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Index 
A.B.C., i~, 19—2on, 28 Catholicism: schisms, 8n, 8o—8i, ~ 
Age, 31—32, ii8, 233, 235  97—99; Irish, 48, 53, 69, 71, 76—77,
Anglicanism: and H.C.E., 22, 48, 80,  79, 80—81, 82, 8~, 90, 92—93,
95, 
  85, 104, 235; mentioned, 62, 8o, 8~,  98; Joyce's attitudes toward, 56,
57, 
 96, 98, 104, 128  68—69, ~j3, 75, 78, 79, 83, 91, 93— 
Anna Livia, 7, 9, 10, 19, 23, 24, 26,   104, io6, 107, 226; Church involve
  26—27n, 38, 43, 67, 8~—86, 95, 104,  ment in politics, 69,
8i, 93, 95, 96, 
 105, ii8, 122, 129, 134n, 135, 141—   97, 99, 104 Jesuits, 69, 70,
72, 73, 
  42, 146, 149, 151—52, 153, 157, 183,  74—76, 8~, 88—90,
93, 94—95, 101, 
 196, 200, 206—7, 211, 244, 249, 253,   I07~ Joyce's position as a
' Catholic, 
  255, 257, 260, 271—72   70—71, 78—79, 79—80; Joyce's
"un 
Autobiographical elements, 12, i6, 32,  conscious" Catholic residue, 71,
74, 
 47, 74—75, 115—22, 127, 207—8, 209—  75—76,
78—79, 91, 94; "medieval," 
  10, 215, 216—37   74, 93 the mass, 87—88, 99, 100, 
   101, 102; "liberal" Catholic ' attitudes 
Biblical references, 9, I0~ II, 13, 14, i6,  toward Joyce, 90—92 
  19, 21, 23, 24, 2932, 39, 49~ 65, 82, Character: augmentation of, 19—21,
25— 
  83—84, 8~, 97, 102, io6, 120, 123,   28, 30, 37, 47, 140—41n,
214 
  125, 126, 134n, 140—41n, 148, ~ Cities: founding and building of.
See 
  152, i66, 167—68, 169—70, ~   Creation myth 
  177, i8i, 182, 183, i8~, 190, 192, Coincidences, 23—25, 30, 35, 47,
171, 
195, 196, 201, 202, 203n, 205, 209, 
i8~, 195, 213—14, 232, 240 
213, 231, 234, 239, 240, 241, 242, 
 244, 249, 250, 269, 271, 276, 283, Comedy: slapstick, 108—15; of charac
 286, 287, 289, 290, 291   ter, 115—22; pantomime, 111—13, 
Blasphemy, 78, 79, 92, 93, 99—103, io6,   259. See also Doggerel; Verbal
hu 
   mor 
  ' 47 
British imperialism, 34, 57—66, 69, 8o, Constables: i6, 37—38
  97, 101, io6, i~i, i8~, ~ Creation myth, 25, 43, 8~, 86, ~ 
British liberalism, 56—57, 6o—66   i66, 169—71, ~8o, 199,
201, 202, 
Bruno, Giordano: theory of the conflict   205, 254, 258, 260 
  and reconciliation of opposites, 12— Critics: Joyce's attitudes toward,
7, 
  13, 15—21, 21—23, 26—28, 29, 46, 48,   229—30 
  49, 50, ~ 6~, 84, 97, 103, io6, io8, 
  110, 118, 119, 122, 137, 140, 145— Dante. See under Epic literature
  48, ~ i68, 173, 174, 178, 182— Doggerel, 49, 103, 136—41, 159.
See 
  83, 187, 195, ~ 205—7, 209, 218-   also Poetic techniques 
  21, 222, 231, 237—46, 248—53, 254— Dramatic monologue,
158—59. See also 
 ~6, 258, 267, 269, 284  Poetic techniques 
 Dream structure, 8, 38, 38—40, 64, 93, 
Cad (and Magrath), 9, ~6, 17, 21, 37,   104, io6, io8, i~6, ' 3', ' 74, ' 99,
 38—39, 145, 151, 257, 276   200, 205—6, 211, 214, 231, 232,