|
Container
|
Title
|
|
Series: Personal Papers
|
|
|
U.S. Mss 35AN/Micro 1049
|
Correspondence
|
|
|
General
|
|
|
Box/Folder
1/1-9
Reel-frame
1/1-1161
|
1919 January 26-1929 December 26
|
|
|
Box/Folder
2/1-7
Reel/Frame
2/1-1262
|
1930 January 12-1932 December 29
|
|
|
Box/Folder
2/8
Reel/Frame
3/1-154
|
1933 January 5-December 31
|
|
|
Box/Folder
3/1-8
Reel/Frame
3/120-1177
|
1934 January 9-1941 December 3
|
|
|
Box/Folder
3/9-11
Reel/Frame
4/1-355
|
1942 March 30-1955 October 22
|
|
|
Box/Folder
4/1-6
Reel/Frame
4/356-940
|
1956 May 4-1964 January 31
|
|
|
Box/Folder
4/7
Reel/Frame
5/1-23
|
Memorials Made at Blitzstein's Death, 1964
|
|
|
Box/Folder
4/8
Reel/Frame
5/24-127
|
1964 February 1-1978 January 20
|
|
|
Box/Folder
4/9
Reel/Frame
5/128-178
|
undated
|
|
|
Box
105
Reel/Frame
67/52-578
|
Address card file
|
|
|
Finances
|
|
|
Box/Folder
5/1
Reel/Frame
5/179-277
|
Personal investments, insurance, 1925-1964
|
|
|
Box/Folder
5/2
Reel/Frame
5/278-357
|
Eva Goldbeck, 1929-1934
|
|
|
Box/Folder
5/3
Reel/Frame
5/358-501
|
Correspondence and contracts, 1934 May 19-1961 August 22
|
|
|
Box/Folder
5/4
Reel/Frame
5/502-613
|
Arrow Press correspondence and contract, 1949 November 12-1956 August 31
|
|
|
Box/Folder
5/5
Reel/Frame
5/614-680
|
Chappell and Company correspondence and contract, 1938 March 21-1963 July 25
|
|
|
Box/Folder
5/6
Reel/Frame
5/681-744
|
Spoken Arts Inc. correspondence, contracts, notes, 1956 January 31-May 4
|
|
|
Box/Folder
5/7
Reel/Frame
5/745-805
|
Royalty statements, 1941 March 31-1961 October
|
|
|
Box/Folder
5/8
Reel/Frame
5/806-850
|
Copyright materials, 1937 April 13-1963 May 17
|
|
|
Box/Folder
5/9
Reel/Frame
5/851-880
|
Writer performance records, 1955-1961
|
|
|
Biographical and Family Materials
|
|
|
Box/Folder
6/1
Reel/Frame
5/881-1011
|
Military papers, marriage and death certificates, wills, 1921 July 12-1945 June 26
|
|
|
Box/Folder
6/2
Reel/Frame
6/1-183
|
Passports, journals and notebooks, address book, international drivers licenses, including photographs and papers of Eva Goldbeck
|
|
|
Box/Folder
6/3
Reel/Frame
6/184-260
|
Work résumés and biographical sketches, 1918-1958
|
|
|
Box/Folder
6/4
Reel/Frame
6/261-715
|
Journals, 1933-1934, 1950, 1963
: Journals from 1933-1934 are incomplete.
|
|
|
Box/Folder
6/5
Reel/Frame
6/716-843
|
Miscellaneous notes
|
|
|
Box/Folder
6/5
Reel/Frame
6/968-997
|
Miscellaneous notes of Eva Goldbeck
|
|
|
Box/Folder
6/6
Reel/Frame
6/844-932
|
Miscellaneous notes and memos of Eva Goldbeck
|
|
|
Eva Goldbeck's Journals
|
|
|
Box
112
Reel/Frame
71/1-106
|
1921 December-1924 August
|
|
|
Box
112
Reel/Frame
107-203
|
1924 August-1925 June
|
|
|
Box
112
Reel/Frame
204-311
|
1925 July-December
|
|
|
Box
112
Reel/Frame
312-418
|
1929 January-1932 December
|
|
|
Box
112
Reel/Frame
419-542
|
1930 January-December
|
|
|
Box
112
Reel/Frame
543-569
|
1932 December-1936 February
|
|
|
Answering You Americans to Americans,
1943 July 29
: British Broadcasting Corporation, New York Studios
|
|
|
1049A/10
|
Parts 3-4
: Original: Disc 161A/23
Portions damaged; poor quality
|
|
|
1049A/10
|
Part 5, including Blitzstein interview
: Original: Disc 161A/24
|
|
|
1049A/10
|
Part 6
: Original: Disc 161A/24
|
|
|
1049A/11
|
Part 4
: Original: Disc 161A/23
|
|
|
American Composers at the Piano, 4 record set, undated
|
|
|
1049A/27
|
Lukas Foss - “Rondo Fantasy,” beginning
: Original: Disc 161A/61
|
|
|
1049A/27
|
Lukas Foss - “Rondo Fantasy,” conclusion
: Original: Disc 161A/62
|
|
|
1049A/27
|
Leo Smit - “Rondel for a Young Girl,” “Tonata Breakdown”
: Original: Disc 161A/63
|
|
|
1049A/27
|
Marc Blitzstein - “Variation III” (from “The Guests”)
: Original: Disc 161A/64
|
|
|
1049A/27
|
Marc Blitzstein - “Three, Four Dance;” Finale (from “The Guests”)
: Original: Disc 161A/64
|
|
|
1049A/28
|
Norman Dello Joio - “Prelude: To a Young Musician”
: Original: Disc 161A/63
|
|
|
1049A/28
|
Norman Dello Joio - “Prelude: To a Young Dancer”
: Original: Disc 161A/62
|
|
|
1049A/28
|
Henry Cowell - “Jig,” “Aeolian Harp,” Advertisement
: Original: Disc 161A/61
|
|
|
1049A/5
|
Radio interview with Lina Abarbanell, recorded from Mr. and Mrs. Opera show
: Original: Disc 161A/14-15
: Abarbanell speaks about her life in music, how she became interested in music, and her early studies.
|
|
|
1049A/17
|
News broadcast, 1947 March 7,
: Original: Disc 161A/31
: Stephen Davis, Columbia School of Journalism, with international and national news of the day.
|
|
|
U.S. Mss 35AN/Micro 1049
|
Travels
|
|
|
Box/Folder
6/7
Reel/Frame
6/934-967
|
Russian trip notebook, 1922-1927
|
|
|
Box/Folder
6/8
Reel/Frame
7/1-208
|
European trip journal, 1960 November 1-1962 January 3
|
|
|
Box/Folder
6/9
Reel/Frame
7/209-354
|
European trip notes and diaries, 1959-1960
|
|
|
Box/Folder
6/10
Reel/Frame
7/355-444
|
Israeli trip correspondence, notes, and materials, 1962 June-August
|
|
|
Awards
|
|
|
John Simon Guggenheim Foundation Fellowship
|
|
|
Box/Folder
7/1
Reel/Frame
7/445-507
|
Marc's applications and correspondence, 1928-1942
|
|
|
Box/Folder
7/2
Reel/Frame
7/508-519
|
Eva's application and correspondence , 1929
|
|
|
Box/Folder
7/3
Reel/Frame
7/520-528
|
American Society of Composers, Authors, and Publishers (ASCAP) materials and award, 1942-1963
|
|
|
Box/Folder
7/4
Reel/Frame
7/529-560
|
Miscellaneous awards, 1946-1963
|
|
|
Organizations
|
|
|
Composers' Organizations
|
|
|
Box/Folder
7/5
Reel/Frame
7/561-625
|
ASCAP memos to members, papers, 1953-1958
|
|
|
Composers' Collective
|
|
|
Box/Folder
7/6
Reel/Frame
7/626-730
|
Purpose, correspondence, minutes, publicity, 1935 March 30-1936 January 31
|
|
|
Town Hall Club
|
|
|
Box/Folder
7/7
Reel/Frame
7/731-751
|
Correspondence, program, script, 1954 May-September
|
|
|
Rockefeller Brothers' Fund
|
|
|
Box/Folder
7/8
Reel/Frame
7/752-836
|
Correspondence and reports, 1963 June-July
|
|
|
Box/Folder
7/9
Reel/Frame
7/837-852
|
Miscellaneous
|
|
|
Writers' Organizations
|
|
|
Federal Theatre Project
|
|
|
Living Newspaper Project
|
|
|
Box/Folder
7/10
Reel/Frame
7/853-983
|
“Injunction Granted” script, 1936
|
|
|
Box/Folder
7/11
Reel/Frame
8/1-156
|
“Power” script, 1937
|
|
|
WPA Theatre Project
|
|
|
Box/Folder
7/12
Reel/Frame
8/157-200
|
Louis M. Simon clippings, 1936-1937
|
|
|
Box/Folder
7/13
Reel/Frame
8/201-213
|
Citizen Kane souvenir book, 1939
|
|
|
Fourth American Writers' Congress
|
|
|
Box/Folder
7/14
Reel/Frame
8/214-305
|
Notes, itinerary, program, script, 1941 June 6-8
|
|
|
Box/Folder
8/1-4
Reel/Frame
8/307-504
|
Biographical clippings, 1922-1980, undated
|
|
|
Box/Folder
8/5
Reel/Frame
8/505-541
|
Miscellaneous clippings
|
|
|
Series: Writings
|
|
|
Marc Blitzstein's Writings
: See also scrapbook volumes 1, 2, 9.
|
|
|
Box/Folder
9/1
Reel/Frame
8/542-557
|
Poetry, 1922 (with later comments, , 1958)
|
|
|
Box/Folder
9/2
Reel/Frame
8/558-574
|
Notes for proposed autobiography, “Case Meets History,” 1947
|
|
|
Box/Folder
9/3
Reel/Frame
8/575-610
|
Notes for an article on Brecht-Weill collaboration, 1959
|
|
|
Box/Folder
9/4
Reel/Frame
8/611-663
|
Notes for Saturday Evening Post “ Adventures of the Mind” series, entitled “American Opera Today,” 1960
|
|
|
Box/Folder
9/5-6
Reel/Frame
8/664-805
|
Published articles, 1926 February 5-1960
|
|
|
Miscellaneous articles
|
|
|
Box/Folder
9/7
Reel/Frame
8/806-912
|
1922-1953
|
|
|
Box/Folder
9/8
Reel/Frame
9/1-180
|
undated
|
|
|
Box/Folder
9/9
Reel/Frame
9/181-203
|
Notes for proposed articles, undated
|
|
|
Teaching
|
|
|
Box/Folder
9/10
Reel/Frame
9/204-257
|
Influential political materials bulletins and article, 1942 June
|
|
|
Box/Folder
9/11
Reel/Frame
9/258-343
|
Lectures, articles, October 1934-1961
|
|
|
Downtown (Metropolitan) Music School
|
|
|
Box/Folder
9/12
Reel/Frame
9/344-420
|
Correspondence, finances, announcement list, 1935 May 28-1935 December 3
|
|
|
Box/Folder
9/13
Reel/Frame
9/421-472
|
Background materials and curriculum, 1935-1936
|
|
|
Box/Folder
9/14
Reel/Frame
9/473-492
|
“New Masses” concert correspondence and notes, 1939
|
|
|
Bennington College Tutorial
|
|
|
Box/Folder
10/1
Reel/Frame
9/493-646
|
Correspondence, evaluations, plays, articles, 1962 February 14-1963 April 15
|
|
|
Lectures
|
|
|
Lecture notes
|
|
|
Box/Folder
10/2-3
Reel/Frame
9/647-972
|
circa 1928-1962 April 2
|
|
|
Box/Folder
10/4-5
Reel/Frame
10/1-247
|
undated
|
|
|
Box/Folder
10/6
Reel/Frame
10/248-283
|
Lecture publicity, programs, and clippings, 1928-1936
|
|
|
Eva Goldbeck's Writings and Teachings
|
|
|
Box/Folder
10/7
Reel/Frame
10/284-358
|
Teaching materials, correspondence, and lectures, circa 1922
|
|
|
Box/Folder
10/8-9
Reel/Frame
10/359-652
|
Book reviews and notes, 1935-1936, undated
|
|
|
Reel/Frame
10/653-705
|
Book reviews and notes, 1935-1936, undated
: Originals discarded.
|
|
|
Box/Folder
11/1
Reel/Frame
10/706-838
|
Reviews of unproduced? Noel Coward plays, undated
|
|
|
Translations
|
|
|
Box/Folder
11/2
Reel/Frame
10/839-983
|
Alphabetical by author, circa 1935-1936
|
|
|
Box/Folder
11/3
Reel/Frame
11/1-111
|
Bertolt Brecht's writings, circa 1935-1936
|
|
|
Box/Folder
11/4
Reel/Frame
11/112-167
|
Alfred Polger's writings
|
|
|
Box/Folder
11/5
Reel/Frame
11/168-279
|
Frederick Wolf's writings, circa 1935-1936
|
|
|
Box/Folder
11/6
Reel/Frame
11/280-435
|
Miscellaneous, circa 1935-1936
|
|
|
Box/Folder
11/7
Reel/Frame
11/436-601
|
Short stories, 1922 October-1935 December
|
|
|
Box/Folder
11/8
Reel/Frame
11/602-660
|
Poetry, undated
|
|
|
Box/Folder
11/9
Reel/Frame
11/661-684
|
Plays, undated
|
|
|
“Sacred Cords”
: Unproduced play.
|
|
|
Box/Folder
11/10-11
Reel/Frame
11/685-877
|
Original manuscript, Acts I-III
|
|
|
Box/Folder
11/12
Reel/Frame
11/878-906
|
Final version, Act III
|
|
|
Box/Folder
12/1
Reel/Frame
11/907-911
|
Article about Marc Blitzstein's music, undated
|
|
|
Box/Folder
12/2
Reel/Frame
12/1-98
|
Article on Mother, a play by Bertolt Brecht and Hans Eisler
: Contains 3 versions.
|
|
|
Box/Folder
12/3-6
Reel/Frame
12/99-767
|
Miscellaneous articles
|
|
|
“The Broken Circle”
: Unpublished novel; earlier title: “Terry.”
|
|
|
Box/Folder
12/7
Reel/Frame
12/768-809
|
Notes, criticisms, synopsis
|
|
|
Box/Folder
12/8
Reel/Frame
12/810-1086
|
Early annotated draft, pp. 1-251
|
|
|
Box/Folder
13/1-2
Reel/Frame
13/1-424
|
Later draft, pp. 1-416
|
|
|
Box/Folder
13/3
Reel/Frame
13/425-568
|
First carbon, pp. 1-142
|
|
|
Complete annotated original manuscript
|
|
|
Box/Folder
13/4-5
Reel/Frame
13/569-913
|
Pages 1-273
|
|
|
Box/Folder
13/6-7
Reel/Frame
14/1-363
|
Pages 274-615
|
|
|
Box/Folder
14/1
Reel/Frame
14/364-461
|
“Brussels Letter” working and final versions, 1934
|
|
|
Box/Folder
14/2
Reel/Frame
14/462-639
|
“For a Life” excerpts from semi-autobiographical novel
|
|
|
“Major Fudge” unpublished novel
|
|
|
Unabridged annotated typescript
|
|
|
Box/Folder
14/3-4
Reel/Frame
14/640-981
|
Chapters 1-6
|
|
|
Box/Folder
14/4-5
Reel/Frame
15/1-418
|
Chapters 7-9
|
|
|
Box/Folder
14/6
Reel/Frame
15/419-446
|
Publication record
|
|
|
Box/Folder
14/7
Reel/Frame
15/447-481
|
Miscellaneous unidentified fragments
|
|
|
Writings by Others
|
|
|
Box/Folder
14/8
Reel/Frame
15/482-648
|
Miscellaneous
: Alphabetical by author.
|
|
|
Box/Folder
14/9
Reel/Frame
15/649-665
|
Bertolt Brecht writingsIn Gernman.
|
|
|
Box/Folder
15/1
Reel/Frame
15/666-739
|
“The Sun in Mid-Career” / by Christopher Davis
|
|
|
Box/Folder
15/2
Reel/Frame
15/740-751
|
“The Abraham Lincoln Gazette,” the Davis family newsletter, 1940
|
|
|
Box/Folder
15/3
Reel/Frame
15/752-785
|
Miscellaneous Davis family writings
|
|
|
Box/Folder
15/4
Reel/Frame
15/787-911
|
“A Beautiful Day” / a play by Solen Matt Burry, undated
|
|
|
Box/Folder
15/5-8
Reel/Frame
16/1-482
|
“The Operatic Style of Marc Blitzstein in the American 'Agit-Prop' Era” / by Robert J. Dietz, 1970 January
: Doctoral Thesis, University of Iowa.
