Container
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Title
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Series: Film Production Files
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Box
61
Folder
1
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Lists of Films Made by Walter Wanger
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The Adventures of Hajji Baba
(20th Century-Fox, 1954)
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Box
61
Folder
2
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Budget and Production Figures, 1954-1955
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Box
61
Folder
3
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Cast Call Sheets
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Box
61
Folder
4
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Cast and Staff Lists and Production Schedules
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Box
61
Folder
5
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Casting, 1953-1954
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Box
61
Folder
6
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Censorship, 1953-1954
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Box
61
Folder
7
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Contracts, Legal Papers, and Associated Correspondence, 1952-1954
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Box
61
Folder
8
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General Correspondence, December 1952-1965
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Box
61
Folder
9
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Electrical Equipment and Invoices
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Box
61
Folder
10
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Income Statements, 1957-1960
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Box
61
Folder
11
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Labor Cost Sheets, 1952-1954
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Box
61
Folder
12
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Locations
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Box
61
Folder
13
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Production Reports (Daily), 1954
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Box
61
Folder
14
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Production - Titles, Music, Set Plans, 1954
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Box
61
Folder
15
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Publicity and Clippings
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Scripts and Screenplays
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Box
61
Folder
16
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Typescript Screenplay, by Richard Collins, February- March 1953
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Box
61
Folder
17
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Unrevised Screenplay, by Collins, undated (circa February or March 1953)
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Box
61
Folder
18
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“Unrevised” Screenplay, by Collins, May 8, 1953
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Box
61
Folder
19
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Screenplay, by Collins, May 18, 1953
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Box
61
Folder
20
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Typescript Screenplay, by Collins, May 19, 1953
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Box
61
Folder
21
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Final Revised Script, by Collins, March 16, 1954
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Box
61
Folder
22
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Script Revisions (Portions), No Author Listed, March 1954
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Box
61
Folder
23
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Script Revisions (Annotated), No Author Listed, March 1954
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Box
61
Folder
24
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Revised Screenplay, by Collins, April 7, 1954
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Box
61
Folder
25
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Revised Screenplay, by Collins, April 14, 1954
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Box
61
Folder
26
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Script Revisions (Portions, Annotated), April 1954
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Box
61
Folder
27
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Wanger's Copy of Old Script, with Rewrites and Eliminations, August 9, 1954
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Box
61
Folder
28
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Script Revisions and Correspondence re: Revisions, 1953-1954
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Box
61
Folder
29
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Synopses
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“Air Evacuation Nurse” (Story Idea, Unproduced)
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Box
62
Folder
1
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Notes, Budget, 1944
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Aladdin and His Lamp
(Monogram [Allied Artists], 1952)
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Box
62
Folder
2
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Budget, circa 1950
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Box
62
Folder
2
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Production Cost Reports, 1951-1952
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Box
62
Folder
3
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Call Sheets, Shooting Schedule, Music Cue Sheets, Billing Sheet, Staff Sheet, Appointments, 1950-1951
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Box
62
Folder
4
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Contract with MCA and Correspondence, June 1950-February 1951
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Box
62
Folder
5
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Correspondence, December 1950-September 1951
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Box
62
Folder
6
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Income and Cost Statements, 1952-1964
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Box
62
Folder
7
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News Releases, July-August 1951
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Box
62
Folder
8
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Publicity, 1952
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Scripts and Screenplays
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Box
62
Folder
9
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Script by Howard Dimsdale, Millard Kaufman and Sam Roeca, undated, with Revisions of , July 19, 1951
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Box
62
Folder
10
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Script by Dimsdale, Kaufman, and Roeca, undated, with Revisions of , July 23, 1951
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Box
62
Folder
11
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Script Fragments, No Author Listed, undated
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Box
62
Folder
12
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“Aladdin's Lamp,” Television Pilot Script, by Howard Dimsdale, circa 1951
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Algiers(United Artists,
1938)
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Scripts and Screenplays
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Box
62
Folder
13
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Typescript of Detailed Description and English Dialogue (“Pepe LeMoko”), March 15, 1938
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Box
62
Folder
14
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Revised Script (“Pepe LeMoko”) by John Howard Lawson (Annotated), April 12, 1938
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Box
62
Folder
15
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Revised Script (“Pepe LeMoko”) by John Howard Lawson (Annotated with Shooting Dates), April 12, 1938
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Box
62
Folder
16
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Script (“Pepe LeMoko”), No Author Listed, undated; Negative Cost Report
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Box
62
Folder
17
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Radio Script and Correspondence, 1938
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All Mine to Give(Universal,
1957)
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Box
62
Folder
18
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Correspondence, Tentative Outline (“The Day They Gave Babies Away”), by Dale and Katherine Eunson, January-September 1956
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Anne of the Indies
(“Queen of the Pirates”) (20th Century-Fox, 1951)
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Box
62
Folder
19
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Contract with Jan Fortune (Writer), 1948
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Box
62
Folder
20
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Contracts re: Purchase of Options on Story, and Story, 1947-1950
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Box
62
Folder
21
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Pre-Production Costs, Correspondence, and Saturday Evening PostStory by Herbert Ravenel Sass, 1947-1950
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Box
62
Folder
22
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Discarded Pages of Jan Fortune Treatment, January 1948
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Box
62
Folder
23
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Treatments by Guy Endore, March 3, 19, 1949
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“Antarctica” (Film Project, Unproduced)
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Box
62
Folder
24
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Clippings and Correspondence, January 1953-March 1957
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“Antigone” (Film Project, not produced by Wanger)
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Box
62
Folder
25
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Correspondence, July-September 1946
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Arabian Nights(Universal,
1942)
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Box
62
Folder
26
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Audit of Universal Pictures Books, 1947
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Box
62
Folder
27
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Contract, Correspondence with Universal Pictures, 1942
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Box
62
Folder
28
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Contracts and Correspondence - Writers, Cast, and Staff, August 1936-October 1942
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Box
62
Folder
29
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Correspondence re: Title and Credits, January 1937- November 1942
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Box
62
Folder
29
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Censorship, July 1942-March 1943
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Box
62
Folder
30
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Distribution Statements, 1943-1954
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Box
62
Folder
31
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Production and Publicity Correspondence; Grosses, March 1942-April 1943
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Box
62
Folder
32
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Production Estimates and Schedules, March-October 1942
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Box
63
Folder
1
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Revised Script by Michael Hogan, June 27, 1942, with Revisions of , August 20, 1942
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Box
63
Folder
2
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Income Statements of Arabian Nights, Eagle Squadron, Gung Ho, Salome Where She Danced, 1950-1954
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Around the World in Eighty Days(This Version Unproduced)
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Box
63
Folder
3
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Correspondence, Contracts, Treatment by Jacques Thery and John Gay, 1932-1941
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“The Ballad and the Source” (Unproduced)
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Box
63
Folder
4
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Breakdown by Gina Kaus, November 10, 1945
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Box
63
Folder
5
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Breakdown, December 1949
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Box
63
Folder
6
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British Censorship Problems, 1950-1953
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Box
63
Folder
7
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Casting Correspondence, 1947-1959
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Box
63
Folder
8
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Contracts, Correspondence, and Payroll Records, 1945-1949, 1957
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Box
63
Folder
9
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General Correspondence, 1945-1966
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Box
63
Folder
10
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Correspondence with Joseph Schenck and Darryl Zanuck, 1948-1950
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Box
63
Folder
11
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Distribution Agreement with Universal, 1950
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Box
63
Folder
12
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Financing and Cost Estimates, 1947-1951
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Box
63
Folder
13
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Publicity, Title Correspondence, Clipping, 1945-1947
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Scripts and Screenplays
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Box
63
Folder
14
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Radio Scripts by Kay Brown, and Correspondence, May-June 1945
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Box
63
Folder
15
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Script by Michael Blankfort, From the Novel by Rosamond Lehmann, December 11, 1946
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Box
63
Folder
16
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Screenplay by Blankfort, March 20, 1947, with Revisions of , March 28, 1947
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Box
63
Folder
17
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Script by Blankfort (Annotated), September 26, 1947
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Box
63
Folder
18
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Incomplete First Draft Screenplay by Irmgard Von Cube and Allen Vincent (Annotated), May 23, 1949
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Box
63
Folder
19
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Script by Von Cube and Vincent, undated
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Box
63
Folder
20
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“Second Version” Script by Von Cube and Vincent, August 1949
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Box
63
Folder
21
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Discarded Pages from “Second Version” Script by Von Cube and Vincent, August 1949
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Box
63
Folder
22
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Story Outlines, Scene Sketch, Treatment, 1945-1957
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Box
63
Folder
23
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Story Outlines and Notes by Irmgard Von Cube and Allen Vincent, 1949-1950
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Treatments
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Box
63
Folder
24
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First Treatment, by Gina Kaus, From the Novel by Rosamond Lehmann, November 17, 1945
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Box
63
Folder
25
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Typescript Screen Treatment by William Cameron Menzies, From the Novel by Rosamond Lehmann (Annotated), March 24, 1948, Including Suggested Changes Dated , March 30, 1948
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Box
63
Folder
26
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Treatment by Menzies, March 24, 1948
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Battle Zone(Allied Artists,
1952)
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Box
63
Folder
27
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Contracts, May-June 1952
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Box
63
Folder
27
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Production Costs, June 1952-January 1953
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Box
63
Folder
28
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Correspondence and News Releases, December 1951-October 1953
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Box
64
Folder
1
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Income Statements, 1953-1963
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Box
64
Folder
2
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Income and Cost Statements from Battle Zone, Kansas Pacific, Fort Vengeance, 1953-1954
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Box
64
Folder
3
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Payroll, March-October 1952
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Box
64
Folder
3
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Accounts Payable, November 1951-September 1952
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Box
64
Folder
4
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Revised Script, by Steve Fisher, June 7, 1952
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Box
64
Folder
5
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Script Fragments, undated
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“Beauty and the Beast” (Unproduced by Wanger)
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Box
64
Folder
6
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Correspondence, August 1951
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“Bellevue Hospital” (Unproduced)
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Box
64
Folder
7
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Correspondence, September 1941
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“Big Blonde” (Unproduced)
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Box
64
Folder
8
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Script, “Dorothy Parker's O'Henry Prize Story,” undated : Originally Labelled “Dead File”
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Box
64
Folder
9
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Script, No Author Listed, undated
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Big Brown Eyes(Paramount,
1936)
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Box
64
Folder
10
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Revised Script, by Raoul Walsh and Bert Hanlon, Based on Stories by James Edward Grant, February 28, 1936
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“The Big Eye” (Unproduced)
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Box
64
Folder
11
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Correspondence, January-March 1950
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“The Black Knight” (Produced as Crossed Swords, United Artists, 1954?)
