
|
|
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Box
21
Folder
2
|
Script, by Terry Southern and Christopher Isherwood, based on a novel by Evelyn Waugh, July 21, 1964
|
|
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The Magnificent Ambersons (1942, RKO)
|
|
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Box
21
Folder
3
|
Script, by Orson Welles, August 15, 1941
|
|
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Box
21
Folder
4
|
Acceptance Speech for New York Film Critics' Best Actress Award, circa 1942
: Speech missing since October 1985.
|
|
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Magnificent Obsession (1954, UI)
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|
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Box
21
Folder
5
|
Script, by Robert Bless, from the novel by Lloyd C. Douglas, May 2, 1953
|
|
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Box
21
Folder
6
|
Script, by Robert Bless, from the novel by Lloyd C. Douglas, September 1, 1953
|
|
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Main Street to Broadway, (1953, MGM)
|
|
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Box
21
Folder
7
|
Script, by Samson Raphaelson, September 17, 1952
|
|
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Box
22
Folder
1
|
Script, by Samson Raphaelson, October 15, 1952
|
|
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The Maltese Bippy (1969, MGM)
|
|
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Box
22
Folder
2
|
Script, by Everett Freeman and Ray Singer, October 23, 1968
|
|
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Meet Me in Las Vegas (1956, MGM)
|
|
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Box
22
Folder
3
|
Script, “Weekend at Las Vegas,” March 11, 1955
|
|
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Mirage (1965, U)
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|
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Box
22
Folder
4
|
Script, by Peter Stone, October 12, 1964
|
|
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Mr. Belvedere Goes to College (1949, F)
|
|
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Box
22
Folder
5
|
Script, by Mary Loos and Richard Sale, October 7, 1948
|
|
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Mrs. Mike (1949, UA)
|
|
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Box
22
Folder
6
|
Script, by DeWitt Bodeen, October 9, 1948
|
|
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Mrs. Parkington (1944, MGM)
|
|
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Box
22
Folder
7
|
Script, by Robert Thoerent and Polly James, February 2, 1944
|
|
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Mother Didn't Tell Me (1950, F)
|
|
|
Box
23
Folder
1
|
Script, “The Doctor Wears Three Faces,” by Claude Binyon, based on a novel by Mary Bard, April 12, 1949
|
|
|
Box
23
Folder
2
|
Script, “Oh Doctor,” by Claude Binyon, based on a novel by Mary Bard, March 23, 1949
|
|
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The Night of the Hunter (1955, WA)
|
|
|
Box
23
Folder
3
|
Script, by James Agee, based on a novel by Davis Grubb, undated
|
|
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Night of the Quarter Moon (1959, MGM)
|
|
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Box
23
Folder
4
|
Script, by Frank Davis and Franklin Coen, January 21, 1958
|
|
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Box
23
Folder
5
|
Script, by Frank Davis and Franklin Coen, August 8, 1958
|
|
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The Opposite Sex (1956, MGM)
|
|
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Box
23
Folder
6
|
Script, by Fay and Michael Kanin, December 16, 1955
|
|
|
Pardners (1956, PAR)
|
|
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Box
24
Folder
1
|
Script, November 11, 1955
|
|
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Pollyanna (1960, BU)
|
|
|
Box
24
Folder
2
|
Script, by David Swift, based on a novel by Eleanor H. Porter, May 25, 1959
|
|
|
Raintree Country (1957, MGM)
|
|
|
Box
24
Folder
3
|
Script, by Millard Kaufman, February 6, 1956
|
|
|
The Revolt of Mamie Stovek (1956, F)
|
|
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Box
24
Folder
4
|
Script, by Sidney Boehm, November 9, 1955
|
|
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The Romance of Rosy Ridge (1947, MGM)
|
|
|
Box
24
Folder
5
|
Script, by Lester Cole, February 26, 1946
|
|
|
Scandal at Scourie (1953, MGM)
|
|
|
Script, “My Mother and Mr. McChesney,” by Leonard Spigelgass, Karl Tunberg, and Norman Corwin
|
|
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Box
24
Folder
6
|
February 1, 1952
|
|
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Box
25
Folder
1-2
|
May 2, 1952
|
|
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Box
25
Folder
3
|
June 25, 1952
|
|
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Box
25
Folder
4
|
July 2, 1952
|
|
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Scene of the Crime (1949, MGM)
|
|
|
Box
25
Folder
5
|
Script, by Charles Schnee, January 28, 1949
|
|
|
The Secret Beyond the Door (1948, UI)
|
|
|
Box
25
Folder
6
|
Script, by Silvia Richards, based on a story by Rufus King, undated
|
|
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The Seventh Cross (1944, MGM)
|
|
|
Box
26
Folder
1
|
Script, by Helen Deutsch, November 17, 1943
|
|
|
Show Boat (1951, MGM)
|
|
|
Box
26
Folder
2
|
Script, by John Lee Mahin, August 1, 1950
|
|
|
Box
26
Folder
3
|
Script, by John Lee Mahin, November 1, 1950
|
|
|
Since You Went Away (1944, UA)
|
|
|
Box
26
Folder
4
|
Script, by Jeffrey Daniel, suggested by M.B. Wilder, September 9, 1943
|
|
|
Box
26
Folder
5
|
Narrative Synopsis, September 7, 1943
|
|
|
The Singing Nun (1966, MGM)
|
|
|
Script, by John Furia, Jr.