|
|
|
Box/Folder
15/9
Reel/Frame
16/483-612
|
“For Reasons of State - A Monument for Sacco and Vanzetti” / by Erich Muhsam (German play, English synopsis)
|
|
|
Box/Folder
15/10
Reel/Frame
16/613-746
|
Poetry
|
|
|
Box/Folder
15/11
Reel/Frame
16/747-791
|
“Horseplay” play / author unknown
|
|
|
Box/Folder
15/12
Reel/Frame
16/792-905
|
Miscellaneous short stories, author unknown
: Short stories possibly written by Eva Goldbeck.
|
|
|
Box/Folder
16/1
Reel/Frame
16/906-1148
|
“The Ablative Case” short stories or sketches / by Cecil Goldbeck and Freeman Hedges, circa 1929 (?)
|
|
|
Box/Folder
16/2
Reel/Frame
17/1-11
|
“Marc Blitzstein and the 'Agit-Prop' Theatre of the 1930s,” article in the University of Texas Yearbook / by Robert J. Dietz
|
|
|
Box/Folder
16/3
Reel/Frame
17/12-44
|
Walt Whitman unpublished notebooks / arranged by Clifton Fumess and dedicated to Eva Goldbeck, 1928
|
|
|
Box/Folder
16/4
|
“Fear and Trembling” / by Glenway Wescott Galley, 1932
: Available in published form.
|
|
|
Miscellaneous
|
|
|
Box/Folder
17/1
Reel/Frame
17/45-75
|
Ernst Toller manuscripts, 1922-1938
|
|
|
Box/Folder
17/2
Reel/Frame
17/76-107
|
Lyrics, undated
|
|
|
Box/Folder
17/3-5
Reel/Frame
17/108-438
|
Miscellaneous Blitzstein programs, 1927-1983, undated
|
|
|
Box/Folder
17/6
Reel/Frame
17/439-461
|
Josephine Davis address lists and miscellaneous papers
|
|
|
Box/Folder
17/7
Reel/Frame
17/462-486
|
Christopher Davis miscellaneous papers
|
|
|
Box/Folder
17/8
Reel/Frame
17/487-517
|
Unidentified materials, 1928-1963
|
|
|
Series: Motion Pictures
|
|
|
Hands (Hande) , (1928)
|
|
|
Box/Folder
18/1
Reel/Frame
17/518-521
|
Publicity, 1928
|
|
|
Box/Folder
94/1
Reel/Frame
17/522-543
|
Piano score, 1928
|
|
|
Surf and Seaweed (1931)
|
|
|
Box/Folder
94/2
Reel/Frame
17/544-598
|
Piano part, instrumental score, circa 1931
|
|
|
Box/Folder
18/2
Reel/Frame
17/599-641
|
Music tablet, circa 1931
|
|
|
Box/Folder
94/3
Reel/Frame
17/642-694
|
Instrumental parts, undated
|
|
|
Box/Folder
94/4
Reel/Frame
17/695-760
|
Conductor's score, 1933
|
|
|
Chesapeake Bay Retriever (1936)
|
|
|
Box/Folder
18/3
Reel/Frame
17/761-770
|
Contracts and synopsis, 1936 May 2
|
|
|
Box/Folder
40/1
Reel/Frame
17/771-786
|
Piano part, 1931
|
|
|
Box/Folder
40/2
Reel/Frame
17/787-816
|
Conductor's score, 1931
|
|
|
Box/Folder
40/3
Reel/Frame
17/817-837
|
Instrumental parts, 1931
|
|
|
The Spanish Earth (1937)
|
|
|
Box/Folder
18/4
Reel/Frame
17/838
|
Clipping, 1961
: See also scrapbook volume 1.
|
|
|
Valley Town (1940)
|
|
|
Box/Folder
18/5
Reel/Frame
17/839
|
Contract, 1940 July 11
|
|
|
Box/Folder
40/4
Reel/Frame
17/840-905
|
Music sketches, piano reduction
|
|
|
Box/Folder
40/5
Reel/Frame
17/906-1020
|
Conductor's score, 1940
|
|
|
Recorded excerpts
|
|
|
1049A/7
|
Title I, II, III (title, graves, morning music)
: Original: Disc 161A/16
|
|
|
1049A/7
|
Title V, VI, VII (trains, [Economic] Depression, automatic steel mill)
: Original: Disc 161A/17
|
|
|
1049A/7
|
Title IX (finale)
: Original: Disc 161A/17
|
|
|
1049A/7
|
Title, morning music
: Original: Disc 161A/18
|
|
|
1049A/7
|
Hand Mill
: Original: Disc 161A/18
|
|
|
1049A/15
|
“Blues I Alley”
: Original: Disc 161A/28
|
|
|
1049A/15
|
“Blues II”
: Original: Disc 161A/28
|
|
|
U.S. Mss 35AN/Micro 1049
|
Native Land (1941)
: See also scrapbook volume 2.
|
|
|
Box/Folder
18/6
Reel/Frame
18/1-13
|
Correspondence, contract, notes, 1940-1946
|
|
|
Box/Folder
18/7
Reel/Frame
18/14-39
|
Clippings and publicity, 1940-1946
|
|
|
Box/Folder
18/8
Reel/Frame
18/40-187
|
Sequence log, 1940-1941
|
|
|
Piano reduction, instrumental parts, 1941
|
|
|
Box/Folder
41/1
Reel/Frame
18/188-293
|
A-K
|
|
|
Box/Folder
41/2
Reel/Frame
18/294-353
|
N-finale
|
|
|
Box/Folder
41/3
Reel/Frame
18/354-542
|
Conductor's score, 1941
|
|
|
Box/Folder
42/1
Reel/Frame
18/543-701
|
Piano, percussion, string parts, undated
|
|
|
Box/Folder
42/2
Reel/Frame
18/702-845
|
Wind parts, undated
|
|
|
Box/Folder
43/1
Reel/Frame
18/846-873
|
“Dusty Sun,” piano-vocal, 1941
|
|
|
Box/Folder
43/2
Reel/Frame
18/874-900
|
“Inheritance of Freedom,” conductor's score, piano score
|
|
|
Box/Folder
43/2 (continued)
Reel/Frame
18/874-900
|
“American Day,” piano-vocal score
|
|
|
Box/Folder
43/3
Reel/Frame
18/901-925
|
Music sketches for “Dusty Sun” and “Inheritance of Freedom,” undated
|
|
|
Box/Folder
43/4
Reel/Frame
18/926-1028
|
Discards
|
|
|
Recordings
Disc nos. 1-35 are 12-inch red emulsion glass, 78 rpm.
|
|
|
740A/1
|
Playback
: Original: Disc 33A/1
Broken disc
|
|
|
740A/1
|
Italian Street Scene
: Original: Disc 33A/2
|
|
|
740A/1
|
American History (A)
: Original: Disc 33A/3
|
|
|
740A/1
|
American History (A), part 1
: Original: Disc 33A/4
|
|
|
740A/1
|
American History (A), part 1
: Original: Disc 33A/5
|
|
|
740A/1
|
American History, part 2
: Original: Disc 33A/6
|
|
|
740A/1
|
American History, part 3 (Building of the Land)
: Original: Disc 33A/6
|
|
|
740A/1
|
End of A (Machine Age)
: Original: Disc 33A/7
|
|
|
740A/1
|
Bad Takes
: Original: Disc 33A/7
|
|
|
740A/2
|
Farm Sequence (B), part 1
: Original: Disc 33A/8
|
|
|
740A/2
|
Farm Sequence (B), Transition to part 2
: Original: Disc 33A/8
|
|
|
740A/2
|
Bad Take
: Original: Disc 33A/8
|
|
|
740A/2
|
Bad Take
: Original: Disc 33A/9
|
|
|
740A/2
|
Farm (B), Melodrama
: Original: Disc 33A/9
|
|
|
740A/2
|
Union Parade, part 1
: Original: Disc 33A/10
|
|
|
740A/2
|
Bad Takes
: Original: Disc 33A/10
|
|
|
740A/2
|
Grocery Store
: Original: Disc 33A/11
|
|
|
740A/2
|
Bad Takes
: Original: Disc 33A/12
|
|
|
740A/2
|
Bad Takes
: Original: Disc 33A/13
|
|
|
740A/2
|
Spy 6 (Hold the Fort)
: Original: Disc 33A/13
|
|
|
740A/2
|
Percussion Rolls
: Original: Disc 33A/13
|
|
|
740A/3
|
Percussion Rolls
: Original: Disc 33A/14
|
|
|
740A/3
|
Bad Take
: Original: Disc 33A/15
|
|
|
740A/3
|
Finale 1
: Original: Disc 33A/15
|
|
|
740A/3
|
Timpani, Glockenspiel, Triangle, Cymbal Roll
: Original: Disc 33A/15
|
|
|
740A/3
|
Finale, part 2
: Original: Disc 33A/15
|
|
|
740A/3
|
Finale 3
: Original: Disc 33A/16
|
|
|
740A/3
|
Last Chord of Finale 3
: Original: Disc 33A/16
|
|
|
740A/3
|
G2 - Industrial, part 1
: Original: Disc 33A/16
|
|
|
740A/3
|
Bad Takes
: Original: Disc 33A/17
Cracked disc
|
|
|
740A/3
|
Finale of G2
: Original: Disc 33A/17
Cracked disc
|
|
|
740A/3
|
Spy 6B
: Original: Disc 33A/18
Cracked disc
|
|
|
740A/3
|
Memorial Day
: Original: Disc 33A/19
Cracked disc
|
|
|
740A/3
|
Hurdy Gurdy of Memorial Day
: Original: Disc 33A/19
Cracked disc
|
|
|
740A/3
|
Spy 3
: Original: Disc 33A/19
Cracked disc
|
|
|
740A/4
|
Man Walking Beside Factories, Unemployed
: Original: Disc 33A/20
|
|
|
740A/4
|
Ku Klux Klan
: Original: Disc 33A/20
Disc quality not very good.
|
|
|
740A/4
|
Ku Klux Klan
: Original: Disc 33A/21
Good disc quality.
|
|
|
740A/4
|
V1 - Thugs and Strike-breakers Caught
: Original: Disc 33A/21
|
|
|
740A/4
|
V2 - The Committee at Work
: Original: Disc 33A/21
|
|
|
740A/4
|
Exposure
: Original: Disc 33A/22
|
|
|
740A/4
|
Beginning of Funeral
: Original: Disc 33A/23
|
|
|
740A/4
|
Beginning of Funeral (best)
: Original: Disc 33A/23
|
|
|
740A/4
|
Bad Take
: Original: Disc 33A/24
|
|
|
740A/4
|
Funeral (after introduction)
: Original: Disc 33A/24
|
|
|
740A/4
|
Bad Take
: Original: Disc 33A/24
|
|
|
740A/4
|
H - “Snarfest” (typewriters, etc.)
: Original: Disc 33A/24
|
|
|
740A/5
|
Finale (Bad take)
: Original: Disc 33A/25
|
|
|
740A/5
|
Finale (3)
: Original: Disc 33A/25
|
|
|
740A/5
|
Titles (best)
: Original: Disc 33A/25
|
|
|
740A/5
|
Cymbal bang
: Original: Disc 33A/26
|
|
|
740A/5
|
Bad Take
: Original: Disc 33A/26
|
|
|
740A/5
|
B - Farm Sequence, Introduction and part 1
: Original: Disc 33A/26
|
|
|
740A/5
|
Farm (B), Interior, part II
: Original: Disc 33A/27
|
|
|
740A/5
|
K2, Labor Picnic and Finish
: Original: Disc 33A/28
|
|
|
740A/5
|
Bad Take
: Original: Disc 33A/28
|
|
|
740A/5
|
Bad Take
: Original: Disc 33A/29
|
|
|
740A/5
|
Last part
: Original: Disc 33A/29
|
|
|
740A/5
|
1. Titles - old A with voice (American History)
: Original: Disc 33A/30
|
|
|
740A/5
|
3. Old - American History - Machine Age
: Original: Disc 33A/30
|
|
|
740A/6
|
2. (Improvisation) (A)
: Original: Disc 33A/31
|
|
|
740A/6
|
4. B (Farm Sequence)
: Original: Disc 33A/31
|
|
|
740A/6
|
5. Quiet - Farm Interior and Melodrama
: Original: Disc 33A/32
|
|
|
740A/6
|
7. Morning and Evening Scene
: Original: Disc 33A/32
|
|
|
740A/6
|
6. Italian Street Scene (C)
: Original: Disc 33A/33
|
|
|
740A/6
|
8a. Dawn after “Morning and Evening Scene” (D2)
: Original: Disc 33A/33
|
|
|
740A/6
|
8b. Grocery Store (N)
: Original: Disc 33A/33
|
|
|
740A/7
|
Piano: 9, Funeral March
: Original: Disc 33A/34
|
|
|
740A/7
|
10, End of Funeral March and Onward
: Original: Disc 33A/35
|
|
|
1049A/30-31
|
Reel No. 6, Take No. 1, 1941 October 31
: Original: Disc 33A/36
|
|
|
1049A/30-31
|
Reel No. 6, Take No. 2, 1941 November 7
: Original: Disc 33A/37
Broken disc
|
|
|
1049A/29
|
Reel No. 6, Take No. 2, 1941 November 11
: Original: Disc 33A/38
|
|
|
U.S. Mss 35AN/Micro 1049
|
Night Shift (1942)
|
|
|
Box/Folder
18/9
Reel/Frame
19/1-53
|
Correspondence, notes, clippings, circa 1941-1942
|
|
|
Box/Folder
18/10
Reel/Frame
19/54-105
|
Annotated scripts and autographs of Danny Kaye and Kate Smith, circa 1941-1942
|
|
|
Box/Folder
44/1
Reel/Frame
19/106-154
|
Musical sketches, undated
|
|
|
Box/Folder
44/2
Reel/Frame
19/155-262
|
Piano scores, 1942 February (one designated for Aaron Copland)
|
|
|
Box/Folder
44/3
Reel/Frame
19/263-298
|
Orchestra parts
|
|
|
Box/Folder
44/4
Reel/Frame
19/299-304
|
“Turn the Night into Day” piano-vocal score
|
|
|
“Charlotte's Web” (unproduced)
|
|
|
Box/Folder
18/11
Reel/Frame
19/305-325
|
Notes, synopsis, 1959
|
|
|
Series: Operas
|
|
|
Triple-Sec, 1930 June 14
: One-act opera-farce; part of The Garrick Gaieties.
|
|
|
Box/Folder
18/12
Reel/Frame
19/326-352
|
Correspondence and contracts, 1929 October 12-1954 November 14
|
|
|
Box/Folder
18/13
Reel/Frame
19/353-363
|
Script and music sketch, undated
|
|
|
Box/Folder
18/14
Reel/Frame
19/364-372
|
Publicity and clippings, 1929-1930
|
|
|
Box/Folder
45/1
Reel/Frame
19/373-417
|
Piano transcription, vocal; Bar ChartText in German.
|
|
|
Box/Folder
45/2
Reel/Frame
19/418-543
|
Chamber Orchestra score, 1930
|
|
|
Box/Folder
45/3
Reel/Frame
19/544-672
|
Chamber Orchestra score: conductor's score, 1930
|
|
|
Box/Folder
45/4
Reel/Frame
19/673-694
|
Vocal parts, 1928
|
|
|
Box/Folder
45/5
Reel/Frame
19/695-805
|
Four-hand piano score and instrumental parts
|
|
|
The Cradle Will Rock (1937 June 16)
: See also scrapbook volumes 1, 2, 4, 10.
