Archival Resources in Wisconsin: Descriptive Finding Aids

Container	Title
	Series: Part 2, 1976 Additions: Subject File, 1943-1975
	Adam's Rib (TV series: Production company unknown, 1973. Original network ABC)
Box 53 Folder 1	Promotional flyer, undated
	The Adjustment of Preston Fowler (Motion picture: unproduced)
Box 53 Folder 2	Correspondence, script revisions, 1963-1964
	The Ages of Man (TV special: Talent Associates?, January 23 and 30, 1966. Original network CBS)
Box 53 Folder 3-4	Production file, 1958-1959, 1965-1966
Box 53 Folder 5	Script, based on George Rylands' Shakespeare Anthology, undated
Box 53 Folder 5	Shooting scripts, based on George Rylands' Shakespeare Anthology, undated
	Albert Hackensack (TV series: unproduced)
Box 53 Folder 6	Outline, undated
Box 53 Folder 6	Correspondence, 1965
	Alexander, Stephen
Box 53 Folder 7	Correspondence, 1963, undated
	Alfie (Motion pictures or theater: Originally theater, London: Mermaid, June 20, 1963)
Box 53 Folder 8	Correspondence, reviews, 1963
	All in Good Time (Theater: NY: Royale, February 1965)
Box 53 Folder 9-11	Correspondence, 1963-1966, undated
Box 53 Folder 12	Reviews, 1965
Box 54 Folder 1	Script, final version, by Bill Naughton, June 1964
Box 54 Folder 2	Script, final version, by Bill Naughton, September 21, 1964
	All the Doors and Everything (Motion picture: unproduced?)
Box 54 Folder 3	Script, by Henry Jaglom, circa 1963
	All the Emperor's Horses (Motion picture: unproduced)
Box 54 Folder 4	Production file, including synopsis by David Kidd, 1968, undated
	All the Way Home (Motion Picture: Paramount, 1963)
Box 54 Folder 5	Budgets and financial grosses, 1961-1962, 1964
Box 54 Folder 6	Camera reports, October 1962-January 1963
Box 54 Folder 7	Cast and crew, resumes and lists, 1962
	Contracts
Box 54 Folder 8	Cast and crew, July 1962-July 1963
Box 54 Folder 9	Unions, May 1960-January 1963
Box 54 Folder 10	Correspondence, August 1962-November 1964, undated
Box 54 Folder 11	Insurance, August-November 1962
Box 55 Folder 1	Legal file, 1962-1963
	Locations
	Knoxville
Box 55 Folder 2	General, September-December 1962
Box 55 Folder 3	Contracts, 1962
Box 55 Folder 4	Props, designs and correspondence, 1962
Box 55 Folder 5	New York, contracts, December 1962-January 1963
Box 55 Folder 6	Metromedia, Inc., correspondence and agreements, 1962-1963
Box 55 Folder 7	Music, correspondence, lyrics, 1962
Box 55 Folder 8	Paramount Pictures Corporation, correspondence and financial reports, August-December 1962
Box 55 Folder 9	Production file and reviews, 1962-1963
Box 55 Folder 10	Screen credits, correspondence and list, November 1962-January 1963
Box 55 Folder 11	Script distribution cards, undated
Box 55 Folder 12	Script, correspondence and lists, September-November 1962
Box 55 Folder 13	Script clerk's report, October 1962-January 1963
Box 55 Folder 14	Shooting schedules, August-November 1962
Box 55 Folder 15	Wardrobe, correspondence and list, 1962-1963
	America! (TV Special re DuPont: unproduced)
Box 55 Folder 16	Program presentation, undated
Box 55 Folder 17	American Association of Advertising Agencies, correspondence, including a speech by Lee Loevinger, August 1969-May 1970
	American Broadcasting Company (ABC)
	Contracts, general
Box 55 Folder 18	1962
Box 56 Folder 1	1963
Box 56 Folder 2	New projects, correspondence, presentations, lists, circa 1963-1966
Box 56 Folder 3	Synopsis of packager/advertiser option dates, January 24, 1963
	ABC Stage 67 (TV anthology series: 1966-1967)
Box 56 Folder 4	Correspondence, 1963-1966
	The ABC Sunday Night Theatre (TV Specials)
Box 56 Folder 5	Correspondence and promotional materials, July-November, 1967
	Of Mice and Men(January 31, 1968)
Box 56 Folder 6	Correspondence, clippings, and miscellany, 1967-1968
Box 56 Folder 7-8	Script, undated
Box 56 Folder 9	Script, adapted by John Hopkins, May 24, 1967
	ABC Theatre (TV anthology series)
	A Moon for the Misbegotten(May 27, 1975)
Box 56 Folder 10	Production file, 1975
	Annamarie (TV special?: unproduced)
Box 56 Folder 11	Production file, including an outline by Loring Mandel, 1974-1975
	The Anne Bancroft Show (TV series?: unproduced)
Box 56 Folder 12	Contract, 1969
	Anne of a Thousand Days (TV special: unproduced)
Box 56 Folder 13	Correspondence, 1963
	Anything Goes (TV series: unproduced)
Box 56 Folder 14	Correspondence and miscellany, 1964
	Armstrong Circle Theatre (TV anthology series: Talent Associates-Paramount Ltd., 1953-1957 on NBC, 1957-1963 on CBS)
Box 56 Folder 15	Correspondence, financial notes, summaries, miscellany, circa 1955-1964
Box 57 Folder 1	Correspondence, financial notes, summaries, miscellany, circa 1955-1964, continued
	Arrest and Trial (TV series: Universal TV, 1963-1964. Original network ABC)
Box 57 Folder 2	ASI test results and viewer comments, 1963
	Art Carney Show (TV series: syndicated?)
Box 57 Folder 3	Correspondence and schedules, 1963-1964
	The Arthurs of Camelot (TV series: unproduced)
Box 57 Folder 4	Synopsis, by Steve Kanfer and Jess Korman, undated
	“As Time Goes By” (Song)
Box 57 Folder 5	Correspondence, 1964
	Ashley-Steiner-Famous Artists, Inc.
Box 57 Folder 6	Correspondence, 1963-1970
	The Assistant (Format unknown; originally theater)
Box 57 Folder 7	Script, Act 1, undated
	The Association of Artists for Freedom
Box 57 Folder 8	Transcript, “The Black Revolution and the White Backlash,” June 15, 1964
	At the Drop of Another Hat (TV special: Talent Associates in association with CBS, April 18-19, 1967?)
Box 57 Folder 9	Production file, 1966-1967, undated
	The Autograph Hound (Motion picture: unproduced)
Box 57 Folder 10	Correspondence, 1972-1973
	[Ballet Special] (TV special: produced on CBS?)
Box 57 Folder 11	Correspondence and miscellany, 1963
	Barry Gray Show (Radio: New York, WMCA)
Box 57 Folder 12	Press release re Susskind appearance, including excerpts, September 1963
	Beach (TV series: unproduced)
Box 57 Folder 13	Clipping and outline, by Al Howard, 1965, undated
	Behind the Lines (TV series?: unproduced)
Box 57 Folder 14	Correspondence, 1965
	Benjamin Franklin: Citizen (Theater: touring)
Box 57 Folder 15	Reviews, playbill, 1967
	Bennet, Cyril
Box 57 Folder 16	Correspondence and clippings, 1967-1971, undated
	Benton, William
Box 57 Folder 17	Correspondence re commercial sponsorship of educational TV, 1963
	Bernstein, Ron
Box 57 Folder 18	Correspondence, 1969-1973
Box 57 Folder 19	Memoranda re potential projects and critiques, 1971-1973
	The Best of Everything (TV series: unproduced)
Box 57 Folder 20	Correspondence, 1965
	A Better Life (TV series: unproduced)
Box 57 Folder 21	Synopsis, undated
	Bid to Win (TV series: unproduced)
Box 57 Folder 22	Synopsis re game show, undated
	The Big Kiss-Off (Motion Picture: unproduced)
Box 58 Folder 1	Novel, fragment, undated
Box 58 Folder 1	Correspondence, 1972
	Big Maggie (Format unknown; originally theater)
Box 58 Folder 2	Script, by John Keane, undated
	Billie Holiday Story (Motion Picture: May be Lady Sings the Blues, Motown-Weston-Furie Productions, 1972. Paramount)
Box 58 Folder 3	Correspondence and notes, 1968-1969
	“Bombing on My Mind” (Article: New York Magazine, by Gail Sheehy)
Box 58 Folder 4	Article and correspondence, 1970
	The Bonegrinder (TV special: unproduced?)
Box 58 Folder 5	Correspondence and synopsis, by Dennis Potter, 1967
	Brewsters (TV special?: unproduced?)
Box 58 Folder 6	4 synopses, by Roger Hirson, annotated, undated
	Bridou, Lucienne
Box 58 Folder 7	Correspondence, 1963
	Brief Lives (Theater: NY, John Golden Theatre, December 1967)
Box 58 Folder 8-9	Production file, 1967
Box 58 Folder 10	Clippings and reviews, 1966-1968
Box 58 Folder 11	Script, undated
	The Brothers (TV series?: unproduced?)
Box 58 Folder 12	Story idea, March 1965
	Brown, Helen Gurley
Box 58 Folder 13	Correspondence and lists, 1966
	Buck Buck Number One (Motion pictures: unproduced?)
Box 58 Folder 14	First draft script, by Mordecai Siegal and Harry G. Falk, May 1965
	Burlesque (TV series: unproduced)
Box 58 Folder 15	Story idea, by Coleman Jacoby and Arnie Rosen, undated
	... But There Are Always Miracles (Production format unknown)
Box 58 Folder 16	Book and correspondence, 1974
	By Hooke and Cruikshank (TV series?: unproduced?)
Box 58 Folder 17	First draft script, by Leonard Stern and Mel Tolkin, July 1, 1963
	Calvin (TV series?: unproduced?)
	“My Husband the Zookeeper”
Box 59 Folder 1	Script, by Ray Brenner and Jack Guss, August 19, 1965
	Campus, Michael
Box 59 Folder 2	Correspondence and miscellany, 1963-1965
	Carpenter, Rene
Box 59 Folder 3	Correspondence and article by Rene Carpenter, 1967
	Carry Danger (TV special: unproduced?)
Box 59 Folder 4	Synopsis, by Richard Donner, July 7, 1965
	A Case of Libel (TV: Talent Associates, February 11, 1968. Original network ABC)
Box 59 Folder 5	Production file, 1967-1968
	Casualities of War (Motion picture: unproduced)
Box 59 Folder 6	Correspondence, budgets, miscellany, 1970-1971
	CATV
Box 59 Folder 7	Presentation for Manhattan Board of Estimates and miscellany, 1973, undated
	Catweazle (TV series: unproduced?)
Box 59 Folder 8	Correspondence and miscellany, 1973
	“The Eye of Time”
Box 59 Folder 9	Script, by Richard Carpenter, undated
	“The Sun in a Bottle”
Box 59 Folder 9	Script, by Richard Carpenter, undated
	“The Trickery Lantern”
Box 59 Folder 9	Script, by Richard Carpenter, undated
	Chase (Motion picture: unproduced?)
Box 59 Folder 10	Correspondence, 1973
	Chewsday (Motion picture: unproduced)
Box 59 Folder 11	Correspondence, reviews, script records, 1968-1970
	Children at the Gates (Production format unknown)
Box 59 Folder 12	Summary, by Lunne Reid Banks, July 27, 1967
	The Choice (TV: special, NBC)
Box 59 Folder 13	Correspondence, 1964
	The Chosen Few (Theater: unproduced?)
Box 59 Folder 14	Correspondence and notes, 1963
	Christie Love (Motion Picture: unproduced)
Box 59 Folder 15	Correspondence, 1972
	Churchill Wit (TV special: unproduced)
Box 59 Folder 16	Production file, 1967
	Cine Capitol S.A.
Box 59 Folder 17	Preliminary prospectus and correspondence, 1970
	Cole (Theater: London, Mermaid Theatre, July 2, 1974)
Box 59 Folder 18	Playbill, annotated, 1974
	Collier, John
Box 59 Folder 19	Correspondence, note, clipping, 1973
	Come As You Are (Theater: unproduced?)
Box 59 Folder 20	Script, by John Mortimer, undated
	The Comedians (TV series: syndicated)
Box 59 Folder 21	Outlines and promotional articles, circa 1971
	Command Performance (TV anthology series: other production information unknown)
Box 60 Folder 1	Correspondence, 1962-1966
Box 60 Folder 2	Notes, synopses, and miscellany, circa 1962-1966
	“The American Dram”
Box 60 Folder 3	Production file, 1963
	Commercials
Box 60 Folder 4	Correspondence, story boards, creative strategies, and speech by Sen. Frank E. Moss to the National Food Editors' Conference, 1970-1971
	Company (Theater: NY: Alvin, April 26, 1970)
Box 60 Folder 5	Brochure for original cast album, May 1970
	Condemned (Production format unknown)
Box 60 Folder 6	Synopsis, by Edward Adler, undated
	A Conscientious Objector at Parris Island (TV special: unproduced?)
Box 60 Folder 7	Correspondence, 1975
	Controversy (TV series: unproduced?)
Box 60 Folder 8	Format, hosted by William F. Buckley, Jr., undated
	Cook, Elisha
Box 60 Folder 9	Biographical notes, clippings, 1970
	A Cop and a Girl (Motion pictures: unproduced)
Box 60 Folder 10	Correspondence, 1970
Box 60 Folder 11	Script, by Halsted Welles, David Freeman, and Tom Gries, undated
Box 60 Folder 12	Script, circa 1970
Box 60 Folder 13	Script fragments, circa 1970
Box 60 Folder 14	Script, annotated, undated
	[Coroner Series] (TV series: unproduced?)
	“Mary, Mary, How Does Your Garden Grow?”
Box 60 Folder 15	Synopsis, by Jerry P. Flanagan, June 5, 1967
	Cornucopia (TV series: unproduced?)
Box 60 Folder 16	Outline, March 1966
	The Country Club (TV series: unproduced)
Box 60 Folder 17	Correspondence and synopsis, by Jacqueline Susann, 1968
	The Country Girl (TV special: produced?)
Box 61 Folder 1	Correspondence and cast list, 1973, undated
	The Couriers (TV series: unproduced?)
Box 61 Folder 2	Synopsis, September 9, 1964
	Crack in the Wall (TV series: unproduced)
Box 61 Folder 3	2 Synopses, by Edward Adler, undated
	“A Devil's Spawn of Luck”
Box 61 Folder 3	Treatment, by Edward Adler, annotated, undated
	The Crime Is: Murder! (TV series: unproduced)
Box 61 Folder 4	2 presentations, 1964
	Crime of the Century (TV series: unproduced?)
Box 61 Folder 5	Correspondence, script outlines, 1965, 1972
	Crown Matrimonial (TV special: Talent Associates/Norton Simon Productions in association with FCB Productions, April 3, 1974. Original network NBC. Hallmark Hall of Fame)
Box 61 Folder 6	Production file, 1973-1974
	The Crucible (TV special: produced)
Box 61 Folder 7	Script, by Arthur Miller, annotated, January 19, 1967
	Cruising (Format unknown)
Box 61 Folder 8	Book, by Gerald Walker, undated
	The Dain Curse (Motion picture: unproduced?)
Box 61 Folder 9	Correspondence, 1972
	Daisy...And the Earth People (TV series: unproduced?)
Box 61 Folder 10	Synopsis and treatment, by Richard Donner, March 16, 1966
	Dames at Sea (Theater: NY: Bouwerie Lane, December 20, 1968)
Box 61 Folder 11	Script, by George Haimsohn and Robin Miller, undated
	Dance of Death (TV special: unproduced. Original format theater, London, National, 1967)
Box 61 Folder 12	Correspondence, playbill, and clipping, 1967
	Dann, Michael
Box 61 Folder 13	Biographical material and miscellany, circa 1973
	D'Antoni, Phillip
Box 61 Folder 14	Biographical material, undated
	Daughter of Darkness (Motion picture: unproduced)
Box 61 Folder 15	Correspondence, 1972, undated
	The Daughter of My Friend Irma (TV: unproduced series)
Box 61 Folder 16	2 synopses and accompanying letter, by Cy Howard, April 1964
	The David Burns Show (TV: unsold series)
Box 61 Folder 17	Casting and budget information, 1964
Box 61 Folder 18	Correspondence, 1964-1965, undated
Box 61 Folder 19	3 outlines, 1964-1965
	“Case of the Lovesick Boy”
Box 61 Folder 20	Revised second draft, by Bill Manhoff, March 16, 1964
Box 61 Folder 20	Script, by Bill Manhoff, April 6, 1964
	“Case of the Rotten Kid”
Box 61 Folder 21	Script, by Bill Manhoff, April 30, 1964
	“Case of the Sweet Old Man”
Box 62 Folder 1	Synopsis, revised, undated
Box 62 Folder 1	Treatment, undated
Box 62 Folder 1	Script, undated
Box 62 Folder 1	2 scripts, by Bill Manhoff, June 30, 1964
Box 62 Folder 1	Script, by Bill Manhoff, July 7, 1964
	The David Susskind Show (TV series: syndicated, 1966- )
Box 62 Folder 2	Clippings and miscellaneous production material, 1966-1971
Box 62 Folder 3-4	Correspondence, 1966-1971
Box 62 Folder 5	Ratings, undated
Box 62 Folder 6	Schedules, 1966-1971
	Individual programs, arranged by taping date
	January 5, 1966 (“Fat and Happy,” “LBJ,” “Private Eyes”)
Box 62 Folder 7	Correspondence and release forms, 1966
	January 12, 1966 (“Housewifes from Hanoi,” “Peter Ustinov”)
Box 62 Folder 8	Correspondence, release forms, introduction for “Housewives from Hanoi,” 1966
	August 31, 1966 (“Negroes Who Hate Jews,” Panel with “Mary Tyler Moore, Katherine de Jersey, Omar Ahmed, Arthur Williams, Mrs. Rose Hayes”)
Box 62 Folder 9	Production file, including a transcript of The Open Mind, “Anti-Semitism and the Negro,” with Alex Rosen, John Slawson, Kenneth Clark, and Bayard Rustin, on WNBC-TV, 1966
	September 6, 1966 (“Nuns and Priests Are Marching”)
Box 62 Folder 10	Correspondence and release forms, 1966
	September 14, 1966 (“Pete Seeger”)
Box 62 Folder 11	Correspondence, release form, 1966
	September 29, 1966 (“The New Left"”)
Box 62 Folder 12	Correspondence and release forms, 1966
	October 6, 1966 (“Far-out Right,” “Life Over 40,” “Ethnic Humor”
Box 62 Folder 13	Correspondence and release forms, 1966
	October 10, 1966 (“White Backlash,” “Single Girls”)
Box 62 Folder 14	Correspondence and release forms, 1966
	October 13, 1966 (“Stokely Carmichael,” ”Red China Debate”)
Box 62 Folder 15	Correspondence, release forms, clippings, 1966
	November 10, 1966 (“Motorcycles,” “The Draft”)
Box 62 Folder 16	Correspondence and release forms, 1966
	November 15, 1966 (“Welfare,” “The Fugs”)
Box 62 Folder 17	Correspondence and release forms, 1966
	November 17, 1966 (“HUAC,” “Underground Magazines”)
Box 62 Folder 18	Correspondence and release forms, 1966
	December 1, 1966 (“Neo-Nazism,” ”Susskind Family”)
Box 62 Folder 19	Production file, 1966
	December 5, 1966 (“George Wallace”)
Box 62 Folder 20	Correspondence, 1966
	December 8, 1966 (“Mr. Kenneth,” “Bowery Bums,” “Night Clubs”)
Box 62 Folder 21	Correspondence and release forms, 1966-1967
	December 8, 1966 (“Strippers,” “Sam Sheppard”)
Box 62 Folder 22	Correspondence and release forms, 1966-1967
	December 29, 1966 (““Are American Men Little Boy Lovers?,” “F. Lee Bailey”)
Box 62 Folder 23	Correspondence and release forms, 1966-1967
	January 19, 1967 (“Bugging,” “Fashions”)
Box 62 Folder 24	Correspondence and release forms, 1966-1967
	January 26, 1967 (“Homosexuality,” “Astrology”)
Box 63 Folder 1	Correspondence, release form, clipping, 1967
	February 2, 1967 (“White Parents with Negro Children,” “Dogs”)
Box 63 Folder 2	Correspondence and release forms, 1967
	February 9, 1967 (“Gamblers and Pills,” “Millioniares of Music”)
Box 63 Folder 3	Correspondence and release forms, 1967
	February 14, 1967 (“Hypnotism,” “Alcoholism,” “Robert Maxwell, M.P.”)
