William Proxmire Papers, 1938-2004 (bulk 1957-1980)

Container Title
Part 2 (U.S. Mss 73AN): 1976 Additions: Subject File, 1943-1975
Scope and Content Note

The Part 2, 1976 Additions, are organized as a single alphabetical Subject File. In general this order preserves the original arrangement, although smaller, related files were sometimes consolidated and file headings made consistent. Files are identified by the names of productions, individuals, or general subjects and contain correspondence, clippings, scripts, minutes, notes, speeches, writings, financial materials, legal documents, and/or promotional records tracing Susskind's business and personal affairs.

The majority of Part 2 of the collection focuses on his activities as a producer and talk show host, with the major emphasis being on his television work. As an example, a rather complete file may trace a television program from initial story development through final production and eventual syndication and may document the various creative, legal documents, and financial aspects of this process. The collection provides a thorough picture of the business operations of Talent Associates, the production company which Susskind co-founded. Although primarily involved in television, the firm did occasional work in film and theater, often soliciting productions from the London stage. The collection also reflects Susskind's continued efforts to produce “quality programming for television.” The rating success (or lack thereof) of these ventures provides some insight into the network's willingness to program and sustain quality shows which did not necessarily attract high ratings. Personal exchanges with friends and family are also included, although to a much lesser degree; these reflect Susskind's opinions of the television industry, politics, and events of topical interest.

An attempt has been made to identify productions as to the media for which they were considered and, if possible, their ultimate production status. However, researchers are cautioned that this information is based primarily on internal evidence in individual files which are often incomplete.

In addition, often a work was considered in its early stages for more than one medium with a final determination made only at a later date. Therefore, the production information may be in error. Among the productions represented in this part of the collection are the television series Arrest and Trial, The David Susskind Show, East Side/West Side, Get Smart, He and She, Mr. Broadway, N.Y.P.D., and Open End; specials or anthology episodes such as The Ages of Man, Brief Lives, Death of a Salesman, Dial “M” for Murder, Diary of Anne Frank, The Glass Menagerie, Harvey (DuPont Show of the Month and Hallmark Hall of Fame), Hatful of Rain, Hedda Gabler, Johnny Belinda, Laura, Mark Twain Tonight!, Moon for the Misbegotten, Noon Wine, and Of Mice and Men; motion pictures such as All the Way Home, Lovers and Other Strangers, Pursuit of Happiness, A Raisin in the Sun, Straw Dogs, and Up the Sandbox; and the play Kelly. A partial index to correspondents is an appendix which follows the contents list. The remainder of this narrative discusses the notable or unusual contents of several files, which are described in alphabetical sequence.

The Ages of Man production file details negotiations with British Home Entertainment Ltd. over legal documents, financial, and distribution aspects of that show. Correspondence relating to All in Good Times shows how the play's film production fell through because of a dispute with the producer. All the Way Home correspondence contains a report on viewer reaction to the film's preview. Programs represented in American Broadcasting Company's general contracts include Arrest and Trial, The Farmer's Daughter, The Fugitive, The Patty Duke Show, and Peyton Place. Armstrong Circle Theatre files discuss U.S. and foreign syndication and the re-run rights to some programs aired on this anthology. Ashley-Steiner-Famous Artists correspondence details various television specials and the commitment of CBS to Susskind's specials.

The Cyril Bennet file provides some insight into Talent Associate's decision-making process. Appointed as chairman of the English Company, a corporation formed to conduct Talent Associates' business outside the United States, Bennet's file reveals some of the legal aspects of establishing the Susskind-Bennet partnership. It also shows how decisions were made as it contains evaluations of several potential productions. The William Benton file includes a discussion on commercial sponsorship of ETV (educational television) and contains a David Susskind letter detailing his opinion on the subject. Files of Ron Bernstein, who worked for Talent Associates, document his efforts to find properties for the company to produce and include a letter (January 22, 1973) regarding Paramount's and United Artists' involvement in The Last Tango in Paris. Included in the Brief Lives files are correspondence and set designs from designer Julia Trevelyan Oman.

A file of Michael Campus, who worked on East Side/West Side and other Talent Associates projects, includes some outlines considered for the former program plus an outline and correspondence relating to Millard Lampell's The Lonesome Train. The Comedians reveals the difficulty of syndicating a show and the resultant concern of the sponsor, Canada Dry. A Commercials file details Talent Associates' unsuccessful venture into advertising for Hunt-Wesson foods and includes storyboards for some of their products.

The David Susskind Show correspondence discusses financial and legal aspects of the program and its attempt to change distributors from National Telefilm Associates to Pamandia. It also contains correspondence from Metromedia and some viewer response to the show. The file for the Eamonn Andrews Show, an English television talk show, consists of a script in which David Susskind and Mohammad Ali debated Ali's refusal to be drafted during the Vietnam War.

Extensive production files exist for East Side/West Side, a critically acclaimed but short-lived series of the early 1960s. These discuss writers, casting, script reports and analyses, and budgets. In addition to this production information, viewer correspondence reflects public opinion on a number of topical issues. For example, individual episodes of the program focused on subjects such as prostitution, urban renewal, rape, the problem of rats in the slums, block busting, old age, parollee rehabilitation, premarital sex, and “beatniks,” and often evoked strong viewer response on these and related topics. Given some of these topics and the fact that a black actress, Cicely Tyson, was a member of the supporting cast, some of these letters have strong racial overtones. Also included are letters from several social workers who criticized the portrayal of the main character, social worker Neil Brock, as unprofessional. Esso Repertory Theatre's file contains general scheduling and budget information plus a script and casting notes for The Lonesome Train, written by Millard Lampell.

The Get Smart files discuss the program's casting and financing plus merchandising tie-ins that spun off from the show. They also mention a dispute between Mel Brooks and Buck Henry over credits. Heydey Productions files include extensive materials on Get Smart, including some financial materials, and also discuss The Hero. Kelly files discuss the casting and financing of a musical which enjoyed a single night's run on Broadway.

The file on Laura, in which Lee Bouvier made her acting debut, includes letters from viewers which reveal their attitudes toward the Kennedy family in particular and the wealthy in general. London correspondence reveals Susskind's interest in several London productions (among them The Dumb Waiter) and reflects Susskind's high opinion of the British stage. Lovers and Other Strangers discuss production difficulties the film encountered and problems with director Cy Howard.

Correspondence of Daniel Melnick, who was a programming executive and vice president for ABC and in 1963 became executive vice president of Talent Associates, documents script and story submissions and discusses many Talent Associates projects, among them Brief Lives, Get Smart, He and She, and N.Y.P.D. Leonard Stern correspondence is also found in Melnick's file. The Miss America file consists of data sheets and notes profiling the women who participated in the 1973 contest.

The Mr. Broadway file presents one of the more complete production files as it documents decisions about casting, the character development of Mike Bell and others, budgeting and contracts, and format changes. Script analyses of specific episodes and script revisions are also included. The files reveal the efforts of press agents to have their clients cast in the show and details a dispute with Garson Kanin over writing responsibilities. Correspondence of Dave Golden, production manager of the show, presents a good summary of the myriad of routine duties required in staging and producing a television show. Story conference notes consists of minutes of meetings in which story ideas were discussed; Garson Kanin participated in these discussions. Also included is a final report summarizing many of the problems that plagued the show's production.

Included in the National Sexual Knowledge Test file are two tests authored by Dr. David Reuben, who wrote the best-selling Everything You Always Wanted to Know About Sex But Were Afraid to Ask. Norton Simon's file documents both the activities of that corporation and its relationship with Talent Associates. The Olgivy and Mather Inc. file consists of scripts and correspondence regarding some coffee commercials that David and Joyce Susskind made.

Open End files include research materials, biographical sketches, questions, release forms, routine correspondence, and fan mail; the types and quantities of material varies with each program. Unfortunately, transcripts are included only occasionally. The programs were often topical or had personalities appear early in their careers. Examples of specific episodes include “Beatles” which contains a Beatle Fan Club newsletter; “Comedians” which includes an autobiographical sketch written by Woody Allen; and “Murder in Mississippi” which contains a letter from a civil rights worker detailing his activities in the South. General correspondence includes program ideas and viewers' letters. It also discusses a plan to change producers from Metromedia to WGBH (the Boston NET affiliate) and efforts to sell the program to local affiliates.

Included in Paramount's file are annual reports. Correspondence of Leonard Stern, who owned one third of Talent Associates, focuses on specific productions and his employment with Talent Associates. The file of Stern, Wincor and Burns, the law firm that handled Talent Associates affairs, discusses legal aspects of several productions. Phelps Stowe's file consists of miscellaneous correspondence from a CBS censor.

Files under “David Susskind” focus on his personal activities, primarily with friends and family. Of interest are small files reflecting Susskind's political interests, including the mention of rumors of his seeking political office, and a series of speaking engagement files. The latter document his appeal on the public speaking circuit and include several of his speeches. The section also includes some of Susskind's writings, including magazine articles and theater reviews, plus a transcript of a banned Open End program on the sexual revolution which was being considered for magazine publication.

Talent Associates correspondence includes ingoing and outgoing letters from Susskind and other Talent Associates personnel (e.g. Leonard Stern, Audrey Maas) which discuss potential projects for the firm.

