Archival Resources in Wisconsin: Descriptive Finding Aids

Contents List

Container	Title
	Series: Part 1, Original Collection: Subject File, 1947-1964
	Academy Award Theatre
Box 1	Correspondence, 1957, August-1958, Sept.
Box 1	Reports, 1958
Box 1	Clippings, 1958, June 17
	All the Way Home
Box 1	Correspondence, 1962, March-1963, March
Box 1	Reports and Notes, 1961-62
Box 1	Clippings, 1962
Box 1	Miscellaneous, undated
	Allison, Fran
Box 1	Correspondence, 1950, March-1956, Nov.
Box 1	Business Material (invoices, etc.), 1950-54
Box 1	Legal, 1951-53
Box 1	Clippings, undated
	Alsam Music Corporation
Box 2	Correspondence, 1949, Dec.-1953, Dec.
Box 2	Legal, 1951
Box 2	Music
Box 2	Miscellaneous, undated
	Al Toolum Story, See Toolum, Al
	American Broadcasting Company
Box 2	Correspondence, 1957, July
Box 2	Lists and Summaries
	American Federation of Television and Radio Artists
Box 2	Correspondence, 1954, March-1962, Dec.
	Andrews, Charles
Box 2	Correspondence, 1954, Oct.-1955, Oct.
	Andrews Sisters
Box 2	Correspondence, 1956, May-1957, Jan.
Box 2	Miscellaneous Background Notes
	Applications
Box 2	As Correspondence, 1954, Oct.-1955, Sept.
Box 2	As Background Resumes, undated
	Appointment with Adventure
Box 2	Correspondence, 1955, Jan.-1956, Feb.
Box 2	Miscellaneous Notes
	Show, Five in Judgment
Box 2	Correspondence, 1955, Dec.-1956, July
Box 2	Script
	Armstrong Circle Theatre
Box 3	Correspondence, General, 1954, June-1963, Jan.
Box 3	Reports, 1955-56 (general notes and production material)
Box 3	Reports by Batten, Barton, Durstine, and Osborn
Box 3	Financial, 1954-55 (as summary of Profit and Loss)
Box 3	Ideas, 1955-60 (as correspondence, as reports, as clippings)
Box 3	Legal, 1955-62
Box 3	Syndication figures
	Shows (by broadcast date)
	1959, Feb. 18, “House of Cards” No. 64
Box 3	Correspondence, 1959, Jan.-Feb.
Box 3	Notes
	1959, March 4, “The White Collar Bandit” No. 65
Box 4	Correspondence, 1959, Jan.-March
Box 4	Production Material
Box 4	Clippings
	1959, April 1, “The Innocent Killer” No. 66
Box 4	Correspondence, 1959, Feb.-June
Box 4	Notes and Production Material
	1959, April 15, “Trail of Diamonds” No. 67
Box 4	Miscellaneous Notes and Production Material
	1959, April 29, “The Sound of Violence” No. 68
Box 4	Correspondence, 1959, March-Dec.
Box 4	Notes and Background Material
Box 4	Clippings
	1959, May 13, “Thunder Over Berlin” No. 69
Box 4	Correspondence, 1959, Jan.-April
Box 4	Berlin Information and Maps
Box 4	Notes and Production Material
Box 4	Clippings
	1962, March 14, “The Man Who Refused to Die” No. 119
Box 4	Correspondence, 1961, Dec.-1962, March
Box 4	Legal
Box 4	Notes and Production Material
Box 4	Script, Final Draft, 1962, Feb. 9
Box 4	Clippings
	1962, April 11, “Patterns of Hope: A Story of Cancer Control” No. 121
Box 4	Correspondence, 1962, Apr.
Box 4	Production Material
Box 4	Background Material
Box 4	Script, Final Draft, 1962, April 6
	1962, Sept. 26, “The Cross and the Dragon” No. 126
Box 4	Designs of Set
Box 4	Notes and Production Material
Box 4	Script, Final Draft, 1962, Sept. 21
	1963, Feb. 13, “Ordeal by Fire” No. 136
Box 5	Correspondence, 1963, Jan.-March
Box 5	Story
Box 5	Design for set and shooting
Box 5	Reports, Lists, Schedules, Notes
Box 5	Script, Final Draft, 1963, Feb. 8
	1963, April 10, “The Embezzler” No. 140
Box 5	Correspondence, 1963, Feb.
Box 5	Reports and Notes
Box 5	Corporation Examination
Box 5	Credits
Box 5	Script, Final Revised, 1963, April 5
	1963, Dec. 19, “Escape to Nowhere”, No. 132
Box 5	Correspondence, 1962, July-1963, Dec.
Box 5	Reports of Production and Budget
Box 5	Notes
Box 5	Design of Sets
Box 5	Photographs
Box 5	Brochures (Publicity)
Box 5	Clippings
	1962(?), “Smut for Sale”
Box 5	Correspondence, 1962, Aug.-Sept.
Box 5	Reports and Notes
Box 5	Script, Revised, 1962, Nov. 19 (letter attached)
	Undated, “The Third Ear Wiretap”
Box 5	Correspondence, 1956, Feb.-March
	Miscellaneous Photographs
Box 5	Brochures
Box 5	Clippings
	Around the World in Eighty Days
Box 6	Correspondence, 1959, March-June
Box 6	Notes
	Associated Redifusion Ltd.
Box 6	Correspondence, 1955, April-1956, June
Box 6	Legal and Bills
	Arthur, Robert Allam
Box 6	Correspondence, 1954, Nov.-1962, Oct.
Box 6	Legal, 1956, Aug.
Box 6	Script (United Musical play)
Box 6	Clippings, 1956, April
	Bailey, Ann Howard
Box 6	Correspondence, 1955, June
Box 6	Script possibilities
	Bass,Saul
Box 6	Correspondence, 1956, June-Oct.
	Bautzer, Greg
Box 6	Correspondence, 1955, April-1956, Dec.
	Behind Your Back
Box 6	Correspondence, 1961, Sept.-1962, March
Box 6	Report
	Bel Geddes, Barbara
Box 6	Correspondence, 1956, July
	Benoit, Patricia
Box 6	Correspondence, 1952, Nov.-1954, Dec.
Box 6	Legal (Agreement)
	Be Shot for Sixpence
Box 6	Correspondence, 1957, May-Dec.
	Big Blonde
Box 6	Correspondence, 1961, Aug.-1963, Jan.
Box 6	Bills, 1953-54
	Blair, Janet
Box 6	Correspondence, 1949, May-1955, Aug.
Box 6	Legal, Contracts
Box 6	Notes
Box 6	Script (annotated)
Box 6	Photographs
Box 6	Clippings, 1949-52
	Blau, Joseph D.
Box 7	Correspondence, 1953, Jan.
	Bonino
Box 7	Correspondence, 1953, Feb.-March
Box 7	Reports and Notes, 1956, Dec.
Box 7	Legal
Box 7	Music
	Bogart, Paul
Box 7	Correspondence, 1955, Sept.
Box 7	Notes
	Boudanya, Natalia
Box 7	Variety Clipping
	Bounce It Back (Program)
Box 7	Correspondence, 1953, May
	Bourjaily, Vance
Box 7	Correspondence, 1955, Sept.-1956, July
Box 7	Legal
	Bradbury, Ray
Box 7	Correspondence, 1956, Jan.-1958, May
Box 7	Script
	Bradshaw, George
Box 7	Stories and Ideas
	Brazil
Box 7	Correspondence, 1962, Sept.-1963, Feb.
Box 7	Notes
Box 7	Report
Box 7	Clippings
	Breck Golden Showcase
Box 7	Correspondence, 1961, Sept.-1962, March
Box 7	Brochures
	Shows (Alphabetical)
	The Fourposter
Box 7	Correspondence, 1961, Oct.-1962, Jan.
Box 7	Script, 1962, Jan. 13
	The Picture of Dorian Gray
Box 8	Correspondence, 1961, Oct.-1962, April
Box 8	Script, Final Draft, 1961, Nov. 15
	Brodkin, Herb
Box 8	Correspondence, 1954, March-1955, Oct.
Box 8	Bank Statements
Box 8	Script and Program Book
	Brown, Dave
Box 8	Correspondence, 1952, May-July
	Buck, Jules
Box 8	Paris Fashion Spectacular
	Buckskin
Box 8	Correspondence, 1955, May-June
Box 8	Stories
Box 8	Script, 1955, April 5, No. 30
	Budgets
Box 8	Correspondence, 1952, Dec.
Box 8	Lists and Notes
	Bungalow One
Box 8	Correspondence, 1961, Feb.
Box 8	Notes
	Caesar, Sid
Box 8	Correspondence, 1959, March
Box 8	Note
	Cahill, Grace
Box 8	Correspondence, 1956, June - 1957, May
Box 8	Notes
Box 8	Script
	Cambell, Edward
Box 8	Correspondence, 1954, May - June
	Camillo, Don
Box 8	Correspondence, 1956, May-1957, Sept.
Box 8	Clippings
	Carnegie Hall
Box 9	Correspondence, 1951, March - 1955, July
Box 9	Notes and Advertisement
	Carney, Art
Box 9	Correspondence, 1959, Feb.-1962, Sept.
Box 9	Production Summaries
Box 9	Clippings
	Claman, Julian
Box 9	Correspondence, 1952, Jan.-1953, Oct.
Box 9	Bills and Balances
Box 9	Personal Correspondence, 1952, Sept. - 153, June
Box 9	Reports
Box 9	Stories
	Close Up
Box 9	Correspondence, 1957, May-June
Box 9	Script (and attached letter)
	Coe, Fred
Box 9	Correspondence, 1950, Jan.-1954, Nov.
Box 9	Story Sketches
Box 9	Contract
Box 9	Clippings
	Colbert, Claudette
Box 10	Correspondence, 1954, Aug.
Box 10	Rolet script
	Command Performance
Box 10	Script: American Dream
	The Conspiritors
Box 10	Show rundown
	Contracts (clients)
Box 10	Documents
	Corrigan, Bill
Box 10	Correspondence, 1955, April-1957, Aug.
	Cott, Ted
Box 10	Correspondence, 1961, May-1962 Dec.
Box 10	Rundown: Close Up
	Court Reporter
Box 10	Correspondence, 1949, Oct.-1952, Nov.
Box 10	Notes (award)
	Crime Club Selection
Box 10	Notes
	Crime of the Century
Box 10	Correspondence, 1961, July-1962, Dec.
Box 10	Story Outlines
Box 10	Volume of case histories
	Crosby, John
Box 11	Correspondence, 1959, Dec.-1960, Jan.
	Cuba
Box 11	Correspondence, 1962, Oct.-1963, Jan.
	Daniels, Marc
Box 11	Correspondence, 1954, April-Nov.
	DiGangi, Jim
Box 11	Correspondence, 1956, March 23
	Directors and Producers
Box 11	Correspondence, 1954, Aug.-1956, Sept
	The Dock Brief and What Shall We Tell Carolyn
Box 11	Correspondence, 1959, Aug.-1959, Oct.
	Douglas, Kirk
Box 11	Correspondence, 1956, Jan.-Nov.
	Dozier, Bill
Box 11	Correspondence, 1955, Feb.-1957, Dec.
	Duff, Gordon
Box 11	Correspondence, 1949, Jan.-1954, Oct.
	DuPont Show of the Month
Box 11	General Correspondence, 1956, Dec.-1961, March
Box 11	Story Summaries
Box 11	Story Titles and Status
Box 11	Reports
Box 11	Program Format
Box 11	Notes
Box 11	Brochures
Box 11	Photographs
Box 11	Clippings (some letters attached)
	Shows (by broadcast date)
	1957, Oct. 28,The Prince and the Pauper
Box 12	Correspondence, 1957, April-1958, Jan.
Box 12	Fan Mail, 1957, Oct.-Nov.
Box 12	Casting, Budget
Box 12	Script, Second Draft, 1957 Aug. 2; Third Draft, 1957, Sept. 12
Box 12	Clippings
	1957, Nov. 25,Beyond This Place
Box 12	Correspondence, 1957, Dec.
Box 12	Notes
Box 12	Legal
Box 12	Clippings
	1958, Jan. 21,Bridge on the San Luis Rey
Box 12	Business Correspondence, 1957, Nov.-1958, June
Box 12	Fan Mail, 1957, Dec.-1952, Feb.
Box 12	Notes and Reports
Box 12	Script, Typed Script with Correspondence, 1957, Sept.; First Draft, 1957, Nov. 19; Revised, 1957, Dec. 28
Box 13	Clippings
	1959, March 27,A Tale of Two Cities
Box 13	Correspondence, 1958, Jan.-May
Box 13	First Draft, 1958, Feb. 14
Box 13	Revised, 1958, March 3; 1959, March 10
Box 13	Clippings
	1959, May 9,Wuthering Heights
Box 13	Correspondence, 1958, Feb.-Oct.
Box 13	Notes
Box 13	News Reports (CBS)
Box 13	Script, First Draft, 1958, March 13
Box 13	Brochures
	1958, June 12,The Member of the Wedding
Box 14	Script
	1958, Sept. 22,Harvey
Box 14	Correspondence, 1958, Aug.-1960, Dec.
Box 14	Fan Mail, 1958, Aug.-Sept.
Box 14	Notes and Reports
	1958, Oct. 28,The Count of Monte Christo
Box 14	Correspondence, 1958, July-Dec.
Box 14	Notes and Reports
Box 14	Script, First Draft, 1958, Sept. 23
	1958, Nov. 13,The Winslow Boy
Box 14	Correspondence, 1958, Nov.
Box 14	Reports
	1959, Jan. 28,What Every Woman Should Know
Box 14	Correspondence, 1958, June-1959, Jan.
Box 14	General Information
Box 14	Casting, Credits
Box 14	Script, First Draft, 1958, Dec. l; Final Draft, 1959, Jan. l; with rehearsal schedules
Box 14	Clippings
	1959, March 28,Human Comedy
Box 15	Correspondence, 1959, Feb.-July
Box 15	Fan Mail, 1959, March
Box 15	Information and Billing
Box 15	Production Material and Budget
Box 15	Schedule
Box 15	Script, Original Version; Final Revised, 1959, March 17; Final Revised, with revisions (annotated), 1959, March 25
	1959, April 25,The Browning Version
Box 15	Correspondence, 1959, March-April
Box 15	Notes, Credits
Box 15	Clippings
	1959, May 25,Billy Budd
Box 15	Correspondence, 1959, April-June
Box 15	Reports and Notes
	1959, Sept. 28,Body and Soul
Box 15	Correspondence, 1959, Aug.-Oct.
Box 15	Notes, Casting, Reports
Box 15	Action Script
Box 15	Brochures and Clippings
	1959, Oct. 14,The Fallen Idol
Box 15	Correspondence, 1959, Sept.-Oct.
Box 15	Reports, Credits
Box 15	Clippings
	1959, Nov. 9,I, Don Quixote
Box 15	Correspondence, 1959, May-Nov.
Box 15	Reports, Casting
Box 15	Clippings
	1959, Dec. 4,Oliver Twist
Box 15	Correspondence, 1959, Nov.-Dec.
Box 15	Credits
Box 15	Reports
Box 15	Reviews, Printed Scrapbook
	1960, Jan. 17, Arrowsmith
Box 15	Correspondence, 1959, Nov.-1960, Jan.
Box 15	Reports
Box 15	Clippings
	1960, Feb. 11, Ethan Frome
Box 15	Correspondence, 1959, March-1960, Jan.
Box 15	Reports, Notes, and Awards
	1960, March 5,Treasure Island
Box 16	Correspondence, 1960 Jan.-March
Box 16	Casting, Notes
Box 16	Reports (CBS News), Reports Formal
	1960, April 2,Years Ago
Box 16	Correspondence, 1960, Jan.-March
Box 16	Cast list
Box 16	Reports (CBS News), Notes
Box 16	Credits
Box 16	Expense and Final Financial Report
	Undated,Prisoner of Zenda
Box 16	Correspondence, 1960, Jan.-1961, Jan.
Box 16	Clippings
	East Side/West Side
	General Correspondence, 1962, Nov.-Dec.
Box 16	Outline
Box 16	Budget
Box 16	Contract
	Shows (by production number)
	No. 2, “The Sinner”
Box 16	Report
Box 16	Casting
Box 16	Film Strip
Box 16	Location and Schedule
Box 16	Script: Second Draft, 1963, June 7 (annotated)
	No. 20, “If Your Grandmother Had Wheels”
Box 16	Casting
Box 16	Scripts: Rough Draft, 1963, Dec. 17; Second Draft 1963, Dec. 26; Final Draft, 1963, Dec. 30
	No. 21, “The Passion of the Nickel Player”
Box 16	Legal
Box 16	Schedules and Location
Box 16	Daily Reports and Sound Reports
Box 16	Staff and Casting
Box 16	Film Strips and Camera man lists
Box 17	Scripts: Second Draft, 1964, Jan. 7; revisions; Draft with revisions; Trailer
	No Number, “Changing the World”
Box 17	Script
	Edge of the City (A Man Ten Feet Tall)
Box 17	General Correspondence, 1956, Jan.-1958, April
Box 17	Business Correspondence, 1956, Jan.-Aug.
Box 17	Background Notes
Box 17	Budget, Schedules, Locations
Box 17	Screening Comments
Box 17	Casting and Staff
Box 17	Music
Box 17	Regular Trailer
Box 17	Dialogue
Box 17	Script, 1956, March 6
Box 17	Publicity
Box 17	Clipping
	Ehrlich, Bud
Box 18	Correspondence, 1953, March-June
Box 18	Statement of Credits
	Eighty-Seventh Precinct
Box 18	Correspondence, 1958, April
Box 18	Background
Box 18	Script
	Eleanor Roosevelt Program, See Roosevelt, Eleanor
	Emmett Till Story, See Till, Emmett
	Emmy Award
Box 18	Correspondence, 1960, June
Box 18	Notes and Reports
Box 18	Equitable, undated
	Escape
Box 18	Correspondence, 1957, March-?
	European Correspondence
Box 18	General, 1956, March-1962, Nov.
Box 18	British, 1958, June-Aug. 1962, Feb.
Box 18	Ramsey Marget, 1958, July
Box 18	Notes
Box 18	Photo
Box 18	Clippings
	Eva Peron, see Peron, Eva
	Evening Primrose (The Others)
Box 18	Correspondence, 1956, July-1958, June
Box 18	Script
Box 18	Notes (list of actors)
	Ewell, Tom
Box 18	Correspondence, 1953, Nov.
Box 18	Program speech
	The Executioner
Box 18	Correspondence, 1956, Jan-Feb.
Box 18	Face the Music
Box 18	Prospectus
Box 18	Name Changes
	Family Classics
Box 19	General Correspondence, 1960, April-1961, June
Box 19	Business Correspondence, 1960, Aug.-1961, April
Box 19	Story Summaries
Box 19	Reports
Box 19	Notes
Box 19	Brochures
Box 19	Clippings
	Russel, Charles
Box 19	Correspondence, 1955, Dec.-1956, Feb.
Box 19	Presentations
	Shows (by broadcast date)
	1960, Oct. 29,Scarlet Pimpernel
Box 19	Correspondence, 1960, Sept.
