Archival Resources in Wisconsin: Descriptive Finding Aids: Contents List

Container	Title
U.S. Mss 136AN	Series: General Correspondence and Related Materials
Box 1 Folder 1-9	A (General), 1940-1966
	Academy of Motion Picture Arts and Sciences
Box 1 Folder 10-23	1940-1945
Box 2 Folder 1-10	1946-1950, 1960-1963
Box 2 Folder 11-12	Academy Research Council, 1943
Box 2 Folder 13	Addresses, Invitation and Mailing Lists, 1942-1948, undated Note: See also Address Books in Personal Papers Series (Box 33) and Invitations in Wanger Correspondence Files (Box 28-29).
	Agents
Box 2 Folder 14-25	1941-1964
Box 3 Folder 1	1965-1966
Box 3 Folder 2-10	Agents Client Lists, 1956-1965
Box 3 Folder 11	Air Power League, 1946
Box 3 Folder 12	All Saints Church, 1944
Box 3 Folder 13	Allen, James, 1941-1942, 1947, 1950
Box 3 Folder 14	Allied Artists, 1955
Box 3 Folder 15	American Council on Education, 1965
Box 3 Folder 16	American Heritage Project, 1958
Box 3 Folder 17-20	American National Theatre and Academy (ANTA), 1950-1958
Box 3 Folder 21	American Veterans Committee, 1947
Box 3 Folder 22	Antioch College, 1947-1948
Box 3 Folder 23-29	Applications, Employment, 1943-1954, 1960
Box 3 Folder 30	Atlantic Union Committee, 1950
Box 3 Folder 31	Audience Research, 1949
Box 3 Folder 31a	Autographed Photographs, undated
	B (General)
Box 3 Folder 32-38	1932, 1940-1946
Box 4 Folder 1-20	1947-1966
Box 4 Folder 21	Bankers Trust Company, 1948-1950
Box 4 Folder 22	Bechhold, Siegfried, 1952-1955
Item B37	Bergman, Ingrid, caricature of Bergman skiing as Joan of Arc with a personalized note and autograph, undated
U.S. Mss 136AN Box 4 Folder 23	Bernhard, Joseph, Film Classics Inc., 1947-1949
Box 4 Folder 24-25	Bernstein, Sidney, 1940-1942, 1946-1950
Box 5 Folder 1-10	Bienstock, Abraham and Marge, 1938-1950
Box 5 Folder 11	Braniff, T.E., 1950
Box 5 Folder 12	British-American Tax Agreement, 1948-1949
Box 5 Folder 13-15	British Information Services, 1943-1947
	C (General)
Box 5 Folder 16-25	1932, 1934, 1938-1952
Box 6 Folder 1-13	1953-1966
Box 6 Folder 14	Cartwright, Morse A., 1943
Box 6 Folder 15	Censorship, 1961 Note: See also individual film files in Film Production Files series.
Box 6 Folder 16	Chessman, Caryl, 1953-1954, 1959-1960
Box 6 Folder 17	Collier's Congressional Awards, 1946-1947
Box 6 Folder 18	Columbia Broadcasting System (CBS), 1941, 1945, 1949-1950
Box 6 Folder 19-26	Council on Foreign Relations, 1951-1966
Box 6 Folder 26a	Council of Motion Picture Organizations Inc., 1950-1952
Box 6 Folder 27	Cowles, Gardner, 1946-1950
Box 6 Folder 28-35	Criminology, General, 1956-1963
Box 6 Folder 36	Crowther, Geoffrey, 1947-1949
Box 6 Folder 37	Crum, Bartley C., 1942-1948
Box 6 Folder 38-41	Crusade for Freedom, June 1950-February 1951
Box 7 Folder 1-20	D (General), 1941-1966
Box 7 Folder 21-32	Dartmouth College, 1941-1966
Box 7 Folder 33	Deluxe Lab, 1949
Box 7 Folder 34	Disney, Walt, 1943-1945
Box 7 Folder 35	Downey, Sheridan, 1944-1945
Box 7 Folder 36	Dunhill, Alfred of London (Tobacconist), 1940-1945
	E (General)
Box 7 Folder 37-39	1932, 1941-1950
Box 8 Folder 1-3	1951-1966
Box 8 Folder 4-8	Employment, 1961-1966
Box 8 Folder 9	Erickson, Clarence E., 1940-1941
Box 8 Folder 10-27	F (General), 1932, 1939-1966
Box 8 Folder 28	Famous Artists, 1951-1956
Box 8 Folder 29	Fidler-Wanger Debate, 1939-1940 Note: See also Speeches (Box 36-37).
Box 8 Folder 30-31	Figaro Inc., 1957-1958 Note: See also Correspondence with Robert Lantz (Box 11-12).
Box 8 Folder 32	Fleming, Victor, 1948-1949
	Free World Association Note: See also related series Free World Association.
Box 8 Folder 33-35	1943-August 1944
Box 9 Folder 1-4	September 1944-1945
Box 9 Folder 5-13	G (General), 1939-1966
Box 9 Folder 14	Germany, 1950
Box 9 Folder 15	Gospel in Stone, 1950
	H (General)
Box 9 Folder 16-22	1938, 1940-1947
Box 10 Folder 1-18	1948-1966
Box 10 Folder 19	Harrison, Kay, 1948-1949
Box 10 Folder 20	Hayward, Susan, 1946-1949
Box 10 Folder 21	Health Organizations, 1947
Box 10 Folder 22	Historical Project Proposed by Wanger, 1948
Box 10 Folder 23-32	I (General), 1941-1941, 1946-1965
Box 10 Folder 33-34	Industrial Areas Foundation, 1944-1947
Box 10 Folder 34a	Italian Consulate, February-October 1966
Box 10 Folder 35-40	J (General), 1938-1966
	Jewish Organizations and Groups Note: See also Organizations (Box 14-17).
Box 10 Folder 41-42	1942-1943
Box 11 Folder 1-4	1945-1949
Box 11 Folder 5-14	K (General), 1940-1966
Item A372	Kadny, Capt. Hassan, letter with a hand-sewn replica of the Palestinian flag, January 1919
U.S. Mss 136AN Box 11 Folder 15	Kline, Herbert, 1945
	L (General)
Box 11 Folder 16-25	1940-1951
Box 12 Folder 1-7	1952-1966
Box 12 Folder 8	La Dolce Vita, 1961
Box 12 Folder 9	Lang, Fritz, 1945
Box 12 Folder 10	Lee and Losh, 1943-1945
Box 12 Folder 11-12	Los Angeles Committee on Foreign Relations, 1958, 1961
Box 12 Folder 13	Los Angeles Committee for Home Front Unity, 1944-1945
Box 12 Folder 14	Los Angeles County Association for Mental Health, 1960-1961
	M (General)
Box 12 Folder 15-25	1937-1953
Box 13 Folder 1-8	1954-1966
Box 13 Folder 9	McGee, Richard, 1953-1955
Box 13 Folder 10	Marshall Plan, 1948
Box 13 Folder 11	Maugham, Robin, 1954-1955
Box 13 Folder 12	MCA Artists, Ltd., 1951-1956
Box 13 Folder 13	Meals for Millions, 1950
Box 13 Folder 14	MGM Interoffice Memos, 1966
Box 13 Folder 15	Monogram Memos, 1951-1953
Box 13 Folder 16	Morris, William Agency, 1951-1956
Box 13 Folder 17-21	Motion Picture Association (MPA), 1940-1950
Box 13 Folder 22	Motion Picture Association of America (MPAA), 1951-1955
	Motion Picture Industry Council
Box 13 Folder 23-24	1948-1951
Box 14 Folder 1-2	1952-1958
Box 14 Folder 3	Motion Picture Relief Fund Inc., 1941-1943
Box 14 Folder 4	Motion Picture Society for the Americas, 1942-1943
Box 14 Folder 5-8	N (General), 1932, 1938, 1942-1966
Box 14 Folder 9	National Association for the Advancement of Colored People, 1940-1944
Box 14 Folder 10	National Youth Administration, 1941
Box 14 Folder 11-17	0 (General), 1940-1966
Box 14 Folder 15-16	Occidental College, 1943-1945
Box 14 Folder 17-18	Office of War Information, 1942-1945
Box 14 Folder 19	Opuls, Max, 1949-1950
	Organizations Note: See also Jewish Organizations and Groups (Box 10-11).
Box 14 Folder 20-23	1942-1943, N
Box 15 Folder 1-23	1943, P - , 1945, Pu
Box 16 Folder 1-19	1945, R-W; , 1947-1949, C
Box 17 Folder 1-6	1949, L - , 1965
Box 17 Folder 6A	Osborne and Harvey, 1942-1946
Box 17 Folder 7-17	P (General), 1932-1966
Box 17 Folder 18-20	Palmer, Gretta, 1943-1951
Item A371	Paramount Studios, illuminated Christmas card in a leather folder with signatures from co-workers, including Claudette Colbert and Maurice Chevalier, December 1929
U.S. Mss 136AN Box 17 Folder 21-22	The Players, 1960-1966
Box 17 Folder 23	Prelude to Victory, 1942
Box 18 Folder 1	Princeton Film Center, 1954-1955
Box 18 Folder 2	Prison Inmates, 1953-1955
Box 18 Folder 3-5	Producers and Producers Association, 1942-1945, 1947
Box 18 Folder 6-8	Publications and Literary Rights, 1943-1945 Note: See also Story Information and Correspondence (Box 23).
Box 18 Folder 9	Publicity, 1960, 1964
Box 18 Folder 10-14	Publishers, 1941-1942, 1948-1950
Box 18 Folder 15	Q (General), 1941-1965
	R (General)
Box 18 Folder 16-32	1932, 1938, 1943-1959
Box 19 Folder 1-2	1960-1966
Box 19 Folder 3	Radio Show Ideas - Correspondence, 1941
Box 19 Folder 4	Randall, Barbara - Correspondence and Book Reports, 1945-1950
Box 19 Folder 5	Randall, Viola, 1952
Box 19 Folder 6-7	Rank, J. Arthur, 1945-1949
Box 19 Folder 8	Reader's Digest, 1955
Box 19 Folder 9	Red Cross, 1944-1945
Box 19 Folder 10	Re: Michael Redgrave, 1946-1948
Box 19 Folder 11	Retail Dry Goods Association, 1950
Box 19 Folder 12	RKO, 1946-1950, 1956
Box 19 Folder 13	Rogers, Will, 1942-1943
	S (General)
Box 19 Folder 14-24	1932-1933, 1938, 1942-June, 1950
Box 20 Folder 1-16	July, 1950-1966
Box 20 Folder 17	San Francisco Press Conference, 1948
Box 20 Folder 18-19	Saturday Review, 1942-1943
Box 20 Folder 20	Schwartz, Charles (Schwartz and Frolich), 1937-1942
	Screen Producers Guild and Other Guilds
Box 20 Folder 21	1940-1944
Box 21 Folder 1-6	1944-1955
	Scripts Returned Correspondence
Box 21 Folder 7-27	1942-1949
Box 22 Folder 1	1950
Box 22 Folder 2	Services, 1966
	Sheraton Closed Circuit Television See Television - Sheraton (Box 23-24)
Box 22 Folder 3-10	Silberberg, Mendel, 1934-1965 Scope and Content Note: Includes legal correspondence with Mitchell, Silberberg, and Knupp law firm.
Box 22 Folder 11-24	Society of Independent Motion Picture Producers (SIMPP), 1941-1958
Box 22 Folder 25	Sonnenberg, Benjamin, 1943-1945
Box 22 Folder 26	Spadea Syndicate, 1953
Box 22 Folder 27	Speakers Bureau, 1944-1945
Box 22 Folder 28	Stassen, Harold E., 1942, 1945
Box 23 Folder 1	Story Information and Correspondence, 1947-1950 Note: See also Publications and Literary Rights (Box 18).
Box 23 Folder 2-9	T (General), 1938, 1940-1966
Box 23 Folder 10	Talent Seeking, 1947-1950
Box 23 Folder 11	Tasker, Dana, 1951-1954
	Television
Box 23 Folder 12-16	General and FM Radio, 1945-1953
Box 23 Folder 17	Toll Television, 1957-1958, 1962-1965
Box 23 Folder 18-19	Closed Circuit, 1954-1955
	Sheraton Closed Circuit Project
Box 23 Folder 20	Data Book and Dealer Meeting Transcript, 1955
Box 23 Folder 21	New York Office Records, 1956-1957
	Correspondence
Box 23 Folder 22-24	1954-October 1955
Box 24 Folder 1-3	November 1955-1956
Box 24 Folder 4	Zenith, 1955
Box 24 Folder 5	Time-Life, 1937-1945
	Twentieth-Century Fox
Box 24 Folder 6	Casting, 1959-1960
Box 24 Folder 7	Memos, 1961
Box 24 Folder 8	Stories, 1959-1960
Box 24 Folder 9	Two Cities-Wanger, 1946
Box 24 Folder 10	U (General), 1941-1942, 1948-1956, 1958-1959, 1962, 1966
Box 24 Folder 11	United Artists, 1946-1950
Box 24 Folder 12-16	Universal, 1942-1949
Box 24 Folder 17	University Religious Conference, 1943-1944
Box 24 Folder 18-22	V (General), 1938-1966
Box 24 Folder 23	Variety Club, 1962, 1965-1966
Box 24 Folder 24	von Morpungo, Henry, 1957
	W (General)
Box 24 Folder 25-29	1932-1933, 1940-1944
Box 25 Folder 1-19	1945-1966
Box 25 Folder 20	Wall Street Journal, 1948
	Walter Wanger Family and Personal Correspondence
Box 26 Folder 1-2	Wanger, Henry and Etta, 1945-1965
Box 27 Folder 1	Wanger, Justine - Papers, News clippings, Correspondence, 1938-1960
Box 26 Folder 3	Bena, Melinda Markey Hayden, 1952-1965
Box 26 Folder 4-7	Wanger, Shelley, 1948, 1952, 1956-1966
Box 26 Folder 8-9	Guest, Stephanie Wanger, 1946, 1949, 1952-1965
Box 26 Folder 10	Lists of Letters Sent Following Wanger's Heart Attack, March-April 1956
Box 26 Folder 11	Wanger's Birthday, 1952
	Correspondence with European Relatives and Refugees
Box 27 Folder 2	Bernd, Elsa, Alfred, Bernhard and Hanna, 1939-1941
Box 27 Folder 3	Bittman, Johannes, Margarete and Eva, 1941-1942
Box 27 Folder 4	Dachauer, Simon, 1938-1947
Box 27 Folder 5	Gerst, Natalie, 1941
Box 27 Folder 6	Krautkopf Family, 1938-1941
Box 27 Folder 7	Krausz, Suzy and Laszlo (with Genealogy), 1946-1949
Box 27 Folder 8	Mallesch, Elly Kleinwort von (Joan Bennett's maid), 1947-1948
Box 27 Folder 9	Stern, Babette Stahl, 1938-1941
Box 27 Folder 10	Strauss, Else and Moritz, 1937-1943
Box 27 Folder 11	Wiesengrund, Lucie, 1942-1944
	Christmas Card and Gift Lists and Correspondence, Thank You Letters
Box 27 Folder 12-17	1937-1942
Box 26 Folder 12-27	1943-1944, 1946-1958
Box 28 Folder 1-8	1959-1966
Box 28 Folder 9-10	Donations, 1947, 1965 Note: See also Income Tax records in Corporate Records Series (Box 42-43).
	Invitations - Personal, Premiere and Theatre, Membership, Political, and Donation Solicitation
Box 28 Folder 11-20	1943-1945, 1948-1956
Box 29 Folder 1-28	1957-1966
	Parties Given - Invitations, Correspondence, Lists
Box 29 Folder 29	Bienstock Party, 1948
Box 29 Folder 30	Jean Simmons Party, 1948
Box 30 Folder 1	Robert Young Party, 1948
Box 30 Folder 2	Christmas Party, 1959
Box 30 Folder 3-4	Subscriptions, 1939-1965
	Trips
Box 30 Folder 5	U.S., 1940, including Speeches
Box 30 Folder 6	London, 1946
Box 30 Folder 7	New York, 1948
Box 30 Folder 8	Children's Trip to Europe, 1949
Box 30 Folder 9	Philadelphia, 1954
Box 30 Folder 9A	New York, 1955
Box 30 Folder 10	New York, 1959
Box 30 Folder 11	London, 1966
	War Information, Office of, See Office of War Information (Box 14)
Box 31 Folder 1-2	Warburg, Paul, 1939-1943
Box 31 Folder 3-5	Washington, D.C., 1940-1945
Box 31 Folder 6	Willkie, Wendell, 1941-1944
Box 31 Folder 7	Wright, Loyd, 1938-1942
Box 31 Folder 8	Writers/Producers Guild, 1964-1965
Box 31 Folder 9	Y (General), 1941-1966
Box 32 Folder 1	Young America, 1945
Box 32 Folder 2-4	Z (General), 1941-1966
Box 32 Folder 5	Miscellany, undated
	Series: Diaries, Speeches, Appointment Calendars, Notes, and Other Personal Papers	⇧
Box 33 Folder 1	Biographical Sketches and Data
	Address Books and Directories
Box 33 Folder 2	Address Books, circa 1954-1955
Box 33 Folder 3	Telephone and Address Directory, circa 1954
Box 33 Folder 4-6	Foreign Address Directories, 1960, 1962, undated, London Addresses, , 1960-1961, Egyptian Address Book, , 1962
Box 33 Folder 7	Application and Supporting Documents for Army Commission, 1942
	Appointment Calendars
Box 33 Folder 8	1921
Box 33 Folder 9	Pocket Calendars and Diaries, 1922, 1923, 1934 Note: Blank books discarded.
Box 33 Folder 10	Calendar and Diary, 1932
Box 33 Folder 11	Pocket Appointment Calendars and Diaries, 1939, 1940, 1947
Box 33 Folder 12	1941
Box 33 Folder 13	Pocket Appointment Calendars and Diaries, 1945, 1946, 1953, 1956-1958
Box 33 Folder 14	Pocket Appointment Calendars and Diaries, 1948, 1949, 1955
Box 33 Folder 15	1949
Box 33 Folder 16	Staff (Marie Kirchner?) Appointment Calendar, 1949 Note: Blank pages discarded.
Box 33 Folder 17	1951
Box 33 Folder 18	Kept by Staff, 1951
Box 33 Folder 19	1952
Box 33 Folder 20	1954
Box 33 Folder 21	Pocket Appointment Calendar, 1954
Box 33 Folder 22	Calendar and Diary, (Kept by Wanger), 1957
Box 34 Folder 1	Kept by Staff, 1957
Box 34 Folder 2	Kept by Wanger, 1958
Box 34 Folder 3	Kept by Staff, 1958
Box 34 Folder 4	October 1959-September 1960
Box 34 Folder 5	Pocket Appointment Calendars and Diaries, 1959, 1960, 1962
Box 34 Folder 6	Kept by Staff, 1960
Box 34 Folder 7	Pocket Appointment Calendar, 1961
Box 34 Folder 8	Kept by Staff, May-August 1961
Box 34 Folder 9	Kept by Staff, August-December 1962
Box 34 Folder 10	1963, 1965
	Appointments, Memoranda, and Notes
Box 34 Folder 11	Notes, 1949
Box 34 Folder 12	Notes and Memoranda, 1952-1956
Box 34 Folder 13-19	Notes, 1957-1966
Box 34 Folder 20	Notes, undated
Box 34 Folder 21	Certificates and Awards, 1914-1964
Box 34 Folder 22	Memorabilia, 1918-1936, undated
	Personal Diaries
Box 35 Folder 1-14	1927, 1928, 1930(?), 1931, 1933, 1937, 1955, 1956, 1958, 1959, 1960, September-December 1960, 1961, 1962 Note: Annotated by Wanger and Attorneys for Lawsuit Against 20th Century-Fox.
Box 36 Folder 1-3	1963-1965
Micro 966	Portions of Diaries Microfilmed by Wanger's Attorneys for Wanger's Lawsuit Against Twentieth Century-Fox, 1962 Note: For other diaries, see Walter Wanger's Diary and My Life with Cleopatrafiles (Box 71-72) and CleopatraLawsuit Files (Box 74).
Reel 1	Portion Labeled A, September 30-December 31, 1958
Reel 1	Portion Labeled H, September 30-December 31, 1958
Reel 1	Portion Labeled B, December 29, 1958-January 1960
Reel 1	Portion Labeled C, December 10, 1959-May 9, 1960(kept by Francine Fitch)
Reel 1	Portion Labeled D, January 8-April 30, 1960
Reel 1	Portion Labeled G, September 21-December 31, 1960
Reel 1	Portion Labeled E, January 1-December 31, 1961
Reel 1	Portion Labeled F, January 1-December 31, 1962
Reel 2	Portion Labeled I, January 1, 1959-January 17, 1960
Reel 2	Portion Labeled J, January 1, 1960-January 15, 1961
Reel 2	Portion Labeled K, January 1, 1961-January 8, 1962
Reel 2	Portion Labeled L, January 1, 1962-January 8, 1963
Reel 3	January 22-December 31, 1962
U.S. Mss 136AN Box 36 Folder 4	Medical Records
Box 36 Folder 4A	Passports, 1933, 1946, 1953
Box 36 Folder 4B	Personal Papers and Correspondence, Early, 1908-1920, undated
Micro 1042	Microfilmed Scrapbooks and Newspaper Clippings Note: Originals discarded after filming.
Reel 6	Scrapbook of Clippings about the play Purple Slipperand the Philadelphia Theatre (formerly the Little Theatre), October 1919
Reel 6	Famous Players-Lasky Corporation Clippings, May 1921
Reel 6	Covent Garden Opera House and Rivoli Cinema, November 1921-October 1922
Reel 6	Provincial Cinematograph Theatres (PCT), 1923
	General Clippings
Reel 6	1938-1940, 1944
Reel 7	1946-1947, 1952-1959
Reel 7	VarietyClippings, 1961-1963 Scope and Content Note: Material concerning Cleopatra, Spyros Skouras, and Twentieth-Century Fox, slightly annotated by Wanger, apparently for his lawsuit.
Reel 7	Miscellaneous Press Releases and Articles
U.S. Mss 136AN	Speeches
Box 36 Folder 5	List of Speeches
Box 36 Folder 6	“Films as Foreign Offices,” December 10, 1921
Box 36 Folder 7	“Associated Film Audiences,” Fall 1938
Box 36 Folder 8	“The Wherefore of Movie Ills,” November 17, 1938
Box 36 Folder 9	“What is America's Greatest Need Today,” December 29, 1938
Box 36 Folder 10	“Don Forbes' Hollywood Scrapbook,” January 6, 1938
Box 36 Folder 11	Box Office, re: movie Blockade, January 7, 1939
Box 36 Folder 12	Town Meeting, February 20, 1939
Box 36 Folder 13	“A New Hollywood,” February 26, 1939
Box 36 Folder 14	American Library Association, June 23, 1939
Box 36 Folder 15	“The Stars Call Them Leeches,” September 9, 1939
Box 36 Folder 16	Fidler v. Wanger and Wanger v. Fidler, Sept.-Oct. 1939
Box 36 Folder 17	“120,000 American Ambassadors,” October 1939
Box 36 Folder 18	Academy Speech, February 29, 1940
Box 36 Folder 19	“Social Significance of the Motion Picture,” April 1, 1940
Box 36 Folder 20	“The Role of the Motion Picture in Inter-American Understanding,” August 1, 1940
Box 36 Folder 21	“The High Morale of Free Men,” November 24, 1940
Box 36 Folder 22	Round Table, University of Chicago, December 22, 1940
Box 36 Folder 23	Theatre Arts, post 1940
Box 36 Folder 24	Pasadena Civic Auditorium, January 9, 1941
Box 36 Folder 25	“Motion Pictures - An Avenue of Pan-American Understanding,” January 16, 1941
Box 36 Folder 26	Town Meeting, March 3, 1941
Box 36 Folder 27	“Streamlining Motion Pictures to Meet a Crisis,” March 28, 1941
Box 36 Folder 28	Academy Awards Dinner, 1941
Box 36 Folder 29	Variety Club Seventh Annual Convention, May 1941
Box 36 Folder 30	“An Open Letter to Franklin D. Roosevelt,” August 2, 1941
Box 36 Folder 31	“The Role of Movies in Morale,” November 1941
Box 36 Folder 32	“Censorship and Propaganda in Motion Pictures,” Saturday Review of Literature, circa 1941
Box 36 Folder 33	Walter Winchell Guest Column, circa 1941
Box 36 Folder 34	“Propaganda in Films,” January 26, 1942
Box 36 Folder 35	Academy Speech, February 26, 1942
Box 36 Folder 36	Anniversary Address, KFWB Radio, March 19, 1942
Box 36 Folder 37	“Against Isolationism,” March 20, 1942
Box 36 Folder 38	Variety Club Pan-American Night, April 6, 1942
Box 36 Folder 39	United Nations Luncheon, May 12, 1942
Box 36 Folder 40	“Is the United States All-Out for War?” September 17, 1942
Box 36 Folder 41	“Movies - The War and After,” September 18, 1942
Box 36 Folder 42	Earl Warren Broadcast, October 16, 1942
Box 36 Folder 43	“Upheaval in Hollywood,” Correspondence, 1942
Box 36 Folder 44	“OWI and Motion Pictures,” Spring 1943
Box 36 Folder 45	“The Motion Picture and the Fight for Freedom,” June 25, 1943
Box 36 Folder 46	“Hollywood, U.S.A.,” USA Magazine, 1943
Box 36 Folder 47	“The Movie of Tomorrow,” circa 1943
Box 36 Folder 48	Writers Congress, 1943
Box 36 Folder 49	“Post-War Is Now,” June 16, 1944
Box 36 Folder 50	Campaign Speeches for Roosevelt, 1944
Box 36 Folder 51	Society of Motion Picture Engineers, May 14, 1945
Box 36 Folder 52	Michael Sheridan, August 28, 1945
Box 36 Folder 53	Hollywood Survey, November 8, 1945
Box 36 Folder 54	“One + One = Two (Billions),” circa 1945
Box 36 Folder 55	Founder's Day, Denver, circa 1945
Box 36 Folder 56	“The Film Way,” post 1945
Box 36 Folder 57	“How We Did Our Own Specific Jobs - The Movies,” Article for Simon and Schuster, circa 1945
Box 36 Folder 58	“America's Secret Weapon,” circa World War II
Box 36 Folder 59	“How Free Do You Want to Be?,” circa World War II
Box 36 Folder 60	“Motion Pictures: A Force for International Cooperation,” post World War II
Box 36 Folder 61	On the Popularity of Westerns, February 26, 1946
Box 36 Folder 62	“Gun and Camera,” May 13, 1946
Box 36 Folder 63	Technicolor News and Views, June 1946
Box 36 Folder 64	Survey Associates Dinner, December 3, 1946
Box 36 Folder 65	Advertising Club Luncheon, April 21, 1947
Box 36 Folder 66	Clare Boothe Luce, May 1, 1947
Box 36 Folder 67	“United States Propaganda,” Fall 1947
Box 36 Folder 68	Letter to Gardner Cowles, December 24, 1947
Box 37 Folder 1	Reference File, 1947
Box 37 Folder 2	Wall Street Journal Article, August 1948
Box 37 Folder 3	Reference File, 1948
Box 37 Folder 4	“Tulsa” Speech, April 12, 1949
Box 37 Folder 5	Article re: George Orwell's 1984, July 1949
Box 37 Folder 6	Reference File, 1949
Box 37 Folder 7	“Donald Duck and World Diplomacy,” March 30, 1950
Box 37 Folder 8	“Wooden Shoes and Silken Slippers,” May 31, 1950
Box 37 Folder 9	28th Annual NIAA Conference, 1950
Disc 195A No. 1	Council of Motion Picture Organizations Inc., July 26, 1951
U.S. Mss 136AN Box 37 Folder 10	National Committee for Free Europe Inc., circa 1951
Box 37 Folder 11	Autobiographical Material and Appeals During Trial and Sentencing, May 1952
Box 37 Folder 12	“What I Learned in Prison,” October 1952
Box 37 Folder 13	“What I Found in Jail,” 1953 Note: See also Riot in Cell Block 11 Reference Files (Box 89-90).
Box 37 Folder 14-15	The Forward Look, June 1955
Box 37 Folder 16	American Booksellers Association, October 12, 1955
Box 37 Folder 17	Farmers Insurance Representatives, September 15, 1955
Box 37 Folder 18	Notes, Material for Speech (On the Movies?), 1956
Box 37 Folder 19	“Hollywood's Finest Hour,” March 3, 1958
Box 37 Folder 20	“Living in an International Goldfish Bowl,” May 8, 1959
Box 37 Folder 21	Reference File, 1950s
Box 37 Folder 22	“It's Here - The Knowledge Explosion,” January 5, 1964
Box 37 Folder 23	Dartmouth Address, June 1966
Box 37 Folder 24	“Back Seat Citizens,” undated
Box 37 Folder 25	“Children and the Theatre,” undated
Box 37 Folder 26	“Edison Defends the Machine Age,” undated
Box 37 Folder 27	Hollywood Reporter Annual, undated
Box 37 Folder 28	“How Free Do You Want to Be?,” undated
Box 37 Folder 29	“Important Fun,” G. Jones Interview of Wanger, undated
Box 37 Folder 30	Motion Picture Engineers, undated
Box 37 Folder 31	“Motion Pictures: A Force for International Cooperation,” undated
Box 37 Folder 32	Quigley Awards, undated
Box 37 Folder 33	For Adlai Stevenson, undated
Box 37 Folder 34	“What Is America's Greatest Need Today?,” undated
Box 37 Folder 35-36	World War I Scrapbook, Wanger's Dictated Notes (Transcription and Dictaphone Record); with Photos, Military Orders, Service Identification Card and Record, Volumes 1 and 2
Box 37 Folder 36A	World War I Enlistment Certificate, 1917; Pass; Officer's Record Book
	Yearbooks
Box 37 Folder 37	Cascadilla Prep School, 1909
Box 37 Folder 37A	Cascadilla Prep School Athletic Letter Certificates, 1909, 1911
Box 37 Folder 38	Dartmouth College, 1914
Box 38 Folder 1	Dartmouth College, 1915
	Series: Corporate and Financial Records	⇧
	Personal and Family Financial Records
Box 38 Folder 2	Abandoned Projects, 1944-1945
Box 38 Folder 3	Charts of Accounts
Micro 1042 Reel 1 Frame 13-387	Account Book and Journal, 1942-1946(Vol. 1) Scope and Content Note: Lists Cash Received, 1943-1946, and Vouchers, 1942-1945; with Joan Bennett's Accounts, listing Cash Received, 1944-1946; Journal Vouchers, 1942-1945 (original discarded).
U.S. Mss 136AN Box 38 Folder 4	Appraisals of Personal Property, 1937, 1953, 1956, 1959-1960; Wanger's Library, , undated
Box 38 Folder 5	Audits, 1942, 1947
Box 38 Folder 5A	Bank Books, 1949-1950
Box 38 Folder 6	Bank, Loan, and Investment Statements (Chemical Bank and Trust Company), 1933, 1937-1938, 1941, 1943-1949
	Bank Statements
Box 38 Folder 7-9	Regular Commercial Account, September 1942-December 1948, February 1951-December 1953 Note: May also include records of Walter Wanger Pictures Inc.
Box 38 Folder 9A	Foreign Banks, 1949-1957
Box 38 Folder 10	Guaranty Trust Company of New York, London Branch, 1942-1949
Box 38 Folder 11	Legal Expense Account, with Correspondence, January 1952-May 1953
Box 38 Folder 12	Personal Account, January 1949-December 1950
Box 38 Folder 13	Special Account #1, with Cancelled Checks, September 1942-August 1944
Box 38 Folder 14	Special Account #2, with Cancelled Checks, May 1939-October 1944
	Bank Statements and Cancelled Checks
Box 38 Folder 15-20	March-October 1954, December 1963-March 1964
Box 39 Folder 1-3	April-December 1964
Box 39 Folder 4	Bankruptcy Proceedings, Records, 1949-1954
Box 39 Folder 5	Bills for Loan-Outs to Other Studios, September 1945-November 1949
Box 39 Folder 6	Bonds - Record of Bonds Held by New York Trust Company, 1936-1945
Box 39 Folder 7	Bonds - U.S. Government Bonds, 1942-1948
Box 39 Folder 8-9	Breakdown of Accounts, October-December 1954, 1964
Box 39 Folder 10	Budgets, Account Withdrawals, Receipts and Disbursements, 1933
Box 39 Folder 11	Cash Budgets (Accountants Work Sheets), circa 1948-1950
Micro 1042 Reel 1 Frame 1-12	Cash Received, October 1942-December 1943(Vol. 2) Note: Original discarded after filming.
Reel 1 Frame 388-800	Cash Receipts and Check Register, January 1948-1953(Vol. 3) Note: Original discarded after filming.
U.S. Mss 136AN	Canadian Cooperation Project
Box 39 Folder 12	Annual Report, April 1949
Box 39 Folder 13	Correspondence, Story Summaries, and Other Papers, January 1945-May 1949, 1951
Box 39 Folder 14	Facilities Available in Canada, September 1948
Box 39 Folder 15	Ideas and Stories for Features and Shorts to be Produced, May 4, 1948
Box 39 Folder 16	Stockshot Index, November 18, 1948
Box 39 Folder 17	Weekly Cash Statements, Including Walter Wanger Pictures Inc. and Other Companies, November 1943-December 1948
Box 39 Folder 18	Check Registers, December 1952-October 1953
Box 39 Folder 19	Cancelled Checks, October 1953-January 1954
	Contracts and Agreements
Box 39 Folder 20	Contract Summaries for Wanger, Walter Wanger Pictures Inc., Diana Corporation, and En Corporation/Sierra Pictures Inc., 1945-1949
Box 40 Folder 1	Aktiebolaget Ars - Contract to Act as Representative and Correspondence, 1922-1923
Box 40 Folder 1A	Allied Artists Corp., Ltd., 1921
Box 40 Folder 2	Allied Artists Pictures Corp. - Correspondence and Contracts, 1954-1963
Box 40 Folder 3	Columbia Pictures Corp. - Employment Contracts and Termination of Contracts, 1931-1933
Box 40 Folder 4	Columbia Pictures Corp. - Correspondence re: Contracts, 1955
Box 40 Folder 5	Drew, Paula - Contracts, Loan-Out Agreements, Payroll Records and Correspondence (Including Scripts), 1946-1947
Box 40 Folder 6	Ewing, John (Art Director) - Contract and Payroll Records, 1945-1946
Box 40 Folder 7	Hayward, Susan - Contracts and Loan-Out Agreements, 1945-1949
Box 40 Folder 8	Houser, Mervyn, 1945-1947
Box 40 Folder 9	Ikerd, Percy, 1945-1949
Box 40 Folder 10	Lavery, Emmet (Writer), 1944-1945
Box 40 Folder 11	Lee, John C. (Public Relations), 1943-1944
Box 40 Folder 12	Loew's Inc. (MGM) - Contract Negotiation Documents, 1944-1945
Box 40 Folder 13	Mapleton Productions Inc. - Employment Agreement, 1955
Box 40 Folder 14	Metro-Goldwyn-Mayer Corp., 1933-1934
Box 40 Folder 14A	Nassour, Edward and Joseph Bernhardt, 1949
Box 40 Folder 15	Paley, Jay - Legal Agreements, Correspondence, and Financial Records (With Wanger and Walter Wanger Productions Inc.) 1934-1942
Box 40 Folder 16	Reynolds, Toni - Contracts and Payroll Records, 1946-1947
Box 40 Folder 17	United Artists, 1938
Box 40 Folder 18	Universal, 1942-1948
Box 40 Folder 19	Walter Wanger Productions Inc., 1936-1941
	Financial Correspondence
	Morgan Maree (with Jess Morgan, Accountant and Business Manager), including Sydney Morse and Co., London
Box 40 Folder 20-28	1954-1963
Box 41 Folder 1-4	1964-1967
Box 41 Folder 5-7	Osborne and Harvey, including Weekly Balances, 1942-1946, 1952
Box 41 Folder 8	Expenditures by Wanger During Trip to France, September-November 1949, and to London, , October-December 1949
Box 41 Folder 9	Expenditures During Italian Trips, June, August-September 1949
	Expense Records
Box 41 Folder 10	Personal Expense Record Book (England), May 1960-April 1961
Box 41 Folder 11	Expense and Tax Record, August 1961-August 1962
Box 41 Folder 12	“Diary” of Personal Expenses, 1963
Box 41 Folder 13	“Diary” of Personal Expenses, 1965
	Financial Memoranda (Kept by Wanger's Secretaries)
Box 41 Folder 14-19	1955-1961
Box 42 Folder 1-5	1962-January 1967
Box 42 Folder 6-8	General Financial Records, Statements, and Summaries, 1940, 1942-1966
Box 42 Folder 9	Monthly Financial Statements, October 1942-July 1946
Box 42 Folder 10	Financial Statements of Condition, January 1942-December 1945
Box 42 Folder 11	Gift Tax Returns, 1946-1948
	Houses, Leases, and Property Agreements
Box 42 Folder 12	Elm Point, Great Neck, Long Island, New York, 1931
Box 42 Folder 13	321 Palisades Beach Road, Santa Monica, California, 1932
Box 42 Folder 14	515 S. Mapleton Drive, Los Angeles, 1936-1950 Note: Includes Joan Bennett's Records.
