Container
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Title
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U.S. Mss 27AN
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Part 1 (U.S. Mss 27AN, Audio 505A/1-32, 39-78): Original Collection, 1929-196946.4 cubic feet (72 archives boxes,
59 volumes, and 2 packages), 54 audio recordings (1/4-inch reel), 2 audio recordings
(cassette), 16 audio recordings (disc) The Original Collection comprises everything received in the Archives through 1969. Its
contents date 1929-1969 and primarily document the Kerrs' early lives and the wide range
of personal and professional interests of these two writers. This part of the collection
is divided into several series: General Correspondence; Personal and Miscellaneous
Papers; Financial and Legal Correspondence; Theater; Criticism; Lectures; Television;
Jean Kerr's Book and Articles; Miscellaneous; and Recordings. Generally, the material
within each series is organized chronologically; the one exception is the television
series, which has been arranged alphabetically by program title. GENERAL CORRESPONDENCE (Boxes 1-22) spans the years 1929 to 1969 and is arranged
chronologically. (Correspondence that relates to a particular play or book has been
placed with that specific title.) Often, especially in the later correspondence, carbon
copies of letters sent by the Kerrs are present, as well as letters received by them.
Researchers will find both quantity and diversity in this series: there are lecture
requests, fan mail, family correspondence, and letters from professional associates from
the Kerrs. There are letters from many notable correspondents. PERSONAL AND MISCELLANEOUS PAPERS (Boxes 22-26) consists of passports, college notes,
awards, photographs, and appointment books. FINANCIAL AND LEGAL CORRESPONDENCE (Boxes 26 and 27) contains contracts, bank
statements, financial statements. Included are reports from Brandt and Brandt, Collins
Productions, the Kerrs' publishers, and World Theater. The series THEATER (Boxes 28-40 and Volumes 1-25) is divided into three categories,
according to the location of the Kerrs' productions: the early plays, 1932-1939, of the
Kerrs' high school and college years; the plays produced at Catholic University,
1939-1948; and New York and other later productions, 1942-1964. In the last category are
included the plays first produced at Catholic University and then taken to New York. Materials for individual plays vary and may consist of correspondence, scripts,
musical scores, contracts, photographs, playbills, production notes, clippings, and
financial papers. Undated plays are listed alphabetically by title at the end of the
early plays. Included among the play manuscripts are Sing Out Sweet Land, King of Hearts, Goldilocks, Mary, Mary, and
Poor Richard. Within the series CRITICISM (Boxes 40-64, and Volumes 26-30) is the
documentation--correspondence, notes, contracts, drafts and revisions, financial
statements, galley proofs--of this most incisive part of Walter Kerr's career. The
series begins with Kerr's books: Staging the
Great Plays, How Not to Write a
Play, Criticism and
Censorship, Pieces at Eight,
The Decline of Pleasure, Tragedy and Comedy, and Thirty Plays Hath November. Also included
here are books for which Kerr wrote an essay or an introduction. Following the books are
articles written for journals. Of interest to most researchers will be the play reviews
written for Commonweal, the New York Herald Tribune, and the New York Times; these begin in Box 56,
Folder 7 and continue through Box 64, Folder 2, and are bound in Volumes 29 and 30. LECTURES (Boxes 65 and 66) contain the notes Kerr used while a professor at Catholic
University, as well as his research files and notes used for lectures given throughout
the country. The final series that deals with Walter Kerr's career is TELEVISION (Boxes 67 and 68
and Volumes 31-33). These materials, primarily scripts, are organized alphabetically by
series title. Scripts for individual episodes within the series are arranged
chronologically; undated and unidentified scripts are placed at the end of this series.
Included here are scripts and comments for Profiles in Courage and Omnibus, for which Kerr served as drama consultant. Boxes 68 and 69 contain JEAN KERR'S BOOK AND ARTICLES; these drafts are arranged
chronologically. For Please Don't Eat the
Daisies, only correspondence and financial and legal information are
available. The Snake Has All the Lines
and Penny Candy are collections of
articles. Miscellaneous articles by Mrs. Kerr are at the end of this series. MISCELLANEOUS (Boxes 70-72 and Volumes 34-59) consists of books sent to the Kerrs,
high school and college publications, scrapbooks, and photographs. Also here is a
manuscript of special interest--a stenographic recording of private sessions with the
Group Theater, 1939; this transcript was given to Walter Kerr. A small group of
interviews with the Kerrs is also included here. AUDIO RECORDINGS consists of 16 tape recordings and 16 disc recordings that
supplement the musical scores, interviews, and discussions provided earlier in the
collection.
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Series: General correspondence
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Box
1
Folder
1
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1929 June-1938
December
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Box
1
Folder
2
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1939 January-1940
December
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Box
1
Folder
3
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1941
January-December
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Box
1
Folder
4
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1942
January-December
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Box
2
Folder
1
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1943
January-December
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Box
2
Folder
2
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1944
January-December
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Box
2
Folder
3
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1945 January-1946
December
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Box
2
Folder
4
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1947 January-1948
December
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Box
2
Folder
5
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1949
January-December
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Box
2
Folder
6
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1950
January-December
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Box
2
Folder
7
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1951
January-September
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Box
3
Folder
1
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1951
October-December
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Box
3
Folder
2
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1952
January-May
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Box
3
Folder
3
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1952
June-December
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Box
3
Folder
4
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1953
January-May
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Box
3
Folder
5
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1953
June-December
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Box
3
Folder
6
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1954
January-July
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Box
3
Folder
7
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1954
August-December
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Box
3
Folder
8
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1955
January-April
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Box
4
Folder
1
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1955 May-July
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Box
4
Folder
2
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1955
August-December
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Box
4
Folder
3
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1956
January-June
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Box
4
Folder
4
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1956
July-December
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Box
4
Folder
5
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1957
January-May
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Box
5
Folder
1
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1957
June-December
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Box
5
Folder
2
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1958
January-December
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Box
5
Folder
3
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1959
January-December
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Box
5
Folder
4
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1960
January-December
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Box
5
Folder
5
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1961
January-September
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Box
5
Folder
6
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1961
October-December
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Box
6
Folder
1
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1962
January-March
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Box
6
Folder
2
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1962 April-June
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Box
6
Folder
3
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1962
July-October
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Box
6
Folder
4
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1962
November-December
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Box
6
Folder
5
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1963
January-February
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Box
6
Folder
6
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1963 March-May
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Box
7
Folder
1
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1963 June-July
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Box
7
Folder
2
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1963
August-September
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Box
7
Folder
3
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1963 October
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Box
7
Folder
4
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1963 November
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Box
7
Folder
5
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1963 December
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Box
7
Folder
6
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1963
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Box
8
Folder
1
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1963-1964
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Box
8
Folder
2
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1964 January
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Box
8
Folder
3
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1964 February
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Box
8
Folder
4
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1964 March
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Box
8
Folder
5
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1964 April
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Box
8
Folder
6
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1964 May
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Box
9
Folder
1
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1964 June
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Box
9
Folder
2
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1964 July
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Box
9
Folder
3
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1964 August
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Box
9
Folder
4
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1964 September
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Box
9
Folder
5
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1964 October
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Box
9
Folder
6
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1964 November
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Box
10
Folder
1
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1964 December
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Box
10
Folder
2-3
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1964
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Box
10
Folder
4
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1965 January
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|
Box
10
Folder
5
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1965 February
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Box
10
Folder
6
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1965 March
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Box
11
Folder
1
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1965 April
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Box
11
Folder
2
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1965 May
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Box
11
Folder
3
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1965 June
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Box
11
Folder
4
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1965
July-August
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Box
11
Folder
5
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1965 September
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Box
11
Folder
6
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1965 October
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Box
12
Folder
1
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1965 November
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Box
12
Folder
2
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1965 December
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Box
12
Folder
3
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1965
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Box
12
Folder
4