Box 19	Casting, Credits, Schedule
Box 19	Script, Revised, 1960, Oct. 20
	1960, Nov. 30,Three Musketeers
Box 19	Correspondence, 1960, Sept.
Box 19	Credits
Box 19	Script, Final Revision, 1960, Nov. 15; Final Revision, 1960, Nov. 16
	1961, Jan. 13,Vanity Fair
Box 19	Casting, Credits
Box 19	Opening
Box 19	Script, 1960, Dec. 27, Part II; 1960, Dec. 28
	1961, Feb. 13,The Heiress
Box 19	Casting, Credits
Box 19	Script, Revision, 1961, Feb. 8
	1961, March 16,The Light That Failed
Box 20	Script, Revised, 1961, March 13
Box 20	Fan Mail, 1955, Jan.-Feb.
	Festival of the Arts
Box 20	Correspondence, 1962, Jan.-Dec.
Box 20	Artists, by country, date of performance, agents, contract
Box 20	Notes
Box 20	Material for Readings
Box 20	Legal
Box 20	Budgets and Reports
Box 20	Credits and Casting
Box 20	Schedules
Box 20	Resumes
Box 20	Brochures
Box 20	Clippings
	Films
Box 20	Correspondence, 1954, March-1962, Aug.
Box 20	Budget
Box 20	Schedule
Box 20	Show Rundown
Box 20	Production Information (Europe)
Box 20	Legal
Box 20	Brochures
	Finders Keepers
Box 21	Correspondence, 1954, March-1956, Oct.
Box 21	Budget
Box 21	Resume
	Fine Sound
Box 21	Correspondence, 1956, Nov.
Box 21	Shipping Memo
	Frachtenberg, Emmanuel
Box 21	Correspondence, 1955, April
Box 21	List of Scripts
	Fritzell, James
Box 21	Correspondence, 1955, Oct.-1956, Sept.
Box 21	Summary
Box 21	Script
	Gaither, Gant
Box 21	Correspondence, 1956, Oct. (l)
	Galinder-Murphy Case
Box 21	Correspondence, 1957, June-July
Box 21	Clippings
	Gamble-Skoogmo
Box 21	Correspondence, 1959, Dec.-1960, May
	General Electric Company (Doug Benton)
Box 21	Correspondence, 1954, April-May
	Gift of the Magi
Box 21	Correspondence, 1958, Jan.-Aug.
Box 21	Notes
Box 21	Music
Box 21	Clippings
	Glenville, Peter
Box 21	Correspondence, 1959, May (1)
	Great Ghost Tales
Box 21	Correspondence, 1961, May-June
Box 21	Casting, Memo of actors contract
	Greatest Man in the World
Box 21	Correspondence, 1961, March-1962, Oc.
Box 21	Script, 1959
	Greatest Ride in Town (Lost Street Car)
Box 21	Correspondence, 1956, Aug.-1957, Nov
Box 21	Contract
Box 21	Shooting Schedules
Box 21	Rundown
	Greatest Story Ever Told
Box 21	Correspondence, 1947, Feb., 1955, Feb.
Box 21	Story resume
Box 21	Brochures
	The Green Hornet
Box 21	Correspondence, 1953-52 (inverted business file)
	Greshler, Abner J. (Production)
Box 22	Correspondence, 1956, June-July
	Guiness, Alec
Box 22	Correspondence, 1959, Jan.-July
	Hachett, M. H., Co.
Box 22	Correspondence, 1955, Oct.-1956, March
	Handful of Fire (Nash Play)
Box 22	Correspondence, 1958, April-1959, April
Box 22	Notes
Box 22	Photographs
Box 22	Brochures
Box 22	Clippings
	Happy Talk (program)
Box 22	Correspondence, 1960, Oct.-1961, Nov
	Hargrove, Dean-The Adjustment of Preston Fowler
Box 22	Correspondence, 1962, Aug.-Nov.
	Hawkins Falls
Box 22	Correspondence, 1955, June
	Hayden Company (Insurance)
Box 22	Correspondence, 1953, June (with policies)
Box 22	Reports, 1953; and Policies
	Hayes, Helen
Box 22	Correspondence, 1953, Feb.-March
Box 22	Rundown for Helen Hayes Theatre
	Hedda Gabler
Box 22	Correspondence, 1962, Jan.-Dec.
Box 22	Notes
Box 22	Brochures
Box 22	Clippings, 1962, June-Dec.
	Hirson, Roger
Box 22	Correspondence, 1955, Oct.-1958, Jan.
Box 22	Contracts (legal)
Box 22	Defense of Treason, Story rundown
Box 22	Script, Little Women
	Hobin, William
Box 23	Correspondence, 1954, Oct.-1957, April
	Hopper, Hedda
Box 23	Correspondence, 1953, June-1955, March
Box 23	Notes
Box 23	Reports
Box 23	Lists of Actors
Box 23	Show
Box 23	Presentation
Box 23	Photographs
	Hui,William Bradford
Box 23	Correspondence, 1956, March-Dec.
Box 23	Notes
Box 23	Clippings
	Hutchins Advertising Company
Box 23	Correspondence, 1955, Jan.-Oct.
	Insurance
Box 23	Correspondence, 1954, Feb.-1955, Feb.
Box 23	Note
	International Business Machine
Box 23	Correspondence, 1955, June-Oct.
	Investors
Box 23	Correspondence, 1956, Jan.-March
	Israeli Spectacular
Box 23	Notes
Box 23	Budget
	Jaffe Agency
Box 23	Correspondence, 1953, Nov.-1954, Sept.
Box 23	Notes
Box 23	Actors
Box 23	Legal Contracts
	Jaffe and Jaffe
Box 23	Correspondence, 1953, Feb.-1954, Dec.
	Jaffe and Stern (attorneys)
Box 23	Correspondence, 1954, March-1956, Dec.
	Jamie
Box 23	Correspondence, 1952, Nov.-1955, Dec.
Box 23	Notes
Box 23	Rundown
Box 23	Reviews
Box 23	Corrections
Box 23	Ratings
Box 23	Legal
Box 23	Financial
Box 23	Photographs
Box 23	Clippings
	Jamie Exploitation
Box 23	Correspondence, 1953, Dec.-1954, Dec.
Box 23	Endorsements, 1954, Oct and Nov.
Box 23	Contracts
Box 23	Clippings
	Jamie Television
Box 23	Reports, 1954
	Jody and Me
Box 24	Correspondence, 1954, March-1959, March
Box 24	Script
	Joe and Mabel
Box 24	Correspondence, 1955, Jan.-Oct.
Box 24	Notes
Box 24	Financial
Box 24	Legal Contracts
Box 24	Script, Revised, 1955, March 5
	Johnathan Production Inc.
Box 24	Correspondence, 1955, Nov.-1957, March
Box 24	Notes (to credits of A Man Ten Feet Tall)
Box 24	Shooting Schedule
	Johnson, Johnny
Box 24	Correspondence, 1954, June-Aug.
	Johnson, Van
Box 24	Correspondence, 1954, Dec.-1955, March
	Justice
	General Correspondence
Box 24	1953, Oct.-1954, Dec.
Box 24	1955, Jan.-1957, May
Box 24	Casting and Clearance
Box 24	Legal and Contracts, 1954-56 (correspondence with documents
Box 25	Budget and Rating
Box 25	Reports and Memos
Box 25	Music
Box 25	Story and Scripts
	Publicity
Box 25	Book
Box 25	Brochure (Information on Legal Aid)
Box 25	Clipping (reviews)
	Kaiser Aluminum
Box 25	Correspondence, 1957, Jan.-May
Box 25	Notes, actor available, etc.
Box 25	Clippings
	Kaufman, Boris
Box 25	Correspondence, 1956, March-April
Box 25	Kean Sisters, 1953, June-Oct.
	Kober, Arthur
Box 25	Correspondence, 1962, April
	Kraft Mystery Theatre
Box 25	Correspondence, 1959, Feb.-May
Box 25	Stories (attacked)
Box 25	Notes
Box 25	Clippings
	Kramm
Box 26	Correspondence, 1957, Oct.-1958, April
	Labor
Box 26	Correspondence, 1954, March
	Lammers, Paul
Box 26	Correspondence, 1955, March
	Laufman, Herbert S. (Chicago)
Box 26	Correspondence, 1954, Dec.-1955, March
	Laurel and Hardy
Box 26	Correspondence, 1961, Sept.-Oct.
Box 26	Background Notes
Box 26	Clippings
	Leigh, Colston (lectures)
Box 26	Correspondence, 1959, Nov.-1963, Jan. (contracts attached)
Box 26	Contracts
Box 26	Brochures
	Legal (lawsuit)
Box 26	Correspondence, 1956, Feb.
	Levy,Al (re Allision)
Box 26	Correspondence, 1953, Nov.-1956, Dec.
Box 26	Statement, 1955
Box 26	Receipts
Box 26	Summary
	Levy, David
Box 26	Correspondence, 1954, July-1956, March
	Lewis, Mario
Box 26	Correspondence, 1955, Nov
	Lindsay and Crause Show
Box 26	Correspondence, 1953, April-1954, July
Box 26	Story rundowns, and notes
	The Little Prince
Box 26	Correspondence, 1957, July-Aug.
	Little Women
Box 26	Correspondence, 1957, Dec.-1959, Jan. (notes)
Box 26	Script
Box 26	Publicity and clippings
	Loews, Inc.
Box 26	Correspondence, 1956, Feb.-1957, Feb.
	Love in America
Box 26	Rundown of show
	Mademoiselle Jones
Box 26	Correspondence, 1956, Oct.-1959, June
	Mademoiselle Smith
Box 27	Correspondence, 1956, Aug.
Box 27	Rundown and notes
	The Making of a President
Box 27	1961, Aug.-1962, Feb.
Box 27	Outline on Day Kennedy Won Election, 1960
	A Man's Game
Box 27	Correspondence, 1956, June-1957, May
Box 27	Notes, Casting, Budget
Box 27	Song
Box 27	Clippings
	Man on a Tiger
Box 27	Correspondence, 1955, Dec.-1957, March
Box 27	Legal Agreement
	Maper, Pierson
Box 27	Correspondence, 1954, Jan.-1955, Oct.
Box 27	Invoices and Bills
	Mark Twain
Box 27	List of actors
	Martin Chronicles
Box 27	Correspondence, 1956, Oct.-1958, Jan.
	Meet Me in St. Louis
Box 27	Correspondence, 1959, Jan.-June
	Member of the Wedding
Box 27	Correspondence, 1959, March-June
Box 27	CBS News Release
Box 27	Notes
	Metro-Goldwyn-Mayer
	General
Box 27	Correspondence, 1959, Jan.-Nov.
Box 27	List of Movie Titles
Box 27	Volumes (2) available movies for television
	Movies (alphabetical)
	Edge of the City (A Man Ten Feet Tall)
Box 27	Correspondence, 1956, Jan.-1958, Jan. (photograph included)
Box 27	Notes (list of actors)
	Television (alphabetical)
	The Bells of St. Mary's
Box 27	Correspondence, 1959, Aug.-Oct.
Box 27	Notes
	The Citadel
Box 27	Correspondence, 1959, Nov.-1960, Feb.
Box 27	Notes
Box 27	Credits
	Member of the Wedding
Box 27	Correspondence, 1958, March-June
Box 27	CBS News Reports
Box 27	Report on Publicity
Box 27	Notes
	Mrs. Miniver
Box 27	Correspondence, 1959, Jan.-1960, Jan.
Box 27	Credits and actors
	Ninotchka
Box 27	Correspondence, 1959, Sept.-1960, March
Box 27	Notes
Box 27	Clippings
	Philadelphia Story
Box 27	Correspondence, 1959, Sept.-Dec.
Box 27	Credits
	Valley of Decision
Box 27	Correspondence, 1960, Jan.-March
Box 27	Notes, Credits
	Scripts
Box 27	Correspondence, 1959, May-1960, April
Box 27	Notes
	Miller, Mike
Box 27	Correspondence, 1954, Dec.-1955, Aug. (Stories attached to some)
Box 51	Miscellaneous Correspondence, 1957-62, undated, and legal
Box 51	Miscellaneous Plays, undated, and no title
	Miscellaneous Presentations (rundowns)
Box 51	Correspondence, 1953, April-1956, Dec.
Box 52	Rundowns
	By Sponsor
Box 52	Firestone
Box 52	General Foods
Box 52	Gulf
Box 52	Prudential Life Insurance
Box 52	Standard Oil Company
Box 52	Texico
Box 52	Clippings
Box 52	Miscellaneous-unknown presentation
Box 52	Miscellaneous - Clipping (from London)
	The Moon and Sixpence
Box 28	Correspondence, 1958, Nov.-1959, Dec.
Box 28	Fan Mail, 1959, Oct.-Nov.
Box 28	Notes
	Morgan, Priscilla
Box 28	Correspondence, 1954, March 29 (note)
	Mosel, Tad
Box 28	Note attached to script by Mosel
	Mother Goose
Box 28	Correspondence, 1958, March-June
Box 28	Rundowns, Budget
	Motion Picture Association
Box 28	Notes and Legal
	Motion Pictures
Box 28	Correspondence, 1955, Aug.-Nov.
Box 28	Note
Box 28	Clippings
	Mr. Peepers, See Peepers
	Mulligan, Bob
Box 28	Correspondence, 1954, Oct.-1955, April
	Music
Box 28	Correspondence, 1958, June-1962, Oct.
Box 28	Printed music
Box 28	Clay Warnick (biography and credits)
	Music Cue Sheets
Box 28	Correspondence, 1956, Oct.-1957, Feb.
Box 28	Sheets
	Musical Theater (Oldsmobile)
Box 28	Correspondence, 1959, Jan.-June
Box 28	Notes (openings, lists, costs, suggestions)
Box 28	Clippings
	Musical Comedy Playhouse (Pepsi-Cola)
Box 28	Musical Show Ideas
	Musicians' Contracts
Box 28	Correspondence, 1954, Dec. (contracts attached)
Box 28	Contracts
	Nash, Richard
Box 28	Correspondence, 1954, Feb.-1958, May
Box 28	Legal, Notes, Stories
Box 28	Photographs
Box 28	Clippings
	National Broadcasting Company (Miscellaneous)
Box 28	Correspondence, 1956, June-1962, April
Box 28	Stories
Box 28	Notes, Finances (memos)
Box 28	Clippings
	National Educational Television
Box 28	Correspondence, 1962, June-1963, Feb.
Box 28	Notes, rundown
Box 28	Brochures
	National Screen Gems (Service)
Box 28	Correspondence, 1956, Nov.-1957, Jan.
	National Telefilm Associates, Inc.
Box 28	Correspondence, 1958, Dec.-1962, May
Box 28	Reports, 1960-62, (attached to correspondence)
Box 28	Reports, Legal
	Nero Wolfe
Box 28	Correspondence, 1957, Sept.-Nov.
	Neiman, Irving Gaynor
Box 29	Correspondence, 1954, April-1956, Sept.
Box 29	Stories
	New Ideas-New Shows
Box 29	Correspondence, 1953, March - 1962, Oct.
	Nichols and May
Box 29	Correspondence, 1960, Nov.
	North, Alex
Box 29	Correspondence, 1956, Feb.-March
	North Atlantic Treaty Organization
Box 29	Correspondence, 1962, Sept.
Box 29	Budget (financing)
Box 29	Report
Box 29	Brochures (from government)
	Nothing But the Best
Box 29	Correspondence, 1953, Nov.-1954, March
	Olio, See The Proud Oasis
	O'Neill, Eugene
Box 29	Correspondence, 1960, Feb.-1961, June
Box 29	Memo, rundown
	Open End
Box 29	Correspondence, 1958, Dec.-1962, Dec.
Box 29	Chart
Box 29	Notes and Miscellaneous memos, transcripts, et
Box 29	Rating
Box 29	Financial
Box 29	Syndication
Box 29	Clippings
	Open Mind
Box 29	Correspondence, 1957, Oct.-Nov.
Box 29	Script
Box 29	Clipping
	O'Shea, Sean, See Sean O'Shea
	Outlines for Manuscripts
Box 29	Correspondence, 1955, June-1960, Dec.
Box 30	Correspondence, 1961, Jan.-1963, May
Box 30	Notes
Box 30	Script (l)
	Oxford Production
Box 30	Correspondence, 1957, March-1960, Feb.
Box 30	Legal Agreement
	Paramandia
Box 30	Correspondence, 1960, Feb.-1961, Dec.
	Paramount
Box 30	Correspondence, 1961, April-1962, Dec.
Box 30	Legal
Box 30	Reports
	Peck, Charles
Box 30	Correspondence, 1956, Jan.
	Peepers
	Correspondence (mostly legal)
Box 30	1952, Feb.-1953, March
Box 30	1953, April-1956, Nov.
Box 30	Reports, 1952-55
Box 31	Script
Box 31	Legal, Budget, Notes, Publicity
	Pentagon (Case Histories)
Box 31	Correspondence, 1953, Sept.
Box 31	Outlines of Cases
Box 31	Notes
	Pericles and Aspasia
Box 31	Correspondence, 1957, June-1958, June
Box 31	History of Pericles, Greece, Athens
	Perlis, Jack
Box 31	Correspondence, 1962, Nov.
	Peron, Eva (possible show)
Box 31	Correspondence, 1960, Aug.-1961, April (with outlines, notes, photos attached)
	Perspective (possible programs)
Box 31	Correspondence, 1960, Sept.-1961, Sept.
	Petrie, Dan
Box 31	Correspondence, 1954, June-Oct.
	Philco-Goodyear Television Playhouse
Box 31	Correspondence, 1954, Sept.-1955, Dec.
Box 31	Correspondence, 1952, Oct.- 1954, Dec. (with legal, notes, insurance, and clippings attached)
	Philco-Goodyear Writers Contracts
Box 31	Correspondence, 1954, Dec. -- 1955, Dec. (with legal)
	Philco Radio Playhouse
Box 31	Correspondence, 1949, Dec.-1954, Jan.
Box 31	Notes
	Philco Television Playhouse
Box 32	Correspondence, 1953, Aug.-1954, Sept.
Box 32	Notes
Box 32	Emergency (stories)
Box 32	Stories
	Shows (by broadcast date)
	1948, Oct. 10,Rebecca
Box 32	Script
	1948, Oct. 17,Counsellor at Law
Box 32	Script
	1948, Oct. 24,Angel in the Wings
Box 32	News releases
	1948, Oct. 31,Street Scene
Box 32	Clearance
	1949, Sept. 4,What Every Woman Knows
Box 32	Script
	1949, Sept. 11,Pride's Castle
Box 32	Script
	1950, May 7,The Feast
Box 32	Script
	1951, Feb. 11,Kitty Doone
Box 32	Script
	1951, May 6,A Secret Island
Box 32	Script
	1951, June 17,Operation Airlift
Box 32	Script
	1951, June 24,Dr. Hudson's Secret Journal
Box 32	Script
	1951, July l,The Plot
Box 33	Script
	1951, July 8,Case History
Box 33	Script
	1952, Feb. 10,The Rich Boy
Box 33	Correspondence, 1958, Jan.-Aug.