|
|
|
Box
26
Folder
6
|
May 11, 1965
|
|
|
Box
26
Folder
7
|
August 4, 1965
|
|
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Box
26
Folder
8
|
September 2, 1965
|
|
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Box
26
Folder
8
|
Music, September 14, 1965
|
|
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Somebody Up There Likes Me (1956, MGM)
|
|
|
Box
27
Folder
1
|
Script, by Ernest Lehman, December 7, 1955
|
|
|
Song of Scheherazade (1947, F)
|
|
|
Box
27
Folder
2
|
Script, “Heat Wave,” by Walter Reisch, based on a story by Walter Reisch, August 18, 1945
|
|
|
Station West (1948, RKO)
|
|
|
Box
27
Folder
3
|
Script, by Frank Fenton, June 13, 1947
|
|
|
Box
27
Folder
4
|
Script, by Frank Fenton, July 22, 1947
|
|
|
Box
27
Folder
5
|
Information Guide to Premiere, October 19, 1948
|
|
|
The Story of Mankind (1957, WB)
|
|
|
Box
27
Folder
6
|
Script, by Irwin Allen and Charles Bennett, September 21, 1956
|
|
|
Strangers on a Train (1951, WB)
|
|
|
Box
27
Folder
7
|
Script, September 28, 1950
|
|
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Box
28
Folder
1
|
Script, October 18, 1950
|
|
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Box
28
Folder
2
|
Script, November 2, 1950
|
|
|
The Stratton Story (1949, MGM)
|
|
|
Box
28
Folder
3
|
Script, “The Story of Monty Stratton,” by Douglas Morrow, October 6, 1948
|
|
|
Box
28
Folder
4
|
Script, “The Story of Monty Stratton,” by Douglas Morrow, October 25, 1948
|
|
|
Strictly Dishonorable (1951, MGM)
|
|
|
Box
28
Folder
5
|
Script, by Melvin Frank and Norman Panama, December 15, 1950
|
|
|
Summer Holiday (1948, MGM)
|
|
|
Box
28
Folder
6
|
Script, by Jean Holloway, June 13, 1946
|
|
|
The Swan (1956, MGM)
|
|
|
Box
28
Folder
7
|
Script, by John Dighton, September 6, 1955
|
|
|
Tammy and the Bachelor (1957, UI)
|
|
|
Box
29
Folder
1
|
Script, “Tammy Out of Time,” by Oscar Brodney, November 17, 1955
|
|
|
Tammy Tell Me True (1961, UI)
|
|
|
Box
29
Folder
2
|
Script, by Oscar Brodney, July 28, 1960
|
|
|
The Tempest (1959, PAR)
|
|
|
Box
35b
Folder
5
|
Script, based on a novel by Alessandro Pushkin, undated
|
|
|
Box
35b
Folder
6
|
Final script, by Dino De Laurentis, December, 1957
|
|
|
Texas, Brooklyn, and Heaven (1948, UA)
|
|
|
Box
29
Folder
3
|
Script, “Eddie and the Archangel Mike,” by Lewis Meltzer, August 28, 1947
|
|
|
Those Redheads from Seattle (1953, PAR)
|
|
|
Box
29
Folder
4
|
Script, by Lewis R. Foster, “The Sisters from Seattle,” August 18, 1952
|
|
|
Box
29
Folder
5
|
Script, by Lewis R. Foster, “The Sisters from Seattle,” January 27, 1953
|
|
|
Production Information, circa 1953
|
|
|
Tomorrow the World (1944, UA)
|
|
|
Box
29
Folder
6
|
Script, by Ring Lardner, Jr., original story by James Gow and Arnaud D'Usseau, July 5, 1944
|
|
|
Box
29
Folder
7
|
Script, by Ring Lardner, Jr., original story by James Gow and Arnaud D'Usseau, circa 1944
|
|
|
Trial (1955, MGM)
|
|
|
Box
30
Folder
1
|
Script, by Don Mankiewicz, December 28, 1954
|
|
|
The True Story of Jesse James (1957, F)
|
|
|
Box
30
Folder
2
|
Script, “Jessie James,” by Walter Newman, September 4, 1956
|
|
|
Box
30
Folder
3
|
Script, “Jessie James,” by Walter Newman, September 14, 1956
|
|
|
Twenty Plus Two (1961, AA)
|
|
|
Box
30
Folder
4
|
Script, by Frank Gruber based on a story by Frank Gruber, January 16, 1961
|
|
|
Untamed (1955, F)
|
|
|
Box
30
Folder
5
|
Script, by Frank Fenton, from a novel by Helga Mordy, August 2, 1954
|
|
|
The Virgin Queen (1955, F)
|
|
|
Box
30
Folder
6
|
Script, “Sir Walter Raleigh,” by Harry Brown, January 27, 1955
|
|
|
Walk Softly Stranger (1950, RKO)
|
|
|
Box
30
Folder
7
|
Script, “Weep No More,” by Frank Fenton, December 11, 1947
|
|
|
What's the Matter with Helen? (1971, WA)
|
|
|
Box
31
Folder
1
|
Script, “The Best of Friends,” by Henry Farrell, November 27, 1970
|
|
|
Box
31
Folder
2
|
Script, “The Best of Friends,” by Henry Farrell, undated
|
|
|
Who's Minding the Store? (1963, PAR)
|
|
|
Box
31
Folder
3
|
Script, January 16, 1963
|
|
|
Box
31
Folder
4
|
Script, March 15, 1963
|
|
|
The Woman in White (1948, U)
|
|
|
Box
31
Folder
5
|
Script, by Stephen Morehouse Avery, July 22, 1946
|
|
|
A Woman's Vengeance (1948, UI)
|
|
|
Box
31
Folder
6
|
Script, “Mortal Coils,” by Aldous Huxley, from the short story “The Giaconda Smile,” by Aldous Huxley, undated
|
|
|
The Youngest Profession (1943, MGM)
|
|
|
Box
31
Folder
7
|
Script, by Charles Lederer, September 24, 1942
|
|
|
Box
32
Folder
1
|
Script, by Charles Lederer, October 13, 1942
|
|
|
Series: Motion Pictures - Unproduced
|
|
|
April in the Wind
|
|
|
Box
32
Folder
2-3
|
Scripts, “Trumpet in the Wind,” by Ira Wallach, undated
|
|
|
Beloved Stranger
|
|
|
Box
32
Folder
4
|
Script, by Casey Robinson, December 5, 1945
|
|
|
Cabrini
|
|
|
Box
32
Folder
5
|
Script, by Sally Benson, post - 1946
|
|
|
Christy
|
|
|
Box
32
Folder
6
|
Script, by Isobel Lennart, August 8,1969
|
|
|
The Confession
|
|
|
Box
32
Folder
7
|
Script, by William Marshall, undated
|
|
|
Corporal Crocker
|
|
|
Box
32
Folder
8
|
Script, by Stuart Margolin, December, 1968
|
|
|
Dance, Ballerina, Dance
|
|
|
Box
33
Folder
1
|
Treatment, by Ralph Murphy and Marc Desmond, undated
|
|
|
The Dark Medallion
|
|
|
Box
33
Folder
2
|
Script, by William L. Pereira, May 17, 1947
|
|
|
Dateline: Chicago
|
|
|
Box
33
Folder
3
|
Script, by James F. Collier, January 14, 1963
|
|
|
Deep Valley
|
|
|
Box
33
Folder
4
|
Script, Part One, by Salka Viertel and Stephen M. Avery, August 27, 1946
|
|
|
The Devil Is a Joker
|
|
|
Box
33
Folder
5
|
Script, by Hugo Haas, undated
|
|
|
The Dollmaker
|
|
|
Box
33
Folder
6
|
Script, by Margaret Fitts, March 7, 1955
|
|
|
Dutch Treat
|
|
|
Box
33
Folder
7
|
Script, by David S. Meranze and Marc Alan Zagoren, circa 1971
|
|
|
Emily and David
|
|
|
Box
33
Folder
8
|
Script, by Robert B. Crutscher, undated
|
|
|
Ethan Frome
|
|
|
Box
33
Folder
9
|
Script, by Helen Deutsch and Thomas Williamson, June 22, 1945
|
|
|
The Flesh and the Spirit
|
|
|
Box
34
Folder
1
|
Script, by Herbert Rudley and Reginald LeBorg, based on a book by Reginald LeBorg and Jan Lemzen, undated
|
|
|
House of Cards
|
|
|
Box
34
Folder
2
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Script, by Clarence Budington Kellard, based on a novel by C.B. Kellard, August 6, 1948
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Impulse
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Box
34
Folder
3
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Script, by Wesdon Bishop and R.L. Frost, based on a story by R.L. Frost, undated
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The Iron Gates
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Box
34
Folder
4
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Script, by Margaret Miller and Catherine Turney, based on a story by Margaret Miller, May 31, 1946
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Jungle Fury
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Box
34
Folder
5
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Script, by Charles Kenyon, September 18, 1974
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Kenny
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Box
34
Folder
6
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Script, by Fred Niblo, Jr., October 6, 1947
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Lona Hansen
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Box
34
Folder
7
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Script, by Jo Swerling and Czenzi Ormonde, December 2, 1948
