Archival Resources in Wisconsin: Descriptive Finding Aids

Container	Title
	Series: Television Series
	The Adventures of Meet Mcgraw
Box 16	“The Lie That Came True,” Feb. 17, 1958 Note: First draft; revised final draft.
	Al Munch Detective
Box 16	“The Left-Behind American,” [1952].
	Broken Arrow
Box 16	“The Missionaries,” Oct. 23, 1956.
	The Crusader
Box 16	“The Oakhurst Incident,” n.d.
	Dr. Kildare
Box 16	“The Administrator,” Jan. 11, 1962 Scope and Content Note: Correspondence, 1961; production notes; story idea, annotated; story outline, annotated; rough draft, annotated; revised draft, annotated; author's final draft; studio's final draft, edited.
Box 16	“Admitting Service,” Nov. 2, 1961 Scope and Content Note: Author's final draft; studio's final draft, edited.
Box 16	“An Ancient Office,” Dec. 6, 1962 Scope and Content Note: Correspondence, 1926; story outline; first draft, annotated; author's final draft; studio's final drafts, one & two edited and revised.
Box 17	“The Backslider,” Dec. 5, 1963 Scope and Content Note: Correspondence, 1962-63; production notes; story outline; author's final draft; studio's final draft, edited.
Box 17	“The Balance And The Crucible,” Mar. 2, 1963 Scope and Content Note: Correspondence, 1962-63; production notes; story outline; first draft; author's final draft; studio's final draft, edited.
Box 17	“The Bed I've Made,” Dec. 20, 1962 Scope and Content Note: Correspondence, 1961-62; production notes; story outline; author's final draft; studio's final draft, edited.
Box 17	“Breakdown,” Nov. 8, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea; treatment; story outline; rough draft, annotated; second draft, annota ed; author's final draft; studio's final draft, edited.
Box 18	“The Bronc Buster,” Feb. 15, 1962 Scope and Content Note: Correspondence, 1961-62; production notes; story outline; rough draft; author's final draft; studio's final drafts, one & two, edited.
Box 18	“The Burning Sky,” Oct. 4, 1962 Scope and Content Note: Correspondence, 1962; background information; production notes; story outlines, one, two & three; treatment; rough draft, annotated; author's final draft; studio's final draft, edited.
Box 18	“C.D.,” Mar. 21, 1963 Scope and Content Note: Production notes; first draft, annotated; revised draft, annotated; author's final draft; studio's final draft, edited.
Box 19	“A Candle In The Window,” Nov. 5, 1964 Scope and Content Note: Correspondence, 1964; production notes; treatment, annotated; story outline; first draft, annotated; author's final draft; studio's final draft, edited.
Box 19	“Catch A Crooked Mouse,” Dec. 17, 1964 Scope and Content Note: Correspondence, 1964; production notes; story idea; story outline; first draft; author's final draft; studio's final draft, edited.
Box 19	“Charlie Wade Makes A Lot Of Shade,” Dec. 12, 1963 Scope and Content Note: Correspondence, 1963; production notes; story outline; author's final draft; studio's final draft, edited.
Box 19	“The Chemistry Of Anger,” Apr. 26, 1962 Scope and Content Note: Correspondence, 1961-62; production notes; story outline; treatment; author's final draft, studio's final draft, edited.
Box 20	“The Child Between,” Mar. 5, 1964 Scope and Content Note: Correspondence, 1963; production notes; story idea; story outline; first draft; author's final draft; studio's final draft, edited.
Box 20	“Child Of The Shadows,” May 30, 1963 Scope and Content Note: Correspondence, 1963; story outline, annotated; first draft, annotated; author's final draft; studio's final drafts, one & two, edited.
Box 20	“The Cobweb Chain,” Nov. 15, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea; story outline; rough draft, annotated; author's final draft; studio's final draft; edited.
Box 21	“Dark Side Of The Mirror,” Mar. 28, 1963 Scope and Content Note: Correspondence, 1962; production notes; story idea; story outline; first draft, annotated; final draft, annotated; re-write-Dugan, annotated; re-write-McNeely, one, two & final, annotated; author's final draft; studio's final draft, edited.
Box 21	“A Day To Remember,” Apr. 2, 1964 Scope and Content Note: Production notes; author's final draft; studio's final draft, edited.
Box 22	“A Distant Thunder,” May 10, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea, annotated; treatment, annotated; story outline; rough draft, annotated; author's final draft; studio's final drafts, one and two, edited.
