Summary Information
Bruce Geller Papers
1966-1973
U.S. Mss 174AN; AB 856
12.8 c.f. (32 archives boxes) and 1 film
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research Contact Information
Wisconsin Historical Society (Map)
Papers of Bruce Geller, a writer-producer-director for television and motion pictures, concerning the television series Mission: Impossible (CBS). Photocopies of production files for the award-winning television series include shooting and planning scripts, research materials, reports, financial information, and correspondence.
English
http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0174an ↑ Bookmark this ↑
Biography/History
Writer-producer-director Bruce Geller, son of New York Supreme Court Justice Abraham N. Geller and Dorothy Friedlander Geller, was born in New York City on October 13, 1930. He attended Yale University where he majored in psychology and sociology, played varsity basketball, wrote for the school paper, and was active in the theater.
Following his graduation from Yale in 1952, Geller moved to Hollywood where he worked for a year as a reader at Warner Brothers. In 1953 he married Jeannette Marx and moved to New York City. Geller sold his first script to a “live” New York television show, Jimmy Hughes, Rookie Cop, which led to other writing assignments for shows such as Rocky King, Detective and Flash Gordon. Also during this time he collaborated with Dale Wasserman on the musical comedy Livin' the Life (New York: Phoenix Theatre, 1957), based on Mark Twain's stories of Tom Sawyer and Huck Finn.
In 1956 Geller's sale of a script to Kaiser Aluminum Hour led to his move back to Hollywood where he wrote regularly for such series as The Dick Powell Show, Zane Grey Theatre, The Rifleman, The Rebel, Dr. Kildare, Rawhide, and The Westerner.
The year 1962 was important in Geller's career because several of his activities were successfully received in the entertainment field. During that year he was producer of The Dick Powell Show and was nominated for the 1962 Producers Guild Award. A musical he had written several years earlier, All in Love, opened in 1962 at New York's Martinique Theatre and ran for five months. This show also played at London's Mayfair Theatre in 1964. Finally, this year saw him co-authoring his first major motion picture, Sail a Crooked Ship (Columbia, 1962).
In 1964-1965 Geller served as producer for TV's Rawhide series during which time he developed an idea for a new “cloak-and-dagger” series and offered it to Desilu Studios. The idea was accepted, and in the fall of 1966 Mission: Impossible made its debut on CBS television. The series was very successful, eventually airing for seven seasons and winning Emmy nominations and awards for several of those years. Executive producer Geller personally received an Emmy as a writer in 1966 and as a producer in both 1966 and 1967.
During the second season of Mission: Impossible, Geller developed yet another series that was to run eight years on CBS. Mannix premiered in the fall of 1967 and also won Emmy nominations for Geller in 1971, 1972, and 1973, and a Golden Globe Award in 1971.
Geller's other television work includes serving as writer-producer for Hunter (CBS Friday Night Movie, 1972), executive producer for Bronk (CBS, 1975-1976), executive consultant for Jigsaw John (NBC, 1976), and producer-director of The Savage Bees (NBC Movie of the Week, 1976).
In 1972 Geller made his debut as a motion picture director with the film Harry in Your Pocket (United Artists, 1973), starring James Coburn, Walter Pidgeon, Michael Sarrazin, and Trish Van Devere.
Geller currently has many projects in various stages for his Bruce Geller Unit Productions. He and his wife live in Beverly Hills with their two daughters, Lisa and Cathy.
Scope and Content Note
The Bruce Geller Papers in this collection consist of a filmed promotional spot and photocopied copies of papers from the television series Mission: Impossible. The papers include production files for episodes 1-106; story outlines and various drafts of each episode for 1-27; and scripts only for episodes 113-168. Production files contain such materials as cast and crew lists, day of days schedules (a master work calendar), shooting schedules and scripts, call sheets, pre-production planning scripts for budget purposes, and research material. Arrangement is by episode number with general papers filed at the beginning and the end of the collection. The film promotes a 1966 episode which guest starred Wally Cox.
The originals of these papers as well as other Geller Papers are held by the University of California-Los Angeles.