|
|
|
Box/Folder
18/15
Reel/Frame
19/806-890
|
Correspondence, 1937 January 18-1963 August 5
|
|
|
Box/Folder
18/16
Reel/Frame
20/1-59
|
Financial correspondence, statements, contracts, 1930 November 16-1960 January 19
|
|
|
Box/Folder
18/17
Reel/Frame
20/60-102
|
Royalty statements, 1938 August 26-1963 June 30
|
|
|
Box/Folder
18/18
Reel/Frame
20/103-188
|
Cast lists, notes, script sketches, undated
|
|
|
Box/Folder
18/19
Reel/Frame
20/189-246
|
Historical analysis by John O. Hunter, and correspondence, 1963 October 29-1964 January 2
|
|
|
Box/Folder
18/20
Reel/Frame
20/247-339
|
Publicity, posters, playbills, 1937-1969
|
|
|
Box/Folder
19/1
Reel/Frame
20/340-390
|
Clippings, 1937 June 18-1965 March 28, undated
|
|
|
Box/Folder
19/2
Reel/Frame
20/391-417
|
Published libretto, 1938 (dated 1960 February 21)
|
|
|
Box/Folder
19/3
Reel/Frame
20/418-474
|
British production script, 1951
|
|
|
Box/Folder
19/4
Reel/Frame
20/475-479
|
Partial French script, undated
|
|
|
Box/Folder
19/5
Reel/Frame
20/480-544
|
Complete published script
|
|
|
Box/Folder
19/6
Reel/Frame
20/545-628
|
Proof for Random House book, 1938
|
|
|
Box/Folder
19/7
Reel/Frame
20/629-705
|
Photocopy of published book, proof for foreword / by Archibald MacLeish (Random House, 1938)
|
|
|
Box/Folder
19/8
Reel/Frame
20/706-762
|
Original playscript, 1938
|
|
|
Box/Folder
20/1-2
Reel/Frame
20/763-982
|
Early partial scripts and sketches
|
|
|
Box/Folder
20/3
Reel/Frame
21/1-70
|
Early scripts with corrections
|
|
|
Box/Folder
20/4-5
Reel/Frame
21/71-193
|
Scripts
: Contains two.
|
|
|
Box/Folder
20/6
Reel/Frame
21/194-230
|
Published songs, 1936
|
|
|
Box/Folder
46/1
Reel/Frame
21/231-358
|
Piano-vocal score, 1938
: Used in New York City Opera Production, 1960.
|
|
|
Box/Folder
46/2-3
Reel/Frame
21/359-561
|
Piano-vocal scores, with published songs from opera, 1938
|
|
|
Box/Folder
46/4
Reel/Frame
21/562-686
|
Conductor's score, 1938
|
|
|
Conductor's score, 1938
: Used in 1937 production, Mercury Theatre, New York.
|
|
|
Box/Folder
47/1
Reel/Frame
21/687-795
|
Act I, Scenes 1-2
|
|
|
Box/Folder
47/2
Reel/Frame
21/796-1040
|
Act I, Scenes 3-6
|
|
|
Box/Folder
47/3
Reel/Frame
22/1-232
|
Act II, Scenes 7-10
|
|
|
Box/Folder
48/1
Reel/Frame
22/233-303
|
Piano-vocal sketches, 1938
|
|
|
Box/Folder
48/2
Reel/Frame
22/304-426
|
Musical sketches, 1938
|
|
|
513A/1-3
|
The Cradle Will Rock recording
|
|
|
554A/1-3
|
The Cradle Will Rock recording, 1964 production
|
|
|
No for an Answer (1941 January 5)
|
|
|
U.S. Mss 35AN/Micro 1049
Box/Folder
20/7
Reel/Frame
22/427-520
|
Correspondence, 1939 October-1969 February 7
|
|
|
Box/Folder
20/8
Reel/Frame
22/521-534
|
Contracts, royalty statements
|
|
|
Box/Folder
20/9
Reel/Frame
22/535-547
|
Production plan, narration, undated
|
|
|
Box/Folder
20/10-12
Reel/Frame
22/548-844
|
Notes, circa 1938-1940
|
|
|
Box/Folder
21/1
Reel/Frame
22/845-941
|
Working notes, working scripts, 1939
|
|
|
Box/Folder
21/2-8
Reel/Frame
23/1-926
|
Working notes, working scripts, 1939, undated
|
|
|
Box/Folder
21/9
Reel/Frame
23/927-1038
|
Early script, 1939
|
|
|
Box/Folder
22/1
Reel/Frame
24/1-49
|
Script, undated
|
|
|
Box/Folder
22/2
Reel/Frame
24/50-175
|
Complete script, annotated, undated
|
|
|
Box/Folder
22/3
Reel/Frame
24/176-298
|
Script with handwritten annotations, undated
|
|
|
Box/Folder
22/4-6
Reel/Frame
24/299-582
|
Dialogues, undated
|
|
|
Box/Folder
22/7
Reel/Frame
24/583-670
|
Petition, address lists, miscellaneous, 1940 February 20
|
|
|
Box/Folder
22/8
Reel/Frame
24/671-717
|
Publicity, 1939 February 11-1960 April 25
|
|
|
Box/Folder
22/9
Reel/Frame
24/718-785
|
Clippings
|
|
|
Box/Folder
22/10
Reel/Frame
24/786-791
|
“Blitzstein's Answer” / by Samuel L.M. Barlow, Modern Music, 1941 January-February, pp. 81-82
|
|
|
Box/Folder
48/3
Reel/Frame
24/792-985
|
Master sheets piano score
|
|
|
Box/Folder
49/1
Reel/Frame
25/1-220
|
Music sketches and unfinished songs
|
|
|
Box/Folder
49/2
Reel/Frame
25/221-403
|
Piano-vocal score, 1938-1940
: “In the Clear,” pp. 97-100, missing from this version.
|
|
|
Box/Folder
49/3
Reel/Frame
25/404-423
|
Incomplete piano-vocal score, undated
|
|
|
Box/Folder
49/4-10
Reel/Frame
25/424-503
|
Vocal parts for Bulge, Clair, Emanuel, Jimmie and Bobbie, Gina, Nick, and Mary, circa 1938-1941
|
|
|
Box/Folder
50/1-4
Reel/Frame
25/504-745
|
Bound choral scores, circa 1938-1941
|
|
|
Edited Chorus Parts, circa 1938-1941
|
|
|
Box/Folder
51/1-2
Reel/Frame
25/746-776
|
Act I (Soprano, Alto, Tenor, Bass)
|
|
|
Box/Folder
51/3-4
Reel/Frame
25/777-806
|
Act II (Soprano, Alto, Tenor, Bass)
|
|
|
Chorus parts, original Master
|
|
|
Box/Folder
52/1
Reel/Frame
25/807-836
|
Act I (Soprano, Alto, Tenor, Bass)
|
|
|
Box/Folder
52/2
Reel/Frame
25/837-866
|
Act II (Soprano, Alto, Tenor, Bass)
|
|
|
Songs
|
|
|
Box/Folder
52/3
Reel/Frame
25/867-872
|
“Fraught Song” piano-vocal score: negative photostat
|
|
|
Box/Folder
52/4
Reel/Frame
25/873-880
|
Songs, circa 1938-1941
|
|
|
513A/4
|
Recorded excerpts, 1941
|
|
|
1049A/14
|
Recorded excerpt - “Weep for Me” / Leonard Bernstein, artist
: Original: Disc 161A/27
|
|
|
U.S. Mss 35AN/Micro 1049
|
Regina (1949 October 31)
: See also scrapbook volumes 4-6, 8-9, 11.
|
|
|
Box/Folder
23/1
Reel/Frame
25/881-1012
|
Correspondence, 1949 November 11-1959 November 2
|
|
|
Box/Folder
23/2
Reel/Frame
26/1-82
|
Contracts and royalty statements, 1946 October 18-1959 September 21
|
|
|
Box/Folder
23/3
Reel/Frame
26/83-130
|
Outlines and synopses
|
|
|
Box/Folder
23/4
Reel/Frame
26/131-143
|
Criticism by Lillian Hellman, 1949 September 8-1949 June 27
|
|
|
Box/Folder
23/5
Reel/Frame
26/144-292
|
Scene outlines, circa 1946-1948
|
|
|
Box/Folder
23/6-7
Reel/Frame
23/293-538
|
Notes, working scripts, 1946-1949
|
|
|
Box/Folder
23/8
Reel/Frame
26/539-647
|
Script, first draft, circa 1949
|
|
|
Box/Folder
23/9
Reel/Frame
26/648-748
|
Script, (“old version”), undated
|
|
|
Box/Folder
23/10
Reel/Frame
26/749-846
|
Script, “Blitzstein's Copy,” with cast list and annotations, undated
|
|
|
Box/Folder
23/11
Reel/Frame
26/847-943
|
Script, undated
|
|
|
Box/Folder
23/12
Reel/Frame
27/1-45
|
Script, published copy, with Blitzstein's notes, 1953
|
|
|
Box/Folder
24/1
Reel/Frame
27/46-81
|
Partial script for television, 1949 November 13
|
|
|
Box/Folder
24/2
Reel/Frame
27/82-171
|
Clippings, 1949 May 10-1958 April 28
|
|
|
Box/Folder
24/3
Reel/Frame
27/172-320
|
Publicity, 1949 October 9-1962 October
|
|
|
Box/Folder
24/4
Reel/Frame
27/321-342
|
“Regina Concert” miscellaneous
|
|
|
Box/Folder
24/5
Reel/Frame
27/343-388
|
Notes and miscellaneous
|
|
|
Box/Folder
24/6
Reel/Frame
27/389-442
|
Works influenced by Regina, 1958 October 9
|
|
|
Box/Folder
24/7
Reel/Frame
27/443-572
|
Published score, 1942
|
|
|
Box/Folder
24/8
Reel/Frame
27/573-613
|
Published song sheets, 1949
|
|
|
Box/Folder
52/5
Reel/Frame
27/614-647
|
Songs from the Opera, circa 1949
|
|
|
Box/Folder
52/6
Reel/Frame
27/648-826
|
Early music sketches
|
|
|
Box/Folder
53/1
Reel/Frame
28/1-183
|
Working piano-vocal score, Act I, undated
|
|
|
Box/Folder
54/1
Reel/Frame
28/184-447
|
Annotated piano-vocal score, 1946-1948
|
|
|
Box/Folder
54/2
Reel/Frame
28/448-711
|
Piano-vocal score, 1946-1948
: Used in Cheryl Crawford production, 1949.
|
|
|
Box/Folder
55/1-2
Reel/Frame
28/712-828
|
Piano-vocal scores, Vols. I-II, 1946-1948
|
|
|
Box/Folder
55/5
Reel/Frame
29/1-26
|
Piano-vocal score, Act III (Rain Quartet)
|
|
|
Box/Folder
55/6
Reel/Frame
29/27-32
|
Piano-vocal score for Songs “Look at Me” and “Greedy Girl”
|
|
|
Conductor's Scores
|
|
|
Box/Folder
56/1
Reel/Frame
29/33-88
|
Act I, Scene 1
|
|
|
Box/Folder
56/2
Reel/Frame
29/89-335
|
Act I, Scene 2
|
|
|
Box/Folder
56/3
Reel/Frame
29/336-581
|
Act I, Scene 2, parts 1-5, 6a, 6b, 6c, 6d, 7b, 8
|
|
|
Box/Folder
57/1
Reel/Frame
29/582-770
|
Act I, Prelude to Scene 3; Scene 3, parts 1-6
|
|
|
Box/Folder
57/2
Reel/Frame
29/771-908
|
Act I, Scene 4, parts 1-4
|
|
|
Box/Folder
57/3
Reel/Frame
30/1-210
|
Act I, Scene 5, parts 3-9
|
|
|
Box/Folder
58/1
Reel/Frame
30/211-507
|
Act II, Scene 2
|
|
|
Box/Folder
58/2
Reel/Frame
30/508-576
|
Act III, Prelude and Scene 3
|
|
|
Box/Folder
58/3
Reel/Frame
30/577-660
|
Act III
|
|
|
Recorded excerpts
|
|
|
1049A/3
|
“What Will It Be,” “Zan” / sung by Priscilla Gillette
: Original: Disc 161A/9
Damaged.
|
|
|
1049A/3
|
“The Best Thing of All,” “Regina” / sung by Jane Pickens
: Original: Disc 161A/9
|
|
|
1049A/3
|
“Finale, Scene V” / sung by Gillette and Pickens
: Original: Disc 161A/10
|
|
|
1049A/3
|
“Rain Quartette, Scene V” / sung by Gillette, Brenda Lewis as Birdie, William Wilderman as Horace, and Lillyn Brown as Addie
: Original: Disc 161A/10
|
|
|
1049A/3
|
“Lionnet,” parts 1-2 / sung by Lewis
: Original: Disc 161A/11
|
|
|
U.S. Mss 35AN/Micro 1049
|
Let's Make an Opera (1950 December 13)
: See also scrapbook volume 4.
|
|
|
Box/Folder
24/9
Reel/Frame
30/661-691
|
Correspondence and contract, 1950 August 24-1952 August 22
|
|
|
Box/Folder
24/10
Reel/Frame
30/692-742
|
Notes and revisions, circa 1950
|
|
|
Box/Folder
24/11
Reel/Frame
30/743-749
|
Song lyrics for the audience
|
|
|
Box/Folder
24/12
Reel/Frame
30/750-867
|
Annotated scripts, 1949-1950
|
|
|
Box/Folder
24/13
Reel/Frame
30/868-943
|
Published score, vocal with piano duet; music by Benjamin Britten, 1950
|
|
|
Box/Folder
24/14
Reel/Frame
30/944-954
|
Publicity, 1950
|
|
|
1049A/3
|
Recorded excerpts
: Original: Disc 161A/11
|
|
|
The Harpies (1953 June)
: See also scrapbook volume 6.
|
|
|
Box/Folder
24/15
Reel/Frame
31/1-5
|
Correspondence, 1931 March 27-November 25
|
|
|
Box/Folder
24/16
Reel/Frame
31/6-21
|
Scripts, 1931
|
|
|
Box/Folder
24/17
Reel/Frame
31/22-88
|
Tablet with musical sketches, 1931
|
|
|
Box/Folder
24/18
Reel/Frame
31/89-166
|
Piano transcription, 1931
|
|
|
Early instrumental parts, 1931
|
|
|
Box/Folder
59/1
Reel/Frame
31/167-241
|
Piano-vocal score (Negative Photostat), 1931
|
|
|
Box/Folder
59/2
Reel/Frame
31/242-289
|
Instrumental parts, 1931
|
|
|
554A/5
|
Recorded excerpts
|
|
|
U.S. Mss 35AN/Micro 1049
|
Reuben, Reuben (Boston, 1955 October 10)
: See also scrapbook volume 8.
|
|
|
Box/Folder
25/1
Reel/Frame
31/290-324
|
Correspondence and contract, 1953 August 6-1955 October 28
|
|
|
Box/Folder
25/2
Reel/Frame
31/325-330
|
Royalty statements, 1956 March 31-September 30
|
|
|
Box/Folder
25/3
Reel/Frame
31/331-481
|
Notes, Act I, i; II, iii, iv, 1951-1953
|
|
|
Box/Folder
25/4-5
Reel/Frame
31/482-615
|
Notes, 1950-1953
|
|
|
Box/Folder
25/6
Reel/Frame
31/616-973
|
Notes, circa 1952
|
|
|
Box/Folder
25/7
Reel/Frame
32/1-31
|
Notebook, circa 1955
|
|
|
Box/Folder
25/8
Reel/Frame
32/32-173
|
Notes and cuts, 1951-1955
|
|
|
Notes and scripts
|
|
|
Box/Folder
25/9
Reel/Frame
32/174-236
|
Act I, Scene 1, circa 1955
|
|
|
Box/Folder
25/10
Reel/Frame
32/237-348
|
Act I, Scene 2, circa 1954-1955
|
|
|
Box/Folder
25/11
Reel/Frame
32/349-362
|
Act I, Scene 3, 1954-1955
|
|
|
Box/Folder
26/1
Reel/Frame
32/363-394
|
Act I, Scene 4, 1951-1955
|
|
|
Box/Folder
26/2
Reel/Frame
32/395-447
|
Act I, Scene 5, 1954-1955
|
|
|
Box/Folder
26/3
Reel/Frame
32/448-496
|
Act I, Scene 6, 1954-1955
|
|
|
Box/Folder
26/4
Reel/Frame
32/497-532
|
Act I, Scene 7, 1955
|
|
|
Box/Folder
26/5
Reel/Frame
32/533-551
|
Act II, Scene 1, 1953-1955
|
|
|
Box/Folder
26/6
Reel/Frame
32/552-592
|
Act II, Scene 2, 1953-1955
|
|
|
Box/Folder
26/7
Reel/Frame
32/593-715
|
Act II, Scene 3, 1953-1955
|
|
|
Box/Folder
26/8
Reel/Frame
32/716-731
|
Act II, Scene 4, 1955
|
|
|
Box/Folder
26/9
Reel/Frame
32/732-924
|
Notes, partial scripts, revisions, circa 1955
|
|
|
Box/Folder
26/10
Reel/Frame
32/925-976
|
Production notes, synopsis, set designs, 1953-1955
|
|
|
Box/Folder
26/11
Reel/Frame
33/1-146
|
Script, 1955
|
|
|
Box/Folder
26/12
Reel/Frame
33/147-157
|
Publicity, 1955
|
|
|
Box/Folder
26/13
Reel/Frame
33/158-161
|
Orchestra score barring sheet
|
|
|
Box/Folder
26/14
Reel/Frame
33/162-171
|
Lyrics, undated
|
|
|
Box/Folder
26/15
Reel/Frame
33/172-191
|
Published songs
|
|
|
Box/Folder
60/1
Reel/Frame
33/192-615
|
Musical sketches
|
|
|
Box/Folder
60/2
Reel/Frame
33/616-654
|
Songs: finished manuscripts
|
|
|
Box/Folder
60/3
Reel/Frame
33/655-669
|
Songs: manuscripts for published songs
|
|
|
Box/Folder
61/1
Reel/Frame
33/670-947
|
Early piano-vocal score
|
|
|
Box/Folder
61/2
Reel/Frame
34/1-304
|
Second draft piano-vocal score
|
|
|
Piano-vocal scores
|
|
|
Box/Folder
62/1
Reel/Frame
34/05-419
|
Act I with revisions, 1953
|
|
|
Box/Folder
62/2
Reel/Frame
34/420-464
|
Act I, corrected, 1953
|
|
|
Box/Folder
62/3
Reel/Frame
34/465-581
|
Act I, Scenes 3-5, 8-9, with revisions
|
|
|
Box/Folder
62/4
Reel/Frame
34/582-621
|
Fragmentary score, undated
|
|
|
Box/Folder
63/1
Reel/Frame
34/622-874
|
Act I, Scenes 1-7, with later revisions, 1953
|
|
|
Box/Folder
64/1
Reel/Frame
34/875-end 8 35/1-373
|
Act I, Scenes 1-7, revised, 1955
|
|
|
Box/Folder
65/1-2
Reel/Frame
35/374-611
|
Act II, with revisions
|
|
|
Box/Folder
65/3
Reel/Frame
35/612-776
|
Act II, with later revisions, 1955?