Box 63 Folder 4	Correspondence and release forms, 1967
	February 16, 1967 (“European Women,” “Menopause”)
Box 63 Folder 5	Correspondence and release forms, 1967
	February 23, 1967 (“Millionaires,” “Life on Other Planets,” “George Plimpton”)
Box 63 Folder 6	Correspondence and release forms, 1967
	March 2, 1967 (“Abortion Laws,” “Ramparts Magazine”)
Box 63 Folder 7	Correspondence and release forms, 1967
	March 7, 1967 (“We Were Falsely Accused of Murder”)
Box 63 Folder 8	Correspondence and release forms, 1967
	March 14, 1967 (“The Mafia,” “Newsweek”)
Box 63 Folder 9	Correspondence and release forms, 1967
	March 16, 1967 (“The Tragedy of Alcoholic Priests”)
Box 63 Folder 10	Correspondence, 1967
	April 13, 1967 (“Who's Hiding the Nazi Murderers and Where,” “Where the Elite Eat”)
Box 63 Folder 11	Correspondence and release forms, 1967
	April 20, 1967 (“Pat Ward,” “Dreaming,” “Cleaning Women”)
Box 63 Folder 12	Production file, 1967
	April 27, 1967 (“Three Women Who Made It Big,” “Pills and Pot”)
Box 63 Folder 13	Correspondence and release forms, 1967
	May 5, 1967 (“Child Abuse”)
Box 63 Folder 14	Correspondence and release forms, 1967
	May 11, 1967 (“Sex Education,” “Robert Morley”)
Box 63 Folder 15	Correspondence and release forms, 1967
	May 18, 1967 (“Jeane Dixon,” “Jet Set”)
Box 63 Folder 16	Correspondence and release forms, 1967
	May 25, 1967 (“Congressional Ethics,” “Morton Shulman and Stocks”)
Box 63 Folder 17	Correspondence, 1967
	August 31, 1967 (“Teachers in Tough Schools,” “Merchants from Riot Areas”)
Box 63 Folder 18	Production file, 1967
	September 14, 1967 (“Who Dares to Criticize the FBI?,” “English Girls Who Swing,” “Future in the Palm of Your Hand”)
Box 63 Folder 19	Correspondence and release forms, 1967
	September 21, 1967 (“Sarah Churchill,” “DAR,” “Sexercises”)
Box 63 Folder 20	Correspondence and release forms, 1967
	September 28, 1967 (“Vietnam Vets,” “Wives of My Friends”)
Box 63 Folder 21	Correspondence and release forms, 1967
	October 4, 1967 (“Welfare Mothers,” “Roomies,” “4-H”)
Box 63 Folder 22	Production file, 1967
	October 5, 1967 (“Hippies,” “Ruth Douglas Mann,” “Richard Lester”)
Box 63 Folder 23	Correspondence and release forms, 1967
	November 2, 1967 (“Three Priests Who Left,” “The Lowdown on Super Spies,” “The Truth About Your Dreams”)
Box 63 Folder 24	Correspondence and release forms, 1967
	November 6, 1967 (“Titicut Follies,” “The Wild, Wild Left,” “Gore Vidal”)
Box 63 Folder 25	Correspondence and release forms, 1967
	November 13, 1967 (“Graphology,” “Death and Dying”)
Box 63 Folder 26	Correspondence and release forms, 1967
	November 14, 1967 (“Hon. Abba Eban”)
Box 63 Folder 27	Correspondence, 1967
	November 20, 1967 (“Dr. Fayez Sayegh,” “Pot Smokers and Acid Heads,” “Suzy Smith--Lady Who Talks with the Dead”)
Box 63 Folder 28	Correspondence, release forms, and clippings, 1967-1968
	November 27, 1967 (“God, Men and War at Yale,” “Fabulous Furs for He and She”)
Box 63 Folder 29	Correspondence and release forms, 1967-1968
	December 9, 1967 (“Actors Talk About Acting,” “Stock Market,” “Children”)
Box 63 Folder 30	Correspondence and release forms, 1967
	December 18, 1967 (“Recovery,” “Manville Wives”)
Box 63 Folder 31	Correspondence and release forms, 1967-1968
	December 26, 1967 (“Welfare Workers,” “Hugh Downs,” “Memory Man”)
Box 63 Folder 32	Correspondence and release forms, 1967-1968
	January 15, 1968 (“Sargent Shriver,” ”Governor Claude Kirk”)
Box 63 Folder 33	Correspondence and schedule listing, 1967-1968
	January 22, 1968 (“Let's Dump Johnson Now,” “Show Biz Confidential”)
Box 63 Folder 34	Correspondence and release forms, 1968
	February 5, 1968 (“Astrology,” “Far Right”)
Box 63 Folder 35	Production file, 1968
	February 12, 1968 (“Public School Children,” “David Frost”)
Box 63 Folder 36	Production file, 1968
	February 19, 1968 (“Prison Life Is Hell”)
Box 63 Folder 37	Correspondence and release forms, 1968
	February 26, 1968 (“Florence Fisher--23 Years a Whore and a Junkie”)
Box 63 Folder 38	Correspondence and release forms, 1968
	March 11, 1968 (“Alimony Is a Girl's Best Friend”)
Box 63 Folder 39	Correspondence and release forms, 1968
	March 18, 1968 (“Are We Going Broke?,” “Muggeridge”)
Box 64 Folder 1	Correspondence and release forms, 1968
	March 25, 1968 (“Black Panther Eldridge Cleaver,” “Talented Lady Talkers”)
Box 64 Folder 2	Correspondence and release forms, 1968
	April 8, 1968 (“Blacks and Whites Tell It Like It Is,” “Sex Without Fear,” “Upward Bound”)
Box 64 Folder 3	Correspondence and release forms, 1968
	April 22, 1968 (“Swinging Styles for Men”)
Box 64 Folder 4	Correspondence, 1968
	April 29, 1968 (“A Lot of Lip and Small Tip: 5 Cabbies,” “The Jaded Jet Set”)
Box 64 Folder 5	Correspondence and release forms, 1968
	May 6, 1968 (“Blood and Thunder at Columbia: 7 Students Speak”)
Box 64 Folder 6	Correspondence, 1968
	May 13, 1968 (“Kennedy, McCarthy, Humphrey: Who Will It Be?”)
Box 64 Folder 7	Correspondence and release forms, 1968
	May 20, 1968 (“Five Cops Sound Off”)
Box 64 Folder 8	Correspondence and release forms, 1968
	May 27, 1968 (“College Radicals”)
Box 64 Folder 9	Correspondence and release forms, 1968
	June 3, 1968 (“The New Medicine,” “Broadway Has Turned On: 'Hair' and 'The Boys in the Band'”)
Box 64 Folder 10	Correspondence and release forms, 1964
	November 25, 1968 (“Divorcees”)
Box 64 Folder 11	Production file, 1968
	December 11, 1968 (“Responsible Dissent on Vietnam,” “Peter Cook and Dudley Moore”)
Box 64 Folder 12	Correspondence and release forms, 1968
	Dear Me, The Sky Is Falling (Motion picture: unproduced?)
Box 64 Folder 13	Correspondence, 1963
	Death Be Not Proud (Television special: unproduced?)
Box 64 Folder 14	Correspondence and notes, 1971-1974
	Death of a Salesman (Television special: Talent Associates-Paramount Ltd., May 8, 1966. Original network CBS)
Box 64 Folder 15	Correspondence, reviews, and miscellany, 1966
Box 64 Folder 16	Script, fragment, undated
Box 64 Folder 17-18	Shooting script, including cast list, time rundown, and credits, annotated, March 9, 1966
	The Debriefing (Production format unknown)
Box 64 Folder 19	Story treatment, by Noel Behn, April 2, 1968
	The Defenders (TV series: Plautus Productions in association with Defender Productions and CBS, 1961-1965)
Box 64 Folder 20	Credits, shows #66-#68, undated
	Deighton, Len
Box 64 Folder 21	Correspondence and synopsis, “Top Secret,” 1963
	Desperate Hours (TV: ABC Movie Night Special, December 13, 1967)
Box 64 Folder 22	Production file, 1967
Box 64 Folder 23	First draft script, by Joseph Hayes, adapted by Clive Exton, undated
Box 65 Folder 1	Second draft script, by Joseph Hayes, adapted by Clive Exton, undated
Box 65 Folder 2	Third revised script, by Joseph Hayes, adapted by Clive Exton, June 14, 1967
	Detective Story (TV series: unproduced?)
Box 65 Folder 3	Correspondence, casting suggestions, 1963
	Devereaux, Oh Devereaux! (Format unknown)
Box 65 Folder 4	Synopsis, July 7, 1965
	The Devil (TV series: unproduced?)
Box 65 Folder 5	Production file, 1964
	Dial “M” for Murder (TV movie on Wednesday Night Movie: Talent Associates in association with Rediffusion Television, Ltd. November 15, 1967, original network ABC)
Box 65 Folder 6	Production file, 1966-1967
	Diamond Studs (Theater: NY, Westside, January 14, 1975)
Box 65 Folder 7	Reviews, January 1975
	Diary of a Mad Housewife (Motion picture: Frank Perry Films, 1970. Universal)
Box 65 Folder 8	Revised script, by Eleanor Perry, undated
	Diary of a Madman (Proposed TV special: unproduced?)
Box 65 Folder 9	Correspondence and theater reviews, 1967
	Diary of Anne Frank (TV special: Talent Associates, November 26, 1967, original network ABC)
Box 65 Folder 10	Correspondence, reviews, and miscellany, 1966-1968
Box 65 Folder 11	Final script, by Frances Goodrich and Albert Hackett, adapted by James Lee, September 28, 1966
	The Dick Cavett Show (TV series: Production company unknown, 1969-1972. Original network ABC)
Box 65 Folder 12	Correspondence, articles, and contracts, 1970-1971
	Directions (TV series: ABC, 1965- )
	“Simon Wiesenthal: A Conscience for Our Time”
Box 65 Folder 13	Transcript, with correspondent George Watson, written by Sid Darion, October 13, 1974
	Dixon, Jean
Box 65 Folder 14	Budget, undated
	Do You Sleep in the Nude? (TV game show: unproduced?)
Box 65 Folder 15	Production file, including presentation, 1970-1971
	Dr. Jekyll and Mr. Hyde (TV series: unproduced?)
Box 65 Folder 16	Synopsis, by Norman Retchin, February 23, 1963
	Doctor Love (TV series: unproduced?)
Box 65 Folder 17	Synopsis, by Nick Arnold, September 15, 1967
	Doctor Raven (TV series: unproduced?)
Box 65 Folder 18	Outline, undated
	The Dolly Scene (Motion picture: unproduced?)
Box 65 Folder 19	Correspondence, 1967
Box 65 Folder 19	Script, by John Hopkins, February 1965
	Donner Party (Format unknown)
Box 66 Folder 1	Correspondence and article, 1972-1973
	Doug Henning and the World of Magic (TV special: Talent Associates, December 26, 1975, network NBC)
Box 66 Folder 2	Format, undated
	Down Here (TV series: unproduced?)
Box 66 Folder 3	Synopsis, by Buck Henry and Edward Adler, undated
	Duke Ellington (TV special: unproduced?)
Box 66 Folder 4	Correspondence and notes, June 1972
	DuPont Show of the Month (TV anthology series, 1957-1961, Original network CBS)
	“Harvey” (September 22, 1958)
Box 66 Folder 5	Re-run and re-play costs, 1963
	DuPont Show of the Week (TV anthology series: 1961-1964, other production information unknown)
Box 66 Folder 6	Production material, 1963-1964
	“The Bachelor Game” (February 8 1963)
Box 66 Folder 7	Production file, including script by Irving Gaynor Neiman, 1963
	“Ride with Terror” (December 4, 1963)
Box 66 Folder 8	Correspondence and clippings, July 1963-August 1964, undated
Box 66 Folder 9	Script, “Subway Story,” by Nicholas Baehr, October 28, 1963
	Dutch Uncle (Format unknown)
Box 66 Folder 10	Correspondence, February-April 1973
	Dyne, Michael
Box 66 Folder 11	Correspondence and untitled treatment for television play, 1966-1967
	Eamonn Andrews Show (TV series: England)
Box 66 Folder 12	Script, with David Susskind and Mohammad All, January 1968
	East Side/West Side (TV series: Talent Associates-Paramount in association with United Artists Television, 1963-1964. Original network CBS)
Box 66 Folder 13	Awards, 1964
Box 66 Folder 14	Budget, January-December 1963
Box 66 Folder 15	Cast and crew, undated
Box 66 Folder 16	Clippings, 1963-1964
Box 66 Folder 17	Contracts, January 1963-January 1964, undated
	Correspondence
	General
Box 66 Folder 18	1959-1963, July
Box 67 Folder 1-2	1963, August-1964
	Specific
Box 67 Folder 3	David Golden, 1963-1964, undated
Box 67 Folder 4	Fan Mail, 1963-1964, undated
Box 67 Folder 5	Letters of support, 1963-1964
Box 67 Folder 6	National Association of Social Workers, 1963-1964
Box 67 Folder 7	Deal sheets, March-December 1963
Box 67 Folder 8	Directors, 1963-1964
Box 67 Folder 9	Miscellany, 1963-1964
Box 67 Folder 10	Music, January 1963-April 1964
Box 67 Folder 11	Personnel, 1963-1964
	Proposed programs
Box 67 Folder 12	Story ideas, including some by Pete Hamill, 1962-1963
	Outlines
Box 67 Folder 13	“Cop on the Beat,” by Arnold Perl, undated
Box 67 Folder 13	“Cuba Si-Puerto Rico No,” by Arnold Perl, undated
Box 67 Folder 13	“The Givers,” by George Bellak, undated
Box 67 Folder 13	“The Last of the Dinosaurs,” undated
Box 67 Folder 13	“Lonely as a Lighthouse Keeper,” by Millard Lampell, undated
Box 67 Folder 13	“The Only Man Who Looked,” by Theodore Apstein, undated
Box 67 Folder 13	“Politician,” by Bob Van Scoyk, undated
Box 67 Folder 13	“A Rag and a Bone and a Hank of Hair Is More Trouble Than Snips and Snails and Puppy Dogs' Tails, Sometimes,” by Irving Gaynor Neiman, undated
Box 67 Folder 13	“She Shall Be Nameless,” by Edward Adler, undated
Box 67 Folder 13	“The Style of a Rich Girl,” by Leslie Weiner, September 16, 1963
Box 67 Folder 13	“Switchover,” undated
Box 67 Folder 13	“Thirty-Thirty-Thirty,” by Matthew Andrews, undated
Box 67 Folder 13	“The Three Dollar Bill,” by Allan Sloane, undated
Box 67 Folder 13	“The Walls Came Tumbling Down,” by A. E. Hotchner, undated
Box 67 Folder 13	“When Jabberwocks Come Whiffing,” by Matthew Andrews, undated
Box 67 Folder 13	Untitled, by Stanley Greenberg, June 14, 1963
	Story development
	“Halfway House”
Box 67 Folder 14	Correspondence and miscellany, 1963
	“Vomo--A Man”
Box 67 Folder 15	Outline, by Edward DeBlasio, undated
Box 67 Folder 15	Script, by Edward DeBlasio, annotated, September 13, 1963
	“A Waste of Shame”
Box 67 Folder 16	First revised script, by Ernest Pendrell, May 27, 1963
Box 68 Folder 1	Ratings, Arbitron and Neilsen, 1963-1964
Box 68 Folder 2	Schedules, 1963-1964
Box 68 Folder 3	Scott, George C., 1963, undated
Box 68 Folder 4	Script status reports, 1963
Box 68 Folder 5	Sponsors, 1963
Box 68 Folder 6	Teasers, undated
Box 68 Folder 7	Trailers, circa 1963-1964
Box 68 Folder 8	Writers, 1963-1964
	“It's War Man” (pilot)
Box 68 Folder 9	Production file, 1963
Box 68 Folder 10	Outline, by Robert Alan Aurther, undated
Box 68 Folder 10	First draft pilot script, by Robert Alan Aurther, December 26, 1962
	“The Sinner” #2
Box 68 Folder 11	Production miscellany and viewer response correspondence, 1964-1965
	“Creeps Live Here” #3
Box 68 Folder 12	Trailer, August 1963
	“You Can't Beat the System” #4
Box 68 Folder 13	Production file, 1963
	“My Child on Monday Morning” #5
Box 68 Folder 14	Production file and viewer correspondence, 1963
	“Go Fight City Hall” #6 (a.k.a. “The Paper Trap”)
Box 68 Folder 15	Production file and viewer correspondence, 1963
	“Age of Consent” #7
Box 68 Folder 16	Production file, 1963
Box 68 Folder 17	Viewer correspondence, September-October 1963
Box 68 Folder 18	2 final draft scripts, annotated, undated
	“I Before E Except After C” #8
Box 68 Folder 19	Production file and viewer correspondence, 1963
Box 69 Folder 1	Script, fragment, undated
Box 69 Folder 1	Script, annotated, undated
Box 69 Folder 1	Second draft, “Schoolteacher,” by Ossie Davis, July 15, 1963
Box 69 Folder 2	Final draft, “Little Boy Lost,” by Ossie Davis, July 18, 1963
	“Something for the Girls” #9
Box 69 Folder 3	Production file, 1963
Box 69 Folder 4	First draft outline, “The Diana Temple Story,” by Edward DeBlasio, undated
Box 69 Folder 4	Fragments, annotated, undated
Box 69 Folder 4	Script, by Edward DeBlasio, July 29, 1963
	“Not Bad for Openers” #10
Box 69 Folder 5	Production file, 1963
Box 69 Folder 6	Outline, “Shape Up for Eddie Best,” by Edward Adler, undated
Box 69 Folder 6	Outline, “An Arm Job to Oblivion,” by Edward Adler, undated
Box 69 Folder 6	Outline, “Justice for Eddie Best,” by Edward Adler, undated
Box 69 Folder 7	Second draft script, “Shape-Up for Eddie Best,” by Edward Adler, July 26, 1963
Box 69 Folder 7	Miscellaneous revisions, annotated, undated
	“... No Wings at All” #11
Box 69 Folder 8	Production file, 1963
	“Who Do You Kill?” #12 (a.k.a. “Gift of Laughter”)
Box 69 Folder 9	Production file, 1963
Box 69 Folder 10	Viewer correspondence, November 1963
Box 69 Folder 11	Partial script revisions, September 18, 1963
	“No Hiding Place” #13
Box 69 Folder 12	Production file and viewer correspondence, 1963
	“Where's Harry?” #14
Box 69 Folder 13	Production file, 1963
	“Don't Grow Old” #15
Box 69 Folder 14	Production file, 1963
	“The Five Ninety-Eight Dress” #16
Box 69 Folder 15	Production file and viewer correspondence, 1963-1964
	“The Beatnik and the Politician” #17
Box 69 Folder 16	Production file and viewer correspondence, 1963-1964
Box 70 Folder 1	3 outlines, “Poets, Peasants and Politics,” by Robert Van Scoyk, undated
	“One Drink at a Time” #18
Box 70 Folder 2	Production file, 1963
	“The Street” #19
Box 70 Folder 3	Production file, 1963-1964
	“If Your Grandmother Had Wheels” #20
Box 70 Folder 4	Production file, 1964
	“The Passion of the Nickel Player” #21
Box 70 Folder 5	Production file, 1964
	“Take Sides with the Sun” #22
Box 70 Folder 6	Production file, including outline by Allan Sloane, 1964
	“The Name of the Game” #23
Box 70 Folder 7	Production file, 1964
	“Nothing But the Half Truth” #24
Box 70 Folder 8	Production file, 1964
Box 70 Folder 9	Script fragment, annotated, (starring David Susskind), March 30, 1964
	“The Givers” #25
Box 70 Folder 10	Production file, 1964
	“Here Today” #26
Box 70 Folder 11	Production file, 1964
	Edie (TV series: unproduced?)
Box 70 Folder 12	Synopsis, by Jack Guss and Josef Shaftel, and accompanying letter, July 7, 1964
	Edinburgh Writers' Conference
Box 70 Folder 13	Correspondence and clippings, April 1963
	[The Eisenhower Project] (TV special: unproduced?)
Box 70 Folder 14	Notes and memorandum, circa 1975
	The Electric Age (TV series: unproduced?)
Box 70 Folder 15	Proposal and accompanying letter, May 1968
	Ellie (Motion picture: unproduced?)
Box 70 Folder 16	Correspondence, 1972-1973
	Emergency -- Dial 0! (TV series: unproduced?)
Box 70 Folder 17	Synopsis, by Ira Cirker, and accompanying letter, August 30, 1961
	Emporium (TV series: unproduced?)
Box 70 Folder 18	Presentation, undated
	Escape from Sonora (Motion picture: unproduced?)
Box 70 Folder 19	First draft script, adapted by David Newman and Robert Benton, undated
	Esso Repertory Theatre (TV: syndicated)
Box 70 Folder 20	Production file, 1964-1967
Box 70 Folder 21	Reviews and clippings, circa 1965
	“Act without Words”
Box 71 Folder 1	Outline, by Samuel Beckett, October 8, 1964
	“Beautiful People”
Box 71 Folder 2	Final revised script, by William Saroyan, January 25, 1965
	“The Bedtime Story”
Box 71 Folder 3	First draft script, by Sean O'Casey, November 11, 1964
	“The Cavalry”
Box 71 Folder 4	Script, by William Butler Yeats, October 8, 1964
Box 71 Folder 4	Revised script, October 20, 1964
	“Chee Chee”
Box 71 Folder 5	Script, by Pirandelo, February 19, 1965
	“Coriolanus”
Box 71 Folder 6	Script fragment, by William Shakespeare, undated
	“Creditors”
Box 71 Folder 7	Revised script, by August Strindberg, March 12, 1965
	“Don Juan in Hell”
Box 71 Folder 8	Script, by George Bernard Shaw, undated
	“The Dumbwaiter”
Box 71 Folder 9	Script, by Harold Pinter, December 11, 1964
	“The Forced Marriage”
Box 71 Folder 10	Script, by Moliere, undated
	“How He Lied to Her Husband”
Box 71 Folder 11	Script, by Bernard Shaw, October 8, 1964
	“The Lonesome Train”
Box 71 Folder 12	Script, by Millard Lampbell, and casting notes, February 12, 1965, undated
	“The Man with the Flower in His Mouth”
Box 71 Folder 13	Script, by Pirandello, February 19, 1965
	“Romeo and Juliet”
Box 71 Folder 14	Script, Act III, Scene 5, by William Shakespeare, undated
	“The Rivalry”
Box 71 Folder 15	Final draft script, by Norman Corwin, November 1, 1964
	“The Taming of the Shrew”
Box 71 Folder 16	Script fragment, by William Shakespeare, undated
	“The Trojan Women”
Box 71 Folder 17	Script, by Euripides, January 9, 1965
	“The Wedding”
Box 71 Folder 18	Script, by Anton Chekov, February 1, 1965
	An Evening's Frost (TV special: unproduced?)
Box 71 Folder 19	Correspondence, playbills, and reviews, 1965-1966
	Exton, Clive
Box 71 Folder 20	Correspondence, April-November 1967
	Face to Face (Format unknown)
Box 72 Folder 1	Title search, May 1971
	The Family of Man (TV special: unproduced?)
Box 72 Folder 2	Presentation and notes, circa 1970
	Far Out (Format unknown: originally theater)
Box 72 Folder 3	Revised script, by Garson Kanin, March 1, 1961
	Faraday and Company (Format unknown)
Box 72 Folder 4	Story idea, by Leonard Stern, undated
	Fat Girl (Motion picture: unproduced?)
Box 72 Folder 5	Script outline, by Brendan Gill, January 6, 1971
Box 72 Folder 5	Treatment, by Bob Randall, undated
Box 72 Folder 5	Miscellany, 1970-1971
	The Fed-Up Generation (Radio series: unproduced?)
Box 72 Folder 6	Proposal, undated
	Festival of the Performing Arts (TV anthology series: syndicated in New York and Washington, D.C.)
Box 72 Folder 7	Production file, 1962-1963
	“Crack-Up”
Box 72 Folder 8	Script, by F. Scott Fitzgerald, March 1, 1963
	The File on Stanley Patton Buchta (Motion picture: unproduced?)
Box 72 Folder 9	Correspondence and notes, 1970
	Firing Line with William F. Buckley (TV series: 1966- , syndicated and PBS)
	“The Prevailing Bias” (May 21, 1966)
Box 72 Folder 10	Correspondence and transcript, 1966
	The Flight of the “Ennui 2” (TV Special: unproduced)
Box 72 Folder 11	Correspondence, 1965
	Flint (Format unknown)
Box 72 Folder 12	Outline, undated
	For Adults Only (TV series: syndicated)
Box 72 Folder 13	Production file, circa 1968-1971
	Ford Festival of Drama (TV series: unproduced?)
Box 72 Folder 14	Correspondence and miscellany, 1966
	Four Years to Go (TV series: unproduced?)
Box 72 Folder 15	Story idea, by A. J. Russell, undated
	The Free Man (Motion picture: unproduced?)
Box 72 Folder 16	Screenplay, by Jean Anouilh and translated by Lucienne Hill, undated
Box 72 Folder 16	Correspondence, June-July 1965
	Friday the Rabbi Slept Late (Motion picture: unproduced?)
Box 72 Folder 17	Correspondence, 1964-1965
	From Chekhov with Love (TV special: Talent Associates in association with Rediffusion Television, Ltd. and CBS, September 11, 1968)
Box 72 Folder 18	Production file, 1966-1968
	The Gambler (Motion picture or TV: unproduced?)
Box 72 Folder 19	Script revisions, undated
	Gashade (Motion picture or TV: unproduced?)
Box 73 Folder 1	Script, by Adrien Joyce, circa April 29, 1965
	The Gentle Man (TV series: unproduced)
Box 73 Folder 2	Correspondence and 7 outlines, including outlines by Sydney Carroll and Max Ehrlich, 1962-1964
	Generation Gap (TV pilot for series: unsold?)