Adam's Rib (TV series: Production company unknown, 1973. Original network ABC)
Box   53
Folder   1
Promotional flyer, undated
The Adjustment of Preston Fowler (Motion picture: unproduced)
Box   53
Folder   2
Correspondence, script: revised, 1963-1964
The Ages of Man (TV special: Talent Associates?, January 23 and 30, 1966. Original network CBS)
Box   53
Folder   3-4
Production file, 1958-1959, 1965-1966
Box   53
Folder   5
Script / based on George Rylands' Shakespeare Anthology, undated
Box   53
Folder   5
Shooting scripts, based on George Rylands' Shakespeare Anthology, undated
Albert Hackensack (TV series: unproduced)
Box   53
Folder   6
Outline, undated
Box   53
Folder   6
Correspondence, 1965
Alexander, Stephen
Box   53
Folder   7
Correspondence, 1963, undated
Alfie (Motion pictures or theater: Originally theater, London: Mermaid, June 20, 1963)
Box   53
Folder   8
Correspondence, reviews, 1963
All in Good Time (Theater: NY: Royale, February 1965)
Box   53
Folder   9-11
Correspondence, 1963-1966, undated
Box   53
Folder   12
Reviews, 1965
Box   54
Folder   1
Script: final version / by Bill Naughton, 1964 June
Box   54
Folder   2
Script: final version / by Bill Naughton, 1964 September 21
All the Doors and Everything (Motion picture: unproduced?)
Box   54
Folder   3
Script / by Henry Jaglom, circa 1963
All the Emperor's Horses (Motion picture: unproduced)
Box   54
Folder   4
Production file, including synopsis by David Kidd, 1968, undated
All the Way Home (Motion Picture: Paramount, 1963)
Box   54
Folder   5
Budgets and financial grosses, 1961-1962, 1964
Box   54
Folder   6
Camera reports, 1962 October-1963 January
Box   54
Folder   7
Cast and crew, résumés and lists, 1962
Contracts
Box   54
Folder   8
Cast and crew, 1962 July 1962-1963 July
Box   54
Folder   9
Unions, 1960 May-1963 January
Box   54
Folder   10
Correspondence, 1962 August-1964 November, undated
Box   54
Folder   11
Insurance, 1962 August-November
Box   55
Folder   1
Legal file, 1962-1963
Locations
Knoxville
Box   55
Folder   2
General, 1962 September-December
Box   55
Folder   3
Contracts, 1962
Box   55
Folder   4
Props, designs and correspondence, 1962
Box   55
Folder   5
New York, contracts, 1962 December-1963 January
Box   55
Folder   6
Metromedia Inc., correspondence and agreements, 1962-1963
Box   55
Folder   7
Music, correspondence, lyrics, 1962
Box   55
Folder   8
Paramount Pictures Corporation, correspondence and financial reports, 1962 August-December
Box   55
Folder   9
Production file and reviews, 1962-1963
Box   55
Folder   10
Screen credits, correspondence and list, 1962 November-1963 January
Box   55
Folder   11
Script distribution cards, undated
Box   55
Folder   12
Script, correspondence and lists, 1962 September-November
Box   55
Folder   13
Script clerk's report, 1962 October-1963 January
Box   55
Folder   14
Shooting schedules, 1962 August-November
Box   55
Folder   15
Wardrobe, correspondence and list, 1962-1963
America! (TV Special regarding DuPont: unproduced)
Box   55
Folder   16
Program presentation, undated
Box   55
Folder   17
American Association of Advertising Agencies, correspondence, including a speech by Lee Loevinger, 1969 August-1970 May
American Broadcasting Company (ABC)
Contracts, general
Box   55
Folder   18
1962
Box   56
Folder   1
1963
Box   56
Folder   2
New projects, correspondence, presentations, lists, circa 1963-1966
Box   56
Folder   3
Synopsis of packager/advertiser option dates, 1963 January 24
ABC Stage 67 (TV anthology series: 1966-1967)
Box   56
Folder   4
Correspondence, 1963-1966
The ABC Sunday Night Theatre (TV Specials)
Box   56
Folder   5
Correspondence and promotional materials, 1967 July-November
Of Mice and Men (January 31, 1968)
Box   56
Folder   6
Correspondence, clippings, and miscellany, 1967-1968
Box   56
Folder   7-8
Script, undated
Box   56
Folder   9
Script / adapted by John Hopkins, 1967 May 24
ABC Theatre (TV anthology series)
A Moon for the Misbegotten (May 27, 1975)
Box   56
Folder   10
Production file, 1975
Annamarie (TV special?: unproduced)
Box   56
Folder   11
Production file, including an outline by Loring Mandel, 1974-1975
The Anne Bancroft Show (TV series?: unproduced)
Box   56
Folder   12
Contract, 1969
Anne of a Thousand Days (TV special: unproduced)
Box   56
Folder   13
Correspondence, 1963
Anything Goes (TV series: unproduced)
Box   56
Folder   14
Correspondence and miscellany, 1964
Armstrong Circle Theatre (TV anthology series: Talent Associates-Paramount Ltd., 1953-1957 on NBC, 1957-1963 on CBS)
Box   56
Folder   15
Correspondence, financial notes, summaries, miscellany, circa 1955-1964
Box   57
Folder   1
Correspondence, financial notes, summaries, miscellany, circa 1955-1964 (continued)
Arrest and Trial (TV series: Universal TV, 1963-1964. Original network ABC)
Box   57
Folder   2
ASI test results and viewer comments, 1963
Art Carney Show (TV series: syndicated?)
Box   57
Folder   3
Correspondence and schedules, 1963-1964
The Arthurs of Camelot (TV series: unproduced)
Box   57
Folder   4
Synopsis / by Steve Kanfer and Jess Korman, undated
“As Time Goes By” (Song)
Box   57
Folder   5
Correspondence, 1964
Ashley-Steiner-Famous Artists Inc.
Box   57
Folder   6
Correspondence, 1963-1970
The Assistant (Format unknown; originally theater)
Box   57
Folder   7
Script: Act 1, undated
The Association of Artists for Freedom
Box   57
Folder   8
Transcript, “The Black Revolution and the White Backlash,” 1964 June 15
At the Drop of Another Hat (TV special: Talent Associates in association with CBS, April 18-19, 1967?)
Box   57
Folder   9
Production file, 1966-1967, undated
The Autograph Hound (Motion picture: unproduced)
Box   57
Folder   10
Correspondence, 1972-1973
[Ballet Special] (TV special: produced on CBS?)
Box   57
Folder   11
Correspondence and miscellany, 1963
Barry Gray Show (Radio: New York, WMCA)
Box   57
Folder   12
Press release regarding Susskind appearance, including excerpts, 1963 September
Beach (TV series: unproduced)
Box   57
Folder   13
Clipping and outline / by Al Howard, 1965, undated
Behind the Lines (TV series?: unproduced)
Box   57
Folder   14
Correspondence, 1965
Benjamin Franklin: Citizen (Theater: touring)
Box   57
Folder   15
Reviews, playbill, 1967
Bennet, Cyril
Box   57
Folder   16
Correspondence and clippings, 1967-1971, undated
Benton, William
Box   57
Folder   17
Correspondence regarding commercial sponsorship of educational TV, 1963
Bernstein, Ron
Box   57
Folder   18
Correspondence, 1969-1973
Box   57
Folder   19
Memoranda regarding potential projects and critiques, 1971-1973
The Best of Everything (TV series: unproduced)
Box   57
Folder   20
Correspondence, 1965
A Better Life (TV series: unproduced)
Box   57
Folder   21
Synopsis, undated
Bid to Win (TV series: unproduced)
Box   57
Folder   22
Synopsis regarding game show, undated
The Big Kiss-Off (Motion Picture: unproduced)
Box   58
Folder   1
Novel, fragment, undated
Box   58
Folder   1
Correspondence, 1972
Big Maggie (Format unknown; originally theater)
Box   58
Folder   2
Script / by John Keane, undated
Billie Holiday Story (Motion Picture: May be Lady Sings the Blues, Motown-Weston-Furie Productions, 1972. Paramount)
Box   58
Folder   3
Correspondence and notes, 1968-1969
“Bombing on My Mind” (Article: New York Magazine / by Gail Sheehy)
Box   58
Folder   4
Article and correspondence, 1970
The Bonegrinder (TV special: unproduced?)
Box   58
Folder   5
Correspondence and synopsis / by Dennis Potter, 1967
Brewsters (TV special?: unproduced?)
Box   58
Folder   6
Synopses: annotated / by Roger Hirson, undated
Bridou, Lucienne
Box   58
Folder   7
Correspondence, 1963
Brief Lives (Theater: NY, John Golden Theatre, December 1967)
Box   58
Folder   8-9
Production file, 1967
Box   58
Folder   10
Clippings and reviews, 1966-1968
Box   58
Folder   11
Script, undated
The Brothers (TV series?: unproduced?)
Box   58
Folder   12
Story idea, 1965 March
Brown, Helen Gurley
Box   58
Folder   13
Correspondence and lists, 1966
Buck Buck Number One (Motion pictures: unproduced?)
Box   58
Folder   14
Script: first draft / by Mordecai Siegal and Harry G. Falk, 1965 May
Burlesque (TV series: unproduced)
Box   58
Folder   15
Story idea / by Coleman Jacoby and Arnie Rosen, undated
... But There Are Always Miracles (Production format unknown)
Box   58
Folder   16
Book and correspondence, 1974
By Hooke and Cruikshank (TV series?: unproduced?)
Box   58
Folder   17
Script: first draft / by Leonard Stern and Mel Tolkin, 1963 July 1
Calvin (TV series?: unproduced?)
“My Husband the Zookeeper”
Box   59
Folder   1
Script / by Ray Brenner and Jack Guss, 1965 August 19
Campus, Michael
Box   59
Folder   2
Correspondence and miscellany, 1963-1965
Carpenter, Rene
Box   59
Folder   3
Correspondence and article by Rene Carpenter, 1967
Carry Danger (TV special: unproduced?)
Box   59
Folder   4
Synopsis / by Richard Donner, 1965 July 7
A Case of Libel (TV: Talent Associates, February 11, 1968. Original network ABC)
Box   59
Folder   5
Production file, 1967-1968
Casualities of War (Motion picture: unproduced)
Box   59
Folder   6
Correspondence, budgets, miscellany, 1970-1971
CATV
Box   59
Folder   7
Presentation for Manhattan Board of Estimates and miscellany, 1973, undated
Catweazle (TV series: unproduced?)
Box   59
Folder   8
Correspondence and miscellany, 1973
“The Eye of Time”
Box   59
Folder   9
Script / by Richard Carpenter, undated
“The Sun in a Bottle”
Box   59
Folder   9
Script / by Richard Carpenter, undated
“The Trickery Lantern”
Box   59
Folder   9
Script / by Richard Carpenter, undated
Chase (Motion picture: unproduced?)
Box   59
Folder   10
Correspondence, 1973
Chewsday (Motion picture: unproduced)
Box   59
Folder   11
Correspondence, reviews, script records, 1968-1970
Children at the Gates (Production format unknown)
Box   59
Folder   12
Summary / by Lynne Reid Banks, 1967 July 27
The Choice (TV: special, NBC)
Box   59
Folder   13
Correspondence, 1964
The Chosen Few (Theater: unproduced?)
Box   59
Folder   14
Correspondence and notes, 1963
Christie Love (Motion Picture: unproduced)
Box   59
Folder   15
Correspondence, 1972
Churchill Wit (TV special: unproduced)
Box   59
Folder   16
Production file, 1967
Cine Capitol S.A.
Box   59
Folder   17
Preliminary prospectus and correspondence, 1970
Cole (Theater: London, Mermaid Theatre, July 2, 1974)
Box   59
Folder   18
Playbill: annotated, 1974
Collier, John
Box   59
Folder   19
Correspondence, note, clipping, 1973
Come As You Are (Theater: unproduced?)
Box   59
Folder   20
Script / by John Mortimer, undated
The Comedians (TV series: syndicated)
Box   59
Folder   21
Outlines and promotional articles, circa 1971
Command Performance (TV anthology series: other production information unknown)
Box   60
Folder   1
Correspondence, 1962-1966
Box   60
Folder   2
Notes, synopses, and miscellany, circa 1962-1966
“The American Dram”
Box   60
Folder   3
Production file, 1963
Commercials
Box   60
Folder   4
Correspondence, story boards, creative strategies, and speech by Sen. Frank E. Moss to the National Food Editors' Conference, 1970-1971
Company (Theater: NY, Alvin, April 26, 1970)
Box   60
Folder   5
Brochure for original cast album, 1970 May
Condemned (Production format unknown)
Box   60
Folder   6
Synopsis / by Edward Adler, undated
A Conscientious Objector at Parris Island (TV special: unproduced?)
Box   60
Folder   7
Correspondence, 1975
Controversy (TV series: unproduced?)
Box   60
Folder   8
Format, hosted by William F. Buckley Jr., undated
Cook, Elisha
Box   60
Folder   9
Biographical notes, clippings, 1970
A Cop and a Girl (Motion pictures: unproduced)
Box   60
Folder   10
Correspondence, 1970
Box   60
Folder   11
Script / by Halsted Welles, David Freeman, and Tom Gries, undated
Box   60
Folder   12
Script, circa 1970
Box   60
Folder   13
Script fragments, circa 1970
Box   60
Folder   14
Script: annotated, undated
[Coroner Series] (TV series: unproduced?)
“Mary, Mary, How Does Your Garden Grow?”
Box   60
Folder   15
Synopsis / by Jerry P. Flanagan, 1967 June 5
Cornucopia (TV series: unproduced?)
Box   60
Folder   16
Outline, 1966 March
The Country Club (TV series: unproduced)
Box   60
Folder   17
Correspondence and synopsis / by Jacqueline Susann, 1968
The Country Girl (TV special: produced?)
Box   61
Folder   1
Correspondence and cast list, 1973, undated
The Couriers (TV series: unproduced?)
Box   61
Folder   2
Synopsis, 1964 September 9
Crack in the Wall (TV series: unproduced)
Box   61
Folder   3
Synopses / by Edward Adler, undated
“A Devil's Spawn of Luck”
Box   61
Folder   3
Treatment: annotated / by Edward Adler, undated
The Crime Is: Murder! (TV series: unproduced)
Box   61
Folder   4
Presentations, 1964
Crime of the Century (TV series: unproduced?)
Box   61
Folder   5
Correspondence, script outlines, 1965, 1972
Crown Matrimonial (TV special: Talent Associates/Norton Simon Productions in association with FCB Productions, April 3, 1974. Original network NBC. Hallmark Hall of Fame)
Box   61
Folder   6
Production file, 1973-1974
The Crucible (TV special: produced)
Box   61
Folder   7
Script: annotated / by Arthur Miller, 1967 January 19
Cruising (Format unknown)
Box   61
Folder   8
Book / by Gerald Walker, undated
The Dain Curse (Motion picture: unproduced?)
Box   61
Folder   9
Correspondence, 1972
Daisy...And the Earth People (TV series: unproduced?)
Box   61
Folder   10
Synopsis and treatment / by Richard Donner, 1966 March 16
Dames at Sea (Theater: NY, Bouwerie Lane, December 20, 1968)
Box   61
Folder   11
Script / by George Haimsohn and Robin Miller, undated
Dance of Death (TV special: unproduced. Original format theater, London, National, 1967)
Box   61
Folder   12
Correspondence, playbill, and clipping, 1967
Dann, Michael
Box   61
Folder   13
Biographical material and miscellany, circa 1973
D'Antoni, Phillip
Box   61
Folder   14
Biographical material, undated
Daughter of Darkness (Motion picture: unproduced)
Box   61
Folder   15
Correspondence, 1972, undated
The Daughter of My Friend Irma (TV: unproduced series)
Box   61
Folder   16
Synopses and accompanying letter / by Cy Howard, 1964 April
The David Burns Show (TV: unsold series)
Box   61
Folder   17
Casting and budget information, 1964
Box   61
Folder   18
Correspondence, 1964-1965, undated
Box   61
Folder   19
Outlines, 1964-1965
“Case of the Lovesick Boy”
Box   61
Folder   20
Script: revised second draft / by Bill Manhoff, 1964 March 16
Box   61
Folder   20
Script / by Bill Manhoff, 1964 April 6
“Case of the Rotten Kid”
Box   61
Folder   21
Script / by Bill Manhoff, 1964 April 30
“Case of the Sweet Old Man”
Box   62
Folder   1
Synopsis, revised, undated
Box   62
Folder   1
Treatment, undated
Box   62
Folder   1
Script, undated
Box   62
Folder   1
Scripts / by Bill Manhoff, 1964 June 30
Box   62
Folder   1
Script / by Bill Manhoff, 1964 July 7
The David Susskind Show (TV series: syndicated, 1958-1987)