Box 22	“Dolly's Dilemma,” May 21, 1964 Scope and Content Note: Correspondence, 1964; Production notes; story outline, annotated; author's final draft; studio's final draft, edited.
Box 22	“The Dragon,” Feb. 15, 1962 Scope and Content Note: Correspondence, 1964; production notes; story outline; printed rough draft, annotated; typed rough drafts, one and two annotated...
Box 23	“The Dragon” (continued) Scope and Content Note: Author's final draft; studio's final drafts, one and two, edited.
Box 23	“The Duel,” n.d. [pilot: “Eleventh Hour”] Scope and Content Note: Production notes; treatment; rough drafts; author's final draft, annotated; studio's final draft, edited.
Box 23	“The Eleventh Commandment,” November 14, 1963 Scope and Content Note: Correspondence, 1963; production notes; treatment; story outline; rough draft; author's final draft; studio's final draft, edited.
Box 23	“The Elusive Dik-Dik,” Dec. 3, 1964 Scope and Content Note: Production notes; story outline, annotated; rough draft, annotated; author's final draft; studio's final drafts, one and two, edited.
Box 24	“An Exchange of Gifts,” Dec. 24, 1964 Scope and Content Note: Correspondence, 1964; production notes; treatment; story outline; first draft, annotated; author's final draft; studio's final draft, edited.
Box 24	“The Exploiters,” Oct. 13, 1963 Scope and Content Note: Correspondence, 1961-62; production notes; author's final draft; studio's final drafts; edited.
Box 24	“Face of Fear,” Mar. 7, 1963 Scope and Content Note: Correspondence, 1961-62; production notes; story idea, annotated; story outline, annotated; treatment; rough draft, annotated; revised draft, annotated; author's final draft; studio's final draft, edited.
Box 25	“For the Living,” Nov. 30, 1961 Scope and Content Note: Correspondence, 1961; story outline; “Act of Mercy”-script; re-write-Kelly, annotated; first draft-Dunkel & Rose, annotated; second draft; suthors' final draft; studio's final draft, edited.
Box 25	“Four Feet In The Morning,” Nov. 21, 1963 Scope and Content Note: Correspondence, 1963; production notes; story outline; script part II for “Eleventh Hour”; author's final draft; studio's final draft, edited.
Box 25	“A Game For Three,” Oct. 24, 1963 Scope and Content Note: Correspondence, 1963; production notes; story outline; first draft, annotated; author's final draft; studio's final draft, edited.
Box 26	“The Gift Of The Koojanuk,” May 7, 1963 Scope and Content Note: Correspondence, 1963; production notes; story outline, annotated; rough draft, annotated; author's final draft; studio's final draft, edited.
Box 26	“The Glory Hunter,” Feb. 8, 1962 Scope and Content Note: Correspondence, 1961; production notes; story idea, annotated; treatment, annotated; rough draft, annotated; second draft, annotated; revised draft, annotated; author's final draft; studio's final drafts, one and two, edited.
Box 26	“Good-bye Mr. Jersey,” Feb. 20, 1964 Scope and Content Note: Correspondence, 1963; production notes; story outline, annotated; author's final draft; studio's final draft, edited.
Box 27	“Good-Luck Charm,” Feb. 7, 1963 Scope and Content Note: Correspondence, 1961-62; production notes; treatment; story outline; rough draft, protesting author-Komack; author's final draft; studio's final draft, edited.
Box 27	“The Good Samaritan,” Oct. 2, 1963 Scope and Content Note: Author's final draft; studio's final draft, edited.
Box 27	“Gravida One,” Sept. 27, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea, annotated; story outline; revised draft, annotated; author's final draft; studio's final draft, edited.
Box 27	“The Great Guy,” Jan. 17, 1963 Scope and Content Note: Correspondence, 1962; production notes; story outline, annotated; first draft, annotated; author's final draft; studio's final draft, edited.
Box 28	“Guest Appearance,” Oct. 25, 1962 Scope and Content Note: Correspondence, 1962; production notes; story outline, annotated; first draft, annotated; author's final draft; studio's final draft, edited.
Box 28	“The Hand That Hurts, The Hand That Heals,” Oct. 8, 1964 Scope and Content Note: Correspondence, 1964; production notes; first draft, annotated; author's final draft; studio's final draft, edited.
