Container
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Title
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Series: C Series
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Box
16C
Folder
34
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“All the Things You Are,” arranged by Pete King (57-C)
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Conductor's score, instrumental parts, December 2, 1950
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Box
16C
Folder
35
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“Be a Clown,” arranged by Leroy Holmes (69-C)
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Conductor's score, instrumental parts, December 23, 1950
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Box
16C
Folder
36
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“Beautiful Madness,” arranged by Milton Weinstein (117-C)
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Conductor's score, instrumental parts, March 17, 1951
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Box
16C
Folder
37
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“Begin the Beguine,” arranged by Milton Weinstein (84-C)
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Conductor's score, instrumental parts, January 20, 1951
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Box
16C
Folder
38
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“Between the Devil and the Deep Blue Sea,” arranged by Pete King, used on the Robert Q. Lewis Show (172-C)
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Conductor's score, instrumental parts, September 22, 1951
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Box
16D
Folder
39
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“Bill,” arranged by Pete King, used on the Robert Q. Lewis Show (173-C)
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Conductor's score, instrumental parts, October 6, 1951
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Box
16D
Folder
40
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“Birth of the Blues,” arranged by Leroy Holmes (60-C)
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Conductor's score, instrumental parts, December 9, 1950
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Box
16D
Folder
41
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“Blow Gabriel,” arranged by Milton Weinstein (75-C)
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Conductor's score, instrumental parts, January 6, 1951
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Box
16D
Folder
42
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“Blue Room,” arranged by Leroy Holmes (95-C)
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Conductor's score, instrumental parts, February 3, 1951
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Box
16D
Folder
43
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“The Breeze and I,” arranged by Milton Weinstein (92-C)
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Conductor's score, instrumental parts, February 3, 1951
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Box
16D
Folder
1
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“Bumble-Boogie,” arranged by Paul Shelley (89-C)
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Conductor's score, instrumental parts, January 27, 1951
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Box
16D
Folder
2
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“Call Me Mister,” arranged by Paul Shelley (142-C)
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Conductor's score, instrumental parts, May 5, 1951
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Box
17A
Folder
3
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“Callahan's Dance” (50-C)
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Conductor's score, instrumental parts, undated
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Box
17A
Folder
4
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“Calypso Blues,” arranged by Leroy Holmes (105-C)
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Conductor's score, instrumental parts, February 24, 1951
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Box
17A
Folder
5
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“Chopin's Minute Waltz,” arranged by Paul Shelley (59-C)
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Conductor's score, instrumental parts, December 9, 1950
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Box
17A
Folder
6
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“Christmas in Killarney,” arranged by Jack Andrews (64-C)
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Conductor's score, instrumental parts' December 16, 1950
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Box
17A
Folder
7
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“Cleopatterer,” arranged by Pete King (145-C)
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Conductor's score, instrumental parts, May 19, 1951
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Box
17A
Folder
8
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“Coburn - Carter,” arranged by Irving Szathmary (67-C)
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Vocal, conductor's scores, instrumental parts, December 23, 1950
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Box
17A
Folder
9
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“Collegiate” (111-C)
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Conductor's score, instrumental parts, March 3, 1951
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Box
17A
Folder
10
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“County Fair,” arranged in part by Bobby Van Eps (83-C)
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Conductor's score, instrumental parts, January 20, 1951
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Box
17A
Folder
11
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“Dancing Doll,” arranged by Paul Shelley (113-C)
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Conductor's score, instrumental parts, March 10, 1951
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Box
17B
Folder
12
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“Dancing Shoes,” arranged by Paul Shelley (132-C)
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Conductor's score, instrumental parts, April 14, 1951
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Box
17B
Folder
13
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“De Glory Road,” arranged by Dick Shores (54-C)
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Vocal, conductor's scores, instrumental parts, November 11, 1950
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Box
17B
Folder
14
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“Diamonds Are a Girl's Best Friend,” arranged by Irving Szathmary (61-C)
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Conductor's score, instrumental parts, December 9, 1950
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Box
17B
Folder
15
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“Do Your Christmas Shopping Early,” arranged by Leroy Holmes (63-C)
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Vocal, conductor's scores, instrumental parts, December 16, 1950
