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Container
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Title
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U.S. Mss 174AN
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Mannix and Mission: Impossible
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Box
1
Folder
1
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Miscellaneous Correspondence, 1971 January 31 - 1973 August 21
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Box
1
Folder
2-4
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Nielsen Ratings, 1971-1973
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Box
1
Folder
5
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Paramount Television Phone Directory, 1970
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Mission: Impossible (Desilu, 1966-1973; original telecast on CBS)
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Box
1
Folder
6
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Episode Sequence and Episode Synopses, circa 1966-1973
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Pilot (untitled)
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Box
1
Folder
7
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Scripts and Drafts, including “Brigg's Squad,” by Bruce Geller, 1965 October-November, undated
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Box
2
Folder
1-2
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Scripts and Drafts, 1965 October-1966 January
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“Old Man Out,” #6161-2 (Parts I and II)
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Box
2
Folder
3-4
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Production File, including scripts, “The Vossek Rescue,” by Ellis Marcus, 1966 May 2-August 10
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Box
2
Folder
5-6
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Drafts of Scripts, 1966 April-June; undated
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Box
3
Folder
1
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Drafts of Scripts, 1966 April-August
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“Memory,” #6161-3
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Box
3
Folder
2
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Production File, including scripts by Robert Lewin, 1966 May 17-July 5
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Box
3
Folder
3-4
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Drafts of Scripts, 1966 March-May, undated
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“Operation Rogosh,” #6161-4
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Box
3
Folder
5
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Production File, including a script by Jerome Ross, 1966 May 27-July 18
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Box
3
Folder
6-7
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Drafts of Scripts, 1966 April-May
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“Odds on Evil,” #6161-5
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Box
4
Folder
1
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Production File, including a script by William Reed Woodfield and Allan Balter, 1966 June 20-September 20
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Box
4
Folder
2
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Drafts of Scripts, 1966 April-May
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“A Spool There Was,” #6161-6
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Box
4
Folder
3
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Production File, including scripts, “To Catch a Scorpion,” by Ellis Marcus, 1966 June 22-July 15
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Box
4
Folder
4-5
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Drafts of Scripts, 1966 May-June
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“Fakeout,” #6161-7
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Box
5
Folder
1
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Production File, including scripts by Leigh Chapman, 1966 July 1-September 26
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Box
5
Folder
2-4
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Drafts of Scripts, 1966 April-August
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“Wheels,” #6161-8
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Box
5
Folder
5
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Production File, including a script by Laurence Heath, 1966 July 18-September 2
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Box
5
Folder
6-7
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Drafts of Scripts, 1966 May-July, undated
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“The Ransom,” #6161-9
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Box
6
Folder
1
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1966 August 8-September 16
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Box
6
Folder
2
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Drafts of Scripts, 1966 July-August, undated
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“Elena,” #6161-10
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Box
6
Folder
3
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Production File, including scripts by Robert Lewin, 1966 August 24-December 6
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Box
6
Folder
4
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Drafts of Scripts, 1966 June-September
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“Zubrovnik's Ghost,” #6161-11
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Box
6
Folder
5
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Production File, including scripts by Robert Lewin, 1966 September 7-October 6
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Box
7
Folder
1-2
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Drafts of Scripts, 1966 July-September, undated
