Summary Information
Gilbert Cates Papers 1954-1982
U.S. Mss 86AN; Audio 473A; Audio 1085A; Micro 429; Micro 1005; AB 751-AB 752; AC 463; AC 465-AC 466; CA 512; CA 860; CB 048-CB 060; DC 576-DC 595; DC 634-DC 637; FA 024-FA 026; VAA 002; VBA 671-VBA 681; VBA 683-VBA 684; VTA 007
34.4 cubic feet (76 archives boxes), 2 reels of microfilm (35 mm), 85 tape recordings, 30 reels of film, and 2 videorecordings
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research Contact Information
Wisconsin Historical Society (Map)
Papers of Gilbert Cates, a producer-director who works in motion pictures, theater, and television. Present in varying quantities are diverse materials on production, distribution, promotion, and financing such as scripts, correspondence, fan mail, set designs, financial reports, and films. Motion picture files include material on an award-winning short subject, and on the feature-length films I Never Sang for My Father (Columbia, 1970), Oh God, Book II (Warner Bros., 1980), Rings Around the World (Columbia, 1966), and others. Television files include material on quiz shows, pilots, specials, and series. Most notable are the holdings on After the Fall (NBC), Camouflage (ABC), Electric Showcase (ABC), Picture This (CBS), and To All My Friends on Shore (CBS). Other files of scripts and correspondence pertain to Broadway productions including I Never Sang for My Father (1968), You Know I Can't Hear You When the Water's Running (1967), and other less successful productions. English
http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0086an ↑ Bookmark this ↑
Biography/History
Gilbert Cates (born Gilbert Katz) was born June 6, 1934, in New York City. He attended Syracuse University, receiving a B.A. in 1954, and an M.A. in Fine Arts in 1965. Mr. Cates also studied at the Neighborhood Playhouse School of the Theater, New York City, in the summer of 1953, and served as an instructor of speech and drama at Syracuse University in 1955. He is married and has three children.
Gilbert Cates has been active in the fields of television, motion pictures and the theater. He has produced and/or directed numerous television shows, including International Showtime (NBC-TV, 1962-1965), the Electric Showcase specials (ABC-TV, 1964-1965), the pilot for Hootenanny (ABC-TV, 1963) and many daytime game shows such as Camouflage (ABC-TV, 1961-1962).
Among his television productions during the 1970s and early 1980s were: To All My Friends on Shore (1972); The Affair (1974); After the Fall (1974); Johnny We Hardly Knew Ye (1977); Ford's Theater 10th Anniversary (1978); Stubby Pringle's Christmas (1978); The Gift of the Magi (1978); The Promise (1979); The Kid from Nowhere (1982); and Hobson' s Choice (1983).
In the theater, Mr. Cates served as stage manager for Shinbone Alley (1957), was associated with his brother Joseph Cates in the production of Spoon River Anthology (1963), and What Makes Sammy Run? (1964). He also produced You Know I Can't Hear You When the Water's Running (1967) and I Never Sang for My Father (1968); these two were simultaneous Broadway successes. Cates produced and/or directed several Broadway plays during the early 1970s, all of which had short runs. They were The Chinese and Dr. Fish, Solitaire/Double Solitaire, and Voices. He also directed a three-week engagement of Arthur Miller's The Price at the Long Wharf Theater in Connecticut in 1971. In 1980, Cates produced and directed Sidney Michael's Tricks of the Trade, with George C. Scott and Trish Van Devere, which closed after only a few performances.
For motion pictures, Mr. Cates has produced and directed the feature-length film Rings Around the World (Columbia Pictures, 1966), and the short subject The Painting (Union Films, 1962), which was named best short of 1962 by the International Film Importers and Distributors. The film version of I Never Sang for My Father was released to critical acclaim in 1970; other Cates' films included Summer Wishes, Winter Dreams (1973); One Summer Love (1976); The Last Married Couple in America (1980); and Oh God, Book II (1980).
Cates was awarded a Chancellor's Medal from Syracuse University in 1974. He served as vice president of the eastern region of the Director's Guild of America in 1965, and of the western region in 1980. He was elected president of the Guild in 1983. Since 1977, the Cates family has resided in Los Angeles.
Scope and Content Note
The Gilbert Cates Papers are organized in two parts. Part 1 consists of materials received in the Archives in 1969. Designated the Original Collection, these papers date 1957-1968 and document Cates' work in television, motion pictures, and theater as well as other professional and personal activities. Part 2 is designated the 1984 Additions and consists of papers received in the Archives between 1970 and 1982 and organized in 1984. These papers date 1954 to 1982. The material in this part of the collection contains nearly complete production information on 25 projects in theater, motion pictures, and television, as well as limited material on unproduced projects and projects by other producers in those media. In addition, the papers include 16 unproduced scripts and general material related to Cates' career.
Material in Part 1 of the collection is grouped into six subseries: Television, Motion Pictures-Produced, Motion Pictures-Unproduced, Theater, General, and Films and Videotapes. Within these subseries, the material is arranged alphabetically by title.
Part 2, the 1984 Additions, is divided into ten subseries: General; Theater-Produced; Theater-Unproduced; Theater-Other Producers; Motion Pictures-Produced; Motion Pictures-Unproduced; Motion Pictures-Other Producers; Television-Produced; Television-Unproduced; and Scripts. Filed with the appropriate subseries is microfilm comprised of scrapbooks kept by Cates for eight productions in theater, film, and television - mostly reviews and congratulatory letters. The 83 tape recordings cover a wide range of activities in Cates' professional career; almost all are either 7 inch or 10.5 inch reels. Many consist of theater productions from his years at Syracuse University as well as television and radio interviews. Others document the background of his theater, motion picture, and television productions, such as vocal and sound effect “takes.” The most complete run includes 30 tapes from the television production After the Fall. Each tape is listed within the series and/or production with which it is associated.
The GENERAL subseries contains personal and general business papers (most are business-related), and 23 tape recordings. The personal material includes a course outline entitled “Fencing for the Theater,” undated, by Gilbert Katz (Cates), as well as his 1964 master's thesis, “The 1964 European Circus,” and production information from his years as a student producer/director at Syracuse University.
General business records include appointment books from 1962 and 1968; contracts with Cinestar, Inc., 1974; résumés of actors and actresses in search of employment, circa 1978-1980 and Cates' résumé, circa 1958; script reports on unproduced projects, 1967-1971 and 1980; and several story outlines. There is correspondence as well, much of which concerns unproduced scripts, 1965-1980. Other correspondence concerns Cates' search for jobs in the late 1950s, possible employment with Cates' office and/or productions, 1963-1969, and general business matters, 1964-1980.
Most of the 23 tape recordings in this section document the productions with which Cates was associated while at Syracuse University, including radio programs and plays. Other recordings include an evening in a class he taught on musical comedy (1957), commercial radio spots, and numerous radio and television interviews conducted with Cates from 1960-1973.
The THEATER-PRODUCED subseries contains production information on seven plays produced and/or directed by Cates between 1968-1980, listed chronologically by date of production. The bulk of the material documents You Know I Can't Hear You When the Water's Running, which ran from March 1967 to January 1969. In addition, the play enjoyed a successful national tour, reaching 17 cities in the U.S. and Canada between October 1967 and September 1968. A London production, however, was not as well received. Material from the play includes casting files, contracts, correspondence, box office statements, budgets, operating statements, scrapbook, scripts, stage manager's daily reports, and files on each of the stops of the national tour. Some information is also included on the Detroit production of January 1969, which featured the Broadway cast.
Robert Anderson's I Never Sang for My Father, produced by Cates in association with Doris Vidor, opened in January 1968 and ran through May of that year. Material on the play includes casting files, contracts, correspondence, box office statements, budgets, investors files, weekly expense sheets, promotion/reviews, scrapbook, script, and stage manager's daily reports. In addition, there is limited information on the play's Philadelphia and Boston runs and an unsuccessful London production.
Similar production material, including tape recordings, exists for The Chinese and Dr. Fish, produced by Cates in March 1970; Solitaire/Double Solitaire, produced by Cates, Albert Schiff, and Roy Nevans in September 1971; and Voices (previously known as The Others), directed by Cates in April 1972. There is limited information on both The Price, directed by Cates at the Long Wharf Theater in Connecticut, May 1971, and Tricks of the Trade, produced and directed by Cates in November 1980. Numerous revised scripts for the latter are included in the collection.
The THEATER-UNPRODUCED subseries contains material on three unproduced plays, 1968-1969: The Boat; Hunger and Thirst; and How Tall Is Toscanini?/It Rained on My Picasso. The bulk of the material concerns The Boat, and includes budgets, casting files, contracts, correspondence, and scripts.
The THEATER-OTHER PRODUCERS subseries contains miscellany such as programs, reviews, and correspondence on three plays unrelated to Cates' career: Hello, This Is the Bottom Drawer (1980); Lamp at Midnight (circa 1966-1969); and The Trial of A. Lincoln (1970-1971).
The MOTION PICTURES-PRODUCED subseries contains almost complete production material from six films produced and/or directed by Cates between 1966 and 1980, listed chronologically by date of release. The most detailed include I Never Sang for My Father (formerly Strangers), released in 1970; Summer Wishes, Winter Dreams (formerly Death of a Snow Queen), released in 1973; One Summer Love (formerly Dragonfly), released in 1976; The Last Married Couple in America {1980); and Oh God, Book II (1980). Material on Oh God, Book II includes eight script revisions. Motion picture papers include contracts, correspondence, budgets, cast payroll, distribution staost complete production material from six films produced and/or directed by Cates between 1966 and 1980, listed chronologically by date of release. The most detailed include I Never Sang for My Father (formerly Strangers), released in 1970; Summer Wishes, Winter Dreams (formerly Death of a Snow Queen), released in 1973; One Summer Love (formerly Dragonfly), released in 1976; The Last Married Couple in America {1980); and Oh God, Book II (1980). Material on Oh God, Book II includes eight script revisions. Motion picture papers include contracts, correspondence, budgets, cast payroll, distribution statements, call sheets, casting files, daily production reports, script books, set designs, promotion, reviews, scrapbooks, scripts, and a few tape recordings. There is limited information on Rings Around the World (1966), and The Painting (1962).
The MOTION PICTURES-UNPRODUCED subseries includes limited information (such as correspondence, budgets, contracts, treatments, and scripts) on 18 unproduced films considered by Cates between 1967 and 1978. They are listed alphabetically.
The MOTION PICTURES-OTHER PRODUCERS subseries includes miscellany on four films considered by Cates but ultimately produced by others, including Breaking Up; Burnt Offering; Ice Castles; and To Find a Man.