Box 28	“Hasting's Farewell,” Nov. 1, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea; treatment; story outline; author's final draft; studio's final draft, edited.
Box 28	“The Heart, An Imperfect Machine,” Oct. 17, 1963 Scope and Content Note: Production notes; story outline; author's final draft; studio's final draft, edited.
Box 29	“Hit And Run,” Dec. 14, 1961 Scope and Content Note: Production notes; story idea, annotated; story outline, annotated; rough draft; first draft, annotated; revised draft, annotated; author's final draft; studio's final draft, edited.
Box 29	“Holiday Weekend,” Nov. 16, 1961 Scope and Content Note: Correspondence, 1961; background material; production notes; story idea, annotated; story outline, annotated; rough draft, annotated; author's final draft; studio's final draft, edited.
Box 29	“The Horn of Plenty,” Apl. 12, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea; treatment; story outline; rough draft, annotated; author's final draft; studio's final draft, edited.
Box 30	“A Hundred Million Tomorrows,” Mar. 12, 1964 Scope and Content Note: Correspondence, 1963; story outline, annotated; first draft; author's final draft; studio's final draft, edited.
Box 30	“The Immunity,” Oct. 5, 1961 Scope and Content Note: Production notes; story idea; story outline, annotated; first draft, annotated and additions; studio's final draft, edited.
Box 30	“An Island Like A Peacock,” May 16, 1963 Scope and Content Note: Correspondence, 1963; production notes; story idea, annotated; rough draft, annotated; revised draft; author's final draft; studio's final draft, edited.
Box 31	“The Jail Ward,” Feb. 14, 1963 Scope and Content Note: Correspondence, 1962; production notes; story outline; rough draft; author's final draft; studio's final drafts, one and two, edited.
Box 31	“Johnny Temple,” Dec. 28, 1961 Scope and Content Note: Correspondence, 1961; production notes; story idea, annotated; story outline, annotated; rough draft, annotated; second draft, annotated; re-write-Tegland, annotated; authors' final draft; studio's final draft, edited.
Box 31	“The Last Leaves On The Tree,” Oct. 22, 1964 Scope and Content Note: Author's first draft, annotated; author's final draft; studio's final draft, edited.
Box 32	“The Legacy,” Dec. 13, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea; treatment, annotated; story outline; rough draft, annotated; first draft, annotated; second draft, annotated; author's final draft; studio's final draft, edited.
Box 32	“The Lonely Ones,” Nov. 9, 1961 Scope and Content Note: Correspondence, 1961; production notes; story idea, annotated; treatment; story outline; rough draft-Kneubuhl, annotated; final draft-Kneubuhl, annotated; first draft-Tegland, annotated; author's final draft; studio's final draft, edited.
Box 33	“Love Is A Sad Song,” Jan. 3, 1963 Scope and Content Note: Production notes; story outline, author's final draft; studio's final drafts, one and two, edited.
Box 33	“Man Is A Rock,” Sept. 24, 1964 Scope and Content Note: Correspondence, 1964; production notes; story outline; author's final draft; studio's final draft, edited.
Box 33	“The Mask Makers,” Oct. 18, 1962 Scope and Content Note: Correspondence, 1962; production notes; outline & treatment-Golberg, annotated; story outline-McNeely, annotated; first draft-McNeely; author's final draft; studio's final draft, edited.
Box 33	“Maybe Love Will Save My Apartment House,” Oct. 1, 1964 Scope and Content Note: Production notes; first draft, annotated; author's final draft; studio's final draft, edited.
Box 34	“The Middle of Ernie Mann,” Apl. 23, 1964 Scope and Content Note: Correspondence, 1963-64; production notes; story outline; author's final draft; studio's final draft, edited.
Box 34	“A Million Dollar Property,” Oct. 21, 1961 Scope and Content Note: Production notes; story outlines one and two, annotated; author's final draft; studio's final draft, edited.
Box 34	“The Mosaic,” Jan. 31, 1963 Scope and Content Note: Correspondence, 1962; production notes; treatment; rough draft, annotated; author's final draft; studio's final draft, edited.
Box 34	“My Brother, The Doctor,” Jan. 4, 1962 Scope and Content Note: Production notes; story idea, annotated; story outline, annotated; revised drafts, one and two, annotated; author's final draft; studio's final draft, edited.