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1966 January
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Box
12
Folder
5
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1966 February
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Box
12
Folder
6
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1966 March
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Box
13
Folder
1
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1966 April-May
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Box
13
Folder
2
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1966 June-July
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Box
13
Folder
3
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1966 August
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Box
13
Folder
4-5
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1966 September
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Box
13
Folder
6
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1966 October
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Box
14
Folder
1
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1966 October
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Box
14
Folder
2-3
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1966 November
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Box
14
Folder
4
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1966 December
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Box
14
Folder
5-6
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1966
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Box
15
Folder
1-2
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1967 January
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Box
15
Folder
3-4
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1967 February
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Box
15
Folder
5-6
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1967 March
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Box
16
Folder
1-2
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1967 April
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Box
16
Folder
3-4
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1967 May
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Box
16
Folder
5-6
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1967 June
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Box
16
Folder
7-8
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1967 July
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Box
17
Folder
1
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1967 August
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Box
17
Folder
2
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1967 September
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Box
17
Folder
3-4
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1967 October
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Box
17
Folder
5
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1967 November
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Box
17
Folder
6
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1967 December
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Box
17
Folder
7
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1967
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Box
18
Folder
1
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1968 January
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Box
18
Folder
2
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1968 February
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Box
18
Folder
3
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1968 March
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Box
18
Folder
4
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1968 April
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Box
18
Folder
5
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1968 May
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Box
18
Folder
6
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1968 June
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Box
19
Folder
1
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1968 July
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Box
19
Folder
2
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1968 August
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Box
19
Folder
3
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1968 September
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Box
19
Folder
4
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1968 October
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Box
19
Folder
5
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1968 November
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Box
19
Folder
6
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1968 December
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Box
19
Folder
7
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1968
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Box
20
Folder
1
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1969 January
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Box
20
Folder
2
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1969 February
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Box
20
Folder
3
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1969 February
|
|
Box
20
Folder
4
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1969 March
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|
Box
20
Folder
5
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1969 April
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|
Box
20
Folder
6
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1969 May
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Box
21
Folder
1
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1969 June 21
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Box
21
Folder
2
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1969 July
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Box
21
Folder
3
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1969
August-December
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Box
21
Folder
4
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1969
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|
Box
21
Folder
5-6
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undated
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Box
22
Folder
1-2
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undated
(continued)
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Series: Personal and miscellaneous papers
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Package
2
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Diplomas : Marywood Seminary, St. Mary's College of the Woods, St. Mary's School, Northwestern
University
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Package
2
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Honorary degrees : St. Mary's College, La Salle College
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Box
22
Folder
3
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Passport, induction notice, insurance forms, teaching
appointments
|
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Box
22
Folder
4
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Poems, written by Walter Kerr while in the third grade
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Box
22
Folder
5
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College notes, essays, poems, fragments of early plays and sketches and
short stories / by Jean Kerr
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Box
22
Folder
6
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Personal clippings-birth and wedding announcements
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Box
22
Folder
7
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Moss Hart: pamphlet / poems by Phyllis McGinley
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Box
23
Folder
1
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Program of reopening of Ford's Theatre College playbills of Jean
Kerr, 1968
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Awards
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Box
23
Folder
2
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Walter Kerr-St. George High School diploma; Scholarship honors and Master
of Arts Degree from Northwestern University; Graduation programs, 1931, 1935, 1938, 1937
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Box
23
Folder
3
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Jean Kerr-Marywood College graduation program and Department of Public
Instruction Certificate, 1939, 1943
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Box
23
Folder
4
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Walter Kerr-Northwestern University Alumni Association Award of
Merit-award and correspondence, 1948 June 12
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Box
23
Folder
5
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Walter Kerr-Doctor of Laws Degree St. Mary's College, Notre Dame,
Indiana 1956
|
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Box
23
Folder
6
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Walter Kerr-Sylvania Television Award for Omnibus, 1957
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Package
1
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Jean Kerr-Spirit of Achievement Award presented on by the Woman's
Division of Albert Einstein College of Medicine of Yeshiva University, 1958 March 24
|
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Box
23
Folder
7
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Jean and Walter Kerr-American Society of Composers, Authors and
Publishers membership certificates 1959
|
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Box
23
Folder
8
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Jean Kerr-Writer's Guild of America, Nomination of Writing Achievement
for Please Don't Eat the
Daisies 1960
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Box
23
Folder
9
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Walter Kerr-David Merrick Award for Criticism correspondence, 1962 May
|
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Box
23
Folder
10
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Jean and Walter Kerr-Doctor of Humane Letters degree from Northwestern
University program and correspondence, 1962 June 16
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Box
23
Folder
11
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Walter Kerr-Herald
Tribune certificate of appreciation upon receiving the George Jean
Nathan Drama Criticism Award for The
Theatre in Spite of Itself correspondence, 1964 January
22
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Box
23
Folder
12
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Walter and Jean Kerr-Honorary Doctor of Letters Degrees, Fordham
University correspondence and program 1965 June 19
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Box
23
Folder
13
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Walter Kerr-Dineen Award of the National Theatre Conference
correspondence and Herald Tribune
Certificate, 1965 August
26
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Box
23
Folder
14
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Walter Kerr-Applause Award from the Northwestern University Club of New
York, miscellaneous awards 1966 April
22
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Box
23
Folder
15
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Walter Kerr-award for outstanding service in journalism from Kappa Tau
Alpha of New York University, 1966 May 20
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Package
1
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Oversize item
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Box
23
Folder
16
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Walter and Jean Kerr-Catholic Action Medals presented by St. Bonaventure
University, 1966 December
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Box
23
Folder
17
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Walter Kerr-Citation For Distinguished Service to the Theatre, The
American Educational Theatre Association 1967 August
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Box
24
Folder
1
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Phyllis McGinley-award presented by the Catholic Book Club, 1967 November
10
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Box
24
Folder
2
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Walter Kerr-Doctor of Fine Arts Degree, University of Notre Dame
correspondence and award 1968 June 21
|
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Box
24
Folder
3
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Walter Kerr-Five Towns Music and Art Foundation, award of distinction
program 1969 May 6
|
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Package
1
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Oversize item
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Photographs
|
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Box
24
Folder
4-5
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Walter Kerr
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Box
24
Folder
6
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Jean Kerr
|
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Box
24
Folder
7-8
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Kerr family
|
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Box
25
Folder
1
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Miscellaneous
|
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Appointment Books
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Box
25
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1952-1953, 1955,
1957-1962
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Box
26
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1964-1966
|
|
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Series: Financial and legal correspondence
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Box
26
Folder
1
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Brandt and Brandt, 1945-1969
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Financial statements-personal and Collins Productions Inc.
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Box
26
Folder
2
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1961
August-December
|
|
Box
26
Folder
3
|
1962
January-April
|
|
Box
27
Folder
1
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1962
