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Container
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Title
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U.S. Mss 99AN/6.1
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Series: Warner Bros. Cartoons
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AA 001
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ACROBATTY BUNNY (Looney Tunes), 1946
Director: Robert McKimson
A circus disturbs a sleeping Bugs. Bugs tangles with a lion in the cage above his hole. During the chase both become involved in a high-wire act.
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AA 002
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AIN'T THAT DUCKY (Merrie Melodies), 1945
Director: [Friz Freleng]
Daffy Duck, luxuriating in a bubble bath, is confronted by a weeping duckling who appears throughout the film. An older version of Elmer Fudd chases Daffy. The duckling has “THE END” in his suitcase.
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AA 003
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AIN'T WE GOT FUN (Merrie Melodies), 1937
Director: [Tex Avery]
Opens to a snowy hamlet, zooms to an old man shooing a cat off a chair. A mouse calls other mice. As the cat sleeps the mice invade the kitchen, the cat is blamed and thrown out by the old man. The mice start to party and taunt the old man so he brings the cat back.
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AA 004 and AC 325
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ALL THIS AND RABBIT STEW (Merrie Melodies), 1941
B/W; Director: [Tex Avery]
Opens to a little black boy going rabbit hunting. He finds Bugs, who toys with him until the boy corners Bugs. Bugs tricks his adversary into a game of craps.
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AA 005
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ALOHA HOOEY (Merrie Melodies), 1942
Director: [Tex Avery]
Opens to a cruise ship and two stowaways: Cecil Crow and Sammy Seagull. They vie for the affections of an island bird. Along comes the villain, a gorilla. The crow saves the day and the pair fly off into the sunset with three new children.
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AA 006
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ALONG CAME DAFFY (Merrie Melodies), 1947
Director: [Friz Freleng]
Opens to a winter storm blowing over a cabin. Inside Yosemite Sam and his partner are starving. Daffy, a cookbook salesman, knocks on the door. The two Sams attempt to snare a duck dinner.
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AA 007
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ALONG FLIRTATION WALK (Merrie Melodies), 1937
Director: [Friz Freleng]
Opens to Plymouth Rock College having a dance and rally for the next day's ballgame. Gull Club quartet sings the theme. The Big Game vs. Rhode Island Red U. is an egg laying contest.
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AA 008
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ANGEL PUSS (Looney Tunes), 1944
B/W; Director: Charles M. Jones
Opens to a little black boy walking down a pier singing “Shortnin' Bread.” He is supposed to kill a cat for four bits. The cat escapes and then returns disguised as a ghost. The boy finds out the cat is not really dead and kills all nine lives of the cat which come back to haunt him for real.
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AA 009
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THE ARISTO CAT (Merrie Melodies), 1943
Director: [Chuck Jones]
Opens to a butler walking upstairs to feed the cat breakfast in bed. The mistress of the house leaves and the cat abuses the butler who walks out. The cat, alone for the first time, finds out about mice and dogs from Bert and Hubie, two mice.
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AA 010
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AT YOUR SERVICE, MADAME (Merrie Melodies), 1936
Director: Isadore Freleng
Opens to a quaint old home where the Hamhock family is waking for the day. “W.C.” Pig discovers that Mrs. Hamhock has inherited a fortune and woos her. When the eight little pigs discover his plan, they emphatically discourage him.
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AA 011
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AVIATION VACATION (Merrie Melodies), 1941
Director: [Tex Avery]
An airport. A plane is leaving for Southern California with stops at Mt. Rushmore, Ireland, Darkest Africa, but it finally makes a return to fog-bound New York. Blackout gags.
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AA 012 and VBA 455
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BABY BOTTLENECK (Merrie Melodies), 1945
Director: [Bob Clampett]
Opens with a newspaper headline “Unprecedented Demand for Babies Overworks Stork!” Inside the “Stork Club” the Stork is sloshed. As different animals try to take the stork's place, all sorts of problems arise. Porky Pig is appointed to handle the ordeal, while Daffy Duck serves as his Assistant Traffic Manager.
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AA 019
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BACALL TO ARMS (Merrie Melodies), 1946
Director: [Bob Clampett]
A theatre marquee advertises “Ann Sheridan & Selected Shorts.” The feature “To Have To Have To Have...,” with Bogey Gocart and Laurie Bee Cool, begins and the audience gets into the act.
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AA 013
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BACK ALLEY OPROAR (Merrie Melodies), 1948
Director: [Friz Freleng]
Opens to a tired Elmer Fudd setting his alarm and going to bed. Meanwhile Sylvester starts singing opera in the alley outside Elmer's window. A fight ensues.
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AA 014
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BARS AND STRIPES FOREVER (Merrie Melodies), 1939
Director: Ben Hardaway and Cal Dalton
A prison set high on a cliff. The prisoners are asleep in their cells. Warden Paws gets them up and they go through their daily life--sort of.
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AA 015
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BASEBALL BUGS (Looney Tunes), 1946
Director: Isadore Freleng
The game is not going well for the Tea Totallers. The Gas House Gorillas play dirty and they're ahead by 95 runs. A brave Bugs challenges the Gorillas and beats them singlehandedly.
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AA 016 and VBA 374
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THE BASHFUL BUZZARD (Merrie Melodies), 1945
Director: [Bob Clampett]
Opens to Mama Buzzard instructing the kids to bring something home for dinner. Beaky, the bashful one, encounters plenty of trouble while chasing Bugs Bunny.
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VBA 137 (8th)
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BEANSTALK BUNNY (Merrie Melodies), 1955
Director: [Chuck Jones]
Daffy Duck plays the Jack of beanstalk fame, planting the magical beans. As the stalk grows, it takes Bugs up to the land of the Giant, played by Elmer Fudd. The chase is on as Bugs and Daffy try to escape.
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HA 569 and HA 577
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BEAR FEAT (Merrie Melodies), 1957
Director: Charles M. Jones
In the cabin in the woods where the three bears live, family decides to join a circus. They practice various tricks, with little success.
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AA 017
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THE BEAR'S TALE (Merrie Melodies), 1940
Director: [Tex Avery
A Warner version of Goldilocks and the Three Bears, with special appearances by Little Red Riding Hood and the Big Bad Wolf.
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AA 018
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BEAUTY AND THE BEAST (Merrie Melodies), 1934
Director: Isadore Freleng
Opens to a grandfather clock striking 11:00. Out comes a child to snack on some fruit. The Sandman arrives to put her to sleep, where she dreams of a castle full of nursery rhyme characters, toys, and a monster.
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AA 020
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BEDTIME FOR SNIFFLES (Merrie Melodies), 1940
Director: [Chuck Jones]
Carolers are singing a Christmas carol on a snowy village street. Pan to Sniffles singing “Jingle Bells” and waiting for Santa to arrive. He tries to stay awake but cannot.
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AA 021
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BEHIND THE MEAT-BALL (Looney Tunes), 1945
Director: [Frank Tasshlin]
Opens to a suburban street, then zooms to Fido's dreams of meat. He awakens to a dinner of vegetables and is not happy. A steak falls off a meat truck and a fight-chase-fight ensues.
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AA 022
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BELIEVE IT OR ELSE (Merrie Melodies), 1939
Director: Fred Avery
Opens to an announcer who challenges you to “Believe it or else!” Take-off on “Ripley's Believe It or Not.” Typical Avery blackout gags.
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AA 023
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THE BIG SNOOZE (Looney Tunes), 1946
Director: [Bob Clampett]
Elmer, tired of always chasing and never catching Bugs, quits Warner Brothers to go fishing. Bugs invades his peaceful slumber and creates surrealistic nightmares which cause Elmer to go begging for his old job back.
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AA 024
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BILLBOARD FROLICS (Merrie Melodies), 1935
Director: Isadore Freleng
Opens to a back ally with a billboard for “Old Maid Cleaners.” Pans to other posters which proceed to come to life.