Box   62
Folder   2
Clippings and miscellaneous production material, 1966-1971
Box   62
Folder   3-4
Correspondence, 1966-1971
Box   62
Folder   5
Ratings, undated
Box   62
Folder   6
Schedules, 1966-1971
Individual programs, arranged by taping date
1966 January 5 (“Fat and Happy,” “LBJ,” “Private Eyes”)
Box   62
Folder   7
Correspondence and release forms, 1966
1966 January 12 (“Housewives from Hanoi,” “Peter Ustinov”)
Box   62
Folder   8
Correspondence, release forms, introduction for “Housewives from Hanoi,” 1966
1966 August 31 (“Negroes Who Hate Jews,” Panel with “Mary Tyler Moore, Katherine de Jersey, Omar Ahmed, Arthur Williams, Mrs. Rose Hayes”)
Box   62
Folder   9
Production file, including a transcript of The Open Mind, “Anti-Semitism and the Negro,” with Alex Rosen, John Slawson, Kenneth Clark, and Bayard Rustin, on WNBC-TV, 1966
, 1966 September 6 (“Nuns and Priests Are Marching”)
Box   62
Folder   10
Correspondence and release forms, 1966
, 1966 September 14 (“Pete Seeger”)
Box   62
Folder   11
Correspondence, release form, 1966
, 1966 September 29 (“The New Left"”)
Box   62
Folder   12
Correspondence and release forms, 1966
1966 October 6 (“Far-out Right,” “Life Over 40,” “Ethnic Humor”
Box   62
Folder   13
Correspondence and release forms, 1966
1966 October 10 (“White Backlash,” “Single Girls”)
Box   62
Folder   14
Correspondence and release forms, 1966
1966 October 13 (“Stokely Carmichael,” ”Red China Debate”)
Box   62
Folder   15
Correspondence, release forms, clippings, 1966
1966 November 10 (“Motorcycles,” “The Draft”)
Box   62
Folder   16
Correspondence and release forms, 1966
1966 November 15 (“Welfare,” “The Fugs”)
Box   62
Folder   17
Correspondence and release forms, 1966
1966 November 17 (“HUAC,” “Underground Magazines”)
Box   62
Folder   18
Correspondence and release forms, 1966
1966 December 1 (“Neo-Nazism,” ”Susskind Family”)
Box   62
Folder   19
Production file, 1966
, 1966 December 5 (“George Wallace”)
Box   62
Folder   20
Correspondence, 1966
1966 December 8 (“Mr. Kenneth,” “Bowery Bums,” “Night Clubs”)
Box   62
Folder   21
Correspondence and release forms, 1966-1967
1966 December 8 (“Strippers,” “Sam Sheppard”)
Box   62
Folder   22
Correspondence and release forms, 1966-1967
1966 December 29 (“Are American Men Little Boy Lovers?,” “F. Lee Bailey”)
Box   62
Folder   23
Correspondence and release forms, 1966-1967
1967 January 19 (“Bugging,” “Fashions”)
Box   62
Folder   24
Correspondence and release forms, 1966-1967
1967 January 26 (“Homosexuality,” “Astrology”)
Box   63
Folder   1
Correspondence, release form, clipping, 1967
1967 February 2 (“White Parents with Negro Children,” “Dogs”)
Box   63
Folder   2
Correspondence and release forms, 1967
1967 February 9 (“Gamblers and Pills,” “Millioniares of Music”)
Box   63
Folder   3
Correspondence and release forms, 1967
1967 February 14 (“Hypnotism,” “Alcoholism,” “Robert Maxwell, M.P.”)
Box   63
Folder   4
Correspondence and release forms, 1967
1967 February 16 (“European Women,” “Menopause”)
Box   63
Folder   5
Correspondence and release forms, 1967
1967 February 23 (“Millionaires,” “Life on Other Planets,” “George Plimpton”)
Box   63
Folder   6
Correspondence and release forms, 1967
1967 March 2 (“Abortion Laws,” “Ramparts Magazine”)
Box   63
Folder   7
Correspondence and release forms, 1967
, 1967 March 7 (“We Were Falsely Accused of Murder”)
Box   63
Folder   8
Correspondence and release forms, 1967
1967 March 14 (“The Mafia,” “Newsweek”)
Box   63
Folder   9
Correspondence and release forms, 1967
, 1967 March 16 (“The Tragedy of Alcoholic Priests”)
Box   63
Folder   10
Correspondence, 1967
1967 April 13 (“Who's Hiding the Nazi Murderers and Where,” “Where the Elite Eat”)
Box   63
Folder   11
Correspondence and release forms, 1967
1967 April 20 (“Pat Ward,” “Dreaming,” “Cleaning Women”)
Box   63
Folder   12
Production file, 1967
1967 April 27 (“Three Women Who Made It Big,” “Pills and Pot”)
Box   63
Folder   13
Correspondence and release forms, 1967
, 1967 May 5 (“Child Abuse”)
Box   63
Folder   14
Correspondence and release forms, 1967
1967 May 11 (“Sex Education,” “Robert Morley”)
Box   63
Folder   15
Correspondence and release forms, 1967
1967 May 18 (“Jeane Dixon,” “Jet Set”)
Box   63
Folder   16
Correspondence and release forms, 1967
1967 May 25 (“Congressional Ethics,” “Morton Shulman and Stocks”)
Box   63
Folder   17
Correspondence, 1967
1967 August 31 (“Teachers in Tough Schools,” “Merchants from Riot Areas”)
Box   63
Folder   18
Production file, 1967
1967 September 14 (“Who Dares to Criticize the FBI?,” “English Girls Who Swing,” “Future in the Palm of Your Hand”)
Box   63
Folder   19
Correspondence and release forms, 1967
1967 September 21 (“Sarah Churchill,” “DAR,” “Sexercises”)
Box   63
Folder   20
Correspondence and release forms, 1967
1967 September 28 (“Vietnam Vets,” “Wives of My Friends”)
Box   63
Folder   21
Correspondence and release forms, 1967
1967 October 4 (“Welfare Mothers,” “Roomies,” “4-H”)
Box   63
Folder   22
Production file, 1967
1967 October 5 (“Hippies,” “Ruth Douglas Mann,” “Richard Lester”)
Box   63
Folder   23
Correspondence and release forms, 1967
1967 November 2 (“Three Priests Who Left,” “The Lowdown on Super Spies,” “The Truth About Your Dreams”)
Box   63
Folder   24
Correspondence and release forms, 1967
1967 November 6 (“Titicut Follies,” “The Wild, Wild Left,” “Gore Vidal”)
Box   63
Folder   25
Correspondence and release forms, 1967
1967 November 13 (“Graphology,” “Death and Dying”)
Box   63
Folder   26
Correspondence and release forms, 1967
, 1967 November 14 (“Hon. Abba Eban”)
Box   63
Folder   27
Correspondence, 1967
1967 November 20 (“Dr. Fayez Sayegh,” “Pot Smokers and Acid Heads,” “Suzy Smith--Lady Who Talks with the Dead”)
Box   63
Folder   28
Correspondence, release forms, and clippings, 1967-1968
1967 November 27 (“God, Men and War at Yale,” “Fabulous Furs for He and She”)
Box   63
Folder   29
Correspondence and release forms, 1967-1968
1967 December 9 (“Actors Talk About Acting,” “Stock Market,” “Children”)
Box   63
Folder   30
Correspondence and release forms, 1967
1967 December 18 (“Recovery,” “Manville Wives”)
Box   63
Folder   31
Correspondence and release forms, 1967-1968
1967 December 26 (“Welfare Workers,” “Hugh Downs,” “Memory Man”)
Box   63
Folder   32
Correspondence and release forms, 1967-1968
1968 January 15 (“Sargent Shriver,” ”Governor Claude Kirk”)
Box   63
Folder   33
Correspondence and schedule listing, 1967-1968
1968 January 22 (“Let's Dump Johnson Now,” “Show Biz Confidential”)
Box   63
Folder   34
Correspondence and release forms, 1968
1968 February 5 (“Astrology,” “Far Right”)
Box   63
Folder   35
Production file, 1968
1968 February 12 (“Public School Children,” “David Frost”)
Box   63
Folder   36
Production file, 1968
, 1968 February 19 (“Prison Life Is Hell”)
Box   63
Folder   37
Correspondence and release forms, 1968
, 1968 February 26 (“Florence Fisher--23 Years a Whore and a Junkie”)
Box   63
Folder   38
Correspondence and release forms, 1968
, 1968 March 11 (“Alimony Is a Girl's Best Friend”)
Box   63
Folder   39
Correspondence and release forms, 1968
1968 March 18 (“Are We Going Broke?,” “Muggeridge”)
Box   64
Folder   1
Correspondence and release forms, 1968
1968 March 25 (“Black Panther Eldridge Cleaver,” “Talented Lady Talkers”)
Box   64
Folder   2
Correspondence and release forms, 1968
1968 April 8 (“Blacks and Whites Tell It Like It Is,” “Sex Without Fear,” “Upward Bound”)
Box   64
Folder   3
Correspondence and release forms, 1968
, 1968 April 22 (“Swinging Styles for Men”)
Box   64
Folder   4
Correspondence, 1968
1968 April 29 (“A Lot of Lip and Small Tip: 5 Cabbies,” “The Jaded Jet Set”)
Box   64
Folder   5
Correspondence and release forms, 1968
, 1968 May 6 (“Blood and Thunder at Columbia: 7 Students Speak”)
Box   64
Folder   6
Correspondence, 1968
1968 May 13 (“Kennedy, McCarthy, Humphrey: Who Will It Be?”)
Box   64
Folder   7
Correspondence and release forms, 1968
, 1968 May 20 (“Five Cops Sound Off”)
Box   64
Folder   8
Correspondence and release forms, 1968
, 1968 May 27 (“College Radicals”)
Box   64
Folder   9
Correspondence and release forms, 1968
1968 June 3 (“The New Medicine,” “Broadway Has Turned On: 'Hair' and 'The Boys in the Band'”)
Box   64
Folder   10
Correspondence and release forms, 1964
, 1968 November 25 (“Divorcees”)
Box   64
Folder   11
Production file, 1968
1968 December 11 (“Responsible Dissent on Vietnam,” “Peter Cook and Dudley Moore”)
Box   64
Folder   12
Correspondence and release forms, 1968
Dear Me, The Sky Is Falling (Motion picture: unproduced?)
Box   64
Folder   13
Correspondence, 1963
Death Be Not Proud (Television special: unproduced?)
Box   64
Folder   14
Correspondence and notes, 1971-1974
Death of a Salesman (Television special: Talent Associates-Paramount Ltd., May 8, 1966. Original network CBS)
Box   64
Folder   15
Correspondence, reviews, and miscellany, 1966
Box   64
Folder   16
Script: fragment, undated
Box   64
Folder   17-18
Shooting script: annotated, 1966 March 9
Scope and Content Note: Including cast list, time rundown, and credits.
The Debriefing (Production format unknown)
Box   64
Folder   19
Story treatment / by Noel Behn, 1968 April 2
The Defenders (TV series: Plautus Productions in association with Defender Productions and CBS, 1961-1965)
Box   64
Folder   20
Credits, shows #66-#68, undated
Deighton, Len
Box   64
Folder   21
Correspondence and synopsis, “Top Secret,” 1963
Desperate Hours (TV: ABC Movie Night Special, December 13, 1967)
Box   64
Folder   22
Production file, 1967
Box   64
Folder   23
Script: first draft / by Joseph Hayes, adapted by Clive Exton, undated
Box   65
Folder   1
Script: second draft / by Joseph Hayes, adapted by Clive Exton, undated
Box   65
Folder   2
Script: third revised / by Joseph Hayes, adapted by Clive Exton, 1967 June 14
Detective Story (TV series: unproduced?)
Box   65
Folder   3
Correspondence, casting suggestions, 1963
Devereaux, Oh Devereaux! (Format unknown)
Box   65
Folder   4
Synopsis, 1965 July 7
The Devil (TV series: unproduced?)
Box   65
Folder   5
Production file, 1964
Dial “M” for Murder (TV movie on Wednesday Night Movie: Talent Associates in association with Rediffusion Television Ltd. November 15, 1967, original network ABC)
Box   65
Folder   6
Production file, 1966-1967
Diamond Studs (Theater: NY, Westside, January 14, 1975)
Box   65
Folder   7
Reviews, 1975 January
Diary of a Mad Housewife (Motion picture: Frank Perry Films, 1970. Universal)
Box   65
Folder   8
Script: revised / by Eleanor Perry, undated
Diary of a Madman (Proposed TV special: unproduced?)
Box   65
Folder   9
Correspondence and theater reviews, 1967
Diary of Anne Frank (TV special: Talent Associates, November 26, 1967, original network ABC)
Box   65
Folder   10
Correspondence, reviews, and miscellany, 1966-1968
Box   65
Folder   11
Script: final / by Frances Goodrich and Albert Hackett, adapted by James Lee, 1966 September 28
The Dick Cavett Show (TV series: Production company unknown, 1969-1972. Original network ABC)
Box   65
Folder   12
Correspondence, articles, and contracts, 1970-1971
Directions (TV series: ABC, 1965- )
“Simon Wiesenthal: A Conscience for Our Time”
Box   65
Folder   13
Transcript, with correspondent George Watson, written by Sid Darion, 1974 October 13
Dixon, Jean
Box   65
Folder   14
Budget, undated
Do You Sleep in the Nude? (TV game show: unproduced?)
Box   65
Folder   15
Production file, including presentation, 1970-1971
Dr. Jekyll and Mr. Hyde (TV series: unproduced?)
Box   65
Folder   16
Synopsis / by Norman Retchin, 1963 February 23
Doctor Love (TV series: unproduced?)
Box   65
Folder   17
Synopsis / by Nick Arnold, 1967 September 15
Doctor Raven (TV series: unproduced?)
Box   65
Folder   18
Outline, undated
The Dolly Scene (Motion picture: unproduced?)
Box   65
Folder   19
Correspondence, 1967
Box   65
Folder   19
Script / by John Hopkins, 1965 February
Donner Party (Format unknown)
Box   66
Folder   1
Correspondence and article, 1972-1973
Doug Henning and the World of Magic (TV special: Talent Associates, December 26, 1975, network NBC)
Box   66
Folder   2
Format, undated
Down Here (TV series: unproduced?)
Box   66
Folder   3
Synopsis / by Buck Henry and Edward Adler, undated
Duke Ellington (TV special: unproduced?)
Box   66
Folder   4
Correspondence and notes, 1972 June
DuPont Show of the Month (TV anthology series, 1957-1961, Original network CBS)
“Harvey,” 1958 September 22
Box   66
Folder   5
Re-run and re-play costs, 1963
DuPont Show of the Week (TV anthology series: 1961-1964, other production information unknown)
Box   66
Folder   6
Production material, 1963-1964
“The Bachelor Game,” 1963 February 8
Box   66
Folder   7
Production file, including script by Irving Gaynor Neiman, 1963
“Ride with Terror,” 1963 December 4
Box   66
Folder   8
Correspondence and clippings, 1963 July-1964 August, undated
“Subway Story” / by Nicholas Baehr, 1963 October 28
Box   66
Folder   9
Script, 1963 October 28
Dutch Uncle (Format unknown)
Box   66
Folder   10
Correspondence, 1973 February-April
Dyne, Michael
Box   66
Folder   11
Correspondence and untitled treatment for television play, 1966-1967
Eamonn Andrews Show (TV series: England)
Box   66
Folder   12
Script / with David Susskind and Mohammad All, 1968 January
East Side/West Side (TV series: Talent Associates-Paramount in association with United Artists Television, 1963-1964. Original network CBS)
Box   66
Folder   13
Awards, 1964
Box   66
Folder   14
Budget, 1963 January-December
Box   66
Folder   15
Cast and crew, undated
Box   66
Folder   16
Clippings, 1963-1964
Box   66
Folder   17
Contracts, 1963 January-1964 January, undated
Correspondence
General
Box   66
Folder   18
1959-1963 July
Box   67
Folder   1-2
1963 August-1964
Specific
Box   67
Folder   3
Golden, David, 1963-1964, undated
Box   67
Folder   4
Fan mail, 1963-1964, undated
Box   67
Folder   5
Letters of support, 1963-1964
Box   67
Folder   6
National Association of Social Workers, 1963-1964
Box   67
Folder   7
Deal sheets, 1963 March-December
Box   67
Folder   8
Directors, 1963-1964
Box   67
Folder   9
Miscellany, 1963-1964
Box   67
Folder   10
Music, 1963 January-1964 April
Box   67
Folder   11
Personnel, 1963-1964
Proposed programs
Box   67
Folder   12
Story ideas, including some by Pete Hamill, 1962-1963
Outlines
Box   67
Folder   13
“Cop on the Beat” / by Arnold Perl, undated
Box   67
Folder   13
“Cuba Si-Puerto Rico No” / by Arnold Perl, undated
Box   67
Folder   13
“The Givers” / by George Bellak, undated
Box   67
Folder   13
“The Last of the Dinosaurs,” undated
Box   67
Folder   13
“Lonely as a Lighthouse Keeper” / by Millard Lampell, undated
Box   67
Folder   13
“The Only Man Who Looked” / by Theodore Apstein, undated
Box   67
Folder   13
“Politician” / by Bob Van Scoyk, undated
Box   67
Folder   13