Box 33	Script
Box 33	Miscellaneous Script
	Philco Reviews
Box 33	Clippings
	Phoenix Theatre
Box 33	Correspondence, 1955, June (l)
	Pinza, Ezio
Box 33	Correspondence, 1956, Jan.-July
	Play Awards
Box 33	Correspondence, 1955, March
	Play of the Week
Box 33	Correspondence, 1959, Sept.-1961, Jan.
Box 33	Notes, lists
Box 33	Brochures
Box 33	Reviews
	Playwright 1954
Box 33	Correspondence, 1954, Jan.-July
Box 33	Budget rundown
Box 33	Legal
	Playwright Publicity
Box 33	Correspondence, 1954, Aug.
Box 33	Photographs
Box 33	Clippings
	Plugs
Box 33	Correspondence, undated
	The Power and the Glory
Box 34	Correspondence, 1961, Aug.-1963, Jan.
Box 34	Financial, Casting, Credits, Notes
Box 34	Clippings
Box 34	Fan Mail Clippings
	Princess Judy (production)
Box 34	Correspondence, 1953, Dec.-1954, Feb.
	The Protectors
Box 34	Correspondence, 1956, Nov.-1961, Nov.
Box 34	Financial
	The Proud Oasis (Olio)
Box 34	Correspondence, 1958, Jun.-Aug.
Box 34	Purchase Orders: Invoice Receipts
	A Raisin in the Sun
Box 34	Correspondence, 1959, March-1962, April
Box 34	Notes
Box 34	Brochures
Box 34	Clippings
	Rashomon
Box 34	Correspondence, 1958, July-1961, Dec.
Box 34	Schedule
Box 35	Legal, Financial
Box 35	Notes
Box 35	Investors, Casting
Box 35	Photographs
Box 35	Reviews
	Ratings
Box 35	Notes
Box 35	Arbitron Multi Ratings, 1960, Sept.-1961, July
	Readers
Box 35	Resume
	Readings
Box 35	Correspondence, 1962, Nov.
Box 35	Receipts
	Rejected Outlines (for Appointment with Adventure)
	Repertory
Box 35	Correspondence, 1962, Jan.
Box 35	List of Actors
Box 35	Summaries of Potential Productions
	Requiem for a Heavyweight
Box 35	Correspondence, 1960, Aug.-1961, Sept.
Box 35	Financial
Box 35	Casting, Credits, Contracts
Box 35	Scripts
Box 35	Notes
Box 35	Production Information (staff, schedules, etc.)
Box 35	Clippings
	Revival
Box 35	Correspondence, 1956, July-1960, Jan.
Box 35	Budget and Finances
Box 35	Notes
Box 35	Stories
Box 35	Clippings
	Revlon
Box 36	Correspondence, 1954, Dec.-1955, Feb.
Box 36	Script (dialogue)
	Rexall
Box 36	General Correspondence, 1957, Oct.-1960, Oct.
Box 36	General Finances
Box 36	General Rundowns
	Shows (by broadcast date)
	1957, Oct. 13,Pinocchio
Box 36	Correspondence, 1957, April-1958, Feb.
Box 36	Fan Mail, 1957, Oct.
Box 36	Finances
Box 36	Staff, Credits
Box 36	Script
Box 36	Brochures
Box 36	Reviews (some clippings)
	1958, April 27,Hansel and Gretel
Box 36	Correspondence, 1957, Dec.-1959, May
Box 36	Finances
Box 36	Schedules
Box 36	Script: First Draft, 1957, Dec. 10; First Draft, 1958, Feb. 17; First Draft, 1958, March 6
	1958, Oct. 12,Swiss Family Robinson
Box 36	Correspondence, 1959, July-Oct.
Box 36	Rating
Box 36	Budget
Box 36	Schedules
Box 36	Casting and Credit (employee information)
Box 36	Notes
Box 36	Rundown (story and characters)
Box 36	Set Design, 1958, Sept.
Box 36	Scripts: First Draft, 1958, Aug. 5; 1958, Sept. 22; 1958, Oct. 6; undated
	1959, Jan. 18,Ten Little Indians
Box 37	Correspondence, 1958, Aug.-Nov.
Box 37	Schedules
Box 37	Casting and Credits
Box 37	Scripts: 1958, Oct. 22; 1958, Dec. 2
Box 37	Revised: 1958, Dec. 10; 1958, Dec. 31
	1959, Aug. 16,Ransom of Red Chief
Box 37	Casting
Box 37	Script, 1959, June 11
	1959, Oct. 18,Strawberry Blonde
Box 37	Correspondence, 1959, Sept.-Oct.
Box 37	Casting and Credits
	1960, Feb. 14,The Devil and Daniel Webster
Box 37	Correspondence, 1959, Nov.-1962, May
Box 37	Casting and Credits
Box 37	Financial
	undated, Hiawatha
Box 37	Correspondence, 1958, March 31-June
Box 37	Notes
Box 37	Rundown
	Rich, David
Box 37	Correspondence, 1954, Sept.
	Ritt, Martin
Box 37	Correspondence, 1956, Jan.-1958, Dec.
Box 37	Story, Who Walk Alone
	Robinson, Major
Box 37	Correspondence, undated
	Roman Holiday
Box 37	Correspondence, 1957, Jan.-1962, Dec.
Box 37	Clipping
	Roosevelt, Eleanor (Program)
Box 37	Correspondence, 1959, Sept.-1962, July
Box 37	Casting, Schedule
	Rosenman, Leonard (music)
Box 37	Correspondence, 1956, May-1957, May
Box 37	Legal and Notes
	Ross, Jerome
Box 37	Correspondence, 1954, July-1955, Oct. (legal agreement)
	The Royal Hunt of the Sun
Box 37	Correspondence, 1959, Jan.-April
	Russell, A. J.
Box 37	Correspondence, 1954, May-July (legal)
	Rust, John
Box 38	Correspondence, 1954, March-1956, Jan.
Box 38	Story Outline
	Sally Norman-Space Nurse
Box 38	Correspondence, 1953, July-Oct.
Box 38	Legal Agreement
	Screen Actors Guild
Box 38	Correspondence, 1956, March-May
	Script Editors
Box 38	Correspondence, 1954, July-Sept.
Box 38	Background, Rundown
	Sean O'Shea (program)
Box 38	Correspondence, 1953, May
Box 38	Script
	Second City
Box 38	Correspondence, 1962, July-1963, Jan.
Box 38	Notes
Box 38	Schedules
Box 38	Script
	Segal, Jack
Box 38	Correspondence, 1956, July
	Serling, Rod
Box 38	Correspondence, 1962, Feb.-April
	Seven Against Crime
Box 38	Correspondence, 1956, Oct.-1957, April
Box 38	Script
	Shadow of the Champ
Box 38	Correspondence, 1956, May-Nov.
	Shaff, Monty
Box 38	Correspondence, 1956, April
	Sharpe, Don
Box 38	Correspondence, 1955, Feb.-1956, May
	Shaw, David
Box 38	Correspondence, 1955, March-1957, Feb.
Box 38	Legal agreements (with letters attached)
Box 38	Note
Box 38	Script
	Sheaffer, W.A., See W.A. Sheaffer Pen Company
	Sidney, Sylvia
Box 38	Notes
	Small Town D.A.
Box 38	Correspondence, 1957, Aug.
	The Smather-Humber Mess
Box 38	Correspondence, 1956, Oct.-1959, March
Box 38	Notes, Outlines
Box 38	Original Screen Play
	Smith, Jack
Box 38	Correspondence, 1953, Jan.
Box 38	Photographs
	Specials
Box 39	Correspondence, 1959, May-1962, May
Box 39	Notes, lists
Box 39	Clippings
	Special Tonight
	Shows (by broadcast date)
	1959, Jan. 27,Miracle on 34th Street
Box 39	Correspondence, 1959, July-1960, Jan.
Box 39	Casting, Staff, Credits
Box 39	Rundowns, schedules, notes
Box 39	Script, This Is the Time1946, Aug. 9
	1959, Oct. 27,The Bells of St. Mary's
Box 39	Correspondence, 1959, July-Oct.
Box 39	Music
Box 39	Notes, resume, casting, credits
Box 39	Schedules
Box 39	Rundowns
Box 39	Script: 1959, Oct. 10
	1959, Dec. 7,Philadelphia Story
Box 39	Correspondence, 1959, Oct.-1960, Jan.
Box 39	Notes
Box 39	Staff, cast, credits
Box 39	Rating, Schedules, Scene Breakdowns
Box 39	Commercials
Box 39	Revised Script: 1959, Nov. 20 (annotated); 1959, Nov. 22; 1959, Nov. 24 and Dec. 2
	1960, Jan. 7,Mrs. Miniver
Box 40	Correspondence, 1959, July-1959, Dec.
Box 40	Casting, Credits
Box 40	Music
Box 40	Schedules
Box 40	Commercials
Box 40	Scripts; First draft, 1959, Oct. 22; Revised 1959, Dec. 14; Third draft, 1959, Dec. 29
	1960, Feb. 19,The Citadel
Box 40	Correspondence, 1960, Jan. -. Feb.
Box 40	Casting and Credits
Box 40	Schedules
Box 40	Note, Music
Box 40	Scene
Box 40	Revised Script: 1960, Jan. 26
Box 41	Final Draft, 1960, Feb. 5 (indexed)
	1960, March 20,Valley of Decision
Box 41	Correspondence, 1960, Jan.-March
Box 41	Casting, staff, credit
Box 41	Scene breakdown
Box 41	Notes
Box 41	Revised script, 1960, April 20
Box 41	Second Revised script, 1960, March 7
Box 41	Script, undated
	1960, April 20,Ninotchka
Box 41	Correspondence, 1959, Dec.-1960, May
Box 41	Notes
Box 41	Scene breakdown, schedules
Box 41	Staff, casting, credits
Box 42	Design of Sets
Box 42	Script, final version, 1960, April 16
Box 42	Rejected Material
	Design for titles “Special Tonight”
	Spectaculars
Box 42	Correspondence, 1956, June-1962, May
Box 42	Story Outline
	Stark, Ray
Box 42	Correspondence, 1955, Sept. -- 1956, Aug.
	Stern, Charles
Box 42	Correspondence, 1954, Nov.-1955, March
	Stern and Wincor
Box 42	Correspondence, 1957, March-1962, Dec.
	Susskind, David
Box 42	General Correspondence, 1955, Jan-1956, Dec.
Box 42	Personal Correspondence, 1952, Dec.-1954, Dec.
Box 42	Business Correspondence, 1957, March-1963, Jan.
Box 43	Personal Miscellaneous (Al Levy, kids, military, photos)
	Swift, David
Box 43	Correspondence, 1953, Jan.-1954, Aug.
	Talent Associates, Ltd.
Box 43	Correspondence, 1954, Jan.-1962, Aug.
Box 43	Business Correspondence, 1955, Nov.-1956, Jan.
Box 43	Coast Office (ideas), 1961, June-1962, Sept.
Box 43	Legal, notes, finances, staff
Box 43	Clippings
Box 43	Telephone Calls, 1962-63
	Telephone Hour
Box 44	Correspondence, 1958, Jan.-June
Box 44	Budget
Box 44	Resume
Box 44	Notes
Box 44	Script
Box 44	Drawings
	Television Research
Box 44	Correspondence, 1954, Nov.
Box 44	Clippings
	Texas Li'l Darlin'
Box 44	Correspondence, 1956, June
Box 44	Script
	This Happened
Box 44	Correspondence, 1954, April-1958, Jan.
Box 44	Budget
Box 44	Notes, resume
	Till, Emmett (Story)
Box 44	Correspondence, 1957, Jan.
Box 44	Script
	Time-Life Project
Box 44	Correspondence, 1961, June-Aug.
	Too Young to Go Steady
Box 44	Correspondence, 1957, Aug.-1959, June
Box 44	Casting, notes, rating, photographs
Box 44	Clippings
	Toolum, Al (Story)
Box 44	Correspondence, 1954, April-May
Box 44	Clippings
Box 44	Traveling Lady, 1954, Feb.
	Treasurymen in Action
Box 44	Correspondence, 1954, Dec.-1955, March
Box 44	Report
	Trip to Bountiful
Box 44	Correspondence, 1953, Jan.-Dec.
Box 44	Notes, Budget
Box 44	Clippings
	Truman, Harry (Series)
Box 45	Correspondence, 1961, April-1963, Jan.
Box 45	Dean Acheson Filming
Box 45	Script (transcript)
Box 45	Notes, suggestions
Box 45	Photographs
Box 45	Clippings
	United States Steel
Box 45	Correspondence, 1955, March
	Van DerVlis, Diana
Box 45	Correspondence, 1956, Oct. 9 (legal attached)
	Van Voorhis, Westbrook
Box 45	Correspondence, 1954, March-Sept.
	A Very Special Baby
Box 45	General Correspondence, 1955, May-1957, Aug.
Box 45	Legal, Notes, Budget, Resume
Box 45	Casting File
Box 46	Clippings
	Baby Company (A Very Special Baby)
Box 46	Correspondence, 1956, Aug.-Dec.
	W.A. Sheaffer Pen Company
Box 46	Correspondence, 1958, March-1959, March
	Way Out
Box 46	General Correspondence, 1960, Aug.-1961, July
Box 46	Fan Mail, 1961, March
Box 46	Production Charts, Staff, Credits
Box 46	Employment Memo, Publicity, Form Letter
Box 46	Rating, Notes, Story Outlines
	Shows (by broadcast date)
	1961, March 21, “William and Mary”
Box 46	Staff, credits
Box 46	Script; revised, 1961, March 25
	1961, April 17, “The Down Car”
Box 46	Cast, Credits
Box 46	Script (with conclusion) Revised, 1961, April 4
	1961, April 14, “The Sisters”
Box 46	Cast
Box 46	Script (with closing credits) Revised, 1961, April
	1961, April 28, “Button, Button”
Box 46	Cast
Box 46	Introduction, Script, conclusion, Revised 1961, AI
	1961, May 5, “I Heard You Calling Me”
Box 46	Cast
Box 46	Introduction
Box 46	Script, First Draft, 1961, March 14
Box 46	Conclusion
Box 46	Closing credits
	1961, May 12, “The Croaker”
Box 46	Cast
Box 46	Introduction
Box 46	Script, Studies, 1961, April 26
Box 46	Conclusion
	1961, May 26, “False Face”
Box 46	Cast
Box 46	Introduction
Box 46	Script, (Studio), 1961, May 10
Box 46	Conclusion
Box 46	Closing credits
	1961, June, “Dissolve to Black”
Box 46	Cast
Box 46	Introduction
Box 46	Script (Studio) 1961, May 2
Box 46	Closing credits
	1961, June 9, “Death Wish”
Box 46	Cast
Box 46	Script (Studio), 1961, May 24
Box 46	Closing credits
	1961, June 16, “Overnight Case”
Box 46	Cast
Box 46	Script (Studio), 1961, May 17
Box 46	Closing Credits
	1961, June 23, “Hush, Hush”
Box 46	Cast
Box 46	Script; revised, 1961, June 6
	1961, June 30, “Side Show”
Box 47	Cast
Box 47	Script, Revised, 1961, May 31
Box 47	Closing Credits
	1961, July 7, “Soft Focus”
Box 47	Cast
Box 47	Introduction
Box 47	Script, Revised 1961, June 21
Box 47	Closing Credits
	1961, July 14, “Twenty, Twenty”
Box 47	Cast
Box 47	Introduction
Box 47	Script, Revised 1961, June 14
Box 47	Clippings.
	William Morris Agency
Box 47	Correspondence, 1954, March; 1959, Sept.
	William, Emlyn
Box 47	Correspondence, 1958, Nov. - 1959, June
	Winkle, Lee
Box 47	Correspondence, 1962, Dec.
	The Witness
Box 47	Correspondence, Keep Witness on the Air, 1960, Nov.-1961, Jan.
Box 47	Fan Mail (good) 1960, Sept.-1961, Jan.
Box 47	Fan Mail (criticism) 1960, Sept. » 1961, Jan.
	General
Box 47	Correspondence, 1960, May-1962, July
Box 47	Casting, employment memo
Box 47	Notes
Box 47	Charts (staff, etc.), credits
Box 47	Budget
Box 47	Publicity, photographs
Box 47	Script
	Deal Sheets
Box 47	Actors
Box 47	Directors
Box 47	Writers
Box 47	Commercial Rundowns
	Programs (by production number)
	No. l, “Charles 'Lucky' Luciano”
Box 48	Correspondence, 1960, Aug.-Sept.
Box 48	Notes
Box 48	Format
Box 48	Schedules
Box 48	Casting, credits
Box 48	Reports, rundowns
Box 48	Script; First draft, 1960, Aug. 4; transcript, 1960, Sept. 10
	No. 2, “Huey Long”
Box 48	A.D. reports
Box 48	Schedules, casting
Box 48	Format
Box 48	Script: Final Draft, 1960, Sept. 17; undated
Box 48	Transcript, undated
	No. 3, “Jimmy Walker”
Box 48	Correspondence, 1960, Sept. 19
Box 48	Schedules, credits, cast, format
Box 48	Research material
Box 48	Script; First Draft, 1960, Sept. 13; Final Draft, 1960, Sept. 23 (notes and annotated)
Box 48	Transcript, Final: 1960, Sept. 21
	No. 4, “Arnold Rothstein”
Box 48	Correspondence, 1960, Sept.-Oct.
Box 48	Schedule, Format
Box 48	Casting, credits
Box 48	Script, Final Draft, undated
	No. 5, “Lt. Becker”
Box 49	Casting, credits
Box 49	Schedule
Box 49	Format and rundown
Box 49	Tape schedule
Box 49	Script, undated
	No. 6, “Shoeless Joe Jackson”
Box 49	Casting, credits
Box 49	Schedules
Box 49	Format, notes
Box 49	Script, Final Draft, 1960, Oct. 15
	No. 7, “Benjamin 'Bugsy' Siegel”
Box 49	Casting, credits
Box 49	Schedules
Box 49	Script; Final Draft, 1960, Oct. 21; Final Draft, 1960, Oct. 21 (differently annotated)
	No. 8, “Roger 'The Terrible Touhy'”
Box 49	Script, Final Draft, 1960, Oct. 28
	No. 9, “Major James M. Curley”
Box 49	Casting
Box 49	Format
Box 49	Schedule
	Research, 1960, Sept. 21
Box 49	Script; Final Draft, 1960, Nov. 4; Script, Act III, undated
	No. 10, “Louis 'Lepke' Buchalter”
Box 49	Correspondence, undated
Box 49	Rundown
Box 49	Casting, Credits
Box 49	Schedules
Box 49	Script, Final Draft, 1960, Nov. 10
	No. 11, “Al Capone”
Box 50	Casting, credits
Box 50	Formats, schedules
Box 50	Scripts, Final Draft, 1960, Nov. 18
	No. 12, “Legs Diamond”
Box 50	Casting, Credits
Box 50	Schedules
Box 50	Format
Box 50	Script, Final Draft, 1960, Nov. 25
	No. 13, “Abe Reles”
Box 50	Casting, credits
Box 50	Format
Box 50	Schedules, rundown
Box 50	Script, Final Draft, 1960, Dec. 3
	No. 14, “Dutch Schultz”
Box 50	Casting, credits
Box 50	Format, schedules, notes
Box 50	Script, 1960, Dec. 16
	No. 15, “Jimmy Hines”
Box 50	Correspondence, undated (Graphic Arts Department)
Box 50	Casting, credits
Box 50	Schedule
Box 50	Format
Box 50	Notes
Box 50	Script, 1960, Dec. 28
	No. 16, “Ma Barker”
Box 50	Casting
Box 50	Schedule
Box 50	Format, rundown
Box 50	Script, 1961, Jan. 6
	No. 17, “John Dillinger”
Box 50	Casting, credits (partial)
Box 50	Format, notes
Box 50	Rundown
Box 50	Script, 1961, Jan. 13
Box 50	Albert Bacon Fall-research for show
Box 50	Eva Peron-research for show
Box 50	Set Designs
Box 50	Crime Pictures (cases)
Box 51	Program Pictures
Box 51	Committee Room Pictures (related to sets)
Box 51	Clippings
	Writers
Box 51	Correspondence, 1952, Jan.-1960, Feb.
