Bruce Barton Papers, 1881-1967

Container Title
Series: Production Files
The Arabian Nights: play
Box   6
Folder   6
Typescript by Sidney Grundy, annotated by Nash, undated
Box   6
Folder   7
Incomplete typescript by Grundy, annotated by Nash, undated
The Arena: teleplay (Goodyear Television Playhouse, aired August 1, 1954)
Box   6
Folder   8
Typescript by Nash, undated
Box   6
Folder   9
Typescripts annotated by Nash, 1954 August 1
Box   6
Folder   10
Script annotated by Nash, 1954 August 1
Box   7
Folder   1
Script by Nash, 1954 August 1
The Bad One, based on teleplay Murder in Athens
Box   7
Folder   2
Early Notes, circa 1953
Box   7
Folder   3
First draft revised and annotated, undated
Box   7
Folder   4
Extra pages for Thomajan script, circa 1953
“Bagdad”
Box   7
Folder   5
Preliminary notes toward a screenplay by Nash, undated
Bandoola (“Elephant Bill”): screenplay
Box   7
Folder   6
Third draft typescript by Nash, 1956 March 22
Box   7
Folder   7
Revised script by James R. Webb?, 1956 June 1
Box   7
Folder   8
Typescript, undated
Banned in Boston
Box   7
Folder   9
Treatments by Nash, undated
The Betrothal: play
Box   7
Folder   10
Typescripts and translation by Nusbaum, 1932
The Blonde Sparrow: screenplay
Box   7
Folder   11
Typescript annotated by Nash, undated
Box   7
Folder   12
Script by Nash, undated
The Boston Story
Box   7
Folder   13
Outlines by Nash, 1954
The Brownstone: teleplay (Philco Television Playhouse, January 24, 1954)
Box   7
Folder   14
Original typescript by Nash, undated
Box   8
Folder   1
Teleplay annotated by Nash with revisions, 1954 January 24
Box   8
Folder   2-3
Teleplay annotated by Nash with revisions and alternate ending, 1954 January 24
Box   8
Folder   4
Teleplay annotated by Nash with revisions, 1954 January 24
Box   8
Folder   5
Typescript teleplay annotated by Nash, 1954 January 31
Box   8
Folder   6
Teleplay annotated by Nash, 1954 January 31
Box   8
Folder   7
Typescript by Nash, undated
Box   8
Folder   8
Typescript annotated by Nash, undated
Burning Daylight
Box   8
Folder   9
Outline by Nash, 1952 January 23
Cause for Alarm: screenplay
Box   8
Folder   10
Early draft by Nash, 1952 August 25
Box   9
Folder   1
Screenplay by Nash, undated
The Chromium Girl
Box   9
Folder   2
Early draft, undated
Box   9
Folder   3
Typescript, undated
Box   9
Folder   4
Typescript by Nash, undated
Box   9
Folder   5
Notes and dialogue, circa 1956
“Cinderella”
Box   9
Folder   6
Treatment, circa 1946
Cleopatra: a musical
Box   9
Folder   7
Notes and dialogue, undated
Box   9
Folder   8
Outlines, undated
Box   9
Folder   9
Early draft annotated, 1955? April 14
Box   9
Folder   10-11
Early drafts by Nash, undated
Box   9
Folder   12
First draft annotated by Nash, undated
Box   10
Folder   1
Typescript by Nash with notes for revisions, undated
Box   10
Folder   2
Songs, undated
A Connecticut Yankee: screenplay
Box   10
Folder   3
Typescript by Nash, 1947 January 3
The Critic: play
Box   10
Folder   4
Typescript annotated, undated
Crosby-Fitzgerald Story
Box   10
Folder   5
Work script and notes, 1945 November
Box   10
Folder   6
Treatment by Arthur Sheekman and Nash, 1945 December 11
The Daniel Webster Story and The Last Will of Daniel Webster
Box   10
Folder   7
Outline and typescripts annotated and revised by Nash, 1953 January-April
Debit and Credit: play
Box   10
Folder   8
Typescript, undated
The Doctor Fellow
Box   10
Folder   9
Treatment by Nash, undated
The Drum Maker: for ballet theatre
Box   10
Folder   10
Synopsis by Nash, undated
The Front Man: screenplay
Box   10
Folder   11
Typescript by Alfred Hayes, revisions by Nash, Parts I and II, 1950 November 11
Girls of Summer: play and screenplay
Box   10
Folder   12
Correspondence, 1956 February-1957 October
Play
Box   10
Folder   13
Notes and correspondence, 1956
Box   11
Folder   1
First draft typescript by Nash, 1955 July 9
Box   11
Folder   2
Typescript by Nash, 1955 August 3
Box   11
Folder   3
Typescript by Nash, 1955 August 30
Box   11
Folder   4
Typescript annotated by Nash, 1955 November 14
Box   11
Folder   5
Revised script by Nash, 1955 December 29
Box   11
Folder   6
Script annotated by Nash, 1956 July 17
Box   11
Folder   7
Typescript annotated by Nash, 1956 September 12
Box   11
Folder   8
Script annotated by Nash, 1956 September 12
Screenplay
Box   12
Folder   1
Rough draft, undated
Box   12
Folder   2
First draft typescript by Nash, 1957 May 9
Box   12
Folder   3
Second draft typescript, 1957 July 3-8
Box   12
Folder   4
Second draft annotated by Nash, 1957 July 8
Box   12
Folder   5
Third draft typescript by Nash, 1957 August 22
