Bruce Barton Papers, 1881-1967

Contents List

Container Title
U.S. Mss 40AN
Part 1 (U.S. Mss 40AN, Audio 1897A): Original Collection, 1941-1966
Physical Description: 16.8 cubic feet (42 archives boxes and 2 oversize folders) and 3 discs 
Scope and Content Note

The collection was organized by the Archives in two parts, designated here as the Original Collection, 1949-1961, and the Additions, 1941-1966.

The Original Collection is composed of Ms. Rosenthal's lighting notes for a number of productions mounted between 1949 and 1961. At her request, these papers (Boxes 1-24) were left in the physical order in which she arranged them: the order of all papers is unchanged and sub-headings appear on individual folders as she had them on her own folders.

The Additions contain Ms. Rosenthal's lighting notes for a number of productions mounted between 1941 and 1966. Most of the material is from her work with the New York City Opera Company in the early 1950s, and from Broadway shows dating from the late 1950s up until 1966. The productions are arranged alphabetically by title. The Additions include set designs and light plots for some of the productions represented in the Original Collection.

Series: Part 1: Original Collection, 1949-1961
House of Flowers, 1954
Note: Written by Truman Capote and Harold Arlen
Produced by Saint Subber
Designed by Oliver Messel
Lighting by Jean Rosenthal
Box   1
Folder   1
Design elevations of set units and pieces; cue sheets; hanging plot; rigging plot
Box   1
Folder   2
Property plot; preliminary electrics plots; hanging section plans; electrics hookup plots; light plot for Alvin Theatre, New York; set photograph; order of scenes; cue sheets; color cutting list; effects plot
Box   1
Folder   3
Property list; sound equipment list; color cutting list; order of scenes; list of material; strike, set, and stack plan; order of scenes; rough sketches of set pieces; playbill, Erlanger Theatre, Philadelphia; effects plot; scene designs and details schedule; sound equipment list; rigging and hookup notes; electrics hookup plot; color cutting list
Saint of Bleecker Street, 1951
Note: Written by Gian-Carlo Menotti
Produced by Chandler Cowles
Designed by Robert Randolph
Lighting by Jean Rosenthal
Box   1
Folder   4
Hookups; dimmer plot; rigging plot; cue sheets; electrical equipment lists; color list; color cutting lists
Box   1
Folder   5
Focus chart; hookup by pipes; cue sheets; board hookup
Box   1
Folder   6
Color cutting list; electrical equipment lists; light plots
Quadrille, 1954
Note: Written by Noel Coward
Produced by John C. Wilson
Designed by Cecil Beaton
Lighting by Jean Rosenthal
Box   2
Folder   1
Board hookups; cue sheets; color list; miscellaneous production notes; equipment list; unit hookup and focus chart
Box   2
Folder   2
Gel samples; light plots; photographs of set and set designs; unit hookups and focus charts; equipment lists; color lists; floor plan of Forrest Theatre stage; floor plans of sets' miscellaneous production notes; rigging plan; preset list
Ondine, 1953
Note: Lighting by Jean Rosenthal
Box   2
Folder   3
Rigging plot; hookup plots; miscellaneous notes; cue sheet
Beggar's Opera (City Center), 1957
Note: Written by John Gay
Designed by Watson Barratt
Lighting by Jean Rosenthal
Box   2
Folder   4
Auxiliary board hookup chart; cue sheets; floor plan of set; stage and light layout
Time of Your Life (City Center), 1955
Note: Lighting by Jean Rosenthal
Box   2
Folder   5
Cue sheets; hookups; floor plan of set
Hole in the Head, 1957
Note: Produced by Robert Whitehead
Designed by Boris Aronson
Lighting by Jean Rosenthal
Box   3
Folder   1
Cue sheets; hookup chart; equipment list; original focus chart; electrical property design
Box   3
Folder   2
Electrical property design; fabric swatch; hookups; cue sheets; photograph of set design
Box   3
Folder   3
Miscellaneous production notes; hookups; cue sheets; equipment lists; color lists
Box   3
Folder   4
Light plots; ground plans of sets; elevations of sets; working plans; rigging plot plans; photograph of set design
New York City Opera
1954 Spring
Salome
Box   3
Folder   5
Cue sheets; hookups
Falstaff
Box   3
Folder   6
Photographs of set designs; ground plans of sets; device instructions
Showboat
Box   3
Folder   7
Projection notes; set piece plans
The Tender Land
Box   3
Folder   8
Ground plan; rigging plan
Box   4
Folder   1
Switchboard and focus charts, 1950 season; rental equipment lists for tour; focus chart; board layout chart; call sheet, , 1952 Fall
Box   4
Folder   1
Miscellaneous production notes; general light plots, 1950 Spring
Box   4
Folder   2
General light plot, Spring 1950; board layout chart; rigging plot; board hookup, , 1950; focus sheets; miscellaneous production notes
Box   4
Folder   3
Hookup plots and charts
The Great Sebastians (New York), 1955
Note: Produced by Leland Haywood
Designed by Ray Sovey
Lighting by Jean Rosenthal
Box   4
Folder   4
General plans of set; set elevations; set designs; fabric swatches
Box   4
Folder   5
Light plot; color lists; set designs; hookup plot; focus chart
The Great Sebastians, tour, 1956-1957
Box   4
Folder   6
Communication system plot; lighting revisions list; board hookup plot; cue sheets; equipment lists; light plots; focus charts; set elevations; ground plans
Box   4
Folder   7
Preset lists; miscellaneous notes; focus chart; color lists; board hookup plots; preset list; equipment list
Box   4
Folder   8
Rigging plot; preset plot; board hookup plots; light plots; focus charts; color lists; communication system plots; equipment lists
José Limón, 1949-1950
Box   5
Folder   1
The Moor's Pavane: Cue sheet
Box   5
Folder   2
Playbill, Ziegfield Theatre; cue sheets; take out sheets; rigging plots; equipment list, Palace of Fine Arts Theatre; ground plan of stage, Bellas Artes (Mexico)
Box   5
Folder   3
La Malinche: Cue sheet
Box   5
Folder   4
Tour cue sheets
Box   5
Folder   5
The Moor's Pavan: Cue sheets; color sheets
Box   5
Folder   6
Tormentor and color changes
Box   5
Folder   7
Invention: Cue sheets
Box   5
Folder   8
Bach Preludes and Fugues Concert: Cue sheets
Box   5
Folder   9
Invention: Cue sheets
Box   5
Folder   10
Connecticut College Dance Festival, 1950: Hookup sheets; miscellaneous notes
Box   5
Folder   11
Vivaldi Concerto: Cue sheets
Box   5
Folder   12
Corybantic: Cue sheets; hookup charts
Box   5
Folder   13
Day on Earth: Cue sheets
Box   5
Folder   14
Chaconne: Color sheets; cue sheets; setup charts
Box   5
Folder   15
Lament for Ignacio: Cue sheets; hookup sheets
Box   5
Folder   16
Day on Earth: Cue sheets
Box   5
Folder   17
Lament for Ignacio: Hookups; setup charts, floor; cue sheets; sketch of ground plan
Box   5
Folder   18
Story of Mankind: Hookup sheet; cue sheets; rough sketches
Box   5
Folder   19
The Moor's Pavane: Cue sheets; hookup sheets; color plot
Box   5
Folder   20
La Malinche: Color sheets; cue sheets; setup charts, floor
Box   5
Folder   21
Exiles: Hookup sheets; cue sheets; setup charts, floor
Dudley-Maslov-Bales, New London, 1950
Box   6
Folder   1
Connecticut College Dance Festival, 1950: Cue sheets; rigging plots
Box   6
Folder   2
PEON Portraits: Setup charts; color sheets; cue sheets
Box   6
Folder   3
Dust Bowl Ballads: Cue sheet; setup chart; color sheet
Box   6
Folder   4
Harmonica: Setup charts; cue sheets
Box   6
Folder   5
Village I Knew: Miscellaneous notes; cue sheets; setup charts; auxiliary hookup charts
Box   6
Folder   6
Passional: Auxiliary hookup charts; miscellaneous notes; cue sheets
Box   6
Folder   7
Bach Suite: Cue sheet
Box   6
Folder   8
Lonely Ones: Cue sheets; auxiliary hookup sheets; miscellaneous notes; setup charts; color charts
Box   6
Folder   9
World's a Comin': Cue sheets
Box   6
Folder   10
Short Story: Cue sheet
Box   6
Folder   11
Song for a Child: Cue sheet
Box   6
Folder   12
Folksay: Auxiliary hookup sheets; cue sheets; typescript cue sheets; color sheets
Box   6
Folder   13
Vogary: Color sheets; cue sheets; setup charts
Box   6
Folder   14
Champion: Typescript cue sheet; cue sheets; hookup sheets; setup charts
Box   6
Folder   15
Impromptu: Cue sheet
Old pieces
Box   6
Folder   16
Beethoven Cue sheet
Box   6
Folder   16
Judith: Cue sheets; auxiliary setup sheet
American Dance Festival, New London, 1950
Box   7
Folder   1
Color changes; color charts
Box   7
Folder   2
Electrical hookup
Box   7
Folder   3-4
Hanging plots
Box   7
Folder   5
Soloists; cue sheets
Ballet Russet de Monte Carlo, 1950 Spring
Box   7
Folder   6
Playbills
Box   7
Folder   7
Met setup
Box   7
Folder   8
Prince Igor: Cue sheets
Box   7
Folder   9
Mort du Cygne: Cue sheets
Box   7
Folder   10
Romeo and Juliet: Cue sheets
Box   7
Folder   11
Madrones: Cue sheets
Box   7
Folder   12
Giselle: Cue sheets
Box   7
Folder   13
Tour equipment notes
New York City Dance Theatre, 1949
Box   7
Folder   14
Hookup sheets; cue sheets; miscellaneous notes; program; publicity material
Box   7
Folder   15
Valerie Vettis: Cue sheets; miscellaneous notes
Box   7
Folder   16
Concerto - Vivaldi: Cue sheets
Box   7
Folder   17
Invention: Cue sheets
Box   7
Folder   18
Story of Mankind: Cue sheet
Box   7
Folder   19
Cue sheets for Mr. Puppett, Two Step, Quiet Day in the Wild West, Tenant of the Street, The Monkey Dance, Witch, Daughter of Virtue, Dreams, Mabry, Interlude
Box   7
Folder   20
Time sheets
Box   7
Folder   21
Flickers: Cue sheets; miscellaneous notes
Box   7
Folder   22
Jesse James: Cue sheets
Box   7
Folder   23
Shakers: Cue sheet
Box   7
Folder   24
Rose of Sharon: Cue sheets
Box   7
Folder   25
Fables: Cue sheets
Box   7
Folder   26
Daddy Was a Fireman: Miscellaneous notes; cue sheets
Box   7
Folder   27
Atavism: Cue sheets; miscellaneous notes
Box   7
Folder   28
Ozark Suite: Cue sheets
Box   7
Folder   29
Folksay - Dudley-Maslov-Bales: Cue sheets
Box   7
Folder   30
Festival - Dudley-Maslov-Bales: Cue sheet
Box   7
Folder   31
Lonely Ones - Dudley-Maslov-Bales: Cue sheets
Box   7
Folder   32
Champion - Dudley-Maslov-Bales: Cue sheets
Box   8
Folder   1A
Ruth Page, José Limón in Paris
American Dance Festival, 1955 ANTA
Vettis: As I Lay Dying and Golden Round
Box   8
Folder   1
Miscellaneous notes; cue sheets; hookup sheets
Butler: Davy Crockett, Three Promenades with God
Box   8
Folder   2
Miscellaneous notes; hookup sheets; cue sheets
Collins: Spirituals, Rondo, Bird of Paradise
Box   8
Folder   3
Cue sheets; miscellaneous notes
Draper: Gizelle, Alcina Suite
Box   8
Folder   4
Cue sheets
Halpern: Steig, Prophetess
Box   8
Folder   5
Cue sheets; miscellaneous notes
Koner: Anzilica, Sandra
Box   8
Folder   6
Miscellaneous notes; cue sheets
Lang: Rites, Joy is My Witness
Box   8
Folder   7
Cue sheets; miscellaneous notes
Limón: Day on Earth, Deed Rhythm, Felipe, Lament, The Moor's Pavane; Mozart: Fantasy, Nightspell, Dreams and Vision, Traitor, Variations
Box   8
Folder   8
Miscellaneous notes; cue sheets
Mabrey: Dreams, Lamb of God, A'Passionetta, Cabaret Suite
Box   8
Folder   9
Miscellaneous notes; cue sheets
Nagrin: Man Dancing, Man of Action, Spanish Dance, Strange Hero
Box   8
Folder   10
Miscellaneous notes; cue sheets
Sokolov: Rooms
Box   8
Folder   11
Cue sheets; miscellaneous notes
Judy Garland at the Met and Baltimore, 1959
Box   8
Folder   12
Layout; electrical equipment list; playbill
Met
Box   8
Folder   13
Master cue sheets
Box   8
Folder   14
Hookup sheets
Box   8
Folder   15
Focus charts; running order; color lists; diagrams; hanging plot
Baltimore
Box   9
Folder   1
Cue sheets
Box   9
Folder   2
Hookup sheets; equipment lists; focus charts
Box   9
Folder   3
Cue sheets
Box   9
Folder   4
Hookup and hanging notes
Judy Garland at the Palace, 1951
Note: Designed by David Bines?
Lighting by Jean Rosenthal
Box   9
Folder   5
Playbill; equipment list; cue sheets; song setups; carpenter instructions; electrician's cues
The Disenchanted, 1958-1959
Note: Produced by Darrid and Saidenberg
Designed by Ben Edwards
Lighting by Jean Rosenthal
Box   9
Folder   6
Electrical equipment lists
Box   9
Folder   7
Light plot
Box   9
Folder   8
Hookup sheets; light plot; cue sheets; focus chart
Box   9
Folder   9
Focus charts
Jamaica, 1958
Note: Book by E.Y. Harburg and Fred Saidy
Music by Harold Arlen
Lyrics by E.Y. Harburg
Produced by David Merrick
Designed by Oliver Smith
Lighting by Jean Rosenthal
Box   9
Folder   10
Playbill; board hookup sheets; plots for box lights and ladders; light plots
Box   9
Folder   11
Track sheet; master cue sheets; board hookup sheets
Box   10
Folder   1
Board hookup sheets and focus charts
Box   10
Folder   2
Worker sheets; circuit check sheets
Box   10
Folder   3
Light plot; set plans; scene elevations - photostats
Box   10
Folder   4
Master cue sheets
Box   10
Folder   5
Scene breakdown
Box   10
Folder   6
Cue sheet notes; cue book (uncorrected)
Box   10
Folder   7
Board hookup sheets
Box   10
Folder   8
Electrics list
Box   10
Folder   9
Special effects
Box   10
Folder   10
Miscellaneous notes
Box   10
Folder   11
Miscellaneous tracings
Box   10
Folder   12
Color lists
Box   11
Folder   1
Track sheets
Dear Liar: Winter stock tour, 1959; New York engagements, , 1960
Note: Produced by Cornell-McClintic
Designed by Donald Oenslager
Lighting by Jean Rosenthal
Box   11
Folder   2
Light plot; set plan; swatches
Box   11
Folder   3
Set drawings
Box   11
Folder   4
Cue sheets - New York; hookup and focus charts
Box   11
Folder   5
Notes on tour; Neighborhood Playhouse stage plan; drapes drawing
Box   11
Folder   6
Cue sheets; focus charts; hookup sheets
Box   11
Folder   7
Light plots - New York; electrics list
Dark at the Top of the Stairs, Music Box Theatre, New York, 1957
Note: Written by William Inge
Produced by Saint Subber and Elia Kazan
Designed by Ben Edwards
Lighting by Jean Rosenthal
Note: Materials returned to Jean Rosenthal on loan, January 30, 1969.
Box   11
Folder   8