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Box
64
Folder
12
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Script by Daniel B. Ullman, undated
|
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Blockade(United Artists,
1938)
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Box
64
Folder
13
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Negative Cost Report; Speech(?), undated
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Box
64
Folder
14
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Second Draft Continuity (“The River is Blue”), by John Howard Lawson, January 12, 1938
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Box
64
Folder
15
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Revised Final Script (“The River is Blue”), by Lawson, February 28, 1938
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“Border Trumpet” (Unproduced)
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Box
64
Folder
16
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Correspondence and Contracts, 1956-1960 : File labelled “Dead File”
|
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Canyon Passage(Universal,
1946)
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Box
64
Folder
17
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Contracts and Correspondence, 1944-1950
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Correspondence
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Box
64
Folder
18
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General, July 1945-September 1947
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Box
64
Folder
19
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Post-Production, June 1945-March 1948
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Costs
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Box
64
Folder
20
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Financial Statements, 1946-1954
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Box
64
Folder
21
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Production Costs and Correspondence, 1945-1947
|
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Box
64
Folder
22
|
Publicity
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Box
64
Folder
23
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Other Stories by Ernest Haycox, circa 1955
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Captain Scarlett(United
Artists, 1953)
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Box
64
Folder
24
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Income Statements, 1955-1962
|
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The Case Against Mrs. Ames
(Paramount, 1936)
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Box
64
Folder
25
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Revised Final Script, by Gene Towne and Graham Baker (Annotated), March 11, 1936
|
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Castles in Spain
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Box
64
Folder
26
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Final Draft Continuity, by Clifford Odets, undated
|
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Box
64
Folder
27
|
Wardrobe Inventories; Set, Office, Globe, and Materials and Findings Inventories, from Castles in Spain,Vogues of 1938, 52nd Street, I Met My Love Again, Stand-In, and Algiers, August-November 1937
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“Cheyenne” (This Version Unproduced)
|
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Box
64
Folder
28
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Contracts and Correspondence, January-November 1941, undated
|
|
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“Citizen Tom Paine” (Unproduced)
|
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Box
64
Folder
29
|
Contracts and Correspondence, August 1944-November 1945
|
|
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Cleopatra(20th Century-Fox,
1963)
|
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Academy Awards, 1964
|
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Box
102
Folder
2
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Certificate of Nomination
|
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Box
65
Folder
1
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Miscellany
|
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Box
65
Folder
2
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Banca d'America e d'Italia Account Records (MCL Films and Walwa Films), 1961-1963
|
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Box
65
Folder
3
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Budgets and Cost Estimates, 1959-1961
|
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Box
65
Folder
4
|
Call Sheets, June 1959
|
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Box
65
Folder
5
|
First Unit Call Sheets, September 1961-July 1962
|
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Box
65
Folder
6
|
Second Unit Call Sheets, August 1961-July 1962
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Box
65
Folder
7-10
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Casting, Employment, and Staffing Correspondence, Memos, and Lists, April 1958-1962
|
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Box
65
Folder
11
|
Censorship, May 1959-November 1960
|
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Box
65
Folder
12-15
|
Clippings, October 1956-December 1967
|
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Contracts
|
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Box
65
Folder
16
|
Walter Wanger Pictures Inc. and Twentieth Century-Fox Film Corp., Including Correspondence, October 1958-April 1963
|
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Box
65
Folder
17-18
|
Other Contracts, Including Walwa, Seven Arts, and Transfer of Rights in the Film, February 1958-December 1965
|
|
|
Correspondence and Memoranda
|
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Box
65
Folder
19
|
Adler, Buddy, August 1958-July 1960
|
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Box
65
Folder
20
|
Bautzer, Gregson (Attorney), October 1957-September 1965
|
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Box
66
Folder
1
|
Famous Artists Agency, October 1958-January 1964
|
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Box
66
Folder
2
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Franzero, Carlo Maria (The Life and Times of Cleopatra), Including Legal Papers, December 1955-September 1964
|
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Box
66
Folder
3
|
Gang, Tyre, Rudin, and Brown (Attorneys), September 1959-April 1964
|
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Box
66
Folder
4-6
|
General Correspondence, August 1957-1964, undated
|
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Box
66
Folder
7
|
Goldstein, Robert, May 1960-July 1961
|
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Box
66
Folder
8
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Harrison, Rex, June 1960-May 1965
|
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Box
66
Folder
9
|
Hate and Fan Mail, June 1959-September 1963
|
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Box
66
Folder
10
|
Ibrahim, Fathi, February 1960-February 1961
|
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Box
66
Folder
11
|
General Legal Correspondence, October 1958-October 1967
|
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Box
66
Folder
12
|
Levathes, Peter, October 1960-August 1962
|
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Box
66
Folder
13
|
Mamoulian, Rouben, November 1959-January 1961
|
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Box
66
Folder
14
|
Mankiewicz, Joseph L., August 1960-April 1963
|
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Box
66
Folder
15
|
Merman, Doc, April 1960-December 1963
|
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Box
66
Folder
16
|
Ogden, Archibald, July 1960-March 1961
|
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Box
66
Folder
17
|
Paul, Weiss, Rifkind, Wharton, and Garrison (Attorneys), December 1962-April 1966
|
|
Box
66
Folder
18
|
Rogell, Sid, February 1959-June 1963
|
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Box
66
Folder
19
|
Schreiber, Lew, October 1958-February 1961
|
|
Box
66
Folder
20
|
Seven Arts, December 1962-October 1965
|
|
|
Skouras, Spyros
|
|
Box
66
Folder
21
|
June 1959-May 1961
|
|
Box
67
Folder
1
|
June 1961-August 1962
|
|
Box
67
Folder
2
|
Taylor, Elizabeth, October 1959-June 1964
|
|
Box
67
Folder
3-4
|
Wald, Jerry, March 1958-July 1962
|
|
Box
67
Folder
5
|
Walwa Legal Correspondence, September 1959-December 1964
|
|
Box
67
Folder
6
|
Writers, November 1958-January 1965
|
|
Box
67
Folder
7
|
Darryl and Richard Zanuck, November 1958-September 1964
|
|
Box
67
Folder
8-9
|
Picture Cost Summary Sheets, May 1959-December 1962
|
|
Box
67
Folder
10
|
Story Cost Reports, November 1958-December 1962
|
|
|
Detail Cost Statements, Distribution, Invoices
|
|
Box
67
Folder
11-21
|
May 1959-August 1961
|
|
Box
68
Folder
1-14
|
September 1961-October 1962
|
|
Box
69
Folder
1-3
|
November 1962-November 1963
|
|
Box
69
Folder
4
|
Costumes and Wigs, May 1960-April 1962
|
|
Box
69
Folder
4
|
Wardrobe Plot, April 1961
|
|
Box
69
Folder
4
|
Costume Sketches, April 1961
|
|
Box
69
Folder
5
|
Credits and Titles, August-November 1962
|
|
Box
69
Folder
6
|
Hairdressers (Sydney Guilaroff), May 1960-June 1963
|
|
Box
69
Folder
7
|
Music, August 1961-July 1962
|
|
|
Notes
|
|
Box
69
Folder
8
|
Wanger's Personal Notes, London - re: Delays in Production, 1960-1961
|
|
Box
69
Folder
9
|
Notes, Meeting Notes, and Research, 1958-1962
|
|
Box
69
Folder
10
|
Promissory Notes, 1958-1959
|
|
|
Production Files
|
|
Box
69
Folder
11-13
|
Production, Location, and Art Department Correspondence and Papers, May 1959-1963
|
|
Box
69
Folder
14
|
Production Cross Plot, May 1961
|
|
Box
69
Folder
15
|
Daily Log, October 1961-July 1962
|
|
Box
69
Folder
16
|
General Production Information, March-May 1961
|
|
Box
69
Folder
17
|
Meetings with Buddy Adler, September 1959-June 1960
|
|
Box
102
Folder
1
|
Daily Operations Reports, September 1961-July 1962
|
|
Box
69
Folder
18-19
|
Production Meetings - Minutes, September 1961- June 1962
|
|
Box
69
Folder
20-21
|
Daily Production Reports, September 1961-July 1962
|
|
Box
69
Folder
22
|
Daily Production Reports, Second Unit, November 1961-July 1962
|
|
Box
69
Folder
23
|
Salvage List, April 1961
|
|
Box
69
Folder
24
|
Set Construction Order
|
|
|
Publicity
|
|
Box
69
Folder
25-26
|
Correspondence, January 1961-December 1963
|
|
Box
70
Folder
1
|
General Publicity, February 1959-December 1960
|
|
Box
70
Folder
2
|
Souvenir Booklet, circa 1962
|
|
Box
70
Folder
3
|
Reviews of Weekly Rushes, November 1961-July 1962
|
|
|
Original Story
|
|
Box
70
Folder
4
|
The Life and Times of Cleopatra, by Carlo Maria Franzero (Wanger's Annotated Copy), circa 1958?
|
|
Box
70
Folder
5
|
Cleopatra, by Franzero, 1962
|
|
|
Scripts and Screenplays : See also Writers' Correspondence (Box 67) and Prof. Hugh Gray's Notes on Screenplays (Box 74).
|
|
Box
70
Folder
6
|
List and Distribution of Scripts, 1960, 1961
|
|
Box
70
Folder
7
|
Revised Writer's Working Script, by Ludi Claire, February 11, 1959
|
|
Box
70
Folder
8
|
First Draft Screenplay, by Nigel Balchin, April 24, 1959
|
|
Box
70
Folder
9
|
Revised First Draft Screenplay, by Balchin, May 13, 1959, Including Revisions Dated , June 26, 1959
|
|
Box
70
Folder
10
|
Second Draft Screenplay, by Balchin, June 10, 1959, Including Estimated Timing on Script
|
|
Box
70
Folder
11
|
General Notes, by Ivan Moffat, October 28, 1959
|
|
Box
70
Folder
12
|
Third Draft Screenplay, by Balchin and Dale Wasserman, January 11, 1960, Including All Wasserman Revisions
|
|
Box
70
Folder
13
|
Typescript Extracts from First Script, by Lawrence Durrell, June 1960
|
|
Box
70
Folder
14
|
Typescript Scenes 304-313L, 548-565, No Author Listed, August 1960
|
|
Box
70
Folder
15
|
Typescript Revisions, by M. Brandel, December 12, 1960
|
|
Box
70
Folder
16
|
Typescript First Draft Screenplay, by Sidney Buchman, February 10, 1961
|
|
Box
70
Folder
17
|
Screenplay Outline, from Joseph Mankiewicz, February 16, 1961
|
|
Box
70
Folder
18
|
Typescript Dialogue Script, by Lawrence Durrell, February 24, 1961
|
|
Box
70
Folder
19
|
Outline From the Death of Caesar, by Durrell, Notes by J. Mankiewicz, February 1961
|
|
Box
70
Folder
20
|
Typescript Screenplay, by Sidney Buchman, Incorporating Dialogue by Durrell, Pages 1-67, March 3, 1961
|
|
Box
70
Folder
21
|
Typescript Outline After the Death of Caeser, by Buchman, March 17, 1961
|
|
Box
70
Folder
22
|
Script, by Durrell, April 12, 1961
|
|
Box
70
Folder
23
|
First Draft Screenplay, by Ranald MacDougall, May 9, 1961
|
|
Box
70
Folder
24
|
Notes on Second Draft Screenplay, May-August 1961
|
|
Box
71
Folder
1
|
Second Draft Screenplay, by Ranald MacDougall, August 2, 1961
|
|
Box
71
Folder
2
|
Shooting Script, by Joseph L. Mankiewicz, September 18, 1961, Including Revisions through , July 12, 1962
|
|
Box
71
Folder
3
|
Comparison of Mankiewicz and MacDougall Scripts, November 9, 1961
|
|
Box
71
Folder
4
|
Script, No Author Listed, undated
|
|
Box
71
Folder
5
|
Script Revisions (Fragments), 1960-1962
|
|
Box
71
Folder
6
|
Conquest of Cleopatra Scenes, undated
|
|
Box
71
Folder
7
|
Script Breakdown and Synopsis, January 3, 1961
|
|
Box
71
Folder
7
|
Ideas for New Script, February 4, 1961
|
|
Box
71
Folder
8
|
Script Breakdown (Annotated), circa 1962
|
|
Box
71
Folder
9
|
Suggested Sequence of Master Scenes, by Nigel Balchin (Annotated by Walter Wanger), undated
|
|
Box
71
Folder
10
|
“A Statement Concerning the Writing of Cleopatra,” by Joseph L. Mankiewicz, October 6, 1962
|
|
Box
71
Folder
11
|
Treatment of Mankiewicz's Idea of Script From Pages 1-76 and Sidney Buchman's Version of the End of the Story, as Edited by Lawrence Durrell, February 16, 1961 and March 23, 1961
|
|
Box
71
Folder
12
|
Treatment-Synopsis by G. Byron Sage, November 10, 1958
|
|
Box
71
Folder
13
|
Shooting Schedules, April 1960-July 1962
|
|
Box
71
Folder
14
|
Notes re: Cuts and Changes, 1959-1960
|
|
Box
71
Folder
15
|
Walwa Legal Papers, August 1960-August 1962
|
|
Box
71
Folder
16
|
Walter Wanger's Expenses (Including Lawsuit Material), October 1958-December 1964
|
|
Box
71
Folder
17
|
Weather Forecast in Rome, October-November 1961
|
|
|
Walter Wanger's Diary and My Life With Cleopatra
|
|
Box
71
Folder
18
|
Outline of Diary, by Joe Hyams, 1962
|
|
Box
71
Folder
19-23
|
Annotated Diary, September 1960-June 1962, November 1962
|
|
Box
72
Folder
1
|
Diary Portions re: Elizabeth Taylor, June 1961-August 1962
|
|
Box
72
Folder
2-3
|
Censored Portions of Diary
|
|
|
My Life With Cleopatra, by Walter Wanger and Joe Hyams
|
|
Box
72
Folder
4
|
Paperback Version, June 1963
|
|
Box
72
Folder
5
|
Periodical Version, undated
|
|
Box
72
Folder
6
|
Financial Correspondence, June 1965-July 1965
|
|
Box
72
Folder
7
|
Correspondence, 1962-April 1967
|
|
Tape 1035A
No.