Box   12
Folder   6
Third draft annotated by Nash, 1957 August 22
Box   12
Folder   7
First temporary yellow, by Nash, 1957 October 25
Box   13
Folder   1
Annotated script by Nash, undated
Box   13
Folder   2
Translation into German by Willy H. Thiem, undated
Box   13
Folder   3
Programs and reviews of play
Box   13
Folder   4
Miscellaneous
“Go-and-Get”: short story
Box   13
Folder   5
Typescript annotated by Nash, undated
The Goldbergs: screenplay
Box   13
Folder   6
Final script by Nash and Gertrude Berg, 1950 July 28
The Great Sebastians: screenplay
Box   13
Folder   7
Outline by Blake Edwards, 1957 April 17
Box   13
Folder   8
Annotated copy of play by Howard Lindsay and Russel Crouse to be used in connection with screenplay, undated
Box   13
Folder   9
Script by Lindsay and Crouse, undated
Box   13
Folder   10-12
Early draft screenplays annotated by Nash, undated
Box   14
Folder   1
Typescript screenplay by Nash, 1957 August 24
Greetings From the President: play
Box   14
Folder   2
Typescript by Nusbaum and Chester Erskin, 1942
Gregory Comes Home Again: play
Box   14
Folder   3
Typescript annotated by Nusbaum, 1932 May
Handful of Fire: play
Box   14
Folder   4
Cast list, production schedule, 1958
Box   14
Folder   5
Casting
Box   14
Folder   6
Production correspondence and notes, 1958
Box   14
Folder   7
Revisions, notes on cutting, undated
Box   14
Folder   8
Angel: typescript annotated by Nash, undated
Note: Later became Handful of Fire.
Box   14
Folder   9
Angel: typescripts annotated by Nash, undated
Note: Two early typescript drafts.
Box   14
Folder   11
Typescript annotated by Nash, 1957
Box   14
Folder   12
Script annotated by Nash, 1957
Note: Labeled “Work Script”
Box   14
Folder   13
Script annotated by Nash, 1957
Box   15
Folder   1
Rehearsal draft typescript annotated by Nash, 1957
Box   15
Folder   2
“Stage Manager's Script” annotated with production notes, 1957
Box   15
Folder   3
Script by Nash, 1957
Box   15
Folder   4
Script fragments, notes, undated
Box   15
Folder   5
Script fragments annotated, undated
Box   15
Folder   6
“The Night Star”: synopsis and notes, undated
Box   15
Folder   7
Titles, undated
The Happy Rest: teleplay
Note: Philco Television Playhouse, October 4, 1953
Box   15
Folder   8
Correspondence and script, 1964
Box   15
Folder   9
Miscellaneous
Box   15
Folder   10
Notes and first draft by Nash, undated
Box   15
Folder   11
Early draft by Nash, undated
Box   15
Folder   12
Early draft by Nash, undated
Box   15
Folder   13
Typescript by Nash, undated
Box   15
Folder   14
Script by Nash, undated
Box   15
Folder   15
Teleplay by Nash, 1953 October 4
Box   15
Folder   16
Revised script corrected for typist by Nash, 1953 October 4
Box   16
Folder   1
Revised teleplay by Nash with rehearsal schedule, 1953 October 4
Note: “As Aired”
Box   16
Folder   2
Revised teleplay annotated by Nash, 1953 October 4
Note: “As Aired”
Box   16
Folder   3
Teleplay by Nash, undated
Note: NBC Matinee Theatre
The Happy Time: musical
Box   16
Folder   4
Audition schedules, notes to Gower Champion and clipping, 1967
Box   16
Folder   5
Musical synopsis, undated
Box   16
Folder   6
Program, Ahmanson Theatre, Los Angeles, 1967
Box   16
Folder   7
First draft typescript annotated by Nash, undated
Box   16
Folder   8
Typescripts, Act 1, Scenes 1-8, undated
Note: “Working Draft,” “Prior to Coleman-Fields”
Box   16
Folder   9
“Keep It In the Family”: typescript annotated, undated
Note: “Prior to Coleman-Fields”
Box   16
Folder   10
“Keep It In the Family”: typescript annotated, undated
Note: “Prior to Coleman-Fields”
Box   16
Folder   11
“Keep It In the Family”: typescript libretto annotated by Nash, undated
Note: “Prior to Coleman-Fields”
Box   16
Folder   12
Typescript annotated by Nash, undated
Note: “Coleman-Fields”
Box   16
Folder   13
Early typescripts annotated by Nash, undated
Box   17
Folder   1
“Keep It In the Family”: script by Nash, Dorothy Fields, and Cy Coleman, undated
Box   17
Folder   2
“Keep It In the Family”: script by Nash, Fields, and Coleman, undated
Note: Annotated by Fields, “Nash Work Copy”
Box   17
Folder   3
“Keep It In the Family”: script by Nash, Fields, and Coleman, undated
Box   17
Folder   4
“Keep It In the Family”: script by Nash, Fields, and Coleman, undated
Note: “Nash Work Copy”
Box   17
Folder   5
“Keep It In the Family”: script annotated by Nash, Fields, and Coleman, undated
Box   17
Folder   6
Typescript revisions annotated, Acts I and II, circa May 1967
Box   17
Folder   7
Typescript revisions annotated, Acts I and II, prior to May 1, 1967
Note: “E.K.”