Playbill; cue sheets; hookup sheets
Box   11
Folder   9
Focus charts; set drawings
Box   11
Folder   10
Board hookup sheets; electrics list; color list
Box   12
Folder   1
Master cue sheets; track sheets
Box   12
Folder   2
Final color changes list; tracings; light plots; color lists
Box   12
Folder   3
Electrics lists
Box   12
Folder   4
Miscellaneous notes
Box   12
Folder   5
Action plots
Box   12
Folder   6
Original cue sheets
Box   12
Folder   7
Focus charts
Box   12
Folder   8
Board hookup sheets; track sheets
Dark at the Top of the Stairs, road, 1959
Box   12
Folder   9
Program, Playhouse Theatre, Wilmington, Delaware; tour schedule; light plots
Box   12
Folder   10
Track sheet; master cue sheets
Box   13
Folder   1
Set elevations; electrics lists; miscellaneous notes
Box   13
Folder   2
Hookup sheet
Box   13
Folder   3
Cue sheets - working and transition; track sheet
Box   13
Folder   4
Focus charts; Olivettes - diagram
Box   13
Folder   5
Set plans and elevations
Caligula, 54th St. Theatre, New York, 1961
Note: Written by Albert Camus
Produced by Chandler Cowles, Charles Bowden, and Ridgely Bullock
Designed by Will Steven Armstrong
Lighting by Jean Rosenthal
Box   13
Folder   6
Playbill; program, Schubert Theatre, New Haven; cue sheets; focus chart
Box   13
Folder   7
Board hookup sheets; notes; preliminary electrics list
Box   13
Folder   8
Light plots; hanging and tormentor plots
Box   13
Folder   9
Set elevation; miscellaneous designs (3)
Juniper and the Pagans, 1959
Note: Produced by David Merrick
Designed by Oliver Smith
Lighting by Jean Rosenthal
Box   14
Folder   1
Revised hookup sheets; work sheets
Box   14
Folder   2
Working sheets; Prospectus of Computer Services Inc.; electrics list
Box   14
Folder   3
Revised master cue sheets; track sheet
Box   14
Folder   4
Focus charts
Box   14
Folder   5
Notes; electrics lists; color list; equipment plans
Box   14
Folder   6
Notes on Philadelphia and Boston openings
Box   14
Folder   7
Track sheet; old hookup sheets; transportation notes
Box   14
Folder   8
Old master cue sheets
Box   14
Folder   9
Cue sheets
Box   14
Folder   10
Light plots
Box   14
Folder   11
Set plans and elevations
Lambs Club Benefit, 1961
Note: Benefit of the Children's Clinic - The Postgraduate Center for Psychotherapy
Box   14
Folder   12
Program; invitations; lighting notes for each act
Chicago Lyric Opera, 1955
Box   15
Folder   1
Libretto for Aida (Metropolitan Opera); Lyric Opera advertisement for 1955 Season; list of operas with scenic records available; color chart for I Puritani; proposed revision of opera hookups - list; color list; opera schedule; plan of Opera House stage; photograph negative of plan; lighting notes
Box   15
Folder   2
I Puritani - cue sheets, notes on floor specials; list of scenes for various operas; follow Spot notes; “Porcher notes”; action plots; focus list (in letter to Miles Morgan, 1955, November 10); color lists; report on lighting equipment, Chicago Opera House (2); list of recommended additional equipment; electrical equipment list; brochure for “Transpara” color medium; light plot; blank cue sheet; plan of Opera House stage; lighting plans; I Puritani cue sheets; miscellaneous notes
Connecticut College Dance Festival, l949-1950
Note: Technical Supervision and Lighting by Jean Rosenthal
Box   15
Folder   3
Cue sheets: Daughter of Virtue, Before Dawn, Village I Knew
Box   15
Folder   4
Program, Dance Theatre Subscription Series, 1950, May 11; hookup sheets; light plots; As I Lay Dying, cue sheets; tormentor and color changes for various dances; performance schedules; list of drapery sizes; background chart; special light cues; time sheet; hanging chart; miscellaneous notes
Box   15
Folder   5
Primos
Box   15
Folder   6
Cue sheets: Root of an Unfocus, Two Step, Bach Concerto (Koner)
Box   15
Folder   7
Cue sheets: Daughter of Virtue, Suite for a Woman
Box   15
Folder   8
Inventories
Box   15
Folder   9
Twilight of a Flower, cue sheets
Box   15
Folder   10
The Monkey Dances (Cunningham), cue sheets
Box   15
Folder   11
Concerto, cue sheets
Box   15
Folder   12
Nina Fonaroff: transposed hookup sheet; cue sheets; layout and hookup photostats; Mr. Puppett, cue sheet
Box   15
Folder   13
Fonaroff, Mr. Puppett: cue sheets
Box   15
Folder   14
Construction sheets; setup chart; schedule for use of Palmer stage
Box   15
Folder   15
Koner, The Visit: cue sheets
Box   15
Folder   16
Suite for a Woman: notes; auxiliary hookup sheet; opening setup; cue sheets
Box   15
Folder   17
Koner, The Visit: cue sheets; auxiliary hookup sheet
Box   15
Folder   18
List of dances; properties list; notes on Dialogues and The Visit; construction sheet
Box   15
Folder   19
Merce Cunningham, cues and notes
Box   15
Folder   20
New York City Ballet, board hookup sheet
Take Me Along and Connecticut Summer, 1959
Note: Take Me Along: Book by Joseph Stein and Robert Russell
Music and Lyrics by Bob Merrill
Based on the play, Ah, Wilderness, by Eugene O'Neill
Produced by David Merrick
Designed by Oliver Smith
Lighting by Jean Rosenthal
Box   16
Folder   1
Set plans, drawings, and elevations for Ah, Wilderness
Box   16
Folder   2
Light plots for Connecticut Summer
Box   16
Folder   3
Playbill for Take Me Along, Schubert Theatre, New York; Schedule, Boston; Connecticut Summer: fireworks plan; hanging plot; fixtures and special effects list; scene strike and set plan (also Take Me Along)
Box   16
Folder   4
Velvet swatches for portals and hangings; Connecticut Summer: colors; costume notes
Box   16
Folder   5
Connecticut Summer: electrics and set notes attached to swatch card; notes for Oliver Smith; lighting notes for Ah, Wilderness with equipment list for Connecticut Summer; cue sheets; notes on meeting with Director, [1959] August 27
Box   16
Folder   6
Connecticut Summer: electrical equipment lists with corrections
Box   16
Folder   7
Master cue sheets
Box   17
Folder   1
Working cue sheets
Box   17
Folder   2
Old cue sheets
Box   17
Folder   3
Master cue sheets
Box   17
Folder   4
Connecticut Summer: hookup sheets; track sheets
Box   17
Folder   5
Focus charts
Oversize Folder   1
Connecticut Summer: Light plot; fireworks plot
Redhead, New York, 1958-1959
Note: Book by Herbert and Dorothy Fields, Sidney Sheldon, and David Shaw
Music by Albert Hague
Lyrics by Dorothy Fields
Produced by Robert Fryer and Lawrence Carr
Designed by Rouben Ter-Arutunian
Lighting by Jean Rosenthal
Box   17
Folder   6
Road hanging plot; playbill, 46th St. Theatre, New York; program, Schubert Theatre, New Haven; color chart; electrical equipment layout sheets; control sheets
Box   17
Folder   7
Cue sheets
Box   17
Folder   8
Focus chart
Box   17
Folder   9
Work and track sheets; color chart
Box   18
Folder   1
Hanging section plot; light plots; slide design
Box   18
Folder   2
Set plans and elevations for various scenes; hanging section; floor plan; prop plans
Box   18
Folder   3
Set plans and elevations for various scenes; floor plans
Box   18
Folder   4-5
Set plans and elevations
Redhead, road, 1960
Box   19
Folder   1
Light plots
Winesburg, Ohio, 1957
Note: Written by Sherwood Anderson
Produced by the SABA Company
Designed by Oliver Smith
Lighting by Jean Rosenthal
Box   19
Folder   2
Set plans and sketches; revised and original equipment lists
Box   19
Folder   3
Board hookup sheets; board hookups for Baltimore
Box   19
Folder   4
Cue sheets; focus charts; light plots; magic sheets and original notes
Saratoga, 1959
Note: Based on the novel, Saratoga Trunk, by Edna Ferber
Music by Howard Arlen
Lyrics by Johnny Mercer
Produced by Robert Fryer and Morton DaCosta
Designed by Cecil Beaton
Lighting by Jean Rosenthal
Box   19
Folder   5
Light plots
Box   19
Folder   6
Hanging plot, Winter Garden Theatre, New York; hanging plots, Schubert Theatre, Philadelphia; re-hanging plot, Philadelphia; miscellaneous notes
Box   19
Folder   7
Hookup sheets; costume color samples; electrical equipment list
Box   19
Folder   8
Cue sheets
Box   20
Folder   1
Program, Schubert Theatre, Philadelphia; focus chart; running order sheets
Box   20
Folder   2
Old notes; board hookup sheet
Box   20
Folder   3
Specifications and notes; set plans and elevations; prop drawings
Box   20
Folder   4
Set plans and elevations; prop drawings
Box   20
Folder   5
Set plans and elevations; ground plans
Box   20
Folder   6
Ground plan
Destry Rides Again, 1959
Note: Book by Leonard Gershe
Music and Lyrics by Harold Rome
Produced by David Merrick
Designed by Oliver Smith
Lighting by Jean Rosenthal
Box   20
Folder   7
Program, Schubert Theatre, Boston; playbill, Imperial Theatre, New York; hanging plot
Box   20
Folder   8
Focus charts
Box   21
Folder   1
Cue sheets; electric cuts - Los Angeles
Box   21
Folder   2
Electrical equipment lists; miscellaneous notes
Box   21
Folder   3
Light plot; electrical equipment list, road, 1960; magic sheets; board hookup sheets; track sheet
Box   21
Folder   4
Scene order sheet; set plans and elevations; ground plans; list of musical numbers by scenes
The King and I, 1958
Note: Produced by Richard Rogers and Oscar Hammerstein II
Lighting by Jean Rosenthal
Box   21
Folder   5
Electrical equipment lists for Los Angeles Civic Light Opera Company production
Box   21
Folder   6
Hanging section plot; general plan; work sheets; cue sheets
Box   21
Folder   7
Hanging plots; [color list?]; board hookup sheets
Box   21
Folder   8
Board hookup sheets; focus chart; rigging - “Philharmonic, Los Angeles, California”; preliminary hookup sheet
Box   21
Folder   9
Cue sheets
Hail the Conquering Hero, 1961
Note: Book by Larry Gelbart
Music by Moose Charlap
Lyrics by Norman Gimbel
Produced by Robert Whitehead and Roger L. Stevens
Designed by Jean Rosenthal and William Pitkin
Lighting by Jean Rosenthal
Box   22
Folder   1
Color samples
Box   22
Folder   2
Electrical equipment lists
Box   22
Folder   3-4
Set plans
Box   22
Folder   5
Set elevations
Box   22
Folder   6
Program, ANTA Theatre, New York (2); program, National Theatre, Washington, D.C.; focus chart; light plots; electrical equipment lists
Box   23
Folder   1
Cue sheets
Box   23
Folder   2
Cue sheets, New Haven
Box   23
Folder   3
Board hookup sheet; track sheet; fly floor cues
Box   23
Folder   4
Electrical equipment, list
Box   23
Folder   5
Cue notes
Daughter of Silence, Music Box Theatre, New York, 1961
Note: Produced by Halmar Productions
Designed by Oliver Smith
Lighting by Jean Rosenthal
Box   23
Folder   6
Light plots; electrical equipment lists; hookup sheets; track sheet
Box   23
Folder   7
Cue sheets; track sheets; electrical equipment list
Box   23
Folder   8
Cue sheets
Box   23
Folder   9
Cue notes; master plan; set plans and elevations
Box   23
Folder   10
Electrical equipment list; set plans; photostats of set designs
Henry IV, Parts I and II, Phoenix Production, 1960
Note: Written by William Shakespeare
Produced by T. Edward Hambleton and Stuart Vaughan
Designed by Will Steven Armstrong
Lighting by Jean Rosenthal
Box   24
Folder   1
Basic stage plan of Metropolitan Boston Arts Center Theatre; playbill, Phoenix Theatre, New York
Box   24
Folder   2
Elevations, Metro. Boston Arts Center Theatre
Box   24
Folder   3
Cue sheets, Part II
Box   24
Folder   4
Cue sheets, Part I; track sheet
Box   24
Folder   5
Board hookup sheet; focus chart; track sheet; electrical equipment list; light plot adjustments “from Peer Gynt to Henry IV
Box   24
Folder   6
Boston transposition sheet; hookup sheet, Cambridge Drama Festival
Box   24
Folder   7
Cue sheets, Part II, Cambridge; track sheet
Box   24
Folder   8
Electrical equipment list, Boston engagement; light plot, Cambridge
Box   24
Folder   9
Transposition and color list, Boston; light plot, New York; stage elevation, Cambridge
Box   24
Folder   10
Set drawing; focus chart, Cambridge; hookup sheet, Cambridge
Series: Part 2: Additions, 1941-1966
Aida, New York City Opera, 1952
Note: Designed by H.A. Condell
Lighting by Jean Rosenthal
Box   25
Folder   1
Cue sheet; program; cue sheets; set-up notes; order of scenes; ground plan
Baker Street, Broadway Theatre, 1964
Note: Book by Jerome Coopersmith
Music and Lyrics by Marian Grudell and Raymond Jessel
Produced by Alexander H. Cohen
Directed by Harold Prince
Designed by Oliver Smith
Lighting by Jean Rosenthal
Box   25
Folder   2
Light plots; photostat copies of stage plans and drawings; effects list; plan for fronts and ladders
Box   25
Folder   3
Correspondence, 1964 November 23-December 16; electrical equipment and special effects list; hook-ups; rental list; playbills; cue sheets; lighting and action notes; color chart; staging notes; production schedule; staff list
Box   25
Folder   4
Set designs, fabric swatches
Box   25
Folder   5
Cue sheets, focus chart, revisions for move to Martin Beck Theatre (hook-ups; fronts and ladders plan; light plot)
Box   25
Folder   6
Cue and track sheets; hanging plot; color list
Oversize Folder   1
Master plan; set designs; light plot; torms and ladders plan
The Ballad of the Sad Cafe, Martin Beck Theatre, 1963
Note: Adaptation by Edward Albee
Produced by Lewis Allen and Ben Edwards
Directed by Alan Schneider
Designed by Ben Edwards
Lighting by Jean Rosenthal
Box   25
Folder   7
Focus chart; electrical equipment list; hook-up; cue sheets
Box   25
Folder   8
Script, annotated; clippings; program
Box   26
Folder   1
Cue sheets (old and revised); light plots
Box   26
Folder   2
Notes; track sheets; color list
Oversize Folder   1
General plan; set designs (original and revised); light plot; torms and ladders, star pattern
Ballet International, International Theatre, 1944
Note: Lighting by Jean Rosenthal
Box   26
Folder   3
Correspondence, 1944 September 29-December 22; invoice statement; color plot; Slavenska; petty cash vouchers; rental estimates; rehearsal schedules; lighting equipment list; article by Jean Rosenthal entitled “Stage Lighting”; rehearsal schedule; program; hook-ups; production schedule; rehearsal schedule; lighting equipment list; notes for hanging plot