Box 35	“Never Too Old For The Circus,” Jan. 30, 1964 Scope and Content Note: Correspondence, 1962-63; production notes; story outline; second draft-Gethers; re-write-Brewer; author's final draft; studio's final drafts, one and two edited.
Box 35	“A Nickel's Worth Of Prayer,” Apr. 16, 1964 Scope and Content Note: Correspondence, 1963; author's final draft; studio's final draft, edited.
Box 35	“Oh, My Daughter!,” Jan. 25, 1962 Scope and Content Note: Correspondence, 1961-62; story idea, annotated; treatment; story outline, annotated; rough draft, annotated; author's final draft; studio's final draft, edited.
Box 35	“Once I Wrote A Song,” n.d. Scope and Content Note: Production notes; story outline; second draft-“Cora,” annotated; author's final draft...
Box 36	“Once I Wrote A Song,” continued Scope and Content Note: Studio's final draft, edited.
Box 36	“One Clear Bright Sunday Morning,” Nov. 7, 1963 Scope and Content Note: Production notes; story outline, first draft; author's final draft; studio's final draft, edited.
Box 36	“One For The Road,” Apl. 12, 1962 Scope and Content Note: Correspondence, 1962; production notes; story outline; studio's final draft, edited.
Box 36	“Onions, Garlic, And The Flowers That Bloom In Spring,” Feb. 2, 1964 Scope and Content Note: Correspondence, 1963; production notes; story outline; first draft; author's final draft; studio's final draft, edited.
Box 36	“Operation Lazarus,” May 24, 1962 Scope and Content Note: Correspondence, 1962; production notes; story outline; rough draft, annotated; revision, annotated; author's final draft; studio's final draft, edited.
Box 37	“The Oracle,” Dec. 19, 1963 Scope and Content Note: Correspondence, 1963; production notes; first draft, annotated; author's final draft; studio's final draft, edited.
Box 37	“The Pack Rat and the Prima Donna,” Nov. 28, 1963 Scope and Content Note: Correspondence, 1963; production notes; rough draft, annotated; author's final draft; studio's final draft, edited.
Box 37	“The Patient,” Nov. 23, 1961 Scope and Content Note: Production notes; story idea; treatments, one and two; story outline; rough draft, annotated; author's final draft, annotated; studio's final draft, edited.
Box 37	“A Place Among Monuments,” Dec. 27, 1962 Scope and Content Note: Correspondence, 1962; production notes; story outline, annotated; rough draft, annotated; author's final draft; studio's final draft, edited.
Box 38	“Quid Pro Quo,” Mar. 26, 1964 Scope and Content Note: Production notes; story outline; author's final draft; studio's final draft, edited.
Box 38	“Road To The Heart,” May 17, 1962 Scope and Content Note: Correspondence, 1962; production notes; story outline; rough draft, annotated; second draft; author's final draft; studio's final drafts, one and two, edited.
Box 38	“The Roaring Boy-O,” Feb. 15, 1962 Scope and Content Note: Correspondence, 1961-62; production notes; story idea, annotated; treatments, one and two, annotated; story outline; rough draft; [UNK] draft; story outline-Whedon's, annotated; rewrite-Whedon's annotated; revised draft, annotated.
Box 39	“The Roaring Boy-O,” continued Scope and Content Note: Author's final draft, annotated; studio's final drafts, one and two, edited.
Box 39	“Rome Will Never Leave You, I, II, III,” Nov. 12-26, 1964 Scope and Content Note: Correspondence, 1964; production notes; story outlines, one, two and three, annotated; I-“The Journey”: author's final draft; studio's final draft, edited; II-“The Contessa”: author's final draft; studio's final drafts, edited; III-“The Marriage Contract”: author's final draft; studio's final drafts, edited.
Box 40	“The Search,” Feb. 1, 1962 Scope and Content Note: Correspondence, 1961; production notes; author's notes; story idea; treatment, annotated; story outline; rough draft, annotated; second draft, annotated; studio's final draft, edited.
Box 40	“The Season To Be Jolly,” Dec. 21, 1961 Scope and Content Note: Correspondence, 1961; story outline; first draft, annotated; author's final draft; studio's final draft, edited.
Box 40	“Second Chance,” Dec. 7, 1961 Scope and Content Note: Correspondence, 1961; story idea; story outline, annotated; rough draft; revised draft, annotated; production notes; final draft: “Fighting Chance...”
Box 41	“Second Chance,” continued Scope and Content Note: Author's final draft: “Second Chance,” annotated; studio's first draft, annotated; author's final draft; studio's final drafts, one and two, edited.
