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Kamarck, Edward (ed.) / Arts in society: growth of dance in America
(Summer-Fall, 1976)
Hayes, Elizabeth
Dance in academe: [dance in the universities: yesterday, today and tomorrow], pp. 340-[345]
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Page [342]
only a handful of states have acted to recog- nize that dance is as legitimate an area for independent certification as art or music. Many high school students have never had the privilege of a dance experience. And in high schools where a feeble attempt is made to teach dance by inadequately prepared teach- ers, the dance programs are likely to remain static. Thus, a vicious circle is established- the classes create little student interest, so there is insufficient demand for dance special- ists, so student interest does not grow, and so on around the circle ad infinitum. On the other hand, in secondary schools where well trained dance teachers are employed there is ample evidence that dance is not only popu- lar, but the quality of the program and the student interest is more than sufficient to justify the continual training and certification of dance specialists. If there are ever to be quality programs in dance throughout our high schools, teacher certification is essential. It is high time that secondary schools assume some of the responsibility for providing worthwhile dance experiences for all who desire them, and for elevating the level of appreciation and enjoyment of dance as an art form. Eventually we must turn our atten- tion to certification for dance in elementary schools where the flame of creativity still flickers tenuously.
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