Box 51	Lists of writers
	You Can Make a Million (program)
Box 51	Correspondence, 1956, April-Nov.
Box 51	Resume
	Young Mr. Middleton (program)
Box 51	Correspondence, 1957, Dec.-1959, Feb.
Box 51	Prospectus
Box 51	Storyline
Box 51	Casting
Box 51	Budget
Box 51	Photographs
Box 51	Brochure for Publicity
	Series: Part 2, 1976 Additions: Subject File, 1943-1975	⇧
	Adam's Rib (TV series: Production company unknown, 1973. Original network ABC)
Box 53 Folder 1	Promotional flyer, undated
	The Adjustment of Preston Fowler (Motion picture: unproduced)
Box 53 Folder 2	Correspondence, script revisions, 1963-1964
	The Ages of Man (TV special: Talent Associates?, January 23 and 30, 1966. Original network CBS)
Box 53 Folder 3-4	Production file, 1958-1959, 1965-1966
Box 53 Folder 5	Script, based on George Rylands' Shakespeare Anthology, undated
Box 53 Folder 5	Shooting scripts, based on George Rylands' Shakespeare Anthology, undated
	Albert Hackensack (TV series: unproduced)
Box 53 Folder 6	Outline, undated
Box 53 Folder 6	Correspondence, 1965
	Alexander, Stephen
Box 53 Folder 7	Correspondence, 1963, undated
	Alfie (Motion pictures or theater: Originally theater, London: Mermaid, June 20, 1963)
Box 53 Folder 8	Correspondence, reviews, 1963
	All in Good Time (Theater: NY: Royale, February 1965)
Box 53 Folder 9-11	Correspondence, 1963-1966, undated
Box 53 Folder 12	Reviews, 1965
Box 54 Folder 1	Script, final version, by Bill Naughton, June 1964
Box 54 Folder 2	Script, final version, by Bill Naughton, September 21, 1964
	All the Doors and Everything (Motion picture: unproduced?)
Box 54 Folder 3	Script, by Henry Jaglom, circa 1963
	All the Emperor's Horses (Motion picture: unproduced)
Box 54 Folder 4	Production file, including synopsis by David Kidd, 1968, undated
	All the Way Home (Motion Picture: Paramount, 1963)
Box 54 Folder 5	Budgets and financial grosses, 1961-1962, 1964
Box 54 Folder 6	Camera reports, October 1962-January 1963
Box 54 Folder 7	Cast and crew, resumes and lists, 1962
	Contracts
Box 54 Folder 8	Cast and crew, July 1962-July 1963
Box 54 Folder 9	Unions, May 1960-January 1963
Box 54 Folder 10	Correspondence, August 1962-November 1964, undated
Box 54 Folder 11	Insurance, August-November 1962
Box 55 Folder 1	Legal file, 1962-1963
	Locations
	Knoxville
Box 55 Folder 2	General, September-December 1962
Box 55 Folder 3	Contracts, 1962
Box 55 Folder 4	Props, designs and correspondence, 1962
Box 55 Folder 5	New York, contracts, December 1962-January 1963
Box 55 Folder 6	Metromedia, Inc., correspondence and agreements, 1962-1963
Box 55 Folder 7	Music, correspondence, lyrics, 1962
Box 55 Folder 8	Paramount Pictures Corporation, correspondence and financial reports, August-December 1962
Box 55 Folder 9	Production file and reviews, 1962-1963
Box 55 Folder 10	Screen credits, correspondence and list, November 1962-January 1963
Box 55 Folder 11	Script distribution cards, undated
Box 55 Folder 12	Script, correspondence and lists, September-November 1962
Box 55 Folder 13	Script clerk's report, October 1962-January 1963
Box 55 Folder 14	Shooting schedules, August-November 1962
Box 55 Folder 15	Wardrobe, correspondence and list, 1962-1963
	America! (TV Special re DuPont: unproduced)
Box 55 Folder 16	Program presentation, undated
Box 55 Folder 17	American Association of Advertising Agencies, correspondence, including a speech by Lee Loevinger, August 1969-May 1970
	American Broadcasting Company (ABC)
	Contracts, general
Box 55 Folder 18	1962
Box 56 Folder 1	1963
Box 56 Folder 2	New projects, correspondence, presentations, lists, circa 1963-1966
Box 56 Folder 3	Synopsis of packager/advertiser option dates, January 24, 1963
	ABC Stage 67 (TV anthology series: 1966-1967)
Box 56 Folder 4	Correspondence, 1963-1966
	The ABC Sunday Night Theatre (TV Specials)
Box 56 Folder 5	Correspondence and promotional materials, July-November, 1967
	Of Mice and Men(January 31, 1968)
Box 56 Folder 6	Correspondence, clippings, and miscellany, 1967-1968
Box 56 Folder 7-8	Script, undated
Box 56 Folder 9	Script, adapted by John Hopkins, May 24, 1967
	ABC Theatre (TV anthology series)
	A Moon for the Misbegotten(May 27, 1975)
Box 56 Folder 10	Production file, 1975
	Annamarie (TV special?: unproduced)
Box 56 Folder 11	Production file, including an outline by Loring Mandel, 1974-1975
	The Anne Bancroft Show (TV series?: unproduced)
Box 56 Folder 12	Contract, 1969
	Anne of a Thousand Days (TV special: unproduced)
Box 56 Folder 13	Correspondence, 1963
	Anything Goes (TV series: unproduced)
Box 56 Folder 14	Correspondence and miscellany, 1964
	Armstrong Circle Theatre (TV anthology series: Talent Associates-Paramount Ltd., 1953-1957 on NBC, 1957-1963 on CBS)
Box 56 Folder 15	Correspondence, financial notes, summaries, miscellany, circa 1955-1964
Box 57 Folder 1	Correspondence, financial notes, summaries, miscellany, circa 1955-1964, continued
	Arrest and Trial (TV series: Universal TV, 1963-1964. Original network ABC)
Box 57 Folder 2	ASI test results and viewer comments, 1963
	Art Carney Show (TV series: syndicated?)
Box 57 Folder 3	Correspondence and schedules, 1963-1964
	The Arthurs of Camelot (TV series: unproduced)
Box 57 Folder 4	Synopsis, by Steve Kanfer and Jess Korman, undated
	“As Time Goes By” (Song)
Box 57 Folder 5	Correspondence, 1964
	Ashley-Steiner-Famous Artists, Inc.
Box 57 Folder 6	Correspondence, 1963-1970
	The Assistant (Format unknown; originally theater)
Box 57 Folder 7	Script, Act 1, undated
	The Association of Artists for Freedom
Box 57 Folder 8	Transcript, “The Black Revolution and the White Backlash,” June 15, 1964
	At the Drop of Another Hat (TV special: Talent Associates in association with CBS, April 18-19, 1967?)
Box 57 Folder 9	Production file, 1966-1967, undated
	The Autograph Hound (Motion picture: unproduced)
Box 57 Folder 10	Correspondence, 1972-1973
	[Ballet Special] (TV special: produced on CBS?)
Box 57 Folder 11	Correspondence and miscellany, 1963
	Barry Gray Show (Radio: New York, WMCA)
Box 57 Folder 12	Press release re Susskind appearance, including excerpts, September 1963
	Beach (TV series: unproduced)
Box 57 Folder 13	Clipping and outline, by Al Howard, 1965, undated
	Behind the Lines (TV series?: unproduced)
Box 57 Folder 14	Correspondence, 1965
	Benjamin Franklin: Citizen (Theater: touring)
Box 57 Folder 15	Reviews, playbill, 1967
	Bennet, Cyril
Box 57 Folder 16	Correspondence and clippings, 1967-1971, undated
	Benton, William
Box 57 Folder 17	Correspondence re commercial sponsorship of educational TV, 1963
	Bernstein, Ron
Box 57 Folder 18	Correspondence, 1969-1973
Box 57 Folder 19	Memoranda re potential projects and critiques, 1971-1973
	The Best of Everything (TV series: unproduced)
Box 57 Folder 20	Correspondence, 1965
	A Better Life (TV series: unproduced)
Box 57 Folder 21	Synopsis, undated
	Bid to Win (TV series: unproduced)
Box 57 Folder 22	Synopsis re game show, undated
	The Big Kiss-Off (Motion Picture: unproduced)
Box 58 Folder 1	Novel, fragment, undated
Box 58 Folder 1	Correspondence, 1972
	Big Maggie (Format unknown; originally theater)
Box 58 Folder 2	Script, by John Keane, undated
	Billie Holiday Story (Motion Picture: May be Lady Sings the Blues, Motown-Weston-Furie Productions, 1972. Paramount)
Box 58 Folder 3	Correspondence and notes, 1968-1969
	“Bombing on My Mind” (Article: New York Magazine, by Gail Sheehy)
Box 58 Folder 4	Article and correspondence, 1970
	The Bonegrinder (TV special: unproduced?)
Box 58 Folder 5	Correspondence and synopsis, by Dennis Potter, 1967
	Brewsters (TV special?: unproduced?)
Box 58 Folder 6	4 synopses, by Roger Hirson, annotated, undated
	Bridou, Lucienne
Box 58 Folder 7	Correspondence, 1963
	Brief Lives (Theater: NY, John Golden Theatre, December 1967)
Box 58 Folder 8-9	Production file, 1967
Box 58 Folder 10	Clippings and reviews, 1966-1968
Box 58 Folder 11	Script, undated
	The Brothers (TV series?: unproduced?)
Box 58 Folder 12	Story idea, March 1965
	Brown, Helen Gurley
Box 58 Folder 13	Correspondence and lists, 1966
	Buck Buck Number One (Motion pictures: unproduced?)
Box 58 Folder 14	First draft script, by Mordecai Siegal and Harry G. Falk, May 1965
	Burlesque (TV series: unproduced)
Box 58 Folder 15	Story idea, by Coleman Jacoby and Arnie Rosen, undated
	... But There Are Always Miracles (Production format unknown)
Box 58 Folder 16	Book and correspondence, 1974
	By Hooke and Cruikshank (TV series?: unproduced?)
Box 58 Folder 17	First draft script, by Leonard Stern and Mel Tolkin, July 1, 1963
	Calvin (TV series?: unproduced?)
	“My Husband the Zookeeper”
Box 59 Folder 1	Script, by Ray Brenner and Jack Guss, August 19, 1965
	Campus, Michael
Box 59 Folder 2	Correspondence and miscellany, 1963-1965
	Carpenter, Rene
Box 59 Folder 3	Correspondence and article by Rene Carpenter, 1967
	Carry Danger (TV special: unproduced?)
Box 59 Folder 4	Synopsis, by Richard Donner, July 7, 1965
	A Case of Libel (TV: Talent Associates, February 11, 1968. Original network ABC)
Box 59 Folder 5	Production file, 1967-1968
	Casualities of War (Motion picture: unproduced)
Box 59 Folder 6	Correspondence, budgets, miscellany, 1970-1971
	CATV
Box 59 Folder 7	Presentation for Manhattan Board of Estimates and miscellany, 1973, undated
	Catweazle (TV series: unproduced?)
Box 59 Folder 8	Correspondence and miscellany, 1973
	“The Eye of Time”
Box 59 Folder 9	Script, by Richard Carpenter, undated
	“The Sun in a Bottle”
Box 59 Folder 9	Script, by Richard Carpenter, undated
	“The Trickery Lantern”
Box 59 Folder 9	Script, by Richard Carpenter, undated
	Chase (Motion picture: unproduced?)
Box 59 Folder 10	Correspondence, 1973
	Chewsday (Motion picture: unproduced)
Box 59 Folder 11	Correspondence, reviews, script records, 1968-1970
	Children at the Gates (Production format unknown)
Box 59 Folder 12	Summary, by Lunne Reid Banks, July 27, 1967
	The Choice (TV: special, NBC)
Box 59 Folder 13	Correspondence, 1964
	The Chosen Few (Theater: unproduced?)
Box 59 Folder 14	Correspondence and notes, 1963
	Christie Love (Motion Picture: unproduced)
Box 59 Folder 15	Correspondence, 1972
	Churchill Wit (TV special: unproduced)
Box 59 Folder 16	Production file, 1967
	Cine Capitol S.A.
Box 59 Folder 17	Preliminary prospectus and correspondence, 1970
	Cole (Theater: London, Mermaid Theatre, July 2, 1974)
Box 59 Folder 18	Playbill, annotated, 1974
	Collier, John
Box 59 Folder 19	Correspondence, note, clipping, 1973
	Come As You Are (Theater: unproduced?)
Box 59 Folder 20	Script, by John Mortimer, undated
	The Comedians (TV series: syndicated)
Box 59 Folder 21	Outlines and promotional articles, circa 1971
	Command Performance (TV anthology series: other production information unknown)
Box 60 Folder 1	Correspondence, 1962-1966
Box 60 Folder 2	Notes, synopses, and miscellany, circa 1962-1966
	“The American Dram”
Box 60 Folder 3	Production file, 1963
	Commercials
Box 60 Folder 4	Correspondence, story boards, creative strategies, and speech by Sen. Frank E. Moss to the National Food Editors' Conference, 1970-1971
	Company (Theater: NY: Alvin, April 26, 1970)
Box 60 Folder 5	Brochure for original cast album, May 1970
	Condemned (Production format unknown)
Box 60 Folder 6	Synopsis, by Edward Adler, undated
	A Conscientious Objector at Parris Island (TV special: unproduced?)
Box 60 Folder 7	Correspondence, 1975
	Controversy (TV series: unproduced?)
Box 60 Folder 8	Format, hosted by William F. Buckley, Jr., undated
	Cook, Elisha
Box 60 Folder 9	Biographical notes, clippings, 1970
	A Cop and a Girl (Motion pictures: unproduced)
Box 60 Folder 10	Correspondence, 1970
Box 60 Folder 11	Script, by Halsted Welles, David Freeman, and Tom Gries, undated
Box 60 Folder 12	Script, circa 1970
Box 60 Folder 13	Script fragments, circa 1970
Box 60 Folder 14	Script, annotated, undated
	[Coroner Series] (TV series: unproduced?)
	“Mary, Mary, How Does Your Garden Grow?”
Box 60 Folder 15	Synopsis, by Jerry P. Flanagan, June 5, 1967
	Cornucopia (TV series: unproduced?)
Box 60 Folder 16	Outline, March 1966
	The Country Club (TV series: unproduced)
Box 60 Folder 17	Correspondence and synopsis, by Jacqueline Susann, 1968
	The Country Girl (TV special: produced?)
Box 61 Folder 1	Correspondence and cast list, 1973, undated
	The Couriers (TV series: unproduced?)
Box 61 Folder 2	Synopsis, September 9, 1964
	Crack in the Wall (TV series: unproduced)
Box 61 Folder 3	2 Synopses, by Edward Adler, undated
	“A Devil's Spawn of Luck”
Box 61 Folder 3	Treatment, by Edward Adler, annotated, undated
	The Crime Is: Murder! (TV series: unproduced)
Box 61 Folder 4	2 presentations, 1964
	Crime of the Century (TV series: unproduced?)
Box 61 Folder 5	Correspondence, script outlines, 1965, 1972
	Crown Matrimonial (TV special: Talent Associates/Norton Simon Productions in association with FCB Productions, April 3, 1974. Original network NBC. Hallmark Hall of Fame)
Box 61 Folder 6	Production file, 1973-1974
	The Crucible (TV special: produced)
Box 61 Folder 7	Script, by Arthur Miller, annotated, January 19, 1967
	Cruising (Format unknown)
Box 61 Folder 8	Book, by Gerald Walker, undated
	The Dain Curse (Motion picture: unproduced?)
Box 61 Folder 9	Correspondence, 1972
	Daisy...And the Earth People (TV series: unproduced?)