Box 41	“A Sense of Tempo,” May 7, 1964 Scope and Content Note: Correspondence, 1964; production notes; story outline; first draft; second draft, annotated; author's final draft; studio's final draft, edited.
Box 41	“Shining Image,” Oct. 12, 1961 Scope and Content Note: Production notes; story outline, annotated; rough draft, annotated; studio's final draft, edited.
Box 41	“Ship's Doctor,” Apr. 18, 1963 Scope and Content Note: Correspondence, 1962; production notes; story outline, annotated; rough draft, annotated; author's final draft; studio's final draft, edited.
Box 42	“Sister Mike,” Mar. 14, 1963 Scope and Content Note: Correspondence, 1962; production notes; story idea; story outlines, one and two-revised; first draft, annotated; revised draft, annotated; author's final draft; studio's final drafts, one, two, and three, edited.
Box 42	“The Sleeping Princess,” Apr. 11, 1963 Scope and Content Note: Correspondence, 1962-63; production notes; story outline; author's final draft; studio's final drafts, one and two, edited.
Box 42	“Solomon's Choice,” Mar. 29, 1962 Scope and Content Note: Correspondence, 1961-62; production notes; story outline; rough draft; author's final draft; studio's final draft, edited.
Box 43	“Something of Importance,” May 3, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea; treatment; story outline; rough draft, annotated; author's final draft; studio's final drafts, one and two, edited.
Box 43	“The Soul Killer,” Nov. 22, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea; treatment; revised treatment; story outline; rough draft, annotated; author's final draft; studio's final draft, edited.
Box 43	“The Sound of a Faraway Hill,” Oct. 29, 1964 Scope and Content Note: Correspondence, 1964; production notes; story outline; rough draft; second draft, annotated; author's final draft; studio's final draft, edited.
Box 44	“Speak Not In Angry Whispers,” May 14, 1964 Scope and Content Note: Production notes; story outline, annotated; first draft; author's final draft; studio's final draft, edited.
Box 44	“The Stepping Stone,” Feb. 22, 1962 Scope and Content Note: Correspondence, 1961-62; production notes; story idea; treatment; story outline; rough draft, annotated; author's final draft; studio's final draft, edited.
Box 44	“The Thing Speaks For Itself,” Jan. 10, 1963 Scope and Content Note: Correspondence, 1963; production notes; treatment; rough draft, annotated; author's final draft; studio's final draft, edited.
Box 44	“Tightrope To Nowhere,” Apr. 25, 1963 Scope and Content Note: Correspondence, 1962-63; production notes; story idea, annotated; story outline, annotated; rough draft; second draft; author's final draft; studio's final draft, edited.
Box 45	“A Time For Every Purpose,” Dec. 27, 1962 Scope and Content Note: Correspondence, 1962; story outline; production notes; treatment; revision, annotated; re-write-Tegland, Tegland, annotated; studio's final drafts, one, two and three, edited.
Box 45	“To Each His Own Prison,” May 23, 1963 Scope and Content Note: Correspondence, 1963; production notes; story idea, annotated; story outline, annotated; first draft, annotated; author's final draft; studio's final draft, edited.
Box 45	“To Walk In Grace,” Feb. 13, 1964 Scope and Content Note: Correspondence, 1964; production notes; studio's final drafts, one and two, edited.
Box 46	“Tomorrow Is A Fickle Girl,” Feb. 19, 1964 Scope and Content Note: Production notes; author's final draft; studio's final drafts, one and two, edited.
Box 46	“A Trip To Niagara,” Feb. 21, 1963 Scope and Content Note: Correspondence, 1962; production notes; rough draft, annotated; author's final draft; studio's final draft, edited.
Box 46	“Twenty-Four Hours,” Sept. 28, 1961 (Pilot Script) Scope and Content Note: Studio's final draft, edited.
Box 46	“Tyger, Tyger I, II,” Jan. 16-23, 1964 Scope and Content Note: Correspondence, 1963-64; production notes; story outlines, parts one & two; first draft; author's final draft; studio's final draft, I & II, edited.
Box 47	“An Ungodly Act,” Apr. 9, 1964 Scope and Content Note: Correspondence, 1963; production notes; story outline; author's final draft; studio's final draft, edited.
