Container
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Title
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U.S. Mss 40AN
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Part 1 (U.S. Mss 40AN, Audio 1897A): Original Collection, 1941-196616.8 cubic feet (42 archives boxes and 2 oversize folders) and 3 discs The collection was organized by the Archives in two parts, designated here as the Original Collection, 1949-1961, and the Additions, 1941-1966. The Original Collection is composed of Ms. Rosenthal's lighting notes for a number of productions mounted between 1949 and 1961. At her request, these papers (Boxes 1-24) were left in the physical order in which she arranged them: the order of all papers is unchanged and sub-headings appear on individual folders as she had them on her own folders. The Additions contain Ms. Rosenthal's lighting notes for a number of productions mounted between 1941 and 1966. Most of the material is from her work with the New York City Opera Company in the early 1950s, and from Broadway shows dating from the late 1950s up until 1966. The productions are arranged alphabetically by title. The Additions include set designs and light plots for some of the productions represented in the Original Collection.
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Series: Part 1: Original Collection, 1949-1961
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House of Flowers, 1954 : Written by Truman Capote and Harold Arlen
Produced by Saint Subber
Designed by Oliver Messel
Lighting by Jean Rosenthal
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Box
1
Folder
1
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Design elevations of set units and pieces; cue sheets; hanging plot; rigging plot
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Box
1
Folder
2
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Property plot; preliminary electrics plots; hanging section plans; electrics hookup plots; light plot for Alvin Theatre, New York; set photograph; order of scenes; cue sheets; color cutting list; effects plot
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Box
1
Folder
3
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Property list; sound equipment list; color cutting list; order of scenes; list of material; strike, set, and stack plan; order of scenes; rough sketches of set pieces; playbill, Erlanger Theatre, Philadelphia; effects plot; scene designs and details schedule; sound equipment list; rigging and hookup notes; electrics hookup plot; color cutting list
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Saint of Bleecker Street, 1951 : Written by Gian-Carlo Menotti
Produced by Chandler Cowles
Designed by Robert Randolph
Lighting by Jean Rosenthal
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Box
1
Folder
4
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Hookups; dimmer plot; rigging plot; cue sheets; electrical equipment lists; color list; color cutting lists
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Box
1
Folder
5
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Focus chart; hookup by pipes; cue sheets; board hookup
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Box
1
Folder
6
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Color cutting list; electrical equipment lists; light plots
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Quadrille, 1954 : Written by Noel Coward
Produced by John C. Wilson
Designed by Cecil Beaton
Lighting by Jean Rosenthal
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Box
2
Folder
1
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Board hookups; cue sheets; color list; miscellaneous production notes; equipment list; unit hookup and focus chart
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Box
2
Folder
2
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Gel samples; light plots; photographs of set and set designs; unit hookups and focus charts; equipment lists; color lists; floor plan of Forrest Theatre stage; floor plans of sets' miscellaneous production notes; rigging plan; preset list
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Ondine, 1953 : Lighting by Jean Rosenthal
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Box
2
Folder
3
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Rigging plot; hookup plots; miscellaneous notes; cue sheet
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Beggar's Opera (City Center), 1957 : Written by John Gay
Designed by Watson Barratt
Lighting by Jean Rosenthal
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Box
2
Folder
4
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Auxiliary board hookup chart; cue sheets; floor plan of set; stage and light layout
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Time of Your Life (City Center), 1955 : Lighting by Jean Rosenthal
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Box
2
Folder
5
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Cue sheets; hookups; floor plan of set
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Hole in the Head, 1957 : Produced by Robert Whitehead
Designed by Boris Aronson
Lighting by Jean Rosenthal
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Box
3
Folder
1
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Cue sheets; hookup chart; equipment list; original focus chart; electrical property design
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Box
3
Folder
2
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Electrical property design; fabric swatch; hookups; cue sheets; photograph of set design
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Box
3
Folder
3
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Miscellaneous production notes; hookups; cue sheets; equipment lists; color lists
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Box
3
Folder
4
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Light plots; ground plans of sets; elevations of sets; working plans; rigging plot plans; photograph of set design
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New York City Opera
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1954 Spring
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Salome
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Box
3
Folder
5
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Cue sheets; hookups
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Falstaff
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Box
3
Folder
6
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Photographs of set designs; ground plans of sets; device instructions
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Showboat
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Box
3
Folder
7
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Projection notes; set piece plans
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The Tender Land
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Box
3
Folder
8
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Ground plan; rigging plan
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Box
4
Folder
1
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Switchboard and focus charts, 1950 season; rental equipment lists for tour; focus chart; board layout chart; call sheet, , 1952 Fall
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Box
4
Folder
1
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Miscellaneous production notes; general light plots, 1950 Spring
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Box
4
Folder
2
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General light plot, Spring 1950; board layout chart; rigging plot; board hookup, , 1950; focus sheets; miscellaneous production notes
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Box
4
Folder
3
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Hookup plots and charts
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The Great Sebastians (New York), 1955 : Produced by Leland Haywood
Designed by Ray Sovey
Lighting by Jean Rosenthal
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Box
4
Folder
4
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General plans of set; set elevations; set designs; fabric swatches
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Box
4
Folder
5
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Light plot; color lists; set designs; hookup plot; focus chart
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The Great Sebastians, tour, 1956-1957
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Box
4
Folder
6
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Communication system plot; lighting revisions list; board hookup plot; cue sheets; equipment lists; light plots; focus charts; set elevations; ground plans
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Box
4
Folder
7
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Preset lists; miscellaneous notes; focus chart; color lists; board hookup plots; preset list; equipment list
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Box
4
Folder
8
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Rigging plot; preset plot; board hookup plots; light plots; focus charts; color lists; communication system plots; equipment lists
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José Limón, 1949-1950
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Box
5
Folder
1
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The Moor's Pavane: Cue sheet
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Box
5
Folder
2
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Playbill, Ziegfield Theatre; cue sheets; take out sheets; rigging plots; equipment list, Palace of Fine Arts Theatre; ground plan of stage, Bellas Artes (Mexico)
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Box
5
Folder
3
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La Malinche: Cue sheet
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Box
5
Folder
4
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Tour cue sheets
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Box
5
Folder
5
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The Moor's Pavan: Cue sheets; color sheets
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Box
5
Folder
6
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Tormentor and color changes
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Box
5
Folder
7
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Invention: Cue sheets
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Box
5
Folder
8
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Bach Preludes and Fugues Concert: Cue sheets
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Box
5
Folder
9
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Invention: Cue sheets
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Box
5
Folder
10
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Connecticut College Dance Festival, 1950: Hookup sheets; miscellaneous notes
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Box
5
Folder
11
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Vivaldi Concerto: Cue sheets
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Box
5
Folder
12
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Corybantic: Cue sheets; hookup charts
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Box
5
Folder
13
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Day on Earth: Cue sheets
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Box
5
Folder
14
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Chaconne: Color sheets; cue sheets; setup charts
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Box
5
Folder
15
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Lament for Ignacio: Cue sheets; hookup sheets
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Box
5
Folder
16
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Day on Earth: Cue sheets
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Box
5
Folder
17
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Lament for Ignacio: Hookups; setup charts, floor; cue sheets; sketch of ground plan
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Box
5
Folder
18
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Story of Mankind: Hookup sheet; cue sheets; rough sketches
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Box
5
Folder
19
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The Moor's Pavane: Cue sheets; hookup sheets; color plot
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Box
5
Folder
20
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La Malinche: Color sheets; cue sheets; setup charts, floor
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Box
5
Folder
21
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Exiles: Hookup sheets; cue sheets; setup charts, floor
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Dudley-Maslov-Bales, New London, 1950
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Box
6
Folder
1
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Connecticut College Dance Festival, 1950: Cue sheets; rigging plots
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Box
6
Folder
2
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PEON Portraits: Setup charts; color sheets; cue sheets
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Box
6
Folder
3
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Dust Bowl Ballads: Cue sheet; setup chart; color sheet
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Box
6
Folder
4
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Harmonica: Setup charts; cue sheets
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Box
6
Folder
5
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Village I Knew: Miscellaneous notes; cue sheets; setup charts; auxiliary hookup charts
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Box
6
Folder
6
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Passional: Auxiliary hookup charts; miscellaneous notes; cue sheets
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Box
6
Folder
7
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Bach Suite: Cue sheet
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Box
6
Folder
8
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Lonely Ones: Cue sheets; auxiliary hookup sheets; miscellaneous notes; setup charts; color charts
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Box
6
Folder
9
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World's a Comin': Cue sheets
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Box
6
Folder
10
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Short Story: Cue sheet
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Box
6
Folder
11
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Song for a Child: Cue sheet
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Box
6
Folder
12
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Folksay: Auxiliary hookup sheets; cue sheets; typescript cue sheets; color sheets
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Box
6
Folder
13
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Vogary: Color sheets; cue sheets; setup charts
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Box
6
Folder
14
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Champion: Typescript cue sheet; cue sheets; hookup sheets; setup charts
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Box
6
Folder
15
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Impromptu: Cue sheet
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Old pieces
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Box
6
Folder
16
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Beethoven Cue sheet
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Box
6
Folder
16
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Judith: Cue sheets; auxiliary setup sheet
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American Dance Festival, New London, 1950
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Box
7
Folder
1
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Color changes; color charts
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Box
7
Folder
2
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Electrical hookup
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Box
7
Folder
3-4
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Hanging plots
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Box
7
Folder
5
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Soloists; cue sheets
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Ballet Russet de Monte Carlo, 1950 Spring
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Box
7
Folder
6
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Playbills
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Box
7
Folder
7
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Met setup
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Box
7
Folder
8
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Prince Igor: Cue sheets
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Box
7
Folder
9
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Mort du Cygne: Cue sheets
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Box
7
Folder
10
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Romeo and Juliet: Cue sheets
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Box
7
Folder
11
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Madrones: Cue sheets
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Box
7
Folder
12
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Giselle: Cue sheets
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Box
7
Folder
13
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Tour equipment notes
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New York City Dance Theatre, 1949
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Box
7
Folder
14
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Hookup sheets; cue sheets; miscellaneous notes; program; publicity material
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Box
7
Folder
15
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Valerie Vettis: Cue sheets; miscellaneous notes
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Box
7
Folder
16
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Concerto - Vivaldi: Cue sheets
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Box
7
Folder
17
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Invention: Cue sheets
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Box
7
Folder
18
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Story of Mankind: Cue sheet
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Box
7
Folder
19
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Cue sheets for Mr. Puppett, Two Step, Quiet Day in the Wild West, Tenant of the Street, The Monkey Dance, Witch, Daughter of Virtue, Dreams, Mabry, Interlude
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Box
7
Folder
20
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Time sheets
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Box
7
Folder
21
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Flickers: Cue sheets; miscellaneous notes
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Box
7
Folder
22
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Jesse James: Cue sheets
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Box
7
Folder
23
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Shakers: Cue sheet
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Box
7
Folder
24
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Rose of Sharon: Cue sheets
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Box
7
Folder
25
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Fables: Cue sheets
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Box
7
Folder
26
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Daddy Was a Fireman: Miscellaneous notes; cue sheets
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Box
7
Folder
27
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Atavism: Cue sheets; miscellaneous notes
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Box
7
Folder
28
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Ozark Suite: Cue sheets
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Box
7
Folder
29
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Folksay - Dudley-Maslov-Bales: Cue sheets
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Box
7
Folder
30
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Festival - Dudley-Maslov-Bales: Cue sheet
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Box
7
Folder
31
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Lonely Ones - Dudley-Maslov-Bales: Cue sheets
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Box
7
Folder
32
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Champion - Dudley-Maslov-Bales: Cue sheets
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Box
8
Folder
1A
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Ruth Page, José Limón in Paris
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American Dance Festival, 1955 ANTA
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Vettis: As I Lay Dying and Golden Round
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Box
8
Folder
1
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Miscellaneous notes; cue sheets; hookup sheets
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Butler: Davy Crockett, Three Promenades with God
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Box
8
Folder
2
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Miscellaneous notes; hookup sheets; cue sheets
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Collins: Spirituals, Rondo, Bird of Paradise
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Box
8
Folder
3
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Cue sheets; miscellaneous notes
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Draper: Gizelle, Alcina Suite
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Box
8
Folder
4
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Cue sheets
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Halpern: Steig, Prophetess
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Box
8
Folder
5
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Cue sheets; miscellaneous notes
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Koner: Anzilica, Sandra
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Box
8
Folder
6
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Miscellaneous notes; cue sheets
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Lang: Rites, Joy is My Witness
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Box
8
Folder
7
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Cue sheets; miscellaneous notes
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Limón: Day on Earth, Deed Rhythm, Felipe, Lament, The Moor's Pavane; Mozart: Fantasy, Nightspell, Dreams and Vision, Traitor, Variations
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Box
8
Folder
8
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Miscellaneous notes; cue sheets
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Mabrey: Dreams, Lamb of God, A'Passionetta, Cabaret Suite
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Box
8
Folder
9
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Miscellaneous notes; cue sheets
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Nagrin: Man Dancing, Man of Action, Spanish Dance, Strange Hero
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Box
8
Folder
10
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Miscellaneous notes; cue sheets
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Sokolov: Rooms
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Box
8
Folder
11
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Cue sheets; miscellaneous notes
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Judy Garland at the Met and Baltimore, 1959
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Box
8
Folder
12
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Layout; electrical equipment list; playbill
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Met
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Box
8
Folder
13
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Master cue sheets
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Box
8
Folder
14
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Hookup sheets
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Box
8
Folder
15
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Focus charts; running order; color lists; diagrams; hanging plot
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Baltimore
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Box
9
Folder
1
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Cue sheets
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Box
9
Folder
2
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Hookup sheets; equipment lists; focus charts
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Box
9
Folder
3
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Cue sheets
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Box
9
Folder
4
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Hookup and hanging notes
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Judy Garland at the Palace, 1951 : Designed by David Bines?