May-September
|
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Box
27
Folder
2
|
Sheed & Ward Inc., Publishers, financial reports 1962-1967
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Box
27
Folder
3
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Weissberger & Frosch, Counselors at Law 1963-1966
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Box
27
Folder
4
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World Theatre, financial statements 1961
|
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Box
27
Folder
5
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Financial statements-miscellaneous
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Box
27
Folder
6
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Legal-miscellaneous contracts
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|
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Series: Theater
|
|
|
Early Plays, 1932-1939
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Box
28
Folder
1
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Ideas for shows: early sketches, notes, and lyrics by Jean and Walter
Kerr
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Volume
3
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Sketches
|
|
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Photographs
|
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Box
28
Folder
2
|
Plays produced at St. George High School
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Box
28
Folder
3
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Plays produced at Marywood College
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Box
28
Folder
4
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Plays produced at Northwestern University
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No Reason at All, 1932 : By Walter Kerr and Gilbert Nevius, produced at St. George High School, 1933
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Volume
1
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Script
|
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St. George Minstrel Show, 1933 : By Walter Kerr and Gilbert Nevius, produced at St. George High School
|
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Volume
3
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Script
|
|
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A Most Extraordinary Boy, 1934 : By Walter Kerr, suggested by Hans Christian Anderson's "Story of My Life"
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Box
28
Folder
5
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Correspondence, copyright and commentary on play 1939
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Volume
2
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Original script, treatments, staging directions
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Denison's Variety Revue
by Walter Kerr, 1935
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Box
28
Folder
6
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Correspondence and contracts, 1934-1935
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Volume
1
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Sketches
|
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Murder in Reverse / by
Walter Kerr, 1935
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Box
28
Folder
7
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Correspondence, 1934
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Volume
1
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Script
|
|
|
Murder to Music / by
Walter Kerr, 1935
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Box
28
Folder
7
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Correspondence, 1936
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Volume
1
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Script
|
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|
Movie Minstrel / by
Walter Kerr, 1936
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Box
28
Folder
8
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Contracts, financial information 1936-1938
|
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Murder in Grey / by
Walter Kerr, 1936
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Volume
3
|
Script
|
|
|
Murder with Impunity / by
Walter Kerr, 1936
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Box
28
Folder
9
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Correspondence, 1936
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Volume
3
|
Script
|
|
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I'll Take Vanilla / by
Walter Kerr, 1936
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Box
28
Folder
10
|
Contract, 1936
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Volume
3
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Script
|
|
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Mystery Minstrel / by
Walter Kerr, 1937
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Box
28
Folder
10
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Correspondence, 1937
|
|
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Don't Look Now, 1937 March : Show at Northwestern University, script and lyrics by Walter Kerr and Charles
Nelson
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Volume
1
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Script, lyrics
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Volume
56
|
Musical score
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Box
28
Folder
11
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Lyrics, financial information
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Angels on Eggshells, 1937 : By Walter Kerr, Northwestern University
|
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Box
28
Folder
12
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Correspondence, 1938
|
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Volume
3
|
Script
|
|
|
Death and Deluge / by
Walter Kerr, 1937
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Volume
3
|
Script
|
|
|
A Murderous Marriage / by
Walter Kerr, 1937
|
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Volume
3
|
Script
|
|
|
Imps in Industry, 1937, 1939 June 10 : By Walter Kerr; renamed Inside-Out
Family and produced by Jack and Jill Players1939 June
10, Chicago, Illinois
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Box
28
Folder
13
|
Correspondence commentary, 1937-1939
|
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Volume
5
|
Script
|
|
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Rip Van Winkle, 1937 : Adaptation from Washington Irving by Walter Kerr; produced at Northwestern
University, scenes used in 1943 December at Catholic University
|
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Box
28
Folder
14
|
Correspondence, contract 1936-1937
|
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Volume
56
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Article by Walter Kerr
|
|
|
The Thief Is a Knight
by Walter Kerr, 1938
|
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Box
28
Folder
15
|
Correspondence, contract 1938-1939
|
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Volume
56
|
Script
|
|
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Christopher over Chaos, 1938 July : By Walter Kerr; submitted as his M.A. thesis, Northwestern University
|
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Box
28
Folder
16
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Correspondence, 1938-1941
|
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Volume
4
|
Script, 1938 July
|
|
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The Vicar of Wakefield, 1938 : Adaptation from Oliver Goldsmith by Walter Kerr; produced, 1938, at Northwestern
University
|
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Box
28
Folder
17
|
Correspondence, contract 1938
|
|
|
Christmas Incorporated
by Walter Kerr, 1939
|
|
Box
28
Folder
18
|
Correspondence, contracts 1937-1939
|
|
Volume
3
|
Script
|
|
|
Without Jury / by Walter
Kerr, 1939
|
|
Box
28
Folder
19
|
Correspondence, 1940, script
|
|
Box
28
Folder
20
|
Script
|
|
|
Early Plays, undated
|
|
|
American Ghoulash / by
Walter Kerr
|
|
Volume
3
|
Script
|
|
|
"The American Musical Review"
|
|
Volume
1
|
Script
|
|
|
Art and Prudence
|
|
Volume
6
|
Script
|
|
|
The Baldwin Gang / by
Walter Kerr
|
|
Volume
13
|
Notes
|
|
|
Change of the Moon / by
Walter Kerr
|
|
Volume
19
|
Script
|
|
|
The Constitution-Two
Epochs / by Walter Kerr
|
|
Volume
3
|
Script
|
|
|
The Country on Her Hands
by Walter Kerr
|
|
Volume
3
|
Script
|
|
|
If Wishes Were Babies / by
Walter Kerr
|
|
Volume
5
|
Script
|
|
|
The Last Aqueduct / by
Walter Kerr
|
|
Box
28
Folder
21
|
Correspondence, 1944
|
|
Volume
5
|
Script
|
|
Volume
19
|
Script
|
|
|
Minute Waltz / by Jean
Kerr
|
|
Volume
25
|
Two scripts
|
|
|
School for Wives : Adaptation from Moliere by Walter Kerr
|
|
Volume
13
|
Script
|
|
Box
32
|
Script for television
|
|
|
Teapot Tempest / by Walter
Kerr
|
|
Volume
1
|
Script
|
|
|
Twelfth Night : Adaptation from Shakespeare by Walter Kerr
|
|
Volume
1
|
Script
|
|
|
Two Women and a Boy / by
Walter Kerr
|
|
Volume
3
|
Script
|
|
Volume
3
|
Two untitled plays by Walter Kerr
|
|
Volume
5
|
Articles
|
|
|
Plays Produced at Catholic University, Washington, D.C. 1939-1948
|
|
|
Hyacinth On Wheels, 1939 February
19 : By Walter Kerr; directed by Walter Kerr
|
|
Box
28
Folder
22
|
Correspondence production photographs, contract, financial
information 1938-1947
|
|
|
Coriolanus, 1939 May 5 : Adaptation from Shakespeare by Walter Kerr; directed by Walter Kerr
|
|
Box
28
Folder
23
|
Correspondence; production photographs, 1939-1940
|
|
Volume
5
|
Script
|
|
|
The Comedian, 1939 July : By Henri Gheon; directed by Walter Kerr
|
|
Box
28
Folder
24
|
Photographs
|
|
|
Yankee Doodle Boy, 1939 December 16, 1940
April 26 : By Walter Kerr and Leo Brady
|
|
Box
29
Folder
1
|
Correspondence; production photographs, 1939-1944
|
|
Volume
5
|
Script
|
|
|
Murder in the Cathedral, 1940 March
24 : By T.S. Eliot; directed by Walter Kerr
|
|
Box
29
Folder
2
|
Photographs
|
|
|
The Miser, 1940 May 26, July
10 : Adaptation from Moliere by Walter Kerr
|
|
Box
29
Folder
3
|
Correspondence; photographs; contracts; financial
information, 1941-1961 : See also Box 32.
|
|
|
Calidore, 1940 July 17; 1941 May
21 : By Leo Brady; directed by Walter Kerr
|
|
Box
29
Folder
4
|
Photographs
|
|
|
My Heart's in the Highlands, 1949 August
7 : By William Saroyan; directed by Walter Kerr
|
|
Box
29
Folder
5
|
Photographs
|
|
|
She Stoops to Conquer, 1940 November 6; 1941
July 16 : By Oliver Goldsmith; directed by Walter Kerr
|
|
Box
29
Folder
6
|
Photographs
|
|
|
Storm, 1940 December
11 : By Edith Mirick
|
|
Box
29
Folder
7
|
Photographs
|
|
|
The Comedy of Errors, 1941 January 15 and
July 9 : By William Shakespeare; directed by Walter Kerr
|
|
Box
29
Folder
8
|
Correspondence, photographs
|
|
|
God's Stage, 1941 February
27 : By Walter Kerr; directed by Walter Kerr
|
|
Box
29
Folder
9
|
Correspondence; photographs, 1941-1946
|
|
Volume
5
|
Script
|
|
|
Cook Book, 1941 April
23 : By Leo Brady and Walter Kerr
|
|
Box
29
Folder
10
|
Correspondence; photographs, 1941
|
|
Volume
5
|
Script
|
|
|
Hotel Universe, 1941 August
4 : By Philip Barry; directed by Walter Kerr
|
|
Box
29
Folder
11
|
Photographs
|
|
|
Jim Dandy, 1941 October 29; 1942
July 15 : By William Saroyan; directed by Alan Schneider
|
|
Box
29
Folder
12
|
Photographs
|
|
|
The Knight of the Burning Pestle, 1941 December
10 : By Beaumont and Fletcher; directed by Walter Kerr
|
|
Volume
12
|
Script
|
|
Box
29
Folder
13
|
Photographs
|
|
|
Brighton Rock, 1942 February
4 : Adaptation from Graham Greene by Leo Brady and Walter Kerr
|
|
Box
29
Folder
14
|
Correspondence; clippings, photographs 1942-1957
|
|
Volume
7
|
Script
|
|
|
Athaliah, 1942 March
17 : By Racine; directed by Alan Schneider
|
|
Box
29
volume 15
|
Photographs
|
|
|
Magic, 1942 July
29 : By Gilbert K. Chesterton; directed by Walter Kerr
|
|
Box
29
Folder
16
|
Photographs
|
|
|
Life Is a Dream, 1942 December
9 : By Calderon; directed by Walter Kerr
|
|
Box
29
Folder
17
|
Photographs
|
|
|
A New Way to Pay Old Debts, 1943 February
24 : By Phillip Massinger; directed by Walter Kerr
|
|
Box
29
Folder
18
|
Photographs
|
|
|
The King Is Dead, 1943 March 31 and July
5 : By Victoria Kuhn, directed by Walter Kerr
|
|
Box
30
Folder
1
|
Photographs
|
|
|
Eddie the First, 1943 May 5 : By Art Mullen and Denny Madden
|
|
Box
30
Folder
2
|
Correspondence; photographs, 1941
|
|
|
Stranger at the Gate, 1943 July
22 : By Patricia Treadwell; directed by Walter Kerr
|
|
Box
30
Folder
3
|
Correspondence; photographs, 1943-1946
|
|
|
Secret Service, 1944 February
9 : By William Gillette; directed by Walter Kerr
|
|
Box
30
Folder
4
|
Photographs
|
|
|
Tom Thumb the Great, 1945 January
14 : By Henry Fielding; directed by Walter Kerr
|
|
Box
30
Folder
5
|
Photographs
|
|
|
Peer Gynt, 1945 April
1 : By Ibsen; directed by Walter Kerr
|
|
Box
30
Folder
6
|
Photographs
|
|
|
The Importance of Being Earnest, 1945 August
5 : By Oscar Wilde; directed by Alan Schneider
|
|
Box
30
Folder
7
|
Photographs
|
|
|
The Liar, 1945 November
2 : Adaptation from Goldoni by Edward Eager and Alfred Drake; directed by Walter
Kerr
|
|
Box
30
Folder
8
|
Photographs
|
|
|
That's Where the Money Goes, 1946 May 10 : By James Finley, Jean Kerr and Joan O'Bryne; directed by Alan Schneider
|
|
Volume
19
|
Sketches by Jean Kerr
|
|
Box
30
Folder
9
|
Clippings, program, sketch
|
|
|
Our Hearts Were Young and Gay, 1946 July
22 : Adaptation from Cornelia Otis Skinner and Emily Kimbrough by Jean Kerr; directed
by Walter Kerr
|
|
Box
30
Folder
10
|
Correspondence; clippings; playbill, 1946-1966
|
|
Box
30
Folder
11
|
Photographs
|
|
Box
30
Folder
12
|
Contracts, financial information 1946-1969
|
|
|
The Ascent of F6, 1946 October
25 : By W.H. Auden and Christopher Isherwood; directed by Walter Kerr
|
|
Box
30
Folder
13
|
Correspondence; photographs, 1946
|
|
|
Much Ado About Nothing, 1947 January 17; 1947
October : By William Shakespeare; directed by Walter Kerr
|
|
Volume
12
|
Script
|
|
Box
30
Folder
14
|
Photographs
|
|
|
Alley Moon, 1948 May 2 : By Walter Kerr; directed by Walter Kerr
|
|
Volume
14
|
Script
|
|
Box
30
Folder
15
|
Photographs, copyright
|
|
|
The Birds, 1948 December
3 : Adaptation from Aristophanes by Walter Kerr; directed by Walter Kerr
|
|
Box
31
Folder
1
|
Correspondence, 1948-1969
|
|
Box
31
Folder
2
|
Photographs
|
|
Box
31
Folder
3
|
Contracts, financial information 1952-1968
|
|
|
Musical score : See Audio recordings series.