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“The Trial,” #6161-12
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Box
7
Folder
3
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Production File, including scripts by Laurence Heath, 1966 November 14-December 9
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Box
7
Folder
4-5
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Drafts of Scripts, 1966 November-December, undated
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“The Carriers,” #6161-13
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Box
7
Folder
6
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1966 September 19-October 19
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Box
7
Folder
7
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Drafts of Scripts, 1966 July-September
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“Short Tail Spy,” #6161-14
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Box
8
Folder
1
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Production File, including a script by Julian Barry, 1966 October 10-October 28
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Box
8
Folder
2-3
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Drafts of Scripts, 1966 August-October, undated
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“The Legacy,” #6161-15
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Box
8
Folder
4
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1966 October 14-December 20
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Box
8
Folder
5-6
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Drafts of Scripts, 1966 September-October, undated
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“The Reluctant Dragon,” #6161-16
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Box
8
Folder
7
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Production File, including scripts by Chester Krumholz, 1966 October 31-December 27
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Box
9
Folder
1-2
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Drafts of Scripts, 1966 November, undated
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“The Frame,” #6161-17
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Box
9
Folder
3
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1966 November 4-30
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Box
9
Folder
4
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Drafts of Scripts, 1966 October-November
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“The Diamond,” #6161-18
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Box
9
Folder
5
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1966 November 29-December 20
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Box
9
Folder
6
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Drafts of Scripts, 1966 September-November
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“The Legend,” #6161-19
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Box
9
Folder
7
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Production File including scripts by Mann Rubin, 1966 December 9-30
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Box
10
Folder
1
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Drafts of Scripts, 1966 December, undated
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“The Confession,” #6161-20
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Box
10
Folder
2
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1966 December 20-1967 January 11
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Box
10
Folder
3
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Drafts of Scripts, 1966 December
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“Snowball in Hell,” #6161-21
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Box
10
Folder
4-5
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Production File, including scripts by Judith and Robert Guy Barrows, 1967 January 6-20
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Box
10
Folder
6-7
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Drafts of Scripts, 1966 April -1967 January
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Box
11
Folder
1
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Drafts of Scripts, 1967 January
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“Action,” #6161-22
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Box
11
Folder
2
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Production File, including scripts by Robert Lewin, 1967 January 18-February 2
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Box
11
Folder
3-4
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Drafts of Scripts, 1967 January, undated
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“The Train,” #6161-23
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Box
11
Folder
5
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 January 26-March 13
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Box
12
Folder
1-2
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Drafts of Scripts, 1967 January-February, undated
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“Shock,” #6161-24
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Box
12
Folder
3
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Production File, including scripts by Laurence Heath, 1967 February 6-March 1
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Box
12
Folder
4
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Drafts of Scripts, circa 1967
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“A Cube of Sugar,” #6161-25
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Box
12
Folder
5
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 February 14-March 17
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Box
12
Folder
6
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Revisions, 1967 February
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“The Traitor,” #6161-26
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Box