Lighting by Jean Rosenthal
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Box
9
Folder
5
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Playbill; equipment list; cue sheets; song setups; carpenter instructions; electrician's cues
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The Disenchanted, 1958-1959 : Produced by Darrid and Saidenberg
Designed by Ben Edwards
Lighting by Jean Rosenthal
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Box
9
Folder
6
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Electrical equipment lists
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Box
9
Folder
7
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Light plot
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Box
9
Folder
8
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Hookup sheets; light plot; cue sheets; focus chart
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Box
9
Folder
9
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Focus charts
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Jamaica, 1958 : Book by E.Y. Harburg and Fred Saidy
Music by Harold Arlen
Lyrics by E.Y. Harburg
Produced by David Merrick
Designed by Oliver Smith
Lighting by Jean Rosenthal
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Box
9
Folder
10
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Playbill; board hookup sheets; plots for box lights and ladders; light plots
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Box
9
Folder
11
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Track sheet; master cue sheets; board hookup sheets
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Box
10
Folder
1
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Board hookup sheets and focus charts
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Box
10
Folder
2
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Worker sheets; circuit check sheets
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Box
10
Folder
3
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Light plot; set plans; scene elevations - photostats
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Box
10
Folder
4
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Master cue sheets
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Box
10
Folder
5
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Scene breakdown
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Box
10
Folder
6
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Cue sheet notes; cue book (uncorrected)
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Box
10
Folder
7
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Board hookup sheets
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Box
10
Folder
8
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Electrics list
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Box
10
Folder
9
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Special effects
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Box
10
Folder
10
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Miscellaneous notes
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Box
10
Folder
11
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Miscellaneous tracings
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Box
10
Folder
12
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Color lists
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Box
11
Folder
1
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Track sheets
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Dear Liar: Winter stock tour, 1959; New York engagements, , 1960 : Produced by Cornell-McClintic
Designed by Donald Oenslager
Lighting by Jean Rosenthal
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Box
11
Folder
2
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Light plot; set plan; swatches
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Box
11
Folder
3
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Set drawings
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Box
11
Folder
4
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Cue sheets - New York; hookup and focus charts
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Box
11
Folder
5
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Notes on tour; Neighborhood Playhouse stage plan; drapes drawing
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Box
11
Folder
6
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Cue sheets; focus charts; hookup sheets
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Box
11
Folder
7
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Light plots - New York; electrics list
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Dark at the Top of the Stairs, Music Box Theatre, New York, 1957 : Written by William Inge
Produced by Saint Subber and Elia Kazan
Designed by Ben Edwards
Lighting by Jean Rosenthal : Materials returned to Jean Rosenthal on loan, January 30, 1969.
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Box
11
Folder
8
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Playbill; cue sheets; hookup sheets
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Box
11
Folder
9
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Focus charts; set drawings
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Box
11
Folder
10
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Board hookup sheets; electrics list; color list
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Box
12
Folder
1
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Master cue sheets; track sheets
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Box
12
Folder
2
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Final color changes list; tracings; light plots; color lists
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Box
12
Folder
3
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Electrics lists
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Box
12
Folder
4
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Miscellaneous notes
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Box
12
Folder
5
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Action plots
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Box
12
Folder
6
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Original cue sheets
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Box
12
Folder
7
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Focus charts
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Box
12
Folder
8
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Board hookup sheets; track sheets
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Dark at the Top of the Stairs, road, 1959
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Box
12
Folder
9
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Program, Playhouse Theatre, Wilmington, Delaware; tour schedule; light plots
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Box
12
Folder
10
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Track sheet; master cue sheets
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Box
13
Folder
1
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Set elevations; electrics lists; miscellaneous notes
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Box
13
Folder
2
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Hookup sheet
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Box
13
Folder
3
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Cue sheets - working and transition; track sheet
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Box
13
Folder
4
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Focus charts; Olivettes - diagram
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Box
13
Folder
5
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Set plans and elevations
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Caligula, 54th St. Theatre, New York, 1961 : Written by Albert Camus
Produced by Chandler Cowles, Charles Bowden, and Ridgely Bullock
Designed by Will Steven Armstrong
Lighting by Jean Rosenthal
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Box
13
Folder
6
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Playbill; program, Schubert Theatre, New Haven; cue sheets; focus chart
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Box
13
Folder
7
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Board hookup sheets; notes; preliminary electrics list
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Box
13
Folder
8
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Light plots; hanging and tormentor plots
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Box
13
Folder
9
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Set elevation; miscellaneous designs (3)
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Juniper and the Pagans, 1959 : Produced by David Merrick
Designed by Oliver Smith
Lighting by Jean Rosenthal
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Box
14
Folder
1
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Revised hookup sheets; work sheets
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Box
14
Folder
2
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Working sheets; Prospectus of Computer Services Inc.; electrics list
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Box
14
Folder
3
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Revised master cue sheets; track sheet
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Box
14
Folder
4
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Focus charts
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Box
14
Folder
5
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Notes; electrics lists; color list; equipment plans
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Box
14
Folder
6
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Notes on Philadelphia and Boston openings
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Box
14
Folder
7
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Track sheet; old hookup sheets; transportation notes
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Box
14
Folder
8
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Old master cue sheets
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Box
14
Folder
9
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Cue sheets
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Box
14
Folder
10
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Light plots
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Box
14
Folder
11
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Set plans and elevations
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Lambs Club Benefit, 1961 : Benefit of the Children's Clinic - The Postgraduate Center for Psychotherapy
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Box
14
Folder
12
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Program; invitations; lighting notes for each act
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Chicago Lyric Opera, 1955
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Box
15
Folder
1
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Libretto for Aida (Metropolitan Opera); Lyric Opera advertisement for 1955 Season; list of operas with scenic records available; color chart for I Puritani; proposed revision of opera hookups - list; color list; opera schedule; plan of Opera House stage; photograph negative of plan; lighting notes
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Box
15
Folder
2
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I Puritani - cue sheets, notes on floor specials; list of scenes for various operas; follow Spot notes; “Porcher notes”; action plots; focus list (in letter to Miles Morgan, 1955, November 10); color lists; report on lighting equipment, Chicago Opera House (2); list of recommended additional equipment; electrical equipment list; brochure for “Transpara” color medium; light plot; blank cue sheet; plan of Opera House stage; lighting plans; I Puritani cue sheets; miscellaneous notes
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Connecticut College Dance Festival, l949-1950 : Technical Supervision and Lighting by Jean Rosenthal
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Box
15
Folder
3
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Cue sheets: Daughter of Virtue, Before Dawn, Village I Knew
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Box
15
Folder
4
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Program, Dance Theatre Subscription Series, 1950, May 11; hookup sheets; light plots; As I Lay Dying, cue sheets; tormentor and color changes for various dances; performance schedules; list of drapery sizes; background chart; special light cues; time sheet; hanging chart; miscellaneous notes
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Box
15
Folder
5
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Primos
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Box
15
Folder
6
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Cue sheets: Root of an Unfocus, Two Step, Bach Concerto (Koner)
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Box
15
Folder
7
|
Cue sheets: Daughter of Virtue, Suite for a Woman
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Box
15
Folder
8
|
Inventories
|
|
Box
15
Folder
9
|
Twilight of a Flower, cue sheets
|
|
Box
15
Folder
10
|
The Monkey Dances (Cunningham), cue sheets
|
|
Box
15
Folder
11
|
Concerto, cue sheets
|
|
Box
15
Folder
12
|
Nina Fonaroff: transposed hookup sheet; cue sheets; layout and hookup photostats; Mr. Puppett, cue sheet
|
|
Box
15
Folder
13
|
Fonaroff, Mr. Puppett: cue sheets
|
|
Box
15
Folder
14
|
Construction sheets; setup chart; schedule for use of Palmer stage
|
|
Box
15
Folder
15
|
Koner, The Visit: cue sheets
|
|
Box
15
Folder
16
|
Suite for a Woman: notes; auxiliary hookup sheet; opening setup; cue sheets
|
|
Box
15
Folder
17
|
Koner, The Visit: cue sheets; auxiliary hookup sheet
|
|
Box
15
Folder
18
|
List of dances; properties list; notes on Dialogues and The Visit; construction sheet
|
|
Box
15
Folder
19
|
Merce Cunningham, cues and notes
|
|
Box
15
Folder
20
|
New York City Ballet, board hookup sheet
|
|
|
Take Me Along and Connecticut Summer, 1959 : Take Me Along: Book by Joseph Stein and Robert Russell
Music and Lyrics by Bob Merrill
Based on the play, Ah, Wilderness, by Eugene O'Neill
Produced by David Merrick
Designed by Oliver Smith
Lighting by Jean Rosenthal
|
|
Box
16
Folder
1
|
Set plans, drawings, and elevations for Ah, Wilderness
|
|
Box
16
Folder
2
|
Light plots for Connecticut Summer
|
|
Box
16
Folder
3
|
Playbill for Take Me Along, Schubert Theatre, New York; Schedule, Boston; Connecticut Summer: fireworks plan; hanging plot; fixtures and special effects list; scene strike and set plan (also Take Me Along)
|
|
Box
16
Folder
4
|
Velvet swatches for portals and hangings; Connecticut Summer: colors; costume notes
|
|
Box
16
Folder
5
|
Connecticut Summer: electrics and set notes attached to swatch card; notes for Oliver Smith; lighting notes for Ah, Wilderness with equipment list for Connecticut Summer; cue sheets; notes on meeting with Director, [1959] August 27
|
|
Box
16
Folder
6
|
Connecticut Summer: electrical equipment lists with corrections
|
|
Box
16
Folder
7
|
Master cue sheets
|
|
Box
17
Folder
1
|
Working cue sheets
|
|
Box
17
Folder
2
|
Old cue sheets
|
|
Box
17
Folder
3
|
Master cue sheets
|
|
Box
17
Folder
4
|
Connecticut Summer: hookup sheets; track sheets
|
|
Box
17
Folder
5
|
Focus charts
|
|
Oversize Folder
1
|
Connecticut Summer: Light plot; fireworks plot
|
|
|