Administrative/Restriction Information
Originals placed on deposit by Bruce Geller, Beverly Hills, California, 1977; withdrawn and replaced by photocopies, 1984. Accession Number: MCHC77-38, MCHC77-80
Processed by C. Swiss and Christine Rongone, September 9, 1977.
Contents List
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U.S. Mss 174AN
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Mannix and Mission: Impossible
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Box
1
Folder
1
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Miscellaneous Correspondence, 1971 January 31 - 1973 August 21
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Box
1
Folder
2-4
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Nielsen Ratings, 1971-1973
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Box
1
Folder
5
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Paramount Television Phone Directory, 1970
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Mission: Impossible (Desilu, 1966-1973; original telecast on CBS)
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Box
1
Folder
6
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Episode Sequence and Episode Synopses, circa 1966-1973
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Pilot (untitled)
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Box
1
Folder
7
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Scripts and Drafts, including “Brigg's Squad,” by Bruce Geller, 1965 October-November, undated
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Box
2
Folder
1-2
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Scripts and Drafts, 1965 October-1966 January
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“Old Man Out,” #6161-2 (Parts I and II)
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Box
2
Folder
3-4
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Production File, including scripts, “The Vossek Rescue,” by Ellis Marcus, 1966 May 2-August 10
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Box
2
Folder
5-6
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Drafts of Scripts, 1966 April-June; undated
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Box
3
Folder
1
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Drafts of Scripts, 1966 April-August
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“Memory,” #6161-3
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Box
3
Folder
2
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Production File, including scripts by Robert Lewin, 1966 May 17-July 5
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Box
3
Folder
3-4
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Drafts of Scripts, 1966 March-May, undated
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“Operation Rogosh,” #6161-4
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Box
3
Folder
5
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Production File, including a script by Jerome Ross, 1966 May 27-July 18
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Box
3
Folder
6-7
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Drafts of Scripts, 1966 April-May
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“Odds on Evil,” #6161-5
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Box
4
Folder
1
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Production File, including a script by William Reed Woodfield and Allan Balter, 1966 June 20-September 20
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Box
4
Folder
2
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Drafts of Scripts, 1966 April-May
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“A Spool There Was,” #6161-6
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Box
4
Folder
3
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Production File, including scripts, “To Catch a Scorpion,” by Ellis Marcus, 1966 June 22-July 15
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Box
4
Folder
4-5
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Drafts of Scripts, 1966 May-June
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“Fakeout,” #6161-7
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Box
5
Folder
1
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Production File, including scripts by Leigh Chapman, 1966 July 1-September 26
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Box
5
Folder
2-4
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Drafts of Scripts, 1966 April-August
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“Wheels,” #6161-8
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Box
5
Folder
5
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Production File, including a script by Laurence Heath, 1966 July 18-September 2
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Box
5
Folder
6-7
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Drafts of Scripts, 1966 May-July, undated
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“The Ransom,” #6161-9
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Box
6
Folder
1
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1966 August 8-September 16
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Box
6
Folder
2
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Drafts of Scripts, 1966 July-August, undated
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“Elena,” #6161-10