Box   26
Folder   4
Hanging plot; hook-ups; lighting equipment list; color list; rehearsal schedule; general notes on ballets; general lighting notes; cue sheets and movement notes; hook-ups; ground plan
The Beast in Me, Plymouth Theatre, 1963
Note: Adaptation and lyrics by James Costigan
Music by Don Elliot
Produced by Bonard Productions
Directed by John Lehne
Settings and lighting by Jean Rosenthal
Box   26
Folder   5
Script, annotated; clippings; playbill
Box   26
Folder   6
Focus chart; hook-ups; cue and track sheets; notes
Box   26
Folder   7
Light plot; elevations and set designs; electrical equipment list
Oversize Folder   1
Light plot; ground plan; set designs
Becket
Oversize Folder   1
Light plots (original, tour, revised)
Bluebeard's Castle, New York City Opera, 1952
Note: Designed by Rouben Ter-Arutunian
Lighting by Jean Rosenthal
Box   27
Folder   1
Master ground plan
Box   27
Folder   2
Set designs
Box   27
Folder   3
Revised ground plan, miscellaneous designs, drawings of set; set designs
Box   27
Folder   4
Electrical specials; hook-up; cue sheets; sketch of tour platform plan; production photographs; set design; hook-up; cue sheet
Brandeis Theatre
Oversize Folder   1
State plans, hanging section
Caesar and Cleopatra, 1949
Note: Produced by Richard Aldrich and Richard Myers
Designed by R. Gerard Jr.
Lighting by Jean Rosenthal
Box   27
Folder   5
Cue sheets; sound effects list; hook-up and focusing charts; miscellaneous memoranda; rehearsal schedule; sketches of set with general lighting notes; color plot; rehearsal schedule; miscellaneous notes; notes for carpenters and electricians; cue sheets; hook-ups; rehearsal notes; program
Audio 1897A/1-3
Sound effects records
U.S. Mss 40AN
Box   27
Folder   6
Light plots; costume plot
Box   27
Folder   7
Original light plot; hook-ups; color plot; electrical equipment list
Box   27
Folder   8
Miscellaneous production material; budgets; contracts; production schedule; costume plot; cast list; property list
Caligula
Oversize Folder   1
Light plot; hanging plot; torm plot
Carmen, New York City Opera, 1950
Note: Lighting by Jean Rosenthal
Box   28
Folder   1
Cue sheets; rehearsal notes; ground plan
Cavalleria Rusticana, New York City Opera, 1950
Note: Lighting by Jean Rosenthal
Box   28
Folder   2
Ground plans; cue sheets; sketches of set; cue sheets
[André] Chenier, New York City Opera, undated
Note: Lighting by Jean Rosenthal
Box   28
Folder   3
Photographs of set models; cue sheets
The Chinese Prime Minister, Royale Theatre, 1964
Note: Written by Enid Bagnold
Produced by Roger L. Stevens
Directed by Joseph Anthony
Designed by Oliver Smith
Lighting by Jean Rosenthal
Box   28
Folder   4
Playbill, light plot; ground plan; electrical equipment list; hook-up; focus chart
Box   28
Folder   5
Cue sheets; notes; fabric swatches
Box   28
Folder   6
Script, annotated
Oversize Folder   1
Torms; light plot; ground plan
Chrysler-Dodge Show
Oversize Folder   1
Light plots; cable and jumper layout
Cinderella (La Cenerentola), New York City Opera, 1952
Note: Designed by Rouben Ter-Arutunian
Lighting by Jean Rosenthal
Box   28
Folder   7
Set designs
Box   28
Folder   8
Set designs; light plot
Box   28
Folder   9
Set designs; libretto
Box   28
Folder   10
Cue sheet; focus list; production photographs; cue sheets; color sheets; hook-up and focus charts; cue sheets
Climate in Eden, 1952
Note: Written by Moss Hart
Produced by Hyman and Hart
Lighting by Jean Rosenthal
Box   29
Folder   1
Program; light plot; lighting plan; cue sheets; hookup; focus chart; hook-up
Box   29
Folder   2
Light plots; cue sheets; hook-up sheet; lighting equipment design elevations; hook-up; cue list; asbestos swatch; sheets; light plots
Connecticut Summer
Oversize Folder   1
Light plot, fireworks plot
Dance Players, 1942
Note: Directed by Eugene Loring
Lighting by Jean Rosenthal
Box   29
Folder   3
Correspondence, 1941 December 16-1944 April 28
Box   29
Folder   4
Layout and color plot; switchboard hook-up; cue sheets; layout and cue sheets; focus plot
Box   29
Folder   5
Equipment notes; programs; clippings; expense sheet; set sketches; fabric swatch; production schedule; budget; estimates and bills
Dark at the Top of the Stairs
Oversize Folder   1
Light plot; torms and eye
Note: Missing, 03/16/2011.
Daughter of Silence
Oversize Folder   1
Master plan; fronts and torms
Dear Liar
Oversize Folder   1
Light plot, drapes design, preliminary light plots
Der Rosenkavalier, New York City Opera, undated
Note: Lighting by Jean Rosenthal
Box   30
Folder   1
Cue sheets; hook-up; ground plans
Destry Rides Again
Oversize Folder   1
Light plot; prologue electrics; hanging sections
Die Fledermaus, New York City Opera, 1953
Note: Lighting by Jean Rosenthal
Box   29
Folder   6
Cue sheets; hook-up and focus charts; cue sheets
Die Meistersinger, undated
Note: Lighting by Jean Rosenthal
Box   29
Folder   7
Focus chart and cue sheets; focus sheets; sketches of set; cue sheets
Box   29
Folder   8
Notes on action and blocking; cue sheets; rehearsal and production schedule; cue sheets; general notes
The Disenchanted
Oversize Folder   1
Hanging sections; lanterns
Don Giovanni, New York City Opera, 1952
Note: Lighting by Jean Rosenthal
Box   30
Folder   2
Ground plans; cue sheets; hook-up; ground plans
The Duke of Sacramento, undated
Note: Written by Warren Baer
Box   30
Folder   3
Script A
Box   30
Folder   4
Script B, annotated
Far Harbour, Ballet Society, 1947
Note: Music and lyrics by Bergersen and Archibald
Designed by H. Armistad
Lighting by Jean Rosenthal
Box   30
Folder   5
Cue sheets; ground plans; set designs
Box   30
Folder   6
Set designs; light plot; hanging plot
Box   30
Folder   7
Score, Act I
Box   30
Folder   8
Score, Act II
Faust, New York City Opera, 1952
Note: Designed by H.A. Condell
Lighting by Jean Rosenthal
Box   30
Folder   9
Hook-up; cue sheets; focus chart; cue sheets; hook-up; cue sheet; notes; photos of set; lighting plot; cue sheets; special effects sheet; ground plan; drawings of set
Box   30
Folder   10
Cue sheets; program
A Funny Thing Happened on the Way to the Forum, Alvin Theatre, 1962
Note: Book by Burt Shevelove and Larry Gelbart
Music and lyrics by Stephen Sondheim
Produced by Harold Prince
Directed by George Abbott
Designed by Tony Walton
Lighting by Jean Rosenthal
Box   31
Folder   1
New York Production: correspondence, 1962 February 20-May 7; slide duplicates list; light plots; electrical equipment list; cue sheet; focus chart; hook-up; magic sheet
Box   31
Folder   2
Script, annotated; playbill
Box   31
Folder   3
Road Company, 1963; Correspondence, , 1963 December 2-1964 June 3; cable list; electrical equipment list; production drawings
Box   31
Folder   4
Focus charts; cue and track sheets; cuts; light plot
Box   31
Folder   5
Notes; cue sheets; hook-up
Box   31
Folder   6
Move to Mark Hellinger Theatre, 1964; focus charts; cue sheets; electrical equipment list; hook-up
Box   31
Folder   7
Light plots; cue and track sheets; changes
Oversize Folder   1
Front light; light plots; ground rows
The Gay Life
Oversize Folder   1
Light plot; front lights, park drop, master plan, master section
A Gift of Time
Oversize Folder   1
Light plot, fronts, preliminary set design sketches
The Great Sebastians
Oversize Folder   1
Light plot
Hamlet, 1964
Note: Produced by Alexander H. Cohen.
Box   31
Folder   8
Hook-up; electrical equipment list
Oversize Folder   1
Light plot; torms
Note: Missing, 03/16/2011.
Hansel and Gretel, New York City Opera, 1953
Note: Designed by Rouben Ter-Arutunian
Lighting by Jean Rosenthal
Box   32
Folder   1-2
Set designs
Box   32
Folder   3
Correspondence, 1953 August 18-September 14; hook-up and focus sheets; cue sheets; scenery and costume budgets; estimates for The Trial, , undated
Happily Never After, Eugene O'Neill Theatre, 1966
Note: Written by J.A. Ross
Produced by George W. George and Frank Granat
Directed by Joseph Anthony
Designed by Peter Larkin
Lighting by Jean Rosenthal
Box   32
Folder   4
Script; playbill
Box   32
Folder   5
Correspondence, 1966 January 17-February 4; electrical equipment list; light plot; fabric swatches
Box   32
Folder   6
Hook-ups; focus chart; cue and track sheets; production staff list; rehearsal schedule; notes; hook-up notes; stage plans; light plot
Oversize Folder   1
Light plot; preliminary no. 1 pipe
Hello Dolly
Oversize Folder   2
Light plot, torms
Hole in the Head
Oversize Folder   2
Light plot; torms and ladders; hanging sections; set fixture plot
Hot September (Boston), 1963
Note: Book by Paul Osborn
Music by Kenneth Jacobson
Lyrics by Rhoda Roberts
Produced by Leland Hayward and David Merrick
Designed by Oliver Smith
Lighting by Jean Rosenthal
Box   32
Folder   7
Correspondence, 1965 August 27-September 28; hook-up; equipment and color lists; light plot; track and cue sheets
Box   32
Folder   8
Script
Oversize Folder   2
Light plot, fronts and torms
Hunter College - Ballet Society, 1947
Note: Lighting by Jean Rosenthal
Box   33
Folder   1
Ground plans; hanging plots; property and scenery list
The Innocents, Pocono Playhouse, undated
Note: Written by William Archibald
Lighting by Jean Rosenthal
Box   33
Folder   2
Electrical equipment list; ground plan; hanging plot; hook-up and cue sheets; equipment rental list
Box   33
Folder   3
Program; script, annotated; transparency drawings; cue sheets; hook-up; ground plan; color list; electrical equipment list; hook-up; color cutting list
Jamaica
Oversize Folder   2
Electrics plan, box lights and ladders
Jennie, Colonial Theatre, Boston, 1963
Note: Book by Marguerite Courtney
Music by Arthur Sculman
Lyrics by Howard Dietz
Produced by Halmar Productions
Directed by Vincent J. Donehoe
Designed by George Jenkins
Lighting by Jean Rosenthal
Box   33
Folder   4
Correspondence, 1963 June 5-September 26; clippings; preliminary set designs; electrical equipment lists; color chart; magic sheet; focus chart; follow spot list; cue sheets
Box   33
Folder   5
“Floor Stuff”; light plot; hanging sections; script, annotated
Box   33
Folder   6
Costume swatches; set designs; notes; hook-up
Oversize Folder   2
Light plot, hanging sections, fronts
Joy to the World, 1948
Note: Produced by John Houseman and William Katzel
Designed by Harry Horner
Lighting by Jean Rosenthal
Box   33
Folder   7
Light plot; rigging plot; hook-up; light plot; set designs; general production notes; equipment rental notes and estimates: schedule for taking in and setting up; equipment list
Box   34
Folder   1
Light plot; set designs; advertising material notes on props
Box   34
Folder   2
Correspondence, 1948 January 29-February 18; equipment rental list; property plot and notes; costume change list
Judy Garland Show
Oversize Folder   2
Hanging sections
Juniper and the Pagans
Oversize Folder   2
Light plot, hanging sections, torms
The King and I, Los Angeles Music Center, 1965
Note: Book and lyrics by Oscar Hammerstein II
Music by Richard Rodgers
Produced by Edwin D. Lester
Designed by Paul McGuire
Lighting by Jean Rosenthal
Box   34
Folder   3
Correspondence, 1965 March 9-May 13; focus chart; hook-up; cue and track sheets; electrical equipment list; color list; lighting notes
Box   34
Folder   4
Light plots
Oversize Folder   2
Ballet set and curtains; torms; fireworks
La Belle Helene, 1941
Note: Produced by Demetrious Vilan and Stewart Chaney.
Box   34
Folder   5
Correspondence, 1941 June 2-1944 March 28
La Bohème, New York City Opera, 1952
Note: Lighting by Jean Rosenthal.
Box   34
Folder   6
Cue sheets; hook-ups; lighting notes; ground plans
La Traviata, New York City Opera, 1951
Note: Lighting by Jean Rosenthal.
Box   34
Folder   7
Hook-up and cue sheets; ground plans; sketches of set
L'Heure Espagnole, New York City Opera, 1952
Note: Designed by Rouben Ter-Arutunian
Lighting by Jean Rosenthal
Box   34
Folder   8
Ground plan; set designs; specials list; cue sheets rough sketch of stage
Light Opera Company (New York City Opera), 1954-1956
Box   34
Folder   9
Hook-ups (King and I, 1956); lighting notes (King and I); City Center hanging plots; revised light plots, , 1956; light plots, , 1950, 1953-1954; plan of stage; focus chart; switchboard layout; general production information; board hook-ups; equipment list
Box   34
Folder   10
Hook-up changes (Carousel); hook-up (Showboat); floor plan for King and I (designed by Jo Mielziner)
Lord Pengo
Oversize Folder   2
Hook-up, light plot; hanging plot, floor plans
Love for Three Oranges, New York City Opera, 1952
Note: Designed by Mtitslav Dobujinsky
Lighting by Jean Rosenthal
Box   35
Folder   1
Hook-up and cue sheets; original light plot; cue sheet; sketches of set; ground plan; cue sheets; rehearsal notes; cue sheets; production photographs; ground plans
Madama Butterfly, New York City Opera, 1950
Note: Designed by H.A. Condell
Lighting by Jean Rosenthal
Box   35
Folder   2
Cue sheets; rehearsal notes; cue sheets; ground plans; rehearsal notes; rough sketch of set; cue sheets; ground plan
Manon, New York City Opera, undated
Note: Lighting by Jean Rosenthal.
Box   35
Folder   3
Hook-up and focus charts; libretto; cue sheets; ground plans; cue sheets; floor electric plan; lighting notes
The Marriage of Figaro, New York City Opera, 1950
Note: Lighting by Jean Rosenthal.
Box   35
Folder   4
Hook-up; cue sheets; notes; ground plan; rehearsal notes; rough sketches of set; ground plans
Misalliance, New York City Center Drama Company, undated
Note: Designed by John Boyt
Lighting by Jean Rosenthal
Box   35
Folder   5
Hanging plot; light plots
N.A.M. Convention (Annual Congress of American Industry), 1950
Note: Jean Rosenthal in charge of scenery, lights, and production.
Box   35
Folder   6
Notes on scenery and props; scripts; set design; prop notes; rehearsal notes; cue sheet; notes on convention