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AA 025
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BINGO CROSBYANA (Merrie Melodies), 1936
Director: Isadore Freleng
Opens to a kitchen table where 2 flies eat and play with the food. Switch to Bingo the Gay Caballero, whom all the girls love. On to this scene comes a spider and away runs Bingo as the other flies fight off the spider.
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AA 026
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THE BIRD CAME C.O.D. (Merrie Melodies), 1942
Director: Charles M. Jones
Opens to the Arctic Palm Co. delivery truck. The driver, a white cat, delivers a palm to a theater where he finds the magician's bird a tough one to handle.
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AA 027
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BIRDY AND THE BEAST (Merrie Melodies), 1944
Director: Robert Clampett
A cat sneaks through a field and up a tree to Tweety Bird's nest. The chase is on.
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AA 028
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BIRTH OF A NOTION (Merrie Melodies), 1947
Director: [Robert McKimson]
A singing Daffy stars. He schemes to get into a house for the winter instead of going south. Unfortunately the house belongs to a Mad Scientist who needs the wishbone of a duck for his experiment.
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AA 029
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BONE, SWEET BONE (Merrie Melodies), 1948
Director: [Arthur Davis]
The Museum of Natural History. Inside a professor is in the act of putting together a dinosaur. He thinks that a bone has been stolen by his pet dog and sends him out after it. The little dog's adventure is chronicled.
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AA 030
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BOOBY HATCHED (Merrie Melodies), 1944
Director: [Frank Tashlin]
A vicious winter storm. In a barn a duck and her eggs are freezing. They all hatch but one. This one goes in search of his mom. She finds him gone and goes nuts.
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AA 031
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BOOK REVUE (Merrie Melodies), 1946
Director: [Bob Clampett]
On a dark city street a bookshop advertises a sale in their window. At midnight, all the books come to life.
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AA 033
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BOULEVARDIER FROM THE BRONX (Merrie Melodies), 1936
Director: Isadore Freleng
Opens to a pennant advertising an exhibition baseball game. Dizzy Dan will pitch at Hicksville. The excitement begins.
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AA 034
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THE BRAVE LITTLE BAT (Merrie Melodies), 1941
Director: [Chuck Jones]
In the forest Sniffles is driving a toy car which breaks down. A storm commences, driving Sniffles into an old windmill where he meets a friendly bat and an unfriendly cat.
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AA 035
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BROTHER BRAT (Looney Tunes), 1944
Director: Frank Tashlin
Women are at work, supporting the war effort. One cannot find a babysitter. Enter Porky Pig who gets to take care of Percy, a very bad kid.
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AA 036
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BUCCANEER BUNNY (Looney Tunes), 1948
Director: Isadore Freleng
Yosemite Sam buries a treasure chest on a beach. Bugs appears claiming the treasure and the fight ensues.
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AA 037
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BUCKAROO BUGS (Looney Tunes), 1944
Director: Robert Clampett
In the wild west of the “San Fernando Alley,” the Masked Marauder (a.k.a. Bugs Bunny) strikes and Red Hot Ryder is brought in to stop him.
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AA 038
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BUG PARADE (Merrie Melodies), 1941
Director: [Tex Avery]
Insight into the insect world of the great outdoors. The cartoon demonstrates “little known facts in the lives and habits of these tiny creatures.” We get an unusual view of many insects including the fly, bee, spider, grasshopper, silkworm and ant.
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AA 038
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[BUGS BUNNY BOND RALLY], 194?
: Opens to Bugs dressed as a revolutionary soldier playing his carrot like a flute. He does a song and dance to sell war bonds, joined by Elmer Fudd and Porky Pig.
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AA 039
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BUGS BUNNY AND THE THREE BEARS (Merrie Melodies), 1944
Director: Charles M. Jones)
Take-off on the fairy tale, with Bugs as Goldilocks.
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AA 040
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BUGS BUNNY GETS THE BOID (Merrie Melodies), 1942
Director: Robert Clampett
Opens with Mama Buzzard telling the baby birds to bring back something for dinner. “Killer” is sent after a rabbit and spies Bugs.
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AA 041
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BUGS BUNNY NIPS THE NIPS (Merrie Melodies), 1944
Director: Isadore Freleng
Somewhere in the Pacific Bugs, floating in a crate, lands on an island filled with Japanese soldiers. Bugs takes on all comers, disguised as the “Good Rumor Man.”
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AA 042
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BUGS BUNNY RIDES AGAIN (Merrie Melodies), 1948
Director: Isadore Freleng
Opens to a shoot-out in a western town. Yosemite Sam comes a-blastin' into town where Bugs challenges him.
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HA 571
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BUGSY AND MUGSY (Looney Tunes), 1957
Director: Friz Freleng
On a particularly rainy day, Bugs is flooded out of his home and moves to an abandoned building. It turns out to be the hide-out of two criminals. Bugs drives them a little batty.
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VBA 242
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BUNKER HILL BUNNY (Merrie Melodies), 1950
Director: [Friz Freleng]
It is 1776 and the time of the Revolution. At “Beagle Heights,” Yosemite Sam the Hessian is fighting Bugs the Patriot.
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AA 043
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BUSY BAKERS (Merrie Melodies), 1940
Director: [Ben Hardaway and Cal Dalton]
Opens to a moonlit village and zooms in on a bakery. The baker is broke but gives a blind man his last doughnut. The blind man is really an elf and he and his friends restock the bakery that night.
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AA 044
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THE CAGEY CANARY (Merrie Melodies), 1941
Director: [Avery and Clampett]
A cat is scrambling to get into a bird cage as the bird cries out. Madam hits the cat with a broom and threatens him. The fight continues.
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AA 045
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CASE OF THE MISSING HARE (Merrie Melodies), 1942
Director: Charles M. Jones
Opens with jumbled playbills announcing “Ala Bahma-Magician” at the Bijou. Ala Bahma puts one of the playbills over Bugs' door and this leads to war.
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AC 104
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THE CASE OF THE STUTTERING PIG, 1937
B/W; Director: Frank Tashlin
The will of Uncle Solomon Swine leaves his wealth to his nieces and nephews. If anything happens to them, Lawyer Goodwill gets the fortune. Goodwill turns on the heirs to get rid of them. Porky Pig becomes the hero.
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AA 046
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THE CAT CAME BACK (Merrie Melodies), 1936
Director: [Friz Freleng]
Singing is coming from the basement door. The missing cat has returned with a litter. The new family of mice are told to beware, but both broods end up playing together.
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AA 048
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CATCH AS CATS CAN (Merrie Melodies), 1947
Director: Arthur Davis
In a lovely country house someone is singing “As Time Goes By.” Zooms to a thin canary (Frank Sinatra). A parrot (Bing Crosby) tells him to shut up and then tries various ways to get rid of him.
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AA 047
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THE CAT'S TALE (Merrie Melodies), 1941
Director: [Friz Freleng]
Opens to a cat chasing a mouse around a living room. The mouse tries to change the nature of cats mice and dogs. Therein lies the tale.
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AA 049
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CEILING HERO (Merrie Melodies), 1940
Director: Fred Avery
Opens to planes flying in formation. The narrator talks about the latest in airplane technology.
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AA 050
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CINDERELLA MEETS FELLA (Merrie Melodies), 1938
Director: Fred Avery
Opens to a shot of an invitation to the King's Ball. A variation on the familiar fairy tale.
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AA 051
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CIRCUS TODAY (Merrie Melodies), 1940
Director: [Tex Avery]
Opens to a poster for the “Jingling Brothers Circus.” The cartoon traces various acts, blackout fashion.
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AA 052
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CLEAN PASTURES (Merrie Melodies), 1937
B/W; Director: Isadore Freleng
Opens to flashing signs of various clubs. Black characters are having a good time on earth. Up in “Pair-o-dice” things are not so good as souls go to Hades from Harlem. The angels try to change the characters' ways.