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Box
6
Folder
3
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Production File, including scripts by Robert Lewin, 1966 August 24-December 6
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Box
6
Folder
4
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Drafts of Scripts, 1966 June-September
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“Zubrovnik's Ghost,” #6161-11
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Box
6
Folder
5
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Production File, including scripts by Robert Lewin, 1966 September 7-October 6
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Box
7
Folder
1-2
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Drafts of Scripts, 1966 July-September, undated
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“The Trial,” #6161-12
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Box
7
Folder
3
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Production File, including scripts by Laurence Heath, 1966 November 14-December 9
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Box
7
Folder
4-5
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Drafts of Scripts, 1966 November-December, undated
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“The Carriers,” #6161-13
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Box
7
Folder
6
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1966 September 19-October 19
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Box
7
Folder
7
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Drafts of Scripts, 1966 July-September
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“Short Tail Spy,” #6161-14
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Box
8
Folder
1
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Production File, including a script by Julian Barry, 1966 October 10-October 28
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Box
8
Folder
2-3
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Drafts of Scripts, 1966 August-October, undated
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“The Legacy,” #6161-15
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Box
8
Folder
4
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1966 October 14-December 20
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Box
8
Folder
5-6
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Drafts of Scripts, 1966 September-October, undated
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“The Reluctant Dragon,” #6161-16
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Box
8
Folder
7
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Production File, including scripts by Chester Krumholz, 1966 October 31-December 27
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Box
9
Folder
1-2
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Drafts of Scripts, 1966 November, undated
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“The Frame,” #6161-17
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Box
9
Folder
3
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1966 November 4-30
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Box
9
Folder
4
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Drafts of Scripts, 1966 October-November
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“The Diamond,” #6161-18
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Box
9
Folder
5
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1966 November 29-December 20
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Box
9
Folder
6
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Drafts of Scripts, 1966 September-November
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“The Legend,” #6161-19
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Box
9
Folder
7
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Production File including scripts by Mann Rubin, 1966 December 9-30
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Box
10
Folder
1
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Drafts of Scripts, 1966 December, undated
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“The Confession,” #6161-20
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Box
10
Folder
2
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1966 December 20-1967 January 11
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Box
10
Folder
3
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Drafts of Scripts, 1966 December
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“Snowball in Hell,” #6161-21
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Box
10
Folder
4-5
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Production File, including scripts by Judith and Robert Guy Barrows, 1967 January 6-20
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Box
10
Folder
6-7
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Drafts of Scripts, 1966 April -1967 January
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Box
11
Folder
1
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Drafts of Scripts, 1967 January
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“Action,” #6161-22
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Box
11
Folder
2
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Production File, including scripts by Robert Lewin, 1967 January 18-February 2