Box 47	“A Very Present Help,” Apr. 5, 1962 Scope and Content Note: Correspondence, 1962; production notes; story idea; annotated; treatment, annotated; story outline; rough draft, annotated; author's final draft; studio's final draft, edited.
Box 47	“The Visitors,” Oct. 11, 1962 Scope and Content Note: Correspondence, 1962-64; production notes; story outline; rough draft, annotated; revised draft, annotated; author's final draft; studio's final draft, edited.
Box 47	“Vote of Confidence,” Dec. 26, 1963 Scope and Content Note: Correspondence, 1963; production notes; story outline; rough draft, annotated; author's final draft; studio's final draft, edited.
Box 48	“What's Different About Today?,” Oct. 22, 1964 Scope and Content Note: Correspondence, 1963-64; production notes; story outline, annotated; first draft-McNeely, annotated; script “Camp Gillespie”-McNeil; author's final draft; studio's final draft, edited.
Box 48	“Who Ever Heard Of A Two-Headed Doll?,” Sept. 29, 1963 Scope and Content Note: Correspondence, 1963; production notes; story outline; author's final draft; studio's final draft, edited.
Box 48	“Why Won't Anybody Listen?,” Feb. 27, 1964 Scope and Content Note: Correspondence, 1964; production notes; story outline; author's final draft; studio's final draft, edited.
Box 49	“A Willing Suspension of Disbelief,” Jan. 9, 1964 Scope and Content Note: Correspondence, 1963; production notes; story outline; author's final draft; studio's final draft, edited.
Box 49	“Winter Harvest,” Oct. 19, 1961 Scope and Content Note: Correspondence, 1961-62; story idea; story outline; rough draft; author's final draft; studio's final draft, edited.
Box 49	“Witch Doctor,” Mar. 8, 1962 Scope and Content Note: Correspondence, 1961-62; story idea; story outline; rough draft, annotated; author's final draft; studio's final draft, edited.
	Fireside Theatre
Box 50	“The Blessing Of The Pets,” May 11, 1954.
Box 50	“Brian,” Aug. 20, 1954.
Box 50	“The Cheese Champion,” Nov. 8, 1954.
Box 50	“A Dream For Jimmy,” Oct. 27, 1954.
Box 50	“Father's Keeper,” July 19, 1954.
Box 50	“Harvest of Wrath,” Oct. 15, 1953.
Box 50	“The Innocent And The Guilty,” Nov. 3, 1954.
Box 50	“It's Easy To Get Ahead,” Oct. 7, 1954.
Box 50	“The Last Hat,” May 17, 1954 Note: Annotated.
Box 50	“Luxurious Ladies,” May 1, 1954 Note: Annotated.
Box 50	“The Man Who Liked To Kill,” Apr. 20, 1954 Note: Annotated.
Box 50	“Marked For Death,” Aug. 2, 1954.
Box 50	“Mr. Onion,” Oct. 20, 1954.
Box 50	“A Mother's Duty,” May 31, 1954.
Box 50	“The Mural,” June 7, 1954.
Box 50	“The Ninety-Ninth Day,” July 27, 1954.
Box 50	“No Place To Live,” June 30, 1954.
Box 50	“Not Captain Material,” Sept. 9, 1954.
Box 50	“The Old Order Changeth,” Sept. 10, 1953.
Box 50	“Our Son,” May 19, 1954.
Box 50	“The Reign of Amelika Joe,” Apr. 9, 1954.
Box 50	“Retribution,” n.d.
Box 51	“Second Elopement,” Mar. 30, 1954.
Box 51	“Sergeant Sullivan Speaking,” Aug. 18, 1954.
Box 51	“The Sporting Doctor,” Mar. 4, 1954.
Box 51	“Thank You, Dr. Russell,” May 26, 1954.
Box 51	“Three Missions West,” July 16, 1954.
Box 51	“Touch The Earth,” Sept. 8, 1953.
Box 51	“Trial Period,” Oct. 6, 1953.
	Front Page Detective
Box 51	“Galahad,” [1951]
Box 51	“The Lonely One,” Oct. 3, 1951.
	General Electric Theatre
Box 51	“The Crime Of Daphne Rutledge,” [1954]
Box 51	“Dr. Stafford's Patient,” June 19, 1953.
Box 51	“Desert Crossing,” [1954].
Box 51	“Too Old For The Girl,” Jan. 21, 1954.
Box 51	“You Are Young Only Once,” [1954].
