Container
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Title
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U.S. Mss 32AN
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Part 2 (U.S. Mss 32AN, Audio 1413A, Disc 233A, PH 6617): Additions, 1922-19802.6 c.f. (5 archives boxes, 1 half-size record center carton, and 1 oversize folder), 41 disc recordings, 6 open-reel tapes, and 76 photographs Taken out of the context of the existing Coots papers, the coverage of the additions appears incomplete, even scattershot; this is true, however, only of some of the later material. The scattershot quality is balanced by the large quantity of song manuscripts and lyric typescripts, few of which were included in the original collection. It is further offset by the diversity and complexity of the material, which invokes the names of a plethora of well-known show business and creative personalities and publishers, and documents the wide variety of Coots's activities and interests. This material by and large reflects Coots's professional persona; his personal life is not particularly well-represented here. The CORRESPONDENCE series (1942-1980, undated; bulk 1962-1980) is arranged in chronological order and consists primarily of letters and cards written to Coots by colleagues and other business contacts, as well as by people he met during his professional and personal travels. Aside from business-related correspondence, there are many letters from admirers expressing appreciation for his performances, and from colleagues expressing gratitude for his support and admiration of their own activities. There is little in the way of sustained correspondence between Coots and any one individual, but songwriting collaborators and numerous other well-known figures - Richard Rogers, Anthony Newley, and Arthur Treacher, to name a few - are represented. There is little in the way of outgoing correspondence from Coots himself, but his sense of humor is evident in his exchange with the Superior Songwriters Service of Hollywood, in which he represented himself (under a pseudonym) as an aspiring songwriter in search of assistance and willing to pay for it. The CREATIVE WORKS series (1939-1971, undated; bulk 1950-1971) consists of four subseries: Song Manuscripts and Lyric Typescripts, Musicals, Published Sheet Music, and Other Creative Writing. The first two of these are further subdivided. A detailed listing of the songs included in this series, ordered alphabetically, can be found in Appendix 1. The Song Manuscripts and Lyric Typescripts subseries is by far the largest grouping in the collection. The documents in this subseries are of four different types: (1) autograph pencil manuscripts, usually in the form of lead sheets or sketches of songs; (2) transparencies (also known as “onionskins”) intended for limited reproduction - these consist of fair copies of lead sheets, possibly made by Coots himself in some cases, otherwise by professional music copyists; (3) reproductions produced from such transparencies; and (4) lyric typescripts. Few songs in the collection are represented by all four types of documents; in a number of cases, only lyric typescripts - often by lyricists other than Coots himself - are present. Note also that in some cases, one manuscript may designate Coots as the sole composer of a song, while other, presumably later song material will attribute the text to another lyricist. Many of these documents indicate copyright dates, sometimes modified, often shifting as rights were passed from composer to various publishers over time: in many cases, Coots's own publishing entity, Toy Town Tunes, Inc., received the copyright. Other documents contain no attribution, although it seems likely that Coots himself is the composer in the case of manuscripts written in his hand. A small amount of pertinent correspondence is included in this subseries; some of the songs are further complemented by recordings in the Audio Materials series. Besides songs and sketches, there are included a few arrangements or medleys of works by other songwriters, as well as commercial songs or jingles written by Coots for companies such as Chrysler, Seagram's, Singer Sewing Machine, Simmons Cruises, and Old Gold Cigarettes. These commercial attempts were not always successful, as can be seen in the case of Coots's proposed theme song for the 1950s children's television program, Captain Kangaroo; a similar case may be the song “D.J. Ghost,” which represents an attempt by Coots to write rock 'n roll, a style he despised. Coots wrote a few of his songs under various pseudonyms; these are clearly intended as jokes. This subseries is divided into three headings, with the songs in each division ordered alphabetically by title: General, further subdivided by lyricist(s) and/or cowriter(s); French and British Collaboration; and “Kiddie” Songs. The French and British Collaboration consists primarily of correspondence and a small amount of song material, and includes an itinerary and travel information for an American Federation of Television and Radio Artists (AFTRA) European tour taken by Coots and his wife, Marjorie. The presence of the travel material among the other documents in the heading and the timing of the tour suggest that French and British contacts for the professional activity documented here might have been made or at least solidified during this tour. In this collaboration, Coots provided English language lyrics to at least two songs represented by Publications Francis-Day in Paris; he also received French language lyrics to one of his own tunes, “Bonsoir, cherie.” As is sometimes the case with correspondence in this collection, well-known performers - in this case, Frank Sinatra and Connie Francis - are mentioned as possible performers of the material in question. As language was not an issue in the U.K., the British collaboration involves representation by Robbins Music Corporation, Ltd. of London in the attempted recording and release of a few of the songs included in the General song heading; later correspondence documenting the continued relationship between Coots and Robbins Music Corporation can be found in the Correspondence series. The correspondence reflects the difficulty at that point in time - the so-called “British Invasion” of the U.S. by groups like the Beatles and the Rolling Stones - of selling the older style of popular song exemplified by Coots's writing, likely a contributing factor to Coots's negative attitude towards the rock 'n roll genre (interestingly, one of the A&R men who was to be shown Coots's songs was George Martin, whose later production of the Beatles had a profound influence on their style). The “Kiddie” Songs heading includes not only manuscripts and typescripts, but a few pieces as well of published sheet music, a songbook, and a large number of American and Canadian copyright assignments and other documentation of copyright status. The Musicals subseries is divided into the headings “If I Were Queen” and “Pardon My Glove.” The former represents Coots's collaboration with poet Ogden Nash on a musical (book by Polan Banks and William Gaxton) that never quite came to pass. Included are two versions of a synopsis, a story treatment, and song materials, including pencil manuscripts of some of the lyrics. An open-reel demo tape of some of the songs is included in the Audio Materials series. The latter musical was a collaboration between Coots, Edward Eager, and Jerry Leng on a musical version of the Lynn Root and Harry Clark play, The Milky Way. Included are song materials and Leng's contract with Coots and Eager, but nothing in the way of a script or synopsis. Note that a number of the songs and sketches included in the Song Manuscripts and Lyric Typescripts subseries appear to have been written in connection with possible musicals, but none as well fleshed-out as these two. The Published Sheet Music subseries consists of publications of a number of Coots's songs, as well as a handful of arrangements of his songs for groups such as dance bands and barbershop quartets. More complete information on these publications can be found in Appendix 3. The Other Creative Writing subseries consists largely of story typescripts written under pseudonyms such as J. Haybeus Corpus, R.U. Withit, Rieger Mortiss, and Harlequin Fandancer. In a more serious vein is a typescript of a children's story and a TV script idea intended