Box 73 Folder 3	Correspondence and rehearsal schedule, 1968
	Get Smart (TV series: Talent Associates and Heydey Productions, 1965-1969. Original network NBC)
	Pilot
Box 73 Folder 4	Notes for proposed series, circa 1964
Box 73 Folder 4	Correspondence, 1963-1964
Box 73 Folder 5	Synopsis, “Maxwell Smart--86,” undated
Box 73 Folder 5	Synopsis, by Buck Henry and Mel Brooks, undated
Box 73 Folder 5	Synopsis, undated
Box 73 Folder 6-7	Production file, January 1964-October 1965, undated
	Series
	Agreements and contracts
Box 73 Folder 8	General, 1964-1966, undated
Box 73 Folder 9	Directors' agreements, shows #2-#29, 1964-1968
Box 73 Folder 10	Writers' contracts, 1965-1966
Box 73 Folder 11	Writers' deals, 1965-1966
Box 74 Folder 1	Call sheets, August-September 1965
Box 74 Folder 2	Cast sheets, June-December 1965
Box 74 Folder 3-4	Correspondence, March 1965-March 1968
Box 74 Folder 5	Credit title copy, May 1965-March 1966
	Financial records
Box 74 Folder 6	Production budgets and/or cost reports, circa 1965-1967
Box 74 Folder 7	Cash statements, June 1965-May 1966
Box 74 Folder 8	Invoices, 1964-1965
Box 74 Folder 9	Journal entries, July-November 1965
Box 74 Folder 10	Ledger, June 1965-April 1966
Box 74 Folder 11	Paramount weekly billings, July 1965-February 1966
	Payroll journal
Box 74 Folder 12	1965, May 30-November 19
Box 75 Folder 1	1965, November 26-March 18
Box 75 Folder 2	Status reports and miscellany, 1965-1968, undated
Box 75 Folder 3	Miscellany, 1965-1966, undated
Box 75 Folder 4	Music, correspondence and agreements, 1965-1966, undated
Box 75 Folder 5	Production reports, June 1965-February 1966
Box 75 Folder 6	Reviews, September 1965
Box 75 Folder 7	Schedules, June 1965-June 1966
	“Our Man in Toyland”
Box 75 Folder 8	Synopsis, by Stan Burne and Mike Marner, undated
Box 75 Folder 9	Unidentified script fragment, “Mr. Big” additions, undated
Box 75 Folder 10	Unidentified script, annotated, undated
	Gilbert, Ron
Box 75 Folder 11	Memorandum re acquisition of Hal Wallis Pictures and Janus Pictures, December 17, 1970
	The Gingham Dog (Format unknown: originally theater)
Box 75 Folder 12	Script, by Lanford Wilson, undated
Box 75 Folder 12	Clippings, 1968
	The Glass Menagerie (TV special: CBS-TV in association with Talent Associates-Rediffusion Television, December 8, 1966)
Box 75 Folder 13	Production file, 1966
	Go Fight City Hall (TV series?: unproduced?)
Box 75 Folder 14	Script, undated
	Going, Going, Gone (TV series: unproduced?)
Box 75 Folder 15	Outline, circa 1967
	Good Company (TV series: Production company unknown, 1967. Original network ABC)
Box 75 Folder 16	Production file, 1967
Box 75 Folder 17	Transcripts of interviews with Tony Curtis, Everett Dirksen, and David Merrick, 1967
	The Good Guys (TV series: Talent Associates, 1968-1969. Original network CBS)
Box 76 Folder 1	Production file, 1967-1968
Box 76 Folder 2	Script, by Jack Rose, May 1967
Box 76 Folder 2	Revisions, May 11, 1967
	Goodnight Larry (Motion picture: unproduced?)
Box 76 Folder 3	Correspondence, June-July 1972
	Goodby, Raggedy Ann (Format unknown: originally theater)
Box 76 Folder 4	Script, by Jack Sher, undated
	Coro, Herb
Box 76 Folder 5	Correspondence, September-October 1972
	The Governor and J.J. (TV series: Talent Associates-Norton Simon, Inc., 1969-1970. Original network CBS)
Box 76 Folder 6	Script, undated
	Grade, Lew -- ATV
Box 76 Folder 7	Correspondence, 1964-1965
	The Great Gatsby (Motion picture: Production company unknown, 1974. Paramount)
Box 76 Folder 8	Rundown sheet, undated
	The Great Lakers (TV series: unproduced?)
Box 76 Folder 9	2 Outlines by Steve Kanfer and Jess Korman, August 5 and September 1, 1964
	Great Love Stories (TV series: unproduced?)
Box 76 Folder 10	Correspondence, 1966
	Great Museums of the World (TV series: unproduced?)
Box 76 Folder 11	Correspondence and presentation, 1964
	The Great Society (TV special: unproduced?)
Box 76 Folder 12	Correspondence, 1965-1966
	The Greatest Man in the World (Motion picture: unproduced?)
Box 76 Folder 13	Correspondence, 1963-1973, undated
Box 76 Folder 14	Final draft playscript, by James Thurber, March 27, 1961
Box 76 Folder 15	Film treatments, by Harry Muheim, August 2, 1968; March 22, 1969
	Green Man (Format unknown)
Box 76 Folder 16	Letter, May 13, 1971
	Gringo (TV series: unproduced?)
Box 76 Folder 17	Outline, by Otis Carney, May 7, 1965
	Groton Music Company
Box 76 Folder 18	Correspondence, 1964-1967, undated
	Hackett, Buddy
Box 76 Folder 19	Correspondence, presentation for TV special, 1963
	Hallmark Hall of Fame (TV anthology series: 1952- . Original network NBC)
Box 76 Folder 20	Correspondence, clippings, and miscellany, 1971
	“All the Way Home” (December 1, 1971)
Box 76 Folder 21	Production file, 1970-1972, undated
Box 76 Folder 22	Clippings and reviews, 1971
	“Harvey” (March 22, 1972)
Box 77 Folder 1	Playscript, by Mary Chase, 1944
Box 77 Folder 1	Correspondence, reviews, and miscellany, 1971-1972
	Hamilton, Christian
Box 77 Folder 2	Playscript for an untitled musical, June 20, 1967
	Harper Valley. U.S.A. (TV series: unproduced?)
Box 77 Folder 3	Outline, by Ron Graham, undated
	Harper's Bazaar (TV special: unproduced?)
Box 77 Folder 4	Synopsis, correspondence, and booklet, circa May 1967
	Harry, Noon and Night (Motion picture: unproduced?)
Box 77 Folder 5	Correspondence, January-February 1970
	Harvey of Fun City (TV pilot: unproduced?)
Box 77 Folder 6	2 series presentations, by Robert Alan Aurthur, and accompanying letter, 1971
	Has Anyone Seen Jennifer? (Format unknown)
Box 77 Folder 7	First draft script, by Loring Mandel, October 9, 1968
Box 77 Folder 7	Second draft script, by Loring Mandel, October 22, 1968
	Hatful of Rain (TV special: Production company unknown, March 3, 1968. Original network ABC)
Box 77 Folder 8	Production file, 1967-1968
	Hatter Fox (TV special: produced?)
Box 77 Folder 9	Correspondence, December 1972-April 1973
	Hawke West (TV series: unproduced?)
Box 77 Folder 10	Presentation and accompanying letter, October 1964, undated
	He and She (TV series: Talent Associates, 1967. Original network CBS)
Box 77 Folder 11	2 presentations, by Leonard Stern, undated
Box 77 Folder 11	Production file, 1967
	“Poster Boy”
Box 77 Folder 12	Final draft script, by Jim Parker and Arnold Margolin, September 22, 1967
	“The Second Time Around”
Box 77 Folder 13	Final draft script, by Arnold Margolin and Jim Parker, June 12, 1967
	He Said! She Said! (TV series: Production company unknown, 1969-1970. Original network NBC)
Box 77 Folder 14	Correspondence and contracts, 1969-1970
	The Heart Is a Lonely Hunter (Motion picture: Warner Brothers-Seven Arts, 1968)
Box 77 Folder 15	Production file, 1963
	Hedda Gabler (TV special: Talent Associates and British Broad-casting Co., September 20, 1963. Original network CBS)
Box 77 Folder 16	Correspondence and reviews, 1963
	Helpern, Milton
Box 77 Folder 17	Letter and accompanying list for a proposed TV series, 1973
	The Hero (TV series: Production company unknown, 1966-1967. Original network NBC)
Box 77 Folder 18	Clippings, 1965-1966
Box 78 Folder 1-2	Correspondence, 1965-1966
Box 78 Folder 3	Financial and production material, 1965-1966
Box 172 Folder 1-2	Financial status report, December 1965-February 1966
Box 78 Folder 4	Script, by Bill Idelson and Sam Bobrick, July 28, 1965
Box 78 Folder 4	Script, by Bill Idelson, Sam Bobrick, and Leonard Stern, August 17, 1965
Box 78 Folder 5	Script, “A Night to Remember to Forget,” by Sam Bobrick and Bill Idelson, September 27, 1965
Box 78 Folder 5	Script, by Sam Boberick and Bill Idelson, October 15, 1965
Box 78 Folder 6	Script, “Hero in the House,” by Leonard Stern and Don Hinkley, undated
Box 78 Folder 7	Script, by Sam Boberick and Bill Idelson, November 30, 1965
	Heydey Productions
Box 78 Folder 8	Financial statements, correspondence, and contracts, June 1964-May 1965
	The High Wall (TV series?: unproduced?)
	“The Scapegoat”
Box 78 Folder 9	Treatment, by Edward Adler, undated
	The History of Football (TV special: unproduced)
Box 78 Folder 10	Correspondence, circa 1963
	Hollow Crown (TV special: CBS in association with British Home Entertainment and Talent Associates-Paramount Ltd., February 16, 1965)
Box 78 Folder 11	Production file, 1963-1964
	Home (Format unknown; originally a play)
Box 78 Folder 12	Production file, including second rehearsal script by David Storey, May-September 1970
	Hopkins, John
Box 79 Folder 1	Correspondence and clipping, 1967-1971
	Horatio McCall (TV series: unproduced?)
Box 79 Folder 2	Correspondence, 1964-1966
	“If I Saw a Man Upon the Star”
Box 79 Folder 3	Outline treatment, by Arnold Perl, November 2, 1965
Box 79 Folder 3	Revised script, by Barry Orringer, March 14, 1965
Box 79 Folder 3	Script, by Richard Adams, September 8, 1965
	[Horowitz Special] (TV special: unproduced?)
Box 79 Folder 4	Format, 1974
	Hot Line (TV series: Talent Associates-Paramount Ltd in cooperation with WPIX-TV, New York, October 1964-March 1965, original telecast on WPIX, New York. Syndicated)
Box 79 Folder 5	Correspondence and miscellany, June 1964-September 1965, undated
	Hotel in Amsterdam (Format unknown, originally theater)
Box 79 Folder 6	Reviews and accompanying letter, October 1970
	The Human Voice (TV special: Talent Associates in association with Rediffusion Television, Ltd, May 4, 1967, ABC Stage 67)
Box 79 Folder 7	Correspondence and miscellany, 1966-1967
	Humphrey Bogart--Or How I Lost My Cynicism and Reformed Phoenix City (Format unknown)
Box 79 Folder 8	Story, by Audrey Maas, undated
	The Hunter (TV series: unproduced?)
Box 79 Folder 9	Synopsis, by Robert Rossen, undated
	The Hunters (TV series: unproduced?)
Box 79 Folder 10	Synopsis, by Barry Oringer, undated
	The Husband (Motion picture: unproduced?)
Box 79 Folder 11	Correspondence, 1968, undated
	If I Were You (TV series: unproduced?)
Box 79 Folder 12	Presentation, undated
	If You Give A Dance You Gotta Pay the Band (Motion picture: unproduced?)
Box 79 Folder 13	Correspondence, April-May 1972
	Imagine a Park Here (Theater: unproduced?)
Box 79 Folder 14	Synopsis, by Tad Mosel, undated
	The Immortals (TV series?: unproduced?)
Box 79 Folder 15	Correspondence and 2 presentations, including casting possibilities, August-October 1963
	In His Own Time (TV pilot: unproduced?)
Box 79 Folder 16	Pilot script, by Steve Binder, June 26, 1969
	In the Manner of the Word (TV series: unproduced?)
Box 79 Folder 17	Format for game show, by Martin Charnin, undated
	In the Presence of Kings (Format unknown: originally art show)
Box 79 Folder 18	Miscellany, 1967
	In the Streets (Motion picture: unproduced?)
Box 79 Folder 19	Correspondence, July-August 1973
Box 79 Folder 19	Synopsis, by Budd Schulberg and Ella Kazan, August 2, 1973
	In This House of Brede (TV special?: unproduced?)
Box 79 Folder 20	Second draft teleplay, by James Costigan, September 16, 1974
	Incident at Pine Creek (Format unknown: unproduced?)
Box 79 Folder 21	Outline, undated
	Indians (Motion picture: may be Buffalo Bill and the Indians, or Sitting Bull's History Lesson, production company unknown, 1976, United Artists)
Box 79 Folder 22	Correspondence, August 1969-October 1972
	Instant Theatre (TV series: unproduced?)
Box 79 Folder 23	Proposal, by John C. Rose, October 1, 1968
	[Insurance Investigator Pilot] (TV series: unproduced?)
Box 79 Folder 24	Outline, by Ed DeBlasio, undated
	International Youth City
Box 79 Folder 25	Program, correspondence, and bulletins, 1967-1968
	Iris of the IRS (TV series: unproduced?)
Box 80 Folder 1	Outline, undated
	It's a Living (TV series: unproduced?)
Box 80 Folder 2	Outline, by Jack Guss and Fred Frieberger, undated
	Ivory Tower (Format unknown; originally a play)
Box 80 Folder 3	Reviews, May 1967
	Jackie Whitefish (Motion picture?: unproduced)
Box 80 Folder 4	Correspondence, 1972-1974
	Jeopardy (TV series: unproduced?)
Box 80 Folder 5	4 proposals, undated
	Jericho (TV series: unproduced?)
Box 80 Folder 6	Production material, including synopsis, by Stanley Greenberg, 1963-1964
Box 80 Folder 7	Pilot script, by Stanley Greenberg, undated
	Jet 707 (TV series: unproduced?)
Box 80 Folder 8	Presentation and correspondence, 1963
	“Stop Over in Rome”
Box 80 Folder 9	Synopsis and pilot script, by Roger Hirson, undated
	When in Rome...
Box 80 Folder 10	Revised script, by Herb Meadown, July 24, 1963
	Johnny Belinda (TV special: Talent Associates in association with ABC, October 22, 1967)
Box 80 Folder 11	Correspondence, clippings, and miscellany, 1967-1968
Box 80 Folder 12	Director's work script, revision #2, adapted by Alan Sloane, annotated, circa June 1967
	Jordi (Motion picture: unproduced?)
Box 80 Folder 13	Correspondence, 1963
	Judd MacAndrew (TV series: unproduced?)
Box 80 Folder 14	Synopsis, undated
	Judgement (TV series?: unproduced?)
Box 80 Folder 15	Proposal, undated
	Jump (Format unknown: originally theater)
Box 80 Folder 16	Playscript, by Larry Gelbart, undated
	Justice Black and the Bill of Rights (TV special: CBS News, December 3, 1968)
Box 80 Folder 17	Transcript, December 3, 1968
	Kadek (TV series: unproduced?)
Box 80 Folder 18	Presentation, March 6, 1964
	Kanin, Garson
Box 80 Folder 19	Correspondence, 1963-1964
	Kay-Zar -- King of the Jungle (TV series: unproduced?)
Box 80 Folder 20	Presentation, by Gerald Gardner and Dee Caruso, February 8, 1966
	Kelly (Theater: NY: Broadhurst, February 6, 1965)
Box 80 Folder 21	Clippings and reviews, 1964-1965
	Correspondence
Box 80 Folder 22	1964, February-November
Box 81 Folder 1	1964, December-1966, March, undated
Box 81 Folder 2	Production file, circa 1964-1965
Box 81 Folder 3	Script, by Eddie Lawrence and Moose Charlap, undated
Box 81 Folder 4	Script, by Eddie Lawrence and Moose Charlap, July 28, 1964
Box 81 Folder 5	Revised script, by Eddie Lawrence and Moose Charlap, October 19, 1964
Box 81 Folder 6	Script, undated
Box 81 Folder 7	Revisions, annotated, circa January 1965
	Kill-In (Motion picture: unproduced?)
Box 81 Folder 8	First draft screenplay, by Larry Gelbart, undated
	The Killing of a Chinese Bookie (Motion picture: unproduced?)
Box 82 Folder 1	Screenplay, by John Cassavetes, June 19, 1975
Box 82 Folder 2	Script, June 1975
	Kind Hearts and Coronets (Theater: unproduced?)
Box 82 Folder 3	Correspondence and clippings, 1964-1965
	King of the Road (TV series: unproduced?)
Box 82 Folder 4	Synopsis, by Richard L. Adams, and memorandum, June 9, 1965
	Lady Sings the Blues, See Billie Holiday Story
	Laura (TV special: Talent Associates in association with ABC, January 24, 1968)
Box 82 Folder 5	Production material, reviews, and viewer correspondence, 1967-1968
	Law and Order (Motion picture: unproduced?)
Box 82 Folder 6	Correspondence, December 1972-January 1973
	The Legend of the Holy Drinker (Production format unknown)
Box 82 Folder 7	Story, undated
	Let's Dance (TV series: unproduced?)
Box 82 Folder 8	Proposal, undated
	The Liberation of Lord Byron Jones (Motion picture: unproduced?)
Box 82 Folder 9	Correspondence, May 1965
	Lists
Box 82 Folder 10	Dramatists Guild, active members, May 1964
Box 82 Folder 11	Feature films, 1949-1961
Box 82 Folder 12	Paramount Pictures, films, 1949-1962
Box 82 Folder 13	Writers and Directors, undated
	The Little Prince (Motion picture: unproduced?)
Box 82 Folder 14	Correspondence, February-March 1964
	London
Box 82 Folder 15-17	Correspondence and notes, 1963-1971, undated
	The Lonesome Train (TV special: unproduced?)
Box 82 Folder 18	Correspondence and 2 synopses, 1963-1966
	Lonigan (TV series: unproduced?)
Box 83 Folder 1	Correspondence, 1966
	Lovers and Other Strangers (Motion picture: ABC Pictures Corporation, 1970, Cinerama Releasing Corporation)
Box 83 Folder 2	Clippings and reviews, 1968-1972
Box 83 Folder 3-4	Production file, 1968-1972
	Lovesounds of a Wife (Motion picture: unproduced)
Box 83 Folder 5	Correspondence, 1970
	Maas, Audrey
Box 83 Folder 6	Correspondence, May 1973-June 1974, undated
	Mame (Format unknown; originally theater NY: Winter Garden, May 24, 1966)
Box 83 Folder 7	Playscript, book by Jerome Lawrence and Robert E. Lee, music and lyrics by Jerry Herman, May 24, 1966
	The Man in the Glass Booth (Format unknown. Originally theater, NY: Royale, September 28, 1968)
Box 83 Folder 8	Playbill and clippings, 1967
	A Man Is Ten Feet Tall (Motion picture: unproduced?)
Box 83 Folder 9	Script, by Robert Alan Aurthur, undated
	Manhunt! (TV series: unproduced?)
Box 83 Folder 10	Synopsis, undated
	March, Alex
Box 83 Folder 11	Correspondence and credit list, 1971
	Marginal Man (TV special: unproduced?)
Box 83 Folder 12	Correspondence and script record, 1970
	Marilyn (TV special: unproduced?)
Box 83 Folder 13	Correspondence, presentation, and miscellany, 1973-1974
	Mark Twain Tonight! (TV special: Vining Productions in association with CBS-TV. March 6, 1967)
Box 83 Folder 14	Production file, circa 1965-1967
	Maurice Woodruff Predicts (TV series: syndicated, debuted January 11, 1969 on WNEW-TV in New York)
Box 83 Folder 15	Production file, 1968-1969
	McMillan and Wife (TV series: unproduced?)
Box 83 Folder 16	Testimony transcript, created by Leonard Stern, undated
	Medicine Show (TV special: filmed and not sold)
Box 83 Folder 17	Correspondence, research, and notes, 1973
	Melnick, Daniel
Box 83 Folder 18	Clippings and miscellany, 1962-1963
Box 83 Folder 19	Correspondence
	Incoming
Box 84 Folder 1-7	1963, November-1967, September
Box 85 Folder l-2	1967, August-1968, December, undated
Box 85 Folder 3-5	Outgoing, October, 1958-April 1968
	Financial
Box 85 Folder 6	Bank statements, 1962-1963
	Expense vouchers
Box 85 Folder 7	1958, February 6-1962, February 27
Box 86 Folder 1	1962, March 5-1963, May 27
Box 86 Folder 2	Invoices, 1964-1965
	A Member of the Family (TV special: unproduced?)
Box 86 Folder 3	Letter, February 27, 1974
	Men of the World (TV special?: unproduced?)
Box 86 Folder 4	Presentation, December, 1964
	The Merv Griffin Show (TV series: syndicated)
Box 86 Folder 5	Correspondence re Mark Lane appearance, 1966
	Miller, Merle
Box 86 Folder 6	Correspondence, undated
	A Mirror for Witches (Format unknown; originally theater)
Box 86 Folder 7	Playscript, by Leslie Stevens, 1957
	Misadventrures of Marco Polo (TV series: unproduced?)
Box 86 Folder 8	Presentation, by Will Fowler and Ken Morgan, 1965
	Miss America (TV special: ABC, 1954-1956; CBS, 1957-1965; NBC, 1966- )
Box 86 Folder 9	Notes and data sheets on individual contestants, 1973
	Missy (TV series: unproduced?)
