Container
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Title
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U.S. Mss 102AN
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Part 1 (U.S. Mss 102AN): Original Collection, 1945-197859.8 cubic feet (8 archives boxes, 55 record center cartons, and 4 flat boxes) The papers of Kirk Douglas have been arranged in seven series: Correspondence and Personal Papers, Financial and Business Records, Motion Pictures - Produced, Motion Pictures - Unproduced, Television, Theater, and Radio. The collection illustrates some aspects of Douglas's personal life, but is primarily concerned with his career as an actor and producer. Douglas himself has pointed out that his papers demonstrate the collaborative effort of filmmaking; the collection illustrates the parts writers, directors, producers, and actors play in putting a film together. In addition, the collection contains a few records of production and acting work of Michael Douglas, usually in conjunction with Bryna Productions. CORRESPONDENCE AND PERSONAL PAPERS consist of general business letters from 1948 to 1978, with some personal letters and fan mail included. There are a few files concerning particular individuals with whom Douglas worked, a folder concerning his son Joel, and a folder of Kirk Douglas biographical materials. Further information regarding Douglas and his career may be found in The Films of Kirk Douglas, a draft book manuscript by Tony Thomas, written about 1971. In his book, Thomas presents brief critical synopses of Douglas's films, with cast and staff lists. The remainder of the series includes programs and other papers from dinners, awards celebrations, and dedications attended by Kirk Douglas. (Correspondence relating to a particular production can be found in the other series in the collection, filed under the title of the production.) The second series in the collection, FINANCIAL AND BUSINESS RECORDS, includes some personal information relating to Kirk and Anne Douglas, but the bulk of the material pertains to Bryna Productions. There are balance sheets, payroll reports, reports of employment contracts, and information regarding literary properties. Much of the material dates from the mid-1950s to mid-1960s. There are also folders regarding Joel Productions and Peter Vincent Music Corporation, separate companies formed by Kirk Douglas. The major portion of the Kirk Douglas papers has been organized into the two series MOTION PICTURES - PRODUCED and MOTION PICTURES - UNPRODUCED. Materials have been grouped by production title, and each production organized chronologically by release date, or if unproduced, by date of creation of the records. Within each title materials have been grouped alphabetically by type of record. Both films in which Douglas acted (only) and which he also produced, are documented in these series. Within the Motion Pictures - Unproduced files are several folders containing only scripts, which appear to have been sent to Douglas for his consideration for production; often it is difficult to determine how and from whom these materials were acquired by Douglas. For Douglas's early films--when he functioned independently, under contract to no major studio--there is often only a script present. Beginning with Act of Love (1953) and 20,000 Leagues Under the Sea (1954), however, the documentation is more comprehensive and usually includes correspondence, employment contracts, and financial records, as well as scripts. Films produced by Bryna Productions are especially well represented, with additional files of financial information, technical production papers, promotion and distribution records, and newsclippings of reviews, also included. For many of Douglas's and Bryna Productions' later films, distribution information and financial reports are fragmentary. There are also smaller files regarding motion pictures Douglas did not star in, but in which Stan Margulies, his publicity chief, or Edward Lewis, his producer, participated: Thunder Road, Ride Out for Revenge, Grand Prix, Hawaii, and The Gypsy Moths. Indian Fighter (1955) is the first of the Bryna films; others which are well documented are Spring Reunion (1957), The Careless Years (1957), Lizzie (1957), The Vikings (1958), Spartacus (1960), Lonely Are the Brave (1962), Seven Days in May (Joel Productions, 1964), Summertree (1971), Scalawag (1973), and Posse (1975). Other noteworthy films include Paths of Glory, which shows the early genius of director Stanley Kubrick; The Vikings and Posse, which detail the work of Douglas as leading man and producer in two of Bryna Productions' most successful films; and Spartacus, with extensive documentation showing all of these facets, as well as Douglas's breaking of the blacklist when he hired Dalton Trumbo to write the screenplay. The records of Scalawag also illustrate the recent shift of film companies to foreign countries for location filming; in this case there are several files concerning Bryna Productions' cooperation with Italian and Yugoslav personnel and film organizations. In addition to motion pictures, Bryna was also involved in TELEVISION production. Three of Bryna's motion pictures were planned for production as television specials or series, Tales of the Vikings (from The Vikings), Indian Fighter, and Spartacus, although the latter two never were produced. For these series documentation includes correspondence, financial records, production and promotional files, and scripts for specific episodes. Other files in this series pertain to Douglas's appearances on television interview shows, and specials; made-for-television movies, and more recently, television mini-series. Similar types of records are available for these shows, which span the period 1950 to 1976, although some files are incomplete. Among the more recent productions represented is The Moneychangers (1976). The series concerning THEATER and RADIO primarily contain scripts from performances by Kirk Douglas. The Radio files date from the late 1940s, and include scripts of adaptations of two of Douglas's films, The Strange Love of Martha Ivers and The Champion. Among the Theater files are also scripts and correspondence regarding plays perhaps considered for production as motion pictures. Of interest in this series are the records of One Flew Over the Cuckoo's Nest, in which Kirk Douglas starred on Broadway in 1963-1964, and which was later produced by his son, Michael Douglas. Partial records of both productions are present in the Theater series.
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Series: Correspondence and Personal Papers
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Box
1
Folder
1-7
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1948 May 13-1953 April 14
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Box
2
Folder
1-8
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1953 May 1-1955 December 31
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Box
3
Folder
1-7
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1956 January 4-1957 December 31
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Box
4
Folder
1-7
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1958 January 2-December 31
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Box
5
Folder
1-6
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1959 January 2-October 20
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Box
6
Folder
1-6
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1959 October 21-1961 December 7
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Box
7
Folder
1-8
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1962 January 9-1966 April 26
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Box
8
Folder
1-4
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1966 May 4-1969 June 25
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Box
9
Folder
1-23
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1975-1978
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Box
9
Folder
24
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Christmas thank you notes, 1975-1976
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Box
9
Folder
25
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Crank mail, 1975-1976
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Box
9
Folder
26
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Arch Oboler, 1950-1953
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Box
9
Folder
27
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Michael Meskokoff/financial,
1957
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Box
9
Folder
28-29
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Milton Shapiro, 1960-1968
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Box
10
Folder
1
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Mark Rubin, 1970-1971
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Box
10
Folder
2-3
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Personal correspondence, 1971, 1977
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Box
10
Folder
4
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Correspondence and papers regarding Joel Douglas, 1959-1973
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Box
10
Folder
5
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Kirk Douglas biographical materials and by-lines
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Box
10
Folder
6-7
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The Films of Kirk Douglas, a book draft by Tony Thomas, annotated by the author?, with brief biography, circa 1971
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Box
10
Folder
8
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A Celebration of Moss Hart - program, 1970 April 12
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Box
10
Folder
9
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Israel Museum's Twelfth Anniversary Celebration,
1975
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Box
10
Folder
10
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Lyndon Baines Johnson library symposium program - The Arts:
Years of Development, Time of Decision, 1975
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Box
10
Folder
11
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Zubin Mehta dinner, 1977
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Box
10
Folder
12
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Miscellaneous papers, including Kirk Douglas fan
club
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Box
10
Folder
13
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Miscellaneous papers, regarding Louise Livingston, poems,
short stories, contracts, correspondence
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Series: Financial and Business Records
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Box
10
Folder
14
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Automobile (Bentley), 1959
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Box
10
Folder
15
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Papers regarding horse, 1969-1972
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Box
10
Folder
16
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Public relations, 1964-1965, 1975-1976
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Box
10
Folder
17
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Dissolution of public relations consultants, 1968 April 19-May 16
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Box
10
Folder
18
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Residence, 1954
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Box
10
Folder
19
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Monthly balance sheets of Kirk and Anne Douglas,
1949 August-1952 April
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Investments
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Box
11
Folder
1
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Theatre, proposals, 1947 February-1959 February
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Box
11
Folder
2
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Western Newspaper Union, 1957 July-1959 June
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Box
11
Folder
3
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Wedding Breakfast (play and theatre company), 1954 May-1956 May
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Box
11
Folder
4
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Peter Vincent Music Corporation, 1958 September-1963 January
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Contracts
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Box
11
Folder
5
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Warner Brothers, 1949 August-1952 May
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Box
11
Folder
6-7
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Radio, recordings, and television, 1946-1955
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Box
11
Folder
8
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Personal appearances, 1949 December-1959 August
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Box
11
Folder
9
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Famous Artists Agency, 1954 May-1965 March
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Box
11
Folder
10-11
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Legal papers - Cantor vs. Douglas, 1960 May
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Box
11
Folder
12
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Miscellaneous - taxes, 1946, 1962
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Box
11
Folder
12
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Injury claim, 1960-1961
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Box
11
Folder
13
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Royalty statement - Decca, 1969 June
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Bryna Productions Records
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Box
11
Folder
14-15
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Accounts payable vouchers, 1955 January-June
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Box
11
Folder
16
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Balance sheets, 1953, 1958
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Box
11
Folder
17
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United Artists Corporation financing, 1957 January-June
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Box
11
Folder
18-19
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Legal papers - Bryna vs. Rosenthal and Norton, 1962 May-1967 June
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Employment
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Box
11
Folder
20
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J. W. Asher Jr., 1959 May-1962 May
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Box
11
Folder
21
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Harris-Kubrick Pictures Corporation, 1957 January-1962 December
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Box
11
Folder
22
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Stan Margulies, 1959 December-1960 October
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Box
11
Folder
23
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Rosenthal and Norton, 1953 April
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Box
11
Folder
24
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Screenplay writers, 1957-1960
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Box
11
Folder
25
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Real estate, 1952
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Box
11
Folder
26
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Screen Directors Guild, 1955 February-1964 May
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Box
11
Folder
27
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Screen Writers Guild, 1956 July-1965 January
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Box
11
Folder
28
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Miscellaneous union contracts and correspondence, 1953 October-1963 September
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Literary Properties - Correspondence
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Box
11
Folder
29
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1949 December-1956 March
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Box
12
Folder
1
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1956 April-1965 September
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Box
12
Folder
2-3
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Literary submissions - correspondence, 1959-1960, 1971
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Box
12
Folder
4
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Stan Margulies memos regarding literary properties,
1955 November-1960 September
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Box
12
Folder
5-6
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Miscellany regarding Stan Margulies, The McCarty Company, Dallas
Transit, 1955-1959 January
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Box
12
Folder
7
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Promotion - press releases and clippings, 1956-1958
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Box
12
Folder
8
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Joel Productions - Seven Arts, 1963 January-1965 March
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Series: Motion Pictures - Produced
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The Strange Love of Martha Ivers : Hal B. Wallis Production, 1946. Paramount
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Box
12
Folder
9
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Final script, “Love Lies Bleeding,” by Robert
Rossen, 1945 September 21
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I Walk Alone : Hal B. Wallis Production, 1947. Paramount
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Box
12
Folder
10
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Final script, “Deadlock,” by Charles Schnee,
1946 November 27 : With numerous changes of December 1946, January and February 1947.
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Mourning Becomes Electra : RKO Radio Pictures, 1947
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Box
12
Folder
11
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Final script by Dudley Nichols, 1947 February 25 : With changes of March 12, 1947.
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The Walls of Jericho : 20th Century-Fox Film Corp., 1948
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Box
12
Folder
12
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Revised final script by Lamar Trotti, 1947 October 8 : With numerous changes of October, November, December 1947, and January 1948.
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A Letter to Three Wives : 20th Century-Fox Film Corp., 1948
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Box
12
Folder
13
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Final script by Joseph L. Mankiewicz, 1948 May 19
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Champion : Screen Plays Production, 1949. United Artists
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Box
12
Folder
14
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Contract, 1948
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Box
12
Folder
15
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Financial correspondence, distribution receipts, 1949-1952
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Box
12
Folder
15
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Two television scripts, 1952
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Young Man With a Horn : Warner Brothers, 1950
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Box
12
Folder
16
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Second revised final script (Part I) by Carl Foreman,
1949 July 6 : With numerous changes of July, August 1949, and January 13, 1950.
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The Glass Menagerie : Warner Brothers, 1950
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Box
12
Folder
17
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Revised final (Part I) by Tennessee Williams, adapted by Peter Berneis, 1949 October 25 : With numerous changes of November, December 1949, and January 1950.
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Ace in the Hole : Paramount Pictures Corp., 1951
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Box
12
Folder
18
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Final script, “The Big Carnival,” by Billy
Wilder, Lesser Samuels, and Walter Newman, 1950 July 6 : With numerous changes of July, August, and September 1950.
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The Big Trees : Warner Brothers, 1952
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Box
12
Folder
19
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Final script (Part I) by John Twist, 1951 June 15 : With changes of June, July, and August 1951.
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Box
12
Folder
19
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Treatment, 1951 May 30
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The Big Sky : Winchester Pictures Production, 1952. RKO Radio
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Box
13
Folder
1
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Final script (as shot) by Dudley Nichols, 1951 October 17
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Box
13
Folder
1
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Typescript treatment by A. B. Guthrie Jr.
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The Bad and the Beautiful : MGM Pictures, 1952
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Box
13
Folder
2
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Script, “Tribute to a Bad Man” / by Charles
Schnee, 1952 March 26 : With numerous changes of April, May, June 1952.
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The Juggler : Stanley Kramer Company Production, 1953. Columbia
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Box
13
Folder
3
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Contract, 1952 June
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Box
13
Folder
4
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Correspondence, 1952-1959
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Box
13
Folder
5
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Final draft script by Michael Blankfort, 1952 June 3
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The Story of Three Loves : MGM Pictures, 1953
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Box
13
Folder
6
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Combined shooting script containing “The Jealous Lover” / by John Collier, “Mademoiselle” / by Jan Lustig and George Froeschel, and “Equilibrium” / by John Collier; adapted by Jan Lustig and George Foreschel, 1952 February 18, 1951 September 18, 1952 June 2 : With added scenes from August 12, 1952.
