|
Container
|
Title
|
|
Subseries: Films
|
|
|
American Splendor (directed by Shari Springer Berman and Robert
Pulcini), 2003
|
|
Box
6
Folder
27-48
|
Graphic novels no. 2-6 and 8-17, 1977-2003
|
|
Box
32
Folder
1
|
Awards campaign artwork, undated
|
|
Box
6
Folder
49
|
DVD release, 2003
|
|
Box
6
Folder
50
|
Development press kit, 2001
|
|
WCFTR Lot B Box
1
Lot
#B28
|
Ephemera, 2003-2004, undated
|
|
Audio
1969A/6
|
Harvey Pekar commentaries (89.7 WKSU), undated
|
|
M2014-101
Box
6
Folder
51
|
International press clippings, 2003
|
|
Box
6
Folder
52
|
Los Angeles/New York trade press clippings, 2003
|
|
Box
6
Folder
53
|
The Life and Times of Harvey Pekar, 2003
|
|
Box
6
Folder
54
|
Marketing plan, 2003
|
|
Box
6
Folder
55
|
Music and soundtrack CD cover with liner notes, 2003, undated
|
|
Box
6
Folder
56-57
|
National press clippings, 2003
|
|
Box
7
Folder
1-2
|
National press clippings, 2003
|
|
Box
32
Folder
2
|
Our Cancer Year artwork, undated
|
|
Box
7
Folder
3
|
Pekar stick figures, undated
|
|
Box
32
Folder
3
|
Poster mock-ups, undated
|
|
Box
7
Folder
4
|
Producer term summary, 2001
|
|
Box
7
Folder
5-7
|
Production notebook, 2001
|
|
Box
7
Folder
8
|
Production notes, undated
|
|
Box
7
Folder
9-14
|
Regional press clippings, 2003
|
|
Box
7
Folder
15
|
Research binder, 2000-2001
|
|
Box
7
Folder
16-17
|
Scripts, 2001
|
|
Box
7
Folder
18
|
Share transfer agreement, 2002
|
|
WCFTR Item
#B
Item
#B72
|
Sundance Film Festival News, 2004
January 15-25
|
|
Box
7
Folder
19
|
Unit photography, 2001
|
|
|
Videotapes
|
|
VHC
125
|
Anatomy of a Scene: American Splendor, undated
|
|
VHC
123
|
Charlie Rose Show: American Splendor, 2003 August
19
|
|
VHC
124 & 126
|
Road to Splendor, undated
|
|
VHC
118-119
|
Rough cut, circa 2002
|
|
VHC
120
|
Stereo screener, undated
|
|
VHC
121-122
|
Trailers, undated
|
|
M2014-101
|
Arresting Gena (directed by Hannah Weyer), 1997
|
|
Box
7
Folder
20
|
Budget, 1996 May 16
|
|
Box
7
Folder
21
|
Cost report, 1996 November 26
|
|
Box
7
Folder
22
|
Finances, 1999, 2003, undated
|
|
Box
7
Folder
23
|
FUEL tour, 1997
|
|
Box
7
Folder
24
|
Producer term summary, 1996
|
|
Box
7
Folder
25
|
Script, 1995 July 25
|
|
Box
7
Folder
26
|
Auto Focus (directed by Paul Schrader), producer term summary 2001
|
|
Box
7
Folder
27
|
Brokeback Mountain (directed by Ang Lee), producer term summary 2001
|
|
Box
7
Folder
28
|
The Brothers McMullen (directed by Edward Burns), contracts 1994-1995, 1999
|
|
Box
7
Folder
29
|
Buffalo Soldiers (directed by Gregor Jordan), producer term
summary 2000
|
|
|
Crouching Tiger, Hidden Dragon (directed by Ang Lee) 2000
|
|
Box
7
Folder
30
|