|
|
|
Box/Folder
66/1
Reel/Frame
35/777-end 8 36/1-141
|
Act I, late version, 1955
|
|
|
Box/Folder
66/2
Reel/Frame
36/142-292
|
Act II, late version, 1955
|
|
|
Box/Folder
67/1
Reel/Frame
36/293-483
|
Act II, undated
|
|
|
Box/Folder
67/2
Reel/Frame
36/484-974
|
Act I, complete score
|
|
|
Conductor's scores
|
|
|
Box/Folder
68/1
Reel/Frame
37/1-99
|
Act I, Scene 1: vocal only, incomplete
|
|
|
Box/Folder
68/2-3
Reel/Frame
37/100-259
|
Act I, Scene 2: vocal only, incomplete
|
|
|
Box/Folder
68/4-5
Reel/Frame
37/260-348
|
Act I, Scene 3: vocal only, incomplete
|
|
|
Box/Folder
68/6
Reel/Frame
37/349-375
|
Act I, Scene 5: vocal only, incomplete
|
|
|
Box/Folder
68/7
Reel/Frame
37/376-417
|
Act I, Scene 5 (San Gennaro): vocal only, incomplete
|
|
|
Box/Folder
68/8
Reel/Frame
37/418-439
|
Act I, Scene 5: vocal only, incomplete
|
|
|
Box/Folder
68/9-10
Reel/Frame
37/440-509
|
Act I, Scene 6: vocal only, incomplete
|
|
|
Box/Folder
68/11
Reel/Frame
37/510-528
|
Act I, Scene 7 (Circus Finale): vocal only, incomplete
|
|
|
Box/Folder
68/12-13
Reel/Frame
37/529-613
|
Act I, Scene 7: vocal only, incomplete
|
|
|
Box/Folder
68/14
Reel/Frame
37/614-683
|
Act I, Scene 2, Dialogues 8 and 9
|
|
|
Complete original scores
|
|
|
Box/Folder
69/1
Reel/Frame
37/687-807
|
Act I, Overture-6A, 1953-1955
|
|
|
Box/Folder
69/2
Reel/Frame
37/808-1024
|
Act I, 6B-10, 1953-1955
|
|
|
Box/Folder
69/2
Reel/Frame
38/1-95
|
Act I, 11-12, 1953-1955
|
|
|
Box/Folder
69/3
Reel/Frame
38/96-383
|
Act I, 13-20
|
|
|
Box/Folder
70/1
Reel/Frame
38/384-599
|
Act I, 21-30, 1953-1955
|
|
|
Box/Folder
70/2
Reel/Frame
38/600-820
|
Act II, 31-36, undated
|
|
|
Box/Folder
70/3
Reel/Frame
38/821-996
|
Act II, 37-40, undated
|
|
|
Box/Folder
71/1-2
Reel/Frame
39/1-705
|
Act I, annotated copy of complete score
|
|
|
Box/Folder
72/1
Reel/Frame
39/706-981
|
Act I, annotated copy of complete score
|
|
|
Box/Folder
72/2
Reel/Frame
40/1-399
|
Act II, annotated copy of complete score
|
|
|
Recordings
|
|
|
513A/5
|
Act I, Scenes 1-6
|
|
|
513A/6
|
Act II, Scenes 1-4
|
|
|
513A/7
|
Reuben, Reuben
|
|
|
Four cuts from the score
|
|
|
1049A/12
|
10. a and b - Blitzstein
: Original: Disc 161A/25
|
|
|
1049A/12
|
11. Lear, Nambrust
: Original: Disc 161A/25
|
|
|
1049A/12
|
12. Ghostley
: Original: Disc 161A/25
|
|
|
1049A/12
|
13. Lear, Ghostley, Cass, Stewart
: Original: Disc 161A/25
|
|
|
Juno (1959 March 9)
: See also scrapbook volumes 8-9.
|
|
|
U.S. Mss 35AN/Micro 1049
Box/Folder
27/1
Reel/Frame
40/400-446
|
Correspondence, 1957 May 29-1975 October 9
|
|
|
Box/Folder
27/2
Reel/Frame
40/447-510
|
Contracts, 1956 July 16-1959 February 27
|
|
|
Box/Folder
27/3
Reel/Frame
40/511-550
|
Sally Lou Todd's analysis, 1975 June 3
|
|
|
Box/Folder
27/4
Reel/Frame
40/551-580
|
Critical comments, undated
|
|
|
Box/Folder
27/5
Reel/Frame
40/581-628
|
Audition notes, 1958
|
|
|
Box/Folder
27/6
Reel/Frame
40/629-673
|
Production notes and materials, circa 1957-1959
|
|
|
Box/Folder
27/7
Reel/Frame
40/674-703
|
Lyrics, 1957 June-July
|
|
|
Box/Folder
27/8
Reel/Frame
40/704-950
|
Notes and revisions of lyrics, 1957-1958
|
|
|
Box/Folder
27/9
Reel/Frame
40/951-1015
|
Revisions and notes on lyrics and book, 1958 August-December
|
|
|
Box/Folder
27/10
Reel/Frame
41/1-93
|
Notes and revisions of lyrics, partial scripts, 1959
|
|
|
Box/Folder
27/1
Reel/Frame
41/94-123
|
Miscellaneous working notes
|
|
|
Box/Folder
27/12
Reel/Frame
41/124-199
|
Outlines, notes, working script, 1957
|
|
|
Scripts
|
|
|
Box/Folder
27/13
Reel/Frame
41/200-237
|
First draft, 1957 June
|
|
|
Box/Folder
27/14
Reel/Frame
41/238-324
|
Second draft, 1957 July
|
|
|
Box/Folder
27/15
Reel/Frame
41/325-410
|
Third draft, 1957 July
|
|
|
Box/Folder
27/16
Reel/Frame
41/411-531
|
Full script, 1957 August
|
|
|
Box/Folder
28/1
Reel/Frame
41/532-658
|
Revision of Act I:1, 1957 August 12
|
|
|
Box/Folder
28/2
Reel/Frame
41/659-766
|
Script, 1958 August 25
|
|
|
Box/Folder
28/3
Reel/Frame
41/767-856
|
Complete script, circa 1959
|
|
|
Box/Folder
28/4
|
Complete script, circa 1959
: Not filmed.
|
|
|
Box/Folder
28/5
Reel/Frame
41/857-958
|
Revised script / by Richard Maltby, Jr. and Geraldine Fitzgerald, 1974
|
|
|
Box/Folder
28/6
Reel/Frame
42/1-56
|
Playbills, 1957-1959
|
|
|
Box/Folder
28/7
Reel/Frame
42/57-77
|
Published songs, 1959
|
|
|
Box/Folder
73/1
Reel/Frame
42/78-126
|
Conductor's score “Ireland's Eye,” “Ireland's Eye Dance,” circa 1959
|
|
|
Box/Folder
73/2
Reel/Frame
42/127-242
|
Musical sketches, undated
|
|
|
Box/Folder
73/3
Reel/Frame
42/243-264
|
Ballet music motifs
|
|
|
Box/Folder
74/1
Reel/Frame
42/265-489
|
Piano-vocal score, 1958
|
|
|
Box/Folder
74/2
Reel/Frame
42/490-667
|
Revisions of piano-vocal score, circa 1959
|
|
|
Box/Folder
75/1
Reel/Frame
42/668-841
|
Piano-vocal score, Act I, 1958-1959
|
|
|
Box/Folder
75/2
Reel/Frame
42/842-943
|
Piano-vocal score, Act II, 1958-1959
|
|
|
Box/Folder
75/3
Reel/Frame
43/1-109
|
Piano-vocal revisions
|
|
|
Box/Folder
75/4
Reel/Frame
43/110-132
|
Songs, piano-vocal scores and published piano-vocal score, 1959
|
|
|
Recordings
|
|
|
513A/8-9
|
Juno (1) and (2)
|
|
|
Demo songs on Dick Charles recording discs
|
|
|
1049A/4
|
“My True Heart,” Rosemary June, Gloria Shane, piano
: Original: Disc 161A/12
|
|
|
1049A/4
|
“I Wish It So,” Rosemary June, Gloria Shane, piano
: Original: Disc 161A/12
|
|
|
1049A/4
|
“One Kind Word,” Jack Carroll, Gloria Shane, piano
: Original: Disc 161A/13
|
|
|
U.S. Mss 35AN/Micro 1049
|
“Parabola and Circula” (unproduced, dedicated to Eva Goldbeck, 1929)
|
|
|
Box/Folder
28/8
Reel/Frame
43/133-189
|
Script, undated
|
|
|
Box/Folder
28/9
Reel/Frame
43/190-447
|
Music tablets, 1929
|
|
|
Scores, 1929
|
|
|
Box/Folder
76/1
|
Volume 1: orchestra score
|
|
|
Box/Folder
76/2
|
Volume 2: conductor's score
|
|
|
Box/Folder
77/1
Reel/Frame
43/450-end
|
Piano-vocal scores, 1963 March 1
|
|
|
“The Traveling Salesman” (unproduced)
|
|
|
Box/Folder
28/10
Reel/Frame
44/1-81
|
Scripts, 1929 September 17, 1930 April
|
|
|
“The Killers” (unproduced)
|
|
|
Box/Folder
28/11
Reel/Frame
44/82-128
|
Musical sketches, 1931
|
|
|
“The Condemned” (choral opera, unproduced)
|
|
|
Box/Folder
29/1
Reel/Frame
44/129-135
|
Correspondence, 1931 November 11-1935 January 11
|
|
|
Box/Folder
29/2
Reel/Frame
44/136-152
|
Analysis, notes, undated
|
|
|
Box/Folder
29/3
Reel/Frame
44/153-163
|
Libretto
|
|
|
Box/Folder
77/2
Reel/Frame
44/164-210
|
Early piano version, 1932
|
|
|
Box/Folder
77/3
Reel/Frame
44/211-270
|
Piano-vocal score transcription; instrumental; music sketch
|
|
|
Box/Folder
77/4
Reel/Frame
44/271-334
|
Conductor's score: first draft, undated
|
|
|
Box/Folder
77/5
Reel/Frame
44/335-547
|
Conductor's score, 1932-1933
|
|
|
Box/Folder
77/6
Reel/Frame
44/548-746
|
Conductor's score
|
|
|
“Sacco and Vanzetti” (unproduced)
: See also scrapbook volume 10.
|
|
|
Box/Folder
29/4
Reel/Frame
44/747-816
|
Correspondence, 1932 November 21-1963 July 3
|
|
|
Box/Folder
29/5
Reel/Frame
44/817-837
|
Contracts, 1960 February 19-June 14
|
|
|
Research materials
|
|
|
Box/Folder
29/6
Reel/Frame
44/838-979
|
General, 1927 April 9-1960 December 29
|
|
|
Box/Folder
29/7
Reel/Frame
45/1-143
|
General, 1961 March 7-1963 September 1
|
|
|
Box/Folder
29/8
Reel/Frame
45/144-238
|
Massachusetts Legislative Judiciary Committee Hearing, 1959
|
|
|
Box/Folder
29/9
Reel/Frame
45/239-245
|
Television correspondence, 1960 May 3-1963 June 18
|
|
|
Television script and notes,
|
|
|
Box/Folder
29/10
Reel/Frame
45/246-447
|
First draft, 1960 April 6-28
|
|
|
Box/Folder
29/11
Reel/Frame
45/448-591
|
Third revision, 1960 May 9
|
|
|
Books: annotated
|
|
|
Box/Folder
29/12
Reel/Frame
45/592-597
|
American Heritage / edited by Bruce Catton, volume XI, no. 1, 1959 December pp. 89-93
|
|
|
Box/Folder
30/1
Reel/Frame
45/598-1021
|
Commonweal vs. Sacco and Vanzetti / by Robert Weeks, 1958
|
|
|
Box/Folder
30/1
Reel/Frame
45/598-1021
|
Letters of Sacco and Vanzetti / edited by Frankfurther and Jackson, 1928
|
|
|
Box/Folder
30/2
Reel
46
|
The Sacco-Vanzetti Case / by Osmond K. Frankel, 1931
|
|
|
Box/Folder
30/2
Reel
46
|
Tragedy in Dedham / by Francis Russell, 1962
|
|
|
Box/Folder
30/3
Reel
46
|
The Untried Case / by Herbert E. Ehrman, 1960
|
|
|
Box/Folder
30/3
Reel
46
|
Winterset / by Maxwell Anderson, 1946
|
|
|
Box/Folder
31/1
Reel/Frame
47/1-46
|
Plans and outlines, Acts I-III, 1960 July 7-1961 November 28
|
|
|
Notes
|
|
|
Box/Folder
31/2
Reel/Frame
47/47-267
|
Character and general, 1959 September 15-1963 March 2
|
|
|
Box/Folder
31/3
Reel/Frame
47/268-439
|
Acts I-III, 1959 November 10-1963 March 18
|
|
|
Notes and scripts
|
|
|
Box/Folder
31/4
Reel/Frame
47/440-641
|
Act I, i, ii, iii, 1960 June 3-1963 March 20
|
|
|
Box/Folder
31/5
Reel/Frame
47/642-767
|
Act I, iv, v, vi, 1961 January 7-1962 July 5
|
|
|
Box/Folder
31/6
Reel/Frame
47/768-810
|
Act II, i, ia, iii, iv, vi, 1960 June 13-1961 October 11
|
|
|
Box/Folder
31/7
Reel/Frame
47/811-825
|
Acts III, iv, ?, 1960 April 22-1962 April 14
|
|
|
Music sketches
|
|
|
Box/Folder
31/8
Reel/Frame
47/826-830
|
The Beit-Yannai notebook, 1962 June 22-August 22
|
|
|
Box/Folder
78/
Reel/Frame
47/831-890
|
All Acts, 1959 December 8
|
|
|
Piano-vocal score
|
|
|
Box/Folder
78/2
Reel/Frame
47/891-900
|
Opening
|
|
|
Box/Folder
78/3
Reel/Frame
48/1-54
|
Act I, Scene 1, 1960 December 8
|
|
|
Box/Folder
78/4
Reel/Frame
48/55-108
|
Overture, Act I, Scene 1: preliminary drafts, 1961 April 18
|
|
|
Box/Folder
78/5
Reel/Frame
48/109-202
|
Sketches, Act I, Scenes 2, 4a, 5, 6, 1961
|
|
|
Box/Folder
78/6
Reel/Frame
48/203-223
|
Act I, Scene 2, undated
|
|
|
Box/Folder
78/7
Reel/Frame
48/224-386
|
Act I, Scene 3: preliminary drafts
|
|
|
Box/Folder
78/8
Reel/Frame
48/387-427
|
Act I, Scene 3
|
|
|
Box/Folder
78/9
Reel/Frame
48/428-433
|
Act I, Scene 5
|
|
|
Box/Folder
78/10
Reel/Frame
48/434-444
|
Act I miscellaneous, 1963
|
|
|
Box/Folder
78/11
Reel/Frame
48/445-476
|
Act II, Scenes 1a, 2a, 2b, 1961 (Preliminary Drafts)
|
|
|
Box/Folder
78/12
Reel/Frame
48/477-484
|
Act II: draft of “With a Woman to Be”
|
|
|
Box/Folder
78/13
Reel/Frame
48/487-499
|
Act II: last scene
|
|
|
Box/Folder
78/14
Reel/Frame
48/500-510
|
Act III: musical drafts
|
|
|
Box/Folder
78/15
Reel/Frame
48/511-560
|
Act III, Scene 6: musical drafts
|
|
|
Box/Folder
78/16
Reel/Frame
48/561-565
|
Act III: score for Vanzetti and reporter scene
|
|
|
Box/Folder
78/17
Reel/Frame
48/566-595
|
Act III: drafts for Vanzetti's Last Aria, 1961
|
|
|
Opera analysis
|
|
|
Publicity, 1960-1962
|
|
|
763A/1
|
Recorded excerpts, circa 1977 August 26
: “A Woman To Be,” by Sacco, sung by tenor Peter Harvey; “If It Had Not Been for These Thing,” by Vanzetti, sung by Charles Fidlar. Piano by John Mueter. This version realized by Fidlar. Produced a few days prior to a Sacco-Vanzetti commemorative picnic held in Middlefield, Connecticut, circa August 26, 1977, when the tape was played.