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Box
17B
Folder
16
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“The Dogpatch Tromp,” arranged by Pete King (80-C)
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Vocal, conductor's scores, instrumental parts, January 13, 1951
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Box
17B
Folder
17
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“Donkey Serenade,” arranged by Bobby Van Eps (33-C)
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Conductor's score, instrumental parts, October 28, 1950
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Box
17B
Folder
18
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“Donkey's Serenade,” arranged by Paul Shelley (76-C)
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Conductor's score, instrumental parts, January 6, 1951
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Box
17C
Folder
19
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“Durante Songs” (”You've Got To Start Off Each Day,” ”Who Will Be With You,” and ”Inka-Doo”) (150-C)
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Vocal, conductor's scores, instrumental parts, February 17, 1951
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Box
17C
Folder
20
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“Early Morning Song,” arranged by Pete King (37-C)
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Vocal, conductor's scores, instrumental parts, November 4, 1950
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Box
17C
Folder
21
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“End of a Love Affair,” arranged by Milton Weinstein (174-C)
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Conductor's score, instrumental parts, October 27, 1951
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Box
17C
Folder
22
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“Flying Down to Rio,” arranged by Leroy Holmes (90-C)
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Conductor's score, instrumental parts, February 3, 1951
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Box
17C
Folder
23
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“Foolish Heart,” arranged by Milton Weinstein (99-C)
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Conductor's score, instrumental parts, February 10, 1951
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Box
17C
Folder
24
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“Gazotsky”. arranged by Harry Sosnik (149-C)
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Conductor's score, instrumental parts, May 26, 1951
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Box
17C
Folder
25
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“Getting to Know You,” arranged by Sosnik (192-C)
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Conductor's score, instrumental parts, January 19, 1952
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Box
17D
Folder
26
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“Good-bye My Lady Love,” ”Hello, My Baby” (104-C)
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Conductor's score, instrumental parts, February 24, 1951
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Box
17D
Folder
27
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“Goofus,” arranged by Pete King (158-C)
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Conductor's score, instrumental parts, July 7, 1951
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Box
17D
Folder
1
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“Happy Harvest,” arranged by Bobby Van Eps (26-C)
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Conductor's score, instrumental parts, September 11, 1950
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Box
17D
Folder
2
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“Harbor Lights,” arranged by Pete King (81-C)
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Conductor's score, instrumental parts, January 13, 1951
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Box
17D
Folder
3
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“Hebrew Songs #1, #2,” arranged by Pete King (168-C)
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Conductor's score, instrumental parts, August 17, 1951
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Box
17D
Folder
4
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“Hobo Dance,” arranged by Paul Shelley (46-C)
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Conductor's scores, instrumental parts, November 11, 1950
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Box
17D
Folder
5
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“Hooray for Hollywood,” arranged by Jack Andrews (78-C)
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Conductor's scores, instrumental parts, January 6, 1951
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Box
18A
Folder
6
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“I Am Loved,” arranged by Jack Andrews (77-C)
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Conductor's score, instrumental parts, January 6, 1951
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Box
18A
Folder
7
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“I Cover the Waterfront,” arranged by Pete King (170-C)
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Conductor's score, instrumental parts, September 1, 1951
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Box
18A
Folder
10
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“I Got the Bird On the Canary Islands,” arranged by Jack Andrews (55-C)
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Conductor's score, instrumental parts, December 2, 1950
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Box
18A
Folder
17
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“I See Your Face Before Me,” arranged by Pete King (155-C)
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Conductor's score, instrumental parts, June 16, 1951
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Box
18A
Folder
18
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“I Theenk You Weenk,” arranged by Leroy Holmes (32-C)
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Conductor's score, instrumental parts, October 28, 1950
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Box
18A
Folder
19
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“I Whistle a Happy Tune,” arranged by Pete King (159-C)
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Conductor's score, instrumental parts, October 11, 1951
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Box
18A
Folder
20
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“I Won't Dance,” arranged by Leroy Holmes (62-C)
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Conductor's score, instrumental parts, December 9, 1950
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Box
18B
Folder
8
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“If,” arranged by Milton Weinstein (88-C)
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Conductor's score, instrumental parts, January 27, 1951
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Box
18B
Folder
9
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“If You Haven't Got a Sweetheart,” arranged by Pete King (144-C)