A Portrait of the Ang Lee Film, 2000
|
|
Box
7
Folder
31
|
Post production budget, 1998
|
|
Box
7
Folder
32
|
Synopsis, 1997 October
8
|
|
Box
7
Folder
33
|
Universal Pictures offer, 1998 June 16
|
|
|
The Door in the Floor (directed by Tod Williams), 2004
|
|
Box
8
Folder
1-4
|
Audience surveys, 2003-2004
|
|
Box
8
Folder
5
|
Autographs, 2003
|
|
Box
8
Folder
6-19
|
Budgets, 2000-2003
|
|
Box
8
Folder
20
|
Budget notes, 2002-2003, undated
|
|
Box
8
Folder
21-26
|
Cast contracts, 2002-2003
|
|
Box
8
Folder
27
|
Casting, 2000
|
|
Box
8
Folder
28
|
Chain of title, 2003
|
|
Box
8
Folder
29
|
Correspondence, 2000-2003, undated
|
|
Box
8
Folder
30
|
Cost reports, 2003-2004
|
|
Box
8
Folder
31-33
|
Costume continuity notebook, 2003 February
21
|
|
Box
8
Folder
34
|
Daily hot cost reports, 2003
|
|
Box
8
Folder
35
|
Daily production reports, 2003
|
|
Box
8
Folder
36
|
Delivery materials, 2000, 2003
|
|
Box
8
Folder
37-38
|
Distribution/financing agreement, 2000-2003
|
|
HC
702-713
|
Film print (35mm), 2004
|
|
M2014-101
Box
9
Folder
1
|
IATSE, 2003
|
|
Box
9
Folder
2
|
Kaufman, Amy 2002
|
|
Box
9
Folder
3
|
Locations, 2003, undated
|
|
Box
9
Folder
4
|
Miscellaneous, 1999, 2003, undated
|
|
Box
9
Folder
5
|
Music supervisor's agreement, 2003
|
|
Box
9
Folder
6
|
Irving, John 1999-2000, 2003, undated
|
|
Box
9
Folder
7
|
Post production, 2003
|
|
Box
9
Folder
8
|
Purchase agreement, 2000,
2002
|
|
Box
9
Folder
9
|
Re-shoots, 2003
|
|
Box
9
Folder
10
|
Script notes, undated
|
|
Box
9
Folder
11
|
Shooting schedules, 2000
|
|
Box
9
Folder
12
|
Statement of accounting, 2008
|
|
Box
9
Folder
13
|
Storyboards, undated
|
|
Box
9
Folder
14
|
Williams, Tod 2000, 2003
|
|
|
Videotapes
|
|
VHC
092-094
|
Anatomy of a Scene, undated
|
|
VHC
095
|
Cannes promo, 2003
|
|
M2014-101
|
Eat Drink Man Woman (directed by Ang Lee), 1994
|
|
Box
9
Folder
15
|
Distribution, 1993-1997
|
|
Box
32
Folder
5
|
Poster mock-ups, undated
|
|
Box
9
Folder
16
|
Profits, 1997
|
|
Box
9
Folder
17
|
Remake rights, 1993-1997, 2000
|
|
|
Flirt (directed by Hal Hartley), 1995
|
|
Box
9
Folder
18
|
Agreements, 1993-1994, 1996
|
|
Box
9
Folder
19
|
Correspondence, 1996
|
|
Box
9
Folder
20
|
Domestic grosses, 1996-1997
|
|
Box
9
Folder
21
|
Finances, 1998
|
|
Box
9
Folder
22
|
International grosses, 1997
|
|
Box
9
Folder
23
|
Producer term summary, 1996
|
|
Box
9
Folder
24
|
Fugitive Love (directed by Tamara Jenkins), agreements 1994
|
|
|
Fuzzy Logic (directed by Tom Krueger), 1998
|
|
Box
9
Folder
25
|
Agreements, 1999,
2001
|
|
Box
9
Folder
26
|
Budget, 1997 May 23
|
|
Box
9
Folder
27
|
Correspondence, 1998-1999
|
|
Box
9
Folder
28
|
Script, 2002