	“And Baby Makes Two”
Box 93 Folder 6	Correspondence, 1963
Box 93 Folder 6	Script, by Garson Kanin, November 15, 1963
	Mr. Broadway (TV series: Production company unknown, 1964-1965. Original network CBS)
Box 86 Folder 10	Budgets, 1963-1964
Box 86 Folder 11	Call sheets, 1964
Box 86 Folder 12	Cast lists, 1964
Box 86 Folder 13	Cast and crew lists, 1963-1964
Box 86 Folder 14	Clippings and publicity, 1959, 1964
	Correspondence
	General
Box 86 Folder 15	1963, September-1964, June
Box 87 Folder 1	1964, July-1965, June, undated
Box 87 Folder 2	Brown, Tiffany, July 21, 1963
	Golden, David
Box 87 Folder 3	Inter-office correspondence, January 1963-November 1964
Box 87 Folder 4	Correspondence, January-November, 1964
Box 87 Folder 5	Credits, 1964
	Deal sheets
Box 87 Folder 6	General, November 1963-November 1964
Box 87 Folder 7	Directors, 1964
Box 87 Folder 8	Writers, 1964
Box 87 Folder 9	Locations, 1964
Box 87 Folder 10	Miscellany, 1963-1964
Box 87 Folder 11	Payment authorizations, May-November 1964
Box 87 Folder 12	Production reports, 1964
Box 87 Folder 13	Promotional spots, 1964
Box 87 Folder 14	Permits, applications for, 1965
Box 88 Folder 1	Program presentation, undated
Box 88 Folder 2	Progress reports, March-June, 1964
Box 88 Folder 3	Ratings, September-October, 1964
	Resumes
Box 88 Folder 4	General, 1964
Box 88 Folder 5	Designers, circa 1964
Box 88 Folder 6	Directors, 1964
Box 88 Folder 7	Writers, 1964
Box 88 Folder 8	Shooting schedules, 1964
Box 88 Folder 9	Story conference notes, March 19, 1964
	Story ideas and outlines
Box 88 Folder 10	“All Around the Town,” by Alfred Palca, undated
Box 88 Folder 10	“All That Sparkles,” by Robert Russell, undated
Box 88 Folder 10	“An Arm and a Leg,” by Douglas Taylor, April 21, 1964
Box 88 Folder 10	“Around the World in a Plane,” by Jerome Coopersmith, April 22, 1964; April 27, 1964
Box 88 Folder 10	“Bachelor Management, Ltd.,” by Waldo Salt, undated
Box 88 Folder 10	“The Beggers Are Coming to Town,” by R. L. Joseph, June 15, 1964, undated
Box 88 Folder 10	“Bell's Bell,” by Cherney Berg, undated
Box 88 Folder 10	“The Brahms Kick,” by Garson Kanin, January 28, 1958
Box 88 Folder 10	“By Appointment Only,” by Garson Kanin, May 3, 1961
Box 88 Folder 10	“But Is It Art!,” by Arthur Heinemann, undated
Box 88 Folder 10	“Cass' Magic Card,” by Victor Wolison, undated
Box 88 Folder 10	“Can Anybody Here Play Yankee Doodle,” by Rod Parker, undated
Box 88 Folder 10	“A Cat in the House,” by Larry Arrick, June 22, 1964
Box 88 Folder 10	“A Cat in the House,” by Edward DeBlasio based on a story by Larry Arrick, October 23, 1964
Box 88 Folder 11	“Cherchez the Man,” by Lissa Charell, undated
Box 88 Folder 11	“The Christmas Cover of Photoplay, '13,” by Hal Hackady, undated
Box 88 Folder 11	“A Collector's Item,” by Roger Lewis, undated
Box 88 Folder 11	“Corpus Delectable,” second draft, by Hal Hackady, June 29, 1964
Box 88 Folder 11	“Counterfeit Story,” by W. M. Altman, circa May 1964
Box 88 Folder 12	“The Damndest Thing,” by Garson Kanin, February 1956
Box 88 Folder 12	“A Day at a Time,” by Garson Kanin, February 1955
Box 88 Folder 13	“Define the Word 'Wife',” by Garson Kanin, June 25, 1962
Box 88 Folder 13	“The Dog Act,” by Garson Kanin, April 1958
Box 88 Folder 13	“Don't Forget,” fourth draft, by Garson Kanin, January 7, 1963
Box 88 Folder 13	“Dora Drury Rides Agian!,” by Edward DeBlasio, undated
Box 88 Folder 14	“An Echo of Love,” fourth draft, by Garson Kanin, October 22, 1962
Box 88 Folder 15	“The Eye of the Beholder,” by Hal Hackady, July 28, 1964
Box 88 Folder 15	“Faint Heart Etcetera,” by Garson Kanin, September 1, 1957
Box 88 Folder 15	“Faint Heart Etcetera,” by Robert Van Scoyk, undated
Box 88 Folder 15	“The Flowers of Friendship,” by Garson Kanin, August 1956
Box 88 Folder 15	“Funny Man,” by Steve Kanfer and Jess Korman, September 10, 1964
Box 89 Folder 1	“Hammer and Chisel, and Stone for a Heart,” by Ossie Davis, April 20, 1964
Box 89 Folder 1	“Hide and Seek,” by George Baxt, undated
Box 89 Folder 1	“I May Not Know Anything About Art But...,” by Arnold Weinstein, June 29, 1964
Box 89 Folder 1	“I Think She's Got It,” by Steve Kanfer and Jess Korman, September 10, 1964
Box 89 Folder 1	“In Camera,” by George Baxt, July 10, 1964
Box 89 Folder 1	“The Lady's Maid,” by Garson Kanin, March 6, 1961
Box 89 Folder 1	“Lie to Me, Baby,” by Jim Brosnan, undated
Box 89 Folder 1	“Lightfingers,” undated
Box 89 Folder 2	“Mme Flora's High-Class Geisha House,” by Edward DeBlasio, undated
Box 89 Folder 2	“Nazi Story Idea,” by Victor Wolfson, undated
Box 89 Folder 2	“Nothing But Money,” undated
Box 89 Folder 2	”None But the Brave,” by Garson Kanin, July 2, 1962
Box 89 Folder 2	“Out of Character,” first draft, by Garson Kanin, June 25, 1962
Box 89 Folder 2	“Proposition,” by Garson Kanin, March 6, 1961
Box 89 Folder 2	“Polish for a Punk,” undated
Box 89 Folder 2	“Polish for a Punk,” by Irve Tunick, undated
Box 89 Folder 2	“Protocol,” by Jerome Max, undated
Box 89 Folder 3	“Rich Little Rich Girl,” by David Shaber, undated
Box 89 Folder 3	“The Right-Hand Man,” by Garson Kanin, May 7, 1957
Box 89 Folder 3	“The Sandpipers,” by Waldo Salt, September 21, 1964
Box 89 Folder 3	“Send It in to Mr. Flynn,” by David W. Rintels, undated
Box 89 Folder 3	“The Sister and the Crooked Bird Cage,” by Edward Adler, undated
Box 89 Folder 3	“Something Blue,” undated
Box 89 Folder 3	“Something for Susie,” by Garson Kanin, January 1959
Box 89 Folder 3	“Spiders in the Closet,” by Jerome Max, undated
Box 89 Folder 3	“The Spitting Image,” by Jerome Max, undated
Box 89 Folder 3	“A Still Small Voice,” by Steve Kanfer and Jess Korman, undated
Box 89 Folder 3	“A Stone from the Outside,” by David Goodman, July 13, 1964
Box 89 Folder 4	“Tail of the Tiger,” by David Shaber, June 12, 1964
Box 89 Folder 4	“There Goes My Other Phone,” third draft, by Garson Kanin, December 11, 1962
Box 89 Folder 4	“The Velvet Jungle,” by William Altman, June 22, 1964
Box 89 Folder 4	“What Ever Happened to All the Adjectives?,” by Romeo Muller, April 21, 1964
Box 89 Folder 4	“What's in a Name,” by Larry Arrick, June 22, 1964
Box 89 Folder 4	“Who Killed Jayne Mansfield?,” by Hal Hackady, May 26, 1964; May 27, 1964
Box 89 Folder 4	“Who to Who,” by Garson Kanin, January 1961
Box 89 Folder 4	“Will the Real Roscoe Kramer Please Stand Up,” by Herman Raucher, April 3, 1964; April 12, 1964
Box 89 Folder 4	Untitled, by William Altman, April 18, 1964, undated
Box 89 Folder 4	Untitled, by Cherney Berg, undated
Box 89 Folder 4	Untitled, by Dan Browne, May 14, 1964, undated
Box 89 Folder 4	Untitled, by Roger Lewis, undated
Box 89 Folder 4	Untitled, by Sigmund Miller, 1964 September
Box 89 Folder 4	Untitled, by Donald Symington, undated
Box 89 Folder 4	Untitled, by Robert Van Scoyk, undated
Box 89 Folder 4	Untitled, by Victor Wolfson, June 22, 1964
Box 89 Folder 4	Untitled, by William Woolfolk, undated
Box 89 Folder 4	Untitled, undated
	Scripts for episodes, unproduced [?]
	“Cheer Me On, Dear--No Matter What”
Box 89 Folder 5	Story outline, by Robert Thom, undated
Box 89 Folder 5	Script, by Robert Thom, July 14, 1964
	“Guilty As Sin
Box 89 Folder 6	Outline, by Garson Kanin, March 25, 1964
Box 89 Folder 6	Outline, May 14, 1964
Box 89 Folder 7	First draft script, by Garson Kanin, annotated, April 10, 1964
Box 89 Folder 8	First draft script, by Garson Kanin, April 10, 1964
Box 89 Folder 4	Second draft script, by Garson Kanin, April 27, 1964
Box 89 Folder 9	Second draft script, by Garson Kanin, annotated, April 27, 1964
Box 89 Folder 9	Final draft script, by Garson Kanin, annotated, May 4, 1964
Box 89 Folder 10	Final draft script, by Garson Kanin, May 4, 1964
Box 89 Folder 10	Revised final draft script, by Garson Kanin, annotated, May 11, 1964
Box 90 Folder 1	Revised final draft script, by Garson Kanin, May 11, 1964
Box 90 Folder 2	Second revised final script, by Garson Kanin, annotated, May 18, 1964
Box 90 Folder 2	Second revised final script, by Garson Kanin, May 18, 1964
	“Half the Fun”
Box 90 Folder 3	First draft script, by Robert Van Scoyk, October 26, 1964
	“A Horse of a Different Color”
Box 90 Folder 4	2 outlines, annotated, undated
Box 90 Folder 4	Outline, undated
Box 90 Folder 4	Treatment, by Garson Kanin, March 16, 1964
Box 90 Folder 4	Script, by Edward Adler, annotated, undated
Box 90 Folder 5	Second draft script, by Edward Adler, annotated, April 27, 1964
	“A Man Who”
Box 90 Folder 6	4 story ideas, undated
Box 90 Folder 6	Outline, by Ring Lardner, Jr., undated
Box 90 Folder 6	Notes and miscellany, undated
Box 90 Folder 7	First draft script, by Ring Lardner, Jr., undated
Box 90 Folder 7	Script, fragment, annotated, undated
Box 90 Folder 8	Second draft script, by Robert Thom, story by Ring Lardner, Jr., November 5, 1964
	“The Manly Art”
Box 90 Folder 9	Outline and miscellany, by Tom Gries, August-September 1964
Box 90 Folder 9	Script, by Edward Adler, annotated, undated
Box 90 Folder 9	Second draft, “The Warning Bell,” fragment, by Edward Adler, annotated, undated
Box 90 Folder 10	Second draft script, by Edward Adler, November 5, 1964
	“Reflections in an Evil Eye”
Box 90 Folder 11	Outline, “In Camera,” by George Baxt, July 8, 1964
Box 90 Folder 11	Outline, “In Camera,” by George Baxt, July 11, 1964
Box 90 Folder 12	First drift script, by George Baxt, July 24, 1964
Box 91 Folder 1	Second draft script, by George Baxt, July 31, 1964
Box 91 Folder 1	Revised script, annotated, August 4, 1964
	“Shake Hands with Billy Shine”
Box 91 Folder 2	Outline, by Waldo Salt, October 6, 1964
Box 91 Folder 2	First draft script, by Waldo Salt, November 9, 1964
Box 91 Folder 2	Scripts and production files, produced
	“Keep an Eye on Emily” #l (a.k.a. “The Noisemaker”)
Box 91 Folder 3	Production file, including script revisions, by Garson Kanin, 1963
	“Don't Mention My Name in Sheboygan” #3
Box 91 Folder 3	Production file, 1964
Box 91 Folder 4	Fragment, by Robert Russell, May 20, 1964
Box 91 Folder 4	Fragment, “Kalamazoo Is a Dirty Word,” by Robert Russell, June 9, 1964
	“Something to Sing About” #7
Box 91 Folder 5	Production file, 1964
Box 91 Folder 6	First draft script, by Garson Kanin, March 17, 1964
	“The He-She Chemistry” #8
Box 91 Folder 7	Production file, 1964
Box 91 Folder 8	Script, by Garson Kanin, September 16, 1963
	“Maggie Queen of the Jungle” #9
Box 91 Folder 9	Production file, 1964
Box 91 Folder 10	Looping and correction sheets, 1964
Box 91 Folder 11	Final draft script, by William Altman, August 13, 1964
Box 91 Folder 12	Revised final draft, by William Altman, August 18, 1964
Box 91 Folder 12	Revised final draft, by William Altman, August 21, 1964
Box 92 Folder 1	Revised final draft, by William Altman, August 25, 1964
Box 92 Folder 2	Shooting script, annotated, August 25, 1964
	“Try to Find a Spy” #10
Box 92 Folder 3	Production file, 1964
Box 92 Folder 4	Final draft script, “A Spy from the Inside,” by David Z. Goodman, August 27, 1964
Box 92 Folder 4	Revised final draft script, “A Spy from the Inside,” by David Z. Goodman, August 29, 1964
Box 92 Folder 5	Revised final draft script, by David Z. Goodman, September 9, 1964
Box 92 Folder 5	Shooting script, by David Z. Goodman, annotated, September 9, 1964
	“Between the Rats and the Finks” #11
Box 92 Folder 6	Production file, September, 1964
Box 92 Folder 7	Outline, “A Plague O'Both Your Houses,” by Robert Van Scoyk, July 11, 1964
Box 92 Folder 7	Second draft script, “A Plague O'Both Your Houses,” by Robert Van Scoyk, September 8, 1964
Box 92 Folder 8	Shooting script, “A Plague O'Both Your Houses,” by Robert Van Scoyk, annotated, September 8, 1964
	“Sticks and Stones Will Break My Bones” #12
Box 92 Folder 9	Production file, September-October 1964
Box 93 Folder 1	Shooting script, by Robert Thom, annotated, and revisions, September 21, 1964
	“Bad Little Rich Girl” #13 (a.k.a. “Million Dollar Cocoon”)
Box 93 Folder 2	Production file, 1964-1965
Box 93 Folder 3	Second draft rewrite, by David Goodman, October 7, 1964
Box 93 Folder 3	Second draft rewrite, “The Million Dollar Cocoon,” by David Goodman, annotated, October 7, 1964
Box 93 Folder 3	Revisions, October 1964
Box 93 Folder 4	Unidentified, script fragment, undated
	Mr. Justice (TV series: unproduced?)
Box 93 Folder 5	Presentation and research material, circa 1963
	A Month in the Country (TV special: unproduced?)
Box 93 Folder 7	Correspondence, January-April 1965
	A Month Soon Goes (Motion picture: unproduced)
Box 93 Folder 8	Correspondence, April-May 1963
	The Moon and Sixpence (TV special: Talent Associates, December 1959?. Network unknown)
Box 93 Folder 9	Correspondence and budget, 1958-1959, 1967
	Morin, Robert
Box 93 Folder 10	Correspondence, May-October 1970
	Movie Times (TV special: Production company unknown, January 15, 1974. Original network ABC, 11:30 p.m.)
Box 93 Folder 11	Correspondence re Philip Marlowe, circa 1973-1974
	Multi-Culture Institute
Box 93 Folder 12	Correspondence and miscellany, 1970
	My Husband John...and Tom (TV pilot: unsold)
Box 93 Folder 13	Notes and correspondence, 1965-1967
Box 93 Folder 13	Synopsis and presentation, by Leonard Stern, undated
Box 93 Folder 13	2 Scripts, by Jack Sher, August 18-September 8, 1965
Box 93 Folder 13	Revised script, October 4, 1965
	My Last Duchess (Format unknown)
Box 93 Folder 14	Synopsis, by Mark Rosin, undated
	My Life in the Mafia (Considered as motion picture and TV-mini-series: unproduced)
Box 93 Folder 15	Correspondence and miscellany, 1972
	Naiomi Court (Format unknown)
Box 93 Folder 16	Synopsis, undated
	National Academy of Television Arts and Sciences
Box 93 Folder 17	Correspondence, clippings, program, and miscellany, 1967
	National Food and Cooking Test (TV special: unproduced?)
Box 94 Folder 1	Format and estimated budget, by Judy Crichton, undated
	National Sexual Knowledge Test
Box 94 Folder 2	2 Tests, by Dr. David Reuben, undated
	NATO Show (TV special: unproduced?)
Box 94 Folder 3	Correspondence, January-April 1963
	Nielsen Ratings
Box 94 Folder 4	General, October 1967-November 1968
Box 94 Folder 5-7	Bi-monthly Reports, October 1967-October 1968
	Nielsen Television Index-Multi Network Area-Ratings
Box 94 Folder 8-10	1967, October 29; 1968, May 19
Box 95 Folder 1-2	1968, May 26-November 10
	[Negro President Show] (TV special or motion picture: unproduced?)
Box 95 Folder 3	Outline, April 6, 1964
	Night of Camp David (Motion picture: unproduced?)
Box 95 Folder 4	First draft script, by Nedrick Young and Harold Jacob Smith, undated
	Nightmare--Prime Time (TV series: unproduced?)
Box 95 Folder 5	Presentation, undated
	Noon Wine (Production company unknown, November 23, 1966. ABC Stage 67)
Box 95 Folder 6	Production file, 1966
Box 95 Folder 7	Final script, by Sam Peckinpah, October 18, 1966
Box 95 Folder 7	Air script, by Sam Peckinpah, annotated, November 1, 1966
	Norman (TV series: unproduced?)
Box 95 Folder 8	First draft pilot script, by Ken Sullet and Ken Handler, undated
	Norton Simon, Inc.
Box 95 Folder 9	Correspondence, 1968-1971
Box 95 Folder 10	Miscellany, 1970-1971
Box 96 Folder 1	Reports and clippings, 1969-1971
Box 96 Folder 2	Talent Associates reports, circa 1969-1971
	Notes for a Murder (Motion picture: unproduced?)
Box 96 Folder 3	Screenplay, by Stanley Koven and accompanying letter by Francois Truffaut, July 4, 1968, undated
	Now (TV series: unproduced?)
Box 96 Folder 4	Preliminary research and presentation, undated
	The Now Generation (TV game show: unproduced?)