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Act of Love : Anatole Litvak Production, 1953. United Artists
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Box
13
Folder
7
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Contracts, 1953
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Box
13
Folder
8-9
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Correspondence, 1952 September-1954 March
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20,000 Leagues Under the Sea : Walt Disney Production, 1954. Buena Vista
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Box
13
Folder
10
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Correspondence, 1954 February-1963 August
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Box
13
Folder
11
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Contract, insurance, finance, music, clippings, 1954
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Box
13
Folder
12
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Final shooting script by Earl Felton, with changes of January-April 1954
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The Racers : 20th Century-Fox, 1955
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Box
13
Folder
13
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Contracts, 1954
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Box
13
Folder
14
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Correspondence, 1954
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Box
13
Folder
15
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Revised final shooting script by Charles Kaufman, 1954 July 31
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Box
13
Folder
15
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Clippings, reviews
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Man Without a Star : Universal, 1955
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Box
13
Folder
15
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Contracts and associated correspondence, 1954, 1956
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Box
13
Folder
17-19
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Correspondence, 1954 June-1967 February
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Financial and Distribution Records
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Box
13
Folder
20
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Reports, 1957 August-1966 December
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Box
13
Folder
21-22
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Statements, 1955 June-1966 December
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Promotion and Publicity
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Box
13
Folder
23
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Tour correspondence, 1955
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Box
13
Folder
24
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Clippings
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Box
13
Folder
25
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Revised second draft script by Borden Chase, 1954 June 16
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Ulysses : Lux Film, 1953 or 1954. Paramount
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Box
13
Folder
26
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Correspondence, 1953 June-1956 September
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Box
14
Folder
1
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English dialogue; notes by Anne Buydens
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Indian Fighter : Bryna Productions, 1955. United Artists
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Box
14
Folder
2
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Contracts, 1955-1959
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Box
14
Folder
3-9
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Correspondence, 1951-1965 July
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Box
14
Folder
10
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Correspondence regarding literary material, 1955 February-1957 August
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Distribution
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Box
14
Folder
11
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General papers
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Box
14
Folder
12-24
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Distribution reports, 1955-1969 November
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Box
15
Folder
1
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Sales and liquidation reports, 1956 January-1957 September
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Box
15
Folder
2
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Miscellaneous, 1955-1966
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Financial Records
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Box
15
Folder
3
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Checks
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Box
64
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Journal, ledgers, budget detail balance sheets, invoice,
records, checks, cash production costs, voucher
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Box
15
Folder
4-6
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Payroll checks and sheets
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Box
15
Folder
7
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Insurance and pension records
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Box
15
Folder
8
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Production and location costs
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Box
15
Folder
9
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Tax reports and miscellany
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Box
15
Folder
10
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Transportation sheets
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Production
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Box
15
Folder
11
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Call sheets
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Box
15
Folder
12
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Key set captions
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Box
15
Folder
13
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Casting
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Box
15
Folder
14-15
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Correspondence and papers regarding David Weshner, producer's
representative, 1955 August-1961 September
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Box
15
Folder
16
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Cutting and dialogue continuities
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Box
15
Folder
17
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Daily production reports
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Box
16
Folder
1
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Dubbing
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Box
16
Folder
2
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Extras and Indians required
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Box
16
Folder
3
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Film inventory
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Box
16
Folder
4
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Location - ideas and miscellany
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Box
16
Folder
5
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Location - Oregon Production, 1955 February-1960 September
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Box
16
Folder
6
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Shooting schedule
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Box
16
Folder
7
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Sound and photography, schedule of charges, title page and credits
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Box
16
Folder
8
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Staff and crew sheet
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Box
16
Folder
9
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Wardrobe plot
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Promotion and Publicity
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Box
16
Folder
10-13
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Clippings
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Box
16
Folder
14
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Copy
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Box
16
Folder
15
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Newspaper serialization
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Box
16
Folder
16
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Personal Appearance Tour
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Box
16
Folder
17
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Previews
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Box
16
Folder
18
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Publicity and advertisements
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Box
16
Folder
19
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Vital statistics
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Scripts
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Box
16
Folder
20
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Script treatment, synopsis, first draft script,
1954 October
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Box
16
Folder
21
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Script / unknown author, circa 1955 May
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Box
16
Folder
22
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Script (final draft?), undated
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Lust for Life : MGM, 1956
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Box
16
Folder
23
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Contracts
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Box
16
Folder
24-25
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Correspondence, 1955 April-1963 January
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Box
17
Folder
1
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Production file, cast sheets
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Box
17
Folder
2
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Script, 1955 October 13 : With changes of November and December 1955.
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Spring Reunion : Bryna Productions, 1957. United Artists
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Contracts
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Box
17
Folder
3
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Employment, 1956 January-July
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Box
17
Folder
4
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Free lance contracts
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Box
17
Folder
5-12
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Correspondence, 1956 January-1959
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Box
17
Folder
13
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Literary material - correspondence, 1956 January-1958 February
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Distribution
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Box
17
Folder
14-16
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Box office reports, 1957 March-1959 July
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Box
17
Folder
17-24
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Statements, 1956-1969 September
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Financial records
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Box
18
Folder
1-10
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Accounts payable vouchers
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Box
18
Folder
11
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Bank statements
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Box
18
Folder
12
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Budget
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Box
18
Folder
13
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Budget and cost reports, 1956 May-1957 April
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Box
19
Folder
1
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Budget - summaries of detail budget and cost reports,
1956 May-1957 April
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Box
19
Folder
2
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Correspondence, 1956 June-1957 March
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Box
19
Folder
3
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Insurance
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Box
65
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Journal, ledgers of assets and liabilities, vouchers, cash
and check records, payroll, production costs
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Box
19
Folder
4
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Negative cost report
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Box
19
Folder
5
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Notebooks
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Box
19
Folder
6
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Petty cash vouchers
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Box
19
Folder
7
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Promissory notes
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Box
19
Folder
8
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Miscellany
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Production files
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Box
19
Folder
9
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Casting
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Box
19
Folder
10
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Continuity breakdown, 1956 May 24
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Box
19
Folder
11
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Cutting and dialogue continuity, 1956 November
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Box
19
Folder
12
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Daily production reports, 1956 May-July
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Box
19
Folder
13
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Music, 1956 May-1957 February
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Box
19
Folder
14
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Production miscellany
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Box
19
Folder
15
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Production files - general, 1956-1957
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Box
19
Folder
16
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Shooting schedules and call sheets, 1956 May-July
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Promotion and Publicity
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Box
19
Folder
17
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Miscellany
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Box
19
Folder
18-19
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Press releases, 1956 March-1957
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Box
19
Folder
20
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Publicity, 1956 June-1957 June
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Box
19
Folder
21
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Sneak previews, 1956 October-November
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Box
19
Folder
22
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Clippings
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Scripts
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Box
19
Folder
23
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Feature story manual, circa 1957
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Box
19
Folder
24
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Notes of Robert Pirosh, 1956 February
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Box
19
Folder
25
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Original play by Robert Alan Aurthur
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Box
19
Folder
26-27
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Rough draft fragments
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Box
19
Folder
28
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First draft by Robert Pirosh and Elick Moll
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Box
19
Folder
29
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Original draft by Pirosh and Moll, from the teleplay by Robert Alan Aurthur, 1956 March 21
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Box
19
Folder
30
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Second draft by Pirosh and Moll, from the teleplay by Aurthur, 1956 March 21
|
|
|
Revised Final by Pirosh and Moll
|
|
Box
20
Folder
1
|
1956 April 24
|
|
Box
20
Folder
2
|
1956 April 24
|
|
Box
20
Folder
3
|
1956 April 24 : With revisions of May 15 and June 18, 1956.
|
|
Box
20
Folder
4
|
Synopses
|
|
Box
20
Folder
5
|
Treatment
|
|
|
Top Secret Affair : Warner Brothers, 1957
|
|
Box
20
Folder
6
|
Production file, 1956-1966
|
|
Box
20
Folder
7
|
Final script, “Melville Goodwin USA,”
1956 September 20
|
|
|
Gunfight at the O.K. Corral : Wallis-Paramount-Hazen Prod., 1957. Paramount
|
|
Box
20
Folder
8
|
Contracts
|
|
Box
20
Folder
9
|
Correspondence; final script by Leon Uris,
1956 February 22
|
|
|
The Careless Years : Michael and Bryna Productions, 1957. United Artists
|
|
|
Contracts
|
|
Box
20
Folder
10
|
Arthur Hiller employment contract, 1956 November-1957 January
|
|
Box
20
Folder
11
|
Dean Stockwell employment contracts and correspondence,
1956 December-1957 November
|
|
Box
20
Folder
12-13
|
Natalie Trundy employment contracts
|
|
Box
20
Folder
14
|
Other contracts
|
|
Box
20
Folder
15-17
|
Correspondence, 1956 July-1963 July
|
|
Box
20
Folder
18
|
Literary property
|
|
|
Distribution
|
|
Box
20
Folder
19
|
Agreements
|
|
Box
20
Folder
20-21
|
Percentage engagement billing reports, 1957-1959
|
|
Box
20
Folder
22-24
|
Statements, 1960-1961, 1965, 1967-1973
|
|
|
Foreign Distribution Revenue Statements
|
|
Box
20
Folder
25-27
|
1960-1964
|
|
Box
21
Folder
1
|
1966
|
|
|
Financial Records
|
|
Box
21
Folder
2
|
Accounts payable vouchers, 1956 December-1957 June
|
|
Box
21
Folder
3
|
Bank reconciliations
|
|
Box
21
Folder
4
|
Budget
|
|
Box
21
Folder
5
|
Statements, 1957-1959
|
|
Box
21
Folder
6
|
Insurance
|
|
|
Production Files
|
|
Box
21
Folder
7
|
Casting
|
|
Box
21
Folder
8
|
Daily production reports, 1956 December-1957 January
|
|
Box
21
Folder
9
|
Music, 1956 February-1957 June
|
|
Box
21
Folder
10
|
Production files, 1953-1959
|
|
Box
21
Folder
11
|
Shooting schedule, notes, call sheets
|
|
|
Promotion and Publicity
|
|
Box
21
Folder
12
|
Photography, captions, dialogue and cutting continuities
|
|
Box
21
Folder
13
|
Previews
|
|
Box
21
Folder
14
|
Publicity, 1957
|
|
Box
21
Folder
15
|
Publicity releases
|
|
Box
21
Folder
16
|
Clippings, 1957-1958
|
|
|
Scripts
|
|
Box
21
Folder
17
|
“Young Lovers” by Eddie Lewis,
1956 November 8
|
|
Box
21
Folder
18
|
Revised, 1956 December 13
|
|
Box
21
Folder
19
|
Revised by Edward Lewis, 1956 December 26
|
|
Box
21
Folder
20
|
Synopsis
|
|
|
Lizzie : Bryna Productions, 1957. MGM
|
|
Box
21
Folder
21-22
|
Contracts
|
|
Box
21
Folder
23-25
|
Correspondence, 1956 March-1959 September
|
|
Box
21
Folder
26
|
Correspondence with Loew's Inc., 1956-1960
|
|
Box
21
Folder
27
|
Literary material, 1956-1960
|
|
|
Distribution
|
|
|
Statements and Reports
|
|
Box
21
Folder
28-29
|
1957 March-July
|
|
Box
22
Folder
1-5
|
1957 August-1966
|
|
|
Financial Records
|
|
Box
22
Folder
6-11
|
Accounts payable vouchers
|
|
Box
22
Folder
12
|
Bank deposits, 1956
|
|
Box
22
Folder
13
|
Bank reconciliations
|
|
Box
22
Folder
14
|
Budget, 1956 August 14
|
|
Box
22
Folder
15
|
Summary of detail budget and cost report
|
|
Box
22
Folder
16
|
Check authorizations and pension plan
|
|
Box
22
Folder
17
|
Daily payroll, 1956 August-September
|
|
Box
22
Folder
18
|
Financing, 1956-1957
|
|
Box
22
Folder
19
|
Insurance, 1956-1957
|
|
Box
22
Folder
20
|
Financial report, 1956 September-1957 February
|
|
|
Production Files
|
|
Box
22
Folder
21
|
Casting- biographies and cast lists
|
|
Box
22
Folder
22
|
Music, 1956-1957
|
|
Box
22
Folder
23
|
Production and distribution contract,
1956
|
|
Box
22
Folder
24
|
Production file, 1956-1957
|
|
Box
22
Folder
25
|
Production reports
|
|
Box
22
Folder
26
|
Vital statistics, credit information, call sheets, daily time sheets, 1956 October-1957 January
|
|
|
Promotion
|
|
Box
22
Folder
27
|
Photography - retakes, montages, captions, shooting schedule
|
|
Box
23
Folder
1
|
Press releases; article by Shirley Jackson
|
|
Box
23
Folder
2
|
Preview information
|
|
Box
23
Folder
3-4
|
Publicity, 1956-1957
|
|
Box
23
Folder
5
|
Trailers, advertisements
|
|
Box
23
Folder
6
|
Clippings
|
|
|
Scripts
|
|
Box
23
Folder
7
|
Synopsis
|
|
Box
23
Folder
8
|
Original, “Hidden Faces” / by Mel Dinelli
|
|
Box
23
Folder
9
|
Original revised, “Hidden Faces” / by Dinelli, 1956 June 4
|
|
Box
23
Folder
10
|
Revised, “Hidden Faces” (partial), 1956 July 18
|
|
Box
23
Folder
11
|
Revised, “Hidden Faces” (fragments), 1956 August 3, 6
|
|
Box
23
Folder
12
|
Original second draft by Dinelli, 1956 August 14
|
|
Box
23
Folder
13
|
Revised fragments by Eddie Lewis : Pages from August 14, 1956 script
|
|
Box
23
Folder
14
|
Revised, “Woman in Hell,” 1956 August 23
|
|
Box
23
Folder
15
|
Revised final by Dinelli, 1956 August 27 : With revisions of September 5, 1956.
