Summary Information
Winston Miller Papers 1936-1971, 1989
U.S. Mss 106AN
8.8 c.f. (22 archives boxes)
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research Contact Information
Wisconsin Historical Society (Map)
Papers of Winston Miller, a screenwriter and television writer-producer, consisting primarily of scripts, some supplementary notes and production material, and an interview. Of Miller's many film credits, there are 15 scripts from Republic's Dick Tracy series, numerous scripts for westerns made during the 1940s such as My Darling Clementine (20th Century Fox, 1946), and a shooting script for Gone With the Wind (MGM, 1939). Television scripts are the largest part of the collection. Here the earlier materials are also in the western genre and include files for Cimarron City (CBS), Gunsmoke (CBS), Rawhide (CBS), The Virginian (NBC), Wagon Train (NBC), and other series. Later in his career Miller turned to producing, and the collection contains extensive files on two such credits: Ironside (NBC) and The Bold Ones (NBC). English
http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0106an ↑ Bookmark this ↑
Biography/History
Winston Miller, screenwriter and television writer-producer, was born in St. Louis, Missouri, on June 22, 1910. He was not to remain long in the Midwest, however. Miller attended high school in Hollywood, California, and then moved east to attend Princeton University. Graduating from Princeton in 1934, he returned to Hollywood and embarked upon a career as a writer for motion pictures.
It was appropriate that the young man began writing for Republic Pictures, because the small studio was founded in 1935 and was hungry for new talent. During 1936, Miller wrote scripts for the Dick Tracy serials. The assignment was good preparation for his later work in television because Miller had to learn to write within time limits, leaving his hero in danger at the end of each episode. In 1937, Miller sold his first original screenplay, One If by Land, to Republic.
In 1938, Miller began to write for the shorts department of MGM; the department was a training ground for young writers, directors, and actors. Here he wrote scripts for Crime Does Not Pay, a series of well-made, semi-documentary films. One of his crime shorts brought him to the attention of David O. Selznick, and Selznick hired Miller to work on the film that has since become a legend, Gone With the Wind (1939).
During the early forties, Miller wrote a number of westerns -- Carolina Moon (1940), Ride, Tenderfoot, Ride (1940), Prairie Stranger (1941), The Royal Mounted Patrol (1941), Man from Cheyenne (1942), The Heart of the Rio Grande (1942), Good Morning, Judge (1943), and Song of Texas (1943). Shortly before he went into the Marine Corps in 1944, he wrote the script for Home in Indiana, and on the basis of that successful screenplay he went to Twentieth-Century Fox when he was discharged from the service in 1945. His first screenplay after the war was for John Ford's picture, My Darling Clementine (1946).
From 1946 to 1960, Miller wrote the screenplays for more than twenty films, among which were Relentless (1948), Rocky Mountain (1950), The Last Outpost (1951), The Boy from Oklahoma (1954), The Bounty Hunter (1954), Run for Cover (1955), Lucy Gallant (1955), April Love (1957), Mardi Gras (1958), A Private's Affair (1959), and Hound-Dog Man (1959).
Like many other screenwriters, Miller found his talent in demand in the expanding television industry. He began sustained writing for the medium in 1956 with scripts for Gunsmoke. His television writing drew upon his earlier film writing, and he wrote for several western series: Wagon Train, Rawhide, Cimarron City, and The Virginian.
Miller became a writer-producer in 1960, when he went to Universal Studios to produce The Virginian. He produced more than fifty episodes of that long-running series. He also wrote the pilot script for 87th Precinct and then produced its season of thirty episodes. Subsequently, he produced segments of The Bold Ones, and produced Ironside, doing a considerable amount of writing on the shows he produced.
Winston Miller resides in Beverly Hills, California.
Scope and Content Note
The Winston Miller collection is composed primarily of scripts that document Miller's career as a screenwriter and a television writer-producer. Some notes and production materials supplement the scripts. The materials encompass two series -- Motion Pictures and Television -- and a transcription of a biographical interview with Miller conducted by John A. Gallagher in 1989. The materials in the two series are ordered chronologically.
The first five boxes contain the Motion Picture series and include examples of Miller's more than fifty produced screenplays. Box 1 holds scripts from the Dick Tracy and Crime Does Not Pay serials, as well as a shooting script of Gone With the Wind.