1-4
|
Tape Recorded Interview Between Hyams and Wanger
|
|
U.S. Mss 136AN
Box
72
Folder
8
|
Transcripts of Taped Interview with Joe Hyams (Annotated by Walter Wanger), 1962
|
|
Box
72
Folder
9
|
Transcripts from Tapes, January-March 1962
|
|
Box
72
Folder
10
|
Transcripts of Interview, June 1962
|
|
Micro 966
Reel
4
|
Microfilmed transcripts of Interview from Tapes and Discs, 1962 : 16mm microfilm made for Wanger Lawsuit by Wanger's Attorneys.
|
|
U.S. Mss 136AN
Box
72
Folder
11
|
Rough Draft Introductions and Epilogues, March 7, 1962
|
|
Box
72
Folder
12
|
Prologue, Drafts and Notes, March 1963
|
|
|
Drafts
|
|
Box
72
Folder
13
|
Pages 1-67, September 25, 1958-April 24, 1961
|
|
Box
72
Folder
14
|
October 1958-November 1959, Annotated
|
|
Box
72
Folder
15
|
October 1958-September 1960, Annotated
|
|
Box
72
Folder
16
|
April 25 - September 24, 1961, Annotated
|
|
Box
72
Folder
17
|
September-December 1961, Annotated
|
|
Box
72
Folder
18
|
Pages 1-81, January-March 1962(Later Draft)
|
|
Box
72
Folder
19
|
Pages 1-56, January 18 - June 17, 1962, Annotated
|
|
Box
72
Folder
20-21
|
Miscellaneous Pages, Notes, circa 1963, Annotated
|
|
Box
72
Folder
22-24
|
Notes, February 1959-1963, undated
|
|
Box
72
Folder
25
|
Censored Notes, undated
|
|
|
Walter Wanger v. Twentieth Century-Fox Film Corp., et al., Lawsuit
|
|
Box
73
Folder
1
|
Attorney's Notes re: Suit, 1963
|
|
Box
72
Folder
2
|
Attorney's Outline and Notes for Examination of Spyros Skouras, circa 1964
|
|
Box
72
Folder
3
|
Budget Materials, 1959-1963
|
|
Box
72
Folder
4
|
Casting Records, 1958-1961
|
|
Box
72
Folder
5
|
Complaint, 1962; and Complaint in MCL Films, S.A. v. Twentieth Century-Fox Film Corp., , 1962
|
|
Box
72
Folder
6
|
Clippings re: Darryl F. Zanuck and Fox, 1964
|
|
|
Correspondence and Memoranda
|
|
Box
72
Folder
7
|
General, including Legal Strategy Memoranda, 1963-1964
|
|
Box
72
Folder
8
|
Gang, Tyre, Rudin, and Brown, with Press Coverage of Later Lawsuits, February 1964-December 1967
|
|
Box
72
Folder
9
|
Correspondence, Contract, and Papers re: Elizabeth Taylor's Illnesses and Lateness, 1959-1963
|
|
Box
72
Folder
10
|
Picture Cost Reports, May 1959-December 1962
|
|
Box
72
Folder
11
|
Story Cost Reports, 1957(?)-1962
|
|
|
Depositions
|
|
Box
72
Folder
12
|
Transcript of Wanger's Preliminary Statement, October 1962
|
|
Box
72
Folder
13-21
|
Deposition of Wanger, pp. 1-1330, October-November 1963
|
|
|
Deposition of Spyros Skouras
|
|
Box
72
Folder
22
|
December 1963, pp. 1-108 (with Wanger's Annotated Note Slips)
|
|
Box
74
Folder
1-3
|
February-March 1964, pp. 109-455 (Annotated by Wanger)
|
|
Box
74
Folder
4-5
|
Drafts of Legal Documents
|
|
|
Evidence Gathered for Lawsuit
|
|
Box
74
Folder
6
|
First Cause of Action (Interference with Producer's Prerogatives; SantiFiasco), 1959-1962
|
|
Box
74
Folder
7
|
Second Cause of Action (Breach of Contract for Salary and Expenses), 1961-1964
|
|
Box
74
Folder
8
|
Third Cause of Action (Libel), Exhibit G, 1962-1963
|
|
Box
74
Folder
9
|
Sixth Cause of Action (Justine), 1958-1964
|
|
Box
74
Folder
10
|
Regarding Spyros Skouras Contact with Cleopatra, Interference with Wanger as Producer, 1959-1962
|
|
Box
74
Folder
11
|
Prof. Hugh Gray's Notes on Screenplays, 1959 : See also Writers' Correspondence (Box 67) and Scripts and Screenplays (Box 70-71).
|
|
Box
74
Folder
12
|
Insurance Papers and Correspondence (London Production), 1960-1961
|
|
Box
74
Folder
13
|
Interrogatories to Plaintiff and Responses; Data re: Wanger's Expenses During Cleopatra, Attorney's Notes, 1959-1964
|
|
Box
74
Folder
14
|
Legal Bills, 1959-1962
|
|
Box
74
Folder
15
|
London Production - Papers re: Weather, Lack of Preparedness, Hairdressing, 1960-1961
|
|
Box
74
Folder
16
|
Minutes of Twentieth Century-Fox Board and Executive Committee, August 1959-1962
|
|
Box
74
Folder
17
|
Promissory Notes and Correspondence, December 1958-August 1961
|
|
Box
74
Folder
18
|
Materials re: Reputation of Spyros Skouras, 1961-1963
|
|
Box
74
Folder
19
|
Twentieth Century-Fox Annual Reports, 1958-1962
|
|
Box
74
Folder
20
|
Papers re: University of Wisconsin Deed of Gift, circa 1963
|
|
Box
74
Folder
21
|
Walter Wanger Pictures Inc.-Twentieth Century-Fox Agreement - Attorney's Notes, and Miscellany, 1960-1962
|
|
Box
74
Folder
22
|
Wanger's Legal Notes, 1962-September 1965
|
|
Box
74
Folder
23
|
Brodsky and Weiss, The Cleopatra Papers(Annotated by Lawyers)
|
|
Box
74
Folder
24
|
Wanger and Hyams, My Life with Cleopatra(Annotated by Lawyers) : See also Series entitled Walter Wanger's Diary and My Life with Cleopatra(Box 71-72), and Walter Wanger's Diaries in Diaries, Speeches, Appointment Calendars, Notes, and Other Personal Papers series (Micro 966, Reel 1-3).
|
|
Box
74
Folder
25
|
Materials re: Examination of Darryl F. Zanuck, 1962-1964
|
|
Box
74
Folder
26
|
Wanger-Fox Legal Settlement, December 1962-November 1965
|
|
|
“Comanche” (Unproduced by Wanger)
|
|
Box
75
Folder
1
|
Correspondence, July-August 1951
|
|
|
“Commencement” (Unproduced)
|
|
Box
75
Folder
2
|
Correspondence and Contracts, 1947, 1952-1959
|
|
Box
75
Folder
3
|
Novel From Redbook, by John Klempner, June 1958
|
|
Box
75
Folder
4
|
Reference Material re: Scripps College, 1956
|
|
Box
75
Folder
5-6
|
Typescript Scripts by John Klempner, undated
|
|
Box
75
Folder
7
|
Story Outlines, by Lionel Wiggam, circa 1945, 1948
|
|
Box
75
Folder
8
|
Story Outlines and Notes, 1952-July 1957, undated
|
|
|
“Congratulations, Miss Reilly” (Story Idea)
|
|
Box
75
Folder
9
|
Correspondence and Story Idea, March-April 1938
|
|
|
“Death Valley” (Unproduced)
|
|
Box
75
Folder
10
|
Correspondence, April 1949
|
|
|
“The Doctor's Dilemma” (This Version Unproduced)
|
|
Box
75
Folder
11
|
Correspondence, October 1946-November 1947
|
|
|
“The Doll” (This Version Unproduced)
|
|
Box
75
Folder
12
|
Correspondence and Magazine Article, January 1953-December 1954
|
|
|
“The Duchesse de Langeais” (Unproduced)
|
|
Box
75
Folder
13
|
Budget, May-June 1949
|
|
Box
75
Folder
14
|
Clippings, August 1948-February 1950
|
|
Box
75
Folder
15
|
Contracts and Legal Papers, 1949-1950, 1953, 1958
|
|
Box
75
Folder
16
|
Greta Garbo Contract and Expenses, August 1948-February 1950
|
|
Box
75
Folder
17
|
Max Opels' Contract, July 1949-June 1950
|
|
|
Correspondence
|
|
Box
75
Folder
18-19
|
General, August 1948-1950
|
|
Box
75
Folder
20
|
With MCA (Garbo's Agents), 1949-February 1950
|
|
Box
75
Folder
21
|
Life Insurance for Greta Garbo, July-November 1949
|
|
|
Scripts and Screenplays
|
|
Box
75
Folder
22
|
Incomplete First Draft Script, by Sally Benson, undated
|
|
Box
75
Folder
23
|
Early Scripts, Notes, and Treatments, December 1948-August 1949, undated
|
|
Box
75
Folder
24
|
Script, by Sally Benson (Annotated), undated
|
|
Box
75
Folder
25
|
Draft Script, by Sally Benson, undated
|
|
Box
75
Folder
26
|
Typescript Final Draft Script, by Sally Benson, Including Revisions by Harold Goldman, August 18, 1949
|
|
Box
75
Folder
27
|
Wanger's Copy of Final Script, by Sally Benson, Including Revisions, August 1949
|
|
Box
75
Folder
28
|
Typescript Final Script (French Translation), by Sally Benson, August 23, 1949
|
|
|
“The Dud Avocado” (Unproduced)
|
|
Box
76
Folder
1
|
Contract with Elaine Dundy, November-December 1958
|
|
Box
76
Folder
2
|
Correspondence, September 1958-August 1965
|
|
Box
76
Folder
3
|
Promissory Notes, 1958-1959
|
|
|
Scripts and Screenplays
|
|
Box
76
Folder
4
|
First Draft Screenplay, by Dick Berg, January 6, 1959
|
|
Box
76
Folder
5
|
First Draft Screenplay, by Dick Berg, January 20, 1959
|
|
Box
76
Folder
6
|
Script, No Author Listed, September 18, 1959
|
|
Box
76
Folder
7
|
Script, No Author Listed, October 16, 1959
|
|
Box
76
Folder
8
|
Third Draft Screenplay, by Edith Sommer and Philip Dunne, November 13, 1959, with Revisions of , November 20, 1959
|
|
Box
76
Folder
9
|
Fourth Draft Screenplay, by Edith Sommer and Philip Dunne, November 25, 1959
|
|
Box
76
Folder
10
|
Script, No Author Listed, undated
|
|
Box
76
Folder
11
|
Script, Cast, and Credit Notes, by Dick Berg, April-December 1959
|
|
|
Story Outlines
|
|
Box
76
Folder
12
|
By Dick Berg, December 11, 1958
|
|
Box
76
Folder
13
|
No Author Listed, undated
|
|
|
Lawrence Durrell Novels (The Alexandria Quartet)
|
|
Box
76
Folder
14
|
Chronological Breakdown Index, Prepared by G. Byron Sage, August 5, 1959
|
|
Box
76
Folder
15
|
Correspondence, August 1958-August 1967
|
|
Box
76
Folder
16
|
Notes, Cast Suggestions, undated
|
|
Box
76
Folder
17
|
Publicity, October 1958-December 1967
|
|
Box
76
Folder
18
|
Synopses by G. Byron Sage, of Justine, Balthazar, Mountolive, and Clea, December 1958-January 1959, June 1959
|
|
|
Clea
|
|
Box
76
Folder
19
|
Manuscript of Novel by Lawrence Durrell, Copied May 27, 1959
|
|
|
Justine
|
|
|
Correspondence
|
|
Box
76
Folder
20
|
Employment, December 1958-October 1960
|
|
Box
76
Folder
21
|
Writers Correspondence, January 1959-April 1960
|
|
Box
76
Folder
22
|
Outline and Outline Treatment (“City of Lovers”), by Ivan Moffat, June 29 and July 6, 1959
|
|
Box
76
Folder
23
|
Treatment by Ivan Moffat, January 15, 1960
|
|
Box
76
Folder
24
|
Discarded Pages from Treatment by Ivan Moffat, circa January 1960
|
|
Box
76
Folder
25
|
Summary, Step and Working Outlines, by G. Byron Sage, February 1960
|
|
Box
76
Folder
26
|
Treatment and Script Outline, by Joseph L. Mankiewicz, September 14, 1960
|
|
|
“Dynasty” (Unproduced)
|
|
Box
76
Folder
27
|
Contracts, 1939-1943
|
|
Box
77
Folder
1
|
Contracts with Taylor Caldwell (Janet Reback), 1939
|
|
Box
77
Folder
1
|
Contract with Walter Wanger Pictures Inc.