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AA 053
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COAL BLACK AND DE SEBBEN DWARFS (Merrie Melodies), 1943
B/W; Director: [Bob Clampett]
Mammy tells a child an updated, war-time version of the familiar story, with an all Black cast. A fantastic parody of the Disney version.
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AA 054
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CONFEDERATE HONEY (Looney Tunes), 1940
Director: Isadore Freleng
Opens on the Kentucky border in 1861. Moves to the mansion of Colonel 0' Hairoil. A take-off on Civil War themes.
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AA 055
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CONRAD THE SAILOR (Merrie Melodies), 1942
Director: Charles M. Jones
On a large battleship leaving port Conrad the cat is swabbing the deck. Daffy comes along and causes him all sorts of grief.
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AA 056
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THE COO-COO NUT GROVE (Merrie Melodies), 1936
Director: Isadore Freleng
A moonlit bay. Inside the “CooCooNut Club” many of the contemporary Hollywood stars are out for a night on the town.
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AA 057 and VBA 242
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CORNY CONCERTO (Merrie Melodies), 1943
Director: Robert Clampett
“Corny-gie Hall Presents” Elmer Fudd conducting the classics which are brought to life by Bugs, Porky, and a little black duck.
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AA 058
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COUNT ME OUT (Merrie Melodies), 1938
Director: Ben Hardaway and Cal Dalton
Egghead takes boxing lessons by mail and then takes on Biff Stew for the championship.
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AA 059
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COUNTRY BOY (Merrie Melodies), 1935
Director: Isadore Freleng
Opens to a forest scene where Mrs. Bunny is sending the children off to school. One gets into trouble.
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AA 060
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COUNTRY MOUSE (Merrie Melodies), 1935
Director: [Friz Freleng]
A mouse is using a punching bag in front of his house. He claims to be the strongest mouse in the world and goes to the big city to prove it despite his Grandma's objections.
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AA 061
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CRACKED ICE (Merrie Melodies), 1938
Director: Frank Tashlin
On a skating pond with animals skating about, a W.C. Fields-type tries to get into a St. Bernard's brandy.
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AA 062
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THE CRACKPOT QUAIL (Merrie Melodies), 1941
Director: Fred Avery
A pointer is the market symbol for dog food. Another dog wants to be a pointer and tries to catch a quail to prove he can be a pointer.
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AA 063
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CRAZY CRUISE (Merrie Melodies), 1942
Director: [Avery and Clampett]
A narrator invites us to “visit a Southern plantation.” We also visit Havana, the Swiss Alps, Egypt, etc.
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AA 064
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CROSBY-COLUMBO-VALLEE (Merrie Melodies), 1932
B/W; Director: [Rudolph Ising]
A group of Indians are dancing around a campfire, mad at the three famous singers for stealing the hearts of their girls.
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AA 065
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CROSS COUNTRY DETOURS (Merrie Melodies), 1940
Director: [Tex Avery]
Explores some of the scenic vistas of America, with comic narration.
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AA 066
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CROWING PAINS (Merrie Melodies), 1947
Director: Robert Mckimson
A camouflaged Sylvester is sneaking up on a dog but is stopped by Foghorn Leghorn. Enter the diminutive Chicken Hawk and the fun begins.
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AA 067
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THE CURIOUS PUPPY (Merrie Melodies), 1939
Director: [Chuck Jones]
The locked gates of an amusement park. Two dogs break in, turn on the power, have a fun time.
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AA 068
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DAFFY DOODLES (Merrie Melodies), 1946
Director: [Robert McKimson]
In the big city, a diabolical terror is drawing moustaches on billboards everywhere. The culprit is Daffy Duck and Porky Pig is sent to stop him.
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AA 070
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DAFFY DUCK AND EGGHEAD (Merrie Melodies), 1938
Director: [Tex Avery]
Opens to two walnuts on the ground. Out of one pops Daffy and out of the other pops Egghead. Egghead starts to hunt Daffy.
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AA 069
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DAFFY DUCK AND THE DINOSAUR (Merrie Melodies), 1939
Director: Charles M. Jones
At the dawn of time, Casper Caveman wakes up and, taking his pet dinosaur, goes out to hunt breakfast. Daffy becomes the object of the hunt.
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AA 071
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DAFFY DUCK IN HOLLYWOOD (Merrie Melodies), 1938
Director: Fred Avery
Over at “Wonder Pictures-If it's a good picture it's a Wonder!” Daffy gets onto a set and disrupts the crew.
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AA 072
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DAFFY DUCK SLEPT HERE (Merrie Melodies), 1948
Director: Robert McKimson
The large banners on the city's streets proclaim “Welcome D.O.P.E.” Porky, one of the convention members in town, has to share a room with Daffy.
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AC 389
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THE DAFFY DUCKAROO (Looney Tunes), 1942
B/W; Director: Norman McCabe
Daffy is travelling the wild west on his burro. He meets an Indian duck-maiden and falls in love. Her giant boyfriend, “Little Beaver,” doesn't like what's going on.
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AA 073
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DAFFY THE COMMANDO (Looney Tunes), 1943
Director: Isadore Freleng
Daffy parachutes into Nazi territory and takes on a Kommandant and his lackey Schultz.
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AA 074
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DANGEROUS DAN McFOO (Merrie Melodies), 1939
Director: [Tex Avery]
A horrible winter storm outside the “Malibu Saloon-90 Degrees Cooler Inside.” A North Woods bully tries to steal Dan's girl and (with apologies to Robert W. Service) the story unfolds.
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AA 075
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A DAY AT THE ZOO (Merrie Melodies), 1939
Director: [Tex Avery]
A narrator leads the viewer on a tour of the “Kalama Zoo.”
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AA 076
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DETOURING AMERICA (Merrie Melodies), 1939
Director: Fred Avery
A narrator leads the viewer on a tour of the U.S.
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AA 077
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DING DOG DADDY (Merrie Melodies), 1942
Director: Isadore Freleng
Opens to two love birds in a tree. Our hero, a dog, is watching and decides to find himself a friend. He meets a metal dog and has several adventures trying stay with his new-found love.
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AA 078
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THE DISH RAN AWAY WITH THE SPOON (Merrie Melodies), 1933
B/W; Director: [Rudolph Ising]
Takes place on a rainy night in a little house. Inside, all of the kettles and the silver come to life.
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AA 079
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DOG DAZE (Merrie Melodies), 1937
Director: Isadore Freleng
Opens to a billboard advertising a dog show. All sorts of dogs are shown.
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AA 082
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DOG GONE MODERN (Merrie Melodies), 1939
Director: [Chuck Jones]
Two dogs get inside the “All-Electric House of the Future” and wreak havoc.
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AA 080
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DOG TIRED (Merrie Melodies), 1942
Director: Charles M. Jones
Two puppies enter a zoo and get into mischief while exploring.
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AA 081
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DOGGONE CATS (Merrie Melodies), 1947
Director: [Arthur Davis]
There's a fight involving a dog and two cats. The dog must take a package to his uncle. The two cats try to stop him.
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AA 083
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DON'T LOOK NOW (Merrie Melodies), 1936
Director: [Tex Avery]
It's Valentine's day. Inside his heart shaped cottage, little Dan Cupid gets his bow and arrow ready. Meanwhile, the Little makes his preparations for the big day. The two alternately help and hinder the course of love for all the forest animals.
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AA 084
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DOUBLE CHASER (Merrie Melodies), 1942
Director: [Friz Freleng]
Cat chases mouse.
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AA 085
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DOVER BOYS AT PIMENTO UNIVERSITY or THE RIVALS OF ROQUEFORT HALL, 1942
Director: Charles M. Jones
On the campus of Pimento U. - “Old P.U.” - the three heroes are introduced as they take their sweetheart out on a picnic. Meanwhile a villain schemes and then abducts the girl. Our heroes attempt a rescue.