Box 96 Folder 5	Outline, undated
	The Nurses (TV series: Plautus Productions, 1962-1964. Original network CBS)
Box 96 Folder 6	Letter and schedule, 1963
	N.Y.P.D. (Talent Associates, 1967-1968. Original network ABC)
Box 96 Folder 7	ABC Stage City, 1967
Box 96 Folder 8	Cast budgets, shows #1-#26, 1967-1968
Box 96 Folder 9	Cast contracts, April-July 1967
Box 96 Folder 10	Crew and staff lists, June 1967-July 1968
	Contracts
Box 96 Folder 11	Union, 1968
Box 96 Folder 12	Wells Fargo, 1968
	Correspondence
Box 96 Folder 13-14	General, August 1966-March 1969, undated
Box 97 Folder 1	ABC, 1967-1968
Box 97 Folder 2	Fan mail, 1967-1968
Box 97 Folder 3	Frank Goodman Associates, 1968
Box 97 Folder 4	Sanford, Jay, April-October 1967
Box 97 Folder 5	Credits, 1966-1967
Box 97 Folder 6	Director's assignments, 1967-1968
Box 97 Folder 7	Financial, general, circa 1967-1968
Box 97 Folder 8	Floor plans, permanent, 1968
Box 97 Folder 9	Formats, 1966-1968, undated
Box 97 Folder 10	Human Rights Commission, testimony by Daniel Melnick, undated
	Outlines
Box 97 Folder 11	“Arrest at 30,000 Feet,” undated
Box 97 Folder 11	“The Avenger,” undated
Box 97 Folder 11	“The Battleground of Miss Adrienne,” by Lonne Elder, undated
Box 97 Folder 11	“The Big Bettor,” undated
Box 97 Folder 11	“The Body in the Trunk,” undated
Box 97 Folder 11	“Cat's Cradle,” by Warren Shanahan, undated
Box 97 Folder 11	“The Challenged Confession,” by Charles Garment, undated
Box 97 Folder 11	“Charlie,” by Richard Holland, 1968, undated
Box 97 Folder 11	“Construction Story,” by Sloane, undated
Box 97 Folder 11	“Crossroad Puzzle,” by George Lefferts, 1968
Box 97 Folder 12	“Dierdre and Dave,” June 13, 1968
Box 97 Folder 12	“Death of a Hooker,” by Michael Avollone, undated
Box 97 Folder 12	“Don't Tread on Me,” by Lee Kalcheim, November 1968, undated
Box 97 Folder 12	“Everybody Loved Him,” by Heywood Gould,November 20, 1968
Box 97 Folder 12	“A Fagin Subs for Parents,” by K.T. Dempsey, undated
Box 97 Folder 12	“A Favor for a Friend,” by William Altman, undated
Box 97 Folder 12	“Give the Go Go Dancer Some,” by Lonne Elder, undated
Box 97 Folder 12	“Guns of Jeopardy,” undated
Box 97 Folder 12	“The Hater,” undated
Box 97 Folder 12	“Help My Babies,” by Warren Shanahan, undated
Box 97 Folder 12	“Hey, Boy!,” by Warren Shanahan, undated
Box 97 Folder 12	“A Hole in the Ocean,” by Gene Radano, undated
Box 97 Folder 12	“The Homecoming,” by William Craig, November 27, 1967
Box 97 Folder 13	“The Invisible Thief,” by Heywood Gould, October 24, 1968
Box 97 Folder 13	“The Job or Me,” by K.T. Dempsey, May 22, 1968
Box 97 Folder 13	“Justice Among Strangers,” by Lonne Elder, November 15, 1968
Box 97 Folder 13	“Knockdown,” by Warren Shanahan, undated
Box 97 Folder 13	“The Live Cannons,” undated
Box 97 Folder 13	“The Louisiana Purchase,” by Edward Adler, May 25, 1967
Box 97 Folder 13	“Loves of a Father,” by Edward Adler, April 24, 1967
Box 97 Folder 13	“Luis Was a Happy Man,” by Stanley R. Greenberg, November 2, 1967
Box 97 Folder 13	“Missing Boy,” by Sloane, May 1, 1967
Box 97 Folder 13	“The Nice Guy,” by Gene Radano, undated
Box 97 Folder 13	“The Obscene Phone Call,” by Heywood Gould, undated
Box 97 Folder 13	“Old Wars Can Kill,” by Dennis A. McGuire, undated
Box 97 Folder 13	“One of the Family,” by Stanley Silverman, May 18, 1968
Box 97 Folder 13	“Panic in H,” by Arnold Perl, September 27, 1966
Box 97 Folder 13	“The Picture Lover,” by George Bellak, undated
Box 97 Folder 13	“Pornography Story,” by Robert Schlitt, undated
Box 97 Folder 13	“The Public Is Never Around When You Need Them,” by Jess Korman, undated
Box 97 Folder 14	“The Race Is to Swift,” by Michael Avallone, undated
Box 97 Folder 14	“Requiem for a Fat Cat World,” by Edward DeBlasio, April 20 and 24, 1967
Box 97 Folder 14	“The Rubber-Gun Squad,” by Edward Adler, July 1 and 11, 1968, undated
Box 97 Folder 14	“Runaway Boy,” by Allan Sloane, April 25, 1967
Box 97 Folder 14	“The Scapegoats,” by Heywood Gould, undated
Box 97 Folder 14	“The Scene,” by Edward DeBlasio, April 26, 1967
Box 97 Folder 14	“Self-defense,” by Albert Ruben, undated
Box 97 Folder 14	“The Snatchers,” undated
Box 98 Folder 1	“To Smell of Roses,” by Ed Lacy, November 3, 1967
Box 98 Folder 1	“Unequal Triangle,” by Warren Shanahan, undated
Box 98 Folder 1	“Up with People!,” by Lee Kalcheim, October 29, 1968
Box 98 Folder 1	“Wake Me Up in Twenty Years,” by Frank Olsen, undated
Box 98 Folder 1	“Whatever Happened to Michelangelo?,” by Robert Crean, May 10, May 19, June 6, 1967, undated
Box 98 Folder 1	“While Shooting in the Park One Day...,” by George Lefferts, June 13 and 20, 1967, undated
Box 98 Folder 2	Unidentified, by Adler, undated
Box 98 Folder 2	Unidentified, by Robert Alotta, October 1967
Box 98 Folder 2	Unidentified, by Alan Dennis, undated
Box 98 Folder 2	Unidentified, by Bernard Eismann, undated
Box 98 Folder 2	Unidentified, by Lonne Elder, October 28, 1968, undated
Box 98 Folder 2	Unidentified, by Kalcheim, undated
Box 98 Folder 2	Unidentified, by Peter Rabon, June 1968
Box 98 Folder 2	Unidentified outlines, undated
Box 98 Folder 3	Police Commissioner Howard Leary, memorandum and complaints, 1967
Box 98 Folder 4	Police Department, City of New York, correspondence and critiques of individual scripts, 1967
	Production
Box 98 Folder 5	Miscellany, circa 1966-1968
Box 98 Folder 6	Reports, pre-production and hiatus, 1968
Box 98 Folder 7	Program presentation, circa 1966-1967
Box 98 Folder 8	Promotion, 1967-1968
Box 98 Folder 9	Props, 1967-1968
Box 98 Folder 10	Publicity and clippings, 1967-1968
Box 98 Folder 11	Ratings, 1968
Box 98 Folder 12	Releases, location and personal, July 1967-November 1968
Box 98 Folder 13	Schedules, 1966-1968
Box 98 Folder 14	Script status reports, May-October 1968, undated
Box 98 Folder 15	Voice overs, undated
Box 98 Folder 16	Wardrobe, 1967-1969
Box 99 Folder 1	Writers, 1967-1968
Box 99 Folder 2	Writers' assignments, April 1967-December 1968
	Scripts and production files
	“The Extremists” (pilot)
Box 99 Folder 3	Production file, October-December 1966
Box 99 Folder 4	2 Outlines, by Arnold Perl, undated
Box 99 Folder 4	Script, by Arnold Perl, undated
Box 99 Folder 4	Revised script, by Arnold Perl, November 26, 1966
	“Walking Target” #l
Box 99 Folder 5	Production file, April-October 1967
Box 99 Folder 6	Outline, “The Federalist Papers,” by Edward Adler, April 26, 1967
Box 99 Folder 6	Script, “The Federalist Papers,” by Edward Adler, May 8, 1967
Box 99 Folder 6	Second draft, “The Federalist Papers,” by Edward Adler, May 15, 1967
Box 99 Folder 7	First draft, “The Federalist Papers,” by Edward Adler, May 22, 1967
Box 99 Folder 7	Final draft, “The Federalist Papers,” by Edward Adler, June 14, 1967
Box 99 Folder 7	Revised final draft, by Edward Adler, June 21, 1967
Box 99 Folder 8	2 Revised final drafts, by Edward Adler, June 23, 1967
Box 99 Folder 8	Revisions and discarded pages, July 25, 1967, undated
Box 99 Folder 8	Shooting script, with rough script notes, July 25, 1967
	“Cruise to oblivion” #2
Box 99 Folder 9	Production file, April-October 1967
Box 99 Folder 10	3 Outlines, by Roger Hill Lewis, April 24-May 4, 1967
Box 99 Folder 10	Second revised script, by Roger Hill Lewis, annotated, June 7, 1967
Box 99 Folder 11	First draft, by Roger Hill Lewis, June 16, 1966
Box 99 Folder 11	Final draft, by Roger Hill Lewis, June 20, 1966
Box 99 Folder 11	Discarded pages, undated
Box 100 Folder 1	Shooting script, with rough script notes, by Roger Hill Lewis, June 20, 1966
	“Shakedown” #3
Box 100 Folder 2	Production file, April-November 1967
Box 100 Folder 3	Outline, “The Illiad,” by Irving Homer, undated
Box 100 Folder 3	Outline, by Albert Ruben, May 22, 1967
Box 100 Folder 3	First draft, by Albert Ruben, June 13, 1967
Box 100 Folder 4	Rev. final draft, by Albert Ruben, July 25, 1967
Box 100 Folder 4	Revised final draft, by Albert Ruben, July 31, 1967
Box 100 Folder 4	Discarded and revised pages, June-August 1967
Box 100 Folder 5	Shooting script, with rough script notes, by Albert Ruben, August 11, 1967
	“Fingerman” #4
Box 100 Folder 6	Production file, April-October 1967
Box 100 Folder 7	3 Outlines, by George Bellak, April 21-27, 1967
Box 100 Folder 7	Script, by George Bellak, May 15, 1967
Box 100 Folder 7	Revised script, by George Bellak, annotated, May 23, 1967
Box 100 Folder 8	First draft, by George Bellak, May 31, 1967
Box 100 Folder 8	Final draft, by George Bellak, July 3, 1967
Box 100 Folder 8	Revisions and discarded pages, circa July-August 1967
Box 100 Folder 8	Revised final draft, by George Bellak, July 10, 1967
Box 100 Folder 9	Shooting script with rough script notes, July 10, 1967
	“The Screaming Woman” #5
Box 100 Folder 10	Production file, April-October 1967
Box 101 Folder 1	3 Outlines, by Robert Van Scoyk, April 25-May 11, 1967
Box 101 Folder 1	Second draft, by Robert Van Scoyk, June 19, 1967
Box 101 Folder 1	First draft, by Robert Van Scoyk, June 22, 1967
Box 101 Folder 2	Final draft, by Robert Van Scoyk, July 13, 1967, continued
Box 101 Folder 2	Revised final draft, by Robert Van Scoyk, July 17, 1967
Box 101 Folder 3	Shooting script with rough script notes, July 17, 1967
	“Wire Finish” #6
Box 101 Folder 4	Production file, May-December 1967
Box 101 Folder 5	4 Outlines, by Edward DeBlasio, May 11-19, 1967
Box 101 Folder 5	First draft, by Edward DeBlasio, annotated, June 2, 1967
Box 101 Folder 5	First draft, by Edward DeBlasio, June 9, 1967
Box 101 Folder 6	Final draft, by Edward DeBlasio, July 19, 1967
Box 101 Folder 6	Revised final draft, by Edward DeBlasio, July 24, 1967
Box 101 Folder 6	Discarded pages, undated
Box 101 Folder 7	Shooting script with rough script notes, July 24, 1967
	“Murder for Infinity” #7
Box 101 Folder 8	Production file, May-October 1967
Box 101 Folder 9	2 Outlines, “The Man Who Killed for Infinity,” by Ian McLellan Hunter, May 12-22, 1967
Box 101 Folder 9	Script, by Ian McLellan Hunter, June 6, 1967
Box 101 Folder 9	Script, by Ian McLellan Hunter, June 26, 1967
Box 101 Folder 10	First draft, by Ian McLellan Hunter, July 30, 1967
Box 101 Folder 10	Final draft, by Ian McLellan Hunter, July 25, 1967
Box 101 Folder 10	Discarded pages, undated
Box 101 Folder 11	Revised final draft, by Ian McLellan Hunter, July 31, 1967
Box 101 Folder 11	Shooting script with rough script notes, by Ian McLellan, July 31, 1967
	“The Patriots” #8
Box 102 Folder 1	Production file, including set design blueprint, April 1967-January 1968
Box 102 Folder 2	2 Outlines, “The U.N. Murder,” by Charles Israel, April 26-May 5, 1967
Box 102 Folder 2	Breakdown, “The Dominican Caper,” by Charles Israel, undated
Box 102 Folder 2	2 Outlines, “The Dominican Case,” by Charles Israel, May 24, 1967
Box 102 Folder 3	First draft, by Charles Israel, June 22, 1967
Box 102 Folder 3	First draft, by Charles Israel, June 29, 1967
Box 102 Folder 3	Final draft, by Charles Israel, July 31, 1967
Box 102 Folder 3	Discarded pages, undated
Box 102 Folder 4	Revised final draft, by Charles Israel, annotated, August 7, 1967
Box 102 Folder 4	Shooting script, with rough script notes, by Charles Israel, August 7, 1967
	“Fast Gun” #9
Box 102 Folder 5	Production file, April-October 1967
Box 102 Folder 6	2 Outlines, “Fast Gun on Avenue A,” by Albert Ruben, May 1-3, 1967
Box 102 Folder 6	First draft, by Albert Ruben, July 21, 1967
Box 102 Folder 6	First draft, by Albert Ruben, July 28, 1967
Box 102 Folder 7	Final draft, by Albert Ruben, and discarded pages, August 9, 1967
Box 102 Folder 7	Revised final draft, by Albert Ruben, August 16, 1967
Box 102 Folder 7	Shooting script, by Albert Ruben, August 16, 1967
	“Money Man” #10
Box 102 Folder 8	Production file, April-October 1967
Box 102 Folder 9	2 Outlines, “Fifty-Four Forty or Fight,” by Edward Adler, June 8-July 17, 1967
Box 102 Folder 9	Script, “Fifty-Four Forty or Fight,” by Edward Adler, August 1, 1967
Box 102 Folder 9	First draft, by Edward Adler, August 12, 1967
Box 103 Folder 1	Final draft, by Edward Adler, August 16, 1967
Box 103 Folder 1	Revised final draft and discarded pages, by Edward Adler, August 18, 1967
Box 103 Folder 1	Shooting script, annotated with script notes, by Edward Adler, August 18, 1967
	“A Horse in the Family” #11
Box 103 Folder 2	Production file, April-October 1967
Box 103 Folder 3	3 Outlines and discarded pages, by George Bellak, June 5-16, 1967
Box 103 Folder 3	Script, by George Bellak, July 10, 1967
Box 103 Folder 3	Final script, by George Bellak, July 27, 1967
Box 103 Folder 4	First draft, by George Bellak, annotated, August 21, 1967
Box 103 Folder 4	First draft, by George Bellak, August 21, 1967
Box 103 Folder 4	Final draft and discarded pages, by George Bellak, August 24, 1967
Box 103 Folder 5	Shooting script with rough script, by George Bellak, August 28, 1967
	“Catch A Hero” #12
Box 103 Folder 6	Production file, April-November 1967
Box 103 Folder 7	4 Outlines, by Edward DeBlasio, June 23-July 6, 1967, undated
Box 103 Folder 7	First draft, by Edward DeBlasio, July 17, 1967
Box 103 Folder 7	Revised draft, by Edward DeBlasio, July 27, 1967
Box 103 Folder 8	First draft, by Edward DeBlasio, August 8, 1967
Box 103 Folder 8	Revised draft, by Edward DeBlasio, annotated, August 22, 1967
Box 103 Folder 8	Second revised draft, by Edward DeBlasio, August 28, 1967
Box 103 Folder 9	Final draft, by Edward DeBlasio, August 30, 1967
Box 103 Folder 9	Discarded pages, undated
Box 103 Folder 10	Shooting script, with rough script notes, by Edward DeBlasio, August 30, 1967
	“The Pink Gumdrop” #13
Box 104 Folder 1	Production file, May-November 1967
Box 104 Folder 2	3 Outlines, by Robert Crean, July 3-18, 1967
Box 104 Folder 2	First draft, by Robert Crean, August 10, 1967
Box 104 Folder 2	Revised script, by Robert Crean, August 29, 1967
Box 104 Folder 3	Script, Act II, September 5, 1967
Box 104 Folder 3	First draft, by Robert Crean, September 6, 1967
Box 104 Folder 3	Final draft, by Robert Crean, September 8, 1967
Box 104 Folder 4	Discarded pages and revisions, September 8, 1967
Box 104 Folder 4	Revised final draft, by Robert Crean, September 11, 1967
Box 104 Folder 5	Shooting script with rough script notes, September 11, 1967
	“The Witness” #14
Box 104 Folder 6	Production file, April-November, 1967
Box 104 Folder 7	3 Outlines, by George Lefferts, “The Conservatory,” April 27-May 4, 1967
Box 104 Folder 7	Script, “The Conservatory,” by George Lefferts, May 15, 1967
Box 104 Folder 7	First revised draft, “The Conservatory,” by George Lefferts, May 25, 1967
Box 104 Folder 8	First draft, “The Conservatory,” by George Lefferts, May 31, 1967
Box 104 Folder 9	Revised outline, “The Conservatory,” August 30, 1967
Box 104 Folder 9	First draft, “The Conservatory,” by George Lefferts, September 7, 1967
Box 104 Folder 9	Revised draft, by Edward Adler and George Lefferts, September 11, 1967
Box 104 Folder 10	Final draft, by Edward Adler and George Lefferts, September 14, 1967
Box 104 Folder 10	Discarded pages, undated
Box 104 Folder 10	Shooting script, by Edward Adler and George Lefferts, September 14, 1967
	“Triangle” #15
Box 105 Folder 11	Production file, May-November 1967
Box 105 Folder 1	3 Outlines, “The Boy Witness,” by James Cavanagh, June 29-July 5, 1967, undated
Box 105 Folder 1	Script, “The Dark and Pattern,” by James Cavanagh, August 9, 1967
Box 105 Folder 1	Script, “The Dark Pattern,” by James Cavanagh, August 28, 1967
Box 105 Folder 2	Script, “The Dark Pattern,” by James Cavanagh, undated
Box 105 Folder 2	2 First drafts, by James Cavanagh, September 19, 1967
Box 105 Folder 2	Discarded pages, undated
Box 105 Folder 3	Shooting script with rough script notes, by James Cavanagh, September 22, 1967
	“Joshua Fit the Battle of Fulton Street” #16
Box 105 Folder 4	Production file, May-December 1967
Box 105 Folder 5	4 Outlines, by Lee Kalcheim, May 7-23, 1967
Box 105 Folder 5	Script, by Lee Kalcheim, June 8, 1967
Box 105 Folder 5	Script, by Lee Kalcheim, July 14, 1967
Box 105 Folder 6	First draft, by Lee Kalcheim, September 1, 1967
Box 105 Folder 6	Revised draft, by Lee Kalcheim, September 15, 1967
Box 105 Folder 6	Final draft, by Lee Kalcheim, September 26, 1967
Box 105 Folder 7	Final draft, by Lee Kalcheim, September 26, 1967
Box 105 Folder 7	Shooting script, annotated, by Lee Kalcheim, September 26, 1967
Box 105 Folder 8	Revised draft, by Lee Kalcheim, September 27, 1967
	“The Bombers” #17
Box 105 Folder 9	Production file, May-October 1967
Box 105 Folder 10	3 Outlines, by Elihu Winer, May 9-22, 1967
Box 105 Folder 10	First draft, by Elihu Winer, June 8, 1967
Box 105 Folder 11	Second draft, by Elihu Winer, June 16, 1967
Box 105 Folder 12	Revised first draft, by Elihu Winer, August 3, 1967
Box 105 Folder 12	Outline, “The Sunday Bomber,” by Edward DeBlasio and Elihu Winer, September 18, 1967
Box 105 Folder 12	Script, by Elihu Winer and Edward DeBlasio, September 25, 1967
Box 106 Folder 1	First draft, by Edward DeBlasio, September 29. 1967
Box 106 Folder 1	Script, fragment, Act II intercuts, undated
Box 106 Folder 2	Final draft script, by Edward DeBlasio, October 2, 1967
Box 106 Folder 2	Revised final draft, by Edward DeBlasio, October 3, 1967
Box 106 Folder 3	Shooting script with rough script notes, October 3, 1967
	“Last Port of Call” #18
Box 106 Folder 4	Production file, October-December 1967, undated
Box 106 Folder 5	4 Outlines, by Edward DeBlasio, October 9-27, 1967
Box 106 Folder 5	Script, by Edward DeBlasio, November 3, 1967
Box 106 Folder 5	Script, by Edward DeBlasio, November 7, 1967
Box 106 Folder 6	Final draft script, by Edward DeBlasio, November 13, 1967
Box 106 Folder 6	Revised scripts, by Edward DeBlasio, November 15, 1967
Box 106 Folder 6	Revised script, by Edward DeBlasio, November 15, 1967
	“Red Headed Pigeon” #19
Box 106 Folder 7	Production file, October-December 1967
Box 106 Folder 8	2 Outlines, by George Bellak, October 16-27, 1967
Box 106 Folder 8	Script, by George Bellak, November 7, 1967
Box 106 Folder 9	Script, by George Bellak, November 8, 1967
Box 106 Folder 9	Final script, by George Bellak, November 17, 1967
Box 106 Folder 9	Revised final script, by George Bellak, November 20, 1967
	“Which Side Are You On?” #20
Box 106 Folder 10	Production file, October-December 1967
Box 106 Folder 11	Outline, by Albert Ruben, undated
Box 106 Folder 11	First draft, by Albert Ruben, November 9, 1967
Box 106 Folder 11	Revised second draft, by Albert Ruben, November 15, 1967
Box 106 Folder 11	First draft by Albert Ruben, November 17, 1967
Box 107 Folder 1	Revised final draft, by Albert Ruben, annotated, November 27, 1967
Box 107 Folder 1	Revised final draft, by Albert Ruben, December 1, 1967
	“The Private Eye Puzzle” #21
Box 107 Folder 2	Production file, April-December 1967
Box 107 Folder 3	Outline, “A Little Touch of Paris,” by Alvin Boretz, May 10, 1967
Box 107 Folder 3	Outline, “Accent on Murder,” by Alvin Boretz, May 25, 1967
Box 107 Folder 4	Script, “A Touch of Paris,” by Alvin Boretz, undated
Box 107 Folder 4	Final draft, “The French Touch,” by Alvin Boretz, July 6, 1967
Box 107 Folder 4	First draft, “The French Touch,” by Alvin Boretz, August 4, 1967
Box 107 Folder 4	Script, “The Colonel and the Lady,” by Alvin Boretz, annotated, undated
Box 107 Folder 5	Revised first draft, by Alvin Boretz, November 7, 1967
Box 107 Folder 5	Revised first draft, by Alvin Boretz, annotated, November 7, 1967
Box 107 Folder 5	Final draft, by Alvin Boretz, December 1, 1967
Box 107 Folder 6	3 Revised final drafts, by Alvin Boretz, annotated, December 5, 1967
	“Macho” #22
Box 107 Folder 7	Production file, November 1967-January 1968
Box 107 Folder 8	Outline, by Edward DeBlasio, November 27, 1967
Box 107 Folder 8	Final draft, by Edward DeBlasio, December 7, 1967
Box 107 Folder 8	Revised final draft, by Edward DeBlasio, December 7, 1967
	“Who Tells the Truth” #23
Box 107 Folder 9	Production file, November 1967-January 1968
Box 107 Folder 10	Outline, “I'm Going to Kill Someone,” by Alvin Boretz, November 16, 1967
Box 107 Folder 10	Outline, “A Matter of Truth,” by Alvin Boretz, November 27, 1967
Box 107 Folder 10	Script, “A Matter of Truth,” by Alvin Boretz, annotated, December 6, 1967
Box 107 Folder 11	Final draft, by Alvin Boretz, December 13, 1967
Box 107 Folder 11	Revised final draft, by Alvin Boretz, December 14, 1967
Box 107 Folder 11	Revised final draft, by Alvin Boretz, December 15, 1967
	“Stones” #24
Box 107 Folder 12	Production file, December 1967-January 1968
Box 108 Folder 1	Original outline, “Russian Roulette,” by George Bellak, December 12, 1967
Box 108 Folder 1	Script, by George Bellak, undated
Box 108 Folder 1	Final draft, by George Bellak, December 19, 1967
Box 108 Folder 2	3 Revised final drafts, by George Bellak, December 26, 1967
	“Nothing Is Real But the Dead” #25-#26
Box 108 Folder 3	Production file, December 1967-February 1968
Box 108 Folder 4	Outline, by Edward Adler, December 12, 1967
Box 108 Folder 4	First draft, Part I, by Edward Adler, December 26, 1967
Box 108 Folder 5	Final draft, Part I, by Edward Adler, December 26, 1967
Box 108 Folder 5	Script, Act I, Part II, by Edward Adler, December 29, 1967
Box 108 Folder 5	2 Final drafts, Part II, annotated, by Edward Adler, January 2, 1968
	“Day Tripper” #27
Box 108 Folder 6	Production file, June-August 1968
Box 108 Folder 7	Set designs and floor plans, by Ben Kasazkow, undated
Box 108 Folder 8	Final draft, by George Bellak, July 23, 1968
Box 108 Folder 8	Revised final draft, by George Bellak, August 6, 1968
Box 108 Folder 8	Revised final draft, by George Bellak, August 9, 1968
Box 108 Folder 9	Script, by George Bellak, June 17, 1968
Box 108 Folder 9	First draft, by George Bellak, June 26, 1968
Box 108 Folder 10	Final shooting script, August 1968
	“What's A Nice Girl Like You...” #28
Box 109 Folder 1	Production file, July-September 1968
Box 109 Folder 2	2 Final drafts, and miscellaneous pages, by Lee Kalcheim, August 6, 1968
	“Honor” #29
Box 109 Folder 3	Production file, July-September 1968, undated
Box 109 Folder 4	Outline, by David Davidson, June 17, 1968
Box 109 Folder 4	Revised outline, by David Davidson, annotated, August 5, 1968