“A Rag and a Bone and a Hank of Hair Is More Trouble Than Snips and Snails and Puppy Dogs' Tails, Sometimes” / by Irving Gaynor Neiman, undated
Box   67
Folder   13
“She Shall Be Nameless” / by Edward Adler, undated
Box   67
Folder   13
“The Style of a Rich Girl” / by Leslie Weiner, 1963 September 16
Box   67
Folder   13
“Switchover,” undated
Box   67
Folder   13
“Thirty-Thirty-Thirty” / by Matthew Andrews, undated
Box   67
Folder   13
“The Three Dollar Bill” / by Allan Sloane, undated
Box   67
Folder   13
“The Walls Came Tumbling Down” / by A.E. Hotchner, undated
Box   67
Folder   13
“When Jabberwocks Come Whiffing” / by Matthew Andrews, undated
Box   67
Folder   13
Untitled episode / by Stanley Greenberg, 1963 June 14
Story development
“Halfway House”
Box   67
Folder   14
Correspondence and miscellany, 1963
“Vomo--A Man”
Box   67
Folder   15
Outline / by Edward DeBlasio, undated
Box   67
Folder   15
Script: annotated / by Edward DeBlasio, 1963 September 13
“A Waste of Shame”
Box   67
Folder   16
Script: first revised / by Ernest Pendrell, 1963 May 27
Box   68
Folder   1
Ratings, Arbitron and Nielsen, 1963-1964
Box   68
Folder   2
Schedules, 1963-1964
Box   68
Folder   3
Scott, George C., 1963, undated
Box   68
Folder   4
Script status reports, 1963
Box   68
Folder   5
Sponsors, 1963
Box   68
Folder   6
Teasers, undated
Box   68
Folder   7
Trailers, circa 1963-1964
Box   68
Folder   8
Writers, 1963-1964
“It's War Man” (pilot)
Box   68
Folder   9
Production file, 1963
Box   68
Folder   10
Outline / by Robert Alan Aurther, undated
Box   68
Folder   10
Script, pilot: first draft / by Robert Alan Aurther, 1962 December 26
“The Sinner,” #2
Box   68
Folder   11
Production miscellany and viewer response correspondence, 1964-1965
“Creeps Live Here,” #3
Box   68
Folder   12
Trailer, August 1963
“You Can't Beat the System,” #4
Box   68
Folder   13
Production file, 1963
“My Child on Monday Morning,” #5
Box   68
Folder   14
Production file and viewer correspondence, 1963
“Go Fight City Hall,” #6 (also known as “The Paper Trap”)
Box   68
Folder   15
Production file and viewer correspondence, 1963
“Age of Consent,” #7
Box   68
Folder   16
Production file, 1963
Box   68
Folder   17
Viewer correspondence, 1963 September-October
Box   68
Folder   18
Script: final drafts, annotated, undated
“I Before E Except After C,” #8
Box   68
Folder   19
Production file and viewer correspondence, 1963
Box   69
Folder   1
Script: fragment, undated
Box   69
Folder   1
Script: annotated, undated
Box   69
Folder   1
Script: second draft, “Schoolteacher” / by Ossie Davis, 1963 July 15
Box   69
Folder   2
Script: final draft, “Little Boy Lost” / by Ossie Davis, 1963 July 18
“Something for the Girls,” #9
Box   69
Folder   3
Production file, 1963
Box   69
Folder   4
Outline: first draft, “The Diana Temple Story” / by Edward DeBlasio, undated
Box   69
Folder   4
Script: fragments, annotated, undated
Box   69
Folder   4
Script / by Edward DeBlasio, 1963 July 29
“Not Bad for Openers,” #10
Box   69
Folder   5
Production file, 1963
Box   69
Folder   6
Outline, “Shape Up for Eddie Best” / by Edward Adler, undated
Box   69
Folder   6
Outline, “An Arm Job to Oblivion” / by Edward Adler, undated
Box   69
Folder   6
Outline, “Justice for Eddie Best” / by Edward Adler, undated
Box   69
Folder   7
Script: second draft, “Shape-Up for Eddie Best” / by Edward Adler, 1963 July 26
Box   69
Folder   7
Script: revised, annotated, undated
“... No Wings at All,” #11
Box   69
Folder   8
Production file, 1963
“Who Do You Kill?,” #12 (also known as “Gift of Laughter”)
Box   69
Folder   9
Production file, 1963
Box   69
Folder   10
Viewer correspondence, 1963 November
Box   69
Folder   11
Script: partial, revised, 1963 September 18
“No Hiding Place,” #13
Box   69
Folder   12
Production file and viewer correspondence, 1963
“Where's Harry?,” #14
Box   69
Folder   13
Production file, 1963
“Don't Grow Old,” #15
Box   69
Folder   14
Production file, 1963
“The Five Ninety-Eight Dress,” #16
Box   69
Folder   15
Production file and viewer correspondence, 1963-1964
“The Beatnik and the Politician,” #17
Box   69
Folder   16
Production file and viewer correspondence, 1963-1964
Box   70
Folder   1
Outlines, “Poets, Peasants and Politics” / by Robert Van Scoyk, undated
“One Drink at a Time,” #18
Box   70
Folder   2
Production file, 1963
“The Street,” #19
Box   70
Folder   3
Production file, 1963-1964
“If Your Grandmother Had Wheels,” #20
Box   70
Folder   4
Production file, 1964
“The Passion of the Nickel Player,” #21
Box   70
Folder   5
Production file, 1964
“Take Sides with the Sun,” #22
Box   70
Folder   6
Production file, including outline by Allan Sloane, 1964
“The Name of the Game,” #23
Box   70
Folder   7
Production file, 1964
“Nothing But the Half Truth,” #24
Box   70
Folder   8
Production file, 1964
Box   70
Folder   9
Script: fragment, annotated, (starring David Susskind), 1964 March 30
“The Givers,” #25
Box   70
Folder   10
Production file, 1964
“Here Today,” #26
Box   70
Folder   11
Production file, 1964
Edie (TV series: unproduced?)
Box   70
Folder   12
Synopsis / by Jack Guss and Josef Shaftel, and accompanying letter, 1964 July 7
Edinburgh Writers' Conference
Box   70
Folder   13
Correspondence and clippings, 1963 April
[The Eisenhower Project] (TV special: unproduced?)
Box   70
Folder   14
Notes and memorandum, circa 1975
The Electric Age (TV series: unproduced?)
Box   70
Folder   15
Proposal and accompanying letter, 1968 May
Ellie (Motion picture: unproduced?)
Box   70
Folder   16
Correspondence, 1972-1973
Emergency -- Dial 0! (TV series: unproduced?)
Box   70
Folder   17
Synopsis / by Ira Cirker, and accompanying letter, 1961 August 30
Emporium (TV series: unproduced?)
Box   70
Folder   18
Presentation, undated
Escape from Sonora (Motion picture: unproduced?)
Box   70
Folder   19
Script: first draft / adapted by David Newman and Robert Benton, undated
Esso Repertory Theatre (TV: syndicated)
Box   70
Folder   20
Production file, 1964-1967
Box   70
Folder   21
Reviews and clippings, circa 1965
“Act without Words”
Box   71
Folder   1
Outline / by Samuel Beckett, 1964 October 8
“Beautiful People”
Box   71
Folder   2
Script: final revised / by William Saroyan, 1965 January 25
“The Bedtime Story”
Box   71
Folder   3
Script: first draft / by Sean O'Casey, 1964 November 11
“The Cavalry”
Box   71
Folder   4
Script / by William Butler Yeats, 1964 October 8
Box   71
Folder   4
Script: revised, 1964 October 20
“Chee Chee”
Box   71
Folder   5
Script / by Pirandello, 1965 February 19
“Coriolanus”
Box   71
Folder   6
Script fragment / by William Shakespeare, undated
“Creditors”
Box   71
Folder   7
Script: revised / by August Strindberg, 1965 March 12
“Don Juan in Hell”
Box   71
Folder   8
Script / by George Bernard Shaw, undated
“The Dumbwaiter”
Box   71
Folder   9
Script / by Harold Pinter, 1964 December 11
“The Forced Marriage”
Box   71
Folder   10
Script / by Moliere, undated
“How He Lied to Her Husband”
Box   71
Folder   11
Script / by Bernard Shaw, 1964 October 8
“The Lonesome Train”
Box   71
Folder   12
Script / by Millard Lampbell, and casting notes, 1965 February 12, undated
“The Man with the Flower in His Mouth”
Box   71
Folder   13
Script / by Pirandello, 1965 February 19
“Romeo and Juliet”
Box   71
Folder   14
Script: Act III, Scene 5 / by William Shakespeare, undated
“The Rivalry”
Box   71
Folder   15
Script: final draft / by Norman Corwin, 1964 November 1
“The Taming of the Shrew”
Box   71
Folder   16
Script: fragment / by William Shakespeare, undated
“The Trojan Women”
Box   71
Folder   17
Script / by Euripides, 1965 January 9
“The Wedding”
Box   71
Folder   18
Script / by Anton Chekov, 1965 February 1
An Evening's Frost (TV special: unproduced?)
Box   71
Folder   19
Correspondence, playbills, and reviews, 1965-1966
Exton, Clive
Box   71
Folder   20
Correspondence, 1967 April-November
Face to Face (Format unknown)
Box   72
Folder   1
Title search, 1971 May
The Family of Man (TV special: unproduced?)
Box   72
Folder   2
Presentation and notes, circa 1970
Far Out (Format unknown: originally theater)
Box   72
Folder   3
Script: revised / by Garson Kanin, 1961 March 1
Faraday and Company (Format unknown)
Box   72
Folder   4
Story idea / by Leonard Stern, undated
Fat Girl (Motion picture: unproduced?)
Box   72
Folder   5
Script outline / by Brendan Gill, 1971 January 6
Box   72
Folder   5
Treatment / by Bob Randall, undated
Box   72
Folder   5
Miscellany, 1970-1971
The Fed-Up Generation (Radio series: unproduced?)
Box   72
Folder   6
Proposal, undated
Festival of the Performing Arts (TV anthology series: syndicated in New York and Washington, D.C.)
Box   72
Folder   7
Production file, 1962-1963
“Crack-Up”
Box   72
Folder   8
Script / by F. Scott Fitzgerald, 1963 March 1
The File on Stanley Patton Buchta (Motion picture: unproduced?)
Box   72
Folder   9
Correspondence and notes, 1970
Firing Line with William F. Buckley (TV series: 1966- , syndicated and PBS)
“The Prevailing Bias” (May 21, 1966)
Box   72
Folder   10
Correspondence and transcript, 1966
The Flight of the “Ennui 2” (TV Special: unproduced)
Box   72
Folder   11
Correspondence, 1965
Flint (Format unknown)
Box   72
Folder   12
Outline, undated
For Adults Only (TV series: syndicated)
Box   72
Folder   13
Production file, circa 1968-1971
Ford Festival of Drama (TV series: unproduced?)
Box   72
Folder   14
Correspondence and miscellany, 1966
Four Years to Go (TV series: unproduced?)
Box   72
Folder   15
Story idea / by A.J. Russell, undated
The Free Man (Motion picture: unproduced?)
Box   72
Folder   16
Screenplay / by Jean Anouilh and translated by Lucienne Hill, undated
Box   72
Folder   16
Correspondence, 1965 June-July
Friday the Rabbi Slept Late (Motion picture: unproduced?)
Box   72
Folder   17
Correspondence, 1964-1965
From Chekhov with Love (TV special: Talent Associates in association with Rediffusion Television Ltd. and CBS, September 11, 1968)
Box   72
Folder   18
Production file, 1966-1968
The Gambler (Motion picture or TV: unproduced?)
Box   72
Folder   19
Script: revised, undated
Gashade (Motion picture or TV: unproduced?)
Box   73
Folder   1
Script / by Adrien Joyce, circa 1965 April 29
The Gentle Man (TV series: unproduced)
Box   73
Folder   2
Correspondence and outlines, including outlines by Sydney Carroll and Max Ehrlich, 1962-1964
Generation Gap (TV pilot for series: unsold?)
Box   73
Folder   3
Correspondence and rehearsal schedule, 1968
Get Smart (TV series: Talent Associates and Heydey Productions, 1965-1969. Original network NBC)
Pilot
Box   73
Folder   4
Notes for proposed series, circa 1964
Box   73
Folder   4
Correspondence, 1963-1964
Box   73
Folder   5
Synopsis, “Maxwell Smart--86,” undated
Box   73
Folder   5
Synopsis / by Buck Henry and Mel Brooks, undated
Box   73
Folder   5
Synopsis, undated
Box   73
Folder   6-7
Production file, 1964 January-1965 October, undated
Series
Agreements and contracts
Box   73
Folder   8
General, 1964-1966, undated
Box   73
Folder   9
Directors' agreements, shows #2-#29, 1964-1968
Box   73
Folder   10
Writers' contracts, 1965-1966
Box   73
Folder   11
Writers' deals, 1965-1966
Box   74
Folder   1
Call sheets, 1965 August-September
Box   74
Folder   2
Cast sheets, 1965 June-December
Box   74
Folder   3-4
Correspondence, 1965 March-1968 March
Box   74
Folder   5
Credit title copy, 1965 May-1966 March
Financial records
Box   74
Folder   6
Production budgets and/or cost reports, circa 1965-1967
Box   74
Folder   7
Cash statements, 1965 June-1966 May
Box   74
Folder   8
Invoices, 1964-1965
Box   74
Folder   9
Journal entries, 1965 July-November
Box   74
Folder   10
Ledger, 1965 June-1966 April
Box   74
Folder   11
Paramount weekly billings, 1965 July-1966 February
Payroll journal
Box   74
Folder   12
1965 May 30-November 19
Box   75
Folder   1
1965 November 26-March 18
Box   75
Folder   2
Status reports and miscellany, 1965-1968, undated
Box   75
Folder   3
Miscellany, 1965-1966, undated
Box   75
Folder   4
Music, correspondence and agreements, 1965-1966, undated
Box   75
Folder   5
Production reports, 1965 June-1966 February
Box   75
Folder   6
Reviews, 1965 September
Box   75
Folder   7
Schedules, 1965 June-1966 June
“Our Man in Toyland”
Box   75
Folder   8
Synopsis / by Stan Burne and Mike Marner, undated
Box   75
Folder   9
Unidentified script: fragment, “Mr. Big” additions, undated
Box   75
Folder   10
Unidentified script: annotated, undated
Gilbert, Ron
Box   75
Folder   11
Memorandum regarding acquisition of Hal Wallis Pictures and Janus Pictures, 1970 December 17
The Gingham Dog (Format unknown: originally theater)
Box   75
Folder   12
Script / by Lanford Wilson, undated
Box   75
Folder   12
Clippings, 1968
The Glass Menagerie (TV special: CBS-TV in association with Talent Associates-Rediffusion Television, December 8, 1966)
Box   75
Folder   13
Production file, 1966
Go Fight City Hall (TV series?: unproduced?)
Box   75
Folder   14
Script, undated
Going, Going, Gone (TV series: unproduced?)
Box   75
Folder   15
Outline, circa 1967
Good Company (TV series: Production company unknown, 1967. Original network ABC)
Box   75
Folder   16
Production file, 1967
Box   75
Folder   17
Transcripts of interviews with Tony Curtis, Everett Dirksen, and David Merrick, 1967
The Good Guys (TV series: Talent Associates, 1968-1969. Original network CBS)
Box   76
Folder   1
Production file, 1967-1968
Box   76
Folder   2
Script / by Jack Rose, 1967 May
Box   76
Folder   2
Script: revised, 1967 May 11
Goodnight Larry (Motion picture: unproduced?)
Box   76
Folder   3
Correspondence, 1972 June-July
Goodbye, Raggedy Ann (Format unknown: originally theater)
Box   76
Folder   4
Script / by Jack Sher, undated
Coro, Herb
Box   76
Folder   5
Correspondence, 1972 September-October
The Governor and J.J. (TV series: Talent Associates-Norton Simon Inc., 1969-1970. Original network CBS)
Box   76
Folder   6
Script, undated
Grade, Lew -- ATV
Box   76
Folder   7
Correspondence, 1964-1965
The Great Gatsby (Motion picture: Production company unknown, 1974. Paramount)
Box   76
Folder   8
Rundown sheet, undated
The Great Lakers (TV series: unproduced?)
Box   76
Folder   9
Outlines / by Steve Kanfer and Jess Korman, 1964 August 5 and September 1
Great Love Stories (TV series: unproduced?)
Box   76
Folder   10
Correspondence, 1966
Great Museums of the World (TV series: unproduced?)
Box   76
Folder   11
Correspondence and presentation, 1964
The Great Society (TV special: unproduced?)
Box   76
Folder   12
Correspondence, 1965-1966
The Greatest Man in the World (Motion picture: unproduced?)
Box   76
Folder   13
Correspondence, 1963-1973, undated
Box   76
Folder   14
Playscript: final draft / by James Thurber, 1961 March 27
Box   76
Folder   15
Film treatments / by Harry Muheim, 1968 August 2, 1969 March 22
Green Man (Format unknown)
Box   76
Folder   16
Letter, 1971 May 13
Gringo (TV series: unproduced?)