12
Folder
7
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Production File, including scripts, “Run, Rat, Run,” by Edward J. Lakso, 1967 February 26-March 10
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Box
13
Folder
1
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Drafts of Scripts, 1967 February, undated
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“The Psychic,” #6161-27
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Box
13
Folder
2
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 March 9-23
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Box
13
Folder
3
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Drafts of Scripts, 1967 March
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“The Survivors,” #5161-28
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Box
13
Folder
4
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 May 8-September 1
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“Trek,” #5161-29
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Box
13
Folder
5
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Production File, including scripts by Laurence Heath, 1967 May 11-July 28
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“The Bank,” #60030
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Box
14
Folder
1
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Production File, including scripts, “The Bank Heist,” by Brad Radnitz, 1967 May 16-September 15
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“Operation -- Heart,” #5161-31
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Box
14
Folder
2
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Production File, including scripts by John O'Dea and Arthur Rowe, 1967 May 31-September 29
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“The Slave,” #60032 (Parts I and II)
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Box
14
Folder
3-4
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 June 9-September 29
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“The Widow,” #5161-33
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Box
14
Folder
5
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Production File, including scripts by Barney Slater, 1967 June 15-September 1
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“The Money Machine,” #60034
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Box
14
Folder
6
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Production File, including scripts by Richard M. Sakai, 1967 August 2-October 2
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“The Seal,” #60035
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Box
15
Folder
1
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 August 10-October 18
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“Sweet Charity,” #60036
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Box
15
Folder
2
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Production File, including scripts by Barney Slater, 1967 August 31-November 1
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“The Council,” #60037 (Parts I and II)
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Box
15
Folder
3-4
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 September 13-November 16
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“The Echo of Yesterday,” #60038
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Box
15
Folder
5
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Production File, including scripts by Mann Rubin, 1967 October 4-November 28
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“The Astrologer,” #60039
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Box
15
Folder
6
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Production File, including scripts, “Day of the Scorpion,” by James F. Griffin, 1967 September 22-November 27
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“The Photographer,” #60040
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Box
15
Folder
7
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 October 20-November 30
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“The Spy,” #60041
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Box
16
Folder
1
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Production File, including scripts, “The Stubborn Spy,” by Barney Slater, 1967 October 30-December 13
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“A Game of Chess,” #60042
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Box
16
Folder
2
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Production File, including scripts by Richard M. Sakal, 1967 November 7-1968 January 3
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“The Emerald,” #60043
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Box
16
Folder
3
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 November 20-1968 January 16
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“The Condemned,” #60044
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Box
16
Folder
4
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Production File, including scripts by Laurence Heath, 1967 November 24-1968 January 9
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“The Counterfeiter,” #60045
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Box
16
Folder
5
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1967 December 9-1968 January 16
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“The Town,” #60046
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Box
16
Folder
6
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Production File, including scripts by Sy Salkowitz, 1967 December 11-1968 January 30
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“The Killing,” #60047
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Box
17
Folder
1
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Production File, including scripts by William Reed Woodfield and Allan Balter, 1968 January 4-February 6