Box 42 Folder 15	10451 Bellagio Road, Los Angeles, 1943
Box 42 Folder 16	1421 Stone Canyon Road, Los Angeles, 1958
Box 42 Folder 17	11110 Montana Avenue, Los Angeles, 1960-1961
Box 42 Folder 18	#9 Swan Walk, London, 1960-1961
Box 42 Folder 19	House Search, Los Angeles, 1962
Box 42 Folder 20	345 E. 57th St., New York, 1964-1966
Box 42 Folder 21	Income, 1960
	Income Tax Returns
Box 42 Folder 22-23	1920-1933
Box 43 Folder 1-21	1934-1951, 1953, 1955-1957, 1960
	Insurance Records
Box 43 Folder 22	Analyses, 1941-1947
Box 43 Folder 23	Cash Values of Policies, 1942-1950
Box 43 Folder 24	Correspondence, 1929-1954
Box 43 Folder 25	Loans on Insurance (Policyholder's Service Bureau, Arthur I. Boreman and Sons), 1934-1950
Box 43 Folder 26	Records of Loans, 1943-1945
Box 43 Folder 27	Policies
Box 43 Folder 28	Automobile Insurance, 1943-1947
Box 43 Folder 29	Fire Insurance (includes Walter Wanger Pictures Inc.), 1944-1950
Box 43 Folder 30	Personal Property Insurance, 1943-1951
Box 43 Folder 31	Public Liability and Property Damage Insurance, 1942-1949
Box 43 Folder 32	Workman's Compensation (includes Walter Wanger Pictures Inc.), 1944-1950
Box 43 Folder 32A	Inventory of Files, January 1956, July 1962
Box 43 Folder 32A	Files from Mitchell, Silberberg and Knupp, March 1965
	Miscellaneous Invoices and Payment Authorizations
Box 43 Folder 33	1956-1957
Box 44 Folder 1-3	1961-1964
Box 44 Folder 4	Jamaica Film Production Company Project, 1954
Box 44 Folder 5	Jamaica Harbor and Land Reclamation Development, 1963
Micro 1042 Reel 2 Frame 1-412	Journal, Including Receipts and Disbursements, October 1954-December 1963(Vol. 4) Note: Original discarded after filming.
U.S. Mss 136AN Box 44 Folder 10	Journal, 1954-1967
Box 44 Folder 10	Equipment and Depreciation Record, 1953-1966
	Lawsuits
Box 44 Folder 6	Joan Bennett Wanger v. Bank of America (Walter Wanger's Bankruptcy and Foreclosure of 515 S. Mapleton Drive Property), 1951-1954
	Walter Wanger v. Provincial Cinematograph Theatres, Ltd.(The High Court of Justice, Kings Bench Division, Great Britain)
Box 101 Folder 1	Pleadings, February 16, 1923
Box 101 Folder 1	Letter re: Settlement of Suit, May 30, 1923
Box 101 Folder 2	Brief of Plaintiff, 1923
Box 101 Folder 3	Proof of Plaintiff, 1923, and Defendant's Notice, , May 1923
	Records Collected as Evidence
Box 101 Folder 4	Agreement Between PCT, Ltd. and Wanger (To Hire Wanger as Manager, Regent Theatre, Brighton), October 2, 1922; Letter Terminating Agreement, , February 13, 1923
Box 101 Folder 5	Chairman's Conference - Minutes, July 18, 1922-January 2, 1923
Box 101 Folder 6	Comparison of Weekly Admissions at Regent Theatre, Brighton, July 1922-January 1923
Box 101 Folder 7-8	Correspondence (Copies), July 3, 1922-April 17, 1923
Box 101 Folder 9	Film Bookings, Regent Theatre, July 1922-September 1923
Box 101 Folder 10	Managing Director's Agreement, September 13, 1922
Box 101 Folder 11	Organization of PCT, Ltd., July 1922
Box 101 Folder 12	Personnel of PCT, Ltd.
Box 101 Folder 13	Report of the Proceedings of the 13th General Shareholders Meeting of PCT, Ltd., March 27, 1923
Box 101 Folder 14	Theatre Weekly Trading Accounts, July 1921-April 1923
Box 101 Folder 15	Transcription of Shorthand Notes, June 1, 1923
Box 44 Folder 7	Walter F. Wanger v. Paramount Publix Corp., 1932
Box 44 Folder 8	Walter F. Wanger v. Universal Pictures Co. Inc., 1948-1949
	Lawyers Mortgage Company
Box 44 Folder 11	General and Reorganization Records, 1937-1949
Box 44 Folder 12	Certificate #18380 - 370 Ft. Washington Avenue, New York, New York, 1937-1947
Box 44 Folder 13	Certificate #19947 - 2280 Grand Avenue, Bronx, New York, 1937-1950
Box 44 Folder 14	Certificate #100036 - 2155 Gleason Avenue, Bronx, New York, 1936-1941
Box 44 Folder 15	Certificate #1000347 - 1220 Shakespeare Avenue, New York, New York, 1936-1950
Micro 1042 Reel 2 Frame 413-757	Ledger, General, 1946-1953(Vol. 5) Note: Includes records of Walter Wanger, Joan Bennett, and several of Wanger's production companies. Original discarded after filming.
U.S. Mss 136AN Box 44 Folder 16	Ledger, General, 1954 (Vol. 6)
Box 44 Folder 9	Legal Bills, 1943-1945, 1960-1966
	Loans
Box 44 Folder 17	Loans Made by Wanger to Others, 1943-1948
Box 44 Folder 18	Loans from Allied Artists Pictures Corp., 1955
Box 44 Folder 19	Loans from Bank of America to Wanger and to Walter Wanger Pictures Inc., 1944-1949
Box 44 Folder 20	Loan from Joan Bennett, 1948
Box 44 Folder 21	Loans from Chemical Bank and Trust Co. to Wanger and to Walter Wanger Pictures Inc., 1955
Box 44 Folder 22	Loan from Eugene Frenke, 1951
Box 44 Folder 23	Loans from Samuel Goldwyn to Wanger and to Walter Wanger Pictures Inc., 1948-1952
Box 44 Folder 24	Loans from Landau Investment Co. to Wanger and to Walter Wanger Pictures Inc., 1947
Box 44 Folder 25	Loans from Maurice Newton to Wanger and to Walter Wanger Pictures Inc., 1951
Box 44 Folder 26	Loans from Security First National Bank to Wanger and to Walter Wanger Pictures Inc.
Box 44 Folder 27	Loan from Elizabeth Taylor, including Correspondence, 1960-1961
Box 44 Folder 28	Loans from Henry Wanger to Wanger and to Walter Wanger Pictures Inc., 1950, 1956
	Oil and Gas Investments
Box 44 Folder 29	Prospecting Reports, Louisiana Gulf Coast, Yegua Seismograph Program, 1946-1947
Box 44 Folder 30	Prospecting Reports, Mayer Prospect, Schleicher and Sutton Counties, Texas (Francis A. Callery), 1947; Statements, , 1952-1954
Box 44 Folder 31	Prospecting Reports, Throckmorton County, Texas (Francis A. Callery), 1946
Box 44 Folder 32	Royalties Records, 1947-1953
	Payroll Records, Wanger and Walter Wanger Pictures Inc.
Box 44 Folder 33-35	1945-1950, A-Z
Box 45 Folder 1	1955-1960, 1964
Box 45 Folder 2	Polo Records and Invoices, 1935-1942
	Receipts and Disbursements
Micro 1042 Reel 3 Frame 1-66	Record of Receipts and Disbursements, 1954(Vol. 7) Note: Original discarded after filming.
U.S. Mss 136AN Box 45 Folder 3-6	Monthly Statements, 1953, April 1954-November 1963
	Weekly Statements
Box 45 Folder 7	Wanger, Walter Wanger Pictures Inc. and Other Companies, January 1949-August 1950
Box 45 Folder 8-12	1957-1966 Note: Includes Wanger and Walter Wanger Pictures Inc.
Box 45 Folder 13-14	Miscellaneous Receipts, 1953, 1955, 1959
Box 45 Folder 15	Safety Deposit Box Contents and Inventories of Important Documents, 1945-1966
Box 45 Folder 16-17	Salary Records (Films), 1941-1955
Box 45 Folder 18	Salary Records (Personal Income), 1956-1964
Box 45 Folder 19	Sale of Films to Allied Artists, 1954(Wanger and Walter Wanger Pictures Inc.)
Box 45 Folder 20	Sale of Picture Rights to Sol Lesser Productions Inc., 1950 Scope and Content Note: Re: Eagle Squadron, Arabian Nights, Gung Ho, and Salome.
Box 45 Folder 21	Sale of Picture Rights to Trans World Film Inc., 1947-1954
Box 45 Folder 22	Social Security Records, 1964
	Stocks and Bonds Note: See also Bonds (Box 39).
Box 45 Folder 23	Correspondence, 1941-1948
Box 45 Folder 24	Record of Stocks and Bonds Owned, 1941-1945
Box 45 Folder 25	Neustadter Brothers, 1936-1947
Box 46 Folder 1	Paramount, 1929-1931
Box 46 Folder 2	Safety Anti-Dazzle Bulb Syndicate Ltd., 1924-1955
Box 46 Folder 3	Account with Sutro and Co., 1948
Box 46 Folder 4	Statements from Tucker, Anthony and Co., 1944-1949
Box 46 Folder 5-6	Young America Films, 1945-1957
Box 46 Folder 7	Swenson's Livery Service, 1944-1945
Box 46 Folder 8-11	Tax-Deductible Contributions - Correspondence and Receipts, 1938-1954
Box 46 Folder 12	Trust Agreement Between Walter Wanger and Joan Bennett, 1947
Box 46 Folder 13	Wanger, Beatrice, Estate of, 1945-1946
Box 46 Folder 14	Wanger, Justine - Correspondence and Legal Documents, 1929-1950
Box 46 Folder 15	Wanger, Stella - Estate of, 1933
Box 46 Folder 16	Wills and Codicils, Insurance and Estate Papers, 1942-1961
	Bena, Melinda Markey Hayden
Box 46 Folder 17	Bank Statements, December 1943-January 1947
Box 46 Folder 18	Financial Records, 1937-1950
Box 46 Folder 19	Bennett, Richard Papers, 1940-1947
	Bennett Wanger, Joan
Box 46 Folder 20	Monthly Bank Balances, August 1944-August 1946
Box 46 Folder 21	Cancelled Checks and Statements, Special Account, January 1944-July 1945, June-July 1956
Micro 1042 Reel 3 Frame 67-93	Cash Received, July 1941-December 1943(Vol. 8) Note: Original discarded after filming.
U.S. Mss 136AN Box 46 Folder 22	Financial and Miscellaneous Correspondence, 1950-1951
Box 46 Folder 23	Monthly Financial Statements, January 1944-July 1946
Box 46 Folder 24	Statements of Financial Condition, January 1944- December 1945
Box 46 Folder 25	House, Papers re: 1537 Glendon Avenue, 1942-1945
Micro 1042 Reel 3 Frame 94-360	Household Account Book, 1930-1941(Vol. 9) Scope and Content Note: Records of Cash, Checks, Journal, Bank Statements, Assets, Liabilities, Capital, Revenue, Expenses, including some records regarding Gene Markey and children. Note: Original discarded after filming.
U.S. Mss 136AN Box 46 Folder 26-29	Income Tax Returns, 1941-1944
Box 46 Folder 30	Lawsuit - Joan Bennett Wanger v. Alexander and Marion Wilensky(Promissory Note), 1949-1950
Box 46 Folder 31	Life Insurance, 1930, 1939
Box 47 Folder 1	Lists of Important Papers
Box 47 Folder 2	Wine Lists (Joan Bennett Wanger and Walter Wanger), 1939, 1941, 1948
Box 47 Folder 3	Patent Application, 1947-1949
Box 47 Folder 4	Randall, Barbara Bennett, 1943-1950
Box 47 Folder 5	Wanger, Shelley - Financial Records and Correspondence, 1952-1967
	Wanger, Stephanie
Box 47 Folder 6	Check Register, 1949-1962
Box 47 Folder 7	Cancelled Checks and Statements, 1949-1961
Box 47 Folder 8-9	Financial Records and Correspondence; Guardianship Records; Tax and Insurance Records, 1946-1966
Box 47 Folder 10	Papers re: 709 Washington Ave. Corp., 1944-1950
Box 47 Folder 11	State of the Union Records, 1945 Note: See also I'd Rather Be Left Co. Records (Box 48).
Box 47 Folder 12	Wedding to Frederick Guest, 1963-1964
	Citadel Pictures
Box 47 Folder 13	Correspondence, Contracts, Related Material, 1950-1951
Box 47 Folder 14	Corporate and Legal Papers, 1946-1952 Note: Includes Walter Wanger Inc.
Box 47 Folder 15	Financial and Tax Records, 1946-1953
Micro 1042 Reel 3 Frame 361-415	General Ledger, Cash Book and Journal, 1950-1951(Vol. 10) Note: Original discarded after filming.
U.S. Mss 136AN	Diana Productions, Inc
Box 47 Folder 16	Accounts, Abstracts of Contracts, Miscellaneous Corporate Records, 1945-1948
	Correspondence and Memoranda
Box 47 Folder 17-20	1945-June 1947
Box 48 Folder 1	July-December 1947
Box 48 Folder 2	Payroll Records, 1945-1946, A-Z
	Eagle-Lion Studios Inc.
Box 48 Folder 3-4	Correspondence and Memoranda, August 1947-May 1950, January 1951
Box 48 Folder 5	Financial and Organizational Records, 1947-1948
Box 48 Folder 6	Legal Agreements, 1947-1948
Box 48 Folder 7	Payment Authorization Requests, 1947-1949
Box 48 Folder 8	Policies, Personnel, and Equipment Inventory, undated
	I'd Rather Be Left Company
Box 48 Folder 9	Partnership Agreement and Correspondence, 1945-1946
Box 48 Folder 10	Financial Statements, Legal Documents and Donor Records, 1946-1952
Box 48 Folder 11-12	State of the UnionWeekly Reports, December 1945-February 1948
	Marlowe, Ltd.
Box 48 Folder 13	Articles of Association, 1923
	Sierra Pictures Inc. (En Corporation)
Box 48 Folder 14	Bank Statements (Production Account), February 1951- January 1955, August 1959-June 1962
Box 48 Folder 15	Contracts with Ingrid Bergman, 1946
Box 48 Folder 16-17	Correspondence and Financial Records, February 1947-1954
Box 48 Folder 18	Income Tax Returns, 1947-1954
Box 48 Folder 19	Statements of Assets and Liabilities, May-September 1947
	Societa Anonima Italiana Cinematografica (SAIC)
Box 48 Folder 20-21	Correspondence, June 1936-July 1939
	Tec-Scope
	Correspondence and Memoranda
Box 48 Folder 22	December 1961-August 1962
Box 49 Folder 1	September 1962-1964
Box 49 Folder 2	Minutes, Memoranda and Reports, March 1962-April 1963
	W. Wanger Productions Ltd.
Box 49 Folder 3	Articles of Association, circa 1948
	Walter Wanger Inc.
Box 49 Folder 4	Income Tax Returns, 1948-1949
	Walter Wanger International
Box 49 Folder 5-6	Bank Statements and Cancelled Checks, 1949-November 1953
Box 49 Folder 7	Correspondence, 1949
Box 49 Folder 8	Correspondence with Eugene Frenke, 1948-1949
Box 49 Folder 9	Correspondence and Contracts with Salta Viertel, 1948-1950
Box 49 Folder 10	Financial Statements and Working Papers, 1949-1950
Box 49 Folder 11	Income Tax Returns, 1948-1949
Box 49 Folder 12	Ledger, Journal, Cash Received, Payroll, 1949
Micro 1042 Reel 3 Frame 416-426	Ledger, and Cash Journal, 1949(Vol. 11) Note: Original discarded after filming.
U.S. Mss 136AN Box 49 Folder 13	Legal and Corporate Records, Minutes, 1948-1949
Box 49 Folder 14	Miscellany
Box 49 Folder 15	Payroll and Personnel Records, 1949
	Walter Wanger Pictures Inc. Note: Includes some records of Walter Wanger Productions Inc.
Box 49 Folder 16	Chart of Accounts
Box 49 Folder 17	Audit, 1947
Box 49 Folder 18-20	Balance Sheets and Financial Reports, 1934-1959
	Bank Statements and Cancelled Checks
Box 49 Folder 21	General Account, December 1950-May 1954
Box 49 Folder 22-23	Payroll Account, October 1945-August 1951
Box 49 Folder 24	Production Account #1, July 1947-January 1950
Box 49 Folder 25	Production Account #2, July 1948-December 1949
Box 49 Folder 26	Regular Account, October 1942-March 1951
Box 49 Folder 27-29	Cancelled Checks and Statements, March 1955-December 1963
Box 49 Folder 30	Bonds - U.S. Government Bonds, 1942-1945
Micro 1042 Reel 3 Frame 427-854	Cash Received, Check Record, Vouchers, 1934-1945(Vol. 12) Note: Includes records of Walter Wanger Productions Inc. Original discarded after filming.
U.S. Mss 136AN	Contracts and Legal Agreements
Box 50 Folder 1	Argosy Pictures Corporation Legal Agreement, 1947
Box 50 Folder 2	Campbell, James Lawrence - Contract, Payroll Records, and Correspondence, 1943-1944
Box 50 Folder 3	Columbia Pictures - Employment Agreement, Loan-Outs, and Payroll re: Jacques O'Mahoney, May 1949-July 1950
Box 50 Folder 4	Connor, Whitfield - Contracts and Payroll Records, 1946-1947
Box 50 Folder 5-6	Figaro Inc. - Legal Agreements and Correspondence, April 1956-1959
Box 50 Folder 7	Foley, Rosemary (Secretary) - Contracts and Payroll Records, 1942-1948
Box 50 Folder 8-11	Guilds and Unions, 1942, 1947-1955, 1961
Box 50 Folder 12	Metro-Goldwyn-Mayer Inc. - Contract re: Night of the Short Knivesand Rector of Justin, 1964
Box 50 Folder 13	Parsonett, Marion - Contract and Payroll Records, 1944-1945
Box 50 Folder 14	Pathe Industries Inc. (Eagle-Lion) - Contracts and Correspondence, 1947-1950
Box 50 Folder 15	RKO Radio Pictures - Contracts and Correspondence, 1956, 1959
Box 50 Folder 16	Raine, Norman Reilly - Contracts, Loan-Out Agreements and Payroll Records, 1942-1943
Box 50 Folder 17	Hal Roach Studios Inc. - Contract and Correspondence re: Leasing Studio, 1946-1950
Box 50 Folder 18	Sidney, Sylvia - Contracts, Loan-Out Agreements, Legal and Loan Records and Correspondence, 1935-1941
Box 50 Folder 19	20th Century-Fox - Correspondence re: Contracts, 1963-1965
Box 50 Folder 20	Universal Pictures Co. Inc. - Legal Agreement, 1946
Box 50 Folder 21	Wiggam, Lionel - Contracts, 1945-1947
Box 50 Folder 22	Distribution Agreement with Universal Pictures Co. Inc., 1946-1950
Box 50 Folder 23	Cast and Preproduction Insurance, April 1948-February 1949
Box 51 Folder 1-2	Inventory of Office Files, Prepared for Transfer of Records to University of Wisconsin, circa 1963
Box 51 Folder 3-4	Miscellaneous Invoices and Payment Authorization Slips, 1959-1963
Box 51 Folder 5	Invoices, 1936-1939, 1942(Vol. 13) Note: Includes records of Walter Wanger Productions Inc.
Micro 1042 Reel 4 Frame 268-489	Ledger, including Eagle-Lion General Ledger, 1948-1954(Vol. 14) Note: Original discarded after filming.
U.S. Mss 136AN	Loans
Box 51 Folder 6	To Ingrid Bergman, 1947-1949
Box 51 Folder 7	From Columbia Pictures Corp., 1949-1950
Box 51 Folder 8	From Eagle Lion Films Inc. (Secured by Sierra Pictures Inc. Stock), 1948
Box 51 Folder 9	From Edward Lasker; Agreement with Pathe Industries Inc. re: Repayment, 1948-1949
Box 51 Folder 10	From Pacific Finance Corp., February 1947-March 1948
Box 51 Folder 11	Application to Reconstruction Finance Corp. for Loan, 1950
Box 51 Folder 12	From Universal Pictures Co. Inc., 1946
Box 51 Folder 13-14	Minutes, Corporate Papers, and Correspondence, 1934-1960 Note: Including Walter Wanger Productions Inc.
Box 105	Minute Book, including By-Laws and Dissolution Papers, 1941(Vol. 15) Note: Including Walter Wanger Productions Inc.
Box 51 Folder 15-16	Personnel and Payroll Records, 1947-1950 1956-1963
Box 51 Folder 17	Pathe Industries Inc. Financial and Stock Statements, 1946-1947
Box 51 Folder 18	Pathe Industries/Eagle Lion Productions Progress Reports, January 24-May 21, 1948
Box 51 Folder 19-21	Receipts, Reimbursements, and Royalties, 1942-1963
Micro 1042 Reel 4 Frame 491-663	Cash Receipts and Disbursements, August 1946-1947(Vol. 16) Note: Original discarded after filming.
	Receipts and Disbursements, Including Journal, 1948-1954(Vol. 17) Note: Original discarded after filming.
Reel 4 Frame 664-720	Part 1, through Cash Received, Dec. 1949,Acct. CD-17
Reel 5 Frame 1-384	Part 2, Cash Received, Jan. 1950,Acct. CD-18
Box 52 Folder 1	Reorganization Papers, 1946-1950
Box 52 Folder 2	Reports to the Board of Directors, February-May 1948
	Tax Returns
Box 52 Folder 3	Corporation Tax Returns, 1934-1950
Box 52 Folder 4	Employer's Tax Returns, 1938-1950
Box 52 Folder 5-23	Income Tax Returns, 1936-1954, 1963-1964
Box 52 Folder 24	Property Taxes, 1956-1964
Box 52 Folder 25	Twentieth Century-Fox, Classified Index of Unproduced Literary Properties Owned, October 23, 1958
Box 52 Folder 26	Wartime Wage Restrictions, 1943-1944
Box 52 Folder 27	Wartime Cooperation with the United States Government, 1940s, and with the Defense Department, , 1954
	Walter Wanger Productions Inc.
Box 52 Folder 28	Analysis of General Overhead, 1941
Box 52 Folder 29	Articles of Incorporation and Dissolution Papers; Correspondence and Corporate Papers, 1934-1945
Box 52 Folder 30	Bank Balances, October 1934-March 1935
Box 52 Folder 31	Bank Statements and Cancelled Checks, 1942-1945
	Contracts
Box 52 Folder 32	Barrymore, Diana - Contracts and Legal Correspondence, 1942-1943
Box 52 Folder 33	Clurman, Harold, 1937
Box 52 Folder 34	Cooke, Edmund (Public Relations) - Contract and Payroll Records, 1945-1946
Box 52 Folder 35	Cortez, Stanley (Cameraman) - Loan-Out Contracts (Diana Productions Inc.), 1946-1948
Box 52 Folder 36	Gabel, Martin - Contracts, Loan-Out Agreements and Payroll, 1946-1947
Box 52 Folder 37	Gilbert, Doris (Writer) - Contract and Correspondence, 1943
Box 52 Folder 38	Samuel Goldwyn Studios - Legal Agreement and Correspondence, 1940-1941
Box 52 Folder 39	Starling, Lynn, 1934-1936
Box 52 Folder 40	Paramount - Legal Agreements, Lawsuit and Correspondence, 1934-1939
Box 52 Folder 41	United Artists - Legal Agreements, 1936-1941
Box 52 Folder 42	Van Every, Dale, 1934
Box 53 Folder 1	World Screen Plays - Legal Agreement, 1949
Box 53 Folder 2	Financial Statements, 1938, 1942-1943
Box 53 Folder 3	Financial - Vouchers, 1942-1943
Box 53 Folder 4-5	Income Tax Returns, 1934-1936, 1941-1945
Box 53 Folder 6	Inventories of Equipment and Wardrobe, 1934-1936
Micro 1042 Reel 5 Frame 385-632	Journal (Vol. 18) Scope and Content Note: Cash Received, 1942; Checks Drawn,1942-1943; Invoices, 1942-1943; Jaypay Journal Entries, 1934; Walter Wanger Productions Journal Entries, 1934-1943(includes a few records of Jaypay Pictures Corporation; Jay Paley) Note: Original discarded after filming.
U.S. Mss 136AN Box 53 Folder 7	Lawsuit - Ernest B. Schoedsack v. Walter Wanger Productions Inc., 1943
Box 53 Folder 8	Ledger - Invoices, 1942
Box 53 Folder 9	Song Royalties, 1942-1946
	Walwa Films, S.A. Note: See also Walwa Files in Cleopatra Film Production Series (Box 65- ).
Box 53 Folder 10	Financial Correspondence and Papers; Liquidation Papers, 1960-1965
	Series: Business Correspondence and Staff Memoranda	⇧
Box 53 Folder 11-13	Daily Staff Notes and Lists of Calls to Wanger, December 1947-August 1949
Box 53 Folder 14-23	Telephone Messages, 1956, October 30, 1958-1966
	Staff Memoranda
Box 53 Folder 24	Cooke, Edmund, August 1945-August 1946
Box 53 Folder 25-26	Fitch, Francine - Memos to and from Wanger in London, May-December 1960
	Fitch, Francine
Box 53 Folder 27-28	January-December 1961
Box 54 Folder 1-16	January 1962-December 1965 Note: Includes some Appointments and Telephone Messages)
Box 55 Folder 1-5	January-December , 1966 Note: Memos in Folder 1 Originally Labelled “Not to Be Given to UW”
	Foley, Rosemary
Box 55 Folder 6	1937-1945, including Memos of Marian Lemke
Box 55 Folder 7-11	1946-1950
	Guth, Percy
Box 55 Folder 12-14	Memos, Distribution and Cost Records, Balances, Loans, and Other Financial Records Kept by the Comptroller, October 1934-April 1942
Box 55 Folder 15	Memos and Accumulated Costs of Scenarios in Progress, June 1936-September 1941
Box 55 Folder 16-17	Kosiner, Harry, August 1938-1940
Box 56 Folder 1-4	McGuire, Jane, 1945-September 1949
Box 56 Folder 5	McNeil, Reta, December 1951-September 1953
Box 56 Folder 6-10	Mercader, George, including some memos of Marie Kirchner, 1946-1954
Box 56 Folder 11	Monson, Mary, 1954
Box 56 Folder 12	Scanlon, Ernest L., 1949-1950
Box 56 Folder 13	Sheridan, Michael (Publicist), June-September 1947
Box 56 Folder 14	Slade, Afton, 1948
Box 56 Folder 15	Slater, M.A., May 1946-September 1947
Box 56 Folder 16-17	Tannenbaum, David, 1946-1948
	Producers' Representatives - Correspondence and Film Receipts
	Rogers, Budd
Box 56 Folder 18-21	September 1943-July 1944
Box 57 Folder 1-9	August 1944-August 1949
Box 57 Folder 10-13	Producers' Representatives, January 1948-June 1950
	Title Registration Bureau - Correspondence and Registrations
Box 58 Folder 1-6	July 1936-December 1941
Box 58 Folder 7	Title Transfer, 1941-1943
Box 58 Folder 8-13	1942-1949
Box 58 Folder 14	Title Registration Committee Members, November 1950-February 1955
Box 58 Folder 15	1950
Box 59 Folder 1-7	1951-1957
Box 60 Folder 1-10	1958-February 1968
	Series: Film Production Files	⇧
Box 61 Folder 1	Lists of Films Made by Walter Wanger
	The Adventures of Hajji Baba (20th Century-Fox, 1954)
Box 61 Folder 2	Budget and Production Figures, 1954-1955
Box 61 Folder 3	Cast Call Sheets
Box 61 Folder 4	Cast and Staff Lists and Production Schedules
Box 61 Folder 5	Casting, 1953-1954
Box 61 Folder 6	Censorship, 1953-1954
Box 61 Folder 7	Contracts, Legal Papers, and Associated Correspondence, 1952-1954
Box 61 Folder 8	General Correspondence, December 1952-1965
Box 61 Folder 9	Electrical Equipment and Invoices
Box 61 Folder 10	Income Statements, 1957-1960
Box 61 Folder 11	Labor Cost Sheets, 1952-1954
Box 61 Folder 12	Locations
Box 61 Folder 13	Production Reports (Daily), 1954
Box 61 Folder 14	Production - Titles, Music, Set Plans, 1954
Box 61 Folder 15	Publicity and Clippings
	Scripts and Screenplays
Box 61 Folder 16	Typescript Screenplay, by Richard Collins, February- March 1953
Box 61 Folder 17	Unrevised Screenplay, by Collins, undated (circa February or March 1953)
Box 61 Folder 18	“Unrevised” Screenplay, by Collins, May 8, 1953
Box 61 Folder 19	Screenplay, by Collins, May 18, 1953
Box 61 Folder 20	Typescript Screenplay, by Collins, May 19, 1953
Box 61 Folder 21	Final Revised Script, by Collins, March 16, 1954
Box 61 Folder 22	Script Revisions (Portions), No Author Listed, March 1954
Box 61 Folder 23	Script Revisions (Annotated), No Author Listed, March 1954
Box 61 Folder 24	Revised Screenplay, by Collins, April 7, 1954
Box 61 Folder 25	Revised Screenplay, by Collins, April 14, 1954
Box 61 Folder 26	Script Revisions (Portions, Annotated), April 1954
Box 61 Folder 27	Wanger's Copy of Old Script, with Rewrites and Eliminations, August 9, 1954
Box 61 Folder 28	Script Revisions and Correspondence re: Revisions, 1953-1954
Box 61 Folder 29	Synopses
	“Air Evacuation Nurse” (Story Idea, Unproduced)
Box 62 Folder 1	Notes, Budget, 1944
	Aladdin and His Lamp (Monogram [Allied Artists], 1952)
Box 62 Folder 2	Budget, circa 1950
Box 62 Folder 2	Production Cost Reports, 1951-1952
Box 62 Folder 3	Call Sheets, Shooting Schedule, Music Cue Sheets, Billing Sheet, Staff Sheet, Appointments, 1950-1951
Box 62 Folder 4	Contract with MCA and Correspondence, June 1950-February 1951
Box 62 Folder 5	Correspondence, December 1950-September 1951
Box 62 Folder 6	Income and Cost Statements, 1952-1964
Box 62 Folder 7	News Releases, July-August 1951
Box 62 Folder 8	Publicity, 1952
	Scripts and Screenplays
Box 62 Folder 9	Script by Howard Dimsdale, Millard Kaufman and Sam Roeca, undated, with Revisions of , July 19, 1951
Box 62 Folder 10	Script by Dimsdale, Kaufman, and Roeca, undated, with Revisions of , July 23, 1951
Box 62 Folder 11	Script Fragments, No Author Listed, undated
Box 62 Folder 12	“Aladdin's Lamp,” Television Pilot Script, by Howard Dimsdale, circa 1951
	Algiers(United Artists, 1938)
	Scripts and Screenplays
Box 62 Folder 13	Typescript of Detailed Description and English Dialogue (“Pepe LeMoko”), March 15, 1938
Box 62 Folder 14	Revised Script (“Pepe LeMoko”) by John Howard Lawson (Annotated), April 12, 1938
Box 62 Folder 15	Revised Script (“Pepe LeMoko”) by John Howard Lawson (Annotated with Shooting Dates), April 12, 1938
Box 62 Folder 16	Script (“Pepe LeMoko”), No Author Listed, undated; Negative Cost Report
Box 62 Folder 17	Radio Script and Correspondence, 1938
	All Mine to Give(Universal, 1957)
Box 62 Folder 18	Correspondence, Tentative Outline (“The Day They Gave Babies Away”), by Dale and Katherine Eunson, January-September 1956
	Anne of the Indies (“Queen of the Pirates”) (20th Century-Fox, 1951)
Box 62 Folder 19	Contract with Jan Fortune (Writer), 1948
Box 62 Folder 20	Contracts re: Purchase of Options on Story, and Story, 1947-1950
Box 62 Folder 21	Pre-Production Costs, Correspondence, and Saturday Evening PostStory by Herbert Ravenel Sass, 1947-1950
Box 62 Folder 22	Discarded Pages of Jan Fortune Treatment, January 1948
Box 62 Folder 23	Treatments by Guy Endore, March 3, 19, 1949
	“Antarctica” (Film Project, Unproduced)
Box 62 Folder 24	Clippings and Correspondence, January 1953-March 1957
	“Antigone” (Film Project, not produced by Wanger)
Box 62 Folder 25	Correspondence, July-September 1946
	Arabian Nights(Universal, 1942)
Box 62 Folder 26	Audit of Universal Pictures Books, 1947
Box 62 Folder 27	Contract, Correspondence with Universal Pictures, 1942
Box 62 Folder 28	Contracts and Correspondence - Writers, Cast, and Staff, August 1936-October 1942
Box 62 Folder 29	Correspondence re: Title and Credits, January 1937- November 1942
Box 62 Folder 29	Censorship, July 1942-March 1943
Box 62 Folder 30	Distribution Statements, 1943-1954
Box 62 Folder 31	Production and Publicity Correspondence; Grosses, March 1942-April 1943
Box 62 Folder 32	Production Estimates and Schedules, March-October 1942
Box 63 Folder 1	Revised Script by Michael Hogan, June 27, 1942, with Revisions of , August 20, 1942
Box 63 Folder 2	Income Statements of Arabian Nights, Eagle Squadron, Gung Ho, Salome Where She Danced, 1950-1954
	Around the World in Eighty Days(This Version Unproduced)
Box 63 Folder 3	Correspondence, Contracts, Treatment by Jacques Thery and John Gay, 1932-1941
	“The Ballad and the Source” (Unproduced)
Box 63 Folder 4	Breakdown by Gina Kaus, November 10, 1945
Box 63 Folder 5	Breakdown, December 1949
Box 63 Folder 6	British Censorship Problems, 1950-1953
Box 63 Folder 7	Casting Correspondence, 1947-1959
Box 63 Folder 8	Contracts, Correspondence, and Payroll Records, 1945-1949, 1957
Box 63 Folder 9	General Correspondence, 1945-1966
Box 63 Folder 10	Correspondence with Joseph Schenck and Darryl Zanuck, 1948-1950
Box 63 Folder 11	Distribution Agreement with Universal, 1950
Box 63 Folder 12	Financing and Cost Estimates, 1947-1951
Box 63 Folder 13	Publicity, Title Correspondence, Clipping, 1945-1947
	Scripts and Screenplays
Box 63 Folder 14	Radio Scripts by Kay Brown, and Correspondence, May-June 1945
Box 63 Folder 15	Script by Michael Blankfort, From the Novel by Rosamond Lehmann, December 11, 1946
Box 63 Folder 16	Screenplay by Blankfort, March 20, 1947, with Revisions of , March 28, 1947
Box 63 Folder 17	Script by Blankfort (Annotated), September 26, 1947
Box 63 Folder 18	Incomplete First Draft Screenplay by Irmgard Von Cube and Allen Vincent (Annotated), May 23, 1949
Box 63 Folder 19	Script by Von Cube and Vincent, undated
Box 63 Folder 20	“Second Version” Script by Von Cube and Vincent, August 1949
Box 63 Folder 21	Discarded Pages from “Second Version” Script by Von Cube and Vincent, August 1949
Box 63 Folder 22	Story Outlines, Scene Sketch, Treatment, 1945-1957
Box 63 Folder 23	Story Outlines and Notes by Irmgard Von Cube and Allen Vincent, 1949-1950
	Treatments
Box 63 Folder 24	First Treatment, by Gina Kaus, From the Novel by Rosamond Lehmann, November 17, 1945
Box 63 Folder 25	Typescript Screen Treatment by William Cameron Menzies, From the Novel by Rosamond Lehmann (Annotated), March 24, 1948, Including Suggested Changes Dated , March 30, 1948
Box 63 Folder 26	Treatment by Menzies, March 24, 1948
	Battle Zone(Allied Artists, 1952)
Box 63 Folder 27	Contracts, May-June 1952
Box 63 Folder 27	Production Costs, June 1952-January 1953
Box 63 Folder 28	Correspondence and News Releases, December 1951-October 1953
Box 64 Folder 1	Income Statements, 1953-1963
Box 64 Folder 2	Income and Cost Statements from Battle Zone, Kansas Pacific, Fort Vengeance, 1953-1954
Box 64 Folder 3	Payroll, March-October 1952
Box 64 Folder 3	Accounts Payable, November 1951-September 1952
Box 64 Folder 4	Revised Script, by Steve Fisher, June 7, 1952
Box 64 Folder 5	Script Fragments, undated
	“Beauty and the Beast” (Unproduced by Wanger)
Box 64 Folder 6	Correspondence, August 1951
	“Bellevue Hospital” (Unproduced)
Box 64 Folder 7	Correspondence, September 1941
	“Big Blonde” (Unproduced)
Box 64 Folder 8	Script, “Dorothy Parker's O'Henry Prize Story,” undated Note: Originally Labelled “Dead File”
Box 64 Folder 9	Script, No Author Listed, undated
	Big Brown Eyes(Paramount, 1936)
Box 64 Folder 10	Revised Script, by Raoul Walsh and Bert Hanlon, Based on Stories by James Edward Grant, February 28, 1936
	“The Big Eye” (Unproduced)
Box 64 Folder 11	Correspondence, January-March 1950
	“The Black Knight” (Produced as Crossed Swords, United Artists, 1954?)