Box   35
Folder   7
Rough sketches of set; cue sheets; scripts; convention program
Box   35
Folder   8
Casting and rehearsal notes
National Orchestral Association Christmas Show, 1945-1950
Note: Lighting by Jean Rosenthal.
Box   35
Folder   9
Lighting notes and hook-up , (1950); stage plan; program , (1950); routine sheet and master cue sheet , (1950); preliminary hanging plot; script; hook-up sheet , (1949); cue sheet , (1948-1949); costume notes
New Opera Repertory Company, 1942
Note: Lighting by Jean Rosenthal.
Box   35
Folder   10
Hanging plot; set designs; light plot; rigging plot
Box   35
Folder   11
Stage plan; set designs; light plots
Box   35
Folder   12
Correspondence, 1942 June 29-December 29; hook-ups; preliminary sketch of hanging plot; light plot; notes; electrical equipment list; special effects list; equipment rental lists
Box   36
Folder   1
Electrical equipment list; rehearsal schedule; equipment rental list; sketches of scenery; notes; board hook-up
Box   36
Folder   2
Switchboard set up; equipment layout; notes and set sketches; board hook-up; electrical equipment list; rough sketches of set
The Night of the Iguana
Oversize Folder   2
Light plot, fronts and torms, preliminary section - electric
The Old Maid and the Thief, New York City Opera, 1952
Note: Lighting by Jean Rosenthal.
Box   36
Folder   3
Cue sheets
On an Open Roof and Kadish
Oversize Folder   2
Set designs, ground plan, light plan, hook-up, torms and ladders
110 in the Shade, undated
Note: Lighting by Jean Rosenthal.
Box   36
Folder   4
Correspondence, 1963 January 9; script; follow spot notes; cue sheets
Pagliacci, New York City Opera, undated
Note: Lighting by Jean Rosenthal.
Box   36
Folder   5
Cue sheets; ground plans; lighting notes; cue sheet
Redhead
Oversize Folder   2
Light plot, slide projection
Regina (Little Foxes), undated
Note: Written by Lillian Hellmann
Produced by Cheryl Crawford
Designed by H. Armistead
Lighting by Jean Rosenthal
Box   36
Folder   6
Correspondence, 1952 March 30; libretto; hook-up and focus chart; set photographs; color cutting list; cue sheets; hook-up; cue sheets; ground plan
Box   36
Folder   7
Ground plans; plan of cyclorama and portals; photographs of set
Box   36
Folder   8
Ground plan; set designs; sound cue sheet; libretto; prop and costume list; color list
Richard III, Forrest Theatre, 1943
Note: Produced by Theatre Production Service
Production and lighting by Jean Rosenthal
Designed by Motley
Box   36
Folder   9
Pre-production: correspondence, 1942 December 1-1943 March 6; casting notes; schedules; lists
Box   36
Folder   10
Casting notes and schedules
Box   36
Folder   11
Pre-production budget and financing; miscellaneous
Box   37
Folder   1
Operating: correspondence, 1943 March 4-April 26; payroll expenditures; box office statements
Box   37
Folder   2
Overall expenses; promotion; theatre expenses; playbill negatives of photographs of production
Box   37
Folder   3
Closing: correspondence and expense sheets regarding office and administration; taxes; insurance
Box   37
Folder   4
Total expenditure list; bankbook
Box   37
Folder   5
Contracts and expenditures regarding actors
Box   37
Folder   6
Contracts regarding extras; production personnel
Box   37
Folder   7
Expenditures regarding promotion; props; scenery; lighting; insurance; office and administration; rehearsal
Box   37
Folder   8
Expenditures regarding theatre rental; workmen's compensation; music score; cue sheet; miscellaneous production notes
Box   42
Clipping scrapbook
Rigoletto, New York City Opera, 1953
Note: Lighting by Jean Rosenthal.
Box   38
Folder   1
Focus and hook-up; cue sheets; notes on action
Sarah Lawrence College
Oversize Folder   2
Floor plans for auditorium
Saratoga
Oversize Folder   2
Light plot
She Loves Me, Eugene O'Neill Theatre, 1963
Note: Book by Joe Masteroff
Music by Jerry Bock
Lyrics by Sheldon Harnick
Produced and directed by Harold Prince
Designed and lighting by William and Jean Eckart
Box   38
Folder   2
Playbill; hook-up; cue and track sheets; notes
Sound of Music, Lunt-Fontanne Theatre, 1959
Note: Book by Howard Lindsay and Russel Crouse
Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Produced by Leland Hayward, Richard Halliday, Richard Rodgers and Oscar Hammerstein II
Directed by Vincent J. Donahoe
Designed by Oliver Smith
Lighting by Jean Rosenthal
Box   38
Folder   3
Correspondence, 1959 May 27-December 29; playbill; clippings
Box   38
Folder   4
Script, annotated; production staff list; production schedule; electrical equipment list
Box   38
Folder   5
Costume swatches
Box   38
Folder   6
Hanging plot; cue sheets; hook-up; focus chart; cue sheets (tour)
Box   38
Folder   7
Preliminary sketches of hanging plot; light plots; ground plan; set designs; stage plans
Box   39
Folder   1
Stage plans; master plan (tour)
Oversize Folder   2
Hook-up, light plots, torms and ladders
Tales of Hoffman, New York City Opera, undated
Box   39
Folder   2
Cue sheets; ground plans
Taste of Honey
Oversize Folder   2
Light plot
A Time for Singing
Oversize Folder   2
Ground plan, torms and fronts, light plot
Note: Ground plan missing.
To Broadway with Love, 1964
Note: Conceived and directed by Morton DaCosta
Produced by Compass Productions
Designed by Peter Wolf
Lighting by Jean Rosenthal
Box   39
Folder   3
Correspondence, 1963 June 10-1964 March 23; lighting equipment information and design (Century Show Case); staff and cast list; electrical equipment list; effects and fixtures list; programs; script, annotated
Box   39
Folder   4
Hook-up; glass colors and circuits; notes; light plot
Box   39
Folder   5
Cue sheets; focus chart; photos of hanging plans; equipment list (Music Hall Texas Pavilion); ceiling layout; lighting instrument plot
Oversize Folder   2
Light plot, ceiling layout
Tosca, New York City Opera, 1950
Box   39
Folder   6
Ground plans; cue sheets; lighting notes
The Trial, New York City Opera, 1953
Note: Designed by Rouben Ter-Arutunian
Lighting by Jean Rosenthal
Box   39
Folder   7
Ground plans; set designs; portions of libretto; cue sheets; hanging plan; hook-up; rough sketch of set
Box   40
Folder   1
Set designs; photographs of set
Box   40
Folder   2
Hook-up and focus chart; cue sheet; drawings of set
Tribute to Sean O'Casey, Imperial Theatre, 1964 October 11
Box   40
Folder   3
Cue sheets
Turandot, New York City Opera, 1950
Note: Designed by H.A. Condell
Lighting by Jean Rosenthal
Box   40
Folder   4
Cue sheets; rehearsal notes; cue sheets
Box   40
Folder   5
Cue sheets; ground plans; rough sketches of set and movement
University of Puerto Rico - Theater equipment supplied by Theatre Production Service (Jean Rosenthal and Elinor Weis)
Box   40
Folder   6
Correspondence, 1942 September 2-1945 June 30
Box   40
Folder   7
Estimates and shipping notes; bills and receipts
West Side Story, Winter Garden Theatre, 1957
Note: Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Leonard Bernstein and Stephen Sondheim
Directed and choreographed by Jerome Robbins
Produced by Griffith, Prince, and Stevens
Designed by Oliver Smith
Lighting by Jean Rosenthal
Box   40
Folder   8
Correspondence, 1959 March 2; original lighting notes; cue and track sheets
Note: Empty folder.
Box   40
Folder   9
Cue sheets (Washington); color list; fixture list; script, annotated; gel samples
Note: Empty folder.
Box   41
Folder   1
Hanging plot; stage plans and set designs
Note: Empty folder.
Box   41
Folder   2
City Center production, 1964: cue sheets (and for transposition); electrical equipment list; hook-ups; focus charts (road); color list
Note: Empty folder.
Box   41
Folder   3
Hanging plot; notes; cue sheets (road); light plots
Note: Empty folder.
Oversize Folder   2
Light plot, front lights, revised light plot and front lights plan; light plot for National Company, hanging sections for Dallas production
Note: Missing, 03/16/2011.
Winesburg, Ohio
Oversize Folder   2
Light plot
Note: Missing, 03/16/2011.
Wozzeck, New York City Opera, 1952
Note: Designed by Mtitslav Dobujinsky
Lighting by Jean Rosenthal
Box   41
Folder   4
Correspondence, 1952 February 27-March 14; light plot; set designs
Box   41
Folder   5
Libretto; cue sheets; hook-up; cue sheets; ground plan drawing of set; prop list
MCHC67-060
Part 2 (MCHC67-060): Additions, 1956-1966
Physical Description: 5.0 cubic feet (5 records center cartons) 
American Shakespeare Festival
Box   1
Production bills, 1956
Box   1
Light plots and floor plans, lighting schedule, notes, correspondence, notes and schedules, sketches and equipment list, building correspondence, lamp schedules and equipment list, partial framing plan, light plots, equipment list, correspondence, floor plans, 1957
Merchant of Venice, 1957
Box   1
Cue sheets, blocking plots, miscellaneous notes, routine of scenes, script, production miscellaneous, drawings, extra prints, miscellaneous notes, playbills and programs
Much Ado About Nothing, 1957
Box   1
Floor plans, hanging plots, production miscellaneous, cue sheets, extra prints
Baker Street
Box   2
Light plots, hook-up
Ivanov
Box   2
Ground plan and hanging plot, hook-up, light plot, focus chart
Country Wife, 1965
Box   2
Hook-up, focus charts, notes, cue sheets and follow spot, light plot and floor plans
King Lear, 1964
Box   2
Electrical equipment list, hook-up, focus charts, cue sheets
House of Flowers
Box   2
Hanging, color cutting list, hook-up, hook-up and budget
Incident at Vichy, 1964
Box   2
(Annotated) mimeo script with staging, board hook-ups, set drawings and light plots, notes and cue sheets
A Time for Singing, 1966
Box   2
Mimeo script, light plot, equipment list, notes, hook-up
Maurice Chevalier at 77, 1965
Box   2
Hook-up, section, equipment list, focus chart, cue sheet
The Cherry Orchard, 1960
Box   2
Playbill, floorplan, sketches
Poor Bitos, 1964
Box   2
Scenery, cue sheets, clippings, (annotated) mimeo script (2), cue sheets, aux charts, board hook-up and lite plot, focus charts, equipment list, notes (JR)
Box   3
Gift of Time mimeoscript
The Gay Life, 1961
Box   3
Set designs, cue sheet, material samples, notes, playbills, material samples, original cue sheets, cue sheets, hook-up, equipment list, focus charts
Othello, 1957
Box   5
Set drawings, production miscellaneous, extra prints, cue sheets, blocking parts, miscellaneous notes, routine of scenes, (annotated) mimeo script
Caesar, Tempest, 1955
Box   5
Hook-ups, light plot, cue sheets, equipment lists, light plots
Mozart Festival, 1956
Box   5
Light plot, cue sheets
Phoenix, 1957
Box   5
Paid bills, floor plan, hook-ups, focus chart and notes, board hook-up and focus chart, correspondence, technical, lighting
Box   5
Measure For Measure, Taming of the Shrew general, 1957
Box   5
Malfi cue sheets
1956
Box   5
Basic set plans, correspondence (Eaves), costume plot (Measure For Measure, Taming of the Shrew) electrics and hanging, scenery, tracings, general, inventory rentals (costumes and props), financial report
Box   5
King John, Measure For Measure, Taming of the Shrew light cues
National Tour
Taste of Honey, 1960-1961
Box   3
Miscellaneous, equipment lists, hook-up, magic sheet, hook-ups, cue sheets, equipment list, light cues, focus charts, light plot
Beckett, 1960
Box   3
Focus chart, set drawings and playbills, light plot, equipment list, cue sheets, hook-up, light plots, plans, equipment list, light plot road-cue sheets and clippings, notes, electrical equipment list, light plot, hook-up, focus chart, light plot
Night of the Iguana, 1961
Box   4
Cue sheets and playbill, magic sheets, hook-up, focus chart, equipment list, light plot, light notes and equipment list, notes, production drawings, equipment list
On an Open Roof, Kadish, 1962-1963
Box   4
(Annotated) mimeo script, notes and playbills, equipment list, focus chart, light plot, equipment list, light plot, hook-up, drapery rental
Kadish
Box   4
Cue sheets, hook-up, set and ground plan, ground plan, set designs
On an Open Roof
Box   4
Cue sheets, ground plan, set designs
Lord Pengo, 1962
Box   4
Mimeo scripts (2), correspondence, cue sheets, light plots, hook-ups, notes (JR), equipment list, notes, set drawings and material samples
A Gift of Time, 1962
Box   4
Notes (MK), magic sheets, hook-up, original cue sheets, master track sheets, focus chart, cue sheets, light plot equipment list, ground plans
MCHC70-093
Part 3 (MCHC70-093): Additions, 1938-1968
Physical Description: 23.0 cubic feet (23 records center cartons) 
Dallas Civic Opera, 1966
Box   1
General focus charts, general hook-up, light plot, schedule, equipment list, color cutting list
Dallas Civic Opera, 1967
Box   1
Sour Angelica: Cue sheets, focus charts, general focus, hook-up and light plot
Metropolitan Opera, 1967-1968
Box   1
Hansel and Gretel: Light plot, cue sheets, focus chart for specials, focus notes and hook-up
Box   1
Martha: General
Box   1
Carmen: General, track lists
Box   1
Romeo and Juliet: Focus chart for specials, sketches, cue sheets, light plot, color lists, magic sheets
Dallas Civic Opera, 1962
Box   1
Otello: Notes (J.R.), light plot, floor and specials, hook-up (3), equipment list, correspondence, cue sheets, focus charts
Dallas Civic Opera, 1967
Box   1
Figaro: Lighting script, cue sheets and programs, focus charts, focus, hook-up and light plot, English/Italian lighting terminology
Dallas Civic Opera, 1968
Box   1
Otello
Box   1
Orpheus
Box   1
Anna Bolena: Floor layout, general cheat sheet, equipment list, shopping list, general focus notes, hook-up, phone numbers, Dallas street map, color list, schedule (for the three productions), light plot (original), light plot, hook-up, general focus charts, focus chart, cheat sheets, running order, ground plans, cue sheets
Dallas Civic Opera, 1965
Box   1
Madame Butterfly: Master hanging plan
Box   2
Figaro
Box   2
Medea
Box   2