The Television series (Boxes 5-22) deals with Miller's television career, 1956-1971. Boxes 5-7 contain miscellaneous scripts from his early television writing, such as Gunsmoke, Wagon Train, Cimarron City, Rawhide, and The Virginian. In Box 7 is material relating to The Longest Hundred Miles, a World Premiere movie written especially for television.
Beginning with Box 7 and continuing through Box 21, the most extensive part of the collection, are scripts and production materials for the television series, Ironside and “The New Doctors” portion of The Bold Ones. Revisions, production reports, and shooting schedules provide a detailed look at the production of Ironside.
The Television series ends with the documentation of another World Premiere movie, The Aquarians.
Related Material
Other materials relating to various Ironside episodes can be found in the Sy Salkowitz Papers (U.S. Mss 141AN).
Administrative/Restriction Information
Presented by Winston Miller, Beverly Hills, California, November 6, 1969 and August 3, 1971; and by John A. Gallagher, New York, New York, 1990.
Accession Number: MCHC69-172, MCHC71-86, M90-216
Processed by S. Menard, December, 1971.
Contents List
Box
22
Folder
8
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Series: Winston Miller Interview, 1989 : A transcription of the biographical interview conducted by John A. Gallagher. A portion of the interview as revised by Miller was published in Films in Review.
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Series: Motion Pictures
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Dick Tracy (1936), serial
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Box
1
Folder
1
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15 scripts
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Crime Does Not Pay (1937), serial
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“Straight Left”
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Box
1
Folder
2
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Script
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“One if by Land“
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Box
1
Folder
3
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Script, 1937, March 16
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“Help Wanted”
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Box
1
Folder
4
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Script, 1939, April 17
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Gone With the Wind (1939), based on the novel by Margaret Mitchell
Producer: David O. Selznick
Director: Victor Fleming
Writer: Sidney Howard
Cast: Clark Gable, Vivien Leigh, Leslie Howard, Olivia de Havilland
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Box
1
Folder
5
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Script, 1939, February 27
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Carolina Moon (1940), based on a novel by Connie Lee
Producer: William Berke
Director: Frank McDonald
Writer: Winston Miller
Cast: Gene Autry, Smiley Burnett
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Box
2
Folder
1
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Script, 1940, April 25
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Ride, Tenderfoot, Ride (1940), based on a novel by Betty Burbridge and Connie Lee
Producer: William Berke
Director: Frank McDonald
Writer: Winston Miller
Cast: Gene Autry, Smiley Burnett
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Box
2
Folder
2
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Script, 1940, June 25
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Prairie Stranger (1941), based on a novel by James L. Rubel
Producer: William Berke
Director: Lambert Hillyer
Writer: Winston Miller
Cast: Charles Starrett, Cliff Edwards
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Box
2
Folder
3
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Script, 1942, January 7
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Good Morning, Judge (1943), based on a novel by Maurice Geraghty and Winston Miller
Assoc. Producer: Paul Malvern
Director: Jean Yarbrough
Writer: Maurice Geraghty, Warren Wilson
Cast: Dennis O'Keefe, Louise Albritton
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Box
3
Folder
1
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Script
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Home in Indiana (1944), based on a novel by George Agnew Chamberlain
Producer: Andrew Daven
Director: Henry Hathaway
Writer: Winston Miller
Cast: Walter Brennan, Lon McCallister, Jeanne Crain
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Box
3
Folder
2
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Script, 1943, August
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My Darling Clementine (1946), based on a novel by Sam Hellman and Stuart N. Lake
Producer: Samuel G. Engel
Director: John Ford
Writer: Samuel G. Engel, Winston Miller
Cast: Henry Fonda, Linda Darnell, Victor Mature, Walter Brennan, Ward Bond
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Box
3
Folder
3
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Script, 1946, March 11