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Box
11
Folder
3-4
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Drafts of Scripts, 1967 January, undated
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“The Train,” #6161-23
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Box
11
Folder
5
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 January 26-March 13
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Box
12
Folder
1-2
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Drafts of Scripts, 1967 January-February, undated
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“Shock,” #6161-24
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Box
12
Folder
3
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Production File, including scripts by Laurence Heath, 1967 February 6-March 1
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Box
12
Folder
4
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Drafts of Scripts, circa 1967
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“A Cube of Sugar,” #6161-25
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Box
12
Folder
5
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 February 14-March 17
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Box
12
Folder
6
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Revisions, 1967 February
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“The Traitor,” #6161-26
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Box
12
Folder
7
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Production File, including scripts, “Run, Rat, Run,” by Edward J. Lakso, 1967 February 26-March 10
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Box
13
Folder
1
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Drafts of Scripts, 1967 February, undated
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“The Psychic,” #6161-27
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Box
13
Folder
2
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 March 9-23
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Box
13
Folder
3
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Drafts of Scripts, 1967 March
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“The Survivors,” #5161-28
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Box
13
Folder
4
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 May 8-September 1
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“Trek,” #5161-29
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Box
13
Folder
5
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Production File, including scripts by Laurence Heath, 1967 May 11-July 28
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“The Bank,” #60030
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Box
14
Folder
1
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Production File, including scripts, “The Bank Heist,” by Brad Radnitz, 1967 May 16-September 15
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“Operation -- Heart,” #5161-31
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Box
14
Folder
2
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Production File, including scripts by John O'Dea and Arthur Rowe, 1967 May 31-September 29
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“The Slave,” #60032 (Parts I and II)
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Box
14
Folder
3-4
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 June 9-September 29
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“The Widow,” #5161-33
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Box
14
Folder
5
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Production File, including scripts by Barney Slater, 1967 June 15-September 1
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“The Money Machine,” #60034
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Box
14
Folder
6
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Production File, including scripts by Richard M. Sakai, 1967 August 2-October 2
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“The Seal,” #60035
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Box
15
Folder
1
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 August 10-October 18
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“Sweet Charity,” #60036
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Box
15
Folder
2
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Production File, including scripts by Barney Slater, 1967 August 31-November 1
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“The Council,” #60037 (Parts I and II)
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Box
15
Folder
3-4
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 September 13-November 16
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“The Echo of Yesterday,” #60038
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Box
15
Folder
5
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Production File, including scripts by Mann Rubin, 1967 October 4-November 28
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“The Astrologer,” #60039
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Box
15
Folder
6
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Production File, including scripts, “Day of the Scorpion,” by James F. Griffin, 1967 September 22-November 27