|
|
Box
23
Folder
16-17
|
Scripts by Dinelli, undated
|
|
Box
23
Folder
18
|
Fragments (alternate ending)
|
|
|
Paths of Glory : Bryna Productions, Harris-Kubrick Productions, 1957. United Artists
|
|
Box
23
Folder
19-26
|
Correspondence, 1957 January-1958 December
|
|
Box
23
Folder
27
|
Distribution feports, 1965
|
|
Box
23
Folder
28
|
Financial papers - contracts and casting biographies, box office receipts
|
|
Box
23
Folder
29-30
|
Production files - reports, production schedule, notes
|
|
|
Promotion and Publicity
|
|
Box
23
Folder
31
|
Advertising campaign, budget, billing, ads
|
|
Box
23
Folder
32
|
Pictorial synopsis and captions
|
|
Box
23
Folder
33
|
Press publicity, 1957 March-May
|
|
Box
24
Folder
1-4
|
Press releases, 1957 January-1959 February
|
|
Box
24
Folder
5
|
Trailers, 1957 June-September
|
|
Box
24
Folder
6
|
Clippings
|
|
|
Scripts
|
|
Box
24
Folder
7
|
Second sraft by Stanley Kubrick, Jim Thompson, and Calder Willingham, 1956 November 26
|
|
Box
24
Folder
8
|
Third draft by Kubrick, Thompson and Willingham,
1957 February 25
|
|
Box
24
Folder
9
|
Third Draft, 1957 February 25
|
|
Box
24
Folder
10
|
Script, undated
|
|
Box
24
Folder
11
|
Synopsis
|
|
|
Ride Out For Revenge : Bryna Productions, 1957. United Artists
|
|
Box
24
Folder
12-13
|
Contracts and insurance, 1957
|
|
Box
24
Folder
14
|
Correspondence, 1956 December-1959 May
|
|
Box
24
Folder
15
|
Literary material, 1956 December-1958 April
|
|
|
Distribution
|
|
Box
24
Folder
16
|
Box office reports, 1958 February-1968 April
|
|
Box
24
Folder
17-26
|
Distribution reports and statements, 1957-1966
|
|
Box
25
Folder
1
|
Distribution reports and statements, 1967-1969
|
|
|
Financial Records
|
|
Box
25
Folder
2
|
General financial records, 1954 October-1959 August
|
|
|
Accounts Payable Vouchers
|
|
Box
25
Folder
3-5
|
A-W
|
|
Box
25
Folder
6
|
General Film Labs Corporation
|
|
Box
25
Folder
7-9
|
Hal Roach Studio
|
|
Box
25
Folder
10
|
Banking records, insurance, income tax, budget cost and negative cost reports
|
|
Box
25
Folder
11
|
Checks and check stubs
|
|
Box
25
Folder
12
|
Payroll work sheets
|
|
|
Production Files
|
|
Box
25
Folder
13
|
General production files, 1957 March-June
|
|
Box
25
Folder
14
|
Daily production reports
|
|
Box
25
Folder
15
|
Dialogue and cutting continuity, feature stories
|
|
Box
25
Folder
16
|
Promotion and publicity, 1956 February-1957 November
|
|
|
Scripts
|
|
|
Script by Norman Retchin
|
|
Box
25
Folder
17
|
undated
|
|
Box
25
Folder
18
|
1957 February 7, 25
|
|
Box
26
Folder
1
|
1957 February 25 : With revisions of March 6, 18, 1957; and including cast and crew lists, shooting schedule.
|
|
|
The Vikings : Bryna Productions, 1958. United Artists
|
|
|
Correspondence
|
|
Box
26
Folder
2-22
|
1955 January-1957 December
|
|
Box
27
Folder
1-24
|
1957 December-1962 December
|
|
Box
27
Folder
25
|
Correspondence with Elmo Williams, 1958-1960 March
|
|
Box
28
Folder
1
|
Literary material, 1953 December-1959 September
|
|
|
Distribution
|
|
|
Audit
|
|
Box
28
Folder
2
|
Jack Foster, 1960 May-1968 May
|
|
Box
28
Folder
3
|
Ben Solomon, 1959 February-1962 September
|
|
Box
28
Folder
4
|
Campaign approaches, reports of play dates, screening schedules
|
|
Box
28
Folder
5-6
|
Correspondence of producers' representatives regarding distribution, 1957 March-1960 October
|
|
Box
28
Folder
7
|
Correspondence of Ben Henry, 1958 February-1961 May
|
|
Box
28
Folder
8
|
Daily grosses, 1958 July-August
|
|
Box
28
Folder
9
|
Examination of United Artists Corporation, 1958 November-1962 July
|
|
Box
28
Folder
10
|
Percentages regarding payments, 1959 February-1965 March
|
|
Box
28
Folder
11
|
Report of domestic sales and billings, 1958 June-1960 August
|
|
Box
28
Folder
12-21
|
Reports and statements, 1957 June-1970 October
|
|
Box
29
Folder
1-3
|
Reports and statements after reissue, 1960 October-1968 October
|
|
|
Financial Records
|
|
Box
29
Folder
4
|
Budget correspondence, 1957 April-1962 November
|
|
Box
29
Folder
5
|
Budgets - production, advertising, and photography; expense statements, premiere costs
|
|
Box
29
Folder
6
|
Budget summary
|
|
|
Employment
|
|
Box
29
Folder
7
|
Contracts, 1955 December-1958 March
|
|
Box
29
Folder
8
|
Correspondence, 1956 January-1962 September
|
|
Box
29
Folder
9
|
Tony Curtis's percentage, 1959-1969
|
|
Box
29
Folder
10-11
|
Financial correspondence, 1956 August-1972 May
|
|
Box
29
Folder
12
|
Financial documents, 1959
|
|
Box
29
Folder
13
|
Financing - general, 1959 March-1960 June
|
|
Box
29
Folder
14
|
Financing notes, 1956 August-1961 March
|
|
Box
29
Folder
15
|
Insurance correspondence, 1957-1961 January
|
|
Box
29
Folder
16
|
Insurance policies, 1957 February-1958 October
|
|
Box
29
Folder
17
|
Petty cash summaries
|
|
Box
29
Folder
18
|
Work papers, 1958 December-1965 January
|
|
|
Production Files
|
|
Box
29
Folder
19
|
Casting biographies
|
|
|
Correspondence
|
|
Box
29
Folder
20
|
Regarding Viking ships, 1957 November-1961 January
|
|
Box
30
Folder
1-3
|
Regarding Viking ships #1-3, 1958 January-1959 April
|
|
Box
30
Folder
4
|
Costs, 1957 January-1959 January
|
|
Box
30
Folder
5
|
Credits, 1957 July-1958 July
|
|
Box
30
Folder
6
|
Inventory of props, wardrobe, and equipment, 1958 August
|
|
|
Music
|
|
Box
30
Folder
7
|
Music scores
|
|
Box
30
Folder
8
|
Peter Vincent Music Corporation, 1958 March-1962 December
|
|
Box
30
Folder
9
|
Unart music, 1957 August-1968 March
|
|
Box
30
Folder
10
|
Production - general, 1956 December-1962 June
|
|
Box
30
Folder
11
|
Shooting schedule, cutting and dialogue continuity, art work
|
|
|
Promotion and Publicity
|
|
Box
30
Folder
12-15
|
Advertising releases, Germany, France, and Norway, 1957
|
|
Box
30
Folder
16
|
Advertisements
|
|
Box
30
Folder
17
|
Billings and advertisements
|
|
Box
30
Folder
18
|
Feature story manual
|
|
Box
30
Folder
19-20
|
Photography, captions, photo placement reports
|
|
Box
30
Folder
21
|
Plans, schedules, party
|
|
Box
30
Folder
22-23
|
Premiere materials, London premiere
|
|
Box
31
Folder
1-5
|
Press releases, 1956 September-1958 July, undated
|
|
Box
31
Folder
6
|
Research material
|
|
Box
31
Folder
7
|
Television promotion
|
|
Box
31
Folder
8-15
|
Clippings
|
|
|
Scripts
|
|
Box
31
Folder
16
|
Synopsis
|
|
Box
31
Folder
17
|
Script by Dale Wasserman, 1956 January 25
|
|
Box
31
Folder
18
|
Script by Noel Langley, 1956 December 6
|
|
Box
31
Folder
19
|
Revised Final by Langley, 1957 January 17
|
|
Box
31
Folder
20
|
Script by Calder Willingham, 1957 May 27
|
|
Box
31
Folder
21
|
Script by Willingham, 1957 May 27 : With revisions of August 9, 1957
|
|
Box
31
Folder
22
|
Script by Willingham and Langley, 1957 May 27 : With revisions of August and September 1957
|
|
Box
31
Folder
23
|
Script by Willingham and Langley, 1957 May 27 : With revisions of August 1957
|
|
Box
31
Folder
24
|
Script with revisions of August 1957 : Kirk Douglas's Copy
|
|
Box
32
Folder
1
|
Script, 1957 May 27 : With revisions of September 1957
|
|
Box
32
Folder
2-3
|
Script fragments
|
|
Box
32
Folder
4
|
Script notes, cast and credit sheet, production information
|
|
|
The Fearmakers : United Artists, 1958
|
|
Box
32
Folder
5
|
Correspondence, contracts, synopsis, 1949-1950 : Film entitled “Blazing Bright”?
|
|
|
Thunder Road : DRM Productions, 1958. United Artists
|
|
Box
32
Folder
6-9
|
Correspondence, 1957 January-1958 June
|
|
|
Promotion and Publicity
|
|
Box
32
Folder
10
|
Feature story manual
|
|
Box
32
Folder
11
|
Captions for photographs
|
|
Box
32
Folder
12
|
Clippings
|
|
Box
32
Folder
13-14
|
Press releases, 1957 August-1958 December
|
|
Box
32
Folder
15
|
Final shooting script, “The Whippoorwill,” 1957 August 15 : With revisions of September 4, 1957, by James Atlee Phillips and Walter Wise; script notes; synopsis
|
|
|
The Devil's Disciple : Hecht-Hill-Lancaster Films, Ltd. and Brynaprod., S.A., 1959. United Artists
|
|
Box
32
Folder
16
|
Correspondence, 1958 January-1960 March
|
|
Box
32
Folder
17
|
Promotion and publicity, 1959 August
|
|
|
Scripts
|
|
Box
32
Folder
18
|
Synopsis
|
|
Box
32
Folder
19
|
Second draft by John Dighton, 1957 January 21
|
|
Box
32
Folder
20
|
Third Draft by Dighton, 1957 March 11 : With revisions of April, May, June 1958
|
|
|
Last Train From Gun Hill : Wallis-Hazen Productions, 1959. Paramount
|
|
Box
32
Folder
21
|
Agreements, 1958 May-1959 June
|
|
Box
32
Folder
22
|
Contracts
|
|
Box
32
Folder
23
|
Correspondence, 1958 February-1960 October
|
|
Box
32
Folder
24
|
Distribution statements, 1959 September-1966 January
|
|
Box
32
Folder
25
|
Financial audit, 1958 February-1963 October
|
|
|
Scripts
|
|
Box
32
Folder
26
|
Second draft, “Last Train From Harper's Junction” / by James Poe, 1958 February 6
|
|
Box
32
Folder
27
|
Third draft, “Last Train From Laredo,” Part I / by Poe and Edmund North, 1958 March 10
|
|
Box
32
Folder
28
|
Final, “Last Train From Gun Hill” / by Poe, 1958 March 25 : With revisions of April 7, 8, 1958
|
|
Box
33
Folder
1
|
Script, “Last Train From Laredo,” by Poe and North, undated
|
|
Box
33
Folder
1
|
Notes
|
|
|
Two-Headed Spy : Bryna Productions, 1959. Columbia
|
|
Box
33
Folder
2
|
Correspondence, clippings, 1954 October-1955 February
|
|
|
Spartacus : Bryna Productions, 1960. Universal
|
|
|
Correspondence
|
|
Box
33
Folder
3-21
|
1957 January-1960 August
|
|
Box
34
Folder
1-6
|
1960 August-1964 May
|
|
Box
34
Folder
7
|
Literary material, 1958 January-1965 February
|
|
Box
34
Folder
8
|
Literary agreements, 1958 June-1960 June
|
|
Box
34
Folder
9
|
Chandler book, 1960 March-October
|
|
|
Distribution
|
|
Box
34
Folder
10
|
Audit notes, 1966
|
|
Box
34
Folder
11
|
Box office records, 1961 March-December
|
|
Box
34
Folder
12
|
Examination of Universal Pictures Company Inc., 1960 November-1963 June
|
|
Box
34
Folder
13
|
Grosses, 1961 July-1967 July
|
|
Box
34
Folder
14
|
Pantages Theater receipts
|
|
Box
34
Folder
15
|
Recap of opinion cards
|
|
Box
34
Folder
16-18
|
Reports and statements, 1959 March-1969 September
|
|
|
Financial Records
|
|
Box
34
Folder
19
|