|
|
Box
31
Folder
4
|
Miscellaneous Catholic University production photographs
|
|
|
New York and Regional Productions, 1942-1964
|
|
|
Count Me In (New
York, 1942 October
8
Producer: Shubert, Olsen and Johnson in association with Krakeur and
Schmidlapp
Director: Robert Ross
Writer: Walter Kerr and Leo Brady
Music: Ann Ronell
Cast: Charles Butterworth, Luella Gear, June Preisser, Mary Healy, Hal Leroy
|
|
Box
31
Folder
5
|
Correspondence, 1942-1953
|
|
Volume
8
|
Script, 1942 August
7
|
|
Box
31
Folder
6
|
Photographs, Catholic University 1942 May 10
|
|
Box
31
Folder
7
|
Playbill, notes
|
|
Box
31
Folder
8
|
Clippings
|
|
Box
31
Folder
9
|
Contracts; financial information; box office statements, 1942-1944
|
|
|
Stardust
(Philadelphia, 1943 September
9
Producer: Michael Myerberg
Director: Herb Polesie
Writer: Walter Kerr
Cast: Rose King, Gloria Hallward, George Ives, Susan Douglas, Chick Chandler
|
|
Box
31
Folder
10
|
Correspondence; clippings; Catholic University poster, 1940-1966
|
|
Volume
6
|
Original script as played at Catholic University; contains revisions
for Philadelphia
|
|
Volume
6
|
Script
|
|
Box
31
Folder
11
|
Contracts, 1942-1946
|
|
Box
31
Folder
12
|
Photographs of Catholic University productions
|
|
Box
31
Folder
13
|
Financial statements, 1942-1962
|
|
|
Sing Out Sweet Land (New
York, 1944 December
27
Producer: Lawrence Langner and Theresa Helburn
Director: Walter Kerr
Writer: Walter Kerr
Music: Walter Kerr, with special music by Elie Siegmeister
Cast: Burl Ives, George Cassidy, Peggy Campbell, Ethel Mann, Charles Hart
|
|
Box
31
Folder
14
|
Correspondence, 1953-1968
|
|
Volume
9
|
Original script-as played at Catholic University
|
|
Volume
9
|
Script, 1944
October
|
|
Volume
9
|
Script material
|
|
Volume
9
|
Script, 1944
December
|
|
Volume
10
|
Musical score : See also Audio recordings series.
|
|
Box
32
Folder
1
|
Contracts, 1944-1953
|
|
Box
32
Folder
2
|
Photographs of Catholic University production
|
|
Box
32
Folder
3
|
Playbills, photographs
|
|
Box
32
Folder
4
|
Production notes and manuscript suggestions
|
|
Volume
19
|
Plan for television program
|
|
Box
32
Folder
5
|
Financial and legal information, 1944-1968
|
|
|
Lien under the Sky, 1945 : By Jean Kerr (unproduced)
|
|
Volume
11
|
Script
|
|
|
The Song of Bernadette
(New York, 1946 March
26
Producer: Victor Payne-Jennings and Frank McCoy
Director: Walter Kerr
Script: Jean and Walter Kerr, adapted from the novel by Franz Werfel
Cast: Jean Mann, Elizabeth Ross, Pamela Rivers, Christina Soulias
|
|
Box
32
Folder
6
|
Correspondence, 1943-1966
|
|
Box
32
Folder
7
|
Photographs of Catholic University production
|
|
Box
32
Folder
8
|
Clippings, Boston poster, Commentary by Franz Werfel, tryout
schedule
|
|
Box
32
Folder
9
|
Contract, financial statements 1943-1969
|
|
|
All Gaul Is Divided (New
York, 1947 October
19
Producer: John F. Golden and John Michael Lambur
Director: Walter Kerr
Writer: John I. McGiver
Cast: Doris Dowling, William Terry, Hilda Vaughn, Edward Andrews
|
|
Volume
13
|
Script
|
|
Box
32
Folder
10
|
Photographs of Catholic University production, financial information,
correspondence
|
|
|
Jenny Kissed Me (New
York, 1948 December
23Producer: James Russo, Michael Ellis, Alexander Cohen, in association with
Clarence Shapiro Director: James Russo Writer: Jean Kerr Cast: Leo G. Carroll, Alan Baxter, Jean Jordan, Bonnie Alden, Francis Bavier : See also Audio recordings series.
|
|
Box
32
Folder
11
|
Correspondence, 1947-1956
|
|
Volume
15
|
Script as played at Catholic University
|
|
Volume
15
|
Script
|
|
Box
32
Folder
12
|
Contracts, 1948-1949
|
|
Box
32
Folder
13
|
Photographs of Catholic University production
|
|
Box
33
Folder
1
|
Clippings, programs
|
|
Box
33
Folder
2
|
Financial and legal information, 1948-1965
|
|
|
Touch and Go (New
York, 1949 October
13
Producer: George Abbott
Director: Walter Kerr
Writer: Jean and Walter Kerr
Music: Jay Gorney
Lyrics: Jean and Walter Kerr
Cast: Kyle MacDonnell, Peggy Cass, Louis Nye, Dorothy Scott, Jonathan Lucas
|
|
Box
33
Folder
3
|
Correspondence, 1949-1955
|
|
Volume
16
|
Script (titled Thank You, Just
Looking) as played at Catholic University
|
|
Volume
16
|
Sketches and lyrics
|
|
Volume
16
|
Script and lyrics, 1949
September
|
|
Volume
16
|
Script; program; plots, 1949
October
|
|
Volume
16
|
Script fragments
|
|
Box
33
Folder
4
|
Sketch
|
|
Volume
17
|
Musical scores
|
|
Box
33
Folder
5
|
Musical scores and arrangements
|
|
Box
33
Folder
6
|
Contracts, 1949
|
|
Box
33
Folder
7
|
Photographs of Catholic University production
|
|
Box
33
Folder
8
|
Photographs of New York and London productions
|
|
Box
33
Folder
9
|
Clippings, programs
|
|
Box
33
Folder
10
|
Financial statements, 1949-1965
|
|
|
Happy Ending, 1950 : By Jean and Walter Kerr (unproduced)
|
|
Volume
18
|
Script and lyrics
|
|
Box
33
Folder
11
|
Copyright form
|
|
|
John Murray Anderson's
Almanac (New York, 1953 December
10
Producer: Michael Grace, Stanley Gilkey, Harry Rigby
Director: John Murray Anderson
Writer: Jean Kerr, Summer Locke Elliot, Arthur Macrae, Herbert Farjeon, Lauri
Wylie
Music: Michael Grace, Richard Adler, Jerry Ross, Cy Coleman, Joseph McCarthy,
Henry Sullivan, John Rox and Bart Howard
Cast: Polly Bergen, Harry Belafonte, Orson Bean, James Jewell
|
|
Box
33
Folder
12
|
Correspondence; clippings, 1951-1954
|
|
Volume
19
|
Sketches by Jean Kerr
|
|
Box
33
Folder
13
|
Contracts, financial information 1953-1954
|
|
|
King of Hearts (New
York, 1954 April 1
Producer: Elaine Perry
Director: Walter Kerr
Script: Jean Kerr and Eleanor Brooke
Cast: Donald Cook, Jackie Cooper, Rex Thompson, Hilda Haynes, Cloris
Leachman
|
|
Box
33
Folder
14
|
Correspondence; cast list, 1954-1966
|
|
Volume
20
|
Script (titled Comic
Strip)
|
|
Volume
21
|
Script, notes
|
|
Volume
21
|
Script, 1957
|
|
Volume
21
|
Three Scripts
|
|
Box
34
Folder
1
|
Contracts, 1951-1955
|
|
Box
34
Folder
2
|
Photographs
|
|
Box
34
Folder
3
|
Financial statements, 1951-1966
|
|
|
The Last Resorts, 1956 : By Jean Kerr (unproduced)
|
|
Box
34
Folder
4
|
Correspondence, 1956-1957
|
|
Volume
22
|
Three Scripts
|
|
Box
34
Folder
5
|
Script
|
|
|
Goldilocks (New
York, 1958 October
11
Producer: Robert Whitehead
Director: Walter Kerr
Writer: Jean and Walter Kerr
Music: Leroy Anderson
Lyrics: Jean and Walter Kerr, Joan Ford
Cast: Don Ameche, Elaine Stritch, Russell Nype, Pat Stanley
|
|
Box
34
Folder
6
|
Correspondence, 1954-1968
|
|
Volume
23
|
Three Scripts
|
|
Volume
23
|
Script fragments
|
|
Volume
13
|
Notes, lyrics
|
|
Volume
23
|
Script, 1957 February
15
|
|
Box
34
Folder
7
|
Musical scores and arrangements : See also Audio recordings series.