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AA 086
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THE DRAFT HORSE (Merrie Melodies), 1942
Director: Charles M. Jones
A horse decides to join the Army and has all sorts of adventures.
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AA 087
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DRAFTEE DAFFY (Looney Tunes), 1945
Director: Robert Clampett
Daffy is fully behind the war effort until he is drafted. The man from the draft board attempts to deliver his notice as Daffy frantically avoids him.
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AA 088
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DUCK SOUP TO NUTS (Merrie Melodies), 1944
Director: [Friz Freleng]
A flock of ducks is peacefully floating on a pond. A shot is fired and we see Porky Pig out hunting ducks. Daffy tries to convince Porky not to shoot him as he is a special duck and then goes about proving it.
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AA 089
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THE EAGER BEAVER (Merrie Melodies), 1946
Director: [Chuck Jones]
A narrator is discussing about the beaver as we look over a forest stream. The beaver's construction methods are demonstrated.
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AA 090
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THE EARLY WORM GETS THE BIRD (Merrie Melodies), 1940
Director: [Tex Avery]
In a farm setting in the Old South the Blackbird family lives in a tree. One little bird is getting up early to catch a worm, despite warnings about the mean old fox.
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AA 091
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EASTER YEGGS (Looney Tunes), 1947
Director: Robert McKimson
Opens to Bugs reading “How to Multiply.” Along comes the Easter Rabbit, whose feet are killing him. He persuades Bugs to take over for him just as Elmer Fudd is looking for the makings of a rabbit stew.
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AA 092
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THE EGG COLLECTOR (Merrie Melodies), 1940
Director: [Chuck Jones]
Inside a bookstore Sniffles the mouse and the Bookworm are reading about owl eggs. They decide to get one from the old church that night.
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AA 093
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EGGHEAD RIDES AGAIN (Merrie Melodies), 1937
Director: Fred Avery
Egghead fantasizes about being a bronco buster on a pogo stick. He applies for work on a ranch in Wyoming and learns that there is more to being a cowboy than reading books.
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AA 094
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ELMER'S CANDID CAMERA (Merrie Melodies), 1940
Director: Charles M. Jones
Opens to an open book, “How to Photograph Wild Life.” Elmer checks out his equipment and goes off to take pictures of wild life. His first subject is an early version of Bugs Bunny.
|
|
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AA 095
|
ELMER'S PET RABBIT (Merrie Melodies), 1941
Director: Charles M. Jones
Elmer is happily strolling down a street. He sees a rabbit for sale in a window. He buys the rabbit (Bugs Bunny) and takes him home. The fight to determine who's boss begins.
|
|
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AA 096
|
FAGIN'S FRESHMEN (Merrie Melodies), 1939
Director: [Hardaway and Dalton]
Opens to Mama cat playing the piano for her kittens. One does not like this silly stuff and is sent to his room. There he dreams of leaving and meets a bad cat who turns his dream into a nightmare.
|
|
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AA 097
|
FAIR AND WORM-ER (Merrie Melodies), 1946
Director: [Chuck Jones]
Takes place in an apple orchard where a narrator is praising a beautiful day. But as the story progresses, the worm is chased by the bird, who is chased by the cat, who is chased by the dog, who is chased by the dog catcher, etc.
|
|
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AA 098
|
FALLING HARE (Merrie Melodies), 1943
Director: Robert Clampett
At a U.S. Army Air Field, Bugs Bunny is reading about gremlins that destroy planes. Disbelieving, he soon comes face to face with one who tries to commit sabotage.
|
|
|
AA 099
|
FARM FROLICS (Merrie Melodies), 1941
Director: [Bob Clampett]
A hand and a pencil are drawing a farm scene. The narrator describes the various animals on and around the farm and woods.
|
|
|
VBA 455
|
FAST BUCK DUCK (Merrie Melodies), 1963
Director: [Robert McKimson 8 Ted Bonnickson]
Down in a shanty town Daffy, tired of being poor, decides to apply as a millionaire's boon companion. Once at the house, he must get past the dog to see the millionaire.
|
|
|
AA 100
|
A FEATHER IN HIS HARE (Looney Tunes), 1948
Director: Charles M. Jones
Opens to an Indian sneaking through the forest trying to catch a rabbit. The chase ensues, with Bugs winning the battle of wits with the Indian.
|
|
|
AA 101
|
THE FELLA WITH A FIDDLE (Merrie Melodies), 1937
Director: [Friz Freleng]
Inside of J. Field Mouse's house, set in a little village, Grandpa tells the little mice the dangers of greed.
|
|
|
AA 102
|
A FEUD THERE WAS (Merrie Melodies), 1938
Director: [Tex Avery]
In a small hillbilly shack the clan is waking up. Across the valley another group awakens and the feud begins. Elmer Fudd steps in to try and stop it.
|
|
|
AA 103
|
FIFTH COLUMN MOUSE (Merrie Melodies), 1943
Director: [Friz Freleng]
A trio of mice are singing and floating on a bar of soap. A cat bursts in and uses trickery to catch the mice. The mice build a secret weapon and defeat the cat.
|
|
|
AA 104
|
THE FIGHTING 69 1/2TH (Merrie Melodies), 1941
Director: [Friz Freleng]
A peaceful forest scene with a couple having a picnic. Red ants are on one side and black ants on the other; both sides declare war over the picnic goodies.
|
|
|
AA 105
|
FIN' 'N CATTY (Merrie Melodies), 1943
Director: [Chuck Jones]
G. Fish's house inside a goldfish bowl. The house cat tries to catch the fish.
|
|
|
AA 106
|
FLOP GOES THE WEASEL (Merrie Melodies), 1943
Director: [Chuck Jones]
Opens to a Southern shack in the middle of a cotton field. A weasel steals a chicken's egg and when the egg hatches the baby chick thinks the weasel is his mom.
|
|
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AA 107
|
FLOWERS FOR MADAME (Merrie Melodies), 1936
Director: [Friz Freleng]
Opens to a garden where the flowers come to life. They have a pageant and fight a fire.
|
|
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VBA 367 (2ed)
|
[FOGHORN LEGHORN]
Director: Robert McKimson
A weasel is eyeing a barnyard. Foghorn comes wandering around a fence and baits the dog. Foghorn and the weasel plot to get rid of the dog.
|
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AA 108
|
FONEY FABLES (Merrie Melodies), 1942
Director: Isadore Freleng
A narrator takes us through several fairy tales.
|
|
|
AA 109
|
FOX POP (Merrie Melodies), 1942
Director: [Chuck Jones]
A fox is sneaking through the forest. He steals a radio from a cabin and smashes it. Two birds ask why and the fox tells his tale.
|
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AA 110
|
THE FOXY DUCKLING (Merrie Melodies), 1947
Director: [Arthur Davis)
A quiet forest at night. In a fox den, the fox cannot sleep. He thinks he needs duck feathers for his pillow and goes out to catch a duck.
|
|
|
AA 111 and AC 305
|
FREDDY THE FRESHMAN (Merrie Melodies), 1932
B/W; Director: [Rudolph Ising]
A group of school kids are cheering as Freddy drives by. Freddy becomes the hero of the football team after some slight troubles.
|
|
|
AA 112
|
FRESH AIREDALE (Merrie Melodies), 1945
Director: [Chuck Jones]
Opens to a newspaper clipping showing Shep, a dog hero. It turns out that Shep is taking credit for the actions of a cat.
|
|
|
AA 113
|
FRESH FISH (Merrie Melodies), 1939
Director: [Tex Avery]
A narrator takes us on a glassbottom boat ride in the South Pacific to look at the strange types of fish in the area.