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“The Photographer,” #60040
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Box
15
Folder
7
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 October 20-November 30
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“The Spy,” #60041
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Box
16
Folder
1
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Production File, including scripts, “The Stubborn Spy,” by Barney Slater, 1967 October 30-December 13
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“A Game of Chess,” #60042
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Box
16
Folder
2
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Production File, including scripts by Richard M. Sakal, 1967 November 7-1968 January 3
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“The Emerald,” #60043
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Box
16
Folder
3
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 November 20-1968 January 16
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“The Condemned,” #60044
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Box
16
Folder
4
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Production File, including scripts by Laurence Heath, 1967 November 24-1968 January 9
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“The Counterfeiter,” #60045
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Box
16
Folder
5
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 December 9-1968 January 16
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“The Town,” #60046
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Box
16
Folder
6
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Production File, including scripts by Sy Salkowitz, 1967 December 11-1968 January 30
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“The Killing,” #60047
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Box
17
Folder
1
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1968 January 4-February 6
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“The Phoenix,” #60048
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Box
17
Folder
2
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Production File, including a script by John D. F. Black, 1968 January 15-February 15
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“Trial by Fury,” #60049
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Box
17
Folder
3
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Production File, including scripts by Sy Salkowitz, 1968 January 19-February 27
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“Recovery,” #60050
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Box
17
Folder
4
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Production File, including a script by William Reed Woodfield and Allan Balter, 1968 February 5-March 7
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“The Mercenaries,” #60033-51
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Box
17
Folder
5-6
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Production File and Budget, including scripts by Laurence Heath, (1968 April 29-July 19)- 1969 May 10
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“The Heir Apparent,” #60033-52
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Box
17
Folder
7-8
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Production File and Budget, including scripts by Robert E. Thompson, (1968 April 30-July 29)- 1969 May 10
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“The Diplomat,” #60033-53
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Box
18
Folder
1-2
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Production File and Budget, including scripts by Jerry Ludwig, (1968 May 25-July 30)- 1969 May 10
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“The Contender,” #60033-54 (Parts I and II)
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Box
18
Folder
3-5
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Production File and Budget, including scripts by William Reed Woodfield and Allan Balter, (1968 April 26-September 9)- 1969 May 10
|
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“The Execution,” #60033-56
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Box
18
Folder
6-7
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Production File and Budget, including scripts by William Reed Woodfield and Allan Balter, (1968 June 21-September 30)- 1969 May 10
|
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“The Play,” #60033-57
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Box
19
Folder
1-2
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Production File and Budget, including scripts by Lou Shaw, (1968 July 1-October 2)- 1969 May 10
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“The Cardinal,” #60033-58
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Box
19
Folder
3-4
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Production File and Budget, including scripts by John T. Dugan, (1968 July 2-September 30)- 1969 May 10
|
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“The Elixir,” #60033-59
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Box
19
Folder
5-6
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Production File and Budget, including scripts by Max Hodge, (1968 July 23-October 29)- 1969 May 10
|