Box 64 Folder 12	Script by Daniel B. Ullman, undated
	Blockade(United Artists, 1938)
Box 64 Folder 13	Negative Cost Report; Speech(?), undated
Box 64 Folder 14	Second Draft Continuity (“The River is Blue”), by John Howard Lawson, January 12, 1938
Box 64 Folder 15	Revised Final Script (“The River is Blue”), by Lawson, February 28, 1938
	“Border Trumpet” (Unproduced)
Box 64 Folder 16	Correspondence and Contracts, 1956-1960 Note: File labelled “Dead File”
	Canyon Passage(Universal, 1946)
Box 64 Folder 17	Contracts and Correspondence, 1944-1950
	Correspondence
Box 64 Folder 18	General, July 1945-September 1947
Box 64 Folder 19	Post-Production, June 1945-March 1948
	Costs
Box 64 Folder 20	Financial Statements, 1946-1954
Box 64 Folder 21	Production Costs and Correspondence, 1945-1947
Box 64 Folder 22	Publicity
Box 64 Folder 23	Other Stories by Ernest Haycox, circa 1955
	Captain Scarlett(United Artists, 1953)
Box 64 Folder 24	Income Statements, 1955-1962
	The Case Against Mrs. Ames (Paramount, 1936)
Box 64 Folder 25	Revised Final Script, by Gene Towne and Graham Baker (Annotated), March 11, 1936
	Castles in Spain
Box 64 Folder 26	Final Draft Continuity, by Clifford Odets, undated
Box 64 Folder 27	Wardrobe Inventories; Set, Office, Globe, and Materials and Findings Inventories, from Castles in Spain,Vogues of 1938, 52nd Street, I Met My Love Again, Stand-In, and Algiers, August-November 1937
	“Cheyenne” (This Version Unproduced)
Box 64 Folder 28	Contracts and Correspondence, January-November 1941, undated
	“Citizen Tom Paine” (Unproduced)
Box 64 Folder 29	Contracts and Correspondence, August 1944-November 1945
	Cleopatra(20th Century-Fox, 1963)
	Academy Awards, 1964
Box 102 Folder 2	Certificate of Nomination
Box 65 Folder 1	Miscellany
Box 65 Folder 2	Banca d'America e d'Italia Account Records (MCL Films and Walwa Films), 1961-1963
Box 65 Folder 3	Budgets and Cost Estimates, 1959-1961
Box 65 Folder 4	Call Sheets, June 1959
Box 65 Folder 5	First Unit Call Sheets, September 1961-July 1962
Box 65 Folder 6	Second Unit Call Sheets, August 1961-July 1962
Box 65 Folder 7-10	Casting, Employment, and Staffing Correspondence, Memos, and Lists, April 1958-1962
Box 65 Folder 11	Censorship, May 1959-November 1960
Box 65 Folder 12-15	Clippings, October 1956-December 1967
	Contracts
Box 65 Folder 16	Walter Wanger Pictures Inc. and Twentieth Century-Fox Film Corp., Including Correspondence, October 1958-April 1963
Box 65 Folder 17-18	Other Contracts, Including Walwa, Seven Arts, and Transfer of Rights in the Film, February 1958-December 1965
	Correspondence and Memoranda
Box 65 Folder 19	Adler, Buddy, August 1958-July 1960
Box 65 Folder 20	Bautzer, Gregson (Attorney), October 1957-September 1965
Box 66 Folder 1	Famous Artists Agency, October 1958-January 1964
Box 66 Folder 2	Franzero, Carlo Maria (The Life and Times of Cleopatra), Including Legal Papers, December 1955-September 1964
Box 66 Folder 3	Gang, Tyre, Rudin, and Brown (Attorneys), September 1959-April 1964
Box 66 Folder 4-6	General Correspondence, August 1957-1964, undated
Box 66 Folder 7	Goldstein, Robert, May 1960-July 1961
Box 66 Folder 8	Harrison, Rex, June 1960-May 1965
Box 66 Folder 9	Hate and Fan Mail, June 1959-September 1963
Box 66 Folder 10	Ibrahim, Fathi, February 1960-February 1961
Box 66 Folder 11	General Legal Correspondence, October 1958-October 1967
Box 66 Folder 12	Levathes, Peter, October 1960-August 1962
Box 66 Folder 13	Mamoulian, Rouben, November 1959-January 1961
Box 66 Folder 14	Mankiewicz, Joseph L., August 1960-April 1963
Box 66 Folder 15	Merman, Doc, April 1960-December 1963
Box 66 Folder 16	Ogden, Archibald, July 1960-March 1961
Box 66 Folder 17	Paul, Weiss, Rifkind, Wharton, and Garrison (Attorneys), December 1962-April 1966
Box 66 Folder 18	Rogell, Sid, February 1959-June 1963
Box 66 Folder 19	Schreiber, Lew, October 1958-February 1961
Box 66 Folder 20	Seven Arts, December 1962-October 1965
	Skouras, Spyros
Box 66 Folder 21	June 1959-May 1961
Box 67 Folder 1	June 1961-August 1962
Box 67 Folder 2	Taylor, Elizabeth, October 1959-June 1964
Box 67 Folder 3-4	Wald, Jerry, March 1958-July 1962
Box 67 Folder 5	Walwa Legal Correspondence, September 1959-December 1964
Box 67 Folder 6	Writers, November 1958-January 1965
Box 67 Folder 7	Darryl and Richard Zanuck, November 1958-September 1964
Box 67 Folder 8-9	Picture Cost Summary Sheets, May 1959-December 1962
Box 67 Folder 10	Story Cost Reports, November 1958-December 1962
	Detail Cost Statements, Distribution, Invoices
Box 67 Folder 11-21	May 1959-August 1961
Box 68 Folder 1-14	September 1961-October 1962
Box 69 Folder 1-3	November 1962-November 1963
Box 69 Folder 4	Costumes and Wigs, May 1960-April 1962
Box 69 Folder 4	Wardrobe Plot, April 1961
Box 69 Folder 4	Costume Sketches, April 1961
Box 69 Folder 5	Credits and Titles, August-November 1962
Box 69 Folder 6	Hairdressers (Sydney Guilaroff), May 1960-June 1963
Box 69 Folder 7	Music, August 1961-July 1962
	Notes
Box 69 Folder 8	Wanger's Personal Notes, London - re: Delays in Production, 1960-1961
Box 69 Folder 9	Notes, Meeting Notes, and Research, 1958-1962
Box 69 Folder 10	Promissory Notes, 1958-1959
	Production Files
Box 69 Folder 11-13	Production, Location, and Art Department Correspondence and Papers, May 1959-1963
Box 69 Folder 14	Production Cross Plot, May 1961
Box 69 Folder 15	Daily Log, October 1961-July 1962
Box 69 Folder 16	General Production Information, March-May 1961
Box 69 Folder 17	Meetings with Buddy Adler, September 1959-June 1960
Box 102 Folder 1	Daily Operations Reports, September 1961-July 1962
Box 69 Folder 18-19	Production Meetings - Minutes, September 1961- June 1962
Box 69 Folder 20-21	Daily Production Reports, September 1961-July 1962
Box 69 Folder 22	Daily Production Reports, Second Unit, November 1961-July 1962
Box 69 Folder 23	Salvage List, April 1961
Box 69 Folder 24	Set Construction Order
	Publicity
Box 69 Folder 25-26	Correspondence, January 1961-December 1963
Box 70 Folder 1	General Publicity, February 1959-December 1960
Box 70 Folder 2	Souvenir Booklet, circa 1962
Box 70 Folder 3	Reviews of Weekly Rushes, November 1961-July 1962
	Original Story
Box 70 Folder 4	The Life and Times of Cleopatra, by Carlo Maria Franzero (Wanger's Annotated Copy), circa 1958?
Box 70 Folder 5	Cleopatra, by Franzero, 1962
	Scripts and Screenplays Note: See also Writers' Correspondence (Box 67) and Prof. Hugh Gray's Notes on Screenplays (Box 74).
Box 70 Folder 6	List and Distribution of Scripts, 1960, 1961
Box 70 Folder 7	Revised Writer's Working Script, by Ludi Claire, February 11, 1959
Box 70 Folder 8	First Draft Screenplay, by Nigel Balchin, April 24, 1959
Box 70 Folder 9	Revised First Draft Screenplay, by Balchin, May 13, 1959, Including Revisions Dated , June 26, 1959
Box 70 Folder 10	Second Draft Screenplay, by Balchin, June 10, 1959, Including Estimated Timing on Script
Box 70 Folder 11	General Notes, by Ivan Moffat, October 28, 1959
Box 70 Folder 12	Third Draft Screenplay, by Balchin and Dale Wasserman, January 11, 1960, Including All Wasserman Revisions
Box 70 Folder 13	Typescript Extracts from First Script, by Lawrence Durrell, June 1960
Box 70 Folder 14	Typescript Scenes 304-313L, 548-565, No Author Listed, August 1960
Box 70 Folder 15	Typescript Revisions, by M. Brandel, December 12, 1960
Box 70 Folder 16	Typescript First Draft Screenplay, by Sidney Buchman, February 10, 1961
Box 70 Folder 17	Screenplay Outline, from Joseph Mankiewicz, February 16, 1961
Box 70 Folder 18	Typescript Dialogue Script, by Lawrence Durrell, February 24, 1961
Box 70 Folder 19	Outline From the Death of Caesar, by Durrell, Notes by J. Mankiewicz, February 1961
Box 70 Folder 20	Typescript Screenplay, by Sidney Buchman, Incorporating Dialogue by Durrell, Pages 1-67, March 3, 1961
Box 70 Folder 21	Typescript Outline After the Death of Caeser, by Buchman, March 17, 1961
Box 70 Folder 22	Script, by Durrell, April 12, 1961
Box 70 Folder 23	First Draft Screenplay, by Ranald MacDougall, May 9, 1961
Box 70 Folder 24	Notes on Second Draft Screenplay, May-August 1961
Box 71 Folder 1	Second Draft Screenplay, by Ranald MacDougall, August 2, 1961
Box 71 Folder 2	Shooting Script, by Joseph L. Mankiewicz, September 18, 1961, Including Revisions through , July 12, 1962
Box 71 Folder 3	Comparison of Mankiewicz and MacDougall Scripts, November 9, 1961
Box 71 Folder 4	Script, No Author Listed, undated
Box 71 Folder 5	Script Revisions (Fragments), 1960-1962
Box 71 Folder 6	Conquest of Cleopatra Scenes, undated
Box 71 Folder 7	Script Breakdown and Synopsis, January 3, 1961
Box 71 Folder 7	Ideas for New Script, February 4, 1961
Box 71 Folder 8	Script Breakdown (Annotated), circa 1962
Box 71 Folder 9	Suggested Sequence of Master Scenes, by Nigel Balchin (Annotated by Walter Wanger), undated
Box 71 Folder 10	“A Statement Concerning the Writing of Cleopatra,” by Joseph L. Mankiewicz, October 6, 1962
Box 71 Folder 11	Treatment of Mankiewicz's Idea of Script From Pages 1-76 and Sidney Buchman's Version of the End of the Story, as Edited by Lawrence Durrell, February 16, 1961 and March 23, 1961
Box 71 Folder 12	Treatment-Synopsis by G. Byron Sage, November 10, 1958
Box 71 Folder 13	Shooting Schedules, April 1960-July 1962
Box 71 Folder 14	Notes re: Cuts and Changes, 1959-1960
Box 71 Folder 15	Walwa Legal Papers, August 1960-August 1962
Box 71 Folder 16	Walter Wanger's Expenses (Including Lawsuit Material), October 1958-December 1964
Box 71 Folder 17	Weather Forecast in Rome, October-November 1961
	Walter Wanger's Diary and My Life With Cleopatra
Box 71 Folder 18	Outline of Diary, by Joe Hyams, 1962
Box 71 Folder 19-23	Annotated Diary, September 1960-June 1962, November 1962
Box 72 Folder 1	Diary Portions re: Elizabeth Taylor, June 1961-August 1962
Box 72 Folder 2-3	Censored Portions of Diary
	My Life With Cleopatra, by Walter Wanger and Joe Hyams
Box 72 Folder 4	Paperback Version, June 1963
Box 72 Folder 5	Periodical Version, undated
Box 72 Folder 6	Financial Correspondence, June 1965-July 1965
Box 72 Folder 7	Correspondence, 1962-April 1967
Tape 1035A No. 1-4	Tape Recorded Interview Between Hyams and Wanger
U.S. Mss 136AN Box 72 Folder 8	Transcripts of Taped Interview with Joe Hyams (Annotated by Walter Wanger), 1962
Box 72 Folder 9	Transcripts from Tapes, January-March 1962
Box 72 Folder 10	Transcripts of Interview, June 1962
Micro 966 Reel 4	Microfilmed transcripts of Interview from Tapes and Discs, 1962 Note: 16mm microfilm made for Wanger Lawsuit by Wanger's Attorneys.
U.S. Mss 136AN Box 72 Folder 11	Rough Draft Introductions and Epilogues, March 7, 1962
Box 72 Folder 12	Prologue, Drafts and Notes, March 1963
	Drafts
Box 72 Folder 13	Pages 1-67, September 25, 1958-April 24, 1961
Box 72 Folder 14	October 1958-November 1959, Annotated
Box 72 Folder 15	October 1958-September 1960, Annotated
Box 72 Folder 16	April 25 - September 24, 1961, Annotated
Box 72 Folder 17	September-December 1961, Annotated
Box 72 Folder 18	Pages 1-81, January-March 1962(Later Draft)
Box 72 Folder 19	Pages 1-56, January 18 - June 17, 1962, Annotated
Box 72 Folder 20-21	Miscellaneous Pages, Notes, circa 1963, Annotated
Box 72 Folder 22-24	Notes, February 1959-1963, undated
Box 72 Folder 25	Censored Notes, undated
	Walter Wanger v. Twentieth Century-Fox Film Corp., et al., Lawsuit
Box 73 Folder 1	Attorney's Notes re: Suit, 1963
Box 72 Folder 2	Attorney's Outline and Notes for Examination of Spyros Skouras, circa 1964
Box 72 Folder 3	Budget Materials, 1959-1963
Box 72 Folder 4	Casting Records, 1958-1961
Box 72 Folder 5	Complaint, 1962; and Complaint in MCL Films, S.A. v. Twentieth Century-Fox Film Corp., , 1962
Box 72 Folder 6	Clippings re: Darryl F. Zanuck and Fox, 1964
	Correspondence and Memoranda
Box 72 Folder 7	General, including Legal Strategy Memoranda, 1963-1964
Box 72 Folder 8	Gang, Tyre, Rudin, and Brown, with Press Coverage of Later Lawsuits, February 1964-December 1967
Box 72 Folder 9	Correspondence, Contract, and Papers re: Elizabeth Taylor's Illnesses and Lateness, 1959-1963
Box 72 Folder 10	Picture Cost Reports, May 1959-December 1962
Box 72 Folder 11	Story Cost Reports, 1957(?)-1962
	Depositions
Box 72 Folder 12	Transcript of Wanger's Preliminary Statement, October 1962
Box 72 Folder 13-21	Deposition of Wanger, pp. 1-1330, October-November 1963
	Deposition of Spyros Skouras
Box 72 Folder 22	December 1963, pp. 1-108 (with Wanger's Annotated Note Slips)
Box 74 Folder 1-3	February-March 1964, pp. 109-455 (Annotated by Wanger)
Box 74 Folder 4-5	Drafts of Legal Documents
	Evidence Gathered for Lawsuit
Box 74 Folder 6	First Cause of Action (Interference with Producer's Prerogatives; SantiFiasco), 1959-1962
Box 74 Folder 7	Second Cause of Action (Breach of Contract for Salary and Expenses), 1961-1964
Box 74 Folder 8	Third Cause of Action (Libel), Exhibit G, 1962-1963
Box 74 Folder 9	Sixth Cause of Action (Justine), 1958-1964
Box 74 Folder 10	Regarding Spyros Skouras Contact with Cleopatra, Interference with Wanger as Producer, 1959-1962
Box 74 Folder 11	Prof. Hugh Gray's Notes on Screenplays, 1959 Note: See also Writers' Correspondence (Box 67) and Scripts and Screenplays (Box 70-71).
Box 74 Folder 12	Insurance Papers and Correspondence (London Production), 1960-1961
Box 74 Folder 13	Interrogatories to Plaintiff and Responses; Data re: Wanger's Expenses During Cleopatra, Attorney's Notes, 1959-1964
Box 74 Folder 14	Legal Bills, 1959-1962
Box 74 Folder 15	London Production - Papers re: Weather, Lack of Preparedness, Hairdressing, 1960-1961
Box 74 Folder 16	Minutes of Twentieth Century-Fox Board and Executive Committee, August 1959-1962
Box 74 Folder 17	Promissory Notes and Correspondence, December 1958-August 1961
Box 74 Folder 18	Materials re: Reputation of Spyros Skouras, 1961-1963
Box 74 Folder 19	Twentieth Century-Fox Annual Reports, 1958-1962
Box 74 Folder 20	Papers re: University of Wisconsin Deed of Gift, circa 1963
Box 74 Folder 21	Walter Wanger Pictures Inc.-Twentieth Century-Fox Agreement - Attorney's Notes, and Miscellany, 1960-1962
Box 74 Folder 22	Wanger's Legal Notes, 1962-September 1965
Box 74 Folder 23	Brodsky and Weiss, The Cleopatra Papers(Annotated by Lawyers)
Box 74 Folder 24	Wanger and Hyams, My Life with Cleopatra(Annotated by Lawyers) Note: See also Series entitled Walter Wanger's Diary and My Life with Cleopatra(Box 71-72), and Walter Wanger's Diaries in Diaries, Speeches, Appointment Calendars, Notes, and Other Personal Papers series (Micro 966, Reel 1-3).
Box 74 Folder 25	Materials re: Examination of Darryl F. Zanuck, 1962-1964
Box 74 Folder 26	Wanger-Fox Legal Settlement, December 1962-November 1965
	“Comanche” (Unproduced by Wanger)
Box 75 Folder 1	Correspondence, July-August 1951
	“Commencement” (Unproduced)
Box 75 Folder 2	Correspondence and Contracts, 1947, 1952-1959
Box 75 Folder 3	Novel From Redbook, by John Klempner, June 1958
Box 75 Folder 4	Reference Material re: Scripps College, 1956
Box 75 Folder 5-6	Typescript Scripts by John Klempner, undated
Box 75 Folder 7	Story Outlines, by Lionel Wiggam, circa 1945, 1948
Box 75 Folder 8	Story Outlines and Notes, 1952-July 1957, undated
	“Congratulations, Miss Reilly” (Story Idea)
Box 75 Folder 9	Correspondence and Story Idea, March-April 1938
	“Death Valley” (Unproduced)
Box 75 Folder 10	Correspondence, April 1949
	“The Doctor's Dilemma” (This Version Unproduced)
Box 75 Folder 11	Correspondence, October 1946-November 1947
	“The Doll” (This Version Unproduced)
Box 75 Folder 12	Correspondence and Magazine Article, January 1953-December 1954
	“The Duchesse de Langeais” (Unproduced)
Box 75 Folder 13	Budget, May-June 1949
Box 75 Folder 14	Clippings, August 1948-February 1950
Box 75 Folder 15	Contracts and Legal Papers, 1949-1950, 1953, 1958
Box 75 Folder 16	Greta Garbo Contract and Expenses, August 1948-February 1950
Box 75 Folder 17	Max Opels' Contract, July 1949-June 1950
	Correspondence
Box 75 Folder 18-19	General, August 1948-1950
Box 75 Folder 20	With MCA (Garbo's Agents), 1949-February 1950
Box 75 Folder 21	Life Insurance for Greta Garbo, July-November 1949
	Scripts and Screenplays
Box 75 Folder 22	Incomplete First Draft Script, by Sally Benson, undated
Box 75 Folder 23	Early Scripts, Notes, and Treatments, December 1948-August 1949, undated
Box 75 Folder 24	Script, by Sally Benson (Annotated), undated
Box 75 Folder 25	Draft Script, by Sally Benson, undated
Box 75 Folder 26	Typescript Final Draft Script, by Sally Benson, Including Revisions by Harold Goldman, August 18, 1949
Box 75 Folder 27	Wanger's Copy of Final Script, by Sally Benson, Including Revisions, August 1949
Box 75 Folder 28	Typescript Final Script (French Translation), by Sally Benson, August 23, 1949
	“The Dud Avocado” (Unproduced)
Box 76 Folder 1	Contract with Elaine Dundy, November-December 1958
Box 76 Folder 2	Correspondence, September 1958-August 1965
Box 76 Folder 3	Promissory Notes, 1958-1959
	Scripts and Screenplays
Box 76 Folder 4	First Draft Screenplay, by Dick Berg, January 6, 1959
Box 76 Folder 5	First Draft Screenplay, by Dick Berg, January 20, 1959
Box 76 Folder 6	Script, No Author Listed, September 18, 1959
Box 76 Folder 7	Script, No Author Listed, October 16, 1959
Box 76 Folder 8	Third Draft Screenplay, by Edith Sommer and Philip Dunne, November 13, 1959, with Revisions of , November 20, 1959
Box 76 Folder 9	Fourth Draft Screenplay, by Edith Sommer and Philip Dunne, November 25, 1959
Box 76 Folder 10	Script, No Author Listed, undated
Box 76 Folder 11	Script, Cast, and Credit Notes, by Dick Berg, April-December 1959
	Story Outlines
Box 76 Folder 12	By Dick Berg, December 11, 1958
Box 76 Folder 13	No Author Listed, undated
	Lawrence Durrell Novels (The Alexandria Quartet)
Box 76 Folder 14	Chronological Breakdown Index, Prepared by G. Byron Sage, August 5, 1959
Box 76 Folder 15	Correspondence, August 1958-August 1967
Box 76 Folder 16	Notes, Cast Suggestions, undated
Box 76 Folder 17	Publicity, October 1958-December 1967
Box 76 Folder 18	Synopses by G. Byron Sage, of Justine, Balthazar, Mountolive, and Clea, December 1958-January 1959, June 1959
	Clea
Box 76 Folder 19	Manuscript of Novel by Lawrence Durrell, Copied May 27, 1959
	Justine
	Correspondence
Box 76 Folder 20	Employment, December 1958-October 1960
Box 76 Folder 21	Writers Correspondence, January 1959-April 1960
Box 76 Folder 22	Outline and Outline Treatment (“City of Lovers”), by Ivan Moffat, June 29 and July 6, 1959
Box 76 Folder 23	Treatment by Ivan Moffat, January 15, 1960
Box 76 Folder 24	Discarded Pages from Treatment by Ivan Moffat, circa January 1960
Box 76 Folder 25	Summary, Step and Working Outlines, by G. Byron Sage, February 1960
Box 76 Folder 26	Treatment and Script Outline, by Joseph L. Mankiewicz, September 14, 1960
	“Dynasty” (Unproduced)
Box 76 Folder 27	Contracts, 1939-1943
Box 77 Folder 1	Contracts with Taylor Caldwell (Janet Reback), 1939
Box 77 Folder 1	Contract with Walter Wanger Pictures Inc.
Box 77 Folder 1	Copyright Correspondence, 1954-1955
Box 77 Folder 2	Correspondence re: Contracts, 1939-1946, 1954-1956
	Correspondence
Box 77 Folder 3	General, 1941-1948, 1951, 1956-1957
Box 77 Folder 4	Caldwell, Taylor (Janet Reback) and Martin Reback, 1939-1948, 1955, 1959-1960
Box 77 Folder 5	Wylie, Philip, 1943-1946, 1955
Box 77 Folder 6	Cost Schedule; Audit, 1947, 1965
	Scripts and Screenplays
Box 77 Folder 7	Revised First Continuity, by Sheridan Gibney, from the Novel Dynasty of Deathby Taylor Caldwell, February 2, 1940
Box 77 Folder 8	Script by Gibney, September 13, 1941
Box 77 Folder 9	Script by Philip Wylie, December 28, 1943
Box 77 Folder 10	Story Line, by Leon d'Usseau, undated
Box 77 Folder 11	Treatment, Synopsis, Criticism and Analysis of Script, 1939-1941, undated
	Eagle Squadron(Universal, 1942)
Box 77 Folder 12	Box Office Reports, June-August 1942
Box 77 Folder 13	Material Breakdown - Bomber B19, by Hurd Barrett, November-December 1940
Box 77 Folder 14	Censorship, January-May 1942
Box 77 Folder 15	Clippings, September 1940-July 1942
	Correspondence
Box 77 Folder 16	Employment, December 1940-October 1942
Box 77 Folder 17	Legal Correspondence and Contracts, October 1940-November 1943
Box 77 Folder 18-19	Production - Great Britain, October 1940-November 1941
Box 77 Folder 20	Production - United States, October 1941-April 1942
Box 77 Folder 21	Post-Production, January-December 1942
Box 77 Folder 22	Titles, January 1940-April 1942
Box 77 Folder 23	Writers, May 1940-June 1942
Box 77 Folder 24	Financial - Income Statements, 1942-1954
Box 77 Folder 25	Publicity, Preview, Premiere, October 1940-December 1942
	Scripts and Screenplays
Box 77 Folder 26	Continuity and Dialogue, by Norman Reilly Raine, May 29, 1942
Box 78 Folder 1	Second Rough Draft Typescript, by Harold Buckley and Hurd Barrett, January 7, 1941
Box 78 Folder 2	Screenplay, by Norman Reilly Raine, January 27, 1942
Box 78 Folder 3	Script Breakdown, Notes, Pick-Up Shots, 1942
Box 78 Folder 4	Story, by C.S. Forester, circa August 1941
Box 78 Folder 5	Story Outline, by Harry Watt, September 29, 1941
Box 78 Folder 6	Story Synopsis, by Ian Dalrymple, March 1941
Box 78 Folder 7	Synopsis, by Hurd Barrett, December 4, 1940
	“The Empress” (Unproduced)
Box 78 Folder 8	Correspondence, September 1954-February 1960
	Eternally Yours(United Artists, 1939)
Box 78 Folder 9	Final Script, by Gene Towne and Graham Baker, undated
Box 78 Folder 9	Negative Cost Report, undated
	Every Night at Eight (Paramount, 1935)
Box 78 Folder 10	Final Budget, 1935
Box 78 Folder 11	Working Script, No Author Listed, May 20, 1935
	“Evita” (Unproduced by Wanger)
Box 78 Folder 12	Correspondence, January 1960-October 1965
	“The Fall” (Unproduced)
Box 78 Folder 13	Clippings, February 1957-July 1960
Box 78 Folder 14-16	Contracts and Option Agreements and Correspondence, 1957-1964
Box 78 Folder 17	Correspondence, February 1957-May 1964
Box 78 Folder 18	Locations in Amsterdam, September 1958-July 1959, undated
	Fatal Lady(Paramount, 1936)
Box 78 Folder 19	Revised Final Script (“Brazen”), by Samuel Ornitz, January 20, 1936, with Revisions of , February 20, 1936
	Fifty-Second Street(United Artists, 1937)
Box 78 Folder 20	Revised Final Script, by Grover Jones, June 22, 1937, with Annotations and Added Scenes, , July 23, 1937
Box 78 Folder 20	Negative Cost Report, undated
	“Fight For Life” (Unproduced)
Box 78 Folder 21	Correspondence and Proposed Treatment, February 1948-March 1949
	“The First and the Last” (Unproduced)
Box 78 Folder 22	Correspondence, 1947
	“Flight Nurse” (This Version Unproduced)
Box 78 Folder 23	Correspondence and Clippings, October 1943-May 1945
Box 78 Folder 23	Preliminary Treatment (“Sixty Hours from Home”, by Emmet Lavery, April 27, 1944
	Foreign Correspondent (United Artists, 1940)
Box 78 Folder 24	First Continuity (“Personal History”), by Alma Reveille, January 10, 1940, with Revisions of , January 24, 1940
Box 78 Folder 25	Wanger's Annotated Shooting Script (“Personal History”), No Author Listed, June 5, 1940
Box 78 Folder 25	Negative Cost Report, undated
	Fort Vengeance(Allied Artists, 1953)
Box 78 Folder 26	Correspondence, Shooting Schedule, Production Costs, Income Statements (“The Royal Mounted Police”), 1951-1962
Box 78 Folder 27	Script, by Dan Ullman, circa 1952
	“Fortunes of Monte Cristo” (Unproduced)
Box 78 Folder 28	Correspondence, Budget, 1951
	“The Fourth World” (Unproduced)
Box 79 Folder 1	Clippings, 1950-February 1958
Box 79 Folder 2	Contract and Correspondence, 1956
Box 79 Folder 3	Correspondence and Story Outline, March 1956-March 1966
	“Frontier Knight”/“Galahad of the Border” (Unproduced)
Box 79 Folder 4	Synopsis, by Paul Schofield, February 1939
	Gaily, Gaily(Another Version Produced by United Artists, 1969)
Box 79 Folder 5	Clippings, 1966-1967
	Contracts
Box 79 Folder 6	Embassy Pictures Corp., November 30, 1964
Box 79 Folder 7	Purchase Agreements with Ben and Rose Hecht, 1964-1965
	Correspondence
Box 79 Folder 8	With Actors and Agents, April 1964-March 1967
Box 79 Folder 9	Ginnes, Abe, February 1964-December 1967
Box 79 Folder 10	Hecht, Ben and Rose, December 1963-December 1967
Box 79 Folder 10	Title Registration, May-October 1964
Box 79 Folder 11	Legal Correspondence, including Expenses, February 1964-January 1968
Box 79 Folder 12	Final Screenplay by Abram S. Ginnes, undated
Box 79 Folder 13	Original Story by Ben Hecht, 1963
Box 79 Folder 14	Treatment by Abram S. Ginnes, April 1964
Box 79 Folder 15	Walter Wanger's Notes, November 1967
	“The Gang's All Here” (This Version Unproduced)
Box 79 Folder 16	Memoranda from Lawrence and Lee, March 1960
	General Motors Film Idea (Unproduced)
Box 79 Folder 17	Correspondence, August-October 1940
	“Gibraltar” (Unproduced)
Box 79 Folder 18	Correspondence and Synopsis, May 1939
	Gilda(Columbia, 1946)
Box 79 Folder 19	Treatment by E.A. Ellington, circa 1944
	“The Gingko Tree” (Unproduced)
Box 79 Folder 20	Correspondence and Summary, October 1957-July 1959
	“The Girl With the Swansdown Seat” (Unproduced)
Box 79 Folder 21	Correspondence, May-August 1956
	“The Gouffe Case” and “Big Brass Band” (Unproduced)
Box 79 Folder 22	Correspondence, 1955-1956, 1964-1965
	Grand Junction Project (Unproduced)
Box 79 Folder 23	Correspondence, August 1948
	“The Greatest Raid of All” (Unproduced) Note: Labeled “Dead File”
Box 79 Folder 24	Correspondence, Clippings, July 1960-October 1965
	“A Grue of Ice” (Unproduced)
Box 79 Folder 25	Correspondence, December 1962-January 1963
	Gung-Ho!(Universal, 1943)
Box 79 Folder 26	Cast, Staff, Writers, Credits, March-December 1943
Box 79 Folder 27	Censorship, September 1942-September 1943
Box 79 Folder 28	Clippings and Publicity, December 1943-January 1944
Box 79 Folder 29	Contracts and Correspondence, 1943
	Correspondence
Box 79 Folder 30	Pre-Production, September 1942-October 1943
Box 79 Folder 31	Post-Production, November 1943-August 1946
Box 79 Folder 32	With Lt. Col. Evans F. Carlson; Speech, Biographical Sketches, August 1942-November 1944
Box 79 Folder 33	With Lt. Wilfred S. LeFrancois, March-December 1943
Box 79 Folder 34	Cost and Income Statements, 1943-1954
Box 79 Folder 35	Publicity, Program, Music, Preview, Radio, November 1943-February 1944
	Scripts and Screenplays
Box 79 Folder 36	Continuity and Dialogue, December 8, 1943
Box 79 Folder 37	Typescript Original Story (“The Makin Episode”), by Lt. W.S. LeFrancois, U.S.M.C., undated
Box 79 Folder 38	Screenplay by Lucien Hubbard, May 7, 1943
Box 79 Folder 39	Screenplay by Hubbard, July 7, 1943, with Revisions of , July 27, September 16, 1943
Box 79 Folder 40	Script by LeFrancois, September 23, 1943
	“Habona” (“The Builder”) (Unproduced)
Box 80 Folder 1	Synopsis, by Rose Minte and Lillian Bret Harte, circa 1931
	Alexander Hamilton Project (Unproduced)
Box 80 Folder 2	Correspondence and Clippings, January 1948-September 1949
	“Harvey” (Unproduced by Wanger)
Box 80 Folder 3	Correspondence, March 1939-May 1947
	Her Master's Voice (Paramount, 1936)
Box 80 Folder 4	First Draft Script (Labeled “Exactly as Filmed”), by Dore Schary (Annotated), September 18, 1935
	History Is Made at Night (United Artists, 1937)
Box 80 Folder 5	Final Revised Script, by Gene Towne and Graham Baker, January 3, 1937
Box 80 Folder 5	Negative Cost Report; Staff List, December 1936
	“Hitler's Women” (Unproduced)
Box 80 Folder 6	Story Idea, undated
	The House Across the Bay (United Artists, 1940)
Box 80 Folder 7	Revised Final Script by Kathryn Scola, October 11, 1939
Box 80 Folder 7	Negative Cost Report, undated
	I Met My Love Again(United Artists, 1938)
Box 80 Folder 8	Revised Script, by Arthur Ripley, Joshua Logan, and David Hertz, June 23, 1937
Box 80 Folder 8	Negative Cost Report; Staff List, June 1937
	I Want to Live!(United Artists, 1958)
Box 80 Folder 9	Budget, Production Costs and Other Expenses, February- September 1958
Box 80 Folder 10	Call Sheets, March-July 1958
Box 80 Folder 11	Casting Lists, February-May 1958
Box 80 Folder 12	Censorship, March-August 1958
Box 80 Folder 13-15	Contracts and Releases, August 1956-1958
	Correspondence
Box 80 Folder 16-20	General, 1957-1960
Box 80 Folder 21	Academy Award Congratulations, March-May 1959
Box 80 Folder 22	Hayward, Susan, 1957-1959
Box 80 Folder 23	Screenings, September 1958-February 1959
	Legal Correspondence
Box 80 Folder 24-26	February 1957-April 1958
Box 81 Folder 1-2	May 1958-October 1960
Box 81 Folder 3-4	Montgomery, Ed, December 1956-March 1960
Box 81 Folder 5	Barbara Graham's Correspondence with Al Matthews (Copies), September 1954-May 1955
Box 81 Folder 6-7	Income Statements, July 1959-January 1960, July 1961-December 1962
Box 81 Folder 8	Music, 1958-1959
Box 104	Preview Cards
Box 81 Folder 9	Private Screening, September 30, October 6, 8, 1958; Program and Bookings
Box 81 Folder 10	Production Reports, March-June 1958
	Publicity
Box 81 Folder 11-12	Background Information and Clippings, 1953-1959
	Clippings
Box 81 Folder 13	Pre-Release, April 1957-October 1958
Box 81 Folder 14	Release, November 1958
Box 81 Folder 15-16	General Clippings, December 1958-April 1959
Box 81 Folder 17	LifeMagazine Crime Series, circa 1957
Box 81 Folder 18	Foreign Clippings, November-December 1958
Box 81 Folder 19	Correspondence, 1957-1958
Box 81 Folder 20	Press Package Feature Stories
Box 81 Folder 21	Publicity Tour, 1958
	Reference and Research Materials
Box 81 Folder 22-23	Character Sketches of Barbara Graham, Mabel Monahan, Iris Salter, Emmett Perkins and Jack Santo; and Notes, by Sigmund Fritschel, undated
Box 81 Folder 24	Description of the Graham Case (“Lost Woman”), by Marcel Frym, J.D., undated
Box 81 Folder 25	Statement of John L. True to San Francisco Police (copy), June 4, 1953
Box 81 Folder 26	Shooting Schedules, March-May 1958
Box 81 Folder 27	Original Story - Book by Tabor Rawson, 1958
Box 81 Folder 28	French Translation (Je Veux Vivre) of Rawson's Book by F.M. Watkins, 1958
	Scripts and Screenplays
Box 81 Folder 29	Original Story (The Barbara Graham Story), by Ed Montgomery, April 14, 1957
Box 81 Folder 30	Story (The Barbara Graham Story), by Ed Montgomery, April/May 1957
Box 81 Folder 31	Script Revisions (Annotated) (“The Story of B.G.”), part 1, by Don Mankiewicz, July and August 1957
Box 81 Folder 32	Typescript First Draft Script (“The Story of B.G.”), by Mankiewicz, August 1957, with Revisions
Box 82 Folder 1	Typescript Revisions (“The Story of B.G.”), labeled “Obsolete, Don M. Working Copy,” by Mankiewicz, September 1957
Box 82 Folder 2	Typescript Revisions (“The Story of B.G.”), labeled “First Draft,” Second Revision, by Mankiewicz, September 17, 1957
Box 82 Folder 3	Typescript Revisions (“The Story of B.G.”), part 2, by Mankiewicz (Annotated), 1957
Box 82 Folder 4	Typescript Revised Draft Screenplay (“Barbara”), by Mankiewicz (Annotated), September 1957
Box 82 Folder 5	Typescript Second Revised Screenplay (“Barbara”), by Mankiewicz, November 1957
Box 82 Folder 6	Revised Pages (“The Story of Barbara Graham”), by Mankiewicz, circa 1957
Box 82 Folder 7	First Estimating Draft (“Barbara”), by Everett De Baum, December 1957-January 1958
Box 82 Folder 8	Typescript First Draft (“The Barbara Graham Story”), Part I, by Nelson Gidding, January 23, 1958
Box 82 Folder 9	Typescript First Script (“The Barbara Graham Story”), Part I, by Gidding, January 30, 1958-February 25, 1958, with Revisions
Box 82 Folder 10	First Mimeo Estimating Script (“The Barbara Graham Story”), by Gidding, February 3, 1958, with Revisions and Annotations
Box 82 Folder 11	Final Shooting Script (I Want to Live!), by Gidding, March 14, 1958, with Annotations and Revisions
Box 82 Folder 12	Script Portions (“The Barbara Graham Story”), by Gidding, March and April 1958
Box 82 Folder 13	Script (“The Case of Barbara Graham”), by Edward S. Montgomery, undated
Box 82 Folder 14	Other Script Pages
Box 82 Folder 15	Wanger's Personal Notes, including Titles, 1957-1958
Box 82 Folder 16	Barbara Graham Material and Notes of Everett De Baum, November and December 1957
Box 82 Folder 17	Staff Lists and Correspondence, October 1956-September 1958
Box 82 Folder 18	Step Outline and Notes, by Don Mankiewicz, 1957
Disc 195A No. 2	Robert Wise: Thoughts on Trial Scenes; and Wanger Letters, 1958 March?