Box 61 Folder 10	Synopsis and treatment, by Richard Donner, March 16, 1966
	Dames at Sea (Theater: NY: Bouwerie Lane, December 20, 1968)
Box 61 Folder 11	Script, by George Haimsohn and Robin Miller, undated
	Dance of Death (TV special: unproduced. Original format theater, London, National, 1967)
Box 61 Folder 12	Correspondence, playbill, and clipping, 1967
	Dann, Michael
Box 61 Folder 13	Biographical material and miscellany, circa 1973
	D'Antoni, Phillip
Box 61 Folder 14	Biographical material, undated
	Daughter of Darkness (Motion picture: unproduced)
Box 61 Folder 15	Correspondence, 1972, undated
	The Daughter of My Friend Irma (TV: unproduced series)
Box 61 Folder 16	2 synopses and accompanying letter, by Cy Howard, April 1964
	The David Burns Show (TV: unsold series)
Box 61 Folder 17	Casting and budget information, 1964
Box 61 Folder 18	Correspondence, 1964-1965, undated
Box 61 Folder 19	3 outlines, 1964-1965
	“Case of the Lovesick Boy”
Box 61 Folder 20	Revised second draft, by Bill Manhoff, March 16, 1964
Box 61 Folder 20	Script, by Bill Manhoff, April 6, 1964
	“Case of the Rotten Kid”
Box 61 Folder 21	Script, by Bill Manhoff, April 30, 1964
	“Case of the Sweet Old Man”
Box 62 Folder 1	Synopsis, revised, undated
Box 62 Folder 1	Treatment, undated
Box 62 Folder 1	Script, undated
Box 62 Folder 1	2 scripts, by Bill Manhoff, June 30, 1964
Box 62 Folder 1	Script, by Bill Manhoff, July 7, 1964
	The David Susskind Show (TV series: syndicated, 1966- )
Box 62 Folder 2	Clippings and miscellaneous production material, 1966-1971
Box 62 Folder 3-4	Correspondence, 1966-1971
Box 62 Folder 5	Ratings, undated
Box 62 Folder 6	Schedules, 1966-1971
	Individual programs, arranged by taping date
	January 5, 1966 (“Fat and Happy,” “LBJ,” “Private Eyes”)
Box 62 Folder 7	Correspondence and release forms, 1966
	January 12, 1966 (“Housewifes from Hanoi,” “Peter Ustinov”)
Box 62 Folder 8	Correspondence, release forms, introduction for “Housewives from Hanoi,” 1966
	August 31, 1966 (“Negroes Who Hate Jews,” Panel with “Mary Tyler Moore, Katherine de Jersey, Omar Ahmed, Arthur Williams, Mrs. Rose Hayes”)
Box 62 Folder 9	Production file, including a transcript of The Open Mind, “Anti-Semitism and the Negro,” with Alex Rosen, John Slawson, Kenneth Clark, and Bayard Rustin, on WNBC-TV, 1966
	September 6, 1966 (“Nuns and Priests Are Marching”)
Box 62 Folder 10	Correspondence and release forms, 1966
	September 14, 1966 (“Pete Seeger”)
Box 62 Folder 11	Correspondence, release form, 1966
	September 29, 1966 (“The New Left"”)
Box 62 Folder 12	Correspondence and release forms, 1966
	October 6, 1966 (“Far-out Right,” “Life Over 40,” “Ethnic Humor”
Box 62 Folder 13	Correspondence and release forms, 1966
	October 10, 1966 (“White Backlash,” “Single Girls”)
Box 62 Folder 14	Correspondence and release forms, 1966
	October 13, 1966 (“Stokely Carmichael,” ”Red China Debate”)
Box 62 Folder 15	Correspondence, release forms, clippings, 1966
	November 10, 1966 (“Motorcycles,” “The Draft”)
Box 62 Folder 16	Correspondence and release forms, 1966
	November 15, 1966 (“Welfare,” “The Fugs”)
Box 62 Folder 17	Correspondence and release forms, 1966
	November 17, 1966 (“HUAC,” “Underground Magazines”)
Box 62 Folder 18	Correspondence and release forms, 1966
	December 1, 1966 (“Neo-Nazism,” ”Susskind Family”)
Box 62 Folder 19	Production file, 1966
	December 5, 1966 (“George Wallace”)
Box 62 Folder 20	Correspondence, 1966
	December 8, 1966 (“Mr. Kenneth,” “Bowery Bums,” “Night Clubs”)
Box 62 Folder 21	Correspondence and release forms, 1966-1967
	December 8, 1966 (“Strippers,” “Sam Sheppard”)
Box 62 Folder 22	Correspondence and release forms, 1966-1967
	December 29, 1966 (““Are American Men Little Boy Lovers?,” “F. Lee Bailey”)
Box 62 Folder 23	Correspondence and release forms, 1966-1967
	January 19, 1967 (“Bugging,” “Fashions”)
Box 62 Folder 24	Correspondence and release forms, 1966-1967
	January 26, 1967 (“Homosexuality,” “Astrology”)
Box 63 Folder 1	Correspondence, release form, clipping, 1967
	February 2, 1967 (“White Parents with Negro Children,” “Dogs”)
Box 63 Folder 2	Correspondence and release forms, 1967
	February 9, 1967 (“Gamblers and Pills,” “Millioniares of Music”)
Box 63 Folder 3	Correspondence and release forms, 1967
	February 14, 1967 (“Hypnotism,” “Alcoholism,” “Robert Maxwell, M.P.”)
Box 63 Folder 4	Correspondence and release forms, 1967
	February 16, 1967 (“European Women,” “Menopause”)
Box 63 Folder 5	Correspondence and release forms, 1967
	February 23, 1967 (“Millionaires,” “Life on Other Planets,” “George Plimpton”)
Box 63 Folder 6	Correspondence and release forms, 1967
	March 2, 1967 (“Abortion Laws,” “Ramparts Magazine”)
Box 63 Folder 7	Correspondence and release forms, 1967
	March 7, 1967 (“We Were Falsely Accused of Murder”)
Box 63 Folder 8	Correspondence and release forms, 1967
	March 14, 1967 (“The Mafia,” “Newsweek”)
Box 63 Folder 9	Correspondence and release forms, 1967
	March 16, 1967 (“The Tragedy of Alcoholic Priests”)
Box 63 Folder 10	Correspondence, 1967
	April 13, 1967 (“Who's Hiding the Nazi Murderers and Where,” “Where the Elite Eat”)
Box 63 Folder 11	Correspondence and release forms, 1967
	April 20, 1967 (“Pat Ward,” “Dreaming,” “Cleaning Women”)
Box 63 Folder 12	Production file, 1967
	April 27, 1967 (“Three Women Who Made It Big,” “Pills and Pot”)
Box 63 Folder 13	Correspondence and release forms, 1967
	May 5, 1967 (“Child Abuse”)
Box 63 Folder 14	Correspondence and release forms, 1967
	May 11, 1967 (“Sex Education,” “Robert Morley”)
Box 63 Folder 15	Correspondence and release forms, 1967
	May 18, 1967 (“Jeane Dixon,” “Jet Set”)
Box 63 Folder 16	Correspondence and release forms, 1967
	May 25, 1967 (“Congressional Ethics,” “Morton Shulman and Stocks”)
Box 63 Folder 17	Correspondence, 1967
	August 31, 1967 (“Teachers in Tough Schools,” “Merchants from Riot Areas”)
Box 63 Folder 18	Production file, 1967
	September 14, 1967 (“Who Dares to Criticize the FBI?,” “English Girls Who Swing,” “Future in the Palm of Your Hand”)
Box 63 Folder 19	Correspondence and release forms, 1967
	September 21, 1967 (“Sarah Churchill,” “DAR,” “Sexercises”)
Box 63 Folder 20	Correspondence and release forms, 1967
	September 28, 1967 (“Vietnam Vets,” “Wives of My Friends”)
Box 63 Folder 21	Correspondence and release forms, 1967
	October 4, 1967 (“Welfare Mothers,” “Roomies,” “4-H”)
Box 63 Folder 22	Production file, 1967
	October 5, 1967 (“Hippies,” “Ruth Douglas Mann,” “Richard Lester”)
Box 63 Folder 23	Correspondence and release forms, 1967
	November 2, 1967 (“Three Priests Who Left,” “The Lowdown on Super Spies,” “The Truth About Your Dreams”)
Box 63 Folder 24	Correspondence and release forms, 1967
	November 6, 1967 (“Titicut Follies,” “The Wild, Wild Left,” “Gore Vidal”)
Box 63 Folder 25	Correspondence and release forms, 1967
	November 13, 1967 (“Graphology,” “Death and Dying”)
Box 63 Folder 26	Correspondence and release forms, 1967
	November 14, 1967 (“Hon. Abba Eban”)
Box 63 Folder 27	Correspondence, 1967
	November 20, 1967 (“Dr. Fayez Sayegh,” “Pot Smokers and Acid Heads,” “Suzy Smith--Lady Who Talks with the Dead”)
Box 63 Folder 28	Correspondence, release forms, and clippings, 1967-1968
	November 27, 1967 (“God, Men and War at Yale,” “Fabulous Furs for He and She”)
Box 63 Folder 29	Correspondence and release forms, 1967-1968
	December 9, 1967 (“Actors Talk About Acting,” “Stock Market,” “Children”)
Box 63 Folder 30	Correspondence and release forms, 1967
	December 18, 1967 (“Recovery,” “Manville Wives”)
Box 63 Folder 31	Correspondence and release forms, 1967-1968
	December 26, 1967 (“Welfare Workers,” “Hugh Downs,” “Memory Man”)
Box 63 Folder 32	Correspondence and release forms, 1967-1968
	January 15, 1968 (“Sargent Shriver,” ”Governor Claude Kirk”)
Box 63 Folder 33	Correspondence and schedule listing, 1967-1968
	January 22, 1968 (“Let's Dump Johnson Now,” “Show Biz Confidential”)
Box 63 Folder 34	Correspondence and release forms, 1968
	February 5, 1968 (“Astrology,” “Far Right”)
Box 63 Folder 35	Production file, 1968
	February 12, 1968 (“Public School Children,” “David Frost”)
Box 63 Folder 36	Production file, 1968
	February 19, 1968 (“Prison Life Is Hell”)
Box 63 Folder 37	Correspondence and release forms, 1968
	February 26, 1968 (“Florence Fisher--23 Years a Whore and a Junkie”)
Box 63 Folder 38	Correspondence and release forms, 1968
	March 11, 1968 (“Alimony Is a Girl's Best Friend”)
Box 63 Folder 39	Correspondence and release forms, 1968
	March 18, 1968 (“Are We Going Broke?,” “Muggeridge”)
Box 64 Folder 1	Correspondence and release forms, 1968
	March 25, 1968 (“Black Panther Eldridge Cleaver,” “Talented Lady Talkers”)
Box 64 Folder 2	Correspondence and release forms, 1968
	April 8, 1968 (“Blacks and Whites Tell It Like It Is,” “Sex Without Fear,” “Upward Bound”)
Box 64 Folder 3	Correspondence and release forms, 1968
	April 22, 1968 (“Swinging Styles for Men”)
Box 64 Folder 4	Correspondence, 1968
	April 29, 1968 (“A Lot of Lip and Small Tip: 5 Cabbies,” “The Jaded Jet Set”)
Box 64 Folder 5	Correspondence and release forms, 1968
	May 6, 1968 (“Blood and Thunder at Columbia: 7 Students Speak”)
Box 64 Folder 6	Correspondence, 1968
	May 13, 1968 (“Kennedy, McCarthy, Humphrey: Who Will It Be?”)
Box 64 Folder 7	Correspondence and release forms, 1968
	May 20, 1968 (“Five Cops Sound Off”)
Box 64 Folder 8	Correspondence and release forms, 1968
	May 27, 1968 (“College Radicals”)
Box 64 Folder 9	Correspondence and release forms, 1968
	June 3, 1968 (“The New Medicine,” “Broadway Has Turned On: 'Hair' and 'The Boys in the Band'”)
Box 64 Folder 10	Correspondence and release forms, 1964
	November 25, 1968 (“Divorcees”)
Box 64 Folder 11	Production file, 1968
	December 11, 1968 (“Responsible Dissent on Vietnam,” “Peter Cook and Dudley Moore”)
Box 64 Folder 12	Correspondence and release forms, 1968
	Dear Me, The Sky Is Falling (Motion picture: unproduced?)
Box 64 Folder 13	Correspondence, 1963
	Death Be Not Proud (Television special: unproduced?)
Box 64 Folder 14	Correspondence and notes, 1971-1974
	Death of a Salesman (Television special: Talent Associates-Paramount Ltd., May 8, 1966. Original network CBS)
Box 64 Folder 15	Correspondence, reviews, and miscellany, 1966
Box 64 Folder 16	Script, fragment, undated
Box 64 Folder 17-18	Shooting script, including cast list, time rundown, and credits, annotated, March 9, 1966
	The Debriefing (Production format unknown)
Box 64 Folder 19	Story treatment, by Noel Behn, April 2, 1968
	The Defenders (TV series: Plautus Productions in association with Defender Productions and CBS, 1961-1965)
Box 64 Folder 20	Credits, shows #66-#68, undated
	Deighton, Len
Box 64 Folder 21	Correspondence and synopsis, “Top Secret,” 1963
	Desperate Hours (TV: ABC Movie Night Special, December 13, 1967)
Box 64 Folder 22	Production file, 1967
Box 64 Folder 23	First draft script, by Joseph Hayes, adapted by Clive Exton, undated
Box 65 Folder 1	Second draft script, by Joseph Hayes, adapted by Clive Exton, undated
Box 65 Folder 2	Third revised script, by Joseph Hayes, adapted by Clive Exton, June 14, 1967
	Detective Story (TV series: unproduced?)
Box 65 Folder 3	Correspondence, casting suggestions, 1963
	Devereaux, Oh Devereaux! (Format unknown)
Box 65 Folder 4	Synopsis, July 7, 1965
	The Devil (TV series: unproduced?)
Box 65 Folder 5	Production file, 1964
	Dial “M” for Murder (TV movie on Wednesday Night Movie: Talent Associates in association with Rediffusion Television, Ltd. November 15, 1967, original network ABC)
Box 65 Folder 6	Production file, 1966-1967
	Diamond Studs (Theater: NY, Westside, January 14, 1975)
Box 65 Folder 7	Reviews, January 1975
	Diary of a Mad Housewife (Motion picture: Frank Perry Films, 1970. Universal)
Box 65 Folder 8	Revised script, by Eleanor Perry, undated
	Diary of a Madman (Proposed TV special: unproduced?)
Box 65 Folder 9	Correspondence and theater reviews, 1967
	Diary of Anne Frank (TV special: Talent Associates, November 26, 1967, original network ABC)
Box 65 Folder 10	Correspondence, reviews, and miscellany, 1966-1968
Box 65 Folder 11	Final script, by Frances Goodrich and Albert Hackett, adapted by James Lee, September 28, 1966
	The Dick Cavett Show (TV series: Production company unknown, 1969-1972. Original network ABC)
Box 65 Folder 12	Correspondence, articles, and contracts, 1970-1971
	Directions (TV series: ABC, 1965- )
	“Simon Wiesenthal: A Conscience for Our Time”
Box 65 Folder 13	Transcript, with correspondent George Watson, written by Sid Darion, October 13, 1974
	Dixon, Jean
Box 65 Folder 14	Budget, undated
	Do You Sleep in the Nude? (TV game show: unproduced?)
Box 65 Folder 15	Production file, including presentation, 1970-1971
	Dr. Jekyll and Mr. Hyde (TV series: unproduced?)
Box 65 Folder 16	Synopsis, by Norman Retchin, February 23, 1963
	Doctor Love (TV series: unproduced?)
Box 65 Folder 17	Synopsis, by Nick Arnold, September 15, 1967
	Doctor Raven (TV series: unproduced?)
Box 65 Folder 18	Outline, undated
	The Dolly Scene (Motion picture: unproduced?)
Box 65 Folder 19	Correspondence, 1967
Box 65 Folder 19	Script, by John Hopkins, February 1965
	Donner Party (Format unknown)
Box 66 Folder 1	Correspondence and article, 1972-1973
	Doug Henning and the World of Magic (TV special: Talent Associates, December 26, 1975, network NBC)
Box 66 Folder 2	Format, undated
	Down Here (TV series: unproduced?)
Box 66 Folder 3	Synopsis, by Buck Henry and Edward Adler, undated
	Duke Ellington (TV special: unproduced?)
Box 66 Folder 4	Correspondence and notes, June 1972
	DuPont Show of the Month (TV anthology series, 1957-1961, Original network CBS)
	“Harvey” (September 22, 1958)
Box 66 Folder 5	Re-run and re-play costs, 1963
	DuPont Show of the Week (TV anthology series: 1961-1964, other production information unknown)
Box 66 Folder 6	Production material, 1963-1964
	“The Bachelor Game” (February 8 1963)
Box 66 Folder 7	Production file, including script by Irving Gaynor Neiman, 1963
	“Ride with Terror” (December 4, 1963)
Box 66 Folder 8	Correspondence and clippings, July 1963-August 1964, undated
Box 66 Folder 9	Script, “Subway Story,” by Nicholas Baehr, October 28, 1963
	Dutch Uncle (Format unknown)
Box 66 Folder 10	Correspondence, February-April 1973
	Dyne, Michael
Box 66 Folder 11	Correspondence and untitled treatment for television play, 1966-1967
	Eamonn Andrews Show (TV series: England)
Box 66 Folder 12	Script, with David Susskind and Mohammad All, January 1968
	East Side/West Side (TV series: Talent Associates-Paramount in association with United Artists Television, 1963-1964. Original network CBS)
Box 66 Folder 13	Awards, 1964
Box 66 Folder 14	Budget, January-December 1963
Box 66 Folder 15	Cast and crew, undated
Box 66 Folder 16	Clippings, 1963-1964
Box 66 Folder 17	Contracts, January 1963-January 1964, undated
	Correspondence
	General
Box 66 Folder 18	1959-1963, July
Box 67 Folder 1-2	1963, August-1964
	Specific
Box 67 Folder 3	David Golden, 1963-1964, undated
Box 67 Folder 4	Fan Mail, 1963-1964, undated
Box 67 Folder 5	Letters of support, 1963-1964
Box 67 Folder 6	National Association of Social Workers, 1963-1964
Box 67 Folder 7	Deal sheets, March-December 1963
Box 67 Folder 8	Directors, 1963-1964
Box 67 Folder 9	Miscellany, 1963-1964
Box 67 Folder 10	Music, January 1963-April 1964
Box 67 Folder 11	Personnel, 1963-1964
	Proposed programs
Box 67 Folder 12	Story ideas, including some by Pete Hamill, 1962-1963
	Outlines
Box 67 Folder 13	“Cop on the Beat,” by Arnold Perl, undated
Box 67 Folder 13	“Cuba Si-Puerto Rico No,” by Arnold Perl, undated
Box 67 Folder 13	“The Givers,” by George Bellak, undated
Box 67 Folder 13	“The Last of the Dinosaurs,” undated
Box 67 Folder 13	“Lonely as a Lighthouse Keeper,” by Millard Lampell, undated
Box 67 Folder 13	“The Only Man Who Looked,” by Theodore Apstein, undated
Box 67 Folder 13	“Politician,” by Bob Van Scoyk, undated
Box 67 Folder 13	“A Rag and a Bone and a Hank of Hair Is More Trouble Than Snips and Snails and Puppy Dogs' Tails, Sometimes,” by Irving Gaynor Neiman, undated
Box 67 Folder 13	“She Shall Be Nameless,” by Edward Adler, undated
Box 67 Folder 13	“The Style of a Rich Girl,” by Leslie Weiner, September 16, 1963
Box 67 Folder 13	“Switchover,” undated
Box 67 Folder 13	“Thirty-Thirty-Thirty,” by Matthew Andrews, undated
Box 67 Folder 13	“The Three Dollar Bill,” by Allan Sloane, undated
Box 67 Folder 13	“The Walls Came Tumbling Down,” by A. E. Hotchner, undated
Box 67 Folder 13	“When Jabberwocks Come Whiffing,” by Matthew Andrews, undated
Box 67 Folder 13	Untitled, by Stanley Greenberg, June 14, 1963
	Story development
	“Halfway House”
Box 67 Folder 14	Correspondence and miscellany, 1963
	“Vomo--A Man”
Box 67 Folder 15	Outline, by Edward DeBlasio, undated
Box 67 Folder 15	Script, by Edward DeBlasio, annotated, September 13, 1963
	“A Waste of Shame”
Box 67 Folder 16	First revised script, by Ernest Pendrell, May 27, 1963
Box 68 Folder 1	Ratings, Arbitron and Neilsen, 1963-1964
Box 68 Folder 2	Schedules, 1963-1964
Box 68 Folder 3	Scott, George C., 1963, undated
Box 68 Folder 4	Script status reports, 1963
Box 68 Folder 5	Sponsors, 1963
Box 68 Folder 6	Teasers, undated
Box 68 Folder 7	Trailers, circa 1963-1964
Box 68 Folder 8	Writers, 1963-1964
	“It's War Man” (pilot)
Box 68 Folder 9	Production file, 1963
Box 68 Folder 10	Outline, by Robert Alan Aurther, undated
Box 68 Folder 10	First draft pilot script, by Robert Alan Aurther, December 26, 1962
	“The Sinner” #2
Box 68 Folder 11	Production miscellany and viewer response correspondence, 1964-1965
	“Creeps Live Here” #3
Box 68 Folder 12	Trailer, August 1963
	“You Can't Beat the System” #4
Box 68 Folder 13	Production file, 1963
	“My Child on Monday Morning” #5
Box 68 Folder 14	Production file and viewer correspondence, 1963
	“Go Fight City Hall” #6 (a.k.a. “The Paper Trap”)
Box 68 Folder 15	Production file and viewer correspondence, 1963
	“Age of Consent” #7
Box 68 Folder 16	Production file, 1963
Box 68 Folder 17	Viewer correspondence, September-October 1963
Box 68 Folder 18	2 final draft scripts, annotated, undated
	“I Before E Except After C” #8
Box 68 Folder 19	Production file and viewer correspondence, 1963
Box 69 Folder 1	Script, fragment, undated
Box 69 Folder 1	Script, annotated, undated
Box 69 Folder 1	Second draft, “Schoolteacher,” by Ossie Davis, July 15, 1963
Box 69 Folder 2	Final draft, “Little Boy Lost,” by Ossie Davis, July 18, 1963
	“Something for the Girls” #9
Box 69 Folder 3	Production file, 1963
Box 69 Folder 4	First draft outline, “The Diana Temple Story,” by Edward DeBlasio, undated
Box 69 Folder 4	Fragments, annotated, undated
Box 69 Folder 4	Script, by Edward DeBlasio, July 29, 1963
	“Not Bad for Openers” #10
Box 69 Folder 5	Production file, 1963
Box 69 Folder 6	Outline, “Shape Up for Eddie Best,” by Edward Adler, undated
Box 69 Folder 6	Outline, “An Arm Job to Oblivion,” by Edward Adler, undated
Box 69 Folder 6	Outline, “Justice for Eddie Best,” by Edward Adler, undated
Box 69 Folder 7	Second draft script, “Shape-Up for Eddie Best,” by Edward Adler, July 26, 1963
Box 69 Folder 7	Miscellaneous revisions, annotated, undated
	“... No Wings at All” #11
Box 69 Folder 8	Production file, 1963
	“Who Do You Kill?” #12 (a.k.a. “Gift of Laughter”)
Box 69 Folder 9	Production file, 1963
Box 69 Folder 10	Viewer correspondence, November 1963
Box 69 Folder 11	Partial script revisions, September 18, 1963
	“No Hiding Place” #13
Box 69 Folder 12	Production file and viewer correspondence, 1963
	“Where's Harry?” #14
Box 69 Folder 13	Production file, 1963
	“Don't Grow Old” #15
Box 69 Folder 14	Production file, 1963
	“The Five Ninety-Eight Dress” #16
Box 69 Folder 15	Production file and viewer correspondence, 1963-1964
	“The Beatnik and the Politician” #17
Box 69 Folder 16	Production file and viewer correspondence, 1963-1964
Box 70 Folder 1	3 outlines, “Poets, Peasants and Politics,” by Robert Van Scoyk, undated
	“One Drink at a Time” #18
Box 70 Folder 2	Production file, 1963
	“The Street” #19
Box 70 Folder 3	Production file, 1963-1964
	“If Your Grandmother Had Wheels” #20
Box 70 Folder 4	Production file, 1964
	“The Passion of the Nickel Player” #21
Box 70 Folder 5	Production file, 1964
	“Take Sides with the Sun” #22
Box 70 Folder 6	Production file, including outline by Allan Sloane, 1964
	“The Name of the Game” #23
Box 70 Folder 7	Production file, 1964
	“Nothing But the Half Truth” #24
Box 70 Folder 8	Production file, 1964
Box 70 Folder 9	Script fragment, annotated, (starring David Susskind), March 30, 1964
	“The Givers” #25
Box 70 Folder 10	Production file, 1964
	“Here Today” #26
Box 70 Folder 11	Production file, 1964
	Edie (TV series: unproduced?)
