Ware, George W.
Porcelain, old and new, pp. 29-35 PDF (3.9 MB)
Things Not to Do 1. Don't buy anything for your permanent coll ction which is distasteful, since you have to live with It and beauty is the first criterion of every good collectr. 2. Don't purchase an article simply because it hb the mark of a good factory. Inferior porcelain is sti bad regardless of the mark. I 3. Don't acquire old pieces for the sake of the' age, as antiquity adds little to the worth of an article lmless it has historical or artistic value. 4. Don't buy pieces which are materially damaged or poorly mended just because they are reasonably riced. The repair bill may increase the cost to that of per- fect piece. 5. Don't buy pieces under poor light conditions jinless willing to be deceived. Bright daylight is preferred. 6. Don't rush or buy when in doubt. The dealer will usually reserve the piece for a short time while you are making your final decision. THE AMATEUR COLLECTOR should make a rond of 1visits to all antique shops periodically. Good pieces come and go and one never knows where or when he will run across a treasure. When dealers become familiar with your interest and taste they may be very helpful in locating and setting aside items which they believe will interest you. I It is only fair to warn the novice that good pie es of old porcelain from favorite factories command com- paratively high prices. This is particularly true df fig- urines, which are often sold for large sums. One should realize, however, that old, artistic porcelain is' very scarce and becoming even more so. As time goes on, it may be expected to increase in value. Thus, good quality antique porcelain bought at a fair price is considered a * t AU --*V_5LUUCetmn X Trade marks of 50 of better known of later or 19th and l 20th century factories are arranged alphabetically by location. These charts are not to be reproduced: they are the property of the author, who has applied for copyright. 3. The glaze should be scrutinized for transparency, thickness and reflective luster. Turn the piece over and around in all directions to determine the reflections. 4. The form and contour of the item are also an im- portant factor in determining the age and artistic value of a piece. Many old porcelain pieces have been copied in recent years, but an old form with a characteristic decoration of the same period, further associated with an old factory mark, makes a combination of factors which practically guarantees antiquity. 5. The decoration is a decisive factor in determining the age and quality of the piece. The pattern design, subject of the painting, combination of colors and degree of gilding affect the beauty and value of the piece and in considerable measure determine the age. 6. The mismatched and restored pieces must be care- fully checked. It is important to see that the parts of an item and the pieces of a set matchl in quality of material, Fulda. Food warmer with pastoral decoration. About 1775. in form and in decoration. (Courtesy, Museum fuer Kuist und cewerbe, Ha nburg) JUNE 1951 35 INFORMATION BU4L TIN I' I
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