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Conductor's score, instrumental parts, May 19, 1951
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Box
18B
Folder
11
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“I'll Remember April,” arranged by Milton Weinstein (143-C)
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Conductor's score, instrumental parts, May 5, 1951
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Box
18B
Folder
12
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“I'm Gonna Hang My Hat on A Tree That Grows in Brooklyn” (25-C)
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Conductor's score, instrumental parts, October 7, 1950
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Box
18B
Folder
13
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“Impersonation Specialty” (Jack Carter), arranged by Leroy Holmes (21-C)
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Conductor's score, instrumental parts, September 30, 1950
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Box
18B
Folder
14
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“In the Still of the Night,” arranged by Milton Weinstein (12-C)
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Conductor's score, instrumental parts, September 23, 1950
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Box
18B
Folder
15
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“Irish Dance,” arranged by Paul Shelley (65-C)
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Conductor's score, instrumental parts, December 16, 1950
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Box
18B
Folder
16
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“Irish Dance,” arranged by Paul Shelley (118-C)
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Conductor's score, instrumental parts, March 17, 1951
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Box
18C
Folder
21
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“Jing-A-Ling,” arranged by Jack Andrews (41-C)
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Conductor's score, instrumental parts, November 11, 1950
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Box
18C
Folder
22
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“Johannesburg,” arranged by Milton Weinstein (98-C) 1951
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Conductor's score, instrumental parts, February 10, 1951
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Box
18C
Folder
23
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“Johnny 0ne Note,” arranged by Paul Shelley (102-C)
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Conductor's score, instrumental parts, February 17, 1951
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Box
18C
Folder
24
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“The Jolly Little Man in Red,” arranged by Jack Andrews (68-C)
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Sheet music, score, instrumental parts, January 23, 1950
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Box
18C
Folder
25
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“A Kiss in the Dark,” arranged by A. de Filippi (179-C)
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Conductor's score, instrumental parts, undated
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Box
18C
Folder
26
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“Kiss Me Again” (178-C)
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Conductor's score, instrumental parts, undated
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Box
19A
Folder
1
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“Lady Be Good,” arranged by Pete King (165-C)
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Conductor's score, instrumental parts, August 11, 1951
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Box
19A
Folder
2
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“Latin From Manhattan,” arranged by Paul Shelley (91-C)
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Conductor's score, instrumental parts, February 3, 1951
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Box
19A
Folder
3
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“Laura” (197-C)
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Vocal, Conductor's scores, instrumental parts, undated
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Box
19A
Folder
4
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“Let's Get Away From It All,” arranged by Leroy Holmes (79-C)
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Conductor's score, instrumental parts, January 13, 1951
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Box
19A
Folder
5
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“Loch Lomond,” arranged by Leroy Holmes (151-C)
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Conductor's score, instrumental parts, May 31, 1951
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Box
19A
Folder
6
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“Love,” arranged by Pete King (153-C)
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Conductor's score, instrumental parts, June 2, 1951
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Box
19A
Folder
7
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“Love Is Just Around the Corner,” arranged by Pete King (187-C)
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Conductor's score, instrumental parts, November 17, 1951
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Box
19A
Folder
8
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“Lovely to Look At” (184-C)
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Vocal, conductor's scores, undated
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Box
19A
Folder
9
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“Manhattan Square Dance,” ”New York, New York,” arranged by Leroy Holmes (20-C)
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Conductor's score, instrumental parts, September 30, 1950
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Box
19B
Folder
10
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“March of History Routine,” arranged by Leroy Holmes (87-C)
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Conductor's scores, instrumental parts, January 20, 1951
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Box
19B
Folder
11
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“Masks,” arranged by Paul Shelley (138-C)
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Conductor's scores, instrumental parts, April 28, 1951
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Box
19B
Folder
12
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“Masquerade Ball,” arranged by Leroy Holmes (126-C)
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Vocal, conductor's scores, instrumental parts, March 31, 1951
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Box
19B
Folder
13
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“Minnie from Trinidad,” arranged by Leroy Holmes (122-C)
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Conductor's score, instrumental parts, March 24, 1951
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Box
19B
Folder
14