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Fury at Furnace Creek (1948), based on a novel by David Garth
Producer: Fred Kohlmar
Director: Bruce Humberstone
Writer: Charles G. Booth
Cast: Victor Mature, Coleen Gray
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Box
3
Folder
4
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Script, 1947, September 23
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Tripoli (1950), based on “The Barbarians” by Winston Miller and Will Price
Producer: William Pine, Pine Thomas
Director: Will Price
Writer: Winston Miller
Cast: Maureen O'Hara, John Payne, Howard DaSilva
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Box
3
Folder
5
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Script
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Rocky Mountain (1950), based on a novel by Alan LeMay
Producer: William Jacobs
Director: William Keighley
Writer: Winston Miller
Cast: Errol Flynn, Patrice Wymore
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Box
3
Folder
6
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Script, 1950, June 6
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Carson City (1952), based on a novel by Sloan Nibley
Producer: David Weisbart
Director: Andre De Toth
Writer: Sloan Nibley, Winston Miller
Cast: Randolph Scott, Lucille Norman, Raymond Massey
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Box
4
Folder
1
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Script, 1951, June 29
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“At the End of the Rainbow” (unproduced)
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Box
4
Folder
2
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Script, 1952, May 28
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“Try, Try Again” (unproduced)
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Box
4
Folder
3
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Revisions, treatment
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Box
4
Folder
4
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Script, 1952
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The Boy From Oklahoma (1954), based on a novel by Michael Fessier
Producer: David Weisbart
Director: Michael Curtiz
Writer: Frank Davis, Winston Miller
Cast: Will Rodgers, Jr., Nancy Olson, Lon Chaney
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Box
4
Folder
5
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Script, 1953, February 19
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The Bounty Hunter (1954), based on a novel by Winston Miller
Producer: Sam Bischoff
Director: Andre De Toth
Writer: Winston Miller
Cast: Randolph Scott, Dolores Darn, Ernest Borgnine
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Box
4
Folder
6
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Script, 1953, July 10
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“Rimrock” (unproduced)
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Box
4
Folder
7
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Script, 1955
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Box
4
Folder
8
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Script, 1955, June 30
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April Love (1957), based on a novel by George Agnew Chamberlain
Producer: David Weisbart
Director: Henry Levin
Writer: Winston Miller
Cast: Pat Boone, Shirley Jones, Arthur O'Connell
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Box
5
Folder
1
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Script, 1957, May 21
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Mardi Gras (1958), based on a novel by Curtis Harrington
Producer: Jerry Wald
Director: Edmund Goulding
Writer: Winston Miller, Hal Kanter
Cast: Pat Boone, Christine Carere, Tommy Sands, Sheree North, Gary Crosby
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Box
5
Folder
2
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Script, 1958, April 9
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Box
5
Folder
3
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Script, 1958, May 1
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Box
5
Folder
4
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Script, 1958, July 16
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Hound-Dog Man (1959), based on a novel by Fred Gipson
Producer: Jerry Wald
Director: Don Siegel
Writer: Fred Gipson, Winston Miller
Cast: Fabian, Carol Lynley, Stuart Whitman, Arthur O'Connell
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Box
5
Folder
5
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Script, 1959, July 9; notes
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“Partners” (unproduced)
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Box
5
Folder
6
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Script outline, 1959, July
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“Golden Doors” (unproduced)
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Box
5
Folder
7
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Treatment outline, 1959, July 27
See also: Box 7, Folders 4-7.
See also: Box 22, Folders 1-7.