|
|
Box
34
Folder
8
|
Contracts, 1954-1958
|
|
Box
34
Folder
9
|
Photographs
|
|
Box
34
Folder
10
|
Financial statements, 1954-1968
|
|
|
Mary, Mary (New
York 1961 March 8
Producer: Roger L. Stevens in association with Lyn Austin and Victor Samrock
Director: Joseph Anthony
Writer: Jean Kerr
Cast: Barbara Bel Geddes, Barry Nelson, Michael Rennie
|
|
Box
35
Folder
1
|
Correspondence, 1960-1969
|
|
Volume
24
|
Script
|
|
Volume
24
|
Three Scripts, 1960
|
|
Volume
24
|
Notes, script fragments
|
|
Box
35
Folder
2
|
Script
|
|
Box
35
Folder
3
|
Script, 1963
|
|
Box
35
Folder
4
|
Proofs of Samuel French Acting Edition, 1963
|
|
Box
35
Folder
5
|
Script from Mexican production
|
|
|
Script, motion picture version 1963 February
6
|
|
Box
35
Folder
7
|
Prop list
|
|
Box
35
Folder
8
|
Contracts, 1960-1962
|
|
Box
36
Folder
1
|
Photographs, New York production and motion pictures
|
|
Box
36
Folder
2
|
Programs and production posters
|
|
|
Financial and legal information
|
|
Box
36
Folder
3
|
1960-1961
|
|
Box
36
Folder
4
|
1962
|
|
Box
36
Folder
5
|
1963
|
|
Box
36
Folder
6
|
1964-1965
|
|
Box
36
Folder
7
|
1965-1967
|
|
Box
37
Folder
1
|
Financial statements, 1968-1969
|
|
|
Poor Richard (New
York, 1964 December
2
Producer: Stevens Productions Inc., in association with Lyn Austin and Victor
Samrock
Director: Peter Wood
Writer: Jean Kerr
Cast: Alan Bates, Gene Hackman, Joan Alexander, Joanna Pettet, Colgate
Salsbury
|
|
Box
37
Folder
2
|
Correspondence, 1963-1968
|
|
Box
37
Folder
3
|
Script
|
|
Box
37
Folder
4
|
Script fragments
|
|
Box
37
Folder
5
|
Script
|
|
Box
37
Folder
6
|
Script
|
|
Box
37
Folder
7
|
Script
|
|
Box
37
Folder
8
|
Script
|
|
Box
37
Folder
9
|
Script, 1964 October
3
|
|
Box
38
Folder
1
|
Script
|
|
Box
38
Folder
2
|
Script revisions
|
|
Box
38
Folder
3
|
Script
|
|
Box
38
Folder
4
|
Script (New York)
|
|
Box
38
Folder
5
|
Script (Boston)
|
|
Box
38
Folder
6
|
Script
|
|
Box
38
Folder
7
|
Script revisions
|
|
Box
38
Folder
8
|
Script, 1965
|
|
Box
38
Folder
9
|
Script
|
|
Box
39
Folder
1
|
Galley proofs, 1965
|
|
Box
39
Folder
2
|
Script, published copy 1965
|
|
Box
39
Folder
3
|
Two Scripts, published copies 1965
|
|
Box
39
Folder
4
|
Galley proofs
|
|
Box
39
Folder
5
|
Contracts, 1964-1965
|
|
Box
39
Folder
6
|
Photographs
|
|
Box
39
Folder
7
|
Notes
|
|
Box
39
Folder
8
|
Posters
|
|
Box
40
Folder
1
|
Financial statements, 1963-1969
|
|
|
Series: Criticism
|
|
|
Books
|
|
|
Staging the Great Plays
by Walter Kerr, 1952
|
|
Box
40
Folder
2
|
Correspondence; reader's report, 1952
|
|
Box
40
Folder
3
|
Chapters on Greek tragedy and Elizabethan drama
|
|
Volume
26
|
Outline, chapters on Greek tragedy and Elizabethan drama
|
|
|
How Not To Write a Play
by Walter Kerr, 1955
|
|
Box
40
Folder
4
|
Correspondence, 1953-1968
|
|
Volume
27
|
First draft
|
|
Volume
27
|
Revisions
|
|
Box
40
Folder
5
|
Review, publisher's report
|
|
Box
40
Folder
6
|
Arabic version
|
|
Box
40
Folder
7
|
Contracts; financial statements, 1952-1955, 1953-1969
|
|
|
Criticism and Censorship
/ by Walter Kerr, 1957
|
|
Box
40
Folder
8
|
Correspondence, 1955-1963
|
|
|
Pieces at Eight / by
Walter Kerr, 1957
|
|
Box
40
Folder
9
|
Correspondence; publisher's report, 1957-1968
|
|
Box
40
Folder
10
|
Contracts, financial information 1955-1968
|
|
|
The Decline of Pleasure
by Walter Kerr, 1962
|
|
Box
41
Folder
1
|
Correspondence, 1959-1969
|
|
Volume
28
|
First draft
|
|
Volume
28
|
Revisions, notes, outline
|
|
Box
41
Folder
2
|
Revisions
|
|
Box
41
Folder
3-4
|
Second draft
|
|
Box
41
Folder
5
|
Third draft
|
|
Box
42
Folder
1-5
|
Third draft
|
|
Box
43
Folder
1-2
|
Final draft
|
|
Box
43
Folder
3
|
Reviews
|
|
Box
43
Folder
4
|
Contracts; financial statements, 1959, 1961-1969
|
|
|
The Theater in Spite of Itself
/ by Walter Kerr, 1963
|
|
Box
43
Folder
5
|
Correspondence, 1963-1965
|
|
|
First draft
|
|
Box
43
Folder
6
|
Chapters 1-6
|
|
Box
43
Folder
7
|
Chapters 7-9
|
|
Box
43
Folder
8
|
Chapters 10-12
|
|
|
Second draft
|
|
Box
44
Folder
1
|
pp. 1-164
|
|
Box
44
Folder
2
|
pp. 165-377
|
|
Box
44
Folder
3
|
pp. 378-578
|
|
|
Third draft
|
|
Box
44
Folder
4
|
pp. 1-224
|
|
Box
44
Folder
5
|
pp. 225-413
|
|
Box
44
Folder
6
|
pp. 414-568
|
|
Box
45
Folder
1-3
|
Notes, revisions
|
|
Box
45
Folder
4
|
Rejected material
|
|
|
Final draft
|
|
Box
45
Folder
5
|
pp. 8-191
|
|
Box
46
Folder
1
|
pp. 192-423
|
|
Box
46
Folder
2
|
Final draft, revisions
|
|
Box
46
Folder
3-4
|
Galley proofs
|
|
Box
46
Folder
5
|
Review
|
|
|
Contract; financial information, 1961, 1963-1969
|
|
|
New York, New York
(includes essay by Walter Kerr) 1964
|
|
Box
46
Folder
7
|
Correspondence and contract; draft; financial information, 1964, 1964-1967
|
|
|
Five World Plays
(foreward and afterword by Walter Kerr), 1964
|
|
Box
46
Folder
8
|
Correspondence, 1962-1964
|
|
Box
46
Folder
9
|
First drafts, revisions, notes
|
|
Box
47
Folder
1
|
Revisions
|
|
Box
47
Folder
2
|
Final drafts, outline
|
|
Box
47
Folder
3
|
Galley proofs
|
|
Box
47
Folder
4
|
Study guides
|
|
Box
47
Folder
5
|
Contracts, financial information 1962-1968
|
|
|
Tragedy and Comedy / by
Walter Kerr, 1967
|
|
Box
47
Folder
6
|
Correspondence, 1966-1969
|
|
Box
47
Folder
7-8
|
Notes
|
|
Box
48
Folder
1-2
|
Notes
|
|
|
First draft, revisions
|
|
Box
48
Folder
3
|
pp. 1-166
|
|
Box
48
Folder