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“The Phoenix,” #60048
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Box
17
Folder
2
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Production File, including a script by John D. F. Black, 1968 January 15-February 15
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“Trial by Fury,” #60049
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Box
17
Folder
3
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Production File, including scripts by Sy Salkowitz, 1968 January 19-February 27
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“Recovery,” #60050
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Box
17
Folder
4
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Production File, including a script by William Reed Woodfield and Allan Balter, 1968 February 5-March 7
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“The Mercenaries,” #60033-51
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Box
17
Folder
5-6
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Production File and Budget, including scripts by Laurence Heath, (1968 April 29-July 19)- 1969 May 10
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“The Heir Apparent,” #60033-52
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Box
17
Folder
7-8
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Production File and Budget, including scripts by Robert E. Thompson, (1968 April 30-July 29)- 1969 May 10
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“The Diplomat,” #60033-53
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Box
18
Folder
1-2
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Production File and Budget, including scripts by Jerry Ludwig, (1968 May 25-July 30)- 1969 May 10
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“The Contender,” #60033-54 (Parts I and II)
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Box
18
Folder
3-5
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Production File and Budget, including scripts by William Reed Woodfield and Allan Balter, (1968 April 26-September 9)- 1969 May 10
|
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“The Execution,” #60033-56
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Box
18
Folder
6-7
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Production File and Budget, including scripts by William Reed Woodfield and Allan Balter, (1968 June 21-September 30)- 1969 May 10
|
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“The Play,” #60033-57
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Box
19
Folder
1-2
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Production File and Budget, including scripts by Lou Shaw, (1968 July 1-October 2)- 1969 May 10
|
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“The Cardinal,” #60033-58
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Box
19
Folder
3-4
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Production File and Budget, including scripts by John T. Dugan, (1968 July 2-September 30)- 1969 May 10
|
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“The Elixir,” #60033-59
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Box
19
Folder
5-6
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Production File and Budget, including scripts by Max Hodge, (1968 July 23-October 29)- 1969 May 10
|
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“The Exchange,” #60033-60
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Box
19
Folder
7-8
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Production File and Budget, including scripts by Laurence Heath, (1968 July 31-November 18)- 1969 May 10
|
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“The Bargain,” #60033-61
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Box
20
Folder
1-2
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Production File and Budget, including scripts by Robert E. Thompson, (1968 August 7-November 18)- 1969 May 10
|
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“The Mind of Stephan Miklos,” #60033-62
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Box
20
Folder
3-4
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Production File and Budget, including scripts by Paul Playdon, (1968 August 26-1969 January 3)- May 10
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“The Freeze,” #60033-63
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Box
20
Folder
5-6
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Production File and Budget, including scripts by Paul Playdon, (1968 September 5-December 11)- 1969 May 10
|
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“The Test Case,” #60033-64
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Box
20
Folder
7-8
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Production File and Budget, including scripts, “The Immortality of Raymond Barrett,” by Laurence Heath, (1968 September 16-December 11)- 1969 May 10
|
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“The System,” #60033-65
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Box
21
Folder
1-2
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Production File and Budget, including scripts by Robert Hamner, (1968 September 24-December 30)- 1969 May 10
|
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“The Glass Cage,” #60033-66
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Box
21
Folder
3-4
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Production File and Budget, including scripts by Paul Playdon from a story by Alf Harris, (1968 October 9-December 27)- 1969 May 10
|
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“Live Bait,” #60033-67
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Box
21
Folder
5-6
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Production File and Budget, including scripts by Jim Buchanan and Ron Austin, from a story by Meyer Dounsky, (1968 October 17-1969 January 9)- May 10
|
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“Doomsday,” #60033-68
|
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Box