Box   76
Folder   17
Outline / by Otis Carney, 1965 May 7
Groton Music Company
Box   76
Folder   18
Correspondence, 1964-1967, undated
Hackett, Buddy
Box   76
Folder   19
Correspondence, presentation for TV special, 1963
Hallmark Hall of Fame (TV anthology series: 1952- . Original network NBC)
Box   76
Folder   20
Correspondence, clippings, and miscellany, 1971
“All the Way Home” (December 1, 1971)
Box   76
Folder   21
Production file, 1970-1972, undated
Box   76
Folder   22
Clippings and reviews, 1971
“Harvey” (March 22, 1972)
Box   77
Folder   1
Playscript / by Mary Chase, 1944
Box   77
Folder   1
Correspondence, reviews, and miscellany, 1971-1972
Hamilton, Christian
Box   77
Folder   2
Playscript for an untitled musical, 1967 June 20
Harper Valley, U.S.A. (TV series: unproduced?)
Box   77
Folder   3
Outline / by Ron Graham, undated
Harper's Bazaar (TV special: unproduced?)
Box   77
Folder   4
Synopsis, correspondence, and booklet, circa 1967 May
Harry, Noon and Night (Motion picture: unproduced?)
Box   77
Folder   5
Correspondence, 1970 January-February
Harvey of Fun City (TV pilot: unproduced?)
Box   77
Folder   6
Series presentations / by Robert Alan Aurthur, and accompanying letter, 1971
Has Anyone Seen Jennifer? (Format unknown)
Box   77
Folder   7
Script: first draft / by Loring Mandel, 1968 October 9
Box   77
Folder   7
Script: second draft / by Loring Mandel, 1968 October 22
Hatful of Rain (TV special: Production company unknown, 1968 March 3. Original network ABC)
Box   77
Folder   8
Production file, 1967-1968
Hatter Fox (TV special: produced?)
Box   77
Folder   9
Correspondence, 1972 December-1973 April
Hawke West (TV series: unproduced?)
Box   77
Folder   10
Presentation and accompanying letter, 1964 October, undated
He and She (TV series: Talent Associates, 1967. Original network CBS)
Box   77
Folder   11
Presentations / by Leonard Stern, undated
Box   77
Folder   11
Production file, 1967
“Poster Boy”
Box   77
Folder   12
Script: final draft / by Jim Parker and Arnold Margolin, 1967 September 22
“The Second Time Around”
Box   77
Folder   13
Script: final draft / by Arnold Margolin and Jim Parker, 1967 June 12
He Said! She Said! (TV series: Production company unknown, 1969-1970. Original network NBC)
Box   77
Folder   14
Correspondence and contracts, 1969-1970
The Heart Is a Lonely Hunter (Motion picture: Warner Brothers-Seven Arts, 1968)
Box   77
Folder   15
Production file, 1963
Hedda Gabler (TV special: Talent Associates and British Broadcasting Co., September 20, 1963. Original network CBS)
Box   77
Folder   16
Correspondence and reviews, 1963
Helpern, Milton
Box   77
Folder   17
Letter and accompanying list for a proposed TV series, 1973
The Hero (TV series: Production company unknown, 1966-1967. Original network NBC)
Box   77
Folder   18
Clippings, 1965-1966
Box   78
Folder   1-2
Correspondence, 1965-1966
Box   78
Folder   3
Financial and production material, 1965-1966
Box   172
Folder   1-2
Financial status report, 1965 December-1966 February
Box   78
Folder   4
Script / by Bill Idelson and Sam Bobrick, 1965 July 28
Box   78
Folder   4
Script / by Bill Idelson, Sam Bobrick, and Leonard Stern, 1965 August 17
Box   78
Folder   5
Script, “A Night to Remember to Forget” / by Sam Bobrick and Bill Idelson, 1965 September 27
Box   78
Folder   5
Script / by Sam Boberick and Bill Idelson, 1965 October 15
Box   78
Folder   6
Script, “Hero in the House” / by Leonard Stern and Don Hinkley, undated
Box   78
Folder   7
Script / by Sam Boberick and Bill Idelson, 1965 November 30
Heyday Productions
Box   78
Folder   8
Financial statements, correspondence, and contracts, 1964 June-1965 May
The High Wall (TV series?: unproduced?)
“The Scapegoat”
Box   78
Folder   9
Treatment / by Edward Adler, undated
The History of Football (TV special: unproduced)
Box   78
Folder   10
Correspondence, circa 1963
Hollow Crown (TV special: CBS in association with British Home Entertainment and Talent Associates-Paramount Ltd., February 16, 1965)
Box   78
Folder   11
Production file, 1963-1964
Home (Format unknown; originally a play)
Box   78
Folder   12
Production file, including second rehearsal script by David Storey, 1970 May-September
Hopkins, John
Box   79
Folder   1
Correspondence and clipping, 1967-1971
Horatio McCall (TV series: unproduced?)
Box   79
Folder   2
Correspondence, 1964-1966
“If I Saw a Man Upon the Star”
Box   79
Folder   3
Outline treatment / by Arnold Perl, 1965 November 2
Box   79
Folder   3
Script: revised / by Barry Orringer, 1965 March 14
Box   79
Folder   3
Script / by Richard Adams, 1965 September 8
[Horowitz Special] (TV special: unproduced?)
Box   79
Folder   4
Format, 1974
Hot Line (TV series: Talent Associates-Paramount Ltd. in cooperation with WPIX-TV, New York, October 1964-March 1965, original telecast on WPIX, New York. Syndicated)
Box   79
Folder   5
Correspondence and miscellany, 1964 June-1965 September, undated
Hotel in Amsterdam (Format unknown, originally theater)
Box   79
Folder   6
Reviews and accompanying letter, 1970 October
The Human Voice (TV special: Talent Associates in association with Rediffusion Television Ltd., May 4, 1967, ABC Stage 67)
Box   79
Folder   7
Correspondence and miscellany, 1966-1967
Humphrey Bogart--Or How I Lost My Cynicism and Reformed Phoenix City (Format unknown)
Box   79
Folder   8
Story / by Audrey Maas, undated
The Hunter (TV series: unproduced?)
Box   79
Folder   9
Synopsis / by Robert Rossen, undated
The Hunters (TV series: unproduced?)
Box   79
Folder   10
Synopsis / by Barry Oringer, undated
The Husband (Motion picture: unproduced?)
Box   79
Folder   11
Correspondence, 1968, undated
If I Were You (TV series: unproduced?)
Box   79
Folder   12
Presentation, undated
If You Give A Dance You Gotta Pay the Band (Motion picture: unproduced?)
Box   79
Folder   13
Correspondence, 1972 April-May
Imagine a Park Here (Theater: unproduced?)
Box   79
Folder   14
Synopsis / by Tad Mosel, undated
The Immortals (TV series?: unproduced?)
Box   79
Folder   15
Correspondence and 2 presentations, including casting possibilities, 1963 August-October
In His Own Time (TV pilot: unproduced?)
Box   79
Folder   16
Script, pilot / by Steve Binder, 1969 June 26
In the Manner of the Word (TV series: unproduced?)
Box   79
Folder   17
Format for game show / by Martin Charnin, undated
In the Presence of Kings (Format unknown: originally art show)
Box   79
Folder   18
Miscellany, 1967
In the Streets (Motion picture: unproduced?)
Box   79
Folder   19
Correspondence, 1973 July-August
Box   79
Folder   19
Synopsis / by Budd Schulberg and Ella Kazan, 1973 August 2
In This House of Brede (TV special?: unproduced?)
Box   79
Folder   20
Teleplay script: second draft / by James Costigan, 1974 September 16
Incident at Pine Creek (Format unknown: unproduced?)
Box   79
Folder   21
Outline, undated
Indians (Motion picture: may be Buffalo Bill and the Indians, or Sitting Bull's History Lesson, production company unknown, 1976, United Artists)
Box   79
Folder   22
Correspondence, 1969 August-1972 October
Instant Theatre (TV series: unproduced?)
Box   79
Folder   23
Proposal / by John C. Rose, 1968 October 1
[Insurance Investigator Pilot] (TV series: unproduced?)
Box   79
Folder   24
Outline / by Ed DeBlasio, undated
International Youth City
Box   79
Folder   25
Program, correspondence, and bulletins, 1967-1968
Iris of the IRS (TV series: unproduced?)
Box   80
Folder   1
Outline, undated
It's a Living (TV series: unproduced?)
Box   80
Folder   2
Outline / by Jack Guss and Fred Frieberger, undated
Ivory Tower (Format unknown; originally a play)
Box   80
Folder   3
Reviews, 1967 May
Jackie Whitefish (Motion picture?: unproduced)
Box   80
Folder   4
Correspondence, 1972-1974
Jeopardy (TV series: unproduced?)
Box   80
Folder   5
Proposals, undated
Jericho (TV series: unproduced?)
Box   80
Folder   6
Production material, including synopsis / by Stanley Greenberg, 1963-1964
Box   80
Folder   7
Script, pilot / by Stanley Greenberg, undated
Jet 707 (TV series: unproduced?)
Box   80
Folder   8
Presentation and correspondence, 1963
“Stop Over in Rome”
Box   80
Folder   9
Synopsis and Script, pilot / by Roger Hirson, undated
“When in Rome...”
Box   80
Folder   10
Script: revised / by Herb Meadown, 1963 July 24
Johnny Belinda (TV special: Talent Associates in association with ABC, October 22, 1967)
Box   80
Folder   11
Correspondence, clippings, and miscellany, 1967-1968
Box   80
Folder   12
Script, Director's working: revision #2, annotated / adapted by Alan Sloane, circa 1967 June
Jordi (Motion picture: unproduced?)
Box   80
Folder   13
Correspondence, 1963
Judd MacAndrew (TV series: unproduced?)
Box   80
Folder   14
Synopsis, undated
Judgement (TV series?: unproduced?)
Box   80
Folder   15
Proposal, undated
Jump (Format unknown: originally theater)
Box   80
Folder   16
Playscript / by Larry Gelbart, undated
Justice Black and the Bill of Rights (TV special: CBS News, December 3, 1968)
Box   80
Folder   17
Transcript, 1968 December 3
Kadek (TV series: unproduced?)
Box   80
Folder   18
Presentation, 1964 March 6
Kanin, Garson
Box   80
Folder   19
Correspondence, 1963-1964
Kay-Zar -- King of the Jungle (TV series: unproduced?)
Box   80
Folder   20
Presentation / by Gerald Gardner and Dee Caruso, 1966 February 8
Kelly (Theater: NY, Broadhurst, February 6, 1965)
Box   80
Folder   21
Clippings and reviews, 1964-1965
Correspondence
Box   80
Folder   22
1964 February-November
Box   81
Folder   1
1964 December-1966 March, undated
Box   81
Folder   2
Production file, circa 1964-1965
Box   81
Folder   3
Script / by Eddie Lawrence and Moose Charlap, undated
Box   81
Folder   4
Script / by Eddie Lawrence and Moose Charlap, 1964 July 28
Box   81
Folder   5
Script: revised / by Eddie Lawrence and Moose Charlap, 1964 October 19
Box   81
Folder   6
Script, undated
Box   81
Folder   7
Script: revised, annotated, circa 1965 January
Kill-In (Motion picture: unproduced?)
Box   81
Folder   8
Screenplay: first draft / by Larry Gelbart, undated
The Killing of a Chinese Bookie (Motion picture: unproduced?)
Box   82
Folder   1
Screenplay / by John Cassavetes, 1975 June 19
Box   82
Folder   2
Script, 1975 June
Kind Hearts and Coronets (Theater: unproduced?)
Box   82
Folder   3
Correspondence and clippings, 1964-1965
King of the Road (TV series: unproduced?)
Box   82
Folder   4
Synopsis / by Richard L. Adams, and memorandum, 1965 June 9
Lady Sings the Blues, See Billie Holiday Story
Laura (TV special: Talent Associates in association with ABC, January 24, 1968)
Box   82
Folder   5
Production material, reviews, and viewer correspondence, 1967-1968
Law and Order (Motion picture: unproduced?)
Box   82
Folder   6
Correspondence, 1972 December-1973 January
The Legend of the Holy Drinker (Production format unknown)
Box   82
Folder   7
Story, undated
Let's Dance (TV series: unproduced?)
Box   82
Folder   8
Proposal, undated
The Liberation of Lord Byron Jones (Motion picture: unproduced?)
Box   82
Folder   9
Correspondence, 1965 May
Lists
Box   82
Folder   10
Dramatists Guild, active members, 1964 May
Box   82
Folder   11
Feature films, 1949-1961
Box   82
Folder   12
Paramount Pictures, films, 1949-1962
Box   82
Folder   13
Writers and Directors, undated
The Little Prince (Motion picture: unproduced?)
Box   82
Folder   14
Correspondence, 1964 February-March
London
Box   82
Folder   15-17
Correspondence and notes, 1963-1971, undated
The Lonesome Train (TV special: unproduced?)
Box   82
Folder   18
Correspondence and synopses, 1963-1966
Lonigan (TV series: unproduced?)
Box   83
Folder   1
Correspondence, 1966
Lovers and Other Strangers (Motion picture: ABC Pictures Corporation, 1970, Cinerama Releasing Corporation)
Box   83
Folder   2
Clippings and reviews, 1968-1972
Box   83
Folder   3-4
Production file, 1968-1972
Lovesounds of a Wife (Motion picture: unproduced)
Box   83
Folder   5
Correspondence, 1970
Maas, Audrey
Box   83
Folder   6
Correspondence, 1973 May-1974 June, undated
Mame (Format unknown; originally theater NY: Winter Garden May 24, 1966)
Box   83
Folder   7
Playscript, book by Jerome Lawrence and Robert E. Lee, music and lyrics by Jerry Herman, 1966 May 24
The Man in the Glass Booth (Format unknown. Originally theater, NY: Royale, September 28, 1968)
Box   83
Folder   8
Playbill and clippings, 1967
A Man Is Ten Feet Tall (Motion picture: unproduced?)
Box   83
Folder   9
Script / by Robert Alan Aurthur, undated
Manhunt! (TV series: unproduced?)
Box   83
Folder   10
Synopsis, undated
March, Alex
Box   83
Folder   11
Correspondence and credit list, 1971
Marginal Man (TV special: unproduced?)
Box   83
Folder   12
Correspondence and script record, 1970
Marilyn (TV special: unproduced?)
Box   83
Folder   13
Correspondence, presentation, and miscellany, 1973-1974
Mark Twain Tonight! (TV special: Vining Productions in association with CBS-TV. March 6, 1967)
Box   83
Folder   14
Production file, circa 1965-1967
Maurice Woodruff Predicts (TV series: syndicated, debuted January 11, 1969 on WNEW-TV in New York)
Box   83
Folder   15
Production file, 1968-1969
McMillan and Wife (TV series: unproduced?)
Box   83
Folder   16
Testimony transcript, created by Leonard Stern, undated
Medicine Show (TV special: filmed and not sold)
Box   83
Folder   17
Correspondence, research, and notes, 1973
Melnick, Daniel
Box   83
Folder   18
Clippings and miscellany, 1962-1963
Box   83
Folder   19
Correspondence
Incoming
Box   84
Folder   1-7
1963 November-1967 September
Box   85
Folder   1-2
1967 August-1968 December, undated
Box   85
Folder   3-5
Outgoing, 1958 October-1968 April
Financial
Box   85
Folder   6
Bank statements, 1962-1963
Expense vouchers
Box   85
Folder   7
1958 February 6-1962 February 27
Box   86
Folder   1
1962 March 5-1963 May 27
Box   86
Folder   2
Invoices, 1964-1965
A Member of the Family (TV special: unproduced?)
Box   86
Folder   3
Letter, 1974 February 27
Men of the World (TV special?: unproduced?)
Box   86
Folder   4
Presentation, 1964 December
The Merv Griffin Show (TV series: syndicated)
Box   86
Folder   5
Correspondence regarding Mark Lane appearance, 1966
Miller, Merle
Box   86
Folder   6
Correspondence, undated
A Mirror for Witches (Format unknown; originally theater)
Box   86
Folder   7
Playscript / by Leslie Stevens, 1957
Misadventrures of Marco Polo (TV series: unproduced?)
Box   86
Folder   8
Presentation / by Will Fowler and Ken Morgan, 1965
Miss America (TV special: ABC, 1954-1956; CBS, 1957-1965; NBC, 1966- )
Box   86
Folder   9
Notes and data sheets on individual contestants, 1973
Missy (TV series: unproduced?)
“And Baby Makes Two”
Box   93
Folder   6
Correspondence, 1963
Box   93
Folder   6
Script / by Garson Kanin, 1963 November 15
Mr. Broadway (TV series: Production company unknown, 1964-1965. Original network CBS)
Box   86
Folder   10
Budgets, 1963-1964
Box   86
Folder   11
Call sheets, 1964
Box   86