	Gruen Theatre
Box 51	“The Other Woman,” n.d. Scope and Content Note: Story outline; rough draft, annotated; author's final draft.
	Gunsmoke
Box 52	“Big Broad,” n.d.
Box 52	“Cara,” n.d.
Box 52	“Chester's Mail Order Bride,” n.d.
Box 52	“Helping Hand,” n.d.
Box 52	“Indian White,” n.d.
Box 52	“The Man Who Would Be Marshall,” n.d.
Box 52	“Mr. and Mrs. Amber,” n.d.
Box 52	“The Pest Hole,” n.d.
Box 52	“Prairie Happy,” n.d.
Box 52	“Professor Lute Bone,” n.d.
Box 52	“Reward For Matt,” n.d.
Box 52	“20-20,” n.d.
	I Am the Law
Box 52	“The Bust of Plato,” [1951-52] Note: Annotated.
Box 52	“The Cowboy And The Blind Man,” Jan. 31, 1952.
Box 52	“The Deadly Pawnshop,” Jan. 24, 1952.
Box 52	“Falling Star,” [1951-52] Note: Annotated.
Box 52	“The Fight Fixer,” Jan. 31, 1952.
Box 52	“Firebug, Firebug,” Jan. 24, 1952.
Box 52	“The General's Coffin,” Feb. 25, 1952.
Box 52	“The Impossible Death,” [1951-52] Note: Annotated.
Box 52	“Juvenile Murder,” Mar. 7, 1952.
Box 53	“The McClury Brothers,” Jan. 22, 1952.
Box 53	“The Mad Cartoonist,” Apr. 7, 1952
Box 53	“Models, Inc.,” Jan. 21, 1952.
Box 53	“The Moon Man,” [1951-52] Note: Annotated.
Box 53	“The Powder Box Cast,” Jan. 24, 1952.
Box 53	“Sleep With Terror,” [1951-52] Note: Annotated.
Box 53	“The Stool Pigeon,” Mar. 4, 1952.
Box 53	“The Train To Auburn,” Mar. 4, 1952.
Box 53	“Who Killed Evelyn?,” Feb. 26, 1952.
	Lassie
Box 53	“The Violin,” [1955] Scope and Content Note: Story outline, final draft.
	McKenzie's Raiders
Box 53	“Indian Agent,” Sept. 2, 1958
	Playhouse 90
Box 53	“Without Incident,” Nov. 29, 1956.
	Public Prosecutor
Box 53	“The Case of the Body Beautiful,” n.d.
Box 53	“The Case of the Strange Suicide,” n.d.
	Rawhide
Box 53	“Incident At El Muerte,” Apr. 21, 1959.
Box 53	“Incident Of The Misplaced Indians,” Jan. 21, 1959.
Box 53	“Incident On The Edge Of Madness,” May 13, 1958.
	The Rebel
Box 54	“Absolution,” Jan. 20, 1960.
Box 54	“The Actress,” May 9, 1960.
Box 54	“The Angry Town,” [1959-60]
Box 54	“The Ballad of Johnny Brown,” Feb. 21, 1961.
Box 54	“The Bequest,” Apr. 15, 1960.
Box 54	“Berserk,” Aug. 5, 1960.
Box 54	“Blank Canyon,” Jan. 11, 1960.
Box 54	“Blind Marriage,” Dec. 12, 1959.
Box 54	“The Burying of Sammy Hart,” Aug. 4, 1960.
Box 54	“The Calley Kid,” July 25, 1960.
Box 54	“The Captive of Temblor,” Oct. 20, 1959.
Box 54	“The Champ,” June 13, 1960.
Box 54	“The Crime,” Sept. 1, 1959.
Box 54	“The Dark Street,” Aug. 8, 1959.
Box 54	“A Dash of Gray,” [1959-60]
Box 54	“Death Watch,” Apr. 27, 1960.
Box 54	“Decision at Sweetwater,” Dec. 8, 1960.
Box 54	“Don Gringo,” May 27, 1960.
Box 54	“The Earl of Durango,” Apr. 8, 1960 (Pilot Script)
Box 54	“The Executioner,” Mar. 20, 1961.
Box 54	“Explosion,” Feb. 19, 1960.
Box 54	“Fair Game,” Jan. 15, 1960.
Box 54	“The Found,” Dec. 14, 1960.
Box 55	“Glory,” [1959-60]
Box 55	“Gold Seeker,” Oct. 12, 1959.