The TELEVISION-PRODUCED subseries contains material on eleven programs produced and/or directed by Cates between 1961 and 1978, listed chronologically by date of broadcast. The bulk of the material concerns To All My Friends on Shore (CBS, February 25, 1972), and After the Fall (NBC, December 3, 1974), and includes contracts, correspondence, budgets, call sheets, casting files, daily production reports, set designs, promotion, reviews, scrapbooks, and scripts. In addition, the 30 tape recordings from After the Fall provide a complete overview of sound production for the program, and include vocal and orchestral “takes,” mixes, and editing.
Similar but less detailed information exists for Opening Night at the New York World's Fair (NBC April 22, 1964), The Affair (ABC, November 20, 1973), Johnny We Hardly Knew Ye (NBC, January 26, 1977); Monte Carlo Circus Festival (CBS, February 16, 1977); Off Campus (CBS, June 8, 1977); Ford's Theater 10th Anniversary (NBC, February 2, 1978); Stubby Pringle's Christmas (NBC, December 17, 1978); and The Gift of the Magi (NBC, December 21, 1978). There is also limited information on International Showtime (NBC, 1961-1965) and three game shows: Camouflage (ABC, 1962); Trace That Face (NBC, 1967); and Punchline (ABC, 1968). In addition, there are four tape recordings from the game show Haggis Baggis (NBC, 1959).
The TELEVISION-UNPRODUCED subseries includes miscellany (such as correspondence, budgets, contracts, and scripts) for more than 20 unproduced television programs, listed alphabetically. Note that a program entitled Circus is listed twice, due to the fact that two different programs by that name were considered - one in 1967 and another in 1972. Also included is material on unproduced and unnamed game shows, many of which are attributed to Jack Farren; papers on an untitled project by Barbara Howar; and a tape recording of the proposed game show, King of the Hill.
The SCRIPTS subseries contains 20 scripts by both major and minor playwrights, including A.E. Hotchner and Robert Anderson, that were not produced by Cates. They are listed alphabetically, and wherever possible, have been dated.
Administrative/Restriction Information
Presented and placed on deposit by Gilbert Cates, New York, New York, January 27, 1969; October 16, 1970; and December 18, 1974. Accession Number: MCHC70-109, MCHC74-116
Original Collection processed by J. E. Dannenbaum, August 20, 1969. Portions of the 1984 Additions were processed by Eleanor McKay and Joanne Hohler, with archives interns Ed Rider, Robert Schuster, and William Massa, February 21, 1976.
Contents List
U.S. Mss 86AN
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Series: Part 1, Original Collection, 1957-1968
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Subseries: Television
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The Big Brass Band (unproduced)
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Box
1
Folder
1
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Correspondence, 1962 January-1964 October
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Box
1
Folder
1
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Presentation, finances, photos, clippings, miscellaneous
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The Bob Crewe Generation (unproduced)
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Box
1
Folder
2
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Correspondence, 1967 September-1968 February
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Box
1
Folder
2
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Presentation, photos
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Camouflage (ABC-TV daytime game show, 1961 January-1962 January) : Producer: Gilbert Cates
Director: Gilbert Cates
M.C.: Don Morrow
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Box
1
Folder
3
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Correspondence, 1961 January-1963 September
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Box
1
Folder
3
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Fan mail, 1961 February-1962 May
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Box
1
Folder
3
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Scripts, production materials, finances, form letters, contestant information, set designs, miscellaneous
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473A/2
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Tape recording
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U.S. Mss 86AN
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Circus (unproduced)
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Box
1
Folder
4
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Correspondence, 1966 August-1967 September
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Box
1
Folder
4
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Presentation, legal agreements, miscellaneous
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“The Dick Cavett Show” (ABC-TV one-hour special, no date) : Executive Producer: Bob Kline
Producer: Gilbert Cates
Director: Hal Gurnee
Writer: Marshall Brickman, Mickey Rose, Dick Cavett
Cast: Dick Cavett, Noel Harrison, Serendipity Singers
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Box
1
Folder
5
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Correspondence, 1966 April-December
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Box
1
Folder
6
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Scripts, credits
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Box
1
Folder
7
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Legal agreements, miscellaneous
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Box
26
Folder
3
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Set designs
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Electric Showcase: “Winterland on Ice,” (ABC-TV one-hour special, no date) : Producer: Gilbert Cates
Cast: Gordon and Sheila MacRae
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Box
2
Folder
1
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Correspondence, 1964 July-November
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Box
2
Folder
1
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Scripts, production materials, miscellaneous
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Electric Showcase: “Aqua Varieties” (ABC-TV one-hour special, 1965 February 7)
See also Films and Videotapes.
Executive Producer: Joseph Cates
Producer: Gilbert Cates
Director: Gilbert Cates
Writer: Selma Diamond
Cast: Gordon and Sheila MacRae, The Mitchell Trio
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Box
2
Folder
2
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Correspondence, 1964 August-1965 March
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Box
2
Folder
3
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Scripts, schedules, credits
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Box
2
Folder
4
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Finances, legal agreements, photos, publicity, clippings, undated notes, miscellaneous
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Electric Showcase: “World's Fair Entertainment Spectacular” (ABC-TV one-hour special, 1965 April 29)
See also Films and Videotapes.
Executive Producer: Joseph Cates
Producer: Gilbert Cates
Director: Gilbert Cates
Writer: Selma Diamond
Cast: Gordon and Sheila MacRae, Al Hirt, The New Christy Minstrels
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Box
3
Folder
1
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Correspondence, 1965 January-October
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Box
3
Folder
2
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Scripts, credits, schedules
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Box
3
Folder
3
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Legal agreements, photos, publicity
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Box
3
Folder
4
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Miscellaneous
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Four of a Kind (daytime game show, Canadian television, 1964 September-1965 June)
See also Films and Videotapes.
Producer: CFCF-TV, Montreal, Quebec, in association with Gilbert Cates
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Box
3
Folder
5
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Correspondence, 1961 December-1967 December
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Box
3
Folder
5
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Presentation, scripts, production materials, finances, set designs, photos, miscellaneous
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Ghost Hunter (unproduced - also considered as motion picture)
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Box
4
Folder
1
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Correspondence, 1962 May-1966 September
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Box
4
Folder
1
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Scripts, finances, legal agreements, photos, miscellaneous
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Box
26
Folder
1
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Presentation
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“Hootenanny at Syracuse” (pilot for series Hootenanny, filmed 1962 November 18) : Producer: Gilbert Cates
Director: Gilbert Cates
Cast: The Limelighters, Jo Mapes, Mike Settle, Clara Ward, Jean Shepherd
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Box
4
Folder
2
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Correspondence, 1962 January-1963 June
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Box
4
Folder
3
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Presentation, scripts, schedules
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Box
4
Folder
4
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Finances, production materials, photos, clippings
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Box
4
Folder
5
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Undated notes, miscellaneous
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International Showtime (NBC-TV Weekly circus and variety series, 1962-1965)
See also Films and Videotapes.
Producer: Gilbert Cates
Director: Gilbert Cates
M.C.: Don Ameche
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Box
5
Folder
1
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Correspondence, 1962 December-1965 July
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Box
5
Folder
2
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Scripts
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Box
5
Folder
3
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Finances, show outlines
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Box
5
Folder
4
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Schedules, budgets, photos, clippings, miscellaneous
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Box
5
Folder
5
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Circus programs
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Box
5
Folder
6
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Circus information
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Box
26
Folder
2
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Publicity photos, press books
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“NHRA World Finals” (closed circuit television drag racing special, no date)
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Box
6
Folder
1
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Correspondence, 1968 September-1969 January
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Box
6
Folder
1
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Miscellaneous
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“Picture This” (pilot for CBS-TV daytime game show Picture This, filmed 1963 January 26)
See also Films and Videotapes.
Producer: Gilbert Cates
Director: Gilbert Cates
M.C.: Jerry Van Dyke
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Box
6
Folder
2
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Correspondence, 1962 June-1963 July
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Box
6
Folder
2
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Scripts
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Box
6
Folder
3
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Commercials, legal agreements, production materials, set designs, undated notes, clippings, miscellaneous
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“Reach for the Stars” (pilot for daytime game show, filmed 1966 August 6) : Producer: Ron Greenberg
Director: Gilbert Cates
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Box
6
Folder
4
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Correspondence, 1966 August
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Box
6
Folder
4
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Scripts, set designs, photos, miscellaneous
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“Sea Circus” (unproduced)
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Box
6
Folder
5
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Correspondence, 1964 October-1965 November
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Box
6
Folder
5
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Presentation, miscellaneous
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“The Tracer Game” (pilot for daytime game show, presented to ABC-TV, 1968 March 5) : Executive Producer: Gilbert Cates
Producer: Stewart Billett
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Box
7
Folder
1
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Correspondence, 1967 July-1968 August
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Box
7
Folder
2
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Finances, legal agreements, production materials, miscellaneous
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Television presentations and fragmentary material
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Box
8
Folder
1
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A-Fol
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Box
8
Folder
2
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Foo-L
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Box
8
Folder
3
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M
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Box
8
Folder
4
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N-R
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Box
8
Folder
5
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Ro-Se
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Box
9
Folder
1
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Sh-T
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Box
9
Folder
2
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U-Z
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Subseries: Motion Pictures - Produced
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The Painting (short subject, Union films, 1962)
See also Films and Videotapes.
Producer: Bert Gold, Gilbert Cates
Director: Gilbert Cates
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Box
10
Folder
1
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Correspondence, 1962 January-1964 June
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Box
10
Folder
2
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Film Festivals material
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Box
10
Folder
3
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Photos, finances, legal agreements, clippings, publicity, miscellaneous
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Rings Around the World (Columbia Pictures, 1966)
See also Films and Videotapes.
Producer: and Director: Gilbert Cates
Writer: Victor Wolfson
Cast: Don Ameche, Rudy Cardanas, The Flying Armours, Marco, et al.