|
|
|
U.S. Mss 35AN/Micro 1049
|
“Tales of Malamud” (unproduced)
|
|
|
Box/Folder
31/9
Reel/Frame
48/596-605
|
Correspondence, 1962 November 2-1967 April 29
|
|
|
Box/Folder
31/10
Reel/Frame
48/606-676
|
Background materials, Bernard Malamud short stories, 1962
|
|
|
Box/Folder
31/11
Reel/Frame
48/676-726
|
“The Magic Barrel,” notes and scripts, 1962 November 2-1963 September 7
|
|
|
“Idiots First”
|
|
|
Box/Folder
31/12
Reel/Frame
48/727-850
|
Notes and scripts, 1963
|
|
|
Box/Folder
79/1
Reel/Frame
49/1-195
|
Piano-vocal score musical drafts, 1962 October-1963 August
|
|
|
Box/Folder
79/2
Reel/Frame
49/196-302
|
“The Magic Barrel,” piano-vocal musical drafts, 1962 November 3-1964 January 19
|
|
|
Box/Folder
79/3
Reel/Frame
49/303-385
|
“Idiots First,” conductor's score, 1963
|
|
|
Series: Ballets
|
|
|
“American Woman” / ballet by Ruth Page
|
|
|
Box/Folder
31/13
Reel/Frame
49/386-421
|
Correspondence, notes, contract, and scenario, 1935 August-September
|
|
|
Cain (1938 June)
|
|
|
Box/Folder
31/14
Reel/Frame
49/422-441
|
Correspondence, notes, synopsis, 1931 November 16-1935 December 25
|
|
|
Box/Folder
31/15
Reel/Frame
49/442-570
|
Bound music tablets, circa 1931-1936
|
|
|
Box/Folder
80/1
Reel/Frame
49/571-690
|
Piano transcription
|
|
|
Box/Folder
80/2
Reel/Frame
49/690-971
|
Orchestra score, undated
|
|
|
Box/Folder
80/3
Reel/Frame
50/1-29
|
Theatre Orchestra score
|
|
|
773A/3
|
Movements 1-8, recorded from a disc
|
|
|
773A/4
|
Movements 9-12 (#10 not recorded)
|
|
|
U.S. Mss 35AN/Micro 1049
|
The Guests (1949 January 20)
|
|
|
Box/Folder
32/1
Reel/Frame
50/30-36
|
Contract, 1920 January 17
|
|
|
Box/Folder
32/2
Reel/Frame
50/37-47
|
Publicity, 1949
|
|
|
Box/Folder
81/1-2
Reel/Frame
50/48-220
|
Working piano scores
|
|
|
Box/Folder
81/3
Reel/Frame
50/221-252
|
Piano score completed masters
|
|
|
Box/Folder
82/1
Reel
50
|
Unbound Conductor's score, circa 1949
145 unnumbered frames
|
|
|
Box/Folder
82/2
|
Bound Conductor's score, circa 1949
: Duplicate of unbound Conductor's score, Box 82, Folder 1.
|
|
|
“Blessings of the Bath Ballet” (unproduced)
|
|
|
Box/Folder
81/4
Reel/Frame
50/254-322
|
Conductor's score, 1926-1931
|
|
|
“Jigg-Saw Ballet” (unproduced)
|
|
|
Box/Folder
81/5
Reel/Frame
50/323-381
|
Orchestra score, 1927-1928
|
|
|
“The Story of Keene and Albert” (unproduced)
|
|
|
Box/Folder
32/3
Reel/Frame
50/382-384
|
Outline, 1940
|
|
|
“King Hunger” (unproduced)
|
|
|
Box/Folder
32/4
Reel/Frame
50/385-402
|
Violin-piano score, undated
|
|
|
“Show Window or Model” (unproduced)
|
|
|
Box/Folder
32/5
Reel/Frame
50/403-482
|
Notes and partial scripts, circa 1946
|
|
|
“Megalopolis Ballet” (unproduced)
|
|
|
Box/Folder
81/6
Reel/Frame
50/483-518
|
Music sketches
|
|
|
“Svarga” (unproduced)
|
|
|
Box/Folder
32/6
Reel/Frame
50/519-524
|
Scenario, choreography, undated
|
|
|
Conductor's scores, 1925 April
|
|
|
Box/Folder
83/1
Reel/Frame
50/525-580
|
Act I, a, b
|
|
|
Box/Folder
83/2
Reel/Frame
50/581-617
|
Act II
|
|
|
Box/Folder
83/3
Reel/Frame
50/618-637
|
Act III
|
|
|
Box/Folder
83/4
Reel/Frame
50/638-682
|
Act IV, a, b
|
|
|
Box/Folder
83/5
Reel/Frame
50/683-815
|
Orchestral score, piano part: incomplete, 1924 March
|
|
|
Box/Folder
84/1
Reel/Frame
51/1-64
|
String parts, undated
|
|
|
Box/Folder
84/2
Reel/Frame
51/65-181
|
Wind, percussion, piano parts, undated
|
|
|
Series: Symphonies
|
|
|
Freedom Morning (1943)
: See also scrapbook volume 2.
|
|
|
Box/Folder
32/7
Reel/Frame
51/182-188
|
Publicity, 1944
|
|
|
Box/Folder
82/3
Reel/Frame
51/189-195
|
Piano vocal, lyrics
|
|
|
Box/Folder
82/4
Reel/Frame
51/196-221
|
Piano reduction
|
|
|
Box/Folder
82/5
Reel/Frame
51/222-327
|
Wind parts: negative photostats, 1943
|
|
|
Box/Folder
82/6
Reel/Frame
51/328-391
|
Conductor's Orchestral score, circa 1943
|
|
|
Stadium concert / performed by the Philharmonic Symphony Orchestra of New York, conducted by Alexander Smalling, 1944 August 4
|
|
|
1049A/9
|
Part 1
: Original: Disc 161A/20
|
|
|
1049A/9
|
Parts 2-4
: Original: Disc 161A/21
|
|
|
1049A/9
|
Part 5
: Original: Disc 161A/22
|
|
|
U.S. Mss 35AN/Micro 1049
|
The Airborne Symphony (1946)
: See also scrapbook volumes 2, 4, 6, 7.
|
|
|
Box/Folder
32/8
Reel/Frame
51/392-464
|
Correspondence, 1946 March 19-1960 February 22
|
|
|
Box/Folder
32/9
Reel/Frame
51/465-474
|
Contracts, 1946 May 22-26
|
|
|
Box/Folder
32/10
Reel/Frame
51/475-563
|
Notebooks, circa 1939-1942
|
|
|
Box/Folder
32/11
Reel/Frame
51/564-596
|
Early handwritten script, undated
|
|
|
Box/Folder
32/12
Reel/Frame
51/597-619
|
Lyrics
|
|
|
Box/Folder
32/13
Reel/Frame
51/619-773
|
Notes
|
|
|
Box/Folder
32/14
Reel/Frame
51/774-799
|
Schemes and production notes, 1943-1944
|
|
|
Box/Folder
32/15
Reel/Frame
51/800-902
|
Working scripts
|
|
|
Box/Folder
32/16
Reel/Frame
51/902-949
|
Script, 1943-1944
|
|
|
Box/Folder
32/17
Reel/Frame
52/1-47
|
Script: Orson Welles' copy, 1946
: Used by Tyrone Power, May 4, 1953, and by Zachary Scott, December 17-18, 1953.
|
|
|
Box/Folder
32/18
Reel/Frame
52/48-57
|
Notes for New York Times Article, by Blitzstein
|
|
|
Box/Folder
32/19
Reel/Frame
52/58-159
|
Publicity
|
|
|
Box/Folder
85/1
Reel
52
|
Conductor's score, Movements I, II, 1943-1944
185 unnumbered frames
|
|
|
Box/Folder
85/2
Reel
52
|
Conductor's score, Movement III, 1943-1944
158 unnumbered frames
|
|
|
Box
113
|
Conductor's score, Movements I-III
: Not filmed.
|
|
|
Box/Folder
86/1
Reel/Frame
52/164-346
|
Musical sketches, circa 1943-1944
|
|
|
Box/Folder
86/2
Reel/Frame
52/347-437
|
Piano-vocal score, 1943-1944
|
|
|
Box/Folder
86/3
Reel/Frame
52/438-458
|
Prelude, Orchestra score, undated
|
|
|
Box/Folder
86/4
Reel/Frame
52/459-470
|
Song, “Ballad of the Bombardier,” 1943-1944
|
|
|
Recordings
|
|
|
513A/10
|
The Airborne Symphony
|
|
|
The Airborne Symphony, 1946 April 1 and 2
: Probably a recording of the World Premiere Performance, New York Symphony Orchestra, conducted by Leonard Bernstein.
|
|
|
1049A/20
|
Movement I - 1. Theory of Flight
: Original: Disc 161A/34
|
|
|
1049A/20
|
Movement I - 2. Ballad of History and Mythology
: Original: Disc 161A/35
|
|
|
1049A/20
|
Movement I - 3. Kittyhawk
: Original: Disc 161A/36
Damaged disc
|
|
|
1049A/20
|
Movement I - 4. The Airborne
: Original: Disc 161A/36
Damaged disc
|
|
|
1049A/20
|
Movement II - 5. The Enemy
: Original: Disc 161A/37
Damaged disc
|
|
|
1049A/20
|
Movement II - 6. Threat and Approach
: Original: Disc 161A/38
|
|
|
1049A/20
|
Movement II - 7. Ballad of the Cities, Part I
: Original: Disc 161A/38
|
|
|
1049A/20
|
Movement II - 7. Conclusion of Ballad of the Cities
: Original: Disc 161A/39
|
|
|
1049A/21
|
Movement II - 8. Morning Poem
: Original: Disc 161A/40
Disc cracked
|
|
|
1049A/21
|
Movement II - 8. Morning Poem
: Original: Disc 161A/41
: Probably another take of the above.
|
|
|
1049A/21
|
Movement III - 9. Ballad of Hurry Up, Part I
: Original: Disc 161A/42
|
|
|
1049A/21
|
Movement III - 9. Conclusion of Ballad of Hurry Up
: Original: Disc 161A/43
Damaged disc
|
|
|
1049A/21
|
Movement III - 10. Ballad of the Bombardier
: Original: Disc 161A/44
|
|
|
1049A/21
|
Movement III - 12. The Open Sky, Part I
: Original: Disc 161A/45
Disc cracked
|
|
|
1049A/21
|
Movement III - 12. Conclusion of The Open Sky
: Original: Disc 161A/46
Disc containing Movement III - 11. Chorus of the Rendezvous, is broken and cannot be repaired.
|
|
|
The Airborne Symphony /performed by the NBC Symphony Orchestra, Leonard Bernstein, conductor, Narration by Blitzstein, for broadcast over Station WEAF, New York, 1946 May 26
: Recorded by Frankay and Jackson Recording Specialists, New York. New York. This recording from General Motors' Symphony of the Air.
|
|
|
1049A/22
|
Introduction by Radio Announcer; Movement I - 1. Theory of Flight, Part 1.
: Original: Disc 161A/47
|
|
|
1049A/22
|
Movement I - 3. Kittyhawk; 4. The Airborne
: Original: Disc 161A/47
|
|
|
1049A/22
|
Introduction by Radio Announcer; Movement I - 1. Theory of Flight, Part 1.
: Original: Disc 161A/48
|
|
|
1049A/22
|
Movement I - 3. Kittyhawk
: Original: Disc 161A/48
|
|
|
1049A/22
|
Movement I - Conclusion 1. Theory of Flight; 2. Ballad of History and Mythology
: Original: Disc 161A/49
|
|
|
1049A/22
|
Movement II - 5. The Enemy; Beginning of 6. Threat and Approach
: Original: Disc 161A/49
|
|
|
1049A/23
|
Conclusion of Movement I - 1. Theory of Flight; 2. Ballad of History and Mythology, Part 1.
: Original: Disc 161A/50
|
|
|
1049A/23
|
Movement II - 5. The Enemy
: Original: Disc 161A/51
|
|
|
1049A/23
|
Movement II - 7. Ballad of the Cities, middle section
: Original: Disc 161A/51
|
|
|
1049A/23
|
Movement II - 6. Threat and Approach; 7. Ballad of the Cities, Part 1
: Original: Disc 161A/52
|
|
|
1049A/23
|
Movement II - 7. Ballad of the Cities, conclusion; 8. Morning Poem
: Original: Disc 161A/52
|
|
|
1049A/23
|
Movement III - 9. Ballad of Hurry Up, Part 1
: Original: Disc 161A/52
|
|
|
The Airborne Symphony, recorded 1946 April 1
|
|
|
1049A/24
|
Movement I - 2. Ballad of History and Mythology; 3. Kittyhawk
: Original: Disc 161A/54
|
|
|
1049A/24
|
Movement I - 3. Kittyhawk, conclusion; Airborne Enemy, beginning
: Original: Disc 161A/53
|
|
|
1049A/24
|
Airborn Enemy, conclusion; Threat and Approach, beginning
: Original: Disc 161A/54
|
|
|
1049A/24
|
Threat and Approach, conclusion; Ballad of the Cities, beginning
: Original: Disc 161A/55
|
|
|
1049A/24
|
Ballad of the Cities, conclusion; Morning Poem, beginning
: Original: Disc 161A/56
Cracked disc
|
|
|
1049A/25
|
Morning Poem; Ballad of Hurry Up, beginning
: Original: Disc 161A/55
|
|
|
1049A/25
|
Ballad of Hurry Up, conclusion; Night Music, beginning
: Original: Disc 161A/56
|
|
|
1049A/25
|
Ballad of the Bombardier
: Original: Disc 161A/57
|
|
|
1049A/25
|
Rendezvous; The Open Sky, beginning
: Original: Disc 161A/58
|
|
|
1049A/25
|
The Open Sky, conclusion
: Original: Disc 161A/57
|
|
|
1049A/26
|
The Open Sky, conclusion
: Original: Disc 161A/58
|
|
|
1049A/26
|
Threat and Approach, conclusion; Ballad of the Cities, beginning
: Original: Disc 161A/59
|
|
|
1049A/26
|
Morning Poem; Ballad of Hurry Up, beginning
: Original: Disc 161A/59
Cracked disc
|
|
|
1049A/26
|
Ballad of the Cities, conclusion; Morning Poem, first line
: Original: Disc 161A/60
|
|
|
1049A/26
|
Ballad of Hurry Up, conclusion; Night Music, beginning
: Original: Disc 161A/60
|
|
|
Series: Choral Contatas
|
|
|
U.S. Mss 35AN/Micro 1049
|
This Is the Garden (1957 May 5)
: See also scrapbook volume 4.