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Look Homeward, Angel
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Box
35
Folder
1
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Script, by Arthur Ripley, based on the novel by Thomas Wolfe, May 26, 1947
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The Poison Tree
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Box
35
Folder
2
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Script, by Joe Stone and Anne Delane, undated
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A Ride in a Pink Car
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Box
35
Folder
3
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Script, by David H. Hall, from an idea by Jacques Marquette, undated
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St. George and the Seven Curses
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Box
35
Folder
4
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Script, by Bert I. Gordon, undated
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Sequestered
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Box
35
Folder
5
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Script, by R.W. Goodwin, February 21, 1972
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Shark Man
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Box
35
Folder
6
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Script, by Elliot Fischer and Lou Moss, December 29, 1945
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The Smile at the Foot of the Ladder
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Box
35
Folder
7
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Script, by Bart Patton, based on a novel by Henry Miller, undated
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Special Carey Wilson Trailer
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Box
35
Folder
8
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Script, by Carey Wilson, October 26, 1944
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Spring Song
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Box
35a
Folder
1
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Script, by Herbert Baker, March 9, 1954
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The Stone Woman
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Box
35a
Folder
2
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Script, by William Deveaux Wilson, circa April 29, 1949
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There's a Safe Cracker, a Con Artist, and a Call Girl in Here
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Box
35a
Folder
3
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Script, by Martin Hornstein and Tolan Matchinga, October 21, 1966
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The 13 Clocks
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Box
35a
Folder
4
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Script, by A.J. Carouthers, based on a novel by James Thurber, May 1, 1969
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Through a Glass Horribly
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Box
35a
Folder
5
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Script, by Leo Bertucelli, circa 1971
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Time, Change, and Echoes
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Box
35a
Folder
6
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Script, “For Love of Maya,” by Chris Longo, from an idea by Dunstan Pereira, June 23, 1969
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Twilight
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Box
35a
Folder
7-8
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Script, by Robert and Raymond Hakim, original screenplay by James Poe, undated
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The Violent Night
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Box
35b
Folder
1
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Script, by Sam Kaufman, undated
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You'll Hang, My Love
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Box
35b
Folder
2
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Script, by Lucille Emerick and Francis Swann, undated
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Box
35b
Folder
3
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Film Contracts, June 11 - July 21, 1945
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Series: Screen Actors Guild Materials
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Box
36
Folder
1-3
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Reports, 1945, March 10 - 1949, May 24
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Box
36
Folder
4
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Reports and By-laws, 1948
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Series: Fan Club Materials
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Box
36
Folder
5
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Versatility, regarding Moorehead, 1964-1967
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Box
36
Folder
6
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Call Board, regarding Moorehead, 1963, December - 1967, June
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Box
36
Folder
7
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Other Stars' Fan Clubs, undated
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Series: Television - Scripts Moorehead Accepted
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Box
37
Folder
1
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ABC Movie of the Week, 1971, December 3
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Box
37
Folder
2
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Adventures in Paradise, 1960, September 6
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Box
37
Folder
3
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Alice Through the Looking Glass, 1966, June 26
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Box
37
Folder
4
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The Amazing Miss Withers, undated
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Bewitched
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Box
43
Folder
1-8
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1963, September 30 - 1965, March 9
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Box
44
Folder
1-7
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1965, March 16 - 1966, March 21
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Box
45
Folder
1-4
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1966, March 23 - 1966, October 17
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Box
46
Folder
1-6
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1966, November 1 - 1967, August 14
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Box
47
Folder
1-6
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1967, August 28 - 1969, February 24
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Box
48
Folder
1-6
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1969, March 3 - 1970, May 13
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Box
49
Folder
1-6
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1970, May 16 - 1971, November 10
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Box
50
Folder
1-2
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1971, September 14 - 1971, December 13