Box   17
Folder   8
Typescript revisions annotated, Acts I and II
Note: “Incomplete, E.K., Prior to May 1, 1967”
Box   17
Folder   9
Revisions annotated, Act II, before May 1, 1967
Note: “E.K.”
Box   17
Folder   10
Typescript working draft annotated, Act I, Scenes 1-8
Box   17
Folder   11
Revised pages, Act I (bedroom), 1967
Box   17
Folder   12
Revised pages, end of Act I, 1967
Box   18
Folder   1
Revised pages, Act I (family scene), 1967
Box   18
Folder   2
Revised pages, Acts I and II (Laurie-Jacques), 1967
Box   18
Folder   3
Revised pages, Act II (apology), 1967
Box   18
Folder   4
Revised pages, Act II (bedbug), 1967
Box   18
Folder   5
Revised pages, Act II (confrontation), 1967
Box   18
Folder   6
Revised pages, Act II (life of the party), 1967
Box   18
Folder   7
Revised pages, Act II (tag), 1967
Box   18
Folder   8
Revisions of Act II annotated, undated
Box   18
Folder   9
Revised pages annotated, 1967
Box   18
Folder   10
Typescript revisions annotated, Acts I and II
Note: Labeled “Final, June 7, 1967” and “Gower Champion”
Box   18
Folder   11
Revisions after Los Angeles tryout, 1967
Box   18
Folder   12
Typescript annotated of later draft by Nash, undated (Yellow)
Box   18
Folder   13
Script by Nash, June 18, 1967 (Blue)
Box   18
Folder   14
Typescript (“E.K. Version”) by Nash, undated
Note: Retyped Yellow
Box   19
Folder   1
Typescript annotated by Nash, undated
Note: Yellow #3
Box   19
Folder   2
Script annotated by Nash, 1967 August 19
Note: “Next to Last Draft (Before Rehearsal)”
Box   19
Folder   3
Script (late) annotated by Nash, circa 1967 September
Box   19
Folder   4
Script (late) by Nash, undated
Box   19
Folder   5
Script annotated by Nash, undated
Note: “Nash Work Copy”
Box   19
Folder   6
Revised pages annotated, red script, 1967 July 7
Box   19
Folder   7
Script (late) by Nash, undated
Box   19
Folder   8
Script (late) by Nash, undated
Box   19
Folder   9
Script by Nash, undated
Box   19
Folder   10
Script (late) annotated by Nash, circa 1967
Box   20
Folder   1
Revised script annotated by Nash, 1967
Box   20
Folder   2
Script annotated by Nash with 1967 revisions
Note: “Late”
Box   20
Folder   3
Typescript annotated by Nash, undated
Box   20
Folder   4
Revisions of Acts I and II, undated
Box   20
Folder   5
Revisions, 1967
Note: “E.K.”
Box   20
Folder   6
Handwritten notes and revisions, undated
Note: “Scratches”
Box   20
Folder   7
Script revisions and notes, undated
Box   20
Folder   8
Revised pages, undated
Box   20
Folder   9
Revisions and script fragments, undated
Note: “Used Pages”
Box   21
Folder   1
Revised pages, 1967
Note: “Obsolete”
Box   21
Folder   2
Revised pages annotated, 1968
Box   21
Folder   3
Synopsis and character sketches, undated
A Headache for Home: play
Box   21
Folder   4
Typescript by Nash, undated
Heartbeat: screenplay
Box   21
Folder   5
Draft script by Nash, 1951 June 11
Heaven and Earth, Horatio: play
Box   21
Folder   6
First draft by Nusbaum, 1938 August
The Helen Morgan Story: screenplay
Box   21
Folder   7
First draft typescript by Nash, 1951 December 17
Helen of Troy: screenplay
Box   21
Folder   8
Treatment by Hugh Gray, 1952 April 11
Box   21
Folder   9
Draft by Gray and Nash (with later revisions), 1952 May 19
Here Come the Brides: play and screenplay
Box   21
Folder   10
Continuity and notes, 1961 May
Box   21
Folder   11
Correspondence, notes on cut version, 1959, 1961
Box   21
Folder   12
Dialogue notes, undated
Box   21
Folder   13
Music, lyrics, undated
Box   21
Folder   14
Research and notes for first draft, undated
Box   22
Folder   1
Original notes for a musical play for the screen - scenes outlined on cards, undated
Play
Box   22
Folder   2
First draft typescript with revisions by Nash, undated
Box   22
Folder   3
Second draft annotated by Nash, 1959 January 20
Box   22
Folder   4
Typescript annotated, 1959 July-August
Box   22
Folder   5
Third draft script by Nash, 1959 August 31
Box   22
Folder   6
Revised third draft annotated by Nash, 1959 August 31
Box   22
Folder   7
Revised pages, 1961 May-June
Box   23
Folder   1
Revised third draft by Nash, 1961 June 29
Box   23
Folder   2
Typescript revised, 1961?