|
|
|
Box/Folder
32/20
Reel/Frame
52/471-480
|
Finances, 1956 September 6-November 1
|
|
|
Box/Folder
32/21
Reel/Frame
52/481-581
|
Notes, synopsis, lyrics, circa 1956
|
|
|
Box/Folder
32/22
Reel/Frame
52/582-585
|
Publicity, circa 1957
|
|
|
Box/Folder
32/23
Reel/Frame
52/586-637
|
Published vocal score with piano transcription, 1956-1957
|
|
|
Box/Folder
87/1
Reel/Frame
52/637-727
|
Piano-vocal score: “scratch copy”, circa 1956-1957
|
|
|
Box/Folder
87/2
Reel/Frame
53/1-96
|
Piano-vocal score, 1956
|
|
|
Orchestra scores
|
|
|
Box/Folder
87/3
Reel
53
|
Volume I
80 unnumbered frames
|
|
|
Box/Folder
87/4
Reel
53
|
Volume II
107 unnumbered frames
|
|
|
1049A/13
|
Songs, 1957
: Original: Disc 161A/26
: “The Lex Express,” “I'm Ten and You'll See,” “Harlan Brown, Killed In the Street,” “Hymie Is a Poop,” “In Twos,” “San Gennaro”
|
|
|
U.S. Mss 35AN/Micro 1049
|
“Workers' Kids of the World Unite” (unproduced)
|
|
|
Box/Folder
32/24
Reel/Frame
53/99-103
|
Lyrics
|
|
|
Box/Folder
87/5
Reel/Frame
53/104-127
|
Piano-vocal score
|
|
|
“Cantatina for Women's Chorus and Percussion” (unproduced)
|
|
|
Box/Folder
32/25
Reel/Frame
53/128-140
|
Music tablets (sketches), lyrics, 1930
|
|
|
Box/Folder
87/6
Reel/Frame
53/141-150
|
Conductor's score
|
|
|
Series: Theater
|
|
|
Lear: A Study (1958)
: See also scrapbook volumes 4, 8.
|
|
|
Box/Folder
33/1
Reel/Frame
53/151-177
|
Correspondence and calendar, 1950 August 25-1958 March 5
|
|
|
Box/Folder
33/2
Reel/Frame
53/178-190
|
Contracts and finances, 1950 September 7-1955 November 14
|
|
|
Box/Folder
33/3
Reel/Frame
53/191-230
|
Notes, synopsis, 1955 October 30-1958 February 7
|
|
|
Box/Folder
33/4
Reel/Frame
53/231-468
|
King Lear scripts, 1950, 1955
|
|
|
Box/Folder
33/5
Reel/Frame
53/469-578
|
King Lear script: revision, 1956 January
: Orson Welles version.
|
|
|
Box/Folder
33/6
Reel/Frame
53/579-633
|
Publicity, 1950-1958
|
|
|
Box/Folder
88/1
Reel/Frame
53/634-697
|
Theatre orchestra score for Louis Calhern production, 1950
|
|
|
Box/Folder
88/2
Reel/Frame
53/698-745
|
Theatre orchestra score with revisions, 1955
|
|
|
Box/Folder
88/3
Reel/Frame
53/746-785
|
Theatre orchestra score, 1955
|
|
|
Box/Folder
88/4
Reel/Frame
54/1-46
|
Flute, piccolo and clarinet parts, 1955
|
|
|
Box/Folder
88/5
Reel/Frame
54/47-101
|
Trumpet parts, 1955
|
|
|
Box/Folder
88/6
Reel/Frame
54/102-142
|
Horn parts
|
|
|
Box/Folder
88/7
Reel/Frame
54/143-220
|
Percussion parts
|
|
|
Box/Folder
88/8
Reel/Frame
54/221-248
|
Notes, extra parts, 1955
|
|
|
Box/Folder
86/5
Reel/Frame
54/249-368
|
Full score: photocopy, 1950
|
|
|
Box/Folder
86/6
Reel
54
|
Theatre orchestra score, 1950
61 unnumbered frames
|
|
|
Box/Folder
89/1
Reel/Frame
54/370-400
|
Working sketches, 1950
|
|
|
Box/Folder
89/2
Reel/Frame
54/401-448
|
Musical sketches
|
|
|
Box/Folder
89/3
Reel/Frame
54/449-491
|
Study sketches, 1957
|
|
|
Box/Folder
89/4
Reel/Frame
54/492-530
|
Piano score, 1950
|
|
|
Box/Folder
89/5-6
Reel/Frame
54/531-590
|
Piano scores, circa 1955
|
|
|
Box/Folder
89/7
Reel/Frame
54/591-594
|
Piano-vocal score “Fool's Song II,” 1950
|
|
|
Box/Folder
89/8
Reel/Frame
54/595-624
|
Piano-percussion score with cues, 1950
|
|
|
Parade (1935 May 20)
|
|
|
Box/Folder
33/7
Reel/Frame
54/625-643
|
Correspondence, publicity, 1935
|
|
|
Julius Caesar (1937 November 11)
: See also scrapbook volume 1.
|
|
|
Box/Folder
33/8
Reel/Frame
54/644-656
|
Correspondence, finances, 1937 November 8-1938 February 15
|
|
|
Box/Folder
33/9
Reel/Frame
54/657-671
|
Notes, 1937 October 14-1938
|
|
|
Box/Folder
33/10
Reel/Frame
54/672-683
|
Publicity, 1937
|
|
|
Box/Folder
89/9
Reel/Frame
54/684-696
|
Orchestra score, 1937
|
|
|
Box/Folder
89/10
Reel/Frame
54/697-727
|
Trumpet, french horn, percussion parts
|
|
|
Box/Folder
89/11
Reel/Frame
54/728-740
|
“Orpheus” published and unpublished song scores, 1936-1937
|
|
|
Box/Folder
89/12
Reel/Frame
54/741-778
|
Fragmentary percussion and orchestra parts
|
|
|
Danton's Death (1938 November 2)
: See also scrapbook volume 1.
|
|
|
Box/Folder
33/11
Reel/Frame
54/779-781
|
Financial correspondence, 1938 November 14
|
|
|
Box/Folder
33/12
Reel/Frame
54/782-879
|
Script, circa 1938
|
|
|
Box/Folder
33/13
Reel/Frame
54/880-890
|
Lyrics, 1938
|
|
|
Box/Folder
33/14
Reel/Frame
54/891-900
|
Publicity, 1938 November 2
|
|
|
Box/Folder
90/1
Reel/Frame
55/1-14
|
Songs, 1938
|
|
|
Box/Folder
90/2
Reel/Frame
55/15-27
|
Song “Ho Christina!” score for clarinet, trombone, percussion, piano, and voice, 1938
|
|
|
Pins and Needles (1937 November 27)
: See also scrapbook volume 1.
|
|
|
Box/Folder
33/15
Reel/Frame
55/28-33
|
Publicity, 1939
|
|
|
Twelfth Night (1939)
|
|
|
Box/Folder
33/16
Reel/Frame
55/34-38
|
Correspondence and royalties, 1939 July 1-1940 March 29
|
|
|
Another Part of the Forest (1946 November 20)
|
|
|
Box/Folder
33/17
Reel/Frame
55/39-193
|
Script and front pages of published play, with notes, 1946 October, 1947
|
|
|
Androcles and the Lion (1946 December 19)
: See also scrapbook volume 2.
|
|
|
Box/Folder
33/18
Reel/Frame
55/194-205
|
Contracts, music cues, notes, publicity, 1946 November 8
|
|
|
Box/Folder
90/3
Reel/Frame
55/206-245
|
Orchestra score, 1946
|
|
|
Box/Folder
90/4
Reel/Frame
55/246-277
|
Piano score, 1946
|
|
|
Midsummer Night's Dream (Stratford, Connecticut, 1958 June 20)
: See also scrapbook volume 9, 10.
|
|
|
Box/Folder
33/19
Reel/Frame
55/278-289
|
Correspondence and contracts, 1958 June 1-1960 March 29
|
|
|
Box/Folder
33/20
Reel/Frame
55/290-355
|
Script, 1958
|
|
|
Box/Folder
33/21
Reel/Frame
55/356-386
|
Production notes, music cues, 1958
|
|
|
Box/Folder
33/22
Reel/Frame
55/387-450
|
Notes, lyrics, circa 1958
|
|
|
Box/Folder
33/23
Reel/Frame
55/451-468
|
Publicity, 1958
|
|
|
Box/Folder
90/5
Reel/Frame
55/469-552
|
Music sketches, 1958 April 30
|
|
|
Box/Folder
90/6
Reel/Frame
55/553-579
|
Incomplete piano score, 1958
|
|
|
Box/Folder
90/7
Reel/Frame
55/580-681
|
Conductor's score, fragmentary sketches
|
|
|
Box/Folder
90/8
Reel/Frame
55/682-709
|
Songs
|
|
|
Box/Folder
90/9
Reel/Frame
55/90/710-805
|
Orchestra score, Part I: early version, heavily annotated, 1958
|
|
|
Box/Folder
90/10
Reel/Frame
55/806-874
|
Orchestra score, part I: partial, 1958
|
|
|
Box/Folder
91/1
Reel/Frame
55/875-964
|
Orchestra score, parts II and III
|
|
|
Box/Folder
91/2
Reel/Frame
56/1-163
|
Complete score, 1958
|
|
|
Box/Folder
91/3
Reel/Frame
56/164-207
|
“Six Elizabethan Songs for Tenor” piano-vocal scores dedicated to Leonard Bernstein, 1958
|
|
|
The Winter's Tale (Stratford, Connecticut, 1958 July 20)
: See also scrapbook volume 9, 10.
|
|
|
Box/Folder
34/1
Reel/Frame
56/208-233
|
Correspondence, notes and cues, undated
|
|
|
Box/Folder
34/2
Reel/Frame
56/234-323
|
Script, 1958
|
|
|
Box/Folder
34/3
Reel/Frame
56/324-327
|
Publicity, 1958
|
|
|
Box/Folder
91/4
Reel/Frame
56/328-389
|
Music sketches, 1958 June
|
|
|
Box/Folder
91/5
Reel/Frame
56/390-406
|
Songs with piano accompaniment, 1958 June 26
|
|
|
Orchestra score with revisions
|
|
|
Box/Folder
91/6
Reel/Frame
56/407-451
|
Part I, 1958
|
|
|
Box/Folder
91/7
Reel/Frame
56/452-534
|
Part II, 1958
|
|
|
Box/Folder
91/8
Reel/Frame
56/535-590
|
Violin parts
|
|
|
Box/Folder
92/1
Reel/Frame
56/591-626
|
Orchestra score: fragment
|
|
|
Box/Folder
92/2-3
Reel/Frame
56/627-799
|
Orchestra scores, Acts I and II
|
|
|
Box/Folder
92/4
Reel/Frame
56/800-960
|
Orchestra score: complete, handwritten, 1958
|
|
|
Box/Folder
92/5-6
Reel/Frame
57/1-96
|
Percussion books I and II
|
|
|
Parts
|
|
|
Box/Folder
93/1
Reel/Frame
57/97-155
|
Cello
|
|
|
Box/Folder
93/2
Reel/Frame
57/156-208
|
Bass
|
|
|
Box/Folder
93/3
Reel/Frame
57/209-258
|
Flute
|
|
|
Box/Folder
93/4
Reel/Frame
57/259-312
|
Oboe, English horn
|
|
|
Box/Folder
93/5
Reel/Frame
57/313-364
|
Trumpet
|
|
|
Box/Folder
93/6
Reel/Frame
57/365-414
|
Horn in C; transpositions to Horn in F
|
|
|
Toys in the Attic (1960 February 25)
: See also scrapbook volume 10.
|
|
|
Box/Folder
34/4
Reel/Frame
57/415-421
|
Correspondence and contract, 1960 January 4-March
|
|
|
Box/Folder
34/5
Reel/Frame
57/422-430
|
Notes and front pages of published play, 1960
|
|
|
Box/Folder
93/7
Reel/Frame
57/431-450
|
Piano-vocal sketches, 1960
|
|
|
“Goloopchik” (unproduced)
: See also scrapbook volume 2.
|
|
|
Box/Folder
34/6
Reel/Frame
57/451-463
|
Lyrics, notes, circa 1945
|
|
|
Box/Folder
93/8
Reel/Frame
57/464-486
|
Music sketches, 1945
|
|
|
Box/Folder
93/9
Reel/Frame
57/487-612
|
Piano-vocal scores, 1945 August
|
|
|
Box/Folder
93/10
Reel/Frame
57/613-647
|
Piano-vocal scores of songs: negative photostats
|
|
|
“Volpone” (unproduced)
|
|
|
Box/Folder
34/7
Reel/Frame
57/648-695
|
Correspondence, notes, publicity, 1955-1956
|
|
|
Box/Folder
93/11
Reel/Frame
57/696-719
|
Music sketches, 1955-1956
|
|
|
Series: Miscellaneous Music Tablets
|
|
|
Box/Folder
34/8
Reel/Frame
57/720-765
|
Tablet 1
|
|
|
“King Hunger” (missing)
|
|
|
“Scalero” early music sketches
|
|
|
Box/Folder
34/9
Reel/Frame
57/766-834
|
Tablet 2
|
|
|
Ear Training Studies
|
|
|
“Scalero” musical sketches
|
|
|
“Indra Ballet”
|
|
|
“Bellyache Ballet”
|
|
|
“Ajui Ballet”
|
|
|
Box/Folder
34/10
Reel/Frame
57/835-918
|
Tablet 3
|
|
|
Notes for Comparative Arts lectures, 1924-1925
|
|
|
Quotations from Santayana's “Sence of Beauty”
|
|
|
Ear training
|
|
|
Sketches for Ajui Ballet
|
|
|
Monograph on Moussorgsky: rough draft
|
|
|
Box/Folder
34/11
Reel/Frame
58/1-17
|
Tablet 4
|
|
|
“Parabola and Circula” music sketches
|
|
|
Box/Folder
34/12
Reel/Frame
58/18-58
|
Tablet 5
|
|
|
“Katrina” music sketches
|
|
|
Box/Folder
34/13
Reel/Frame
58/59-132
|
Tablet 6
|
|
|
Song sketches
|
|
|
Italian quartet (?)