Folder   12
Cast lists, 1964
Box   86
Folder   13
Cast and crew lists, 1963-1964
Box   86
Folder   14
Clippings and publicity, 1959, 1964
Correspondence
General
Box   86
Folder   15
1963 September-1964 June
Box   87
Folder   1
1964 July-1965 June, undated
Box   87
Folder   2
Brown, Tiffany, 1963 July 21
Golden, David
Box   87
Folder   3
Inter-office correspondence, 1963 January-1964 November
Box   87
Folder   4
Correspondence, 1964 January-November
Box   87
Folder   5
Credits, 1964
Deal sheets
Box   87
Folder   6
General, 1963 November-1964 November
Box   87
Folder   7
Directors, 1964
Box   87
Folder   8
Writers, 1964
Box   87
Folder   9
Locations, 1964
Box   87
Folder   10
Miscellany, 1963-1964
Box   87
Folder   11
Payment authorizations, 1964 May-November
Box   87
Folder   12
Production reports, 1964
Box   87
Folder   13
Promotional spots, 1964
Box   87
Folder   14
Permits, applications for, 1965
Box   88
Folder   1
Program presentation, undated
Box   88
Folder   2
Progress reports, 1964 March-June
Box   88
Folder   3
Ratings, 1964 September-October
Résumés
Box   88
Folder   4
General, 1964
Box   88
Folder   5
Designers, circa 1964
Box   88
Folder   6
Directors, 1964
Box   88
Folder   7
Writers, 1964
Box   88
Folder   8
Shooting schedules, 1964
Box   88
Folder   9
Story conference notes, 1964 March 19
Story ideas and outlines
Box   88
Folder   10
“All Around the Town” / by Alfred Palca, undated
Box   88
Folder   10
“All that Sparkles” / by Robert Russell, undated
Box   88
Folder   10
“An Arm and a Leg” / by Douglas Taylor, 1964 April 21
Box   88
Folder   10
“Around the World in a Plane” / by Jerome Coopersmith, 1964 April 22, 27
Box   88
Folder   10
“Bachelor Management, Ltd.” / by Waldo Salt, undated
Box   88
Folder   10
“The Beggers Are Coming to Town” / by R.L. Joseph, 1964 June 15, undated
Box   88
Folder   10
“Bell's Bell” / by Cherney Berg, undated
Box   88
Folder   10
“The Brahms Kick” / by Garson Kanin, 1958 January 28
Box   88
Folder   10
“By Appointment Only” / by Garson Kanin, 1961 May 3
Box   88
Folder   10
“But Is It Art!” / by Arthur Heinemann, undated
Box   88
Folder   10
“Cass' Magic Card” / by Victor Wolison, undated
Box   88
Folder   10
“Can Anybody Here Play Yankee Doodle” / by Rod Parker, undated
Box   88
Folder   10
“A Cat in the House” / by Larry Arrick, 1964 June 22
Box   88
Folder   10
“A Cat in the House” / by Edward DeBlasio based on a story by Larry Arrick, 1964 October 23
Box   88
Folder   11
“Cherchez the Man” / by Lissa Charell, undated
Box   88
Folder   11
“The Christmas Cover of Photoplay, '13” / by Hal Hackady, undated
Box   88
Folder   11
“A Collector's Item” / by Roger Lewis, undated
Box   88
Folder   11
“Corpus Delectable:” second draft / by Hal Hackady, 1964 June 29
Box   88
Folder   11
“Counterfeit Story” / by W.M. Altman, circa 1964 May
Box   88
Folder   12
“The Damndest Thing” / by Garson Kanin, 1956 February
Box   88
Folder   12
“A Day at a Time” / by Garson Kanin, 1955 February
Box   88
Folder   13
“Define the Word 'Wife'” / by Garson Kanin, 1962 June 25
Box   88
Folder   13
“The Dog Act” / by Garson Kanin, 1958 April
Box   88
Folder   13
“Don't Forget:” fourth draft / by Garson Kanin, 1963 January 7
Box   88
Folder   13
“Dora Drury Rides Again!” / by Edward DeBlasio, undated
Box   88
Folder   14
“An Echo of Love:” fourth draft / by Garson Kanin, 1962 October 22
Box   88
Folder   15
“The Eye of the Beholder” / by Hal Hackady, 1964 July 28
Box   88
Folder   15
“Faint Heart Etcetera” / by Garson Kanin, 1957 September 1
Box   88
Folder   15
“Faint Heart Etcetera” / by Robert Van Scoyk, undated
Box   88
Folder   15
“The Flowers of Friendship” / by Garson Kanin, 1956 August
Box   88
Folder   15
“Funny Man” / by Steve Kanfer and Jess Korman, 1964 September 10
Box   89
Folder   1
“Hammer and Chisel, and Stone for a Heart” / by Ossie Davis, 1964 April 20
Box   89
Folder   1
“Hide and Seek” / by George Baxt, undated
Box   89
Folder   1
“I May Not Know Anything About Art But...” / by Arnold Weinstein, 1964 June 29
Box   89
Folder   1
“I Think She's Got It” / by Steve Kanfer and Jess Korman, 1964 September 10
Box   89
Folder   1
“In Camera” / by George Baxt, 1964 July 10
Box   89
Folder   1
“The Lady's Maid” / by Garson Kanin, 1961 March 6
Box   89
Folder   1
“Lie to Me, Baby” / by Jim Brosnan, undated
Box   89
Folder   1
“Lightfingers,” undated
Box   89
Folder   2
“Mme Flora's High-Class Geisha House” / by Edward DeBlasio, undated
Box   89
Folder   2
“Nazi Story Idea” / by Victor Wolfson, undated
Box   89
Folder   2
“Nothing But Money,” undated
Box   89
Folder   2
”None But the Brave” / by Garson Kanin, 1962 July 2
Box   89
Folder   2
“Out of Character:” first draft / by Garson Kanin, 1962 June 25
Box   89
Folder   2
“Proposition” / by Garson Kanin, 1961 March 6
Box   89
Folder   2
“Polish for a Punk,” undated
Box   89
Folder   2
“Polish for a Punk” / by Irve Tunick, undated
Box   89
Folder   2
“Protocol” / by Jerome Max, undated
Box   89
Folder   3
“Rich Little Rich Girl” / by David Shaber, undated
Box   89
Folder   3
“The Right-Hand Man” / by Garson Kanin, 1957 May 7
Box   89
Folder   3
“The Sandpipers” / by Waldo Salt, 1964 September 21
Box   89
Folder   3
“Send It in to Mr. Flynn” / by David W. Rintels, undated
Box   89
Folder   3
“The Sister and the Crooked Bird Cage” / by Edward Adler, undated
Box   89
Folder   3
“Something Blue,” undated
Box   89
Folder   3
“Something for Susie” / by Garson Kanin, 1959 January
Box   89
Folder   3
“Spiders in the Closet” / by Jerome Max, undated
Box   89
Folder   3
“The Spitting Image” / by Jerome Max, undated
Box   89
Folder   3
“A Still Small Voice” / by Steve Kanfer and Jess Korman, undated
Box   89
Folder   3
“A Stone from the Outside” / by David Goodman, 1964 July 13
Box   89
Folder   4
“Tail of the Tiger” / by David Shaber, 1964 June 12
Box   89
Folder   4
“There Goes My Other Phone:” third draft / by Garson Kanin, 1962 December 11
Box   89
Folder   4
“The Velvet Jungle” / by William Altman, 1964 June 22
Box   89
Folder   4
“What Ever Happened to All the Adjectives?” / by Romeo Muller, 1964 April 21
Box   89
Folder   4
“What's in a Name” / by Larry Arrick, 1964 June 22
Box   89
Folder   4
“Who Killed Jayne Mansfield?” / by Hal Hackady, 1964 May 26-27
Box   89
Folder   4
“Who to Who” / by Garson Kanin, 1961 January
Box   89
Folder   4
“Will the Real Roscoe Kramer Please Stand Up” / by Herman Raucher, 1964 April 3, 12
Box   89
Folder   4
[Untitled] / by William Altman, 1964 April 18, undated
Box   89
Folder   4
[Untitled] / by Cherney Berg, undated
Box   89
Folder   4
[Untitled] / by Dan Browne, 1964 May 14, undated
Box   89
Folder   4
[Untitled] / by Roger Lewis, undated
Box   89
Folder   4
[Untitled] / by Sigmund Miller, 1964 September
Box   89
Folder   4
[Untitled] / by Donald Symington, undated
Box   89
Folder   4
[Untitled] / by Robert Van Scoyk, undated
Box   89
Folder   4
[Untitled] / by Victor Wolfson, 1964 June 22
Box   89
Folder   4
[Untitled] / by William Woolfolk, undated
Box   89
Folder   4
[Untitled], undated
Scripts for episodes, unproduced?
“Cheer Me On, Dear--No Matter What”
Box   89
Folder   5
Story outline / by Robert Thom, undated
Box   89
Folder   5
Script / by Robert Thom, 1964 July 14
“Guilty As Sin
Box   89
Folder   6
Outline / by Garson Kanin, 1964 March 25
Box   89
Folder   6
Outline, 1964 May 14
Box   89
Folder   7
Script: first draft, annotated / by Garson Kanin, 1964 April 10
Box   89
Folder   8
Script: first draft / by Garson Kanin, 1964 April 10
Box   89
Folder   4
Script: second draft / by Garson Kanin, 1964 April 27
Box   89
Folder   9
Script: second draft, annotated / by Garson Kanin, 1964 April 27
Box   89
Folder   9
Script: final draft, annotated / by Garson Kanin, 1964 May 4
Box   89
Folder   10
Script: final draft / by Garson Kanin, 1964 May 4
Box   89
Folder   10
Script: final draft revised, annotated / by Garson Kanin, 1964 May 11
Box   90
Folder   1
Script: final draft revised / by Garson Kanin, 1964 May 11
Box   90
Folder   2
Script: second revised final, annotated / by Garson Kanin, 1964 May 18
Box   90
Folder   2
Script: second revised final / by Garson Kanin, 1964 May 18
“Half the Fun”
Box   90
Folder   3
Script: first draft / by Robert Van Scoyk, 1964 October 26
“A Horse of a Different Color”
Box   90
Folder   4
Outlines: annotated, undated
Box   90
Folder   4
Outline, undated
Box   90
Folder   4
Treatment / by Garson Kanin, 1964 March 16
Box   90
Folder   4
Script, annotated / by Edward Adler, undated
Box   90
Folder   5
Script: second draft / by Edward Adler, 1964 April 27
“A Man Who”
Box   90
Folder   6
Story ideas, undated
Box   90
Folder   6
Outline / by Ring Lardner Jr., undated
Box   90
Folder   6
Notes and miscellany, undated
Box   90
Folder   7
Script: first draft / by Ring Lardner Jr., undated
Box   90
Folder   7
Script: fragment, annotated, undated
Box   90
Folder   8
Script: second draft / by Robert Thom, story by Ring Lardner Jr., 1964 November 5
“The Manly Art”
Box   90
Folder   9
Outline and miscellaneous papers / by Tom Gries, 1964 August-September
Box   90
Folder   9
Script: annotated / by Edward Adler, undated
Box   90
Folder   9
Script: second draft, annotated, fragment “The Warning Bell” / by Edward Adler, undated
Box   90
Folder   10
Script: second draft / by Edward Adler, 1964 November 5
“Reflections in an Evil Eye”
Box   90
Folder   11
Outline, “In Camera” / by George Baxt, 1964 July 8
Box   90
Folder   11
Outline, “In Camera” / by George Baxt, 1964 July 11
Box   90
Folder   12
First drift script / by George Baxt, 1964 July 24
Box   91
Folder   1
Script: second draft / by George Baxt, 1964 July 31
Box   91
Folder   1
Script: revised, annotated, 1964 August 4
“Shake Hands with Billy Shine”
Box   91
Folder   2
Outline / by Waldo Salt, 1964 October 6
Box   91
Folder   2
Script: first draft / by Waldo Salt, 1964 November 9
Box   91
Folder   2
Scripts and production files, produced
“Keep an Eye on Emily,” #1 (also known as “The Noisemaker”)
Box   91
Folder   3
Production file, including script: revised / by Garson Kanin, 1963
“Don't Mention My Name in Sheboygan,” #3
Box   91
Folder   3
Production file, 1964
Box   91
Folder   4
Script: fragment / by Robert Russell, 1964 May 20
Box   91
Folder   4
Script: fragment, “Kalamazoo Is a Dirty Word” / by Robert Russell, 1964 June 9
“Something to Sing About,” #7
Box   91
Folder   5
Production file, 1964
Box   91
Folder   6
Script: first draft / by Garson Kanin, 1964 March 17
“The He-She Chemistry,” #8
Box   91
Folder   7
Production file, 1964
Box   91
Folder   8
Script / by Garson Kanin, 1963 September 16
“Maggie Queen of the Jungle,” #9
Box   91
Folder   9
Production file, 1964
Box   91
Folder   10
Looping and correction sheets, 1964
Box   91
Folder   11
Script: final draft / by William Altman, 1964 August 13
Box   91
Folder   12
Script: revised final draft / by William Altman, 1964 August 18
Box   91
Folder   12
Script: revised final draft / by William Altman, 1964 August 21
Box   92
Folder   1
Script: revised final draft / by William Altman, 1964 August 25
Box   92
Folder   2
Shooting script: annotated, 1964 August 25
“Try to Find a Spy,” #10
Box   92
Folder   3
Production file, 1964
Box   92
Folder   4
Script: final draft, “A Spy from the Inside” / by David Z. Goodman, 1964 August 27
Box   92
Folder   4
Script: final draft revised, “A Spy from the Inside” / by David Z. Goodman, 1964 August 29
Box   92
Folder   5
Script: final draft revised / by David Z. Goodman, 1964 September 9
Box   92
Folder   5
Shooting script: annotated / by David Z. Goodman, 1964 September 9
“Between the Rats and the Finks,” #11
Box   92
Folder   6
Production file, 1964 September
Box   92
Folder   7
Outline, “A Plague O'Both Your Houses” / by Robert Van Scoyk, 1964 July 11
Box   92
Folder   7
Script: second draft, “A Plague O'Both Your Houses” / by Robert Van Scoyk, 1964 September 8
Box   92
Folder   8
Shooting script: annotated, “A Plague O'Both Your Houses” / by Robert Van Scoyk, 1964 September 8
“Sticks and Stones Will Break My Bones,” #12
Box   92
Folder   9
Production file, 1964 September-October
Box   93
Folder   1
Script, shooting: revised, annotations / by Robert Thom, 1964 September 21
“Bad Little Rich Girl,” #13 (also known as “Million Dollar Cocoon”)
Box   93
Folder   2
Production file, 1964-1965
Box   93
Folder   3
Script: second draft rewrite / by David Goodman, 1964 October 7
Box   93
Folder   3
Script: second draft rewrite, annotated “The Million Dollar Cocoon” / by David Goodman, 1964 October 7
Box   93
Folder   3
Script: revised, 1964 October
Box   93
Folder   4
Unidentified, script fragment, undated
Mr. Justice (TV series: unproduced?)
Box   93
Folder   5
Presentation and research material, circa 1963
A Month in the Country (TV special: unproduced?)
Box   93
Folder   7
Correspondence, 1965 January-April
A Month Soon Goes (Motion picture: unproduced)
Box   93
Folder   8
Correspondence, 1963 April-May
The Moon and Sixpence (TV special: Talent Associates, December 1959?. Network unknown)
Box   93
Folder   9
Correspondence and budget, 1958-1959, 1967
Morin, Robert
Box   93
Folder   10
Correspondence, 1970 May-October
Movie Times (TV special: Production company unknown, January 15, 1974. Original network ABC, 11:30 p.m.)
Box   93
Folder   11
Correspondence regarding Philip Marlowe, circa 1973-1974
Multi-Culture Institute
Box   93
Folder   12
Correspondence and miscellany, 1970
My Husband John...and Tom (TV pilot: unsold)
Box   93
Folder   13
Notes and correspondence, 1965-1967
Box   93
Folder   13
Synopsis and presentation / by Leonard Stern, undated
Box   93
Folder   13
Scripts / by Jack Sher, 1965 August 18-September 8
Box   93
Folder   13
Script: revised, 1965 October 4
My Last Duchess (Format unknown)
Box   93
Folder   14
Synopsis / by Mark Rosin, undated
My Life in the Mafia (Considered as motion picture and TV-mini-series: unproduced)
Box   93
Folder   15
Correspondence and miscellany, 1972
Naiomi Court (Format unknown)
Box   93
Folder   16
Synopsis, undated
National Academy of Television Arts and Sciences
Box   93
Folder   17
Correspondence, clippings, program, and miscellany, 1967
National Food and Cooking Test (TV special: unproduced?)
Box   94
Folder   1
Format and estimated budget / by Judy Crichton, undated
National Sexual Knowledge Test
Box   94
Folder   2
Tests / by Dr. David Reuben, undated
NATO Show (TV special: unproduced?)
Box   94
Folder   3
Correspondence, 1963 January-April
Nielsen Ratings
Box   94
Folder   4
General, 1967 October-1968 November
Box   94
Folder   5-7
Bi-monthly reports, 1967 October-1968 October
Nielsen Television Index-Multi Network Area-Ratings
Box   94
Folder   8-10
1967 October 29, 1968 May 19
Box   95
Folder   1-2
1968 May 26-November 10
[“Negro” President Show] (TV special or motion picture: unproduced?)
Box   95
Folder   3
Outline, 1964 April 6
Night of Camp David (Motion picture: unproduced?)