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Box
50
Folder
3
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Publicity, 1968, April 5
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Box
37
Folder
5
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Book of Life, 1950
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Burke's Law
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Box
37
Folder
6
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1963, October 7
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Box
37
Folder
7
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1964, March 10
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Box
37
Folder
8
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1965, February 17
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Box
37
Folder
9 - 10
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Camera Three, 1963, February 17 - 1963, March
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Box
37
Folder
11
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Chevy Mystery Show, 1960, August 7
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Box
37
Folder
12
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Climax, 1956, August 2
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Box
37
Folder
13
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The Closed Set, 1960, February 3
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Box
37
Folder
14
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Commercial for Chevrolet, 1964, August 737
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Box
38
Folder
1
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Custer, 1967, October 23
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Box
38
Folder
2
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Deed of Mercy, 1958, September 22
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Box
38
Folder
3
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Dungeon, 1958, February 16
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Box
38
Folder
4
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Dupont Show of the Month, 1958, February 16
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Box
38
Folder
5
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Dupont Show of the Week, 1958, March 27
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Box
38
Folder
6
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Easter with Oral Roberts, 1970, January 24
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Box
38
Folder
7
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Ford Startime, 1960, February 6
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Box
38
Folder
8
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Frankenstein, the Real Story, 1973, January 31
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Box
39
Folder
1
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The Greatest Show on Earth, 1964, February 21
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Box
39
Folder
2
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Greybeards and Witches, undated
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Box
39
Folder
3
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Hollywood Palace, undated
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Box
39
Folder
4
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The Humming Bird, undated
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Box
39
Folder
5
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Jonathan Winters and the Movies, 1965, March 6
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Box
39
Folder
6-7
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The Jonathan Winters Show, 1968, October 4-14
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Box
39
Folder
8
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Lancer, 1969, September 2
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Box
39
Folder
9 - 11
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The Land of Oz, 1960, August 4-11; undated
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Box
39
Folder
12
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The Life You Save May Be Your Own, 1956, October 8
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Box
40
Folder
1
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Love, American Style, 1971, August 26
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Box
40
Folder
2
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The MacBeth Murder Mystery, 1964, May 15
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Box
40
Folder
3
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Marcus Welby, M.D., 1972, July 5
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Box
40
Folder
4
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Matinee Theatre, undated
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Box
40
Folder
5
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The Men from Shiloh, undated
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Box
40
Folder
6
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The Midnight Special, 1973, July 14
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Box
40
Folder
7
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The Millionaire, 1960, March 8
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Box
40
Folder
8-9
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My Sister Eileen, 1961, January 4-31
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Box
40
Folder
10
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Night Gallery, 1970, July 24
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Box
40
Folder
11
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Night of Terror, 1972, July 10
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Box
40
Folder
12
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No One Shall Die, 1957, March 1
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Box
40
Folder
13
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Puf'N'Stuf, undated
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Box
41
Folder
1
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Rawhide, 1960, March 15
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Box
41
Folder
2
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The Red Skelton Show, 1969, December 9
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Box
41
Folder
3
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Rolling Man, 1971, December 3
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Box
41
Folder
4
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The Scoey Mitchell Show, 1971, March 5
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Box
41
Folder
5
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Segment, 1954, May 17
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Box
41
Folder
6
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Shari Lewis Show, 1963, June 29
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Box
41
Folder
7
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Shirley Temple's Storybook, 1958, July 22
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Box
41
Folder
8
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A Short, Short History of the U.S.A., undated
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Box
41
Folder
9