|
|
Box
9
Folder
29
|
Script notes, 1998-1999
|
|
|
Happiness (directed by Todd Solondz), 1998
|
|
Box
9
Folder
30
|
Banner Entertainment agreement, 1998
|
|
Box
9
Folder
31
|
Correspondence, 1997-1999, undated
|
|
Box
9
Folder
32
|
Distribution agreement, 1997-1998
|
|
Box
9
Folder
33
|
Domestic grosses, 1998-1999
|
|
Box
9
Folder
34
|
Finances, 1998-1999, 2002
|
|
Box
9
Folder
35
|
Home video/pay per view rights, 1998-1999, undated
|
|
Box
9
Folder
36
|
Insurance policy, 2000-2001
|
|
Box
9
Folder
37
|
International grosses, 1999
|
|
Box
9
Folder
38
|
Producer agreement, 1997,
2000
|
|
Box
9
Folder
39
|
Producer term summary, undated
|
|
Box
9
Folder
40
|
Ratings appeal, 1999
|
|
Box
9
Folder
41
|
Reviews, 1998
|
|
Box
9
Folder
42
|
Script, 1997 May 31
|
|
Box
9
Folder
43
|
Script, 1997 July 16
|
|
|
Videotapes, 1998
|
|
VHC
108
|
Screener, undated
|
|
VHC
110
|
Second revision with beeps, 12 scenes 1999 March
30
|
|
VHC
109
|
Six censored scenes, 1999 March
26
|
|
M2014-101
|
The Hawk is Dying (directed by Julian Goldberger), 2006
|
|
Box
9
Folder
44
|
Audience surveys, undated
|
|
Box
9
Folder
45
|
Correspondence and credits, 2001-2004, undated
|
|
Box
9
Folder
46
|
Distribution sales agency agreement, 2005
|
|
Box
9
Folder
47
|
Executive producer agreement, 2004
|
|
Box
9
Folder
48
|
Financing, 2003-2004
|
|
Box
9
Folder
49
|
Option/purchase agreement, 2001-2002
|
|
Box
31
Disc
4-15
|
Picture editing and scene selects, 2005-2006, undated
|
|
Box
9
Folder
50
|
Script, 2001 July 23
|
|
Box
9
Folder
51
|
Script, 2002 March 18
|
|
Box
9
Folder
52
|
Script, undated
|
|
Box
9
Folder
53
|
Script notes, undated
|
|
Box
31
Disc
16
|
Sundance assembly cut promo, undated
|
|
Box
31
Disc
1-3
|
Trailers, 2005
January 18-20, undated
|
|
|
Videotapes
|
|
VHC
140
|
Scene selects, circa 2006
|
|
VHC
139
|
Trailer/promo, circa 2006
|
|
M2014-101
Box
9
Folder
54
|
The Hours and Times (directed by Christopher Munch), press
material 1991
|
|
Box
9
Folder
55-56
|
The Hulk (directed by Ang Lee), producer agreement and producer term
summary 2001-2002
|
|
|
Human Nature (directed by Michel Gondry), 2001
|
|
WCFTR
CT1
Item
305-414
|
35mm color slides (110 slides), 2000-2001
|
|
Box
9
Folder
57
|
Acquisition agreements, 2000,
2002
|
|
Box
9
Folder
58
|
Delivery schedule, 2003
|
|
WCFTR Lot B Box
1
Lot
#B29
|
Ephemera, undated
|
|
HC
683-687
|
Film print (35mm), 2001
|
|
M2014-101
Box
10
Folder
1
|
Good Evening corporate records, 2000-2002
|
|
Box
10
Folder
2
|
Kaufman, Charlie 1999-2000
|
|
WCFTR
Film
Title File
|
Photographs, undated
|
|
Box
32
Folder
6
|
Poster mock-ups, undated
|
|
WCFTR Press Kit Box
12
No.