Gala 3: General folder, transmittals, electrical equipment lists, English/Italian lighting terminology, programs, focus charts, general hook-up, color cutting list, lighting plot and hanging plan
Box   2
Otello: Cue sheets and elevations
Dallas Civic Opera, 1968
Box   2
Otello
Box   2
Anna Bolena: General focus notes, hook-up, light plot, follow spot notes, cheat sheets, bridge colors, track sheets, men's cue sheets, cue sheets
Box   2
Orpheus: Focus chart, hook-up, general information folder, cue sheets
Palace Theatre, London, 1967-1968
Box   2
Cabaret: Equipment list, correspondence, plans, light plot
National Company (tour?)
Box   2
Cabaret: Hook-up, light plot, original track, notes, footlights, equipment list, cue sheets, focus charts
Road tour, 1966
Box   2
Showboat: Cue sheets, focus chart, hook-up, equipment list, transposition, light plot, corrected cue sheets
New York, 1968
Box   2
Plaza Suite: Equipment list, hook-up and track, focus chart and equipment list, transmittal sheets
California?, 1967
Box   3
The Happy Time: Equipment list, focus chart (2), correspondence, light plot, hook-up, cue sheets
Las Vegas, 1966
Box   3
Fiddler on the Roof: Light plot, mimeo script, cue sheets, track, notes, focus charts
Israel, 1965
Box   3
Fiddler on the Roof: Equipment and color list, pipe layout, cue sheets, ground plan, light plot, correspondence
National tour, 1966-1968
Box   3
Fiddler on the Roof: Cue sheets, electric equipment list, focus charts, equipment list, hook-up, cue sheets and transportation Detroit - light plots, cue sheets, equipment list
Germany, 1966
Box   3
Fiddler on the Roof: Light plots, hook-up
National tour, 1963-1964
Box   3
Barefoot in the Park: Equipment list, transportation, hook-up, cue sheets, light plot, focus charts
American Shakespeare Festival, Stratford, Connecticut, 1957
Box   4
Otello
Box   4
The Merchant of Venice
Box   4
Much Ado About Nothing: Budgets, general correspondence, general production, basic set plans, set plans and elevation, clippings
American Shakespeare Festival, 1958
Box   4
Midsummer Night's Dream: Miscellaneous, inventory, miscellaneous bills, papers and minutes, budgets and expenses, budgets, production costs, personnel, contracts, expenses, preliminary production budget and general production notes, bills (2), production notes, misc. prop notes bills and schedules, inventories, hook-ups, focus charts, light plot and hanging sections, lighting equipment, clippings, set plans and elevations, cue sheets, master cue sheets
Box   4
Hamlet: Master cue sheets (2), cue sheets, notes-previews, old sheets, trap and machine notes
American Shakespeare Festival, 1959
Box   5
All's Well That Ends Well
Box   5
Romeo and Juliet
Box   5
Merchant of Venice: Clippings, correspondence, miscellaneous (2), bills, petty cash, TPS services, rehearsal and playing schedules, contracts, light plots, hanging sections, electrical equipment list, hook-up, miscellaneous
Box   5
All's Well That Ends Well: Cue sheets, mimeo script, light plots
Box   5
Romeo and Juliet: Mimeo script (lightly annotated), plans and elevations
New York City Ballet
Box   5
Edinburgh
Box   5
International Festival of Music and Drama, 1952
Box   5
Programme 1: Miscellaneous, programs
Note: Includes excerpts from: Swan Lake, The Cage, Picnic At Tintagel, Bourrée Fantasque
Box   5
Programme 2: Miscellaneous, programs
Note: Includes excerpts from: Caracole, Tyl Ulenspiegel, Firebird, The Pied Piper
Copenhagen, Royal Theatre, 1956
Box   5
Fanfare: General information, electrics, cue sheets, hanging and general, hanging and information
Box   5
Salzburg, Festspielhaus: Hanging and information, electric, clippings, cue sheets
Box   5
Berlin, Titania-Palast Theatre, 1952: Cue sheets, light plots, hanging and plans
Box   5
Berlin, 1956: Electrics, cues and hanging
Box   5
Antwerp, 1956: Cue sheets, hanging and general, electrics
Box   6
Zurich, 1952-1956: Electrics, cue sheets, hanging and programs etc., hanging and general
Box   6
Stockholm, 1956: Hanging, electrical
Box   6
Brussels, 1956: Electrics, hanging, cue sheets, technical
Box   6
Berlin, 1956: Plan, hanging and general, electrics, cue sheets
American Shakespeare Theatre, 1958
Box   6
Winter's Tale: Plans and elevations, cue sheets, master cue sheets (2), working cue sheets, original cue sheets, mimeo script (annotated), notes
Box   6
American Shakespeare Festival Theatre, 1957-1958
Road Tour
Box   6
Much Ado About Nothing: Miscellaneous, light plots, equipment list, board hook—up, miscellaneous technical drawings, electric drawings, board hook-up (1957), electrical equipment rentals, hook-ups and color lists, layout - plans for blocking, lighting focus charts (1957), lighting equipment
New York City Ballet
Box   6
Frankfurt, 1956: Electrics, cue sheets, hanging and general
Box   6
Paris, 1956: Hanging and general, current, electrics, cue sheets
Box   6
Venice, 1956: Electrical (2), plot and hanging, hanging and general, cue sheets
Box   6
Munich, 1956: Technical, hanging, cue sheet
Box   6
Florence, 1953-1955: Notes, miscellaneous, program, clippings, cue sheets, poster, hanging plot, electrics
Note: Includes excerpts from: Swan Lake, La Valse, Cage, Duello, Caracale, Age of Anxiety, Tintagle, Firebird, Serenade, Bourrée Fantasque, Pied Piper, Lilac Garden, Tyl Ulenspiegal, Four Temprements
Dallas Civic Opera, 1962
Box   7
State Fair ground plans and sight lines
Box   7
Sour Angelica
Box   7
Pagliacci: Correspondence, light plot, electrical equipment list, electrics, general focus, general hook-up, and color cutting list
Brussels, 1962
Box   7
Rigoletto (not produced): Miscellaneous
New York City Ballet
Box   7
Koln Electrics, cue sheets, hanging and general, 1956
Dallas Civic Opera, 1958
Box   7
Medea: Stage manager's cue sheets, master cue sheets, working cue sheets, cue sheets (2), track sheets, hook-up
Kansas City Opera, 1967
Box   7
Orpheus: Cue sheets, hook-up, focus chart, floor stands, fly floor, hanging plot
Kansas City Opera, 1968
Box   7
Medea: Cue sheets, hook-up corrections, floor charts, color order and cutting lists, focus charts
Box   7
Dance showcase: Floor charts, cue sheets, focus charts
Box   7
Miscellaneous, schedules and personnel, light plot, ground plans, and drawings, general hook-up and equipment list
Dallas Civic Opera, 1961
Box   7
La Bohème
Box   7
Thaïs
Box   7
Lucia di Lammermoor: Hook-up sheets, color cutting lists, general electrics, general light plot, correspondence, contract information, electrical equipment list, work schedules, light plot, general
Box   7
La Bohème: General
Box   7
Thaïs: General
Box   7
Lucia Di Lamermoor: General
New York City Ballet
Box   7
Vienna, 1956: Hanging and general, electrics, cue sheets
Box   7
Dallas statue: Photograph and plans
Dallas Civic Opera
Box   7
1959
1965
Box   7
Tosca: Props, scenery detail drawings, revised ground plans, Italian plans with Bill Toon's notes
Box   7
1957: Correspondence, miscellaneous
Box   7
1958: Set designs and technical information, press clippings, electric equipment and lists
1959
Box   7
Lucia
Box   7
Barber of Seville
Box   7
Medea: Correspondence and miscellaneous, electrics, correspondence, miscellaneous Peter Wolf, correspondence and agreement, photostats and equipment list with notes
Box   8
Freaking Out of Stephanie Blake: Equipment lists, lighting equipment, hook-up, focus chart, plan, miscellaneous
Box   8
The Exercise: Focus chart, light plot and equipment list, cue sheets, hook-up
Box   8
Adam and Eve: Cues, annotated mimeo script
Box   8
Lady and the Tiger: Cues
Box   8
Passionella: Cues
Box   8
Apple Tree: Program, hook-up, focus charts, light plot, miscellaneous, notes (JR), set, equipment list, transmittal sheets
Box   8
Graduation exercises of Professional School, miscellaneous
Box   8
Leda Had a Little Swan: Mimeo script, equipment list, focus chart, cue sheet, hook-up, light plot
Box   8
Illya Darling: Light plots, equipment list, hook-up, focus chart, mimeo script
National Company
Box   8
Star Spangled Girl: Miscellaneous, light plot, cue sheets, equipment list, hook-up, focus chart, notes, light plot, equipment list, transmittal sheets, notes-costume plots, light plot, focus charts, cue sheets, hook-up, cue sheets, focus chart
Tour
Box   9
Sound of Music: Cue sheets, hook-up, focus charts and light plot, correspondence, notes, equipment list, light plot, hook-up
Box   9
The Importance of Being Ernest: Contract and correspondence
Box   9
Too Much Johnson: Contracts, correspondence and sketches, summer floor plans, contract forms
Mercury Theatre
Box   9
Julius Caesar
Box   9
Heartbreak House
Box   9
Shoemakers Holiday: Plots
Chicago Civic Opera, 1951
Hanging plots, Symphony in C, plan and electric equipment, hook-up sheets, dressing rooms and time sheets, preliminary plans
Box   9
Camille
Box   9
Card Game
Box   9
Divertimento
Box   9
The Duel
Box   9
Illuminations
Box   9
Jinx
Box   9
Mother Goose
Box   9
Orpheus
Box   9
Prodigal Son: Miscellaneous
Box   9
Symphonie Concertante: Miscellaneous
Box   9
New York City Ballet Tour: Light plot
Tour
Box   9
West Side Story, 1958: Focus charts, equipment list, master cue sheets, clippings (1960), correspondence, light plots, hook-ups, notes, notes on transportation
Box   9
Five Kings, 1939: Props, sound, costumes, electrics, carpentry, scene layout, estimates, correspondence, scene plot, construction crew
Box   9
Caesar, 1937: Scenery, ground plans, props, costumes, road, technical, maintenance, plot, electrics, costumes prompt book, light plots
Box   9
Dr. Faustas: Set-up, typed script
Box   10
Weekend, 1967: Light plot, focus charts, cue sheets, mimeo script, hook-up, plans, notes (JR), light plot, miscellaneous
Box   10
Dear World, 1968: Light plot, focus charts, notes (JR), sketches, cue sheets, programs, script fragments, equipment list, light plot, notes, hook-up, track sheet
Box   10
The Conquering Hero: Plastic colours, program
Box   10
Heartbreak House, 1938: Recordings, costumes, props, light plots
Box   10
Shoemaker's Holiday, 1938: Costumes, road, light plot
Box   10
Danton, 1938: Miscellaneous, prompt book
Box   10
A Funny Thing Happened on the Way to the Forum, 1962: Playbills, clippings, mimeo script, track sheets, equipment list, hook-up, ground plan, focus chart, cue sheets
Box   10
Into the Beach: Plans
Box   10
Danton's Death: Plans
Box   10
London Street: Plans
Box   10
Native Son: Plans
New York City Ballet
Box   11
Grand Theatre de Bordeaux: Light plots, equipment list, notes and correspondence, programs, hanging plots, cue sheets, electrical
Box   11
Edinburgh Empire: Technical, hook-up, and hanging
Box   11
The Hague, 1955: Electrics, hanging plot, clippings, notes (JR), cue sheets
Box   11
Repertory, 1952: Miscellaneous
New York City Ballet, London, 1952: Light plots and notes for all, playbills
Box   11
Symphony in C
Box   11
Lilac Garden
Box   11
Concerto Barocco
Box   11
Pied Piper
Box   11
A la Francaix
Box   11
Age of Anxiety
Box   11
Bourrée Fantasque
Box   11
Cage
Box   11
Cakewalk
Box   11
Caracole
Box   11
Card Game
Box   11
Divertimento
Box   11
The Duel
Box   11
Firebird
Box   11
Four Temperaments
Box   11
La Gloire
Box   11
La Valse
Box   11
Mother Goose
Box   11
Orpheus
Box   11
Prodigal Son
Box   11
Serenade
Box   11
Symphonie Concertante
Box   11
Swan Lake
Box   11
Pell Mell
New York City Ballet, England, 1950: Technical, tour, electrics, notes (JR), routine, time sheet, rough hanging plot, hanging plot
Box   11
Croydan, Liverpool, Manchester
Box   11
Pas de Deux
Box   11
Jones Beach
Box   11
Jinx
Box   11
Illuminations
Box   11
Four Temperaments
Box   11
Bourrée Fantasque
Box   11
Concerto Barocco
New York City Ballet, 1949-1950: Lists, hanging plots, hanging charts, production notes, miscellaneous
Box   11
Witch
Box   11
Prodigal Son
New York City Ballet, Barcelona: Miscellaneous, plots, programs, clippings
Box   11
Symphonie in C
Box   11
Sylvia Pas de Trois
Box   11
Pied Piper
Box   11
Caracole
Box   11
Serenade
Box   11
Age of Anxiety
Box   11
Bourrée Fantasque
Box   11
Cake Walk
Box   11
Concerto Barocco
Box   11
Fire Bird
Box   11
Four Temperaments
Box   11
Duel
Box   11
La Valse
Box   11
Lilac Garden
Box   11
Orpheus
Box   11
Prodigal Son
Box   11
Swan Lake
Box   11
New York City Ballet, Lyon, 1954-1955: Light plots, equipment lists, color cutting, notes
Box   12
New York City Ballet, Amsterdam, 1955: Hanging, programs, clippings, electrics, cue sheets, prop lists
New York City Ballet, Paris, Champs Élysées, 1952-1955: 1st and 2nd seasons, plots, miscellaneous, program, prop lists, cue sheets, floor plans, notes, equipment lists, electrics
Box   12
Pied Piper
Box   12
Pas de Trois
Box   12
Sylvia
Box   12
Cage
Box   12
Four Temperaments
Box   12
Serenade
Ballet Society
Ballet Society 1, 1946-1948
Box   12
Needle Trade, Spellbound Child, Four Temperaments, Far Harbour: General
Ballet Society 2, 1947-1948
Box   12
Pastorella, Renart, Divertimento: General
Ballet Society 3, 1947-1948
Box   12
Medium and Telephone: General
Ballet Society 4, 1947-1948
Box   12
Zodiac, Highland Fling, Minotaur: General
Ballet Society 5, 1947-1948
Box   12
Medium: General
Box   12
Ballet Society 6, 1947-1948: General
Box   12
Correspondence
Box   12
Guilio Cesar: Prompt book
Box   12
Fasion: Prompt book
New York, New York
Box   12
Carmen Amaya: Plots, equipment lists, cue sheets
New York City Ballet
Box   12
Chicago, 1957: General
Box   12
European tour, 1956: General
Box   12
Repertory, Nutcracker, etc., 1956-1957: General
Box   13
State Teacher's College, Albany, New York, 1955-1956: Plans, general
New York City Ballet
Box   13
New York, New York; City Center of M&D Inc.
Box   13
Tour, 1955 Summer and Fall: General
General repertory, 1954 Fall
Box   13
Nutcracker: general
Box   13
Repertory, Western Symphony, 1954 Winter: General
Box   13
Tour, 1953: General
Chicago, 1956 Spring
Box   13
Nutcracker: general
Box   13