Box 70 Folder 12	Synopsis, by Jack Guss and Josef Shaftel, and accompanying letter, July 7, 1964
	Edinburgh Writers' Conference
Box 70 Folder 13	Correspondence and clippings, April 1963
	[The Eisenhower Project] (TV special: unproduced?)
Box 70 Folder 14	Notes and memorandum, circa 1975
	The Electric Age (TV series: unproduced?)
Box 70 Folder 15	Proposal and accompanying letter, May 1968
	Ellie (Motion picture: unproduced?)
Box 70 Folder 16	Correspondence, 1972-1973
	Emergency -- Dial 0! (TV series: unproduced?)
Box 70 Folder 17	Synopsis, by Ira Cirker, and accompanying letter, August 30, 1961
	Emporium (TV series: unproduced?)
Box 70 Folder 18	Presentation, undated
	Escape from Sonora (Motion picture: unproduced?)
Box 70 Folder 19	First draft script, adapted by David Newman and Robert Benton, undated
	Esso Repertory Theatre (TV: syndicated)
Box 70 Folder 20	Production file, 1964-1967
Box 70 Folder 21	Reviews and clippings, circa 1965
	“Act without Words”
Box 71 Folder 1	Outline, by Samuel Beckett, October 8, 1964
	“Beautiful People”
Box 71 Folder 2	Final revised script, by William Saroyan, January 25, 1965
	“The Bedtime Story”
Box 71 Folder 3	First draft script, by Sean O'Casey, November 11, 1964
	“The Cavalry”
Box 71 Folder 4	Script, by William Butler Yeats, October 8, 1964
Box 71 Folder 4	Revised script, October 20, 1964
	“Chee Chee”
Box 71 Folder 5	Script, by Pirandelo, February 19, 1965
	“Coriolanus”
Box 71 Folder 6	Script fragment, by William Shakespeare, undated
	“Creditors”
Box 71 Folder 7	Revised script, by August Strindberg, March 12, 1965
	“Don Juan in Hell”
Box 71 Folder 8	Script, by George Bernard Shaw, undated
	“The Dumbwaiter”
Box 71 Folder 9	Script, by Harold Pinter, December 11, 1964
	“The Forced Marriage”
Box 71 Folder 10	Script, by Moliere, undated
	“How He Lied to Her Husband”
Box 71 Folder 11	Script, by Bernard Shaw, October 8, 1964
	“The Lonesome Train”
Box 71 Folder 12	Script, by Millard Lampbell, and casting notes, February 12, 1965, undated
	“The Man with the Flower in His Mouth”
Box 71 Folder 13	Script, by Pirandello, February 19, 1965
	“Romeo and Juliet”
Box 71 Folder 14	Script, Act III, Scene 5, by William Shakespeare, undated
	“The Rivalry”
Box 71 Folder 15	Final draft script, by Norman Corwin, November 1, 1964
	“The Taming of the Shrew”
Box 71 Folder 16	Script fragment, by William Shakespeare, undated
	“The Trojan Women”
Box 71 Folder 17	Script, by Euripides, January 9, 1965
	“The Wedding”
Box 71 Folder 18	Script, by Anton Chekov, February 1, 1965
	An Evening's Frost (TV special: unproduced?)
Box 71 Folder 19	Correspondence, playbills, and reviews, 1965-1966
	Exton, Clive
Box 71 Folder 20	Correspondence, April-November 1967
	Face to Face (Format unknown)
Box 72 Folder 1	Title search, May 1971
	The Family of Man (TV special: unproduced?)
Box 72 Folder 2	Presentation and notes, circa 1970
	Far Out (Format unknown: originally theater)
Box 72 Folder 3	Revised script, by Garson Kanin, March 1, 1961
	Faraday and Company (Format unknown)
Box 72 Folder 4	Story idea, by Leonard Stern, undated
	Fat Girl (Motion picture: unproduced?)
Box 72 Folder 5	Script outline, by Brendan Gill, January 6, 1971
Box 72 Folder 5	Treatment, by Bob Randall, undated
Box 72 Folder 5	Miscellany, 1970-1971
	The Fed-Up Generation (Radio series: unproduced?)
Box 72 Folder 6	Proposal, undated
	Festival of the Performing Arts (TV anthology series: syndicated in New York and Washington, D.C.)
Box 72 Folder 7	Production file, 1962-1963
	“Crack-Up”
Box 72 Folder 8	Script, by F. Scott Fitzgerald, March 1, 1963
	The File on Stanley Patton Buchta (Motion picture: unproduced?)
Box 72 Folder 9	Correspondence and notes, 1970
	Firing Line with William F. Buckley (TV series: 1966- , syndicated and PBS)
	“The Prevailing Bias” (May 21, 1966)
Box 72 Folder 10	Correspondence and transcript, 1966
	The Flight of the “Ennui 2” (TV Special: unproduced)
Box 72 Folder 11	Correspondence, 1965
	Flint (Format unknown)
Box 72 Folder 12	Outline, undated
	For Adults Only (TV series: syndicated)
Box 72 Folder 13	Production file, circa 1968-1971
	Ford Festival of Drama (TV series: unproduced?)
Box 72 Folder 14	Correspondence and miscellany, 1966
	Four Years to Go (TV series: unproduced?)
Box 72 Folder 15	Story idea, by A. J. Russell, undated
	The Free Man (Motion picture: unproduced?)
Box 72 Folder 16	Screenplay, by Jean Anouilh and translated by Lucienne Hill, undated
Box 72 Folder 16	Correspondence, June-July 1965
	Friday the Rabbi Slept Late (Motion picture: unproduced?)
Box 72 Folder 17	Correspondence, 1964-1965
	From Chekhov with Love (TV special: Talent Associates in association with Rediffusion Television, Ltd. and CBS, September 11, 1968)
Box 72 Folder 18	Production file, 1966-1968
	The Gambler (Motion picture or TV: unproduced?)
Box 72 Folder 19	Script revisions, undated
	Gashade (Motion picture or TV: unproduced?)
Box 73 Folder 1	Script, by Adrien Joyce, circa April 29, 1965
	The Gentle Man (TV series: unproduced)
Box 73 Folder 2	Correspondence and 7 outlines, including outlines by Sydney Carroll and Max Ehrlich, 1962-1964
	Generation Gap (TV pilot for series: unsold?)
Box 73 Folder 3	Correspondence and rehearsal schedule, 1968
	Get Smart (TV series: Talent Associates and Heydey Productions, 1965-1969. Original network NBC)
	Pilot
Box 73 Folder 4	Notes for proposed series, circa 1964
Box 73 Folder 4	Correspondence, 1963-1964
Box 73 Folder 5	Synopsis, “Maxwell Smart--86,” undated
Box 73 Folder 5	Synopsis, by Buck Henry and Mel Brooks, undated
Box 73 Folder 5	Synopsis, undated
Box 73 Folder 6-7	Production file, January 1964-October 1965, undated
	Series
	Agreements and contracts
Box 73 Folder 8	General, 1964-1966, undated
Box 73 Folder 9	Directors' agreements, shows #2-#29, 1964-1968
Box 73 Folder 10	Writers' contracts, 1965-1966
Box 73 Folder 11	Writers' deals, 1965-1966
Box 74 Folder 1	Call sheets, August-September 1965
Box 74 Folder 2	Cast sheets, June-December 1965
Box 74 Folder 3-4	Correspondence, March 1965-March 1968
Box 74 Folder 5	Credit title copy, May 1965-March 1966
	Financial records
Box 74 Folder 6	Production budgets and/or cost reports, circa 1965-1967
Box 74 Folder 7	Cash statements, June 1965-May 1966
Box 74 Folder 8	Invoices, 1964-1965
Box 74 Folder 9	Journal entries, July-November 1965
Box 74 Folder 10	Ledger, June 1965-April 1966
Box 74 Folder 11	Paramount weekly billings, July 1965-February 1966
	Payroll journal
Box 74 Folder 12	1965, May 30-November 19
Box 75 Folder 1	1965, November 26-March 18
Box 75 Folder 2	Status reports and miscellany, 1965-1968, undated
Box 75 Folder 3	Miscellany, 1965-1966, undated
Box 75 Folder 4	Music, correspondence and agreements, 1965-1966, undated
Box 75 Folder 5	Production reports, June 1965-February 1966
Box 75 Folder 6	Reviews, September 1965
Box 75 Folder 7	Schedules, June 1965-June 1966
	“Our Man in Toyland”
Box 75 Folder 8	Synopsis, by Stan Burne and Mike Marner, undated
Box 75 Folder 9	Unidentified script fragment, “Mr. Big” additions, undated
Box 75 Folder 10	Unidentified script, annotated, undated
	Gilbert, Ron
Box 75 Folder 11	Memorandum re acquisition of Hal Wallis Pictures and Janus Pictures, December 17, 1970
	The Gingham Dog (Format unknown: originally theater)
Box 75 Folder 12	Script, by Lanford Wilson, undated
Box 75 Folder 12	Clippings, 1968
	The Glass Menagerie (TV special: CBS-TV in association with Talent Associates-Rediffusion Television, December 8, 1966)
Box 75 Folder 13	Production file, 1966
	Go Fight City Hall (TV series?: unproduced?)
Box 75 Folder 14	Script, undated
	Going, Going, Gone (TV series: unproduced?)
Box 75 Folder 15	Outline, circa 1967
	Good Company (TV series: Production company unknown, 1967. Original network ABC)
Box 75 Folder 16	Production file, 1967
Box 75 Folder 17	Transcripts of interviews with Tony Curtis, Everett Dirksen, and David Merrick, 1967
	The Good Guys (TV series: Talent Associates, 1968-1969. Original network CBS)
Box 76 Folder 1	Production file, 1967-1968
Box 76 Folder 2	Script, by Jack Rose, May 1967
Box 76 Folder 2	Revisions, May 11, 1967
	Goodnight Larry (Motion picture: unproduced?)
Box 76 Folder 3	Correspondence, June-July 1972
	Goodby, Raggedy Ann (Format unknown: originally theater)
Box 76 Folder 4	Script, by Jack Sher, undated
	Coro, Herb
Box 76 Folder 5	Correspondence, September-October 1972
	The Governor and J.J. (TV series: Talent Associates-Norton Simon, Inc., 1969-1970. Original network CBS)
Box 76 Folder 6	Script, undated
	Grade, Lew -- ATV
Box 76 Folder 7	Correspondence, 1964-1965
	The Great Gatsby (Motion picture: Production company unknown, 1974. Paramount)
Box 76 Folder 8	Rundown sheet, undated
	The Great Lakers (TV series: unproduced?)
Box 76 Folder 9	2 Outlines by Steve Kanfer and Jess Korman, August 5 and September 1, 1964
	Great Love Stories (TV series: unproduced?)
Box 76 Folder 10	Correspondence, 1966
	Great Museums of the World (TV series: unproduced?)
Box 76 Folder 11	Correspondence and presentation, 1964
	The Great Society (TV special: unproduced?)
Box 76 Folder 12	Correspondence, 1965-1966
	The Greatest Man in the World (Motion picture: unproduced?)
Box 76 Folder 13	Correspondence, 1963-1973, undated
Box 76 Folder 14	Final draft playscript, by James Thurber, March 27, 1961
Box 76 Folder 15	Film treatments, by Harry Muheim, August 2, 1968; March 22, 1969
	Green Man (Format unknown)
Box 76 Folder 16	Letter, May 13, 1971
	Gringo (TV series: unproduced?)
Box 76 Folder 17	Outline, by Otis Carney, May 7, 1965
	Groton Music Company
Box 76 Folder 18	Correspondence, 1964-1967, undated
	Hackett, Buddy
Box 76 Folder 19	Correspondence, presentation for TV special, 1963
	Hallmark Hall of Fame (TV anthology series: 1952- . Original network NBC)
Box 76 Folder 20	Correspondence, clippings, and miscellany, 1971
	“All the Way Home” (December 1, 1971)
Box 76 Folder 21	Production file, 1970-1972, undated
Box 76 Folder 22	Clippings and reviews, 1971
	“Harvey” (March 22, 1972)
Box 77 Folder 1	Playscript, by Mary Chase, 1944
Box 77 Folder 1	Correspondence, reviews, and miscellany, 1971-1972
	Hamilton, Christian
Box 77 Folder 2	Playscript for an untitled musical, June 20, 1967
	Harper Valley. U.S.A. (TV series: unproduced?)
Box 77 Folder 3	Outline, by Ron Graham, undated
	Harper's Bazaar (TV special: unproduced?)
Box 77 Folder 4	Synopsis, correspondence, and booklet, circa May 1967
	Harry, Noon and Night (Motion picture: unproduced?)
Box 77 Folder 5	Correspondence, January-February 1970
	Harvey of Fun City (TV pilot: unproduced?)
Box 77 Folder 6	2 series presentations, by Robert Alan Aurthur, and accompanying letter, 1971
	Has Anyone Seen Jennifer? (Format unknown)
Box 77 Folder 7	First draft script, by Loring Mandel, October 9, 1968
Box 77 Folder 7	Second draft script, by Loring Mandel, October 22, 1968
	Hatful of Rain (TV special: Production company unknown, March 3, 1968. Original network ABC)
Box 77 Folder 8	Production file, 1967-1968
	Hatter Fox (TV special: produced?)
Box 77 Folder 9	Correspondence, December 1972-April 1973
	Hawke West (TV series: unproduced?)
Box 77 Folder 10	Presentation and accompanying letter, October 1964, undated
	He and She (TV series: Talent Associates, 1967. Original network CBS)
Box 77 Folder 11	2 presentations, by Leonard Stern, undated
Box 77 Folder 11	Production file, 1967
	“Poster Boy”
Box 77 Folder 12	Final draft script, by Jim Parker and Arnold Margolin, September 22, 1967
	“The Second Time Around”
Box 77 Folder 13	Final draft script, by Arnold Margolin and Jim Parker, June 12, 1967
	He Said! She Said! (TV series: Production company unknown, 1969-1970. Original network NBC)
Box 77 Folder 14	Correspondence and contracts, 1969-1970
	The Heart Is a Lonely Hunter (Motion picture: Warner Brothers-Seven Arts, 1968)
Box 77 Folder 15	Production file, 1963
	Hedda Gabler (TV special: Talent Associates and British Broad-casting Co., September 20, 1963. Original network CBS)
Box 77 Folder 16	Correspondence and reviews, 1963
	Helpern, Milton
Box 77 Folder 17	Letter and accompanying list for a proposed TV series, 1973
	The Hero (TV series: Production company unknown, 1966-1967. Original network NBC)
Box 77 Folder 18	Clippings, 1965-1966
Box 78 Folder 1-2	Correspondence, 1965-1966
Box 78 Folder 3	Financial and production material, 1965-1966
Box 172 Folder 1-2	Financial status report, December 1965-February 1966
Box 78 Folder 4	Script, by Bill Idelson and Sam Bobrick, July 28, 1965
Box 78 Folder 4	Script, by Bill Idelson, Sam Bobrick, and Leonard Stern, August 17, 1965
Box 78 Folder 5	Script, “A Night to Remember to Forget,” by Sam Bobrick and Bill Idelson, September 27, 1965
Box 78 Folder 5	Script, by Sam Boberick and Bill Idelson, October 15, 1965
Box 78 Folder 6	Script, “Hero in the House,” by Leonard Stern and Don Hinkley, undated
Box 78 Folder 7	Script, by Sam Boberick and Bill Idelson, November 30, 1965
	Heydey Productions
Box 78 Folder 8	Financial statements, correspondence, and contracts, June 1964-May 1965
	The High Wall (TV series?: unproduced?)