Redhead, New York, 1958-1959 : Book by Herbert and Dorothy Fields, Sidney Sheldon, and David Shaw
Music by Albert Hague
Lyrics by Dorothy Fields
Produced by Robert Fryer and Lawrence Carr
Designed by Rouben Ter-Arutunian
Lighting by Jean Rosenthal
|
|
Box
17
Folder
6
|
Road hanging plot; playbill, 46th St. Theatre, New York; program, Schubert Theatre, New Haven; color chart; electrical equipment layout sheets; control sheets
|
|
Box
17
Folder
7
|
Cue sheets
|
|
Box
17
Folder
8
|
Focus chart
|
|
Box
17
Folder
9
|
Work and track sheets; color chart
|
|
Box
18
Folder
1
|
Hanging section plot; light plots; slide design
|
|
Box
18
Folder
2
|
Set plans and elevations for various scenes; hanging section; floor plan; prop plans
|
|
Box
18
Folder
3
|
Set plans and elevations for various scenes; floor plans
|
|
Box
18
Folder
4-5
|
Set plans and elevations
|
|
|
Redhead, road, 1960
|
|
Box
19
Folder
1
|
Light plots
|
|
|
Winesburg, Ohio, 1957 : Written by Sherwood Anderson
Produced by the SABA Company
Designed by Oliver Smith
Lighting by Jean Rosenthal
|
|
Box
19
Folder
2
|
Set plans and sketches; revised and original equipment lists
|
|
Box
19
Folder
3
|
Board hookup sheets; board hookups for Baltimore
|
|
Box
19
Folder
4
|
Cue sheets; focus charts; light plots; magic sheets and original notes
|
|
|
Saratoga, 1959 : Based on the novel, Saratoga Trunk, by Edna Ferber
Music by Howard Arlen
Lyrics by Johnny Mercer
Produced by Robert Fryer and Morton DaCosta
Designed by Cecil Beaton
Lighting by Jean Rosenthal
|
|
Box
19
Folder
5
|
Light plots
|
|
Box
19
Folder
6
|
Hanging plot, Winter Garden Theatre, New York; hanging plots, Schubert Theatre, Philadelphia; re-hanging plot, Philadelphia; miscellaneous notes
|
|
Box
19
Folder
7
|
Hookup sheets; costume color samples; electrical equipment list
|
|
Box
19
Folder
8
|
Cue sheets
|
|
Box
20
Folder
1
|
Program, Schubert Theatre, Philadelphia; focus chart; running order sheets
|
|
Box
20
Folder
2
|
Old notes; board hookup sheet
|
|
Box
20
Folder
3
|
Specifications and notes; set plans and elevations; prop drawings
|
|
Box
20
Folder
4
|
Set plans and elevations; prop drawings
|
|
Box
20
Folder
5
|
Set plans and elevations; ground plans
|
|
Box
20
Folder
6
|
Ground plan
|
|
|
Destry Rides Again, 1959 : Book by Leonard Gershe
Music and Lyrics by Harold Rome
Produced by David Merrick
Designed by Oliver Smith
Lighting by Jean Rosenthal
|
|
Box
20
Folder
7
|
Program, Schubert Theatre, Boston; playbill, Imperial Theatre, New York; hanging plot
|
|
Box
20
Folder
8
|
Focus charts
|
|
Box
21
Folder
1
|
Cue sheets; electric cuts - Los Angeles
|
|
Box
21
Folder
2
|
Electrical equipment lists; miscellaneous notes
|
|
Box
21
Folder
3
|
Light plot; electrical equipment list, road, 1960; magic sheets; board hookup sheets; track sheet
|
|
Box
21
Folder
4
|
Scene order sheet; set plans and elevations; ground plans; list of musical numbers by scenes
|
|
|
The King and I, 1958 : Produced by Richard Rogers and Oscar Hammerstein II
Lighting by Jean Rosenthal
|
|
Box
21
Folder
5
|
Electrical equipment lists for Los Angeles Civic Light Opera Company production
|
|
Box
21
Folder
6
|
Hanging section plot; general plan; work sheets; cue sheets
|
|
Box
21
Folder
7
|
Hanging plots; [color list?]; board hookup sheets
|
|
Box
21
Folder
8
|
Board hookup sheets; focus chart; rigging - “Philharmonic, Los Angeles, California”; preliminary hookup sheet
|
|
Box
21
Folder
9
|
Cue sheets
|
|
|
Hail the Conquering Hero, 1961 : Book by Larry Gelbart
Music by Moose Charlap
Lyrics by Norman Gimbel
Produced by Robert Whitehead and Roger L. Stevens
Designed by Jean Rosenthal and William Pitkin
Lighting by Jean Rosenthal
|
|
Box
22
Folder
1
|
Color samples
|
|
Box
22
Folder
2
|
Electrical equipment lists
|
|
Box
22
Folder
3-4
|
Set plans
|
|
Box
22
Folder
5
|
Set elevations
|
|
Box
22
Folder
6
|
Program, ANTA Theatre, New York (2); program, National Theatre, Washington, D.C.; focus chart; light plots; electrical equipment lists
|
|
Box
23
Folder
1
|
Cue sheets
|
|
Box
23
Folder
2
|
Cue sheets, New Haven
|
|
Box
23
Folder
3
|
Board hookup sheet; track sheet; fly floor cues
|
|
Box
23
Folder
4
|
Electrical equipment, list
|
|
Box
23
Folder
5
|
Cue notes
|
|
|
Daughter of Silence, Music Box Theatre, New York, 1961 : Produced by Halmar Productions
Designed by Oliver Smith
Lighting by Jean Rosenthal
|
|
Box
23
Folder
6
|
Light plots; electrical equipment lists; hookup sheets; track sheet
|
|
Box
23
Folder
7
|
Cue sheets; track sheets; electrical equipment list
|
|
Box
23
Folder
8
|
Cue sheets
|
|
Box
23
Folder
9
|
Cue notes; master plan; set plans and elevations
|
|
Box
23
Folder
10
|
Electrical equipment list; set plans; photostats of set designs
|
|
|
Henry IV, Parts I and II, Phoenix Production, 1960 : Written by William Shakespeare
Produced by T. Edward Hambleton and Stuart Vaughan
Designed by Will Steven Armstrong
Lighting by Jean Rosenthal
|
|
Box
24
Folder
1
|
Basic stage plan of Metropolitan Boston Arts Center Theatre; playbill, Phoenix Theatre, New York
|
|
Box
24
Folder
2
|
Elevations, Metro. Boston Arts Center Theatre
|
|
Box
24
Folder
3
|
Cue sheets, Part II
|
|
Box
24
Folder
4
|
Cue sheets, Part I; track sheet
|
|
Box
24
Folder
5
|
Board hookup sheet; focus chart; track sheet; electrical equipment list; light plot adjustments “from Peer Gynt to Henry IV”
|
|
Box
24
Folder
6
|
Boston transposition sheet; hookup sheet, Cambridge Drama Festival
|
|
Box
24
Folder
7
|
Cue sheets, Part II, Cambridge; track sheet
|
|
Box
24
Folder
8
|
Electrical equipment list, Boston engagement; light plot, Cambridge
|
|
Box
24
Folder
9
|
Transposition and color list, Boston; light plot, New York; stage elevation, Cambridge
|
|
Box
24
Folder
10
|
Set drawing; focus chart, Cambridge; hookup sheet, Cambridge
|
|
|
Series: Part 2: Additions, 1941-1966
|
|
|
Aida, New York City Opera, 1952 : Designed by H.A. Condell
Lighting by Jean Rosenthal
|
|
Box
25
Folder
1
|
Cue sheet; program; cue sheets; set-up notes; order of scenes; ground plan
|
|
|
Baker Street, Broadway Theatre, 1964 : Book by Jerome Coopersmith
Music and Lyrics by Marian Grudell and Raymond Jessel
Produced by Alexander H. Cohen
Directed by Harold Prince
Designed by Oliver Smith
Lighting by Jean Rosenthal
|
|
Box
25
Folder
2
|
Light plots; photostat copies of stage plans and drawings; effects list; plan for fronts and ladders
|
|
Box
25
Folder
3
|
Correspondence, 1964 November 23-December 16; electrical equipment and special effects list; hook-ups; rental list; playbills; cue sheets; lighting and action notes; color chart; staging notes; production schedule; staff list
|
|
Box
25
Folder
4
|
Set designs, fabric swatches
|
|
Box
25
Folder
5
|
Cue sheets, focus chart, revisions for move to Martin Beck Theatre (hook-ups; fronts and ladders plan; light plot)
|
|
Box
25
Folder
6
|
Cue and track sheets; hanging plot; color list
|
|
Oversize Folder
1
|
Master plan; set designs; light plot; torms and ladders plan
|
|
|
The Ballad of the Sad Cafe, Martin Beck Theatre, 1963 : Adaptation by Edward Albee
Produced by Lewis Allen and Ben Edwards
Directed by Alan Schneider
Designed by Ben Edwards
Lighting by Jean Rosenthal
|
|
Box
25
Folder
7
|
Focus chart; electrical equipment list; hook-up; cue sheets
|
|
Box
25
Folder
8
|
Script, annotated; clippings; program
|
|
Box
26
Folder
1
|
Cue sheets (old and revised); light plots
|
|
Box
26
Folder
2
|
Notes; track sheets; color list
|
|
Oversize Folder
1
|
General plan; set designs (original and revised); light plot; torms and ladders, star pattern
|
|
|
Ballet International, International Theatre, 1944 : Lighting by Jean Rosenthal
|
|
Box
26
Folder
3
|
Correspondence, 1944 September 29-December 22; invoice statement; color plot; Slavenska; petty cash vouchers; rental estimates; rehearsal schedules; lighting equipment list; article by Jean Rosenthal entitled “Stage Lighting”; rehearsal schedule; program; hook-ups; production schedule; rehearsal schedule; lighting equipment list; notes for hanging plot
|
|
Box
26
Folder
4
|
Hanging plot; hook-ups; lighting equipment list; color list; rehearsal schedule; general notes on ballets; general lighting notes; cue sheets and movement notes; hook-ups; ground plan
|
|
|
The Beast in Me, Plymouth Theatre, 1963 : Adaptation and lyrics by James Costigan
Music by Don Elliot
Produced by Bonard Productions
Directed by John Lehne
Settings and lighting by Jean Rosenthal
|
|
Box
26
Folder
5
|
Script, annotated; clippings; playbill
|
|
Box
26
Folder
6
|
Focus chart; hook-ups; cue and track sheets; notes
|
|
Box
26
Folder
7
|
Light plot; elevations and set designs; electrical equipment list
|
|
Oversize Folder
1
|
Light plot; ground plan; set designs
|
|
|
Becket
|
|
Oversize Folder
1
|
Light plots (original, tour, revised)
|
|
|
Bluebeard's Castle, New York City Opera, 1952 : Designed by Rouben Ter-Arutunian
Lighting by Jean Rosenthal
|
|
Box
27
Folder
1
|
Master ground plan
|
|
Box
27
Folder
2
|
Set designs
|
|
Box
27
Folder
3
|
Revised ground plan, miscellaneous designs, drawings of set; set designs
|
|
Box
27
Folder
4
|
Electrical specials; hook-up; cue sheets; sketch of tour platform plan; production photographs; set design; hook-up; cue sheet
|
|
|
Brandeis Theatre
|
|
Oversize Folder
1
|
State plans, hanging section
|
|
|
Caesar and Cleopatra, 1949 : Produced by Richard Aldrich and Richard Myers
Designed by R. Gerard Jr.
Lighting by Jean Rosenthal
|
|
Box
27
Folder
5
|
Cue sheets; sound effects list; hook-up and focusing charts; miscellaneous memoranda; rehearsal schedule; sketches of set with general lighting notes; color plot; rehearsal schedule; miscellaneous notes; notes for carpenters and electricians; cue sheets; hook-ups; rehearsal notes; program
|
|
Audio 1897A/1-3
|
Sound effects records
|
|
U.S. Mss 40AN
Box
27
Folder
6
|
Light plots; costume plot
|
|
Box
27
Folder
7
|
Original light plot; hook-ups; color plot; electrical equipment list
|
|
Box
27
Folder
8
|
Miscellaneous production material; budgets; contracts; production schedule; costume plot; cast list; property list
|
|
|
Caligula
|
|
Oversize Folder
1
|
Light plot; hanging plot; torm plot
|
|
|
Carmen, New York City Opera, 1950 : Lighting by Jean Rosenthal
|
|
Box
28
Folder
1
|
Cue sheets; rehearsal notes; ground plan
|
|
|
Cavalleria Rusticana, New York City Opera, 1950 : Lighting by Jean Rosenthal
|
|
Box
28
Folder
2
|
Ground plans; cue sheets; sketches of set; cue sheets
|
|
|
[André] Chenier, New York City Opera, undated : Lighting by Jean Rosenthal
|
|
Box
28
Folder
3
|
Photographs of set models; cue sheets
|
|
|
The Chinese Prime Minister, Royale Theatre, 1964 : Written by Enid Bagnold
Produced by Roger L. Stevens
Directed by Joseph Anthony
Designed by Oliver Smith
Lighting by Jean Rosenthal
|
|
Box
28
Folder
4
|
Playbill, light plot; ground plan; electrical equipment list; hook-up; focus chart
|
|
Box
28
Folder
5
|
Cue sheets; notes; fabric swatches
|
|
Box
28
Folder
6
|
Script, annotated
|
|
Oversize Folder
1
|
Torms; light plot; ground plan
|
|
|
Chrysler-Dodge Show
|
|
Oversize Folder
1
|
Light plots; cable and jumper layout
|
|
|
Cinderella (La Cenerentola), New York City Opera, 1952 : Designed by Rouben Ter-Arutunian
Lighting by Jean Rosenthal
|
|
Box
28
Folder
7
|
Set designs
|
|
Box
28
Folder
8
|
Set designs; light plot
|
|
Box
28
Folder
9
|
Set designs; libretto
|
|
Box
28
Folder
10
|
Cue sheet; focus list; production photographs; cue sheets; color sheets; hook-up and focus charts; cue sheets
|
|
|
Climate in Eden, 1952 : Written by Moss Hart
Produced by Hyman and Hart
Lighting by Jean Rosenthal
|
|
Box
29
Folder
1
|
Program; light plot; lighting plan; cue sheets; hookup; focus chart; hook-up
|
|
Box
29
Folder
2
|
Light plots; cue sheets; hook-up sheet; lighting equipment design elevations; hook-up; cue list; asbestos swatch; sheets; light plots
|
|
|
Connecticut Summer
|
|
Oversize Folder
1
|
Light plot, fireworks plot
|
|
|
Dance Players, 1942 : Directed by Eugene Loring
Lighting by Jean Rosenthal
|
|
Box
29
Folder
3
|
Correspondence, 1941 December 16-1944 April 28
|
|
Box
29
Folder
4
|
Layout and color plot; switchboard hook-up; cue sheets; layout and cue sheets; focus plot
|
|
Box
29
Folder
5
|
Equipment notes; programs; clippings; expense sheet; set sketches; fabric swatch; production schedule; budget; estimates and bills
|
|
|
Dark at the Top of the Stairs
|
|
Oversize Folder
1
|
Light plot; torms and eye : Missing, 03/16/2011.
|
|
|
Daughter of Silence
|
|
Oversize Folder
1
|
Master plan; fronts and torms
|
|
|
Dear Liar
|
|
Oversize Folder
1
|
Light plot, drapes design, preliminary light plots
|
|
|
Der Rosenkavalier, New York City Opera, undated : Lighting by Jean Rosenthal
|
|
Box
30
Folder
1
|
Cue sheets; hook-up; ground plans
|
|
|
Destry Rides Again
|
|
Oversize Folder
1
|
Light plot; prologue electrics; hanging sections
|
|
|
Die Fledermaus, New York City Opera, 1953 : Lighting by Jean Rosenthal
|
|
Box
29
Folder
6
|
Cue sheets; hook-up and focus charts; cue sheets
|
|
|
Die Meistersinger, undated : Lighting by Jean Rosenthal
|
|
Box
29
Folder
7
|
Focus chart and cue sheets; focus sheets; sketches of set; cue sheets
|
|
Box
29
Folder
8
|
Notes on action and blocking; cue sheets; rehearsal and production schedule; cue sheets; general notes
|
|
|
The Disenchanted
|
|
Oversize Folder
1
|
Hanging sections; lanterns
|
|
|
Don Giovanni, New York City Opera, 1952 : Lighting by Jean Rosenthal
|
|
Box
30
Folder
2
|
Ground plans; cue sheets; hook-up; ground plans
|
|
|
The Duke of Sacramento, undated : Written by Warren Baer
|
|
Box
30
Folder
3
|
Script A
|
|
Box
30
Folder
4
|
Script B, annotated
|
|
|
Far Harbour, Ballet Society, 1947 : Music and lyrics by Bergersen and Archibald
Designed by H. Armistad
Lighting by Jean Rosenthal
|
|
Box
30
Folder
5
|
Cue sheets; ground plans; set designs
|
|
Box
30
Folder
6
|
Set designs; light plot; hanging plot
|
|
Box
30
Folder
7
|
Score, Act I
|
|
Box
30
Folder
8
|
Score, Act II
|
|
|
Faust, New York City Opera, 1952 : Designed by H.A. Condell
Lighting by Jean Rosenthal
|
|
Box
30
Folder
9
|
Hook-up; cue sheets; focus chart; cue sheets; hook-up; cue sheet; notes; photos of set; lighting plot; cue sheets; special effects sheet; ground plan; drawings of set
|
|
Box
30
Folder
10
|
Cue sheets; program
|
|
|
A Funny Thing Happened on the Way to the Forum, Alvin Theatre, 1962 : Book by Burt Shevelove and Larry Gelbart
Music and lyrics by Stephen Sondheim
Produced by Harold Prince
Directed by George Abbott
Designed by Tony Walton
Lighting by Jean Rosenthal
|
|
Box
31
Folder
1
|
New York Production: correspondence, 1962 February 20-May 7; slide duplicates list; light plots; electrical equipment list; cue sheet; focus chart; hook-up; magic sheet
|
|
Box
31
Folder
2
|
Script, annotated; playbill
|
|
Box
31
Folder
3
|
Road Company, 1963; Correspondence, , 1963 December 2-1964 June 3; cable list; electrical equipment list; production drawings
|
|
Box
31
Folder
4
|
Focus charts; cue and track sheets; cuts; light plot
|
|
Box
31
Folder
5
|
Notes; cue sheets; hook-up
|
|
Box
31
Folder
6
|
Move to Mark Hellinger Theatre, 1964; focus charts; cue sheets; electrical equipment list; hook-up
|
|
Box
31
Folder
7
|
Light plots; cue and track sheets; changes
|
|
Oversize Folder
1
|
Front light; light plots; ground rows
|
|
|
The Gay Life
|
|
Oversize Folder
1
|
Light plot; front lights, park drop, master plan, master section
|
|
|
A Gift of Time
|
|
Oversize Folder
1
|
Light plot, fronts, preliminary set design sketches
|
|
|
The Great Sebastians
|
|
Oversize Folder
1
|
Light plot
|
|
|
Hamlet, 1964 : Produced by Alexander H. Cohen.
|
|
Box
31
Folder
8
|
Hook-up; electrical equipment list
|
|
Oversize Folder
1
|
Light plot; torms : Missing, 03/16/2011.