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Series: Television
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Gunsmoke
Producer: Charles Marquis Warren
Assoc. Producer: Norman MacDonnell
Writer: Winston Miller, John Meston
Cast: James Arness, Dennis Weaver, Amanda Blake, Milburn Stone
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“Young Man With a Gun,” 1956, October 20
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Box
6
Folder
1
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Script
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“How to Cure a Friend,” 1956, November 10
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Box
6
Folder
2
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Script
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“Greater Love,” 1956, December 1
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Box
6
Folder
3
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Script
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Wagon Train
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“The Clara Beauchamp Story,” 1957, October
Writer: Winston Miller
Cast: Ward Bond, John Horton
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Box
6
Folder
4
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Script, 1957, October 4
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Cimarron City
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“Hired Hand,” 1958, October 6
Writer: Lee Richards, Winston Miller
Cast: George Montgomery, John Smith
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Box
6
Folder
5
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Script, 1958, October 6
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Rawhide
Producer: Charles Marquis Warren
Writer: Winston Miller
Cast: Eric Fleming, Clint Eastwood
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“Incident of the Captive Herd,” 1958, July 28
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Box
6
Folder
6
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2 Scripts
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“Incident of the Sharpshooter,” 1959, November 4
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Box
6
Folder
7
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Script
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“Incident of the Dust Flower,” 1959, December 1
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Box
6
Folder
8
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Script
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“Incident of the Silent Webb,” 1960, January 9
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Box
6
Folder
9
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Script
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“Incident of the Last Chance,” 1960, January 28
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Box
6
Folder
10
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Script
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“Incident on the Road to Yesterday,” 1960, March 15
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Box
6
Folder
11
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Script
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“Incident of the Reluctant Bridegroom,” 1962, September 18
Producer: Vincent F. Fennelly
Writer: William Driskill, Winston Miller
Cast: Eric Fleming, Clint Eastwood
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Box
6
Folder
12
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2 Scripts, 1962, August 22 and September 18
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87th Precinct
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“The Cow Man,” 1962, March 2
Producer: Boris D. Kaplan
Director: Herschel Daugherty
Writer: Winston Miller
Cast: Robert Lansing, Gregory Walcott, Norman Fell
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Box
7
Folder
1
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Script, program portfolio
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The Virginian
Producer: Winston Miller
Writer: Richard Jessup, Winston Miller
Cast: James Drury, Lee J. Cobb, Doug McClure
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“A Lady Comes to Medicine Bow,” 1962, April
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Box
7
Folder
2
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Script
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“Barrier,” 1962, May 24
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Box
7
Folder
3
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Script
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World Premiere
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“The Longest Hundred Miles,” 1967, January 27Producer: Jack Leewood Director: Don Weiss Writer: Winston Miller Cast: Doug McClure, Katherine Ross, Ricardo Montalban : See also: Box 5, Folder 7.
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Box
7
Folder
4
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World Premiere portfolio
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Box
7
Folder
5
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Note, handbill, script (entitled “Bus to Bataan”)
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Box
7
Folder
6
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Script (entitled “Four Winds”)
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Box
7
Folder
7
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Script, 1966, February 21
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Ironside
Producer: Winston Miller
Cast: Raymond Burr, Don Mitchell, Don Galloway, Barbara Anderson
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Eye of the Hurricane,1969, September 15
Director: Don McDougall
Writer: Don Mullally, Winston Miller
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Box
8
Folder
1
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Correspondence, 1969, April 4-June 9; 3 Story outlines, , March 19, 27, and undated
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Box
8
Folder
2
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Revisions, 1969, May, June, and July
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Box
8
Folder
3
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Script, 1969, April 21
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Box
8
Folder
4
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3 Scripts, 1969, April 29 and May 5
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Box