|
|
Box
77
Folder
1
|
Copyright Correspondence, 1954-1955
|
|
Box
77
Folder
2
|
Correspondence re: Contracts, 1939-1946, 1954-1956
|
|
|
Correspondence
|
|
Box
77
Folder
3
|
General, 1941-1948, 1951, 1956-1957
|
|
Box
77
Folder
4
|
Caldwell, Taylor (Janet Reback) and Martin Reback, 1939-1948, 1955, 1959-1960
|
|
Box
77
Folder
5
|
Wylie, Philip, 1943-1946, 1955
|
|
Box
77
Folder
6
|
Cost Schedule; Audit, 1947, 1965
|
|
|
Scripts and Screenplays
|
|
Box
77
Folder
7
|
Revised First Continuity, by Sheridan Gibney, from the Novel Dynasty of Deathby Taylor Caldwell, February 2, 1940
|
|
Box
77
Folder
8
|
Script by Gibney, September 13, 1941
|
|
Box
77
Folder
9
|
Script by Philip Wylie, December 28, 1943
|
|
Box
77
Folder
10
|
Story Line, by Leon d'Usseau, undated
|
|
Box
77
Folder
11
|
Treatment, Synopsis, Criticism and Analysis of Script, 1939-1941, undated
|
|
|
Eagle Squadron(Universal,
1942)
|
|
Box
77
Folder
12
|
Box Office Reports, June-August 1942
|
|
Box
77
Folder
13
|
Material Breakdown - Bomber B19, by Hurd Barrett, November-December 1940
|
|
Box
77
Folder
14
|
Censorship, January-May 1942
|
|
Box
77
Folder
15
|
Clippings, September 1940-July 1942
|
|
|
Correspondence
|
|
Box
77
Folder
16
|
Employment, December 1940-October 1942
|
|
Box
77
Folder
17
|
Legal Correspondence and Contracts, October 1940-November 1943
|
|
Box
77
Folder
18-19
|
Production - Great Britain, October 1940-November 1941
|
|
Box
77
Folder
20
|
Production - United States, October 1941-April 1942
|
|
Box
77
Folder
21
|
Post-Production, January-December 1942
|
|
Box
77
Folder
22
|
Titles, January 1940-April 1942
|
|
Box
77
Folder
23
|
Writers, May 1940-June 1942
|
|
Box
77
Folder
24
|
Financial - Income Statements, 1942-1954
|
|
Box
77
Folder
25
|
Publicity, Preview, Premiere, October 1940-December 1942
|
|
|
Scripts and Screenplays
|
|
Box
77
Folder
26
|
Continuity and Dialogue, by Norman Reilly Raine, May 29, 1942
|
|
Box
78
Folder
1
|
Second Rough Draft Typescript, by Harold Buckley and Hurd Barrett, January 7, 1941
|
|
Box
78
Folder
2
|
Screenplay, by Norman Reilly Raine, January 27, 1942
|
|
Box
78
Folder
3
|
Script Breakdown, Notes, Pick-Up Shots, 1942
|
|
Box
78
Folder
4
|
Story, by C.S. Forester, circa August 1941
|
|
Box
78
Folder
5
|
Story Outline, by Harry Watt, September 29, 1941
|
|
Box
78
Folder
6
|
Story Synopsis, by Ian Dalrymple, March 1941
|
|
Box
78
Folder
7
|
Synopsis, by Hurd Barrett, December 4, 1940
|
|
|
“The Empress” (Unproduced)
|
|
Box
78
Folder
8
|
Correspondence, September 1954-February 1960
|
|
|
Eternally Yours(United
Artists, 1939)
|
|
Box
78
Folder
9
|
Final Script, by Gene Towne and Graham Baker, undated
|
|
Box
78
Folder
9
|
Negative Cost Report, undated
|
|
|
Every Night at Eight
(Paramount, 1935)
|
|
Box
78
Folder
10
|
Final Budget, 1935
|
|
Box
78
Folder
11
|
Working Script, No Author Listed, May 20, 1935
|
|
|
“Evita” (Unproduced by Wanger)
|
|
Box
78
Folder
12
|
Correspondence, January 1960-October 1965
|
|
|
“The Fall” (Unproduced)
|
|
Box
78
Folder
13
|
Clippings, February 1957-July 1960
|
|
Box
78
Folder
14-16
|
Contracts and Option Agreements and Correspondence, 1957-1964
|
|
Box
78
Folder
17
|
Correspondence, February 1957-May 1964
|
|
Box
78
Folder
18
|
Locations in Amsterdam, September 1958-July 1959, undated
|
|
|
Fatal Lady(Paramount,
1936)
|
|
Box
78
Folder
19
|
Revised Final Script (“Brazen”), by Samuel Ornitz, January 20, 1936, with Revisions of , February 20, 1936
|
|
|
Fifty-Second Street(United
Artists, 1937)
|
|
Box
78
Folder
20
|
Revised Final Script, by Grover Jones, June 22, 1937, with Annotations and Added Scenes, , July 23, 1937
|
|
Box
78
Folder
20
|
Negative Cost Report, undated
|
|
|
“Fight For Life” (Unproduced)
|
|
Box
78
Folder
21
|
Correspondence and Proposed Treatment, February 1948-March 1949
|
|
|
“The First and the Last” (Unproduced)
|
|
Box
78
Folder
22
|
Correspondence, 1947
|
|
|
“Flight Nurse” (This Version Unproduced)
|
|
Box
78
Folder
23
|
Correspondence and Clippings, October 1943-May 1945
|
|
Box
78
Folder
23
|
Preliminary Treatment (“Sixty Hours from Home”, by Emmet Lavery, April 27, 1944
|
|
|
Foreign Correspondent
(United Artists, 1940)
|
|
Box
78
Folder
24
|
First Continuity (“Personal History”), by Alma Reveille, January 10, 1940, with Revisions of , January 24, 1940
|
|
Box
78
Folder
25
|
Wanger's Annotated Shooting Script (“Personal History”), No Author Listed, June 5, 1940
|
|
Box
78
Folder
25
|
Negative Cost Report, undated
|
|
|
Fort Vengeance(Allied
Artists, 1953)
|
|
Box
78
Folder
26
|
Correspondence, Shooting Schedule, Production Costs, Income Statements (“The Royal Mounted Police”), 1951-1962
|
|
Box
78
Folder
27
|
Script, by Dan Ullman, circa 1952
|
|
|
“Fortunes of Monte Cristo” (Unproduced)
|
|
Box
78
Folder
28
|
Correspondence, Budget, 1951
|
|
|
“The Fourth World” (Unproduced)
|
|
Box
79
Folder
1
|
Clippings, 1950-February 1958
|
|
Box
79
Folder
2
|
Contract and Correspondence, 1956
|
|
Box
79
Folder
3
|
Correspondence and Story Outline, March 1956-March 1966
|
|
|
“Frontier Knight”/“Galahad of the Border”
(Unproduced)
|
|
Box
79
Folder
4
|
Synopsis, by Paul Schofield, February 1939
|
|
|
Gaily, Gaily(Another Version
Produced by United Artists, 1969)
|
|
Box
79
Folder
5
|
Clippings, 1966-1967
|
|
|
Contracts
|
|
Box
79
Folder
6
|
Embassy Pictures Corp., November 30, 1964
|
|
Box
79
Folder
7
|
Purchase Agreements with Ben and Rose Hecht, 1964-1965
|
|
|
Correspondence
|
|
Box
79
Folder
8
|
With Actors and Agents, April 1964-March 1967
|
|
Box
79
Folder
9
|
Ginnes, Abe, February 1964-December 1967
|
|
Box
79
Folder
10
|
Hecht, Ben and Rose, December 1963-December 1967
|
|
Box
79
Folder
10
|
Title Registration, May-October 1964
|
|
Box
79
Folder
11
|
Legal Correspondence, including Expenses, February 1964-January 1968
|
|
Box
79
Folder
12
|
Final Screenplay by Abram S. Ginnes, undated
|
|
Box
79
Folder
13
|
Original Story by Ben Hecht, 1963
|
|
Box
79
Folder
14
|
Treatment by Abram S. Ginnes, April 1964
|
|
Box
79
Folder
15
|
Walter Wanger's Notes, November 1967
|
|
|
“The Gang's All Here” (This Version Unproduced)
|
|
Box
79
Folder
16
|
Memoranda from Lawrence and Lee, March 1960
|
|
|
General Motors Film Idea (Unproduced)
|
|
Box
79
Folder
17
|
Correspondence, August-October 1940
|
|
|
“Gibraltar” (Unproduced)
|
|
Box
79
Folder
18
|
Correspondence and Synopsis, May 1939
|
|
|
Gilda(Columbia,
1946)
|
|
Box
79
Folder
19
|
Treatment by E.A. Ellington, circa 1944
|
|
|
“The Gingko Tree” (Unproduced)
|
|
Box
79
Folder
20
|
Correspondence and Summary, October 1957-July 1959
|
|
|
“The Girl With the Swansdown Seat” (Unproduced)
|
|
Box
79
Folder
21
|
Correspondence, May-August 1956
|
|
|
“The Gouffe Case” and “Big Brass Band”
(Unproduced)
|
|
Box
79
Folder
22
|
Correspondence, 1955-1956, 1964-1965
|
|
|
Grand Junction Project (Unproduced)
|
|
Box
79
Folder
23
|
Correspondence, August 1948
|
|
|
“The Greatest Raid of All” (Unproduced) : Labeled “Dead File”
|
|
Box
79
Folder
24
|
Correspondence, Clippings, July 1960-October 1965
|
|
|
“A Grue of Ice” (Unproduced)
|
|
Box
79
Folder
25
|
Correspondence, December 1962-January 1963
|
|
|
Gung-Ho!(Universal,
1943)
|
|
Box
79
Folder
26
|
Cast, Staff, Writers, Credits, March-December 1943
|
|
Box
79
Folder
27
|
Censorship, September 1942-September 1943
|
|
Box
79
Folder
28
|
Clippings and Publicity, December 1943-January 1944
|
|
Box
79
Folder
29
|
Contracts and Correspondence, 1943
|
|
|
Correspondence
|
|
Box
79
Folder
30
|
Pre-Production, September 1942-October 1943
|
|
Box
79
Folder
31
|
Post-Production, November 1943-August 1946
|
|
Box
79
Folder
32
|
With Lt. Col. Evans F. Carlson; Speech, Biographical Sketches, August 1942-November 1944
|
|
Box
79
Folder
33
|
With Lt. Wilfred S. LeFrancois, March-December 1943
|
|
Box
79
Folder
34
|
Cost and Income Statements, 1943-1954
|
|
Box
79
Folder
35
|
Publicity, Program, Music, Preview, Radio, November 1943-February 1944
|
|
|
Scripts and Screenplays
|
|
Box
79
Folder
36
|
Continuity and Dialogue, December 8, 1943
|
|
Box
79
Folder
37
|
Typescript Original Story (“The Makin Episode”), by Lt. W.S. LeFrancois, U.S.M.C., undated
|
|
Box
79
Folder
38
|
Screenplay by Lucien Hubbard, May 7, 1943
|
|
Box
79
Folder
39
|
Screenplay by Hubbard, July 7, 1943, with Revisions of , July 27, September 16, 1943
|
|
Box
79
Folder
40
|
Script by LeFrancois, September 23, 1943
|
|
|
“Habona” (“The Builder”) (Unproduced)
|
|
Box
80
Folder
1
|
Synopsis, by Rose Minte and Lillian Bret Harte, circa 1931
|
|
|
Alexander Hamilton Project (Unproduced)
|
|
Box
80
Folder
2
|
Correspondence and Clippings, January 1948-September 1949
|
|
|
“Harvey” (Unproduced by Wanger)
|
|
Box
80
Folder
3
|
Correspondence, March 1939-May 1947
|
|
|
Her Master's Voice
(Paramount, 1936)
|
|
Box
80
Folder
4
|
First Draft Script (Labeled “Exactly as Filmed”), by Dore Schary (Annotated), September 18, 1935
|
|
|
History Is Made at Night
(United Artists, 1937)
|
|
Box
80
Folder
5
|
Final Revised Script, by Gene Towne and Graham Baker, January 3, 1937
|
|
Box
80
Folder
5
|
Negative Cost Report; Staff List, December 1936
|
|
|
“Hitler's Women” (Unproduced)
|
|
Box
80
Folder
6
|
Story Idea, undated
|
|
|
The House Across the Bay
(United Artists, 1940)
|
|
Box
80
Folder
7
|
Revised Final Script by Kathryn Scola, October 11, 1939
|
|
Box
80
Folder
7
|
Negative Cost Report, undated
|
|
|
I Met My Love Again(United
Artists, 1938)
|
|
Box
80
Folder
8
|
Revised Script, by Arthur Ripley, Joshua Logan, and David Hertz, June 23, 1937
|
|
Box
80
Folder
8
|
Negative Cost Report; Staff List, June 1937
|
|
|
I Want to Live!(United
Artists, 1958)
|
|
Box
80
Folder
9
|
Budget, Production Costs and Other Expenses, February- September 1958
|
|
Box
80
Folder
10
|
Call Sheets, March-July 1958
|
|
Box
80
Folder
11
|
Casting Lists, February-May 1958
|
|
Box
80
Folder
12
|
Censorship, March-August 1958
|
|
Box
80
Folder
13-15
|
Contracts and Releases, August 1956-1958
|
|
|
Correspondence
|
|
Box
80
Folder
16-20
|
General, 1957-1960
|
|
Box
80
Folder
21
|
Academy Award Congratulations, March-May 1959
|
|
Box
80
Folder
22
|
Hayward, Susan, 1957-1959
|
|
Box
80
Folder
23
|
Screenings, September 1958-February 1959
|
|
|
Legal Correspondence
|
|
Box
80
Folder
24-26
|
February 1957-April 1958
|
|
Box
81
Folder
1-2
|
May 1958-October 1960
|
|
Box
81
Folder
3-4
|
Montgomery, Ed, December 1956-March 1960
|
|
Box
81
Folder
5
|
Barbara Graham's Correspondence with Al Matthews (Copies), September 1954-May 1955
|
|
Box
81
Folder
6-7
|
Income Statements, July 1959-January 1960, July 1961-December 1962
|
|
Box
81
Folder
8
|
Music, 1958-1959
|
|
Box
104
|
Preview Cards
|
|
Box
81
Folder
9
|
Private Screening, September 30, October 6, 8, 1958; Program and Bookings
|
|
Box
81
Folder
10
|
Production Reports, March-June 1958
|
|
|
Publicity
|
|
Box
81
Folder
11-12
|
Background Information and Clippings, 1953-1959
|
|
|
Clippings
|
|
Box
81
Folder
13
|
Pre-Release, April 1957-October 1958
|
|
Box
81
Folder
14
|
Release, November 1958
|
|
Box
81
Folder
15-16
|
General Clippings, December 1958-April 1959
|
|
Box
81
Folder
17
|
LifeMagazine Crime Series, circa 1957
|
|
Box
81
Folder
18
|
Foreign Clippings, November-December 1958
|
|
Box
81
Folder
19
|
Correspondence, 1957-1958
|
|
Box
81
Folder
20
|
Press Package Feature Stories
|
|
Box
81
Folder
21
|
Publicity Tour, 1958
|
|
|
Reference and Research Materials
|
|
Box
81
Folder
22-23
|
Character Sketches of Barbara Graham, Mabel Monahan, Iris Salter, Emmett Perkins and Jack Santo; and Notes, by Sigmund Fritschel, undated
|
|
Box
81
Folder
24
|
Description of the Graham Case (“Lost Woman”), by Marcel Frym, J.D., undated
|
|
Box
81
Folder
25
|
Statement of John L. True to San Francisco Police (copy), June 4, 1953
|
|
Box
81
Folder
26
|
Shooting Schedules, March-May 1958
|
|
Box
81
Folder
27
|
Original Story - Book by Tabor Rawson, 1958
|
|
Box
81
Folder
28
|
French Translation (Je Veux Vivre) of Rawson's Book by F.M. Watkins, 1958
|
|
|
Scripts and Screenplays
|
|
Box
81
Folder
29
|
Original Story (The Barbara Graham Story), by Ed Montgomery, April 14, 1957
|
|
Box
81
Folder
30
|
Story (The Barbara Graham Story), by Ed Montgomery, April/May 1957
|
|
Box
81
Folder
31
|
Script Revisions (Annotated) (“The Story of B.G.”), part 1, by Don Mankiewicz, July and August 1957
|
|
Box
81
Folder
32
|
Typescript First Draft Script (“The Story of B.G.”), by Mankiewicz, August 1957, with Revisions
|
|
Box
82
Folder
1
|
Typescript Revisions (“The Story of B.G.”), labeled “Obsolete, Don M. Working Copy,” by Mankiewicz, September 1957
|
|
Box
82
Folder
2
|
Typescript Revisions (“The Story of B.G.”), labeled “First Draft,” Second Revision, by Mankiewicz, September 17, 1957
|
|
Box
82
Folder
3
|
Typescript Revisions (“The Story of B.G.”), part 2, by Mankiewicz (Annotated), 1957
|
|
Box
82
Folder
4
|
Typescript Revised Draft Screenplay (“Barbara”), by Mankiewicz (Annotated), September 1957
|
|
Box
82
Folder
5
|
Typescript Second Revised Screenplay (“Barbara”), by Mankiewicz, November 1957
|
|
Box
82
Folder
6
|
Revised Pages (“The Story of Barbara Graham”), by Mankiewicz, circa 1957
|
|
Box
82
Folder
7
|
First Estimating Draft (“Barbara”), by Everett De Baum, December 1957-January 1958
|
|
Box
82
Folder
8
|
Typescript First Draft (“The Barbara Graham Story”), Part I, by Nelson Gidding, January 23, 1958
|
|
Box
82
Folder
9
|
Typescript First Script (“The Barbara Graham Story”), Part I, by Gidding, January 30, 1958-February 25, 1958, with Revisions
|
|
Box
82
Folder
10
|
First Mimeo Estimating Script (“The Barbara Graham Story”), by Gidding, February 3, 1958, with Revisions and Annotations
|
|
Box
82
Folder
11
|
Final Shooting Script (I Want to Live!), by Gidding, March 14, 1958, with Annotations and Revisions
|
|
Box
82
Folder
12
|
Script Portions (“The Barbara Graham Story”), by Gidding, March and April 1958
|
|
Box
82
Folder
13
|
Script (“The Case of Barbara Graham”), by Edward S. Montgomery, undated
|
|
Box
82
Folder
14
|
Other Script Pages
|
|
Box
82
Folder
15
|
Wanger's Personal Notes, including Titles, 1957-1958
|
|
Box
82
Folder
16
|
Barbara Graham Material and Notes of Everett De Baum, November and December 1957
|
|
Box
82
Folder
17
|
Staff Lists and Correspondence, October 1956-September 1958
|
|
Box
82
Folder
18
|
Step Outline and Notes, by Don Mankiewicz, 1957
|
|
Disc 195A
No.