Screenplay
Box   23
Folder   3
First draft by Nash, 1967 October 10
Box   23
Folder   4
Revised first draft annotated by Nash, circa 1967 October
Box   23
Folder   5
Typescript by Nash with revisions, 1967 November 11
Box   23
Folder   6
Final draft script by Nash, 1967 November 17 with revisions of 1967 November 24
Box   23
Folder   7
Typescript annotated by Nash, 1967
Box   23
Folder   8
Revised pages annotated by Nash, pp. 1-38, circa 1967
Box   23
Folder   9
Revised and annotated script, undated
Box   23
Folder   10
Typescript annotated by Nash, undated
Box   23
Folder   11
Typescript by Nash, undated
The Hero
Box   23
Folder   12
Treatments and revisions by Nash, 1951-1952
The Highest Mountain: teleplay
Box   23
Folder   13
Early draft by Nash, undated
Box   23
Folder   14
Typescripts by Nash, 1953, undated
Box   23
Folder   15
Clippings, undated
Holiday High: teleplay?
Box   23
Folder   16
Proposal for a half-hour comedy series annotated by Nash, undated
Incognito
Box   23
Folder   17
Royalties, 1941-1960
The Indian Sign: play
Box   24
Folder   1
Typescript, 1942 April 12
Box   24
Folder   2
Typescript by Nusbaum, 1942 April 14
Box   24
Folder   3
Typescript by Nusbaum, undated
Box   24
Folder   4
Typescript annotated by Nusbaum (copyright 1942), undated
Box   24
Folder   5
Typescript by Nusbaum, circa 1943
Box   24
Folder   6
Typescript by Nash, undated
Box   24
Folder   7
Typescript by Nash, undated
Box   24
Folder   8
Typescript by Nash, undated
Box   25
Folder   1
Typescript by Nash, undated
Box   25
Folder   2
Set plans, address books, undated
Inherit the Wind: novel
Box   25
Folder   3
Typescript annotated, undated
Box   25
Folder   4-5
Typescript annotated, undated
Box   25
Folder   6
“Beloved Serpent”: outline by Nash?, 1947 March 19
Box   25
Folder   7
“The Rise of Julie Spencer”: outline annotated by Nash, 1947 March 20
Box   25
Folder   8
“The Rise of Julie Spencer”: synopsis and treatment, undated
Box   25
Folder   9
Treatment by Nash, 1947 March 25
The Joker: teleplay
Box   25
Folder   10
Philco Television Playhouse, 1954 May 2
Box   26
Folder   1
Typescript by Nash, undated (copyright 1954)
Box   26
Folder   2
Script by Nash, 1954 May 2
Note: “As Aired”
Keep It In the Family: play
Box   26
Folder   3-4
Correspondence between Nash and Allan Davis with notes and revisions, 1967 June-September
Box   26
Folder   5
Program, Colonial Theatre, Boston and clipping, 1967 September
Box   26
Folder   6
Research
Box   26
Folder   7
“Spring and Port Wine”: script annotated by Bill Naughton
Note: Labeled “Final Version, March 1966” and “New Changes, April 1966”
Box   26
Folder   8
“Spring and Port Wine”: script annotated by Naughton, undated
Box   26
Folder   9
“Spring and Port Wine”: annotated typescript adapted by Nash from the play by Naughton, undated
Box   26
Folder   10
“Spring and Port Wine”: annotated script adapted by Nash from the play by Naughton, undated
Box   26
Folder   11
“Spring and Port Wine”: script adapted by Nash from the play by Naughton, undated
Box   27
Folder   1
Script annotated by Nash, undated
Box   27
Folder   2
Script annotated by Nash, undated
Box   27
Folder   3
Script annotated by Nash, undated
Note: “Rehearsal Version”
Box   27
Folder   4
Revised script by Nash, undated
Note: “Rehearsal Draft”
Box   27
Folder   5
Script annotated by Nash, undated
Note: “New York Performance Script”
The Lioness
Box   27
Folder   6
“Anna Magnani Story”: synopses by Nash, undated
Lonny: play
Box   27
Folder   7
Typescript, undated
“Love and Doctor Simon”: screenplay
Box   27
Folder   8
Story idea by Nash, undated
The Mad Hatters: play
Box   27
Folder   9
First draft and revisions, undated
Magic
Box   28
Folder   1
Annotated script, undated
Note: No author indicated.