Box 109 Folder 4	Revised draft, by David Davidson, annotated, August 13, 1968
Box 109 Folder 5	Final draft, by David Davidson, annotated, August 13, 1968
Box 109 Folder 5	2 Final drafts, by David Davidson, annotated, August 14, 1968
Box 109 Folder 5	Revisions, annotated, August-October 1968
	“Encounter on a Rooftop” #30
Box 109 Folder 6	Production file, July-September 1968, undated
Box 109 Folder 7	2 Revised outlines, by Gene Radano, June 24, 1968
Box 109 Folder 7	Second draft, by Gene Radano, August 5, 1968
Box 109 Folder 7	Final draft, annotated, by Gene Radano, August 16, 1968
Box 109 Folder 8	2 Scripts, by Gene Radano, annotated, August 27, 1968
	“L Is for Love and Larceny” #31
Box 109 Folder 9	Production file, June-November 1968
Box 110 Folder 1	Final script, by Al Ruben, July 22, 1968
Box 110 Folder 1	2 Revised final drafts, by Al Ruben, annotated, August 22, 1968
	“Deadly Circle of Violence,” #32
Box 110 Folder 2	Production file, July-September 1968, undated
Box 110 Folder 3	Outline, undated
Box 110 Folder 3	Final revised outline, by Lonne Elder, July 16, 1968
Box 110 Folder 3	Final draft script and miscellany, by Lonne Elder, August 23, 1968
Box 110 Folder 4	Revised script, annotated, September 3, 1968
Box 110 Folder 5	2 Final drafts by Lonne Elder, September 5, 1968
Box 110 Folder 5	Discarded pages, undated
	“Case of the Shady Lady” #33
Box 110 Folder 6	Production file, 1968-1969
Box 110 Folder 7	3 Outlines, “Murder Au Go Go,” by Alvin Boretz, June 4-24, 1968
Box 110 Folder 7	Revised outline, “Circle of Evil,” by Alvin Boretz, June 27, 1968
Box 110 Folder 7	Script, by Alvin Boretz, July 22, 1968
Box 110 Folder 8	Second draft, by Alvin Boretz, July 30, 1968
Box 110 Folder 8	First draft, by Alvin Boretz, August 6, 1968
Box 110 Folder 9	3 Final drafts, annotated, by Alvin Boretz, September 4, 1968
Box 110 Folder 10	2 Revised final drafts, by Alvin Boretz, annotated, September 12, 1968
	“The Golden Fleece” #34
Box 110 Folder 11	Production file, July-October 1968
Box 111 Folder 1	3 Outlines, “Diogenes, Come Home:” by Roger Lewis, June 10-19, 1968
Box 111 Folder 1	First draft, “Diogenes, Come Home!” by Roger Lewis, July 18, 1968
Box 111 Folder 1	Script, “Diogenes, Come Home!,” by Roger Lewis, August 9, 1968
Box 111 Folder 2	First draft, “Diogenese, Come Home!,” by Roger Lewis, August 24, 1968
Box 111 Folder 2	First draft, “Diogenese, Come Home:,” by Roger Lewis, August 26, 1968
Box 111 Folder 2	Fragments, annotated, September 9, 1968, undated
Box 111 Folder 3	Final draft, by Roger Lewis, September 9, 1968
Box 111 Folder 3	Revised final draft, by Roger Lewis, annotated, September 9, 1968
Box 111 Folder 4	2 Revised final drafts, by Roger Lewis, annotated, September 19, 1968
	“The Witch of 116th Street” #35
Box 111 Folder 5	Production file, August-October 1968
Box 111 Folder 6	2 Outlines, by Lee Kalcheim, July 19-August 6, 1968
Box 111 Folder 6	3 Scripts, by Lee Kalcheim, undated
Box 111 Folder 7	2 First drafts, by Lee Kalcheim, September 9, 1968
Box 111 Folder 7	Final draft fragment, by Lee Kalcheim, annotated, September 13, 1968
Box 111 Folder 8	2 Final drafts, by Lee Kalcheim, annotated, September 13, 1968
Box 111 Folder 8	Revised final draft, by Lee Kalcheim, annotated, September 25, 1968
	“The Peep Freak” #36
Box 112 Folder 1	Production file, July-October 1968
Box 112 Folder 2	3 Outlines, “Eyewitness,” by Stanley Silverman, June-July 1968
Box 112 Folder 2	Draft fragment, by Stanley Silverman, August 21, 1968
Box 112 Folder 2	Second draft, by Stanley Silverman, August 31, 1968
Box 112 Folder 3	First draft, by Stanley Silverman, September 18, 1968
Box 112 Folder 3	Final draft, by Stanley Silverman, annotated, September 20, 1968
Box 112 Folder 4	Revised final draft, by Stanley Silverman, September 30, 1968
	“Walk the Long Pier” #37
Box 112 Folder 5	Production file, September-October 1968
Box 112 Folder 6	Outline, “Walk Down the Long Pier,” by Alvin Boretz, September 10, 1968
Box 112 Folder 6	Script, by Alvin Boretz, September 25, 1968
Box 112 Folder 6	Script, by Alvin Boretz, undated
Box 112 Folder 7	Final draft, by Alvin Boretz, September 30, 1968
Box 112 Folder 7	Revisions, undated
Box 112 Folder 7	2 Revised final drafts, by Alvin Boretz, September 30, 1968
	“The Body in the Trunk” #38
Box 112 Folder 8	Production file, September-November 1968
Box 112 Folder 9	6 Outlines, by Heywood Gould, annotated, July-August 1968
Box 112 Folder 9	2 First drafts, by Heywood Gould, annotated, September 17, 1968
Box 112 Folder 10	First draft, by Heywood Gould, annotated, September 24, 1968
Box 112 Folder 10	Revisions, annotated, undated
Box 112 Folder 11	2 Final drafts, by Heywood Gould, annotated, October 3, 1968
Box 113 Folder 1	2 Revised final drafts, by Heywood Gould, annotated, October 10, 1968
	“The Love Hustle” #39
Box 113 Folder 2	Production file, July-October 1968
Box 113 Folder 3	5 Outlines, untitled, by Bernard Eismann, May 20-June 27, 1968
Box 113 Folder 3	2 Outlines, “White Slavery Episode,” by Bernard Eismann, July 22, 1968
Box 113 Folder 4	First draft, by Bernard Eismann, August 1, 1968
Box 113 Folder 4	First revision, by Bernard Eismann, August 12, 1968
Box 113 Folder 4	Second revision, by Bernard Eismann, September 6, 1968
Box 113 Folder 4	First draft, by Bernard Eismann, September 20, 1968
Box 113 Folder 5	2 Final drafts, by Bernard Eismann, annotated, October 9, 1968
Box 113 Folder 5	Revised final draft, by Bernard Eismann, October 16, 1968
	“Three-Fifty-Two” #40
Box 113 Folder 6	Production file, September-November 1968
Box 113 Folder 6	Outline, by Gene Radano, September 12, 1968
Box 113 Folder 6	Script, by Gene Radano, September 26, 1968
Box 113 Folder 6	First draft, by Gene Radano, October 3, 1968
Box 113 Folder 6	3 Final drafts, by Gene Radano, annotated, October 18, 1968
	“The Night Watch” #41
Box 114 Folder 1	Production file, October-December 1968
Box 114 Folder 2	Outline, “To Your Health,” by Lee Kalcheim, undated
Box 114 Folder 2	Outline, “Night Watch,” by Lee Kalcheim, annotated, September 24, 1968
Box 114 Folder 2	Outline, by Lee Kalcheim, September 30, 1968
Box 114 Folder 2	Script, annotated, undated
Box 114 Folder 3	2 First drafts, by Lee Kalcheim, annotated, October 14, 1968
Box 114 Folder 3	2 Final drafts, by Lee Kalcheim, annotated, October 23, 1968
Box 114 Folder 4	Final draft, by Lee Kalcheim, annotated, October 23, 1968
Box 114 Folder 4	Revised script, by Lee Kalcheim, annotated, October 29, 1968
Box 114 Folder 4	2 Revised scripts, by Lee Kalcheim, annotated, October 31, 1968
	“Down in the Valley” #42-#43
Box 114 Folder 5	Production file, July 1968-January 1969
Box 114 Folder 6	5 Outlines, by Robert Schlitt, August 8-September 30, 1968
Box 114 Folder 6	First draft, by Robert Schlitt, annotated, September 23, 1968
Box 114 Folder 7	First draft, Part I, by Robert Schlitt, annotated, October 11, 1968
Box 114 Folder 7	First draft, Part I, fragment, by Robert Schlitt, annotated, October 14, 1968
Box 114 Folder 7	First draft, Part I, by Robert Schlitt, October 14, 1968
Box 115 Folder 1	Script, Part I, by Robert Schlitt, October 25, 1968
Box 115 Folder 1	Final draft, Part I, by Robert Schlitt, October 29, 1968
Box 115 Folder 1	First draft, Part II, by Robert Schlitt, October 29, 1968
Box 115 Folder 2	Revised final draft, Part I, by Robert Schlitt, annotated, November 8, 1968
Box 115 Folder 2	Revised final draft, Part I, “Candy Man,” by Robert Schlitt, annotated, November 8, 1968
Box 115 Folder 3	Revised script, Part II, by Robert Schlitt, November 13, 1968
Box 115 Folder 4	Revisions and fragments, Parts I and II, annotated, 1968
	“The Attacker” #44
Box 115 Folder 5	Production file, October-December 1968, undated
Box 115 Folder 6	Premise and outline, by Heywood Gould, October 26-29, 1968
Box 115 Folder 6	Script, undated
Box 115 Folder 6	First draft, by Heywood Gould, November 12, 1968
Box 115 Folder 7	Revised first draft, by Heywood Gould, annotated, November 18, 1968
Box 115 Folder 7	2 First drafts, by Heywood Gould, annotated, November 18, 1968
Box 115 Folder 8	Final draft, by Heywood Gould, annotated, November 21, 1968
Box 115 Folder 8	Final draft, fragment, by Heywood Gould, annotated, November 21, 1968
Box 115 Folder 8	Revisions, November 1968
Box 115 Folder 9	3 Revised scripts, by Heywood Gould, annotated, November 29, 1968
	“Whose Got the Bundle?” #45
Box 116 Folder 1	Production file, October-December 1968, undated
Box 116 Folder 2	Outline, by Alvin Boretz, October 29, 1968
Box 116 Folder 2	2 Final drafts, by Alvin Boretz, November 26, 1968
Box 116 Folder 3	Revised script, by Alvin Boretz, annotated, November 29, 1968
Box 116 Folder 3	2 Revised scripts, by Alvin Boretz, annotated, December 2, 1968
	“The Faces on the Dart Board” #46
Box 116 Folder 4	Production file, October 1968-January 1969
Box 116 Folder 5	Story idea, “Four Came Back,” by Gene Radano, October 24, 1968
Box 116 Folder 5	Outline, by Gene Radano, undated
Box 116 Folder 5	Script, by Gene Radano, November 13, 1968
Box 116 Folder 6	2 First drafts, by Gene Radano, annotated, November 18, 1968
Box 116 Folder 7	2 Final drafts, by Gene Radano, annotated, December 4, 1968
Box 116 Folder 8	2 Revised scripts, by Gene Radano, annotated, December 6, 1968
	“Boys Night Out”
Box 116 Folder 9	Production file, October 1968-January 1969
Box 116 Folder 10	Outline, by Burt Armus, November 18, 1968
Box 116 Folder 10	2 Scripts, by Burt Armus, annotated, November 27, 1968
Box 116 Folder 10	First draft, by Burt Armus, annotated, December 3, 1968
Box 117 Folder 1	First draft, by Burt Armus, December 6, 1968
Box 117 Folder 1	Revised script, fragment, by Burt Armus, annotated, December 6, 1968
Box 117 Folder 2	First draft, by Burt Armus, annotated, December 12, 1968
Box 117 Folder 2	First draft, by Burt Armus, annotated, December 17, 1968
	“No Day Trippers Need Apply” #48
Box 117 Folder 3	Production file, November 1968-January 1969, undated
Box 117 Folder 4	Outline, by Mel Arrighi, and memorandum, October 28 and November 18, 1968
Box 117 Folder 4	Revised first draft and discarded pages, by Mel Arrighi, December 2, 1968
Box 117 Folder 5	First draft, by Mel Arrighi, annotated, December 5, 1968
Box 117 Folder 5	Final draft, by Mel Arrighi, December 17, 1968
Box 117 Folder 6	Fragments, annotated, undated
Box 117 Folder 6	Revised script, by Mel Arrighi, December 19, 1968
	“Everybody Loved Him” #49
Box 117 Folder 7	Production file, November 1968-January 1969
Box 117 Folder 8	Outline, by Heywood Gould, November 20, 1968
Box 117 Folder 8	Script, by Heywood Gould, annotated, December 10, 1968
Box 117 Folder 8	2 First drafts, by Heywood Gould, annotated, December 18, 1968
Box 117 Folder 9	Revised first draft and revisions, by Heywood Gould, December 26, 1968
	Of Human Bondage (TV special: unproduced?)
Box 117 Folder 10	Correspondence and casting list, 1966
	Oh Professor! (TV series: unproduced?)
Box 117 Folder 11	Outline, “Eep,” by Devery Freeman, August 8, 1962
Box 117 Folder 11	Pilot story, “Let's Stick Together,” undated
Box 117 Folder 11	3 Outlines, by Devery Freeman, undated
Box 117 Folder 11	Script, “The Strange and Wonderful Adventures of Elwood Quince,” by Devery Freeman and Milt Rosen, undated
	Oh, What a Lovely War (Theater and television special: other production information unknown)
Box 117 Folder 12	Correspondence, 1963-1964
	Olgivy and Mather, Inc.
Box 117 Folder 13	Correspondence, contract, and scripts re coffee commercials by David and Joyce Susskind, 1969-1970
	The Olympic Challenge (TV game show: unproduced?)
Box 118 Folder 1	Presentation, by Don Reid, and miscellany, 1964
	On the March to the Sea (Format unknown)
Box 118 Folder 2	Correspondence, 1966
	100 American Women of Accomplishment (Format unknown)
Box 118 Folder 3	Correspondence and list, 1967
	Only Two Can Play (TV series: unproduced)
Box 118 Folder 4	Correspondence and outlines, including “A Matter of Anatomy” and “Hit and Miss,” 1968
	Only You, Dick Darling! (Motion picture: unproduced?)
Box 118 Folder 5	Correspondence and reviews of book, 1964, 1967
	The Oomphers (TV series: unproduced?)
Box 118 Folder 6	Story idea, by Henry Carson, undated
	Open End (TV series: 1958-1967. Syndicated. Distributed by National Telefilm Associates, Inc.)
Box 118 Folder 7	Clippings and publicity, 1962-1966, undated
	Correspondence
Box 118 Folder 8-10	General, 1961-1966, undated
Box 118 Folder 11	Bennett Korn, 1963
Box 118 Folder 12	Future file re possible program topics, undated
Box 118 Folder 13	Press releases from WPIX, 1963-1966
Box 118 Folder 14	Production miscellany, circa 1962-1966
Box 118 Folder 15	WGBH fund raising promotion, 1960
	Episodes
	“Abba Eban” (February 26, 1965)
Box 118 Folder 1	Questions, release forms, and correspondence, 1965
	“The Actor Syndrome”(December 11, 1960)
Box 118 Folder 2	Questions, biographies, notes, and correspondence, 1960
	“Actors Talk Broadway” (October 8, 1961)
Box 119 Folder 3	Correspondence, 1961
	“Adoption” (May 19, 1964)
Box 119 Folder 4	Questions, biographies, correspondence, and miscellany, 1964
	“Advice to the Lovelorn” (January 30, 1962)
Box 119 Folder 5	Biographies, questions, notes, and miscellany, 1962
	“Airline Hostesses” (January 17, 1965)
Box 119 Folder 6	Biographies, questions, correspondence, and release forms, 1965
	“Albany, Georgia Situation”
Box 119 Folder 7	Correspondence and questions, 1962
	“Alcoholism” (February 17, 1963)
Box 119 Folder 8	Questions and note, 1963
	“Ambassador Menshikov” (December 17, 1961)
Box 119 Folder 9	Production file, including transcript, 1961
	“America in Ferment and Revolt” (March 12, 1961)
Box 119 Folder 10	Questions, biographies, and other production materials, 1961
	“And Time Marches On” (November 12, 1961)
Box 119 Folder 11	Questions, correspondence, notes, research materials, circa 1951-1960
	“Andrew Goodman, Michael Schwerner, James Chaney: How They Were Killed” (November 13, 1964)
Box 119 Folder 12	Questions, notes, correspondence, and miscellany, 1964
	“Angry Men” (May 27, 1965)
Box 120 Folder 1	Questions, biographies, release forms, and miscellany, 1965
	“Are There Any Happy Marriages” (November 28, 1961)
Box 120 Folder 2	Questions, biographies, correspondence, and miscellany, 1961
	“Bachelor Gals” (February 25, 1962)
Box 120 Folder 3	Questions, biographies, research, and correspondence, 1962
	“Backstage on Broadway” (November 13, 1960)
Box 120 Folder 4	Questions, biographies, notes, and miscellany, 1960
	“Baldwin vs Buckley” (June 20, 1965)
Box 120 Folder 5	Miscellany, 1965
	“The Bare Facts: The Art of Stripteasing” (December 1964?)
Box 120 Folder 6	Biographies, notes, research material, miscellany, 1964
	“Bartenders” (February 2, 1965)
Box 120 Folder 7	Questions, notes, and production materials, 1965
	“Baseball” (September 28, 1964)
Box 120 Folder 8	Questions, research and production material, 1964
	“Beatlemania” (September 14, 1964)
Box 120 Folder 9	Questions, research and production material, 1964
	“Lord Bertrand Russel” (June 10, 1962)
Box 120 Folder 10	Production file, including transcript, 1962
	“Better Red Than Dead” (October 22, 1961)
Box 120 Folder 11	Production file, including transcript of CBS News special Where We Stand: War or Peace? broadcast October 5, 1961, 1961
Box 120 Folder 12	Clippings, 1961
	“The Big Boom on Wall Street” (October 25, 1965?)
Box 120 Folder 13	Questions, biographies, research material, 1965
	“The Biggest Hassle in America--JFK's Tax Bill” (March 10, 1963)
Box 121 Folder 1	Production file, including transcript, 1963
	“Birth Control and the Pill” (November 6, 1964)
Box 121 Folder 2	Correspondence, release forms, questions, notes, 1964
Box 121 Folder 3	Clippings and articles, 1959-1964
	“Blind People” (1966?)
Box 121 Folder 4	Release forms, undated
	“The Bowery” (December 18, 1964)
Box 121 Folder 5	Notes, questions, clippings, 1964
	“Brazil” (October?, 1962)
Box 121 Folder 6	Correspondence, October-November 1962
	“British and Brilliant” (January 20, 1963)
Box 121 Folder 7	Press releases and correspondence, 1963
	“Bugging and Wire Tapping” (June 22, 1964)
Box 121 Folder 8	Questions, biographies, correspondence, notes, release forms, 1964
	“Can Any Republican Beat President Johnson?” (April 26, 1964)
Box 121 Folder 9	Questions, biographies, research material, notes, correspondence, 1964
	“Can Goldwater Win in '64?” (circa September 1964)
Box 121 Folder 10	Correspondence, questions, notes, 1964
Box 121 Folder 11-12	Research material, circa 1955-1964
	“Can You Beat the Horses?”(April 24, 1966)
Box 122 Folder 1	Questions, notes, research material, 1964
	“Cancer Prevention: Progress Being Made on Finding a Cure” (April 13, 1964)
Box 122 Folder 2	Questions, biographies, correspondence, notes, research materials, 1964
Box 122 Folder 3	Research materials, circa 1964
	“The Catholic Church” (February 6, 1966)
Box 122 Folder 4	Articles and production materials, including a report by Rev. Gommar DePauw, 1966
	“Censorship and Pornography”
Box 122 Folder 5	Note, undated
	“Charities” (January 13, 1965)
Box 122 Folder 6	Biographies, questions, correspondence, research, 1965
	“Child Prodigies” (June 8, 1964)
Box 122 Folder 7	Questions, biographies, correspondence, research materials, 1964
	“Children of Inter-racial Marriage” (March 4, 1965)
Box 122 Folder 8	Questions, biographies, notes, research materials, 1965
	“Claire Booth Luce” (October 23, 1961)
Box 122 Folder 9	Correspondence, October 1961
	“Class of 1963” (June 5, 1963)
Box 123 Folder 1	Correspondence, biographies, questions, research materials, 1963
	“Comedians” (December 5, 1961)
Box 123 Folder 2	Production file, including a biographical sketch by Woody Allen, 1961
	“Comedians” (March 4, 1965)
Box 123 Folder 3	Biographies, miscellany, 1965
	“Comedians and Wives” (December 18, 1964)
Box 123 Folder 4	Questions, research material, notes, 1964
	“A Comedy Kaffe Klatch” (February 26, 1961)
Box 123 Folder 5	Questions, biographies, research material, clippings, 1961
	“Conservatives”(March 13, 1962)
Box 123 Folder 6	Production miscellany, including transcript of CBS News program The Great Challenge, “America's Continuing Revolution,” broadcast March 1, 1962, 1962
	“Conversation with William F. Buckley” (December 29, 1965)
Box 123 Folder 7	Questions, notes, research material, correspondence, 1965
	“A Covey of Critics” (January 31, 1961)
Box 123 Folder 8	Questions, 1961
	“Crime” (1962?)
Box 123 Folder 9	Biographies, research material, clippings, 1962
	“Crisis in Medicine” (March 24, 1963)
Box 123 Folder 10	Questions, notes, research material, miscellany, 1963
	“Crisis in Our Colleges” (February 19, 1961)
Box 123 Folder 11	Questions, correspondence, research material, 1961
	“The Couch and the Pulpit” (October 15, 1961)
Box 123 Folder 12	Biographies, notes, research materials, 1961
	“Cuba” (December 1962?)
Box 124 Folder 1	Correspondence, 1962
	“Cuban Crisis” (October 20, 1962?)
Box 124 Folder 2	Correspondence, 1962
	“Cuban Refugees: Escape from Terror” (February 8, 1966)
Box 124 Folder 3	Questions, release forms, notes, miscellany, 1966
	“The Deadly Game of Spying: Some Real Life Spies” (September 28, 1965)
Box 124 Folder 4	Questions, biographies, research material, 1965
	“Dean Rusk” (April 1, 1966)
Box 124 Folder 5	Questions, research materials, 1966
	“Democracy in Danger”
Box 124 Folder 6	Questions, notes, correspondence, research material, 1961-1963
	“Dieting” (October 16, 1964)
Box 124 Folder 7-8	Questions, biographies, notes, correspondence, research materials, 1964
	“A Discussion of American Newspapers” (February 12, 1961)
Box 124 Folder 9	Questions, biographies, notes, correspondence, 1961
	“Divorce: The High Cost of Loving and Losing”
Box 124 Folder 10	Research material, notes, questions, 1963-1964
	“Drinking: Problem or Pleasure?” (February 17, 1963)
Box 124 Folder 11	Correspondence, miscellany, (1963)
	“Drugs” (November 11, 1961)
Box 124 Folder 12	Questions, notes, research materials, miscellany, 1961
	“Drugs” (April 24, 1963)
Box 125 Folder 1	Correspondence, research material, 1961-1963
	“Education” (January 1963?)
Box 125 Folder 2	Correspondence, notes, release form, 1963
	“The Eisenhower Years: An Appraisal” (January 29, 1961)
Box 125 Folder 3	Questions, biographies, notes, correspondence, research material, 1961
	“Entertianment” (October 7, 1962)
Box 125 Folder 4	Correspondence, miscellany, 1962
	“Every Third Marriage Means Divorce”
Box 125 Folder 5	Questions, biographies, notes, release forms, correspondence, research material, 1961
	“The Extreme Right” (1962)
Box 125 Folder 6	Correspondence, March-April 1962
	“Famous Parents” (November 11, 1962)
Box 125 Folder 7	Correspondence, press release, 1962
	“The Far, Far Left” (circa June 1965)
Box 125 Folder 8	Correspondence, 1965
	“Fashion” (May 13, 1962)
Box 125 Folder 9	Correspondence, biographies, notes, research material, 1962
	“The Fifty Billion Dollar Business of Crime” (February 24, 1964)
Box 125 Folder 10	Questions, notes, research material, 1963-1964
	“Foreign Correspondents”
Box 125 Folder 11	Correspondence, notes, biography, 1960-1962
	“Foreign Trade”
Box 125 Folder 12	Notes, questions, research material, 1961
	“Four American Writers” (1964?)
Box 125 Folder 13	Questions, biographies, notes, research material, 1964
	“Four Draftees in a Hot Debate on Going to Vietnam” (November 26, 1965)
Box 125 Folder 14	Correspondence, 1965-1966
	“Four Great Men: The Benefit of their Wisdom”
Box 125 Folder 15	Production miscellany, including a transcript for Meet the Press interview with James A. Farley (November 11, 1962), 1962
	“Four Wounded in Vietnam” (April 17, )
Box 125 Folder 16	Questions, release forms, correspondence, 1966
	“From the Second City” (August 31, 1962)
Box 125 Folder 17	Correspondence, notes, 1962
	“Fun and Games on the Borscht Belt” (June 26, 1966)
Box 125 Folder 18	Correspondence, questions, biographies, release forms, research material, 1966
	“The Future of the Republican Party” (November 27, 1960)
Box 126 Folder 1	Production file, including transcript, 1960
	“Gambling” (June 24, 1963?)