Tape 1035A No. 5	Tape user copy of disc
U.S. Mss 136AN	“If I Loved You” (Unproduced)
Box 82 Folder 19	Correspondence and Contracts, 1945-1948
	“The Illusionist”/“L'Illusionniste” (Unproduced)
Box 82 Folder 20	Typescript Story (“The Illusionist”), by Walter Wanger, Adapted by Rolf Passer, with Correspondence and Affidavit, November 1938
Box 82 Folder 21	Script (“The Magician,” or “L'Illusionniste”) by Sacha Guitry, Translated by Harold Clurman, undated
	“The Immaculate Mind of Francesca Lundeen” (Unproduced)
Box 82 Folder 22	Correspondence, December 1962-March 1963
	“Instant Gold” (Unproduced)
Box 82 Folder 23	Contracts, March 1965
	The Invasion of the Body Snatchers(Allied Artists, 1956)
Box 82 Folder 24	Budget and Production Reports, February 1955-February 1956
Box 82 Folder 25	Contracts and Legal Correspondence, 1954-1959
Box 82 Folder 26	Correspondence, January 1954-June 1966
Box 83 Folder 1	Labor Distribution Reports, January 1955-February 1956
Box 83 Folder 2	Wanger's Notes, January 1955-February 1956
Box 83 Folder 3	Plans for Opening Narration, June-September 1955
Box 83 Folder 4	Publicity, November 1954-April 1958
	Scripts and Screenplays
Box 83 Folder 5	Script (“The Body Snatchers”) by Daniel Mainwaring, from the Serial by Jack Finney, February 10, 1955, with Revisions
Box 83 Folder 6	Final Revised Script (“The Body Snatchers”), by Mainwaring, March 17, 1955
Box 83 Folder 7	Final Revised Script (“The Body Snatchers”), by Mainwaring (Annotated), March 17, 1955, with Revisions of , March 25, 1955, Marked for Shooting; Including Staff Sheets, Locations, Cast Sheets, Shooting Schedule, Cover Set Sheet
Box 83 Folder 8	Script Fragments, No Author Listed (Annotated), March 1955
Box 83 Folder 9	Original Story (“A Fall of Small Frogs”), by Jack Finney, undated
	Joan of Arc(RKO, 1948)
Box 83 Folder 10	Correspondence, Contracts, Script Fragments, 1948-1961
Box 83 Folder 11	Financial Statements, March 1949-December 1965
	Kansas Pacific(Allied Artists, 1953)
Box 83 Folder 12	Correspondence, June-July 1952
Box 83 Folder 12	Call Sheets, July 1952
Box 83 Folder 13	Income Statements, 1953-1962
Box 83 Folder 14	Payroll, December 1951-September 1952
Box 83 Folder 14	Accounts Payable, March-September 1952
Box 83 Folder 15	Production Costs, July 1952-January 1953; Labor Distribution, , October 1952-January 1953; Daily Report, , July 1952
Box 83 Folder 16	Script by Dan Ullman, undated
Box 83 Folder 17	Revised Script by Ullman (Annotated), undated
	Ladies Courageous (Universal, 1944)
Box 83 Folder 18	Cast, Title, Censorship, Clippings, Scenes, September 1942-December 1943
Box 83 Folder 19	Contracts and Correspondence, January-October 1943
	Correspondence
Box 83 Folder 20	General Correspondence, August 1942-October 1944
Box 83 Folder 21	Butterfield, Allyn, May 1943-February 1944
Box 83 Folder 22	Gilbert, Doris, January-June 1943
Box 83 Folder 23	Income Statements, 1944-1953
Box 83 Folder 24	Publicity and Exploitation Manual, 1944
Box 83 Folder 25	Research Notes of Doris Gilbert, January-February 1943
	Scripts and Screenplays
Box 83 Folder 26	Continuity and Dialogue, February 28, 1944
Box 83 Folder 27	Revised Final Screenplay (“When Ladies Fly”), by Norman Reilly Raine and Doris Gilbert, August 12, 1943, with Revisions of , September 15, 1943
	The Lady in the Iron Mask (20th Century-Fox, 1952)
Box 83 Folder 28	Budget, Shooting Schedule, Production Reports, October-November 1951
Box 83 Folder 29	Cast Sheet, Call Sheet, October 1951
Box 83 Folder 30	Correspondence and Contracts (“The Queen's Men”), April 1951-May 1955
Box 84 Folder 1-3	Income Statements, November 1952-August 1959
	Scripts and Screenplays
Box 84 Folder 4	Revised Script, No Author Listed, August 15, 1951
Box 84 Folder 5	Revised Script, No Author Listed, September 12, 1951
Box 84 Folder 6	Revised Script, No Author Listed, October 9, 1951, with Shooting Schedule
	“The Laguardia Story“ (Unproduced Film Project)
Box 84 Folder 7	Correspondence, October 1947-May 1948
	“Laurette” (Unproduced)
Box 84 Folder 8	Correspondence, February-March 1961
	“The Lion” (Not produced by Wanger)
Box 84 Folder 9	Correspondence, Clippings, Agreements, July 1959-August 1964
	“The Little Shepherd of Kingdom Come” (Not Produced by Wanger)
Box 84 Folder 10	Correspondence re: Story Purchase, 1947
	“The Lonely Road” (Unproduced)
Box 84 Folder 11	Correspondence and Treatment by George Worthing Yates, January 1946-June 1947
	The Long Voyage Home(United Artists, 1940)
Box 84 Folder 12	Wanger's Annotated Copy of the Revised Final Script, by Dudley Nichols, from the Original by Eugene O'Neill, May 13, 1940
Box 84 Folder 12	Negative Cost Report, November 1940
	The Lost Moment(Universal, 1947)
Box 84 Folder 13	Daily Box Office Reports, October-December 1947
Box 84 Folder 14	Contracts, Correspondence, and Payroll, January-November 1947
Box 84 Folder 15	Correspondence, January 1947-October 1949 Note: Includes Earlier Titles: “Lost Love” and “Aspern Papers”
	Costs
Box 103 Folder 3	Picture Cost Statements, February-December 1947
Box 103 Folder 4	Weekly Cost Summaries, March 1947-January 1949
Box 84 Folder 16	Weekly Cost Statement to Universal, March-December 1947
Box 84 Folder 17	Credits and Censorship, January-September 1947
Box 84 Folder 18	Income Statements, December 1947-September 1953
Box 84 Folder 19	Loans and Mortgages - Papers and Correspondence, 1947-1951
Box 84 Folder 20	Preview Analysis, September-October 1947
Box 84 Folder 21	Production Reports, Shooting Schedule, March-September 1947
Box 84 Folder 22	Publicity, October-December 1947
	Scripts and Screenplays
Box 84 Folder 23	Final Screenplay (“The Lost Love”), by Leonardo Bercovici, from the Novel The Aspern Papers, by Henry James, January 29, 1947
Box 84 Folder 24	Screenplay, by Bercovici, undated
	“The Man from Nowhere, or, The Reluctant Saint” (Not produced by Wanger)
Box 84 Folder 25	Second Draft Script, by Daniel Mainwaring, Based on the Story by Hardy Kruger and Mainwaring, September 6, 1962
	“The Man from Snake River” (Unproduced)
Box 84 Folder 26	Clippings, November 1954-May 1955
Box 85 Folder 1	Contracts, December 1954-May 1955
Box 85 Folder 2	Correspondence, September 1954-March 1960
Box 85 Folder 3	Labor Distribution Reports, June-July 1955
Box 85 Folder 4	Research and Reference Materials, April 1953-June 1956
	Scripts and Screenplays
Box 85 Folder 5	First Draft, No Author Listed, May 25, 1955
Box 85 Folder 6	First Draft, Incomplete, by Richard Collins, June 27, 1955
Box 85 Folder 7	Typescript First Draft Script, by Collins, July 16, 1955, with Revisions of , August 1, 1955
Box 85 Folder 8	Original Story - Adventures in Politics, by Richard L. Neuberger, 1954(Wanger's Marked Copy)
Box 85 Folder 9	Story Presentation (“The Neuberger Story”), by Kay Lenard, January 1956
	“The Man with the Miraculous Hands” (Unproduced)
Box 85 Folder 10	Correspondence, April-July 1961
	“The Man with Two Shadows” (Unproduced)
Box 85 Folder 11	Script, by Robin Maugham, undated
	Mary Burns, Fugitive (Paramount, 1935)
Box 85 Folder 12	Final Cost Budget, 1935
Box 85 Folder 13	Revised Final Shooting Script, No Author Listed, August 24, 1935
Box 85 Folder 14	Revised Final Shooting Script, No Author Listed, August 28, 1935, with Revisions of , October 4, 1935
	“Mona Lisa” (Unproduced Film Project)
Box 85 Folder 15	Correspondence and Outlines (“The Smile”), by Bernard C. Shoenfeld, March-June 1953
	The Moon's Our Home (Paramount, 1936)
Box 85 Folder 16	Final Cost Budget, 1935
Box 85 Folder 17	Revised Final Script, by Isabel Dawn and Boyce DeGaw, January 30, 1936
	Navy Wife(Allied Artists, 1956)
Box 85 Folder 18	Contracts and Correspondence, January 1954-December 1955
Box 85 Folder 19	Correspondence, March 1954-November 1956
Box 85 Folder 20	Labor Distribution Reports, November 1954-May 1956
Box 85 Folder 21	Production Reports and Costs; Shooting Schedules, June-December 1955
Box 85 Folder 22	Publicity, October 1955-June 1956
	Scripts and Screenplays
Box 85 Folder 23	First Draft Screenplay (“Mother-Sir!”), by Kay Lenard, From the Novel by Tats Blain, May 16, 1955
Box 85 Folder 24	Revised Script by Lenard, circa November 1955
Box 86 Folder 1	Revised Script (Annotated), by Lenard, circa November 1955
Box 86 Folder 2	Original Story - Mother-Sir!by Tats Blain, 1951(Wanger's Annotated Copy)
Box 86 Folder 3	Story Treatments, October 1954
	A Night in Paradise (“Peacock's Feather”) (Universal, 1946)
Box 86 Folder 4	Correspondence, June 1944-July 1946
Box 85 Folder 5	Income Statements, October 1944-May 1954
Box 85 Folder 6	Production Files, Script Notes, Container, Correspondence, Narration Scripts, July 1934-July 1946
Box 85 Folder 7	Script by Ernest Pascal, November 20, 1944, with Revisions through , March 20, 1945
	“Night of the Short Knives” (Unproduced)
Box 86 Folder 8	Synopsis of Galleys of Novel by Burke Wilkinson, June 15, 1964
Box 86 Folder 9	Script, No Author Listed, from the Book by Wilkinson, March 29, 1965
Box 86 Folder 10	Script (Annotated), No Author Listed, April 6, 1965
Box 86 Folder 11	Revised Script, by John Hopkins, June 1966
Box 86 Folder 12	Script (Annotated), No Author Listed, August 1966- with Henry Sandoz Letter re: Locations and Hardware, , July 9, 1966
Box 86 Folder 13	Script, by Henry Sandoz, August 1966
Box 86 Folder 14	Draft Story Line, by Robert D. Graff, August 19, 1965
Box 86 Folder 15	Treatment for Screenplay, by John Hopkins, November 29, 1965
Box 86 Folder 16	Treatment for Screenplay, by Hopkins, February 10, 1966
	“Not the Glory” (Unproduced)
Box 86 Folder 17	Correspondence and Outline (“A Close Call”), by Francis Thorens, November 1955-July 1957
	“Notre-Dame des Desempares” (Unproduced)
Box 86 Folder 18	Correspondence, April 1960-February 1967
Box 86 Folder 19-21	Typescript English Translation of the Novel by Christian Murciaux, Parts I-III, October 1962
	“Omar Khayyam” (Not Produced by Wanger)
Box 87 Folder 1	Correspondence and Story Ideas, December 1951-October 1953
	Palm Springs(Paramount, 1936)
Box 87 Folder 2	Revised Final Script, by Joseph A. Fields, January 2, 1936
	Pan American Airways Film Project (Unproduced)
Box 87 Folder 3	Correspondence and Clippings, December 1940-June 1943
	“Phi Beta Legs” (Unproduced)
Box 87 Folder 4	Story Outline, by Karen de Wolf; Agreement, 1951
	Police Department Project (Unproduced)
Box 87 Folder 5	Correspondence, September 1955-October 1958
	The President Vanishes (Paramount, 1935)
Box 87 Folder 6	Final Cost Budget, 1934; Release Dates
Box 87 Folder 7	Script, No Author Listed, 1934
	The President Vanishesand Private Worlds
Box 87 Folder 8-10	Cost and Distribution Statements, September 1934-January 1940
	Private Worlds(Paramount, 1935)
Box 87 Folder 11	Final Cost Budget, 1935
Box 87 Folder 12	Final Script, by Gregory La Cava, December 28, 1934
	Public Health Film (Unproduced)
Box 87 Folder 13	Correspondence, February-September 1948
	“Queen of the Universe“(Unproduced)
Box 87 Folder 14	Correspondence, Contracts, and Payroll, May 1951-November 1956
Box 87 Folder 15	Ideas and Story Outline, by Ben Hecht, circa 1954
Box 87 Folder 16	First Draft Script, by Sherman L. Lowe, from a Story by Ben Hecht, undated
Box 87 Folder 17	Revised Draft Script, by Lowe, undated
	“Raft O' Glory” (Unproduced)
Box 87 Folder 18	Correspondence, December 1942-April 1944
	The Reckless Moment (Columbia, 1949)
Box 87 Folder 19	Breakdown Schedules, July-September 1948
Box 87 Folder 20	Budgets, 1947-1949
Box 87 Folder 21	Call Sheets, January-June 1949
Box 87 Folder 22	Contracts, Correspondence, and Payroll Records, 1948-1950
Box 87 Folder 23	Contract - Production, and Distribution Agreement with Pathe Industries Inc., June 22, 1948
Box 87 Folder 24-25	Correspondence, 1947-1950
Box 87 Folder 26	Costs, Weekly Preproduction, 1948
Box 87 Folder 27	Distribution Statements, 1949
Box 87 Folder 28	Income Statements, Loan Payments, Notice of Default and Notice of Sale of Picture, November 1949-December 1954
Box 88 Folder 1	Production - Assistant Director's Daily Report, 1949
	Scripts and Screenplays
Box 88 Folder 2	Typescript First Draft Script (“The Blank Wall”), by Robert E. Kent, December 5, 1947
Box 88 Folder 3	Typescript First Draft Script (“The Blank Wall”), by Leopold Atlas, December 24, 1947
Box 88 Folder 4	Typescript First Draft Script (“The Blank Wall”), by Mel Dinelli, February 6, 1948
Box 88 Folder 5	Revised Draft Script (“The Blank Wall”), by Dinelli, March 8, 1948, with Revisions of , April 23, 1948
Box 88 Folder 6	First Draft Script (“The Blank Wall”) (Annotated), by Dinelli, April 28, 1948
Box 88 Folder 7	Typescript Screenplay (“The Blank Wall”), by DeWitt Bodeen, October 28, 1948
Box 88 Folder 8	First Estimating Draft Script (“The Blank Wall”), by Henry Garson and Robert Soderberg, February 1, 1949
Box 88 Folder 9	Final Draft Script (“The Blank Wall”), by Carson and Soderberg, Annotated with Revised Pages, March 1, 1949
Box 88 Folder 10	Revised Final Draft Script (“The Blank Wall”), by Carson and Soderberg, March 11, 1949, with Revisions of , April 7, 1949; Marked for Shooting
Box 88 Folder 11	Revised Final Draft Script (“The Blank Wall”), by Carson and Soderberg, March 11, 1949, with Revisions of , May 2, 1949
Box 88 Folder 12	Shooting Schedules, 1949
Box 88 Folder 13	Story Outlines, Suggested Changes, Revised Pages, Preview Results, 1947-1949
Box 88 Folder 14	Vouchers, 1949
	“The Rector of Justin” (Unproduced)
	Scripts and Screenplays
Box 88 Folder 15	First Draft Script, by Samuel Taylor, Based on the Book by Louis Auchincloss, March 8, 1965
Box 88 Folder 16	Second Draft Script, by Taylor, April 1, 1965
Box 88 Folder 17	Script, by Taylor, April 1, 1965
Box 88 Folder 18	Script, by Taylor, August 25, 1965
	Reign of Terror(Eagle Lion, 1949)
Box 88 Folder 19	Breakdown Schedule, Revised Final, June 19, 1948
Box 88 Folder 19	Set List, March 27, 1948
Box 88 Folder 20	Production Budget and Final Cost Accounting, 1948
Box 88 Folder 21	Contracts and Correspondence, 1947-1949
Box 88 Folder 22	Production Cost Statements, Weekly, 1948-1949
Box 89 Folder 1	Income and Distribution Statements, 1948-1954
Box 89 Folder 2	Post-Production, April 1948-August 1949
Box 89 Folder 3	Production Reports, Daily, August-September 1948
Box 89 Folder 4	Revised Final Script (“The Bastille,” “The Black Book”), by Philip Yordan, Original Story by Aeneas MacKenzie, June 17, 1948
Box 89 Folder 5	Discarded Script Pages, by Philip Yordan, 1948
	“Rena' s Way” (Unproduced)
Box 89 Folder 5A	Correspondence and Summary of Novel by Victoria Morhaim, July 1959-April 1960
	Riot in Cell Block 11 (Allied Artists, 1954)
Box 89 Folder 6	Budget, Cost Records, July-November 1953; Audit, , June 1957
Box 89 Folder 7	Call Sheets, August-September 1953
Box 89 Folder 8	Contracts and Correspondence, 1953
	Correspondence
Box 89 Folder 9-13	General, January 1953-1959
Box 89 Folder 14	Inter-Office Memoranda and Trip Sheets, April 1953-June 1954
Box 89 Folder 15	Legal, 1953
Box 89 Folder 16	Lookand PageantMagazines, Fall 1953
Box 89 Folder 17	Walter and Peg McGraw, March 1953-November 1954
Box 89 Folder 18	Miscellaneous Prison Related Correspondence, 1952-1954
	Edinburgh Film Festival
Box 89 Folder 19	Clippings, Programs, Invitations, August 21-29, 1954
Box 89 Folder 20	Correspondence, August 20-September 2, 1954
Box 89 Folder 21	Correspondence (also re: Venice Film Festival), May-December 1954
Box 89 Folder 22	Employment Applications, June-August 1953, February 1954
Box 89 Folder 23	Income Statements, 1958
Box 89 Folder 24	Labor and Equipment Costs, June 1953-February 1954
Box 89 Folder 25	Music and Music Cue Sheet, December 1953
Box 89 Folder 26	Production Reports, August-October 1953
	Publicity and Publicity Correspondence
Box 89 Folder 27	General, August 1953-April 1954, August 1954
Box 89 Folder 28	With Morgan and Brenon, January-March 1954
Box 89 Folder 29	Promotional Tours, 1954
Box 89 Folder 30	Clippings, Publicity, Reviews, July 1953-April 1955
	Reference and Research Material
Box 89 Folder 31-33	Clippings and Background Information About Prisons, 1946-1954
Box 89 Folder 34-35	Other Reference Material, 1943-1954
Box 89 Folder 36	Wanger's Impressions of Jail and Going to Jail, undated
Box 89 Folder 37	Wanger's Prison Writings
Box 90 Folder 1	Wanger's Writings on Prison, this Movie, and Rehabilitation
Box 90 Folder 2	Honor Farm Rules
Box 90 Folder 3	Phoenix Plan Materials, 1952
Box 90 Folder 4	Writings and Letters of Prisoners; Sketches, undated
	Scripts and Screenplays
Box 90 Folder 5	Typescript First Draft Screenplay (“Riot”), Incomplete, First Sequence Only, by Richard Collins, April 29, 1953
Box 90 Folder 6	Typescript Draft Script (“Riot”) (Annotated), by Collins, June 1, 1953
Box 90 Folder 7	First Draft Script (“Riot”) (Annotated), by Collins, June 2, 1953
Box 90 Folder 8	Revised Script, by Collins, June 29, 1953
Box 90 Folder 9	Revised Script, by Collins, June 29, 1953, with Revisions of , July 21, 1953
Box 90 Folder 10	Revised Script Pages, Annotated, Incomplete; No Author Listed, July 13, 1953
Box 90 Folder 11	Draft Script Pages, Annotated, Incomplete, No Author Listed, August 5, 1953
Box 90 Folder 12	Final Shooting Script, No Author Listed, August 5, 1953
Box 90 Folder 13	Revised Final Shooting Script, No Author Listed, August 5, 1953, with Revisions of , August 13, 1953
Box 90 Folder 14	Revised Script Pages, Annotated, Incomplete, No Author Listed, August 15, 1953, October 15, 1953
Box 90 Folder 15	Script Pages (Annotated) and Correspondence with Richard Collins, June-October 1953
Box 90 Folder 16	Staff, Cast, and Shooting Schedule, Prop and Canteen List, Reel Description, August 1953
Box 90 Folder 17	Titles and Proposed Titles
	Rocket to the Moon Project (Unproduced)
Box 90 Folder 18	Correspondence, February 1946
	“The St. Moritz Affair” (Unproduced)
Box 90 Folder 19	Clippings and Correspondence, January-July 1957
	Salome, Where She Danced (Universal, 1945)
Box 90 Folder 20	Continuity with Dialogue, 1944
Box 90 Folder 21	Contract, Correspondence, and Payroll of Laurence Stallings, 1944-1950
Box 90 Folder 22	Correspondence and Miscellany, 1943
Box 90 Folder 23	Income Statements, including Grosses, 1945-1954
Box 90 Folder 24	Production Correspondence, Music, Casting, January 1944-October 1945
Box 90 Folder 25	Post-Production Correspondence, January 1944-September 1945
Box 90 Folder 26	Production Reports, January 1945; Final Cost Sheet, , April 1945
Box 90 Folder 27	Publicity Brochure
	Scripts and Screenplays
Box 90 Folder 28	Script, by Laurence Stallings, September 12, 1944; with Revisions of , September and October 1944
Box 90 Folder 29	Script Notes, Correspondence, April 1944-March 1946
	Scarlet Street(Universal, 1945)
Box 90 Folder 30	Continuity Breakdown, July 23, 1945
Box 90 Folder 31	Budget Estimates, July 1945
	Censorship
Box 90 Folder 32	Lawsuit Briefs, Universal v. City of Atlanta, March-May 1946
Box 90 Folder 33	Lawsuit Correspondence, June 1945-October 1946
Box 90 Folder 34	Clippings, September 1945-July 1946
Box 91 Folder 1	Contracts, February 1945-January 1951
Box 91 Folder 2	Correspondence, January 1945-October 1947
Box 91 Folder 3	Income Statements, May 1948-May 1954
Box 91 Folder 4	Lawsuit, Diana Productions Inc. v. Fidler, December 1945-March 1947
Box 91 Folder 5	Post-Production Correspondence, May 1944-June 1946
	Scripts and Screenplays
Box 91 Folder 6	Revised Final Script, by Dudley Nichols, July 18, 1945
Box 91 Folder 7	Continuity and Dialogue Script, by Nichols, December 17, 1945
	Albert Schweitzer Memorial Project (Unproduced)
Box 91 Folder 8	Clippings and Correspondence, January 1949-January 1950
	Secret Beyond the Door (Universal, 1948)
Box 91 Folder 9	Contracts and Correspondence re: Purchase, December 1945-September 1946
Box 91 Folder 10	Employment, January 1946-April 1947
Box 91 Folder 11	Post-Production Correspondence, September 1946-April 1948
Box 91 Folder 12	Production, Legal, Budget, Costs, January 1946-February 1948
Box 91 Folder 13	Final Shooting Script, by Silvia Richards, Based on a Story by Rufus King, undated, with Changes Dated , February 7, 1947
Box 91 Folder 14	RedbookNovelization, by Rufus King, December 1945
Box 91 Folder 15	Story Outline, Correspondence, Notes, December 1945- October 1947
	“Shalimar” (Unproduced)
Box 91 Folder 15A	Story Outline (Annotated), by Leon Gutterman and Reed Johnston, undated
	Shanghai(Paramount, 1935)
Box 91 Folder 16	Final Cost Budget, 1935
Box 91 Folder 17	Financial Statements, 1936-1938 Note: Also includes Financial Statements for Smart Girl, Every Night at Eight, Mary Burns, Fugitive, Her Master's Voice, Trail of the Lonesome Pine, The Case Against Mrs. Ames, The Moon's Our Home, Big Brown Eyes, Fatal Lady, Palm Springs, and Spendthrift.
Box 91 Folder 18	Final Shooting Script, No Author Listed, April 26, 1935
	“The Sinner, A Story of Mary Magdalene” (Unproduced)
Box 91 Folder 19	Correspondence and Contracts with Charles O'Neill; Correspondence and Treatment, by Jean Renoir, May 1946-January 1947
	Slave Market Project (Unproduced)
Box 91 Folder 20	Story Outline, by Geoffrey Homes, undated
Box 91 Folder 20	Correspondence, February 1959-February 1963
	Slightly Honorable(United Artists, 1940)
Box 91 Folder 21	Revised Shooting Script (“Send Another Coffin”), by Ken Englund, Adapted by John Lay and Robert Tallman, August 25, 1939, with Retakes of , October 18, 1939
Box 91 Folder 21	Negative Cost Report, undated
	Smart Girl(Paramount, 1935)
Box 91 Folder 22	Final Cost Budget, 1935
Box 91 Folder 23	Revised Working Script, No Author Listed, May 22, 1935
	Smash-Up - The Story of a Woman(Universal, 1947)
Box 91 Folder 24	Audit, June 1948
Box 91 Folder 25	Continuity Index, June 1946
Box 91 Folder 26	Contracts and Correspondence, August 1945-January 1947
Box 91 Folder 27	Correspondence (“Angelica”), July 1945-December 1947
Box 91 Folder 28	Credits and Censorship, April 1946-May 1947
Box 92 Folder 1	Income and Box Office Statements, February 1947-May 1954
Box 91 Folder 2	Music - “Life Can Be Beautiful”
Box 91 Folder 3	Publicity, June 1946-June 1947
	Scripts and Screenplays
Box 91 Folder 4	Revised Final Script, by John H. Lawson, from a Story by Dorothy Parker and Frank Cavett, May 15, 1946; including Revised Final Changes
Box 91 Folder 5	Script Notes and Changes, April-November 1946
Box 91 Folder 6	Shooting Schedules, 1946
	“The Snow Queen”(This Version Unproduced
Box 92 Folder 7	Correspondence and Two Treatments by Robert Thom and Edward DeBlasio, July-August 1964
	“So Gallantly Gleaming” (Unproduced)
Box 92 Folder 8	Clippings, May 1946-April 1959
Box 92 Folder 9	Contracts, July 1939-November 1941
Box 92 Folder 10	Copyright, April 18, 1955
Box 92 Folder 11	Correspondence, September 1939-August 1964
	Scripts and Screenplays
Box 92 Folder 12	Outline for Opening, by Harvey Thew and Peter Ordway, August 9, 1939
Box 92 Folder 13	First Rough Draft Script, by Sonya Levien (Annotated), December 2, 1939
Box 92 Folder 14	First Rough Draft Script, by Levien, December 2, 1939, with Revisions of , April 1940
Box 92 Folder 15	Script, by Levien, with Revisions of April 18, 1940
Box 92 Folder 16	Script, by Levien, undated
Box 92 Folder 17	Script Pages, by Levien, pp. 121-209 (end), with Character Description and Other Material
	Annotated Script Pages, by Levien
Box 92 Folder 18	pp. 1-31 (School and Courtship Sequences), November 1939
Box 92 Folder 19	pp. 32-48 (Marriage Sequence), undated
Box 92 Folder 20	pp. 49-55 (Family Reconciliation Sequence), undated
Box 92 Folder 21	pp. 56-62 (St. Louis Sequence), January 1940
Box 92 Folder 22	pp. 63-65 (Letter Sequence), pp. 66-75 (Pres. Tyler Sequence), and pp. 76-81 (Homecoming Sequence), undated
Box 92 Folder 23	pp. 82-120 (Report Sequence), January 27, 1940
Box 92 Folder 24	pp. 121-130 (Pres. Polk Sequence), February 1940
Box 92 Folder 25	pp. 130-137 (Mrs. Benton's Death Sequence) and pp. 138-147 (Fort Sutter Sequence)
Box 92 Folder 26	pp. 148-156 (Monterrey Sequence) and pp. 157-168 (Jessie and Pres. Polk Sequence)
Box 92 Folder 27	pp. 169-177 (Cahuenga Sequence) and pp. 178-185 (Kit Carson Comes to Washington)
Box 92 Folder 28	pp. 186-203 (Court Martial Sequence) and pp. 204-209 (Benton Home/Ending Sequence)
Box 92 Folder 29	Story, by Harvey Thew and Peter Ordway, undated
Box 92 Folder 30	First Treatment, by Thew and Ordway, undated
Box 92 Folder 31	Memorandum, August 3, 1939, and Revised Treatments, , January 21, 1947, undated
	Soldier of Fortune(Not Produced by Wanger? Another Version Produced by 20th Century-Fox, 1955)
Box 92 Folder 32	Story Outline, by Jay Simms, undated
	“Soul of Paris” (Unproduced)
Box 93 Folder 1	Contracts, Correspondence, and Partial Treatment, No Author Listed, January-April 1950
	South African Project (Unproduced)
Box 93 Folder 2	Correspondence, September-November 1948
	South American Project (Unproduced)
Box 93 Folder 3	Correspendence, March 1939-October 1940
	Spendthrift(Paramount, 1936) Note: See also Box 92, Folder 17.