Box   28
Folder   2
Revised pages, undated
Mark Dolphin (“Mr. Trouble”)
Note: United Artists Television, series
Box   28
Folder   3
Background material, cast listing, notes, sets and locations, 1963
Box   28
Folder   4
Correspondence, 1963
Box   28
Folder   5
“Old Money”: first draft script by Nash, 1963 May 25
Box   28
Folder   6-7
“Runaway,” formerly “Old Money”: revised and annotated script by Nash, 1963 June 6
Box   28
Folder   8
“Runaway”: second draft of pilot episode by Nash, 1963 July 8
Box   28
Folder   9
“Runaway”: second draft of pilot episode annotated and revised by Nash, 1963 July 8
Box   28
Folder   10-11
“Runaway”: revised script of pilot episode annotated by Nash, 1963 November 11
Box   29
Folder   1
“Runaway”: draft script of pilot episode by Nash, undated
Box   29
Folder   2
“Runaway”: revised script of pilot episode by Nash, 1963 November 19
Box   29
Folder   3
“Runaway”: revised script of pilot episode annotated and revised by Nash, 1963 November 19
Note: “Work Script”
Box   29
Folder   4
“Runaway”: revised script of pilot episode annotated by Nash, 1963 November 23
Box   29
Folder   5
“Runaway”: pilot script, revised pages, 1963, undated
Box   29
Folder   6
“Runaway”: pilot script by Nash, undated
Box   29
Folder   7
Pilot script - script pages and notes, undated
Merry-Go-Round: play
Box   29
Folder   9
Scripts for individual party, undated
Note: No author indicated.
A Mexico Play: play
Box   29
Folder   9
Notes and early draft, undated
Box   29
Folder   10
Early draft, undated
Box   29
Folder   11
Typescript by Nusbaum, undated
“Minstrel Girl”
Box   30
Folder   1
Research, 1947-1948
The Monkey Trial: dramatized reading
Box   30
Folder   3
Typescript draft by Nash, undated
Box   30
Folder   4
“The Tennessee Evolution Case”: typescript annotated, dramatized by Nash, copyright 1954
Box   30
Folder   5
Script dramatized by Nash, copyright 1954
Box   30
Folder   6
Typescript revisions, undated
The Nature of the Beast: play
Box   30
Folder   7-8
Rough notes by Nash, undated
Box   31
Folder   1
“A Rumor of Happiness”: materials draft annotated, undated
Box   31
Folder   2
First draft typescript annotated, undated
Box   31
Folder   3
Revised first draft annotated by Nash, copyright 1964
Box   31
Folder   4
Revised script annotated with critical comments by Nash, circa 1964 July
Box   31
Folder   5
Revised script annotated by Nash, 1964 August 14
Box   31
Folder   6
Script by Nash, copyright 1964
“Nell and Charlie”: play
Box   32
Folder   1
Typescript annotated and notes, undated
A Nice Place to Visit: a musical play
Box   32
Folder   2
Dialogue, undated
Box   32
Folder   3
Lyrics of finished songs, undated
Box   32
Folder   4
Notes, undated
Box   32
Folder   5
Outlines, undated
Box   32
Folder   6-8
Early draft scripts annotated, undated
Box   32
Folder   9
Typescript by Nash, 1957 March 18
Box   32
Folder   10
Typescript annotated by Nash, undated
The Night I Chased the Woman with an Eel: play
Box   32
Folder   11
Early notes, undated
Box   33
Folder   1
Script by David E. Nicholson, annotated by Nash, undated
Box   33
Folder   2
Typescript annotated by Nicholson, undated
Box   33
Folder   3
Typescript draft annotated, undated
Box   33
Folder   4
Typescript annotated by Nash, undated
No Latter Rain: play
Box   33
Folder   5
Typescript by Nusbaum, undated
Off-Color
Box   33
Folder   6
Treatment by Nash and Ralph Nelson, 1950 August 18
Oh, Benny!, or, The Book Worm Turns: play
Box   33
Folder   7
Typescript by Nathan Nusbaum, undated
The Older Woman: a love story for television
Box   33
Folder   8
Typescript synopsis by Nash, circa 1953
Parting at Imsdorf
Box   33
Folder   9
Correspondence and royalties, 1942 January-1958 March
The Pavilion: play?
