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Owens, Elisabeth, R. (ed.) / Encore: more of parallel press poets
(2006)
Brown, Harriet, 1958-
How the mind works, p. 11
Page 11
How the Mind Works Lapping and overlapping waves crash and slap and leave behind miles of trash and sand. Slipping on surfaces, watch for maps that lead somewhere else. What happens is always happening and happened-endless rapprochement of past and present, stopgap, all covered over, uncovered so many times only the odd bits show: an apple core, a cardboard flap, a mystery package poking up, a hand. What's buried: the bone of things, hard, unchanging, impervious to rain and rot, no loose change but the clap of something true. Harriet Brown Poet's Statement This poem began with my giving myself permission to play-something I don't do often enough. I set out to experiment with rhyme and meter and not get too intent on making meaning out of it. At the time I was researching an article on neurotransmit- ters for The New York Times. I'm not trained as a scientist, so I had to start pretty much from scratch in understanding the brain. I became fascinated by the image of a tiny pulse of electricity leaping the synapse. What a metaphor, not only for thought but for connection of all kinds-how indirect it is, how oblique. We think of ourselves as ana- lytical and linear, but in fact in our lives there is always both a gap and a leap over it- maybe that's the essence of being human. 11
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