|
|
|
Hansel and Gretel, New York City Opera, 1953 : Designed by Rouben Ter-Arutunian
Lighting by Jean Rosenthal
|
|
Box
32
Folder
1-2
|
Set designs
|
|
Box
32
Folder
3
|
Correspondence, 1953 August 18-September 14; hook-up and focus sheets; cue sheets; scenery and costume budgets; estimates for The Trial, , undated
|
|
|
Happily Never After, Eugene O'Neill Theatre, 1966 : Written by J.A. Ross
Produced by George W. George and Frank Granat
Directed by Joseph Anthony
Designed by Peter Larkin
Lighting by Jean Rosenthal
|
|
Box
32
Folder
4
|
Script; playbill
|
|
Box
32
Folder
5
|
Correspondence, 1966 January 17-February 4; electrical equipment list; light plot; fabric swatches
|
|
Box
32
Folder
6
|
Hook-ups; focus chart; cue and track sheets; production staff list; rehearsal schedule; notes; hook-up notes; stage plans; light plot
|
|
Oversize Folder
1
|
Light plot; preliminary no. 1 pipe
|
|
|
Hello Dolly
|
|
Oversize Folder
2
|
Light plot, torms
|
|
|
Hole in the Head
|
|
Oversize Folder
2
|
Light plot; torms and ladders; hanging sections; set fixture plot
|
|
|
Hot September (Boston), 1963 : Book by Paul Osborn
Music by Kenneth Jacobson
Lyrics by Rhoda Roberts
Produced by Leland Hayward and David Merrick
Designed by Oliver Smith
Lighting by Jean Rosenthal
|
|
Box
32
Folder
7
|
Correspondence, 1965 August 27-September 28; hook-up; equipment and color lists; light plot; track and cue sheets
|
|
Box
32
Folder
8
|
Script
|
|
Oversize Folder
2
|
Light plot, fronts and torms
|
|
|
Hunter College - Ballet Society, 1947 : Lighting by Jean Rosenthal
|
|
Box
33
Folder
1
|
Ground plans; hanging plots; property and scenery list
|
|
|
The Innocents, Pocono Playhouse, undated : Written by William Archibald
Lighting by Jean Rosenthal
|
|
Box
33
Folder
2
|
Electrical equipment list; ground plan; hanging plot; hook-up and cue sheets; equipment rental list
|
|
Box
33
Folder
3
|
Program; script, annotated; transparency drawings; cue sheets; hook-up; ground plan; color list; electrical equipment list; hook-up; color cutting list
|
|
|
Jamaica
|
|
Oversize Folder
2
|
Electrics plan, box lights and ladders
|
|
|
Jennie, Colonial Theatre, Boston, 1963 : Book by Marguerite Courtney
Music by Arthur Sculman
Lyrics by Howard Dietz
Produced by Halmar Productions
Directed by Vincent J. Donehoe
Designed by George Jenkins
Lighting by Jean Rosenthal
|
|
Box
33
Folder
4
|
Correspondence, 1963 June 5-September 26; clippings; preliminary set designs; electrical equipment lists; color chart; magic sheet; focus chart; follow spot list; cue sheets
|
|
Box
33
Folder
5
|
“Floor Stuff”; light plot; hanging sections; script, annotated
|
|
Box
33
Folder
6
|
Costume swatches; set designs; notes; hook-up
|
|
Oversize Folder
2
|
Light plot, hanging sections, fronts
|
|
|
Joy to the World, 1948 : Produced by John Houseman and William Katzel
Designed by Harry Horner
Lighting by Jean Rosenthal
|
|
Box
33
Folder
7
|
Light plot; rigging plot; hook-up; light plot; set designs; general production notes; equipment rental notes and estimates: schedule for taking in and setting up; equipment list
|
|
Box
34
Folder
1
|
Light plot; set designs; advertising material notes on props
|
|
Box
34
Folder
2
|
Correspondence, 1948 January 29-February 18; equipment rental list; property plot and notes; costume change list
|
|
|
Judy Garland Show
|
|
Oversize Folder
2
|
Hanging sections
|
|
|
Juniper and the Pagans
|
|
Oversize Folder
2
|
Light plot, hanging sections, torms
|
|
|
The King and I, Los Angeles Music Center, 1965 : Book and lyrics by Oscar Hammerstein II
Music by Richard Rodgers
Produced by Edwin D. Lester
Designed by Paul McGuire
Lighting by Jean Rosenthal
|
|
Box
34
Folder
3
|
Correspondence, 1965 March 9-May 13; focus chart; hook-up; cue and track sheets; electrical equipment list; color list; lighting notes
|
|
Box
34
Folder
4
|
Light plots
|
|
Oversize Folder
2
|
Ballet set and curtains; torms; fireworks
|
|
|
La Belle Helene, 1941 : Produced by Demetrious Vilan and Stewart Chaney.
|
|
Box
34
Folder
5
|
Correspondence, 1941 June 2-1944 March 28
|
|
|
La Bohème, New York City Opera, 1952 : Lighting by Jean Rosenthal.
|
|
Box
34
Folder
6
|
Cue sheets; hook-ups; lighting notes; ground plans
|
|
|
La Traviata, New York City Opera, 1951 : Lighting by Jean Rosenthal.
|
|
Box
34
Folder
7
|
Hook-up and cue sheets; ground plans; sketches of set
|
|
|
L'Heure Espagnole, New York City Opera, 1952 : Designed by Rouben Ter-Arutunian
Lighting by Jean Rosenthal
|
|
Box
34
Folder
8
|
Ground plan; set designs; specials list; cue sheets rough sketch of stage
|
|
|
Light Opera Company (New York City Opera), 1954-1956
|
|
Box
34
Folder
9
|
Hook-ups (King and I, 1956); lighting notes (King and I); City Center hanging plots; revised light plots, , 1956; light plots, , 1950, 1953-1954; plan of stage; focus chart; switchboard layout; general production information; board hook-ups; equipment list
|
|
Box
34
Folder
10
|
Hook-up changes (Carousel); hook-up (Showboat); floor plan for King and I (designed by Jo Mielziner)
|
|
|
Lord Pengo
|
|
Oversize Folder
2
|
Hook-up, light plot; hanging plot, floor plans
|
|
|
Love for Three Oranges, New York City Opera, 1952 : Designed by Mtitslav Dobujinsky
Lighting by Jean Rosenthal
|
|
Box
35
Folder
1
|
Hook-up and cue sheets; original light plot; cue sheet; sketches of set; ground plan; cue sheets; rehearsal notes; cue sheets; production photographs; ground plans
|
|
|
Madama Butterfly, New York City Opera, 1950 : Designed by H.A. Condell
Lighting by Jean Rosenthal
|
|
Box
35
Folder
2
|
Cue sheets; rehearsal notes; cue sheets; ground plans; rehearsal notes; rough sketch of set; cue sheets; ground plan
|
|
|
Manon, New York City Opera, undated : Lighting by Jean Rosenthal.
|
|
Box
35
Folder
3
|
Hook-up and focus charts; libretto; cue sheets; ground plans; cue sheets; floor electric plan; lighting notes
|
|
|
The Marriage of Figaro, New York City Opera, 1950 : Lighting by Jean Rosenthal.
|
|
Box
35
Folder
4
|
Hook-up; cue sheets; notes; ground plan; rehearsal notes; rough sketches of set; ground plans
|
|
|
Misalliance, New York City Center Drama Company, undated : Designed by John Boyt
Lighting by Jean Rosenthal
|
|
Box
35
Folder
5
|
Hanging plot; light plots
|
|
|
N.A.M. Convention (Annual Congress of American Industry), 1950 : Jean Rosenthal in charge of scenery, lights, and production.
|
|
Box
35
Folder
6
|
Notes on scenery and props; scripts; set design; prop notes; rehearsal notes; cue sheet; notes on convention
|
|
Box
35
Folder
7
|
Rough sketches of set; cue sheets; scripts; convention program
|
|
Box
35
Folder
8
|
Casting and rehearsal notes
|
|
|
National Orchestral Association Christmas Show, 1945-1950 : Lighting by Jean Rosenthal.
|
|
Box
35
Folder
9
|
Lighting notes and hook-up , (1950); stage plan; program , (1950); routine sheet and master cue sheet , (1950); preliminary hanging plot; script; hook-up sheet , (1949); cue sheet , (1948-1949); costume notes
|
|
|
New Opera Repertory Company, 1942 : Lighting by Jean Rosenthal.
|
|
Box
35
Folder
10
|
Hanging plot; set designs; light plot; rigging plot
|
|
Box
35
Folder
11
|
Stage plan; set designs; light plots
|
|
Box
35
Folder
12
|
Correspondence, 1942 June 29-December 29; hook-ups; preliminary sketch of hanging plot; light plot; notes; electrical equipment list; special effects list; equipment rental lists
|
|
Box
36
Folder
1
|
Electrical equipment list; rehearsal schedule; equipment rental list; sketches of scenery; notes; board hook-up
|
|
Box
36
Folder
2
|
Switchboard set up; equipment layout; notes and set sketches; board hook-up; electrical equipment list; rough sketches of set
|
|
|
The Night of the Iguana
|
|
Oversize Folder
2
|
Light plot, fronts and torms, preliminary section - electric
|
|
|
The Old Maid and the Thief, New York City Opera, 1952 : Lighting by Jean Rosenthal.
|
|
Box
36
Folder
3
|
Cue sheets
|
|
|
On an Open Roof and Kadish
|
|
Oversize Folder
2
|
Set designs, ground plan, light plan, hook-up, torms and ladders
|
|
|
110 in the Shade, undated : Lighting by Jean Rosenthal.
|
|
Box
36
Folder
4
|
Correspondence, 1963 January 9; script; follow spot notes; cue sheets
|
|
|
Pagliacci, New York City Opera, undated : Lighting by Jean Rosenthal.
|
|
Box
36
Folder
5
|
Cue sheets; ground plans; lighting notes; cue sheet
|
|
|
Redhead
|
|
Oversize Folder
2
|
Light plot, slide projection
|
|
|
Regina (Little Foxes), undated : Written by Lillian Hellmann
Produced by Cheryl Crawford
Designed by H. Armistead
Lighting by Jean Rosenthal
|
|
Box
36
Folder
6
|
Correspondence, 1952 March 30; libretto; hook-up and focus chart; set photographs; color cutting list; cue sheets; hook-up; cue sheets; ground plan
|
|
Box
36
Folder
7
|
Ground plans; plan of cyclorama and portals; photographs of set
|
|
Box
36
Folder
8
|
Ground plan; set designs; sound cue sheet; libretto; prop and costume list; color list
|
|
|
Richard III, Forrest Theatre, 1943 : Produced by Theatre Production Service
Production and lighting by Jean Rosenthal
Designed by Motley
|
|
Box
36
Folder
9
|
Pre-production: correspondence, 1942 December 1-1943 March 6; casting notes; schedules; lists
|
|
Box
36
Folder
10
|
Casting notes and schedules
|
|
Box
36
Folder
11
|
Pre-production budget and financing; miscellaneous
|
|
Box
37
Folder
1
|
Operating: correspondence, 1943 March 4-April 26; payroll expenditures; box office statements
|
|
Box
37
Folder
2
|
Overall expenses; promotion; theatre expenses; playbill negatives of photographs of production
|
|
Box
37
Folder
3
|
Closing: correspondence and expense sheets regarding office and administration; taxes; insurance
|
|
Box
37
Folder
4
|
Total expenditure list; bankbook
|
|
Box
37
Folder
5
|
Contracts and expenditures regarding actors
|
|
Box
37
Folder
6
|
Contracts regarding extras; production personnel
|
|
Box
37
Folder
7
|
Expenditures regarding promotion; props; scenery; lighting; insurance; office and administration; rehearsal
|
|
Box
37
Folder
8
|
Expenditures regarding theatre rental; workmen's compensation; music score; cue sheet; miscellaneous production notes
|
|
Box
42
|
Clipping scrapbook
|
|
|
Rigoletto, New York City Opera, 1953 : Lighting by Jean Rosenthal.
|
|
Box
38
Folder
1
|
Focus and hook-up; cue sheets; notes on action
|
|
|
Sarah Lawrence College
|
|
Oversize Folder
2
|
Floor plans for auditorium
|
|
|
Saratoga
|
|
Oversize Folder
2
|
Light plot
|
|
|
She Loves Me, Eugene O'Neill Theatre, 1963 : Book by Joe Masteroff
Music by Jerry Bock
Lyrics by Sheldon Harnick
Produced and directed by Harold Prince
Designed and lighting by William and Jean Eckart
|
|
Box
38
Folder
2
|
Playbill; hook-up; cue and track sheets; notes
|
|
|
Sound of Music, Lunt-Fontanne Theatre, 1959 : Book by Howard Lindsay and Russel Crouse
Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Produced by Leland Hayward, Richard Halliday, Richard Rodgers and Oscar Hammerstein II
Directed by Vincent J. Donahoe
Designed by Oliver Smith
Lighting by Jean Rosenthal
|
|
Box
38
Folder
3
|
Correspondence, 1959 May 27-December 29; playbill; clippings
|
|
Box
38
Folder
4
|
Script, annotated; production staff list; production schedule; electrical equipment list
|
|
Box
38
Folder
5
|
Costume swatches
|
|
Box
38
Folder
6
|
Hanging plot; cue sheets; hook-up; focus chart; cue sheets (tour)
|
|
Box
38
Folder
7
|
Preliminary sketches of hanging plot; light plots; ground plan; set designs; stage plans
|
|
Box
39
Folder
1
|
Stage plans; master plan (tour)
|
|
Oversize Folder
2
|
Hook-up, light plots, torms and ladders
|
|
|
Tales of Hoffman, New York City Opera, undated
|
|
Box
39
Folder
2
|
Cue sheets; ground plans
|
|
|
Taste of Honey
|
|
Oversize Folder
2
|
Light plot
|
|
|
A Time for Singing
|
|
Oversize Folder
2
|
Ground plan, torms and fronts, light plot : Ground plan missing.
|
|
|
To Broadway with Love, 1964 : Conceived and directed by Morton DaCosta
Produced by Compass Productions
Designed by Peter Wolf
Lighting by Jean Rosenthal
|
|
Box
39
Folder
3
|
Correspondence, 1963 June 10-1964 March 23; lighting equipment information and design (Century Show Case); staff and cast list; electrical equipment list; effects and fixtures list; programs; script, annotated
|
|
Box
39
Folder
4
|
Hook-up; glass colors and circuits; notes; light plot
|
|
Box
39
Folder
5
|
Cue sheets; focus chart; photos of hanging plans; equipment list (Music Hall Texas Pavilion); ceiling layout; lighting instrument plot
|
|
Oversize Folder
2
|
Light plot, ceiling layout
|
|
|
Tosca, New York City Opera, 1950
|
|
Box
39
Folder
6
|
Ground plans; cue sheets; lighting notes
|
|
|
The Trial, New York City Opera, 1953 : Designed by Rouben Ter-Arutunian
Lighting by Jean Rosenthal
|
|
Box
39
Folder
7
|
Ground plans; set designs; portions of libretto; cue sheets; hanging plan; hook-up; rough sketch of set
|
|
Box
40
Folder
1
|
Set designs; photographs of set
|
|
Box
40
Folder
2
|
Hook-up and focus chart; cue sheet; drawings of set
|
|
|
Tribute to Sean O'Casey, Imperial Theatre, 1964 October 11
|
|
Box
40
Folder
3
|
Cue sheets
|
|
|
Turandot, New York City Opera, 1950 : Designed by H.A. Condell
Lighting by Jean Rosenthal
|
|
Box
40
Folder
4
|
Cue sheets; rehearsal notes; cue sheets
|
|
Box
40
Folder
5
|
Cue sheets; ground plans; rough sketches of set and movement
|
|
|
University of Puerto Rico - Theater equipment supplied by Theatre Production Service (Jean Rosenthal and Elinor Weis)
|
|
Box
40
Folder
6
|
Correspondence, 1942 September 2-1945 June 30
|
|
Box
40
Folder
7
|
Estimates and shipping notes; bills and receipts
|
|
|
West Side Story, Winter Garden Theatre, 1957 : Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Leonard Bernstein and Stephen Sondheim
Directed and choreographed by Jerome Robbins
Produced by Griffith, Prince, and Stevens
Designed by Oliver Smith
Lighting by Jean Rosenthal
|
|
Box
40
Folder
8
|
Correspondence, 1959 March 2; original lighting notes; cue and track sheets : Empty folder.
|
|
Box
40
Folder
9
|
Cue sheets (Washington); color list; fixture list; script, annotated; gel samples : Empty folder.
|
|
Box
41
Folder
1
|
Hanging plot; stage plans and set designs : Empty folder.
|
|
Box
41
Folder
2
|
City Center production, 1964: cue sheets (and for transposition); electrical equipment list; hook-ups; focus charts (road); color list : Empty folder.
|
|
Box
41
Folder
3
|
Hanging plot; notes; cue sheets (road); light plots : Empty folder.
|
|
Oversize Folder
2
|
Light plot, front lights, revised light plot and front lights plan; light plot for National Company, hanging sections for Dallas production : Missing, 03/16/2011.