Billing and miscellany
|
|
Box
35
Folder
1-2
|
Budgets, cost reports, statements, 1958-1959
|
|
|
Employment Contracts
|
|
Box
35
Folder
3
|
General, 1959-1961
|
|
Box
35
Folder
4
|
Stanley Kubrick, 1959 March-1961 January
|
|
Box
35
Folder
5
|
Lawrence Olivier, 1958 November-1961 April
|
|
Box
35
Folder
6
|
Peter Ustinov, 1959-1965 July
|
|
Box
35
Folder
7-8
|
General financing, 1958 May-1962 July
|
|
Box
35
Folder
9
|
Insurance, 1959 February-April
|
|
|
Production Files
|
|
Box
35
Folder
10
|
Casting
|
|
|
Continuities
|
|
Box
35
Folder
11
|
Continuity and dialogue
|
|
Box
35
Folder
12
|
Continuity breakdown
|
|
Box
35
Folder
13
|
Combined continuities
|
|
Box
35
Folder
14-15
|
Dialogue continuities
|
|
Box
35
Folder
16
|
Cutting and editing
|
|
Box
35
Folder
17-19
|
Daily production reports, 1958 December-1960 August
|
|
Box
35
Folder
20
|
Editorial schedules, 1959
|
|
Box
35
Folder
21
|
Looping schedule and notes, 1959 February-August
|
|
Box
35
Folder
22
|
Miscellany
|
|
Box
35
Folder
23
|
Music, 1960 August-1964 June
|
|
Box
36
Folder
1
|
Music notes
|
|
Box
36
Folder
2
|
Operations - daily log
|
|
Box
36
Folder
3
|
Operations desk for studio sets
|
|
Box
36
Folder
4
|
Post-production and completion schedules
|
|
Box
36
Folder
5
|
Schedule of production deadlines and weekly advance schedules, 1958 December-1959 June
|
|
Box
36
Folder
6
|
Shooting
|
|
Box
36
Folder
7-9
|
Shooting calls and special orders, 1958 December-1960 August
|
|
Box
36
Folder
10
|
Shooting schedules, 1959 February-December
|
|
Box
36
Folder
11
|
Wardrobe and costuming
|
|
Box
36
Folder
12
|
Title credits and notes
|
|
|
Promotion and Publicity
|
|
Box
36
Folder
13-14
|
Advertisements, 1959-1968
|
|
Box
36
Folder
15
|
Comic book - proofs and final printed book
|
|
Box
66
|
Group sales publications, library kit on movie
|
|
Box
36
Folder
16-17
|
Group sales reports, correspondence, and publications
|
|
Box
36
Folder
18
|
Interviews with Kirk Douglas
|
|
Box
36
Folder
19-21
|
Market reports
|
|
Box
37
Folder
1
|
Minutes of ad meetings, reports on publicity
|
|
Box
37
Folder
2-3
|
Miscellany
|
|
Box
37
Folder
4
|
Novel by Howard Fast
|
|
Box
37
Folder
5
|
Photography - sketches
|
|
Box
37
Folder
6
|
Publicity releases, 1958 March-1959 December
|
|
Box
37
Folder
7-9
|
Press releases, 1959 January-December, undated
|
|
Box
37
Folder
10
|
Previews and premieres
|
|
Box
37
Folder
11
|
Publicity - general
|
|
Box
37
Folder
12
|
Publicity tours and Olivier Party
|
|
Box
37
Folder
13
|
Radio, television, records
|
|
Box
37
Folder
14
|
Sketches and study guides
|
|
Box
37
Folder
15-16
|
Souvenir books, correspondence, drafts, advertising, trailers
|
|
|
The Year of Spartacus (unpublished book by David Chandler)
|
|
Box
37
Folder
17-18
|
Drafts
|
|
Box
38
Folder
1
|
Drafts
|
|
Box
38
Folder
2-3
|
Interviews with Kirk Douglas
|
|
Box
38
Folder
4
|
Interview with Dalton Trumbo
|
|
Box
38
Folder
5-6
|
Interviews with Stanley Kubrick, Edward Lewis, Jean Simmons, Tony Curtis, Irving Lerner, Bob Forest, Marshall Green, Mel Tucker, Alexander Golitzen
|
|
Box
38
Folder
7-8
|
Clippings
|
|
|
Scripts
|
|
Box
38
Folder
9
|
Preliminary research
|
|
Box
38
Folder
10-11
|
Treatment, 1958 May-June
|
|
Box
38
Folder
10-11
|
Suggested step outline
|
|
Box
38
Folder
12
|
First draft by Howard Fast, undated
|
|
Box
38
Folder
13
|
First draft by Fast and Edward Lewis, 1958 July 15 : With revisions of August 5, 6, 1958
|
|
Box
38
Folder
14
|
Second draft, 1958 September 22
|
|
Box
38
Folder
15
|
Final, 1958 December 9
|
|
Box
38
Folder
16
|
Revised final, 1959 January 16 : With revisions of January-June 1959
|
|
Box
38
Folder
17
|
Final shooting script, 1959 September 14
|
|
Box
39
Folder
1-3
|
Script fragments and notes
|
|
Box
39
Folder
4
|
Script material - by Dalton Trumbo
|
|
Box
39
Folder
5
|
Script material - dialogue by Peter Ustinov
|
|
Box
39
Folder
6-15
|
Shot sequences and script revisions, 1-54
|
|
Box
39
Folder
16
|
Outline and other scenes by Fast
|
|
Box
39
Folder
17
|
Notes and synopses by Fast
|
|
Box
39
Folder
18
|
Scene outlines (battle scenes and others)
|
|
|
Strangers When We Meet : Bryna-Quine Productions, 1960. Columbia
|
|
Box
39
Folder
19-23
|
Distribution reports and statements, 1960-1969
|
|
|
Financial records
|
|
Box
39
Folder
24
|
Final cost list
|
|
Box
39
Folder
25
|
Weekly production costs, 1959 October-1960 June
|
|
Box
40
Folder
1
|
Final draft script by Evan Hunter, 1959 September 25 : With correspondence
|
|
|
Michael Strogoff : Bryna Productions, 1960.
|
|
Box
40
Folder
2
|
Correspondence, 1958 January-1966 November
|
|
Box
40
Folder
2
|
Script treatment, news releases, clippings
|
|
Box
40
Folder
3
|
Literary material, 1957-1958
|
|
|
The Last Sunset : Bryna Productions, 1961. Universal
|
|
|
Correspondence
|
|
Box
40
Folder
4
|
General, 1959 July-1961 April
|
|
Box
40
Folder
5
|
Literary material, 1959 May-1961 September
|
|
Box
40
Folder
6
|
Distribution statements, 1961 September-1968 March
|
|
|
Financial Records
|
|
Box
40
Folder
7
|
Budget, 1959-1960 November
|
|
|
Employment
|
|
Box
40
Folder
8
|
General, 1960 March-1961 May
|
|
Box
40
Folder
9
|
Robert Aldrich, 1959-1960
|
|
Box
40
Folder
10
|
Eugene Frenke and James Bonham, 1959 July-1961 January
|
|
Box
40
Folder
11
|
General financing, 1959-1961 March
|
|
Box
40
Folder
12
|
Statements; casting
|
|
Box
40
Folder
13-14
|
Production files, 1959-1965 January
|
|
Box
40
Folder
15
|
Promotion - press releases
|
|
|
Scripts
|
|
Box
40
Folder
16
|
“Sundown at Crazy Horse” / unknown author,
1959 March 20
|
|
Box
40
Folder
17
|
First draft, “Day of the Gun” / by Edward Lewis?, 1960 March 10
|
|
Box
40
Folder
18
|
Revised first draft, “Day of the Gun,”
1960 March 22 : With revisions of March 25, 1960
|
|
Box
40
Folder
19
|
Second draft, “Day of the Gun,” 1960 April 8 : With revisions of April 12, 1960
|
|
Box
40
Folder
20
|
Final, “Day of the Gun,” 1960 June 1
|
|
|
Town Without Pity : Mirisch Company and Osweg Ltd., 1961. United Artists
|
|
|
Production Files
|
|
Box
40
Folder
21
|
Cutting continuity, 1961 October
|
|
Box
40
Folder
22
|
Dialogue continuity, 1961 October
|
|
|
Lonely Are the Brave : Bryna Productions, 1962. Universal
|
|
Box
40
Folder
23
|
Assignment of rights, 1961 April-August
|
|
Box
40
Folder
24-27
|
Correspondence, 1959-1971 April
|
|
|
Distribution
|
|
Box
40
Folder
28
|
Reports, 1961-1968
|
|
Box
40
Folder
29
|
Grosses, 1962 May-1963 February
|
|
|
Financial Records
|
|
Box
40
Folder
30
|
General financing, 1961 May-December
|
|
|
Employment Contracts
|
|
Box
40
Folder
31
|
Edward Abbey, 1958 February-1961 May
|
|
Box
40
Folder
32
|
Walter Matthau, 1961 May-1962 May
|
|
Box
40
Folder
33
|
David Miller, 1961 March-August
|
|
Box
41
Folder
1
|
General employment files
|
|
|
Production Files
|
|
Box
41
Folder
2
|
Casting
|
|
Box
41
Folder
3
|
Continuity breakdown
|
|
Box
41
Folder
4
|
Daily production report, 1961 April-October
|
|
Box
41
Folder
5
|
Music notes
|
|
Box
41
Folder
6
|
Title information, schedules, miscellaneous production
|
|
Box
41
Folder
7
|
Promotion - clippings
|
|
|
Scripts
|
|
Box
41
Folder
8
|
“The Brave Cowboy” / unknown author,
1960 September 22
|
|
Box
41
Folder
9
|
First draft, “The Brave Cowboy” / unknown author, 1960 October 18
|
|
Box
41
Folder
10
|
Revised second draft, “The Last Hero” / unknown author, 1961 March 23 : With revisions of March 27, 1961
|
|
Box
41
Folder
11
|
Final, “The Last Hero” / unknown author, 1961 April 12 : With revisions of April, May, June, and November 1961
|
|
|
Two Weeks in Another Town : John Houseman Productions, 1962. MGM
|
|
Box
41
Folder
12
|
Script by Charles Schnee, 1961 September 16 : With revisions of October, November, December 1961
|
|
|
The Hook : Perlberg-Seaton Productions, 1963. MGM
|
|
Box
41
Folder
13
|
Correspondence, 1962 March-1968 February
|
|
Box
41
Folder
14
|
Distribution reports, 1964-1966
|
|
|
Financial Records
|
|
Box
41
Folder
15
|
Contracts, 1962
|
|
Box
41
Folder
16
|
General financing, 1962-1965
|
|
Box
41
Folder
17
|
Production - casting
|
|
Box
41
Folder
18
|
Script by Henry Denker, 1962 May 1 : With revisions of April, May, June 1962
|
|
|
For Love or Money : Universal, 1963
|
|
Box
41
Folder
19
|
Financial records - cost statements, contracts; promotion
|
|
Box
41
Folder
20
|
Production Statements, 1965-1966
|
|
|
Scripts
|
|
Box
41
Folder
21
|
First draft, “Three on a Match” / by Larry Markes and Michael Morris, 1962 January 23
|
|
Box
41
Folder
21
|
Correspondence, 1962 July-1963 May
|
|
Box
41
Folder
22
|
Final, “Three on a Match” / by Markes and Morris,
1962 June 26 : With revisions of July and August 1962
|
|
|
The List of Adrian Messenger : Bryna Productions, 1963. Universal
|
|
Box
41
Folder
23
|
Assignment of title copy, 1962 March-1963 January
|
|
Box
41
Folder
24
|
Correspondence, 1962 April-1963 September
|
|
Box
41
Folder
25
|
Literary property, 1961 February-April
|
|
Box
41
Folder
26
|
Literary material, 1961 March-1962 July
|
|
Box
41
Folder
27
|
Distribution - grosses, 1963 May-1971 July
|
|
|
Financial Records
|
|
Box
41
Folder
28
|
Budget, 1962
|
|
|
Employment Files
|
|
Box
41
Folder
29
|
General employment, 1962 July-1963 March
|
|
|
Contracts
|
|
Box
41
Folder
30
|
John Huston, 1962 April-1964 January
|
|
Box
41
Folder
31
|
Charles Schnee, 1961 December-1964 April
|
|
Box
41
Folder
32
|
George C. Scott, 1962 August-1963 April
|
|
Box
41
Folder
33
|
Dana Wynter, 1962 August-1964 September
|
|
Box
41
Folder
34
|
General financing, 1960 August-1965 August
|
|
Box
42
Folder
1
|
Miscellaneous, 1962 March-November
|
|
|
Production Files
|
|
Box
42
Folder
1A
|
Casting, music, promotion
|
|
Box
42
Folder
2
|
Production files, 1962 July-November
|
|
Box
42
Folder
3
|
Production statements, 1963-1966
|
|
|
Scripts
|
|
Box
42
Folder
4
|
Treatment, 1961 May
|
|
Box
42
Folder
5
|
Revised treatment, 1961 June
|
|
Box
42
Folder
6
|
First draft by Alec Coppel, 1961 June 22
|
|
Box
42
Folder
7
|
Revised first draft by Coppel, 1961 October 18 : With revisions of October, November 1961