Box   33
Folder   10
Incomplete typescript, undated
Peter's Wooden Leg: story for television
Box   33
Folder   11
Synopsis and early draft by Nash, undated
Pierrot-Pierrette Plays (A Feather and The Death of Pierrot)
Box   33
Folder   12
Typescripts annotated by Nusbaum, undated
Pig Alley: screenplay
Box   33
Folder   13
Typescript stories for screenplay by Nash, undated
Pioneer, Go Home (“The Kwimpers”): television
Box   33
Folder   14
“God Bless Our Home”: typescript annotated and revised by Nash, undated
Box   33
Folder   15
“God Bless Our Home”: draft script with revisions and notes, undated
Box   33
Folder   16
“God Bless Our Home”: pilot script by Nash, undated
Box   34
Folder   1
“God Bless Our Home”: typescript pilot script annotated and revised by Nash, undated
Box   34
Folder   2
Revised script by Nash, 1963 October 15
Box   34
Folder   3
Pilot script by Nash, undated
Porgy and Bess: screenplay
Box   34
Folder   4
Clippings
Box   34
Folder   5
Correspondence with Samuel Goldwyn and others regarding revisions of screenplay, 1957-1959
Box   34
Folder   6
Typescript of musical play annotated, 1935 version
Box   34
Folder   7
Revised screenplay by Nash, 1958 January 27
Box   34
Folder   8
Second revised screenplay by Nash, 1958 February 17
Box   34
Folder   9
Third revised screenplay by Nash with additions, 1958 February 28
Box   34
Folder   10
Fourth revised screenplay by Nash, 1958 June 12
Box   34
Folder   11
Screenplay by Nash, undated
The Promise: teleplay
Box   34
Folder   12
Synopsis by Nash, undated
Quarter Century: television
Note: Nash's opinion is that this was the first TV show commercially sponsored anywhere.
Box   34
Folder   13
Typescript annotated by Nusbaum, 1941
Note: Originally produced over WPTZ, Philadelphia, October 31, 1941.
Box   34
Folder   14
Shooting Script, by Nusbaum, 1941
Note: As produced by Philco Television.
The Rainmaker: teleplay, screenplay, play, musical
Box   35
Folder   1
“Do the Ballads Always Die?”: drafts of article by Nash, undated
Box   35
Folder   2
“On Signs and Symbols”: article by Nash, undated
Box   35
Folder   3
Untitled article by Nash, undated
Box   35
Folder   4
Casting and auditions, 1962-1963
Box   35
Folder   5
Cast lists and character sketches, undated
Box   35
Folder   6
110 in the Shade: cast lists, time sheets, script revisions, 1963 June-October
Box   35
Folder   7
110 in the Shade: casting and auditions, New York and California, 1964 January-July
Box   35
Folder   8
Clippings
Box   35
Folder   8A
Foreign press clippings
Note: British, German, and Scandinavian
Correspondence
Box   35
Folder   9
General, 1952-1964
Box   35
Folder   10
British production, 1955 May-1958 December, undated
Box   35
Folder   11
Financial reports regarding 110 in the Shade, 1963 December-1965 May
Box   35
Folder   12-13
Miscellaneous
Box   35
Folder   14
Music - outlines for musical, changes in text, lyrics, 1962 April
Box   36
Folder   1
110 in the Shade: music and song notes, undated
Box   36
Folder   2
110 in the Shade: production notes and memos, Broadhurst Theatre, New York, 1963 August-October
Box   36
Folder   3
Notes for a screenplay
Box   36
Folder   4
Notes on the production by Geraldine Page's understudy
Box   36
Folder   5
Production notes, undated
Box   36
Folder   6
Programs for various productions
Box   36
Folder   7
Reviews (German), 1955
Box   36
Folder   8
Reviews and clippings regarding 110 in the Shade, 1963
Teleplay
Box   36
Folder   9
Typescript by Nash, Goodyear Television Playhouse, 1953 August 16
Note: “As Aired”
Box   36
Folder   10
Teleplay annotated by Nash, 1953 August 16
Box   36
Folder   11
Typescript annotated by Nash, copyright 1953, circa 1954? March
Note: “Original”
Box   36
Folder   12
Typescript story and teleplay by Nash, undated
Screenplay
Box   37
Folder   1
First draft, circa 1955
Box   37
Folder   2
First draft by Nash, circa 1955
Box   37
Folder   3
Second draft annotated by Nash, circa 1955
Box   37
Folder   4
First temporary yellow annotated by Nash, 1955 June 9
Box   37
Folder   5
Second temporary yellow annotated by Nash, 1955 October 18
Box   37
Folder   6
Third temporary yellow annotated by Nash, 1955 December 27
Box   37
Folder   7
Fourth temporary yellow annotated by Nash, 1956 March 23
Box   38
Folder   1
Final screenplay by Nash, 1956 May 21
Box   38
Folder   2
Final typescript screenplay by Nash, 1956 June 2
Play
Box   38
Folder   3
Script annotated and revised for Random House Publication by Nash, circa 1955
Box   38
Folder   4
Published play by Nash with annotations for music, New York, Random House, 1955
Box   38
Folder   5
Typescript by Nash, undated
Box   38
Folder   6
Typescript by Nash, undated
Box   38
Folder   7
Revised typescript by Nash, undated
Box   38
Folder   8
Revised script annotated by Nash, undated
Box   39
Folder   1
Revised script by Nash, undated
Box   39
Folder   2
Script annotated by Nash, undated
Box   39
Folder   3