|
|
|
Winesburg, Ohio
|
|
Oversize Folder
2
|
Light plot : Missing, 03/16/2011.
|
|
|
Wozzeck, New York City Opera, 1952 : Designed by Mtitslav Dobujinsky
Lighting by Jean Rosenthal
|
|
Box
41
Folder
4
|
Correspondence, 1952 February 27-March 14; light plot; set designs
|
|
Box
41
Folder
5
|
Libretto; cue sheets; hook-up; cue sheets; ground plan drawing of set; prop list
|
|
MCHC67-060
|
Part 2 (MCHC67-060): Additions, 1956-1966 5.0 cubic feet (5 records center cartons)
|
|
|
American Shakespeare Festival
|
|
Box
1
|
Production bills, 1956
|
|
Box
1
|
Light plots and floor plans, lighting schedule, notes, correspondence, notes and schedules, sketches and equipment list, building correspondence, lamp schedules and equipment list, partial framing plan, light plots, equipment list, correspondence, floor plans, 1957
|
|
|
Merchant of Venice, 1957
|
|
Box
1
|
Cue sheets, blocking plots, miscellaneous notes, routine of scenes, script, production miscellaneous, drawings, extra prints, miscellaneous notes, playbills and programs
|
|
|
Much Ado About Nothing, 1957
|
|
Box
1
|
Floor plans, hanging plots, production miscellaneous, cue sheets, extra prints
|
|
|
Baker Street
|
|
Box
2
|
Light plots, hook-up
|
|
|
Ivanov
|
|
Box
2
|
Ground plan and hanging plot, hook-up, light plot, focus chart
|
|
|
Country Wife, 1965
|
|
Box
2
|
Hook-up, focus charts, notes, cue sheets and follow spot, light plot and floor plans
|
|
|
King Lear, 1964
|
|
Box
2
|
Electrical equipment list, hook-up, focus charts, cue sheets
|
|
|
House of Flowers
|
|
Box
2
|
Hanging, color cutting list, hook-up, hook-up and budget
|
|
|
Incident at Vichy, 1964
|
|
Box
2
|
(Annotated) mimeo script with staging, board hook-ups, set drawings and light plots, notes and cue sheets
|
|
|
A Time for Singing, 1966
|
|
Box
2
|
Mimeo script, light plot, equipment list, notes, hook-up
|
|
|
Maurice Chevalier at 77, 1965
|
|
Box
2
|
Hook-up, section, equipment list, focus chart, cue sheet
|
|
|
The Cherry Orchard, 1960
|
|
Box
2
|
Playbill, floorplan, sketches
|
|
|
Poor Bitos, 1964
|
|
Box
2
|
Scenery, cue sheets, clippings, (annotated) mimeo script (2), cue sheets, aux charts, board hook-up and lite plot, focus charts, equipment list, notes (JR)
|
|
Box
3
|
Gift of Time mimeoscript
|
|
|
The Gay Life, 1961
|
|
Box
3
|
Set designs, cue sheet, material samples, notes, playbills, material samples, original cue sheets, cue sheets, hook-up, equipment list, focus charts
|
|
|
Othello, 1957
|
|
Box
5
|
Set drawings, production miscellaneous, extra prints, cue sheets, blocking parts, miscellaneous notes, routine of scenes, (annotated) mimeo script
|
|
|
Caesar, Tempest, 1955
|
|
Box
5
|
Hook-ups, light plot, cue sheets, equipment lists, light plots
|
|
|
Mozart Festival, 1956
|
|
Box
5
|
Light plot, cue sheets
|
|
|
Phoenix, 1957
|
|
Box
5
|
Paid bills, floor plan, hook-ups, focus chart and notes, board hook-up and focus chart, correspondence, technical, lighting
|
|
Box
5
|
Measure For Measure, Taming of the Shrew general, 1957
|
|
Box
5
|
Malfi cue sheets
|
|
|
1956
|
|
Box
5
|
Basic set plans, correspondence (Eaves), costume plot (Measure For Measure, Taming of the Shrew) electrics and hanging, scenery, tracings, general, inventory rentals (costumes and props), financial report
|
|
Box
5
|
King John, Measure For Measure, Taming of the Shrew light cues
|
|
|
National Tour
|
|
|
Taste of Honey, 1960-1961
|
|
Box
3
|
Miscellaneous, equipment lists, hook-up, magic sheet, hook-ups, cue sheets, equipment list, light cues, focus charts, light plot
|
|
|
Beckett, 1960
|
|
Box
3
|
Focus chart, set drawings and playbills, light plot, equipment list, cue sheets, hook-up, light plots, plans, equipment list, light plot road-cue sheets and clippings, notes, electrical equipment list, light plot, hook-up, focus chart, light plot
|
|
|
Night of the Iguana, 1961
|
|
Box
4
|
Cue sheets and playbill, magic sheets, hook-up, focus chart, equipment list, light plot, light notes and equipment list, notes, production drawings, equipment list
|
|
|
On an Open Roof, Kadish, 1962-1963
|
|
Box
4
|
(Annotated) mimeo script, notes and playbills, equipment list, focus chart, light plot, equipment list, light plot, hook-up, drapery rental
|
|
|
Kadish
|
|
Box
4
|
Cue sheets, hook-up, set and ground plan, ground plan, set designs
|
|
|
On an Open Roof
|
|
Box
4
|
Cue sheets, ground plan, set designs
|
|
|
Lord Pengo, 1962
|
|
Box
4
|
Mimeo scripts (2), correspondence, cue sheets, light plots, hook-ups, notes (JR), equipment list, notes, set drawings and material samples
|
|
|
A Gift of Time, 1962
|
|
Box
4
|
Notes (MK), magic sheets, hook-up, original cue sheets, master track sheets, focus chart, cue sheets, light plot equipment list, ground plans
|
|
MCHC70-093
|
Part 3 (MCHC70-093): Additions, 1938-1968 23.0 cubic feet (23 records center cartons)
|
|
|
Dallas Civic Opera, 1966
|
|
Box
1
|
General focus charts, general hook-up, light plot, schedule, equipment list, color cutting list
|
|
|
Dallas Civic Opera, 1967
|
|
Box
1
|
Sour Angelica: Cue sheets, focus charts, general focus, hook-up and light plot
|
|
|
Metropolitan Opera, 1967-1968
|
|
Box
1
|
Hansel and Gretel: Light plot, cue sheets, focus chart for specials, focus notes and hook-up
|
|
Box
1
|
Martha: General
|
|
Box
1
|
Carmen: General, track lists
|
|
Box
1
|
Romeo and Juliet: Focus chart for specials, sketches, cue sheets, light plot, color lists, magic sheets
|
|
|
Dallas Civic Opera, 1962
|
|
Box
1
|
Otello: Notes (J.R.), light plot, floor and specials, hook-up (3), equipment list, correspondence, cue sheets, focus charts
|
|
|
Dallas Civic Opera, 1967
|
|
Box
1
|
Figaro: Lighting script, cue sheets and programs, focus charts, focus, hook-up and light plot, English/Italian lighting terminology
|
|
|
Dallas Civic Opera, 1968
|
|
Box
1
|
Otello
|
|
Box
1
|
Orpheus
|
|
Box
1
|
Anna Bolena: Floor layout, general cheat sheet, equipment list, shopping list, general focus notes, hook-up, phone numbers, Dallas street map, color list, schedule (for the three productions), light plot (original), light plot, hook-up, general focus charts, focus chart, cheat sheets, running order, ground plans, cue sheets
|
|
|
Dallas Civic Opera, 1965
|
|
Box
1
|
Madame Butterfly: Master hanging plan
|
|
Box
2
|
Figaro
|
|
Box
2
|
Medea
|
|
Box
2
|
Gala 3: General folder, transmittals, electrical equipment lists, English/Italian lighting terminology, programs, focus charts, general hook-up, color cutting list, lighting plot and hanging plan
|
|
Box
2
|
Otello: Cue sheets and elevations
|
|
|
Dallas Civic Opera, 1968
|
|
Box
2
|
Otello
|
|
Box
2
|
Anna Bolena: General focus notes, hook-up, light plot, follow spot notes, cheat sheets, bridge colors, track sheets, men's cue sheets, cue sheets
|
|
Box
2
|
Orpheus: Focus chart, hook-up, general information folder, cue sheets
|
|
|
Palace Theatre, London, 1967-1968
|
|
Box
2
|
Cabaret: Equipment list, correspondence, plans, light plot
|
|
|
National Company (tour?)
|
|
Box
2
|
Cabaret: Hook-up, light plot, original track, notes, footlights, equipment list, cue sheets, focus charts
|
|
|
Road tour, 1966
|
|
Box
2
|
Showboat: Cue sheets, focus chart, hook-up, equipment list, transposition, light plot, corrected cue sheets
|
|
|
New York, 1968
|
|
Box
2
|
Plaza Suite: Equipment list, hook-up and track, focus chart and equipment list, transmittal sheets
|
|
|
California?, 1967
|
|
Box
3
|
The Happy Time: Equipment list, focus chart (2), correspondence, light plot, hook-up, cue sheets
|
|
|
Las Vegas, 1966
|
|
Box
3
|
Fiddler on the Roof: Light plot, mimeo script, cue sheets, track, notes, focus charts
|
|
|
Israel, 1965
|
|
Box
3
|
Fiddler on the Roof: Equipment and color list, pipe layout, cue sheets, ground plan, light plot, correspondence
|
|
|
National tour, 1966-1968
|
|
Box
3
|
Fiddler on the Roof: Cue sheets, electric equipment list, focus charts, equipment list, hook-up, cue sheets and transportation Detroit - light plots, cue sheets, equipment list
|
|
|
Germany, 1966
|
|
Box
3
|
Fiddler on the Roof: Light plots, hook-up
|
|
|
National tour, 1963-1964
|
|
Box
3
|
Barefoot in the Park: Equipment list, transportation, hook-up, cue sheets, light plot, focus charts
|
|
|
American Shakespeare Festival, Stratford, Connecticut, 1957
|
|
Box
4
|
Otello
|
|
Box
4
|
The Merchant of Venice
|
|
Box
4
|
Much Ado About Nothing: Budgets, general correspondence, general production, basic set plans, set plans and elevation, clippings
|
|
|
American Shakespeare Festival, 1958
|
|
Box
4
|
Midsummer Night's Dream: Miscellaneous, inventory, miscellaneous bills, papers and minutes, budgets and expenses, budgets, production costs, personnel, contracts, expenses, preliminary production budget and general production notes, bills (2), production notes, misc. prop notes bills and schedules, inventories, hook-ups, focus charts, light plot and hanging sections, lighting equipment, clippings, set plans and elevations, cue sheets, master cue sheets
|
|
Box
4
|
Hamlet: Master cue sheets (2), cue sheets, notes-previews, old sheets, trap and machine notes
|
|
|
American Shakespeare Festival, 1959
|
|
Box
5
|
All's Well That Ends Well
|
|
Box
5
|
Romeo and Juliet
|
|
Box
5
|
Merchant of Venice: Clippings, correspondence, miscellaneous (2), bills, petty cash, TPS services, rehearsal and playing schedules, contracts, light plots, hanging sections, electrical equipment list, hook-up, miscellaneous
|
|
Box
5
|
All's Well That Ends Well: Cue sheets, mimeo script, light plots
|
|
Box
5
|
Romeo and Juliet: Mimeo script (lightly annotated), plans and elevations
|
|
|
New York City Ballet
|
|
Box
5
|
Edinburgh
|
|
Box
5
|
International Festival of Music and Drama, 1952
|
|
Box
5
|
Programme 1: Miscellaneous, programs : Includes excerpts from: Swan Lake, The Cage, Picnic At Tintagel, Bourrée Fantasque
|
|
Box
5
|
Programme 2: Miscellaneous, programs : Includes excerpts from: Caracole, Tyl Ulenspiegel, Firebird, The Pied Piper
|
|
|
Copenhagen, Royal Theatre, 1956
|
|
Box
5
|
Fanfare: General information, electrics, cue sheets, hanging and general, hanging and information
|
|
Box
5
|
Salzburg, Festspielhaus: Hanging and information, electric, clippings, cue sheets
|
|
Box
5
|
Berlin, Titania-Palast Theatre, 1952: Cue sheets, light plots, hanging and plans
|
|
Box
5
|
Berlin, 1956: Electrics, cues and hanging
|
|
Box
5
|
Antwerp, 1956: Cue sheets, hanging and general, electrics
|
|
Box
6
|
Zurich, 1952-1956: Electrics, cue sheets, hanging and programs etc., hanging and general
|
|
Box
6
|
Stockholm, 1956: Hanging, electrical
|
|
Box
6
|
Brussels, 1956: Electrics, hanging, cue sheets, technical
|
|
Box
6
|
Berlin, 1956: Plan, hanging and general, electrics, cue sheets
|
|
|
American Shakespeare Theatre, 1958
|
|
Box
6
|
Winter's Tale: Plans and elevations, cue sheets, master cue sheets (2), working cue sheets, original cue sheets, mimeo script (annotated), notes
|
|
Box
6
|
American Shakespeare Festival Theatre, 1957-1958
|
|
|
Road Tour
|
|
Box
6
|
Much Ado About Nothing: Miscellaneous, light plots, equipment list, board hook—up, miscellaneous technical drawings, electric drawings, board hook-up (1957), electrical equipment rentals, hook-ups and color lists, layout - plans for blocking, lighting focus charts (1957), lighting equipment
|
|
|
New York City Ballet
|
|
Box
6
|
Frankfurt, 1956: Electrics, cue sheets, hanging and general
|
|
Box
6
|
Paris, 1956: Hanging and general, current, electrics, cue sheets
|
|
Box
6
|
Venice, 1956: Electrical (2), plot and hanging, hanging and general, cue sheets
|
|
Box
6
|
Munich, 1956: Technical, hanging, cue sheet
|
|
Box
6
|
Florence, 1953-1955: Notes, miscellaneous, program, clippings, cue sheets, poster, hanging plot, electrics : Includes excerpts from: Swan Lake, La Valse, Cage, Duello, Caracale, Age of Anxiety, Tintagle, Firebird, Serenade, Bourrée Fantasque, Pied Piper, Lilac Garden, Tyl Ulenspiegal, Four Temprements
|
|
|
Dallas Civic Opera, 1962
|
|
Box
7
|
State Fair ground plans and sight lines
|
|
Box
7
|
Sour Angelica
|
|
Box
7
|
Pagliacci: Correspondence, light plot, electrical equipment list, electrics, general focus, general hook-up, and color cutting list
|
|
|
Brussels, 1962
|
|
Box
7
|
Rigoletto (not produced): Miscellaneous
|
|
|
New York City Ballet
|
|
Box
7
|
Koln Electrics, cue sheets, hanging and general, 1956
|
|
|
Dallas Civic Opera, 1958
|
|
Box
7
|
Medea: Stage manager's cue sheets, master cue sheets, working cue sheets, cue sheets (2), track sheets, hook-up
|
|
|
Kansas City Opera, 1967
|
|
Box
7
|
Orpheus: Cue sheets, hook-up, focus chart, floor stands, fly floor, hanging plot
|
|
|
Kansas City Opera, 1968
|
|
Box
7
|
Medea: Cue sheets, hook-up corrections, floor charts, color order and cutting lists, focus charts
|
|
Box
7
|
Dance showcase: Floor charts, cue sheets, focus charts
|
|
Box
7
|
Miscellaneous, schedules and personnel, light plot, ground plans, and drawings, general hook-up and equipment list
|
|
|
Dallas Civic Opera, 1961
|
|
Box
7
|
La Bohème
|
|
Box
7
|
Thaïs
|
|
Box
7
|
Lucia di Lammermoor: Hook-up sheets, color cutting lists, general electrics, general light plot, correspondence, contract information, electrical equipment list, work schedules, light plot, general
|
|
Box
7
|
La Bohème: General
|
|
Box
7
|
Thaïs: General
|
|
Box
7
|
Lucia Di Lamermoor: General
|
|
|
New York City Ballet
|
|
Box
7
|
Vienna, 1956: Hanging and general, electrics, cue sheets
|
|
Box
7
|
Dallas statue: Photograph and plans
|
|
|
Dallas Civic Opera
|
|
Box
7
|
1959
|
|
|
1965
|
|
Box
7
|
Tosca: Props, scenery detail drawings, revised ground plans, Italian plans with Bill Toon's notes
|
|
Box
7
|
1957: Correspondence, miscellaneous
|
|
Box
7
|
1958: Set designs and technical information, press clippings, electric equipment and lists