8
Folder
5
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2 Scripts, 1969, May 23
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Box
8
Folder
6
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3 Scripts, 1969, May 28, June 4 and 30
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Box
8
Folder
7
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Daily production report, shooting schedule, June 9-16; cast sheet
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“Programmed for Danger,” 1969, September 12
Director: John Florea
Writer: True Boardman
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Box
9
Folder
1
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Correspondence, 1969, May 15-September 16
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Box
9
Folder
2
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Story outline, 1969, April 29; revisions
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Box
9
Folder
3
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2 Scripts, 1969, May 23
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Box
9
Folder
4
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2 Scripts, revised, 1969, September 4 and 10
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Box
9
Folder
5
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2 Scripts, revised, 1969, September 12 and 15
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Box
9
Folder
6
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Daily production report, shooting schedule, 1969, September 12-19
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“Seeing Is Believing”
Director: Barry Shear
Writer: Charles Nichols, Don Galloway, Winston Miller
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Box
9
Folder
7
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Correspondence, 1969, June 5-September 3
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Box
9
Folder
8
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3 Scripts; 1st draft, 1969, January 21; revised , 1969, May 15
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Box
9
Folder
9
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Script, revised, 1969, May 22 and August 18
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Box
9
Folder
10
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2 Scripts, revised, 1969, September 2 and 24
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Box
9
Folder
11
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Daily production report, shooting schedule, revised shooting schedule, cast sheet, 1969, August 28-September 2
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“Dora,” 1969, November 5
Director: John Florea
Writer: Frank Chase, Winston Miller
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Box
10
Folder
1
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Correspondence, 1969, May 12-1969, October 24; 3 Story treatments, , 1969, March 26, 28 and April 14
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Box
10
Folder
2
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Revisions
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Box
10
Folder
3
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Script, 1969, June 26
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Box
10
Folder
4
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3 Scripts, 1969, September 8
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Box
10
Folder
5
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3 Scripts, 1969, October 3, 8 and 9
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Box
10
Folder
6
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2 Scripts, 1969, October 14 and 17
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Box
10
Folder
7
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Daily production reports, shooting schedule, 1969, October 17-24; cast list
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“Good Will Tour,” 1970, March 26
Director: Robert Day
Writer: Norman Katkov, Winston Miller
Cast: Special guest Bradford Dillman
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Box
10
Folder
8
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Correspondence, 1969, April-1970, January
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Box
10
Folder
9
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Story outlines, 1969, March 27
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Box
10
Folder
10
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Script, 1969, May 1
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Box
10
Folder
11
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Scripts, 1969, May 23
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Box
11
Folder
1
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2 Scripts, 1969, October 23
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Box
11
Folder
2
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Scripts, 1969, November 20
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Box
11
Folder
3
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Script, 1969, December 17 and 23
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Box
11
Folder
4
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Scripts, 1969, December 30
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Box
11
Folder
5
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Scripts, 1970, January 9, 12 and 13
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Box
11
Folder
6
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Scripts, 1970, January 15
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Box
11
Folder
7
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Script, 1970, February 4 and 23
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Box
11
Folder
8
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Cast list, shooting schedule, daily production reports
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“Tom Dayton Is Loose Among Us,” 1970, April 9
Director: Don McDougall
Writer: Francine Carroll, Winston Miller
Cast: Special guest Bill Bixby
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Box
11
Folder
9
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Story outline, 1969, January 17; script, , 1969, June 4
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Box
11
Folder
10
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Script, 1969, August 20
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Box
11
Folder
11