|
|
Box
42
Folder
8
|
Revised first draft by Coppel, 1961 November 10
|
|
Box
42
Folder
9
|
Final by Charles Schnee, 1962 March 5 : With later revisions and notes
|
|
Box
42
Folder
10
|
Revised final by Anthony Veiller, 1962 July 13 : With revisions of July, August, October, November, 1962
|
|
|
Seven Days in May : Joel Productions, 1964. Paramount
|
|
|
Correspondence
|
|
Box
42
Folder
11
|
General, 1962 June-1969 February
|
|
Box
42
Folder
12
|
Literary property rights, 1962-1966
|
|
Box
42
Folder
13
|
Seven Arts correspondence, 1962-1967
|
|
Box
42
Folder
14
|
Seven Arts agreements and correspondence, 1963-1969
|
|
Box
42
Folder
15
|
Warrants, 1963-1965
|
|
|
Distribution
|
|
Box
42
Folder
16
|
Grosses, 1964 February-1965 July
|
|
Box
42
Folder
17
|
Statements, 1965 January-1969 September
|
|
Box
42
Folder
18
|
Sale of interest, 1968
|
|
|
Financial Records
|
|
Box
42
Folder
19
|
Budget, 1963-1964
|
|
Box
42
Folder
20
|
Financial correspondence, 1963-1969
|
|
|
Employment Contracts
|
|
Box
42
Folder
21
|
General, 1963
|
|
Box
42
Folder
22
|
Nick Cravat, 1964-1967
|
|
Box
42
Folder
23
|
John Frankenheimer, 1962-1968
|
|
Box
42
Folder
24
|
Ellsworth Fredericks and Sydney Guilaroff,
1963
|
|
Box
42
Folder
25
|
Ava Gardner, 1963
|
|
Box
42
Folder
26
|
Jerry Goldsmith and David Amram, 1963-1964
|
|
Box
42
Folder
27
|
Burt Lancaster, 1963-1965
|
|
Box
42
Folder
28
|
Fredric March, 1963
|
|
Box
42
Folder
29
|
Edmond O'Brien and Martin Balsam, 1963-1964
|
|
Box
42
Folder
30
|
Others, 1963-1967
|
|
Box
42
Folder
31
|
Insurance, 1963-1967
|
|
Box
42
Folder
32
|
Reconciliation of cash, 1963
|
|
|
Production Files
|
|
Box
42
Folder
33
|
Credits, 1963-1964
|
|
Box
42
Folder
34
|
Daily production reports,
1963
|
|
Box
43
Folder
1
|
Production file, 1962-1969
|
|
|
Promotion and Publicity
|
|
Box
43
Folder
2
|
Advertising and publicity, 1963-1965
|
|
Box
43
Folder
3
|
Correspondence and campaigns
|
|
|
Scripts
|
|
Box
43
Folder
4
|
First draft by Rod Serling, 1962 November 8 : With later revisions
|
|
Box
43
Folder
5
|
First draft by Serling, undated
|
|
Box
43
Folder
6
|
Second draft by Serling, undated
|
|
Box
43
Folder
7
|
Draft by Serling, undated
|
|
Box
43
Folder
8
|
Script by Serling, undated : With revisions of March 7, 1963
|
|
Box
43
Folder
9
|
Shooting script by Serling, undated : With revisions of May and June 1963
|
|
Box
43
Folder
10
|
Correspondence with Serling, 1962-1964
|
|
Box
43
Folder
11
|
Correspondence with Harper and Row, 1963-1966
|
|
|
In Harm's Way : Sigma Productions, 1965. Paramount
|
|
Box
43
Folder
12
|
Correspondence, 1964 March-1965 October
|
|
Box
43
Folder
13
|
Distribution reports, 1965-1966
|
|
|
Production Files
|
|
Box
43
Folder
14
|
Call sheets
|
|
Box
43
Folder
15
|
Production files, reviews
|
|
Box
43
Folder
16
|
Script by Wendell Mayes, undated : With revisions of June and September 1964
|
|
|
Heroes of Telemark : Benton Film Productions, 1965. Columbia
|
|
Box
43
Folder
17
|
Correspondence, 1964 June-1967 December
|
|
|
Financial Records
|
|
Box
43
Folder
18
|
Contracts
|
|
Box
43
Folder
19
|
Finances, production files, promotion
|
|
Box
43
Folder
20
|
Financial statements, 1966
|
|
Box
43
Folder
21
|
Sale of interest, 1968
|
|
|
Scripts
|
|
Box
43
Folder
22
|
Script, “The Unknown Battle” / by Ivan Moffat,
1964 August 7
|
|
Box
43
Folder
23
|
Script by Moffat, 1964 November 20
|
|
Box
44
Folder
1
|
Script notes
|
|
|
Mickey One : Florin Corporation, 1965. Columbia
|
|
Box
43
Folder
24
|
Shooting script by A. M. Surgal, 1964 January 28 : With revisions of February and March 1964
|
|
|
Cast a Giant Shadow : Mirisch-Llenroc-Batjac, 1966. United Artists
|
|
Box
44
Folder
2
|
Correspondence, 1965 February-1967 April
|
|
Box
44
Folder
3
|
Second draft revised script by Melville Shavelson,
1964 October 20
|
|
Box
44
Folder
4
|
Financial records, production files, distribution, advertisements, miscellany
|
|
|
Grand Prix : Joel Productions, 1966. MGM
|
|
Box
44
Folder
5
|
Correspondence with Cinerama, 1964 October-1970 January
|
|
Box
44
Folder
6
|
Cinerama warrants, 1969 January-1973 March
|
|
|
Legal Papers
|
|
Box
44
Folder
7
|
Lawsuit of John Surtees, 1966 July-1970 September
|
|
Box
44
Folder
8
|
“Bound Volume to Accompany FGW's Memorandum to File Dated September 9, 1968”
|
|
Box
44
Folder
9
|
Regarding John Frankenheimer Productions, 1965-1968 June
|
|
|
Scripts
|
|
Box
44
Folder
10
|
Story outlines, character and story notes
|
|
Box
44
Folder
11
|
Original treatment by Robert Alan Aurthur, 1965 July 22
|
|
Box
44
Folder
12
|
First draft by Aurthur, undated
|
|
Box
44
Folder
13
|
Revised first draft by Aurthur, 1965 October 28
|
|
|
Hawaii : Mirisch Company and Highland Films, 1966. United Artists
|
|
Box
44
Folder
14-15
|
First draft script (Parts I and II), 1963 March 1
|
|
|
Is Paris Burning? : Seven Arts Productions, 1966. Paramount
|
|
Box
44
Folder
16
|
Correspondence, contract, 1965 July-1966 June
|
|
|
Seconds : Douglas and Lewis Productions, 1966. Paramount
|
|
|
Correspondence
|
|
Box
45
Folder
1
|
General, 1963 July-1968 March
|
|
Box
45
Folder
2
|
Lewis John Carlino correspondence and contracts, 1962 February-1965 August
|
|
Box
45
Folder
3
|
A. Morgan Maree correspondence
|
|
Box
45
Folder
4
|
Random House correspondence, 1963 July-December
|
|
Box
45
Folder
5
|
Literary purchase, 1963 July-1968 July
|
|
|
Financial Records
|
|
|
Agreements and Correspondence
|
|
Box
45
Folder
6
|
with J. Frankenheimer Productions, 1963 August-1966 August
|
|
Box
45
Folder
7
|
regarding Loan-Out Contracts from Gibraltar Productions, 1965-1966 June
|
|
Box
45
Folder
8
|
Insurance, 1965 April-1970 April
|
|
Box
45
Folder
9
|
Statements, 1966 October-1969 December
|
|
|
Production Files
|
|
Box
45
Folder
10
|
Art and design - correspondence with Saul Bass, 1965 May-1966 May
|
|
Box
45
Folder
11
|
Credits, 1965 October-1966 October
|
|
Box
45
Folder
12
|
Music, 1965 December
|
|
|
Scripts
|
|
Box
45
Folder
13
|
First draft by Lewis John Carlino, 1964 January 3
|
|
Box
45
Folder
14
|
Second draft by Carlino, 1964 November 10
|
|
|
Revised Second Draft by Carlino
|
|
Box
45
Folder
15
|
1964 November 27
|
|
Box
45
Folder
16
|
1964 November 27 : With revisions of March 22, 1965
|
|
|
Revised by Carlino
|
|
Box
45
Folder
17
|
1965 March 22
|
|
Box
45
Folder
18
|
1965 June 10
|
|
Box
45
Folder
19
|
1965 June 10 : With revisions of July 1, 1965
|
|
Box
45
Folder
20
|
Script by Carlino, undated
|
|
|
The Way West : Harold Hecht Corp., 1967. United Artists
|
|
Box
45
Folder
21
|
Financial statements, 1967 July-1969 November
|
|
|
Script by Irving Ravetch and Ben Maddow
|
|
Box
45
Folder
22
|
1965 June 29
|
|
Box
45
Folder
23
|
1965 June 29 : With revisions of December 9, 1965
|
|
|
The War Wagon : Batjac Productions and Marvin Schwartz Productions, 1967. Universal
|
|
Box
45
Folder
24
|
Script, “The Kiowa War Wagon” / by Clair Huffaker, circa 1966
|
|
Box
45
Folder
25
|
Final draft by Huffaker, 1966 August 9
|
|
|
A Lovely Way to Die : Universal, 1968.
|
|
Box
45
Folder
26
|
Final script, “The Pineapple Print” / by A. J. Russell, circa 1968
|
|
|
The Brotherhood : Bryna Productions, 1968. Paramount
|
|
|
Correspondence
|
|
Box
46
Folder
1
|
General, 1965-1972 September
|
|
Box
46
Folder
2
|
With Lewis John Carlino, 1964 October-1968 November
|
|
Box
46
Folder
3
|
Thank you notes, 1967 November-1969 February
|
|
|
Financial Records
|
|
Box
46
Folder
4
|
Financing arrangements - Warner Brothers, 1965 September-1967 June
|
|
Box
46
Folder
5
|
Budget, 1966 March-1968 March
|
|
Box
46
Folder
6
|
Financial and production correspondence, 1967 January-1969 July
|
|
Box
46
Folder
7
|
Employee's contracts, 1967-1968
|
|
|
Production Files
|
|
Box
46
Folder
8
|
Credits, 1967 November-1968 October
|
|
Box
46
Folder
9
|
Music, 1968
|
|
Box
46
Folder
10-11
|
Publicity files, 1965 November-1969
|
|
|
Scripts
|
|
Box
46
Folder
12
|
Third revised treatment, “The Hoods” / by Lewis John Carlino, 1965 July 5
|
|
Box
46
Folder
13
|
Estimating script, “The Hoods” / by Carlino, 1966 March 3
|
|
Box
46
Folder
14
|
First revised by Carlino, 1966 July 8
|
|
Box
46
Folder
15
|
Final revised by Carlino, 1966 August 25
|
|
Box
46
Folder
16
|
Script by Carlino, circa 1966
|
|
Box
46
Folder
17
|
Script (annotated) / unknown author, circa 1966
|
|
Box
46
Folder
18
|
Script by Carlino, 1967 March 8
|
|
Box
46
Folder
19
|
Script by Carlino, 1967 May 12 : With revisions of June, October, November, and December 1967
|
|
Box
46
Folder
20
|
Script by Carlino, 1967 May 12 : With revisions of June and July 1967. Not identical to script in Box 46, Folder 19.
|
|
Box
46
Folder
21
|
Insurance, 1967 June-1968 September
|
|
|
The Arrangement : Warner Brothers-Seven Arts and Athena Enterprises, 1969. Warner Brothers
|
|
Box
47
Folder
1
|
Distribution statement, 1971
|
|
Box
47
Folder
2
|
Final script by Elia Kazan, 1968 June 21 : With revisions of July 1968
|
|
Box
47
Folder
3
|
Script changes / unknown author, 1968 October 1
|
|
|
The Gypsy Moths : Joel Productions, 1969. MGM
|
|
Box
47
Folder
4
|
Correspondence and contracts, 1966 April-1967 November
|
|
|
Butch Cassidy and the Sundance Kid : 1969. 20th Century-Fox
|
|
Box
47
Folder
5
|
Script, “The Sundance Kid and Butch Cassidy” / by William Goldman, circa 1969
|
|
|
There Was a Crooked Man : Warner Brothers-Seven Arts Production, 1970. Warner Brothers
|
|
Box
47
Folder
6
|
Correspondence, 1968 August-1970 November
|
|
Box
47
Folder
7
|
Script, “The Prison Story” / by David Newman and Robert Benton, 1968 August 5
|
|
|
The Strawberry Statement : Irwin Winkler, Robert Chartoff, 1970. MGM
|
|
Box
47
Folder
7A
|
Script by Israel Horowitz, undated
|
|
|
Summertree : Bryna Productions, 1971. Columbia
|
|
Box
47
Folder
8-10
|
Correspondence, 1968 April-1972 November
|
|
|
Financial Records
|
|
Box
47
Folder
11
|
Budget, 1969-1971
|
|
|
Employment Contracts
|
|
Box
47
Folder
12
|
Ron Cowen, 1967 December-1970 June
|
|
Box
47
Folder
13
|
Ed Hume (writer), 1969 September-1970
|
|
Box