Script annotated by Nash with property plot and set layout sketch, undated
Box   39
Folder   4
Script annotated with stage direction notes by Nash, undated
Musical
Box   39
Folder   5
Script annotated for musical, undated
Box   39
Folder   6
“Rainbow”: script annotated for a musical by Nash, 1963 January 30
Box   39
Folder   7
“Rainbow”: script annotated by Nash, 1963 January 30
Note: Act I only with suggested cuts
Box   39
Folder   8
Script annotated, circa 1963 January 30
Box   40
Folder   1
“Rainbow”: script by Nash, 1963 April 25
Box   40
Folder   2
“Rainbow”: revised script by Nash, 1963 April 25
Box   40
Folder   3
“110 In the Shade”: script with rehearsal revisions by Nash, 1963 July 11
Box   40
Folder   4
Script annotated, Act II only, undated
Box   40
Folder   5
Der Regenmacher: German version / translated by Willy H. Thiem
Box   40
Folder   6
O Homem Que Fazia Chover: Portuguese version of script / translated by Costa Ferreira
Box   40
Folder   7
Records of Brazilian Production, 1960
Box   40
Folder   8
El Que Hace la Lluvia: Spanish version of script / translated by Antonio Planiol
The Red Handbag/The Red Purse: play
Box   41
Folder   1
Draft play by Nash (pseudonym, Richard Karlen), undated
Return Fare: screenplay
Box   41
Folder   2
Draft script annotated, 1961 July-August
Box   41
Folder   3
Draft script annotated, 1961 August
Box   41
Folder   4
Script by Nash, 1961 August 24
Box   41
Folder   5
Incomplete draft by Nash, 1961 August 24
Box   41
Folder   6
Notes, scene notes, 1961 September-October
Box   41
Folder   7
Draft script annotated, incomplete, undated
Return Voyage: play
Box   41
Folder   8
“Ten Days to Salem”: early drafts by Nusbaum, 1937
Box   41
Folder   9
“Ten Days to Salem”: typescript by Nusbaum, undated
Reveille: play (drama for radio)
Box   41
Folder   10
Typescripts, 1937
Rouge Atomique: play
Box   41
Folder   11
Correspondence, 1955 January-1956 March
Box   42
Folder   1
Drafts by Nash, undated
The Sainted Sisters: screenplay
Box   42
Folder   2
Final script by Nash, 1947 September 29
Second Best Bed: play
Box   42
Folder   3
Correspondence, 1946 June-1953 June
Box   42
Folder   4
Miscellaneous
Box   42
Folder   5
Script by Nash, undated
See the Jaguar: play
Box   42
Folder   6
Correspondence, 1952 December-1957 December
Box   42
Folder   7-8
Miscellaneous and notes
Box   42
Folder   9
Screenplay notes, undated
Box   42
Folder   10
Shorthand notebooks (notes of script)
Box   42
Folder   11
Royalties and costs, 1952-1957
Box   42
Folder   12
First draft script annotated by Nash, undated
Box   42
Folder   13
Second draft script by Nash, undated
Box   43
Folder   1
Third draft script annotated by Nash, undated
Box   43
Folder   2
Typescript by Nash, copyright 1949
Box   43
Folder   3
Typescript annotated by Nash, 1953 March 27
Box   43
Folder   4
Typescript by Nash, undated
Box   43
Folder   5
Script by Nash, undated
Note: “Unrevised, Uncut Version”
Box   43
Folder   6
Script annotated by Nash, undated
Note: Stage Manager's Copy
Box   43
Folder   7
Acting edition
Box   43
Folder   8
Version in Theatre Arts, 1953 August
Box   43
Folder   9
“Shivaree”: screenplay annotated, undated
Box   44
Folder   1
Story, undated
Serenade
Box   44
Folder   2
Treatment by Nash, 1951 September 7
Shakespearean Play
Box   44
Folder   3
Notes and Act I, undated
Shield in the Sun
Box   44
Folder   4
Sequences annotated by Nusbaum, copyright 1942
Short Days Ago: play
Box   44
Folder   5
Typescript story annotated, undated
Box   44
Folder   6
Typescript annotated by Nusbaum, copyright 1941
Box   44
Folder   7
Typescript by Nusbaum, copyright 1941
Sky Road: play
Box   44
Folder   8
Correspondence, 1946 April-1954 August
Box   44
Folder   9
Printed version by Nusbaum, copyright 1941
The Smile of a Woman: story for a screenplay
Box   44
Folder   10
Typescript story by Nash, undated
Box   44
Folder   11
Typescript annotated by Nash, undated
Note: “Working Copy”
Box   44
Folder   12
Typescript annotated by Nash, circa 1957
Box   45
Folder   1
Script by Nash, 1957
So Wonderful! (In White): play
Box   45
Folder   2
Royalties, 1937-1960
Box   45
Folder   3
Published version by Nusbaum, copyright 1937
Starry Night: for television
Box   45
Folder   4
Original story idea by Nash, 1947
The Story of a Soldier: play
Box   45
Folder   5
Typescript annotated by Nash, undated
Thieves' Market: screenplay
Box   45
Folder   6
Correspondence and story idea by Nash, 1956
Box   45
Folder   7
Typescript screenplay by Fay and Michael Kanin, undated
Thirteen O'Clock: teleplay
Box   45
Folder   7
Typescript original story and teleplay by Nash, undated
The Tiger's Tail: teleplay
Box   45
Folder   9
Notes and drafts by Nash, 1953
Tomahawk: screenplay
Box   45
Folder   10
Rough draft annotated by Nash, undated
Box   45
Folder   11
“The Bad One”: draft and notes by Nash, undated
Top of the World: screenplay
Box   45
Folder   12
Revised estimating script by John Klorer and Nash, 1952 April 23
The Trap: story (for screenplay?)