2
|
Robert Wise: Thoughts on Trial Scenes; and Wanger Letters, 1958 March?
|
|
Tape 1035A
No.
5
|
Tape user copy of disc
|
|
U.S. Mss 136AN
|
“If I Loved You” (Unproduced)
|
|
Box
82
Folder
19
|
Correspondence and Contracts, 1945-1948
|
|
|
“The Illusionist”/“L'Illusionniste”
(Unproduced)
|
|
Box
82
Folder
20
|
Typescript Story (“The Illusionist”), by Walter Wanger, Adapted by Rolf Passer, with Correspondence and Affidavit, November 1938
|
|
Box
82
Folder
21
|
Script (“The Magician,” or “L'Illusionniste”) by Sacha Guitry, Translated by Harold Clurman, undated
|
|
|
“The Immaculate Mind of Francesca Lundeen”
(Unproduced)
|
|
Box
82
Folder
22
|
Correspondence, December 1962-March 1963
|
|
|
“Instant Gold” (Unproduced)
|
|
Box
82
Folder
23
|
Contracts, March 1965
|
|
|
The Invasion of the Body Snatchers(Allied Artists, 1956)
|
|
Box
82
Folder
24
|
Budget and Production Reports, February 1955-February 1956
|
|
Box
82
Folder
25
|
Contracts and Legal Correspondence, 1954-1959
|
|
Box
82
Folder
26
|
Correspondence, January 1954-June 1966
|
|
Box
83
Folder
1
|
Labor Distribution Reports, January 1955-February 1956
|
|
Box
83
Folder
2
|
Wanger's Notes, January 1955-February 1956
|
|
Box
83
Folder
3
|
Plans for Opening Narration, June-September 1955
|
|
Box
83
Folder
4
|
Publicity, November 1954-April 1958
|
|
|
Scripts and Screenplays
|
|
Box
83
Folder
5
|
Script (“The Body Snatchers”) by Daniel Mainwaring, from the Serial by Jack Finney, February 10, 1955, with Revisions
|
|
Box
83
Folder
6
|
Final Revised Script (“The Body Snatchers”), by Mainwaring, March 17, 1955
|
|
Box
83
Folder
7
|
Final Revised Script (“The Body Snatchers”), by Mainwaring (Annotated), March 17, 1955, with Revisions of , March 25, 1955, Marked for Shooting; Including Staff Sheets, Locations, Cast Sheets, Shooting Schedule, Cover Set Sheet
|
|
Box
83
Folder
8
|
Script Fragments, No Author Listed (Annotated), March 1955
|
|
Box
83
Folder
9
|
Original Story (“A Fall of Small Frogs”), by Jack Finney, undated
|
|
|
Joan of Arc(RKO,
1948)
|
|
Box
83
Folder
10
|
Correspondence, Contracts, Script Fragments, 1948-1961
|
|
Box
83
Folder
11
|
Financial Statements, March 1949-December 1965
|
|
|
Kansas Pacific(Allied
Artists, 1953)
|
|
Box
83
Folder
12
|
Correspondence, June-July 1952
|
|
Box
83
Folder
12
|
Call Sheets, July 1952
|
|
Box
83
Folder
13
|
Income Statements, 1953-1962
|
|
Box
83
Folder
14
|
Payroll, December 1951-September 1952
|
|
Box
83
Folder
14
|
Accounts Payable, March-September 1952
|
|
Box
83
Folder
15
|
Production Costs, July 1952-January 1953; Labor Distribution, , October 1952-January 1953; Daily Report, , July 1952
|
|
Box
83
Folder
16
|
Script by Dan Ullman, undated
|
|
Box
83
Folder
17
|
Revised Script by Ullman (Annotated), undated
|
|
|
Ladies Courageous
(Universal, 1944)
|
|
Box
83
Folder
18
|
Cast, Title, Censorship, Clippings, Scenes, September 1942-December 1943
|
|
Box
83
Folder
19
|
Contracts and Correspondence, January-October 1943
|
|
|
Correspondence
|
|
Box
83
Folder
20
|
General Correspondence, August 1942-October 1944
|
|
Box
83
Folder
21
|
Butterfield, Allyn, May 1943-February 1944
|
|
Box
83
Folder
22
|
Gilbert, Doris, January-June 1943
|
|
Box
83
Folder
23
|
Income Statements, 1944-1953
|
|
Box
83
Folder
24
|
Publicity and Exploitation Manual, 1944
|
|
Box
83
Folder
25
|
Research Notes of Doris Gilbert, January-February 1943
|
|
|
Scripts and Screenplays
|
|
Box
83
Folder
26
|
Continuity and Dialogue, February 28, 1944
|
|
Box
83
Folder
27
|
Revised Final Screenplay (“When Ladies Fly”), by Norman Reilly Raine and Doris Gilbert, August 12, 1943, with Revisions of , September 15, 1943
|
|
|
The Lady in the Iron Mask
(20th Century-Fox, 1952)
|
|
Box
83
Folder
28
|
Budget, Shooting Schedule, Production Reports, October-November 1951
|
|
Box
83
Folder
29
|
Cast Sheet, Call Sheet, October 1951
|
|
Box
83
Folder
30
|
Correspondence and Contracts (“The Queen's Men”), April 1951-May 1955
|
|
Box
84
Folder
1-3
|
Income Statements, November 1952-August 1959
|
|
|
Scripts and Screenplays
|
|
Box
84
Folder
4
|
Revised Script, No Author Listed, August 15, 1951
|
|
Box
84
Folder
5
|
Revised Script, No Author Listed, September 12, 1951
|
|
Box
84
Folder
6
|
Revised Script, No Author Listed, October 9, 1951, with Shooting Schedule
|
|
|
“The Laguardia Story“ (Unproduced Film Project)
|
|
Box
84
Folder
7
|
Correspondence, October 1947-May 1948
|
|
|
“Laurette” (Unproduced)
|
|
Box
84
Folder
8
|
Correspondence, February-March 1961
|
|
|
“The Lion” (Not produced by Wanger)
|
|
Box
84
Folder
9
|
Correspondence, Clippings, Agreements, July 1959-August 1964
|
|
|
“The Little Shepherd of Kingdom Come” (Not Produced by
Wanger)
|
|
Box
84
Folder
10
|
Correspondence re: Story Purchase, 1947
|
|
|
“The Lonely Road” (Unproduced)
|
|
Box
84
Folder
11
|
Correspondence and Treatment by George Worthing Yates, January 1946-June 1947
|
|
|
The Long Voyage Home(United
Artists, 1940)
|
|
Box
84
Folder
12
|
Wanger's Annotated Copy of the Revised Final Script, by Dudley Nichols, from the Original by Eugene O'Neill, May 13, 1940
|
|
Box
84
Folder
12
|
Negative Cost Report, November 1940
|
|
|
The Lost Moment(Universal,
1947)
|
|
Box
84
Folder
13
|
Daily Box Office Reports, October-December 1947
|
|
Box
84
Folder
14
|
Contracts, Correspondence, and Payroll, January-November 1947
|
|
Box
84
Folder
15
|
Correspondence, January 1947-October 1949 : Includes Earlier Titles: “Lost Love” and “Aspern Papers”
|
|
|
Costs
|
|
Box
103
Folder
3
|
Picture Cost Statements, February-December 1947
|
|
Box
103
Folder
4
|
Weekly Cost Summaries, March 1947-January 1949
|
|
Box
84
Folder
16
|
Weekly Cost Statement to Universal, March-December 1947
|
|
Box
84
Folder
17
|
Credits and Censorship, January-September 1947
|
|
Box
84
Folder
18
|
Income Statements, December 1947-September 1953
|
|
Box
84
Folder
19
|
Loans and Mortgages - Papers and Correspondence, 1947-1951
|
|
Box
84
Folder
20
|
Preview Analysis, September-October 1947
|
|
Box
84
Folder
21
|
Production Reports, Shooting Schedule, March-September 1947
|
|
Box
84
Folder
22
|
Publicity, October-December 1947
|
|
|
Scripts and Screenplays
|
|
Box
84
Folder
23
|
Final Screenplay (“The Lost Love”), by Leonardo Bercovici, from the Novel The Aspern Papers, by Henry James, January 29, 1947
|
|
Box
84
Folder
24
|
Screenplay, by Bercovici, undated
|
|
|
“The Man from Nowhere, or, The Reluctant Saint” (Not produced by
Wanger)
|
|
Box
84
Folder
25
|
Second Draft Script, by Daniel Mainwaring, Based on the Story by Hardy Kruger and Mainwaring, September 6, 1962
|
|
|
“The Man from Snake River” (Unproduced)
|
|
Box
84
Folder
26
|
Clippings, November 1954-May 1955
|
|
Box
85
Folder
1
|
Contracts, December 1954-May 1955
|
|
Box
85
Folder
2
|
Correspondence, September 1954-March 1960
|
|
Box
85
Folder
3
|
Labor Distribution Reports, June-July 1955
|
|
Box
85
Folder
4
|
Research and Reference Materials, April 1953-June 1956
|
|
|
Scripts and Screenplays
|
|
Box
85
Folder
5
|
First Draft, No Author Listed, May 25, 1955
|
|
Box
85
Folder
6
|
First Draft, Incomplete, by Richard Collins, June 27, 1955
|
|
Box
85
Folder
7
|
Typescript First Draft Script, by Collins, July 16, 1955, with Revisions of , August 1, 1955
|
|
Box
85
Folder
8
|
Original Story - Adventures in Politics, by Richard L. Neuberger, 1954(Wanger's Marked Copy)
|
|
Box
85
Folder
9
|
Story Presentation (“The Neuberger Story”), by Kay Lenard, January 1956
|
|
|
“The Man with the Miraculous Hands” (Unproduced)
|
|
Box
85
Folder
10
|
Correspondence, April-July 1961
|
|
|
“The Man with Two Shadows” (Unproduced)
|
|
Box
85
Folder
11
|
Script, by Robin Maugham, undated
|
|
|
Mary Burns, Fugitive
(Paramount, 1935)
|
|
Box
85
Folder
12
|
Final Cost Budget, 1935
|
|
Box
85
Folder
13
|
Revised Final Shooting Script, No Author Listed, August 24, 1935
|
|
Box
85
Folder
14
|
Revised Final Shooting Script, No Author Listed, August 28, 1935, with Revisions of , October 4, 1935
|
|
|
“Mona Lisa” (Unproduced Film Project)
|
|
Box
85
Folder
15
|
Correspondence and Outlines (“The Smile”), by Bernard C. Shoenfeld, March-June 1953
|
|
|
The Moon's Our Home
(Paramount, 1936)
|
|
Box
85
Folder
16
|
Final Cost Budget, 1935
|
|
Box
85
Folder
17
|
Revised Final Script, by Isabel Dawn and Boyce DeGaw, January 30, 1936
|
|
|
Navy Wife(Allied Artists,
1956)
|
|
Box
85
Folder
18
|
Contracts and Correspondence, January 1954-December 1955
|
|
Box
85
Folder
19
|
Correspondence, March 1954-November 1956
|
|
Box
85
Folder
20
|
Labor Distribution Reports, November 1954-May 1956
|
|
Box
85
Folder
21
|
Production Reports and Costs; Shooting Schedules, June-December 1955
|
|
Box
85
Folder
22
|
Publicity, October 1955-June 1956
|
|
|
Scripts and Screenplays
|
|
Box
85
Folder
23
|
First Draft Screenplay (“Mother-Sir!”), by Kay Lenard, From the Novel by Tats Blain, May 16, 1955
|
|
Box
85
Folder
24
|
Revised Script by Lenard, circa November 1955
|
|
Box
86
Folder
1
|
Revised Script (Annotated), by Lenard, circa November 1955
|
|
Box
86
Folder
2
|