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The Smothers Brothers Comedy Hour, 1967, December 10
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Box
41
Folder
10 - 11
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Suddenly Single, 1971, March 15 - 1971, April 12
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Box
41
Folder
12
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Suspicion, 1958, January 15
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Box
42
Folder
1
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A Tale of Two Cities, 1958
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Box
42
Folder
2
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Teacher, 1956, August 23
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Box
42
Folder
3
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That's Life, 1968, December 26
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Box
42
Folder
4
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Three Faces of Love, 1971, December 10
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Box
42
Folder
5
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The Turn of the Screw, undated
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Box
42
Folder
6
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Twilight Zone, 1960, August 6
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Box
42
Folder
7
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Wagon Train, 1957, August 9
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|
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The Wonderful World of Disney: The Strange Sea Monster of Strawberry Cove
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|
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Script, “The Strange Sea Monster of Barracuda Cove,” by Herman Groves, from the story by Bertrand R. Brinley, Part I,
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Box
35c
Folder
1
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January 26, 1970
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Box
35c
Folder
2
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March 12, 1971
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Box
35c
Folder
3
|
Script, “The Strange Sea Monster of Barracuda Cove,” by Herman Groves, from the story by Bertrand R. Brinley, Part II, January 28, 1970
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Box
35c
Folder
4
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Script, by Herman Groves, from the story by Bertrand R. Brinley, March 12, 1971
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Box
42
Folder
8
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The Wild, Wild West, 1966, November 28
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Series: Television - Scripts Moorehead Rejected
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Box
51
Folder
1
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Agnes Moorehead Presents, undated
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Box
51
Folder
2
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Barefoot in the Park, 1969, December 22
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Box
51
Folder
3
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Book of Life, 1950
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Box
51
Folder
4
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Channing, 1963, December 3
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Box
51
Folder
5
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Christopher Bean, 1955, October 13
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Box
51
Folder
6
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Date with the Angels, 1957, May 28
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Box
51
Folder
7
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December Bride, undated
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Box
51
Folder
8
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A Diamond for Carla, undated
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Box
51
Folder
9
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The Debbie Reynolds Show, 1969, April 15
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Box
51
Folder
10
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The Dupont Show, 1959, December 21
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Box
51
Folder
11
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Esteban's Legacy, 1955, September 27
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Box
51
Folder
12
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False Witness, undated
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Box
51
Folder
13
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The Foothills of Heaven, undated
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Box
51
Folder
14
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Great Hotel, 1967, October 18
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Box
51
Folder
15
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Green Acres, 1968, January 18
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Box
51
Folder
16
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Grindl, 1960, January 5
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Box
51
Folder
17
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Grindl, 1960, February 11
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I Dream of Jeannie
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Box
51
Folder
18
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1965, August 3 - 1965, September 22
|
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Box
52
Folder
1-2
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1965, October 2 - 1966, March 17
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Box
52
Folder
3
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The Intercessors, undated
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Box
52
Folder
4
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In the Best of Families, undated
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Box
52
Folder
5
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The Life of Riley, undated
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Box
52
Folder
6
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The Loretta Young Show, 1960, December 13
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Box
52
Folder
7
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Lost in Space, 1966, February 23
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Box
52
Folder
8
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Lux Video Theatre, undated
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Box
52
Folder
9
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24 Mcdougal, undated
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Box
52
Folder
10
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My Sister Eileen, 1961, January 30
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Box
52
Folder
11
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The Newspaper Show, undated
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Box
52
Folder
12
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Partners in Crime, undated
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Box
52
Folder
13
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The People Trap, 1966, August 2