|
|
|
1959
|
|
Box
7
|
Lucia
|
|
Box
7
|
Barber of Seville
|
|
Box
7
|
Medea: Correspondence and miscellaneous, electrics, correspondence, miscellaneous Peter Wolf, correspondence and agreement, photostats and equipment list with notes
|
|
Box
8
|
Freaking Out of Stephanie Blake: Equipment lists, lighting equipment, hook-up, focus chart, plan, miscellaneous
|
|
Box
8
|
The Exercise: Focus chart, light plot and equipment list, cue sheets, hook-up
|
|
Box
8
|
Adam and Eve: Cues, annotated mimeo script
|
|
Box
8
|
Lady and the Tiger: Cues
|
|
Box
8
|
Passionella: Cues
|
|
Box
8
|
Apple Tree: Program, hook-up, focus charts, light plot, miscellaneous, notes (JR), set, equipment list, transmittal sheets
|
|
Box
8
|
Graduation exercises of Professional School, miscellaneous
|
|
Box
8
|
Leda Had a Little Swan: Mimeo script, equipment list, focus chart, cue sheet, hook-up, light plot
|
|
Box
8
|
Illya Darling: Light plots, equipment list, hook-up, focus chart, mimeo script
|
|
|
National Company
|
|
Box
8
|
Star Spangled Girl: Miscellaneous, light plot, cue sheets, equipment list, hook-up, focus chart, notes, light plot, equipment list, transmittal sheets, notes-costume plots, light plot, focus charts, cue sheets, hook-up, cue sheets, focus chart
|
|
|
Tour
|
|
Box
9
|
Sound of Music: Cue sheets, hook-up, focus charts and light plot, correspondence, notes, equipment list, light plot, hook-up
|
|
Box
9
|
The Importance of Being Ernest: Contract and correspondence
|
|
Box
9
|
Too Much Johnson: Contracts, correspondence and sketches, summer floor plans, contract forms
|
|
|
Mercury Theatre
|
|
Box
9
|
Julius Caesar
|
|
Box
9
|
Heartbreak House
|
|
Box
9
|
Shoemakers Holiday: Plots
|
|
|
Chicago Civic Opera, 1951
|
|
|
Hanging plots, Symphony in C, plan and electric equipment, hook-up sheets, dressing rooms and time sheets, preliminary plans
|
|
Box
9
|
Camille
|
|
Box
9
|
Card Game
|
|
Box
9
|
Divertimento
|
|
Box
9
|
The Duel
|
|
Box
9
|
Illuminations
|
|
Box
9
|
Jinx
|
|
Box
9
|
Mother Goose
|
|
Box
9
|
Orpheus
|
|
Box
9
|
Prodigal Son: Miscellaneous
|
|
Box
9
|
Symphonie Concertante: Miscellaneous
|
|
Box
9
|
New York City Ballet Tour: Light plot
|
|
|
Tour
|
|
Box
9
|
West Side Story, 1958: Focus charts, equipment list, master cue sheets, clippings (1960), correspondence, light plots, hook-ups, notes, notes on transportation
|
|
Box
9
|
Five Kings, 1939: Props, sound, costumes, electrics, carpentry, scene layout, estimates, correspondence, scene plot, construction crew
|
|
Box
9
|
Caesar, 1937: Scenery, ground plans, props, costumes, road, technical, maintenance, plot, electrics, costumes prompt book, light plots
|
|
Box
9
|
Dr. Faustas: Set-up, typed script
|
|
Box
10
|
Weekend, 1967: Light plot, focus charts, cue sheets, mimeo script, hook-up, plans, notes (JR), light plot, miscellaneous
|
|
Box
10
|
Dear World, 1968: Light plot, focus charts, notes (JR), sketches, cue sheets, programs, script fragments, equipment list, light plot, notes, hook-up, track sheet
|
|
Box
10
|
The Conquering Hero: Plastic colours, program
|
|
Box
10
|
Heartbreak House, 1938: Recordings, costumes, props, light plots
|
|
Box
10
|
Shoemaker's Holiday, 1938: Costumes, road, light plot
|
|
Box
10
|
Danton, 1938: Miscellaneous, prompt book
|
|
Box
10
|
A Funny Thing Happened on the Way to the Forum, 1962: Playbills, clippings, mimeo script, track sheets, equipment list, hook-up, ground plan, focus chart, cue sheets
|
|
Box
10
|
Into the Beach: Plans
|
|
Box
10
|
Danton's Death: Plans
|
|
Box
10
|
London Street: Plans
|
|
Box
10
|
Native Son: Plans
|
|
|
New York City Ballet
|
|
Box
11
|
Grand Theatre de Bordeaux: Light plots, equipment list, notes and correspondence, programs, hanging plots, cue sheets, electrical
|
|
Box
11
|
Edinburgh Empire: Technical, hook-up, and hanging
|
|
Box
11
|
The Hague, 1955: Electrics, hanging plot, clippings, notes (JR), cue sheets
|
|
Box
11
|
Repertory, 1952: Miscellaneous
|
|
|
New York City Ballet, London, 1952: Light plots and notes for all, playbills
|
|
Box
11
|
Symphony in C
|
|
Box
11
|
Lilac Garden
|
|
Box
11
|
Concerto Barocco
|
|
Box
11
|
Pied Piper
|
|
Box
11
|
A la Francaix
|
|
Box
11
|
Age of Anxiety
|
|
Box
11
|
Bourrée Fantasque
|
|
Box
11
|
Cage
|
|
Box
11
|
Cakewalk
|
|
Box
11
|
Caracole
|
|
Box
11
|
Card Game
|
|
Box
11
|
Divertimento
|
|
Box
11
|
The Duel
|
|
Box
11
|
Firebird
|
|
Box
11
|
Four Temperaments
|
|
Box
11
|
La Gloire
|
|
Box
11
|
La Valse
|
|
Box
11
|
Mother Goose
|
|
Box
11
|
Orpheus
|
|
Box
11
|
Prodigal Son
|
|
Box
11
|
Serenade
|
|
Box
11
|
Symphonie Concertante
|
|
Box
11
|
Swan Lake
|
|
Box
11
|
Pell Mell
|
|
|
New York City Ballet, England, 1950: Technical, tour, electrics, notes (JR), routine, time sheet, rough hanging plot, hanging plot
|
|
Box
11
|
Croydan, Liverpool, Manchester
|
|
Box
11
|
Pas de Deux
|
|
Box
11
|
Jones Beach
|
|
Box
11
|
Jinx
|
|
Box
11
|
Illuminations
|
|
Box
11
|
Four Temperaments
|
|
Box
11
|
Bourrée Fantasque
|
|
Box
11
|
Concerto Barocco
|
|
|
New York City Ballet, 1949-1950: Lists, hanging plots, hanging charts, production notes, miscellaneous
|
|
Box
11
|
Witch
|
|
Box
11
|
Prodigal Son
|
|
|
New York City Ballet, Barcelona: Miscellaneous, plots, programs, clippings
|
|
Box
11
|
Symphonie in C
|
|
Box
11
|
Sylvia Pas de Trois
|
|
Box
11
|
Pied Piper
|
|
Box
11
|
Caracole
|
|
Box
11
|
Serenade
|
|
Box
11
|
Age of Anxiety
|
|
Box
11
|
Bourrée Fantasque
|
|
Box
11
|
Cake Walk
|
|
Box
11
|
Concerto Barocco
|
|
Box
11
|
Fire Bird
|
|
Box
11
|
Four Temperaments
|
|
Box
11
|
Duel
|
|
Box
11
|
La Valse
|
|
Box
11
|
Lilac Garden
|
|
Box
11
|
Orpheus
|
|
Box
11
|
Prodigal Son
|
|
Box
11
|
Swan Lake
|
|
Box
11
|
New York City Ballet, Lyon, 1954-1955: Light plots, equipment lists, color cutting, notes
|
|
Box
12
|
New York City Ballet, Amsterdam, 1955: Hanging, programs, clippings, electrics, cue sheets, prop lists
|
|
|
New York City Ballet, Paris, Champs Élysées, 1952-1955: 1st and 2nd seasons, plots, miscellaneous, program, prop lists, cue sheets, floor plans, notes, equipment lists, electrics
|
|
Box
12
|
Pied Piper
|
|
Box
12
|
Pas de Trois
|
|
Box
12
|
Sylvia
|
|
Box
12
|
Cage
|
|
Box
12
|
Four Temperaments
|
|
Box
12
|
Serenade
|
|
|
Ballet Society
|
|
|
Ballet Society 1, 1946-1948
|
|
Box
12
|
Needle Trade, Spellbound Child, Four Temperaments, Far Harbour: General
|
|
|
Ballet Society 2, 1947-1948
|
|
Box
12
|
Pastorella, Renart, Divertimento: General
|
|
|
Ballet Society 3, 1947-1948
|
|
Box
12
|
Medium and Telephone: General
|
|
|
Ballet Society 4, 1947-1948
|
|
Box
12
|
Zodiac, Highland Fling, Minotaur: General
|
|
|
Ballet Society 5, 1947-1948
|
|
Box
12
|
Medium: General
|
|
Box
12
|
Ballet Society 6, 1947-1948: General
|
|
Box
12
|
Correspondence
|
|
Box
12
|
Guilio Cesar: Prompt book
|
|
Box
12
|
Fasion: Prompt book
|
|
|
New York, New York
|
|
Box
12
|
Carmen Amaya: Plots, equipment lists, cue sheets
|
|
|
New York City Ballet
|
|
Box
12
|
Chicago, 1957: General
|
|
Box
12
|
European tour, 1956: General
|
|
Box
12
|
Repertory, Nutcracker, etc., 1956-1957: General
|
|
Box
13
|
State Teacher's College, Albany, New York, 1955-1956: Plans, general
|
|
|
New York City Ballet
|
|
Box
13
|
New York, New York; City Center of M&D Inc.
|
|
Box
13
|
Tour, 1955 Summer and Fall: General
|
|
|
General repertory, 1954 Fall
|
|
Box
13
|
Nutcracker: general
|
|
Box
13
|
Repertory, Western Symphony, 1954 Winter: General
|
|
Box
13
|
Tour, 1953: General
|
|
|
Chicago, 1956 Spring
|
|
Box
13
|
Nutcracker: general
|
|
Box
13
|
Repertory and concert, 1956 Winter: General
|
|
|
Tour, 1955 Summer
|
|
Box
13
|
Nutcracker: general
|
|
|
New York, 1954 Spring
|
|
Box
13
|
Nutcracker: general
|
|
Box
13
|
Tour, 1954: General
|
|
Box
13
|
European tour, 1955 Spring: General
|
|
Box
13
|
Repertory, 1953 June: General
|
|
Box
13
|
Repertory, 1954 Spring: General
|
|
Box
13
|
European tour, 1953
|
|
|
Kansas City Opera
|
|
Box
13
|
Orpheus, Performing Arts Foundation, 1967: Prompt book - music and French lyrics, Prompt book - mimeo script (annotated) in English, program, cue sheets, costumes, props, publicity, casting, scenery inventory, mimeo script, electrics, fly floor cues, general miscellaneous
|
|
|
New York City Ballet: general
|
|
Box
14
|
1951 November
|
|
Box
14
|
1951 September
|
|
Box
14
|
1951 June
|
|
Box
14
|
1951 January-February
|
|
Box
14
|
Chicago, 1951 April
|
|
Box
14
|
English tour, 1950 Summer
|
|
Box
14
|
1950 February
|
|
Box
14
|
1952 November
|
|
Box
14
|
1949 November
|
|
Box
14
|
1952 February
|
|
Box
14
|
All sessions up to , 1952 December
|
|
Box
14
|
1952 December-1953 January
|
|
Box
14
|
Leda Had a Little Swan: Equipment lists
|
|
|
National Company
|
|
Box
14
|
Luv, 1965: Plots, cue sheets, focus charts, equipment list, hook-up, light plot
|
|
Box
14
|
New York: show and transportation
|
|
Box
14
|
Toronto: hook-up, focus charts, cue sheets
|
|
Box
14
|
Road tour: plots, equipment lists
|
|
|
Dallas Civic Opera, 1965
|
|
Box
14
|
Tosca
|
|
Box
14
|
La Traviata
|
|
Box
14
|
Caesar: Focus chart, schedules, light plot, sound equipment, ground plan of State Music Fair Music Hall, general hanging plan, program, record list, index of DCO production plans, color-cutting list and gel inventory, hook-up, resumes
|
|
Box
15
|
La Traviata: Prompt book (annotated), ground plans, sketches, light plot, final cues, hanging plans, ground plans (stage-managers), focus charts, notes (Zeffirelli), hook-up, focus chart, program
|
|
Box
15
|
Julius Caesar: Cue sheets, light plot, hanging plans, cue sheets, hook-up, ground plan, general focus, light plot, hook-up, equipment list, hook-up, focus chart, hanging plan, 1/4 plans, ground plans, working drawings (HWP), prop list
|
|
Box
15
|
Dallas Civic Opera, 1966-1967: Transmittal sheets, drawings and photos
|
|
|
Tour (after Las Vegas), 1965
|
|
Box
15
|
Hello Dolly, Grable Company: Hook-up, cue sheets, focus chart, light plot, notes, equipment list, hook-up, transposition, cue sheets-track, light plot, equipment list, focus chart, cue sheets
|
|
|
1957
|
|
Box
15
|
Hamlet: Script alternative, light plot, equipment list, notes
|
|
|
Kansas City
|
|
Box
15
|
Callas concert: Equipment sheet, hanging plot, cue sheet, miscellaneous information, light plot
|
|
Box
15
|
Scopes of Theatres: Old cue sheet form, Life Magazine (1952) article on New York City Ballet, miscellaneous ground plan (not labeled), trouble file (JR), Quadrille light plot, articles JR, Metropolitan Opera ground plan, Hunter College ground plan
|
|
|
Kansas City, 1965
|
|
Box
15
|
Julius Caesar: Equipment list, information, correspondence, light plot, hook-up, focus notes, cue sheets, ground plans (floor special), board cue sheets, full track sheet
|
|
|
Los Angeles Music Center
|
|
Box
16
|
Album: general
|
|
|
Kansas City Opera, 1967
|
|
Box
16
|
Orpheus: Light plot, equipment list, focus charts, program
|
|
|
Dallas Civic Opera
|
|
Box
16
|
La Traviata, 1966: Props, scenery
|
|
Box
16
|
Macbeth, 1966: Light plots, scenery, hanging plots, ground plans, scenery, miscellaneous information, master cue sheets, general hook-up, ground plans and floor specials, focus charts
|
|
Box
16
|
Dido and Aeneas, 1966: Part III scenery, focus chart, hook-up, general, set sketches and props, light plot, ground plan, equipment list, Part I orchestra, program, circuit check, notes, Part II cue sheet, color-cutting, score and blocking (stage manager)
|
|
Box
16
|
Maestro di Capella, 1967: Cue sheets, focus charts, general focus, hook-up and plot
|
|
Box
16
|
La Traviata, 1958: Cue sheets (stage manager), focus charts, final cue sheets, hook-up, board sheets, lighting chart
|
|
Box
16
|
Lucia, 1961: Light plots
|
|
Box
16
|
Thaïs, 1961: Sketches
|
|
Box
16
|
Othello, 1968: Hook-up, light plot, cheat sheets, pictures, ground plan, general focus, men's cue sheets, bridge colors, cue sheets, focus notes, general information
|
|
|
National Company, 1968
|
|
Box
16
|
Plaza Suite: Cue sheets, miscellaneous, focus charts, cue sheets and track, equipment list, hook-up, light plot
|
|
|
Bus and Truck Company
|
|
Box
17
|
The Odd Couple, 1966: Light plots, hook-up, focus charts, equipment list, cue sheets, transportation
|
|
Box
17
|
Luv, 1966: Light plots, playbill, hook-up, focus charts, equipment list, cue sheets
|
|
|
American National Opera, 1967
|
|
Box
17
|
Hook-up, fronts, schedule, equipment list, pipes, program
|
|
Box
17
|
Falstaff: General
|
|
Box
17
|
Lulu: General
|
|
Box
17
|
Tosca: General
|
|
|
National Company
|
|
Box
17
|
I Do, I Do, 1968: Focus charts, equipment list, notes and script, hook-up, correspondence, track sheets, area chart (JR), light plot, hanging plot, prints of flying unit with fixture, cue sheets and track sheet, hook-up, cue sheets, focus chart, equipment list, light plot, cue sheets, focus chart, hook-up, general, hook-up, equipment list, correspondence
|
|
|
London
|
|
Box
17
|
I Do, I Do: Track sheet, hook-up, cue sheets, focus chart, equipment list, correspondence, light plot
|
|
|
2nd National Company
|
|
Box
17
|
Hello Dolly: Miscellaneous, equipment list, hook-up, cue sheets, light plot, correspondence
|
|
|
American National Opera, 1967
|
|
Box
18
|
Program, general, equipment list, focus chart
|
|
Box
18
|
Falstaff: Gground plan, hanging section
|
|
Box
18
|
Lulu: Elevation, ground plan
|
|
Box
18
|
Tosca: Ground plans
|
|
Box
18
|
Sundown Beach: Lighting script with cues, blue print of electrics, hook-up, equipment list, cue sheets, originals, roughs, notes, preliminary work, (annotated) typed script
|
|
Box
18
|
Tenderland: Ground plans
|
|
|
New York City Ballet
|
|
Box
18
|
, 1948 Fall Season: Set ups and strikes
|
|
|
1948 Spring Season
|
|
Box
18
|
Orpheus, Elegy, Reynard, Punch, Bizet, Mozart: Notes, etc.