for Sid Caesar. The RIGHTS ASSIGNMENTS AND RELEASES series (1944-1974; bulk 1961-1974) is quite incomplete. It is ordered chronologically and includes documents assigning rights to only five of Coots's songs: “His Hand Is on Your Shoulder,” “It's Too Early to Tell, “ “Stay Home, Little Girl,” “Whistlin' Jim,” and “You Happened to Me.” The series also includes a 1944 Certificate of Copyright Registration for renewal of “Where Are the Girlies of My Childhood Days” (original copyright, 1917). Other documents include a few releases for the use of Coots's songs and/or performances in various media projects; an agreement “divorcing” three of Coots's co-written songs from their lyrics; and a renewal agreement continuing the assignment of a portion of Coots's royalties on certain songs in payment of a promissory note, signed off on by Coots's wife and four children. The PERSONAL APPEARANCES series (1931-1972; bulk 1956-1967) consists of contracts, travel itineraries, and documentation of a few non-contract appearances; all are ordered chronologically. The contracts are primarily between Coots's agent, W. Colton Leigh, Inc. and various organizations (businesses, clubs, schools, and so forth) for Coots's lecture-recital appearances around the U.S. Related correspondence and contract renewals with Coots's agent are included, as is correspondence from employing organizations and individual audience members, generally expressing appreciation for Coots's performances. News items reporting on some of these performances can also be found in the Newspaper Clippings series. Documentation of payment for these appearances, as well as some of the travel expenses incurred and their reimbursement, can be found in the Financial Records series. The travel itineraries document the road trips Coots took in connection with these contracted personal appearances. A few other (non-contract) appearances are documented by a passenger list and daily programs from a cruise on which Coots was one of the entertainers; a press release indicating Coots's participation in an event designed to encourage polio immunization of pre-schoolers; a program from a Muscular Dystrophy Association fundraiser that included a Salute to ASCAP in which Coots participated along with Cy Coleman, Johnny Mercer, and Jule Styne, among others; and other materials that reflect performances by Coots. The FINANCIAL RECORDS series (1926-1975; bulk 1957-1975) consists of general records, performance and royalty records from the Association of Songwriters, Composers, and Publishers (ASCAP), royalty records from individual publishers, and appearance fees and expenses. All are ordered chronologically. General records are few in number and consist primarily of items such as loan documents, rental agreements, proposals for business investments, a receipt for the purchase of a piano, and a 1926 stock certificate from the Wrigley Pharmaceutical Company, together with its conveying correspondence. Performance and royalty records from ASCAP are divided into domestic records and foreign records. The former consist of (mostly quarterly) domestic performance records, copies of checks/check stubs documenting the amount paid to Coots in royalties as a result of performances and broadcasts of his songs, and a small amount of related correspondence from ASCAP; also included is an IRS Form 1099 from ASCAP for the year 1936. The latter consist of (mostly semiannual) check stubs documenting the amount of foreign royalties paid to Coots, including information on the countries and years involved. The individual publishers' records consist primarily of royalty statements for the years 1971-1972 only, from music publishers such as Leo Feist, Inc., Bourne Company, and Robbins Music Corporation. Appearance fees and expenses consist of check stubs or duplicates of checks/stubs, plus invoices detailing expenses incurred that were charged against or credited to Coots's personal appearance fees, along with related correspondence. The NEWSPAPER CLIPPINGS series (1924-1979; bulk 1960-1975) consist of clippings relating to Coots, “Famous Flops,” other show business clippings, and non-show business clippings. Clippings relating to Coots include notices and descriptions of his activities, mostly professional but including notices of his marriage to Marjorie. Later clippings provide additional evidence of Coots's negative attitude towards rock 'n roll. One telling quote from a 1963 article: “[Coots's] publishers say his work is 'too good - the kids won't buy it'.” “Famous Flops” - so-labeled by Coots himself - are all clippings of articles about the 1965 Broadway musical Kelly, which cost $650,000 to mount and survived for only one performance. Judging from the manner in which this material was received, Coots may have intended to add documentation of other failed productions but never did so. Other show business clippings include news items and features about, and obituaries of, Coots's colleagues, collaborators, and other show business people, including such figures as Haven Gillespie, Dorothy Fields, Groucho Marx, Duke Ellington, George Gershwin, Noel Coward, Sammy Cahn, and even Ludwig van Beethoven. Notices and reviews of Broadway shows are also included. The non-show business clippings provide context to the collection through their documentation of Coots's non-professional interest in such activities and subjects as horse racing, opera, European travel, personal financial planning, successful women (novelist George Eliot, jockey Barbara Jo Rubin), boxing, and politics. The CERTIFICATES, AWARDS, AND OTHER MEMORABILIA series (1922-1975; bulk 1960-1975) consists of both professional and personal material. Professional material includes Coots's certificate of election to membership in ASCAP in 1922 and a subsequent 1972 certificate celebrating his 50th anniversary in that organization. There is also documentation of his activity as a member and president of the American Arbitration Association. Also included are memorabilia such as a gold-plated portable typewriter presented to Coots by Tin Pan Alley T.V., a program that last aired in 1950; and an autographed copy of Henry Kane's How to Write a Song (1962), which includes a chapter on Coots. Documentation of the earlier portion of Coots's career includes an Imperial Theatre (Shubert Theatre Corporation) program booklet from 1930, a copy of Guy Magley's Down Memory Lane (undated) that includes extracts of vaudeville programs from 1914-1926, and a copy of music publisher Bourne, Inc.'s 1919-1956 catalog, which includes a number of Coots's songs. Personal material includes travel-related memorabilia and souvenirs, genealogical information, programs of concerts unrelated to Coots's professional activities, and certificates documenting Coots's membership in organizations such as the Westchester Country Club and The Old Grand-Dad Club. The PHOTOGRAPHS (1937-1975, undated) include portraits of Coots and photographs taken with professional colleagues; personal and family pictures; vacation photographs; and a few striking photographs not directly related to Coots. One photograph of particular interest is a panorama shot taken at the 1940 New York World's Fair and entitled “'Cavalcade of American Musicians' sponsored by ASCAP.” The AUDIO MATERIALS (1950-1972; bulk 1950-1957) series is divided by format into two subseries, Disc Recordings and Open Reel Tape Recordings. The Disc Recordings are further subdivided into Demo Recordings and Commercial Releases. The Demo Recordings heading presents realization of a number of Coots's songs, as well as of two of the French songs for which he was to provide English lyrics. The Commercial Releases heading consists of a long-play album (And Then I Wrote...) of Coots's songs strung together with autobiographical commentary; and a number of rare 45 and 78 RPM recordings of his songs, a few of which are of foreign provenance. Except in the case of the album, Coots's songs generally appear on only one side of a disc; songs written by others are often on the other side. More complete information on these recordings can be found in Appendix 1. The Open Reel Tape Recordings subseries consists of demo recordings of Coots's songs, of radio interviews of Coots by Jim McClain (“Dr. IQ”), of a performance by Coots at a Songwriters' Hall of Fame Induction Ceremony, and of a tribute to Coots at the ceremony in which he was himself inducted in 1972.