|
|
|
“Parabola and Circula” music sketches
|
|
|
Box/Folder
34/14
Reel/Frame
58/133-220
|
Tablet 7
|
|
|
“Scalero,” IV, V
|
|
|
Box/Folder
34/15
Reel/Frame
58/221-336
|
Tablet 8
|
|
|
“Scalero,” VI, VII
|
|
|
Series: Other Compositions
|
|
|
Walt Whitman's Poems Set to Music by Blitzstein
|
|
|
Box/Folder
34/16
Reel/Frame
58/337-345
|
Publicity, 1928-1929
|
|
|
“Gods,” 1928 February 15
|
|
|
Box/Folder
94/5
Reel/Frame
58/346-364
|
Full score, first version, for strings, solo French horn, mezzo-soprano, circa 1928
|
|
|
Box/Folder
94/6
Reel/Frame
58/365-380
|
Full score, later version, for strings, solo cello, mezzo-soprano
|
|
|
Box/Folder
94/7
Reel/Frame
58/381-410
|
Instrumental parts for second version
|
|
|
Box/Folder
94/8
Reel/Frame
58/411-418
|
Piano-vocal scores
|
|
|
Other Poems
|
|
|
Box/Folder
94/9
Reel/Frame
58/419-483
|
Piano-vocal scores and musical sketches, 1927
|
|
|
e.e. cummings poems set to music by Blitzstein
|
|
|
Box/Folder
34/17
Reel/Frame
58/484-494
|
Lyrics
|
|
|
Box/Folder
34/18
Reel/Frame
58/495-511
|
From Marion's Book : correspondence, lyrics, Alice Estey concert program, 1960 August
|
|
|
Box/Folder
34/19
Reel/Frame
58/512-520
|
Cos Cob song volumes; including Blitzstein's Song, “Jimmie's Got a Goil,” 1935, 1962
|
|
|
Box/Folder
34/20
Reel/Frame
58/521-533
|
From Marion's Book - Published Version
|
|
|
From Marion's Book, written for Alice Estey, 1960
|
|
|
Box/Folder
94/10
Reel/Frame
58/534-589
|
Music sketches
|
|
|
Box/Folder
94/11
Reel/Frame
58/590-669
|
Notes, piano-vocal scores, 1960 August 19
|
|
|
Box/Folder
94/12
Reel/Frame
58/670-692
|
Piano-vocal scores, 1935-1962
|
|
|
Jacques Offenbach's works
|
|
|
“Tulipatan” (“Tulip Island”)
|
|
|
Box/Folder
34/21
Reel/Frame
58/693-726
|
Piano-vocal score
|
|
|
Box/Folder
40/6
Reel/Frame
67/29-51
|
Three Songs: piano-vocal score
|
|
|
Box/Folder
40/7
Reel/Frame
67/1-11
|
Three Songs: published score
|
|
|
Box/Folder
40/8
Reel/Frame
67/12-28
|
“Invitation to Bitterness”
|
|
|
Piano works
|
|
|
“Piano Sonata” , (1927)
|
|
|
Box/Folder
35/1
Reel/Frame
58/727-750
|
Score and publicity, 1927 December-1929 March
|
|
|
773A/1
|
Excerpts recorded from disc
|
|
|
U.S. Mss 35AN/Micro 1049
|
“Fugue”
|
|
|
Box/Folder
35/2
Reel/Frame
58/751-789
|
Musical sketches, undated
|
|
|
“Symphony in G# Minor”
|
|
|
Box/Folder
95/1
Reel/Frame
58/790-798
|
Piano sketch
|
|
|
“Forêt Vierge”
|
|
|
Box/Folder
95/1
Reel/Frame
58/799-802
|
Piano sketch
|
|
|
“Waterfall”
|
|
|
Box/Folder
95/2
Reel/Frame
58/803-805
|
Barcarolle for piano, undated
|
|
|
773A/1
|
Excerpts recorded from disc
|
|
|
U.S. Mss 35AN/Micro 1049
|
“For Kit's Wedding”
|
|
|
Box/Folder
95/3
Reel/Frame
58/806-807
|
Piano sketch, 1953
|
|
|
“Innocent Psalm” (“for the Bernstein baby”)
|
|
|
Box/Folder
95/3
Reel/Frame
58/808
|
Piano sketch, undated
|
|
|
“Prelude in C Minor”
|
|
|
Box/Folder
95/3
Reel/Frame
58/809-810
|
Piano sketch, undated
|
|
|
“Sonata in F Minor”
|
|
|
Box/Folder
95/3
Reel/Frame
58/811-820
|
Piano sketch, undated
|
|
|
“Sonatina for Piano”
|
|
|
Box/Folder
95/4
Reel/Frame
58/821-845
|
First, second, and third workings, undated
|
|
|
“Bourgeois at Play” (Scherzo)
|
|
|
Box/Folder
95/5
Reel/Frame
58/846-860
|
Piano score, 1930
|
|
|
“Scherzo”
|
|
|
Box/Folder
95/5
Reel/Frame
58/861-865
|
Piano scores, undated
|
|
|
“Piano Solo”
|
|
|
Box/Folder
95/6
Reel/Frame
58/866-896
|
Piano score, 1933
|
|
|
Recordings
|
|
|
773A/2
|
Movements 1-3, recorded from disc
|
|
|
773A/3
|
Movement 4
|
|
|
U.S. Mss 35AN/Micro 1049
|
“Piano Percussion Music”
|
|
|
Box/Folder
35/3
Reel/Frame
58/897-898
|
Publicity, undated
|
|
|
Box/Folder
95/7
Reel/Frame
58/899-935
|
Piano score and music sketches, 1928-1929
|
|
|
773A/2
|
Excerpts recorded from disc
|
|
|
U.S. Mss 35AN/Micro 1049
|
“Andante”
|
|
|
Box/Folder
95/8
Reel/Frame
58/936-942
|
Piano score, with composition plan, 1919
|
|
|
773A/1
|
Excerpts recorded from disc
|
|
|
U.S. Mss 35AN/Micro 1049
|
“Rondo”
|
|
|
Box/Folder
95/8
Reel/Frame
58/943-946
|
Piano score, with composition plan, 1920
|
|
|
“Persienne”
|
|
|
Box/Folder
95/9
Reel/Frame
58/947-952
|
Piano score, with composition plan, 1919
|
|
|
773A/1
|
Excerpts recorded from disc
|
|
|
U.S. Mss 35AN/Micro 1049
|
“Piano Concerto”
|
|
|
Box/Folder
35/4
Reel/Frame
59/1-71
|
Musical sketches, 1931
|
|
|
Box/Folder
96/1
Reel/Frame
59/72-158
|
Orchestra score: photostats
|
|
|
Box/Folder
96/2
Reel/Frame
59/159-244
|
Conductor's score, 1931
|
|
|
Box/Folder
96/3
Reel/Frame
59/245 + 85 unnumbered frames
|
Complete bound score with dedication, 1931
|
|
|
Instrumental Parts
|
|
|
Box
112
Reel/Frame
70/1-93
|
Solo piano, strings
|
|
|
Box
112
Reel/Frame
70/94-183
|
Woodwinds
|
|
|
Box
112
Reel/Frame
70/184-263
|
Brass
|
|
|
773A/1
|
Excerpts recorded from disc
|
|
|
U.S. Mss 35AN/Micro 1049
|
Orchestral Works
|
|
|
“Romantic Piece for Orchestra”
: Dedicated to Eva Goldbeck.
|
|
|
Box/Folder
35/5
Reel/Frame
59/246-310
|
Music tablet with music sketches
|
|
|
Box/Folder
98/1
Reel/Frame
59/311-355
|
Piano reduction score, 1930 March
|
|
|
Box/Folder
98/2
Reel/Frame
59/356-499
|
Orchestral score, 1930 March
|
|
|
773A/4
|
Excerpts recorded from disc
|
|
|
U.S. Mss 35AN/Micro 1049
|
“Marche Vainqueur”
|
|
|
Box/Folder
98/3
Reel/Frame
59/500-546
|
Orchestra score; viola, bass, harp parts, 1920
|
|
|
“Sarabande”
|
|
|
Box/Folder
98/4
Reel/Frame
59/547-570
|
Music sketches, piano score, orchestra score, 1926 May
|
|
|
“Variations for Orchestra”
|
|
|
Box/Folder
98/5
Reel/Frame
59/570-595
|
Piano score
|
|
|
Box/Folder
98/6
Reel/Frame
59/596-675
|
Orchestra score, 1934 December
|
|
|
Box/Folder
98/7
Reel
59
|
Orchestra score, 1934
90 unnumbered frames
|
|
|
Box/Folder
98/8
Reel/Frame
59/677-706
|
Violin, violincello, contrabass parts
|
|
|
Box
112
Reel/Frame
70/264-272
|
Viola
|
|
|
Box
112
Reel/Frame
70/273-336
|
Woodwinds parts
|
|
|
Box
112
Reel/Frame
70/337-402
|
Brass, percussion
|
|
|
Instrumental Works
|
|
|
“Pavane” from Children's Dances
|
|
|
Box/Folder
95/10
Reel/Frame
59/707-716
|
Orchestral score
|
|
|
“Round” from Children's Dances
|
|
|
Box/Folder
95/11
Reel/Frame
59/717-720
|
Piano score
|
|
|
“Pavane” from Children's Dances
|
|
|
Box/Folder
95/12
Reel/Frame
59/721-751
|
Instrumental parts
|
|
|
“King Richard II Suite”
|
|
|
Box/Folder
97/1
Reel/Frame
59/752-764
|
Cello-piano score, march-piano score, circa 1922
|
|
|
“Fire Dance”
|
|
|
Box/Folder
97/2
Reel/Frame
59/765-772
|
Piano-violin score, violin part
|
|
|
“Discourse for Clarinet, Cello, Piano”
|
|
|
Box/Folder
97/3
Reel/Frame
59/773-810
|
Musical sketches, composition plan, chord structures, 1933
|
|
|
“For EmJo's 'Bitter Fantasy' ”
|
|
|
Box/Folder
97/4
Reel/Frame
59/811-815
|
Score for string quartet, 1923 March
|
|
|
“For String Orchestra”
|
|
|
Box/Folder
97/4
Reel/Frame
59/816-817
|
Score, undated
|
|
|
“Serenade for String Quartet” (dedicated to Eva Goldbeck)
|
|
|
Box/Folder
97/5
Reel/Frame
59/818-846
|
Score for violins, viola, violincello, circa 1932
|
|
|
Box/Folder
97/6
Reel/Frame
60/1-74
|
Scores, circa 1932
|
|
|
Vocal Works and Songs by Blitzstein
|
|
|
“Quiet Girl”
|
|
|
Box/Folder
34/22
Reel/Frame
60/75-80
|
Correspondence, notes, lyrics, undated
|
|
|
Box/Folder
97/7
Reel/Frame
60/81-85
|
Music sketches; piano-vocal score
|
|
|
Untitled
|
|
|
Box/Folder
97/8
Reel/Frame
60/86-108
|
Vocal with piano reduction of orchestra parts; sketches
|
|
|
“The Dream Is Mine”
|
|
|
Box/Folder
97/9
Reel/Frame
60/109-114
|
Piano-vocal score
|
|
|
“Leave Me Alone”
|
|
|
Box/Folder
97/9
Reel/Frame
60/115-116
|
Piano-vocal score
|
|
|
“Let's Be Blue”
: See also scrapbook volumes 1, 2, 10.
|
|
|
Box/Folder
97/9
Reel/Frame
60/117
|
Vocal score
|
|
|
“Expatriate”
|
|
|
Box/Folder
97/9
Reel/Frame
60/118-124
|
Piano-vocal sketches
|
|
|
“A Glee for Jamie”
|
|
|
Box/Folder
97/9
Reel/Frame
60/125-128
|
Piano-vocal sketches
|
|
|
“Where Love Is Life”
|
|
|
Box/Folder
97/10
Reel/Frame
60/129-134
|
Piano-vocal score
|
|
|
“Song” / based on a Rupert Brooke poem
|
|
|
Box/Folder
97/10
Reel/Frame
60/135-136
|
Piano-vocal score
|
|
|
“From Far, from Eve and Morning” / from A.E. Housman
|
|
|
Box/Folder
97/10
Reel/Frame
60/137-140
|
Piano-vocal score
|
|
|
“Into My Heart an Air” / from A.E. Housman
|
|
|
Box/Folder
97/10
Reel/Frame
60/141-148
|
Piano-vocal score
|
|
|
“Into the Streets May First” / lyrics by Alfred Hayes
|
|
|
Box/Folder
97/10
Reel/Frame
60/149-151
|
Piano-vocal score
|
|
|
“Search Thou My Heart” / lyrics by Paul Laurence Dunbar (Circular Canon for 4 Voices)
|
|
|
Box/Folder
97/10
Reel/Frame
60/152-156
|
Piano-vocal score
|
|
|
“War Department Manual, Volume 7, Part 3” / music by Blitzstein
|
|
|
Box/Folder
97/11
Reel/Frame
60/157-160
|
Piano-vocal score
|
|
|
“Ballad of Sevastopol”
|
|
|
Box/Folder
39/14
Reel/Frame
66/750-762
|
Notes and lyrics, 1941-1942
|
|
|
Box/Folder
97/11
Reel/Frame
60/161-170
|
Vocal score; music sketches, 1941-1942
|
|
|
“War Song” / lyrics by Dorothy Parker
|
|
|
Box/Folder
97/11
Reel/Frame
60/171-172
|
Score
|
|
|
Gauley Bridge songs
|
|
|
Box/Folder
97/12
Reel/Frame
60/173-198
|
Piano-vocal score for baritone, chorus, piano
|
|
|
“What's the Matter With Me?”
|
|
|
Box/Folder
97/12
Reel/Frame
60/199-202
|
Piano-vocal score
|
|
|
“Smoking Glasses”
|
|
|
Box/Folder
97/12
Reel/Frame
60/203-205
|
Piano-vocal score
|
|
|
“Chez Eitingon”
|
|
|
Box/Folder
97/13
Reel/Frame
60/206-210
|
Piano-vocal score, 1946
|
|
|
“The Way You Are”
|
|
|
Box/Folder
97/13
Reel/Frame
60/211-218
|
Piano-vocal score; musical sketch, 1935
|
|
|
“Maric and Colic”
|
|
|
Box/Folder
97/13
Reel/Frame
60/219-222
|
Piano-vocal score
|
|
|
“A Word Out of the Sea”
|
|
|
Box/Folder
97/13
Reel/Frame
60/223-245
|
Orchestra vocal score
|
|
|
“Displaced”
|
|
|
Box/Folder
97/14
Reel/Frame
60/246-251
|
Piano-vocal score
|
|
|
“Modest Maid”
|
|
|
Box/Folder
97/15
Reel/Frame
60/252-260
|
Piano-vocal score and negative photostats
|
|
|
Canons and Fugues
|
|
|
Box/Folder
95/12
Reel/Frame
60/260-286
|
Writing tablet: canons; double choir; miscellaneous by Blitzstein; Madrigal of Monteverdi; Harmonic progressions of Bach, Palestrina, Ravel, Chopin
|
|
|
“Fugue Motives”
|
|
|
Box/Folder
9513
Reel/Frame
60/287-322
|
Piano scores, undated
|
|
|
Box/Folder
95/14
Reel/Frame
60/323-388
|
Canons; choral variations, choral preludes
|
|
|
Transcriptions by Blitzstein
|
|
|
“Lento Molto” / by Aaron Copland
|
|
|
Box/Folder
99/1
Reel/Frame
60/389-392
|
Piano transcription, 1933
|
|
|
“Vocalise” Op. 34, No. 14 / by Serge Rachmaninoff
|
|
|
Box/Folder
99/2
Reel/Frame
60/393-400
|
Transcription for string quartet, undated
|
|
|
“Dance Andalouse” / by MacDowell
|
|
|
Box/Folder
99/2
Reel/Frame
60/401-411
|
Transcription for woodwinds, undated
|
|
|
“Tod und Verklarung” / by R. Strauss
|
|
|
Box/Folder
99/2
Reel/Frame
60/412-432
|
Piano transcription, undated
|
|
|
“Impressions de Voyage en Crimee” / by Modeste Moussorgsky
|
|
|
Box/Folder
99/3
Reel/Frame
60/433-443
|
Transcription for string orchestra
|
|
|
“Troika en Traineaux” / by Peter I. Tschaikowsky
|
|
|
Box/Folder
99/4
Reel/Frame
60/444-470
|
Orchestra score with individual parts: trumpet, horn, bassoon, strings, piano, 1927
|
|
|
“Collines d'Anacapri” / by Claude Debussy
|
|
|
Box/Folder
99/5
Reel/Frame
60/470-496
|
Orchestra score with individual parts: strings, bassoon, horn, 1927
|
|
|
“Incantation” or ________ / by Nicolai Medtner
|
|
|
Box/Folder
99/6
Reel/Frame
60/497-538
|
Orchestra score, 1925 October
|
|
|
Miscellaneous Music
|
|
|
Box/Folder
99/7
Reel/Frame
60/539-574
|
Unidentified vocal music
|
|
|
Box/Folder
99/8
Reel/Frame
60/575-582
|
Unidentified orchestral music
|
|
|
Box/Folder
99/9
Reel/Frame
60/583-605
|
Unidentified piano music
|
|
|
Box/Folder
99/10-11
Reel/Frame
60/606-693
|
Unidentified music
|
|
|
Series: Adaptations
|
|
|
The Threepenny Opera (1954 March 10)
: See also scrapbook volumes 4, 6-11.
|
|
|
Box/Folder
35/6
Reel/Frame
60/694-877
|
Correspondence, 1949 February 21-1967 April 18
|
|
|
Box/Folder
35/7
Reel/Frame
60/878-1004
|
Financial correspondence, 1952 June 27-1960 June 6
|
|
|
Box/Folder
35/8
Reel/Frame
61/1-139
|
Contracts, 1953 November 2-1962 March 12
|
|
|
Box/Folder
35/9
Reel/Frame
61/140-365
|
Royalty statements, 1954 March 15-1963 June 25
|
|
|
Research Materials
|
|
|
Box/Folder
35/10
Reel/Frame
61/366-474
|
Beggar's Opera / by John Gay and Benjamin Britten, script and music, 1949
|
|
|
Box/Folder
35/11
Reel/Frame
61/75-503
|
Partial piano-vocal score in German
|
|
|
Box/Folder
36/1
Reel/Frame
61/504-548
|
Die Dreigroschenoper / by Kurt Weill, annotated piano score, 1928
|
|
|
Box/Folder
36/2-3
Reel/Frame
61/549-696
|
Script translation by Desmond Versey and Eric Bentley, 1951
|
|
|
Box/Folder
36/4
Reel/Frame
61/697-806
|
Notes, circa 1950
|
|
|
Box/Folder
36/5
Reel/Frame
61/807-889
|
Lyrics and notes on lyrics
|
|
|
Box/Folder
36/6
Reel/Frame
62/1-131
|
Lyrics
|
|
|
Box/Folder
36/7
Reel/Frame
62/132-159
|
Synopsis of lyrics
|
|
|
Box/Folder
36/8
Reel/Frame
62/160-180
|
Production materials, 1952-1955
|
|
|
Box/Folder
36/9
Reel/Frame
62/181-184
|
Narration
|
|
|
Box/Folder
36/10
Reel/Frame
62/185-281
|
Early working script, undated
|
|
|
Box/Folder
36/11
Reel/Frame
62/281-380
|
Annotated script, American setting, 1951 March 15
|
|
|
Box/Folder
36/12
Reel/Frame
62/381-478
|
Annotated script, 1951 March 15
|
|
|
Box/Folder
36/13
Reel/Frame
62/479-590
|
Script, English adaptation, 1951 March 15
|
|
|
Box/Folder
36/14
Reel/Frame
62/591-788
|
Working script of Theatre de Lys, New York City, 1954
|
|
|
Box/Folder
36/15
Reel/Frame
62/789-876
|
Annotated script, 1954, 1956
|
|
|
Box/Folder
37/1
Reel/Frame
62/877-882
|
Script, 1962
|
|
|
Box/Folder
37/2
Reel/Frame
62/883-962
|
Script with music cues, undated
: This Script is identical to that in Box 77, Folder 1, Reel 62, Frames 877-882 above; a few sheets of other materials were also filmed. See Processor's Note.