	“The Scapegoat”
Box 78 Folder 9	Treatment, by Edward Adler, undated
	The History of Football (TV special: unproduced)
Box 78 Folder 10	Correspondence, circa 1963
	Hollow Crown (TV special: CBS in association with British Home Entertainment and Talent Associates-Paramount Ltd., February 16, 1965)
Box 78 Folder 11	Production file, 1963-1964
	Home (Format unknown; originally a play)
Box 78 Folder 12	Production file, including second rehearsal script by David Storey, May-September 1970
	Hopkins, John
Box 79 Folder 1	Correspondence and clipping, 1967-1971
	Horatio McCall (TV series: unproduced?)
Box 79 Folder 2	Correspondence, 1964-1966
	“If I Saw a Man Upon the Star”
Box 79 Folder 3	Outline treatment, by Arnold Perl, November 2, 1965
Box 79 Folder 3	Revised script, by Barry Orringer, March 14, 1965
Box 79 Folder 3	Script, by Richard Adams, September 8, 1965
	[Horowitz Special] (TV special: unproduced?)
Box 79 Folder 4	Format, 1974
	Hot Line (TV series: Talent Associates-Paramount Ltd in cooperation with WPIX-TV, New York, October 1964-March 1965, original telecast on WPIX, New York. Syndicated)
Box 79 Folder 5	Correspondence and miscellany, June 1964-September 1965, undated
	Hotel in Amsterdam (Format unknown, originally theater)
Box 79 Folder 6	Reviews and accompanying letter, October 1970
	The Human Voice (TV special: Talent Associates in association with Rediffusion Television, Ltd, May 4, 1967, ABC Stage 67)
Box 79 Folder 7	Correspondence and miscellany, 1966-1967
	Humphrey Bogart--Or How I Lost My Cynicism and Reformed Phoenix City (Format unknown)
Box 79 Folder 8	Story, by Audrey Maas, undated
	The Hunter (TV series: unproduced?)
Box 79 Folder 9	Synopsis, by Robert Rossen, undated
	The Hunters (TV series: unproduced?)
Box 79 Folder 10	Synopsis, by Barry Oringer, undated
	The Husband (Motion picture: unproduced?)
Box 79 Folder 11	Correspondence, 1968, undated
	If I Were You (TV series: unproduced?)
Box 79 Folder 12	Presentation, undated
	If You Give A Dance You Gotta Pay the Band (Motion picture: unproduced?)
Box 79 Folder 13	Correspondence, April-May 1972
	Imagine a Park Here (Theater: unproduced?)
Box 79 Folder 14	Synopsis, by Tad Mosel, undated
	The Immortals (TV series?: unproduced?)
Box 79 Folder 15	Correspondence and 2 presentations, including casting possibilities, August-October 1963
	In His Own Time (TV pilot: unproduced?)
Box 79 Folder 16	Pilot script, by Steve Binder, June 26, 1969
	In the Manner of the Word (TV series: unproduced?)
Box 79 Folder 17	Format for game show, by Martin Charnin, undated
	In the Presence of Kings (Format unknown: originally art show)
Box 79 Folder 18	Miscellany, 1967
	In the Streets (Motion picture: unproduced?)
Box 79 Folder 19	Correspondence, July-August 1973
Box 79 Folder 19	Synopsis, by Budd Schulberg and Ella Kazan, August 2, 1973
	In This House of Brede (TV special?: unproduced?)
Box 79 Folder 20	Second draft teleplay, by James Costigan, September 16, 1974
	Incident at Pine Creek (Format unknown: unproduced?)
Box 79 Folder 21	Outline, undated
	Indians (Motion picture: may be Buffalo Bill and the Indians, or Sitting Bull's History Lesson, production company unknown, 1976, United Artists)
Box 79 Folder 22	Correspondence, August 1969-October 1972
	Instant Theatre (TV series: unproduced?)
Box 79 Folder 23	Proposal, by John C. Rose, October 1, 1968
	[Insurance Investigator Pilot] (TV series: unproduced?)
Box 79 Folder 24	Outline, by Ed DeBlasio, undated
	International Youth City
Box 79 Folder 25	Program, correspondence, and bulletins, 1967-1968
	Iris of the IRS (TV series: unproduced?)
Box 80 Folder 1	Outline, undated
	It's a Living (TV series: unproduced?)
Box 80 Folder 2	Outline, by Jack Guss and Fred Frieberger, undated
	Ivory Tower (Format unknown; originally a play)
Box 80 Folder 3	Reviews, May 1967
	Jackie Whitefish (Motion picture?: unproduced)
Box 80 Folder 4	Correspondence, 1972-1974
	Jeopardy (TV series: unproduced?)
Box 80 Folder 5	4 proposals, undated
	Jericho (TV series: unproduced?)
Box 80 Folder 6	Production material, including synopsis, by Stanley Greenberg, 1963-1964
Box 80 Folder 7	Pilot script, by Stanley Greenberg, undated
	Jet 707 (TV series: unproduced?)
Box 80 Folder 8	Presentation and correspondence, 1963
	“Stop Over in Rome”
Box 80 Folder 9	Synopsis and pilot script, by Roger Hirson, undated
	When in Rome...
Box 80 Folder 10	Revised script, by Herb Meadown, July 24, 1963
	Johnny Belinda (TV special: Talent Associates in association with ABC, October 22, 1967)
Box 80 Folder 11	Correspondence, clippings, and miscellany, 1967-1968
Box 80 Folder 12	Director's work script, revision #2, adapted by Alan Sloane, annotated, circa June 1967
	Jordi (Motion picture: unproduced?)
Box 80 Folder 13	Correspondence, 1963
	Judd MacAndrew (TV series: unproduced?)
Box 80 Folder 14	Synopsis, undated
	Judgement (TV series?: unproduced?)
Box 80 Folder 15	Proposal, undated
	Jump (Format unknown: originally theater)
Box 80 Folder 16	Playscript, by Larry Gelbart, undated
	Justice Black and the Bill of Rights (TV special: CBS News, December 3, 1968)
Box 80 Folder 17	Transcript, December 3, 1968
	Kadek (TV series: unproduced?)
Box 80 Folder 18	Presentation, March 6, 1964
	Kanin, Garson
Box 80 Folder 19	Correspondence, 1963-1964
	Kay-Zar -- King of the Jungle (TV series: unproduced?)
Box 80 Folder 20	Presentation, by Gerald Gardner and Dee Caruso, February 8, 1966
	Kelly (Theater: NY: Broadhurst, February 6, 1965)
Box 80 Folder 21	Clippings and reviews, 1964-1965
	Correspondence
Box 80 Folder 22	1964, February-November
Box 81 Folder 1	1964, December-1966, March, undated
Box 81 Folder 2	Production file, circa 1964-1965
Box 81 Folder 3	Script, by Eddie Lawrence and Moose Charlap, undated
Box 81 Folder 4	Script, by Eddie Lawrence and Moose Charlap, July 28, 1964
Box 81 Folder 5	Revised script, by Eddie Lawrence and Moose Charlap, October 19, 1964
Box 81 Folder 6	Script, undated
Box 81 Folder 7	Revisions, annotated, circa January 1965
	Kill-In (Motion picture: unproduced?)
Box 81 Folder 8	First draft screenplay, by Larry Gelbart, undated
	The Killing of a Chinese Bookie (Motion picture: unproduced?)
Box 82 Folder 1	Screenplay, by John Cassavetes, June 19, 1975
Box 82 Folder 2	Script, June 1975
	Kind Hearts and Coronets (Theater: unproduced?)
Box 82 Folder 3	Correspondence and clippings, 1964-1965
	King of the Road (TV series: unproduced?)
Box 82 Folder 4	Synopsis, by Richard L. Adams, and memorandum, June 9, 1965
	Lady Sings the Blues, See Billie Holiday Story
	Laura (TV special: Talent Associates in association with ABC, January 24, 1968)
Box 82 Folder 5	Production material, reviews, and viewer correspondence, 1967-1968
	Law and Order (Motion picture: unproduced?)
Box 82 Folder 6	Correspondence, December 1972-January 1973
	The Legend of the Holy Drinker (Production format unknown)
Box 82 Folder 7	Story, undated
	Let's Dance (TV series: unproduced?)
Box 82 Folder 8	Proposal, undated
	The Liberation of Lord Byron Jones (Motion picture: unproduced?)
Box 82 Folder 9	Correspondence, May 1965
	Lists
Box 82 Folder 10	Dramatists Guild, active members, May 1964
Box 82 Folder 11	Feature films, 1949-1961
Box 82 Folder 12	Paramount Pictures, films, 1949-1962
Box 82 Folder 13	Writers and Directors, undated
	The Little Prince (Motion picture: unproduced?)
Box 82 Folder 14	Correspondence, February-March 1964
	London
Box 82 Folder 15-17	Correspondence and notes, 1963-1971, undated
	The Lonesome Train (TV special: unproduced?)
Box 82 Folder 18	Correspondence and 2 synopses, 1963-1966
	Lonigan (TV series: unproduced?)
Box 83 Folder 1	Correspondence, 1966
	Lovers and Other Strangers (Motion picture: ABC Pictures Corporation, 1970, Cinerama Releasing Corporation)
Box 83 Folder 2	Clippings and reviews, 1968-1972
Box 83 Folder 3-4	Production file, 1968-1972
	Lovesounds of a Wife (Motion picture: unproduced)
Box 83 Folder 5	Correspondence, 1970
	Maas, Audrey
Box 83 Folder 6	Correspondence, May 1973-June 1974, undated
	Mame (Format unknown; originally theater NY: Winter Garden, May 24, 1966)
Box 83 Folder 7	Playscript, book by Jerome Lawrence and Robert E. Lee, music and lyrics by Jerry Herman, May 24, 1966
	The Man in the Glass Booth (Format unknown. Originally theater, NY: Royale, September 28, 1968)
Box 83 Folder 8	Playbill and clippings, 1967
	A Man Is Ten Feet Tall (Motion picture: unproduced?)
Box 83 Folder 9	Script, by Robert Alan Aurthur, undated
	Manhunt! (TV series: unproduced?)
Box 83 Folder 10	Synopsis, undated
	March, Alex
Box 83 Folder 11	Correspondence and credit list, 1971
	Marginal Man (TV special: unproduced?)
Box 83 Folder 12	Correspondence and script record, 1970
	Marilyn (TV special: unproduced?)
Box 83 Folder 13	Correspondence, presentation, and miscellany, 1973-1974
	Mark Twain Tonight! (TV special: Vining Productions in association with CBS-TV. March 6, 1967)
Box 83 Folder 14	Production file, circa 1965-1967
	Maurice Woodruff Predicts (TV series: syndicated, debuted January 11, 1969 on WNEW-TV in New York)
Box 83 Folder 15	Production file, 1968-1969
	McMillan and Wife (TV series: unproduced?)
Box 83 Folder 16	Testimony transcript, created by Leonard Stern, undated
	Medicine Show (TV special: filmed and not sold)
Box 83 Folder 17	Correspondence, research, and notes, 1973
	Melnick, Daniel
Box 83 Folder 18	Clippings and miscellany, 1962-1963
Box 83 Folder 19	Correspondence
	Incoming
Box 84 Folder 1-7	1963, November-1967, September
Box 85 Folder l-2	1967, August-1968, December, undated
Box 85 Folder 3-5	Outgoing, October, 1958-April 1968
	Financial
Box 85 Folder 6	Bank statements, 1962-1963
	Expense vouchers
Box 85 Folder 7	1958, February 6-1962, February 27
Box 86 Folder 1	1962, March 5-1963, May 27
Box 86 Folder 2	Invoices, 1964-1965
	A Member of the Family (TV special: unproduced?)
Box 86 Folder 3	Letter, February 27, 1974
	Men of the World (TV special?: unproduced?)
Box 86 Folder 4	Presentation, December, 1964
	The Merv Griffin Show (TV series: syndicated)
Box 86 Folder 5	Correspondence re Mark Lane appearance, 1966
	Miller, Merle
Box 86 Folder 6	Correspondence, undated
	A Mirror for Witches (Format unknown; originally theater)
Box 86 Folder 7	Playscript, by Leslie Stevens, 1957
	Misadventrures of Marco Polo (TV series: unproduced?)
Box 86 Folder 8	Presentation, by Will Fowler and Ken Morgan, 1965
	Miss America (TV special: ABC, 1954-1956; CBS, 1957-1965; NBC, 1966- )
Box 86 Folder 9	Notes and data sheets on individual contestants, 1973
	Missy (TV series: unproduced?)
	“And Baby Makes Two”
Box 93 Folder 6	Correspondence, 1963
Box 93 Folder 6	Script, by Garson Kanin, November 15, 1963
	Mr. Broadway (TV series: Production company unknown, 1964-1965. Original network CBS)
Box 86 Folder 10	Budgets, 1963-1964
Box 86 Folder 11	Call sheets, 1964
Box 86 Folder 12	Cast lists, 1964
Box 86 Folder 13	Cast and crew lists, 1963-1964
Box 86 Folder 14	Clippings and publicity, 1959, 1964
	Correspondence
	General
Box 86 Folder 15	1963, September-1964, June
Box 87 Folder 1	1964, July-1965, June, undated
Box 87 Folder 2	Brown, Tiffany, July 21, 1963
	Golden, David
Box 87 Folder 3	Inter-office correspondence, January 1963-November 1964
Box 87 Folder 4	Correspondence, January-November, 1964
Box 87 Folder 5	Credits, 1964
	Deal sheets
Box 87 Folder 6	General, November 1963-November 1964
Box 87 Folder 7	Directors, 1964
Box 87 Folder 8	Writers, 1964
Box 87 Folder 9	Locations, 1964
Box 87 Folder 10	Miscellany, 1963-1964
Box 87 Folder 11	Payment authorizations, May-November 1964
Box 87 Folder 12	Production reports, 1964
Box 87 Folder 13	Promotional spots, 1964
Box 87 Folder 14	Permits, applications for, 1965
Box 88 Folder 1	Program presentation, undated
Box 88 Folder 2	Progress reports, March-June, 1964
Box 88 Folder 3	Ratings, September-October, 1964
	Resumes
Box 88 Folder 4	General, 1964
Box 88 Folder 5	Designers, circa 1964
Box 88 Folder 6	Directors, 1964
Box 88 Folder 7	Writers, 1964
Box 88 Folder 8	Shooting schedules, 1964
Box 88 Folder 9	Story conference notes, March 19, 1964
	Story ideas and outlines
Box 88 Folder 10	“All Around the Town,” by Alfred Palca, undated
Box 88 Folder 10	“All That Sparkles,” by Robert Russell, undated
Box 88 Folder 10	“An Arm and a Leg,” by Douglas Taylor, April 21, 1964
Box 88 Folder 10	“Around the World in a Plane,” by Jerome Coopersmith, April 22, 1964; April 27, 1964
Box 88 Folder 10	“Bachelor Management, Ltd.,” by Waldo Salt, undated
Box 88 Folder 10	“The Beggers Are Coming to Town,” by R. L. Joseph, June 15, 1964, undated
Box 88 Folder 10	“Bell's Bell,” by Cherney Berg, undated
Box 88 Folder 10	“The Brahms Kick,” by Garson Kanin, January 28, 1958
Box 88 Folder 10	“By Appointment Only,” by Garson Kanin, May 3, 1961
Box 88 Folder 10	“But Is It Art!,” by Arthur Heinemann, undated
Box 88 Folder 10	“Cass' Magic Card,” by Victor Wolison, undated
Box 88 Folder 10	“Can Anybody Here Play Yankee Doodle,” by Rod Parker, undated
Box 88 Folder 10	“A Cat in the House,” by Larry Arrick, June 22, 1964
Box 88 Folder 10	“A Cat in the House,” by Edward DeBlasio based on a story by Larry Arrick, October 23, 1964
Box 88 Folder 11	“Cherchez the Man,” by Lissa Charell, undated
Box 88 Folder 11	“The Christmas Cover of Photoplay, '13,” by Hal Hackady, undated
Box 88 Folder 11	“A Collector's Item,” by Roger Lewis, undated
Box 88 Folder 11	“Corpus Delectable,” second draft, by Hal Hackady, June 29, 1964
Box 88 Folder 11	“Counterfeit Story,” by W. M. Altman, circa May 1964
Box 88 Folder 12	“The Damndest Thing,” by Garson Kanin, February 1956
Box 88 Folder 12	“A Day at a Time,” by Garson Kanin, February 1955
Box 88 Folder 13	“Define the Word 'Wife',” by Garson Kanin, June 25, 1962
Box 88 Folder 13	“The Dog Act,” by Garson Kanin, April 1958
Box 88 Folder 13	“Don't Forget,” fourth draft, by Garson Kanin, January 7, 1963
Box 88 Folder 13	“Dora Drury Rides Agian!,” by Edward DeBlasio, undated
Box 88 Folder 14	“An Echo of Love,” fourth draft, by Garson Kanin, October 22, 1962
Box 88 Folder 15	“The Eye of the Beholder,” by Hal Hackady, July 28, 1964
Box 88 Folder 15	“Faint Heart Etcetera,” by Garson Kanin, September 1, 1957
Box 88 Folder 15	“Faint Heart Etcetera,” by Robert Van Scoyk, undated
Box 88 Folder 15	“The Flowers of Friendship,” by Garson Kanin, August 1956
Box 88 Folder 15	“Funny Man,” by Steve Kanfer and Jess Korman, September 10, 1964
Box 89 Folder 1	“Hammer and Chisel, and Stone for a Heart,” by Ossie Davis, April 20, 1964
Box 89 Folder 1	“Hide and Seek,” by George Baxt, undated
Box 89 Folder 1	“I May Not Know Anything About Art But...,” by Arnold Weinstein, June 29, 1964
Box 89 Folder 1	“I Think She's Got It,” by Steve Kanfer and Jess Korman, September 10, 1964
Box 89 Folder 1	“In Camera,” by George Baxt, July 10, 1964
Box 89 Folder 1	“The Lady's Maid,” by Garson Kanin, March 6, 1961
Box 89 Folder 1	“Lie to Me, Baby,” by Jim Brosnan, undated
Box 89 Folder 1	“Lightfingers,” undated
Box 89 Folder 2	“Mme Flora's High-Class Geisha House,” by Edward DeBlasio, undated
Box 89 Folder 2	“Nazi Story Idea,” by Victor Wolfson, undated
Box 89 Folder 2	“Nothing But Money,” undated
Box 89 Folder 2	”None But the Brave,” by Garson Kanin, July 2, 1962
Box 89 Folder 2	“Out of Character,” first draft, by Garson Kanin, June 25, 1962
Box 89 Folder 2	“Proposition,” by Garson Kanin, March 6, 1961
Box 89 Folder 2	“Polish for a Punk,” undated
Box 89 Folder 2	“Polish for a Punk,” by Irve Tunick, undated
Box 89 Folder 2	“Protocol,” by Jerome Max, undated
Box 89 Folder 3	“Rich Little Rich Girl,” by David Shaber, undated
Box 89 Folder 3	“The Right-Hand Man,” by Garson Kanin, May 7, 1957
Box 89 Folder 3	“The Sandpipers,” by Waldo Salt, September 21, 1964
Box 89 Folder 3	“Send It in to Mr. Flynn,” by David W. Rintels, undated
Box 89 Folder 3	“The Sister and the Crooked Bird Cage,” by Edward Adler, undated
Box 89 Folder 3	“Something Blue,” undated
Box 89 Folder 3	“Something for Susie,” by Garson Kanin, January 1959
Box 89 Folder 3	“Spiders in the Closet,” by Jerome Max, undated
Box 89 Folder 3	“The Spitting Image,” by Jerome Max, undated
Box 89 Folder 3	“A Still Small Voice,” by Steve Kanfer and Jess Korman, undated
Box 89 Folder 3	“A Stone from the Outside,” by David Goodman, July 13, 1964
Box 89 Folder 4	“Tail of the Tiger,” by David Shaber, June 12, 1964
Box 89 Folder 4	“There Goes My Other Phone,” third draft, by Garson Kanin, December 11, 1962
Box 89 Folder 4	“The Velvet Jungle,” by William Altman, June 22, 1964
Box 89 Folder 4	“What Ever Happened to All the Adjectives?,” by Romeo Muller, April 21, 1964
Box 89 Folder 4	“What's in a Name,” by Larry Arrick, June 22, 1964
Box 89 Folder 4	“Who Killed Jayne Mansfield?,” by Hal Hackady, May 26, 1964; May 27, 1964
Box 89 Folder 4	“Who to Who,” by Garson Kanin, January 1961
Box 89 Folder 4	“Will the Real Roscoe Kramer Please Stand Up,” by Herman Raucher, April 3, 1964; April 12, 1964
Box 89 Folder 4	Untitled, by William Altman, April 18, 1964, undated
Box 89 Folder 4	Untitled, by Cherney Berg, undated
Box 89 Folder 4	Untitled, by Dan Browne, May 14, 1964, undated
Box 89 Folder 4	Untitled, by Roger Lewis, undated
Box 89 Folder 4	Untitled, by Sigmund Miller, 1964 September
Box 89 Folder 4	Untitled, by Donald Symington, undated
Box 89 Folder 4	Untitled, by Robert Van Scoyk, undated
Box 89 Folder 4	Untitled, by Victor Wolfson, June 22, 1964
Box 89 Folder 4	Untitled, by William Woolfolk, undated
Box 89 Folder 4	Untitled, undated
	Scripts for episodes, unproduced [?]