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“The Exchange,” #60033-60
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Box
19
Folder
7-8
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Production File and Budget, including scripts by Laurence Heath, (1968 July 31-November 18)- 1969 May 10
|
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“The Bargain,” #60033-61
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Box
20
Folder
1-2
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Production File and Budget, including scripts by Robert E. Thompson, (1968 August 7-November 18)- 1969 May 10
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“The Mind of Stephan Miklos,” #60033-62
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Box
20
Folder
3-4
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Production File and Budget, including scripts by Paul Playdon, (1968 August 26-1969 January 3)- May 10
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“The Freeze,” #60033-63
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Box
20
Folder
5-6
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Production File and Budget, including scripts by Paul Playdon, (1968 September 5-December 11)- 1969 May 10
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“The Test Case,” #60033-64
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Box
20
Folder
7-8
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Production File and Budget, including scripts, “The Immortality of Raymond Barrett,” by Laurence Heath, (1968 September 16-December 11)- 1969 May 10
|
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“The System,” #60033-65
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Box
21
Folder
1-2
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Production File and Budget, including scripts by Robert Hamner, (1968 September 24-December 30)- 1969 May 10
|
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“The Glass Cage,” #60033-66
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Box
21
Folder
3-4
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Production File and Budget, including scripts by Paul Playdon from a story by Alf Harris, (1968 October 9-December 27)- 1969 May 10
|
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“Live Bait,” #60033-67
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Box
21
Folder
5-6
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Production File and Budget, including scripts by Jim Buchanan and Ron Austin, from a story by Meyer Dounsky, (1968 October 17-1969 January 9)- May 10
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“Doomsday,” #60033-68
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Box
21
Folder
7-8
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Production File and Budget, including scripts by Laurence Heath, (1968 October 28-1969 January 16)- May 10
|
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“The Bunter,” #60033-69 (Parts I and II)
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Box
22
Folder
1-2
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Production File and Budget, including scripts by Paul Playdon, (1968 November 25-1969 February 25)- May 10
|
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“Nitro,” #60033-71
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Box
22
Folder
3-4
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Production File and Budget, including scripts by Laurence Heath, (1968 December 10-1969 February 24)- May 10
|
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“The Vault,” #60033-72
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Box
22
Folder
5-6
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Production File and Budget, including a script by Judy Burns, 1969 (January 3-February 27)- May 10
|
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“Nicole,” #60033-73
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Box
22
Folder
7-8
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Production File and Budget, including scripts by Paul Playdon, 1969 (January 12-March 7)- May 10
|
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“Illusion,” #60033-74
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Box
22
Folder
9-10
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Production File and Budget, including scripts by Laurence Heath, (1969 January 10-March 21)- May 10
|
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“The Interrogator,” #60033-65
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Box
23
Folder
1-2
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Production File and Budget, including scripts by Paul Playdon, (1969 February 3-April 3)- May 10
|
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“The Controllers,” #60033-76 (Parts I and II)
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Box
23
Folder
3-4
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Production File and Budget, including scripts by Laurence Heath, 1969 May 21-July 22
|
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“The Code,” #60034-78
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Box
23
Folder
5-6
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Production File and Budget, including scripts by Ken Pettus, 1969 June 14-August 12
|
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“Mastermind,” #60034-79