|
|
|
Box/Folder
37/3
Reel/Frame
63/1-105
|
Script, British acting version, undated
|
|
|
Box/Folder
37/4
Reel/Frame
63/106-184
|
Annotated script, undated
|
|
|
Box/Folder
37/5
Reel/Frame
63/185-248
|
Articles, 1959, Annotated by Blitzstein
|
|
|
Box/Folder
37/6
Reel/Frame
63/249-306
|
Clippings, 1954-1963
|
|
|
Box/Folder
37/7
Reel/Frame
63/307-432
|
Programs, posters, record insert
|
|
|
Box/Folder
100/1
Reel/Frame
63/433-467
|
Sheet music, music sketches, 1951
|
|
|
Box/Folder
100/2
Reel/Frame
63/468-577
|
Songs: vocal score
|
|
|
Box/Folder
100/3
Reel/Frame
63/578-631
|
Partial piano-vocal score, undated
|
|
|
Box/Folder
100/4
Reel
63
|
Conductor's piano-vocal score, 1963
140 unnumbered frames
|
|
|
Box/Folder
100/5
Reel/Frame
63/633-704
|
Conductor's piano-vocal score, 1962 May
|
|
|
“Mother Courage” (unproduced)
: See also scrapbook volumes 8, 10.
|
|
|
Box/Folder
37/8
Reel/Frame
63/705-718
|
Correspondence, 1956 July 16-1960 July 1
|
|
|
Box/Folder
37/9
Reel/Frame
63/719-725
|
Contract, 1957 November 8
|
|
|
Research materials
|
|
|
Box/Folder
37/10
Reel/Frame
63/726-805
|
German script / translated by George Tabori, 1950
|
|
|
Box/Folder
37/11
Reel/Frame
64/1-19
|
Notes, undated
|
|
|
Box/Folder
37/12
Reel/Frame
64/20-102
|
Lyrics, 1956 July
|
|
|
Box/Folder
37/13
Reel/Frame
64/103-127
|
Synopsis, translation, 1957 July
|
|
|
Box/Folder
37/14
Reel/Frame
64/128-172
|
Partial scripts, first drafts, Acts I and II, 1958 May 11
|
|
|
Box/Folder
37/15
Reel/Frame
64/173-183
|
Partial scripts, second draft, Act I, Scenes 1 and 3, undated
|
|
|
Box/Folder
37/16
Reel/Frame
64/184-269
|
Annotated script, 1957
|
|
|
Box/Folder
37/17
Reel/Frame
64/270-272
|
Production notes, criticism, 1957 December 10
|
|
|
Box/Folder
37/18
Reel/Frame
64/273-328
|
Publicity, 1953 October 26-1963 July 19
|
|
|
Box/Folder
101/1
Reel/Frame
64/329-365
|
German piano-vocal score, sketches, 1949
|
|
|
Recordings
|
|
|
1049A/8
|
Overture, “Mother Courage's Song” (Helene Weigl), “Song of Fraternizing” (Regina Lutz), “Song of the Big Surrender” (Weigl)
: Original: Disc 161A/19
|
|
|
1049A/8
|
“Song of Peter the Pipe” (Ernst Busch), “Song of the Great Souls” (Busch)
: Original: Disc 161A/19
|
|
|
U.S. Mss 35AN/Micro 1049
|
“Rise and Fall of the City of Mahagonny” (unproduced)
: See also scrapbook volumes 8, 10.
|
|
|
Box/Folder
38/1
Reel/Frame
64/366-383
|
Correspondence, 1958 January 22-1959 August 5
|
|
|
Research materials
|
|
|
Box/Folder
38/2
Reel/Frame
64/384-412
|
German script, by Kurt Weill, undated
|
|
|
Box/Folder
38/3
Reel/Frame
64/413-590
|
German piano-vocal score, by Kurt Weill, 1929
|
|
|
Box/Folder
38/4
Reel/Frame
64/590-599
|
Life magazine article
|
|
|
Box/Folder
38/5
Reel/Frame
64/600-709
|
First draft lyrics and notes, 1956 July
|
|
|
Box/Folder
38/6
Reel/Frame
64/710-766
|
Second draft lyrics, 1956 July 10
|
|
|
Box/Folder
38/7
Reel/Frame
64/767-846
|
First draft script, circa 1956
|
|
|
Box/Folder
38/8
Reel/Frame
64/847-850
|
Production materials, 1958 February 13
|
|
|
Box/Folder
38/9
Reel/Frame
64/851-854
|
Publicity, 1958 May 4-1963 January 20
|
|
|
Box/Folder
38/10
Reel/Frame
64/855-865
|
Music sketches, 1956 July 14
|
|
|
Box/Folder
101/2
Reel/Frame
65/1-169
|
German piano-vocal score: photostat, circa 1956
|
|
|
Brecht on Brecht (London, 1962)
|
|
|
Box/Folder
38/11
Reel/Frame
65/170-179
|
Correspondence and contracts, 1962
|
|
|
Box/Folder
38/12
Reel/Frame
65/180-197
|
Lyrics, notes, 1962 February 28
|
|
|
Box/Folder
38/13
Reel/Frame
65/198-200
|
Publicity, 1962
|
|
|
The Duenna
|
|
|
Box/Folder
38/14
Reel/Frame
65/201-208
|
Partial script, 1940
|
|
|
Box/Folder
38/15
Reel/Frame
65/209-238
|
Partial piano-vocal score, 1940
|
|
|
La Traviata
|
|
|
Box/Folder
38/16
Reel/Frame
65/239-298
|
Correspondence, notes, and lyrics, 1952 October 24-1954 November 25
|
|
|
Box/Folder
38/17
Reel/Frame
65/299-312
|
Script, Act I
|
|
|
Box/Folder
38/18
Reel/Frame
65/313-432
|
Piano-vocal score, with Blitzstein translation
|
|
|
Box/Folder
101/3
Reel/Frame
65/433-439
|
“Drinking Song,” piano-vocal scores
|
|
|
Carmen
|
|
|
Box/Folder
38/19
Reel/Frame
65/440-454
|
Research materials, opera publicity and notes, 1957
|
|
|
Box/Folder
38/20
Reel/Frame
65/455-465
|
Lyrics, Bizet manuscript and Blitzstein translation
|
|
|
Series: Radio
|
|
|
I've Got the Tune (CBS, 1957 October 24)
: See also scrapbook volumes 1, 2, 4.
|
|
|
Box/Folder
39/1
Reel/Frame
65/466-481
|
Correspondence and contract, 1937 August 12-1939 February 7
|
|
|
Box/Folder
39/2
Reel/Frame
65/482-542
|
Notes, circa 1937
|
|
|
Box/Folder
39/3
Reel/Frame
65/543-572
|
Working script
|
|
|
Box/Folder
39/4
Reel/Frame
65/573-651
|
Complete script, 1937 October 8
|
|
|
Box/Folder
39/5
Reel/Frame
65/652-677
|
Scripts, revisions, 1937 October 24
|
|
|
Box/Folder
39/6
Reel/Frame
65/678-682
|
Publicity, 1938
|
|
|
Box/Folder
39/7
Reel/Frame
65/683-716
|
Music tablet, sketches, circa 1937
|
|
|
Box/Folder
39/8
Reel/Frame
65/717-746
|
Published piano-vocal score, 1938
|
|
|
Box/Folder
102/1
Reel/Frame
65/747-785
|
Piano-vocal scores, 1938
|
|
|
Box/Folder
102/2
Reel/Frame
65/786-796
|
Choral parts, piano-vocal score, 1937 November 30
|
|
|
Box/Folder
102/3
Reel/Frame
65/797-1008
|
Orchestra score, 1937
|
|
|
Box/Folder
102/4
Reel/Frame
66/1-54
|
Draft piano score
|
|
|
Box/Folder
102/5
Reel/Frame
66/55-177
|
Percussion, piano, string parts, 1937
|
|
|
Box/Folder
102/6
Reel/Frame
66/178-291
|
Wind parts, 1937
|
|
|
Songs
|
|
|
1049A/1
|
“Musiker and Beetsie,” “I've Got the Tune,” “Chicken Salad,” “The Moon”
: Original: Disc 161A/
|
|
|
1049A/1
|
“Initiation”
: Original: Disc 161A/
|
|
|
1049A/2
|
“What For?” “Traffic,” “We Want a New One”
: Original: Disc 161A/
|
|
|
1049A/2
|
“Because This Is Our Day”
: Original: Disc 161A/
|
|
|
554A/5
|
Recorded excerpts
|
|
|
U.S. Mss 35AN/Micro 1049
|
Russia Is Singing
|
|
|
Box/Folder
39/9
Reel/Frame
66/292-343
|
Background materials and scripts, 1942 May 25-June 15
|
|
|
Labor for Victory
|
|
|
Box/Folder
39/10
Reel/Frame
66/344-386
|
Scripts, 1942 June 20-August 15
|
|
|
Box/Folder
103/1
Reel/Frame
66/387-402
|
Piano score
|
|
|
Box/Folder
103/2-3
Reel/Frame
66/403-555
|
Conductor's scores, 1942
|
|
|
Box/Folder
103/4
Reel/Frame
66/556-658
|
Orchestra parts
|
|
|
Various radio shows: The Penguin Room, Win the War, and untitled show
|
|
|
Box/Folder
39/11
Reel/Frame
66/659-736
|
Background materials and scripts, circa 1942-1946
|
|
|
Series: Works by other composers
|
|
|
Box/Folder
39/12
Reel/Frame
66/737-745
|
Songs by Howard Gross
|
|
|
Box/Folder
39/13
Reel/Frame
66/746-749
|
“First of May” / words by Eva Goldbeck, music by “Hammer”
|
|
|
“Variations sur 'Au Claire de la Lune' ”
|
|
|
Box/Folder
104/1
Reel/Frame
66/763-796
|
Conductor's score, instrumental parts
|
|
|
Trouble in Tahiti / by Leonard Bernstein, dedicated to Blitzstein
|
|
|
Box/Folder
104/2
Reel
66
|
Piano-vocal score, annotated by Blitzstein, 1952
60 unnumbered frames
|
|
|
On the Town / by Leonard Bernstein
|
|
|
Box/Folder
104/3
Reel/Frame
66/799-809
|
Piano score, undated
|
|
|
Box/Folder
104/3
Reel/Frame
66/810-831
|
Times Square Finale piano score
|
|
|
Music for Shakespeare's Hamlet / by Virgil Thomson
|
|
|
Box/Folder
104/4
Reel/Frame
66/832-856
|
Conductor's score, with Blitzstein's annotations
|
|
|
Piano-vocal scores and criticism by Frances Thorne
: Missing in 1985.
|
|
|
“Overture to a Russian War Relief Concert” / by Stanley Bate
|
|
|
Box/Folder
104/5
Reel/Frame
66/857-869
|
Score for production by Blitzstein
|
|
|
Box/Folder
104/6
Reel/Frame
66/870-904
|
Works by other composers
|
|
|
Series: Scrapbooks
|
|
|
Box
106
Reel/Frame
67/579-841
|
Volume 1, 1937-1938
|
|
|
Box
107
Reel/Frame
68/1-191
|
Volume 2, 1939-1944
|
|
|
Box
107
Reel/Frame
68/192-230
|
Volume 3, 1944-1945
|
|
|
Box
108
Reel/Frame
68/231-376
|
Volume 4, 1946-1952
|
|
|
Box
108
Reel/Frame
68/377-506
|
Volume 5, 1949-1950
|
|
|
Box
109
Reel/Frame
68/507-644
|
Volume 6, 1952-1954
|
|
|
Box
109
Reel/Frame
68/645-770
|
Volume 7, 1954-1958
|
|
|
Box
110
Reel/Frame
68/771-956
|
Volume 8, 1955-1958
|
|
|
Box
110
Reel/Frame
69/1-182
|
Volume 9, 1957-1959
|
|
|
Box
111
Reel/Frame
69/183-373
|
Volume 10, 1958-1960
|
|
|
Box
111
Reel/Frame
69/374-444
|
Volume 11, 1959-1960
|
|
|
Series: Other Tape and Disc Recordings
: Most tape and disc recordings are listed under production title elsewhere in this list.
|
|
|
513A/11
|
William Blake Poems and Three Sonnets by Walter Lowenfels, set to music by Norman Curtis
|
|
|
554A/4
|
Songs for the Theatre,1953 Production
|
|
|
761A/1
|
Interview with Brenda Lewis by Joseph S. Terzo and Eric Gordon, 1978 September 26; broadcast on WWUH, West Hartford, Connecticut, , 1978 October 15.
: Lewis discusses the production and recording of Regina, which she sang in the Columbia recording of the 1958 production by the New York City Opera.
|
|
|
764A/1
|
Music by Leonard Lehrman, recorded from WBAI radio broadcasts during its “Lehrman Day,” 1979 March 21
Very poor quality recording.
: These compositions are not by Blitzstein, but are included because Lehrman finished Blitzstein's Idiots First.
|
|
|
Scenes from an unidentified musical, 1938 January 5
|
|
|
1049A/16
|
“Gus and Sadie Love Song,” Scene 5
: Original: Disc 161A/29
|
|
|
1049A/16
|
“Yasha and Dauber,” Scene 6
: Original: Disc 161A/30
|
|
|
Unidentified musical, solo piano music recorded in the studios of G. Schirmer Inc., New York
|
|
|
1049A/18
|
Overture, Serfdom, Mother Conceives a Child
: Original: Disc 161A/32
|
|
|
1049A/18
|
Pharoah's Daughter Finds the Baby
: Original: Disc 161A/32
|
|
|
1049A/18
|
Processional to the Court
: Original: Disc 161A/32
|
|
|
The Merry Widow
|
|
|
1049A/19
|
Acts I and II, Songs in German
: Original: Disc 161A/33
|
|
|
1049A/19
|
Lotte Lenya reading “Kinderdreuzzung, 1939,” 1955 Christmas
: Original: Disc 161A/65
|
|
|
Disc 161A/66-67
|
Bobby Darin singing “Mack the Knife” and “Was There a Call for Me”
|
|
|
Disc 161A/68
|
Ella Fitzgerald singing “Mack the Knife”
|
|
|
Disc 161A/69
|
“I Never Lived I Just Was” and “I Love You Like My Mother”
|
|
|
Disc 161A/70
|
“Swanee River”, “I Can't See Why You Are,” “Please Be Sweet”
|
|
|
Disc 161A/71
|
Mina sings “La Notte” and “Il Cielo in Una Stanza”
|
|
|
Disc 161A/72
|
“I'll Be With You in Apple-Blossom Time” and “Threepenny Opera”
|
|
|
Disc 161A/73
|
Mama Ines sings “Mamba, Cha-cha, Merengue” and “Moritat - Bye-you Rhythm”
Broken disc
|
|
|
Disc 161A/74
|
“Mack the Knife” in Yiddish (“Ha'Merkava, Mackie Sakinai”)
Broken disc
|
|
|
Disc 161A/75
|
“Moritat” and “Baubles, Bangles, and Beads” / by the Dick Hyman Trio
|
|
|
Disc 161A/76
|
“Back o'Town Blues” and “Mack the Knife” / by Louis Armstrong and His All-Stars
|
|