	“Cheer Me On, Dear--No Matter What”
Box 89 Folder 5	Story outline, by Robert Thom, undated
Box 89 Folder 5	Script, by Robert Thom, July 14, 1964
	“Guilty As Sin
Box 89 Folder 6	Outline, by Garson Kanin, March 25, 1964
Box 89 Folder 6	Outline, May 14, 1964
Box 89 Folder 7	First draft script, by Garson Kanin, annotated, April 10, 1964
Box 89 Folder 8	First draft script, by Garson Kanin, April 10, 1964
Box 89 Folder 4	Second draft script, by Garson Kanin, April 27, 1964
Box 89 Folder 9	Second draft script, by Garson Kanin, annotated, April 27, 1964
Box 89 Folder 9	Final draft script, by Garson Kanin, annotated, May 4, 1964
Box 89 Folder 10	Final draft script, by Garson Kanin, May 4, 1964
Box 89 Folder 10	Revised final draft script, by Garson Kanin, annotated, May 11, 1964
Box 90 Folder 1	Revised final draft script, by Garson Kanin, May 11, 1964
Box 90 Folder 2	Second revised final script, by Garson Kanin, annotated, May 18, 1964
Box 90 Folder 2	Second revised final script, by Garson Kanin, May 18, 1964
	“Half the Fun”
Box 90 Folder 3	First draft script, by Robert Van Scoyk, October 26, 1964
	“A Horse of a Different Color”
Box 90 Folder 4	2 outlines, annotated, undated
Box 90 Folder 4	Outline, undated
Box 90 Folder 4	Treatment, by Garson Kanin, March 16, 1964
Box 90 Folder 4	Script, by Edward Adler, annotated, undated
Box 90 Folder 5	Second draft script, by Edward Adler, annotated, April 27, 1964
	“A Man Who”
Box 90 Folder 6	4 story ideas, undated
Box 90 Folder 6	Outline, by Ring Lardner, Jr., undated
Box 90 Folder 6	Notes and miscellany, undated
Box 90 Folder 7	First draft script, by Ring Lardner, Jr., undated
Box 90 Folder 7	Script, fragment, annotated, undated
Box 90 Folder 8	Second draft script, by Robert Thom, story by Ring Lardner, Jr., November 5, 1964
	“The Manly Art”
Box 90 Folder 9	Outline and miscellany, by Tom Gries, August-September 1964
Box 90 Folder 9	Script, by Edward Adler, annotated, undated
Box 90 Folder 9	Second draft, “The Warning Bell,” fragment, by Edward Adler, annotated, undated
Box 90 Folder 10	Second draft script, by Edward Adler, November 5, 1964
	“Reflections in an Evil Eye”
Box 90 Folder 11	Outline, “In Camera,” by George Baxt, July 8, 1964
Box 90 Folder 11	Outline, “In Camera,” by George Baxt, July 11, 1964
Box 90 Folder 12	First drift script, by George Baxt, July 24, 1964
Box 91 Folder 1	Second draft script, by George Baxt, July 31, 1964
Box 91 Folder 1	Revised script, annotated, August 4, 1964
	“Shake Hands with Billy Shine”
Box 91 Folder 2	Outline, by Waldo Salt, October 6, 1964
Box 91 Folder 2	First draft script, by Waldo Salt, November 9, 1964
Box 91 Folder 2	Scripts and production files, produced
	“Keep an Eye on Emily” #l (a.k.a. “The Noisemaker”)
Box 91 Folder 3	Production file, including script revisions, by Garson Kanin, 1963
	“Don't Mention My Name in Sheboygan” #3
Box 91 Folder 3	Production file, 1964
Box 91 Folder 4	Fragment, by Robert Russell, May 20, 1964
Box 91 Folder 4	Fragment, “Kalamazoo Is a Dirty Word,” by Robert Russell, June 9, 1964
	“Something to Sing About” #7
Box 91 Folder 5	Production file, 1964
Box 91 Folder 6	First draft script, by Garson Kanin, March 17, 1964
	“The He-She Chemistry” #8
Box 91 Folder 7	Production file, 1964
Box 91 Folder 8	Script, by Garson Kanin, September 16, 1963
	“Maggie Queen of the Jungle” #9
Box 91 Folder 9	Production file, 1964
Box 91 Folder 10	Looping and correction sheets, 1964
Box 91 Folder 11	Final draft script, by William Altman, August 13, 1964
Box 91 Folder 12	Revised final draft, by William Altman, August 18, 1964
Box 91 Folder 12	Revised final draft, by William Altman, August 21, 1964
Box 92 Folder 1	Revised final draft, by William Altman, August 25, 1964
Box 92 Folder 2	Shooting script, annotated, August 25, 1964
	“Try to Find a Spy” #10
Box 92 Folder 3	Production file, 1964
Box 92 Folder 4	Final draft script, “A Spy from the Inside,” by David Z. Goodman, August 27, 1964
Box 92 Folder 4	Revised final draft script, “A Spy from the Inside,” by David Z. Goodman, August 29, 1964
Box 92 Folder 5	Revised final draft script, by David Z. Goodman, September 9, 1964
Box 92 Folder 5	Shooting script, by David Z. Goodman, annotated, September 9, 1964
	“Between the Rats and the Finks” #11
Box 92 Folder 6	Production file, September, 1964
Box 92 Folder 7	Outline, “A Plague O'Both Your Houses,” by Robert Van Scoyk, July 11, 1964
Box 92 Folder 7	Second draft script, “A Plague O'Both Your Houses,” by Robert Van Scoyk, September 8, 1964
Box 92 Folder 8	Shooting script, “A Plague O'Both Your Houses,” by Robert Van Scoyk, annotated, September 8, 1964
	“Sticks and Stones Will Break My Bones” #12
Box 92 Folder 9	Production file, September-October 1964
Box 93 Folder 1	Shooting script, by Robert Thom, annotated, and revisions, September 21, 1964
	“Bad Little Rich Girl” #13 (a.k.a. “Million Dollar Cocoon”)
Box 93 Folder 2	Production file, 1964-1965
Box 93 Folder 3	Second draft rewrite, by David Goodman, October 7, 1964
Box 93 Folder 3	Second draft rewrite, “The Million Dollar Cocoon,” by David Goodman, annotated, October 7, 1964
Box 93 Folder 3	Revisions, October 1964
Box 93 Folder 4	Unidentified, script fragment, undated
	Mr. Justice (TV series: unproduced?)
Box 93 Folder 5	Presentation and research material, circa 1963
	A Month in the Country (TV special: unproduced?)
Box 93 Folder 7	Correspondence, January-April 1965
	A Month Soon Goes (Motion picture: unproduced)
Box 93 Folder 8	Correspondence, April-May 1963
	The Moon and Sixpence (TV special: Talent Associates, December 1959?. Network unknown)
Box 93 Folder 9	Correspondence and budget, 1958-1959, 1967
	Morin, Robert
Box 93 Folder 10	Correspondence, May-October 1970
	Movie Times (TV special: Production company unknown, January 15, 1974. Original network ABC, 11:30 p.m.)
Box 93 Folder 11	Correspondence re Philip Marlowe, circa 1973-1974
	Multi-Culture Institute
Box 93 Folder 12	Correspondence and miscellany, 1970
	My Husband John...and Tom (TV pilot: unsold)
Box 93 Folder 13	Notes and correspondence, 1965-1967
Box 93 Folder 13	Synopsis and presentation, by Leonard Stern, undated
Box 93 Folder 13	2 Scripts, by Jack Sher, August 18-September 8, 1965
Box 93 Folder 13	Revised script, October 4, 1965
	My Last Duchess (Format unknown)
Box 93 Folder 14	Synopsis, by Mark Rosin, undated
	My Life in the Mafia (Considered as motion picture and TV-mini-series: unproduced)
Box 93 Folder 15	Correspondence and miscellany, 1972
	Naiomi Court (Format unknown)
Box 93 Folder 16	Synopsis, undated
	National Academy of Television Arts and Sciences
Box 93 Folder 17	Correspondence, clippings, program, and miscellany, 1967
	National Food and Cooking Test (TV special: unproduced?)
Box 94 Folder 1	Format and estimated budget, by Judy Crichton, undated
	National Sexual Knowledge Test
Box 94 Folder 2	2 Tests, by Dr. David Reuben, undated
	NATO Show (TV special: unproduced?)
Box 94 Folder 3	Correspondence, January-April 1963
	Nielsen Ratings
Box 94 Folder 4	General, October 1967-November 1968
Box 94 Folder 5-7	Bi-monthly Reports, October 1967-October 1968
	Nielsen Television Index-Multi Network Area-Ratings
Box 94 Folder 8-10	1967, October 29; 1968, May 19
Box 95 Folder 1-2	1968, May 26-November 10
	[Negro President Show] (TV special or motion picture: unproduced?)
Box 95 Folder 3	Outline, April 6, 1964
	Night of Camp David (Motion picture: unproduced?)
Box 95 Folder 4	First draft script, by Nedrick Young and Harold Jacob Smith, undated
	Nightmare--Prime Time (TV series: unproduced?)
Box 95 Folder 5	Presentation, undated
	Noon Wine (Production company unknown, November 23, 1966. ABC Stage 67)
Box 95 Folder 6	Production file, 1966
Box 95 Folder 7	Final script, by Sam Peckinpah, October 18, 1966
Box 95 Folder 7	Air script, by Sam Peckinpah, annotated, November 1, 1966
	Norman (TV series: unproduced?)
Box 95 Folder 8	First draft pilot script, by Ken Sullet and Ken Handler, undated
	Norton Simon, Inc.
Box 95 Folder 9	Correspondence, 1968-1971
Box 95 Folder 10	Miscellany, 1970-1971
Box 96 Folder 1	Reports and clippings, 1969-1971
Box 96 Folder 2	Talent Associates reports, circa 1969-1971
	Notes for a Murder (Motion picture: unproduced?)
Box 96 Folder 3	Screenplay, by Stanley Koven and accompanying letter by Francois Truffaut, July 4, 1968, undated
	Now (TV series: unproduced?)
Box 96 Folder 4	Preliminary research and presentation, undated
	The Now Generation (TV game show: unproduced?)
Box 96 Folder 5	Outline, undated
	The Nurses (TV series: Plautus Productions, 1962-1964. Original network CBS)
Box 96 Folder 6	Letter and schedule, 1963
	N.Y.P.D. (Talent Associates, 1967-1968. Original network ABC)
Box 96 Folder 7	ABC Stage City, 1967
Box 96 Folder 8	Cast budgets, shows #1-#26, 1967-1968
Box 96 Folder 9	Cast contracts, April-July 1967
Box 96 Folder 10	Crew and staff lists, June 1967-July 1968
	Contracts
Box 96 Folder 11	Union, 1968
Box 96 Folder 12	Wells Fargo, 1968
	Correspondence
Box 96 Folder 13-14	General, August 1966-March 1969, undated
Box 97 Folder 1	ABC, 1967-1968
Box 97 Folder 2	Fan mail, 1967-1968
Box 97 Folder 3	Frank Goodman Associates, 1968
Box 97 Folder 4	Sanford, Jay, April-October 1967
Box 97 Folder 5	Credits, 1966-1967
Box 97 Folder 6	Director's assignments, 1967-1968
Box 97 Folder 7	Financial, general, circa 1967-1968
Box 97 Folder 8	Floor plans, permanent, 1968
Box 97 Folder 9	Formats, 1966-1968, undated
Box 97 Folder 10	Human Rights Commission, testimony by Daniel Melnick, undated
	Outlines
Box 97 Folder 11	“Arrest at 30,000 Feet,” undated
Box 97 Folder 11	“The Avenger,” undated
Box 97 Folder 11	“The Battleground of Miss Adrienne,” by Lonne Elder, undated
Box 97 Folder 11	“The Big Bettor,” undated
Box 97 Folder 11	“The Body in the Trunk,” undated
Box 97 Folder 11	“Cat's Cradle,” by Warren Shanahan, undated
Box 97 Folder 11	“The Challenged Confession,” by Charles Garment, undated
Box 97 Folder 11	“Charlie,” by Richard Holland, 1968, undated
Box 97 Folder 11	“Construction Story,” by Sloane, undated
Box 97 Folder 11	“Crossroad Puzzle,” by George Lefferts, 1968
Box 97 Folder 12	“Dierdre and Dave,” June 13, 1968
Box 97 Folder 12	“Death of a Hooker,” by Michael Avollone, undated
Box 97 Folder 12	“Don't Tread on Me,” by Lee Kalcheim, November 1968, undated
Box 97 Folder 12	“Everybody Loved Him,” by Heywood Gould,November 20, 1968
Box 97 Folder 12	“A Fagin Subs for Parents,” by K.T. Dempsey, undated
Box 97 Folder 12	“A Favor for a Friend,” by William Altman, undated
Box 97 Folder 12	“Give the Go Go Dancer Some,” by Lonne Elder, undated
Box 97 Folder 12	“Guns of Jeopardy,” undated
Box 97 Folder 12	“The Hater,” undated
Box 97 Folder 12	“Help My Babies,” by Warren Shanahan, undated
Box 97 Folder 12	“Hey, Boy!,” by Warren Shanahan, undated
Box 97 Folder 12	“A Hole in the Ocean,” by Gene Radano, undated
Box 97 Folder 12	“The Homecoming,” by William Craig, November 27, 1967
Box 97 Folder 13	“The Invisible Thief,” by Heywood Gould, October 24, 1968
Box 97 Folder 13	“The Job or Me,” by K.T. Dempsey, May 22, 1968
Box 97 Folder 13	“Justice Among Strangers,” by Lonne Elder, November 15, 1968
Box 97 Folder 13	“Knockdown,” by Warren Shanahan, undated
Box 97 Folder 13	“The Live Cannons,” undated
Box 97 Folder 13	“The Louisiana Purchase,” by Edward Adler, May 25, 1967
Box 97 Folder 13	“Loves of a Father,” by Edward Adler, April 24, 1967
Box 97 Folder 13	“Luis Was a Happy Man,” by Stanley R. Greenberg, November 2, 1967
Box 97 Folder 13	“Missing Boy,” by Sloane, May 1, 1967
Box 97 Folder 13	“The Nice Guy,” by Gene Radano, undated
Box 97 Folder 13	“The Obscene Phone Call,” by Heywood Gould, undated
Box 97 Folder 13	“Old Wars Can Kill,” by Dennis A. McGuire, undated
Box 97 Folder 13	“One of the Family,” by Stanley Silverman, May 18, 1968
Box 97 Folder 13	“Panic in H,” by Arnold Perl, September 27, 1966
Box 97 Folder 13	“The Picture Lover,” by George Bellak, undated
Box 97 Folder 13	“Pornography Story,” by Robert Schlitt, undated
Box 97 Folder 13	“The Public Is Never Around When You Need Them,” by Jess Korman, undated
Box 97 Folder 14	“The Race Is to Swift,” by Michael Avallone, undated
Box 97 Folder 14	“Requiem for a Fat Cat World,” by Edward DeBlasio, April 20 and 24, 1967
Box 97 Folder 14	“The Rubber-Gun Squad,” by Edward Adler, July 1 and 11, 1968, undated
Box 97 Folder 14	“Runaway Boy,” by Allan Sloane, April 25, 1967
Box 97 Folder 14	“The Scapegoats,” by Heywood Gould, undated
Box 97 Folder 14	“The Scene,” by Edward DeBlasio, April 26, 1967
Box 97 Folder 14	“Self-defense,” by Albert Ruben, undated
Box 97 Folder 14	“The Snatchers,” undated
Box 98 Folder 1	“To Smell of Roses,” by Ed Lacy, November 3, 1967
Box 98 Folder 1	“Unequal Triangle,” by Warren Shanahan, undated
Box 98 Folder 1	“Up with People!,” by Lee Kalcheim, October 29, 1968
Box 98 Folder 1	“Wake Me Up in Twenty Years,” by Frank Olsen, undated
Box 98 Folder 1	“Whatever Happened to Michelangelo?,” by Robert Crean, May 10, May 19, June 6, 1967, undated
Box 98 Folder 1	“While Shooting in the Park One Day...,” by George Lefferts, June 13 and 20, 1967, undated
Box 98 Folder 2	Unidentified, by Adler, undated
Box 98 Folder 2	Unidentified, by Robert Alotta, October 1967
Box 98 Folder 2	Unidentified, by Alan Dennis, undated
Box 98 Folder 2	Unidentified, by Bernard Eismann, undated
Box 98 Folder 2	Unidentified, by Lonne Elder, October 28, 1968, undated
Box 98 Folder 2	Unidentified, by Kalcheim, undated
Box 98 Folder 2	Unidentified, by Peter Rabon, June 1968
Box 98 Folder 2	Unidentified outlines, undated
Box 98 Folder 3	Police Commissioner Howard Leary, memorandum and complaints, 1967
Box 98 Folder 4	Police Department, City of New York, correspondence and critiques of individual scripts, 1967
	Production
Box 98 Folder 5	Miscellany, circa 1966-1968
Box 98 Folder 6	Reports, pre-production and hiatus, 1968
Box 98 Fol