|
|
|
AA 114
|
FRESH HARE (Merrie Melodies), 1942
Director: Isadore Freleng
Opens to a wanted poster for Bugs--Dead or Alive. Elmer Fudd plays a Canadian Mountie chasing the rabbit.
|
|
|
AA 115
|
FROM HAND TO MOUSE (Merrie Melodies), 1944
Director: [Chuck Jones]
Opens to a lion holding a mouse who is pleading for his life. After the lion lets the mouse go, the mouse makes fun of the lion, who then tries to catch the mouse again.
|
|
|
AA 116
|
GANDER AT MOTHER GOOSE, A (Merrie Melodies), 1940
Director: Fred Avery
A narrator discusses the activities of a number of fairy tale characters as they appear on film.
|
|
|
AA 117
|
THE GAY ANTIES (Merrie Melodies), 1947
Director: [Friz Freleng]
The annual picnic of the ants at a city park.
|
|
|
AB 822
|
GEE WHIZ-Z-Z-Z-Z-Z-Z (Looney Tunes), 1955
Director: Charles M. Jones
Coyote chases Road Runner.
|
|
|
AA 118
|
GHOST WANTED (Merrie Melodies), 1940
Director: Charles M. Jones
In an old abandoned house a little ghost is reading “How to Haunt Houses.” He finds a job opening in the “Haunt Ads” of the “Saturday Evening Ghost” and applies.
|
|
|
HA 569 and HA 577
|
GIFT WRAPPED (Merrie Melodies), 1951
Director: Isadore Freleng
A snow covered house. Inside, all is ready for Xmas. Granny gets Tweety Bird for a present and Sylvester gets a rubber mouse. Sylvester chases Tweety.
|
|
|
AA 120
|
GOLD RUSH DAZE (Merrie Melodies), 1939
Director: Ben Hardaway and Cal Dalton
Opens to a rocky landscape where a highway passes through. A car stops at the “Last Chance” gas station, where the owner tells his tale of wandering the country looking for gold.
|
|
|
AA 119
|
GOLDILOCKS AND THE JIVIN' BEARS (Merrie Melodies), 1944
B/W; Director: [Friz Freleng]
Narrator tells the story of Goldilocks and the Three Black Bears, who are jazz musicians.
|
|
|
AA 121
|
THE GOOD EGG (Merrie Melodies), 1939
Director: [Chuck Jones]
A barnyard at dawn. As the sun rises, one chicken in the hen house decides to end her life because she has no eggs. She accidently discovers an egg and finds new hope.
|
|
|
AA 123
|
THE GOOFY GOPHERS (Merrie Melodies), 1947
Director: [Arthur Davis]
In a farm field a dog is keeping watch. Two gophers raid the crops and drive the dog nuts.
|
|
|
AA 124
|
GOOFY GROCERIES (Merrie Melodies), 1941
Director: [Bob Clampett]
The inside of a grocery store window on a snowy night. Something is singing. Soon all of the groceries come alive and have fun.
|
|
|
AA 125
|
GOOPY GEER (Merrie Melodies), 1932
B/W; Director: Isadore Freleng and Rollin Hamilton [Rudolph Ising?]
Caricatures of famous figures are gathered in a bar calling for Goopy Geer.
|
|
|
AA 126
|
GORILLA MY DREAMS (Looney Tunes), 1948
Director: Robert McKimsom
Bugs Bunny is floating out at sea in a barrel. He arrives on an island, “Binga-Bangzi: Land of the Ferocious Apes.” Mama Gorilla mistakes Bugs for the child she has been waiting for.
|
|
|
VBA 374 (9th)
|
THE GRAY HOUNDED HARE (Looney Tunes), 1949
Director: Robert McKimson
Opens at the dog track where the greyhounds are chasing a mechanical rabbit. Bugs, looking on, falls for the mechanical rabbit and tries to save it.
|
|
|
AA 128
|
A GREAT BIG BUNCH OF YOU (Merrie Melodies), 1932
B/W; Director: Rollin Hamilton and Thomas McKimson [Rudolph Ising?]
A junk man and his horsedrawn cart are going lazily down a street towards the dump. At the dump, a doll comes to life and starts playing a piano. Then two shoes start to dance and the entire dump comes to life.
|
|
|
AA 129
|
THE GREAT PIGGY BANK ROBBERY (Looney Tunes), 1946
Director: Robert Clampett
Opens to a farm field where Daffy is waiting for the mailman to bring his latest comic book. Once it arrives, he knocks himself out and dreams that he is Duck Tracy, performing feats of detective prowess.
|
|
|
AA 127
|
GREETINGS BAIT (Merrie Melodies), 1943
Director: [Friz Freleng]
Opens to a single fisherman out on a lake. We watch as a working class worm (Wacky Worm) goes about his job.
|
|
|
AA 130
|
A GRUESOME TWOSOME (Merrie Melodies), 1945
Director: Robert Clampett
A back alley fence is the local lovers lane for cats. Two cats get into a fight over a girl. She steps in and says the first one to bring her a little bird will be her beau. Tweety Bird becomes the hunted gift.
|
|
|
AA 131
|
HAIR-RASING HARE (Merrie Melodies), 1946
Director: Charles M. Jones
Opens in a dark forest with Bugs singing himself to sleep. A Mad Scientist entices Bugs to his castle to feed his monster.
|
|
|
AA 132
|
HAMATEUR NIGHT (Merrie Melodies), 1939
Director: Fred Avery
An announcer introduces the acts at Amateur Night.
|
|
|
AA 133
|
THE HARDSHIP OF MILES STANDISH (Merrie Melodies), 1940
Director: Isadore Freleng
An old radio program has just told the story of Miles Standish. Grandpa does not think it is correct, so he tells his grandson his own version.
|
|
|
VBA 455 (6th)
|
HARE BRUSH (Merrie Melodies), 1955
Director: Isadore Freleng
At the “E.J. Fudd Building,” Elmer is acting like a rabbit, so the Board of Directors puts him away. At the sanitarium, Bugs takes Elmer's place. The doctor convinces Bugs that he is the millionaire. Elmer then plays all Bugs' old tricks on the rabbit.
|
|
|
AA 134
|
HARE CONDITIONED (Looney Tunes), 1945
Director: Charles M. Jones
Bugs Bunny, employed as part of a department store display, is scheduled to be stuffed when the ad campaign is over. He must avoid the clutches of the Gildersneeze manager.
|
|
|
VBA 455 (1st)
|
HARE DO (Merrie Melodies), 1949
Director: Isadore Freleng
Elmer hunts/chases Bugs.
|
|
|
AA 135
|
HARE FORCE (Merrie Melodies), 1944
Director: Isadore Freleng
Opens to a winter storm outside a large house. Inside a woman tucks in the dog. A frozen Bugs appears at the door and she moves Bugs into the dog's spot. They then fight it out.
|
|
|
AA 136
|
HARE GROWS IN MANHATTAN, A (Merrie Melodies), 1947
Director: Isadore Freleng
In the fabulous Hollywood film colony, Lola Beverly visits the home of Bugs Bunny and persuades him to tell his life story.
|
|
|
VBA 137 (6th)
|
HARE LIFT (Looney Tunes), 1952
Director: Isadore Freleng
Great Plane ready for Test Pilot! Bugs happens to take a tour of the plane as Yosemite Sam shows up after robbing a bank. He forces Bugs to fly the plane for his get-away. The fun begins when Sam finds out Bugs can't fly.
|
|
|
AA 137 and VBA 456
|
HARE REMOVER (Merrie Melodies), 1946
Director: [Frank Tashlin]
In “Elmer Fudd's Laboratory,” high atop a hill, Elmer is trying to perfect the Mr. Hyde formula. When he runs out of experimental animals he catches Bugs and uses him as a guinea pig.