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Series: Correspondence
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Box
10
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1-2
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1942-1980, undated
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Series: Creative Works
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Subseries: Song Manuscripts and Lyric Typescripts
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General
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J. Fred Coots, 1939-1971, undated
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Box
10
Folder
3
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“The Al Jolson Music Memorial” (arrangement)
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Box
10
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3
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“Alexander's Ragtime Band” (arrangement)
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Box
10
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3
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“And I Thought of You”
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Box
10
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3
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“Bambino”
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Box
10
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3
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“Baskin' Out in the Sun”
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Box
10
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3
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“Be My Lovin' Baby”
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Box
10
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3
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“Before I Saw You Eat”
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10
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3
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“Blame It All on Georgia”
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Box
10
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3
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“The Call of the Wild”
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10
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3
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“Cat in a Birdcage”
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Box
10
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3
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“Caught in a Cloudburst of Love”
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Box
10
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3
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“A Change of Scenery”
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Box
10
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3
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“Cheers”
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Box
10
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3
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“Come Back to Roma”
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Box
10
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3
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“The Connecticut State Police”
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Box
10
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3
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“The Copenhagen Polka”
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Box
10
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3
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“Cora's in the Chorus” : See “Sally's in the Chorus”
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10
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3
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“Cornet on the Cob”
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10
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3
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“The Curtain Falls”
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10
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3
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“The Dale Sutton Medley (arrangement)
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10
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3
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“Dark Glasses”
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10
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3
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“Donna Marie”
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10
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3
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“Don't Make a Human Out of Me”
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10
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3
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“Dream Street”
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10
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3
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“Drink, Drink, Drink”
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Box
10
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3
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“Ev'rybody's Falling in Love”
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10
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3
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“Fall in Love”
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10
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3
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“Farmer Gray”
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10
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3
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“Florence Nightingale”
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10
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3
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“Florida”
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10
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3
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“Follow the Flag of Freedom”
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Box
10
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3
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“Forgotten Melody”
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10
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3
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“French” : See also “I Feel Like Dancing with You To-Night”
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10
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3
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“French Tune” : See “The Night Has Eyes”
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10
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3
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“The Gay Divorcee”
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10
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3
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“German Bierstuben Valse”
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10
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3
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“Get Acquainted with an Old Gold Cigarette”
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10
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3
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“The Girls I Met in Gay Paree”
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10
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3
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“Good-Night, Good Friends”
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10
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3
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“Good Waltz” : See “Come Back to Roma”
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10
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3
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“Goodbye My Love”
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10
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3
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“The Guest Star”
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10
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3
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“The Happiest Guy in the World”
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10
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3
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“A Heaven on the Hill”
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10
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3
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“Here Comes Marie” : See “I Feel Like Dancing with You To-Night”
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10
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3
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“Here Comes the Summertime”
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10
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3
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“High Society Jimmy”
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10
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3
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“Horn and Hardart”
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10
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3
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“How Can I Tell You (How Much I Love You)”
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10
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3
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“I Can Hear Those Christmas Bells”
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Box
10
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3
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“I Feel I'm Falling in Love with You”
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Box
10
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3
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“I Feel Like Dancing with You To-Night”
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10
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3
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“I Hope She'll Be Happy”
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Box
10
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3
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“I Hope There's Room for One More”
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Box
10
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3
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“I Love You - You Love Me” : See “Forgotten Melody”
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10
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3
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“I Thank You”
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10
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3
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“I'd Be So Happy”
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10
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3
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“I'd Rather Be Alone”
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Box
10
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3
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“I'll Come to You”
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10
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3
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“I'm Gonna Change It All”
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Box
10
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3
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“The Irving Berlin Story in Song” (arrangement)
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10
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3
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“It Takes All Kinds of People”
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Box
10
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3
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“It Takes the Moonlight (For Making Love)”
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10
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3
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“It Was Written in the Stars”
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Box
10
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3
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“It's Wonderful to Be in Love Again”
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10
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3
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“It's You”
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Box
10
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3
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“I've Got My Arms Wrapped around a Rainbow”
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10
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3
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“I've Really Some Very Nice Friends”
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Box
10
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3
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“The Jack Arthur Medley” (arrangement)
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Box
10
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3
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“Kleinchen”
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Box
10
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3
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“Klondike Mary”
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Box
10
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4
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“Let a Jane Mansfield Dream Pool (Make All Your Dreams Come True)”
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10
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4
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“Let My Lips Remember You”
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Box
10
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4
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“Let's Back Jack”
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Box
10
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4
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“Let's Bake a Cake