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Correspondence
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Box
11
Folder
1
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1965 February 17-July 31
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Box
11
Folder
2
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1965 August 1-December 31
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Box
11
Folder
3
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1966 January 1-March 31
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Box
11
Folder
4
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1966 April 1-December 31
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Box
11
Folder
5
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1967 January 1-1968 October 23
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Box
12
Folder
1
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Scripts
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Bills
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Box
12
Folder
2
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A-L
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Box
12
Folder
3
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M-Z
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Box
12
Folder
4
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Budgets and financial statements
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Box
12
Folder
5
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Distribution financial reports
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Box
12
Folder
6
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Circus acts information
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Box
13
Folder
1
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Legal agreements
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Box
13
Folder
2
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Production materials
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Box
14
Folder
1
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Film reports
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Box
14
Folder
2-4
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Photos
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Box
14
Folder
5
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Credits, schedules, personnel, music, publicity
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Box
14
Folder
6
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Clippings
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Box
14
Folder
7
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Undated notes, miscellaneous
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Box
26
Folder
4
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Publicity posters
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Subseries: Motion Pictures - Unproduced
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The African (novel by Harold Courlander, 1967, considered for movie rights)
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Box
15
Folder
1
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Correspondence, 1968 May-1969 January
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Box
15
Folder
1
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Legal agreements, miscellaneous
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The Attache-Case Case (treatment)
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Box
15
Folder
2
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Outline: Lee Vines and Donald Segall
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The Country Music Caper (treatment)
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Box
15
Folder
3
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Outline: Harold Flender
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Box
15
Folder
3
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Correspondence, 1965 November-1966 August
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Box
15
Folder
3
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Miscellaneous
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8th Avenue
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Box
15
Folder
4
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Script: Harold Flender
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Golf Ball
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Box
15
Folder
5
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Script: Maurice Schonfeld, Patrick Pleven
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Hellman in Spite of Himself
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Box
15
Folder
6
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Script: Joseph Lesser
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The Idle Dancers
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Box
15
Folder
7
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Script: Paul Gardner, Eugene Archer
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The Monmouth Chronicle
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Box
15
Folder
8
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Script: Michael Robson
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The Moving Finger (treatment) : Producer: Larry Moyer
Director: Larry Moyer
Writer: Carlo Fiore
Cast: Lionel Stander
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Box
15
Folder
9
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Presentation (including synopsis)
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“New York, My New York” (treatment of short subject) : Producer: Gilbert Cates
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Box
15
Folder
10
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Correspondence, 1960 March-1961 May
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Box
15
Folder
10
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Presentation, miscellaneous
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The Power (short story and teleplay considered for movie rights) : Writer: Frank Robbins
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Box
15
Folder
11
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Correspondence, 1962 January-September
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Two Plus Two = Five
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Box
15
Folder
12
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Script: Tom Lawson
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Who's on Second?
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Box
16
Folder
1
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Script: Paul Field
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Box
16
Folder
1
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Correspondence, 1966 March-July
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Box
16
Folder
2
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Script
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Wolf Cop (novel considered for movie rights) : Writer: Richard Jessup
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Box
16
Folder
3
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Correspondence, 1962 January-1967 March
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Subseries: Theater
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A Broken Thing Mended
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Box
17
Folder
1
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Script: John Provo, Frank Pickard
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Box
17
Folder
1
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Correspondence, 1967 July-1968 January
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Call Me Back
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Box
17
Folder
2
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Correspondence, 1968 May-September
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Box
17
Folder
2
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Scripts by Tony Webster
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473A/1
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Tape recording : Must be played on “A” of a 4-track tape recorder.
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U.S. Mss 86AN
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Hamlet : Producer: Oscar Werner.
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Box
17
Folder
3
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Correspondence, 1967 April-September
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I Never Sang for My Father (New York, 1968 January 25) : Producer: Gilbert Cates in association with Doris Vidor
Director: Alan Schneider
Writer: Robert Anderson
Cast: Hal Holbrook, Alan Webb, Lillian Gish, Teresa Wright
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Box
27
Folder
1-3
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Three scripts
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The Interpreter : Writer: Eric Rudd
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Box
17
Folder
4
|
Correspondence, 1959 November-1964 May
|
|
Box
17
Folder
4
|
Scripts, finances, legal agreements, miscellaneous
|
|
|
The Man in the White Suit : Script: John Hess, Charles Andrews
Music: Albert Hague
Lyrics: Stanley Styne
|
|
Box
17
Folder
5
|
Correspondence, 1966 June-1968 February
|
|
Box
17
Folder
5
|
Script, outline
|
|
Box
17
Folder
6
|
Finances, legal agreements, miscellaneous
|
|
|
Spoon River Anthology (New York, 1963 September 29) : Producer: Joseph Cates in association with Gilbert Cates
Cast: Betty Garrett, Robert Elston, Joyce Van Patten, Charles Aidman
|
|
Box
27
Folder
4
|
Clippings
|
|
|
You Know I Can't Hear You When the Water's Running (New York, 1967 March 13) : Producer: Jack Farren, Gilbert Cates
Director: Alan Schneider
Writer: Robert Anderson
Cast: George Grizzard, Martin Balsam, Eileen Heckart, Melinda Dillon, Joe Silver
|
|
Box
27
Folder
5
|
Correspondence, 1966 September-1968 June
|
|
Box
27
Folder
5
|
Legal agreements, miscellaneous
|
|
Box
27
Folder
6-7
|
Scripts
|
|
Box
26
Folder
5
|
Publicity posters
|
|
|
House seat order books
|
|
Box
28
Folder
1
|
1967 March-1968 March
|
|
Box
28
Folder
2
|
1968 June-August
|
|
|
What Makes Sammy Run? (New York, 1964 February 27) : Producer: Joseph Cates in association with Gilbert Cates
Director: Abe Burrows
Writer: Budd and Stuart Schulberg
Music: Ervin Drake
Cast: Steve Lawrence, Sally Ann Howes, Robert Aida
|
|
Box
28
Folder
3
|
Script, sheet music
|
|
|
Theater scripts
|
|
Box
18
Folder
1
|
Alfred; Robert J. Hilliard
|
|
Box
18
Folder
2
|
The Boat; George Lefferts
|
|
Box
18
Folder
3
|
Chu Chem; Ted Allan
|
|
Box
18
Folder
4
|
City Sketches; Richard Harris
|
|
Box
18
Folder
5
|
A Couch for Homer; Joseph Lesser
|
|
Box
18
Folder
6
|
Crazy Means Wonderful; Burton Crane, Edwin Corley
|
|
Box
18
Folder
7
|
Deborah Samson; George Church, Walter Roberts
|
|
Box
18
Folder
8
|
Everyman's Clown; Joseph Lesser
|
|
Box
18
Folder
9
|
The Flight of the Kiwis; Richard Harris
|
|
Box
19
Folder
1
|
Free as a Bird; Norma MacMillan
|
|
Box
19
Folder
2
|
The Grass Is Red; Alfred Rinaldi
|
|
Box
19
Folder
3
|
Hunger and Thirst; Eugene Ionesco
|
|
Box
19
Folder
4
|
Les Malades; Frank Ferrer
|
|
Box
19
Folder
5
|
Love Story; Lewis Stern
|
|
Box
19
Folder
6
|
Mr. Peabody and the Mermaid; Dina Machness, Jane Sughrue
|
|
Box
19
Folder
7
|
Moby Dick - Rehearsed; Orson Welles
|
|
Box
19
Folder
8
|
My Prince! My King!; Victor Wolfson
|
|
Box
20
Folder
1
|
Ogres Are People Too; Lewis Stern
|
|
Box
20
Folder
2
|
The Overreachers; G. F. Reidenbaugh
|
|
Box
20
Folder
3
|
Saturday Laughter; Herbert Martin
|
|
Box
20
Folder
4-5
|
The Smiler; J. W. David Sullivan
|
|
Box
20
Folder
6
|
The Soft, Soft Center; Richard Harris
|
|
Box
20
Folder
7
|
The Soloists; Lewis Stern
|
|
Box
21
Folder
1
|
Up the Medulla; Malcolm Marmorstein
|
|
Box
21
Folder
2
|
The Wall to Wall Trap; anonymous
|
|
Box
21
Folder
3
|
Willie Doesn't Live Here Anymore; Gert Hoffman
|
|
|
Subseries: General
|
|
|
Correspondence
|
|
Box
22
Folder
1
|
1957 February-1962 February
|
|
Box
22
Folder
2
|
1962 March-1963 August
|
|
Box
22
Folder
3
|
1963 September-1964 November
|
|
Box
22
Folder
4
|
1965 January-1968 September
|
|
|
Childville Inc. (a residential treatment center for emotionally disturbed children; Gilbert Cates, member, Executive Board)
|
|
Box
22
Folder
5
|
Correspondence, 1965 April-1968 January; miscellaneous
|
|
|
Classic Film Strip Story series (film strips)
|
|
Box
22
Folder
6
|
Correspondence, 1962 July-October, film strip (A Christmas Carol), miscellaneous
|
|
|
“Coliseum Afternoon Theatre” (theater program proposal by Gilbert Cates)
|
|
Box
22
Folder
7
|
Correspondence, 1956 November, presentation
|
|
|
“Flip-Card Stagette” (television display device; invention by Gilbert Cates)
|
|
Box
22
Folder
8
|
Correspondence, 1961 March-1965 September, diagrams, photos, miscellaneous
|
|
|
“Live Audience Catalyst System” (television pre-recorded audience proposal by Gilbert Cates)
|
|
Box
22
Folder
9
|
Correspondence, 1964 November, presentation
|
|
|
“National African Dance Company” (1967 New York appearance)
|
|
Box
22
Folder
10
|
Photos, clippings
|
|
|
European Circus 1964 (Gilbert Cates' master's thesis, Syracuse University, 1965)
|
|
Box
23
Folder
1
|
Correspondence, 1963 June-1965 April
|
|
Box
23
Folder
2
|
Revisions
|
|
Box
23
Folder
3
|
Abstract copy
|
|
Box
23
Folder
4
|
Photocopy
|
|
Micro 429
Reel
1
|
Microfilm copy
|
|
U.S. Mss 86AN
Box
23
Folder
5
|
Photos, miscellaneous
|
|
|
“Square-Off” (board game invention by Gilbert Cates)
|
|
Box
24
Folder
1
|
Correspondence, 1961 September-1966 July, diagrams, miscellaneous
|
|
|
“Symphonic - Drama” (theater program proposal by Gilbert Cates)
|
|
Box
24
Folder
2
|
Correspondence, 1956 November-December, presentation
|
|
|
Gilbert Cates - personal
|
|
Box
24
Folder
3
|
Publicity, résumés, photos
|
|
Box
24
Folder
4
|
Finances, legal agreements
|
|
Box
24
Folder
5
|
Miscellaneous
|
|
|
Date books
|
|
Box
25
Folder
1
|
1960, 1961, 1963
|
|
Box
25
Folder
2
|
1964, 1965, 1966
|
|
Box
25
Folder
3
|
1967
|
|
Box
25
Folder
3
|
Telephone number books
|
|
Box
25
Folder
4
|
Telephone messages (carbon copy books)
|
|
|
Subseries: Films and Videotapes
|
|
DC 634-DC 635
|
Electric Showcase: “Aqua Varieties” : A Lily-Jane Production in association with the ABC Television Network, February 7, 1965.
|
|
DC 636-DC 637
|
Electric Showcase: “World's Fair Entertainment Spectacular” : A Lily-Jane Production in association with the ABC Television Network, 29 April 1965.
|
|
DC 590
|
Four of a Kind : CTV Television Network, Canada, October 4, 1964.
|
|
DC 591
|
Four of a Kind : CFCF-TV (Montreal, Canada) in association with Gil Cates Jamel Productions [1965?].