Box 55	“Grant of Land,” Feb. 16, 1960.
Box 55	“Grave For Johnny Yuma,” Jan. 6, 1960.
Box 55	“The Guard,” Aug. 11, 1960.
Box 55	“Gun City,” Sept. 29, 1959.
Box 55	“Helping Hand,” Feb. 27, 1961.
Box 55	“He's Only A Boy,” [1950-60].
Box 55	“The Hope Chest,” July 7, 1960.
Box 55	“The Hostage,” Mar. 9, 1960.
Box 55	“The Hunted,” June 8, 1960.
Box 55	“In Memoriam,” July 13, 1959.
Box 55	“In Memory Of A Son,” Feb. 10, 1960.
Box 55	“Jerkwater,” Aug. 30, 1960.
Box 55	“Johnny Yuma at Appomatox,” [1950-60].
Box 55	“The Judgment,” [1950-60].
Box 55	“Lady Of Quality,” Feb. 5, 1960.
Box 55	“Land,” [1959-60].
Box 55	“The Last Drink,” Dec. 21, 1960.
Box 55	“The Legacy,” July 1, 1960.
Box 55	“The Misfits,” [1959-60].
Box 55	“Mission - Varina,” Mar. 14, 1961.
Box 55	“Miz Purdy,” Dec. 30, 1960
Box 56	“Night On A Rainbow,” Sept. 7, 1959.
Box 56	“Noblisse Oblige,” Nov. 30, 1959.
Box 56	“Paint A House With Scarlet,” Feb. 1, 1960.
Box 56	“Panic,” [1959-60].
Box 56	“Paperback Hero,” June 30, 1960.
Box 56	“The Pit,” May 18, 1960.
Box 56	“The Promise,” May 3, 1960.
Box 56	“The Proxy,” Mar. 3, 1961.
Box 56	“Run, Killer, Run,” May 24, 1960.
Box 56	“The Rattler,” Dec. 3, 1959.
Box 56	“Road To Jericho,” July 9, 1960.
Box 56	“The Scalp Hunter,” [1959-60].
Box 56	“School Days,” [1959-60].
Box 56	“Shriek of Silence,” Dec. 19, 1960.
Box 56	“Take Dead Aim,” [1959-60].
Box 56	“Threat,” June 28, 1960.
Box 56	“To See The Elephant,” June 14, 1960.
Box 56	“Two Weeks,” Jan. 6, 1961.
Box 56	“The Uncourageous,” Jan. 12, 1961.
Box 56	“The Unsurrendered Sword,” Jan. 6, 1960.
Box 56	“The Unwanted,” [1959-60].
Box 56	“The Vagrants,” [1959-60].
Box 56	“Vindication,” July 19, 1960.
Box 56	“Viscious Circle,” [1959-60].
Box 57	“The Waiting,” Apr. 21, 1960
Box 57	“White,” Aug. 1, 1960.
Box 57	“Yellow Hair,” July 29, 1959.
Box 57	“You Steal My Eyes,” Jan. 26, 1960.
Box 57	“The Yank,” Feb. 22, 1960 Scope and Content Note: Story treatment, final script.
	The Restless Gun
Box 57	“The Child,” Oct. 25, 1957.
Box 57	“Man and Boy,” Aug. 30, 1957.
Box 57	“The Outlander,” Feb. 27, 1958.
Box 57	“Sheriff Billy,” Jan. 30, 1958.
Box 57	“Trail To Sunset,” July 3, 1957.
	The Rifleman
Box 57	“The Brother-in-law,” July 9, 1958.
Box 57	“The Challenge,” Jan. 30, 1959.
Box 57	“Nora,” Mar. 25, 1960 Scope and Content Note: Rough draft, annotated; second draft, annotated; author's final draft.
Box 57	“The Shivaree,” Dec. 4, 1958. Scope and Content Note: First draft, annotated; revised final draft.
	Target
Box 57	“Taps For The General,” Apr. 17, 1958.
	Walt Disney Presents
Box 58	“Daniel Boone: Tamer In the Wilderness I & II,” May 2, 1960 Scope and Content Note: Episodes one and two: “The Vision,” “Chase The Buffalo” story outlines, annotated; rough draft; studio's final drafts, one and two, edited.
Box 58	“The Moon Cussers,” Dec. 28, 1960 Scope and Content Note: Novel synopsis, “Flying Ebony,” annotated; supplementary material; story outline; author's final draft.