197
|
Press kit (English and French), 2001
|
|
Box
10
Folder
3
|
Producer term summary, 1999-2000
|
|
Box
10
Folder
4
|
Production deal memos, 1999-2002
|
|
Box
10
Folder
5
|
Production notebook, 1999-2000
|
|
Box
10
Folder
6
|
Reader's report, 1997
|
|
Box
10
Folder
7
|
Script, 2000 June 14
|
|
Box
10
Folder
8
|
Script, 2000 June 21
|
|
Box
10
Folder
9
|
Special effects storyboards, circa 2000
|
|
Box
10
Folder
10
|
Storyboard script, 2000 March 27
|
|
Box
10
Folder
11
|
Storyboards, circa 2000
|
|
Box
10
Folder
12
|
Studio Canal, 1999, 2001
|
|
|
Videotapes
|
|
VHC
059
|
Cast auditions, undated
|
|
VFA
181-182
VHC
060-075
|
Picture editing, circa 2001
|
|
VHC
082
|
Promo based on the first four days of shooting, undated
|
|
VHC
076
|
Score demo, 2001
|
|
VHC
077-081
|
Trailer cuts, circa 2001
|
|
M2014-101
|
The Ice Storm (directed by Ang Lee), 1997
|
|
Box
10
Folder
13
|
Budget, 1996 April 25
|
|
Box
10
Folder
14
|
Cost report, 1996 December
31
|
|
Box
10
Folder
15
|
Crew list, 1996 June 27
|
|
Box
10
Folder
16
|
DGA audit, 2000
|
|
Box
10
Folder
17
|
Director's agreement, 1995
|
|
Box
10
Folder
18
|
Miscellaneous, 1996-1998
|
|
Box
32
Folder
7
|
Poster mock-ups, undated
|
|
Box
10
Folder
19
|
Producer borrowing agreement, 1995
|
|
Box
10
Folder
20
|
Producer term summary, 1995
|
|
Box
10
Folder
21
|
Production agreement, 1996
|
|
Box
10
Folder
22
|
Research, undated
|
|
Box
10
Folder
23
|
Script, 1995 November
12
|
|
Box
10
Folder
24
|
Script, 1995 December
6
|
|
|
Videotapes
|
|
VHC
096
|
Bloopers, circa 1997
|
|
VHC
098
|
Electronic press kit, 1997 September
25
|
|
VHC
097
|
Trailer and commercial spot, circa 1997
|
|
M2014-101
|
In the Bedroom (directed by Todd Field), 2001
|
|
Box
10
Folder
25
|
Audience survey, 2000 September
28
|
|
Box
10
Folder
26
|
Backend participation, 2000,
2002
|
|
Box
10
Folder
27
|
Casting, 1999
|
|
Box
10
Folder
28
|
Director's agreement, 1999-2000
|
|
Box
10
Folder
29
|
Finances, 1998-2002
|
|
Box
10
Folder
30
|
Greene Street, 1999-2002
|
|
Box
10
Folder
31
|
Indemnification letter, 2000
|
|
Box
10
Folder
32
|
Miscellaneous, 1999-2001
|
|
Box
10
Folder
33
|
Option agreement, 1992,
1996, 1998-2002
|
|
Box
10
Folder
34
|
Producer agreement, 2000
|
|
Box
10
Folder
35
|
Producer term summary, 2000
|
|
Box
11
Folder
1
|
Production agreement, 1999, undated
|
|
Box
11
Folder
2
|
Sicre settlement, 2000-2002
|
|
|
Videotapes
|
|
VPA
157
|
Electronic press kit, undated
|
|
VHC
133
|
Rough assembled footage of BBQ scene and teaser, 2000
September
|
|
VHC
130-132
|
Rough cuts, 2000-2001
|
|
VHC
134-136
|
Promos and trailers, 2000-2002
|
|
M2014-101
Box
11
Folder
3
|
Writer agreement, 1998-2000
|
|
|
The Laramie Project (directed by Moisés Kaufman), 2002
|
|
Box
11
Folder
4
|
Associate writer's agreement, 2001
|
|
Box
11
Folder
5
|
Budget, 2001
|
|
Box
12
Folder
1
|
Call sheets, 2001
|
|
Box
12
Folder
2
|
Cane, Peter and Roy Gabay 2000-2001