47
Folder
14
|
John Korty (director) and Stephen Yafa (writer),
1969 March-1970 July
|
|
Box
47
Folder
15
|
Paul Leaf (writer), 1968 August-1969 August
|
|
Box
47
Folder
16
|
Ron McKuen (writer), 1968 July-1971 February
|
|
Box
47
Folder
17
|
Anthony Newley (director), 1969 December-1970 August
|
|
Box
47
Folder
18
|
David Shire (music)
|
|
Box
47
Folder
19
|
Expenditures, 1968 August-1970 September
|
|
Box
47
Folder
20-21
|
Financial statements, 1970 May-October
|
|
Box
47
Folder
22
|
Invoices and financial file, 1970 May-December
|
|
|
Production Files
|
|
Box
47
Folder
23
|
General production account expenses, 1970 November-1971 December
|
|
|
Correspondence
|
|
Box
47
Folder
24
|
1969 June-1970 February
|
|
Box
48
Folder
1-2
|
1970 March-1971 January
|
|
Box
48
Folder
3-4
|
Production costs and schedules, 1970 May-1971 May
|
|
Box
48
Folder
5
|
Production files
|
|
Box
48
Folder
6
|
Tab run expenditures, 1970 April
|
|
|
Scripts
|
|
Box
48
Folder
7
|
Play by Ron Cowen, 1967
|
|
Box
48
Folder
8
|
Script by Rod McKuen, after 1967
|
|
Box
48
Folder
9
|
Script by McKuen (annotated), after 1967
|
|
Box
48
Folder
10
|
First draft by Cowen, 1968 May
|
|
Box
48
Folder
11
|
Draft / unknown author, circa 1968
|
|
Box
48
Folder
12
|
Pre-first draft by Stephen Yafa, 1969 April-June
|
|
Box
48
Folder
13
|
First draft by Stephen H. Yafa (annotated), after 1969
|
|
Box
48
Folder
14
|
Second draft revised, annotated, 1969 July-August
|
|
Box
48
Folder
15
|
Final draft by Ed Hume, 1969 November 4
|
|
Box
48
Folder
16
|
Second draft by Yafa, after 1969
|
|
Box
48
Folder
17
|
Second draft pages by Yafa, after 1969
|
|
Box
48
Folder
18
|
Script by Edward Hume, with revisions 1970 January 19
|
|
Box
48
Folder
19
|
Script by Hume, with revisions 1970 February 25
|
|
Box
48
Folder
20
|
Revised final draft, pages, 1970 March 20
|
|
Box
48
Folder
21
|
Final draft by Hume, 1970 March : With scene cuts and changes (annotated)
|
|
Box
48
Folder
22
|
Draft (annotated) / unknown author, 1970 March
|
|
Box
49
Folder
1
|
Final draft by Hume, with revisions 1970 April and May
|
|
Box
49
Folder
2
|
Script by Hume, circa 1970
|
|
Box
49
Folder
3
|
Script / unknown author, circa 1971
|
|
|
The Light at the Edge of the World : Bryna Productions, 1971. National General
|
|
|
Scripts
|
|
Box
49
Folder
4
|
Treatment by Tom Rowe, undated
|
|
Box
49
Folder
5
|
Second draft, by Rowe, 1969 October 27
|
|
Box
49
Folder
6
|
Second draft (annotated) by Rowe, 1969 October 27
|
|
Box
49
Folder
7
|
Second draft by Rowe, with notes by Norman Kurland, 1969 October 27
|
|
Box
49
Folder
8
|
Script by Rowe and Rachel Billington, 1970 August 7
|
|
Box
49
Folder
9
|
Script pages by Rowe, 1970 November 11
|
|
Box
49
Folder
10
|
Script by Rowe, with additional dialogue by Billington, circa 1970
|
|
Box
49
Folder
11
|
Script by Rowe, with additional dialogue by Lady Rachel Billington and additional ideas by Bertha Dominguez D., circa 1971
|
|
Box
49
Folder
12-13
|
Scripts by Rowe (annotated), circa 1971
|
|
|
A Gunfight : Harvest-Thoroughbred-Joel Production, 1971. Paramount
|
|
Box
49
Folder
14
|
Correspondence, 1969-1972
|
|
Box
49
Folder
15
|
Reviews and production file, 1961-1971
|
|
Box
49
Folder
16
|
Script by Harold Jack Bloom, undated
|
|
|
The Red Sun : Warner Brothers-Seven Arts Productions, 1971. National General
|
|
Box
49
Folder
17
|
Revised draft script by Denne Bart Petitclerc, 1969 March 18
|
|
|
Somtimes a Great Notion : Universal/Newman-Foreman Productions, 1971. Universal
|
|
Box
50
Folder
18
|
Treatment by Frank R. Pierson, circa 1971
|
|
|
Scalawag : Bryna Productions, 1973. Paramount
|
|
|
Correspondence
|
|
Box
50
Folder
1
|
General correspondence, 1966 May-1974 March
|
|
Box
50
Folder
2
|
Coldwater Productions Inc., 1965 June-1969 March
|
|
Box
50
Folder
3
|
Samuelian/Douglas correspondence, 1972-1974
|
|
Box
50
Folder
4
|
Script correspondence and notes, 1966 February-1972 June
|
|
Box
50
Folder
5
|
Technicolor correspondence, 1972-1975
|
|
Box
50
Folder
6
|
Nat Wachsberger dispute, 1971 July-1972 October
|
|
|
Financial Records
|
|
Box
50
Folder
7
|
Banca Commerciale, 1972 April-1975 April
|
|
Box
50
Folder
8
|
Budget, 1971-1972
|
|
Box
50
Folder
9
|
Expenditures, 1965-1973 August
|
|
Box
50
Folder
10
|
Fleischman, Sid, contract and correspondence, 1967 May-1968 October
|
|
Box
50
Folder
11
|
Insurance, 1972 April-1974 August
|
|
Box
50
Folder
12
|
Oceania outstanding bills and settlement, 1972-1975
|
|
Box
50
Folder
13
|
Paid bills, 1965 June-1968
|
|
Box
50
Folder
14
|
Panajotovic, Ika, dispute, 1972-1973
|
|
Box
50
Folder
15
|
Shipping documents and bills, 1972 June-August
|
|
Box
50
Folder
16
|
Ultra Films, 1966 October-1969 June
|
|
|
Production Files
|
|
Box
50
Folder
17
|
Automated Dialogue Replacement (ADR) sheets and sound reports, 1972
|
|
Box
50
Folder
18
|
Artists, 1972-1976 February
|
|
Box
50
Folder
19
|
Barbini-Vacca correspondence, 1972 June-December
|
|
Box
50
Folder
20
|
Call sheets and shooting schedules, 1972 June-August
|
|
Box
50
Folder
21
|
Screen credits and MPAA seal, 1966-1973
|
|
Box
51
Folder
1
|
Cue sheets, 1973
|
|
Box
51
Folder
2
|
Daily production reports, 1972 June-August
|
|
Box
51
Folder
3
|
Editing and sound recording, 1972-1973 August
|
|
Box
51
Folder
4
|
Inex (Interexport Film) documents and correspondence, 1972-1974 June
|
|
Box
51
Folder
5
|
Bryna Co./Inex Documents, 1972-1973 January
|
|
Box
51
Folder
6
|
Inter-office production memos, 1972
|
|
Box
67
Folder
1-2
|
Maps and sketches, undated
|
|
Box
51
Folder
7
|
Music - correspondence, scorings, agreements, 1972-1975
|
|
Box
66
|
Music - recording sheets
|
|
Box
51
Folder
8
|
Yugoslavian Unit, 1971 July-1972 September
|
|
|
Promotion and Publicity
|
|
Box
51
Folder
9
|
Promotion and personal appearances, 1972 November-1974 February
|
|
Box
51
Folder
10
|
Publicity, 1972-1974
|
|
|
Scripts
|
|
Box
51
Folder
11
|
Plot synopsis of “Bar Silver” by Albert Maltz, circa 1965 : Includes synopsis of Treasure Island by Robert Louis Stevenson, on which “Bar Silver” and Scalawag are loosely based
|
|
Box
51
Folder
12
|
Treatment, “The Rascals” / by Maltz (original title “Bar Silver”), circa 1966
|
|
Box
51
Folder
13
|
Script, “Bar Silver” / by Maltz, 1965 December-1966 January
|
|
Box
51
Folder
14
|
Script, “Bar Silver” / by Maltz, 1966 March 31
|
|
Box
51
Folder
15
|
Script by Maltz, 1966 August
|
|
Box
51
Folder
16
|
Script by Maltz, 1967 January 11
|
|
Box
51
Folder
17
|
Script by Maltz, 1967 April 4 : With later revisions
|
|
Box
51
Folder
18
|
Revised by Sid Fleischman, from the story and screenplay by Maltz, 1967 May 12
|
|
Box
52
Folder
1
|
Revised draft by Kirk Douglas of a script by Maltz and Fleischman, circa 1971
|
|
Box
52
Folder
2
|
Script by Maltz, Fleischman and Kirk Douglas, 1971 June 4
|
|
Box
52
Folder
3
|
Script by Maltz and Fleischman, 1971 June 4 : With later revisions
|
|
Box
52
Folder
4
|
Final draft by Maltz, Fleischman, and Kirk Douglas, 1971 July 27
|
|
Box
52
Folder
5
|
Final draft by Fleischman and Maltz, 1971 December 17
|
|
Box
52
Folder
6
|
Revised script pages with notes by Kirk Douglas, circa 1971 December
|
|
Box
52
Folder
7-9
|
Script (annotated) by Fleischman, circa 1971
|
|
Box
52
Folder
10
|
Final draft, “Farabutto” (Versione Definitive) by Fleischman, in Spanish, 1971 December 17
|
|
Box
52
Folder
11
|
Revised by Richard Freed, circa 1971?
|
|
Box
52
Folder
12
|
Script by Fleischman and Kirk Douglas, 1972 May 22
|
|
Box
52
Folder
13
|
Final by Fleischman and Kirk Douglas, 1972 August 26
|
|
Box
52
Folder
14
|
Script by Maltz and Fleischman, with revisions by Kirk Douglas, undated
|
|
Box
52
Folder
15
|
Script by Fleischman, undated
|
|
Box
52
Folder
16
|
Annotated / unknown author, undated
|
|
|
Jacqueline Susann's Once Is Not Enough : Howard W. Koch Production, 1975. Paramount
|
|
Box
52
Folder
17
|
Publicity, after 1972
|
|
Box
52
Folder
18
|
First draft script by Julius Epstein, 1973 November 14 : With revisions of December 19, 21, 1973
|
|
|
Posse : Bryna Productions, 1975. Paramount
|
|
|
Correspondence
|
|
Box
52
Folder
19
|
Personal, 1974-1975
|
|
Box
52
Folder
20
|
Hotel, 1973-1974
|
|
Box
52
Folder
21
|
Railroad, 1973 July-1975 July
|
|
Box
52
Folder
22
|
Fred Sills, 1975 October-1977 February
|
|
Box
52
Folder
23
|
Literary agreements and correspondence, 1970 October-1975 January
|
|
Box
52
Folder
24
|
Distribution - foreign distribution, 1975 June-1976 July
|
|
|
Financial Records
|
|
Box
52
Folder
25
|
Budget, 1974 June-1975 May
|
|
Box
53
Folder
1
|
Insurance, 1974
|
|
|
Production Files
|
|
Box
53
Folder
2
|
Production budget, 1972-1973
|
|
Box
53
Folder
3
|
Production reports, 1974
|
|
Box
53
Folder
4
|
Call sheets, 1974
|
|
Box
53
Folder
5
|
Cast (principals) - contracts and correspondence, 1974 September-1975 May
|
|
Box
53
Folder
6
|
Casting correspondence, 1973-1975
|
|
Box
53
Folder
7
|
Casting file, 1974
|
|
Box
53
Folder
8
|
Continuity breakdown, 1974
|
|
Box
53
Folder
9
|
Production correspondence, 1974
|
|
Box
53
Folder
10
|
Correspondence regarding Old Tucson, 1974-1975
|
|
Box
53
Folder
11
|
Correspondence and papers regarding Phil Feldman deal, 1974 July-1975 January
|
|
Box
53
Folder
12
|
Correspondence with Humane Society, 1974 October-1975 June
|
|
Box
53
Folder
13
|
Production cost reports and expenses, 1974 June-1975 August
|
|
Box
53
Folder
14
|
Crew, 1973-1975 March
|
|
Box
53
Folder
15
|
Day Out of Days, 1974
|
|
Box
53
Folder
16
|
Production design and wardrobe, 1974
|
|
Box
53
Folder
17
|
Location permits, 1974
|
|
Box
53
Folder
18
|
Music, 1974-1975 March
|
|
Box
53
Folder
19
|
Props, 1974
|
|
Box
53
Folder
20
|
Screen credit titles, 1974 October-1975 May
|
|
Box
53
Folder
21
|
Script breakdown, circa 1974
|
|
Box
53
Folder
22
|
Shooting schedule, 1974
|
|
Box
53
Folder
23
|
Travel file, 1974
|
|
|
Post-Production Files
|
|
Box
53
Folder
24
|
General files, 1974 January-1975 May
|
|
Box
53
Folder
25
|
Cost schedules, 1974 October-1975 July
|
|
Box
53
Folder
26-27
|
Tab runs, 1975 January-August