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Box
52
Folder
14
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Presentation, 1966, July 14
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Box
53
Folder
1
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Pulitzer Prize Playhouse, 1952, June 14
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Box
53
Folder
2
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The Recluse, undated
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Box
53
Folder
3
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Rejection, undated
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Box
53
Folder
4
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San Francisco Final, 1953, April 20
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Box
53
Folder
5
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Shirley Temple's Storybook, 1958, July 14
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Box
53
Folder
6
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Solitaire, 1951, April 10
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Box
53
Folder
7
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Stay Where You Are, undated
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Box
53
Folder
8
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Suspense, undated
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Box
53
Folder
9
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Those Whiting Girls, 1955, July 6
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Box
53
Folder
10
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The Thracian Horses, 1948
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Box
53
Folder
11
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The Vase, undated
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Box
53
Folder
12
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Wagon Train, 1963, June 19
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Box
53
Folder
13
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Without Incident, 1956, November 29
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Box
53
Folder
14
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Prospectus for T.V. Show, undated
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Series: Theatre - Scripts Moorehead Accepted
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Box
54
Folder
1
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Coco, 1969, December 18
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Box
54
Folder
2
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Command Decision1946, January
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|
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Don Juan in Hell
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Box
54
Folder
3
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undated
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Box
54
Folder
4
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Newsclippings, undated
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Box
54
Folder
5-6
|
Playbills, undated
|
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Box
54
Folder
7
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Reviews of “An Evening with Charles Laughton,” circa 1949
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Box
54
Folder
8
|
Edwin Booth, undated
|
|
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Box
54
Folder
9 - 11
|
Gigi, 1973, July 11 - 1973, November 13
|
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Box
55
Folder
1-2
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High Spirits, Clippings and Script, 1965
|
|
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Box
55
Folder
3-4
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Lord Pengo, 1944, January 2; undated
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Box
55
Folder
5
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Phaedra, undated
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Box
55
Folder
6-7
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The Pink Jungle, circa 1959, 1960
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The Rivalry
|
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Box
55
Folder
8
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undated
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Box
55
Folder
9
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Playbills, undated
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Box
55
Folder
10
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This Land, 1961
|
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Box
55
Folder
11
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The Web and the Rock, undated
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Series: Theatre - Scripts Moorehead Rejected
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Box
56
Folder
1
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A Cloud of Dust, 1958
|
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Box
56
Folder
2
|
The Amber View, 1959
|
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Box
56
Folder
3
|
The Armored Dove, undated
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Box
56
Folder
4
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Aunt Sarah, undated
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Box
56
Folder
5
|
The Bottom of the Pile, undated
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Box
56
Folder
6
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Bunner Sisters, undated
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Box
56
Folder
7
|
Cactus Flower, 1967, March
|
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Box
56
Folder
8
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Cheat and Swing, undated
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Box
56
Folder
9
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Chimalma, undated
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Box
35b
Folder
6
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Cradle And All, undated
|
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Box
57
Folder
1
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Dark Halo, undated
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Box
57
Folder
2
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The Dark Stranger, undated
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Box
57
Folder
3
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Daughter of the Inca, undated
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Box
57
Folder
4
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Daughters of the Late Colonel, undated
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Box
57
Folder
5
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The Davenport Nude, undated
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Box
57
Folder
6
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The Day They Told Carlota, undated
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Box
57
Folder
7
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Detour After Dark, undated
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Box
57
Folder
8
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A Door to a Room, 1954, March
|
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Box
57
Folder
9
|
Dragon's Mouth, undated
|
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Box
57
Folder