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10
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4
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“Let's Have a Party”
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10
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4
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“The Lighthouse Keeper
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10
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4
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“The Little Dutch Girl”
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10
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4
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“Little Red Riding Hood on Broadway”
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Box
10
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4
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“Losing You”
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Box
10
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4
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“Louie's Ermine Wrap”
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Box
10
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4
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“Love”
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10
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4
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“Love Is - “
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10
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4
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“Love, Love, Beautiful Love”
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Box
10
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4
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“Love Me - Love Me - Love Me”
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10
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4
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untitled (“The Man with the Fiddle and the Bow Tie”)
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Box
10
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4
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“Manhattan Mountaineer”
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10
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4
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“March Ensemble (opening)”
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Box
10
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4
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“Middle Release”
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Box
10
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4
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“The Million Dollar Hat”
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10
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4
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“Mine to Love”
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10
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4
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“Mister Branigan”
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Box
10
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4
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“Mon Homme LaFitte”
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10
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4
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“The More I See You, the More I Know” : See “Cat in a Birdcage”
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Box
10
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4
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“My Heart (Keeps Calling Your Heart)”
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Box
10
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4
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“My Little Lady (Has a Coat that Grows)” [Coatcraft]
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Box
10
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4
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“Old Fashioned Song Medley” (arrangement)
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Box
10
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4
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“Old Gold” [cigarette]
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Box
10
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4
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“Old Gold” [cigarette] : See “An Old Gold Is Like an Old Friend”
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Box
10
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4
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“An Old Gold Is Like an Old Friend”
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Box
10
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4
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“On the Ten-o-Ten (for Ten-Ten-Tennessee)”
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Box
10
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4
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“Oo-la-la Cecile”
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Box
10
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4
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“Paradise Island”
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Box
10
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4
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“Please Save the Last Waltz for Me” : See “I Feel Like Dancing with You To-Night”
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Box
10
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4
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“Paree!” : See “Love, Love, Beautiful Love”
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Box
10
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4
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“Production Valse” : See “The Little Dutch Girl”
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Box
10
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4
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“Pussy Cat Jamboree”
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Box
10
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4
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“Rollin' Stone”
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10
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4
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“Rosie O'Clooney”
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Box
10
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4
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“Sail with Simmons (And See the Sea)”
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Box
10
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4
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“Sally's in the Chorus”
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Box
10
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4
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“Seagram's Extra Dry”
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Box
10
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4
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“The Sid Gary Story” : See “Tin Pan Alley Serenade”
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Box
10
Folder
4
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“Silhouette Sweetheart”
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Box
10
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4
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“Simmons Follies”
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Box
10
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4
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“Soliloquy of a Somnambulist”
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Box
10
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4
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“Splitsville” : See “Let My Lips Remember You”
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Box
10
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4
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“Stay Home, Little Girl, Stay Home”
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Box
10
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4
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“Strange Faces”
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10
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4
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“Sunday School Sweetheart”
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Box
10
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4
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“Suzanne”
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Box
10
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4
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“Tell Me You Love Me”
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Box
10
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4
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“That's What It Takes to Make a Star”
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Box
10
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4
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“That's What Little Girls Are Made For”
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10
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4
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“That's What Love Is Made of”
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10
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4
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“There Goes That Girl”
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10
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4
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“There Must Be Somebody for Me”
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Box
10
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4
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“There's Only One Way to Say I Love You”
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10
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4
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untitled (“They're Not Writing Songs Like They Used to Anymore”)
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10
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4
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untitled (“They're So Cantankerous”)
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Box
10
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4
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“This Is Your Show (Finale)”
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10
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4
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“This Night in Venice with You”
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10
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4
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“Three Hundred Pounds Ago”
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10
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4
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“Till We Love Again” : See “Cat in a Birdcage”
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10
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4
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untitled (“Tin Pan Alley on Parade”) (arrangement)
|
|
Box
10
Folder
4
|
“Tin Pan Alley Serenade” (also known as “The Sid Gary Story”)
|
|
Box
10
Folder
4
|
“Tony Spagoni”
|
|
Box
10
Folder
4
|
“Touché”
|
|
Box
10
Folder
4
|
untitled tune
|
|
Box
10
Folder
4
|
“Valse Production” : See “Cat in a Birdcage”
|
|
Box
10
Folder
4
|
“Wait'll You See My Sweetie and Me in My Chrysler Automobile”
|
|
Box
10
Folder
4
|
“We're the Gals Behind the Guys Behind the Guns”
|
|
Box
10
Folder
4
|
“Western”
|
|
Box
10
Folder
4
|
“Western Song” : See “Cat in a Birdcage”
|
|
Box
10
Folder
4
|
“What's Gonna Happen to the Beautiful Girls?”
|
|
Box
10
Folder
4
|
“When Angelina Shakes her Tamborina”
|
|
Box
10
Folder
4
|
“Where the Spanish Onions Grow”
|
|
Box
10
Folder
4
|
“Wherever You Are at Christmas (I'll Be There with You)”
|
|
Box
10
Folder
4
|
“Whistle'n Jim”
|
|
Box
10
Folder
4
|
“Who Am I? Who Are You?”
|
|
Box
10
Folder
4
|
“Winter in Washington Square”
|
|
Box
10
Folder
4
|
“The Witch Song”
|
|
Box
10
Folder
4
|
“With All My Heart and Soul”
|
|
Box
10
Folder
4
|
“With My Song”
|
|
Box
10
Folder
4
|
“You Meet the Nicest People at the Race Track”
|
|
Box
10
Folder
4
|
untitled (“You're Only As Good As Your Material”)
|
|
Box
10
Folder
4
|
“You're Here” : See “Forgotten Melody”
|
|
Box
10
Folder
4
|
“Yours Could Be the Love”
|
|
|
J. Fred Coots with Edward Eager, undated, 1955-1959
|
|
Box
10
Folder
5
|
“Arizona”
|
|
Box
10
Folder
5
|
“Cheerful Weather for the Wedding”
|
|
Box
10
Folder
5
|
“Goodbye Stranger”
|
|
Box
10
Folder
5
|
“It's Twelve O'Clock, My Love”
|
|
Box
10
Folder
5
|
“Java Jive”
|
|
Box
10
Folder
5
|
“The Lady with the Big Black Cigar”
|
|
Box
10
Folder
5
|
“Love in a Mist”
|
|
Box
10
Folder
5
|
“Love on Top of a Bus”
|
|
Box
10
Folder
5
|
“Love Opened My Eyes”
|
|
Box
10
Folder
5
|
“Mignonette”
|
|
Box
10
Folder
5
|
“Mud in Your Eye”
|
|
Box
10
Folder
5
|
“Passion Fruit”
|
|
Box
10
Folder
5
|
“Rings on Her Finger”
|
|
Box
10
Folder
5
|
“She Walks in Beauty”
|
|
Box
10
Folder
5
|
“Sigh No More, Ladies”
|
|
Box
10
Folder
5
|
“Slumming on Miami's Shore
|
|
Box
10
Folder
5
|
“Someone Lovely Just Passed By”
|
|
Box
10
Folder
5
|
“Sugar Cane”
|
|
Box
10
Folder
5
|
“Whistlin' Girl”
|
|
|
J. Fred Coots with Walt Framer, undated, 1953-1956
|
|
Box
10
Folder
6
|
“The Greatest Man on Earth”
|
|
Box
10
Folder
6
|
“It's Never Too Warm to Wear Mink”
|
|
Box
10
Folder
6
|
“Let's Take a Holiday for Two”
|
|
Box
10
Folder
6
|
“Love Is the Pay Off”
|
|
|
J. Fred Coots with Gene and Glenn, undated
|
|
Box
10
Folder
7
|
“Send Her Some Flowers”
|
|
Box
10
Folder
7
|
“Side by Side by the Beautiful Seaside”
|
|
Box
10
Folder
7
|
“Sweethearts in the Summer (Strangers in the Fall)”
|
|
Box
10
Folder
7
|
“To-day, To-night and To-morrow”
|
|
Box
10
Folder
7
|
“Toodle-oodle-oo”
|
|
Box
10
Folder
7
|
“When I Get Back to Caroline”
|
|
|
J. Fred Coots with Haven Gillespie, 1957-1967
|
|
Box
10
Folder
8
|
“Christmas Doll”
|
|
Box
10
Folder
8
|
“Sing”
|
|
Box
10
Folder
8
|
“The Wine of Love”
|
|
Box
10
Folder
8
|
“You Happened to Me”
|
|
|
J. Fred Coots with Nick and Charles Kenny, 1956-1957
|
|
Box
10
Folder
9
|
“I'd Like to Find You in My Stocking”
|
|
Box
10
Folder
9
|
“If You Could Care a Little Bit More for Me”
|
|
Box
10
Folder
9
|
“Where Are You Gonna Go on Your Vacation?”