Box   45
Folder   13
Scene outline and Chapter One, undated
Box   45
Folder   14
Draft story, undated
Box   45
Folder   15
Draft story, undated
Box   46
Folder   1
Draft story, undated
Box   46
Folder   2
Story by Nash, undated
“Tumbling Castles”
Note: Original folder labeled “My First Play, Written at the Age of 12, titled, starkly enough, 'Tumbling Castles' with music.”
Box   46
Folder   4
Typescript, circa 1925?
The Vicious Years: screenplay
Box   46
Folder   4
Typescript screenplay by Nash, 1949 October 11
Box   46
Folder   5
Screenplay by Nash, 1949 October 31
Box   46
Folder   6
Story by Nash, undated
A Wall Is Romance: play adapted from the French
Box   46
Folder   7
Second draft by Nusbaum, 1938 March 26
Box   46
Folder   8
Typescript by Nusbaum, undated
Warrior Unborn: play
Box   46
Folder   9
Fourth draft by Nusbaum, 1938 November
Box   46
Folder   10
Typescript by Nusbaum, undated
Welcome Home: play and teleplay
Box   46
Folder   11
Miscellaneous
Box   46
Folder   12
Story, drafts (“The Slavey”), notes by Nash, undated
Play
Box   46
Folder   13
Early draft by Nash, copyright 1954
Box   47
Folder   1
Typescript by Nash, copyright 1954
Box   47
Folder   2
Revised typescript by Nash, copyright 1954
Box   47
Folder   3
Typescript by Nash, undated
Box   47
Folder   4
Typescript by Nash, undated
Teleplay
Box   47
Folder   5
First draft teleplay annotated by Nash, 1953 December 9
Box   47
Folder   6
First revision annotated by Nash, 1953 December 29
Box   47
Folder   7
Second revision, by Nash, 1954 February 8
Box   47
Folder   8
Script for United States Steel Hour by Nash, 1954
Box   48
Folder   1
Script for CBC Television Theatre, 1956 November 4
Box   48
Folder   2
Rehearsal script by Nash, 1960 December 2
Note: For U.S. Steel Hour, January 4, 1961.
Wildcat: musical play
Box   48
Folder   3
Casting and auditions; cast lists, 1960 May-September
Box   48
Folder   4
Clippings, 1960
Box   48
Folder   5
Correspondence, 1957-1962
Box   48
Folder   6
Notes, research, synopses of plot, 1959 March-April, 1963
Box   48
Folder   7
Nash's notes regarding openings and performances with script changes, 1960 October-November
Box   48
Folder   8
Production costs, 1960-1962
Box   48
Folder   9
Publicity and advertising, 1960-1961
Box   48
Folder   10
Draft script, projected scenes, notes, undated
Box   48
Folder   11
Typescript annotated by Nash, 1959 November 2
Box   48
Folder   12
First draft script by Nash, copyright 1960
Box   49
Folder   1
Second draft typescript annotated by Nash, 1960 June 27
Box   49
Folder   2
Third draft script by Nash, 1960 September 16
Box   49
Folder   3
Script for New York opening, Alvin Theatre, 1960 December 16
Box   49
Folder   4
Typescript draft, undated
Box   49
Folder   5
Typescript draft annotated, undated
Box   49
Folder   6
Typescript annotated by Nash, copyright 1960
Box   49
Folder   7
Materials draft script by Nash, undated
Box   49
Folder   8
Revised script pages, undated
Box   49
Folder   9
Song lyrics, music, 1960 October-November, undated
Box   50
Folder   1
Treatment by Nash, undated
The Wine of St. Albans: teleplay
Box   50
Folder   2
Drafts; scripts of Germelshausen by Friedrich Gerstacker, 1953
The Winter Season: play
Box   50
Folder   3
First draft by Nusbaum, undated
Box   50
Folder   4
Second draft annotated by Nusbaum, undated
Box   50
Folder   5
Typescript by Nusbaum, undated
The Young and Fair: play, screenplay, and teleplay
Box   50
Folder   6-7
Correspondence (play), 1948 April-1959 April
Box   50
Folder   8
Correspondence (screenplay), 1948 August-1953 October
Box   50
Folder   9
Miscellaneous (screenplay)
Box   50
Folder   10
Miscellaneous (play)
Box   50
Folder   11
Royalties, 1949-1953
Box   50
Folder   12
Galley proof of play
Box   50
Folder   13
English version
Box   50
Folder   14
Typescript for television version by Nash, undated
Box   51
Folder   1
Television script by Nash for Philco Television Playhouse, 1953 July 26