10
|
Fanfare, 1955, June
|
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Box
58
Folder
1
|
Fantasies for Purification, 1965, April
|
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Box
58
Folder
2
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Far Away the Train-Birds Cry, undated
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Box
58
Folder
3
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Fauntleroy, undated
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Box
58
Folder
4
|
Fever for Life, 1958, June
|
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Box
58
Folder
5
|
The Friendly Persuasion, 1955
|
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Box
58
Folder
6
|
From Left to Right, undated
|
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Box
58
Folder
7
|
Gala Performance, undated
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Box
58
Folder
8
|
The General's Son, undated
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Box
58a
Folder
1
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The Girls in 509, undated
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Box
58a
Folder
2
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The Glass Menagerie, undated
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Box
58a
Folder
3
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The Good Pretenders, undated
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Box
58a
Folder
4
|
Half a Kingdom, undated
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Box
58a
Folder
5
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Happy Ending, undated
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Box
58a
Folder
6
|
Irene, undated
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Box
58a
Folder
7
|
Jezebel's Husband, undated
|
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Box
35b
Folder
7
|
John Brown's Body
|
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Box
58a
Folder
8
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Kill Me with Kindness, undated
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Box
58a
Folder
9
|
Ladies' Day, 1965
|
|
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Box
58a
Folder
10
|
Ladies, Please, 1968
|
|
|
Box
58b
Folder
1
|
Lady Chatterly's Lover, undated
|
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Box
58b
Folder
2
|
The Long Days, 1950, March
|
|
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Box
58b
Folder
3
|
Look Homeward, Angel, undated
|
|
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Box
58b
Folder
4
|
The Lost Colony, 1958, March
|
|
|
Box
58b
Folder
5
|
The Major Affair, undated
|
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Box
58b
Folder
6
|
Marlowe, 1954
|
|
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Box
58b
Folder
7
|
The Marriage-Go-Round, undated
|
|
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Box
58b
Folder
8
|
Modjeska, undated
|
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Box
58b
Folder
9
|
The Morgan Rock, undated
|
|
|
Box
58b
Folder
10
|
Mrs. McThing (Synopsis), 1952, March
|
|
|
Box
58b
Folder
11
|
The Noble Savage, undated
|
|
|
Box
58c
Folder
1
|
Oscar, 1964
|
|
|
Box
58c
Folder
2
|
Paris After Dark, undated
|
|
|
Box
58c
Folder
3
|
Paris, Texas - Paris, France, undated
|
|
|
Box
58c
Folder
4
|
Platform Version, undated
|
|
|
Box
58c
Folder
5
|
The Poet of the Piano, undated
|
|
|
Box
58c
Folder
6
|
The Purple Bed, 1963
|
|
|
Box
58c
Folder
7
|
The Queen's Comedy, undated
|
|
|
Box
58c
Folder
8
|
Quest for the Stars, 1951
|
|
|
Box
58c
Folder
9
|
Raccoon on the Hepplewhite, undated
|
|
|
Box
35b
Folder
8
|
The Return of Lady Brace
|
|
|
Box
58d
Folder
1
|
Ring Around a Halo, undated5
|
|
|
Box
58d
Folder
2
|
Rx Murder, undated
|
|
|
Box
58d
Folder
3
|
Saha, undated
|
|
|
Box
58d
Folder
4
|
The Scourge of the Sun, 1954
|
|
|
Box
58d
Folder
5
|
A Slight Imperfection, 1965
|
|
|
Box
58d
Folder
6
|
Some of My Best Friends Are, undated
|
|
|
Box
58d
Folder
7
|
Something About Anne, undated
|
|
|
Box
58d
Folder
8
|
Son et Lumiere, undated
|
|
|
Box
58d
Folder
9
|
The Soul and Beacon Hill, undated
|
|
|
Box
58e
Folder
1
|
Split Second, undated
|
|
|
Box
58e
Folder
2
|
The Strangers, undated
|
|
|
Box
58e
Folder
3
|
Tattered Tom, undated
|
|
|
Box
58e
Folder
4
|
The Thirteen Clocks, undated
|
|
|
Box
58e
Folder
5
|
Toys in the Attic, 1959, Nov
|
|
|
Box
58e
Folder
6
|
Under the Sycamore, undated
|
|
|
Box
58e
Folder
7
|
Western Star, undated
|
|
|
Box
58e
Folder
8
|
Where's Daddy, undated
|
|
|
Box
58e
Folder
9
|
The Yellow Wallpaper, 1946
|
|
|
Box
58e
Folder
10
|
Young Couple Wanted, 1939, December
|
|
|
Box
58e
Folder
11
|
No Title, play about John Knox, undated
|
|
|
Box
58e
Folder
12
|
Miscellaneous scripts (4)
|
|
|
Series: Materials Submitted for Review
|
|
|
Box
59
Folder
1
|
The King, 1967
|
|
|
Box
59
Folder
2-3
|
Shadow of a Tree, undated
|
|
|
Box
59
Folder
4
|
The Ambassadors Anonymous Racehorse, undated
|
|
|
Box
59
Folder
5
|
The Sweet Smell of Success, undated
|
|
|
Box
59
Folder
6
|
Cheerful Boys and Playful Beavers, undated
|
|
|
Box
59
Folder
7
|
The Lady With a Thousand Faces, undated
|
|
|
Box
59
Folder
7
|
Promise of Anna Carruthers, undated
|
|
|
Box
59
Folder
8
|
Major Affair, undated
|
|
|
Box
59
Folder
9
|
Red Roses and Weeklong Weddings, undated
|
|
|
Box
59
Folder
10
|
Word of Honor, undated
|
|
|
Series: Miscellany
|
|
|
American Academy of Dramatic Art
|
|
|
Box
60
Folder
1-2
|
1927-1929
|
|
|
Box
61
Folder
1
|
1956-1961
|
|
|
Box
60
Folder
3
|
Lecture on Film Acting, 1945, December 3
|
|
|
Box
60
Folder
4
|
Acting Notes - Harvard University, 1958, October-December
|
|
|
Box
60
Folder
5
|
Drama Training for Elementary Teachers, 1968, April 16
|
|
|
Box
60
Folder
6
|
Actor's Notes, 1970, January
|
|
|
Box
60
Folder
7
|
Lectures on Drama (3), 1969, June 24 - 1970, January 16
|
|
|
Box
60
Folder
8
|
Lectures, undated
|
|
|
Box
60
Folder
9
|
Speech - Western Speech Association, undated
|
|
|
Box
60
Folder
10
|
Voice Drills, undated
|
|
|
Box
60
Folder
11
|
Press Manual - One-Woman Show, undated
|
|
|
Box
60
Folder
12
|
An Evening with Agnes Moorehead, 1971, January 30
|
|
|
Box
60
Folder
13
|
Biography, undated
|
|
|
Box
60
Folder
14
|
Miscellaneous Writings, undated
|
|
|
Box
60
Folder
15
|
Material for One-Woman Show, undated
|
|
|
Box
Folder
16
|
One-Woman Show - Text, undated
|
|
|
Box
60
Folder
17
|
One-Woman Show, undated
|
|
|
Box
61
Folder
2
|
News Articles, undated
|
|
|
Box
61
Folder
3
|
The Confession of Charles Chisholm, undated
|
|
|
Box
61
Folder
4
|
Correspondence, 1929, July 1 - 1971, June 10
|
|
|
Box
61
Folder
5
|
Financial Statements, 1961
|
|
|
Guest Books
|
|
|
Box
61
Folder
6
|
circa 1963-1967
|
|
|
Box
61
Folder
7
|
undated
|
|
|
Box
61
Folder
8
|
Convention Program, 1960
|
|
|
Box
61
Folder
9
|
Stage Show Script - Duluth Central High School, 1971, July 24
|
|
|
Box
61
Folder
10
|
Ribbon Cutting Ceremony, 1960, April 25
|
|
|
Box
61
Folder
11
|
Newspaper Guest Column, 1947, August 8
|
|
|
Box
61
Folder
12
|
Religious Interests, undated
|
|
|
Box
61
Folder
13
|
Speech - Education for the Blind, undated
|
|
|
Box
62
Folder
1
|
Spoof of Hamlet, undated
|
|
|
Box
62
Folder
2
|
Thalians, 1968, November 23
|
|
|
Box
62
Folder
3
|
Tobacco Lecture, undated
|
|
|
Box
62
Folder
4
|
The Will of an Insane Man, undated
|
|
|
Series: Scrapbooks
|
|
|
Volumes assigned numbers
: Those scrapbooks marked “Christmas” contain, for the most part, Christmas cards.