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Box
23
Folder
7-8
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Production File and Budget, including scripts by Jerry Ludwig, 1969 June 18-August 27
|
|
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“The Number's Game,” #60034-80
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Box
23
Folder
9-10
|
Production File and Budget, including scripts, “The Key,” by Leigh Vance, 1969 July 10-September 9
|
|
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“Commandante,” #60034-81
|
|
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Box
24
Folder
1-2
|
Production File and Budget, including scripts by Laurence Heath, 1969 June 30-September 18
|
|
|
“Robot,” #60034-82
|
|
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Box
24
Folder
3
|
Production File, including scripts by Howard Berk, 1969 July 3-September 30
|
|
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“Fool's Gold,” #60034-83
|
|
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Box
24
Folder
4
|
Production File, including scripts by Ken Pettus, 1969 July 8-September 30
|
|
|
“Double Circle,” #60034-84
|
|
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Box
24
Folder
5
|
Production File, including scripts by Jerry Ludwig, 1969 July 15-August 12
|
|
|
“Submarine,” #60034-085
|
|
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Box
24
Folder
6
|
Production File, including scripts by Donald James, 1969 August 5-October 16
|
|
|
“The Brothers,” #60034-86
|
|
|
Box
25
Folder
1
|
Production File, including scripts by Leigh Vance from a story by Robert C. Dennis, 1969 August 12-October 29
|
|
|
“The Falcon,” #60034-087
|
|
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Box
25
Folder
2-3
|
Production File, including scripts by Paul Playdon, 1969 September 9-December 31
|
|
|
“Time Bomb,” #60034-90
|
|
|
Box
25
Folder
4
|
Production File, including scripts by Paul Playdon, 1969 July 30-November 20
|
|
|
“The Amnesiac,” #60034-91
|
|
|
Box
25
Folder
5
|
Production File, including scripts by Robert Malcolm Young and Ken Pettus, from a story by Robert Malcolm Young, 1969 September 18-November 24
|
|
|
“Chico,” #60034-92
|
|
|
Box
25
Folder
6
|
Production File, including scripts, “The Chihauhua,” by Ken Pettus, 1969 October 17-29
|
|
|
“Terror,” #60034-93
|
|
|
Box
26
Folder
1
|
Production File, including scripts by Laurence Heath, 1969 August 11-1970 January 6
|
|
|
“Gitano,” #60034-94
|
|
|
Box
26
Folder
2
|
Production File, including scripts, “Toys,” by Laurence Heath, 1969 September 5-1970 January 6
|
|
|
“Phantoms,” #60034-95
|
|
|
Box
26
Folder
3
|
Production File, including scripts by Laurence Heath, 1969 October 29-1970 January 13
|
|
|
“Lover's Not,” #60034-96
|
|
|
Box
26
Folder
4
|
Production File, including scripts by Laurence Heath, 1969 November 28-1970 January 27
|
|
|
“Orpheus,” #60034-97
|
|
|
Box
26
Folder
5
|
Production File, including scripts by Paul Playdon, 1969 December 7-1970 February 2
|
|
|
“The Choice,” #60034-98
|
|
|
Box
26
Folder
6
|
Production File, including scripts by Ken Pettus from a story by Henry Sharp, 1969 December 17-1970 February 20
|
|
|
“The Crane,” #60034-99
|
|
|
Box
27
Folder
1
|
Production File, including scripts by Ken Pettus, 1969 December 19-1970 January 15
|
|
|
“Death Squad,” #60034-100
|
|
|
Box
27
Folder
2
|
Production File, including scripts by Laurence Heath, 1970 January 8-February 20
|
|
|
“The Martyr,” #60034-101
|
|
|
Box
27
Folder
3
|
Production File, including scripts by Ken Pettus, 1970 January 14-March 2
|
|
|
“Butterfly,” #60035-102
|
|
|
Box
27
Folder
4-5
|
Production File and Budget, including a script by Eric Bercovici and Jerry Ludwig from a story by Sheldon Stark, 1970 May 19-June 13
|
|
|
“Homecoming,” #60035-103
|
|
|
Box
27
Folder
6
|
Production File, including scripts by Laurence Heath, 1970 May 29-June 11
|
|
|
“The Rebel,” #60035-104
|
|
|
Box
27
Folder
7
|
Production File, including scripts by Ken Pettus from a story by Norman Katkov and Ken Pettus, 1970 May 20-June 22
|
|
|
“The Killer,” #60035-105
|
|
|
Box
27
Folder
8
|
Production File, including scripts by Arthur Weiss, 1970 May 22-July 1
|
|
|
“Flip Side,” #60035-106
|
|
|
Box
27
Folder
9
|
Production File, including scripts by Jackson Gillis, 1970 June 26-July 10
|
|
|
“The Catafalque,” #60035-113
|
|
|
Box
28
Folder
1
|
Script, by Paul Playdon, 1970 August 26
|
|
|
“Sicily,” #60035-114
|
|
|
Box
28
Folder
1
|
Script, by David Moessinger from a story by Walter Brough and David Moessinger, 1970 August 31
|
|
|
“Encore,” #60036-125
|
|
|
Box
28
Folder
1
|
Script, by Harold Livingston, 1971 April 28
|
|
|
“Blind,” #60036-126
|
|
|
Box
28
Folder
2
|
Script, Arthur Weiss, 1971 May 6
|
|
|
“The Bride,” #60036-127
|
|
|
Box
28
Folder
2
|
Script, by Jackson Gillis, 1971 May 18
|
|
|
“Run for the Money,” #60036-128
|
|
|
Box
28
Folder
2
|
Script, by Edward J. Lakso, 1971 May 26
|
|
|
“The Miracle,” #60036-129
|
|
|
Box
28
Folder
3
|
Script, by Dan Ullman, 1971 June 6
|
|
|
“Mind Bend,” #60036-130
|
|
|
Box
28
Folder
3
|
Script, by Ronald Austin and James Buchanan, 1971 June 16
|
|
|
“The Tram,” #60036-131
|
|
|
Box
28
Folder
3
|
Script, by James L. Henderson and Sam Roeca, 1971 June 25
|
|
|
“Encounter,” #60036-132
|
|
|
Box
28
Folder
4
|
Script, by Howard Berk, 1971 July 6
|
|
|
“Shape-Up,” #60036-133
|
|
|
Box
28
Folder
4
|
Script, by Ed Adamson and Norman Katkov, 1971 July 14