21
Folder
7-8
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Production File and Budget, including scripts by Laurence Heath, (1968 October 28-1969 January 16)- May 10
|
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“The Bunter,” #60033-69 (Parts I and II)
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Box
22
Folder
1-2
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Production File and Budget, including scripts by Paul Playdon, (1968 November 25-1969 February 25)- May 10
|
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“Nitro,” #60033-71
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Box
22
Folder
3-4
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Production File and Budget, including scripts by Laurence Heath, (1968 December 10-1969 February 24)- May 10
|
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“The Vault,” #60033-72
|
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Box
22
Folder
5-6
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Production File and Budget, including a script by Judy Burns, 1969 (January 3-February 27)- May 10
|
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“Nicole,” #60033-73
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Box
22
Folder
7-8
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Production File and Budget, including scripts by Paul Playdon, 1969 (January 12-March 7)- May 10
|
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“Illusion,” #60033-74
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Box
22
Folder
9-10
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Production File and Budget, including scripts by Laurence Heath, (1969 January 10-March 21)- May 10
|
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“The Interrogator,” #60033-65
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Box
23
Folder
1-2
|
Production File and Budget, including scripts by Paul Playdon, (1969 February 3-April 3)- May 10
|
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“The Controllers,” #60033-76 (Parts I and II)
|
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Box
23
Folder
3-4
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Production File and Budget, including scripts by Laurence Heath, 1969 May 21-July 22
|
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“The Code,” #60034-78
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Box
23
Folder
5-6
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Production File and Budget, including scripts by Ken Pettus, 1969 June 14-August 12
|
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“Mastermind,” #60034-79
|
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Box
23
Folder
7-8
|
Production File and Budget, including scripts by Jerry Ludwig, 1969 June 18-August 27
|
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“The Number's Game,” #60034-80
|
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Box
23
Folder
9-10
|
Production File and Budget, including scripts, “The Key,” by Leigh Vance, 1969 July 10-September 9
|
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|
“Commandante,” #60034-81
|
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|
Box
24
Folder
1-2
|
Production File and Budget, including scripts by Laurence Heath, 1969 June 30-September 18
|
|
|
“Robot,” #60034-82
|
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Box
24
Folder
3
|
Production File, including scripts by Howard Berk, 1969 July 3-September 30
|
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|
“Fool's Gold,” #60034-83
|
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|
Box
24
Folder
4
|
Production File, including scripts by Ken Pettus, 1969 July 8-September 30
|
|
|
“Double Circle,” #60034-84
|
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|
Box
24
Folder
5
|
Production File, including scripts by Jerry Ludwig, 1969 July 15-August 12
|
|
|
“Submarine,” #60034-085
|
|
|
Box
24
Folder
6
|
Production File, including scripts by Donald James, 1969 August 5-October 16
|
|
|
“The Brothers,” #60034-86
|
|
|
Box
25
Folder
1
|
Production File, including scripts by Leigh Vance from a story by Robert C. Dennis, 1969 August 12-October 29
|
|
|
“The Falcon,” #60034-087
|
|
|
Box
25
Folder
2-3
|
Production File, including scripts by Paul Playdon, 1969 September 9-December 31
|
|
|
“Time Bomb,” #60034-90
|
|
|
Box
25
Folder
4
|
Production File, including scripts by Paul Playdon, 1969 July 30-November 20
|
|
|
“The Amnesiac,” #60034-91
|
|
|
Box
25
Folder
5
|
Production File, including scripts by Robert Malcolm Young and Ken Pettus, from a story by Robert Malcolm Young, 1969 September 18-November 24
|
|
|
“Chico,” #60034-92
|
|
|
Box
25
Folder
6
|
Production File, including scripts, “The Chihauhua,” by Ken Pettus, 1969 October 17-29
|
|
|
“Terror,” #60034-93
|
|
|
Box
26
Folder
1
|
Production File, including scripts by Laurence Heath, 1969 August 11-1970 January 6
|
|
|
“Gitano,” #60034-94
|
|
|
Box
26
Folder
2
|
Production File, including scripts, “Toys,” by Laurence Heath, 1969 September 5-1970 January 6
|
|
|
“Phantoms,” #60034-95
|
|
|
Box
26
Folder
3
|
Production File, including scripts by Laurence Heath, 1969 October 29-1970 January 13
|
|
|
“Lover's Not,” #60034-96
|
|
|
Box
26
Folder
4
|
Production File, including scripts by Laurence Heath, 1969 November 28-1970 January 27
|
|
|
“Orpheus,” #60034-97
|
|
|
Box
26
Folder
5
|
Production File, including scripts by Paul Playdon, 1969 December 7-1970 February 2
|
|
|
“The Choice,” #60034-98
|
|
|
Box
26
Folder
6
|
Production File, including scripts by Ken Pettus from a story by Henry Sharp, 1969 December 17-1970 February 20
|
|
|
“The Crane,” #60034-99
|
|
|
Box
27
Folder
1
|
Production File, including scripts by Ken Pettus, 1969 December 19-1970 January 15
|
|
|
“Death Squad,” #60034-100
|
|
|
Box
27
Folder
2
|
Production File, including scripts by Laurence Heath, 1970 January 8-February 20
|
|
|
“The Martyr,” #60034-101
|
|
|
Box
27
Folder
3
|
Production File, including scripts by Ken Pettus, 1970 January 14-March 2
|
|
|