|
|
|
J. Fred Coots with Bill Margaretten, undated, 1956-1962
|
|
Box
10
Folder
10
|
“Another Night, Another Dream” : See “High as a Kite”
|
|
Box
10
Folder
10
|
“But Not So Long in My Heart”
|
|
Box
10
Folder
10
|
“Cha Cha Cha Romance”
|
|
Box
10
Folder
10
|
“Here Comes Love and Kisses” : See “High as a Kite”
|
|
Box
10
Folder
10
|
“High as a Kite”
|
|
Box
10
Folder
10
|
“I Like Your Attitude”
|
|
Box
10
Folder
10
|
“I'm Looking Forward”
|
|
Box
10
Folder
10
|
“Love Is Just a Dream Away”
|
|
Box
10
Folder
10
|
“Love Me Fortissimo”
|
|
Box
10
Folder
10
|
“May I Walk You Home?”
|
|
Box
10
Folder
10
|
“The Sweetest Words” : See “High as a Kite”
|
|
Box
10
Folder
10
|
“Today's the Day”
|
|
Box
10
Folder
10
|
“When the Last Little Star Goes Home” : See “High as a Kite”
|
|
Box
10
Folder
10
|
“When You're All Alone in Love”
|
|
Box
10
Folder
10
|
“Yours to Love”
|
|
|
J. Fred Coots with Ogden Nash, 1960, undated
|
|
Box
10
Folder
11
|
“Incompatibility”
|
|
Box
10
Folder
11
|
“Matador”
|
|
|
J. Fred Coots with Al J. Neiburg, 1956-1964, undated
|
|
Box
10
Folder
12
|
“Bonsoir, Cheri”
|
|
Box
10
Folder
12
|
“I'm Gonna Spread My Wings”
|
|
Box
10
Folder
12
|
“In a Cup of Tea Leaves”
|
|
Box
10
Folder
12
|
“It's Too Early to Tell”
|
|
Box
10
Folder
12
|
“Nineteen Hundred and Sixty”
|
|
Box
10
Folder
12
|
“Sad and Sorry”
|
|
Box
10
Folder
12
|
“Seeing You with Somebody Else”
|
|
|
J. Fred Coots with Charles Newman, 1951-1959, undated
|
|
Box
10
Folder
13
|
“Dream on, My Hopeful Heart”
|
|
Box
10
Folder
13
|
“Forty Eight Sweethearts”
|
|
Box
10
Folder
13
|
“Hermit in the Heart of Town”
|
|
Box
10
Folder
13
|
“I'm Building Castles Again”
|
|
Box
10
Folder
13
|
“In Cin-Cin-Cincinnati”
|
|
Box
10
Folder
13
|
“My Apple Pie Guy”
|
|
Box
10
Folder
13
|
“My New Romance”
|
|
Box
10
Folder
13
|
“My Waltz”
|
|
|
J. Fred Coots with Maurice Sigler, 1956-1959, undated
|
|
Box
10
Folder
14
|
“Don't Wait Too Long”
|
|
Box
10
Folder
14
|
“It Was Fun While It Lasted”
|
|
Box
10
Folder
14
|
“Man about Town”
|
|
Box
10
Folder
14
|
“My Chickadee”
|
|
Box
10
Folder
14
|
“Quality Folks”
|
|
Box
10
Folder
14
|
“There's a Lull in Lullaby Lane”
|
|
Box
10
Folder
14
|
“When I Wanna Woo (I Go to You for Love)”
|
|
|
J. Fred Coots with other lyricists/cowriters, 1952-1964, undated
|
|
Box
11
Folder
1
|
“All Suit! No Man!”
|
|
Box
11
Folder
1
|
“A Ball Was Had by All”
|
|
Box
11
Folder
1
|
“Along the Prado”
|
|
Box
11
Folder
1
|
“As Long as I've a Song to Sing”
|
|
Box
11
Folder
1
|
“Can't Get You off My Mind”
|
|
Box
11
Folder
1
|
“(Holy Jeepers Creepers) Can't We Ever Be Alone?”
|
|
Box
11
Folder
1
|
“Chicken Croquettes”
|
|
Box
11
Folder
1
|
“Corn Meal Mush and Sorghum Molasses”
|
|
Box
11
Folder
1
|
“The Curtain Is Falling”
|
|
Box
11
Folder
1
|
“D.J. Ghost”
|
|
Box
11
Folder
1
|
“Esmeralda Has a Date”
|
|
Box
11
Folder
1
|
“The Fisherman's Bride”
|
|
Box
11
Folder
1
|
“Give Your Heart to Me for Christmas”
|
|
Box
11
Folder
1
|
“Got Me a Blue-Eyed Baby”
|
|
Box
11
Folder
1
|
“Hank, the Whip”
|
|
Box
11
Folder
1
|
“Have You No Pity on Me?”
|
|
Box
11
Folder
1
|
“Heap Big Drip from the Cherokee Strip”
|
|
Box
11
Folder
1
|
“Helas!”
|
|
Box
11
Folder
1
|
“His Hand Is on Your Shoulder”
|
|
Box
11
Folder
1
|
“If They Made Me”
|
|
Box
11
Folder
1
|
“I'm Not Here”
|
|
Box
11
Folder
1
|
“In the Old Rope Swing”
|
|
Box
11
Folder
1
|
“In Your Eyes”
|
|
Box
11
Folder
1
|
“Is It Just for To-Night? (Or Is It Forever?)”
|
|
Box
11
Folder
1
|
“Let's Go Over to Charlie's Before We Say Goodnight”
|
|
Box
11
Folder
1
|
“A Little Café in Calais”
|
|
Box
11
Folder
1
|
“Mary, Go 'Round with Me”
|
|
Box
11
Folder
1
|
“Monte Carlo Calling”
|
|
Box
11
Folder
1
|
“The Moon on the Nurs'ry Floor”
|
|
Box
11
Folder
1
|
“Moonlight in Madrid”
|
|
Box
11
Folder
1
|
“More than Wonderful”
|
|
Box
11
Folder
1
|
“Music to My Ears”
|
|
Box
11
Folder
1
|
“Must I Be Bound (And You Go Free)” : See “My Heart (Keeps Calling Your Heart)”
|
|
Box
11
Folder
1
|
“The Night Has Eyes”
|
|
Box
11
Folder
1
|
“On a Little Street in Napoli”
|
|
Box
11
Folder
1
|
“Our Escapade”
|
|
Box
11
Folder
1
|
“Sing to Your Heart's Content”
|
|
Box
11
Folder
1
|
“So I'll Never Be a Millionaire”
|
|
Box
11
Folder
1
|
“Somebody Stole That Old Sweetheart of Mine”
|
|
Box
11
Folder
1
|
“Song of the Sewing Machine” [Singer]
|
|
Box
11
Folder
1
|
“Thanks For the Use of Your Heart”
|
|
Box
11
Folder
1
|
“That Mysterious Lady Called Love”
|
|
Box
11
Folder
1
|
“There Goes My Runaway Heart”
|
|
Box
11
Folder
1
|
“This Feelin' for You”
|
|
Box
11
Folder
1
|
“To Have, to Hold, to Love!”