|
|
Box
12
Folder
3-8
|
Cast contracts, cast lists and casting notes 2001
|
|
Box
12
Folder
9
|
Composer agreement, 2001
|
|
Box
12
Folder
10
|
Contact lists, 2001
|
|
Box
12
Folder
11
|
Correspondence, 2001-2002
|
|
Box
12
Folder
12
|
Crew lists, 2001
|
|
Box
12
Folder
13
|
DOOD sheets, 2001
|
|
WCFTR Item File Box
22
Item
#A523
|
Ephemera, 2002,
undated
|
|
Box
12
Folder
14
|
Focus group, 2001 August 8
|
|
Box
12
Folder
15
|
Fondakowski, Leigh 2000-2001
|
|
Box
12
Folder
16
|
Footage licensing agreements, 2001
|
|
Box
12
Folder
17
|
HBO, 2000-2002
|
|
Box
12
Folder
18
|
IATSE, 2001
|
|
Box
12
Folder
19
|
Insurance, 2001
|
|
Box
12
Folder
20
|
Kaufman, Moisés 2000-2001
|
|
Box
12
Folder
21
|
Locations, 2001
|
|
Box
12
Folder
22
|
Negative release, 2001
|
|
Box
12
Folder
23
|
Post production, 2001
|
|
Box
12
Folder
24
|
Pre-production, 2001
|
|
Box
12
Folder
25
|
Producer agreement, 2000-2001
|
|
Box
12
Folder
26
|
Producer term summary, 2000
|
|
Box
12
Folder
27
|
Production reports, 2001
|
|
Box
12
Folder
28
|
Publicity, 2000-2001
|
|
Box
12
Folder
29
|
Retainer agreement, 2001
|
|
Box
12
Folder
30
|
Schedules, 2000-2001
|
|
VHC
113
|
Screener, 2002
|
|
M2014-101
Box
12
Folder
31
|
Script, 2000 November
13
|
|
Box
12
Folder
32
|
Script, 2001 April 24
|
|
Box
12
Folder
33
|
Script notes, 2000-2001, undated
|
|
Box
11
Folder
6
|
Seven Mile Films incorporation documents, 2000-2001
|
|
Box
11
Folder
7
|
Start paperwork, undated
|
|
Box
11
Folder
8
|
Title credits, 2001
|
|
Box
11
Folder
9
|
Title research report, 2001
|
|
Box
11
Folder
10
|
Wrap reports, 2001
|
|
|
Love God (directed by Frank Grow), 1997
|
|
Box
11
Folder
11
|
Agreements, 1996
|
|
Box
11
Folder
12
|
Budget, 1996 March 8
|
|
Box
11
Folder
13
|
Comic, undated
|
|
Box
11
Folder
14
|
Miscellaneous, 1998
|
|
Box
11
Folder
15
|
Narrative/cost report, 1996 May 13
|
|
Box
11
Folder
16
|
Producer term summary, 1996
|
|
Box
11
Folder
17
|
Profit participation, 1996 June 26
|
|
Audio
1969A/8
|
Soundtrack selections, undated
|
|
M2014-101
Box
11
Folder
18
|
Script, 1996 March 25
|
|
Box
11
Folder
19
|
Video budget, 1996 October 30
|
|
|
Videotapes
|
|
VHC
055
|
Cast auditions, undated
|
|
VHC
057
|
Final version, undated
|
|
VHC
053-054
|
Monsters: The Making of Love God, undated
|
|
VBC
766
|
Music and sound elements, 1997
|
|
VBC
767-769
|
Picture editing, 1997
|
|
VHC
056
|
Rough cut, undated
|
|
M2014-101
|
Lovely and Amazing (directed by Nicole Holofcener), 2001
|
|
Box
11
Folder
20
|
Chain of title, 2000-2001
|
|
Box
11
Folder
21
|
Conflict letter, 2001
|
|
Box
11
Folder
22-28
|
Delivery binders, 2000-2002
|
|
Box
11
Folder
29
|
Distribution, 2001
|
|
Box
11
Folder
30
|
Option/purchase deal memo, 1999
|
|
Box
32
Folder
8
|
Poster mock-ups, undated
|
|
Box
11
Folder
31
|
Producer agreements, 2000-2002
|
|
Box
11
Folder
32
|
Producer term summary, 2000
|
|
Box
11
Folder
33
|
Production deal memo, 2000
|
|