Box 126 Folder 2	Questions, biographies, notes, research materials, release forms, 1963
	“Goldwater's Candidacy” (October 7, 1963)
Box 126 Folder 3	Questions, biographies, notes, research material, 1963
	“Gore Vidal vs William Buckley” (September 5, 1962)
Box 126 Folder 4	Correspondence, release forms, 1962
	“Groucho Marx and Five Women” (October 28, 1963)
Box 126 Folder 5	Questions, biographies, notes, 1963
	“Hairdressers: Woman's Worst Enemy?” (February 20, 1966)
Box 126 Folder 6	Correspondence, questions, biographies, notes, research material, 1966
	“Happy Bachelors on Women, Love, and Sex” (March 18, 1962)
Box 126 Folder 7	Biographies, questions, release forms, notes, research material, 1962
	“Harry S. Truman” (September 1961)
Box 126 Folder 8	Questions, notes, correspondence, research material, 1961-1963
	“Heart and Health Programs”
Box 126 Folder 9	Correspondence, notes, research material, circa 1973
	“Hi-j inks on the Deb Circuit” (January 1964)
Box 126 Folder 10	Biographies, questions, notes, research material, 1963-1964
	“Hollywood's Fourth Estate” (December 27, 1960; January 1, 1961)
Box 126 Folder 11	Questions, biographies, correspondence, notes, research material, 1960-1961
	“The Horror and the Nightmare of the Women's House of Detention” (March 23, 1965)
Box 126 Folder 12	Questions, biographies, notes, research material, 1965
	“Horseracing” (circa April 1966)
Box 126 Folder 13	Correspondence, clippings, 1966
	“Hospitals Can You Afford Them--Can You Survive Them?” (December 20, 1964)
Box 127 Folder 1	Biographies, questions, correspondence, release forms, notes, research material, 1961-1965
	“How Did We Get into This Mess?”
Box 127 Folder 2	Questions, notes, correspondence, miscellany, 1961
Box 127 Folder 3	Transcript, CBS Reports “Eisenhower on the Presidency” October 12, 1961
Box 127 Folder 4	Articles and clippings by/about guests, circa 1956-1961
Box 127 Folder 5	General clippings re foreign policy, circa 1959-1961
	“How I Made Two Million in the Stock Market” (April 5, 1964)
Box 127 Folder 6	Questions, biographies, research material, notes, correspondence, 1964
	“How Others See Us” (February 18, 1962?)
Box 127 Folder 7	Biographies, questions, research material, release forms, 1962
	“How They Live in Russia Today” (March 4, 1962)
Box 127 Folder 8	Production file, including transcript, 1962
	“How to be a Jewish Mother” (September 1965)
Box 127 Folder 9	Release forms, notes, questions, biographies, 1965
	“How to Meet a Mate” (March 7, 1965?)
Box 127 Folder 10	Questions, biographies, research material, correspondence, 1965
	“How to Stay Young and Beautiful” (November 26, 1965)
Box 127 Folder 11	Correspondence, 1965
	“How to Succeed” (November 10, 1962?)
Box 127 Folder 12	Correspondence, 1962
	“Hypnosis” (May 11, 1964)
Box 128 Folder 1	Questions, biographies, research material, release forms, 1964
	“Impressions of President Kennedy by White House Correspondents” (March 5, 1961)
Box 128 Folder 2	Production file, including transcript of Howard K. Smith News and Comment “Foreign Policy of J.F.K.” (October 28, 1962), 1962
	“The Innocents: Miscarriage of Justice” (October 16, 1964)
Box 128 Folder 3	Questions, biographies, notes, correspondence, release forms, research material, 1964
	“Interns and Residents” (April 11, 1965)
Box 128 Folder 4	Questions, biographies, notes, research material, 1965
	“Is Boxing Slaughter or Sport?” (April 8, 1965)
Box 128 Folder 5	Questions, release forms, 1965
	“Is It Really Safe to Fly?”(April 10, 1966)
Box 128 Folder 6	Questions, notes, correspondence, research material, 1966
	“Is Menopause Necessary?” (January 28, 1966)
Box 128 Folder 7	Questions, notes, release forms, research material, 1965-1966
	“Is New York a Mess?” (March 6, 1966)
Box 128 Folder 8	Questions, notes, release forms, 1966
	“Is New York Crazy” (April 13, 1962)
Box 128 Folder 9	Questions, biographies, release forms, notes, research material, 1962
	“Is the Pentagon Running America?” (January 10, 1963)
Box 128 Folder 10	Production file, including transcript, 1963
	“Is the Theatre Worth Saving?” (May 18, 1964)
Box 128 Folder 11	Biographies, correspondence, release forms, notes, research material, 1964
	“Is the Whole World Sick?” (June 11, 1961)
Box 128 Folder 12	Questions, biographies, notes, research material, 1961
	“Is There Life on Other Planets?” (November 28, 1965)
Box 129 Folder 1	Questions, release forms, notes, research material, 1965
	“Is This TV Season a Flop?” (November 4, 1962)
Box 129 Folder 2	Production file, including transcript, 1962
	“Jackie Gleason” (January 7, 1962)
Box 129 Folder 3	Production miscellany, including transcript of CBS News, Small World (November 8, 1959), 1959, 1962
	“Jeane Dixon Predicts the Future” (December 23, 1965)
Box 129 Folder 4	Questions, correspondence, research material, 1965
	“Jerry Lewis” (July 16, 1965)
Box 129 Folder 5	Notes, schedules, research material, 1965
	“Jet Jitters, Afraid to Fly?” (June 1, 1967)
Box 129 Folder 6	Correspondence, release forms, 1967
	“The Jet Set” (February 8, 1963?)
Box 129 Folder 7	Questions, biographies, notes, research material, release forms, 1963
	“The Jew in America” (December 1962?)
Box 129 Folder 8	Correspondence, miscellany, 1962
	“JFK and the New Frontier” (December 2, 1962)
Box 129 Folder 9	Correspondence, 1962
	“Jones vs Mailer” (December 25, 1965)
Box 129 Folder 10	Correspondence, 1965
	“Just Plain Folks from Greenwich Village” (February 15, 1966)
Box 129 Folder 11	Questions, notes, release forms, lyrics and poems, 1965
	“Kings and Queens of Soap Opera” (October 24, 1965)
Box 129 Folder 12	Questions, biographies, notes, research material, 1965
	“Labor and Strikes” (circa January 1963)
Box 129 Folder 13	Correspondence, 1963
	“The Lady and the Lords” (June 17, 1962)
Box 129 Folder 14	Correspondence, 1962
	“Long, Hot Summer” (June 22, 1964)
Box 129 Folder 15	Questions, biographies, research material, notes, release forms, 1964
	“Loud Sounds of Tin Pan Alley” (1963?)
Box 129 Folder 16	Questions, biographies, notes, release forms, research materials, 1963
	“Love and Marriage,” (May 7, 1961)
Box 129 Folder 17	Questions, biographies, correspondence, research materials, 1961
	“Love and Marriage: Teen-Age Style” (November 25, 1962)
Box 129 Folder 18	Correspondence, questions, 1962
	“LSD: Madness or Miracle” (May 5, 1963)
Box 129 Folder 19	Biography, miscellany, 1963
	“LSD” (May 15, 1966)
Box 130 Folder 1	Questions, biographies, notes, research material, 1966
	“Madame Nhu” (1963?)
Box 130 Folder 2	Questions, biography, research material, correspondence, 1963
	“The March” (April 4, 1965)
Box 130 Folder 3	Questions, biographies, notes, research material, 1965
	“Marlon Brando” (April 21, 1963)
Box 130 Folder 4	Production file, including transcript, 1963
	“Dr. Martin Luther King” (June 6, 1963)
Box 130 Folder 5	Clippings, miscellany, 1963
	“Medical Care” (January 1962)
Box 130 Folder 6	Questions, biographies, notes, research material, 1962
	“Medicine”
Box 130 Folder 7	Correspondence, 1963
	“Meet Four Russian War Heroes” (October 15, 1964)
Box 130 Folder 8	Questions, biographies, correspondence, release forms, research material, 1964
	“Meet the Negro Press” (October 20, 1961)
Box 130 Folder 9	Guides, 1960-1961
Box 130 Folder 10	Correspondence, questions, notes, research material, 1961
	“Metropolis: Mystery or Mania” (January 6, 1963)
Box 131 Folder 1	Correspondence, news release, 1963
	“Mikhail Menshikov” (December 1961)
Box 131 Folder 2	Questions, notes, research material, 1961
	“The Military” (February 10, 1963)
Box 131 Folder 3	Questions, biographies, release forms, notes, research material, 1962-1963
	“Money, Money, Money” (March 11, 1962)
Box 131 Folder 4-5	Production file, including 4 Meet the Press transcripts: George Meany (December 17, 1961); Hubert Humphrey and Thurston Morton (January 5, 1962); Douglas Dillon (January 21, 1962); George Romney (February 4, 1962), 1961-1962
	“Money Talks, The New Millionaires” (February 3, 1964)
Box 131 Folder 6	Questions, biographies, notes, research material, 1964
	“Morality in Modern America” (April 27, 1962)
Box 131 Folder 7	Questions, release forms, notes, research material, 1962
	“The Movie Makers” (October 2, 1960)
Box 131 Folder 8	Questions, biographies, notes, 1960
	“The Moynihan Report” (December 29, 1965)
Box 131 Folder 9	Production file, including transcript of Meet the Press Daniel P. Moynihan (December 12, 1965), 1965
	“Murder in Mississippi: Eight Who Came Back” (October 11, 1964)
Box 131 Folder 10	Questions, biographies, correspondence, research material, 1964
	“The Negro and His Rights” (May 21, 1961)
Box 131 Folder 11	Questions, biographies, correspondence, notes, research material, 1961
	“The Negro Aristocracy” (February 17, 1964)
Box 132 Folder 1	Questions, biographies, research material, 1964
	“The New Deal” (March 3, 1963)
Box 132 Folder 2	Questions, correspondence, notes, release forms, 1963
	“The New Frontier: Pro and Con” (May 14, 1961)
Box 132 Folder 3	Questions, biographies, notes, correspondence, research material, 1961
	“New Nations in the New World” (December 7, 1962)
Box 132 Folder 4	Correspondence, 1962
	“New Orleans School Integration” (December 18, 1960)
Box 132 Folder 5	Biographies, notes, correspondence, schedule, 1960-1961
	“New York School Integration” (April 1964?)
Box 132 Folder 6	Questions, biographies, notes, correspondence, research material, 1964
	“Night World and Night People” (December 26, 1965)
Box 132 Folder 7	Questions, biographies, notes, 1965
	“Nine Negro Teenagers” (June 6, 1966)
Box 132 Folder 8	Release forms, 1966
	“Norman Mailer” (May 1962?)
Box 132 Folder 9	Correspondence, 1962
	“The Nun's Story” (March 2, 1966)
Box 132 Folder 10	Production file, including transcript, 1966
	“Organization of American States” (June 1965)
Box 132 Folder 11	Correspondence, 1965
	“Our Time of Crisis: Cuba, Laos, What Next?” (April 30, 1961)
Box 132 Folder 12	Questions, biographies, correspondence, notes, research material, 1961
	“Out of the Mouths of Babes” (October 30, 1965)
Box 132 Folder 13	Questions, notes, release forms, 1965
	“Parents Dilemma: Should I Send My Child to a Private School?” (January 13, 1965)
Box 132 Folder 14	Research material, 1962-1965
	“Peace Corps” (June 6, 1965)
Box 132 Folder 15	Release forms, 1965
	“The Peacemakers” (December 5, 1962?)
Box 132 Folder 16	Correspondence, questions, release forms, 1962
	“People in Trouble: The Recession” (March 26, 1961)
Box 132 Folder 17	Questions, biographies, correspondence, notes, research material, 1961
	“Photography Show”
Box 133 Folder 1	Questions, notes, undated
	“Playboy Keys and Bunnies” (December 9, 1963)
Box 133 Folder 2	Questions, biographies, correspondence, notes, release forms, research material, 1963
	“Poles Apart: The Conservative and Liberal Position” (March 20, 1960)
Box 133 Folder 3	Correspondence, questions, release forms, 1960
	“The Police Department” (April 12, 1964)
Box 133 Folder 4	Questions, biographies, notes, correspondence, research material, 1962-1964
	“Population Explosion” (May 12, 1963)
Box 133 Folder 5	Production file, including transcript for CBS Reports “The Population Explosion” (January 14, 1960), 1960-1964
	“Potpourri of Opinion” (October 30, 1960)
Box 133 Folder 6	Biographies, notes, research material, 1960
	“Predictions and Revolutions”
Box 133 Folder 7	Biographies, notes, release forms, questions, circa 1964
	“The Premise”
Box 133 Folder 8	Correspondence, breakdowns, 1963
	“Presidential Showdown” (November 6, 1960)
Box 133 Folder 9	Questions, correspondence, release forms, research material, 1960
	“Press Agents on the Broadway Beat” (February 5, 1961)
Box 133 Folder 10	Questions, biographies, notes, correspondence, research material, 1961
	“Prisons” (November 1961?)
Box 133 Folder 11	Questions, correspondence, notes, research material, 1961
	“Private Schools” (November 16, 1965)
Box 133 Folder 12	Questions, correspondence, notes, release forms, research material, 1964-1965
	“Pros and Cons on the Draft” (December 5, 1965)
Box 134 Folder 1	Questions, release forms, research material, 1965
	“Psychiatrists from Hollywood” (December 4, 1960)
Box 134 Folder 2	Questions, biographies, release forms, correspondence, research material, 1956-1960
	“Psychics-Mediums” (February 2, 1965)
Box 134 Folder 3	Questions, correspondence, release forms, notes, research material, 1965
	“Public Be Damned” (April 13, 1964)
Box 134 Folder 4	Questions, biographies, release forms, notes, research material, 1964
	“Rank and File” (October 1964)
Box 134 Folder 5	Biographies, release forms, miscellany, 1964
	“The Real Ben Caseys and Dr. Kildares” (March 4, 1965)
Box 134 Folder 6	Biographies, release forms, miscellany, 1965
	“Red China: Colossus and Engima” (June 18, 1961)
Box 134 Folder 7	Questions, biographies, correspondence, research material, 1961
	“Red China: Two Eyewitnesses” (1966)
Box 134 Folder 8	Questions, correspondence, research material, 1964-1966
	“Religious Sects” (March 23, 1965)
Box 134 Folder 9	Questions, biographies, notes, research material, 1965
	“Right Wing” (May 15, 1965)
Box 135 Folder 1	Questions, biographies, notes, research material, 1964-1965
	“Robert Kennedy” (September 15, 1966)
Box 135 Folder 2	Correspondence, miscellany, 1966
	“The Role of the Newspaper in Our Society Today” (April 2, 1965)
Box 135 Folder 3	Questions, biographies, research material, 1964-1965
	“Safety in the Sky” (January 8, 1961)
Box 135 Folder 4	Questions, biographies, notes, correspondence, research material, 1958-1961
	“Salinger and Hagerty” undated
Box 135 Folder 5	Questions, biography, notes, undated
	“Scandal in Washington: Why, What, Why!” (March 6, 1964)
Box 135 Folder 6	Questions, biographies, correspondence, notes, release forms, research material, 1964
	“Second City” (May 29, 1963)
Box 135 Folder 7	Production miscellany, including fragment of transcript, 1963
	“Sex and Morals on Campus” (November 18, 1963)
Box 135 Folder 8	Questions, release forms, notes, research material, 1963
	“Sex and the Beautiful Girls” (October 25, 1964)
Box 135 Folder 9	Questions, release forms, biographies, notes, research material, 1964
	“Sex Education: What Should We Teach and Tell Our Children?” (February 17, 1964)
Box 135 Folder 10	Questions, notes, biographies, research material, 1963-1965
	“Sex in the Arts” (January 1962?)
Box 136 Folder 1	Questions, biographies, notes, release forms, research material, 1959-1962
	“Sexual Revolution” (1963?)
Box 136 Folder 2	Production file, including transcript, 1963
	“Should You Build a Shelter?” (November 7, 1961)
Box 136 Folder 3	Production file, including transcript of Eyewitness “A Place to Hide” (October 6, 1961), 1961
	“Showdown in Alabama: Opposite Points of View” (April 4, 1965)
Box 136 Folder 4	Questions, biographies, release forms, research material, notes, 1965
Box 136 Folder 4	“The Sinatra Clan--What Makes Them Run?” (September 1962)
Box 136 Folder 5	Questions, correspondence, notes, research material, 1943-1962
Box 136 Folder 5	“Six Actors Talk Broadway” (September 29, )
Box 136 Folder 6	Questions, biographies, notes, release forms, 1961
	“Sizing Up LBJ: White House Press Corps” (April 4, 5)
Box 136 Folder 7	Correspondence, 1965
	“Slum Landlords vs Tenants” (January 13, )
Box 136 Folder 8	Questions, biographies, notes, release forms, research material, 1963-1964
	“So Many Churches, So Little God” (September 28, )
Box 136 Folder 9	Questions, biographies, research material, notes, 1965
	“Sol Hurok” (April 29, )
Box 136 Folder 10	Questions, biography, notes, research material, 1959-1962
	“Some Novelists of Our Time” (January 22, )
Box 137 Folder 1	Questions, biographies, correspondence, notes, research material, 1958-1961
	“Some Wonderful People over 70” (May 29 and June 5, 1966)
Box 137 Folder 2	Questions, correspondence, notes, release forms, research material, 1965-1966
	“The Stock Market” (April 1963)
Box 137 Folder 3	Biographies, correspondence, 1963
	“Strictly for Laughs” (March 4, 1964)
Box 137 Folder 4	Questions, biographies, release forms, correspondence, script for introduction and closing to show, 1964
	“Suicide” (April 27, 1965)
Box 137 Folder 5	Questions, biographies, notes, research material, 1963-1965
	“The Supreme Court: Shifting tides” (April 2, 1961)
Box 137 Folder 6	Correspondence, release forms, 1961
	“Taxes”
Box 137 Folder 7	Questions, biographies, notes, research material, 1963
	“Television Around the World” (June 3, 1962)
Box 137 Folder 8	Production file, including transcript, 1960-1962
	“Television Ratings: The Life and Death of Programming” (December 13, 1964)
Box 137 Folder 9	Speeches and articles by Arthur Nielsen, Sr. and Arthur Nielsen, Jr., circa 1963-1965
Box 137 Folder 10	Clippings and articles, circa 1960-1964
Box 138 Folder 1	Questions, biographies, notes, correspondence, release forms, miscellany, 1964
	“Television Tempest” (September 25, 1960)
Box 138 Folder 2	Questions, biographies, correspondence, release forms, 1960
	“Theatre Below the Summit” (May 28, 1961?)
Box 138 Folder 3	Questions, correspondence, research material, 1960-1961
	“Theatre of the Absurd” (May 17, 1963)
Box 138 Folder 4	Questions, biographies, notes, correspondence, research material, miscellany, 1963
	“Theatre Shows” (February 17, 1964)
Box 138 Folder 5	Questions, biographies, notes, research material, 1960-1964
	“Thunder in the Theatre” (April 9, 1961)
Box 138 Folder 6	Question, biographies, correspondence, notes, 1961
	“The Trouble in France” (March 1963)
Box 138 Folder 7	Questions, biographies, notes, research material, 1961-1963
	“Truman Capote, Foreign Girls, Cigarettes” (September 22, 1966)
Box 138 Folder 8	Correspondence, release forms, miscellany, 1966
	“The Ugly American, Marlon Brando and Eugune Burdick” (April 28, 1963)
Box 138 Folder 9	Questions, notes, research material, 1963
	“Unemployment” (January 5, 1964)
Box 138 Folder 10	Questions, biographies, release forms, notes, 1963-1964
Box 138 Folder 11	Clippings, circa 1960-1963
Box 139 Folder 1	Speeches and miscellany, 1963-1964
	“The United Nations in Crisis” (November 20, 1960)
Box 139 Folder 2	Production file, including transcript, 1960
	“Up and Up It Goes” (March 19, 1961)
Box 139 Folder 3	Questions, biographies, notes, research material, 1961
	“Varied Views of Journalists” (October 16, 1960)
Box 139 Folder 4	Production file, including transcript, 1960
	“Vietnam” (May 16, 1965)
Box 139 Folder 5	Questions, biographies, notes, release forms, research materials, 1965
	“Violence in the Streets and Public Apathy” (November 22, 1964)
Box 139 Folder 6	Questions, biographies, notes, release forms, research material, 1963-1964
	“Voices of Africa” (October 23, 1960)
Box 139 Folder 7	Questions, biographies, notes, research material, 1960
	“Washington Hostesses” (April 5, 1965)
Box 139 Folder 8	Questions, biographies, notes, research material, 1965
	“Washington Newsman and Press” (May 2, 1965)
Box 139 Folder 9	Questions, biographies, notes, research material, 1965
	“Washington Wives” (April 24, 1964)
Box 139 Folder 10	Questions, biographies, notes, release forms, research material, 1964
	“We Have Just Been To Cuba” (April 19, 1963)
Box 140 Folder 1	Questions, biographies, release forms, research material, 1960-1963
	“What About the John Birch Society” (April 23, 1961)
Box 140 Folder 2	Biographies, correspondence, 1961
	“What Do the New Fashions Reveal?” (September 8, 1964)
Box 140 Folder 3	Questions, biographies, notes, correspondence, 1964
	“What's New on the Far, Far Right?” (May 30, 1965)
Box 140 Folder 4	Release forms, 1965
	“What's Wrong with the Stock Market?” (January 23, 1962)
Box 140 Folder 5	Questions, biographies, correspondence, release forms, research material, 1961-1962
	“Where are Robert and Edward Kennedy Going?” (January 30, 1966)
Box 140 Folder 6	Production file, including Meet the Press transcript, Robert F. Kennedy (October 18, 1964), 1964
	“Who's In? Who's Out?” (September 1, 1965)
Box 140 Folder 7	Questions, release forms, notes, research material, 1965
	“Who's Killing the American Night Club?” (May 1964)
Box 140 Folder 8	Questions, biographies, release forms, correspondence, research material, 1964
	“Who's Unamerican?” (October 1, 1961)
Box 140 Folder 9	Questions, biographies, notes, correspondence, 1961
Box 140 Folder 10-11	Research material, 1954-1961
	“Why Are We Unloved?” (September 24, 1965)
Box 141 Folder 1	Questions, correspondence, release forms, 1965
	“William F. Buckley vs Norman Mailer” (January 20, 1964)
Box 141 Folder 2	Correspondence, release forms, research material, 1963-1964
	“Wives of Men in Vietnam” (November 19, 1964)
Box 141 Folder 3	Questions, biographies, notes, release forms, research material, 1964-1965
	“Women in the United States” (April 14, 1963)
Box 141 Folder 4	Production file, including transcript, 1963
Box 141 Folder 5	Production file, including material from the President's Commission on the Status of Women, 1962-1963
	“Writers” (June 21, 1962)
Box 141 Folder 6	Biographies, notes, research material, 1962
	“Young Career Girls” (June 18, 1964?)
Box 141 Folder 7	Questions, biographies, notes, release forms, research material, circa 1962-1964
	“Your Horoscope: Fake or Fate?” (November 25, 1963)
Box 141 Folder 8	Questions, notes, release forms, research material, 1963
	Ordeal by Hunger (Motion picture: unproduced?)
Box 141 Folder 9	Correspondence, 1973
	Othello (TV special: unproduced?)
Box 141 Folder 10	Correspondence, budget, 1966
	The Outsider (TV series: Universal TV and Public Arts, Inc., 1968. Original network NBC)
Box 141 Folder 11	Correspondence, 1966-1967, undated
	“Bellington” (pilot)
Box 141 Folder 12	Format, undated
Box 141 Folder 13	2 First draft scripts, by Bruce Geller, undated
	“Countdown for the Gun Lovers”
Box 142 Folder 1	2 Synopses, by Richard Jessup, undated
Box 142 Folder 1	Script, by Richard Jessup, September 2, 1964
Box 142 Folder 2	Script, by Richard Jessup, annotated, September 2, 1964
	“Loser's Roll”
Box 142 Folder 3	Second draft script, by Robert E. Thompson, circa 1965
	“The Last Carnello,”
Box 142 Folder 4	Synopsis, by Richard Jessup, undated
	Parker and Sons (TV series: unproduced?)