|
|
Box
18
|
City Center: General notes
|
|
|
1948 February
|
|
Box
18
|
Baccus, Divertimento, Four Temperaments: Hook-up sheets, general
|
|
|
1948 March
|
|
Box
18
|
Bizet, Seasons, Capricorn: Hook-up, plans, etc.
|
|
Box
18
|
Production notes
|
|
Box
18
|
Press clippings, 1957 November-1958 November
|
|
Box
18
|
Notes, 1956
|
|
Box
18
|
Lilac Garden: Board, questionnaire, vocabulary, 1952
|
|
|
New York City Ballet
|
|
|
American tour
|
|
Box
18
|
Electrical Records (San Francisco Opera, Seattle Opera, Chicago Opera), 1954
|
|
Box
18
|
Hanging plots and setting, color cutting and gel lists, 1952 February
|
|
Box
18
|
Technical information, 1953
|
|
Box
18
|
Electrics, hook-ups, colors, 1951 November
|
|
Box
18
|
Technical, 1952 November 4-1953 January 25
|
|
Box
18
|
Chicago Civic Opera, Nutcracker, 1955: General, boards
|
|
Box
18
|
Devil and Daniel Webster: Plans, sketches, typed scripts
|
|
Box
18
|
Booth: Plans
|
|
Box
18
|
Gorton High School: Plans
|
|
Box
18
|
Needle Trades High School: Plans
|
|
|
Milan, Teatro Alla Scala, 1953
|
|
Box
19
|
Clippings, program, memorabilia, poster, floorplan, light plot, notes, sketches, cue sheets
|
|
|
Chicago, 1954, 1955
|
|
Box
19
|
Interplay, Afternoon of a Faun, Age of Anxiety, Cage, Concerto Barocco, Duel, Fanfare, La Valse, Pas de Deux, Pas de Trois, Four Temperaments, Pied Piper, Cakewalk, Con Amore, Scotch Symphony, Roma, Valse Fantasie, Serenade, Sylvia: Cue sheets, stage calls for crew, hanging plots, electrics
|
|
|
Baltimore, Lyric Opera House
|
|
Box
19
|
Hanging plot, schedules, program
|
|
|
Washington
|
|
Box
19
|
Program, notes, equipment list, sketches, hook-up
|
|
|
Milano, Como
|
|
Box
19
|
Notes, program, equipment, sketches
|
|
|
California, Theatres (San Diego, Sacramento, Berkeley)
|
|
Box
19
|
Theatre notes
|
|
|
Zurich, Kongresshaus
|
|
Box
19
|
Theatre notes
|
|
|
Chicago, 1951
|
|
Box
19
|
Bourrée Fantasque, Firebird: General
|
|
|
Chicago, 1954
|
|
Box
19
|
Firebird, Filling Station, Swan Lake: General
|
|
|
Chicago, 1955
|
|
Box
19
|
Western Symphony: general
|
|
|
Chicago, 1957
|
|
Box
19
|
Still Point, Pas de Dix, Unicorn, Gorgon, Manticore, Souvenirs: General
|
|
|
Bologna
|
|
Box
19
|
General, sketches, schedules
|
|
|
Denver
|
|
Box
19
|
Programs, cue sheets, sketches, notes, pix, set-up, cue sheets
|
|
|
France, 1952
|
|
Box
19
|
Electrics, correspondence, sketches, schedules
|
|
Box
19
|
A la Francaix, Age of Anxiety, Bourrée Fantasque, Cake Walk, Caracole, Divertimento, Duel, Firebird, La Valse, Lilac Garden, Orpheus, Prodigal Son, Symphony in C, Swan Lake, Tyl: Cue sheets, floor plans, clippings
|
|
|
Bus and truck tour, 1965
|
|
Box
19
|
Barefoot in the Park: Hook-up, equipment list, light plot, correspondence, equipment list, focus charts, light plot, hook-up sheets, cue sheets, set-section and ground plan, National Company transposition, miscellaneous not used
|
|
|
London Company
|
|
Box
20
|
Plaza Suite, 1968: Equipment list, hook-up, light plot, color transposition, focus chart
|
|
Box
20
|
Luisa Miller, 1967: Focus notes, cue sheets, programs, schedule, focus chart
|
|
Box
20
|
The Happy Time: Equipment list, light plots, cue sheets
|
|
Box
20
|
Barefoot in the Park, 1963: Mimeo script, hook-up, focus chart, cue sheets, pipe and color, notes, costumes, equipment list, color list, light plot, rev. (annotated) mimeo script
|
|
Box
20
|
Happy Time: Magic Sheet, cue sheet
|
|
|
Kansas City Opera
|
|
Box
20
|
Julius Caesar, 1965: Correspondence, cue sheets, clippings, program
|
|
|
New York
|
|
Box
20
|
The Odd Couple, 1965-1966: Cue sheets, focus chart, hook-up, road - equipment list, transposition, focus chart, cue sheet, hook-up, light plot, correspondence, focus chart, cue sheets, light plot
|
|
|
London
|
|
Box
20
|
Hello Dolly, 1965: Light plot, hook-up, equipment list, focus chart, cue sheets, transposition, correspondence
|
|
|
Las Vegas
|
|
Box
20
|
Hello Dolly, 1965: Cue sheets, light plot, focus charts, hook-up, equipment list, cue sheets
|
|
Box
21
|
Luv, 1964: Cue sheets, equipment list, focus charts, hook-up and magic sheets, light plot, notes, light plots, equipment list, (annotated) mimeo script
|
|
|
New York City Ballet
|
|
|
Seattle, 1954-1955
|
|
|
Moore Theatre
|
|
Box
21
|
Electrics, light plot, programs, timing, stage calls
|
|
Box
21
|
Western Symphony, Cage, Swan Lake, Interplay, Symphony in C, Pas de Trois, Duel Serenade: General
|
|
|
Orpheum
|
|
Box
21
|
Hook-up and plans, hanging plot
|
|
Box
21
|
Scotch Symphony, Pied Piper, La Valse, Firebird, Filling Station, Con Amore, Fanfare, Afternoon of a Faun, Serenade, Bourrée Fantasque and Symphony in C, Cage, Swan Lake: General
|
|
|
Lisbon, Teatro Nacional de San Carlos, 1955
|
|
Box
21
|
Programs, clippings, sketches, correspondence, hanging plots, cue sheets, electrics
|
|
|
New York, 1966
|
|
Box
21
|
Showboat: Cue sheets, focus chart, electrical equipment, hook-up, set, light plot, (annotated) mimeo script, notes (JR), cues
|
|
|
Dallas Civic Opera
|
|
Box
21
|
Medea, 1958-1959, 1967: Track sheets, light plot, phone numbers and schedule, focus charts, board hook-up, focus notes and equipment list
|
|
Box
21
|
Italiani in Algeri, 1958: Light plots
|
|
Box
21
|
Barber of Seville, 1962: Electrics, hook-up, focus, cue, board sheets, focus charts, correspondence, plans (1961), plans (revised for 1962), master cue sheets
|
|
Box
21
|
Otello, 1962: Schedule, correspondence
|
|
Box
21
|
Marriage of Figaro, 1967: Light plots
|
|
|
Road, international
|
|
Box
22
|
Hello Dolly: Notes and transportation, miscellaneous, hook-up, focus chart, transposition for Japan, cue sheets, focus chart, light plot, hook-up, equipment list, notes, transposition
|
|
|
New York
|
|
Box
22
|
Odd Couple, 1965: Focus charts, cue sheets, light plot, equipment list, hook-up, cue sheets, board, hook-up, focus charts, equipment list, old notes, notes (JR), mimeo script fragment and equipment list, light plots, (annotated) mimeo script
|
|
|
Dallas Civic Opera, 1960
|
|
Box
22
|
Schedules, contracts, correspondence, Freedman and Slater, electrics
|
|
Box
22
|
State Fair Auditorium: Ground plan and general hanging plot
|
|
Box
22
|
Daughter of the Regiment: Cue sheets, light plot
|
|
Box
22
|
Butterfly: Cue sheets, correspondence
|
|
Box
22
|
Alcina: Cue sheets
|
|
|
Dallas Civic Opera, 1967
|
|
Box
22
|
“Old DCO to be returned to NY office at end of rep.,” 1966
|
|
Box
22
|
Figaro: General
|
|
Box
22
|
Gala 3: Program, general
|
|
Box
22
|
Faerie Queen: Cue sheets, focus charts, light plot, hook-up
|
|
|
Dallas Civic Opera, 1965
|
|
Box
22
|
General hook-up, transposition of 1964 to 1965 hook-up, general focus and Lucia focus (for ref.), equipment list, odd notes, light plot, hook-up and cue sheets, 1960
|
|
Box
22
|
La Traviata: Miscellaneous, focus charts, light plot, hook-up
|
|
Box
22
|
La Bohème: General
|
|
Box
22
|
Tosca: Light plot, hanging plans, ground plans, rev. ground plans, final cues, cues, hook-up, focus charts, general rep. focus, stage managers vocal score
|
|
|
Berlin, 1952
|
|
Box
23
|
Schiller: General notes, hanging plots, electrics, cue sheets
|
|
|
Monte Carlo, 1962
|
|
Box
23
|
Swan, Bourrée, Scotch Symphony, Cage, Faun, Borocco, Fanfare, Sylvia, Serenade, Western, Pas de Trois, Interplay, La Valse, Pied Piper
|
|
|
Naples, Teatro di San Carlo
|
|
Box
23
|
Technical, cue sheets, general, programs
|
|
|
Marseilles, 1955
|
|
Box
23
|
Light plots, cue sheets, focus charts, electrics, schedule and notes
|
|
|
Stuttgart, 1955
|
|
Box
23
|
Electrics, programs, hanging and colors, clippings, ad., cue sheets
|
|
|
Rome, 1953, 1955
|
|
Box
23
|
Electrics, cue sheets, hanging, cue sheets, miscellaneous, technical
|
|
|
Lausanne, 1955
|
|
Box
23
|
Electrics, hanging, cue sheets, general
|
|
Box
23
|
New York City Ballet: Serenade, Firebird, Pas de Trois, La Valse, Lilac, Sylvia, Pied Piper, Symphony in C, Swan Lake, Four Temperaments, Bourrée: general
|
|
|
Trieste, 1953
|
|
Box
23
|
Cue sheets, program, memorabilia, technical
|
|
|
Geneva, 1953
|
|
Box
23
|
Technical, programs and cues, clippings
|
|
|
Dallas Civic Opera, 1963-1964
|
|
Box
23
|
Correspondence, light plot and sepia, technical, equipment list, general hook-up
|
|
Box
23
|
Poppea: general
|
|
Box
23
|
Samson et Delilah: hook-up, focus sheets, cue sheets, correspondence
|
|
Box
23
|
Butterfly: correspondence, hook-up, focus sheets, cue sheets
|
|
Box
23
|
Tribute in Dance: hook-up, cue sheets and focus charts
|
|
M98-185
|
Part 4 (M98-185): Additions, 1955-19720.8 cubic feet (1 archives box and 17 oversize folders including 154 drawings) Additions, 1955-1972, has two sources: a group found in the stacks, and a group donated in 1998 by William Batchelder. The material found in the stacks consists only of large drawings and reproductions (with the exception of one folder of stage designs for “Hamlet”), and dates from 1955 to 1964. The material in the Batchelder donation includes both large drawings and reproductions and manuscript material, and dates from 1964 to 1972, except for the 1961 material relating to the Ballets USA. The drawings and photostats consist of general stage plans, set and prop designs for productions for which Jean Rosenthal was the lighting designer, her own light plots for those productions, and proposals for stage designs for which she was a consultant. The other papers are notes, correspondence (between Rosenthal and Batchelder), lighting cue sheets, hookup charts, and equipment lists for productions for which Rosenthal was the lighting designer. The touring productions of Cabaret and Fiddler on the Roof, 1966-1972, are particularly well represented. : Arranged by size, then chronologically by production (with the exception of the touring productions which are grouped together irrespective of date).