Box 93 Folder 4	Dialogue Continuity, by George Marion, Jr. and Al Santell, undated
Box 93 Folder 5	Revised Final Continuity (“As Shot”), Original Story by Eric Hatch, Screenplay by Raoul Walsh and Bert Hanlon, May 5, 1936
	Stagecoach(2 Versions, 1939 Version by United Artists)
Box 93 Folder 6	Correspondence, May 1957-October 1965
Box 93 Folder 7	Negative Cost Report, December 1938
Box 93 Folder 8	Revised Final Script, by Dudley Nichols, November 11, 1938
	Stand-In(United Artists, 1937)
Box 93 Folder 9	Revised Final Script, by Gene Towne and Graham Baker, July 16, 1937
Box 93 Folder 9	Negative Cost Report; Staff Sheet, June 1937
	“The Story of Cyllene” (Unproduced)
Box 93 Folder 10	Correspondence, July-August 1946
	The Story of I.G. Farben Project (Unproduced)
Box 93 Folder 11	Clippings, December 1945-January 1946
	Sundown(United Artists, 1941)
Box 93 Folder 12	Final Script, No Author Listed, undated
Box 93 Folder 13	Revised Final Script; No Author Listed, August 16, 1941(Wanger's Annotated Copy, Annotated for Shooting)
	“Sylva” (Unproduced)
Box 93 Folder 14	Correspondence, Contract, and Treatment, February 16, 1963, by Dalton Trumbo, , February-November 1963
	“Take the Stand, Mrs. Langtry” (Unproduced)
Box 93 Folder 14A	Correspondence and CosmopolitanStory, November 1954-February 1956
	Tangier(Universal, 1946)
Box 93 Folder 15	Clippings, March-December 1956
Box 93 Folder 16	Correspondence with Billy Grady, October 1952-July 1954; “One Passage East,” by Billy Grady
Box 93 Folder 17	Legal Correspondence and Contracts, December 1952-September 1959
Box 93 Folder 18	Outlines (“Tanja”) by Gerald Kersh and Correspondence, February 1956
Box 93 Folder 19	Outline and Alternate Beginnings
Box 93 Folder 20	Outline and Treatment (“Incident in Tangier”), by Edwin Blum, with Annotations, March 1956
Box 93 Folder 21	Treatment (“Tanja”), by Blum, with Annotations and Correspondence, March-April 1956
Box 93 Folder 22	Treatment (“The Tangier Story”), undated
	Tap Roots(Universal, 1948
Box 93 Folder 23	Audits, May 1948-October 1949
Box 93 Folder 24	Budget, 1947
Box 93 Folder 25	Contracts, Correspondence, and Payroll, November 1946-October 1950
Box 93 Folder 26	Correspondence, October 1946-October 1949
Box 93 Folder 27	Correspondence with Writers, Synopsis, and Narration, December 1944-September 1964
Box 93 Folder 28	Cost Summaries, Weekly (Universal), April 1947-January 1949
Box 93 Folder 29	Cost Summaries, Weekly (Universal Estimating Department), June-October 1947
Box 93 Folder 30	Cost Summaries, Weekly (Paid by Walter Wanger Pictures Inc.), May 1947-March 1948
Box 93 Folder 31	Income Statements, July 1948-October 1953
Box 93 Folder 32	Loans From Bank of America, May 1947-December 1949
Box 93 Folder 33	Music Set Ups, Set Lists, Added Scenes, 1947
Box 93 Folder 34	Production Reports, Daily, May 1947
Box 93 Folder 35	Publicity, Box Office Receipts, Audience Research, February 1947-January 1949
Box 94 Folder 1	Final Shooting Script, by Alan LeMay, May 8, 1947
Box 94 Folder 2	“Screenwriter's Doodles,” circa April 1947
Box 94 Folder 3	Shooting Schedules, May 1947
	“Terry and the Pirates” (Unproduced)
Box 94 Folder 4	Correspondence and Contracts, August 1940-September 1945
	3-D Follies Project (Unproduced)
Box 94 Folder 5	Correspondence, Drafts, Ideas, March-May 1953
	“Time Out for Ginger” (Unproduced)
Box 94 Folder 6	Correspondence, December 1956-May 1957
	To the People of the United States(U.S. Public Health Service, 1944 or 1945)
Box 94 Folder 7	Estimated Budget, 1943
Box 94 Folder 7	Invoices and Costs re: Production, 1943-1944
Box 94 Folder 8	Contracts, 1943-1944
Box 94 Folder 9-10	Correspondence, November 1942-April 1945
Box 94 Folder 11	Miscellany, April 1942-1944
Box 94 Folder 12	Scripts (Annotated), April 1942-January 1944
	“Top Dog” (Unproduced)
Box 94 Folder 13	Correspondence, August 1956-December 1957; Notes
Box 94 Folder 14	Story Outline, Adapted by Monte Brice, October 19, 1957
	Trade Winds(United Artists, 1938)
Box 94 Folder 15	Cost Report, December 31, 1938; Correspondence, , September 1938; Negative Cost Report, , undated
Box 94 Folder 16	First Rough Draft Script, by Tay Garnett, July 8, 1938
Box 94 Folder 17	Revised Final Script, by Dorothy Parker, Alan Campbell, and Frank R. Adams, September 26, 1938, with Retakes of , October 26, 1938
	Trail of the Lonesome Pine (Paramount, 1936)
Box 94 Folder 18	Final Cost Budget, 1935
Box 94 Folder 19	Reviews, 1936
Box 94 Folder 20	Final Draft Continuity, October 9, 1935, with Revisions of , October 18, 1935
	Tulsa(Eagle Lion, 1949)
Box 94 Folder 21	Breakdown Schedule, Production Report, Proclamations, 1948
Box 94 Folder 22	Budget, Production, June 1948
Box 94 Folder 23	Clippings, 1949
Box 94 Folder 24	Contracts, January-July 1948
	Correspondence
Box 94 Folder 25	General, May 1947-September 1949
Box 94 Folder 26-27	Production, Title, and Premiere Correspondence, November 1947-1949
Box 94 Folder 28	Weekly Cost Statement to Eagle Lion, January 1948-October 1949
Box 95 Folder 1	Weekly Summary of Costs, January 1948-March 1949
Box 95 Folder 2	Financial Statements, October 1951-November 1953
Box 95 Folder 3	Income Statements and Loan Repayment Tickets, June 1949-January 1954
Box 95 Folder 4	Invoices, June-August 1948
Box 95 Folder 5	Daily Production Reports, May-October 1948
Box 95 Folder 6	Publicity and Advertisements, March 1949
Box 95 Folder 7	Research Materials, November 1947-September 1948
Box 95 Folder 8	Story Outline, No Author Listed, February 12, 1948
Box 95 Folder 9	Revised Final Script, by Frank Nugent and Curtis Kenyon, June 10, 1948, with Revisions of , August 30, 1948
	“Uncle Wiggily in Connecticut” (Unproduced)
Box 95 Folder 10	Typescript Second Draft Screenplay, March 11, 1949
	“Underdog” (Unproduced)
Box 95 Folder 11	Correspondence and Contract, 1955-October 1956
	Underworld U.S.A.(Not Produced by Wanger. Another Version Produced by Columbia, 1961)
Box 95 Folder 12	Clippings, September 1955-September 1958
Box 95 Folder 13	Correspondence, August 1955-August 1959
Box 95 Folder 14	Treatment, by Joel Sayre, July 10, 1956
	Vietnam Project (Unproduced)
Box 95 Folder 15	Miscellany, May-June 1962
	Vogues of 1938(United Artists, 1937)
Box 95 Folder 16	Revised Final Script by Bella and Samuel Spewack, July 16, 1937
Box 95 Folder 16	Negative Cost Report, undated
	Charles A. Ward Story (Unproduced)
Box 95 Folder 17	Clippings and Correspondence, June 1955-July 1959
	“The Washington Flyer” (Unproduced)
Box 95 Folder 18	Contracts, 1946
	We've Never Been Licked (Universal, 1943)
Box 95 Folder 19	Clippings, July 1942-1943
	Correspondence
Box 95 Folder 20-22	General, May 1942-March 1945
Box 95 Folder 23	Promotional Letters, November-December 1942
Box 95 Folder 24	Income Statements, October 1943-May 1954
Box 95 Folder 25	Screenplay, by Norman Reilly Raine and Nick Grinde, November 2, 1942, with Revisions of , February 1, 1943
	Winchester '73(Not Produced by Wanger. Another version produced by Universal, 1950)
Box 95 Folder 26	Correspondence and Story Outline, by Stuart N. Lake, January 1946-August 1947
	Winter Carnival(United Artists, 1939)
Box 95 Folder 27	Revised Final Script, by Budd Schulberg, Maurice Rapf, and Lester Cole, May 19, 1939
Box 95 Folder 27	Negative Cost Report, undated
	“A Woman Loves Once” (Unproduced)
Box 96 Folder 1	Contracts, March 1935-November 1941
Box 96 Folder 2	Treatment, Adaptation by Louis Stevens, From the Novel by Michael Arlen, undated
	“The World and Little Willie” (Unproduced)
Box 96 Folder 3	Correspondence, April-July 1948
Box 96 Folder 4	Cost Statements, May-July 1948
	“Yellow Knife” (Unproduced)
Box 96 Folder 5	Budget, Payroll, and Accounts Payable, January 1951-May 1952
Box 96 Folder 6	Clippings, July-November 1951
Box 96 Folder 7	Contracts and Correspondence, August 1951-December 1955
Box 96 Folder 8	Correspondence, 1950-October 1957
	Scripts and Screenplays
Box 96 Folder 9	Typescript, No Author Listed, December 12, 1951
Box 96 Folder 10	Typescript First Draft, by John Tucker Battle, undated
Box 96 Folder 11	Script, by Battle, with Revisions by Dan Ullman, undated
Box 96 Folder 12	Typescript Script, No Author Listed, with Revisions by Edward Bends, undated
Box 96 Folder 13	Typescript Script (“The Puguan”), No Author Listed, undated
Box 96 Folder 14	Script Revisions, No Author Listed, undated
Box 96 Folder 15-16	Script Fragments (Annotated), No Author Listed, undated
Box 96 Folder 17	Original Story in Saturday Evening Post, by Robert Ormond Case, June 1951
Box 96 Folder 18	Story (“Buccaneer of the Barrens”), by Case, undated
	Treatments
Box 96 Folder 19	“New Treatment,” by Case, May 4, 1951
Box 96 Folder 20	Screen Treatment, by Case, February 23, 1953
Box 96 Folder 21	Treatment (“Buccaneer of the Barrens”), by Sidney Franklin, Jr., February 18, 1954
Box 96 Folder 22	Empirical Treatment (“The Buccaneer of the Barrens”), by John Tucker Battle, undated
Box 96 Folder 23	Treatment (“Buccaneer of the Barrens”) by Case, undated
	You Only Live Once(United Artists, 1937)
Box 96 Folder 24	Revised Script (Annotated), by Gene Towne and Graham Baker, undated
Box 96 Folder 25	Revised Final Script, by Gene Towne and Graham Baker, January 8, 1937
Box 96 Folder 25	Negative Cost Report, undated
Box 96 Folder 26-27	Story Ideas and Synopses, Titles A-Z, 1946-1949; Clippings, , December 1936-January 1937
Box 96 Folder 28	“Dead File” - Miscellaneous Film Ideas, August 1949-January 1961
	Series: Television and Theater Files	⇧
	Boys Town Project
Box 97 Folder 1	Correspondence, November 1956
	“Close-Up” Variety Show
Box 97 Folder 2	Synopsis, September 1956
	“Crime Classics” Project
Box 97 Folder 3	Synopsis, November 1956
	“Deal a Blow” Project
Box 97 Folder 4	Correspondence and Script for “Chrysler Corporation Presents,” by Robert Dozier, August 1955-June 1956
	“Dynamite” Project
Box 97 Folder 5	Clippings, April 1955-May 1958
Box 97 Folder 6	Correspondence, August 1956-May 1961
Box 103 Folder 1	Pilot Script and Story Outlines, 1958
Box 103 Folder 2	Presentation, 1958
	“Hollywood House Party”
Box 97 Folder 7	Contract, 1951
	“If I Were President”
Box 97 Folder 8	Correspondence and Synopsis, 1957
	“Jack and the Beanstalk” Project
Box 97 Folder 9	Correspondence and Clippings, November 1955-December 1956
Box 97 Folder 9	Short Story, No Author Listed, circa 1956
	“Jungle Princess” Project
Box 97 Folder 10	Correspondence and Contracts, July 1950
	“Planet Earth”
Box 97 Folder 11	Synopsis, May 1956
	“The Quest” Project
Box 97 Folder 12	Story Outline and Correspondence, August-September 1956
	“Radar 1956” Project
Box 97 Folder 13	Rough Outlines, by Walter Wanger and Dana Tasker, September 1956
	“Stagecoach” Project
Box 97 Folder 14	Correspondence, Presentation, and Story Outline, May-August 1957
	“Steve Canyon” Project
Box 97 Folder 15	Correspondence, September 1951-October 1965
Box 97 Folder 16	Miscellaneous Correspondence Regarding Various Television Properties, September 1956-1961
	Parlor Story(Play) (New York, Biltmore Theatre, 1947)
Box 97 Folder 17	Correspondence, Partnership Agreement, Income, 1946-1951
	Series: Other Papers	⇧
Box 97 Folder 18	BBDO Convention - Records, 1956
Box 97 Folder 19	Conference on Cultural Affairs and Foreign Relations, Los Angeles - Records, 1962
Box 97 Folder 20	Greater Los Angeles Plans Inc., 1945-1949
Box 97 Folder 21	Magic Lantern Process, June 1961
Box 97 Folder 22	Miscellany, 1920-1965
Box 97 Folder 23	Record of J. Arthur Rank Films in the United States, 1948
	Series: Free World Association Records	⇧
Box 97 Folder 24	Advertisements and Copy, 1944
Box 97 Folder 25-26	Americans United for World Organization - Correspondence, Press Releases, and General Papers, 1944-1945
Box 97 Folder 27	Board of Directors Correspondence, 1944-1945
Box 97 Folder 27	Minutes of Board of Directors and Free World Association, Hollywood Section, 1943-1945
Box 97 Folder 28	Commission to Study the Organization of Peace, 1944
Box 97 Folder 29	Committee for Interracial Progress, 1944
Box 97 Folder 30	“Complaints,” 1944-1945
	Correspondence, General
Box 97 Folder 31-33	March 1943-November 1944
Box 98 Folder 1-2	December 1944-August 1945
	Council for Democracy
Box 98 Folder 3	Briefs for Broadcasters Project, 1944-1945
Box 98 Folder 4	Other Papers, 1943-1945
Box 98 Folder 5	“Write Now,” 1944-1946
	Financial Records
Box 98 Folder 6	Banking and Loan Records, 1944-1945
Box 98 Folder 7	Contributions and Fund Raising, 1943-1945
Box 98 Folder 8	Miscellaneous Invoices, 1943-1945
Box 98 Folder 9	Petty Cash Records, 1944-1945
Box 98 Folder 10	Freedom House, 1944
Box 98 Folder 11	Hollywood Free World Association Progress Reports, 1944-1945
Box 98 Folder 11	Los Angeles Free World Association, 1944
Box 98 Folder 12	Leases and Correspondence, 1943, 1945
Box 98 Folder 13	Legislation Research Committee Papers, 1944-1945
Box 98 Folder 14	Lists of Names, 1944-1945
Box 98 Folder 15	Lists of National Committee Members, 1943, undated
	Membership Records
Box 98 Folder 16-17	Applications and Correspondence, Last Names, A-Z
Box 98 Folder 18	Committee Records, 1944
Box 98 Folder 19	Membership and Other Lists, 1943-1944, undated
Box 98 Folder 20	Membership Meeting, Annual, 1944
Box 98 Folder 21	Miscellany, 1944-1945
Box 98 Folder 22	National Citizens Political Action Committee, 1944
	Other Organizations
Box 98 Folder 23-27	A-F, 1944-1945
Box 99 Folder 1-2	G-U, 1944-1945
Box 99 Folder 3	Town Hall, 1944
Box 99 Folder 4	V-W, 1944-1945
Box 99 Folder 5	Personnel Records and Reports, 1944-1945
Box 99 Folder 6	“Questionable” Organizations, 1943-1945
Box 99 Folder 7	Radio Bureau Minutes of Meetings, Correspondence, and Papers, 1944-1945
Box 99 Folder 8	Radio Show Proposed Scripts and Ideas, 1944-1945
	Radio Scripts
Box 99 Folder 9	1943-April 1944
Box 100 Folder 1	July 1944-1945
Box 100 Folder 2	Reservations for Hepburn Meeting, undated
Box 100 Folder 3	Speeches and Articles, 1942-1945
Box 100 Folder 4	Statements of Principle and Drafts, 1944-1945
Box 100 Folder 5	Subscriptions to Free World, 1943-1945
Box 100 Folder 6	Walter Wanger Speech and Miscellany, 1944
Audio 1035A	Series: Audio Recordings	⇧
Audio 1035A/1-4	Interview between Hyams and Wanger, undated
Audio 1035A/5	Council of Motion Picture Organizations Inc., 1951 July 26 Note: Original: Disc 195A/1
Audio 1035A/6	Robert Wise: Thoughts on Trial Scenes; and Wanger Letters, 1958 March? Note: Original: Disc 195A/2
Audio 1035A/7	Side 1, circa 1961 Scope and Content Note: Cable to Joseph L. Mankiewicz, Cleofox Rome, assigning responsibility for the marking and correction of script for Cleopatra, and to include sharp notes on the script pages 126-180; conversation with Peter Levathes and Spyros Skouras mentioned, both in agreement for providing "anything toward the ease of... responsibility" for Mankiewicz.
Audio 1035A/8	Side 1, circa 1961 Scope and Content Note: Cable to Joseph L. Mankiewicz, Cleofox Rome, mentions "Merman matter", recites dates for the execution, sketches, fitting, and shipping of costumes by Irene Sharaff for Cleopatra, ordering of more costumes for Elizabeth Taylor mentioned; recites dates for Leon Shamroy.
Audio 1035A/9	Side 2, 1961 April 26 Scope and Content Note: Personal errands as well as errands and appointments for Shelley Wanger. Scheduling and reminders of appointments and phone calls. Cable to Sid Rogell in London: asks for "Bougerelli" arrival. Notes discussions with Al Hayes and Ed Henry. Long note to [Joseph L.] Mankiewicz: situation on writers, Ernie Lehman, John Patrick, Ted Strauss, and Al Hayes. Talks about MCA, Al Hayes treatment and looking for another writer and about talking to Irene Sharaff and Jess Dean; Mike Kidd also interested in working with Mankiewicz.
Audio 1035A/10	Side 2, 1961 April 26 Scope and Content Note: Long letter to Sid Rogell in London mentioning Rogell's son Tony; unrest on the lot; [Robert] Goldstein, Mr. & Mrs. Eddie Fisher, Joe Mankiewicz, and Donahue; Leo McCarey having great ideas for his picture and the cameraman situation; David Hempstead over the production, looking to get a top choreographer and costume designer; congratulates him on a production. Written on disc: Rogell London.
Audio 1035A/11	Side 1, 1961 April 27 Scope and Content Note: Scheduling and reminders of appointments and phone calls, including with accountant Jess Morgan to discuss his will and taxes. Long letter to Gilbert Miller mentioning plans for exterior and interior shooting of Cleopatra, congratulates him for a theatre production [Dolce Vita] and its reception. Short note to Sid Rogell about Skouras not listening to Wanger. Letter to New York Times publisher Arthur Hayes Sulzberger on his resignation as editor/publisher, mentioning old-fashioned thinking of the majority of newspapers in the country, and agreeing with his attitude toward youth. Asks for synopsis on book titled "A Heartless Light" by Gerald Green to speak to Mr. Strauss about it.
Audio 1035A/12	Side 1, 1961 April 28 Scope and Content Note: Scheduling and reminders of appointments, phone calls, and errands, including with accountant Jess Morgan. Short letter to Martin Gang, to meet with him. Short letter to Edward Beddington-Behrens, regarding Buckhol situation for English and American publication. Letter to Sid Rogell in London, having talked with Rogell's son Tony; talked about big meeting with Merman and Goldstein deciding for travel to Italy first, then Egypt, then back to the US. Notes to speak with Hyman and Stillman. Short thank you note to Ingo Preminger. Short note to Stephanie Wanger.
Audio 1035A/13	Side 1, 1961 May 1 Scope and Content Note: Scheduling and reminders of appointments and phone calls. Personal expenses mentioned. Long letter to daughter Stephanie [Wanger], mentioning a soon to be made decision on a house with Shelley [Wanger]; a possible trip to Italy; travel to Hartford for Stephanie's commencement in about six weeks; advice toward someone named Henrietta; to attach a New York Times article to the letter; and a quote in the letter "there is nothing definite in the world of Fox". Short letter to Sol Lesser. Short letter to Ms. Ruby. Other short correspondences.
Audio 1035A/14	Side 1, 1961 May 2 Scope and Content Note: Scheduling and reminders of appointments and phone calls. A short personal letter to Mrs. Daphne Megus. Short personal note to Judy McHugh. A long letter to Sid [Rogell], about the Raimundo family and issues with the house and expenses, insurance figures and getting losses organized to the proper sum; mentions Cleopatra, trying to get things organized for interior and exterior locations, exterior location to be setup in Italy, then travel to Egypt after; Skouras mentioned, giving him "the same treatment"; big news about Peter Levathes being put in charge of physical operation "whatever that means" he says; mentions visiting Jack Gold; mentions Carlo Ponti's production Madam Sanjay and Peter Finch; Mrs Romando production; Tony & his life; David Hempstead. Other short correspondences.
Audio 1035A/15	Side 1, 1961 May 3 Scope and Content Note: Scheduling and reminders of appointments and phone calls, including with Woody Irwin. Long letter to Sid Rogell mentioning Peter Levathes to be in charge of physical operations speculating that this is a possible step toward showing the board of directors and the shareholders that Skouras is doing something to strengthen the studio operation that lost $15,000,000; discusses a meeting with Skouras and Levathes regarding shooting schedule; mentions current proposed schedule for Cleopatra during the months of July to December; travel to Rome in September is mentioned, then to Egypt, than back to the US studios; mentions morale of studios is terrible. Schedule appointment with Irene Sharaff. Short letter to Kenneth Hyman mentions Ray Stark and a meeting about the next two and a half years.
Audio 1035A/16	Side 2, 1961 May 3 Scope and Content Note: Letter for Helen in London about completing letters, expense book, and appreciation for service.
Audio 1035A/17	Side 2, 1961 May 4 Scope and Content Note: Note to Jess Morgan, thanking him for checks, including a check to Elizabeth Taylor. Scheduling and reminders of appointments and phone calls, including MCA regarding Peter Ustinov, Irene Sharaff, Jack Gold, and others. Mentions his taking of a house, and to move soon. Long letter to Sid Rogell recited, mentioning that life is better in London; mentions big meeting with producers Robert Goldstein introducing Peter Levathes on Cleopatra; Spyros Skouras "railroading" them to start the picture and his disappointment, "tremendous pressure being put on Skouras" by board to begin picture; mentions that he has taken up a house so that Shelley Wanger doesn't stay at a hotel; mentions Berman and new wardrobe for Elizabeth Taylor; mentions that "Joe" is on treatment. Letter about putting a book to picture.
Audio 1035A/18	Side 2, 1961 May 5 Scope and Content Note: Scheduling and reminders of appointments and phone calls, including Johnny Johnston. Note to Mortimer Hall congratulating him on recent production success. Short letter to Paul Shyre congratulating him on production. Elizabeth Taylor mentioned twice.
Audio 1035A/19	Side 1, 1961 May 8 Scope and Content Note: Personal letter to Joan Bennett recited, describing house and living; talking of daughters; mentions "studio situation"; also describes film shoot in Italy & Egypt. Letter to Ms. Fergusen recited about Stephanie Wanger. Written on disc: Mozs ww.
Audio 1035A/20	Side 1, 1961 May 8 Scope and Content Note: Personal scheduling about house and cleaning tasks. Asks to call Walt Disney secretary, about Gerald Durrell books, specifically My Family and Other Animals by Gerald Durell, and The Ring of Bright Water by Gavin Maxwell. Scheduling and reminders for appointments and phone calls, including Woody Irwin and Susan Hayward. Personal expenses mentioned. Note to speak to Owen Mclean about various actors and parts. Scheduling of various business discussions and appointments, among them Charles Feldman, Irene Sharaff, John Michael, and Jess Morgan. Wire to Stephanie Wanger recited. Short note to Joan Bennett recited. Also includes request for copy of "Not to the Sweet", a short story by Tristan Caughan (sp?)
Audio 1035A/21	Side 1, 1961 May 9 Scope and Content Note: Talks about purchase of a car. Letter to Joseph Mankiewiez recited about Cleopatra wardrobe and expenses for Irene Sharaff.
Audio 1035A/22	Side 2, 1961 May 9 Scope and Content Note: Notes to take to Woody Irwin about Elizabeth Taylor deal. Scheduling and reminder of appointments and phone calls, including with Jerry Ward, Peter Levathes, Joseph L. Mankiewicz. Memo on scheduling for the trip East for Stephanie's commencement in Hartford and travel plans. Letter to Stephanie recited about speech and honors. Letter to Ms. Fergusen about Stephanie Wanger. Short note to Lou Greenspan.
Audio 1035A/23	Side 1, 1961 May 10 Scope and Content Note: Short memo to Mankiewicz regarding meeting.
Audio 1035A/24	Side 1, 1961 May 10 Scope and Content Note: Various personal notes and appointments scheduled. Shelley Wanger appointment noted. Note to Ted Strauss about possible production for "Eye Witness" by Jon Stephen Strange. Scheduling of appointments, including Mankiewicz about script. Letter to Hella about accounts book.
Audio 1035A/25	Side 1, 1961 May 11 Scope and Content Note: Scheduling of appointments and phone calls, including Peter Levathes, Ranald MacDougall; "Man with Miraculous Hands" for possible production. Short letter to Y. Frank Freeman recited, Cleopatra mentioned.
Audio 1035A/26	Side 2, 1961 May 12 Scope and Content Note: Scheduling of appointments and phone calls. Personal letter to Stephanie Wanger recited; mentions Elizabeth and Eddie's second anniversary party. Mentions Shelley Wanger. Personal expenses mentioned. Note to send memo to Ted Strauss. Letter to Edward Beddington-Behrens recited. Long letter to Sid Rogell recited, mentioning "Night Out" film production, mentioning a lot about Peter Levathes' installation, production of Mrs. Raimondo; "Leo McCarey situation" mentioned, "David Hempstead situation".
Audio 1035A/26	Side 1, 1961 May 12 Scope and Content Note: Continuation of letter to Sid Rogell, mentioning Shelley Wanger. Also notes a couple of personal and business expenses.
Audio 1035A/27	Side 1, 1961 May 12 Scope and Content Note: Memorandum to Ted Strauss about script regarding Ranald MacDougall deal and Ed Henry. Memorandum to Peter Levathes recited about Irene Sharaff deal for costumes. Written on disc: M + T.
Audio 1035A/28	Side 2, 1961 May 15 Scope and Content Note: Telegram to Peter Levathes recited about 20th Century Fox proposing theater be erected in 1964 for world's fair. Written on disc: P.L.
Audio 1035A/29	Side 1, 1961 May 15 Scope and Content Note: Short note to Martin Quigley recited, mentioning Joan of Arc situation. Scheduling of appointments and phone calls, including Z Wayne Griffin about tickets, Gary Cooper funeral plans and note to call Groucho Marx. Personal expenses mentioned. Short note to James A. FitzPatrick recited. Letter to Hela recited. Other short correspondences, production location of Cleopatra mentioned. Notes to call Dick Dittinger, Richard A. McGee, and Dr. Frimm.
Audio 1035A/30	Side 1, 1961 May 16 Scope and Content Note: Scheduling of appointments. Letter to John Wayne recited, mentioning The Economist, American trailblazers. Discusses possible film projects. Notes on personal errands. Letter to Susan recited. Short note to John McCure recited.
Audio 1035A/31	Side 1, 1961 May 17 Scope and Content Note: Scheduling and reminders of appointments and phone calls. Personal expenses mentioned. Traveling to Las Vegas trip for Eddie Fisher "opening". Letter to Joan Bennett recited. Letter to Stephanie recited.
Audio 1035A/32	Side 1, 1961 May 18 Scope and Content Note: Letter to Spyros Skouras recited, about Fox meeting and Cleopatra. Letter to Sid Rogell recited, about Las Vegas trip, about Cleopatra including the film shooting and Irene Sharraff for costumes, "the Berman situation", and Fox meeting. Scheduling.
Audio 1035A/33	Side 1, 1961 May 19 Scope and Content Note: Insurance book for Mrs. Wanger mentioned, needed for appraisal meeting. Bookings for New York and Connecticut trip for Stephanie's commencement. Scheduling of appointments and discussions, including Ranald MacDougall and Jess Morgan. Letter to Ms. Ferguson about Stephanie's illness. Wire to Stephanie regarding illness. Meeting with Kellogg and Ranald MacDougall for sketches. Scheduling production meeting with Elliot Brown, Ed Graves, Herman Blumenthal, and Bill Abbott. Personal letter to Mrs. May Raimundo recited. Cleopatra scenes and costuming talked about briefly, to discuss.
Audio 1035A/34	Side 1, 1961 May 19 Scope and Content Note: Letter to hosts of a party, Mr. and Mrs. Ferrera, recited. Note to Eddie Fisher recited congratulating him for his work. Note to Eddie Reuben recited. Bookings for New York and Connecticut for commencement in June. Letter to Lee Steiner, putting in a good word for editor and producer David Hempstead, to help in Italy.
Audio 1035A/35	Side 1, 1961 May 22 Scope and Content Note: Expenses about clothes fitting and Sid Rogell bill. Scheduling and reminder of appointments for phone calls and meetings, including Martin Gang and Harold Anderson. Randy (Ranald) MacDougall contract for dates on script mentioned. Personal letters. Short letter to Lawrence Durrell recited about Cleopatra picture in Italy and notes. Memo to wardrobe department about costuming for Elizabeth Taylor. Recites list of films to watch, including Julius Caesar, Psycho, and Town Without Pity. To talk to Mr. Wolf about "Man with the Miraculous Hands". Letter to Susan Hayward, talking about make-up for Elizabeth Taylor on Cleopatra. Polio booster shot for Stephanie. Expenses for Elizabeth Taylor. Personal errands recited. Enlargements made for Mankiewicz.
Audio 1035A/36	Side 1, 1961 May 22 Scope and Content Note: Letter to Martin Quigley recited, about Skouras' Fox meeting; about Sid Rogell, Cleopatra; about Joan of Arc. Short letter to Alec Waugh. Short note to Paul Shyre. Short note to Howard Dimsdale. Short letter to a university press. Other short correspondences. Written on disc: A+T.
Audio 1035A/37	Side 2, 1961 May 23 Scope and Content Note: Notes on purchasing furniture for Shelley Wanger. Plans for Stephanie Wanger's Birthday.
Audio 1035A/38	Side 2, 1961 May 23 Scope and Content Note: Letter to Stephanie Wanger recited, about college and home visit. Short note to Jack Gold recited. Note to Harry Wanger recited, briefly talking about Cleopatra: "I think it will be one of the greatest pictures ever made". Short letter to Irene Sharaff recited, mentioning arrangement for Elizabeth Taylor. Other short correspondences.
Audio 1035A/39	Side 1, 1961 May 24 Scope and Content Note: Letter to Sid Rogell recited about Cleopatra, mentioning shooting schedule and Elizabeth Taylor's health. Mentions "American Service Friends Committee", a charitable organization. Letter to Anne Moore, mentioning Arthur Wagner's book. Short letter to Martin Quigley about Joan of Arc. Letter to Spyros Skouras recited regarding the "Man with the Miraculous Hands", defending greatly the story. Other short correspondences.
Audio 1035A/40	Side 2, 1961 May 26 Scope and Content Note: Memorandum to Ted Strauss recited about "A Shooting Star". Note to Mrs. Wanger recited about Shelley Wanger. Scheduling and reminders of appointments and phone calls.
Audio 1035A/41	Side 1, 1961 May 26 Scope and Content Note: Short letter to Martin Quigley recited. Letter to Stephanie recited, Tom Mankiewicz mentioned. Letter regarding the JBS movement. Personal errands mentioned. Written on disc: (2).
Audio 1035A/42	Side 1, 1961 May 29 Scope and Content Note: Scheduling and reminders of appointments and phone calls. Personal expenses mentioned. Notes to Randy [Ranald MacDougall] recited. Short note to Ms. Ferguson recited. Letter about a book that deals with the legal aspects of a war criminal. Reminder to schedule appointment for Stephanie to take driving lessons.
Audio 1035A/43	Side 1, 1961 May 31 Scope and Content Note: Scheduling and reminders of appointments and phone calls. Mentions that he made a call to Governor Brown. Notes to Ranald MacDougall recited. Note to Marty Durow. Note to Sid Rogell. Other short correspondences.
Audio 1035A/44	Side 2, 1961 June 1 Scope and Content Note: Letter to Mrs. May Raimundo recited, regarding plans to go to Italy. Letter to Sid Rogell.
Audio 1035A/45	Side 1, 1961 June 5 Scope and Content Note: Confirmation of flights and transportation for Hartford commencement for Shelley and Mrs. Wanger. Note about car repair. Note to Pete Montimuros (?) regarding Mrs. Wanger. Wire of condolences to George S. Carlton recited.
Audio 1035A/46	Side 1, 1961 June 5 Scope and Content Note: Scheduling and reminders of appointments and phone call. Note to Owen Mclean recited, regarding the need for English actors and a casting director in London.
Audio 1035A/47	Side 1, 1961 June 5 Scope and Content Note: Telegram to C.D. Jackson recited, congratulating him.
Audio 1035A/47	Side 2, 1961 June 5 Scope and Content Note: Letter to Richard McGee recited, regarding ideas for a television program. Letter to Shirley Anne Field recited, complementing her and talking about her career. Note to Jess Morgan recited, regarding finances. Other correspondences.
Audio 1035A/48	Side 1, 1961 June 7 Scope and Content Note: Long letter to Joseph L. Mankiewicz recited, regarding script and going through scenes that could be eliminated; mentions MacDougall and Skouras; change of plans for Elizabeth Taylor along with Eddie Fisher; question of who will play Caesar; regarding casting, Mclean mentioned. Personal scheduling and appointments mentioned.
Audio 1035A/49	Side 1, 1961 June 8 Scope and Content Note: Note to Ranald MacDougall recited regarding finishing script through to "assassination" scene. Note to Spyros Skouras recited regarding the story "Shooting Star" for Joanne Woodward. Personal expenses mentioned. Personal scheduling.
Audio 1035A/50	Side 1, 1961 June 13 Scope and Content Note: correspondences. Scheduling and reminders of appointments, including with MacDougall & Mankiewicz.
Audio 1035A/51	Side 1, 1961 June 13 Scope and Content Note: Memorandum to Peter Levathes recited regarding the proposed international convention. Written on disc: P. Levathes.
Audio 1035A/52	Side 2, 1961 June 14 Scope and Content Note: Talks about convention, the event, and proposes his ideas for the film industry.
Audio 1035A/52	Side 1, 1961 June 14 Scope and Content Note: Continues talking about his ideas for the film industry regarding the convention. Written on disc: convention.
Audio 1035A/53	Side 1, 1961 June 15 Scope and Content Note: Scheduling and reminders of appointments and phone calls. Note to Doc Merman recited, Mankiewicz and Leon Shamroy mentioned.
Audio 1035A/54	Side 1, 1961 June 16 Scope and Content Note: Family situations. Personal expenses mentioned. Scheduling and reminders of appointments and phone calls. Letter to Ted Halworth recited.
Audio 1035A/55	Side 2, 1961 June 16 Scope and Content Note: Letter to Dr. Wallace Sterling at Stanford University, regarding Stephanie Wanger and future educational plans. Written on disc: Stanford.
Audio 1035A/56	Side 1, 1961 June 19 Scope and Content Note: Short letter to Y. Frank Freeman recited. Scheduling and reminders of appointments and phone calls. Personal expenses mentioned. Short thank you letters regarding Father's day.
Audio 1035A/57	Side 1, 1961 June 19 Scope and Content Note: Letter to Mrs. Kenneth Tyman regarding film screening. Other short correspondence. Written on disc: eve.
Audio 1035A/58	Side 1, 1961 June 20 Scope and Content Note: Scheduling and reminders of appointments and phone calls. Personal expenses mentioned. Short letter to Heller about Dictaphone and some finances.
Audio 1035A/59	Side 1, 1961 June 21 Scope and Content Note: Scheduling and reminders of appointments and phone calls.
Audio 1035A/60	Side 1, 1961 June 22 Scope and Content Note: Scheduling and reminders of appointments and phone calls. Personal expenses mentioned. Short note to Owen Mclean recited regarding casting. List of people for casting mentioned. Short note to Peter Levathes recited.
Audio 1035A/61	Side 1, 1961 June 23 Scope and Content Note: Notes for Cleopatra recited - Irene Sharaff for costumes, also recites schedule for Cleopatra staff and cast, including accommodations for Egypt & Rome. Short memo to Owen McLean recited. Short note to Ted Strauss recited regarding script synopsis. Short note to Peter Levathes recited. Errands and appointments noted.
Audio 1035A/62	Side 1, 1961 June 26 Scope and Content Note: Scheduling and reminders of appointments and phone calls. Short letter to Mrs. Raimundo recited. Short note to Spyros Skouras regarding publicity director.