Repertory and concert, 1956 Winter: General
Tour, 1955 Summer
Box   13
Nutcracker: general
New York, 1954 Spring
Box   13
Nutcracker: general
Box   13
Tour, 1954: General
Box   13
European tour, 1955 Spring: General
Box   13
Repertory, 1953 June: General
Box   13
Repertory, 1954 Spring: General
Box   13
European tour, 1953
Kansas City Opera
Box   13
Orpheus, Performing Arts Foundation, 1967: Prompt book - music and French lyrics, Prompt book - mimeo script (annotated) in English, program, cue sheets, costumes, props, publicity, casting, scenery inventory, mimeo script, electrics, fly floor cues, general miscellaneous
New York City Ballet: general
Box   14
1951 November
Box   14
1951 September
Box   14
1951 June
Box   14
1951 January-February
Box   14
Chicago, 1951 April
Box   14
English tour, 1950 Summer
Box   14
1950 February
Box   14
1952 November
Box   14
1949 November
Box   14
1952 February
Box   14
All sessions up to , 1952 December
Box   14
1952 December-1953 January
Box   14
Leda Had a Little Swan: Equipment lists
National Company
Box   14
Luv, 1965: Plots, cue sheets, focus charts, equipment list, hook-up, light plot
Box   14
New York: show and transportation
Box   14
Toronto: hook-up, focus charts, cue sheets
Box   14
Road tour: plots, equipment lists
Dallas Civic Opera, 1965
Box   14
Tosca
Box   14
La Traviata
Box   14
Caesar: Focus chart, schedules, light plot, sound equipment, ground plan of State Music Fair Music Hall, general hanging plan, program, record list, index of DCO production plans, color-cutting list and gel inventory, hook-up, resumes
Box   15
La Traviata: Prompt book (annotated), ground plans, sketches, light plot, final cues, hanging plans, ground plans (stage-managers), focus charts, notes (Zeffirelli), hook-up, focus chart, program
Box   15
Julius Caesar: Cue sheets, light plot, hanging plans, cue sheets, hook-up, ground plan, general focus, light plot, hook-up, equipment list, hook-up, focus chart, hanging plan, 1/4 plans, ground plans, working drawings (HWP), prop list
Box   15
Dallas Civic Opera, 1966-1967: Transmittal sheets, drawings and photos
Tour (after Las Vegas), 1965
Box   15
Hello Dolly, Grable Company: Hook-up, cue sheets, focus chart, light plot, notes, equipment list, hook-up, transposition, cue sheets-track, light plot, equipment list, focus chart, cue sheets
1957
Box   15
Hamlet: Script alternative, light plot, equipment list, notes
Kansas City
Box   15
Callas concert: Equipment sheet, hanging plot, cue sheet, miscellaneous information, light plot
Box   15
Scopes of Theatres: Old cue sheet form, Life Magazine (1952) article on New York City Ballet, miscellaneous ground plan (not labeled), trouble file (JR), Quadrille light plot, articles JR, Metropolitan Opera ground plan, Hunter College ground plan
Kansas City, 1965
Box   15
Julius Caesar: Equipment list, information, correspondence, light plot, hook-up, focus notes, cue sheets, ground plans (floor special), board cue sheets, full track sheet
Los Angeles Music Center
Box   16
Album: general
Kansas City Opera, 1967
Box   16
Orpheus: Light plot, equipment list, focus charts, program
Dallas Civic Opera
Box   16
La Traviata, 1966: Props, scenery
Box   16
Macbeth, 1966: Light plots, scenery, hanging plots, ground plans, scenery, miscellaneous information, master cue sheets, general hook-up, ground plans and floor specials, focus charts
Box   16
Dido and Aeneas, 1966: Part III scenery, focus chart, hook-up, general, set sketches and props, light plot, ground plan, equipment list, Part I orchestra, program, circuit check, notes, Part II cue sheet, color-cutting, score and blocking (stage manager)
Box   16
Maestro di Capella, 1967: Cue sheets, focus charts, general focus, hook-up and plot
Box   16
La Traviata, 1958: Cue sheets (stage manager), focus charts, final cue sheets, hook-up, board sheets, lighting chart
Box   16
Lucia, 1961: Light plots
Box   16
Thaïs, 1961: Sketches
Box   16
Othello, 1968: Hook-up, light plot, cheat sheets, pictures, ground plan, general focus, men's cue sheets, bridge colors, cue sheets, focus notes, general information
National Company, 1968
Box   16
Plaza Suite: Cue sheets, miscellaneous, focus charts, cue sheets and track, equipment list, hook-up, light plot
Bus and Truck Company
Box   17
The Odd Couple, 1966: Light plots, hook-up, focus charts, equipment list, cue sheets, transportation
Box   17
Luv, 1966: Light plots, playbill, hook-up, focus charts, equipment list, cue sheets
American National Opera, 1967
Box   17
Hook-up, fronts, schedule, equipment list, pipes, program
Box   17
Falstaff: General
Box   17
Lulu: General
Box   17
Tosca: General
National Company
Box   17
I Do, I Do, 1968: Focus charts, equipment list, notes and script, hook-up, correspondence, track sheets, area chart (JR), light plot, hanging plot, prints of flying unit with fixture, cue sheets and track sheet, hook-up, cue sheets, focus chart, equipment list, light plot, cue sheets, focus chart, hook-up, general, hook-up, equipment list, correspondence
London
Box   17
I Do, I Do: Track sheet, hook-up, cue sheets, focus chart, equipment list, correspondence, light plot
2nd National Company
Box   17
Hello Dolly: Miscellaneous, equipment list, hook-up, cue sheets, light plot, correspondence
American National Opera, 1967
Box   18
Program, general, equipment list, focus chart
Box   18
Falstaff: Gground plan, hanging section
Box   18
Lulu: Elevation, ground plan
Box   18
Tosca: Ground plans
Box   18
Sundown Beach: Lighting script with cues, blue print of electrics, hook-up, equipment list, cue sheets, originals, roughs, notes, preliminary work, (annotated) typed script
Box   18
Tenderland: Ground plans
New York City Ballet
Box   18
, 1948 Fall Season: Set ups and strikes
1948 Spring Season
Box   18
Orpheus, Elegy, Reynard, Punch, Bizet, Mozart: Notes, etc.
Box   18
City Center: General notes
1948 February
Box   18
Baccus, Divertimento, Four Temperaments: Hook-up sheets, general
1948 March
Box   18
Bizet, Seasons, Capricorn: Hook-up, plans, etc.
Box   18
Production notes
Box   18
Press clippings, 1957 November-1958 November
Box   18
Notes, 1956
Box   18
Lilac Garden: Board, questionnaire, vocabulary, 1952
New York City Ballet
American tour
Box   18
Electrical Records (San Francisco Opera, Seattle Opera, Chicago Opera), 1954
Box   18
Hanging plots and setting, color cutting and gel lists, 1952 February
Box   18
Technical information, 1953
Box   18
Electrics, hook-ups, colors, 1951 November
Box   18
Technical, 1952 November 4-1953 January 25
Box   18
Chicago Civic Opera, Nutcracker, 1955: General, boards
Box   18
Devil and Daniel Webster: Plans, sketches, typed scripts
Box   18
Booth: Plans
Box   18
Gorton High School: Plans
Box   18
Needle Trades High School: Plans
Milan, Teatro Alla Scala, 1953
Box   19
Clippings, program, memorabilia, poster, floorplan, light plot, notes, sketches, cue sheets
Chicago, 1954, 1955
Box   19
Interplay, Afternoon of a Faun, Age of Anxiety, Cage, Concerto Barocco, Duel, Fanfare, La Valse, Pas de Deux, Pas de Trois, Four Temperaments, Pied Piper, Cakewalk, Con Amore, Scotch Symphony, Roma, Valse Fantasie, Serenade, Sylvia: Cue sheets, stage calls for crew, hanging plots, electrics
Baltimore, Lyric Opera House
Box   19
Hanging plot, schedules, program
Washington
Box   19
Program, notes, equipment list, sketches, hook-up
Milano, Como
Box   19
Notes, program, equipment, sketches
California, Theatres (San Diego, Sacramento, Berkeley)
Box   19
Theatre notes
Zurich, Kongresshaus
Box   19
Theatre notes
Chicago, 1951
Box   19
Bourrée Fantasque, Firebird: General
Chicago, 1954
Box   19
Firebird, Filling Station, Swan Lake: General
Chicago, 1955
Box   19
Western Symphony: general
Chicago, 1957
Box   19
Still Point, Pas de Dix, Unicorn, Gorgon, Manticore, Souvenirs: General
Bologna
Box   19
General, sketches, schedules
Denver
Box   19
Programs, cue sheets, sketches, notes, pix, set-up, cue sheets
France, 1952
Box   19
Electrics, correspondence, sketches, schedules
Box   19
A la Francaix, Age of Anxiety, Bourrée Fantasque, Cake Walk, Caracole, Divertimento, Duel, Firebird, La Valse, Lilac Garden, Orpheus, Prodigal Son, Symphony in C, Swan Lake, Tyl: Cue sheets, floor plans, clippings
Bus and truck tour, 1965
Box   19
Barefoot in the Park: Hook-up, equipment list, light plot, correspondence, equipment list, focus charts, light plot, hook-up sheets, cue sheets, set-section and ground plan, National Company transposition, miscellaneous not used
London Company
Box   20
Plaza Suite, 1968: Equipment list, hook-up, light plot, color transposition, focus chart
Box   20
Luisa Miller, 1967: Focus notes, cue sheets, programs, schedule, focus chart
Box   20
The Happy Time: Equipment list, light plots, cue sheets
Box   20
Barefoot in the Park, 1963: Mimeo script, hook-up, focus chart, cue sheets, pipe and color, notes, costumes, equipment list, color list, light plot, rev. (annotated) mimeo script
Box   20
Happy Time: Magic Sheet, cue sheet
Kansas City Opera
Box   20
Julius Caesar, 1965: Correspondence, cue sheets, clippings, program
New York
Box   20
The Odd Couple, 1965-1966: Cue sheets, focus chart, hook-up, road - equipment list, transposition, focus chart, cue sheet, hook-up, light plot, correspondence, focus chart, cue sheets, light plot
London
Box   20
Hello Dolly, 1965: Light plot, hook-up, equipment list, focus chart, cue sheets, transposition, correspondence
Las Vegas
Box   20
Hello Dolly, 1965: Cue sheets, light plot, focus charts, hook-up, equipment list, cue sheets
Box   21
Luv, 1964: Cue sheets, equipment list, focus charts, hook-up and magic sheets, light plot, notes, light plots, equipment list, (annotated) mimeo script
New York City Ballet
Seattle, 1954-1955
Moore Theatre
Box   21
Electrics, light plot, programs, timing, stage calls
Box   21
Western Symphony, Cage, Swan Lake, Interplay, Symphony in C, Pas de Trois, Duel Serenade: General
Orpheum
Box   21
Hook-up and plans, hanging plot
Box   21
Scotch Symphony, Pied Piper, La Valse, Firebird, Filling Station, Con Amore, Fanfare, Afternoon of a Faun, Serenade, Bourrée Fantasque and Symphony in C, Cage, Swan Lake: General
Lisbon, Teatro Nacional de San Carlos, 1955
Box   21
Programs, clippings, sketches, correspondence, hanging plots, cue sheets, electrics
New York, 1966
Box   21
Showboat: Cue sheets, focus chart, electrical equipment, hook-up, set, light plot, (annotated) mimeo script, notes (JR), cues
Dallas Civic Opera
Box   21
Medea, 1958-1959, 1967: Track sheets, light plot, phone numbers and schedule, focus charts, board hook-up, focus notes and equipment list
Box   21
Italiani in Algeri, 1958: Light plots
Box   21
Barber of Seville, 1962: Electrics, hook-up, focus, cue, board sheets, focus charts, correspondence, plans (1961), plans (revised for 1962), master cue sheets
Box   21
Otello, 1962: Schedule, correspondence
Box   21
Marriage of Figaro, 1967: Light plots
Road, international
Box   22
Hello Dolly: Notes and transportation, miscellaneous, hook-up, focus chart, transposition for Japan, cue sheets, focus chart, light plot, hook-up, equipment list, notes, transposition
New York
Box   22
Odd Couple, 1965: Focus charts, cue sheets, light plot, equipment list, hook-up, cue sheets, board, hook-up, focus charts, equipment list, old notes, notes (JR), mimeo script fragment and equipment list, light plots, (annotated) mimeo script
Dallas Civic Opera, 1960
Box   22
Schedules, contracts, correspondence, Freedman and Slater, electrics
Box   22
State Fair Auditorium: Ground plan and general hanging plot
Box   22
Daughter of the Regiment: Cue sheets, light plot
Box   22
Butterfly: Cue sheets, correspondence
Box   22
Alcina: Cue sheets
Dallas Civic Opera, 1967
Box   22
“Old DCO to be returned to NY office at end of rep.,” 1966
Box   22
Figaro: General
Box   22
Gala 3: Program, general
Box   22
Faerie Queen: Cue sheets, focus charts, light plot, hook-up
Dallas Civic Opera, 1965
Box   22
General hook-up, transposition of 1964 to 1965 hook-up, general focus and Lucia focus (for ref.), equipment list, odd notes, light plot, hook-up and cue sheets, 1960
Box   22
La Traviata: Miscellaneous, focus charts, light plot, hook-up
Box   22
La Bohème: General
Box   22
Tosca: Light plot, hanging plans, ground plans, rev. ground plans, final cues, cues, hook-up, focus charts, general rep. focus, stage managers vocal score
Berlin, 1952
Box   23
Schiller: General notes, hanging plots, electrics, cue sheets
Monte Carlo, 1962
Box   23
Swan, Bourrée, Scotch Symphony, Cage, Faun, Borocco, Fanfare, Sylvia, Serenade, Western, Pas de Trois, Interplay, La Valse, Pied Piper
Naples, Teatro di San Carlo
Box   23
Technical, cue sheets, general, programs
Marseilles, 1955
Box   23
Light plots, cue sheets, focus charts, electrics, schedule and notes
Stuttgart, 1955
Box   23
Electrics, programs, hanging and colors, clippings, ad., cue sheets
Rome, 1953, 1955
Box   23
Electrics, cue sheets, hanging, cue sheets, miscellaneous, technical
Lausanne, 1955
Box   23
Electrics, hanging, cue sheets, general
Box   23
New York City Ballet: Serenade, Firebird, Pas de Trois, La Valse, Lilac, Sylvia, Pied Piper, Symphony in C, Swan Lake, Four Temperaments, Bourrée: general
Trieste, 1953
Box   23
Cue sheets, program, memorabilia, technical
Geneva, 1953
Box   23
Technical, programs and cues, clippings
Dallas Civic Opera, 1963-1964
Box   23
Correspondence, light plot and sepia, technical, equipment list, general hook-up
Box   23
Poppea: general
Box   23
Samson et Delilah: hook-up, focus sheets, cue sheets, correspondence
Box   23
Butterfly: correspondence, hook-up, focus sheets, cue sheets
Box   23
Tribute in Dance: hook-up, cue sheets and focus charts
M98-185
Part 4 (M98-185): Additions, 1955-1972
Physical Description: 0.8 cubic feet (1 archives box and 17 oversize folders including 154 drawings) 
Scope and Content Note