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“Mountain High, Valley Low,” arranged by Pete King (147-C)
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Conductor's score, instrumental parts, May 26, 1951
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Box
19B
Folder
15
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“Music Makes Me” (114-C)
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Conductor's score, instrumental parts, March 10, 1951
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Box
19B
Folder
16
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“Neurotic You and Psychopathic Me,” arranged by Jack Andrews (136-C)
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Conductor's score, instrumental parts, April 28, 1951
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Box
19B
Folder
17
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“Never Ask a Man if He's from Texas,” arranged by William Stegmeyer (124-C)
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Conductor's score, instrumental parts, March 31, 1951
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Box
19C
Folder
18
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“New Years,” first arrangement by Pete King, second arrangement by Jack Andrews (72-C)
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Conductor's score, instrumental parts, December 30, 1950
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Box
19C
Folder
19
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“Nursery Rhymes,” arranged by Paul Shelley (70-C)
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Conductor's score, instrumental parts, December 23, 1950
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Box
19C
Folder
20
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“Old Devil Moon,” arranged by Milton Weinstein (IO6-C)
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Conductor's score, instrumental parts, February 24, 1951
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Box
19C
Folder
21
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“The Old Soft Shoe,” arranged by Frank Guilfoyle (163-C)
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Conductor's score, instrumental parts, undated
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Box
19C
Folder
22
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“On the Road to Mandalay,” arranged by Milton Weinstein (129-C)
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Vocal, conductor's scores; instrumental parts, April 7, 1951
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Box
19C
Folder
23
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“One Night of Love” (180-C)
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Score, instrumental parts, undated
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Box
19C
Folder
24
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“One Song,” arranged by Pete King (30-C)
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Conductor's score, instrumental parts, October 21, 1950
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Box
19C
Folder
25
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“Over the Rainbow,” arranged by Milton Weinstein (120-C)
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Conductor's score, instrumental parts, March 24, 1951
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Box
19C
Folder
26
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“The Picnic Song,” arranged by Pete King (146-C)
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Conductor's score, instrumental parts, May 19, 1951
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Box
19D
Folder
27
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“Portrait of a Flirt,” arranged by Paul Shelley (82-C)
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Conductor's score, instrumental parts, January 13, 1951
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Box
19D
Folder
28
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“Puttin' on the Ritz,” arranged by Paul Shelley (58-C)
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Conductor's score, instrumental parts, December 2, 1950
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Box
19D
Folder
1
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“Racetrack,” arranged by Paul Shelley (134-C)
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Conductor's score, instrumental parts, April 21, 1951
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Box
19D
Folder
2
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“Racetrack Polka,” arranged by Jack Andrews (133-C)
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Vocal, conductor's scores; instrumental parts, April 21, 1951
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Box
19D
Folder
3
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“Raggedy Ann,” arranged by Pete King (140-C)
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Conductor's score, instrumental parts, May 5, 1951
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Box
19D
Folder
4
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“Reciprocity,” arranged by Pete King (169-C)
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Conductor's score, instrumental parts, September 1, 1951
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Box
19D
Folder
5
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“Rumbalero,” arranged by Paul Shelley (96-C)
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Conductor's score, instrumental parts, February 10, 1951
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Box
19D
Folder
6
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“Rococo” (18-C)
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Conductor's score, instrumental parts, September 30, 1950
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Box
20A
Folder
7
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“Romance” (182-C)
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Score, instrumental parts, undated
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Box
20A
Folder
8
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“Sailor's Hornpipe,” arranged by Francis Scott (45-C)
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Conductor's score, instrumental parts, November 9, 1950
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Box
20A
Folder
9
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“St. Patrick's Day Song,” arranged by Jack Andrews (116-C)
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Conductor's score, instrumental parts, March 17, 1951
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Box
20A
Folder
10
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“Santa Claus Is Coming to Town,” ”Santa Claus Music Box” (66-C)
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Conductor's scores, instrumental parts, undated
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Box
20A
Folder
11
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“Shadrack,” arranged by Pete King (16O-C)
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Conductor's score, instrumental parts, July 21, 1951
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Box
20A
Folder
12
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“Shangri-La'” arranged by Paul Shelley (39-C)