4
|
pp. 167-340
|
|
Box
48
Folder
5
|
pp. 341-372
|
|
Box
48
Folder
6
|
Notes
|
|
Box
49
Folder
1-4
|
Notes
|
|
|
Second draft
|
|
Box
49
Folder
5
|
Chapters 3 and 4
|
|
Box
50
Folder
1
|
Chapter 13
|
|
|
Final draft
|
|
Box
50
Folder
2
|
pp. 1-194
|
|
Box
50
Folder
3
|
pp. 195-419
|
|
Box
50
Folder
4
|
pp. 1w-174w
|
|
Box
50
Folder
5
|
pp. 174aw-393w
|
|
Box
51
Folder
1
|
Sidney Kingsley's notes
|
|
Box
51
Folder
2
|
Financial statements and contracts, 1963-1969
|
|
|
Harold Pinter (a
pamphlet by Walter Kerr for Columbia University Press), 1967
|
|
Box
51
Folder
3
|
Correspondence, financial statements and contracts 1965-1969
|
|
Box
51
Folder
4
|
First draft
|
|
Box
51
Folder
5
|
Revisions, notes, clippings, research material
|
|
Box
51
Folder
6-7
|
Final draft
|
|
Box
51
Folder
8
|
Galley proofs
|
|
Box
51
Folder
9
|
Copy for Horizon
magazine
|
|
Box
51
Folder
10
|
Final draft for Horizon magazine
|
|
|
Atlantic Brief Lives -A
Biographical Companion to the Arts (essay on Euripides by Walter
Kerr), 1968
edition
|
|
Box
51
Folder
11
|
Contract; first draft; final draft; essay on Aristophanes by Dudley
Fitts, 1967
|
|
|
Thirty Plays Hath November
/ by Walter Kerr, 1969
|
|
Box
51
Folder
12
|
Correspondence; financial statements, 1968-1969, 1969
|
|
Box
51
Folder
13-14
|
Reviews considered for book
|
|
Box
52
Folder
1-3
|
Reviews considered for book (continued)
|
|
Box
52
Folder
4-7
|
Notes
|
|
Box
53
Folder
1
|
Revisions
|
|
|
First draft
|
|
Box
53
Folder
2
|
Sections 1 and 2, "Film and Stage" and "The Vanishing
Text"
|
|
Box
53
Folder
3
|
Section 3, "Boredom, Freedom and Fear"
|
|
Box
53
Folder
4
|
Section 4, "Albee, Miller, Williams"
|
|
Box
53
Folder
5
|
Section 5, "Courage and Vexation"
|
|
Box
53
Folder
6
|
Section 6, "Some Identity Crises"
|
|
Box
53
Folder
7
|
Section 7, "Emotion in Our Time"
|
|
Box
53
Folder
8
|
Section 8, "In the Name of Laughter"
|
|
Box
53
Folder
9
|
Section 9, "Chekhov and Others"
|
|
Box
53
Folder
10
|
Section 10, "Shylock"
|
|
Box
53
Folder
11
|
Section 11, "Are the Stars out Tonight"
|
|
Box
53
Folder
12
|
Section 12, "The Negro Actor"
|
|
Box
53
Folder
13
|
Section 13, "Indelibles"
|
|
Box
53
Folder
14
|
Section 14, "The Plot Against Musicals"
|
|
Box
53
Folder
15
|
Section 15, "Reviewing"
|
|
Box
53
Folder
16
|
Section 16, "A Few Favorites, Successful or Not"
|
|
Box
53
Folder
17
|
Section 17, "Free Advice"
|
|
Box
53
Folder
18
|
Section 18, "Repertory in Labor"
|
|
Box
53
Folder
19
|
Section 19, "Practical Matters"
|
|
Box
53
Folder
20
|
Section 20, "How to be an Audience"
|
|
Box
53
Folder
21
|
Section 21, "Nostalgia"
|
|
|
First draft
|
|
Box
53
Folder
22
|
pp. 1-224
|
|
Box
54
Folder
1
|
pp. 225-424 (not complete)
|
|
Box
54
Folder
2
|
pp. 425-672
|
|
|
Draft
|
|
Box
54
Folder
3
|
pp. 1-247
|
|
Box
54
Folder
4
|
pp. 248-511
|
|
Box
54
Folder
5
|
pp. 512-672
|
|
Box
54
Folder
6
|
Notes, revisions
|
|
Box
55
Folder
1
|
Add copy
|
|
Box
55
Folder
2
|
Revisions
|
|
|
Final draft
|
|
Box
55
Folder
3
|
pp. 1-184
|
|
Box
55
Folder
4
|
pp. 202-400
|
|
Box
55
Folder
5
|
pp. 401-546
|
|
|
Ten Best Plays of 1968-1969
/ introduction by Walter Kerr, 1969
|
|
Box
55
Folder
6
|
Notes, first and second drafts
|
|
|
The Theatre World of Reginald
Marsh-Drawings, 1969 April, New York
art exhibition : Introduction to the catalog by Walter Kerr.
|
|
Box
55
Folder
7
|
Notes, first and final drafts, catalog
|
|
|
Articles
|
|
Box
55
Folder
8
|
Articles by Walter Kerr, 1949,
1962-1966 : The National Theatre Conference,
Horizon, House and Garden, The American Review, Newman Quarterly, Life, Harper's, "Alec Guiness as Dylan Thomas," and articles for Harold
Clurman
|
|
Box
56
Folder
1
|
Articles by Walter Kerr, undated : Essays on Hamlet, Comedy, Shylock, theater construction, scenery, church art, and
the stage
|
|
Box
56
Folder
2
|
Articles specified for certain periodicals, undated : McCall's, Theatre II, Saturday Review, British
Theatre Encyclopedia
|
|
Box
56
Folder
3
|
Articles for Walter Kerr, untitled and undated
|
|
Box
56
Folder
4
|
Notes for "World Theatre"
|
|
Volume
1
|
Articles
|
|
Volume
5
|
Articles
|
|
|
Book Reviews
|
|
Box
56
Folder
5
|
Drafts for reviews of Keaton / by Rudi Blesh and Kiss
Kiss Bang Bang / by Pauline Kael ; shorter reviews for Commonweal, Christmas
books 1966, 1968, 1965
|
|
Box
56
Folder
6
|
Walter Kerr's movie sound track notes
|
|
|
Newspaper and Journal Reviews
|
|
Box
56
Folder
7
|
Opening night notes on plays reviewed by Walter Kerr for the New York Herald Tribune and the New York Times
|
|
Box
56
Folder
8-10
|
Opening night notes
|
|
Box
57
Folder
1
|
Opening night notes (continued)
|
|
Volume
29
|
Play and book reviews by Walter Kerr that appeared in Commonweal, 1950-1952
|
|
|
New York Herald Tribune, 1951-1966 : Play reviews and theater criticism written by Walter Kerr.
|
|
Box
57
Folder
2
|
1951-1952
|
|
Volume
30
|
1951-1954
|
|
Box
57
Folder
3-6
|
1953-1956
|
|
Box
58
Folder
1-5
|
1957-1961
|
|
Box
59
Folder
1-5
|
1962-1963
October
|
|
Box
60
Folder
1-5
|
1963 October-1964
October
|
|
Box
61
Folder
1-4
|
1964
November-1965
|
|
Box
62
Folder
1
|
1966
January-April
|
|
Box
62
Folder
2
|
Not used, but intended for the New York Herald Tribune
|
|
|
New York Times, 1966-1969 : Play reviews and theater criticism written by Walter Kerr.