Audio 1035A/63	Side 1, 1961 June 27 Scope and Content Note: Scheduling and reminders of appointments and phone calls, including Jack Smith about convention, Eddie Fisher meeting. Letter to Christian A. Herter at Atlantic Council recited about helping out in some way. Letter to Henry Mayers regarding the Cold War Council.
Audio 1035A/64	Side 2, 1961 June 28 Scope and Content Note: Personal expenses mentioned. Scheduling and reminders of appointments and phone calls. Memorandum to Ted Strauss recited regarding a synopsis for "Spirit Lake" motion picture. Mentions "The Changeling" play.
Audio 1035A/65	Side 1, 1961 June 30 Scope and Content Note: Daughters talked about. Scheduling and reminders of appointments and phone calls. Personal letter to Mr. & Mrs. Luthie recited regarding their hosting of Stephanie Wanger. Note to Peter Levathes about studio organization.
Audio 1035A/66	Side 1, 1961 July 3 Scope and Content Note: Memorandum to Joseph L. Mankiewicz recited, material in the book "Slaves of Timbuktu" talked about as possibility to put to picture or play. Letter mentioning Peter Levathes as a "man of integrity" and "able to do what is necessary", Goldstein's "complete elimination", and Moskowitz being "a cancer" and "a menace to any progress"; mentions scheduling and expenses of Cleopatra.
Audio 1035A/67	Side 1, 1961 July 5 Scope and Content Note: Short letter to Denny Morrison regarding casting. Scheduling and reminders of appointments and phone calls. Letter to Kenneth Hyman recited, talks about production plans for Cleopatra, and good word about Peter Levathes. Note to Peter Levathes recited. Personal expenses mentioned.
Audio 1035A/68	Side 1, 1961 July 5 Scope and Content Note: Personal expenses mentioned. Scheduling and reminders of appointments and phone calls, including John Michael.
Audio 1035A/69	Side 1, 1961 July 6 Scope and Content Note: Letter to Bernie recited.
Audio 1035A/70	Side 2, 1961 July 7 Scope and Content Note: Scheduling and reminders of appointments and phone calls, including with Mr. Weinstein and Arthur Jacobs. Letter to Johnny Johnston recited regarding Cleopatra costume and casting organization, and accommodations in Rome. Notes to himself recited.
Audio 1035A/71	Side 1, 1961 July 7 Scope and Content Note: Letter to Jerry Wald recited. Letter to Mrs. Raimundo.
Audio 1035A/72	Side 1, 1961 July 10 Scope and Content Note: Notes for Roddy McDowall recited, on Cleopatra including specific scenes. Short letter to Frank Cooper. Short note to Henry Ginsberg. Other correspondences. Letter to John Peticari regarding plans for accommodations in Italy, and college plans for Stephanie.
Audio 1035A/73	Side 1, 1961 July 10 Scope and Content Note: Letter to Johnny [Johnston] recited, concerning money in Rome, mentioning costumes in Cleopatra. Short letter to Sid Rogell recited. Letter to Shirley Anne Field. Written on disc: AFT.
Audio 1035A/74	Side 1, 1961 July 11 Scope and Content Note: Personal letter to Ella Wanger and Harry Wagner (brother and sister) recited. Scheduling and reminders of appointments and phone calls, including Jess Morgan and Martin Gang. Expenses mentioned.
Audio 1035A/75	Side 2, 1961 July 12 Scope and Content Note: Thank you letters recited for Birthday wishes, including to Elizabeth Fitzgerald and Justine [Wanger].
Audio 1035A/75	Side 1, 1961 July 12 Scope and Content Note: Memo to Ted Strauss
Audio 1035A/76	Side 1, 1961 July 12 Scope and Content Note: Thank you letters recited for Birthday wishes. Long memorandum to Peter Levathes, mentioning campaigning for Cleopatra, Charles Einfeld mentioned in relation to Ms. Weber. Written on disc: AFT.
Audio 1035A/77	Side 1, 1961 July 13 Scope and Content Note: Scheduling and reminders.
Audio 1035A/78	Side 1, 1961 July 14 Scope and Content Note: Personal expenses mentioned. Scheduling and reminders of errands, appointments and phone calls. Note to Pete Montemuros recited regarding air conditioner.
Audio 1035A/79	Side 2, 1961 July 14 Scope and Content Note: Letter to Ted Strauss recited, mentioning shooting in Italy. Short note to Dorothy Spencer recited.
Audio 1035A/80	Side 1, 1961 July 14 Scope and Content Note: Letter to Peter Levathes to discuss the preliminary advertising plans for Cleopatra, production to be taking place soon, also preliminary announcements to discuss soon.
Audio 1035A/81	Side 1, 1961 July 17 Scope and Content Note: Scheduling and reminders of appointments and phone calls. Personal expenses recited. Notes. Schedule planning for Cleopatra. Letter to president of national television company. Letter about new Dictaphone. Letter to Bert Clarke recited, bringing a picture to his attention. Letter to Thomas Stanford recited, mentioning setup for Cleopatra. Letter to Edward Beddington-Behrens. Note to Edgar A. Manning Jr. on status of Joan of Arc. Letter about production in Pakistan. Other correspondences.
Audio 1035A/82	Side 1, 1961 July 17 Scope and Content Note: Letter recited about cast for Cleopatra. Scheduling and reminder of appointments and phone calls.
Audio 1035A/83	Side 1, 1961 July 18 Scope and Content Note: Short letter to Mrs. Raimundo recited. Notes on [Irene] Sharaff and costumes talked about. Cable to Johnson at Cleofox Rome about villas for the Fishers. Letter to Israel Sieff recited, asking about role for Caesar, and a book to set to film.
Audio 1035A/84	Side 1, 1961 July 20 Scope and Content Note: Notes regarding conversation with Joseph Mankiewicz about Waxman deal, casting issues and publicity for Cleopatra. Letter to Julio Pascarelli about Cleopatra merchandising in Rome.
Audio 1035A/85	Side 2, 1961 July 20 Scope and Content Note: Short personal notes to Siegi Sessler, Babett Green, Nicholas Damascus and Maurice Newton recited. Letter to Al Matthews. Scheduling of appointments and phone calls.
Audio 1035A/86	Side 1, 1961 July 24 Scope and Content Note: Long letter to Joseph Mankiewicz recited discussing Cleopatra, including costumes, dates, casting.
Audio 1035A/87	Side 1, 1961 July 25 Scope and Content Note: Scheduling and reminders of appointments and phone calls. Funds to Dartmouth. Note to Johnny Johnston recited. Other short correspondences.
Audio 1035A/88	Side 2, 1961 July 26 Scope and Content Note: Letter to Giuseppe Amato regarding shooting of picture in Rome, and congratulations on La Dolca Vita. Letter to Carl Beier regarding possible upcoming film project. Other short correspondences recited.
Audio 1035A/89	Side 1, 1961 July 27 Scope and Content Note: Long letter to Joseph L. Mankiewicz recited about Cleopatra, regarding script draft changes, discussion of actors for parts, shooting dates, budgets, progress of costuming, and storyboarding.
Audio 1035A/90	Side 1, 1961 July 28 Scope and Content Note: Letter to Gilbert Miller recited regarding progress of Cleopatra. Other short correspondences.
Audio 1035A/91	Side 2, 1961 July 31 Scope and Content Note: Personal letter to Eddie Fisher recited. Letter to Edward Beddington-Behrens. Personal expenses mentioned. Plans for personal care in Rome. Scheduling and reminders of appointments and phone calls. Other correspondences.
Audio 1035A/92	Side 2, 1961 August 1 Scope and Content Note: Letter to Joseph L. Mankiewicz about casting for Eiras role.
Audio 1035A/92	Side 1, 1961 August 1 Scope and Content Note: Short letter to Joseph L. Mankiewicz (abruptly ends).
Audio 1035A/93	Side 1, 1961 August 7 Scope and Content Note: Letter to Julio recited regarding travel plans to Rome and acquiring a Dictaphone.
Audio 1035A/94	Side 2, 1961 August 7 Scope and Content Note: Plans and arrangements for travel to Rome. Memorandum to Peter Levathus recited, about doctors to accommodate Elizabeth Taylor.
Audio 1035A/95	Side 1, 1961 August 7 Scope and Content Note: Personal Scheduling
Audio 1035A/96	Side 2, 1961 August 7 Scope and Content Note: Plans for travel to Rome. Synopsis for books. Memorandum to Ted Strauss recited about a subject to put to picture. Memorandum to Eddie Fisher about trip to Rome. Reminders. Scheduling of appointments and phone calls.
Audio 1035A/97	Side 2, 1961 August 8 Scope and Content Note: Letter about Stephanie and Shelley Wanger recited. Written on disc: Mozsul.
Audio 1035A/98	Side 1, 1961 August 8 Scope and Content Note: Scheduling of appointments. Personal correspondence.
Audio 1035A/99	Side 1, 1961 August 8 Scope and Content Note: Plans and arrangements for shipping belongings to Rome.
Audio 1035A/100	Side 1, 1961 August Scope and Content Note: Long letter to Joseph L. Mankiewicz recited about Mankiewicz's interview; publicity about picture; Einfield mentioned along with new members of the board; also about costumes; dates of people getting to Rome for Cleopatra; costumes for Burton; about script; script persued by Peter Levathes; Levathus is also money conscious due to board members who have an "orthodox view about the operation"; Skouras mentioned.
Audio 1035A/101	Side 1, 1961 August 8 Scope and Content Note: Scheduling and reminders of appointments and phone calls. Reminder to call about Elizabeth Taylor costumer fitting. Letter to Peter Levathes recited about script, and upcoming work to reduce script to 220 pages.
Audio 1035A/102	Side 1, 1961 August 9 Scope and Content Note: Long letter to Joseph L. Mankiewicz recited, expressing his opinions on characters and script for Cleopatra; updates on expenses for costumes. Gould is out of chairman of operating committee.
Audio 1035A/103	Side 2, 1961 August 9 Scope and Content Note: Personal expenses. Scheduling and reminders of appointments and phone calls.
Audio 1035A/104	Side 1, 1961 August 10 Scope and Content Note: Treves speaking about how to benefit Fox better.
Audio 1035A/105	Side 2, 1961 August 10 Scope and Content Note: Note to Arthur Jacobs recited, talking about discontent on biography. Long letter to Joseph L. Mankiewicz recited about the Cleopatra script, going through details of what Wanger would like changed.
Audio 1035A/106	Side 2, 1961 August 10 Scope and Content Note: Scheduling and reminders of appointments and phone calls. Notes to write down, including concern about publicity. Other correspondences recited, including letter to Ms. Hariet, Meg about Ms. Fisher
Audio 1035A/107	Side 2, 1961 August 11 Scope and Content Note: Personal expenses recited. Letter to Mr. John recited about promotional items. Other correspondences.
Audio 1035A/108	Side 1, 1961 August 11 Scope and Content Note: Asking for file about Elizabeth Taylor's fittings.
Audio 1035A/109	Side 1, 1961 August 14 Scope and Content Note: Note to Gore Vidal recited. Scheduling and reminders of appointments and phone calls. Long letter to Peter Levathes recited about company negotiations on Hayley Mills upcoming pictures; about company distribution; about ideal changes to both Fox's internal dealings and its dealings with actors; calling for more honesty and respect. Indicated on disc: Part I.
Audio 1035A/110	Side 1, 1961 August 14 Scope and Content Note: Notes for errands. Notes for Peter Levathes recited. Long letter to [Peter] Levathes recited about Cleopatra in Egypt and how to protect members financially. Note to Joseph L. Mankiewicz recited about script. Indicated on disc: Part II.
Audio 1035A/111	Side 1, 1961 August 15 Scope and Content Note: Note to Owen McLean recited. Scheduling and reminders of appointments and phone calls.
Audio 1035A/112	Side 1, 1961 August 15 Scope and Content Note: Scheduling, arrangements, and notes.
Audio 1035A/113	Side 1, 1961 August 15 Scope and Content Note: Letter regarding arrangement for Dictaphone machine recited.
Audio 1035A/114	Side 1, 1961 August 16 Scope and Content Note: Scheduling and reminders of appointments and phone calls, as well as errands. Short letter to Martin Quigley recited regarding an audience with the Pope while in Rome. Note to Peter Levathes recited on Cleopatra.
Audio 1035A/115	Side 1, 1961 August 17 Scope and Content Note: Short notes to write down, travel and accomodation arrangements.
Audio 1035A/116	Side 1, 1961 August 18 Scope and Content Note: Short notes, and scheduling of appointments.
Audio 1035A/117	Side 2, 1961 August 18 Scope and Content Note: Letter to Joseph L. Mankiewicz recited regarding script and shooting timetable, talks of Irene Sharaff (good words); discusses some casting issues, and speaks of Rogell to represent the company.
Audio 1035A/118	Side 1, 1961 August 21 Scope and Content Note: Letter to Joseph L. Mankiewicz about not depending on Egypt.
Audio 1035A/119	Side 2, 1961 August 21 Scope and Content Note: Arrangements and errands for travel to Rome. Review of conversation with Mankiewicz regarding accommodations in Rome for John Campbell, Harry Martin, Rex Harrison and others. Reminder of discussion with Jess Morgan.
Audio 1035A/120	Side 2, 1961 August 23 Scope and Content Note: Note for errands.
Audio 1035A/121	Side 1, 1961 August 23 Scope and Content Note: Short correspondence.
Audio 1035A/122	Side 1, 1961 August 24 Scope and Content Note: Arrangements and personal expenses mentioned. Short note to Ted Strauss about returned scripts. Letter to David Selznick recited about possible director for picture. Other short correspondences.
Audio 1035A/123	Side 1, circa 1961 Scope and Content Note: Letter to Newton Thompson about Stephanie Wanger's travels. Letter to Andrew Martom about letter to Sid Rogell. Scheduling and reminders of phone calls. Letter about an author from Pakistan. Other correspondences.
Audio 1035A/124	circa 1962
Audio 1035A/125	Side 2, circa 1955 Scope and Content Note: Short letter to William C. McMillan recited. Scheduling and reminders of appointments and phone calls. Short letter to Senator Richard Neuberger recited. Letter to C.J. Latta recited regarding upcoming science fiction picture.
Audio 1035A/126	Side 1, circa 1955 Scope and Content Note: Short letter to Richard McGee recited. Short letter to Kay Lanard recited. Scheduling and reminders of appointments and phone calls. Short note to Archie "the bear" recited. Letter to Jack [Lewis?] recited. Other correspondences.
Audio 1035A/127	Side 1, circa 1955 Scope and Content Note: Scheduling and reminders of appointments and phone calls. Notes about scripts for Mr. Gardner.
Audio 1035A/127	Side 2, circa 1955 Scope and Content Note: Short note recited to Clem Post regarding Ms. Bennett. Letter to James Brewster regarding movie reviews and visit. Letter to Mr. Newsom recited. Letter to "Susan" regarding personal issues recited. Letter to Mr. Nations recited. Personal expenses mentioned. Scheduling and reminders of appointments and phone calls. Other correspondences.
Audio 1035A/128	Side 2, circa 1955 Scope and Content Note: Note to brother Harry Wanger recited. Note to Dana Tasca recited. Note to Weldon Beckett. Wire sent to Gordon Knox. Note to Bill Rosenson recited. Note to Paige "Gus" Brown recited. Letter to Carminn Jones. Note recited to Ed Ainsworth at the Los Angeles Times. Letter to Senator Richard Neuberger recited. Note recited for Robin Moore about project. Letter to someone at Rockefeller center. Other correspondences.
Audio 1035A/129	Side 2, 1955 May 5 Scope and Content Note: Letter to Walt Disney recited. Notes. Scheduling and reminders of appointments and phone calls. Other correspondences.
Audio 1035A/129	Side 1, 1955 May 10 Scope and Content Note: Letter to Spyros Skouras recited, Marilyn Monroe picture negotiation situation mentioned. Letter recited to Paul Nations. Letter to Mrs. Harry Wanger recited regarding her recent hospital visit and ideas.
Audio 1035A/130	Side 1, 1955 May 19 Scope and Content Note: Scheduling and reminders of appointments and phone calls. Memorandum to Jess Morgan recited, expenses mentioned, as well as upcoming stories and scripts. Letter to Dorothy McCann recited. Short note to John Crosby. Other correspondences. Note to Etta and Harry Wanger recited. Other notes recited.
Audio 1035A/130	Side 2, 1955 May 23 Scope and Content Note: Scheduling and reminders of appointments and phone calls. Request to send script to Dick Hermance. Letter recited to Dorothy McCann regarding recently watched picture. Note to Harry Bolillis at General Mills recited regarding speech. Letter to James Duffy, Jr. recited. Other correspondences.
Audio 1035A/131	Side 1, 1955 May 16 Scope and Content Note: Scheduling and reminders. Short letter recited to Dr. Jack Smith thanking him for his thoughts during his illness. Letter to John O'Hara about recent work. Short letter to General Sarnoff recited. Short letter to Walter Winchell. Letter to Don Siegel recited regarding music deal. Letter recited to Sergio Valencia. Letter recited to Kevin McCarthy. Letter to John Daly. Letter to Paul Palmer recited. Letter recited to H. Bruce McClain. Other correspondences.
Audio 1035A/131	Side 2, 1955 May 20 Scope and Content Note: Scheduling and reminders. Note recited to Jess Morgan. Other correspondences.
Audio 1035A/132	Side 1, 1955 May 27 Scope and Content Note: Notes. Letter to Ann Watkins recited. Letter to Alex Par recited. Note to Chet Huntley recited. Letter to Bill Rosenson recited. Other correspondences.
Audio 1035A/132	Side 2, 1955 May 25 Scope and Content Note: Notes. [content inaudible]
Audio 1035A/133	Side 1, 1955 May 24 Scope and Content Note: Letter to Mr. Goldsmith recited regarding obtaining perfumed flannels from Europe. Note to David Sarnoff's secretary. Telegram to Judith Gardan. Appointments and errands. Letter recited by Mrs. Wanger "to Charvet et Fils" inc. Letter recited to Allen Mobry regarding script. Other correspondences.
Audio 1035A/133	Side 2, 1955 May 26 Scope and Content Note: Note to Paul Palmer recited. Letter to Jim Riley recited. Notes, errands, and other correspondences.
Audio 1035A/134	Side 1, 1955 May 29 Scope and Content Note: Notes. Scheduling and reminders of phone calls. Expenses mentioned. Letter recited regarding "The Queen of the Universe" and its development of the television series as "Out of this World". Letter to Dick [Richard] Hermance recited. Letter to Jess Morgan recited. Other correspondences.
Audio 1035A/135	Side 1, 1955 June 7 Scope and Content Note: Letter to Helen Morgan recited. Letter to Harriet S. Keith recited. Letter to Norman Chandler recited. Notes for speech to be given in St. Paul - on moral leadership and industry development, politics. Other correspondences.
Audio 1035A/135	Side 2, 1955 June 6 Scope and Content Note: Cannot determine what is being said up until 00:04:09. Letter about TV program. Letter to Warner Bros. studios. Errands. Other correspondences.
Audio 1035A/136	Side 1, 1955 June 10 Scope and Content Note: Cannot determine what is being said up until 00:02:12. Letter to Bill [unidentified] recited regarding resignation. Scheduling and reminders of phone calls, appointments and correspondences. Other correspondences.
Audio 1035A/136	Side 2, 1955 June 8 Scope and Content Note: Recites parts of final draft of speech to be given at St. Paul, Minnesota.
Audio 1035A/137	Side 1, 2015 June 15 Scope and Content Note: Scheduling and reminders of appointments and phone calls with Walter Mirisch, Sam Jaffee, and others. Note to Greg Boucher. Errands. Correspondences.
Audio 1035A/137	Side 2, 1955 June 13 Scope and Content Note: Long personal letter to Ella and Harry in England recited. Letter to George [Seaten?] recited. Harriet S. Keith mentioned about speech in St. Paul, Minnesota. Letter to Maxwell shoe company recited. Letter of resignation of director to Milton [Mount?]. Letter to E.F. McDonald recited. Other correspondences.
Audio 1035A138	Side 1, 1955 June 22 Scope and Content Note: Cannot determine what is being said up until 00:02:20. Letter to Jules [Raucourt?] recited. Other short correspondences.
Audio 1035A/138	Side 2, 1955 June 14 Scope and Content Note: Letter to Dr. Cole in California recited. Letter to Chet [Huntley?] recited. Letter to David [Lawrence?] recited. Letter about a new picture. Letter to Harry [Ackerman?] at CBS recited. Notes about his "War of the Worlds" broadcast. Letter to Dr. Peter Winter recited. Other correspondences.
Audio 1035A/139	Side 1, circa 1955 Scope and Content Note: Notes about screenplay. Scheduling. Memorandums. Notes.
Audio 1035A/139	Side 2, 1955 May 9 Scope and Content Note: Speech notes for St. Paul, Minnesota. Written on disc: June 19th Speech Notes.
Audio 1035A/140	Side 1, 1955 June 27 Scope and Content Note: Letter to Alex [Par?] recited. Letter to Charles [Ward?] recited. Scheduling and reminders. Letter to D.B. [Thornburn?] at JWT company recited. Letter to Chet [Huntley?] recited. Short letter to John Flinn recited. Short letter to Carl Byoir recited. Expenses briefly mentioned for trip to St. Paul, Minnesota. Other correspondences.
Audio 1035A/140	Side 2, 1955 June 24 Scope and Content Note: Multiple letters of appreciation recited about the meeting in St. Paul Minnesota, including letter to [Page] "Gus" Browne.
Audio 1035A/141	Side 1, 1955 July 5 Scope and Content Note: Cannot determine what is being said up until 00:02:11. Scheduling and reminders. Notes. Letter to Henry [Ginsberg?] recited. Other correspondences.
Audio 1035A/141	Side 2, 1955 July 11 Scope and Content Note: Multiple letters of appreciation on his Birthday wishes. Note to Henry [Taylor?] recited. Letter to Bill [Rosenson?] recited. Other correspondences.
Audio 1035A/142	Side 1, 1955 July 13 Scope and Content Note: Note to Paul [Palmer?] recited. Note to Bruce [Barton?] recited. Letter to General Paul [Zuckerman?] recited. Note to Victor [Rissel?] recited. Note to Maurice [Newton?] recited. Other correspondences.
Audio 1035A/142	Side 2, 1955 July 5 Scope and Content Note: Memorandum regarding "The Body Snatchers" recited, mentioning re-editing, retakes, refinements, changing music segments, campaigning etc. Written on disc: Body Snatchers Memo.
Audio 1035A/143	Side 1, 1955 July 14-15
Audio 1035A/143	Side 2, 1955 July 18 Scope and Content Note: Letter to [J.D.?] Danforth recited regarding closed-circuit television. Notes. Expenses briefly mentioned. Letter to Phil [Murdock?] recited. Letter to Walter [Mirisch?] recited. Letter to Frank [Wilson?]. Long note recited to Harry [Louis?].
Audio 1035A/144	Side 1, 1955 July 20 Scope and Content Note: Letter to Lou [Shriver?] at Fox recited. Memorandum about John Cameron Swayze. Scheduling and reminders of phone calls. Note to Bill [Rosenson?] recited. Cable recited to James [Wolf?]. Note to Walt Disney recited. Leonard Goldenson head of Paramount.
Audio 1035A/144	Side 2, 1955 July 21 Scope and Content Note: Note to Carroll Righter recited. Note to Dr. Arthur [Kunz?] recited. Letter to Bill [unidentified] recited. Note to Bruce [Barton?]. Note to Bill [Rosenson?] recited. Other correspondences.
Audio 1035A/145	Side 1, 1955 July 24 Scope and Content Note: Letter to Page Browne recited. Note to Jess Morgan recited. Other correspondences.
Audio 1035A/145	Side 2, circa 1955 Scope and Content Note: Very short memo.
Audio 1035A/146	Side 2, 1955 July 26 Scope and Content Note: Letter to Paul [Coates?] recited. Letter to [Lowell?] Thomas recited. Letter to [Norton?] [Richie?] regarding "Body Snatchers". Letter to "Research Institute of America" recited. Letter to Leo Cherne recited, head of Research Institute of America. Letter to Charles A. Ward recited. Letter to [Marshal E.?] [Johnson?] at Green Acres Inc. Letter to [Hirosi?] [Karawatsky?] recited. Teletype to [Rosenson?] recited.
Audio 1035A/147	Side 1, 1955 July 26 Scope and Content Note: Joan Bennett reciting letters; to Mr. Jerry Pickman at Paramount Pictures Inc., to Howard [Hayne?] at Paramount Pictures Inc., to Arnold Van Leer at Paramount Film distributing center, to Ralph Buring at Paramount Film Distribution Corporation, to Page Browne. Written on disc: Mrs. Wanger. Paramount and Page Browne.
Audio 1035A/147	Side 2, 1955 August 2 Scope and Content Note: Personal expenses briefly mentioned. Letter to Israel [Seith?] recited. Letter to [Jim Brewster?]. Letter to H.W. [Morrison?] recited. Note to Hilton recited. Other correspondences.
Audio 1035A/148	Side 1, 1955 August 11 Scope and Content Note: Notes regarding "Jack and the Beanstalk". Letter to Mr. [Ward?].
Audio 1035A/148	Side 2, 1955 August 8 Scope and Content Note: Notes. Note to Spyros Skouras recited. Letter to [Bill Rosenson?] recited. Note to Jerry [Wahls?] recited. Note to Harry [Lou?] recited. Letter to Arthur [Kunz?] recited. Letter to Will [Turnberg?] recited. Letter to George [Sharp?] recited. Letter to brother recited. Other correspondences.
Audio 1035A/149	Side 1, 1955 August 11 Scope and Content Note: Letter to Eddie [Arbenson?] recited. Letter to Anne [Baxter?] recited. Scheduling and reminders of appointments and phone calls. Note to Jim [Molvy?] recited. Long letter to "Gus" regarding the planning of lectures and Philadelphia hotel.
Audio 1035A/149	Side 2, 1955 August 9 Scope and Content Note: Notes about lectures and "Notradame games", mentioning Page Browne. Letter to Page Browne recited. Other correspondences.
Audio 1035A/150	Side 1, 1955 August 16 Scope and Content Note: Financial notes. Letter to Paul [Cinque?] at Paramount. Letter to Frank Folsom negotiating projectors. Letter of condolence to Martin Quigley. Letter to [Laurel Thomas?]. Notes to Daphne about Henry Lewis and [the Paulies?]. Message for Johnny Joseph. Letter to brother Harry [Wanger?] to say thank you for gifts and discuss finances. Letter to Marion Davies. Letter to Ralph [Austria?] regarding the electronic hand and vitascan. Letter to Robert [Hajag?]. Letter to Page Browne regarding Tony Martin's possible performance at the Flamingo Hotel on New Year's Eve. Letter to William Rosensohn regarding brochure design and closed circuit television.
Audio 1035A/151	Side 1, 1955 August 16 Scope and Content Note: Financial notes regarding phone call to Bill Rosensohn. Letter to David Niven pitching television show. Letter to [Les Sampson?] regarding navy film. Letter to Mr. and Mrs. Wanger to say thank you for gifts. Letter to Paul Garrett suggesting use of Sheraton closed circuit television for Motorama. Letter to Carlisle "Mack" MacDonald.
Audio 1035A/151	Side 2, 1955 August 18 Scope and Content Note: Letter to Carl [Dentz?] regarding Interlochen. Letter to [Jeff/Jess?] regarding taxes and stocks. Letter to Robert Schmelzer of BBDO about brochure design. Letter to Rosensohn about brochure design. Letter to Henry [Lesser?]. Letter to Jimmy Wolf discussing "women" pictures. Letter to [Ori Gould?]. Letter to Mrs. [McGonagill?], secretary of [Mr. Ward?]. Letter to Myron Kirk. Requests address for Preston Hitchcock. Letter to brother.
Audio 1035A/152	Side 1, 1955 August 22 Scope and Content Note: Letter to Bill Rosensohn discussing RCA color broadcasting deal. Letter to Carl discussing a deal between Reader's Digest and Sheraton. Letter to Beatrice [Cardon?] to say Joan Bennett does not have any relatives in England. Requests contact information for the Edinburgh Film Festival.
Audio 1035A/152	Side 2, 1955 August 19 Scope and Content Note: Letter to Bernard Baruch. Letter to Bill Rosensohn regarding NBC's color broadcasting experiment. Letter to Will [Turnbladt?]. Letter to Paul Palmer. Letter to George Gallup regarding Sheraton closed circuit television.
Audio 1035A/153	Side 1, 1955 August 29 Scope and Content Note: Notes on rights to Tangier. Note to Bill Ransom. Call to Wanda regarding bills. Letter to Martin. Letter and memo to Steve [Brody?]. Letter to Bill Rosensohn. Call to Hoffman Factory Service. Letter to Stuart Heisler. Note to William B. Miller. Note to Richard Carrington. Scheduling calls to Mary Baker and Frankie.
Audio 1035A/153	Side 2, 1955 September 5 Scope and Content Note: Financial notes. Note to Mrs. Putnam. Letter to [DeBon?]. Mentions [Pay As You Exit?] script. Errands and bills. Letter to Max [Sheranstein?]. Notes on Body Snatchers. Scheduling calls to Bob [Schwartz?], [BoDean?] and Henry Lewis. Letter to American Council to Improve Our Neighborhoods. Letter to Dr. Nathan M. Pusey. Letter to Theodore [Seivrt?]. Letter to Ben Benjamin pitching a project for Burt Lancaster. Telegram to Mr. and Mrs. Frank Lloyd. Letter to Max [Youngstein?] mentioning Underworld, U.S.A. Scheduling calls to Henry [Rogers?], [Preminger?] and [Swanee?]. Letter to Rosensohn. Notes on Body Snatchers. Shelley dictates a message to [Daphne?]. Notes to Rosensohn.
Audio 1035A/154	Side 1, 1955 August 24 Scope and Content Note: Note to Jennifer Jones regarding Love is a Many-Splendored Thing. Letter to Ilya Lopert regarding Summertime. Letter to Steve Broidy Letter to Martin. Note on Tangier.
Audio 1035A/154	Side 2, 1955 August 31 Scope and Content Note: Letter to Dick [Hermantz?]. Letter to Melinda. Scheduling of calls to Curtis Brown and the William Morris office.
Audio 1035A/155	Side 1, 1955 August 25 Scope and Content Note: Notes on Better Off Dead. Scheduling of personal appointments. Scheduling calls to Alfred Knopf and [Bodean?]. Letter to [Neil F. Parks?]. Letter to Jim Brewster. Letter to Senator Richard Neuberger. Letter to Morgan. Memo to [myself?] regarding Body Snatchers. Addition to memo to Morgan [Marie?].
Audio 1035A/155	Side 2, 1955 August 31 Scope and Content Note: Letter to Bruce Barton regarding Anne Lindbergh's Gift from the Sea. Letter to Howard [Quintin?]. Note to Paul Gregory. Note to [Ivan?]. Note to Preston Hotchkiss. Call to Dick [Herbertz?]. Note to George [Yarsley?].
Audio 1035A/156	Side 1, 1955 September 9 Scope and Content Note: Call Morgan office. Financials and scheduling. Send a note to [Hermantz?] regarding Ray Bradbury and Orson Welles. Letter to [Don Siegel?]. Letter to Giorgio [Usieli?]. Letter to Mr. [Nations?]. Financials to Jess Morgan. Note to Henry Lewis. Note to Steve Broidy. Note to Mrs. Herbert [Baird?]. Note to Jack Wrather. Note to Martin Quigley.
Audio 1035A/156	Side 2, undated Scope and Content Note: Note to Frank Folsom. Telegram to Paul Muni. Note to Jack Fox. Letter to Richard H. [Pathe?]. Letter to Ralph [Austrium?]. Letter to Mr. [Grierman?]. Letter to H.M. Smith.
Audio 1035A/157	Side 1, 1955 September 26 Scope and Content Note: Scheduling. Mentions Underworld, U.S.A and Mother, Sir! Note to Dore Schary mentions Trial and The [Neuberger?] Story. Memo to Morgan Maree mentions Joan of Arc. Note to Chief W.H. Parker. Letter to Alan C. Collins mentions Underworld, U.S.A. Note to Charles Ward. Note to Sam Engel. Wire to Maurice Newton. Wire to A.L. Bienstock.
Audio 1035A/157	Side 2, 1955 September 14 Scope and Content Note: Details of Dozier contract. Letter to Jerry Wald. Wire to Frank Freeman. Letter to [Alma Rodan?]. Letter to Ivan [M?]. Forward Steve Broidy memo. Letter to Carl. Call to Max Youngstein.
Audio 1035A/158	Side 1, 1955 September 15 Scope and Content Note: Articles for Rosensohn. Telegram to George [Usieli?]. Letter to Mrs. Sam Genis. Letter to Ginger Rogers. Letter to George Murphy. Letter to Richard [Neuberger?]. Note to Jason Lindsey. Letter to Charles Ward.
Audio 1035A/158	Side 2, 1955 September 19 Scope and Content Note: Letter to George Stevens. Letter to Major Alexander Peter DeSeversky. Letter to John Juedel. Note to Mr. [Levy?]. Letter to J Davis Danforth. Letter to Page Brown. Register the title Cavalcade of Crime.
Audio 1035A/159	Side 1, 1955 September 20 Scope and Content Note: Letter to John Dickey. Letter to Carl Detzer. Letter to [Lord R. Sever?]. Telegram to Frank Sinatra.
Audio 1035A/159	Side 2, 1955 September 23 Scope and Content Note: Mentions book to give the art director of Mother, Sir! Letter to Bob. Send a copy of the letter to Bill Dozier and Steve Broidy. Letter to Raoul Walsh. Letter to Sergeant Dietrich.
Audio 1035A/160	Side 1, 1955 September 22 Scope and Content Note: Call to Walter Mirisch's secretary regarding the Dozier project. Call to Leo Jaffe. Call to Dore Schary. Send Edinburgh Festival material to Sam Engel. Telegram to Mrs. Robert Riskin. Note to Mr. [Nations?]. Call Pittinger's office.
Audio 1035A/160	Side 2, 1955 September 16 Scope and Content Note: Letter to Ernest [Scanlon?]. Letter to Palmer Hoyt. Call Barron Hilton and Russell Birdwell.
Audio 1035A/161	Side 1, 1955 October 4 Scope and Content Note: Letter to Bill Rosensohn. Letter to Alan Collins mentions Underworld, U.S.A. Letter to Gus. Note to Ralph [Austin?]. Letter to Senator Dick Neuberger. Letter to Ilka Chase. Letter to Maurice.
Audio 1035A/161	Side 2, 1955 September 26 Scope and Content Note: Letter to Walter mentions titles registered as alternates for Invasion of the Body Snatchers. Send copies of letter to Harold Mirisch and Steve Broidy. Memo to Jess Morgan.
Audio 1035A/162	Side 1, 1955 October 5 Scope and Content Note: Memo to Dr. Frem. Notes for bookseller speech. Send President Dickey's speech to Harold Mirisch. Note to Helen Morgan. Letter to Bill Rosensohn. Letter to Abe Schneider. Letter to Goldstein. Letter to [Dore?]. Letter to President John Dickey. Letter to [Gene?]. Letter to Norton [Richie?]. Copy to be sent to Steve Broidy.
Audio 1035A/162	Side 2, 1955 October 10 Scope and Content Note: Call Cole Porter. Call to Ben Hecht. Call to Beverly Hills Hardware Store. Letter to Bill Rosensohn. Inquire about Robert E. Young and Shelley Jackson for Mother, Sir! Call Lewis Milestone and Dorsey Miller. Note to Page Brown. Letter to Buddy Adler regarding a potential projects for Marilyn Monroe, including Queen of the Universe. Forward article to Bill Rosensohn.
Audio 1035A/163	Side 1, 1955 October 14 Scope and Content Note: Letter to [Abe?]. Letter to Humphrey Bogart, Morgan Maree and John Flynn regarding a possible preface for a book. Letter to Ms. [Alvinita?] Parker.
Audio 1035A/163	Side 2, undated Scope and Content Note: Scheduling calls to Ingo Preminger, Dave Selznick's Office, and Buddy Adler in regards to Queen of the Universe, Frank Tashlin. Letter from Joan Bennett to Johnny Robinson of Lewiston, Maine. Letter to Bill Rosensohn. Letter to Bill Henry. Scheduling calls to [Wes Haden?] and Lewis Milestone. Letter to [Hammerson Fitch Armstrong?]. Scheduling call to Irving Lazar.