|
|
Box
11
Folder
1
|
“To-night I'll Kiss “Hello” Again”
|
|
Box
11
Folder
1
|
“Trade Me Your Heart”
|
|
Box
11
Folder
1
|
“Ty Cobb (The Georgia “Peach”)”
|
|
Box
11
Folder
1
|
“Underneath the “Kiss'l-Toe””
|
|
Box
11
Folder
1
|
“When We're Together”
|
|
Box
11
Folder
1
|
“The World Is Waiting to Sing Again”
|
|
Box
11
Folder
1
|
“Wrap Up Your Worries in a Great Big Smile”
|
|
Box
11
Folder
1
|
“You Could Have Heard a Pin Drop”
|
|
Box
11
Folder
1
|
“You Waited Too Long”
|
|
Box
11
Folder
1
|
“You're Making Headlines”
|
|
|
French and British Collaboration, 1962-1964
|
|
Box
11
Folder
2
|
“Bonsoir, cherie”
|
|
Box
11
Folder
2
|
“Mon paradis”
|
|
Box
11
Folder
2
|
“J'ai tant marché”
|
|
Box
11
Folder
2
|
“Parce qu'un homme”
|
|
Box
11
Folder
2
|
“This Was a Man”
|
|
|
“Kiddie” Songs, 1950-1965
|
|
Box
11
Folder
3
|
“All Around the Christmas Tree”
|
|
Box
11
Folder
3
|
“Apple on a Stick”
|
|
Box
11
Folder
3
|
“Bongo the Camel”
|
|
Box
11
Folder
3
|
“A Boy in Buckskin (and a Gal in Calico)”
|
|
Box
11
Folder
3
|
“Butch, the Rocking Horse Cowboy”
|
|
Box
11
Folder
3
|
“Captain Kangaroo”
|
|
Box
11
Folder
3
|
“A Cowboy Is a Son of God” : See “Peter and the Pony”
|
|
Box
11
Folder
3
|
“Cuckoo in the Cuckoo Clock”
|
|
Box
11
Folder
3
|
“Custard the Dragon”
|
|
Box
11
Folder
3
|
“Don't Worry, Peter” : See “Peter and the Pony”
|
|
Box
11
Folder
3
|
“Ephraham the Bunny”
|
|
Box
11
Folder
3
|
“Give My Doggie a Name”
|
|
Box
11
Folder
3
|
“Here Come the Bunnies on Parade”
|
|
Box
11
Folder
3
|
“I Can't Spell Hippopotamus”
|
|
Box
11
Folder
3
|
“I Hope Santa Claus Don't Forget Me”
|
|
Box
11
Folder
3
|
“I Love My Mommy Best of All”
|
|
Box
11
Folder
3
|
“I Wish I Had an Elephant”
|
|
Box
11
Folder
3
|
“I Wish I Was a Bunny”
|
|
Box
11
Folder
3
|
“In the Land of Lemonade and Lollipops”
|
|
Box
11
Folder
3
|
“It's Fun to Own a Pony” : See “Peter and the Pony”
|
|
Box
11
Folder
3
|
“It's Great to Have a Pony for a Pal” : See “Peter and the Pony”
|
|
Box
11
Folder
4
|
“The Lady in the Clock”
|
|
Box
11
Folder
4
|
“Little Goldie Goldfish”
|
|
Box
11
Folder
4
|
“Little Johnny Jelly Beans”
|
|
Box
11
Folder
4
|
“The Little Old Woman Who Lived in the Shoe”
|
|
Box
11
Folder
4
|
“Little Pete the Parakeet”
|
|
Box
11
Folder
4
|
“Little Peter Potter (and His Little Teeter Totter)”
|
|
Box
11
Folder
4
|
“Little Polly Parakeet”
|
|
Box
11
Folder
4
|
“The Little Tin Soldier (And the Little Toy Drum)”
|
|
Box
11
Folder
4
|
“Little Tommy Tattle-Tale”
|
|
Box
11
Folder
4
|
“Me and My Puppy Dog”
|
|
Box
11
Folder
4
|
“Me and My Teddy Bear”
|
|
Box
11
Folder
4
|
“Monkey See - Monkey Do”
|
|
Box
11
Folder
4
|
“My Dolly and Me”
|
|
Box
11
Folder
4
|
“My Oompah-pah Pa-Pa”
|
|
Box
11
Folder
4
|
“My Pony's Name Is “Peanut”” : See “Peter and the Pony”
|
|
Box
11
Folder
4
|
“Nina the Ballerina”
|
|
Box
11
Folder
4
|
“Ozzie the Ostrich”
|
|
Box
11
Folder
4
|
“Peter and the Pony” : Includes story typescript.
|
|
Box
11
Folder
4
|
“Pony on the Merry-Go-Round”
|
|
Box
11
Folder
4
|
“Poor Peter Piper (Picked a Peck of Pickled Peppers)”
|
|
Box
11
Folder
4
|
“The Pop Eye Song”
|
|
Box
11
Folder
5
|
“The Santa Claus Parade”
|
|
Box
11
Folder
5
|
“Santa's Little Helper”
|
|
Box
11
Folder
5
|
“Santa's Prayer”
|
|
Box
11
Folder
5
|
“Squee-Gee (The Happy Little Clown)”
|
|
Box
11
Folder
5
|
“Sunrise on a Mountain Trail” : See “Peter and the Pony”
|
|
Box
11
Folder
5
|
“Sweet, Sweet Dreams To-night”
|
|
Box
11
Folder
5
|
“Sweetie Bear”
|
|
Box
11
Folder
5
|
“The Toy Town Parade”
|
|
Box
11
Folder
5
|
“The Toy Town Trolley”
|
|
Box
11
Folder
5
|
“Toy Town Tune Parade”
|
|
Box
11
Folder
5
|
“Toy Town Tune Time”
|
|
Box
11
Folder
5
|
Toy Town Tune Parade (A Collection of Original Children's Songs)
|
|
Box
11
Folder
5
|
“When the Teddy Bears Go Marching on Parade”
|
|
Box
11
Folder
5
|
“Why Don't Grownups Play with Toys?”