Box   95
Folder   4
Script: first draft / by Nedrick Young and Harold Jacob Smith, undated
Nightmare--Prime Time (TV series: unproduced?)
Box   95
Folder   5
Presentation, undated
Noon Wine (Production company unknown, November 23, 1966. ABC Stage 67)
Box   95
Folder   6
Production file, 1966
Box   95
Folder   7
Script: final / by Sam Peckinpah, 1966 October 18
Box   95
Folder   7
Air script: annotated / by Sam Peckinpah, 1966 November 1
Norman (TV series: unproduced?)
Box   95
Folder   8
Script, pilot: first draft / by Ken Sullet and Ken Handler, undated
Norton Simon Inc.
Box   95
Folder   9
Correspondence, 1968-1971
Box   95
Folder   10
Miscellany, 1970-1971
Box   96
Folder   1
Reports and clippings, 1969-1971
Box   96
Folder   2
Talent Associates reports, circa 1969-1971
Notes for a Murder (Motion picture: unproduced?)
Box   96
Folder   3
Screenplay / by Stanley Koven and accompanying letter by Francois Truffaut, 1968 July 4, undated
Now (TV series: unproduced?)
Box   96
Folder   4
Preliminary research and presentation, undated
The Now Generation (TV game show: unproduced?)
Box   96
Folder   5
Outline, undated
The Nurses (TV series: Plautus Productions, 1962-1964. Original network CBS)
Box   96
Folder   6
Letter and schedule, 1963
N.Y.P.D. (Talent Associates, 1967-1968. Original network ABC)
Box   96
Folder   7
ABC Stage City, 1967
Box   96
Folder   8
Cast budgets, shows #1-#26, 1967-1968
Box   96
Folder   9
Cast contracts, 1967 April-July
Box   96
Folder   10
Crew and staff lists, 1967 June-1968 July
Contracts
Box   96
Folder   11
Union, 1968
Box   96
Folder   12
Wells Fargo, 1968
Correspondence
Box   96
Folder   13-14
General, 1966 August-1969 March, undated
Box   97
Folder   1
ABC, 1967-1968
Box   97
Folder   2
Fan mail, 1967-1968
Box   97
Folder   3
Frank Goodman Associates, 1968
Box   97
Folder   4
Sanford, Jay, 1967 April-October
Box   97
Folder   5
Credits, 1966-1967
Box   97
Folder   6
Director's assignments, 1967-1968
Box   97
Folder   7
Financial, general, circa 1967-1968
Box   97
Folder   8
Floor plans, permanent, 1968
Box   97
Folder   9
Formats, 1966-1968, undated
Box   97
Folder   10
Human Rights Commission, testimony by Daniel Melnick, undated
Outlines
Box   97
Folder   11
“Arrest at 30,000 Feet,” undated
Box   97
Folder   11
“The Avenger,” undated
Box   97
Folder   11
“The Battleground of Miss Adrienne” / by Lonne Elder, undated
Box   97
Folder   11
“The Big Bettor,” undated
Box   97
Folder   11
“The Body in the Trunk,” undated
Box   97
Folder   11
“Cat's Cradle” / by Warren Shanahan, undated
Box   97
Folder   11
“The Challenged Confession” / by Charles Garment, undated
Box   97
Folder   11
“Charlie” / by Richard Holland, 1968, undated
Box   97
Folder   11
“Construction Story” / by Sloane, undated
Box   97
Folder   11
“Crossroad Puzzle” / by George Lefferts, 1968
Box   97
Folder   12
“Dierdre and Dave,” 1968 June 13
Box   97
Folder   12
“Death of a Hooker” / by Michael Avollone, undated
Box   97
Folder   12
“Don't Tread on Me” / by Lee Kalcheim, 1968 November, undated
Box   97
Folder   12
“Everybody Loved Him” / by Heywood Gould, 1968 November 20
Box   97
Folder   12
“A Fagin Subs for Parents” / by K.T. Dempsey, undated
Box   97
Folder   12
“A Favor for a Friend” / by William Altman, undated
Box   97
Folder   12
“Give the Go Go Dancer Some” / by Lonne Elder, undated
Box   97
Folder   12
“Guns of Jeopardy,” undated
Box   97
Folder   12
“The Hater,” undated
Box   97
Folder   12
“Help My Babies” / by Warren Shanahan, undated
Box   97
Folder   12
“Hey, Boy!” / by Warren Shanahan, undated
Box   97
Folder   12
“A Hole in the Ocean” / by Gene Radano, undated
Box   97
Folder   12
“The Homecoming” / by William Craig, 1967 November 27
Box   97
Folder   13
“The Invisible Thief” / by Heywood Gould, 1968 October 24
Box   97
Folder   13
“The Job or Me” / by K.T. Dempsey, 1968 May 22
Box   97
Folder   13
“Justice Among Strangers” / by Lonne Elder, 1968 November 15
Box   97
Folder   13
“Knockdown” / by Warren Shanahan, undated
Box   97
Folder   13
“The Live Cannons,” undated
Box   97
Folder   13
“The Louisiana Purchase” / by Edward Adler, 1967 May 25
Box   97
Folder   13
“Loves of a Father” / by Edward Adler, 1967 April 24
Box   97
Folder   13
“Luis Was a Happy Man” / by Stanley R. Greenberg, 1967 November 2
Box   97
Folder   13
“Missing Boy” / by Sloane, 1967 May 1
Box   97
Folder   13
“The Nice Guy” / by Gene Radano, undated
Box   97
Folder   13
“The Obscene Phone Call” / by Heywood Gould, undated
Box   97
Folder   13
“Old Wars Can Kill” / by Dennis A. McGuire, undated
Box   97
Folder   13
“One of the Family” / by Stanley Silverman, 1968 May 18
Box   97
Folder   13
“Panic in H” / by Arnold Perl, 1966 September 27
Box   97
Folder   13
“The Picture Lover” / by George Bellak, undated
Box   97
Folder   13
“Pornography Story” / by Robert Schlitt, undated
Box   97
Folder   13
“The Public Is Never Around When You Need Them” / by Jess Korman, undated
Box   97
Folder   14
“The Race Is to Swift” / by Michael Avallone, undated
Box   97
Folder   14
“Requiem for a Fat Cat World” / by Edward DeBlasio, 1967 April 20 and 24
Box   97
Folder   14
“The Rubber-Gun Squad” / by Edward Adler, 1968 July 1 and 11, undated
Box   97
Folder   14
“Runaway Boy” / by Allan Sloane, 1967 April 25
Box   97
Folder   14
“The Scapegoats” / by Heywood Gould, undated
Box   97
Folder   14
“The Scene” / by Edward DeBlasio, 1967 April 26
Box   97
Folder   14
“Self-defense” / by Albert Ruben, undated
Box   97
Folder   14
“The Snatchers,” undated
Box   98
Folder   1
“To Smell of Roses” / by Ed Lacy, 1967 November 3
Box   98
Folder   1
“Unequal Triangle” / by Warren Shanahan, undated
Box   98
Folder   1
“Up with People!” / by Lee Kalcheim, 1968 October 29
Box   98
Folder   1
“Wake Me Up in Twenty Years” / by Frank Olsen, undated
Box   98
Folder   1
“Whatever Happened to Michelangelo?” / by Robert Crean, 1967 May 10, 19, June 6, undated
Box   98
Folder   1
“While Shooting in the Park One Day...” / by George Lefferts, 1967 June 13 and 20, undated
Box   98
Folder   2
Unidentified / by Adler, undated
Box   98
Folder   2
Unidentified / by Robert Alotta, 1967 October
Box   98
Folder   2
Unidentified / by Alan Dennis, undated
Box   98
Folder   2
Unidentified / by Bernard Eismann, undated
Box   98
Folder   2
Unidentified / by Lonne Elder, 1968 October 28, undated
Box   98
Folder   2
Unidentified / by Kalcheim, undated
Box   98
Folder   2
Unidentified / by Peter Rabon, 1968 June
Box   98
Folder   2
Unidentified outlines, undated
Box   98
Folder   3
Police Commissioner Howard Leary, memorandum and complaints, 1967
Box   98
Folder   4
Police Department, City of New York, correspondence and critiques of individual scripts, 1967
Production
Box   98
Folder   5
Miscellany, circa 1966-1968
Box   98
Folder   6
Reports, pre-production and hiatus, 1968
Box   98
Folder   7
Program presentation, circa 1966-1967
Box   98
Folder   8
Promotion, 1967-1968
Box   98
Folder   9
Props, 1967-1968
Box   98
Folder   10
Publicity and clippings, 1967-1968
Box   98
Folder   11
Ratings, 1968
Box   98
Folder   12
Releases, location and personal, 1967 July-1968 November
Box   98
Folder   13
Schedules, 1966-1968
Box   98
Folder   14
Script status reports, 1968 May-October, undated
Box   98
Folder   15
Voice overs, undated
Box   98
Folder   16
Wardrobe, 1967-1969
Box   99
Folder   1
Writers, 1967-1968
Box   99
Folder   2
Writers' assignments, 1967 April-1968 December
Scripts and production files
“The Extremists” (pilot)
Box   99
Folder   3
Production file, 1966 October-December
Box   99
Folder   4
Outlines / by Arnold Perl, undated
Box   99
Folder   4
Script / by Arnold Perl, undated
Box   99
Folder   4
Script: revised / by Arnold Perl, 1966 November 26
“Walking Target,” #1
Box   99
Folder   5
Production file, 1967 April-October
Box   99
Folder   6
Outline, “The Federalist Papers” / by Edward Adler, 1967 April 26
Box   99
Folder   6
Script, “The Federalist Papers” / by Edward Adler, 1967 May 8
Box   99
Folder   6
Script: second draft, “The Federalist Papers” / by Edward Adler, 1967 May 15
Box   99
Folder   7
Script: first draft, “The Federalist Papers” / by Edward Adler, 1967 May 22
Box   99
Folder   7
Script: final draft, “The Federalist Papers” / by Edward Adler, 1967 June 14
Box   99
Folder   7
Script: revised final draft / by Edward Adler, 1967 June 21
Box   99
Folder   8
Script: revised final drafts / by Edward Adler, 1967 June 23
Box   99
Folder   8
Script: revised and discarded pages, 1967 July 25, undated
Box   99
Folder   8
Shooting script, with rough script notes, 1967 July 25
“Cruise to Oblivion,” #2
Box   99
Folder   9
Production file, 1967 April-October
Box   99
Folder   10
Outlines / by Roger Hill Lewis, 1967 April 24-May 4
Box   99
Folder   10
Script: second revised, annotated / by Roger Hill Lewis, 1967 June 7
Box   99
Folder   11
Script: first draft / by Roger Hill Lewis, 1966 June 16
Box   99
Folder   11
Script: final draft / by Roger Hill Lewis, 1966 June 20
Box   99
Folder   11
Discarded pages, undated
Box   100
Folder   1
Shooting script, with rough script notes / by Roger Hill Lewis, 1966 June 20
“Shakedown,” #3
Box   100
Folder   2
Production file, 1967 April-November
Box   100
Folder   3
Outline, “The Illiad” / by Irving Homer, undated
Box   100
Folder   3
Outline / by Albert Ruben, 1967 May 22
Box   100
Folder   3
Script: first draft / by Albert Ruben, 1967 June 13
Box   100
Folder   4
Script: revised final draft / by Albert Ruben, 1967 July 25
Box   100
Folder   4
Script: revised final draft / by Albert Ruben, 1967 July 31
Box   100
Folder   4
Script: discarded and revised pages, 1967 June-August
Box   100
Folder   5
Shooting script, with rough script notes / by Albert Ruben, 1967 August 11
“Fingerman,” #4
Box   100
Folder   6
Production file, 1967 April-October
Box   100
Folder   7
Outlines / by George Bellak, 1967 April 21-27
Box   100
Folder   7
Script / by George Bellak, 1967 May 15
Box   100
Folder   7
Script: revised, annotated / by George Bellak, 1967 May 23
Box   100
Folder   8
Script: first draft / by George Bellak, 1967 May 31
Box   100
Folder   8
Script: final draft / by George Bellak, 1967 July 3
Box   100
Folder   8
Script: revised and discarded pages, circa 1967 July-August
Box   100
Folder   8
Script: revised final draft / by George Bellak, 1967 July 10
Box   100
Folder   9
Shooting script with rough script notes, 1967 July 10
“The Screaming Woman,” #5
Box   100
Folder   10
Production file, 1967 April-October
Box   101
Folder   1
Outlines / by Robert Van Scoyk, 1967 April 25-May 11
Box   101
Folder   1
Script: second draft / by Robert Van Scoyk, 1967 June 19
Box   101
Folder   1
Script: first draft / by Robert Van Scoyk, 1967 June 22
Box   101
Folder   2
Script: final draft / by Robert Van Scoyk, 1967 July 13
Box   101
Folder   2
Script: revised final draft / by Robert Van Scoyk, 1967 July 17
Box   101
Folder   3
Shooting script with rough script notes, 1967 July 17
“Wire Finish,” #6
Box   101
Folder   4
Production file, 1967 May-December
Box   101
Folder   5
Outlines / by Edward DeBlasio, 1967 May 11-19
Box   101
Folder   5
Script: first draft, annotated / by Edward DeBlasio, 1967 June 2
Box   101
Folder   5
Script: first draft / by Edward DeBlasio, 1967 June 9
Box   101
Folder   6
Script: final draft / by Edward DeBlasio, 1967 July 19
Box   101
Folder   6
Script: revised final draft / by Edward DeBlasio, 1967 July 24
Box   101
Folder   6
Discarded pages, undated
Box   101
Folder   7
Shooting script with rough script notes, 1967 July 24
“Murder for Infinity,” #7
Box   101
Folder   8
Production file, 1967 May-October
Box   101
Folder   9
Outlines, “The Man Who Killed for Infinity” / by Ian McLellan Hunter, 1967 May 12-22
Box   101
Folder   9
Script / by Ian McLellan Hunter, 1967 June 6
Box   101
Folder   9
Script / by Ian McLellan Hunter, 1967 June 26
Box   101
Folder   10
Script: first draft / by Ian McLellan Hunter, 1967 July 30
Box   101
Folder   10
Script: final draft / by Ian McLellan Hunter, 1967 July 25
Box   101
Folder   10
Discarded pages, undated
Box   101
Folder   11
Script: revised final draft / by Ian McLellan Hunter, 1967 July 31
Box   101
Folder   11
Shooting script with rough script notes / by Ian McLellan, 1967 July 31
“The Patriots,” #8
Box   102
Folder   1
Production file, including set design blueprint, 1967 April-1968 January
Box   102
Folder   2
Outlines, “The U.N. Murder” / by Charles Israel, 1967 April 26-May 5
Box   102
Folder   2
Breakdown, “The Dominican Caper” / by Charles Israel, undated
Box   102
Folder   2
Outlines, “The Dominican Case” / by Charles Israel, 1967 May 24
Box   102
Folder   3
Script: first draft / by Charles Israel, 1967 June 22
Box   102
Folder   3
Script: first draft / by Charles Israel, 1967 June 29
Box   102
Folder   3
Script: final draft / by Charles Israel, 1967 July 31
Box   102
Folder   3
Discarded pages, undated
Box   102
Folder   4
Script: revised final draft, annotated / by Charles Israel, 1967 August 7
Box   102
Folder   4
Shooting script, with rough script notes / by Charles Israel 1967 August 7
“Fast Gun,” #9
Box   102
Folder   5
Production file, 1967 April-October
Box   102
Folder   6
Outlines, “Fast Gun on Avenue A” / by Albert Ruben, 1967 May 1-3
Box   102
Folder   6
Script: first draft / by Albert Ruben, 1967 July 21
Box   102
Folder   6
Script: first draft / by Albert Ruben, 1967 July 28
Box   102
Folder   7
Script: final draft / by Albert Ruben, and discarded pages, 1967 August 9
Box   102
Folder   7
Script: revised final draft / by Albert Ruben, 1967 August 16
Box   102
Folder   7
Shooting script / by Albert Ruben, 1967 August 16
“Money Man,” #10
Box   102
Folder   8
Production file, 1967 April-October
Box   102
Folder   9
Outlines, “Fifty-Four Forty or Fight” / by Edward Adler, 1967 June 8-July 17
Box   102
Folder   9
Script, “Fifty-Four Forty or Fight” / by Edward Adler, 1967 August 1
Box   102
Folder   9
Script: first draft / by Edward Adler, 1967 August 12
Box   103
Folder   1
Script: final draft / by Edward Adler, 1967 August 16
Box   103
Folder   1
Script: revised final draft and discarded pages / by Edward Adler, 1967 August 18
Box   103
Folder   1
Shooting script: annotated with script notes / by Edward Adler, 1967 August 18
“A Horse in the Family,” #11
Box   103
Folder   2
Production file, 1967 April-October
Box   103
Folder   3
Outlines and discarded pages / by George Bellak, 1967 June 5-16
Box   103
Folder   3
Script / by George Bellak, 1967 July 10
Box   103
Folder   3
Script: final / by George Bellak, 1967 July 27
Box   103
Folder   4
Script: first draft, annotated / by George Bellak, 1967 August 21
Box   103
Folder   4
Script: first draft / by George Bellak, 1967 August 21
Box   103
Folder   4
Script: final draft and discarded pages / by George Bellak, 1967 August 24
Box   103
Folder   5
Shooting script with rough script / by George Bellak, 1967 August 28