|
|
|
Series: Manuscript Materials
|
|
Box
1
Folder
1
|
American Shakespeare Festival, Stratford, Connecticut, 1959
|
|
Box
1
Folder
1
|
Hamlet, 3 water-color set designs: black-and-white photostats
|
|
|
Ballets USA (Jerome Robbins), Anta Theatre, 1961 September : See also Oversize Folder 11.
|
|
Box
1
Folder
2
|
Hook-ups and equipment list
|
|
Box
1
Folder
3
|
Miscellaneous notes
|
|
Box
1
Folder
4
|
Events: cue sheets
|
|
Box
1
Folder
5
|
Faun: cue sheets
|
|
Box
1
Folder
6
|
Cage: cue sheets
|
|
Box
1
Folder
7
|
Interplay: cue sheets
|
|
Box
1
Folder
8
|
Jazz: cue sheets
|
|
Box
1
Folder
9
|
Moves: cue sheets
|
|
Box
1
Folder
10
|
Concert: cue sheets
|
|
|
Ballets USA (Jerome Robbins), Spoleto Festival, 1961
|
|
Box
1
Folder
11
|
Events: cue sheets
|
|
|
I Do, I Do : See also Oversize Folder 5.
|
|
Box
1
Folder
12
|
Equipment list, 1966
|
|
Box
1
Folder
13
|
West Point Academy, Cadets Activity Center: preliminary specifications, 1967 : See also Oversize Folder 14.
|
|
Box
1
Folder
14
|
Northwestern University: equipment list, 1969
|
|
|
Cabaret : See also Oversize Folder 15.
|
|
Box
1
Folder
15
|
National Company after Chicago, 1969: cue sheets, hookups, equipment lists, focus charts
|
|
Box
1
Folder
16
|
Second National Company, 1969: cue sheets, hookups, equipment lists, focus charts
|
|
|
Fiddler on the Roof : See also Oversize Folder 16.
|
|
Box
1
Folder
17
|
1966 production: cue sheets, hookups, equipment lists, focus charts
|
|
Box
1
Folder
18
|
Second Touring Company, 1968: cue sheets, hook-ups, equipment lists, focus charts
|
|
Box
1
Folder
19
|
House border lights and front cue sheets, 1968
|
|
Box
1
Folder
20
|
B & T, 1968
|
|
Box
1
Folder
21
|
Fronts cue sheet, 1968
|
|
Box
1
Folder
22
|
Second National Company tour, 1969 (especially Los Angeles): cue sheets, hook-ups, equipment lists, focus charts
|
|
Box
1
Folder
23
|
, 1970 productions: various equipment specifications and cue sheets
|
|
|
Series: Oversize Materials
|
|
|
Size: 30 x 42-inches
|
|
Box
1
|
American Shakespeare Festival Theatre, Stratford, Connecticut: building plans, 1955 December :
“A-1: Basement Plan” (blueline reproduction)
“A-8: Longitudinal & Cross Sections” (blueline)
“A10: Balcony Plan” (blueline)
“A-11: Section 1-1 (Auditorium)” (blueline)
“A19: Details” (blueline)
|
|
Box
2
|
Mozart Festival, Stratford, Connecticut, 1956 May :
“Ceiling Set” (pencil drawing)
“Preliminary Hanging Plot” (pencil drawing)
|
|
|
American Shakespeare Festival tour, 1957
|
|
Box
2
|
Much Ado About Nothing :
Untitled design for a curtained doorway signed Rouben Ter-Arutunian (pencil drawing)
“Wedding Scene-Road” (pencil drawing)
“Hanging Section-Road” (pencil drawing)
“Road Plan” (pencil drawing)
|
|
|
American Shakespeare Festival, Stratford, Connecticut, 1958
|
|
Box
3
|
A Midsummer Night's Dream :
“Step Units, Plan & Elevation” (blueline)
“Tapestry-Front Elevation” (blueline)
“Forest Wagons-Details” (blueline)
|
|
|
Miscellaneous
|
|
Box
4
|
Poor Bitos, 1964 October :
“Fronts & Torms” (pencil drawing)
“Light Plot” (pencil drawing)
“Ground Plan” (pencil drawing)
“Specifications for Soft Masking Pieces” (pencil drawing)
|
|
Box
4
|
Romeo and Juliet, undated :
“Boxes” (pencil drawing)
“Props, Bed & Tomb” (pencil drawing)
|
|
Box
5
|
I Do, I Do (H.M. Tennent and David Merrick production, designed by Oliver Smith), 1966 September
See also Box 1, Folder 12.
“2, Section” (blueline)
“3, Show Portal & Bureaus” (blueline)
“4, SR Side Masking” (blueline)
“5, SL Side Masking” (blueline)
“6, Borders, Drops & Tabs” (blueline)
“7, Band Shell” (blueline)
“8, Units # 1 & 2” (blueline)
“9, Units # 3 & 4” (blueline)
“10, Unit # 5—Bed” (blueline)
“11, Forestage & Lifts” (blueline)
“12, Toys # 1” (blueline).
“13, Chandeliers # 1, 2, 3; Laundry; Toys # 2” (blueline)
“14, Wedding Hangers # 1 & 2” (blueline)
“Light Plot A” (blueline)
“Light Plot B, Torms & Fronts” (blueline)
“Light Plot C” (blueline)
“Hanging Plan A” (blueline)
|
|
|
Size: 36 x 48-inches
|
|
Box
6
|
American Shakespeare Festival, Stratford, Connecticut, 1956 :
“Moveable Bridge” (pencil drawing, signed by Rouben Ter-Arutunian)
“Preliminary Layout” (pencil drawing)
“Light Plot-Fronts” (pencil drawing)
“Basic Set for Drama Season, Floor Plans” (blueline)
“Revised Basic Set Plan” (pencil drawing by Rouben Ter-Arutunian)
|
|
Box
6
|
American Shakespeare Festival, Stratford, Connecticut, 1957 :
“Cyclorama Layout” (2 versions of pencil sketch, signed by Rouben Ter-Arutunian)
Unlabelled pencil sketch of light plot
“Side Cyc Masking—Elevations” (pencil drawing)
“Light Plot-Torm Ladder & Posts” (pencil drawing)
“Light Plot-Pipe Layout” (pencil drawing)
“Light Plot-Fronts” (pencil drawing)
“Machine & Track-Plan & Elevation” (pencil drawing)
“Hanging Section” (pencil drawing)
“Cyclorama-Elevations & Plan” (pencil drawing)
|
|
Box
7
|
American Shakespeare Festival, Stratford, Connecticut, 1958 :
“Light Plot-Ladders & Torms” (pencil drawing)
“Light Plot-Fronts & Pipes” (pencil drawing)
“Revised Hanging Section” (pencil drawing)
|
|
Box
7
|
American Shakespeare Festival, Stratford, Connecticut, 1959 :
“Light Plot-Ladders & Torms” (pencil drawing)
“Light Plot-Fronts & Pipes” (pencil drawing)
|
|
Box
8
|
Lunt-Fontanne Theater, New York City: plans, 1957 October :
“Plan of Loge” (blueline)
“Plan of Orchestra” (blueline)
“Mezzanine Fascia & Proscenium Opening Detail” (blueline)
“Plan of Mezzanine (Balcony)” (blueline)
|
|
|
Los Angeles Light Civic Opera Company
|
|
Box
9
|
The King and I, 1958 March :
“Light Plot” (pencil drawing)
|
|
|
Pilgrimage Bowl Theatre
|
|
Box
9
|
King Lear, undated :
General plan of Pilgrimage Bowl (ink drawing)
“Pilgrimage Bowl Light Plot, Lear” (pencil drawing)
|
|
Box
9
|
New York City Light Opera Company, unidentified production :
Light plot (transposed from NYC Opera Company, 1954 April), with variations for productions of Werther and Showboat (blueline)
|
|
|
Cambridge Drama Festival, 1960
|
|
Box
10
|
Henry IV, Parts One & Two (Phoenix Theatre) :
“Henry IV Part One, ground Plan” (blueline)
“Henry IV Part One, section” (blueline)
“Henry IV Part One, permanent stage structure: drapes, banners, traps” (blueline)
“Stage Layout” (blueline)
“Henry IV Parts 1 & 2, Light Plot” (pencil drawing)
|
|
Box
11
|
Ballets USA (Jerome Robbins), Anta Theatre, 1961 September
See also Box 1, Folders 2-11.
“Light Plot” (blueline annotated in ballpoint)
|
|
Box
11
|
New York City Ballet, Saratoga Springs, 1966 July :
“Electric and Line Layout” (blueline)
|
|
|
Various plays, 1966
|
|
Box
12
|
Hello Dolly, 1966 August :
“Light Plot A” (blueline)
“Light Plot B” (blueline)
|
|
Box
12
|
Luv, 1966 September :
“Bus & Truck Light Plot A” (blueline)
“Bus & Truck Light Plot B” (blueline)
|
|
Box
12
|
Illya, Darling, 1966 December :
“Star Drop” (blueline)
“Light Plot A” (blueline)
“Light Plot B, Fronts & Torms” (blueline)
“Light Plot C, Miscellaneous Details” (blueline)
|
|
Box
13
|
Various plays, 1967-1969
|
|
Box
13
|
Ithaca Festival Theatre: proposal, 1967 January :
“Proposed Catwalk Positions” (2 different bluelines)
|
|
|
Metropolitan Opera at the Lincoln Center
|
|
Box
13
|
Romeo and Juliet, 1967 August :
“Light Plot” (redline reproduction with pencil emendations)
|
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David Merrick and Gower Champion
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Box
13
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The Happy Times, 1967 October :
“1, Lighting Section” (blueline)
“2, Light Plot” (blueline)
“3, Light Plot-Torms, Shadow Towers” (blueline)
“5, Light Plot-Fronts” (blueline)
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Saint Subber
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Box
13
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Weekend, 1968 January :
“Light Plot A” (blueline)
“Light Plot B, torms and fronts” (blueline)
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Alexander H. Cohan
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Box
13
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Dear World, 1968 October :
“Light Plot A” (blueline with ballpoint emendations)
“Light Plot B, fronts, torms, ladders” (blueline)
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Box
13
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School of Speech, Northwestern University: Thrust theatre plans, 1969 November :
“5 foot level” (blueline)
“15 foot level” (blueline)
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Box
14
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Juilliard School of Music, Drama Workshop: Theatre production service plans, 1966-1969 :
Plan of grid lights (blueline)
“Rigging Plan” (blueline)
“Ground Plan” (blueline)
“Stage Grid Plan” (blueline)
“Stage Left and Right Elevation, Stage Rear Elevation, Chamber Music Hall Grid Plan” (blueline)
“Layout of Stage Equipment” (3 bluelines with different pencil emendations)
“Portable Platforms” (blueline)
“Forestage Shapes” (blueline)
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Box
14
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Cadets Activity Center, West Point Academy: plans, 1969
See also Box 1, Folder 13.
“Floor Details” (blueline)
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Box
14
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Unidentified :
Stage floor plan (pencil drawing)
Line plot and sections (blueline)
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Cabaret : See also Box, 1, Folder 15-16.
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Box
15
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New York and Boston productions, 1966 :
“Footlights Detail” (blueline)
“Dis. Foots” (blueline)
“Apron Lamps Detail” (blueline)
“Section, Broadhurst Theatre” (blueline)
“Light Plot A” (blueline)
“Light Plot B, N.Y. Fronts” (blueline)
“Light Plot C, Torms & Scenic” (blueline)
“Light Plot D, Fronts, Boston” (blueline)
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Box
15
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National Company after Chicago, 1969 :
“Light Plot” (pencil drawing and emended blueline)
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Box
15
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Second National Company, 1969 :
“Light Plot” (pencil drawing and emended blueline)
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Box
15
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Theatre Now Inc., 1969 :
“1, Plan” (blueline)
“2, Section” (blueline)
“3, Curtains & Maskings” (blueline)
“4, Stair-R.R. Carriage, Side Walls & Tabs—Stool” (blueline)
“5, Cliff's Room, Sign-Mirror” (blueline)
“6, Schneider's Room, Moneyprops—Bandwagon” (blueline)
“7, Schultz” (blueline)
“8, Kit Kat Klub Drop & Stage” (blueline)
“9, S.L. & S.R. KKK Units” (blueline)
“1, Basic Plan” (blueline)
“2, Cliff's Plan” (blueline)
“3, Kit Kat Klub-Plan” (blueline)
“4, Schneider's Plan” (blueline)
“5, Schultz-Plan” (blueline)
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Fiddler on the Roof : See also Box 1, Folders 17-23.
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Box
16
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Unidentified production :
Light plot (pencil sketch).
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Box
16
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National Company, 1966 :
“3, Light Plot” (blueline)
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Box
16
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Theatre Now Inc., 1968 (Boris Aronson set designs) :
“1, Tradition” (blueline)
“2, Matchmaker” (blueline)
“3, If I Were a Rich Man” (blueline)
“4, Sabbath” (blueline)
“5, Inn” (blueline)
“6, Barn Scene” (blueline)
“7, Bed Room” (blueline)
“8, Tailor Shop” (blueline)
“9, Act II, Scene 1” (blueline)
“10, Station—Chava” (blueline)
“11, Finale” (blueline)
“1, Ground Plan” (blueline)
“2, Section” (blueline)
“3, Show Portal—Moon” (blueline)
“4, Town Appliqué—Drops—Masking—Tracks” (blueline)
“5, Tevye's House” (blueline)
“6, Inn—Tailor's Shop” (blueline)
“7, Barn—Pump—Cheese Trough—Bed—R.R. Station—Motel's & Tevy's Wagons—Fences” (blueline)
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Box
16
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Second Touring Company, 1968 :
“Light Plot 1” (blueline with ink emendations)
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Box
16
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Second National Company, 1968 :
“Light Plot” (pencil drawing and 2 bluelines with different ink emendations)
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Box
16
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Second National Company, Los Angeles and Berkeley, 1969 :
“Ground Plan” (blueline)
“Light Plot” (blueline)
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Box
16
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Merriweather Post Pavilion of Music, Columbia, Maryland, 1970 :
Printed stage plan and section
Untitled plan (blueline)
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Box
16
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Broadway Theatre, New York City, 1970 November :
“Light Plot” (pencil drawing).
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Box
16
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Las Vegas production, 1972 :
Untitled light plot (blueline).
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Size: 40 x 60-inches
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Box
17
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T.A.M.S.
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Virgin Gorda, undated :
“Full Scale Wand Pattern” (2 pencil drawings).
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