|
|
|
AA 138
|
HARE RIBBIN' (Merrie Melodies), 1944
Director: Robert Clampett
A dog with a heavy accent is sniffing out a little gray rabbit. Unfortunately he chooses to chase Bugs.
|
|
|
AA 139
|
HARE TONIC (Looney Tunes), 1945
Director: Charles M. Jones
Opens to Elmer Fudd coming home from the market with a fresh rabbit--Bugs Bunny. It's Elmer vs. Bugs over dinner.
|
|
|
AA 140
|
HARE TRIGGER (Merrie Melodies), 1945
Director: Isadore Freleng
A train is rolling across the desert--Bugs is being shipped west. Yosemite Sam is set to rob the train and Bugs takes him on.
|
|
|
AA 141 and VBA 454
|
THE HARE-BRAINED HYPNOTIST (Merrie Melodies), 1942
Director: Isadore Freleng
Elmer tries a new method of stalking wild game. He discovers hypnotism and tries it on Bugs and a bear.
|
|
|
AA 142
|
HAREDEVIL HARE (Looney Tunes), 1948
Director: Charles M. Jones
Opens to newspapers proclaiming the first rocket to the Moon, with Bugs as the first passenger. A Mars to Moon rocket lands at the same time to scout the earth for an invasion. Bugs wins one for the earth.
|
|
|
VBA 374 (6th)
|
HARELESS WOLF
: The lazy Charles M. Wolf is forced by his wife to hunt a rabbit for dinner. Bugs works to foil his plans.
|
|
|
AA 143
|
HARE-UM SCARE-UM (Merrie Melodies), 1939
B/W; Director: Ben Hardaway and Cal Dalton
Formative Bugs Bunny. Newspaper headlines proclaim that meat prices are at an all-time high. A taxpayer will not put up with it and goes hunting for an early Bugs.
|
|
|
AA 144 and AC 324
|
HAVE YOU GOT ANY CASTLES (Merrie Melodies), 1938
Director: [Frank Tashlin]
A cuckoo clock striking midnight. Outside a winter storm is blowing. On a bookshelf 4 horror stories come to life. Suddenly all sorts of books come alive.
|
|
|
AA 145
|
HE WAS HER MAN (Merrie Melodies), 1937
Director: [Friz Freleng]
Opens to a poor mouse selling apples on a snowy street corner. She has a rat for a boyfriend, who leaves her. Later she is forced to sing in a saloon to survive. In walks her old boyfriend with a new girl and a fight is on.
|
|
|
AA 146
|
THE HECKLING HARE (Merrie Melodies), 1941
Director: Fred Avery
A hunting dog is sniffing his way through a forest where he finds a rabbit-hole. He tries to dig out the rabbit as Bugs watches. Bugs commences to torment the dog in his usual manner.
|
|
|
AA 147
|
THE HEP CAT (Merrie Melodies), 1942
Director: [Bob Clampett]
Opens to a cat prancing along a fence at night. He is chased by a dog. (Dialogue mostly in Spanish.)
|
|
|
AA 148
|
HERR MEETS HARE (Merrie Melodies), 1945
Director: Isadore Freleng
Bugs encounters “Fatso” Goering in the Black Forest while trying to get to Las Vegas. He taunts the Nazi, who captures him and takes him to Hitler, but Bugs gets the last laugh.
|
|
|
AA 149
|
HIAWATHA'S RABBIT HUNT (Merrie Melodies), 1941
Director: [Friz Freleng]
Bugs Bunny recites the tale of Little Hiawatha, who chases the rabbit through a forest.
|
|
|
AA 150
|
A HICK, A SLICK AND A CHICK (Merrie Melodies), 1948
Director: Arthur Davis
Opens with vignettes of the cast of mice characters. The hick sees his gal kissing the slick and conflict over the woman is undertaken.
|
|
|
VBA 367 (4th)
|
HIGH DIVING HARE (Looney Tunes), 1949
[Friz Freleng]
Bugs is a barker outside a carnival tent, calling out acts inside. Yosemite Sam buys a ticket to see the high diver but the act is cancelled. He tries to make Bugs perform the dive.
|
|
|
AA 151
|
HISS AND MAKE UP (Merrie Melodies), 1943
Director: [Friz Freleng]
Opens to a dog and cat fighting in the living room of a house. In comes the mistress and warns the two to behave or it's out on the street they'll go.
|
|
|
AA 152
|
HITTIN' THE TRAIL FOR HALLELUJAH LAND (Merrie Melodies), 1931
B/W; Director: [R. Ising]
A steamboat is chugging down the river. The Black dock workers are singing as the boat stops to pick up Missy from Uncle Tom. As the boat moves on Uncle Tom ends up in a graveyard where he is chased by three skeletons.
|
|
|
AA 153
|
HOBO BOBO (Merrie Melodies), 1947
Director: [Robert McKimson]
Takes place in India where a narrator introduces us to Bobo, a baby elephant, who decides to go to America and join his Uncle Jumbo in the circus.
|
|
|
AA 154
|
HOBO GADGET BAND (Merrie Melodies), 1939
Director: [Hardaway and Dalton]
Crickets are chirping away in a swamp. Scene moves to the “Hobo Motel” where the hoboes are making music. They get on a radio program but turn down the money to continue riding the rails.
|
|
|
AA 155
|
HOLD THE LION, PLEASE (Merrie Melodies), 1942
Director: Charles M. Jones
The other jungle animals are belittling an ineffectual lion. He goes rabbit hunting to prove that he is King of the Beasts, but makes the mistake of going up against Bugs.
|
|
|
AA 157
|
HOLIDAY FOR SHOESTRINGS (Merrie Melodies), 1946
Director: [Friz Freleng]
A “help wanted” sign is posted at Jake's Shoe Repairs. Inside the orders are piled up but Jake is sleeping. Elves come out and they repair the shoes.
|
|
|
AA 156
|
HOLIDAY HIGHLIGHTS (Merrie Melodies), 1940
Director: Fred Avery
Opens to a calendar and a narrator giving us a pictorial review of the holidays: New Year's Day, St. Valentine's Day, Washington's Birthday, Arbor Day, Easter, All Fool's Day, Mother's Day, Graduation Day, Halloween, Thanksgiving and Christmas Day.
|
|
|
AA 167
|
HOLLYWOOD CANINE CANTEEN (Merrie Melodies), 1946
Director: Robert McKimson
At a board meeting of dog characters, the pets of Hollywood stars, they decide to set up a club for themselves.
|
|
|
AA 158
|
HOLLYWOOD DAFFY (Merrie Melodies), 1946
Director: [Friz Freleng]
At Hollywood and Vine Streets Daffy steps off a bus and into Warner Brothers Studios. He is soon chased all through the backlot.
|
|
|
AA 159
|
HOLLYWOOD STEPS OUT (Merrie Melodies), 1941
Director: [Tex Avery]
Caricatures of many contemporary stars mix and mingle at Ciro's.
|
|
|
AA 160
|
HONEYMOON HOTEL (Merrie Melodies), 1934
B/W; Director: Earl Duvall
We see the sights and sounds of Bugtown. Two bugs get married and spend the night at the Honeymoon Hotel. Their love is so hot the hotel burns down.
|
|
|
AA 161
|
HOP, LOOK AND LISTEN (Merrie Melodies), 1948
Director: (Friz Freleng]
We get a tour of the animals and an introduction to Hippety Hopper, the frog at the zoo.
|
|
|
AA 162
|
HOP, SKIP AND A CHUMP (Merrie Melodies), 1942
Director: [Friz Freleng]
Opens to a grasshopper springing along. Two blackbirds chase him for dinner but he is too smart for them. The birds resemble Laurel and Hardy.
|
|
|
VBA 367 (7th)
|
HOPALONG CASUALTY (Merrie Melodies), 1960
Director: [Chuck Jones]
Wile E. Coyote chases the Road Runner.