|
|
Box
62
Folder
3-6
|
1966
September-1967
|
|
Box
63
Folder
1-5
|
1968-1969
June
|
|
Box
64
Folder
1
|
1969
July-October
|
|
Box
64
Folder
2
|
Not used, but intended for the New York Times
|
|
|
Television Reviews
|
|
Box
64
Folder
3-4
|
CBS News, 1962 December-1963
March : See also Audio recordings series for a CBS review of Too Good to Be True
|
|
|
Columnists on the Air
|
|
Box
64
Folder
5
|
Correspondence, contracts, play reviews and theater
criticism 1963 June-1965
April
|
|
|
Radio Reviews
|
|
Box
64
Folder
6
|
WQXR Radio Broadcasts, 1966 November-1969
October
|
|
|
Series: Lectures
|
|
|
Lectures given by Walter Kerr as a professor at Catholic
University
|
|
Box
64
Folder
7
|
Lecture notes on comedy
|
|
Box
65
Folder
1
|
Lecture notes on directing
|
|
Box
65
Folder
2
|
Lecture notes, clippings on theory of drama
|
|
Box
65
Folder
4
|
Lecture notes, clippings on playwriting
|
|
Box
65
Folder
4
|
Lecture notes on tragedy
|
|
Box
65
Folder
5
|
Miscellaneous lecture notes
|
|
Box
65
Folder
6
|
Lectures at Northwestern University, Harvard, Hill School, Columbia
University, ACPS, New York University, Harvard-Radcliffe Catholic Club 1961-1966
|
|
|
Salzburg Seminar in American Studies
|
|
Box
65
Folder
7
|
Correspondence, notes, financial and miscellaneous
information 1966
|
|
Box
65
Folder
8
|
Lectures given at Harvard, Book and Author Luncheon on Tragedy and Comedy, Providence College,
Pittsburgh, St. Louis, Milwaukee, and Detroit 1967-1969
|
|
Box
66
Folder
1-2
|
Miscellaneous lecture notes on theater, undated
|
|
Box
66
Folder
3-5,
7
|
Research file
|
|
Box
66
Folder
6
|
List of plays produced in New York, 1900-1924
|
|
|
Series: Television
|
|
|
The Dow Hour of Great Mysteries, 1960 March-May : Producer: Robert Saudek Associates Inc.
|
|
Box
67
Folder
4
|
Correspondence, contracts 1960
January-April
|
|
|
"The Bat," 1960 March 31 : By Mary Roberts Rinehart and Avery Hopwood; adapted by Walter Kerr
|
|
Volume
33
|
Script, 1960 March
17
|
|
|
"The Datchet Diamonds," 1960 June : By Richard Marsh; adapted by Walter Kerr
|
|
Volume
33
|
Script
|
|
Volume
33
|
Script, 1960 May 31
|
|
Volume
33
|
Script, 1960 June
21
|
|
|
Esso Repertory Theatre : With Walter Kerr as host of program
|
|
Box
67
Folder
5
|
Correspondence program plans, notes and drafts of Walter Kerr's
scripts 1964-1965
|
|
Box
67
Folder
6
|
Background information on playwrights, and repertory theaters considered
for the program
|
|
|
Omnibus
|
|
Box
67
Folder
7
|
Walter Kerr's discussion on Hamlet, correspondence 1955
January-May
|
|
|
"Oedipus the King (Rex)," 1957 January
6
Director: Alan Schneider
Writer: Sophocles, translated by Dudley Fitts and Robert Fitzgerald; adapted by
Walter Kerr
Cast: Christopher Plummer, Carl Goodner, Robert Goodier, Ronald Davis
|
|
Box
67
Folder
8
|
Correspondence, contract 1956-1959
|
|
Volume
31
|
Script, 1956 February
20
|
|
|
"The Boyhood of Will Shakespeare," 1957 February
24 : By Alfred Harbage; adapted by Walter Kerr
|
|
Box
67
Folder
9
|
Correspondence, 1957
|
|
Volume
31
|
Script, 1957 February
19
|
|
|
"The Theatre Breaks Loose," 1957 March 3 : Written and narrated by Walter Kerr
|
|
Box
67
Folder
10
|
Correspondence, contract 1956-1965
|
|
Volume
31
|
Script, 1957 February
25
|
|
|
"School for Wives," 1957 : By Moliere; adapted by Walter Kerr
|
|
Box
67
Folder
11
|
Correspondence, contracts 1958-1959
|
|
Volume
31
|
Script
|
|
Volume
13
|
Script
|
|
|
"Mrs. McThing," 1958 March 9 : By Mary Chase; adapted by Walter Kerr
|
|
Volume
32
|
Script
|
|
|
"Lady's Not for Burning," 1958 April 6 : By Christopher Fry; adapted by Walter Kerr
|
|
Volume
32
|
Script
|
|
|
"The Oresteia," 1959 January
4 : By Aeschylus; adapted by Leo Brady
|
|
Volume
32
|
Script
|
|
|
"Forty-Five Minutes from Broadway," 1959 March
By George M. Cohan; adapted by Walter Kerr
See also the Photographs in Box 72.
|
|
Volume
33
|
Script, notes
|
|
Volume
33
|
Script
|
|
Volume
32
|
Script
|
|
|
"The Strange Ordeal of the Normandier," 1959 April 12 : By H.L. Tredree; adapted by Walter Kerr
|
|
Volume
32
|
Script
|
|
|
"Roughing It," 1960 April 19 : By Mark Twain; adapted by Walter Kerr
|
|
Volume
33
|
Script
|
|
|
The Open Mind
|
|
|
"The State of Culture in the United States Today," 1962 April 29
Narrator: Eric F. Goldman
Guests: August Heckschen, Walter Kerr, Alfred A. Knopf, and David Susskind
|
|
Box
67
Folder
12
|
Correspondence; script, 1962-1964
|
|
|
"Critics and the Theater," 1963 May 19
Narrator: Eric F. Goldman
Guests: Lillian Hellman, Walter Kerr, David Merrick, and Richard Watts, Jr.
|
|
Box
67
Folder
13
|
Correspondence; script, 1963
|
|
|
Profiles in Courage
|
|
Box
68
Folder
1
|
Correspondence, 1963-1969
|
|
|
"George W. Norris-I Have Come Home to Tell You the Truth," 1963
September : Adapted by Leo Lieberman
|
|
Box
68
Folder
2
|
Script, 1963
|
|
Box
68
Folder
2
|
Script, 1963 August
1
|
|
Box
68
Folder
2
|
Script, 1963 September
3
|
|
|
"The Ben Lindsey Story," 1963 September
20 : Adapted by John Kneubuhl
|
|
Box
68
Folder
2
|
Script, 1963 September
20
|
|
|
"Thomas Hart Benton," 1963 August
19 : Adapted by A.J. Russell
|
|
Box
68
Folder
2
|
Script, 1963 August
19
|
|
|
"Oscar W. Underwood-Dark Horse, White Cross," 1963 August
27 : Adapted by David Karp
|
|
Box
68
Folder
2
|
Script synopsis, 1963 August
27
|
|
Box
68
Folder
2
|
Script, 1963 December
6
|
|
|
"Ann Hutchinson," 1964 : By Jonathan Miller
|
|
Box
68
Folder
3
|
Script, 1964 June 1
|
|
Box
68
Folder
3
|
Two Scripts
|
|
Box
68
Folder
4
|
Robert Saudek Associates Inc. miscellaneous scripts; program plans;
notes; outlines for program on Lincoln Center Theater and for film on Lincoln
Repertory Company, 1962, December
28
|
|
Box
68
Folder
5
|
Financial reports, 1957-1965
|
|
|
Trio No. 9, 1962
Producer: Martin Levin
Guests: Walter Kerr, Richard Lemon and Harold C. Schonberg
|
|
Box
68
Folder
6
|
Correspondence, contracts, scripts ("A Matter of Taste")
|
|
|
Miscellaneous Television Scripts
|
|
Volume
19
|
"Miss Platt Selects Mate" based on Touch and Go / by Walter and Jean Kerr
|
|
Volume
19
|
“Sing Out Sweet Land,” plan for a television program based on Walter
Kerr's play
|
|
Volume
19
|
"The Long Way Home"
|
|
Volume
19
|
"The Artful Dodger"
|
|
Volume
19
|
Untitled television script
|
|
|
"The Good Fairy," 1956 : By Ferenc Molnar; adapted by Jean Kerr
|
|
Box
68
Folder
7
|
Script
|
|
Volume
31
|
Script
|
|
Volume
32
|
"Family Relationships"
|
|
Volume
33
|
Ideas for television series by Jean and Walter Kerr
|
|
Box
68
Folder
8
|
Miscellaneous television and radio contracts
|
|
|
Series: Jean Kerr books and articles
|
|
|
Please Don't Eat the Daisies
(1957) : See also Audio recordings series.