Box
11
Folder
34
|
Publicity, 2002
|
|
Box
11
Folder
35
|
Sales agency agreement, 2001-2002
|
|
|
Videotapes
|
|
VHC
152
|
Rough cut, 2001 June
|
|
VFA
184
|
Untitled Nicole Holofcener project, full show 2001
|
|
VHC
151
|
Untitled Nicole Sundance channel episode, 2001 May
|
|
M2014-101
|
Luminous Motion (directed by Bette Gordon), 1998
|
|
Box
11
Folder
36
|
Budget, 1996 December 18
|
|
Box
11
Folder
37
|
Distribution and sales, 1998-1999
|
|
Box
11
Folder
38
|
Miscellaneous, 1998, undated
|
|
Box
11
Folder
39
|
Producer agreements, 1997
|
|
Box
13
Folder
1
|
Publicity, 1997,
2000
|
|
Box
13
Folder
2
|
Script, undated
|
|
|
The Myth of Fingerprints (directed by Bart Freundlich), 1997
|
|
Box
13
Folder
3
|
Producer term summary, 1996
|
|
Box
13
Folder
4
|
Script, undated
|
|
|
No Looking Back (directed by Edward Burns), 1998
|
|
WCFTR
CT1
Item
288
|
35mm color slide (one slide), 1997
|
|
Box
13
Folder
5
|
Burns, Ed 1997
|
|
Box
13
Folder
6
|
Distribution agreement, 1997
|
|
Box
13
Folder
7
|
Floor plans, undated
|
|
Box
13
Folder
8
|
Miscellaneous, 1998-1999
|
|
Box
13
Folder
9
|
Participation payments, 2002-2003
|
|
WCFTR
Film
Title File
|
Photographs, undated
|
|
Box
13
Folder
10
|
Producer agreement, 1998
|
|
Box
13
Folder
11
|
Production notebook, 1997
|
|
Box
13
Folder
12
|
Script, 1996 July 14
|
|
Box
13
Folder
13
|
Script, 1996 September 22
|
|
Box
13
Folder
14
|
Script, 1996 October 22
|
|
Box
13
Folder
15
|
Script, 1996 November 25
|
|
Box
13
Folder
16
|
Script, 1996 December 9
|
|
Box
13
Folder
17
|
Script, 1997 January 30
|
|
Box
13
Folder
18
|
Script, 1997 February 5
|
|
Box
13
Folder
19
|
Script, 1997 February 17
|
|
Box
13
Folder
20
|
Script, 1997 March 18
|
|
Box
13
Folder
21
|
Script, 1997 March 28
|
|
Box
13
Folder
22
|
Script, 1997 April 1
|
|
Box
13
Folder
23
|
Script, 1997 April 9
|
|
Box
13
Folder
24
|
Script, undated
|
|
Box
13
Folder
25
|
Shot lists, undated
|
|
|
Office Killer (directed by Cindy Sherman), 1997
|
|
Box
13
Folder
26
|
Crew deal memorandum, 1997
|
|
HC
869-878
|
Film print (35mm), 1997
|
|
M2014-101
Box
13
Folder
27
|
Finances, 1995-1997, 2004
|
|
Box
13
Folder
28
|
Producer term summary, 1997
|
|
Box
13
Folder
29
|
Script, incomplete 1995 September 4
|
|
Box
13
Folder
30
|
Script, incomplete 1996 February 28
|
|
Box
13
Folder
31
|
Script, undated
|
|
VHC
058
|
Videotape (commercial release), 1997
|
|
M2014-101
Box
14
Folder
1
|
Publicity, 1996-1999, 2001-2002, 2006
|
|
|
Pushing Hands (directed by Ang Lee), 1991
|
|
Box
14
Folder
2
|
Agreements, 1991, 1996, undated
|
|
Box
14
Folder
3
|
Producer term summary, 1991
|
|
|
Ride with the Devil (directed by Ang Lee), 1999
|
|
Box
14
Folder
4
|
Audience survey, 1998 September 22
|
|
Box
14
Folder
5
|
Budget, 1998 March 24
|
|
Box
14
Folder
6
|
Correspondence, 1999, undated
|
|
Box
14
Folder
7-8
|
Costume research, undated
|
|
Box
14
Folder
9
|
Director agreement, 1997
|
|
Box
14