Audio 1035A/164	Side 1, 1955 October 19 Scope and Content Note: Letter to Joseph F. Dinneen. Letter to Jim [B?] mentions Body Snatchers, Mother, Sir!, Underworld, U.S.A. Letter to Billy Wilder regarding DuMont camera. Letter to Ilka Chase regarding her manuscript. Letter to [unidentified] Meter Company. Letter to Carl. Letter to Helen [Fishbrook?] Hector mentioning "Gift of the Sea" by Anne Lindbergh. Letter to William McMillan.
Audio 1035A/164	Side 2, 1955 October 24 Scope and Content Note: Errands and scheduling, meeting with [Les Sampson?] to discuss Body Snatchers. Script changes to Japan film. Letter to Stanley High. Letter to Buddy regarding Jane Eyre film. Letter to Maurice Evans regarding Alice in Wonderland. Letter to Cathryn Roberts Dye.
Audio 1035A/165	Side 1, 1955 October 20 Scope and Content Note: Note to Sam Engel. Note to Jack Garber. Letter to Page. Letter to H.M. Smith. Note to Bill Rosensohn. Condolence wire to family of John Hodiak. Scheduling calls to Larry Harvey, Preminger and Steve [Chiling?].
Audio 1035A/165	Side 2, 1955 October 25 Scope and Content Note: Note to Dore Schary. Scheduling. Letter to John [Rose?]. Letter to Goodman Ace regarding his The Book of Little Knowledge.
Audio 1035A/166	Side 1, 1955 October 29 Scope and Content Note: Memo regarding Ray Lindsey and the Japan film. Scheduling calls with [Ren Kube?], Joel Sayre, Mary Baker and Mike Todd's office.
Audio 1035A/166	Side 2, 1955 October 26 Scope and Content Note: Financials and scheduling. Letter to Alan Collins mentions Mother, Sir! Call Wilkerson.
Audio 1035A/167	Side 1, 1955 October 30 Scope and Content Note: Scheduling. Get Underworld, U.S.A. script back from Mary Baker. Wire to Mr. and Mrs. Leon Shamroy. Call Rod Serling. Call Wineberg's secretary. Letter to Page Brown. Letter to Joan Williams. Letter to Bill Rosensohn. Letter to David Stillman regarding potential film with Bette Davis and Deborah Kerr.
Audio 1035A/167	Side 2, 1955 November 1 Scope and Content Note: Letter to Ilka. Letter to Mrs. Henry Wanger mentions Mother, Sir! Call to Mr. [Rifkin?]. Note to Walter Mirisch. Call to Jess Morgan. Memo to Steve Broidy, Harold Mirisch and Walter Mirisch regarding Sergeant Reckless. Teletype and letter to Bill Rosensohn.
Audio 1035A/168	Side 1, 1955 November 8 Scope and Content Note: Letter to Florabel Muir. Scheduling calls. Letter to Zizi.
Audio 1035A/168	Side 2, undated Scope and Content Note: Letter to Gus.
Audio 1035A/169	Side 1, 1955 November 7 Scope and Content Note: Letter to Harry. Letter of reference for Hoffman. File church bulletin with Underworld, U.S.A. materials. Letter to Mr. [Maurry?]. Note to David Stillman. Letter from Joan Bennett to Henri Bendel. Card to Jason Lindsey. Note to Weed Espy. Letter to Madame Claudia M. [Deju?].
Audio 1035A/169	Side 2, 1955 November 1 Scope and Content Note: Continuation of letter to Bill Rosensohn?
Audio 1035A/170	Side 1, 1955 November 10 Scope and Content Note: Letter to John [unidentified]. Letter to Bill Rosensohn. Changes to letter to Gus Brown. Telegram to William Dozier.
Audio 1035A/170	Side 2, undated Scope and Content Note: Letter to Weed.
Audio 1035A/171	Side 1, 1955 November 16 Scope and Content Note: New York Times clippings in the Body Snatchers file. Note to Humphrey Bogart. Note to Jerry [Wald?]. Forward weekly progress to Dr. Frem. Contact the church about flowers. Note to Milton Pickman. Note to Mary Baker regarding Jack and the Beanstalk. Note to Jess Morgan mentions Mother, Sir! Mentions Underworld, U.S.A.
Audio 1035A/171	Side 2, 1955 November 12 Scope and Content Note: Financials. Letter to [Zachary Lys?] Alan. Scheduling. Send Body Snatchers review to John Flynn. Note to Alan Curtis. Note to Eddie Dmytryk.
Audio 1035A/172	Side 1, 1955 November 22 Scope and Content Note: Continuation of previous letter.
Audio 1035A/172	Side 2, 1955 November 29 Scope and Content Note: Memo to John Flynn. Letter to Mr. McDonald. Another note to John Flynn regarding Body Snatchers. Letter to Dick. Letter to [Burt Wells?]. The end of this recording is particularly distorted.
Audio 1035A/173	Side 1, 1955 November 30 Scope and Content Note: Scheduling. Request for past correspondence with Jess Morgan. Call to Mr. Ellis about car repair. Note to Don Hoffman.
Audio 1035A/173	Side 2, 1955 November 28 Scope and Content Note: Financial notes. Flowers sent to Mrs. John Wayne. Call Burt [Wells?]. Letter to [Bacall?]. Letter to [Carl Lapham?]. Letter to Victor Rosen. Wire to Mr. Hutchins. Memo to Jess Morgan and Steve Broidy regarding Reckless. Letter to Jerry [Wall?]. Letter to Page. Letter to Carl [Detson?].
Audio 1035A/174	Side 1, 1955 December 5 Scope and Content Note: Letter to [Ira Hope?]. Letter to Merle Reeves. Letter to Burt Hendrickson regarding Mother, Sir! Letter to Maria [Donovan?]. Letter to Ted [Mofkin?]. Letter to Joe [Rifkin?] regarding Mother, Sir! Scheduling calls to Ned [Baum?] and Dore Schary. Letter to George Allen. Letter to Bill Rosensohn.
Audio 1035A/174	Side 2, 1955 December 5 Scope and Content Note: Telegram to Committee on Water Resources and Power. Materials to be filed regarding Underworld, U.S.A. Call to Dr. [Hutchins?]. Mentions Blockade script. Letter to Eddie Dmytryk. Letter to Gary Merrill. Letter to Graham [Kissingberry?], mentions Mother, Sir! Scheduling. Note to Henry J. Taylor. Call to [Jay and Arnold Wells?]. Scheduling of a screening. Letter to Bill Rosensohn. Teletype to Page Browne. Letter to Gary Merrill, mentions Mother, Sir! Letter to Judy. Letter to Maurice Manson. Letter to Shirley Yamaguchi. Form letter to John Craven, Carol Veazie and Robert Nichols. Letter to Jason Lindsey regarding Mother, Sir! Letter to Ed Burns. Letter to [Al?] regarding Mother, Sir! Letter to Rex Bailey. Letter to Buddy [Gergin?]. Letters to Eddie Mayer Jr., Howard Joslin, Ned Dobson, Lt. Commander [unidentified], Charles [Bohard?], Dave Milton, construction, set decorator, lead man, lighting, script girl, and cameraman.
Audio 1035A/175	Side 1, 1955 December 12 Scope and Content Note: Note to Freeman [Bosman?]. Call to Bob Hutchins office. Call to [Wineberg?] regarding the Reckless contract. Call to Mr. Otto at the Wiltern Theater. Letter to George Allen. Note to Bill Rosensohn. Letter to Richard Murphy c/o Harold Rose at Famous Artists. Note to Freedman at Jaffe office. Teletype to Rosensohn. Letter to Bill Henry. Updating of Christmas list. Letter to [Gene Frankie?]. Addition to Rosensohn letter.
Audio 1035A/175	Side 2, 1955 December 14 Scope and Content Note: Letter to Page Browne. Scheduling. Letter to Loyd Wright.
Audio 1035A/176	Side 1, 1955 December 9 Scope and Content Note: Memo to Walter Mirisch, with a copy to Harold Mirisch and Steve Broidy, regarding Invasion of the Body Snatchers. This memo also mentions Riot.
Audio 1035A/176	Side 2, 1955 December 15 Scope and Content Note: Note to Jess Morgan regarding Body Snatchers. Scheduling. Letter to Robert S. [Schlek?]. Letter to Page Browne. Note to [Robert Moore?] mentioning Underworld and Reckless. Note to Allen [Collin?] regarding Underworld and Reckless, with copies to Steve Broidy and [Wineberg?]. Letter to Frank [unidentified]. Scheduling and finances. Teletype to brother. Memo to Jess Morgan. Wire to Bing Crosby, Ed [Crowley?], Joe [Rifkin?] and Barbara Stanwyck. Letter to CJ [Latter?]. Letter to John and James Wolf. Letter to [Joel Sayre?]. Wire to Spyros Skouras.
Audio 1035A/177	Side 1, 1956 January 11 Scope and Content Note: Note to Walt Disney. Note to John Flynn regarding Invasion of the Body Snatchers. Call to [Hermance?]. Scheduling. Calls to Eddie Lasky and Wes Haden. Note to Marvin [Skenk?] regarding Bad Day at Black Rock. Call to Harold [Hecht?] and [Alma Rodan?].
Audio 1035A/177	Side 2, 1956 January 13 Scope and Content Note: Finances. Note to Norman Wilson at the Edinburgh Film Festival. Letter to Dick Pittinger. Scheduling to contact Mike Curtiz, Bill [Schiffen?] and Mr. Birdwell.
Audio 1035A/178	Side 1, 1956 January 31 Scope and Content Note: Letter to Gilbert Miller. Letter to Leslie Paffrath. Letter to Dr. James T. Shotwell. Copy of Paffrath letter sent to Rosensohn. Letter to Alec [Audre?]. Letter to [Eivan Goldsmith?]. Letter to Bishop [Sheehan?]. Letter to Charlie Schwartz. Letter to [S Huart?]. Letter to Terence Rattigan. Letter to Ernest Henderson. Note to Page Browne.
Audio 1035A/178	Side 2, 1956 January 31 Scope and Content Note: Note to Page Browne continued from side one.
Audio 1035A/179	Side 1, undated Scope and Content Note: Mentions Underdog manuscript. Note to Page Browne. Letter to [DeForge Mills?]. Scheduling. Note to William [unidentified]. Letter to George M. [Spidell?]. Letter to Bruce [Campell?]. Teletype to Sheraton. Letter to Shawn [Meanie?]. Letter to Abe Bienstock. Letter to Ed Harris. Letter to Dr. Karl Menninger regarding his article A Letter to Men in Prison.
Audio 1035A/179	Side 2, 1956 February 6 Scope and Content Note: Wire to Ms. Higginbottom at Photoplay. Note to Alistair Cooke. Mentions invitation to Carousel opening. Finances regarding Mother, Sir! Book review sent to [Joel Sayre?]. Letter to Darryl Zanuck. Scheduling call to William Joyce. Finances. Scheduling call to Eva Marie Saint. Mentions While the City Sleeps and Inside Detroit. Letter to Tony Martin. Letter to Ted [Bonay?]. Return script to Frank Cooper. Letter to [Baron Polan?]. Letter to Bernie [Fines?]. Scheduling calls to Dr. [Frem?] and Judge [Pecht?]. Letter to Buddy Adler. Letter to Ed Murrow. Scheduling call to Ed [Crowley?].
Audio 1035A/180	Side 1, 1956 February 14 Scope and Content Note: Call Ford dealer. Letter to Ilya Lopert regarding Richard the Third. Mentions Carousel opening. Letter to Bill Dozier. Note to Carol [Case?]. Note to [Werner Johnson?]. Mentions filing Underworld, U.S.A. materials. Call John Flynn regarding Body Snatchers. Mentions While the City Sleeps and Inside Detroit. Wire to Ernest Heyn. Note to [Philip Wiley?]. Letter to [Jess?]. Letter to Sam Goldwyn Jr.
Audio 1035A/180	Side 2, 1956 February 13 Scope and Content Note: Financials. Letter to [Edward T. Curtis?]. Call Mr. Richardson. Call Ernest Heyn. Call Mrs. Kirk Douglas. Call Sam Jaffe about Mark Robeson. Make an appointment with Joel Sayre. Note to Graham Kissingberry. Letter to Mrs. [Blaine?]. Letter to Samuel D. [unidentified]. Letter to Michael Sheraton. Letter to Bill. Call to Phil [Girsch?].
Audio 1035A/181	Side 1, 1956 February 24 Scope and Content Note: Letter to Dan E Kimball. Letter to Nat Goldstone mentions The Actor and To Walk the Night. Errands. Letter to George Fox Jr. Scheduling. Letter to Sam Burkett. Forwarding of letters to Greg [Bartzer?] and Dr. Marcel [Frem?].
Audio 1035A/181	Side 2, 1956 February 22 Scope and Content Note: Calls to Sandy Abrams and Russell Birdwell. Note to Alfred Knopf pitching Henry Mencken picture and mentioning The Underdog. Letter to [Kirsch?]. Letter to William G [Cochren?]. Call to MCA.
Audio 1035A/182	Side 1, 1956 February 27 Scope and Content Note: Scheduling call to William Joyce. Letter to Edward Robinson at the ANTA Theater. Letter to James F Real. Letter to Robert D [Loken?]. Letter to William Joyce. Letter to Bill Rosensohn. Call to John Wayne's office. Letter to Edward [Lasker?]. Letter to Ben Duffy. Letter to Dave Danforth. Letter to Oscar Levant.
Audio 1035A/182	Side 2, 1956 March 2 Scope and Content Note: Letter to Robert Moore Jr. Letter to Helen Morgan mentions Invasion of the Body Snatchers. Letter to George [Burroughs?] mentions Body Snatchers. Copy of Bob [Lochen?] letter forwarded to Rosensohn. Letter to Bob [Loken?] mentions Contrary Pleasure and Crime in the Streets. Note to Mr. Browne's secretary. Financial notes. Wire to Bogart.
Audio 1035A/183	Side 1, 1956 March 5 Scope and Content Note: Note to Bill Dozier mentions The Day They Gave Babies Away. Note to Bill Rosensohn. Scheduling call to Ed [Crowley?]. Scheduling. Meeting with Mr. Real. Scheduling call to Skouras. Letter to brother. Letter to Mr. [Poster?]. Note to [Nat and Richie?]. Letter to Jerry. Scheduling calls to Russell Birdwell and Elizabeth [McCloy?].
Audio 1035A/183	Side 2, 1956 February 29 Scope and Content Note: Letter to Bill mentions The Day They Gave Babies Away and Tangier Story. Letter to Seymour Stern mentions Rebel Without a Cause. Note to Bill Rosensohn. Call to Henry Costa. Letter to Harry Wanger. Memo to Bill Rosensohn. Call to [Max Mellinkoff?]. Letter to [Baron Poe?]. Letter to [Mr. Ramington Good?]. Letter to Miles Connolly. Note to Al Bloomingdale.
Audio 1035A/184	Side 1, 1956 March 12 Scope and Content Note: Telegram to Mr. and Mrs. Jerry Pickman. Call to Al Horowitz. Scheduling. Mention of Dorothy Thompson's Dawn's Early Light. Letter to Bill. Call to the Occidental librarian. Letter to Ed Hartman. Letter to Page Browne. Letter to Alfred Knopf in reference to the Henry Mencken picture. Letter to [Bill Nut?] mentions The Man Who Rocked the Boat. Letter to James Reston. Letter to Bill Dozier. Financial notes. Scheduling calls to Allied Artists and [Ed Crowley?].
Audio 1035A/184	Side 2, 1956 March 9 Scope and Content Note: Letter to Malcolm Stewart. Note to Ingo Preminger. Call to Dr. Frank Williams. Letter to Harold Quinton. Letter to Ted Stauffer. Letter to brother. Scheduling. Letter to [Elsie Lee?]. Note to Max [unidentified]. Mentions Joel Sayre and the Underworld U.S.A. treatment. Note to [Flora Scheffield?]. Note to Robert D [Loken?]. Note to Albert [Yaeger?].
Audio 1035A/185	Side 1, 1956 March 15 Scope and Content Note: Letter to brother Harry. Letter to Ed Morrow. Letter to Mrs. Walter [Stettheimer?]. Letter to [unidentified]. Letter to Bill Rosensohn. Scheduling.
Audio 1035A/185	Side 2, 1956 March 14 Scope and Content Note: Letter to Bill Rosensohn. Letter to Gifts by Jill. Letter to Abraham L Bienstock. Call to Mrs. Kirk Douglas. Letter to Andrew Stone mentions Terror in the Night. Call to Columbia. Addition to the Bill Rosensohn letter. Letter to Charlie Feldman. Letter to Dorothy Thompson. Call to Mr. Burkett. Scheduling.
Audio 1035A/186	Side 1, 1956 April 9 Scope and Content Note: First dictation after suffering a heart attack. Filing of Body Snatchers clippings. Note to Ed [Rowley?]. Note to Bill Rosensohn. Note to Neil H McElroy. Note asking to will his eyes to a hospital. Financials. Note to brother and sister. Letter to A.L. Bienstock.
Audio 1035A/186	Side 2, 1956 March 19 Scope and Content Note: Letter to brother Harry. Letter to Bill Rosensohn. Errands and scheduling. Call to Richardson. Call to Miss. [McCloy?]. Call to [Hanley?]. Requests price for the book Birdman of Alcatraz. Letter to [Wilkinson?]. Scheduling including tickets for Alexander the Great. Letter to Bill Dozier. Letter to Mr. Quinton. Announcement of the securing of film rights to Henry J. Taylor's play The Empress.
Audio 1035A/187	Side 1, undated Scope and Content Note: Note to William Nutt mentions Flower Pride. Note to Ned Brown. Call to John [Moffat?]. Call to Santa Monica Courthouse. Letter to [Allen Bernheim?]. Letter to Jack Freeman. Letter to Harry [Alms?]. Letter to Betsy Allen. Letter to Mary [Moran?]. Letter to Pat [Mcphee?] at the Missouri Penitentiary. Letter to Scotty. Letter to Mr. Quinton. Letter to [Robin?]. Note to Bill Rosensohn. Letter to Mr. [Mason?]. Note to Mr. [Strabit?]. Calls and scheduling.
Audio 1035A/187	Side 2, 1956 March 20 Scope and Content Note: Letter to George Fox Jr. Letter to Ralph [Dorman?]. Note to [Sara Jane Farley?], [Loken's?] secretary. Errands. Letter to Henry J. Taylor. Letter to Ralph Austriam. Letter to Katharine Hepburn regarding the Henry Mencken picture. Letter to Frank Borzage. Letter of Frank Borzage letter to be sent to Dozier. Letter to Ted Leitzell. Letter to brother Harry.
Audio 1035A/188	Side 1, 1956 April 13 Scope and Content Note: Note to Mr. [Loris Rubin?]. Note to Mrs. Humphrey Bogart mentioning Body Snatchers, Holiday Four and Waterfront. Note to [unidentified]. Note to Aileen Brennan. Letter to Jim Reilly. Note to the [Unsens?]. Call George Cukor.
Audio 1035A/188	Side 2, 1956 April 10 Scope and Content Note: Request for book synopsis of Heaven and Hell and The Beauty Queen Killer. Financials. Mention of the Underworld script. Call to Jerry Wald. Note to Eddie [Blum?]. Call to John Flynn.
Audio 1035A/189	Side 1, 1956 April 13 Scope and Content Note: Letter to [Van Kubay?]. Send notes to Rosensohn. Note to Herbert [Swoop?] Jr.
Audio 1035A/189	Side 2, 1956 April 16 Scope and Content Note: Note to Pete Daily. Send reprint to Ed Paulie. Note to Robin Moore. Note to [C Pete Davis?]. Note to Harold [Hector?]. Note to [Natalie Johnson?]. Letter to James "Scotty" Reston. Mentions books The Lady with the Swan's Down Bottom and Kinderspiel. Notes regarding Underworld, U.S.A. Call to Mike [Connelly?], [Carolyn Bomden?] and Dolores Rubin. Thank you to George Murphy.
Audio 1035A/190	Side 1, 1956 April 25 Scope and Content Note: Cancel the letter to the Shamroy's. Call Ed [Paulie's] secretary. Call William Joyce. Note to Bill [Nutt?]. Sent NY Times article to Joel Sayre. Return synopsis to Quinn Martin. Financials. Note to John Hoffman. Decline invitation to Louella Parson's party. Note to [Jess Morgan?] mentioning Body Snatchers. Note to Alan [unidentified]. Note to [unidentified]. Letter to David Stillman. Letter to [CJ Lapham?]. Note to Madge Hall. Note to Bob [Earl?]. Letter to Cy [unidentified]. Note to Ned Brown regarding Empress. Note to William G Cochren. Note to Harold [unidentified]. Call to Malcolm Stewart and Jason [Linzy?]. Note to Robin L Moore Jr. Letter to Page Browne.
Audio 1035A/190	Side 2, 1956 April 18 Scope and Content Note: Edit letters to Pete Davis and Reston, fix the book title previously mentioned to Lady with the Swan's Down Seat. Note to [unidentified]. Note to David [Fernly?] mentions Lights Along the Shore.
Audio 1035A/191	Side 1, 1956 April 27 Scope and Content Note: Call to Mrs. [Van Kubay?]. Call to Mr. Frankie. Note to Edward Arnold family. Note to Carl Detzer. Note to George [Surkozky?]. Note to Dorothy Thompson. Call to [unidentified]. Note Herman [unidentified]. Scheduling. Letter to Robert D [Luken?]. Scheduling.
Audio 1035A/191	Side 2, 1956 April 11 Scope and Content Note: Send advertisement for Imperial Woman to Mr. Frankie. Letter to Bob [Loken?]. Mentions Underdog. Call to the [Unsens?]. Call to Dr. Frem and [Mrs. Van Kubay?]. Note to Frank [Stanton?]. Memo to Bill [Nutt?]. Letter to Edgar Hoover regarding Underworld, U.S.A. Note to Mr. Real.
Audio 1035A/192	Side 1, 1956 April 30 Scope and Content Note: Letter to [Jess Morgan?]. Note to Don Siegel regarding Body Snatchers. Letter to Russell Birdwell. Scheduling. Note to Mrs. Stuart Chevalier. Note to Dr. Marcel Frem. Return synopsis and galleys for I Don't Want to Die to Bill Nutt. Note to Fred Lee Jr. Call Ed [Crawley?]. Letter to Paul Smith. Letter to [Res Murray Goldstein?] mentions Body Snatchers, Mother, Sir! and Navy Wife. Call Ed Paulie's secretary. Note to Robin Moore.
Audio 1035A/192	Side 2, 1956 April 26 Scope and Content Note: Letter to Steve Broidy mentions Mother, Sir!, Crime in the Streets and Family Persuasion. Letter to Tex McCrary. Mentions book synopsis for Rogues March and Spiked Heel. Letter to Abraham L. Bienstock. Letter to John Nelson. Call to David March. Note to William Dozier. Note to [unidentified] sister. Letter to Paul S Zuckerman.
Audio 1035A/193	Side 1, undated Scope and Content Note: Memo to Eddie Blum. Copy to [Matt?] Goldstein. Were books returned to Eddie Demetric? Note to Billy Graham. Letter to head of Cannes Film Festival. Note to William [Einsen Lee?]. Letter to Alfred Knopf regarding Mencken film. Letter to Ernest [Braund?]. Note to Jerry Wald. Letter to James Z Lee. Letter to George Kennnan. Note to Mr. and Mrs. Leon Shamroy.
Audio 1035A/193	Side 2, 1956 May 2 Scope and Content Note: Letter to Mr. [Hidenberger?]. Letter to Dr. Shotwell. Letter to Richard Salant. Letter to Eddie Blum. Note to Danny O'Shea regarding Joan of Arc. Note to [unidentified]. Letter to Hal Herman. Note to Bill Nutt. Letter to Bill [Bilox?] regarding Underworld, U.S.A. book review. Letter to Eugene [Wafer?]. Cancel memo to Eddie Blum.
	Correspondence Physical Description: Dictabelts
Audio 1035A/194	before 1961 December 12 Scope and Content Note: Talks of a wire and various gifts sent to Mr. and Mrs. James Mason and others and asks if all have received these wires. He then goes on about Justine Wanger. Says he hears she is going to be out of town on a trip around the world, but that if she is in town to send her the usual kind of gift basket and her whereabouts can be found via her lawyer. Imagines perfume would be the best option for a gift. He says he is currently handling the European wires and that he can do them from "here". Regarding the local wires he indicates he is sending back their list with his markings. Says he will look after the English, French and Italian tables from his end and that if there are any problems to write him right away. Requests the receiver of the wire to send the usual "season's greetings" wire. Mentions the head of publicity at Metro as a resource for contacting a Mr. and Mrs. Tasker(?) Tells recipient to send wires to various people. Then he addresses his daughter Shelley and says that he enjoyed her letter very much. Stephanie is back at the hotel after having her operation. Says he will be leaving for New York to see her (Shelley) in about 2 weeks. Mentions that he and Stephanie are going to the embassy to have lunch with the American ambassador's wife and her children. Briefly discusses the weather. Requests recipient to send a Christmas card to Father Barney and Reverend Harris in London. Sends all of his love to "mom and yourself" indicating he must be addressing his father. Note to Jess Morgan; asks her to send a gift to someone after the Sturman(?) situation. Thanks Ted for his letter and mentions the moving of bookshelves. Doesn't want to discuss anything about the letter yet. Sends good wishes.
Audio 1035A/195	before 1961 December 12 Scope and Content Note: Starts by saying he heard the name of a constructor a few nights prior at Silhoeutto's and also that a Princess Arietti(?) wanted to talk. Gives the recipient the name of the constructor and says to call and give it to her (princess?). Says to take a letter to [unidentified] indicating that he (Wanger) has received the person's letter on 10/26/1961 and if he wishes to communicate further he can. Wants a letter written to William Sachs thanking him for his letter and that even if he hasn't yet received the $20 million he would be happy to hear back from him. Letter to Steve Brody thanking him for his letter and regarding Joe Mankiewicz: he is a resident of New York so there is no use approaching him regarding the "drive"? Wanger says he is a non-resident at the moment and in order to establish his foreign status he isn't making any American contributions, but tells recipient to leave out the last part. Says the picture is going very well, despite many problems. Thinks it will be a tremendous attraction. Note to Alex talking about how he was very nice in San Diego and that he had disposed of his house about a year and a half prior. Thanks Ms. Fitch(?) for her letter. Mentions the picture, says he thinks it’ll be great and the cast is superb. Talks about payments of some sort, then mentions charges to Fox. Addresses Ms. Raimondo in London thanking her for her letter. Goes on about the fire that burnt down his house. Says Shelley is not with him in Rome, but with her mother in New York. Steph is in France. Doesn’t know how much longer he will be in Rome or if he will move to London after, depends on whether or not he can make arrangements with the landlady. Letter to Harry Brandt(?) at 20th century fox. Says they have 5,000 stills so far and they and the cast are tremendous. Weather has been holding up the production. Morale is great on the set, and Wanger thinks the scenes are playing beautifully. Thinks if things keep up the way they are going that they will end up with the greatest attraction of all time. Mentions a Newsweek article, captain of the Rutgers football team and his senior thesis. Thinks they can use him in connection with the picture. Wants Harry to send him a letter. Addresses Steph, says he is enclosing two articles. Letter to Charles K. says he hears his picture is going well and then mentions how his own films' production is going. Mentions a few setbacks due to the size/scale of the picture, but also says that Joe (director) has been doing great despite the pressure and the morale on the set is great. Says Liz [Taylor] is also doing very well in her scenes and that the picture will make Richard Burton a star. Predicts that the picture will be an enormous success. Talks about how South Pacific (film) has already made $22-23 million as a musical film even after it was said that no one wants musicals anymore and that a $10 million budget is absurd and impossible for Cleopatra. Says that with a cast/campaign like they have it should make 3 times as much as South Pacific and the company will get $20 million back in distribution alone. Thinks they should be more worried about selling the film instead of trying to correct morale by making cuts which aren't bright for that time. Admits money has been wasted during the planning due to the pressure surrounding the film. Says there is a lot of interest in the public surrounding the film with the Queen of Denmark, King of Sweden and the Infanta of Spain having already requested to see it.
Audio 1035A/196	before 1961 December 12 Scope and Content Note: Letter to his brother, Harry: Says he is extremely busy, wishes he would've been there (where? mentions the Rhine) 6 months earlier because he could've saved the movie a few million dollars. Says picture is going great and can't wait to see the family at Christmas. Letter to Gisele: He and the studio would be happy to see her again. Wants a letter sent to [unidentified] in London: mentions a robe needed for a Christmas gift. Addresses Steph, talks about a clipping from the New York Times and her weekend arrangements with an Italian(?) family. Note to Gregor(?) talks about his house that burned down a year and half prior. Letter to Charles Cannon in the London office: sending him two small bills to be paid off. Says he's currently in California. New letter to [unidentified]: wants them to have his doctor send him Nitroglycerine/Coumadin by airmail. Wants to call Dr. Cohen and go over his production papers, dinner plans for that evening.
Audio 1035A/197	before 1961 December 12 Scope and Content Note: Letter to John M: Wanger is returning to Manhattan with his script. Says Pete Levathes is interested in seeing the picture when it is finished, but not interested in making any deals at the time. Note to Paul Lazar: says he hasn't heard from him for several months, inquires about a bonus he was supposed to receive. Note to a Mrs. Decorever(?): thanks her for her letter. Makes small talk about his daughter Stephanie and her recent case of appendicitis. Asks if she is coming to visit at all. Letter to Vincent Lebella (man from office "here in town"): Says he appreciates his kindness in getting the rosary and diploma for sisters Georgia and Marie. Letter to Jen(?): Makes small talk about Stephanie and her recent illness and the weather. Says he is looking forward to the holidays in New York. Is glad she is having a good time with "Ma" (end letter). Wants a talk with Kurt [unidentified] from Hollywood. Wants a talk with jack smith.
Audio 1035A/198	before 1961 December 12 Scope and Content Note: Letter to Doc Merman: thanks him for his call. Wants to call him again. Letter to Jess Morgan: Wants the Stillman(?) situation to be cleared by the 1st of the year so he can make advances to his lawyers. Sends her $150 to cover clinic expenses (presumably for Stephanie). Mentions an Italian film called "Theodora". Wants to see the design to know the publishers. Letter to Ma: Talks about Stephanie and their lunch with the ambassador's family, also addresses her recent illness. Letter to Harry: Talks about dinner with Italians from Cairo the night prior. Says he has been very busy because of the holidays and Stephanie's illness. Says the picture is progressing slowly and expensively, but also magnificently. Thinks it will make a new record in the industry. Says director and stars are doing great. Letter to Charles cannon in London: Asks him to charge the enclosed bill to his account. Letter to Mrs. Fitch: thanks her for the letter, is interested in her remarks about the showings. Would appreciate hearing from her in the future (end letter). Talks about his Christmas list and what he wants sent to everyone.
Audio 1035A/199	before 1961 December 12 Scope and Content Note: Memorandum to Mr. Rogell: Decided to discontinue certain takes in Rome, says the studio can make its own choice of what they require in order to check the quality. Doesn't know where to find Christmas cards in Italy, asks Brad(?) to get quite a few for him. Mentions lunch and dinner plans for that day. Wants to talk to Richards in accounting about his hotel. Says that this is not the first picture that Fox has made not on location and that there should not have been problems with it. Talks about lack of management. Nothing was done by the studio organization to smooth the process on the job. To Shell Talks about the weather and school and how he wants a gift sent to her and that he can't wait to see her.
Audio 1035A/200	before 1961 December 12 Scope and Content Note: Letter to Abraham L.: Talks about a will and thinks it should be changed, wants to know what he thinks. Mentions Stephanie and her operation. Says the pressure for the picture is enormous. Talks about Levathes and a script he has sent. Wants the number for the American embassy included in the letter. Letter to Levathes (but says not to send it?): Says he spoke to Figs(?) and they came to agreement about something on the payroll concerning Elizabeth Taylor. Waiting to hear back from him regarding other matters [Levathes]. Telegram to Kurt F.: Confirming that Elizabeth has agreed to start at 9:30 instead of 10 for a period of about 8 weeks. Letter to Greg (one of Wanger's lawyers at the coast): Says the pressure on him is great so he has not been able to write sooner. Gives him a brief rundown on the status of the picture and talks about Stephanie. Wants him and his wife to come to visit. Complains about how difficult it is to keep the picture private. The press won't leave them alone. Thinks Fox needs to figure out how to merchandise the film so they can get back on their feet.
Audio 1035A/201	before 1961 December 12 Scope and Content Note: Enclosing a letter from the doctor on set containing the names of medicines he needs. Wants them airmailed. Letter to Charles [unidentified] at 20th century fox in London: asks for his bill for 1 pound paid and charged to his LA account. Letter to martin (Marty): mentions the house fire from the year prior. Mentions good results for the picture so far, despite bad weather. Wire to [unidentified]: Talks about money spent on costumes. Mentions a Mr. Oliver Messel who wants to redesign the clothes for the picture because he is dissatisfied with the picture so far. Wanger says there was no talk of compensation for Messel's work until the work was completed and then someone close to Messel approached Wanger asking for him to be compensated for his work. Wanger says he made no commitment to Messel and explained this to Mr. Messel’s solicitors that the corporation had no obligation to Mr. Messel and that he was well-paid, but nothing beyond the contractual obligation would be granted to Mr. Messel. Wanger says Messel has been giving statements to the press that are critical of the new costumes and detrimental to the cooperation he received at the hands of the corporation (20th century fox). Wanger personally feels the company is under no obligation to compensate Messel financially. Letter to Mrs. Fitch: thanks her for letter #21. Doesn't care about the titles. Says his only concern is the weather. Letter to Joe [unidentified]: Appreciates his letter, says everyone on the set got a great kick out of it and that they don't get much info on Hollywood where they are. Says only current major problem is the weather. Talks about the actors and the problems with costumes/Oliver Messel. Note to Jess Morgan: wants status on Stillman and what she is doing to solve the issue.
Audio 1035A/202	before 1961 December 12 Scope and Content Note: November 6, 1961: Apologizes to Stephanie for not getting back to her sooner. Says he has been sick. Talks about her boy situation. Mentions the death of a Mr. Cook. Talks about how Shelley has been helping him. Talks about school and college in the future.
Audio 1035A/203	before 1961 December 12 Scope and Content Note: Thanks Mr. Saurat(?) for his kind letter. Says that unfortunately he disposed of his house a year and a half prior. Letter to Hal [unidentified]: apologizes about the house. Talks about note regarding Clifford. Letter to Shirley M. Field(?): apologizes that she is suffering from nerves. Letter to Laura(?): mentions the house fire, wants to hear back from her. Letter to Jerry: Has heard rumors that he is coming over, but has since learned he won't be coming. Talks about the actors in the picture and the weather. Says Skouras and Levathes are very worried about the costs. Points to "south Pacific" and its success as an example of why the execs should stop bothering him. Is confident his picture can do better. Letter to John Ditty(?): Talks about a fire, wants to know more about it. Takes it that John has been very busy. Says he is isolated and the weather has been bad so they have to shoot interior shots, but still thinks the picture will be great. Letter to Mrs. Fitch: Wants her to find about the size clothes a friend's kid wears so he can send some. Notes to brad to put in a name: Ted Sandler. Alsohas him note a few telephone numbers.
Audio 1035A/204	before 1961 December 12 Scope and Content Note: Letter to Jess Morgan: thanks her for the Christmas books, says he'll get to work on them and get back to her soon. Note to Miss Hyle(?): Looking forward to hearing from her. Wants to know what she is doing in Barcelona and requests that she sends pictures to put on file since she is student acting. Letter to Jerry: Thanks him for his letter, says everyone is enjoying it. Letter to Dot: Talks about correspondence concerning interviews with Elizabeth. Thinks the picture will be one of the greatest of all time. Letter to harry: Says personal matters are making things kind of difficult, but he is delighted with masterminding the picture. Letter to Jess Morgan(?): talks about bills for Stephanie's surgery and the Oliver Messel compensation situation, saying he has no intention of paying him. Letter to Doctor: thanks him for helping Shelley with her teeth.