|
|
|
Subseries: Musicals
|
|
|
If I Were Queen, undated, 1954-1964
|
|
Box
11
Folder
6
|
“Cactus Country”
|
|
Box
11
Folder
6
|
“Call Me a Family Man”
|
|
Box
11
Folder
6
|
“Desdemona”
|
|
Box
11
Folder
6
|
“The Face Is Familiar”
|
|
Box
11
Folder
6
|
“Give a Man Enough Rope”
|
|
Box
11
Folder
6
|
“I Like to Play with a Putty Cat”
|
|
Box
11
Folder
6
|
“If I Were Queen”
|
|
Box
11
Folder
6
|
“It's a Promising Evening for Lovers”
|
|
Box
11
Folder
6
|
“I've Decided to Be a Grandma”
|
|
Box
11
Folder
6
|
“Kankakee”
|
|
Box
11
Folder
6
|
“The King's Day”
|
|
Box
11
Folder
6
|
“Love Is So Beaucoup Français”
|
|
Box
11
Folder
6
|
“More Than Wonderful”
|
|
Box
11
Folder
6
|
“No He-Man, He”
|
|
Box
11
Folder
6
|
“No Love But Yours”
|
|
Box
11
Folder
6
|
“R-E-P- Rep!”
|
|
Box
11
Folder
6
|
“Waltz with a Kiss”
|
|
Box
11
Folder
6
|
“We're All Washed Up in Washington
|
|
|
Pardon My Glove, undated, 1957
|
|
Box
11
Folder
7
|
“Along the Milky Way”
|
|
Box
11
Folder
7
|
“Allergic to You”
|
|
Box
11
Folder
7
|
“Bright April”
|
|
Box
11
Folder
7
|
“Follow Your Star”
|
|
Box
11
Folder
7
|
“It Didn't Happen”
|
|
Box
11
Folder
7
|
“Love's in the Room”
|
|
Box
11
Folder
7
|
“No Poet I”
|
|
Box
11
Folder
7
|
“Pardon My Glove”
|
|
Box
11
Folder
7
|
“People Who Come Out After Dark”
|
|
Box
11
Folder
7
|
“That...!”
|
|
Box
11
Folder
7
|
“This Is the Embassy”
|
|
Box
11
Folder
7
|
“A Waltz Without End”
|
|
Box
11
Folder
7
|
“Whodunit?”
|
|
|
Subseries: Published Sheet Music, 1928-1971
|
|
Box
12
Folder
1
|
“Balalaika Boogie Woogie”
|
|
Box
12
Folder
1
|
“A Beautiful Lady in Blue”
|
|
Box
12
Folder
1
|
“Bei Mama Nicolini”
|
|
Box
12
Folder
1
|
“Copper Colored Gal”
|
|
Box
12
Folder
1
|
“Doin' the Raccoon”
|
|
Box
12
Folder
1
|
“Dreams Were Made for Lovers”
|
|
Box
12
Folder
1
|
“Encore, Cherie”
|
|
Box
12
Folder
1
|
“For All We Know”
|
|
Box
12
Folder
1
|
“God Is My Friend”
|
|
Box
12
Folder
1
|
“If I Loved You More”
|
|
Box
12
Folder
1
|
“If I Loved You More” : For mixed-voice chorus.
|
|
Box
12
Folder
1
|
“I'm Pally with Sally Again”
|
|
Box
12
Folder
1
|
“It's That Time of the Day”
|
|
Box
12
Folder
1
|
“Love Letters in the Sand”
|
|
Box
12
Folder
1
|
“Love Letters in the Sand” : For school dance band.
|
|
Box
12
Folder
1
|
“Love Letters in the Sand” : For barbershop quartet.
|
|
Box
12
Folder
1
|
“The Men in Meninak” (Marching song) : Included in the Meninak 29th Annual Charity Game Program.
|
|
Box
12
Folder
1
|
“The Men in Meninak” (Marching song) : Words and music, J. Fred Coots.
|
|
Box
12
Folder
1
|
“One Minute to One”
|
|
Box
12
Folder
1
|
“A Precious Little Thing Called Love”
|
|
Box
12
Folder
1
|
“Santa Claus Is Coming to Town”
|
|
Box
12
Folder
1
|
“Santa Claus Is Coming to Town” : For organ.
|
|
Box
12
Folder
1
|
“Santa Claus Is Coming to Town” : For dance band.
|
|
Box
12
Folder
1
|
“Sippin' Cider with My Ida (Down by the Zuyder Zee)”
|
|
Box
12
Folder
1
|
“Westchester Country Club Anniversary Song”
|
|
Box
12
Folder
1
|
“Why?”
|
|
Box
12
Folder
1
|
“With God's Hand in Mine”
|
|
|
Subseries: Other Creative Writing, undated
|
|
Box
12
Folder
2
|
“The Banquet”
|
|
Box
12
Folder
2
|
“Beware of Free Medical Advice”
|
|
Box
12
Folder
2
|
“Come to the Auction”
|
|
Box
12
Folder
2
|
“The De Gaule-Stone”
|
|
Box
12
Folder
2
|
“Doctor Davis”
|
|
Box
12
Folder
2
|
“Doctor Hippity Hoppity (A Story for Little Children)”
|
|
Box
12
Folder
2
|
“Here's Johnny”
|
|
Box
12
Folder
2
|
“The Incredible Edible”
|
|
Box
12
Folder
2
|
“The Little Giant”
|
|
Box
12
Folder
2
|
“The Merger”
|
|
Box
12
Folder
2
|
“Midget Golf Championship”
|
|
Box
12
Folder
2
|
“Mother Fukker”
|
|
Box
12
Folder
2
|
“Murder in Tin Pan Alley”
|
|
Box
12
Folder
2
|
“My Privvy Pal”
|
|
Box
12
Folder
2
|
“Now, You Can Take It with You”
|
|
Box
12
Folder
2
|
“Pratt-Keester Nuptials”
|
|
Box
12
Folder
2
|
“The Thing”
|
|
Box
12
Folder
2
|
“Where the Heck Is Charlie???”