Box 142 Folder 5	Correspondence and miscellany, 1964-1965
Box 142 Folder 6	Research, undated
Box 142 Folder 6	2 Outlines, undated
Box 142 Folder 6	Script, undated
Box 142 Folder 6	Production budget, undated
	Parkthron Limited
Box 142 Folder 7	Correspondence, 1965-1968
	Paramount Pictures Corporation
Box 142 Folder 8	Annual reports, correspondence, release schedule, 1961-1967
	The Passover Plot (Motion picture: unproduced?)
Box 142 Folder 9	Correspondence, 1971-1972
	Penelope Beware (TV series: produced but not sold)
Box 142 Folder 10	Correspondence, June 1965-March 1966
Box 142 Folder 11	Program idea, by George Baxt, May 11, 1965
	“How to Kill for Fun and Profit?”
Box 142 Folder 12	First draft, by Arne Sultan and Marvin Worth, annotated, October 15, 1965
Box 142 Folder 13	Shooting script, by Arne Sultan and Marvin Worth, November 2, 1965
Box 142 Folder 14	Revised shooting script, December 7, 1965
Box 142 Folder 15	Final draft, December 14, 1965
	“Kill Her with Kindness”
Box 142 Folder 16	3 Synopses by George Baxt, annotated, July-August 1965, undated
Box 142 Folder 17	First revised script, by George Baxt, August 16, 1965
Box 142 Folder 17	Script, by George Baxt, July 27, 1965
	People on the Third Floor (TV special: unproduced?)
Box 142 Folder 18	Presentation, April 20, 1971
	Perlis, Jack
Box 143 Folder 1	Correspondence, 1963-1964
	Person to Person (Format unknown)
Box 143 Folder 2	Memorandum re budget, March 1971
	A Personal Matter (Production format unknown; originally a novel)
Box 143 Folder 3	Reviews of novel, 1968
	Phelps, Stowe
Box 143 Folder 4	Correspondence, March-August 1964
	P.I.R.A. Headquarters (TV series: unproduced?)
Box 143 Folder 5	Proposal, June 1965
	Pinkville (Theater: unproduced?)
Box 143 Folder 6	Correspondence, 1969-1970
	Please Don't Feed the Animals (TV: unproduced?)
Box 143 Folder 7	Script, by Arnie Sultan and Marvin Worth, October 14, 1965
	The Premise (TV special: Talent Associates-Paramount Ltd., aired on WPIX-TV, New York City, July 20, 1963)
Box 143 Folder 8	Correspondence, 1963
	The Private Ear/The Public Eye (TV special: unproduced?)
Box 143 Folder 9	Correspondence, 1963
Box 143 Folder 10	Program schedule, radio and television, January 12-18, 1963
Box 143 Folder 11	Programming meeting minutes, March 28-April 18, 1963
	The Protectors (TV series: unproduced?)
Box 143 Folder 12	Correspondence, miscellany, 1963-1964
Box 143 Folder 12	2 Synopses, by Sam Rolfe, undated
	“The Burning Night”
Box 143 Folder 13	2 Scripts, by Sam Rolfe, annotated, circa January 1964
	Prudential On Stage (TV specials: Original network NBC, other production information unknown)
Box 143 Folder 14	Correspondence and miscellany, 1969-1970, undated
	“The Choice” (March 30, 1964)
Box 143 Folder 15	Production file, including an outline and script by Henry Denker, December 1968-April 1969
	“Do You, Mr. Jones?”
Box 143 Folder 16	Synopsis, by Robert Schlitt, January 29, 1969
	“How Do You Beat the System”
Box 143 Folder 16	Synopsis, by Albert Ruben, January 1969
	“Parlor Game”
Box 143 Folder 17	Script, by Alvin Boretz, undated
	“Pig”
Box 143 Folder 17	Outline, by Arthur Rabin, January 1969
	“The Skirts of Happy Chance”
Box 143 Folder 18	Story, “Laddie,” by Albert Ruben, undated
Box 143 Folder 18	Script, by Albert Ruben, undated
	“So Human a Thing”
Box 143 Folder 19	Synopsis, by Alvin Boretz, January 1969
	“This Town Will Never Be the Same”
Box 143 Folder 20	Synopsis, “Death of a Newspaper,” by Edward DeBlasio, undated
Box 143 Folder 20	Final script, by Edward DeBlasio, March 28, 1969
	Pulse of the Nation (TV special?: unproduced?)
Box 143 Folder 21	Correspondence, notes, research material, 1962
	[Purex Specials](TV specials: unproduced?)
Box 144 Folder 1	Proposal, undated
	Pursuit of Happiness (Motion picture: Paman Productions, 1970. Columbia)
Box 144 Folder 2	Call sheets, August-November 1969
Box 144 Folder 3	Camera reports, 1969
Box 144 Folder 4	Clippings and publicity, circa 1968-1971
Box 144 Folder 5	Contracts, August-September 1969
Box 144 Folder 6-7	Correspondence, 1968-1971, undated
Box 144 Folder 8	Location permits, 1969
Box 144 Folder 9	Production miscellany, 1968-1970
Box 144 Folder 10	Production reports, August-November 1969
Box 144 Folder 11	Script supervisor's report, 1969
Box 144 Folder 12	Script, annotated, 12 December 1968
Box 145 Folder 1	Script revisions, October-November 1969
Box 145 Folder 2-3	Script note forms, 1969
Box 145 Folder 4	Sound reports, August 1969
Box 145 Folder 4	Wild track list, undated
	Pyke (TV series: unproduced?)
Box 145 Folder 5	Proposal, by A. E. Hotchner, undated
	The Quest of the King (TV or motion picture?: unproduced?)
Box 145 Folder 6	Revised shooting script, by Sam Rolfe, February 27, 1961
	A Raisin in the Sun (Motion picture: Paman-Doris Productions, 1961. Columbia)
Box 145 Folder 7-8	Script, by Lorraiane Hansberry, undated
	Rambling Rose (Production format unknown)
Box 145 Folder 9	Script record and correspondence, 1972
	Ransome's Treasure (TV series: unproduced?)
Box 145 Folder 10	Correspondence and notes, 1965
Box 145 Folder 10	Script, by Sidney Carrol, undated
	Rashomon (Theater: NY: Music Box, January 27, 1959)
Box 145 Folder 11	Correspondence, income statement, 1964-1967
	Ratings
Box 145 Folder 12	Listings and notes, 1963-1968
	The Reckoning (TV series: unproduced?)
Box 145 Folder 13	Summary presentation, June 27, 1963
	The Record Breakers (TV series: unproduced?)
Box 146 Folder 1	Proposal ideas, circa 1968
	Red Pants and Sugarman (Motion picture: unproduced?)
Box 146 Folder 2	Correspondence, 1973
	Rediffusion Television Limited
Box 146 Folder 3	Correspondence and miscellany, 1966-1968, undated
	The Reformer (TV series: unproduced?)
Box 146 Folder 4	Correspondence, 1964-1966
Box 146 Folder 5	Synopsis, by Sidney Carroll, undated
	“Just Me and the Old Man”
Box 146 Folder 5	Script, by Sidney Carroll, undated
	Releases
Box 146 Folder 6	Correspondence and agreements, July-August 1969
	Remarkable People (TV series: aired March-April 1965 on WPIX-TV, New York City)
Box 146 Folder 7	Correspondence, 1965
Box 146 Folder 8	Resumes, alphabetically arranged, circa 1967-1968
	Ride with Terror (Motion picture: unproduced)
Box 146 Folder 9	Correspondence and miscellany, October 1963-June 1967, undated
Box 146 Folder 10	Screenplay, by Nicholas E. Baehr, undated
	Roar Like a Dove (Motion picture: unproduced?)
Box 146 Folder 11	Correspondence, 1963
	Roommates (TV series: unproduced)
Box 146 Folder 12	Synopsis, by Cy Howard, July 23, 1964
	Rosner, Ben
Box 146 Folder 13	Correspondence, outline, and miscellany, 1974
	Rossen, Robert
Box 146 Folder 14	Correspondence and miscellany, 1964
	Royal Hunt of the Sun (Theater: NY: ANTA, October 26, 1965)
Box 146 Folder 15	Business correspondence, 1964-1965
Box 146 Folder 16	Production file, circa 1965
Box 147 Folder 1	Playscript, by Peter Shaffer, undated
	Royo County (Motion picture or TV special?: unproduced?)
Box 147 Folder 2	Script, annotated, June 26, 1964?
	RSVP (TV talk show: unproduced?)
Box 147 Folder 3	Presentation, 1967
	Run, Buddy, Run (TV series: Talent Associates-Paramount, 1966-1967. Original network CBS)
Box 147 Folder 4	Correspondence, 1965-1966
Box 147 Folder 5	Correspondence re expenses and insurance, circa 1965-1966
Box 147 Folder 6	Production file, 1965-1966
Box 147 Folder 7	2 Presentations, by Leonard Stern, undated
Box 147 Folder 8	3 Outlines, “Buddy the Lifesaver,” “I Want a Piece of that Boy,” “My Son, the Killer,” undated
Box 147 Folder 9	Pilot script, by Mel Tolkin and Ernie Chambers, June 21, 1965
Box 147 Folder 10	Pilot script, by Mel Tolkin and Ernie Chambers, July 9, 1965
Box 147 Folder 11	Revised pilot script, by Mel Tolkin and Ernie Chambers, July 27, 1965
	“The Runaway Kid”
Box 147 Folder 12	Script, by Elon Packard and Iz Elinson, undated
	Sam Crane (TV series: unproduced)
Box 147 Folder 13	Outline, by Jack Guss and Lionel Siegel, undated
	Saturday Night Around the World (TV series: unproduced?)
Box 147 Folder 14	Correspondence and miscellany, 1966-1967
	Saturday Night at the Theatre (TV series: unproduced?)
Box 147 Folder 15	Correspondence and lists, circa 1965-1966
	Schmidt, Lars
Box 148 Folder 1	Correspondence, 1964-1970
	Screen Actors Guild
Box 148 Folder 2	Correspondence, agreement, 1960, 1964
	Screen Directors Guild of America
Box 148 Folder 3	Basic agreement, 1958
Box 148 Folder 4-5	Script fragments, unidentified, undated
	Scripts and ideas submitted
	Correspondence
Box 148 Folder 6-11	1963-1974, June
Box 149 Folder 1	1974, July-December
Box 149 Folder 2-4	Log of submissions, 1972-1974
Box 149 Folder 5	Log of books read for potential TV adaptation, circa 1974
	Sea Search (TV series of specials: unproduced)
Box 149 Folder 6	Synopses, agreements, correspondence, 1965
	Second Chance (TV series: unproduced?)
Box 149 Folder 7	Proposal, undated
	See You Monday (Motion picture?: unproduced?)
Box 149 Folder 8	Outline, undated
	Sentinel Square (TV series: unproduced?)
Box 149 Folder 9	Idea, undated
	A Separate Peace (Motion picture: unproduced?)
Box 149 Folder 10	Correspondence, 1968
	The Sewing Show (TV series: unproduced)
Box 149 Folder 11	Presentation, February 1971
	Shakespeare
Box 149 Folder 12	List of actors, undated
	Shakespeare's Men and Women in Love (TV special: produced? Talent Associates-Norton Simon, Inc. Productions in association with London Weekend Television other production information unknown)
Box 149 Folder 13	Script, October 1973
	Sherman, Alicia
Box 149 Folder 14	Clippings and correspondence, circa 1966
	Shoot It (Motion picture: unproduced?)
Box 149 Folder 15	Production file, 1968-1970
Box 149 Folder 16	First draft, by Edward Adler, undated
Box 149 Folder 16	Script fragment, undated
	Sir Lucas and the Two Sams (TV special: unproduced?)
Box 150 Folder 1	Production file, including script by Peter Shaffer, circa 1967
	Singer, Arthur
Box 150 Folder 2	Correspondence, June-September 1964
	Sister Mary Stella (TV series: unproduced?)
Box 150 Folder 3	2 Proposals, 1964
	Sizwe Bansi Is Dead (TV special: unproduced? original format is play)
Box 150 Folder 4	Playscript, reviews, and script record, 1974
	Snatch (Motion picture: unproduced?)
Box 150 Folder 5	Correspondence, 1968-1972
Box 150 Folder 6	Outline, by Mel and Ethel Brez, April 23, 1971
Box 150 Folder 6	2 Outlines, “Fuzzy Wuzzy Was the Old Man's Name,” by Mel and Ethel Brez, May 21, June 22, 1971
	The Snow Queen (Motion picture or TV: unproduced?)
Box 150 Folder 7	Outline, by R. Thom and Edward DeBlasio, undated
	So I Bit Him (TV special: unproduced?)
Box 150 Folder 8	Miscellany and script, by Bob Randall, 1971-1972
	Somebody Owes Me Money (Motion pictures: unproduced?)
Box 150 Folder 9	Correspondence, 1968-1969
Box 150 Folder 10-11	Typescript, by Donald E. Westlake, May 1969
	Something More (TV series?: unproduced?)
Box 150 Folder 12	Correspondence and presentation, by Roger Hirson, 1974
	Someone Should Tell Them Its Over (TV special: unproduced)
Box 150 Folder 13	Synopsis, undated
	The Sound of Tomorrow (TV special: unproduced)
Box 150 Folder 14	Presentation, by Artie Shaw, undated
	Special Agent (TV series: unproduced?)
	“Men of Courage Do Not Whisper”
Box 150 Folder 15	Treatment, by Richard Jessup, undated
	Special Assistant (TV series: unproduced?)
Box 151 Folder 1	Synopsis, by Robert Rossen and Richard Jessup, undated
	Stand or Draw (TV game show: unproduced?)
Box 151 Folder 2	Idea, undated
	Starting Over (Motion picture: unproduced?)
Box 151 Folder 3	Correspondence, 1972-1973
	State Fair (Production format unknown)
Box 151 Folder 4	Casting suggestions, undated
	State Historical Society of Wisconsin
Box 151 Folder 5	Correspondence, lists, 1964
	Stay of Execution (Production format unknown)
Box 151 Folder 6	Correspondence, 1974, undated
	Stern, Leonard
Box 151 Folder 7	Correspondence, 1964-1971, undated
	Stern, Wincor and Burns
Box 151 Folder 8	Correspondence and agreements, 1963-1971
	Stopped Rocking (TV special: unproduced?)
Box 151 Folder 9	Script, by Tennessee Williams, and miscellany, 1974
	The Story of Madame Caillaux (TV special: unproduced?)
Box 151 Folder 10	Correspondence, notes, 1965
Box 151 Folder 11	Story, by John S. Toldy and Lewis Arnold, undated
	Strange Voyage (TV series: unproduced?)
Box 151 Folder 12	Outline, undated
	Straw Dogs (Motion picture: ABC Pictures, 1971. Cinerama)
Box 151 Folder 13	Production file, circa 1969-1971
Box 151 Folder 14	Final draft, “The Siege of Trencher's Farm,” by David Goodman and Sam Peckinpah, August 24, 1970
Box 151 Folder 15	Final shooting script, “The Siege of Trencher's Farm,” by David Goodman and Sam Peckinpah, February 8, 1971
	Streetcar Named Desire (TV special: unproduced)
Box 151 Folder 16	Correspondence, clippings, 1966-1967
	Summer in New York (TV special: aired 28 June 1968 on WNBC-TV, New York City)
Box 152 Folder 1	Correspondence, miscellany, 1968
	Supermarket Sweep (Daytime TV series: Talent Associates, 11:00 Monday-Friday, 1966?)
Box 152 Folder 2	Production file, 1964-1965
	Susskind, David
Box 152 Folder 3-6	Appointment diary, 1962-1967
	Appointment diary
Box 152 Folder 7-9	1964
Box 153 Folder 1	1965
Box 153 Folder 2	Appointment diary which lists eating expenses, 1971
Box 153 Folder 3	Automobiles, circa 1963-1971
	Calendar
Box 153 Folder 4-7	1965-1967
Box 154 Folder l-5	1968-1971
	Calendar, executary
Box 154 Folder 6-7	1964
Box 155 Folder l-2	1965-1966
Box 155 Folder 3	Calendar, fragment, 1962
Box 155 Folder 4	Calendar, desk, 1966
Box 155 Folder 5	Charity, The Arthritis Foundation, correspondence and script for “Parade of Stars,” 1965
	Children
Box 156 Folder 1	Miscellany and invoices, circa 1966-1967
Box 156 Folder 2	Andrew Susskind, circa 1965-1971, undated
Box 156 Folder 3	Constance Susskind, 1967, undated
Box 156 Folder 4	Diana Susskind, circa 1963-1969
Box 156 Folder 5	Pamela Susskind, circa 1963-1967
Box 156 Folder 6	Samantha Susskind, circa 1970
Box 156 Folder 7	Shelley Susskind, 1967-1970
Box 156 Folder 8-9	Clippings, 1958-1971, undated
	Correspondence
	General
Box 156 Folder 10	1963-1964
Box 157 Folder l-3	1965-1971, undated
Box 157 Folder 4	Personal, 1963-1970
Box 157 Folder 5	VIP, 1963-1964
	Financial
Box 157 Folder 6	Bank statements, circa 1962-1966
Box 157 Folder 7	Entertainment expenses, October 1966-December 1967
Box 157 Folder 8-9	Check book stubs, 1964-1965
Box 158 Folder 1	Expenses, circa 1960-1964
Box 158 Folder 2	Miscellany, circa 1962-1967
Box 158 Folder 3-11	Paid bills, circa 1958-1967
Box 159 Folder 1-2	Paid bills, 1967, 1970
	Stocks
Box 159 Folder 3-4	Broker records, circa 1961-1966
Box 159 Folder 5	General, circa 1961-1967
Box 159 Folder 6	Goldlawr Inc. vs Jacob Shubert et al., testimony and correspondence, 1967
Box 159 Folder 7	Harvard Club, correspondence and brochures, 1966-1970
Box 159 Folder 8	Honorary degree from Southeastern Massachusetts Technological Institute, 1969
	Insurance
Box 159 Folder 9	Business, 1964-1967
Box 159 Folder 10	Personal, 1962-1971
Box 160 Folder 1	Legal, miscellany, 1962-1968
Box 160 Folder 2	Mailing lists, undated
	Messages
Box 160 Folder 3-7	1963, April-1966, June
Box 161 Folder l-7	1966, July-1970, August
Box 162 Folder l-3	1970, September-1971, December
Box 162 Folder 4	Miscellany, 1929, 1966-1971
Box 162 Folder 5	Notes, undated
	Political
Box 162 Folder 6	General correspondence, clippings, and notes, 1968-1969
Box 162 Folder 7	Susskind for Mayor, 1963-1966, undated
	Residences
Box 162 Folder 8	Interior decorating, 1962-1967
Box 162 Folder 9	Apartments, 1956-1966
Box 162 Folder 10	Windsor Manor, 1963
Box 162 Folder 11	Separation and divorce from Phyllis Susskind, 1964-1967
	Speaking Engagements
Box 163 Folder 1	Contracts, 1964-1971
Box 163 Folder 2-5	Correspondence, 1963-1971
Box 163 Folder 6	Publicity and announcements, 1960-1971
Box 163 Folder 7	Schedules, circa 1968-1970
Box 163 Folder 8	Speeches/lectures: notes and outlines, 1966-1971, undated
	Speeches/lectures: subject files
Box 163 Folder 9	William F. Buckley-National Review Forum (May 7, 1964), 1964
Box 163 Folder 10	National Conference on Social Welfare (May 27, 1964), 1964
Box 163 Folder 11	Dickinson College, Carlisle, Pennsylvania (February 6, 1968), 1967-1968
Box 164 Folder 1	Rockland County Democratic Committee (March 23, 1968), 1968
Box 164 Folder 2	National Academy of Television Arts and Sciences, Chicago Chapter (April 18, 1968), 1968
Box 164 Folder 3	Upsala College, East Orange, New Jersey (June 3, 1968), 1968
Box 164 Folder 4	Rhode Island College (June 8, 1968), 1968
Box 164 Folder 5	Gateway Area Council of PTA's Monroeville, Pennsylvania (April 10, 1969), 1969
Box 164 Folder 6	Northwestern University, Chicago, Illinois (May 20, 1969), 1969
Box 164 Folder 7	Ricker College, Houlton, Maine (May 31, 1969), 1969
Box 164 Folder 8	Assumption College (June 6, 1970), 1969-1970
Box 164 Folder 9	Trip to France, circa 1971
Box 164 Folder 10	Wedding party, 1966
	Writings
Box 164 Folder 11	Articles and related correspondence, 1962-1965, 1970
Box 164 Folder 12	Open End transcript of banned program re sexual revolution, August 1968
Box 164 Folder 13	Theatrical reviews and related correspondence, 1960-1963
	Susskind, Joyce
Box 164 Folder 14	Writing, “Samantha,” circa 1969
	Tactical Patrol Force (Production format unknown)
Box 164 Folder 15	Outline, undated
	Take Five (TV series: unproduced?)
Box 164 Folder 16	Presentation, “Behind the Line,” undated
Box 164 Folder 16	Script, fragment, “Behind the Lines;” rewritten by Mel Tolkin, circa July 1965
Box 164 Folder 17	Script, “Behind the Lines,” rewritten by Steve Kanfer and Jess Korman, August 1965
Box 164 Folder 17	Script, “Behind the Lines,” November 1, 1965
Box 164 Folder 18	Treatment, undated
Box 164 Folder 18	Script, undated
	Take One Step (Format unknown; originally a play)
Box 164 Folder 19	Miscellany, 1968
	Talent Associates
	Agreements
Box 164 Folder 20	General, 1963, 1967, undated
Box 164 Folder 21	re partnerships, 1961, 1968
Box 165 Folder 1	Casting notebook, undated
Box 165 Folder 2	Casting and staffing materials, circa 1963-1965, undated
Box 165 Folder 3	Clippings, notes, and miscellany, circa 1956-1970, undated
	Correspondence
Box 165 Folder 4	1961, August-1963, June
Box 165 Folder 5-8	1963, July-1967, December
Box 166 Folder l-4	1968, January-1974, November, undated
Box 166 Folder 5	Financial information, 1966-1971, undated
Box 166 Folder 6	Invoices, 1965-1966
Box 166 Folder 7	Minutes, January-May 1964
Box 166 Folder 8	Program ideas and projects, circa 1964-1970, undated
	Summaries and outlines
Box 166 Folder 9	“Absolute Zero,” February 1971
Box 166 Folder 9	“The Avenger,” undated
Box 166 Folder 9	“Big Mo,” undated
Box 166 Folder 9	“Blindspot,” by Walter Bernstein and Arnold Perl, undated
Box 166 Folder 9	“By a Tail,” undated
Box 166 Folder 9	“Couriers All,” by David Askling, undated
Box 166 Folder 9	“Cultural Events Company,” undated
Box 166 Folder 9	“The Devil You Say,” by Roger Price, undated
Box 166 Folder 9	“Freddy Hill,” by Patrick Skene Catling, undated
Box 166 Folder 9	“The Grey Horse Legacy,” December 1967
Box 166 Folder 9	“House in Revolt,” undated
Box 166 Folder 9	“The Human Comedy,” undated
Box 166 Folder 9	“Judgement,” undated
Box 166 Folder 9	“Lancelot,” undated
Box 166 Folder 9	“Maiden,” February 1971
Box