“Butterfly,” #60035-102
|
|
|
Box
27
Folder
4-5
|
Production File and Budget, including a script by Eric Bercovici and Jerry Ludwig from a story by Sheldon Stark, 1970 May 19-June 13
|
|
|
“Homecoming,” #60035-103
|
|
|
Box
27
Folder
6
|
Production File, including scripts by Laurence Heath, 1970 May 29-June 11
|
|
|
“The Rebel,” #60035-104
|
|
|
Box
27
Folder
7
|
Production File, including scripts by Ken Pettus from a story by Norman Katkov and Ken Pettus, 1970 May 20-June 22
|
|
|
“The Killer,” #60035-105
|
|
|
Box
27
Folder
8
|
Production File, including scripts by Arthur Weiss, 1970 May 22-July 1
|
|
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“Flip Side,” #60035-106
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Box
27
Folder
9
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Production File, including scripts by Jackson Gillis, 1970 June 26-July 10
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“The Catafalque,” #60035-113
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Box
28
Folder
1
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Script, by Paul Playdon, 1970 August 26
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“Sicily,” #60035-114
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Box
28
Folder
1
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Script, by David Moessinger from a story by Walter Brough and David Moessinger, 1970 August 31
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“Encore,” #60036-125
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Box
28
Folder
1
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Script, by Harold Livingston, 1971 April 28
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“Blind,” #60036-126
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Box
28
Folder
2
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Script, Arthur Weiss, 1971 May 6
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“The Bride,” #60036-127
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Box
28
Folder
2
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Script, by Jackson Gillis, 1971 May 18
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“Run for the Money,” #60036-128
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Box
28
Folder
2
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Script, by Edward J. Lakso, 1971 May 26
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“The Miracle,” #60036-129
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Box
28
Folder
3
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Script, by Dan Ullman, 1971 June 6
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“Mind Bend,” #60036-130
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Box
28
Folder
3
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Script, by Ronald Austin and James Buchanan, 1971 June 16
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“The Tram,” #60036-131
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Box
28
Folder
3
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Script, by James L. Henderson and Sam Roeca, 1971 June 25
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“Encounter,” #60036-132
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Box
28
Folder
4
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Script, by Howard Berk, 1971 July 6
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“Shape-Up,” #60036-133
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Box
28
Folder
4
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Script, by Ed Adamson and Norman Katkov, 1971 July 14
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“Underwater,” #60036-134
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Box
28
Folder
4
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Script, by Arthur Weiss, 1971 July 26
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“The Visitors,” #60036-135
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Box
28
Folder
5
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Script, by Harold Livingston, 1971 August 3
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“The Connection,” #60036-136
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Box
28
Folder
5
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Script, by Edward Lakso and Ken Pettus from a story by Edward Lakso, 1971 August 9
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“Invasion,” #60036-137
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Box
28
Folder
5
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Script, by James Henderson and Sam Roeca, 1971 August 24
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“Image,” #60036-138
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Box
28
Folder
6
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Script, by Sam Roeca and James Henderson, 1971 September 3
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“Blues,” #60036-139
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Box
28
Folder
6
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Script, by Howard Berk, 1971 September 16
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“Nerves,” #60036-140
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Box
28
Folder
6
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Script, by Henry Sharpe and Garrie Bateson, from a story by Henry Sharpe, 1971 September 24
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“Committed,” #60036-141
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Box
29
Folder
1
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Script, by Arthur Weiss from a story by Laurence Heath, 1971 September 30
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“Stone Pillow,” #60036-142
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Box
29
Folder
1
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Script, by Howard Browne, 1971 October 8
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“Double Dead,” #60036-143
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Box
29
Folder
1
