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Hazard, H. W. (ed.) / The art and architecture of the crusader states
(1977)
V: The Arts in Cyprus, pp. 165-207
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Page 200
200 A HISTORY OF THE CRUSADES IV harbor. A wide ditch isolates the castle on the south and west, on which latter side it separates the castle from the town. Probably this is the Venetian enlargement of a Frankish or earlier ditch, the southern arm of which would have been continuous with that which ringed the town. On the castle site the Lusignans took over an early Byzantine fortress, originally an enclosure about 264 feet square with hollow angle-towers of circular form, to which was added on the south a massive outer curtain with solid pentagonal towers. Dating from the period of the Arab wars or earlier, a considerable section of the pre-Frankish castle is still visible at the south end of the present courtyard, where the outer Byzantine wall now serves to retain the south and west ramparts on the inner side (fig. 10). An entrance in the outer south curtain is flanked by two couchant lions in relief and surmounted by a third, which, like the column drums and other blocks reused in the extremely irregular masonry, may well be of earlier date. At the northwest corner, reaching out toward the harbor, there seems to have been a salient within which the chapel, later known as St. George of the Donjon, was erected, probably in the twelfth century. The outer wall enclosing this salient probably ran on southward to enclose an outer ward along the west wall, corresponding to that on the south. We can hardly doubt that in the main it was this Byzantine castle which Wilbrand of Oldenburg saw in 1211 and in which the imperial faction were besieged in 1 228 and 1232. The earliest Frankish repairs and improvements are, however, attributable to this period. Such are the upper story of the original inner northwest tower and perhaps the vaulted undercroft to the north of the gateway in the west range, built within the line of the Byzantine curtain. At a later date much more drastic improvements were undertaken in ashlar masonry akin to thirteenth-century work on the Syrian mainland. These improvements form a single conception but were executed piecemeal, and in part at least must date from the turn of the century, when the kingdom's defenses were strengthened upon the fall of Acre. At this stage the Byzantine walls on the north and east were entirely replaced, the former by a high curtain with two fighting galleries below the parapet and the latter by a similar curtain, to judge from what remains of its fighting gallery at the courtyard level and the ruins of an intermediate tower which had an upper story. The eastern fighting gallery is backed by, but otherwise unconnected with, a lofty vaulted range which was divided by wooden floors into an upper story of residential chambers and a
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