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Hill, Clare, fl. 1900 / Millinery: theoretical and practical
(1909)
Supplement. Hints to teachers, pp. 121-123
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Page 122
MILLINERY Fashion's vagaries are but revivals of modes of other days. Thus she only need draw from her storehouse of knowledge and apply the acquired matter to the construction of the modes of the moment. "Ah, yes," says the inexperienced one, "that is easy; but we who have not acquired cannot apply the unknown." True; but the real question at issue is, Are you as unversed as you think? It is possible to be ignorant of the efficiency of one's own attainments. For instance, on pages 16 and 17 of this little Manual is a description of rucked edges, also method of making. Looking at some of the arrangements of various materials in the toque of the day, what do we find? The same ideas worked out (see Supplement, page 125, "Fancy Brims"); casings, tuckings, fulness drawn diagonally, etc., rule the scheme. Turn to page io8 of the Manual: there a note upon quillings and ruchings meets the eye. We gaze about us, and we see this form of trimming in evidence in most of the up-to-date hats. What is the lesson the given instances convey? Surely the fact that, if the foundation of the art has been properly laid, a wider knowledge has been acquired than was imagined. L~t the inexperienced, or those who, not having run the gamut of changeful notes, think themselves in- 122
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