|
|
Box
12
Folder
2
|
“With a Song in His Heart (TV Script Idea for Sid Caesar)”
|
|
Box
12
Folder
2
|
“World Population Control”
|
|
Box
12
Folder
3
|
Series: Rights Assignments/Releases, 1944-1974 (bulk 1961-1974)
|
|
|
Series: Personal Appearances
|
|
Box
12
Folder
4-5
|
Contracts, 1931-1967 (bulk 1956-1967)
|
|
Box
12
Folder
6
|
Travel Itineraries, 1960-1967
|
|
Box
12
Folder
7-8
|
Other Appearances, 1963, 1968, 1970-1972
|
|
|
Series: Financial Records
|
|
Box
12
Folder
9
|
General, 1926-1975 (bulk 1957-1975)
|
|
Box
13
Folder
1-2
|
Performance and Royalty Records - ASCAP (Domestic), 1936-1974
|
|
Box
13
Folder
3
|
Performance and Royalty Records - ASCAP (Foreign), 1961-1974
|
|
Box
13
Folder
4
|
Royalty Records - Individual Publishers, 1936, 1962, 1970-1971
|
|
Box
13
Folder
5
|
Appearance Fees and Expenses, 1956-1972
|
|
|
Series: Newspaper Clippings
|
|
Box
13
Folder
6-7
|
Relating to Coots, undated, 1924-1974 (bulk 1961-1974)
|
|
Box
13
Folder
8
|
“Famous Flops,” 1965
|
|
Box
13
Folder
9
|
Other Show Business, undated, 1962-1979 (bulk 1965-1975)
|
|
Box
13
Folder
10
|
Non-Show Business, undated, 1960-1965, 1972-1975
|
|
|
Series: Certificates, Awards, and Other Memorabilia
|
|
Box
14
Folder
1-2
|
Professional, undated, 1922, 1930, 1960-1972
|
|
Box
14
Folder
3-5
|
Personal, 1960-1975
|
|
Oversize Folder
|
“The Old Grand-Dad Club,” 1965
|
|
Box
15
|
Typewriter, circa 1950
|
|
PH 6617
|
Series: Photographs
|
|
Oversize
|
ASCAP panorama, 1940; Coots's portrait
|
|
Box
1
Folder
1
|
Personal
|
|
Box
1
Folder
2
|
Photo album
|
|
Box
1
Folder
3
|
Professional
|
|
Box
1
Folder
4
|
Vacation
|
|
|
Series: Audio Materials
|
|
Disc 233A
|
Subseries: Disc Recordings
|
|
|
Demo Recordings, 1963, undated
|
|
Disc 233A/40
|
“All Suit - No Man”/blank
|
|
Disc 233A/1
|
“Fred Coots Performance”/blank
|
|
Disc 233A/39
|
“Got Me a Blue Eyed Baby”/blank
|
|
Disc 233A/38
|
“Hansel and Gretel,” part 1/part 2
|
|
Disc 233A/37
|
“It's Never Too Warm to Wear Mink”/“The Curtain Falls”
|
|
Disc 233A/36
|
“It's Never Too Warm to Wear Mink”/blank
|
|
Disc 233A/2
|
“J'ai tant marché”/same, different performer
|
|
Disc 233A/35
|
“A Little Café in Calais”/blank
|
|
Disc 233A/3
|
“On a Little Street in Napoli”/”Ah, Sweet Mystery of Life”
|
|
Disc 233A/34
|
“Our Escapade”/blank
|
|
Disc 233A/4
|
“Paradise Island”/blank
|
|
Disc 233A/5
|
“Parce qu'un homme”/blank
|
|
Disc 233A/6
|
“Santa's Little Helper”/same
|
|
Disc 233A/33
|
“Wait Till You See My Sweetie and Me in My Chrysler Automobile”/blank
|
|
Disc 233A/31
|
“Why Let a Lie Break Your Heart”/blank
|
|
Disc 233A/32
|
“Why Let a Lie Break Your Heart”/blank
|
|
Disc 233A/30
|
“You Happened to Me”/blank
|
|
Disc 233A/20
|
“The World Is Waiting to Sing Again”/blank
|
|
|
Commercial Releases, 1950-1957, undated
|
|
Disc 233A/41
|
And Then I Wrote...
Side One consists of the following songs: “Time Will Tell”; “Tomorrow's Another Day”; “Innocent Eyes”; “In My Little Red Book”; “The Promenade Walk”; “Remembering You”; “Put Your Troubles in a Candy Box”; “Oh What a Beautiful Baby (You Turned Out to Be)”; “Things Look Brighter Again”; “A Precious Little Thing Called Love”; “I Still Get a Thrill”; and “I Want to Ring Bells”
Side Two consists of the following songs: “Two Tickets to Georgia”; “One Minute to One”; “You Go to My Head”; “Why?”, “For All We Know”; “Me and My Teddy Bear”; “A Beautiful Lady in Blue”; “Love Letters in the Sand”; and “Santa Claus Is Comin' to Town”
|
|
Disc 233A/29
|
“Apple on a Stick”/”All Around the Mulberry Bush”; “Did You Ever See a Lassie?”, “Bye, Baby Bunting”
|
|
Disc 233A/7
|
“For All We Know”/”I Wouldn't Know (What to Do)”
|
|
Disc 233A/28
|
“Hansel and Gretel”
|
|
Disc 233A/27
|
“Christmas Chopsticks”/“He'll Be Coming Down the Chimney”
|
|
Disc 233A/26
|
“The Smile of a Clown”/“I'm Afraid to Love You”
|
|
Disc 233A/8
|
“I'm Building Castles Again”/”Don't Fence Me In”
|
|
Disc 233A/25
|
“Some Day My Prince Will Come”/“In the Land of Lemonade and Lollypops”
|
|
Disc 233A/9
|
“J'ai vu passer le Père Noel”/”Noel est venu”
|
|
Disc 233A/10
|
“Let's Be Friends”/”Pa-Pa Ma-Ma Cha-Cha”
|
|
Disc 233A/24
|
“Little Johnny Chickadee”/”Peterkin Pillowby”
|
|
Disc 233A/23
|
“The Dwarfs' Yodel Song”/“Little Polly Parakeet”
|
|
Disc 233A/11
|
“Mama Nicolini”/”Mandolino”
|
|
Disc 233A/12
|
“Mama Nicolini”/”The Friend”
|
|
Disc 233A/13
|
“Papa Danst Mambo”/“Mama Nicolini”
|
|
Disc 233A/22
|
“Me and My Teddy Bear”/”I Found My Mamma”
|
|
Disc 233A/14
|
“Music to My Ears”/”To Love and Be Young”
|
|
Disc 233A/15
|
“Santa Claus Is Coming to Town”/”Christmas Tears”
|
|
Disc 233A/16
|
“Jingle Bells”/“Santa Claus Is Coming to Town”
|
|
Disc 233A/17
|
“Sweetie Bear”/”Counting Song” and “Pony Boy”
|
|
Disc 233A/18
|
“Ooh-woo-wee”/“When We're Together”
|
|
Disc 233A/19
|
“Village in Capri (Guaglione)”/“You Go to My Head”
|
|
Disc 233A/21
|
“You're So Simpatico”/“Mama Nicolini”
|
|
Audio 1413A
|
Subseries: Open Reel Tape Recordings, 1958, 1971-1972, undated
|
|
1413A/1
|
“If I Were Queen” demo
|
|
1413A/2
|
“The Wine of Love” demo
|
|
1413A/3
|
Coots radio interview with Jim McClain #1
|
|
1413A/4
|
Coots radio interview with Jim McClain #2
|
|
1413A/5
|
Coots live at an ASCAP event
|
|
1413A/6
|
ASCAP salute to Coots
|
|