Folder
10
|
End titles, undated
|
|
Box
14
Folder
11
|
Finances, 1998, 2001
|
|
Box
14
Folder
12
|
Historical research, 1998 February 16
|
|
Box
14
Folder
13
|
Nudity rider, 1997
|
|
WCFTR
Film
Title File
|
Photograph, 1998 May
|
|
Box
14
Folder
14
|
Producer agreements, 1998-1999
|
|
Box
14
Folder
15
|
Producer term summary, 1997, 1999
|
|
Box
14
Folder
16
|
Production, 1998
|
|
Box
14
Folder
17-18
|
Production notebook, 1998
|
|
Box
14
Folder
19
|
Script, 1997 May 22
|
|
Box
14
Folder
20
|
Script, 1998 March 28
|
|
Box
32
Folder
11
|
Set designs and photographs, 1998,
undated
|
|
Box
14
Folder
21
|
Storyboards, undated
|
|
Box
14
Folder
22
|
Universal letter agreement, 1996-1997
|
|
|
Videotapes
|
|
VHC
102
|
Electronic press kit, 1999 October
22
|
|
VBC
770
|
Screen test (Jewel/Leonardo DiCaprio), 1997 September
3
|
|
VHC
100
|
Suggested cuts for international version, undated
|
|
VHC
099
|
Texas location scout, 1997 June
|
|
VHC
101
|
Trailer, undated
|
|
M2014-101
|
River of Grass (directed by Kelly Reichardt), 1994
|
|
Box
14
Folder
23
|
Agreements, 1994
|
|
Box
14
Folder
24
|
Finances, 1995, 2002, undated
|
|
Box
14
Folder
25
|
Production budget, 1995, undated
|
|
|
Roy Cohn/Jack Smith (directed by Jill Godmilow), 1994
|
|
Box
14
Folder
26
|
Production deal memorandum, 1995
|
|
Box
14
Folder
27
|
Producer term summary, 1995
|
|
VHC
142
|
Screener, undated
|
|
|
Safe (directed by Todd Haynes), 1995
|
|
Box
14
Folder
28
|
Distribution statement, 1995-1996
|
|
HC
628-633
|
Film print (35mm), 1995
|
|
M2014-101
Box
14
Folder
29
|
Memorandum agreement, 1994
|
|
Box
14
Folder
30
|
Producer term summary, 1994
|
|
Box
14
Folder
31
|
Sense and Sensibility (directed by Ang Lee), 1994-1995
|
|
|
She's the One (directed by Edward Burns), 1996
|
|
Box
14
Folder
32
|
Box office reports, 1996-1997
|
|
Box
14
Folder
33
|
Composer, recording artist and music supervisor agreement 1996
|
|
Box
14
Folder
34
|
Producer term summary, 1995
|
|
Box
14
Folder
35
|
Script, 1995 August 30
|
|
Box
14
Folder
36
|
Script, 1995 September 25
|
|
|
Simple Men (directed by Hal Hartley), 1992
|
|
Box
14
Folder
37
|
Producer agreements, 1991
|
|
Box
14
Folder
38
|
Producer term summary, 1991
|
|
Box
14
Folder
39
|
Sales agency agreement, 1990-1991, 1994-1995
|
|
Box
15
Folder
1
|
The Sky is Falling (directed by Florrie Laurence),
correspondence 1999-2000
|
|
|
The Sticky Fingers of Time (directed by Hilary Brougher), 1997
|
|
Box
15
Folder
2
|
Investment agreement, 1997, 2003
|
|
Box
15
Folder
3
|
Producer term summary, 1997
|
|
Box
15
Folder
4
|
Script, 1996 June 17
|
|
|
Storytelling (directed by Todd Solondz), 2001
|
|
Box
15
Folder
5
|
Cast list, 2000
|
|
Box
15
Folder
6
|
Corporate documents, 2000, 2002
|
|
Box
15
Folder
7
|
Correspondence, 1997, 1999-2000
|
|
Box
15
Folder
8
|
Deferment agreement, 2001
|
|
Box
15
Folder
9
|
Delivery schedule, 2000
|
|
Box
15
Folder
10
|
Director agreement, 2000