Audio 1035A/205	before 1961 December 12 Scope and Content Note: Memo: Talks about time to prepare for certain sets and various problems on the set. Mentioned: Anthony's bedroom, two days; Richard Burton, 2; the Senate, the cast problem, 2 days for Caesar’s death; MGM set, how much time to prepare and cast problem; new plans for mausoleum; Cleopatra's sketch.
Audio 1035A/206	before 1961 December 12 Scope and Content Note: Has a letter sent to the Sheraton in NYC requesting the manager to get him a room for December 22. Letter to martin: Says things are progressing well. Letter to Bill Benton: Says he is in the middle of making Cleopatra. Thinks his picture will have great historical value. Wants to meet him for a conference on world affairs. Letter to Doc Bishop(?) at 20th century fox Beverly Hills: A Henry [unidentified] visited last week and thinks his visit turned out better than anticipated. Thinks Henry understood the caliber of the picture being made. Hopes that what Henry has written will be constructive and in the interest of the picture and 20th century fox. Letter to David Raphael at 20th century fox: wants a couple bottles of perfume sent to his Pan Am airplane. Mentions that the picture is going along wonderfully, but slowly and that the end result will be great.
Audio 1035A/207	before 1961 December 12 Scope and Content Note: Asks a Mrs. Van Buren(?) to add the telephone number of a woman named Katherine Bradford’s to his book. Then asks for a letter to be sent to Burt Stern in NY; in the letter he asks what has happened to the fortune idea, says he is writing in particular to see that Irene Sharaff (costume designer) gets credit for the clothes she has designed for Cleopatra (Liz Taylor). Wants to see a profile/article about it in Vogue magazine (which he says Burt controls). Compliments Irene on her work. Mentions the Oliver Messel controversy with the London production and the abandonment of all his designs. Thinks Irene deserves to win an Oscar. Mentions Kathy Bradford’s and how he hopes she can be developed into a major fashion figure. Talks about where they are at in the film, mentions the Sphinx. Letter to Jess Morgan: Thanks her for her letter regarding Stillman and (?) pictures. Says he is amazed by the letter from Woodson Wallace and thinks they have been as cooperative as possible when looking at the extra taxes/insurance policy payments that they paid. Asks if there is a way to arrange an advancement of the four months payment. Then asks about Justine Wanger, thinks it seems like she’s gone on a royal cruise. Says he wants to be cooperative but his own obligations between the government are enough to keep him busy. Doesn't think that this note is consistent with their past correspondence and their attempt to be cooperative. NEW NOTE mentions his Sunday expenses (lunch, tape, barbershop, supper). wants to look at his expense book because he says he'll probably have to put some additions in.
Audio 1035A/208	before 1961 December 12 Scope and Content Note: Notes for the day: says he and Mr. Levathes have arranged an appointment to meet with Mr. Monaco at his office. Then says he is supposed to meet that morning with Mr. Deliani(?) And Mr. Roddell. Mentions a lunch he had the day prior with Mr. Ginsberg and his party in which he gave them 6,000 lira? Is supposed to make a report on the story illicit for Mr. Levathes and another report on the reorganization of the picture for Levathes. Wants to the see the pictures that Mr. smith brought back and wants to go to the projection room to see some film that was taken by Mr. Shamroy. Wants to order a dressing gown for Mr. Mankiewicz for Christmas (wants Levathes to do it). Wants to write letters to Charles Schwartz, Joe Rosenberg and Charlie Feldman. Wants to speak to Annalena Linetani the following week at the office. Says on Sunday he is going to be called by a production manager. Wants to talk to Kurt Freens(?) about the carpet situation and the photos that Mrs. Fischer. Wants to look at the production board. Wants to check on a girl named Maggie Sanchez who is in Spain. Wants to talk to Irene and about Rex Harrison's clothes. Wants to talk find out about his blood test from Dr. Cohen. Wants to talk to Paul Fox about the carpet situation.
Audio 1035A/209	before 1961 December 12 Scope and Content Note: Note #1: Says he has spoken to John Mather(?) and has arranged for you(?) to meet with him to discuss the possibility of making a picture with Marilyn [Monroe?]. Note #2: appointment on Monday at noon with Monaco at his office. Note #3: Regarding treatment illicit; thinks their current work is the basis for a very excellent entertainment and that if properly done the picture should succeed all over the world. Sees no reason for changing the local of the picture from Greece to Italy, as he sees enormous interest in Greece and the shipping tycoons. Says there are quite a few things that worry him about the treatment of the picture. First thing is the business and he thinks that the Americans treated him in a very old-fashioned manner, and thinks the business background should be made more intelligent and human in order to match with the Greek partners. Feels that the characters are not developed by what happens to them, which seems obligatory; they are the same in the end as they were in the beginning. Thinks it’s important in order to justify the break between the couple; the girl blossoms mentally and physically on her travels abroad. Says this is logical and will be a great interest to all American woman who "just look at television and lean over a washing machine" and that there is a great fascination in the first trip to Europe and it usually has a telling effect on the individual. Says the wife in the beginning is a very different woman after she meets Hercules and has seen all of the beauties, luxuries, manners and culture of Europe. Thinks this is the pivot from making this picture more than a one-gag comedy. Thinks Hercules is much too smart and has too much experience with women not to expect something, doesn't want him to be more suspicious than he is. Thinks the husband’s sacrifice of his wife for his business success is something that can be deftly handled and should allow for many good comedy situations and some dramatic ones. Says there should also be a great suspicion on the husband’s part that he has a real competitor in Hercules and how he can cope with him. Can see possibilities of the husband ending up with the other girl who is also an adventurous European type. Objects to the undramatic way Hercules sulks and leaves after he finds the husband coming out of the bedroom. Thinks Hercules would be much more skillful in his plan to get this girl. Thinks they have all the ingredients for a hit, a roman holiday only with more substance. Thinks the script needs to be well-developed. Asks Mrs. Van Buren to find out what time the film that was taken yesterday will be ready. Tells her to take a note to Julia [unidentified] regarding the policing of photographers and press for the shooting of the procession so as to make sure there are no problems.
Audio 1035A/210	before 1961 December 12 Scope and Content Note: Note to Mrs. Van Buren: speaks of yesterday’s lunch with the Mr. Amerson from the embassy and a man from TIME. Last night’s supper with Stephanie. Wants to talk to [unidentified] about policing the crowds. Wants to talk to Irene Sharaff about Rex Harrison. Letter to Mr. Denieli(?): mentions the conference Mr. Denieli had with Mr. Rodell the day prior and that Rodell is being appointed the direct contact between him (Mr. Denieli) and the production. Letter to Mr. Marley(?): Reminds him that he (Wanger) is in charge of the production and that any memos regarding the picture need to be cc’ed to him. Note to Johnny [unidentified]: wants a weekly cost sheet for the production. Letter to Mrs. Fitch: says he is enclosing a bill that he wants to make sure is paid. Says there are some problems, but they are working hard.
Audio 1035A/211	before 1961 December 12 Scope and Content Note: Letter to Mrs. Francis… (Italian director of Stephanie's school): Thanks her for her letter and sends his regards for her late husband (who Wanger knew apparently). He discusses chaperonage for a trip of some kind. Letter to Stephanie: Hopes to see a letter back from her describing all the things she sees on her trips. Misses her very much. Lists various expenses for the previous couple of days. Letter to Jess Morgan: Says he will do something about the English situation (?). Says the work has been back-breaking, working seven days a week and long hours. So far the rushes(?) have been very satisfactory. Mentions reimbursements for some of his family's expenses, wants those messages to be sent directly to Jess to speed up the process. Letter to Mr. Eller (unsure of the spelling): Doesn't know what to tell him as there has recently been a re-organization, but he would love to meet him (Eller) for a drink sometime soon. Letter to Jimmy Wolf: Thinks there is chance for a great success in London and New York with his current project. Is delighted to hear how well his (wolf's) picture is doing. Wants to meet with him soon, says he feels isolated. Thinks wolf will love the picture. Letter to Mrs. [unidentified]: Thanks her for her letter to Steph. Letter to John Michael: thinks John should revert to his longhand letters but says he understands why not (John is unable to dictate to his secretary). Says the weather has been fine, but he's been very busy. Hopes to get some of the big scenes out of the way soon. Letter to Jerry: Says Buerates(?) has been very helpful on set and Wanger hopes he gets the authority he deserves in order to make things move properly for everyone. Talks about how busy things have been, thinks the rushes have been very good and that Liz Taylor is doing fantastic. Hopes to see him soon to tell him more about the picture. Letter to Gilbert Miller: Is delighted to know the caretaker is doing well and that he has a hit to start the season, also he is pleased to see Miller in the film business again. Warns him to not overdo it, thinks he should take care of his health. Wants to know when he feels better so he can come and visit. Says he has been working hard, but it has been fun. Letter to Harry Brandt: Is glad he likes the rushes, thinks Liz will be sensational in the picture. Mentions it's been very hard work, but that the picture will justify the efforts.
Audio 1035A/212	before 1961 December 12 Scope and Content Note: Starts with a list of recent expenses. Asks for a letter to be taken to Molly Manderville at the studio: Thanks her for sending the script. Says things have been progressing well, but slowly and that Liz is in great form. Letter to Joseph Rosenberg in Los Angeles: Says Henry Ginsberg is there and is glad he's on the team. Thinks they are on the road to a great success. P.S: Bobby Leven was there and was impressed by the sets. Thinks that bobby is backing the wrong people at Fox and that he should back Pete Levathes instead. Letter to Harry Brandt: thanks him for his notes. Hopes he is seeing the film as it comes as it should be to his liking. Thinks they will the most tremendous box office success in many decades, but also thinks their big problem is making publicity last over years, not just months. Letter to Dr. Merman(?): Thinks he should come to the set, as it will pep up the “boys from home” and give him a better idea of the scope of problems they are dealing with. Says they have a great picture on their hands and the morale is high. Note to Frank Komite(?): Talks about cars, wonders if he wants to send any of the bills. Letter to Charles Schwartz, lawyer in NYC: Says Henry Ginsberg is here and that he saw you (Ginsberg). Says he was glad to see him last year in London, but he is sorry that things didn't turn out better. Says the picture will be one of the greatest of all time. Letter to Charles K. Feldman: Says things are coming along slow, but yell. Thinks it will be great they just have to sell it and handle it properly and it will turn out fine. Says Joe and the cast are doing superb, the sets are great as well. The only problem so far has been the weather, but Liz is doing great. Excited to see his play is at the Lion. Says they've been working very hard to smooth out their problems. Note to Bowring Arundel & Co. in London: asks to order a suit, will have London office send them the payment. Letter to Mrs. Lea de Cordova: Thanks her for the medicine she sent. Says the weather has been marvelous until today when it messed up their processions. Has great faith they will come through with a marvelous picture as they have been working very hard and overcoming problems in the process. Asks how her family is doing and is grateful for her kindnesses. Letter to Madame Pavlacini: Apologizes for not being able to attend her cocktail party as he was working very late. Appreciates her kindness to his daughter. Would like to have drinks with her and her husband sometime.
Audio 1035A/213	before 1961 December 12 Scope and Content Note: (Not sure who he is addressing, possibly Shelly in NYC), Says they started shooting the procession, but the rain has put a halt to that. Elizabeth looks wonderful and has lost a great deal of weight. She has been rehearsing her entrance to Rome on a sphinx pulled by 800 Egyptian slaves. Asks how she is doing in NY. Says Levathes and his family are going back to NY for week. Letter to Gisile Galwar(?) Says he's checked with the casting department and would like to have her come back, but he doesn't know the dates because they have been slightly delayed. Would like to have her in their picture if the proper part can be found. Letter to [Skouras, President of Fox?] Says they are going to do everything they can to make this picture in the most efficient manner possible. Mentions the inclement weather, but that they have shot two days of the procession scenes and that the studio will be impressed with it. Mentions the hard work and cooperative spirits of Elizabeth and Joe (director). Says Levathes has been of great help in organizing things. Above all, they have been working long hours, seven days a week to smooth out any problems that come along with making picture of that size. Letter to Mr. Capodano, director of the Bank of America: Hopes that Cilio will be able to come out to the studio. Would like to get lunch sometime soon. Would like to deposit $150 every month into Steph's checking account. Wants to send a postcard to Shelly with Russian stamps in it.
Audio 1035A/214	before 1961 December 12 Scope and Content Note: Letter to Levathes in LA: Hopes he knows how constructive his visit to Rome was and was sorry to see him go. Regarding his telephone call to him (Levathes) about the Warner contract, all demands that Warner objected to were dropped because of the good terms of the contract. However he (Wanger) is not certain Warner isn't trying to get out of the deal. Says Eddie has the option on the Gouffe case. Kurt Fring has called him (Wanger) to set up a deal for Audrey Hepburn to be in "Justine". John Maither called him (Wanger) from Paris the night prior. Says he (Maither) found a book he wants to play, but that he needs Marilyn Monroe to be in it. Says the biggest hitch is that the picture couldn't be done before next spring as there is no script. Says he gave Levathes the wrong name of the book, it is actually called "Catch 22". Says Joe Demiro(?) arrived the day prior and that he will be a tremendous help (he has been helping with all of the contract issues). Says there has been two days of no activities due to the rain, but that Joe has finally started on act and he (Wanger) thinks it will be easier than act 1. He (Wanger) and Joe had a good talk a few days prior and Joe was most receptive to it. Says he has talked with Charlie Townsend and Sid Rogell the matter of not putting so much responsibility on Kellogg’s and that Kellogg’s should just focus on acting. Wants to get things rolling with the procession scenes so they can cut the payroll as they are currently employing a lot of people in connection with the sequence and that after they can have a more compact organization for the picture. Says he is still concerned with the exteriors of Alexandria. After the procession scenes and Alexandria exteriors are done, they will be able to see the light. Everyone's morale is high on the artistic side and they think they will deliver the best picture ever. As they soon as they get more material underway they might be able to start selling tickets. Pressure for material from the press from all over the world continues. Wants Levathes to read a book that is comparable to Breakfast at Tiffany's, but although it is of the same genre it is no competition for it. Wants him to look for script writers in London to write a script as he thinks they are good at writing comedies.
Audio 1035A/215	before 1961 December 12 Scope and Content Note: Letter to Levathes: Wishes for him and his wife to come back soon, says he is sorely missed. Is enclosing a clipping from the London observer written by London's top film critic, thinks it’s very interesting. Has something to do with a film that Wanger thinks could work well with a director he knows from the Blake Edward's School. Talks about the film's progress. Says they are in the midst of the procession, thinks it looks tremendous. Morale is high on set and he hopes they can finish it by the following week. First act of the picture is complete and he thinks Joe (director) has done a great job with it. Says he was worried about the Roman sequences because they were quite complicated and could be dull, but Joe did a fine job making them. Admits that he was more moved by the first act of the script than he has been in years. They are getting really good reports from the studio. Wants a few shots of Egypt to be sent near the end of filming. Wants Kellogg to finish on a Battle scene. Is going to write Levathes a letter sometime in the next week that includes work on finding someone new to do merchandising for the film. Talks about work that needs to be done with cover sets. Says the organization dealing with the 3-4 thousands extras has been working better than he's ever seen happen before. Mentions some concern over contracts. Is enclosing a letter from Bert Stern, the photographer. Says Johnny Johnson has made a revised schedule that has Elizabeth being done by January, but Wanger thinks this is optimistic. P.S. to Levathes: Mentions Sheila Graham, a columnist, who has been causing trouble with the picture's publicity. Says she is blackmailing them. But Wanger thinks he was able to calm her down a bit after meeting with her.
Audio 1035A/216	before 1961 December 12 Scope and Content Note: Letter to Harry: Talks about Shelley, the weather in Iscia(?) and the possibility of shooting down there. Picture is going well, studio is excited. Letter to Burt Stern: Talks briefly about progress of procession scenes with Liz (Taylor). Letter to Mrs. Fitch: Regarding the rushes, he suggests she see Doc Merman. Things are progressing well. Note to Ted Kane at the Studio in Hollywood: The track sheets, music and instructions have arrived and they are planning to have 20 in the choir, are trying currently to cast the girls for it. Expresses enthusiasm for the picture. Letter to Jerry: Talks about shooting of procession, hopes to finish it within a week. Thinks studio is impressed with the rushes. Is keeping in close touch with Pavlicini as he been seeing him around a lot. Mentions the previous day’s events with Harrison and Burton's first scenes being shot. Wants him to come visit. Letter to Arthur Jacobs; is very pleased that the Walter Wanger film festival is underway, wants to know about dates as he will be occupied with the shooting of the picture until spring. Mentions how busy he has been. Says publicity surrounding the picture is absurd; they are having to fight off the press rather than plant material, has never known anything like the pressure for information like on this picture. Excitement surrounds the rushes. Thinks Publicity/propaganda campaign should last five years. Letter to Sal: Thinks he has done a tremendous job (on what?). Is interested on his educational approach and its importance to the industry. Talks briefly about the picture. Letter to Jess Morgan: Picture is progressing slowly, but he still thinks it will succeed all over the world. Mentions that in one more year his contract will be up (the following October 20th). Letter to shelly: is enclosing some tickets for a raffle that is being given at the Grand Hotel [Waldorf Astoria], hopes she wins a prize. Anxious to hear from her. Wants to know if she has made up her mind about what she wants for Christmas. Letter to Mrs. Levathes: Thanks her for her note. Hopes all is well with her and her family.
Audio 1035A/217	before 1961 December 12 Scope and Content Note: Letter to Shelly: Congratulates her on her report card. Says he is dying to see Breakfast at Tiffany’s, but he has seen Camelot. Is going to see an Italian musical comedy that night and if it is good he is going to try and send it to New York. Thinks the picture will be a great success. Letter to Mrs. Wanger (Ma): Was delighted to receive her note. Would like to hear what's going from both of them. Says he has never worked harder in his whole life than he is now. Has only finished 1/2 of the screenplay. Millions of dollars at stake every time he looks around. Thinks they'll be alright if they gross $150 million.
Audio 1035A/218	before 1961 December 12 Scope and Content Note: Letter to Jess: Is concerned that she did not mention Sturman in her last letter. Wants to know what is going with that situation. Wants to call the colonel at the embassy to see if he is back. Wants to call the ambassador, Ryan Howard. Wants to write a letter to Pete Levathes about publicity. Wants to find out what happened with the test on Ramus on Saturday. Wants to write a letter to the cast about the shooting schedule.
Audio 1035A/219	after 1961 December 11 Scope and Content Note: [content inaudible] Mentions of the things to take place in the following spring and summer. Possibly talking to Shelly in one part. Mentions Pete Levathes at one point.
Audio 1035A/220	after 1961 December 11 Scope and Content Note: Letter/memo to Peter (Pete Levathes?): Says that their previous talk on the phone has him (Wanger) concerned that Peter is under great pressure from external sources, guesses that this is why he made some of the statements that he did concerning Burton being in New York and the bonus he was given, among other things such as asking what the crew does on their weekends and saying that him (Wanger) and Joe (director) are unconcerned with the cost of the picture. Wanger says this is quite untrue and that he expects the picture to exceed all expectations. Praises Joe for the scenes he has written for Liz Taylor and Burton. Says there are many sequences which are being improvised in order to save the studio a lot of money. Mentions second-unit situation, Kellogg situation, set dressing and Walder Scott, fittings regarding Liz. Says they are working on an open-end budget, nobody has any sense of responsibility and everyone blames everything else. Asks when there will be a definitive budget for the picture. He (Wanger) just wants to make a great picture regardless of the budget. Letter to Jessica and Hugh(?) Cronon. Letter to [unidentified]: thanks him for a poster and his tailor's address. Says he is looking for an artist to make a trademark poster for the film and asks if he or anyone else he knows could do it. Letter to Jess Morgan: Says picture is progressing slowly, but material is wonderful and hopefully it will make over $100 million. Added notes to Levathes letter/memo: says one of the first things he did when he arrived was to stop the “deploreless” studio deal with the location and building of the ship. Letter to Maurice Newton: Says he misses their telephone calls from California to New York. Hopes to talk to him on the telephone when he is back in New York. Mentions he is in the midst of a big picture. Talks about Stephanie. Hopes he and his wife are in the best of health.
Audio 1035A/221	after 1961 December 11 Scope and Content Note: Letter to Spiros: Writing in response to Spiros' letter of Dec. 13th* [content inaudible] Mentions of Joe's great work as director of the picture. Letter to Jerry: [content inaudible] Hopes to see him when he is back in NY for the holidays. Very impressed with Jerry's newsletter and its mention of Cleopatra. Says he shares Jerry's opinion completely and wishes the studio would do the same. Says Joe has been doing a miraculous job. Is sure the picture will achieve a victory, but he sees a long year still head that will be spent preparing it. New letter to [unidentified]: [content inaudible]
Audio 1035A/222	after 1961 December 11 Scope and Content Note: Letter to Martin J(?): [content inaudible] Mentions British/French outfits? Letter to Harry: [content inaudible] Letter to Jess Morgan: Says he got a letter from Stanley Grainger. Talks about expenses, an address in London, and expenses for the previous fall season. Asks if she has heard anything about the Sturman situation. Letter to Blake Edwards: Says he was thrilled to see Breakfast at Tiffany's. Thinks everything was amazing. Says it was one of the first modern pictures he had seen in years. Mentions his dinner with Audrey Hepburn and Ingrid Bergman the previous night. Congratulates him again on his achievement. Letter to Abraham: is grateful for his council. Regarding wills he has asked Jess Morgan to fill him on his will.
Audio 1035A/223	after 1961 December 11 Scope and Content Note: [content inaudible at start] Mentions script, someone coming from London. Says Rex Harrison, Liz Taylor and Joe (director) are all doing wonderful jobs. Thinks it will continue this way as long as Skouras (Pres of 20th century Fox) keeps his fingers out of it. Says expenses will be great, but that he believes the gross and profits will be also. Letter to Charles Feldman: Writing to let him know that he has seen about three quarters of an hour of Joe's first cut and it is "absolutely out of this world. It has depth, quality, great humor, wonderful dramatics and some of the best performances I have ever seen in my life". Thinks it should gross 100 million. Talks about going back to NYC to be with his family over the holidays. Couldn’t be more enthusiastic at the moment, not so sure how the company is feeling. If South Pacific can do 30 million they can certainly more than better than that. Says everyone thinks it is worth the money except 20th century fox. Wants the following to be added to a letter to john wolf: he has heard of a story that might interest jack clayton and if he (wolf) likes it then it could become a joint Italian/English project. Wants to see if they can have him and clayton meet to try and get this going. [content inaudible again]. Letter to Deliani: Talks about getting lunch to talk about what can and can't be done in order to garner commercial success.
Audio 1035A/224	after 1961 December 11 Scope and Content Note: Letter to [unidentified]: Talks about dinner he had the other day with this person and it was nice to see him again. Hopes 1962 will be a more peaceful and prosperous year. Letter to Mrs. Anderson(?): Thanks her for her letter and gift. Wishes her and her family well. Letter to Jack Anderson: Sends him well wishes. Letter to Mrs. Fitch: thanks her for her gift. Is very enthusiastic about how the film looks and thinks it should be done sometime in the spring. Thinks it will be a great spectacle. Letter to another couple Donna and Greg M.: Says Charles Feldman and Pete Levathes are coming in as they are having an unusual crisis at the moment, but the film is looking magnificent. Taylor, Burton and Rex Harrison are doing great work and that everyone will be proud of Joe Mankiewicz's work on the picture. Letter to George C: Says the picture is moving along slowly, but beautifully. Praises Taylor and Joe for their great work in the movie so far. Note to John Michael: thanks him for his greeting. Wants him to come visit so he can get away from 'those Hollywood intellectuals'.
Audio 1035A/225	after 1961 December 11 Scope and Content Note: Says memos (?) of January 10th were very helpful as they are now reorganizing the production set-up and appraising the whole Cleopatra project to a realistic completion date while Peter (Levathes) is there. The major priority is to get a script completed so they will soon be in a position to appraise the entire enterprise. It is essential to accelerate the shooting of the film with a 2nd unit filming. Shortly they hope to present a schedule of activities for the second unit. A 3rd unit might even be needed. At this time the question of length should be reviewed due to the universal criticism of the length of Ben-Hur, Exodus and Spartacus, they should aim for the 3 hours and Pete confirms this as an ideal length. If this is to be the length they must eliminate the telescope scenes in the script. At their current rate the final cut would be 6 hours. We know that time is our biggest problem. Certain cuts will be made to the script for scenes 6/7. Same goes for scene 29 and 8. continues talking about which cuts will be made to the script. Regarding shooting time, if you have a properly organized day you can shoot 2.5 pages with ease, but this has not been the case up to date. the removal of non-obligatory scenes, optimization of time, the use of a 2nd unit and the 1st unit doing 2.5 pages/day is the only way to be finished shooting in Rome by mid-April. New heading Unanswered questions: We are still looking for locations, expect to have answers in the coming 10 days. IN his opinion, in consideration of the excitement/publicity surrounding the film, the opening will be disappointing for the audience. The only advantage is showing Antony. Is worried that the film will be jumpy and incoherent, suggests that it should start in Cleopatra's temple. Thinks Caesar’s introduction after Cleopatra would be much better and the only loss would be Antony's introduction. Goes on about various aspects of the film's scenes and his suggestions/plans for them (2nd unit projects, battle scenes, art department). Says going to Egypt for a few scenes is still a possibility.
Audio 1035A/226	after 1961 December 11 Scope and Content Note: Letter to his mother. [content inaudible]
Audio 1035A/227	after 1961 December 11 Language: In Italian
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Audio 1035A/229	after 1961 December 11 Scope and Content Note: Letter to Oliver M. Brooks: Thanks him for the bottle of brandy. Letter to Harold L(?): thanks him for his letter, was glad to hear from him. Letter to Mrs. Romundo: thanks her for her letter. Talks about his daughters and their plans. Wire to Charles Feldman: Asks how long he will be in Paris. Letter to Margaret L: Was delighted to read her notices for her play. Hopes she is doing well in New York. Hopes to finish the film one day, but the going is slow.
Audio 1035A/230	after 1961 December 11 Scope and Content Note: Night cable to Pogana: Please meet after arrival of Pan-Am flight. Wants to see if new scripts have been sent to New York.
Audio 1035A/231	after 1961 December 11 Scope and Content Note: Letter to Nina; Thanks her for her letter, has received the photographs he asked her to send. The purpose of the letter is to introduce a very good friend, Ted Lewan(?) One of the most attractive, entertaining men he knows. Letter to 21 Brands(?): reads addresses off
Audio 1035A/232	after 1961 December 11 Scope and Content Note: Wants to get in touch with the American school in Rome. Shelley speaks about an award she is trying to apply for.
Audio 1035A/233	1962 January 29 Scope and Content Note: Letter to Jess Morgan: Received her letter. Wants to comment on some points in the letter. Talks about the alimony situation with Justine Wanger. Talks about Steph and Shelley’s situation (trust fund, education expenses, etc.). Mentions Allied artists, wants to know if there are any statements from them.
Audio 1035A/234	1962 February 1 Scope and Content Note: Asks to make the following notes about production: Doc Erickson about a costume coordinator, Irene Shariff about tosses (?), dining arrangements for the following days, wants to talk to publicity department, wants to arrange to look at cut stuff with Mr. Feldman, planning to write a book, wants to talk to Stuart Lyons about actors for barge scene, letter to Pete Levathes. Letter to Jess Morgan: Mentions information received by Mr. English among other things regarding expenses and production. Letter to Arthur Jacobs: Will stand by his decision in which he doesn't wish to continue any publicity actions at this time. Letter to Alec (Last name?): Appreciates his thoughts, thinks his New York trip will be very successful. new note wants to talk to Mr. Rogell about the Irene Shariff situation.
Audio 1035A/235	1962 February 5 Scope and Content Note: Note to Arthur and wife: discusses the movie's stills, says he will forward them as soon as he gets them. Thinks the movie will hopefully be done by spring. Mentions a special addition and a paperback for children in many languages. Thinks Charlie Einfeld(?) should be contacted. Note: wants to talk to the American Embassy about Robert Kennedy's trip to Rome. Is expecting a note from Liz Taylor in Paris. Note to Patty [unidentified] in New York: Asks her about Lewis and Aphrodite and if she's ever seen it because he thinks it would make a good film script.
Audio 1035A/236	1962 February 5 Scope and Content Note: Letter to Mel F.: Jerry is much better and back at work. Has been in touch with Bob Panero and told him how interested they are in getting the real estate set up properly. Talks about a prospectus on United States company called U.S. Enterprises who specializes in electronic education and another company interested in building hotels called Winston Muss who has a lot of capital and might be interested in joining up with their enterprise. Says they shouldn't forget.
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Audio 1035A/286	1962 July 14
Audio 1035A/287	undated
Audio 1035A/288	undated
Audio 1035A/289	undated
Audio 1035A/290	undated
Audio 1035A/291	undated
Audio 1035A/292	undated
Audio 1035A/293	undated
Audio 1035A/294	undated
Audio 1035A/295	undated
Audio 1035A/296	undated
	Series: Films	⇧
DC 700-DC 701	Aladdin's Lamp(Citadel Pictures Inc., 1950; two copies) Note: Director: Charles Haas
GA 067, AB 887-AB 888	[Greta Garbo Screen Test] (Walter Wanger Productions), circa 1940 Alternate Format: VBA 529 viewing copy.
AC 141	I Want to Live!trailer, circa 1958
DC 699	Northern Frontier (Associated Screen Studios, Canada, 1945) Note A Yellowknife Presentation [Sponsor] Director: Ross Beesley
DC 699	Sometimes You Strike It Right(A Salmita Production, 1945)
AB 745	Universal Newsreel, Vol. 19, No. 550 [Segment] (Universal Pictures, October 31, 1946)
AB 745	Universal Newsreel, Vol. 19, No. 553 [Segment] (Universal Pictures, November 12, 1946)
	[Home Movies: Wanger Collection, No. 1-11] [Gene Markey?], 1929-1938 Note: Quotes in descriptions below are from title cards in the films.
AB 797	No. 1 Scope and Content Note: “Melinda at the Markey's, June 1936” - small child in yard with adults; “Santa Barbara Pool, July 3, 1938” - Joan Bennett and daughters swimming; “First Swimming Lesson, August 1938” - younger daughter in yard, both daughters having lesson; Untitled section - shots of Melinda as baby; “Fall 1936” - Joan and daughters in yard; “Xmas 1936” - Melinda and presents; wears Santa outfit; both girls in identical dresses play with toys, dolls, tea set.
CA 595	No. 2 Scope and Content Note: Christmas 1936, repeat in black and white of girls and toys from No. 1; “Children's Birthday Party, Beverly Hills Hilton Hotel, Feb. 26, 1937” - decorations, children with balloons, clown, long table and guests, Mickey Mouse favors, pan shots of children mugging at camera, Joan Bennett with children and cake; “Santa Barbara Pool, July 3, 1938” - black and white repeat of footage in No. 1; “Fleischman's Polo Field” - Walter, John, and the Children; “Santa Barbara Fourth of July” - bagpipe band,-polo players, family on field and getting into car; “First Swimming Lesson” - repeat in black and white of footage from No. 1; “Melinda's Swimming Lesson with Captain Nass, August 1938” child and instructor in pool, Joan Bennett at side; “Melinda and Linda Lovelace at Bel Air Beach Club September 1938” - Melinda playing on the beach with another little girl, Diane in pool.
AB 798	No. 3 Scope and Content Note: “Me with Chin Chin and Golly Nine Months“ - “Me” is Melinda, playing with two dogs; “Learning to Crawl 7 Months” - Melinda with teddy bear in high chair, then crawling on stomach; “Halloween Eight and A Half Months” - Melinda in hat with toy bell; “Arline Judge's Fancy Dress Party, Nine Months” - Melinda in ballerina costume sitting in chair, then in crib, on floor playing and crawling; “Christmas 1934” - Melinda and toys by tree. Diane plays with her.
AB 799	No. 4 Scope and Content Note: “May 1934-Three Months Birthday” - Melinda in crib, being fed with bottle; “June 27th Four Months Birthday” - Melinda in buggy. Diane and nurse play with her, in high chair; “And Still another bath, only this time mother is giving it to the four and a half months old Melinda” - Joan Bennett gives Melinda a bath under the glare of movie lights; “One of the First Cereal Meals--Mother at the Spoon”; “July 27th Five Months Birthday Having a Bath”
AB 800	No. 5 Scope and Content Note: “Play Yard Tower Road January 1936“ - Diane and Melinda with nurse and Joan Bennett, sandbox, slide, merry-go-round, swings; “Palm Springs March 1936” - Melinda, Diane and Joan Bennett in wading pool; “Markey Garden June 1936“ - Melinda in yard with grandparents(?); “Melinda at the Markeys June 1936” - repeat in black and white of color footage from No. 1
AB 801	No. 6 Scope and Content Note: “Melinda Markey February 27 1934” - picture of stork; “The Good Samaritan Hospital - Los Angeles” - views of hospital; Joan Bennett in bed; “Melinda at one day and a half with Miss Edwards the nurse” - Joan gets Melinda from nurse; “One Week Old” - shots of Joan in bed, holding baby; “March 1934“; “One week and five days old“; ”The Happy Family by Gene Markey” - more shots in hospital; “Leaving the hospital”; “At home two weeks and five days old” - Melinda in bassinet; “The Nursey” - shots of room; “Three weeks and five days old”; “Her morning bath - the first given at home by Mrs. Majors”; “ April 1934 - Another bath given by Mrs. Leash on her two months old birthday”; “May 1934 - Three months birthday” - repeat of footage from No. 4
AB 802	No. 7 Scope and Content Note: “June 27th Four Months Birthday”; “And still another bath only this time Mother is giving it to her”; “One of the first cereal meals - Mother at the spoon”; “July 27th Five Months Birthday , Having a Bath” - all above repeat from No. 4; “Malibu - Summer 1934” - Melinda in inflated boat; Joan Bennett poses her with sailor's hat; “Tower Road Seven Months” - Joan Bennett and Melinda with Diane
AB 803	No. 8 Scope and Content Note: “Children's Birthday Party Beverly Hills Hotel, February 26, 1937” - original color footage of this segment, which appears in black and white in No. 2
AB 804	No. 9 Scope and Content Note: “Palm Springs March 1935” - Joan Bennett and Melinda by pool; “Learning to walk Easter Day 1935 Thirteen Months” - Melinda toddling around in driveway aided by father and Diane and grandmother; ”Malibu-Fifteen Months” - Joan Bennett with Melinda and Diane wading at beach; “October 1935” - Nurse and Melinda in nursery; father puts her to bed; Diane drawing; “Christmas 1935” - Melinda in Santa suit with toys by tree, partly a repeat of footage in No. 1
AB 805	No. 10 Scope and Content Note: “December 1933 - Barbara Morton and Yorkie” - couple at front of house; “Yorkshire Pudding”same couple with bulldog; “Barbara Morton and Brownie” - couple with large dog; “Christmas Day - Gene and Yorkie” - Gene Markey with bulldog; “Joan and Mother in the Garden Tower Road” - one shot; “February 1934 - Ditty's Playhouse Tower Road” - Diane playing in yard by large playhouse; “Ditty Cleaning House”; “Ditto paying a Visit”; “Patricia Calling” - all three of Diane with visitors at playhouse; “Shortly before the big event” - Joan Bennett pregnant, in yard; “Mother Alice, Boopie and almost Melinda's Mother” - three seated at table in yard; “Mother Alice and Wee Wong” - grandmother and dog; “Ditto, Michael, Barbara, Sean, Mother Alice and Ditty” - group posing on lawn
AB 806	No. 11 Scope and Content Note: “Ditty and Peter Bennett, 1929” - Diane and a little boy in yard; with friends; on tennis court; “Brownie” - large dog in yard; “Introducing Joan and Gene at Malibu, 1933”; “Wee Wong” - Pekinese dog and Brownie; Diane in surf with dogs; Joan and Diane wave to camera, play with dogs; Peter and Diane play; Joan and friend, Joan pregnant; Diane riding a horse; Diane riding horse; Diane with Joan and Gene in yard; “Bunty” - a dog
AC 267-AC 268	No. 12-13 Scope and Content Note: No description available.