|
|
|
Promotion and Publicity
|
|
Box
53
Folder
28
|
Bantam Books paperback edition of Posse, 1974 April-1975 May
|
|
Box
53
Folder
29
|
Preview cards, 1975
|
|
Box
53
Folder
30
|
Promotions, 1974 November-1975 June
|
|
Box
54
Folder
1
|
Publicity files, 1974-1975 July
|
|
|
Scripts
|
|
Box
54
Folder
2
|
Script notes and correspondence, 1974
|
|
Box
54
Folder
3
|
Treatment by Larry Cohen, circa 1967
|
|
Box
54
Folder
4
|
Second revised, 1967 May 1 : With revisions of May 22, 1967
|
|
Box
54
Folder
5
|
Script by Christopher Knopf, pages 1-67, 1971 November 16
|
|
Box
54
Folder
6
|
Script by Knopf, 1972 February 28
|
|
Box
54
Folder
7
|
Treatment by William Roberts, 1974 May 3
|
|
Box
54
Folder
8
|
Script (compilation) by Knopf and Roberts, 1972 February 28 and 1974 May 8
|
|
Box
54
Folder
9
|
Notes from Bill Roberts, 1974 May 14
|
|
Box
54
Folder
10
|
Script (compilation) by Roberts, 1974 May 20 and June 12
|
|
Box
54
Folder
11
|
Script by Knopf, 1972 February 28 : With notes of June 11, 1974
|
|
|
Revised by Roberts
|
|
Box
54
Folder
12
|
1974 June 14
|
|
Box
54
Folder
13-14
|
1974 June 14 : With revisions of July 1, 1974 (annotated)
|
|
Box
54
Folder
15
|
Final revised by Roberts, 1974 August 6 : With revisions of August and September 1974
|
|
Box
54
Folder
16
|
Final revised by Roberts, 1974 September 12
|
|
Box
54
Folder
17
|
Release dialogue script prepared by Berenice Mosk,
1975 May 19
|
|
Box
54
Folder
18
|
Budget correspondence, 1972 April-1975 August
|
|
|
The Sailor Who Fell From Grace With the Sea : Joel Productions, 1976. Avco-Embassy
|
|
Box
54
Folder
19
|
Contract
|
|
Box
54
Folder
20
|
Aurthur-Mishima correspondence, 1965 December-1966 April
|
|
Box
54
Folder
21
|
General correspondence, 1965 September-1966 December
|
|
Box
54
Folder
22
|
Financial - paid bills, 1966 February-July
|
|
|
The Chosen : American International, 1978
|
|
Box
54
Folder
23
|
General correspondence, 1977-1978
|
|
Box
54
Folder
24
|
Production files - travel/wardrobe, 1977-1978
|
|
Box
54
Folder
25
|
Publicity file, 1978
|
|
|
Scripts
|
|
Box
55
Folder
1
|
First draft, “Holocaust” / by Sergio Donati and Martin Herbert, 1977 February
|
|
Box
55
Folder
2
|
Script, “Holocaust 2000” / Donati, Alberto de Martino, and Michael Robson, 1977 April 14
|
|
Box
55
Folder
3
|
Script, “Holocaust 2000” / Sergio Donati, Martin Herbert, Michael Robson, 1977 April 14
|
|
|
The Fury : Frank Yablans Presentations, 1978. 20th Century Fox
|
|
|
Production Files
|
|
Box
55
Folder
4
|
Production files and correspondence, 1977-1978
|
|
|
Shooting Schedule
|
|
Box
55
Folder
5
|
1977 July
|
|
Box
55
Folder
6
|
1977 September 20
|
|
Box
55
Folder
7
|
Publicity file, 1978
|
|
|
Scripts
|
|
Box
55
Folder
8
|
Revised by John Farris, 1977 March 18
|
|
Box
55
Folder
9
|
Final by Farris, 1977 July 8
|
|
Box
55
Folder
10
|
Script revisions and notes by Farris, annotated with suggestions by Kirk Douglas, 1977
|
|
Box
55
Folder
11
|
Revised by Farris, annotated by Kirk Douglas, 1977 September 15
|
|
|
Series: Motion Pictures - Unproduced
|
|
|
“The Man Without a World”
|
|
Box
55
Folder
12
|
Agreement, 1950
|
|
|
“The Travelers”
|
|
Box
55
Folder
13
|
Script notes, script fragments, music, 1950 May-September
|
|
|
“Allison Brothers”
|
|
Box
55
Folder
14
|
Contract, 1955
|
|
|
“The Syndicate”
|
|
Box
55
Folder
15
|
Correspondence, contracts with King Brothers, 1954 October-1956 June : Tentative film title: “Britian's Two-Headed Spy”
|
|
|
“Shadow of a Champ”
|
|
Box
55
Folder
16
|
Correspondence, financial records, 1955 November-1959 April
|
|
Box
55
Folder
17
|
Contracts, promotional materials, clippings
|
|
|
“A Most Contagious Game”
|
|
Box
55
Folder
18
|
Correspondence, 1955 January-1966 November
|
|
Box
55
Folder
19
|
Contracts
|
|
Box
55
Folder
20
|
Financial records, promotion, clippings
|
|
Box
55
Folder
21-22
|
Financial records - bank deposits, 1956-1957
|
|
|
Scripts
|
|
Box
55
Folder
23
|
Original by Samuel Grafton, undated
|
|
Box
55
Folder
24
|
Script by Grafton, 1956 January 16
|
|
Box
55
Folder
25
|
First draft by Sidney Boehm, 1956 December 24
|
|
|
“Mavourneen”
|
|
Box
55
Folder
26
|
Correspondence, 1956 January-1967 January
|
|
Box
55
Folder
26
|
Contracts, financial records, clippings
|
|
Box
55
Folder
27
|
Script by Edward Lewis, 1960 August 19
|
|
|
“The Shadow”
|
|
Box
55
Folder
28
|
Correspondence, 1964 July-1972 March
|
|
Box
55
Folder
29
|
Literary material, 1944 October-1968 March
|
|
Box
55
Folder
30
|
Financial records, 1957 February-1965 December
|
|
Box
56
Folder
1
|
Script, “Count Bruga” / by Ivan Goff and Ben
Roberts, undated
|
|
|
“Deliver Us From Evil”
|
|
Box
56
Folder
2
|
Correspondence, clippings, 1956 April-August
|
|
|
“Quality of Mercy”
|
|
Box
56
Folder
3
|
Correspondence, contract, 1956 April-May
|
|
Box
56
Folder
4
|
Production file, 1956
|
|
|
“Silent Gun”
|
|
Box
56
Folder
5
|
Correspondence, 1956 February-1966 May
|
|
Box
56
Folder
5
|
First draft screenplay, 1956 June 23
|
|
Box
56
Folder
5
|
Clippings
|
|
Box
56
Folder
6
|
Literary property, 1956 March-1966 June
|
|
Box
56
Folder
7
|
Script by Carson A. Wiley, circa
1958
|
|
Box
56
Folder
8
|
Revised script by Wiley, 1958 June 20
|
|
|
“Man on a Motorcycle”
|
|
Box
56
Folder
9
|
Financing, 1956-1957
|
|
|
“The Golden Triangle”
|
|
Box
56
Folder
10
|
Correspondence, clippings, 1956 December
|
|
|
“I Stole $16,000,000”
|
|
Box
56
Folder
11
|
Correspondence, 1957 December-1960 March
|
|
Box
56
Folder
11
|
News releases, clippings
|
|
|
“Montezuma”
|
|
Box
56
Folder
12
|
Correspondence, 1960 May-September
|
|
Box
56
Folder
13
|
Script / unknown author, 1957 October 12
|
|
Box
56
Folder
14
|
Title contract, promotional materials, clippings
|
|
|
“The Sun at Midnight”
|
|
Box
56
Folder
15
|
Correspondence, 1957 March-1961 October
|
|
Box
56
Folder
15
|
Contracts, financial records, distribution agreement, clippings
|
|
Box
56
Folder
16
|
Script by Edward Lewis, 1958 September 10
|
|
|
“The Incredible Yanqui”
|
|
Box
56
Folder
17
|
Memo regarding treatment by Hans Jacoby,
1951
|
|
|
“The Beach Boys”
|
|
Box
56
Folder
18
|
Script / unknown author, 1958 February 5
|
|
|
The Disenchanted
|
|
Box
56
Folder
19
|
Correspondence, 1958 June
|
|
Box
56
Folder
19
|
Partnership agreement, clippings
|
|
|
The Mound Builders
|
|
Box
56
Folder
20
|
Correspondence, 1958 July-1961 October
|
|
Box
56
Folder
20
|
Financial records, contract
|
|
|
“Port of Call”
|
|
Box
56
Folder
21
|
Treatment (sales presentation), 1958 December 11
|
|
|
“Viva Gringo!”
|
|
Box
56
Folder
22
|
Correspondence, 1958 August-November
|
|
Box
56
Folder
22
|
Titles, clippings
|
|
Box
56
Folder
23
|
Budget, 1958 May
|
|
|
Masters of the Dew (alternate title “Les Gouverneurs de la Rosee”)
|
|
Box
56
Folder
24
|
Literary material, 1958-1959
|
|
|
“The Indian Wars”
|
|
Box
56
Folder
25
|
Correspondence, 1961 April
|
|
|
“King Kelly”
|
|
Box
56
Folder
26
|
Correspondence, 1955 July-1960 April
|
|
Box
56
Folder
27
|
Literary material, 1955-1959 December
|
|
Box
56
Folder
28
|
Loew's correspondence, 1955 October-1963 March
|
|
Box
56
Folder
29
|
Loew's contracts, 1955 November-1963 March
|
|
Box
56
Folder
30
|
Employment contracts and casting file, 1955-1957
|
|
|
Production Files
|
|
Box
56
Folder
31
|
Continuity step outline by Daniel Mainwaring, with certificate of authorship and assignment of rights, 1956 January 24
|
|
Box
57
Folder
1
|
Production file, 1956
|
|
Box
57
Folder
2-3
|
Promotion and publicity files and stories, 1955-1956
|
|
|
Scripts
|
|
Box
57
Folder
4
|
Script / unknown author, 1956 August 20
|
|
Box
57
Folder
5
|
Working first draft by Edna Anhalt, 1956 September 6
|
|
Box
57
Folder
6
|
Script, “Jethro” / by Allan Scott, circa 1956
|
|
Box
57
Folder
7
|
Script by Daniel Mainwaring, circa 1956
|
|
Box
57
Folder
8
|
Revised, “Jethro” / by James Edward Grant, 1957 January 25
|
|
Box
57
Folder
9
|
Script, revisions, undated
|
|
|
“Trapeze”
|
|
Box
57
Folder
10
|
Distribution statement, 1961
|
|
|
“Walls of Jolo”
|
|
Box
57
Folder
11
|
Revised first draft script by Robert I. Holt, 1963 February 20
|
|
|
“Automation”
|
|
Box
57
Folder
12
|
Correspondence, 1964 February-July
|
|
Box
57
Folder
12
|
Contract
|
|
Box
57
Folder
13
|
Script, “The Art of Living” / by Howard Dimsdale
and Ned Young, undated
|
|
|
“The Confessor”
|
|
Box
57
Folder
14
|
Correspondence, 1964 February-1965 January
|
|
|
“Bolivar!”
|
|
Box
57
Folder
15
|
Script by Robert Presnell Jr., 1966 February 22
|
|
Box
57
Folder
16
|
Script by Presnell, 1966 July 14
|
|
|
“Something for Nothing”
|
|
Box
57
Folder
17
|
Financial - paid bills, 1966 April-May
|
|
Box
57
Folder
18
|
First draft script by William Hanley, 1966 March 1 : With letter (from Kirk Douglas?) of March 10, 1966, suggesting script changes
|
|
Box
57
Folder
19
|
Second draft script by Hanley, 1966 April 8
|
|
|
“Lie Down, I Want to Talk to You”
|
|
Box
57
Folder
20
|
Second draft script by William P. McGivern, 1967 October 10
|
|
|
“Shady Baby”
|
|
Box
57
Folder
21
|
First draft script by Richard A. Guttman, 1967 October 9
|
|
|
“Seat of Power”
|
|
Box
57
Folder
22
|
Correspondence, 1967-1970
|
|
Box
57
Folder
23
|
Literary rights, 1968-1969
|
|
|
Financial
|
|
Box
57
Folder
24
|
Bills, 1968 February-May
|
|
Box
57
Folder
25
|
Expenditures, 1968-1969
|
|
|
Scripts
|
|
Box
57
Folder
26
|
Plot synopsis by Abby Mann, circa 1970
|
|
Box
57
Folder
27
|
First draft script by Abby Mann, annotated, circa 1970
|
|
|
“The Piano Sport”
|
|
Box
57
Folder
28
|
Script by Irving Ravetch, Harriet Frank Jr., and Stephen H. Yafa, 1968 November 1
|
|
|
“The Bronc Rider”
|
|
Box
57
Folder
29
|
Expenditures, 1968-1969
|
|
|
“Charlemagne”
|
|
Box
57
Folder
30
|
Expenditures, 1968-1969
|
|
|
“Chaka”
|
|
Box
58
Folder
1
|
Revised second draft script by Alan Scholefield, 1969 February 17
|
|
|
“Project II”
|
|
Box
58
Folder
2
|
First draft script by A. Newley and H. Raucher, 1969 March 31
|
|
|
“A Last Valley”
|
|
Box
58
Folder
3
|
First draft script by James Clavell, 1969 May 13
|
|
|
“Fling!”