|
|
Box
15
Folder
11
|
IATSE agreement, 2000
|
|
Box
15
Folder
12
|
Inducement letter, 2000
|
|
Box
15
Folder
13
|
International sales agency agreement, 2000
|
|
Box
15
Folder
14
|
Miscellaneous, 2000
|
|
Box
15
Folder
15
|
Negative pickup agreement, 2000-2001
|
|
Box
32
Folder
9
|
Poster mock-ups, undated
|
|
Box
15
Folder
16
|
Producer agreement, 2000
|
|
Box
15
Folder
17
|
Producer term agreement, 2000
|
|
Box
15
Folder
18
|
Producing agreement, 1997, undated
|
|
Box
15
Folder
19-20
|
Production binder, 2000
|
|
Box
15
Folder
21
|
Publicity, 2000, undated
|
|
Box
15
Folder
22
|
Screen Actors Guild, 2000
|
|
Box
15
Folder
23
|
Script, 2000 July 12
|
|
Box
15
Folder
24
|
Script, 2000 July 19
|
|
Box
15
Folder
25
|
Shooting schedule, 2000
|
|
|
Videotapes
|
|
VHC
084
|
Dailies, undated
|
|
VHC
086-087
|
Final cut, 2001
January
|
|
VHC
088
|
Five versions of the epilogue, 2001 February
20
|
|
VHC
085
|
Red boxes, undated
|
|
VHC
089
|
Second half alternative, undated
|
|
VFA
180
VHC
090-091
|
Trailer, 2001
|
|
M2014-101
|
The Tao of Steve (directed by Jenniphr Goodman), 2000
|
|
WCFTR
CT1
Item
289-304
|
35mm color slide (16 slides), 2000
|
|
Box
15
Folder
28
|
Copyright registration, 1999-2000
|
|
Box
15
Folder
29
|
Correspondence, 2000-2001
|
|
Box
15
Folder
30
|
Distribution statement, 2000-2001, undated
|
|
Box
15
Folder
31
|
Legal agreements, 2000-2001
|
|
Box
15
Folder
32
|
Marketing plan, undated
|
|
WCFTR
Film
Title File
|
Photographs, 2000
|
|
Box
15
Folder
33
|
Producer term summary, 1999
|
|
Box
15
Folder
34
|
Script, 2000 February 16
|
|
Box
15
Folder
35
|
Theory of Achievement and Ambition (directed by Hal Hartley),
agreements 1995,
2006
|
|
Box
15
Folder
36
|
Trick producer term summary, 1998
|
|
|
Walking and Talking (directed by Nicole Holofcener), 1996
|
|
Box
15
Folder
37
|
Box office reports, 1996-1997
|
|
Box
15
Folder
38
|
Legal agreements, 1992, 1995
|
|
WCFTR
Film
Title File
|
Photographs, undated
|
|
Box
15
Folder
39
|
Producer term summary, 1995
|
|
Box
15
Folder
40
|
Production agreement, 1995
|
|
Box
15
Folder
41
|
Publicity, 1995
|
|
Box
15
Folder
42-43
|
Ted's notebook, 1995
|
|
|
Videotapes
|
|
VHC
115
|
Auditions, undated
|
|
VHC
116-117
|
Trailers, undated
|
|
M2014-101
|
The Wedding Banquet (directed by Ang Lee), 1993
|
|
Box
15
Folder
44
|
Correspondence, 1993-1994
|
|
Box
15
Folder
45
|
Distribution agreement, 1993
|
|
Box
15
Folder
46
|
Participation agreements, 1993-1996
|
|
Box
32
Folder
10
|
Poster mock-up, undated
|
|
WCFTR Press Kit Box
7
Oversize No.
3
|
Press kit, 1993
|
|
Box
15
Folder
47
|
Profits, 1996-1997
|
|
VHC
553
|
Trailer, undated
|
|
M2014-101
|
What Happened Was (directed by Tom Noonan), 1994
|
|
Box
15
Folder
48
|
Crew deal memorandum, 1992
|
|
Box
15
Folder
49
|
Distribution, 1994, 1998
|
|
Box
15
Folder
50
|
Participation statement, 1995-1996, 1998
|
|
Box
15
Folder
51
|
Producer term summary, 1992
|
|
|