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Script, 1969, November 19
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Box
11
Folder
12
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2 Scripts, 1969, December 16 and 17
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Box
12
Folder
1
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Script, 1969, December 31
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Box
12
Folder
2
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Script, 1970, January 23
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Box
12
Folder
3
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Scripts, 1970, January 27
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Box
12
Folder
4
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Script, 1970, February 4 and 5
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Box
12
Folder
5
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Cast list, shooting schedule, production reports
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“No Game for Amateurs,” 1970, September 24
Director: John Florea
Writer: Sy Salkowitz, Winston Miller
Cast: Special guest Martin Sheen
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Box
12
Folder
6
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Story outlines, 1969, December 29 and 1970, April 15
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Box
12
Folder
7
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Script, 1970, April 20
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Box
12
Folder
8
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2 Scripts, 1970, May 8
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Box
12
Folder
9
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Script, 1970, May 15
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Box
12
Folder
10
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2 Scripts, 1970, June 2
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Box
12
Folder
11
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Script, June 8
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Box
12
Folder
12
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5 Scripts, 1970, June 17 and 18
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Box
12
Folder
13
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4 Scripts, 1970, June 22 and 23
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Box
13
Folder
1
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3 Scripts, 1970, June 25
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Box
13
Folder
2
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Script, 1970, July 31, August 3, 4, and 19
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Box
13
Folder
3
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Cast and set lists, shooting schedule, daily production reports
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“The Happy Dreams of Hollow Men,” 1970, October 1
Director: Don Weiss
Writer: Sy Salkowitz, Carol Salkowitz, Winston Miller
Cast: Special guest Joseph Campanella
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Box
13
Folder
4
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Correspondence, 1970, March; 2 Scripts, , 1970, January 19
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Box
13
Folder
5
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2 Scripts, 1970, February 20
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Box
13
Folder
6
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Script, 1970, February 25
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Box
13
Folder
7
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Script, 1970, March 3
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Box
13
Folder
8
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3 Scripts, 1970, March 9
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Box
13
Folder
9
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Script, 1970, March 11-19
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Box
13
Folder
10
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3 Scripts, 1970, March 20
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Box
13
Folder
11
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Cast list, shooting schedule
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“Noel's Gonna Fly,” 1970, October 15
Director: Don Weiss
Writer: Sy Salkowitz, Winston Miller, Albert Alley
Cast: Special guest Richard Basehart
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Box
14
Folder
1
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Correspondence, 1970, July 2; script, , 1970, May 27
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Box
14
Folder
2
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2 Scripts, 1970, June 3
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Box
14
Folder
3
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Script, 1970, June 26 and 30
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Box
14
Folder
4
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2 Scripts, 1970, July 1
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Box
14
Folder
5
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Scripts, 1970, July 3
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Box
14
Folder
6
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3 Scripts, 1970, July 6
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Box
14
Folder
7
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Cast list, shooting schedule
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“The Lonely Way to Go,” 1970, October 22
Director: Richard Benedict
Writer: Don Mullally, Winston Miller
Cast: Special guest Carl Betz
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Box
14
Folder
8
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2 Scripts, 1969, November 24 and December 22
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Box
14
Folder
9
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Script, 1970, January 5
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Box
14
Folder
10
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3 Scripts, 1970, February 6
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Box
14
Folder
11
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2 Scripts, 1970, February 9
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Box
14
Folder
12
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2 Scripts, 1970, February 12
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Box
15
Folder