|
|
|
Box
63
|
No. 1. 1951, April-June (Don Juan)
|
|
|
Box
64
|
No. 2. 1962, spring
|
|
|
Box
65
|
No. 3. 1962, summer and fall
|
|
|
Box
66
|
No. 4. 1962, fall
|
|
|
Box
67
|
No. 5. 1962, winter - 1963, spring
|
|
|
Box
68
|
No. 6. 1962, December - 1963, January
|
|
|
Box
69
|
No. 7. 1963, January-March
|
|
|
Box
70
|
No. 8. 1963, Christmas - 1964, Easter
|
|
|
Box
71
|
No. 9. 1963, fall - 1964, winter and spring
|
|
|
Box
72
|
No. 10. 1964, summer
|
|
|
Box
73
|
No. 11. 1964, fall
|
|
|
Box
74
|
No. 12. 1964, Christmas
|
|
|
Box
75
|
No. 13. 1964, Christmas
|
|
|
Box
76
|
No. 14. 1964, fall-Christmas, 1965, January
|
|
|
Box
77
|
No. 15. 1965, winter-spring
|
|
|
Box
78
|
No. 16. 1965, spring
|
|
|
Box
79
|
No. 17. 1965, spring-summer
|
|
|
Box
80
|
No. 17A. 1965, spring-summer
|
|
|
Box
81
|
No. 18. 1965, fall
|
|
|
Box
82
|
No. 19. 1965, Christmas
|
|
|
Box
83
|
No. 20. 1965, Christmas
|
|
|
Box
84
|
No. 20A. 1965, Christmas
|
|
|
Box
85
|
No. 21. 1965, December - 1966, Jan
|
|
|
Box
86
|
No. 21A. 1965, Christmas - 1966, winter
|
|
|
Box
87
|
No. 22. 1963, December - 1966, March
|
|
|
Box
88
|
No. 23. 1966, spring
|
|
|
Box
89
|
No. 24. 1966, spring
|
|
|
Box
90
|
No. 25. 1966, summer-fall
|
|
|
Box
91
|
No. 26. 1966, fall-Christmas
|
|
|
Box
92
|
No. 27. 1966, fall-Christmas
|
|
|
Box
93
|
No. 28. 1966, fall-Christmas
|
|
|
Box
94
|
No. 29. 1966, Christmas
|
|
|
Box
95
|
No. 29A. 1966, Christmas
|
|
|
Box
96
|
No. 30. 1966, fall - 1967, winter
|
|
|
Box
97
|
No. 31. 1967, spring
|
|
|
Box
98
|
No. 32. 1967, spring
|
|
|
Box
99
|
No. 33. 1967, spring
|
|
|
Box
100
|
No. 34. 1967, summer
|
|
|
Box
101
|
No. 35. 1967, fall
|
|
|
Box
102
|
No. 36. 1967, fall
|
|
|
Box
103
|
No. 37. 1967, Christmas
|
|
|
Box
104
|
No. 38. 1967, Christmas
|
|
|
Box
105
|
No. 39. 1968, spring
|
|
|
Box
106
|
No. 40. 1968, spring
|
|
|
Box
107
|
No. 41. 1968, spring
|
|
|
Box
108
|
No. 42. 1968, spring
|
|
|
Box
109
|
No. 43. 1968, spring-summer
|
|
|
Box
110
|
No. 44. 1968, spring-summer
|
|
|
Box
111
|
No. 45. 1968, summer
|
|
|
Box
112
|
No. 46. 1968, fall
|
|
|
Box
113
|
No. 47. 1968, fall
|
|
|
Box
114
|
No. 48. 1968, fall-Christmas
|
|
|
Box
115
|
No. 49. 1968, Christmas
|
|
|
Box
116
|
No. 50. 1968, Christmas
|
|
|
Box
117
|
No. 51. 1968, Christmas
|
|
|
Box
118
|
No. 52. 1968, Christmas
|
|
|
Box
119
|
No. 53. 1968, December - 1969, January
|
|
|
Box
120
|
No. 54. 1969, spring
|
|
|
Box
121
|
No. 55. 1969, spring
|
|
|
Box
122
|
No. 56. 1969, spring-summer
|
|
|
Box
123
|
No. 57. 1969, summer-fall
|
|
|
Box
124
|
No. 58. 1969, Christmas
|
|
|
Box
125
|
No. 59. 1969, Christmas
|
|
|
Box
126
|
No. 60. 1969, Christmas - 1970, February
|
|
|
Box
127
|
No. 61. 1970, spring
|
|
|
Box
128
|
No. 62. 1970, spring and summer
|
|
|
Box
129
|
No. 63. 1971, January
|
|
|
Box
130
|
No. 64. 1971, spring-summer
|
|
|
Box
131
|
No. 65. 1971, fall
|
|
|
Box
132
|
No. 66. 1971, Christmas
|
|
|
Box
133
|
No. 67. 1971, Christmas - 1972, March
|
|
|
Box
134
|
No. 68. 1972, March-September
|
|
|
Box
135
|
No. 69. 1970, 1971, 1972-Christmas
|
|
|
Box
136
|
No. 70. 1972, September - 1973, January
|
|
|
Box
137
|
No. 71. 1972, fall (Don Juan revival)
|
|
|
Box
138
|
No. 72. 1972, December - 1973, spring
|
|
|
Box
139
|
No. 73. 1972, December - 1973, summer
|
|
|
Volumes not assigned numbers
: The scrapbooks listed below were in very poor physical condition. The pages have been removed from the covers and no volume numbers assigned. This section originally totalled 27 scrapbooks.
|
|
|
Box
140
|
1928-1936
|
|
|
Box
141
|
, 1941-1944 (Movies)
|
|
|
Box
142
|
1941-1943, 1945-1947
|
|
|
Box
143
|
1935-1950 (Radio), 1941-1946
|
|
|
Box
144
|
1946-1947
|
|
|
Box
145
|
1948-1949
|
|
|
Box
146
|
1949-1950
|
|
|
Box
147
|
1950-1951
|
|
|
Box
148
|
1951
|
|
|
Box
149
|
1950-1952
|
|
|
Box
150
|
1952-1954
|
|
|
Box
151
|
1957-1958
|
|
|
Box
152
|
1958-1959
|
|
|
Box
153
|
1959-1960
|
|
|
Box
154
|
1963, June-December
|
|
|