Original Story - Mother-Sir!by Tats Blain, 1951(Wanger's Annotated Copy)
|
|
Box
86
Folder
3
|
Story Treatments, October 1954
|
|
|
A Night in Paradise
(“Peacock's Feather”) (Universal, 1946)
|
|
Box
86
Folder
4
|
Correspondence, June 1944-July 1946
|
|
Box
85
Folder
5
|
Income Statements, October 1944-May 1954
|
|
Box
85
Folder
6
|
Production Files, Script Notes, Container, Correspondence, Narration Scripts, July 1934-July 1946
|
|
Box
85
Folder
7
|
Script by Ernest Pascal, November 20, 1944, with Revisions through , March 20, 1945
|
|
|
“Night of the Short Knives” (Unproduced)
|
|
Box
86
Folder
8
|
Synopsis of Galleys of Novel by Burke Wilkinson, June 15, 1964
|
|
Box
86
Folder
9
|
Script, No Author Listed, from the Book by Wilkinson, March 29, 1965
|
|
Box
86
Folder
10
|
Script (Annotated), No Author Listed, April 6, 1965
|
|
Box
86
Folder
11
|
Revised Script, by John Hopkins, June 1966
|
|
Box
86
Folder
12
|
Script (Annotated), No Author Listed, August 1966- with Henry Sandoz Letter re: Locations and Hardware, , July 9, 1966
|
|
Box
86
Folder
13
|
Script, by Henry Sandoz, August 1966
|
|
Box
86
Folder
14
|
Draft Story Line, by Robert D. Graff, August 19, 1965
|
|
Box
86
Folder
15
|
Treatment for Screenplay, by John Hopkins, November 29, 1965
|
|
Box
86
Folder
16
|
Treatment for Screenplay, by Hopkins, February 10, 1966
|
|
|
“Not the Glory” (Unproduced)
|
|
Box
86
Folder
17
|
Correspondence and Outline (“A Close Call”), by Francis Thorens, November 1955-July 1957
|
|
|
“Notre-Dame des Desempares” (Unproduced)
|
|
Box
86
Folder
18
|
Correspondence, April 1960-February 1967
|
|
Box
86
Folder
19-21
|
Typescript English Translation of the Novel by Christian Murciaux, Parts I-III, October 1962
|
|
|
“Omar Khayyam” (Not Produced by Wanger)
|
|
Box
87
Folder
1
|
Correspondence and Story Ideas, December 1951-October 1953
|
|
|
Palm Springs(Paramount,
1936)
|
|
Box
87
Folder
2
|
Revised Final Script, by Joseph A. Fields, January 2, 1936
|
|
|
Pan American Airways Film Project (Unproduced)
|
|
Box
87
Folder
3
|
Correspondence and Clippings, December 1940-June 1943
|
|
|
“Phi Beta Legs” (Unproduced)
|
|
Box
87
Folder
4
|
Story Outline, by Karen de Wolf; Agreement, 1951
|
|
|
Police Department Project (Unproduced)
|
|
Box
87
Folder
5
|
Correspondence, September 1955-October 1958
|
|
|
The President Vanishes
(Paramount, 1935)
|
|
Box
87
Folder
6
|
Final Cost Budget, 1934; Release Dates
|
|
Box
87
Folder
7
|
Script, No Author Listed, 1934
|
|
|
The President Vanishesand Private Worlds
|
|
Box
87
Folder
8-10
|
Cost and Distribution Statements, September 1934-January 1940
|
|
|
Private Worlds(Paramount,
1935)
|
|
Box
87
Folder
11
|
Final Cost Budget, 1935
|
|
Box
87
Folder
12
|
Final Script, by Gregory La Cava, December 28, 1934
|
|
|
Public Health Film (Unproduced)
|
|
Box
87
Folder
13
|
Correspondence, February-September 1948
|
|
|
“Queen of the Universe“(Unproduced)
|
|
Box
87
Folder
14
|
Correspondence, Contracts, and Payroll, May 1951-November 1956
|
|
Box
87
Folder
15
|
Ideas and Story Outline, by Ben Hecht, circa 1954
|
|
Box
87
Folder
16
|
First Draft Script, by Sherman L. Lowe, from a Story by Ben Hecht, undated
|
|
Box
87
Folder
17
|
Revised Draft Script, by Lowe, undated
|
|
|
“Raft O' Glory” (Unproduced)
|
|
Box
87
Folder
18
|
Correspondence, December 1942-April 1944
|
|
|
The Reckless Moment
(Columbia, 1949)
|
|
Box
87
Folder
19
|
Breakdown Schedules, July-September 1948
|
|
Box
87
Folder
20
|
Budgets, 1947-1949
|
|
Box
87
Folder
21
|
Call Sheets, January-June 1949
|
|
Box
87
Folder
22
|
Contracts, Correspondence, and Payroll Records, 1948-1950
|
|
Box
87
Folder
23
|
Contract - Production, and Distribution Agreement with Pathe Industries Inc., June 22, 1948
|
|
Box
87
Folder
24-25
|
Correspondence, 1947-1950
|
|
Box
87
Folder
26
|
Costs, Weekly Preproduction, 1948
|
|
Box
87
Folder
27
|
Distribution Statements, 1949
|
|
Box
87
Folder
28
|
Income Statements, Loan Payments, Notice of Default and Notice of Sale of Picture, November 1949-December 1954
|
|
Box
88
Folder
1
|
Production - Assistant Director's Daily Report, 1949
|
|
|
Scripts and Screenplays
|
|
Box
88
Folder
2
|
Typescript First Draft Script (“The Blank Wall”), by Robert E. Kent, December 5, 1947
|
|
Box
88
Folder
3
|
Typescript First Draft Script (“The Blank Wall”), by Leopold Atlas, December 24, 1947
|
|
Box
88
Folder
4
|
Typescript First Draft Script (“The Blank Wall”), by Mel Dinelli, February 6, 1948
|
|
Box
88
Folder
5
|
Revised Draft Script (“The Blank Wall”), by Dinelli, March 8, 1948, with Revisions of , April 23, 1948
|
|
Box
88
Folder
6
|
First Draft Script (“The Blank Wall”) (Annotated), by Dinelli, April 28, 1948
|
|
Box
88
Folder
7
|
Typescript Screenplay (“The Blank Wall”), by DeWitt Bodeen, October 28, 1948
|
|
Box
88
Folder
8
|
First Estimating Draft Script (“The Blank Wall”), by Henry Garson and Robert Soderberg, February 1, 1949
|
|
Box
88
Folder
9
|
Final Draft Script (“The Blank Wall”), by Carson and Soderberg, Annotated with Revised Pages, March 1, 1949
|
|
Box
88
Folder
10
|
Revised Final Draft Script (“The Blank Wall”), by Carson and Soderberg, March 11, 1949, with Revisions of , April 7, 1949; Marked for Shooting
|
|
Box
88
Folder
11
|
Revised Final Draft Script (“The Blank Wall”), by Carson and Soderberg, March 11, 1949, with Revisions of , May 2, 1949
|
|
Box
88
Folder
12
|
Shooting Schedules, 1949
|
|
Box
88
Folder
13
|
Story Outlines, Suggested Changes, Revised Pages, Preview Results, 1947-1949
|
|
Box
88
Folder
14
|
Vouchers, 1949
|
|
|
“The Rector of Justin” (Unproduced)
|
|
|
Scripts and Screenplays
|
|
Box
88
Folder
15
|
First Draft Script, by Samuel Taylor, Based on the Book by Louis Auchincloss, March 8, 1965
|
|
Box
88
Folder
16
|
Second Draft Script, by Taylor, April 1, 1965
|
|
Box
88
Folder
17
|
Script, by Taylor, April 1, 1965
|
|
Box
88
Folder
18
|
Script, by Taylor, August 25, 1965
|
|
|
Reign of Terror(Eagle Lion,
1949)
|
|
Box
88
Folder
19
|
Breakdown Schedule, Revised Final, June 19, 1948
|
|
Box
88
Folder
19
|
Set List, March 27, 1948
|
|
Box
88
Folder
20
|
Production Budget and Final Cost Accounting, 1948
|
|
Box
88
Folder
21
|
Contracts and Correspondence, 1947-1949
|
|
Box
88
Folder
22
|
Production Cost Statements, Weekly, 1948-1949
|
|
Box
89
Folder
1
|
Income and Distribution Statements, 1948-1954
|
|
Box
89
Folder
2
|
Post-Production, April 1948-August 1949
|
|
Box
89
Folder
3
|
Production Reports, Daily, August-September 1948
|
|
Box
89
Folder
4
|
Revised Final Script (“The Bastille,” “The Black Book”), by Philip Yordan, Original Story by Aeneas MacKenzie, June 17, 1948
|
|
Box
89
Folder
5
|
Discarded Script Pages, by Philip Yordan, 1948
|
|
|
“Rena' s Way” (Unproduced)
|
|
Box
89
Folder
5A
|
Correspondence and Summary of Novel by Victoria Morhaim, July 1959-April 1960
|
|
|
Riot in Cell Block 11
(Allied Artists, 1954)
|
|
Box
89
Folder
6
|
Budget, Cost Records, July-November 1953; Audit, , June 1957
|
|
Box
89
Folder
7
|
Call Sheets, August-September 1953
|
|
Box
89
Folder
8
|
Contracts and Correspondence, 1953
|
|
|
Correspondence
|
|
Box
89
Folder
9-13
|
General, January 1953-1959
|
|
Box
89
Folder
14
|
Inter-Office Memoranda and Trip Sheets, April 1953-June 1954
|
|
Box
89
Folder
15
|
Legal, 1953
|
|
Box
89
Folder
16
|
Lookand PageantMagazines, Fall 1953
|
|
Box
89
Folder
17
|
Walter and Peg McGraw, March 1953-November 1954
|
|
Box
89
Folder
18
|
Miscellaneous Prison Related Correspondence, 1952-1954
|
|
|
Edinburgh Film Festival
|
|
Box
89
Folder
19
|
Clippings, Programs, Invitations, August 21-29, 1954
|
|
Box
89
Folder
20
|
Correspondence, August 20-September 2, 1954
|
|
Box
89
Folder
21
|
Correspondence (also re: Venice Film Festival), May-December 1954
|
|
Box
89
Folder
22
|
Employment Applications, June-August 1953, February 1954
|
|
Box
89
Folder
23
|
Income Statements, 1958
|
|
Box
89
Folder
24
|
Labor and Equipment Costs, June 1953-February 1954
|
|
Box
89
Folder
25
|
Music and Music Cue Sheet, December 1953
|
|
Box
89
Folder
26
|
Production Reports, August-October 1953
|
|
|
Publicity and Publicity Correspondence
|
|
Box
89
Folder
27
|
General, August 1953-April 1954, August 1954
|
|
Box
89
Folder
28
|
With Morgan and Brenon, January-March 1954
|
|
Box
89
Folder
29
|
Promotional Tours, 1954
|
|
Box
89
Folder
30
|
Clippings, Publicity, Reviews, July 1953-April 1955
|
|
|
Reference and Research Material
|
|
Box
89
Folder
31-33
|
Clippings and Background Information About Prisons, 1946-1954
|
|
Box
89
Folder
34-35
|
Other Reference Material, 1943-1954
|
|
Box
89
Folder
36
|
Wanger's Impressions of Jail and Going to Jail, undated
|
|
Box
89
Folder
37
|
Wanger's Prison Writings
|
|
Box
90
Folder
1
|
Wanger's Writings on Prison, this Movie, and Rehabilitation
|
|
Box
90
Folder
2
|
Honor Farm Rules
|
|
Box
90
Folder
3
|
Phoenix Plan Materials, 1952
|
|
Box
90
Folder
4
|
Writings and Letters of Prisoners; Sketches, undated
|
|
|
Scripts and Screenplays
|
|
Box
90
Folder
5
|
Typescript First Draft Screenplay (“Riot”), Incomplete, First Sequence Only, by Richard Collins, April 29, 1953