|
|
DC 592-DC 593
|
International Showtime: Circus Aquacade : NBC, December 21, 1962.
|
|
DC 594-DC 595
|
International Showtime: “The Traveling Tent Circus” : A Spectafilms Production, October 9, 1964. Telecast on the NBC Network.
|
|
|
Picture This : An Art Baer-Ben Joelson Production in association with the CBS Television Network, 1963.
|
|
DC 576
|
January 28
|
|
DC 577
|
June 25
|
|
DC 578
|
July 2
|
|
DC 579
|
July 9
|
|
DC 580
|
July 16
|
|
DC 581
|
July 23
|
|
DC 582
|
July 30
|
|
DC 583
|
August 6
|
|
DC 584
|
August 13
|
|
DC 585
|
August 20
|
|
DC 586
|
August 27
|
|
DC 587
|
September 3
|
|
DC 588
|
September 10
|
|
DC 589
|
September 17
|
|
CA 512
|
The Painting : Jamel Productions, 1962. Released by Union Film Distributors.
|
|
FA 024-FA 026
|
Rings Around the World : Columbia, 1966.
|
|
VAA 002
|
Videotape copy
|
|
U.S. Mss 86AN
|
Series: Part 2, 1984 Additions, 1954-1982
|
|
|
Subseries: General
|
|
|
Appointment books
|
|
Box
29
Folder
1
|
1962
|
|
Box
29
Folder
2
|
1968
|
|
Box
29
Folder
3
|
Cinestar Inc., contracts and related correspondence, 1974
|
|
|
Correspondence
|
|
Box
29
Folder
4-6
|
Employment, 1963-1969, undated
|
|
Box
29
Folder
7
|
General, 1954-1960
|
|
Box
30
Folder
1-2
|
1964-1980, undated
|
|
Box
30
Folder
3-6
|
Scripts, 1965-1980, undated
|
|
Box
30
Folder
7
|
Course outline, “Fencing for the Theater,” by Gilbert Katz, undated
|
|
Box
31
Folder
1-2
|
Master's thesis, “The 1964 European Circus,” by Gilbert Cates, undated
|
|
Box
31
Folder
3
|
Miscellany
|
|
Box
31
Folder
4-5
|
Résumés
|
|
Box
32
Folder
1
|
Script reports, 1967-1971, 1980
|
|
Box
32
Folder
2
|
Story outlines: “When Dominoes Fall,” by Robert O'Neil, undated; Untitled, by Dalene Young, , undated
|
|
Box
32
Folder
3
|
Syracuse University Theater productions, 1955-1956
|
|
Audio 1085A
|
Tape recordings
|
|
1085A/1-2
|
“Christmas USA,” 1953
|
|
1085A/3-4
|
“SRO,” 1955
|
|
1085A/5
|
“Anthology,” 1955
|
|
1085A/6
|
“Deep are the Roots,” 1956
|
|
1085A/7-10
|
“Same Old Faces,” 1956
|
|
1085A/11
|
“Freedom for All,” 1956
|
|
1085A/12
|
Musical Comedy Class, 1957
|
|
1085A/13-14
|
Radio Spots, 1957, undated
|
|
1085A/15
|
WMCA-Radio, 1960
|
|
1085A/16-17
|
Radio Interview with Barry Gray, 1970
|
|
1085A/18
|
TV Interview with Helen Gurley Brown, circa 1970
|
|
1085A/19
|
WGAR-Radio Interview, 1973
|
|
1085A/20
|
“Jessica's Song,” undated
|
|
U.S. Mss 86AN
|
Subseries: Theater - Produced
|
|
|
You Know I Can't Hear You When the Water's Running (New York, March 13, 1967) : Producer: Gilbert Cates, Jack Farren
Director: Alan Schneider
Author: Robert Anderson
Cast: Martin Balsam, Eileen Heckart, George Grizzard
|
|
|
New York production
|
|
Box
32
Folder
4
|
Bus and truck tours
|
|
Box
32
Folder
5
|
Casting files and related correspondence
|
|
Box
32
Folder
6-7
|
Contracts and related correspondence
|
|
|
Correspondence
|
|
Box
32
Folder
8
|
Anderson, Robert, 1966-1968
|
|
Box
33
Folder
1
|
Bus and truck tour, 1967-1969
|
|
Box
33
Folder
2-3
|
General, 1966 August-1969 July, undated
|
|
Box
33
Folder
4
|
Ticket requests, 1967-1969, undated
|
|
|
Financial
|
|
Box
33
Folder
5-7
|
Box office statements, 1967 February-1969 January
|
|
Box
34
Folder
1
|
Budget, undated
|
|
Box
34
Folder
2
|
Cates-Farren financial statement, 1967 December 31
|
|
Box
34
Folder
3
|
Correspondence, 1966-1971, undated
|
|
Box
34
Folder
4-5
|
Investors and related correspondence
|
|
Box
34
Folder
6
|
Limited partnership agreement
|
|
Box
34
Folder
7
|
Miscellany
|
|
Box
34
Folder
8
|
Operating statements, 1966-1971
|
|
Box
34
Folder
9
|
Royalty statements and related correspondence, 1967-1971
|
|
Box
35
Folder
1
|
Tax returns, 1969-1972
|
|
Box
35
Folder
2
|
Weekly settlement sheets, 1967 March-August, 1968 June-1969 January
|
|
Box
35
Folder
3
|
Foreign productions file and related correspondence
|
|
Box
35
Folder
4-6
|
House seats books, 1967 March-1968 August
|
|
Box
35
Folder
7
|
Insurance
|
|
Box
35
Folder
8
|
Memoes, 1967-1968
|
|
Box
35
Folder
9
|
Miscellany
|
|
Box
35
Folder
10
|
Playbill
|
|
Box
35
Folder
11
|
Production company lists
|
|
Box
35
Folder
12
|
Promotion/reviews, 1967
|
|
Micro 1005
Reel
1
|
Scrapbook
|
|
U.S. Mss 86AN
|
Scripts
|
|
Box
36
Folder
1
|
1967 January 11
|
|
Box
36
Folder
2-3
|
Two scripts, undated
|
|
|
Stage manager's reports
|
|
Box
36
Folder
4-6
|
1967 February-1968 June 22
|
|
Box
37
Folder
1-2
|
1968 June 24-1969 January 4
|
|
|
Detroit production (January 8, 1969)
|
|
Box
37
Folder
3
|
Box office statements, 1969 January-February
|
|
Box
37
Folder
4
|
Miscellany
|
|
Box
37
Folder
5
|
Playbill
|
|
Box
37
Folder
6
|
Stage manager's reports, 1969 January-February
|
|
|
London production (June 26, 1968) : Director: Jose Ferrer
Cast: Tom Ewell, Rosemary Murphy, Mason Adams
|
|
Box
37
Folder
7
|
Casting files and related correspondence
|
|
Box
37
Folder
8
|
Contracts
|
|
Box
37
Folder
9-11
|
Correspondence, 1967-1968, undated
|
|
|
Financial
|
|
Box
37
Folder
12
|
Box office statements, 1968 June-July
|
|
Box
37
Folder
13
|
Budget and related correspondence
|
|
Box
37
Folder
14
|
Operating statements and related correspondence, 1968 June-July
|
|
Box
37
Folder
15
|
Memoes, 1967-1968
|
|
Box
38
Folder
1
|
Miscellany
|
|
Box
38
Folder
2
|
Reviews, 1968
|
|
|
National tour
|
|
Box
38
Folder
3
|
Baltimore (April 10-27, 1968)
|
|
Box
38
Folder
4
|
Boston (March 11-30, 1968)
|
|
Box
38
Folder
5
|
Casting files
|
|
Box
38
Folder
6
|
Chicago (May 27-September 14, 1968)
|
|
Box
38
Folder
7
|
Cincinnati (January 2-7, 1968)
|
|
Box
38
Folder
8
|
Cleveland October 6-21, 1967)
|
|
Box
38
Folder
9
|
Columbus (January 15-20, 1968)
|
|
Box
38
Folder
10
|
Contracts and related correspondence
|
|
Box
38
Folder
11
|
Correspondence, 1967 April-1970 March
|
|
Box
38
Folder
12
|
Indianapolis (January 8-10, 1968)
|
|
Box
38
Folder
13
|
Los Angeles (October 25-December 2, 1967)
|
|
Box
39
Folder
1
|
Louisville (January 11-13, 1968)
|
|
Box
39
Folder
2
|
Milwaukee (December 26-31, 1967)
|
|
Box
39
Folder
3
|
Montreal (February 13-17, 1968)
|
|
Box
39
Folder
4
|
New Haven (April 1-6, 1968)
|
|
Box
39
Folder
5
|
Philadelphia (February 19-March 9, 1968)
|
|
Box
39
Folder
6
|
St. Louis (December 6-16, 1967)
|
|
Box
39
Folder
7
|
Souvenir book
|
|
1085A/21-22
|
Tape recordings
|
|
U.S. Mss 86AN
Box
39
Folder
8
|
Toronto (January 29-February 10, 1968)
|
|
Box
39
Folder
9
|
Washington, D.C. (April 27-May 25, 1968)
|
|
Box
39
Folder
10
|
Wilmington (January 22-27, 1968)
|
|
|
I Never Sang for My Father (New York January 25, 1968) : Producer: Gilbert Cates, in association with Doris Vidor
Director: Alan Schneider
Author: Robert Anderson
Cast: Hal Holbrook, Alan Webb, Teresa Wright, Lillian Gish
|
|
Box
39
Folder
11
|
Boston production (January 9, 1968) and related correspondence
|
|
Box
39
Folder
12
|
Casting files and related correspondence
|
|
Box
39
Folder
13-14
|
Contracts and related correspondence
|
|
|
Correspondence
|
|
Box
40
Folder
1
|
Anderson, Robert, 1967-1968, undated
|
|
Box
40
Folder
2-3
|
General, 1967-1969, undated
|
|
Box
40
Folder
4
|
Equipment files and related correspondence
|
|
|
Financial
|
|
Box
40
Folder
5
|
Box office statements, 1968 January-May
|
|
Box
40
Folder
6
|
Budgets, 1967
|
|
|
Correspondence
|
|
Box
40
Folder
7
|
General, 1967-1970
|
|
Box
40
Folder
8
|
Vidor, Doris, 1967-1969
|
|
Box
40
Folder
9
|
Insurance and related correspondence
|
|
|
Investors
|
|
Box
40
Folder
10-11
|
Correspondence, 1967-1975, undated
|
|
Box
41
Folder
1
|
General file
|
|
Box
41
Folder
2
|
Limited partnership agreement, 1967
|
|
Box
41
Folder
3
|
Miscellany
|
|
Box
41
Folder
4
|
Operating statements, 1968-1970
|
|
Box
41
Folder
5
|
Tax returns, 1968-1969
|
|
Box
41
Folder
6
|
Weekly expense sheets, 1968 January-May
|
|
Box
41
Folder
7
|
House seats book, 1968 January-May
|
|
Box
41
Folder
8
|
Lighting files
|
|
Box
41
Folder
9
|
London production (1970) and related correspondence
|
|
Box
41
Folder
10
|
Miscellany
|
|
Box
41
Folder
11
|
New Haven production files and related correspondence
|
|
Box
41
Folder
12
|
Opening night ticket files and related correspondence
|
|
Box
41
Folder
13
|
Philadelphia production (December 30, 1967) and related correspondence
|
|
Box
41
Folder
14
|
Playbill
|
|
Box
41
Folder
15
|
Promotion/reviews, 1968
|
|
Micro 1005
Reel
1
|
Scrapbook
|
|
U.S. Mss 86AN
|
Scripts
|
|
Box
41
Folder
16
|
“The Tiger,“ pre-1967
|
|
Box
41
Folder
17-18
|
Two scripts, undated
|
|
Box
42
Folder
1
|
Revised, undated
|
|
Box
42
Folder
2
|