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Conductor's score, instrumental parts, November 4, 1950
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Box
20A
Folder
13
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“Sing, Sing, Sing,” arranged by Paul Shelley (86-C)
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Conductor's score, instrumental parts, January 20, 1951
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Box
20A
Folder
14
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“Skyscraper blues,” arranged by Pete King and Leroy Holmes (4-C)
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Conductor's score, instrumental parts, September 9, 1950
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Box
20B
Folder
15
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“Skyscraper Fantasy,” arranged by Paul Shelley (38-C)
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Conductor's score, instrumental parts, November 4, 1950
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Box
20B
Folder
16
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“Slap That Bass,” arranged by Paul Shelley (123-C)
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Conductor's score, instrumental parts, March 31, 1951
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Box
20B
Folder
17
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“Smoke Gets In Your Eyes” (185-C)
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Score, undated
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Box
20B
Folder
18
|
“So In Love,” arranged by Milton Weinstein (9-C)
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Vocal, conductor's scores, instrumental parts, September 16, 1950
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Box
20B
Folder
19
|
“Soliloquy,” arranged by Pete King (8-C)
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Sheet music, conductor's score, instrumental parts, September 16, 1950
|
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Box
20B
Folder
20
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“Solitude,” arranged by Pete King (167-C)
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Conductor's score, instrumental parts, August 17, 1951
|
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Box
20B
Folder
21
|
“The Song Is You,” arranged by William Stegmeyer (93-C)
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Conductor's score, instrumental parts, February 3, 1951
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Box
20C
Folder
22
|
“Speak Low,” arranged by Pete King (175-C)
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Conductor's score, instrumental parts, November 31, 1951
|
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Box
20C
Folder
23
|
“Steppin' Out With My Baby,” arranged by Leroy Holmes (73-C)
|
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Conductor's score, instrumental parts, December 30, 1950
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Box
20C
Folder
24
|
“Strange Music,” arranged by Milton Weinstein (112-C)
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|
Conductor's score, instrumental parts, March 10, 1951
|
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Box
20C
Folder
25
|
“Sunny Day,” arranged by Leroy Holmes (109-C)
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|
Vocal, conductor's scores, instrumental parts, March 3, 1951
|
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Box
20C
Folder
26
|
“'s Wonderful” (176-C)
|
|
|
Conductor's score, instrumental parts, undated
|
|
Box
20C
Folder
27
|
“Symbol of Fire,” arranged by Jack Andrews (24-C)
|
|
|
Conductor's score, instrumental parts, October 7, 1950
|
|
Box
21A
Folder
1
|
“Tell Me That You Love Me Tonight” (5-C)
|
|
|
Conductor's score, instrumental parts, September 9, 1950
|
|
Box
21A
Folder
2
|
“Temptation,” arranged by Pete King (71-C)
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|
Conductor's score, instrumental parts, December 30, 1950
|
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Box
21A
Folder
3
|
“That Old Black Magic,” arranged by Pete King (161-C)
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Conductor's score, instrumental parts, July 21, 1951
|
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Box
21A
Folder
4
|
“Them There Eyes,” arranged by Pete King (189-C)
|
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|
Conductor's score, instrumental parts, December 8, 1951
|
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Box
21A
Folder
5
|
“These Foolish Things,” arranged by Jullian Work (22-C)
|
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Conductor's score, instrumental parts, October 7, 1950
|
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Box
21A
Folder
6
|
“Too Young,” arranged by Pete King (156-C)
|
|
|
Conductor's score, instrumental parts, June 23, 1951
|
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Box
21A
Folder
7
|
“The Touch of Your Hand” (183-C)
|
|
|
Conductor's score, instrumental parts, undated
|
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Box
21A
Folder
8
|
“Two Brothers,” arranged by Bobby Van Eps (43-C)
|
|
|
Vocal, conductor's scores, instrumental parts, November 11, 1950
|
|
Box
21A
Folder
9
|
“War Picture Routine/Marine Hymn,” arranged by Leroy Holmes (44-C)
|
|
|
Conductor's score, instrumental parts, November 11, 1950
|
|
Box
21A
Folder
10
|
“Wedding of the Painted Doll,” arranged by Pete King (141-C)
|
|
|
Conductor's score, instrumental parts, May 5, 1951
|
|
Box
21B
Folder
11
|
“A Wee Doch-an-Doris,” arranged by Sosnik (154-C)
|
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Conductor's score, instrumental parts, undated
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Box
21B
Folder
12
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“Where Oh Where,” arranged by William Stegmeyer (85-C)
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Conductor's score, instrumental parts, January 20, 1951
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Box
21B
Folder
13
|
“Where or When” (100-C)
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Conductor's score, instrumental parts, undated
|
|
Box
21B
Folder
14
|
“The Whip” (19-C)
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Conductor's score, instrumental parts, undated
|
|
Box
21B
Folder
15
|
“Who Am I,” arranged by Pete King (171-C)
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Conductor's score, instrumental parts, September 22, 1951
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Box
21B
Folder
16
|
“Why Was I Born,” arranged by Pete King (157-C)
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Conductor's score, instrumental parts, July 7, 1951
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|
Box
21B
Folder
17
|
“Yesterdays” (186-C)
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|
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Vocal, conductor's scores, instrumental parts, undated
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|
Box
21B
Folder
18
|
“You Can't Take It With You,” October 28, 1950 (31-C)
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Conductor's score, instrumental parts, October 28, 1950
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