Additions, 1955-1972, has two sources: a group found in the stacks, and a group donated in 1998 by William Batchelder. The material found in the stacks consists only of large drawings and reproductions (with the exception of one folder of stage designs for “Hamlet”), and dates from 1955 to 1964. The material in the Batchelder donation includes both large drawings and reproductions and manuscript material, and dates from 1964 to 1972, except for the 1961 material relating to the Ballets USA.

The drawings and photostats consist of general stage plans, set and prop designs for productions for which Jean Rosenthal was the lighting designer, her own light plots for those productions, and proposals for stage designs for which she was a consultant. The other papers are notes, correspondence (between Rosenthal and Batchelder), lighting cue sheets, hookup charts, and equipment lists for productions for which Rosenthal was the lighting designer. The touring productions of Cabaret and Fiddler on the Roof, 1966-1972, are particularly well represented.

Arrangement of the Materials: Arranged by size, then chronologically by production (with the exception of the touring productions which are grouped together irrespective of date).
Series: Manuscript Materials
Box   1
Folder   1
American Shakespeare Festival, Stratford, Connecticut, 1959
Box   1
Folder   1
Hamlet, 3 water-color set designs: black-and-white photostats
Ballets USA (Jerome Robbins), Anta Theatre, 1961 September
Note: See also Oversize Folder 11.
Box   1
Folder   2
Hook-ups and equipment list
Box   1
Folder   3
Miscellaneous notes
Box   1
Folder   4
Events: cue sheets
Box   1
Folder   5
Faun: cue sheets
Box   1
Folder   6
Cage: cue sheets
Box   1
Folder   7
Interplay: cue sheets
Box   1
Folder   8
Jazz: cue sheets
Box   1
Folder   9
Moves: cue sheets
Box   1
Folder   10
Concert: cue sheets
Ballets USA (Jerome Robbins), Spoleto Festival, 1961
Box   1
Folder   11
Events: cue sheets
I Do, I Do
Note: See also Oversize Folder 5.
Box   1
Folder   12
Equipment list, 1966
Box   1
Folder   13
West Point Academy, Cadets Activity Center: preliminary specifications, 1967
Note: See also Oversize Folder 14.
Box   1
Folder   14
Northwestern University: equipment list, 1969
Cabaret
Note: See also Oversize Folder 15.
Box   1
Folder   15
National Company after Chicago, 1969: cue sheets, hookups, equipment lists, focus charts
Box   1
Folder   16
Second National Company, 1969: cue sheets, hookups, equipment lists, focus charts
Fiddler on the Roof
Note: See also Oversize Folder 16.
Box   1
Folder   17
1966 production: cue sheets, hookups, equipment lists, focus charts
Box   1
Folder   18
Second Touring Company, 1968: cue sheets, hook-ups, equipment lists, focus charts
Box   1
Folder   19
House border lights and front cue sheets, 1968
Box   1
Folder   20
B & T, 1968
Box   1
Folder   21
Fronts cue sheet, 1968
Box   1
Folder   22
Second National Company tour, 1969 (especially Los Angeles): cue sheets, hook-ups, equipment lists, focus charts
Box   1
Folder   23
, 1970 productions: various equipment specifications and cue sheets
Series: Oversize Materials
Size: 30 x 42-inches
Box   1
American Shakespeare Festival Theatre, Stratford, Connecticut: building plans, 1955 December
Note: “A-1: Basement Plan” (blueline reproduction)
“A-8: Longitudinal & Cross Sections” (blueline)
“A10: Balcony Plan” (blueline)
“A-11: Section 1-1 (Auditorium)” (blueline)
“A19: Details” (blueline)
Box   2
Mozart Festival, Stratford, Connecticut, 1956 May
Note: “Ceiling Set” (pencil drawing)
“Preliminary Hanging Plot” (pencil drawing)
American Shakespeare Festival tour, 1957
Box   2
Much Ado About Nothing
Note: Untitled design for a curtained doorway signed Rouben Ter-Arutunian (pencil drawing)
“Wedding Scene-Road” (pencil drawing)
“Hanging Section-Road” (pencil drawing)
“Road Plan” (pencil drawing)
American Shakespeare Festival, Stratford, Connecticut, 1958
Box   3
A Midsummer Night's Dream
Note: “Step Units, Plan & Elevation” (blueline)
“Tapestry-Front Elevation” (blueline)
“Forest Wagons-Details” (blueline)
Miscellaneous
Box   4
Poor Bitos, 1964 October
Note: “Fronts & Torms” (pencil drawing)
“Light Plot” (pencil drawing)
“Ground Plan” (pencil drawing)
“Specifications for Soft Masking Pieces” (pencil drawing)
Box   4
Romeo and Juliet, undated
Note: “Boxes” (pencil drawing)
“Props, Bed & Tomb” (pencil drawing)
Box   5
I Do, I Do (H.M. Tennent and David Merrick production, designed by Oliver Smith), 1966 September
Note