|
|
|
“Underwater,” #60036-134
|
|
|
Box
28
Folder
4
|
Script, by Arthur Weiss, 1971 July 26
|
|
|
“The Visitors,” #60036-135
|
|
|
Box
28
Folder
5
|
Script, by Harold Livingston, 1971 August 3
|
|
|
“The Connection,” #60036-136
|
|
|
Box
28
Folder
5
|
Script, by Edward Lakso and Ken Pettus from a story by Edward Lakso, 1971 August 9
|
|
|
“Invasion,” #60036-137
|
|
|
Box
28
Folder
5
|
Script, by James Henderson and Sam Roeca, 1971 August 24
|
|
|
“Image,” #60036-138
|
|
|
Box
28
Folder
6
|
Script, by Sam Roeca and James Henderson, 1971 September 3
|
|
|
“Blues,” #60036-139
|
|
|
Box
28
Folder
6
|
Script, by Howard Berk, 1971 September 16
|
|
|
“Nerves,” #60036-140
|
|
|
Box
28
Folder
6
|
Script, by Henry Sharpe and Garrie Bateson, from a story by Henry Sharpe, 1971 September 24
|
|
|
“Committed,” #60036-141
|
|
|
Box
29
Folder
1
|
Script, by Arthur Weiss from a story by Laurence Heath, 1971 September 30
|
|
|
“Stone Pillow,” #60036-142
|
|
|
Box
29
Folder
1
|
Script, by Howard Browne, 1971 October 8
|
|
|
“Double Dead,” #60036-143
|
|
|
Box
29
Folder
1
|
Script, by Laurence Heath from a story by Jackson Gillis, 1971 October 22
|
|
|
“Bag Woman,” #60036-144
|
|
|
Box
29
Folder
2
|
Script, by Ed Adamson and Norman Katkov, 1971 November 1
|
|
|
“Casino,” #60036-145
|
|
|
Box
29
Folder
2
|
Script, by Walter Brough and Howard Berk, 1971 November 8
|
|
|
“Trapped,” #60036-146
|
|
|
Box
29
Folder
2
|
Script, by Sam Roeca and James Henderson from a story by Rick Husky, 1971 November 16
|
|
|
“Speed,” #60036-147
|
|
|
Box
29
Folder
3
|
Script, by Lou Shaw, 1972 April 7
|
|
|
“Two Thousand,” #60037-148
|
|
|
Box
29
Folder
3
|
Script, by Harold Livingston, 1972 April 17
|
|
|
“Underground,” #60037-149
|
|
|
Box
29
Folder
4
|
Script, by Leigh Vance, 1972 April 17
|
|
|
“Leona,” #60037-150
|
|
|
Box
29
Folder
4
|
Script, by Howard Browne, 1972 May 8
|
|
|
“Break!,” #60037-151
|
|
|
Box
29
Folder
4
|
Script, by Sam Roeca and James Henderson, 1972 May 16
|
|
|
“The Deal,” #60037-152
|
|
|
Box
29
Folder
5
|
Script, by George Slavin and Stephen Kandel from a story by George Slavin, 1972 June 26
|
|
|
“Imitation,” #60037-153
|
|
|
Box
29
Folder
5
|
Script, by Edward Lakso, 1972 June 7
|
|
|
“Crack Up,” #60037-154
|
|
|
Box
29
Folder
5
|
Script, by Arthur Weiss from a story by Robert and Phyllis White and Arthur Weiss, 1972 May 25
|
|
|
“Tod-5,” #60037-155
|
|
|
Box
29
Folder
6
|
Script, by James D. Buchanan and Ronald Austin, 1972 June 14
|
|
|
“Cocaine,” #60037-156
|
|
|
Box
29
Folder
6
|
Script, by Harold Livingston from a story by Norman Katkov and Harold Livingston, 1972 July 7
|
|
|
“The Question,” #60037-157
|
|
|
Box
29
Folder
6
|
Script, by Stephen Kandel, 1972 July 13
|
|
|
“Hit,” #60037-158
|
|
|
Box
29
Folder
7
|
Script, by Douglas Wier, 1972 July 26
|
|
|
“Movie,” #60037-159
|
|
|
Box
29
Folder
7
|
Script, by Anthony Bowers and Stephen Kandel, 1972 August 3
|
|
|
“Ultimatum,” #60037-160
|
|
|
Box
29
Folder
7
|
Script, by Harold Livingston from a story by Shirl Hendryx and Harold Livingston, 1972 August 17
|
|
|
“Kidnap,” #60037-161
|
|
|
Box
30
Folder
1
|
Script, by Sam Roeca and James L. Henderson, 1972 September 14
|
|
|
“The Puppet,” #60037-162
|
|
|
Box
30
Folder
1
|
Script, by Leigh Vance, 1972 September 22
|
|
|
“The Fountain,” #60037-163
|
|
|
Box
30
Folder
1
|
Script, by Stephen Kandel, 1972 October 1
|
|
|
“Boomerang,” #60037-164
|
|
|
Box
30
Folder
2
|
Script, by Howard Browne, 1972 October 12
|
|
|
“Incarnate,” #60037-165
|
|
|
Box
30
Folder
2
|
Script, by Buck Houghton and Stephen Kandel, 1972 October 23
|
|
|
“The Western,” #60037-166
|
|
|
Box
30
Folder
2
|
Script, by Arnold and Lois Peyser, 1972 October 31
|
|
|
“The Fighter,” #60037-167
|
|
|
Box
30
Folder
3
|
Script, by Nicholas E. Baehr and Stephen Kandel, 1972 November 8
|
|
|
“The Pendulum,” #60037-168
|
|
|
Box
30
Folder
3
|
Script by Cal Clements Jr. and Stephen Kandel, 1972 November 21
|
|
|
“Body of Evidence,” #6161-12
|
|
|
Box
30
Folder
4
|
Scripts, by Norman Hudis, 1966 September 20, undated
|
|
|
“Show Trial,” #60034-
|
|
|
Box
30
Folder
5
|
Script, by Jerry Ludwig, 1969 October 21
|
|
|
Box
30
Folder
6
|
Script Fragments, circa 1964-1966
|
|
|
General Production Information
|
|
|
Box
30
Folder
7
|
Miscellaneous Budget Information, 1966-1967
|
|
|
Box
30
Folder
8
|
Contract Requests for Composers, Directors, and Writers, 1971
|
|
|
Box
30
Folder
9
|
Steven Hill Breach-of-Contract Correspondence, 1966 June 28
|
|
|
Box
30
Folder
10
|
CTN Research Analysis Report, 1966 May 5
|
|
|
Box
31
Folder
1
|
Fan Mail, 1966 June 9-1972 October 22
|
|
|
Box
31
Folder
2
|
Agencies, undated
|
|
|
Cast Lists
|
|
|
Box
31
Folder
3
|
Episodes 1-50, 1966-1968
|
|
|
Box
31
Folder
4
|
Episodes 51-93, 1968-1969
|
|
|
Box
31
Folder
5
|
Episodes 94-124, 1969-1970
|
|
|
Box
31
Folder
6
|
Staff and Crew List, 1969 October-1971 April
|
|
|
Box
31
Folder
7
|
Writers Lists, 1966-1968
|
|
|
Box
31
Folder
8
|
Miscellaneous, 1966-1972
|
|
|
Box
31
Folder
9
|
Miscellaneous Production Notes, 1971
|
|
|
Box
31
Folder
10-11
|
Production Status Reports for Series, 1968-1969
|
|
|
Box
32
Folder
1
|
Production Status Reports, 1969-1970
|
|
|
Box
32
Folder
2
|
Publicity - Cast Biographies, circa 1966-1972
|
|
|
Box
32
Folder
3
|
Director's Schedule, 1970-1972
|
|
|
Box
32
Folder
4
|
Release Schedules, 1967-1973
|
|
|
Box
32
Folder
5
|
Script Status Reports, 1971-1972
|
|
|