|
|
Box
90
Folder
6
|
Typescript Draft Script (“Riot”) (Annotated), by Collins, June 1, 1953
|
|
Box
90
Folder
7
|
First Draft Script (“Riot”) (Annotated), by Collins, June 2, 1953
|
|
Box
90
Folder
8
|
Revised Script, by Collins, June 29, 1953
|
|
Box
90
Folder
9
|
Revised Script, by Collins, June 29, 1953, with Revisions of , July 21, 1953
|
|
Box
90
Folder
10
|
Revised Script Pages, Annotated, Incomplete; No Author Listed, July 13, 1953
|
|
Box
90
Folder
11
|
Draft Script Pages, Annotated, Incomplete, No Author Listed, August 5, 1953
|
|
Box
90
Folder
12
|
Final Shooting Script, No Author Listed, August 5, 1953
|
|
Box
90
Folder
13
|
Revised Final Shooting Script, No Author Listed, August 5, 1953, with Revisions of , August 13, 1953
|
|
Box
90
Folder
14
|
Revised Script Pages, Annotated, Incomplete, No Author Listed, August 15, 1953, October 15, 1953
|
|
Box
90
Folder
15
|
Script Pages (Annotated) and Correspondence with Richard Collins, June-October 1953
|
|
Box
90
Folder
16
|
Staff, Cast, and Shooting Schedule, Prop and Canteen List, Reel Description, August 1953
|
|
Box
90
Folder
17
|
Titles and Proposed Titles
|
|
|
Rocket to the Moon Project (Unproduced)
|
|
Box
90
Folder
18
|
Correspondence, February 1946
|
|
|
“The St. Moritz Affair” (Unproduced)
|
|
Box
90
Folder
19
|
Clippings and Correspondence, January-July 1957
|
|
|
Salome, Where She Danced
(Universal, 1945)
|
|
Box
90
Folder
20
|
Continuity with Dialogue, 1944
|
|
Box
90
Folder
21
|
Contract, Correspondence, and Payroll of Laurence Stallings, 1944-1950
|
|
Box
90
Folder
22
|
Correspondence and Miscellany, 1943
|
|
Box
90
Folder
23
|
Income Statements, including Grosses, 1945-1954
|
|
Box
90
Folder
24
|
Production Correspondence, Music, Casting, January 1944-October 1945
|
|
Box
90
Folder
25
|
Post-Production Correspondence, January 1944-September 1945
|
|
Box
90
Folder
26
|
Production Reports, January 1945; Final Cost Sheet, , April 1945
|
|
Box
90
Folder
27
|
Publicity Brochure
|
|
|
Scripts and Screenplays
|
|
Box
90
Folder
28
|
Script, by Laurence Stallings, September 12, 1944; with Revisions of , September and October 1944
|
|
Box
90
Folder
29
|
Script Notes, Correspondence, April 1944-March 1946
|
|
|
Scarlet Street(Universal,
1945)
|
|
Box
90
Folder
30
|
Continuity Breakdown, July 23, 1945
|
|
Box
90
Folder
31
|
Budget Estimates, July 1945
|
|
|
Censorship
|
|
Box
90
Folder
32
|
Lawsuit Briefs, Universal v. City of Atlanta, March-May 1946
|
|
Box
90
Folder
33
|
Lawsuit Correspondence, June 1945-October 1946
|
|
Box
90
Folder
34
|
Clippings, September 1945-July 1946
|
|
Box
91
Folder
1
|
Contracts, February 1945-January 1951
|
|
Box
91
Folder
2
|
Correspondence, January 1945-October 1947
|
|
Box
91
Folder
3
|
Income Statements, May 1948-May 1954
|
|
Box
91
Folder
4
|
Lawsuit, Diana Productions Inc. v. Fidler, December 1945-March 1947
|
|
Box
91
Folder
5
|
Post-Production Correspondence, May 1944-June 1946
|
|
|
Scripts and Screenplays
|
|
Box
91
Folder
6
|
Revised Final Script, by Dudley Nichols, July 18, 1945
|
|
Box
91
Folder
7
|
Continuity and Dialogue Script, by Nichols, December 17, 1945
|
|
|
Albert Schweitzer Memorial Project (Unproduced)
|
|
Box
91
Folder
8
|
Clippings and Correspondence, January 1949-January 1950
|
|
|
Secret Beyond the Door
(Universal, 1948)
|
|
Box
91
Folder
9
|
Contracts and Correspondence re: Purchase, December 1945-September 1946
|
|
Box
91
Folder
10
|
Employment, January 1946-April 1947
|
|
Box
91
Folder
11
|
Post-Production Correspondence, September 1946-April 1948
|
|
Box
91
Folder
12
|
Production, Legal, Budget, Costs, January 1946-February 1948
|
|
Box
91
Folder
13
|
Final Shooting Script, by Silvia Richards, Based on a Story by Rufus King, undated, with Changes Dated , February 7, 1947
|
|
Box
91
Folder
14
|
RedbookNovelization, by Rufus King, December 1945
|
|
Box
91
Folder
15
|
Story Outline, Correspondence, Notes, December 1945- October 1947
|
|
|
“Shalimar” (Unproduced)
|
|
Box
91
Folder
15A
|
Story Outline (Annotated), by Leon Gutterman and Reed Johnston, undated
|
|
|
Shanghai(Paramount,
1935)
|
|
Box
91
Folder
16
|
Final Cost Budget, 1935
|
|
Box
91
Folder
17
|
Financial Statements, 1936-1938 : Also includes Financial Statements for Smart Girl, Every Night at Eight, Mary Burns, Fugitive, Her Master's Voice, Trail of the Lonesome Pine, The Case Against Mrs. Ames, The Moon's Our Home, Big Brown Eyes, Fatal Lady, Palm Springs, and Spendthrift.
|
|
Box
91
Folder
18
|
Final Shooting Script, No Author Listed, April 26, 1935
|
|
|
“The Sinner, A Story of Mary Magdalene” (Unproduced)
|
|
Box
91
Folder
19
|
Correspondence and Contracts with Charles O'Neill; Correspondence and Treatment, by Jean Renoir, May 1946-January 1947
|
|
|
Slave Market Project (Unproduced)
|
|
Box
91
Folder
20
|
Story Outline, by Geoffrey Homes, undated
|
|
Box
91
Folder
20
|
Correspondence, February 1959-February 1963
|
|
|
Slightly Honorable(United
Artists, 1940)
|
|
Box
91
Folder
21
|
Revised Shooting Script (“Send Another Coffin”), by Ken Englund, Adapted by John Lay and Robert Tallman, August 25, 1939, with Retakes of , October 18, 1939
|
|
Box
91
Folder
21
|
Negative Cost Report, undated
|
|
|
Smart Girl(Paramount,
1935)
|
|
Box
91
Folder
22
|
Final Cost Budget, 1935
|
|
Box
91
Folder
23
|
Revised Working Script, No Author Listed, May 22, 1935
|
|
|
Smash-Up - The Story of a Woman(Universal, 1947)
|
|
Box
91
Folder
24
|
Audit, June 1948
|
|
Box
91
Folder
25
|
Continuity Index, June 1946
|
|
Box
91
Folder
26
|
Contracts and Correspondence, August 1945-January 1947
|
|
Box
91
Folder
27
|
Correspondence (“Angelica”), July 1945-December 1947
|
|
Box
91
Folder
28
|
Credits and Censorship, April 1946-May 1947
|
|
Box
92
Folder
1
|
Income and Box Office Statements, February 1947-May 1954
|
|
Box
91
Folder
2
|
Music - “Life Can Be Beautiful”
|
|
Box
91
Folder
3
|
Publicity, June 1946-June 1947
|
|
|
Scripts and Screenplays
|
|
Box
91
Folder
4
|
Revised Final Script, by John H. Lawson, from a Story by Dorothy Parker and Frank Cavett, May 15, 1946; including Revised Final Changes
|
|
Box
91
Folder
5
|
Script Notes and Changes, April-November 1946
|
|
Box
91
Folder
6
|
Shooting Schedules, 1946
|
|
|
“The Snow Queen”(This Version Unproduced
|
|
Box
92
Folder
7
|
Correspondence and Two Treatments by Robert Thom and Edward DeBlasio, July-August 1964
|
|
|
“So Gallantly Gleaming” (Unproduced)
|
|
Box
92
Folder
8
|
Clippings, May 1946-April 1959
|
|
Box
92
Folder
9
|
Contracts, July 1939-November 1941
|
|
Box
92
Folder
10
|
Copyright, April 18, 1955
|
|
Box
92
Folder
11
|
Correspondence, September 1939-August 1964
|
|
|
Scripts and Screenplays
|
|
Box
92
Folder
12
|
Outline for Opening, by Harvey Thew and Peter Ordway, August 9, 1939
|
|
Box
92
Folder
13
|
First Rough Draft Script, by Sonya Levien (Annotated), December 2, 1939
|
|
Box
92
Folder
14
|
First Rough Draft Script, by Levien, December 2, 1939, with Revisions of , April 1940
|
|
Box
92
Folder
15
|
Script, by Levien, with Revisions of April 18, 1940
|
|
Box
92
Folder
16
|
Script, by Levien, undated
|
|
Box
92
Folder
17
|
Script Pages, by Levien, pp. 121-209 (end), with Character Description and Other Material
|
|
|
Annotated Script Pages, by Levien
|
|
Box
92
Folder
18
|
pp. 1-31 (School and Courtship Sequences), November 1939
|
|
Box
92
Folder
19
|
pp. 32-48 (Marriage Sequence), undated
|
|
Box
92
Folder
20
|
pp. 49-55 (Family Reconciliation Sequence), undated
|
|
Box
92
Folder
21
|
pp. 56-62 (St. Louis Sequence), January 1940
|
|
Box
92
Folder
22
|
pp. 63-65 (Letter Sequence), pp. 66-75 (Pres. Tyler Sequence), and pp. 76-81 (Homecoming Sequence), undated
|
|
Box
92
Folder
23
|
pp. 82-120 (Report Sequence), January 27, 1940
|
|
Box
92
Folder
24
|
pp. 121-130 (Pres. Polk Sequence), February 1940
|
|
Box
92
Folder
25
|
pp. 130-137 (Mrs. Benton's Death Sequence) and pp. 138-147 (Fort Sutter Sequence)
|
|
Box
92
Folder
26
|
pp. 148-156 (Monterrey Sequence) and pp. 157-168 (Jessie and Pres. Polk Sequence)
|
|
Box
92
Folder
27
|
pp. 169-177 (Cahuenga Sequence) and pp. 178-185 (Kit Carson Comes to Washington)
|
|
Box
92
Folder
28
|
pp. 186-203 (Court Martial Sequence) and pp. 204-209 (Benton Home/Ending Sequence)
|
|
Box
92
Folder
29
|
Story, by Harvey Thew and Peter Ordway, undated
|
|
Box
92
Folder
30
|
First Treatment, by Thew and Ordway, undated
|
|
Box
92
Folder
31
|
Memorandum, August 3, 1939, and Revised Treatments, , January 21, 1947, undated
|
|
|
Soldier of Fortune(Not
Produced by Wanger? Another Version Produced by 20th Century-Fox, 1955)
|
|
Box
92
Folder
32
|
Story Outline, by Jay Simms, undated
|
|
|
“Soul of Paris” (Unproduced)
|
|
Box
93
Folder
1
|
Contracts, Correspondence, and Partial Treatment, No Author Listed, January-April 1950
|
|
|
South African Project (Unproduced)
|
|
Box
93
Folder
2
|
Correspondence, September-November 1948
|
|
|
South American Project (Unproduced)
|
|
Box
93
Folder
3
|
Correspendence, March 1939-October 1940
|
|
|
Spendthrift(Paramount,
1936) : See also Box 92, Folder 17.