See also Box 1, Folder 12.

“2, Section” (blueline)
“3, Show Portal & Bureaus” (blueline)
“4, SR Side Masking” (blueline)
“5, SL Side Masking” (blueline)
“6, Borders, Drops & Tabs” (blueline)
“7, Band Shell” (blueline)
“8, Units # 1 & 2” (blueline)
“9, Units # 3 & 4” (blueline)
“10, Unit # 5—Bed” (blueline)
“11, Forestage & Lifts” (blueline)
“12, Toys # 1” (blueline). “13, Chandeliers # 1, 2, 3; Laundry; Toys # 2” (blueline)
“14, Wedding Hangers # 1 & 2” (blueline)
“Light Plot A” (blueline)
“Light Plot B, Torms & Fronts” (blueline)
“Light Plot C” (blueline)
“Hanging Plan A” (blueline)

Size: 36 x 48-inches
Box   6
American Shakespeare Festival, Stratford, Connecticut, 1956
Note: “Moveable Bridge” (pencil drawing, signed by Rouben Ter-Arutunian)
“Preliminary Layout” (pencil drawing)
“Light Plot-Fronts” (pencil drawing)
“Basic Set for Drama Season, Floor Plans” (blueline)
“Revised Basic Set Plan” (pencil drawing by Rouben Ter-Arutunian)
Box   6
American Shakespeare Festival, Stratford, Connecticut, 1957
Note: “Cyclorama Layout” (2 versions of pencil sketch, signed by Rouben Ter-Arutunian)
Unlabelled pencil sketch of light plot
“Side Cyc Masking—Elevations” (pencil drawing)
“Light Plot-Torm Ladder & Posts” (pencil drawing)
“Light Plot-Pipe Layout” (pencil drawing)
“Light Plot-Fronts” (pencil drawing)
“Machine & Track-Plan & Elevation” (pencil drawing)
“Hanging Section” (pencil drawing)
“Cyclorama-Elevations & Plan” (pencil drawing)
Box   7
American Shakespeare Festival, Stratford, Connecticut, 1958
Note: “Light Plot-Ladders & Torms” (pencil drawing)
“Light Plot-Fronts & Pipes” (pencil drawing)
“Revised Hanging Section” (pencil drawing)
Box   7
American Shakespeare Festival, Stratford, Connecticut, 1959
Note: “Light Plot-Ladders & Torms” (pencil drawing)
“Light Plot-Fronts & Pipes” (pencil drawing)
Box   8
Lunt-Fontanne Theater, New York City: plans, 1957 October
Note: “Plan of Loge” (blueline)
“Plan of Orchestra” (blueline)
“Mezzanine Fascia & Proscenium Opening Detail” (blueline)
“Plan of Mezzanine (Balcony)” (blueline)
Los Angeles Light Civic Opera Company
Box   9
The King and I, 1958 March
Note: “Light Plot” (pencil drawing)
Pilgrimage Bowl Theatre
Box   9
King Lear, undated
Note: General plan of Pilgrimage Bowl (ink drawing)
“Pilgrimage Bowl Light Plot, Lear” (pencil drawing)
Box   9
New York City Light Opera Company, unidentified production
Note: Light plot (transposed from NYC Opera Company, 1954 April), with variations for productions of Werther and Showboat (blueline)
Cambridge Drama Festival, 1960
Box   10
Henry IV, Parts One & Two (Phoenix Theatre)
Note: “Henry IV Part One, ground Plan” (blueline)
“Henry IV Part One, section” (blueline)
“Henry IV Part One, permanent stage structure: drapes, banners, traps” (blueline)
“Stage Layout” (blueline)
“Henry IV Parts 1 & 2, Light Plot” (pencil drawing)
Box   11
Ballets USA (Jerome Robbins), Anta Theatre, 1961 September
Note

See also Box 1, Folders 2-11.

“Light Plot” (blueline annotated in ballpoint)

Box   11
New York City Ballet, Saratoga Springs, 1966 July
Note: “Electric and Line Layout” (blueline)
Various plays, 1966
Box   12
Hello Dolly, 1966 August
Note: “Light Plot A” (blueline)
“Light Plot B” (blueline)
Box   12
Luv, 1966 September
Note: “Bus & Truck Light Plot A” (blueline)
“Bus & Truck Light Plot B” (blueline)
Box   12
Illya, Darling, 1966 December
Note: “Star Drop” (blueline)
“Light Plot A” (blueline)
“Light Plot B, Fronts & Torms” (blueline)
“Light Plot C, Miscellaneous Details” (blueline)
Box   13
Various plays, 1967-1969
Box   13
Ithaca Festival Theatre: proposal, 1967 January
Note: “Proposed Catwalk Positions” (2 different bluelines)
Metropolitan Opera at the Lincoln Center
Box   13
Romeo and Juliet, 1967 August
Note: “Light Plot” (redline reproduction with pencil emendations)
David Merrick and Gower Champion
Box   13
The Happy Times, 1967 October
Note: “1, Lighting Section” (blueline)
“2, Light Plot” (blueline)
“3, Light Plot-Torms, Shadow Towers” (blueline)
“5, Light Plot-Fronts” (blueline)
Saint Subber
Box   13
Weekend, 1968 January
Note: “Light Plot A” (blueline)
“Light Plot B, torms and fronts” (blueline)
Alexander H. Cohan
Box   13
Dear World, 1968 October
Note: “Light Plot A” (blueline with ballpoint emendations)
“Light Plot B, fronts, torms, ladders” (blueline)
Box   13
School of Speech, Northwestern University: Thrust theatre plans, 1969 November
Note: “5 foot level” (blueline)
“15 foot level” (blueline)
Box   14
Juilliard School of Music, Drama Workshop: Theatre production service plans, 1966-1969
Note: Plan of grid lights (blueline)
“Rigging Plan” (blueline)
“Ground Plan” (blueline)
“Stage Grid Plan” (blueline)
“Stage Left and Right Elevation, Stage Rear Elevation, Chamber Music Hall Grid Plan” (blueline)
“Layout of Stage Equipment” (3 bluelines with different pencil emendations)
“Portable Platforms” (blueline)
“Forestage Shapes” (blueline)
Box   14
Cadets Activity Center, West Point Academy: plans, 1969
Note

See also Box 1, Folder 13.

“Floor Details” (blueline)

Box   14
Unidentified
Note: Stage floor plan (pencil drawing)
Line plot and sections (blueline)
Cabaret
Note: See also Box, 1, Folder 15-16.
Box   15
New York and Boston productions, 1966
Note: “Footlights Detail” (blueline)
“Dis. Foots” (blueline)
“Apron Lamps Detail” (blueline)
“Section, Broadhurst Theatre” (blueline)
“Light Plot A” (blueline)
“Light Plot B, N.Y. Fronts” (blueline)
“Light Plot C, Torms & Scenic” (blueline)
“Light Plot D, Fronts, Boston” (blueline)
Box   15
National Company after Chicago, 1969
Note: “Light Plot” (pencil drawing and emended blueline)
Box   15
Second National Company, 1969
Note: “Light Plot” (pencil drawing and emended blueline)
Box   15
Theatre Now Inc., 1969
Note: “1, Plan” (blueline)
“2, Section” (blueline)
“3, Curtains & Maskings” (blueline)
“4, Stair-R.R. Carriage, Side Walls & Tabs—Stool” (blueline)
“5, Cliff's Room, Sign-Mirror” (blueline)
“6, Schneider's Room, Moneyprops—Bandwagon” (blueline)
“7, Schultz” (blueline)
“8, Kit Kat Klub Drop & Stage” (blueline)
“9, S.L. & S.R. KKK Units” (blueline)
“1, Basic Plan” (blueline)
“2, Cliff's Plan” (blueline)
“3, Kit Kat Klub-Plan” (blueline)
“4, Schneider's Plan” (blueline)
“5, Schultz-Plan” (blueline)
Fiddler on the Roof
Note: See also Box 1, Folders 17-23.
Box   16
Unidentified production
Note: Light plot (pencil sketch).
Box   16
National Company, 1966
Note: “3, Light Plot” (blueline)
Box   16
Theatre Now Inc., 1968 (Boris Aronson set designs)
Note: “1, Tradition” (blueline)
“2, Matchmaker” (blueline)
“3, If I Were a Rich Man” (blueline)
“4, Sabbath” (blueline)
“5, Inn” (blueline)
“6, Barn Scene” (blueline)
“7, Bed Room” (blueline)
“8, Tailor Shop” (blueline)
“9, Act II, Scene 1” (blueline)
“10, Station—Chava” (blueline)
“11, Finale” (blueline)
“1, Ground Plan” (blueline)
“2, Section” (blueline)
“3, Show Portal—Moon” (blueline)
“4, Town Appliqué—Drops—Masking—Tracks” (blueline)
“5, Tevye's House” (blueline)
“6, Inn—Tailor's Shop” (blueline)
“7, Barn—Pump—Cheese Trough—Bed—R.R. Station—Motel's & Tevy's Wagons—Fences” (blueline)
Box   16
Second Touring Company, 1968
Note: “Light Plot 1” (blueline with ink emendations)
Box   16
Second National Company, 1968
Note: “Light Plot” (pencil drawing and 2 bluelines with different ink emendations)
Box   16
Second National Company, Los Angeles and Berkeley, 1969
Note: “Ground Plan” (blueline)
“Light Plot” (blueline)
Box   16
Merriweather Post Pavilion of Music, Columbia, Maryland, 1970
Note: Printed stage plan and section
Untitled plan (blueline)
Box   16
Broadway Theatre, New York City, 1970 November
Note: “Light Plot” (pencil drawing).
Box   16
Las Vegas production, 1972
Note: Untitled light plot (blueline).
Size: 40 x 60-inches
Box   17
T.A.M.S.
Virgin Gorda, undated
Note: “Full Scale Wand Pattern” (2 pencil drawings).