Stage manager's reports, 1968 January-May
|
|
Box
75
Folder
1
|
Stage plans
|
|
|
The Chinese and Dr. Fish (New York, March 10, 1970) : Producer: Gilbert Cates
Director: Arthur Storch
Author: Murray Schisgal
Cast: Vincent Gardenia, William DeVane, Charlotte Rae, Louise Lasser
|
|
Box
42
Folder
3
|
Casting files and related correspondence
|
|
Box
42
Folder
4-5
|
Contracts and related correspondence
|
|
Box
42
Folder
6
|
Correspondence, 1969-1970, undated
|
|
Box
42
Folder
7
|
Credits and related correspondence
|
|
|
Financial
|
|
Box
42
Folder
8
|
Box office statements, 1970 March 10-21
|
|
Box
42
Folder
9
|
Budgets, 1970 August 12, 1970 November 7
|
|
Box
42
Folder
10
|
Correspondence, 1969-1970, undated
|
|
Box
42
Folder
11-12
|
Investors and related correspondence
|
|
Box
42
Folder
13
|
Limited partnership agreement
|
|
Box
13
Folder
14
|
Operating statements, 1970 May
|
|
Box
13
Folder
15
|
Miscellany
|
|
Box
13
Folder
16
|
Paris production (October 1968) and related correspondence
|
|
Box
42
Folder
17
|
Philadelphia production (February 1970) and related correspondence
|
|
Box
42
Folder
18
|
Playbill
|
|
|
Promotion/reviews, 1970
|
|
Box
75
Folder
2
|
Ad design
|
|
Box
42
Folder
19
|
General
|
|
Micro 1005
Reel
1
|
Scrapbook
|
|
U.S. Mss 86AN
|
Scripts
|
|
Box
43
Folder
1
|
Draft, 1969 June 15
|
|
Box
43
Folder
2
|
Draft, 1969 December 22
|
|
Box
43
Folder
3
|
Final, 1970 March
|
|
1085A/23
|
Tape recording
|
|
U.S. Mss 86AN
|
The Price (Long Wharf Theater, CT, May 7-29, 1971) : Director: Gilbert Cates
Author: Arthur Miller
Cast: Richard Venture, Joyce Ebert, Will Lee, William Swetland
|
|
Box
43
Folder
4
|
Correspondence, 1971; notes; promotion; playbill; reviews, , 1971; working script
|
|
Box
75
Folder
3
|
Set designs
|
|
|
Solitaire/Double Solitaire (New York, September 30, 1971) : Producer: Gilbert Cates, Roy Nevans, Albert Schiff
Director: Arvin Brown
Author: Robert Anderson
Cast: John Cromwell, Joyce Ebert, Ruth Nelson, Richard Venture
|
|
Box
43
Folder
5
|
Casting files and related correspondence
|
|
Box
43
Folder
6
|
Contracts
|
|
|
Correspondence
|
|
Box
43
Folder
7
|
Anderson, Robert, 1970-1971
|
|
Box
43
Folder
8
|
General, 1970-1971, undated
|
|
Box
43
Folder
9
|
Edinburgh International Festival and related correspondence, 1971
|
|
|
Financial
|
|
Box
43
Folder
10
|
Box office statements, 1971 September-October
|
|
Box
44
Folder
1
|
Budget and related correspondence, 1970-1971
|
|
Box
44
Folder
2-3
|
Correspondence, 1970-1976, undated
|
|
Box
44
Folder
4
|
Limited partnership agreement
|
|
Box
44
Folder
5
|
Operating statements, 1971 October 2, 1971 November 30, 1971 December 31, 1972 December 31
|
|
Box
44
Folder
6
|
Long Wharf Theater and related correspondence
|
|
Box
44
Folder
7
|
Miscellaneous
|
|
Box
44
Folder
8
|
Playbill
|
|
Box
44
Folder
9
|
Promotion/reviews and related correspondence, 1971
|
|
Micro 1005
Reel
1
|
Scrapbook
|
|
|
Scripts
|
|
Box
44
Folder
10
|
Revised, 1971 March 31
|
|
Box
44
Folder
11
|
Production, circa 1971 September
|
|
Box
44
Folder
12-13
|
Two scripts, undated
|
|
Box
45
Folder
1-2
|
Two scripts, undated
|
|
Box
45
Folder
3
|
“Double Solitaire,” undated
|
|
Box
45
Folder
4
|
“Double Solitaire,” undated
|
|
Box
45
Folder
5
|
“The Last Act Is a Solo”, undated
|
|
AB 751-AB 752
|
I'm Home / director Arvin Brown : Film used in Cates' production of Solitaire/Double Solitaire.
|
|
1085A/24-28
|
Tape recordings
|
|
U.S. Mss 86AN
|
Voices (formerly The Others) (New York, April 3, 1972) : Producer: Jerry Schlossberg, Jerry Hammer, Adela Holzer
Director: Gilbert Cates
Author: Richard Lortz
Cast: Richard Kiley, Julie Harris
|
|
Box
45
Folder
6
|
Box office statements, 1972 March 27-April 8
|
|
Box
45
Folder
7
|
Casting files and related correspondence
|
|
Box
45
Folder
8
|
Contracts and related correspondence
|
|
Box
45
Folder
9
|
Correspondence, 1970-1972, undated
|
|
Box
45
Folder
10
|
London production (1966) and related correspondence
|
|
Box
45
Folder
11
|
Miscellany
|
|
Box
45
Folder
12
|
New Haven production (February 1972) and related correspondence
|
|
Box
45
Folder
13
|
Philadelphia production (March 1972) and related correspondence
|
|
Box
45
Folder
14
|
Playbill
|
|
Box
45
Folder
15
|
Production notes, 1972 February-April
|
|
Box
45
Folder
16
|
Promotion/reviews, 1972
|
|
|
Scripts
|
|
Box
45
Folder
17
|
Fragments, undated
|
|
Box
45
Folder
18
|
“The Others,” revised, undated
|
|
Box
46
Folder
1
|
“The Others,” production, undated
|
|
Box
75
Folder
4
|
Stage plans
|
|
1085A/29
|
Tape recording
|
|
U.S. Mss 86AN
|
Tricks of the Trade (New York, November 6, 1980) : Producer: Gilbert Cates, in association with Matthew Alexander
Director: Gilbert Cates
Author: Sidney Michaels
Cast: George C. Scott, Trish Van Devere
|
|
Box
46
Folder
2
|
Correspondence, 1980; promotion
|
|
Micro 1005
Reel
1
|
Scrapbook
|
|
U.S. Mss 86AN
|
Scripts
|
|
Box
46
Folder
3
|
Revised, 1977 November
|
|
Box
46
Folder
4
|
1979 June 25
|
|
Box
46
Folder
5
|
1979 July
|
|
Box
46
Folder
6
|
1980 February
|
|
Box
46
Folder
7
|
1980 August
|
|
Box
46
Folder
8
|
Undated
|
|
1085A/30-31
|
Tape recordings
|
|
VTA 007
|
Scenes from the play 1 videorecording
|
|
U.S. Mss 86AN
|
Subseries: Theater - Unproduced
|
|
|
The Boat
|
|
Box
47
Folder
1
|
Budget, 1968 July 30, 1968 September 17-18
|
|
Box
47
Folder
2
|
Casting files and related correspondence
|
|
Box
47
Folder
3
|
Contracts, 1968
|
|
Box
47
Folder
4-5
|
Correspondence, 1968-1969, undated
|
|
Box
47
Folder
6
|
Miscellany
|
|
Box
47
Folder
7-8
|
Two scripts (by George Lefferts), undated
|
|
Box
47
Folder
9
|
Script record
|
|
|
Ducks and Lovers
|
|
Box
47
Folder
10
|
Casting files
|
|
|
Scripts
|
|
Box
47
Folder
11
|
By Murray Schisgal, 1967 November 26
|
|
Box
47
Folder
12
|
By Murray Schisgal, revised, 1969 April 24
|
|
Box
48
Folder
1
|
By Murray Schisgal, undated
|
|
Box
48
Folder
2
|
By Murray Schisgal and John Hunter, undated
|
|
|
How Tall Is Toscanini?/It Rained on My Picasso
|
|
Box
48
Folder
3
|
Correspondence, 1969; play report, , 1969
|
|
Box
75
Folder
5
|
Stage plans
|
|
|
Hunger and Thirst
|
|
Box
48
Folder
4
|
Budget, 1969 February; correspondence, , 1968-1969; script record
|
|
|
Subseries: Theater - Other Producers
|
|
|
Hello, This Is the Bottom Drawer
|
|
Box
48
Folder
5
|
Programs; reviews, 1980
|
|
|
Lamp at Midnight
|
|
Box
48
Folder
6
|
Correspondence, 1967-1969; television reviews, , 1966
|
|
|
The Trial of A. Lincoln
|
|
Box
48
Folder
7
|
Contract; correspondence, 1970; notes; program, , 1971; reviews, , 1970-1971
|
|
|
Subseries: Motion Pictures - Produced
|
|
|
The Painting (Union Films, 1962) : Producer: Gilbert Cates, Bert Gold
Director: Gilbert Cates
|
|
1085A/32
|
Tape recording
|
|
U.S. Mss 86AN
|
Rings Around the World (Columbia Pictures, 1966) : Producer: Gilbert Cates
Director: Gilbert Cates
Author: Victor Wolfson
Cast: Don Ameche, Rudy Cardanas
|
|
Box
48
Folder
8
|
Correspondence, 1964-1977; distribution statements, , 1969-1976; music, “Canvas Sky”; script, final, , 1966 June 20
|
|
1085A/33-39
|
Tape recordings
|
|
U.S. Mss 86AN
|
I Never Sang for My Father (formerly Strangers) (Columbia Pictures, 1970) : Producer: Gilbert Cates
Director: Gilbert Cates
Author: Robert Anderson
Cast: Melvyn Douglas, Gene Hackman, Estelle Parsons, Dorothy Stickney
|
|
Box
48
Folder
9
|
Awards and certificates, 1970-1971
|
|
Box
48
Folder
10-13
|
Contracts and related correspondence
|
|
|
Correspondence
|
|
Box
48
Folder
14
|
Anderson, Robert, 1968-1971, undated
|
|
Box
49
Folder
1
|
Cast, 1968-1969, undated
|
|
Box
49
Folder
2
|
Foreign, 1971
|
|
Box
49
Folder
3
|
General, 1967-1974, undated
|
|
|
Financial
|
|
Box
49
Folder
4
|
Budget and related correspondence
|
|
Box
49
Folder
5
|
Cast payroll
|
|
Box
49
Folder
6
|
Correspondence, 1968-1974
|
|
Box
49
Folder
7
|
Distribution statements, 1971-1976
|
|
Box
49
Folder
8
|
Insurance and related correspondence
|
|
Box
49
Folder
9
|
Production costs, 1969-1970
|
|
Box
49
Folder
10
|
Release of rights and related correspondence
|
|
Box
49
Folder
11
|
Miscellany
|
|
|
Production
|
|
Box
49
Folder
12
|
Biograph Studio and related correspondence
|
|
Box
49
Folder
13
|
Call sheets
|
|
Box
49
Folder
14
|
Casting files and related correspondence
|
|
Box
49
Folder
15
|
Credits and related correspondence
|
|
Box
50
Folder
1
|
Daily production reports
|
|
Box
50
Folder
2
|
Equipment and props and related correspondence
|
|
Box
50
Folder
3
|
Musical score and related correspondence
|
|
Box
50
Folder
4
|
Production notes
|