|
|
Box
68
Folder
9
|
Correspondence, 1957-1969
|
|
Box
68
Folder
10
|
Financial and legal information, 1957-1968
|
|
|
The Snake Has All the Lines
(1960)
|
|
Box
69
Folder
1
|
Correspondence, financial and legal information
|
|
Box
69
Folder
2
|
Drafts of articles used in the book
|
|
Box
69
Folder
3
|
Printer's draft
|
|
Box
69
Folder
4
|
Galley proofs
|
|
Box
69
Folder
5
|
Contracts, financial information 1960-1962
|
|
|
Penny Candy (1970)
|
|
Box
69
Folder
6
|
Drafts of articles used in book
|
|
Volume
19
|
Miscellaneous articles
|
|
Box
69
Folder
7
|
“Our Neo-Gingerbread House,” “What Makes Me Laugh,” “Actors Anonymous,” “Milder, Much Milder,” and fragments 1955, 1960
|
|
|
Series: Miscellaneous
|
|
|
The Merchant of Venice : By William Shakespeare, as produced by David Belasco (New York, 1922 December
21)
|
|
Box
70
Folder
1
|
Souvenir Booklet
|
|
|
Notes and Counter Notes, 1964 : By Eugene Ionesco; translated by Donald Watson
|
|
Box
70
Folder
2
|
Galley proofs
|
|
|
Nobovich Directs
|
|
Box
70
Folder
3
|
Script, correspondence 1966
|
|
|
Prometheus Bound, 1967 : By Robert Lowell; derived from Aeschylus
|
|
Box
70
Folder
4
|
Two scripts
|
|
|
Saint-Watching, 1969 : By Phyllis McGinley
|
|
Box
70
Folder
5
|
Proofs, correspondence
|
|
|
Notes on a Cowardly Lion, 1969 : By John Lahr
|
|
Box
70
Folder
6
|
Proofs, notes
|
|
Box
70
Folder
7
|
Motion Picture
magazine, 1927 July; 1928
September
|
|
|
St. George High School, Evanston, Illinois
|
|
Volume
54
|
"St. George News," 1927-1929
|
|
Volume
55
|
"The Georgian," 1929-1931
|
|
Box
70
Folder
8
|
"The Dragon," 1931
|
|
Volume
57
|
"The Dragon," 1931
|
|
Box
70
Folder
9
|
"The Souvenir Dragon," 1933
|
|
|
Marywood College
|
|
Box
70
Folder
10
|
"The Tourmaline," 1943
|
|
|
Northwestern University
|
|
Volume
56
|
"Alumni News"
|
|
Volume
56
|
"University Information"
|
|
Volume
56
|
"Purple Parrot"
|
|
Volume
58-59
|
"Syllabus"; Yearbooks, 1937-1938
|
|
|
Scrapbooks, 1927-1963
|
|
Volume
34
|
1927-1929
|
|
Volume
35
|
1929-1930
|
|
Volume
36
|
1930-1932
|
|
Volume
37
|
1932-1934
|
|
Volume
38
|
1934
|
|
Volume
39
|
1935-1936
|
|
Volume
40
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1936-1937
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Volume
41
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1937-1938
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Volume
42
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1938-1941
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|
Volume
43
|
1941-1943
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|
Volume
44
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1943-1945
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|
Volume
45
|
1945-1946
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|
Volume
46
|
1946-1948
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|
Volume
47
|
1948-1950
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|
Volume
48
|
1950-1953
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|
Volume
49
|
1953-1955
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|
Volume
50
|
1955-1958
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|
Volume
51
|
1957-1958
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|
Volume
52
|
1957-1962
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Volume
53
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1962-1963
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Box
71
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Scrapbook, film and theater playbills
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Box
72
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Photographs : Kerr family; No More Peace
(Northwestern University); Forty-Five
Minutes from Broadway
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|
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Group Theater: stenographic recording of private sessions with the
Group, 1939
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Box
67
Folder
1
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1939 July
15-26
|
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Box
67
Folder
2
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1939 August 1-September
1
|
|
Box
67
Folder
3
|
Interviews, 1961-1968Walter Kerr: Stage and Screen
interview by Donald McDonald, 1962; Center for the Study of Democratic Institutions
interview, 1962; Playboy, 1965;
Time Jean Kerr: Time, 1961 April 14;
interview by Dramatist's Guild, 1968 April : See also Audio recordings series.
|
|
Audio 505A
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Series: Audio recordings
|
|
Audio
505A/1
|
The Birds : score
|
|
Audio
505A/2-6
|
Goldilocks
|
|
Audio
505A/7
|
Jenny Kissed Me, performance at the Pasadena
Playhouse, 1956 January 17
|
|
Audio
505A/8
|
Jenny Kissed Me, performance at the Pleasant
Run Playhouse, St. Charles, Illinois, 1965 July 17
|
|
Audio
505A/9
|
Too Good to Be True, interview regarding
play, 1963 March 12
|
|
Audio
505A/10
|
Please Don't Eat the Daisies, discussion of,
and Kerr interview
|
|
Audio
505A/23
|
Please Don't Eat the Daisies, Doris
Day
|
|
Audio
505A/11
|
PL Hayes and Mary H. on Poor Richard
|
|
Audio
505A/12
|
Walter Kerr interview
|
|
Audio
505A/13
|
Night Call, discussion with Judith
Crist
|
|
Audio
505A/14
|
Leonard Probst interview on Tragedy and Comedy
|
|
Audio
505A/15
|
The Subject Is Theater Part 1, Academy
Workshop of the ANTA Theatre by Walter Kerr
|
|
Audio
505A/16
|
Sing Out, Sweet Land, 1972 April 3
|
|
Audio
505A/17-20
|
Sing Out Sweet Land
|
|
Audio
505A/21
|
Goldilocks : musical score, tracks
1-10, 1958
|
|
Audio
505A/22
|
Goldilocks : musical score, tracks
11-13, 1958
|
|
Audio
505A/24-26
|
NBC Interview with Jean Kerr, 1956 January 28
|
|
Audio
505A/27
|
"Danny Boy" and "Old Man River," Tom Collins
|
|
Audio
505A/28
|
"Old Man River,""Danny Boy,""I Dreamed of Jeanie with the Light Brown Hair,"
and Irish folk songs, Tom Collins
|
|
Audio
505A/29
|
Piano solos, 1-2
|
|
Audio
505A/30
|
Piano solos, 3-4
|
|
Audio
505A/31
|
Piano solos, 5-6
|
|
Audio
505A/32
|
Piano solos, 7-8
|
|
Audio
505A/39-40
|
Walter Kerr reading/lecture, 1970 September 2
|
|
Audio
505A/41-43
|
"Who Makes Theater"
|
|
Audio
505A/44
|
"Who Makes Theatre?" : 2nd
edition
|
|
Audio
505A/45
|
"What is Theater" #147521, 1970 December 2
|
|
Audio
505A/46
|
"What is Theater" #148067
|
|
Audio
505A/47
|
"What is Theater" #149260
|
|
Audio
505A/48
|
"What is Theatre" : 2nd
edition
|
|
Audio
505A/49
|
"Keeping Up with the Times", 1971 March 8
|
|
Audio
505A/50
|
Walter Kerr lecture, 4th Annual American Theatre Festival, G.W. Post
College Lecture, John Gossmer series 1971 April
|
|
Audio
505A/51
|
Experimental Theater : new version, 1971 May
|
|
Audio
505A/52
|
"Why Have Theater" #147579, 1971 May
|
|
Audio
505A/53-55
|
"Why Have Theater" #148376, 1971 May
|
|
Audio
505A/56
|
"Why Have Theater" #148765 : final
cassette form, 1971 May
|
|
Audio
505A/57
|
"Why Theatre" “Mock-Up
Dub”
|
|
Audio
505A/58
|
"Architecture of Theatre"
#148830
|
|
Audio
505A/59
|
"The Theatre Today"
|
|
Audio
505A/60
|
"The Theatre Today" : final, 1971 August 11
|
|
Audio
505A/61
|
"Inside Drama" : pilot, 1971 October 28
|
|
Audio
505A/62
|
"Inside the Play" : pilot, 1971 October 28
|
|
Audio
505A/63
|
"How to Judge Theatre", edited 1971 October 19
|
|
Audio
505A/64
|
"How to Judge Theatre"
|
|
Audio
505A/65
|
"How to Judge Theatre", 1971 October 29
|
|
Audio
505A/66
|
"The Changing Theatre", 1971 October 29
|
|
Audio
505A/67
|
"Final Retape," : “first half of
#1“ 1971 November
23
|
|
Audio
505A/68
|
"At Issue," The Theatre of Audience
Participation
|
|
Audio
505A/69-72
|
"Who Makes Theatre"
|
|
Audio
505A/73
|
"How Scenes are Made"
|
|
Audio
505A/74-75
|
Walter Kerr lecture, Austin, Texas
|
|
Audio
505A/76
|
W. Sarogan[?]
|
|
Audio
505A/77
|
Hello Dolly, "Golly Gee Fellas"
|
|
Audio
505A/78
|
Black Ethics and Expressions / Paul Robeson
|
|