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Script, by Laurence Heath from a story by Jackson Gillis, 1971 October 22
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“Bag Woman,” #60036-144
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Box
29
Folder
2
|
Script, by Ed Adamson and Norman Katkov, 1971 November 1
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“Casino,” #60036-145
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Box
29
Folder
2
|
Script, by Walter Brough and Howard Berk, 1971 November 8
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“Trapped,” #60036-146
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Box
29
Folder
2
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Script, by Sam Roeca and James Henderson from a story by Rick Husky, 1971 November 16
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“Speed,” #60036-147
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Box
29
Folder
3
|
Script, by Lou Shaw, 1972 April 7
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“Two Thousand,” #60037-148
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Box
29
Folder
3
|
Script, by Harold Livingston, 1972 April 17
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“Underground,” #60037-149
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Box
29
Folder
4
|
Script, by Leigh Vance, 1972 April 17
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“Leona,” #60037-150
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Box
29
Folder
4
|
Script, by Howard Browne, 1972 May 8
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“Break!,” #60037-151
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Box
29
Folder
4
|
Script, by Sam Roeca and James Henderson, 1972 May 16
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|
“The Deal,” #60037-152
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Box
29
Folder
5
|
Script, by George Slavin and Stephen Kandel from a story by George Slavin, 1972 June 26
|
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“Imitation,” #60037-153
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|
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Box
29
Folder
5
|
Script, by Edward Lakso, 1972 June 7
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|
“Crack Up,” #60037-154
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|
|
Box
29
Folder
5
|
Script, by Arthur Weiss from a story by Robert and Phyllis White and Arthur Weiss, 1972 May 25
|
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“Tod-5,” #60037-155
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Box
29
Folder
6
|
Script, by James D. Buchanan and Ronald Austin, 1972 June 14
|
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|
“Cocaine,” #60037-156
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|
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Box
29
Folder
6
|
Script, by Harold Livingston from a story by Norman Katkov and Harold Livingston, 1972 July 7
|
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|
“The Question,” #60037-157
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Box
29
Folder
6
|
Script, by Stephen Kandel, 1972 July 13
|
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“Hit,” #60037-158
|
|
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Box
29
Folder
7
|
Script, by Douglas Wier, 1972 July 26
|
|
|
“Movie,” #60037-159
|
|
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Box
29
Folder
7
|
Script, by Anthony Bowers and Stephen Kandel, 1972 August 3
|
|
|
“Ultimatum,” #60037-160
|
|
|
Box
29
Folder
7
|
Script, by Harold Livingston from a story by Shirl Hendryx and Harold Livingston, 1972 August 17
|
|
|
“Kidnap,” #60037-161
|
|
|
Box
30
Folder
1
|
Script, by Sam Roeca and James L. Henderson, 1972 September 14
|
|
|
“The Puppet,” #60037-162
|
|
|
Box
30
Folder
1
|
Script, by Leigh Vance, 1972 September 22
|
|
|
“The Fountain,” #60037-163
|
|
|
Box
30
Folder
1
|
Script, by Stephen Kandel, 1972 October 1
|
|
|
“Boomerang,” #60037-164
|
|
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Box
30
Folder
2
|
Script, by Howard Browne, 1972 October 12
|
|
|
“Incarnate,” #60037-165
|
|
|
Box
30
Folder
2
|
Script, by Buck Houghton and Stephen Kandel, 1972 October 23
|
|
|
“The Western,” #60037-166
|
|
|
Box
30
Folder
2
|
Script, by Arnold and Lois Peyser, 1972 October 31
|
|
|
“The Fighter,” #60037-167
|
|
|
Box
30
Folder
3
|
Script, by Nicholas E. Baehr and Stephen Kandel, 1972 November 8
|
|
|
“The Pendulum,” #60037-168
|
|
|
Box
30
Folder
3
|
Script by Cal Clements Jr. and Stephen Kandel, 1972 November 21
|
|
|
“Body of Evidence,” #6161-12
|
|
|
Box
30
Folder
4
|
Scripts, by Norman Hudis, 1966 September 20, undated
|
|
|
“Show Trial,” #60034-
|
|
|
Box
30
Folder
5
|
Script, by Jerry Ludwig, 1969 October 21
|
|
|
Box
30
Folder
6
|
Script Fragments, circa 1964-1966
|
|
|
General Production Information
|
|
|
Box
30
Folder
7
|
Miscellaneous Budget Information, 1966-1967
|
|
|
Box
30
Folder
8
|
Contract Requests for Composers, Directors, and Writers, 1971
|
|
|
Box
30
Folder
9
|
Steven Hill Breach-of-Contract Correspondence, 1966 June 28
|
|
|
Box
30
Folder
10
|
CTN Research Analysis Report, 1966 May 5
|
|
|
Box
31
Folder
1
|
Fan Mail, 1966 June 9-1972 October 22
|
|
|
Box
31
Folder
2
|
Agencies, undated
|
|
|
Cast Lists
|
|
|
Box
31
Folder
3
|
Episodes 1-50, 1966-1968
|
|
|
Box
31
Folder
4
|
Episodes 51-93, 1968-1969
|
|
|
Box
31
Folder
5
|
Episodes 94-124, 1969-1970
|
|
|
Box
31
Folder
6
|
Staff and Crew List, 1969 October-1971 April
|
|
|
Box
31
Folder
7
|
Writers Lists, 1966-1968
|
|
|
Box
31
Folder
8
|
Miscellaneous, 1966-1972
|
|
|
Box
31
Folder
9
|
Miscellaneous Production Notes, 1971
|
|
|
Box
31
Folder
10-11
|
Production Status Reports for Series, 1968-1969
|
|
|
Box
32
Folder
1
|
Production Status Reports, 1969-1970
|
|
|
Box
32
Folder
2
|
Publicity - Cast Biographies, circa 1966-1972
|
|
|
Box
32
Folder
3
|
Director's Schedule, 1970-1972
|
|
|
Box
32
Folder
4
|
Release Schedules, 1967-1973
|
|
|
Box
32
Folder
5
|
Script Status Reports, 1971-1972
|
|