|
Box
50
Folder
5
|
Script book
|
|
Box
75
Folder
6-7
|
Set designs
|
|
Box
50
Folder
6
|
Shooting schedule
|
|
Box
50
Folder
7
|
Staff and crew lists
|
|
Box
50
Folder
8
|
Titles and related correspondence
|
|
Box
50
Folder
9
|
Trims and outs list
|
|
Box
50
Folder
10
|
Wardrobe and related correspondence
|
|
Box
50
Folder
11
|
Promotion, 1969-1971
|
|
Box
50
Folder
12
|
Record album
|
|
Box
50
Folder
13
|
Reviews, 1970-1971
|
|
Micro 1005
Reel
1
|
Scrapbook
|
|
U.S. Mss 86AN
|
Scripts
|
|
Box
51
Folder
1
|
“Arrivals and Departures,” 1969 January 2
|
|
Box
51
Folder
2
|
Untitled, 1969 January 23
|
|
Box
51
Folder
3
|
“Strangers,” shooting, 1969 March 20
|
|
Box
51
Folder
4
|
Revised, 1969 May
|
|
Box
51
Folder
5
|
Published, and related correspondence, 1971
|
|
Box
51
Folder
6
|
Fragments, undated
|
|
Box
51
Folder
7
|
Script record, 1969
|
|
1085A/40
|
Tape recording
|
|
U.S. Mss 86AN
Box
51
Folder
8
|
Theater attendance records, 1970-1971
|
|
Box
51
Folder
9
|
Theater lists
|
|
|
Summer Wishes, Winter Dreams (formerly Death of a Snow Queen) (Columbia Pictures, 1973) : Producer: Jack Brodsky
Director: Gilbert Cates
Author: Stewart Stern
Cast: Joanne Woodward, Martin Balsam, Sylvia Sidney
|
|
Box
51
Folder
10
|
Contracts and related correspondence
|
|
Box
52
Folder
11
|
Correspondence, 1972-1974, undated
|
|
|
Financial
|
|
Box
52
Folder
1
|
Correspondence, 1972-1974
|
|
Box
52
Folder
2
|
Distribution statements, 1974 January, 1975 October
|
|
Box
52
Folder
3
|
Monthly expense reports, 1972-1973
|
|
|
Production
|
|
Box
52
Folder
4
|
Call sheets
|
|
Box
52
Folder
5
|
Casting files and related correspondence
|
|
Box
52
Folder
6
|
Credits
|
|
Box
52
Folder
7
|
Daily production reports
|
|
Box
52
Folder
8
|
Editing notes
|
|
Box
52
Folder
9
|
Miscellany
|
|
Box
52
Folder
10
|
Music and related correspondence
|
|
Box
75
Folder
8
|
Set designs
|
|
Box
52
Folder
11
|
Shooting schedule
|
|
Box
52
Folder
12
|
Titles
|
|
Box
52
Folder
13
|
Promotion/reviews, 1973
|
|
Micro 1005
Reel
1
|
Scrapbook
|
|
U.S. Mss 86AN
|
Scripts
|
|
Box
52
Folder
14
|
Fragments, 1972 October-December, undated
|
|
Box
52
Folder
15
|
Story outline, undated
|
|
Box
53
Folder
1
|
Third draft, fragments, undated
|
|
Box
53
Folder
2
|
“Death of the Snow Queen,” second draft, revised, undated
|
|
Box
53
Folder
3
|
“Death of a Snow Queen,” undated
|
|
1085A/41
|
Tape recording
|
|
AC 463
|
Film clip
|
|
U.S. Mss 86AN
|
One Summer Love (formerly Dragonfly) (American International Pictures, 1976) : Producer: Gilbert Cates
Director: Gilbert Cates
Author: N. Richard Nash
Cast: Beau Bridges, Susan Sarandon, Mildred Dunnock
|
|
Box
53
Folder
4
|
Contracts and related correspondence
|
|
Box
53
Folder
5
|
Correspondence, 1971-1981, undated
|
|
|
Financial
|
|
Box
53
Folder
6
|
Budgets and cash flows, 1975-1976
|
|
Box
53
Folder
7
|
Distribution statements, 1976-1979
|
|
|
Production
|
|
Box
54
Folder
1
|
Call sheets
|
|
Box
54
Folder
2
|
Casting files and related correspondence
|
|
Box
54
Folder
3
|
Continuity
|
|
Box
54
Folder
4
|
Daily production reports, 1975 July-August
|
|
Box
54
Folder
5
|
Dubbing
|
|
Box
54
Folder
6
|
Editing and related correspondence
|
|
Box
54
Folder
7
|
“Lifts”
|
|
Box
54
Folder
8
|
Miscellany
|
|
Box
54
Folder
9
|
Mixing cues
|
|
Box
55
Folder
1
|
Music and related correspondence
|
|
Box
55
Folder
2
|
Opticals
|
|
Box
55
Folder
3
|
Release forms
|
|
Box
76
Folder
1-2
|
Rerecording logs
|
|
Box
55
Folder
4
|
Scene breakdowns
|
|
Box
55
Folder
5
|
Set designs
|
|
Box
55
Folder
6
|
Stills files and related correspondence
|
|
Box
55
Folder
7
|
“Wild Tracks” log
|
|
Box
55
Folder
8
|
Promotion/reviews, 1976
|
|
|
Scripts
|
|
Box
55
Folder
9
|
“Keep in Touch,” pre-June 1975
|
|
Box
55
Folder
10
|
“Dragonfly,” director's script, 1975 June
|
|
|
“Dragonfly,” editor's script, 1975 June
|
|
Box
55
Folder
11
|
pp. 1-57
|
|
Box
56
Folder
1
|
pp. 58-120
|
|
Box
56
Folder
2
|
“Dragonfly,” revised, 1975 June
|
|
Box
56
Folder
3
|
“Dragonfly,” undated
|
|
VBA 683-VBA 684
|
“Dragonfly,” film
|
|
U.S. Mss 86AN
|
The Last Married Couple in America (Universal Pictures, 1980) : Executive Producer: Gilbert Cates, Joseph Cates
Producer: Edward Feldman, John Shaner
Director: Gilbert Cates
Cast: George Segal, Natalie Wood, Richard Benjamin, Dom DeLouise
|
|
|
Financial
|
|
Box
56
Folder
4
|
Budgets, 1978 May 24, 1979 December 28
|
|
Box
56
Folder
5
|
Weekly operating statements, 1978 December-1979 April
|
|
|
Production
|
|
Box
56
Folder
6
|
Call sheets
|
|
Box
56
Folder
7
|
Continuity breakdowns
|
|
Box
56
Folder
8
|
Daily production reports, 1979 January-March
|
|
Box
56
Folder
9
|
Daily progress reports, 1979 February-March
|
|
Box
56
Folder
10
|
Payroll start notices
|
|
Box
56
Folder
11
|
Shooting schedule
|
|
Box
56
Folder
12
|
Promotion/reviews, 1980
|
|
|
Scripts
|
|
Box
57
Folder
1
|
Pre-December 4, 1978
|
|
Box
57
Folder
2
|
1978 December 4
|
|
|
Shooting, undated
|
|
Box
57
Folder
3
|
pp. 1-83
|
|
Box
57
Folder
4
|
pp. 84-132
|
|
Box
57
Folder
5
|
undated
|
|
Box
57
Folder
6
|
Script book, undated
|
|
|
Oh God, Book II (Warner Brothers, 1980) : Producer: Gilbert Cates
Director: Gilbert Cates
Author: Josh Greenfeld
Cast: George Burns, Louanne, David Birney, Suzanne Pleschette
|
|
Box
58
Folder
1
|
Correspondence, 1977-1980
|
|
|
Financial
|
|
Box
58
Folder
2
|
Budget, final, and related correspondence, 1980 January 7
|
|
Box
58
Folder
3
|
Weekly operating statements, 1980 January-September
|
|
|
Production
|
|
Box
58
Folder
4
|
Casting files
|
|
Box
58
Folder
5
|
Daily production and progress reports, 1979 December-1980 March
|
|
Box
58
Folder
6
|
Daily progress reports, 1980 January-March
|
|
Box
58
Folder
7
|
Miscellany
|
|
Box
75
Folder
9
|
Set designs
|
|
Box
58
Folder
8
|
Shooting schedule
|
|
Box
58
Folder
9
|
Staff and crew lists
|
|
Box
58
Folder
10
|
Promotion
|
|
|
Scripts
|
|
Box
59
Folder
1
|
“Oh God” sequel, pre-November 1978
|
|
Box
59
Folder
2
|
“Oh God” sequel, revised first draft, 1978 November
|
|
Box
59
Folder
3
|
“Oh God! Oh God!,” second draft, 1979 March
|
|
Box
59
Folder
4
|
“Oh God! Oh God!,” revised second draft, 1979 June 29
|
|
Box
59
Folder
5
|
“Oh God! Part II,” revised, 1979 September
|
|
Box
59
Folder
6
|
“Oh God! Oh God!,” final, 1979 October 30
|
|
Box
59
Folder
7
|
“Oh God! Oh God!,” revised final, 1979 November 15
|
|
Box
59
Folder
8
|
“Oh God! Oh God!,” shooting script, 1979 December 28
|
|
Box
60
Folder
1
|
“Oh God! Oh God!,” production script, 1980 March 12
|
|
|
Subseries: Motion Pictures - Unproduced
|
|
|
Anatomy of a Burglar
|
|
Box
60
Folder
2
|
Correspondence, 1974; magazine articles (by Timothy Mulligan), , undated
|
|
|
Devil's Advocate
|
|
Box
60
Folder
3
|
Casting files; correspondence, 1975; production miscellany
|
|
|
A Dirty Mind Never Sleeps
|
|
Box
60
Folder
4
|
Contracts, 1969; correspondence, , 1969-1971; treatments (by Max Wilk), , 1969 December, 1970 February
|
|
|
Ghosts
|
|
Box
60
Folder
5
|
Budget, 1966 October; contracts, , 1966; correspondence, , 1966-1968; miscellany
|
|
1085A/42
|
Tape recording
|
|
U.S. Mss 86AN
|
Jimmy Shine
|
|
Box
60
Folder
6
|
Correspondence, 1970-1971, undated
|
|
Box
60
Folder
7
|
Miscellany
|
|
Box
60
Folder
8
|
Scene Outlines (by Venable Herndon), 1970 November-1971 January
|
|
|
Scripts
|
|
Box
60
Folder
9
|
By Murray Schisgal, 1968 February 18
|
|
Box
60
Folder
10
|
By Sheldon Patinkin and Alan Arkin, first draft, 1969 September
|
|
Box
61
Folder
1
|
By Venable Herndon, first draft, revised, 1971 April 28
|
|
|
[Khruschev Arrives in Manhattan]
|
|
AC 466
|
Film
|
|
U.S. Mss 86AN
|
The Limehouse
|
|
Box
61
Folder
2
|
Correspondence, 1976; production miscellany
|
|
|
Scripts
|
|
Box
61
Folder
3
|
First draft (by Erik Lee Preminger), 1975 May 26
|
|
Box
61
Folder
4
|
First draft, revised (by Erik Lee Preminger), 1976 May 6
|
|
|
The Loved and the Unloved
|
|
Box
61
Folder
5
|
Correspondence, 1972
|
|
|
The Me Nobody Knows
|
|
Box
61
Folder
6
|
Budgets, 1975 January
|
|
Box
61
Folder
7
|
Contracts, 1975; correspondence, , 1973-1975
|
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Box
61
Folder
8
|
Miscellany
|
|
Box
61
Folder
9
|
Music
|
|
Box
61
Folder
10
|
Scene breakdown, 1974 November 16
|
|
|
Scripts
|
|
Box
61
Folder
11
|
Treatment (by John Holland), 1973 August
|
|
Box
61
Folder
12
|
“The Me Nobody Knows” (by Shane Stevens), first draft, 1974 August
|
|
Box
62
Folder
1
|
Untitled (by Shane Stevens), 1974 December
|
|
Box
62
Folder
2
|
“Street Song” (by Shane Stevens), 1975 March