|
|
Box
58
Folder
4
|
Third draft script by Bernard Slade, 1969 June 15
|
|
Box
58
Folder
5
|
Script by Slade, undated
|
|
|
“Adam's Garden”
|
|
Box
58
Folder
6
|
Agreements, 1969 October-December
|
|
|
“Alimony Jail”
|
|
Box
58
Folder
7
|
Expenditures, 1969
|
|
|
“Le Photographe”/“The Photographer”
|
|
Box
58
Folder
8
|
Synopsis by Pierre Boulle
|
|
Box
58
Folder
9
|
Expenditures, 1969
|
|
|
“The Stranglers”
|
|
Box
58
Folder
10
|
Synopsis by Alexander Jacobs, undated
|
|
Box
58
Folder
11
|
Expenditures, 1969
|
|
|
“Catch Me a Spy”/“Fabienne”
|
|
Box
58
Folder
12
|
Call sheets, 1971 March-May
|
|
Box
58
Folder
13
|
Script by Dick Francis and Ian la Frenais, 1971 February 24
|
|
Box
58
Folder
14
|
Script / unknown author (annotated), circa 1971
|
|
|
“The Black Box”
|
|
Box
58
Folder
15
|
Script by Paul Jarrico and Philip Reisman Jr., undated
|
|
|
“The Heroine”
|
|
Box
58
Folder
16
|
Script by Frank Tarloff, undated
|
|
|
“The Changing Man”
|
|
Box
58
Folder
17
|
Script by Jon Edward Manson, Thomas Y. Drake, and James Tugend, undated
|
|
|
“Jamie”
|
|
Box
58
Folder
18
|
Script by Ed Adamson, undated
|
|
|
“Aces 'n Eights”
|
|
Box
58
Folder
19-20
|
Scripts by Ronald M. Cohen and Dennis R. Shryack, undated
|
|
|
“Brief Madness”
|
|
Box
58
Folder
21
|
Script by Edward Hume, undated
|
|
|
“Fuzz”
|
|
Box
58
Folder
22
|
First draft script by S. L. Stebel, undated
|
|
|
“The Glory of Love” (“The Life and Songs of Billy Hill”)
|
|
Box
58
Folder
23
|
Synopsis by Sammy Cahn, undated
|
|
|
“The Many Loves of Jerome”
|
|
Box
58
Folder
24
|
First draft treatment by L. Capetanos, undated
|
|
|
“Marauder”
|
|
Box
58
Folder
25
|
Script by Arthur Rowe, undated
|
|
|
“The Milkrun, or the Aerodynamic Love Song of Eddie MacLean”
|
|
Box
59
Folder
1
|
Script by Lawrence A. Hauben, undated
|
|
|
“The Rustler and the Prostitute”
|
|
Box
59
Folder
2
|
Script by Halsted Welles, undated
|
|
|
“Yatra: A Beginning, A Pilgrimage”
|
|
Box
59
Folder
3
|
Synopsis by Paul Aratow and Mark Hirschman, undated
|
|
Box
59
Folder
4
|
Untitled script by Jaimie Castell,
undated
|
|
Box
59
Folder
5
|
Miscellaneous stories considered for movies
|
|
|
Series: Television
|
|
Box
59
Folder
6
|
One-Act Play Project - correspondence, notes, format, 1950
|
|
|
Tales of the Vikings
|
|
|
Correspondence
|
|
Box
59
Folder
7-19
|
General, 1956 February-1962 February
|
|
Box
59
Folder
20
|
Werner Wolfen, 1958 December
|
|
Box
59
Folder
21-23
|
United Artists, 1958-1960 October
|
|
Box
59
Folder
24
|
Regarding Viking Ships, 1959
|
|
|
Financial Records
|
|
Box
59
Folder
25
|
Financial advances, 1958 October-1961 October
|
|
Box
59
Folder
26
|
Background material, contract
|
|
Box
59
Folder
27
|
Budget estimate
|
|
Box
59
Folder
28
|
Budget summaries
|
|
|
Employment contracts
|
|
Box
60
Folder
1
|
Jerome Courtland, 1958 December-1960 June
|
|
Box
60
Folder
2-3
|
German contracts, 1958 December-1959 September
|
|
Box
60
Folder
4-4a
|
Estimated cost reports, 1959 July-December
|
|
Box
60
Folder
5
|
Final cost reports, miscellany
|
|
Box
60
Folder
6
|
Weekly cost reports
|
|
Box
60
Folder
7
|
Insurance, 1958 October-1960 July
|
|
|
Invoices
|
|
Box
60
Folder
8
|
Bavaria-Atelier Gesellschaft, Bavaria Film Kunst
|
|
Box
60
Folder
9
|
Deutsch Bank check payments, Carlton Film Invoices, TV series invoices
|
|
Box
60
Folder
10-11
|
Petty cash summaries
|
|
Box
60
Folder
12
|
Final reports on individual shows
|
|
Box
60
Folder
13
|
Sales reports, 1959 September-October
|
|
Box
60
Folder
14-19
|
Television settlement statements, 1961-1969
|
|
|
Production Files
|
|
Box
60
Folder
20
|
Cast list and biographies
|
|
Box
60
Folder
21
|
Equipment inventory, 1959 August-1961 April
|
|
Box
60
Folder
22
|
Shooting schedule, cutting schedule, inventory lists, studio price lists
|
|
|
Promotion and Publicity
|
|
Box
60
Folder
23
|
Promotional material, 1959 September-November
|
|
Box
60
Folder
24-25
|
Copy
|
|
Box
60
Folder
26
|
Ads
|
|
|
Scripts of Individual Episodes
|
|
Box
60
Folder
27
|
“The Giantkiller” / by Sid Morse; Script Listings
|
|
Box
60
Folder
28
|
“Port of Thieves,” “King of the Vikings,” and “Princess Kathleen”
|
|
Box
61
Folder
1
|
“Shipwreck” / by Robert Mitchell
|
|
Box
61
Folder
2
|
“Treasure of Erin” and “House Divided,” / both by Bill Barrett
|
|
|
Indian Fighter
|
|
Box
61
Folder
3
|
Correspondence, 1958-1960
|
|
Box
61
Folder
4
|
Literary material, 1959 January-1967 April
|
|
|
Financial Records
|
|
Box
61
Folder
5
|
Contracts, production costs, promotion
|
|
Box
61
Folder
6
|
Financing, 1959 January-April
|
|
Box
61
Folder
7
|
Insurance, 1958 June-1969 May
|
|
Box
61
Folder
9
|
Production files, 1958 May-1960 July
|
|
|
Scripts
|
|
Box
61
Folder
9
|
Background material, story (rough draft), story outline
|
|
Box
61
Folder
10
|
Scripts, 1959
|
|
|
Report From Space
|
|
Box
61
Folder
11
|
Correspondence regarding development, 1958-1959
|
|
Box
61
Folder
12
|
Financial records, casting, promotion, clippings
|
|
Box
61
Folder
13
|
Script, “And the Moon Be Still As Bright;” background material
|
|
|
Spartacus
|
|
Box
61
Folder
14
|
Television Spectacular, correspondence with Bob Wells, 1960 August-September
|
|
Box
61
Folder
15
|
Literary material, 1959 July-December
|
|
Box
61
Folder
16
|
Financial records, 1959 February-August
|
|
|
Scripts
|
|
Box
61
Folder
17
|
Synopsis by J. Fulton, 1959 January 19
|
|
Box
61
Folder
18
|
First draft of pilot script, “The Wooden Sword” / by Cyril Hume, including treatment of epilogue, 1959 April 3
|
|
Box
61
Folder
19
|
Pilot script and sales presentation by Hume,
undated
|
|
|
The Ken Murray Show
|
|
Box
61
Folder
21
|
Script, 1950
|
|
|
The United States Steel Hour
|
|
Box
61
Folder
22
|
Script, “Heaven Can Wait,” 1950
|
|
|
Kirk Douglas Reads the Bible
|
|
Box
61
Folder
23
|
Correspondence, 1950 August
|
|
Box
61
Folder
23
|
Scripts, notes
|
|
|
Strange Harvest
|
|
Box
61
Folder
24
|
Correspondence, contract, finance, 1953
|
|
|
Goodyear Television Playhouse
|
|
Box
61
Folder
25
|
Script, “Spring Reunion” / by Robert Alan Aurthur, 1954 April 11
|
|
|
The Jack Benny Show
|
|
Box
61
Folder
26
|
Script, contracts, 1954
|
|
|
The United States Steel Hour
|
|
Box
61
Folder
27
|
Script, “The Last Notch,” 1954 March 12
|
|
|
The George Gobel Show
|
|
Box
61
Folder
28
|
Script, 1955 March 5
|
|
|
Colgate Variety Hour
|
|
Box
61
Folder
29
|
Correspondence, 1955 October-November
|
|
Box
61
Folder
29
|
Script, clippings
|
|
|
The Perry Como Show
|
|
Box
61
Folder
30
|
Correspondence, 1955 November-December
|
|
Box
61
Folder
30
|
Script, clippings
|
|
|
Ed Sullivan Show
|
|
Box
61
Folder
31
|
Correspondence, 1956 August
|
|
Box
61
Folder
31
|
Script, clippings
|
|
|
The General Motors 50th Anniversary Show
|
|
Box
61
Folder
32
|
Correspondence, 1957 November-1958 April
|
|
Box
61
Folder
32
|
Schedules, script
|
|
|
Television Interviews
|
|
Box
61
Folder
33
|
Person to Person, 1957 January
|
|
Box
61
Folder
33
|
Mike Wallace, 1957 November
|
|
Box
61
Folder
33
|
Dave Garroway, 1958 June
|
|
Box
61
Folder
33
|
Miscellany
|
|
|
Steve Allen Show
|
|
Box
61
Folder
34
|
Correspondence, 1958 May
|
|
Box
61
Folder
34
|
Script
|
|
|
Port of Call
|
|
Box
61
Folder
35
|
Correspondence, 1958 December-1960 March
|
|
Box
61
Folder
35
|
Script
|
|
|
Academy Awards Show
|
|
Box
61
Folder
36
|
Correspondence, 1958 March-April
|
|
Box
61
Folder
36
|
Script
|
|
Box
61
Folder
36
|
Correspondence, 1959 April-May
|
|
|
You Asked For It
|
|
Box
61
Folder
37
|
Correspondence, 1960 January
|
|
Box
61
Folder
37
|
Casting biographies, promotion, station schedules
|
|
|
Cortez and the Legend
|
|
Box
61
Folder
38
|
Correspondence, contract, 1967 April
|
|
|
Legend of Silent Night
|
|
Box
61
Folder
39
|
Correspondence, 1968 May-1969 January
|
|
Box
61
Folder
39
|
Script
|
|
|
Gulliver's Travels
|
|
Box
61
Folder
40
|
Correspondence, 1967 July-1968 November
|
|
Box
61
Folder
41
|
Synopsis by Saul Turteltaub and Bernie Orenstein, undated
|
|
Box
61
Folder
42
|
Treatment by Norman Prescott and Lou Scheimer (television adaptation), undated
|
|
|
The World From My Window
|
|
Box
62
Folder
1
|
Script, 1970 April
|
|
|
Dr. Jekyll and Mr. Hyde
|
|
Box
62
Folder
2
|
Script for a television musical by Sherman Yellen,
1972 or 1973
|
|
Box
62
Folder
3
|
Script for dramatic version by Yellen,
undated
|
|
Box
62
Folder
4
|
Script for a musical by Yellen, annotated,
undated
|
|
Box
62
Folder
5
|
Script for television musical by Yellen,
undated
|
|
|
Mike Douglas Show
|
|
Box
62
Folder
6
|
Correspondence and papers, 1975-1976
|
|
|
The Moneychangers
|
|
Box
62
Folder
7
|
Production file, 1976
|
|
Box
62
Folder
8
|
Shooting schedule, 1976
|
|
Box
62
Folder
9-12
|
Script by Dean Riesner and Stanford Whitmore,
1976 June 25
|
|
|
Victory at Entebbe
|
|
Box
62
Folder
13-14
|
Final script by Ernest Kinoy, 1976 November 6
|
|
|
Kirk Douglas' Special on Religion - The Spiritual Renaissance
|
|
Box
62
Folder
15
|
Synopsis, undated
|
|
|
The Special London Bridge Special
|
|
Box
62
Folder
16
|
Script by Marty Farrell, Marc B. Ray, Ronnie Cass and Donald Ross, including script breakdown, undated
|
|
|
Thoreau - Live at U.C.L.A.
|
|
Box
62
Folder
17
|
Treatment for a television special, undated
|
|
|
Series: Theater
|
|
|
One Flew Over the Cuckoo's Nest : Later files include records of motion picture production.
|
|
Box
62
Folder
18
|
General papers, 1963 July-1973 April
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|
Box
62
Folder
19
|
Correspondence with Seven Arts-Warner Brothers, 1963 March-1976 March
|
|
Box
62
Folder
20
|
Literary material, 1962 February-1976 March
|
|
|
Correspondence and contracts
|
|
Box
62
Folder
21
|
William Blatty, 1969 January-1970 January
|
|
Box
62
Folder
22
|
Kirk Douglas, 1963-1969 August
|
|
Box
62
Folder
23
|
George R. Hill, circa 1962
|
|
Box
62
Folder
24
|
Sidney Lumet, circa 1963
|
|
Box
62
Folder
25
|
Dale Wasserman, 1962 January-1970 November
|
|
|
Financial Records
|
|
Box
62
Folder
26
|
Expenditures, 1962 November-1971 October
|
|
Box
62
Folder
27
|
Statements, 1963 November-1969 March
|
|
Box
62
Folder
28
|
Publicity, 1962 July-1969 October
|
|
|
Scripts
|
|
Box
63
Folder
1
|
Play (with correspondence), circa 1962-1970 November
|
|
Box
63
Folder
2
|
Pre-first draft by William Peter Blatty, ante
1962
|
|
Box
63
Folder
3
|
First draft by Blatty, ante 1962
|
|
Box
63
Folder
4
|
First draft by Dale Wasserman, 1962 April 20
|
|
Box
63
Folder
5
|
Second first draft by Wasserman, after 1962 April 20
|
|
Box
63
Folder
6
|
Second draft by Wasserman, 1963 February 25
|
|
Box
63
Folder
7
|
Final by Lawrence Hauben, 1974 March 18
|
|
|
Heart to Heart
|
|
Box
63
Folder
8
|
Correspondence and production file, 1975-1976
|
|
|
Citizen Tom Paine
|
|
Box
63
Folder
9
|
General correspondence, 1976-1977
|
|
|
Murderous Angels
|
|
Box
63
Folder
10
|
Script by Conor Cruise O'Brien, undated
|
|
|
Sergeant Steiner
|
|
Box
63
Folder
11
|
Script by Julius J. Epstein, undated
|
|
|
Series: Radio
|
|
|
This is Hollywood
|
|
Box
63
Folder
12
|
Script, “The Strange Love of Martha Ivers,” 1947 April 13
|
|
|
Escape
|
|
|
Scripts
|
|
Box
63
Folder
13
|
“Leiningen Versus the Ants,”
1948 January 14
|
|
Box
63
Folder
13
|
“A Shipment of Mute Fate,” 1949 March 13
|
|
Box
63
Folder
13
|
“Confidential Agent,” 1949 April 2
|
|
Box
63
Folder
13
|
“Three Skeleton Key,” 1950 March 17
|
|
Box
63
Folder
13
|
“The Shanghai Document,” undated
|
|
|
Prudential Family Hour of Stars
|
|
|
Scripts
|
|
Box
63
Folder
14
|
“Winterset,” 1949 October 30
|
|
Box
63
Folder
14
|
“Great Gatsby,” 1950 January 1
|
|
Box
63
Folder
14
|
“Night Must Fall,” 1950 February 5
|
|
|
The Champion
|
|
Box
63
Folder
15
|
Scripts, 1949 October 13, 1950 March 17
|
|
|
Suspense
|
|
|
Scripts
|
|
Box
63
Folder
16
|
“Never Steal a Butcher's Wife,” 1950 February 9
|
|
Box
63
Folder
16
|
“A Watery Grave,” 1952 February 6
|
|
|
The Chesterfield Supper Club
|
|
Box
63
Folder
17
|
Script, 1950 March 2
|
|
|
The Screen Publicists Guild Show
|
|
Box
63
Folder
18
|
Script, “The Roaring Road - The Story of Wallace Reid,” 1950 May 13
|
|
Box
63
Folder
19
|
Show ideas; interview, 1950 June 13
|
|
|
Theatre Guild on the Air
|
|
Box
63
Folder
20
|
“Boomerang,” 1950 December 17
|
|
Box
63
Folder
21
|
Bryna Productions - general, 1950-1953
|
|
|
Detective Story
|
|
Box
63
Folder
22
|
Script, 1954 April 26
|
|
|
The Old Boy
|
|
Box
63
Folder
23
|
Script, undated
|
|
|
The Word
|
|
Box
63
Folder
24
|
Script, undated
|
|
|
The Great Mouthpiece
|
|
Box
63
Folder
25
|
Script, undated
|
|
|
George Washington Carver Memorial Program
|
|
Box
63
Folder
26
|
Script, undated
|
|