1
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Scripts, 1970, February 16
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Box
15
Folder
2
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Scripts, 1970, February 17
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Box
15
Folder
3
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Scripts, 1970, February 18
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Box
15
Folder
4
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Set and cast list, shooting schedule
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“The Man on the Inside,” 1970, November 19
Director: Don McDougall
Writer: Brad Radnitz, Sy Salkowitz, Winston Miller
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Box
15
Folder
5
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Story outline, 1969, November 25; Script, , 1970, January 26
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Box
15
Folder
6
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Script, 1970, March 19
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Box
15
Folder
7
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2 Scripts, 1970, June 17
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Box
15
Folder
8
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3 Scripts, 1970, June 5
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Box
15
Folder
9
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Scripts, June 10 and 22
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Box
15
Folder
10
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Scripts, 1970, August 10 and 12
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|
Box
16
Folder
1
|
Scripts, 1970, August 13 and 14
|
|
Box
16
Folder
2
|
Scripts, 1970, August 17, 18 and 21
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|
Box
16
Folder
3
|
Scripts, 1970, August 24
|
|
Box
16
Folder
4
|
Cast list, shooting schedules, and daily production reports
|
|
|
“The Target,” January 28, 1971
Director: Don Weis
Writer: Sy Salkowitz, Winston Miller
Cast: Special guest Earl Holliman
|
|
Box
16
Folder
5
|
Story outline; script, 1970, October 22
|
|
Box
16
Folder
6
|
2 Scripts, 1970, October 30
|
|
Box
16
Folder
7
|
3 Scripts, 1970, November 6
|
|
Box
16
Folder
8
|
Scripts, 1970, November 11
|
|
Box
16
Folder
9
|
Scripts, 1970, November 16
|
|
Box
16
Folder
10
|
Cast lists, shooting schedule, daily production reports
|
|
|
“Love, Peace, Brotherhood and Murder,” 1971, February 18
Director: Don Weis
Writer: Robert Earll, Sy Salkowitz, Winston Miller
Cast: Special guests David Bailey and Robert Lipton
|
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Box
17
Folder
1
|
Script, 1970, September 28
|
|
Box
17
Folder
2
|
3 Scripts, 1970, October 5
|
|
Box
17
Folder
3
|
Scripts, 1970, October 9
|
|
Box
17
Folder
4
|
Scripts, 1970, October 16
|
|
Box
17
Folder
5
|
Scripts, 1970, October 19
|
|
Box
17
Folder
6
|
Scripts, 1970, October 21
|
|
Box
17
Folder
7
|
Scripts, 1970, October 22 and 23
|
|
Box
17
Folder
8
|
Script, revised, 1970, October 27
|
|
Box
17
Folder
9
|
Cast and set lists, shooting schedule, daily production reports
|
|
|
“Lesson in Terror,” 1971, March 18
Director: James Neilson
Writer: Don Mullally, Winston Miller
Cast: Special guests David Burk and Simon Oakland
|
|
Box
17
Folder
10
|
Story outline; script, 1970, June 11
|
|
Box
17
Folder
11
|
Script, 1970, June 15
|
|
Box
17
Folder
12
|
2 Scripts, 1970, June 18 and 19
|
|
Box
18
Folder
1
|
2 Scripts, 1970, November 5
|
|
Box
18
Folder
2
|
2 Scripts, 1970, November 16 and 17
|
|
Box
18
Folder
3
|
3 Scripts, 1970, November 19
|
|
Box
18
Folder
4
|
Scripts, 1970, November 20
|
|
Box
18
Folder
5
|
Scripts, 1970, November 25
|
|
Box
18
Folder
6
|
3 Scripts, 1970, November 30
|
|
Box
18
Folder
7
|
Scripts, 1970, December 2
|
|
Box
18
Folder
8
|
Scripts, 1970, December 4
|
|
Box
18
Folder
9
|
Scripts, 1970, December 9
|
|
Box
18
Folder
10
|
Notes, cast lists, shooting schedules, daily production reports
|
|
|
“Walls Are Waiting,” 1971, April 15
Director: Barry Shear
Writer: Sy Salkowitz, Winston Miller
Cast: Special guest William Shatner
|
|
Box
19
Folder
1
|
Correspondence, story outline, 1970, November 2; script, , 1970, December 18
|
|
Box
19
Folder
2
|
Script, 1970, December 21
|
|
Box
19
Folder
3
|
3 Scripts, 1970, December 22
|
|
Box
19
Folder
4
|
Scripts, 1970, January 4
|
|
Box
19
Folder
5
|
Scripts, 1971, January 6
|
|
Box
19
Folder
6
|
Scripts, 1971, January 8
|
|
Box
19
Folder
7
|
Script, 1971, January 11, 13, 14, 15, 18 and 19
|
|
Box
19
Folder
8
|
Scripts, 1971, January 20
|
|
Box
19
Folder
9
|
Cast lists, shooting schedule, daily production reports
|
|
|
The Bold Ones - The New Doctors series
Producer: Winston Miller
Cast: E.G. Marshall, John Saxon, David Hartman
|
|
|
“Rebellion in the Body,” 1969, September 18
Director: Dan Petrie
Writer: Alfred Brenner, Sy Salkowitz, Winston Miller
|
|
Box
20
Folder
1
|
Correspondence, 1969, June 4-November 11; research material
|
|
Box
20
Folder
2
|
2 Script treatments, 1979, May 14
|
|
Box
20
Folder
3
|
4 Scripts, 1979, July 7 and 24
|
|
Box
20
Folder
4
|
3 Scripts, 1969, July 31, August 8
|
|
Box
20
Folder
5
|
Daily production report, shooting schedule
|
|
|
“Man Without a Heart,” 1969, September 25
Director: Jack Starrett
Writer: Byron Block, Irve Tunicke, Winston Miller
|
|
Box
20
Folder
6
|
Correspondence, 1969, May 6-July 23; 2 story treatments
|
|
Box
20
Folder
7
|
Revisions
|
|
Box
20
Folder
8
|
2 Scripts, 1969, June 4
|
|
Box
20
Folder
9
|
Scripts, 1969, June 16, 26
|
|
Box
20
Folder
10
|
2 Scripts, 1969, June 27, July 9
|
|
Box
21
Folder
1
|
2 Scripts, 1969, July 17
|
|
Box
21
Folder
2
|
Daily production record, shooting schedule
|
|
|
“Crisis,” 1969, November 2
Director: Don MacDougall
Writer: Don Mullally, Winston Miller
|
|
Box
21
Folder
3
|
Correspondence, 1969, June 11-October 6; story treatments, , 1969, May 12, 21
|
|
Box
21
Folder
4
|
Scripts, 1969, June 12 and September 17
|
|
Box
21
Folder
5
|
Scripts, 1969, September 30, October 3
|
|
Box
21
Folder
6
|
Daily production report, shooting schedule, cast lists
|
|
|
World Premiere
|
|
|
“The Aquarians” (originally entitled “Deep Lab”) : Writer: Ivan Tors, Andy White, Alan Caillow, Leslie Stevens, Winston Miller : See also: Box 5, Folder 7.
|
|
Box
22
Folder
1
|
Correspondence, 1969, November 10-22
|
|
Box
22
Folder
2
|
Story outline, 1969, July 8
|
|
Box
22
Folder
3-5
|
Revisions
|
|
Box
22
Folder
6
|
Scripts, 1969, October 21
|
|
Box
22
Folder
7
|
3 Scripts, 1969, November 21, December 3 and 4
|
|
|