“Catch A Hero,” #12
Box   103
Folder   6
Production file, 1967 April-November
Box   103
Folder   7
Outlines / by Edward DeBlasio, 1967 June 23-July 6, undated
Box   103
Folder   7
Script: first draft / by Edward DeBlasio, 1967 July 17
Box   103
Folder   7
Script: revised draft / by Edward DeBlasio, 1967 July 27
Box   103
Folder   8
Script: first draft / by Edward DeBlasio, 1967 August 8
Box   103
Folder   8
Script: revised draft, annotated / by Edward DeBlasio, 1967 August 22
Box   103
Folder   8
Script: second revised draft / by Edward DeBlasio, 1967 August 28
Box   103
Folder   9
Script: final draft / by Edward DeBlasio, 1967 August 30
Box   103
Folder   9
Discarded pages, undated
Box   103
Folder   10
Shooting script, with rough script notes / by Edward DeBlasio, 1967 August 30
“The Pink Gumdrop,” #13
Box   104
Folder   1
Production file, 1967 May-November
Box   104
Folder   2
Outlines / by Robert Crean, 1967 July 3-18
Box   104
Folder   2
Script: first draft / by Robert Crean, 1967 August 10
Box   104
Folder   2
Script: revised / by Robert Crean, 1967 August 29
Box   104
Folder   3
Script: Act II, 1967 September 5
Box   104
Folder   3
Script: first draft / by Robert Crean, 1967 September 6
Box   104
Folder   3
Script: final draft / by Robert Crean, 1967 September 8
Box   104
Folder   4
Script: discarded pages and revised, 1967 September 8
Box   104
Folder   4
Script: revised final draft / by Robert Crean, 1967 September 11
Box   104
Folder   5
Shooting script with rough script notes, 1967 September 11
“The Witness,” #14
Box   104
Folder   6
Production file, 1967 April-November
Box   104
Folder   7
Outlines / by George Lefferts, “The Conservatory,” 1967 April 27-May 4
Box   104
Folder   7
Script, “The Conservatory” / by George Lefferts, 1967 May 15
Box   104
Folder   7
Script: first revised draft, “The Conservatory” / by George Lefferts, 1967 May 25
Box   104
Folder   8
Script: first draft, “The Conservatory” / by George Lefferts, 1967 May 31
Box   104
Folder   9
Outline: revised, “The Conservatory,” 1967 August 30
Box   104
Folder   9
Script: first draft, “The Conservatory” / by George Lefferts, 1967 September 7
Box   104
Folder   9
Script: revised draft / by Edward Adler and George Lefferts, 1967 September 11
Box   104
Folder   10
Script: final draft / by Edward Adler and George Lefferts, 1967 September 14
Box   104
Folder   10
Discarded pages, undated
Box   104
Folder   10
Shooting script / by Edward Adler and George Lefferts, 1967 September 14
“Triangle,” #15
Box   105
Folder   11
Production file, 1967 May-November
Box   105
Folder   1
Outlines, “The Boy Witness” / by James Cavanagh, 1967 June 29-July 5, undated
Box   105
Folder   1
Script, “The Dark and Pattern” / by James Cavanagh, 1967 August 9
Box   105
Folder   1
Script, “The Dark Pattern” / by James Cavanagh, 1967 August 28
Box   105
Folder   2
Script, “The Dark Pattern” / by James Cavanagh, undated
Box   105
Folder   2
Script: first drafts / by James Cavanagh, 1967 September 19
Box   105
Folder   2
Discarded pages, undated
Box   105
Folder   3
Shooting script with rough script notes / by James Cavanagh, 1967 September 22
“Joshua Fit the Battle of Fulton Street,” #16
Box   105
Folder   4
Production file, 1967 May-December
Box   105
Folder   5
Outlines / by Lee Kalcheim, 1967 May 7-23
Box   105
Folder   5
Script / by Lee Kalcheim, 1967 June 8
Box   105
Folder   5
Script / by Lee Kalcheim, 1967 July 14
Box   105
Folder   6
Script: first draft / by Lee Kalcheim, 1967 September 1
Box   105
Folder   6
Script: revised draft / by Lee Kalcheim, 1967 September 15
Box   105
Folder   6
Script: final draft / by Lee Kalcheim, 1967 September 26
Box   105
Folder   7
Script: final draft / by Lee Kalcheim, 1967 September 26
Box   105
Folder   7
Shooting script: annotated / by Lee Kalcheim, 1967 September 26
Box   105
Folder   8
Script: revised draft / by Lee Kalcheim, 1967 September 27
“The Bombers,” #17
Box   105
Folder   9
Production file, 1967 May-October
Box   105
Folder   10
Outlines / by Elihu Winer, 1967 May 9-22
Box   105
Folder   10
Script: first draft / by Elihu Winer, 1967 June 8
Box   105
Folder   11
Script: second draft / by Elihu Winer, 1967 June 16
Box   105
Folder   12
Script: revised first draft / by Elihu Winer, 1967 August 3
Box   105
Folder   12
Outline, “The Sunday Bomber” / by Edward DeBlasio and Elihu Winer, 1967 September 18
Box   105
Folder   12
Script / by Elihu Winer and Edward DeBlasio, 1967 September 25
Box   106
Folder   1
Script: first draft / by Edward DeBlasio, 1967 September 29
Box   106
Folder   1
Script: Act II intercuts, fragment, undated
Box   106
Folder   2
Script: final draft / by Edward DeBlasio, 1967 October 2
Box   106
Folder   2
Script: final draft revised / by Edward DeBlasio, 1967 October 3
Box   106
Folder   3
Script, shooting, with rough script notes, 1967 October 3
“Last Port of Call,” #18
Box   106
Folder   4
Production file, 1967 October-December, undated
Box   106
Folder   5
Outlines / by Edward DeBlasio, 1967 October 9-27
Box   106
Folder   5
Script / by Edward DeBlasio, 1967 November 3
Box   106
Folder   5
Script / by Edward DeBlasio, 1967 November 7
Box   106
Folder   6
Script: final draft / by Edward DeBlasio, 1967 November 13
Box   106
Folder   6
Scripts: revised / by Edward DeBlasio, 1967 November 15
Box   106
Folder   6
Script: revised / by Edward DeBlasio, 1967 November 15
“Red Headed Pigeon,” #19
Box   106
Folder   7
Production file, 1967 October-December
Box   106
Folder   8
Outlines / by George Bellak, 1967 October 16-27
Box   106
Folder   8
Script / by George Bellak, 1967 November 7
Box   106
Folder   9
Script / by George Bellak, 1967 November 8
Box   106
Folder   9
Script: final / by George Bellak, 1967 November 17
Box   106
Folder   9
Script: final, revised / by George Bellak, 1967 November 20
“Which Side Are You On?,” #20
Box   106
Folder   10
Production file, 1967 October-December
Box   106
Folder   11
Outline / by Albert Ruben, undated
Box   106
Folder   11
Script: first draft / by Albert Ruben, 1967 November 9
Box   106
Folder   11
Script: revised second draft / by Albert Ruben, 1967 November 15
Box   106
Folder   11
Script: first draft / by Albert Ruben, 1967 November 17
Box   107
Folder   1
Script: revised final draft, annotated / by Albert Ruben, 1967 November 27
Box   107
Folder   1
Script: revised final draft / by Albert Ruben, 1967 December 1
“The Private Eye Puzzle,” #21
Box   107
Folder   2
Production file, 1967 April-December
Box   107
Folder   3
Outline, “A Little Touch of Paris” / by Alvin Boretz, 1967 May 10
Box   107
Folder   3
Outline, “Accent on Murder” / by Alvin Boretz, 1967 May 25
Box   107
Folder   4
Script, “A Touch of Paris” / by Alvin Boretz, undated
Box   107
Folder   4
Script: final draft, “The French Touch” / by Alvin Boretz, 1967 July 6
Box   107
Folder   4
Script: first draft, “The French Touch” / by Alvin Boretz, 1967 August 4
Box   107
Folder   4
Script, “The Colonel and the Lady”: annotated / by Alvin Boretz, undated
Box   107
Folder   5
Script: revised first draft / by Alvin Boretz, 1967 November 7
Box   107
Folder   5
Script: revised first draft, annotated / by Alvin Boretz, 1967 November 7
Box   107
Folder   5
Script: final draft / by Alvin Boretz, 1967 December 1
Box   107
Folder   6
Script: revised final drafts, annotated / by Alvin Boretz, 1967 December 5
“Macho,” #22
Box   107
Folder   7
Production file, 1967 November-1968 January
Box   107
Folder   8
Outline / by Edward DeBlasio, 1967 November 27
Box   107
Folder   8
Script: final draft / by Edward DeBlasio, 1967 December 7
Box   107
Folder   8
Script: revised final draft / by Edward DeBlasio, 1967 December 7
“Who Tells the Truth,” #23
Box   107
Folder   9
Production file, 1967 November 1967-1968 January
Box   107
Folder   10
Outline, “I'm Going to Kill Someone” / by Alvin Boretz, 1967 November 16
Box   107
Folder   10
Outline, “A Matter of Truth” / by Alvin Boretz, 1967 November 27
Box   107
Folder   10
Script: annotated, “A Matter of Truth” / by Alvin Boretz, 1967 December 6
Box   107
Folder   11
Script: final draft / by Alvin Boretz, 1967 December 13
Box   107
Folder   11
Script: revised final draft / by Alvin Boretz, 1967 December 14
Box   107
Folder   11
Script: revised final draft / by Alvin Boretz, 1967 December 15
“Stones,” #24
Box   107
Folder   12
Production file, 1967 December-1968 January
Box   108
Folder   1
Original outline, “Russian Roulette” / by George Bellak, 1967 December 12
Box   108
Folder   1
Script / by George Bellak, undated
Box   108
Folder   1
Script: final draft / by George Bellak, 1967 December 19
Box   108
Folder   2
Script: revised final drafts / by George Bellak, 1967 December 26
“Nothing Is Real But the Dead,” #25-#26
Box   108
Folder   3
Production file, 1967 December-1968 February
Box   108
Folder   4
Outline / by Edward Adler, 1967 December 12
Box   108
Folder   4
Script: first draft, Part I / by Edward Adler, 1967 December 26
Box   108
Folder   5
Script: final draft, Part I / by Edward Adler, 1967 December 26
Box   108
Folder   5
Script: Act I, Part II / by Edward Adler, 1967 December 29
Box   108
Folder   5
Script: Part II, final drafts, annotated / by Edward Adler, 1968 January 2
“Day Tripper,” #27
Box   108
Folder   6
Production file, 1968 June-August
Box   108
Folder   7
Set designs and floor plans / by Ben Kasazkow, undated
Box   108
Folder   8
Script: final draft / by George Bellak, 1968 July 23
Box   108
Folder   8
Script: revised final draft / by George Bellak, 1968 August 6
Box   108
Folder   8
Script: revised final draft / by George Bellak, 1968 August 9
Box   108
Folder   9
Script / by George Bellak, 1968 June 17
Box   108
Folder   9
Script: first draft / by George Bellak, 1968 June 26
Box   108
Folder   10
Final shooting script, 1968 August
“What's A Nice Girl Like You...,” #28
Box   109
Folder   1
Production file, 1968 July-September
Box   109
Folder   2
Script: final drafts, and miscellaneous pages / by Lee Kalcheim, 1968 August 6
“Honor,” #29
Box   109
Folder   3
Production file, 1968 July-September, undated
Box   109
Folder   4
Outline / by David Davidson, 1968 June 17
Box   109
Folder   4
Outline: revised, annotated / by David Davidson, 1968 August 5
Box   109
Folder   4
Script: revised draft, annotated / by David Davidson, 1968 August 13
Box   109
Folder   5
Script: final draft, annotated / by David Davidson, 1968 August 13
Box   109
Folder   5
Script: final drafts, annotated / by David Davidson, 1968 August 14
Box   109
Folder   5
Script: revised, annotated, 1968 August-October
“Encounter on a Rooftop,” #30
Box   109
Folder   6
Production file, 1968 July-September, undated
Box   109
Folder   7
Outline: revised / by Gene Radano, 1968 June 24
Box   109
Folder   7
Script: second draft / by Gene Radano, 1968 August 5
Box   109
Folder   7
Script: final draft, annotated / by Gene Radano, 1968 August 16
Box   109
Folder   8
Scripts: annotated / by Gene Radano, 1968 August 27
“L Is for Love and Larceny,” #31
Box   109
Folder   9
Production file, 1968 June-November
Box   110
Folder   1
Script: final / by Al Ruben, 1968 July 22
Box   110
Folder   1
Script: revised final drafts, annotated / by Al Ruben, 1968 August 22
“Deadly Circle of Violence,” #32
Box   110
Folder   2
Production file, 1968 July-September, undated
Box   110
Folder   3
Outline, undated
Box   110
Folder   3
Outline: final revised / by Lonne Elder, 1968 July 16
Box   110
Folder   3
Script: final draft and miscellany / by Lonne Elder, 1968 August 23
Box   110
Folder   4
Script: revised / annotated, 1968 September 3
Box   110
Folder   5
Script: final drafts / by Lonne Elder, 1968 September 5
Box   110
Folder   5
Discarded pages, undated
“Case of the Shady Lady,” #33
Box   110
Folder   6
Production file, 1968-1969
Box   110
Folder   7
Outlines, “Murder Au Go Go” / by Alvin Boretz, 1968 June 4-24
Box   110
Folder   7
Outline: revised, “Circle of Evil” / by Alvin Boretz, 1968 June 27
Box   110
Folder   7
Script / by Alvin Boretz, 1968 July 22
Box   110
Folder   8
Script: second draft / by Alvin Boretz, 1968 July 30
Box   110
Folder   8
Script: first draft / by Alvin Boretz, 1968 August 6
Box   110
Folder   9
Script: final drafts, annotated / by Alvin Boretz, 1968 September 4
Box   110
Folder   10
Script: revised final drafts, annotated / by Alvin Boretz, 1968 September 12
“The Golden Fleece,” #34
Box   110
Folder   11
Production file, 1968 July-October
Box   111
Folder   1
Outlines, “Diogenes, Come Home:” by Roger Lewis, 1968 June 10-19
Box   111
Folder   1
Script: first draft, “Diogenes, Come Home!” by Roger Lewis, 1968 July 18
Box   111
Folder   1
Script, “Diogenes, Come Home!” / by Roger Lewis, 1968 August 9
Box   111
Folder   2
Script: first draft, “Diogenese, Come Home!” / by Roger Lewis, 1968 August 24
Box   111
Folder   2
Script: first draft, “Diogenese, Come Home:” / by Roger Lewis, 1968 August 26
Box   111
Folder   2
Script: fragments, annotated, 1968 September 9, undated
Box   111
Folder   3
Script: final draft / by Roger Lewis, 1968 September 9
Box   111
Folder   3
Script: revised final draft, annotated / by Roger Lewis, 1968 September 9
Box   111
Folder   4
Script: revised final drafts, annotated / by Roger Lewis, 1968 September 19
“The Witch of 116th Street,” #35
Box   111
Folder   5
Production file, 1968 August-October
Box   111
Folder   6
Outlines / by Lee Kalcheim, 1968 July 19-August 6
Box   111
Folder   6
Scripts / by Lee Kalcheim, undated
Box   111
Folder   7
Script: first drafts / by Lee Kalcheim, 1968 September 9
Box   111
Folder   7
Script: final draft, fragment, annotated / by Lee Kalcheim, 1968 September 13
Box   111
Folder   8
Script: final drafts, annotated / by Lee Kalcheim, 1968 September 13
Box   111
Folder   8
Script: revised final draft, annotated / by Lee Kalcheim, 1968 September 25
“The Peep Freak,” #36
Box   112
Folder   1
Production file, 1968 July-October
Box   112
Folder   2
Outlines, “Eyewitness” / by Stanley Silverman, 1968 June-July
Box   112
Folder   2
Script: draft fragment / by Stanley Silverman, 1968 August 21
Box   112
Folder   2
Script: second draft / by Stanley Silverman, 1968 August 31
Box   112
Folder   3
Script: first draft / by Stanley Silverman, 1968 September 18
Box   112
Folder   3
Script: final draft, annotated / by Stanley Silverman, 1968 September 20
Box   112
Folder   4
Script: revised final draft / by Stanley Silverman, 1968 September 30
“Walk the Long Pier,” #37
Box   112
Folder   5
Production file, 1968 September-October
Box   112
Folder   6
Outline, “Walk Down the Long Pier” / by Alvin Boretz, 1968 September 10
Box   112
Folder   6
Script / by Alvin Boretz, 1968 September 25
Box   112
Folder   6
Script / by Alvin Boretz, undated
Box   112
Folder   7
Script: final draft / by Alvin Boretz, 1968 September 30
Box   112
Folder   7
Script: revised, undated
Box   112
Folder   7
Script: revised final drafts / by Alvin Boretz, 1968 September 30