|
|
1085A/43
|
Tape recording
|
|
U.S. Mss 86AN
|
The Prize of Peril
|
|
Box
62
Folder
3
|
Correspondence, 1977-1978; short story, “The Prize of Peril” (by Robert Sheckley), , undated
|
|
|
Razing Kane
|
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Box
62
Folder
4
|
Script treatment (by Webster Lithgow and Thomas McCann), 1969
|
|
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A Reason to Be
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Box
62
Folder
5
|
Contract, 1975; correspondence, , 1975; scene breakdowns; story outline, “A World of Their Own” (by Howard Minsky), , undated
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|
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Rhodesian Riddle
|
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Box
62
Folder
6
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Correspondence, 1976-1978; promotion regarding author Howard Fast
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Box
62
Folder
7
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Script (by Howard Fast), first draft, 1977 January
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SPFC or Dropping In
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Box
62
Folder
8
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Budget, circa 1967
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Box
62
Folder
9
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Script, undated
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The Saturday Night Knife and Gun Club
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Box
62
Folder
10
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Contracts, 1976; correspondence, , 1976-1977, undated; reviews, , 1977
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Box
62
Folder
11
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Script (by B.P. Reiter), undated
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Scotch Sour
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Box
62
Folder
12
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Budget, 1974 October 22 and October 28; correspondence, , 1974-1975
|
|
Box
63
Folder
1
|
Script (by David Shaber), 1974 September
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|
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The Search for Joseph Tully
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Box
63
Folder
2
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Contract, 1978; correspondence, , 1976-1978
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Box
63
Folder
3
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Script, undated
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|
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Twenty-Five Thousand Cases of Scotch
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Box
63
Folder
4
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Casting; correspondence, 1972-1973
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Box
63
Folder
5
|
Script (by Ralph Maloney), first draft, 1972 June
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|
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White Pills
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Box
63
Folder
6
|
Correspondence, 1965-1967; miscellany
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|
|
Subseries: Motion Pictures - Other Producers
|
|
|
Breaking Up
|
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Box
63
Folder
7
|
Budget, undated; correspondence, , 1973; notes, , undated
|
|
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Burnt Offering
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Box
63
Folder
8
|
Correspondence, 1973; notes, , undated
|
|
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Ice Castles
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Box
63
Folder
9
|
Memoes, 1977
|
|
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To Find a Man
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Box
63
Folder
10
|
Correspondence, 1970; notes,, undated
|
|
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Subseries: Television - Produced
|
|
|
Haggis Baggis (NBC, 1957)
|
|
1085A/44-47
|
Tape recordings
|
|
AC 465
|
Product announcement
|
|
U.S. Mss 86AN
|
International Showtime (NBC, 1961-1965)
|
|
Box
63
Folder
11
|
Publicity packets, 1961-1965
|
|
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Camouflage (ABC, 1962)
|
|
Box
63
Folder
12
|
Questions, 1962 January-November
|
|
|
Opening Night at the New York World's Fair (NBC, April 22, 1964) : Producer: Robert Bendick
Director: Kirk Browning
Sequence Director: Gilbert Cates, Dean Whitmore, Lee Tredanari
Author: Lou Solomon
Cast: Henry Fonda, Fred MacMurray, Lorne Green
|
|
Box
63
Folder
13
|
Production files
|
|
Box
64
Folder
1
|
Script, revised, 1964 April 20
|
|
|
Trace That Face (NBC, 1967)
|
|
Box
64
Folder
2
|
Notes, 1967-1968; transparencies
|
|
|
Punchline (ABC, 1968)
|
|
Box
64
Folder
3
|
Program pilot shooting script, 1968 September 7; rundown, , 1968 August 28; shooting schedules
|
|
Box
75
Folder
10
|
Stage plans
|
|
|
To All My Friends on Shore (CBS, February 25, 1972) : Producer: Gilbert Cates
Director: Gilbert Cates
Author: Allan Sloane
Cast: Bill Cosby, Gloria Foster, Dennis Hines
|
|
Box
64
Folder
4
|
Awards and Certificates, 1972
|
|
Box
64
Folder
5-6
|
Contracts and related correspondence
|
|
Box
64
Folder
7-8
|
Correspondence, 1971-1972
|
|
|
Financial
|
|
Box
64
Folder
9
|
Budget, undated
|
|
Box
64
Folder
10
|
Correspondence, 1971-1972
|
|
Box
64
Folder
11
|
Insurance
|
|
Box
64
Folder
12
|
Ledger, 1971
|
|
Box
64
Folder
13
|
Miscellany
|
|
Box
65
Folder
1
|
Release forms
|
|
|
Production
|
|
Box
65
Folder
2
|
Call sheets
|
|
Box
65
Folder
3
|
Casting files and related correspondence
|
|
Box
65
Folder
4
|
Credits
|
|
Box
65
Folder
5
|
Crew lists
|
|
Box
65
Folder
6
|
Daily production reports, 1971 October 20-November 10
|
|
Box
65
Folder
7
|
Daily script reports, 1971 October 20-November 9
|
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Box
65
Folder
8
|
Equipment and props and related correspondence
|
|
Box
65
Folder
9
|
Miscellany
|
|
Box
65
Folder
10
|
Music
|
|
Box
75
Folder
11
|
Set designs
|
|
Box
65
Folder
11
|
Shooting schedule
|
|
Box
65
Folder
12
|
Sound reports
|
|
Box
65
Folder
13
|
Wardrobe
|
|
Box
65
Folder
14
|
Promotion/reviews and related correspondence, 1971-1972
|
|
|
Scripts
|
|
Box
65
Folder
15
|
First draft, pre-September 27, 1971
|
|
Box
65
Folder
16
|
Second draft, 1971 September 27
|
|
Box
65
Folder
17
|
Fragments, 1971 October, undated
|
|
Box
65
Folder
18
|
Final dialogue, undated
|
|
Box
65
Folder
19
|
Story outline, undated
|
|
Box
65
Folder
20
|
Script notes, undated
|
|
|
The Affair (formerly Love Sounds; Love Song) (ABC, November 20, 1973) : Producer: Aaron Spelling, Leonard Goldberg
Director: Gilbert Cates
Author: Barbara Turner
Cast: Natalie Wood, Robert Wagner
|
|
Box
65
Folder
21
|
Contracts, 1973
|
|
Box
65
Folder
22
|
Correspondence, 1973-1975, undated
|
|
|
Production
|
|
Box
65
Folder
23
|
Casting files
|
|
Box
65
Folder
24
|
Miscellany
|
|
Box
75
Folder
12
|
Set designs
|
|
Box
66
Folder
1
|
Promotion/reviews, 1973
|
|
|
Scripts
|
|
Box
66
Folder
2
|
“Love Song,” second draft, revised, 1973 June 4
|
|
Box
66
Folder
3
|
“Love Song,” fourth draft, revised, 1973 July 31
|
|
|
After the Fall (NBC, December 10, 1974) : Producer: Gilbert Cates
Director: Gilbert Cates
Author: Arthur Miller
Cast: Faye Dunaway, Christopher Plummer, Bibi Andersson
|
|
Box
66
Folder
4-5
|
Contracts and related correspondence
|
|
Box
66
Folder
6
|
Correspondence, 1973-1975, undated
|
|
|
Financial
|
|
Box
66
Folder
7
|
Budgets, 1972-1974
|
|
Box
66
Folder
8
|
Correspondence, 1973-1975
|
|
|
Production
|
|
Box
66
Folder
9
|
Casting files and related correspondence
|
|
Box
66
Folder
10
|
Miscellany
|
|
Box
67
Folder
1
|
Mixing cue sheets
|
|
Box
75
Folder
13
|
Musical score and cue sheets
|
|
Box
67
Folder
2
|
Scene breakdowns
|
|
Box
67
Folder
3
|
Set designs
|
|
Box
67
Folder
4
|
Promotion/reviews, 1974
|
|
Micro 1005
Reel
1
|
Scrapbook
|
|
U.S. Mss 86AN
|
Scripts
|
|
Box
67
Folder
6
|
Rehearsal, 1974 March
|
|
Box
67
Folder
7
|
Dialogue continuity (as taped), 1974 March
|
|
Box
67
Folder
8
|
Act II, revised, undated
|
|
Box
67
Folder
9
|
undated
|
|
Box
68
Folder
1
|
Script book, 1974 March
|
|
1085A/48-78
|
Tape recordings
|
|
CB 048-CB 053
|
Picture : Pic. 7 of 7 missing.