|
|
Box
93
Folder
4
|
Dialogue Continuity, by George Marion, Jr. and Al Santell, undated
|
|
Box
93
Folder
5
|
Revised Final Continuity (“As Shot”), Original Story by Eric Hatch, Screenplay by Raoul Walsh and Bert Hanlon, May 5, 1936
|
|
|
Stagecoach(2 Versions, 1939
Version by United Artists)
|
|
Box
93
Folder
6
|
Correspondence, May 1957-October 1965
|
|
Box
93
Folder
7
|
Negative Cost Report, December 1938
|
|
Box
93
Folder
8
|
Revised Final Script, by Dudley Nichols, November 11, 1938
|
|
|
Stand-In(United Artists,
1937)
|
|
Box
93
Folder
9
|
Revised Final Script, by Gene Towne and Graham Baker, July 16, 1937
|
|
Box
93
Folder
9
|
Negative Cost Report; Staff Sheet, June 1937
|
|
|
“The Story of Cyllene” (Unproduced)
|
|
Box
93
Folder
10
|
Correspondence, July-August 1946
|
|
|
The Story of I.G. Farben Project (Unproduced)
|
|
Box
93
Folder
11
|
Clippings, December 1945-January 1946
|
|
|
Sundown(United Artists,
1941)
|
|
Box
93
Folder
12
|
Final Script, No Author Listed, undated
|
|
Box
93
Folder
13
|
Revised Final Script; No Author Listed, August 16, 1941(Wanger's Annotated Copy, Annotated for Shooting)
|
|
|
“Sylva” (Unproduced)
|
|
Box
93
Folder
14
|
Correspondence, Contract, and Treatment, February 16, 1963, by Dalton Trumbo, , February-November 1963
|
|
|
“Take the Stand, Mrs. Langtry” (Unproduced)
|
|
Box
93
Folder
14A
|
Correspondence and CosmopolitanStory, November 1954-February 1956
|
|
|
Tangier(Universal,
1946)
|
|
Box
93
Folder
15
|
Clippings, March-December 1956
|
|
Box
93
Folder
16
|
Correspondence with Billy Grady, October 1952-July 1954; “One Passage East,” by Billy Grady
|
|
Box
93
Folder
17
|
Legal Correspondence and Contracts, December 1952-September 1959
|
|
Box
93
Folder
18
|
Outlines (“Tanja”) by Gerald Kersh and Correspondence, February 1956
|
|
Box
93
Folder
19
|
Outline and Alternate Beginnings
|
|
Box
93
Folder
20
|
Outline and Treatment (“Incident in Tangier”), by Edwin Blum, with Annotations, March 1956
|
|
Box
93
Folder
21
|
Treatment (“Tanja”), by Blum, with Annotations and Correspondence, March-April 1956
|
|
Box
93
Folder
22
|
Treatment (“The Tangier Story”), undated
|
|
|
Tap Roots(Universal,
1948
|
|
Box
93
Folder
23
|
Audits, May 1948-October 1949
|
|
Box
93
Folder
24
|
Budget, 1947
|
|
Box
93
Folder
25
|
Contracts, Correspondence, and Payroll, November 1946-October 1950
|
|
Box
93
Folder
26
|
Correspondence, October 1946-October 1949
|
|
Box
93
Folder
27
|
Correspondence with Writers, Synopsis, and Narration, December 1944-September 1964
|
|
Box
93
Folder
28
|
Cost Summaries, Weekly (Universal), April 1947-January 1949
|
|
Box
93
Folder
29
|
Cost Summaries, Weekly (Universal Estimating Department), June-October 1947
|
|
Box
93
Folder
30
|
Cost Summaries, Weekly (Paid by Walter Wanger Pictures Inc.), May 1947-March 1948
|
|
Box
93
Folder
31
|
Income Statements, July 1948-October 1953
|
|
Box
93
Folder
32
|
Loans From Bank of America, May 1947-December 1949
|
|
Box
93
Folder
33
|
Music Set Ups, Set Lists, Added Scenes, 1947
|
|
Box
93
Folder
34
|
Production Reports, Daily, May 1947
|
|
Box
93
Folder
35
|
Publicity, Box Office Receipts, Audience Research, February 1947-January 1949
|
|
Box
94
Folder
1
|
Final Shooting Script, by Alan LeMay, May 8, 1947
|
|
Box
94
Folder
2
|
“Screenwriter's Doodles,” circa April 1947
|
|
Box
94
Folder
3
|
Shooting Schedules, May 1947
|
|
|
“Terry and the Pirates” (Unproduced)
|
|
Box
94
Folder
4
|
Correspondence and Contracts, August 1940-September 1945
|
|
|
3-D Follies Project (Unproduced)
|
|
Box
94
Folder
5
|
Correspondence, Drafts, Ideas, March-May 1953
|
|
|
“Time Out for Ginger” (Unproduced)
|
|
Box
94
Folder
6
|
Correspondence, December 1956-May 1957
|
|
|
To the People of the United States(U.S. Public Health Service, 1944 or 1945)
|
|
Box
94
Folder
7
|
Estimated Budget, 1943
|
|
Box
94
Folder
7
|
Invoices and Costs re: Production, 1943-1944
|
|
Box
94
Folder
8
|
Contracts, 1943-1944
|
|
Box
94
Folder
9-10
|
Correspondence, November 1942-April 1945
|
|
Box
94
Folder
11
|
Miscellany, April 1942-1944
|
|
Box
94
Folder
12
|
Scripts (Annotated), April 1942-January 1944
|
|
|
“Top Dog” (Unproduced)
|
|
Box
94
Folder
13
|
Correspondence, August 1956-December 1957; Notes
|
|
Box
94
Folder
14
|
Story Outline, Adapted by Monte Brice, October 19, 1957
|
|
|
Trade Winds(United Artists,
1938)
|
|
Box
94
Folder
15
|
Cost Report, December 31, 1938; Correspondence, , September 1938; Negative Cost Report, , undated
|
|
Box
94
Folder
16
|
First Rough Draft Script, by Tay Garnett, July 8, 1938
|
|
Box
94
Folder
17
|
Revised Final Script, by Dorothy Parker, Alan Campbell, and Frank R. Adams, September 26, 1938, with Retakes of , October 26, 1938
|
|
|
Trail of the Lonesome Pine
(Paramount, 1936)
|
|
Box
94
Folder
18
|
Final Cost Budget, 1935
|
|
Box
94
Folder
19
|
Reviews, 1936
|
|
Box
94
Folder
20
|
Final Draft Continuity, October 9, 1935, with Revisions of , October 18, 1935
|
|
|
Tulsa(Eagle Lion,
1949)
|
|
Box
94
Folder
21
|
Breakdown Schedule, Production Report, Proclamations, 1948
|
|
Box
94
Folder
22
|
Budget, Production, June 1948
|
|
Box
94
Folder
23
|
Clippings, 1949
|
|
Box
94
Folder
24
|
Contracts, January-July 1948
|
|
|
Correspondence
|
|
Box
94
Folder
25
|
General, May 1947-September 1949
|
|
Box
94
Folder
26-27
|
Production, Title, and Premiere Correspondence, November 1947-1949
|
|
Box
94
Folder
28
|
Weekly Cost Statement to Eagle Lion, January 1948-October 1949
|
|
Box
95
Folder
1
|
Weekly Summary of Costs, January 1948-March 1949
|
|
Box
95
Folder
2
|
Financial Statements, October 1951-November 1953
|
|
Box
95
Folder
3
|
Income Statements and Loan Repayment Tickets, June 1949-January 1954
|
|
Box
95
Folder
4
|
Invoices, June-August 1948
|
|
Box
95
Folder
5
|
Daily Production Reports, May-October 1948
|
|
Box
95
Folder
6
|
Publicity and Advertisements, March 1949
|
|
Box
95
Folder
7
|
Research Materials, November 1947-September 1948
|
|
Box
95
Folder
8
|
Story Outline, No Author Listed, February 12, 1948
|
|
Box
95
Folder
9
|
Revised Final Script, by Frank Nugent and Curtis Kenyon, June 10, 1948, with Revisions of , August 30, 1948
|
|
|
“Uncle Wiggily in Connecticut” (Unproduced)
|
|
Box
95
Folder
10
|
Typescript Second Draft Screenplay, March 11, 1949
|
|
|
“Underdog” (Unproduced)
|
|
Box
95
Folder
11
|
Correspondence and Contract, 1955-October 1956
|
|
|
Underworld U.S.A.(Not
Produced by Wanger. Another Version Produced by Columbia, 1961)
|
|
Box
95
Folder
12
|
Clippings, September 1955-September 1958
|
|
Box
95
Folder
13
|
Correspondence, August 1955-August 1959
|
|
Box
95
Folder
14
|
Treatment, by Joel Sayre, July 10, 1956
|
|
|
Vietnam Project (Unproduced)
|
|
Box
95
Folder
15
|
Miscellany, May-June 1962
|
|
|
Vogues of 1938(United
Artists, 1937)
|
|
Box
95
Folder
16
|
Revised Final Script by Bella and Samuel Spewack, July 16, 1937
|
|
Box
95
Folder
16
|
Negative Cost Report, undated
|
|
|
Charles A. Ward Story (Unproduced)
|
|
Box
95
Folder
17
|
Clippings and Correspondence, June 1955-July 1959
|
|
|
“The Washington Flyer” (Unproduced)
|
|
Box
95
Folder
18
|
Contracts, 1946
|
|
|
We've Never Been Licked
(Universal, 1943)
|
|
Box
95
Folder
19
|
Clippings, July 1942-1943
|
|
|
Correspondence
|
|
Box
95
Folder
20-22
|
General, May 1942-March 1945
|
|
Box
95
Folder
23
|
Promotional Letters, November-December 1942
|
|
Box
95
Folder
24
|
Income Statements, October 1943-May 1954
|
|
Box
95
Folder
25
|
Screenplay, by Norman Reilly Raine and Nick Grinde, November 2, 1942, with Revisions of , February 1, 1943
|
|
|
Winchester '73(Not Produced
by Wanger. Another version produced by Universal, 1950)
|
|
Box
95
Folder
26
|
Correspondence and Story Outline, by Stuart N. Lake, January 1946-August 1947
|
|
|
Winter Carnival(United
Artists, 1939)
|
|
Box
95
Folder
27
|
Revised Final Script, by Budd Schulberg, Maurice Rapf, and Lester Cole, May 19, 1939
|
|
Box
95
Folder
27
|
Negative Cost Report, undated
|
|
|
“A Woman Loves Once” (Unproduced)
|
|
Box
96
Folder
1
|
Contracts, March 1935-November 1941
|
|
Box
96
Folder
2
|
Treatment, Adaptation by Louis Stevens, From the Novel by Michael Arlen, undated
|
|
|
“The World and Little Willie” (Unproduced)
|
|
Box
96
Folder
3
|
Correspondence, April-July 1948
|
|
Box
96
Folder
4
|
Cost Statements, May-July 1948
|
|
|
“Yellow Knife” (Unproduced)
|
|
Box
96
Folder
5
|
Budget, Payroll, and Accounts Payable, January 1951-May 1952
|
|
Box
96
Folder
6
|
Clippings, July-November 1951
|
|
Box
96
Folder
7
|
Contracts and Correspondence, August 1951-December 1955
|
|
Box
96
Folder
8
|
Correspondence, 1950-October 1957
|
|
|
Scripts and Screenplays
|
|
Box
96
Folder
9
|
Typescript, No Author Listed, December 12, 1951
|
|
Box
96
Folder
10
|
Typescript First Draft, by John Tucker Battle, undated
|
|
Box
96
Folder
11
|
Script, by Battle, with Revisions by Dan Ullman, undated
|
|
Box
96
Folder
12
|
Typescript Script, No Author Listed, with Revisions by Edward Bends, undated
|
|
Box
96
Folder
13
|
Typescript Script (“The Puguan”), No Author Listed, undated
|
|
Box
96
Folder
14
|
Script Revisions, No Author Listed, undated
|
|
Box
96
Folder
15-16
|
Script Fragments (Annotated), No Author Listed, undated
|
|
Box
96
Folder
17
|
Original Story in Saturday Evening Post, by Robert Ormond Case, June 1951
|
|
Box
96
Folder
18
|
Story (“Buccaneer of the Barrens”), by Case, undated
|
|
|
Treatments
|
|
Box
96
Folder
19
|
“New Treatment,” by Case, May 4, 1951
|
|
Box
96
Folder
20
|
Screen Treatment, by Case, February 23, 1953
|
|
Box
96
Folder
21
|
Treatment (“Buccaneer of the Barrens”), by Sidney Franklin, Jr., February 18, 1954
|
|
Box
96
Folder
22
|
Empirical Treatment (“The Buccaneer of the Barrens”), by John Tucker Battle, undated
|
|
Box
96
Folder
23
|
Treatment (“Buccaneer of the Barrens”) by Case, undated
|
|
|
You Only Live Once(United
Artists, 1937)
|
|
Box
96
Folder
24
|
Revised Script (Annotated), by Gene Towne and Graham Baker, undated
|
|
Box
96
Folder
25
|
Revised Final Script, by Gene Towne and Graham Baker, January 8, 1937
|
|
Box
96
Folder
25
|
Negative Cost Report, undated
|
|
Box
96
Folder
26-27
|
Story Ideas and Synopses, Titles A-Z, 1946-1949; Clippings, , December 1936-January 1937
|
|
Box
96
Folder
28
|
“Dead File” - Miscellaneous Film Ideas, August 1949-January 1961
|
|