|
|
|
AA 163
|
A HORSEFLY FLEAS (Merrie Melodies), 1948
Director: [Robert McKimson]
A flea bouncing across a street. He is a woodsman type who teams up with a homeless horsefly. They find a dog on which to live and have adventures.
|
|
|
AA 164
|
HORTON HATCHES THE EGG, 1942
Director: [Bob Clampett]
An animated version of the Dr. Seuss tale about Horton the elephant. Horton hatches an egg for a bird despite all sorts of hardships.
|
|
|
AA 165
|
HOUSE HUNTING MICE (Looney Tunes), 1947
Director: [Chuck Jones]
At the “House of Tomorrow,” designed by F. Lloyd Wrong, two mice, Hubie and Bertie, get inside and explore.
|
|
|
AA 166
|
HUSH MY MOUSE (Merrie Melodies), 1946
Director: [Chuck Jones]
In a back alley is located the “Cat's Bar.” The special is mouse knuckles, but they are fresh out. A mean cat comes in for some and the hunt is on for some mice to please the customer.
|
|
|
AA 175
|
I GOT PLENTY OF MUTTON (Looney Tunes), 1944
Director: Frank Tashlin
A terrible winter storm. Inside a house a notice reads “No meat for Wolves. O.P.A. Ruling!!!” The wolf is starving and sets out to steal some mutton from a flock guarded by Killer Diller the Ram.
|
|
|
AA 168
|
I HAVEN'T GOT A HAT (Merrie Melodies), 1935
Director: Isadore Freleng
Opens with character vignettes. At school there is a music show and all the parents show up to see their children perform. The first Porky Pig appearance.
|
|
|
AA 169
|
I LIKE MOUNTAIN MUSIC (Merrie Melodies), 1933
B/W; Director: [Rudolph Ising]
The inside of Peter's Drug Store. At 12:45 P.M. at night the western comics and other magazines come alive to sing and dance.
|
|
|
AA 170
|
I LOVE A PARADE (Merrie Melodies), 1932
B/W; Director: (Rudolph Ising]
A clown is performing in the circus ring as the actors and the crowd begin to sing.
|
|
|
AA 171
|
I LOVE TO SINGA (Merrie Melodies), 1936
Director: [Tex Avery]
At a home in a tree where the owls live, Prof. Fritz Owl does not like the fact that one of his children wants to be 'Owl Jolson'
- until he wins a music contest.
|
|
|
AA 173
|
I ONLY HAVE EYES FOR YOU (Merrie Melodies), 1937
: Director: [Tex Avery]
Opens to an ice truck driven by a bird. The driver is pestered by an old maid but he likes Kathy Canary who, in turn, is in love with a crooner on the radio.
|
|
|
AA 174
|
I TAW A PUDDY TAT (Merrie Melodies), 1948
Director: [Friz Freleng]
Opens on an empty cage. Granny complains about having lost four birds that month, as Sylvester hiccups feathers. Tweety arrives and the battle begins.
|
|
|
AA 176
|
I WANNA BE A SAILOR (Merrie Melodies), 1937
Director: [Fred Avery]
Mamma Parrot is teaching three little parrots to talk. She tells them about their father, a no-good sailor. Little Peter goes off to be like his dad. He builds his own ship and sails into a storm with a little duck as his crew.
|
|
|
AA 177
|
I WANNA PLAY HOUSE (Merrie Melodies), 1936
Director: Isadore Freleng
Mamma Bear is sleeping while her two cubs play. They play hide-n-go seek and get into all sorts of trouble.
|
|
|
AA 178
|
I WISH I HAD WINGS (Merrie Melodies), 1932
B/W; Director: [Rudolf Ising]
Opens to a sleeping rooster. He crows to wake the hens. An ordinary day at the barnyard is shown.
|
|
|
AA 179
|
I'D LOVE TO TAKE ORDERS FROM YOU (Merrie Melodies), 1936
Director: Fred Avery
After standing in a plowed field all day, a scarecrow is just getting off work. He goes home to his wife and child where he teaches the boy the finer points of his trade.
|
|
|
AA 172
|
I'M A BIG SHOT NOW (Merrie Melodies), 1936
Director: [Friz Freleng]
Opens to a busy street in Birdville. The birds are going about their business, when a group of criminal birds rob the bank and a chase begins.
|
|
|
AA 180
|
INKI AND THE LION (Merrie Melodies), 1941
Director: [Chuck Jones]
Opens in the jungle where Inki is chasing a monkey. Along the walks a minah bird. Later, when Inki tangles with a lion, minah bird saves the little boy.
|
|
|
AA 182
|
INKI AND THE MINAH BIRD (Merrie Melodies), 1943
Director: [Chuck Jones]
Opens on the African plains where Inki is hunting anything that moves. A minah bird appears and the hunt begins.
|
|
|
AA 181
|
INKI AT THE CIRCUS (Merrie Melodies), 1947
Director: [Chuck Jones]
After a bird's eye view of a big-top we move to Inki in a cage covered with “danger” signs. A dog comes along and steals the bone from Inki's head. Another dog comes along to fight over the bone and the tale continues.
|
|
|
AA 183
|
INTO YOUR DANCE (Merrie Melodies), 1935
Director: Isadore Freleng
A showboat is paddling down a river. The boat stops to pick up passengers and put on a show.
|
|
|
AA 184
|
THE ISLE OF PINGO PONGO (Merrie Melodies), 1938
B/W; Director: [Fred Avery]
An oceanliner, the “S.S. Queen Minnie,” is leaving New York. She steams to the Isle where we see a variety of animals and natives. Starring the character “Egghead.”
|
|
|
AA 185
|
IT'S GOT ME AGAIN (Merrie Melodies), 1932
B/W; Director: [Friz Freleng]
Into a room with a grandfather clock, a mouse trap on the floor, and various musical instruments sneaks a mouse. He is soon joined by others who start to party. On to the scene comes a cat to spoil all the fun.
|
|
|
AA 186
|
AN ITCH IN TIME (Merrie Melodies), 1943
Director: [Bob Clampett]
Elmer Fudd is reading by the fire with his dog sleeping on the floor. From the kitchen comes a flea who jumps on the dog and torments him throughout the film.
|
|
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AA 187
|
JACK WABBIT AND THE BEANSTALK (Merrie Melodies), 1943
Director: Isadore Freleng
The familiar beanstalk is rising up to the clouds. In the giant's garden Bugs is chopping down a giant-sized carrot. The ogre returns and the fight begins.
|
|
|
AA 188
|
JOHNNY SMITH AND POKER-HUNTAS (Merrie Melodies), 1938
Director: [Fred Avery]
Opens with a sarcastic dedication to the 7.5 trillion people whose ancestors came over on the Mayflower. This initiates a spoof of the John Smith-Pocahontas story, starring Egghead.
|
|
|
AA 189
|
JUNGLE JITTERS (Merrie Melodies), 1938
Director: Isadore Freleng
The natives are beating the drums and the tribe is dancing in a jungle village. A salesman comes to the door and it looks like the natives will have him for lunch--until “White Queen” finds out he is there. She tries to convince him to stay and become her mate.
|
|
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AA 190
|
KATNIP KOLLEGE (Merrie Melodies), 1938
Director: [Ben Hardaway and Cal Dalton]
The cats are arriving for classes at Katnip Kollege. In the Swingology class the cats get down, except for poor Johnny who cannot swing. He is crowned the dunce till he “gets that swing.”
|
|
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AA 191
|
KITTY KORNERED (Looney Tunes), 1946
Director: Robert Clampett
Porky pig puts out his four cats and retires for the night. They attempt to gain reentry and displace the homeowner. Part of their plan includes an imitation or the “War of the Worlds” broadcast.