|
|
CB 054-CB 060
|
Track
|
|
VBA 674-VBA 681
|
Unmixed/unedited versions
|
|
VBA 671-VBA 673
|
Final version
|
|
U.S. Mss 86AN
|
Johnny We Hardly Knew Ye (NBC, January 26, 1977) : Producer: Lionel Chetwynd
Director: Gilbert Cates
Author: Lionel Chetwynd
Cast: Paul Rudd, William Prince, Burgess Meredith
|
|
Box
68
Folder
2
|
Correspondence, 1976-1977
|
|
|
Financial
|
|
Box
68
Folder
3
|
Budgets, 1976 July 6 , 1976 July 14
|
|
Box
68
Folder
4
|
Weekly operating statements, 1976 July-September
|
|
|
Production
|
|
Box
68
Folder
5
|
Call sheets
|
|
Box
68
Folder
6
|
Casting files and related correspondence
|
|
Box
68
Folder
7
|
Daily production reports, 1976 August-September
|
|
Box
68
Folder
8
|
Miscellany
|
|
Box
68
Folder
9
|
Set designs
|
|
Box
68
Folder
10
|
Shooting schedules
|
|
Box
68
Folder
11
|
Promotion and related correspondence
|
|
|
Scripts
|
|
Box
68
Folder
12
|
Revised, 1975 September 2
|
|
Box
68
Folder
13
|
Shooting, revised, 1976 July 27
|
|
1085A/79-81
|
Tape recordings
|
|
U.S. Mss 86AN
|
Monte Carlo Circus Festival (CBS, February 16, 1977) : Producer: Gilbert Cates, Joseph Cates
Director: Gilbert Cates, Joseph Cates
Authors: Gilbert Cates, Joseph Cates
Host: Chad Everett
|
|
Box
69
Folder
1
|
Correspondence, 1976-1977; notebook, , undated; notes, , undated; schedules
|
|
1085A/82
|
Tape recording
|
|
CA 860
|
[Chad Everett in Monte Carlo] unedited footage
|
|
U.S. Mss 86AN
|
Off Campus (formerly The Aquarians) (CBS, June 8, 1977) : Producer: Gilbert Cates
Director: Burt Brinckerhoff
Author: Marshall Brickman
Cast: Marilu Henner, Josh Mostel
|
|
Box
69
Folder
2
|
Budgets, 1977 January-March
|
|
Box
69
Folder
3
|
Contracts and related correspondence, 1977
|
|
Box
69
Folder
4
|
Correspondence, 1976-1977
|
|
Box
69
Folder
5
|
Miscellany
|
|
Box
69
Folder
6
|
Production files
|
|
Box
69
Folder
7
|
Script, undated
|
|
Box
75
Folder
14
|
Set designs
|
|
|
Ford's Theater 10th Anniversary (NBC, February 2, 1978) : Executive Producer: Gilbert Cates, Joseph Cates
Producer: Peter Dohanos
Authors: Frank Slocum, Chet Hagan
Cast: Lorne Green, James Whitmore, Henry Fonda, John Houseman
|
|
Box
69
Folder
8
|
Correspondence, 1978
|
|
Box
69
Folder
9
|
Miscellany
|
|
Box
69
Folder
10
|
Promotion/Souvenir book
|
|
Box
69
Folder
11
|
Script book, undated
|
|
|
Stubby Pringle's Christmas (NBC, December 17, 1978) : Executive Producer: Gilbert Cates, Joseph Cates
Producer: Peter Dohanos
Director: Burt Brinckerhoff
Author: James Lee Barrett
Cast: Beau Bridges, Strother Martin, Kim Hunter, Julie Harris
|
|
Box
69
Folder
12
|
Script book, 1978
|
|
|
The Gift of the Magi (NBC, December 21, 1978) : Executive Producer: Gilbert Cates, Joseph Cates
Producer: Patricia Rickey, Marc Daniels
Director: Marc Daniels
Author: Sidney Michaels
Cast: Debby Boone, John Rubinstein, JoAnne Worley, Jim Backus
|
|
Box
70
Folder
1
|
Script, undated
|
|
|
Subseries: Television - Unproduced
|
|
|
The Ballad of Seattle Slew
|
|
Box
70
Folder
2
|
Correspondence, 1977-1978; Newspaper Articles, , 1977-1978
|
|
|
Scripts
|
|
Box
70
Folder
3
|
“Let's Call Him Seattle Slew” (by Chet Hagan and Frank Slocum), 1977 December 1
|
|
Box
70
Folder
4
|
“Ballad of Seattle Slew” (by Gary Devore), second draft, 1978 June
|
|
Box
70
Folder
5
|
Transcripts of interviews with the Taylors, 1977 September, and with the Hills, , 1977 October
|
|
|
Circus
|
|
Box
70
Folder
6
|
Budgets, 1967, undated; correspondence, , 1967; story outlines, , undated
|
|
|
Circus
|
|
Box
70
Folder
7
|
Correspondence, 1972; shooting schedules
|
|
|
Confrontation
|
|
Box
70
Folder
8
|
Correspondence, 1970; story outlines, , undated
|
|
|
A Doll's House
|
|
Box
70
Folder
9
|
Correspondence, 1972; notes, , undated
|
|
|
Edith and Woodrow
|
|
Box
70
Folder
10
|
Correspondence, 1978; story outline (by Tom Shachtman), , undated
|
|
|
An Evening at the Circus
|
|
Box
70
Folder
11
|
Correspondence, 1970-1971; story outlines, , undated
|
|
|
Ghost Hunter
|
|
Box
70
Folder
12
|
Budget, undated; correspondence, , 1962-1963; reference material; script outline, , undated
|
|
|
Git'n Ovah
|
|
Box
70
Folder
13
|
Contracts; correspondence, 1973-1974; notes; script (by Joseph Walker), first draft, revised, , 1973 November 12
|
|
|
I Never Promised You a Rose Garden
|
|
Box
70
Folder
14
|
Budgets, 1970 July, 1976 October, 1976 November; contracts, , 1965, 1976; correspondence, , 1970-1977; miscellany
|
|
Box
71
Folder
1
|
Script, undated
|
|
|
Ice in My Shoes
|
|
Box
71
Folder
2
|
Story outline (by Jerome Coopersmith), 1971
|
|
|
King of the Hill
|
|
1085A/83
|
Tape recording
|
|
U.S. Mss 86AN
|
Methuselah Enzyme
|
|
Box
71
Folder
3
|
Contract, 1974 October; correspondence, , 1974
|
|
|
Mr. Inside/Mr. Outside
|
|
Box
71
Folder
4
|
Correspondence, 1972; script treatment, , undated
|
|
|
The Next Thirty Minutes
|
|
Box
71
Folder
5
|
Script, undated
|
|
|
Norman of the Future
|
|
Box
71
Folder
6
|
Correspondence, 1976-1978
|
|
|
Rage
|
|
Box
71
Folder
7
|
Contract, 1972; correspondence, , 1972-1973; script treatment (by George Bellak), , undated
|
|
|
Saturday Morning at the Circus
|
|
Box
71
Folder
8
|
Correspondence, 1968; story outlines, , undated
|
|
|
Shinbone Alley
|
|
Box
71
Folder
9
|
Correspondence, 1957; miscellany
|
|
Box
71
Folder
10
|
Script (by Joe Darion and Mel Brooks), undated
|
|
|
The Spurgeons
|
|
Box
71
Folder
11
|
Budget, 1978 April; correspondence, , 1977-1978
|
|
|
Scripts
|
|
Box
71
Folder
12
|
“Across the Jordan” (by Melvin Van Peebles), second draft, 1978 April 3
|
|
Box
71
Folder
13
|
“The Ballad of Avery Mills” (by Howard Ashman), 1978 November 15
|
|
|
Walter Winchell
|
|
Box
71
Folder
14
|
Correspondence, 1976
|
|
Box
71
Folder
15
|
Game show ideas, undated
|
|
Box
72
Folder
1
|
Television program ideas, undated
|
|
Box
71
Folder
2
|
Unnamed game shows, by Jack Farren, undated
|
|
|
Untitled - Barbara Howar project
|
|
Box
71
Folder
3
|
Correspondence, 1973; story outline, , undated
|
|
|
Subseries: Scripts
|
|
Box
72
Folder
4
|
Blacklight, by Corey Blechman, 1981 February
|
|
Box
72
Folder
5
|
The Days Between, by Robert Anderson, 1982 May
|
|
Box
72
Folder
6
|
Feel Free, by Victor Wolfson, undated
|
|
|
Free and Clear, by Robert Anderson
|
|
Box
72
Folder
7-8
|
Two scripts, undated
|
|
Box
72
Folder
9
|
In Color on Sundays, by Lewis Stern, undated
|
|
Box
72
Folder
10
|
Kate and Margaret, by Peter Nelson and Sandra Scoppettone, undated
|
|
|
The Killing Zone, by Edward Anhalt
|
|
Box
73
Folder
1
|
1971 June
|
|
Box
73
Folder
2
|
1972 June
|
|
Box
73
Folder
3
|
The Last Meeting of the “Knights of the White Magnolia,” by Preston Jones, 1973
|
|
Box
73
Folder
4
|
The Love Drug, by Arthur Miller, undated
|
|
Box
73
Folder
5
|
O, Pioneer, Baby!, by Robert Anderson, undated
|
|
|
Of the Farm, by Laurence Luckinbill
|
|
Box
73
Folder
6
|
1979 April
|
|
Box
73
Folder
7
|
1980 July
|
|
Box
73
Folder
8
|
Papa Hemingway, by A.E. Hotchner, undated
|
|
Box
74
Folder
1
|
The Private Wound, by Nicholas Blake, undated
|
|
|
The Promise, by Gary White
|
|
Box
74
Folder
2-3
|
Two scripts, undated
|
|
Box
74
Folder
4
|
Silent Night, Lonely Night, by Robert Anderson, final, 1960 January 26
|
|
Box
75
Folder
5
|
Untitled screenplay (“Callgirl in Analysis”) by Barbara Turner, 1978 April
|
|
|