|
|
|
AA 192
|
A LAD IN BAGDAD (Merrie Melodies), 1938
Director: Cal Howard and Cal Dalton
Egghead plays the lad who finds himself in Bagdad. Somebody wants his lamp and plots to get it. The Sultan has a talent contest for the hand of his daughter.
|
|
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AA 193
|
THE LADY IN RED (Merrie Melodies), 1935
Director: [Friz Freleng]
Opens to a cafe in Mexico. Inside the cockroaches are having a field day. They put on a show and dance until a parrot escapes and threatens their safety.
|
|
|
AA 194
|
LAND OF THE MIDNIGHT FUN (Merrie Melodies), 1939
Director: Fred Avery
An oceanliner is in port. A narrator takes us on an “educational cruise” to the “Land of the Midnight Sun.”
|
|
|
AA 195
|
LET IT BE ME (Merrie Melodies), 1936
Director: [Friz Freleng]
Inside the radio stations of the Poultry Broadcasting Co., a Bing Crosby type rooster is singing while outside the hens gather to listen. A black rooster gets jealous of the singer's come-on to his hen. When the singer dumps the gal the plot thickens.
|
|
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AA 196
|
LIFE WITH FEATHERS (Merrie Melodies), 1945
Director: ][Friz Freleng]
Opens to a fight in a birdcage on the back porch. A love bird and his mate break up and the male tries to kill himself by being eaten by a cat. He chooses Sylvester to do the deed, but the cat wants nothing to do with it.
|
|
|
AA 197
|
LIGHTS FANTASTIC (Merrie Melodies), 1942
Director: Isadore Freleng
An examination of Times Square in New York City shows the various neon advertisements around the square.
|
|
|
HA 570 and HA 578
|
THE LION'S BUSY (Merrie Melodies), 1958
Director: Isadore Freleng
In the jungle the the animals are celebrating Leo Lion's 8th birthday. A vulture, knowing that this is a lion's average lifespan, is waiting for Leo to kick off.
|
|
|
AA 198
|
LITTLE BLABBERMOUSE (Merrie Melodies), 1940
Director: [Friz Freleng]
In a drugstore after hours, a W.C. Fields type huckster is selling rides around the store in the overhead basket.
|
|
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AA 199
|
LITTLE BROTHER RAT (Merrie Melodies), 1939
Director: [Chuck Jones]
On a farm late at night a cat is sleeping by the fire. Sniffles the Mouse sneaks up and pulls a whisker off the cat as part of the mice's scavenger hunt. Now all Sniffles needs to win the scavenger hunt is the egg of an owl!
|
|
|
AA 200
|
LITTLE DUTCH PLATE (Merrie Melodies), 1935
Director: [Friz Freleng]
It's Holland at tulip time. On the kitchen shelf, the girl on a plate loves the boy on a salt shaker. Along comes Mr. Vineger to spoil their fun.
|
|
|
AA 201
|
THE LITTLE LION HUNTER (Merrie Melodies), 1939
Director: [Chuck Jones]
Inki is once again hunting animals in the jungle.
|
|
|
AA 202
|
LITTLE ORPHAN AIREDALE (Merrie Melodies), 1947
Director: [Chuck Jones]
Over the dark prison wall slips a shadow: it's a dog escaping from the city pound. He meets an old friend who tells him a story about how he tried to make Porky Pig his master.
|
|
|
AA 203
|
LITTLE PONCHO VANILLA (Merrie Melodies), 1938
: Little Poncho reads “How to Win Cows and Influence Bulls.” Mama does not want him to fight the bulls, but he does anyway.
|
|
|
AA 204
|
LITTLE RED RIDING RABBIT (Merrie Melodies), 1944
Director: Isadore Freleng
Grandma is busy working at Lockheed in this war-era version of the story, so when Red tries to deliver Bugs as a present the wolf has two victims to chase. Red winds up loser.
|
|
|
AA 205
|
LITTLE RED WALKING HOOD (Merrie Melodies), 1937
Director: [Tex Avery]
In a pool-hall the wolf sees Red go by and gives chase in his big car. He tries to pick her up, but Egghead keeps wandering by and eventually puts him in his place.
|
|
|
AA 206
|
LOST AND FOUNDLING (Merrie Melodies), 1944
Director: [Chuck Jones]
While a mother bird is sleeping, an egg rolls out of her nest and ends up in Sniffles' house. The egg hatches and thinks that Sniffles is his mom. Sniffles tries his best to raise the bird, but it's a hawk--the mouse's natural enemy.
|
|
|
AA 207
|
LOVE AND CURSES (Merrie Melodies), 1938
Director: Ben Hardaway
Opens with a placard applauding the villains of the Gay 90's, to whom this film is dedicated. Goes on to Ma and Pa looking over their photo album and reminiscing about the run-in they had with a villain in their youth.
|
|
|
AA 208
|
THE LYIN' MOUSE (Merrie Melodies), 1937
Director: [Friz Freleng]
A mouse is caught in a trap. A cat comes along and the mouse begs for his life. He tries to convince the cat by telling him the fable of the mouse and the lion.
|
|
|
AA 209
|
THE MAJOR LIED TILL DAWN (Merrie Melodies), 1938
Director: Frank Tashlin
Opens to the Major and Freddy standing in front of a fireplace. Freddy asks the Major about his third expedition to Africa.
|
|
|
AA 210
|
MALIBU BEACH PARTY (Merrie Melodies), 1940
Director: Isadore Freleng
Opens with an invitation to Jack Benny's beach party. All the Hollywood stars show up and Jack provides the entertainment.
|
|
|
AA 211
|
MEATLESS FLYDAY (Merrie Melodies), 1944
Director: Isadore Freleng
A house fly is buzzing near the ceiling. On a table below a spider plans his trap.
|
|
|
AA 212
|
THE MERRY OLD SOUL (Merrie Melodies), 1935
Director: [Friz Freleng]
Church bells are ringing because Old King Cole in marrying the Woman Who Lived in the Shoe, and all the fairy tale characters are on hand to celebrate.
|
|
|
AA 213
|
MEXICAN JOYRIDE (Looney Tunes), 1947
Director: Arthur Davis
Opens to a stretch of highway in the desert. Along comes Daffy Duck in a car packed with luggage. When he arrives in Mexico, Daffy does the typical tourist things--and more.
|
|
|
AA 214
|
THE MICE WILL PLAY (Merrie Melodies), 1938
Director: [Tex Avery]
Inside the offices of “Dr. I.M. Nutts” some mice case the lab and, finding no one home they start to have some fun--until the cat comes along.
|
|
|
AA 215
|
MIGHTY HUNTERS (Merrie Melodies), 1940
Director: Charles M. Jones
In Arizona's Red River Canyon, a narrator tells of the “wild and fierce” Indians that roamed this land. Starring James Swinnerton's “Canyon Kiddies” (courtesy of “Good Housekeeping Magazine”) as the Indians of this southwestern tribe.
|
|
|
AA 220
|
MR. AND MRS. IS THE NAME (Merrie Melodies), 1935
Director: Isadore Freleng
Mermaids are playing on a wrecked ship. As they sing, fish and mollusks play. An octopus comes along and kidnaps one of the mermaids. Her merman gives chase.
|
|
|
AA 217
|
MOONLIGHT FOR TWO (Merrie Melodies), 1932
B/W; Director: [Rudolph Ising]
The moon is rising over a hillbilly cabin. A girl comes
out of the cabin as her boyfriend is passing by. They go and reserve some moonlight for two.
|
|
|
AA 218
|
MOUSE MENACE (Merrie Melodies), 1946
Director: [Arthur Davis]
Opens to a calendar on a wall. Moves to little notes on mouse traps and then to Porky Pig chasing a mouse. Porky decides to get a cat, but it doesn't scare the mice. He tries a mountain lion, but it's chased off by the mice as well. Porky decides to build a mechanical cat and then the fight gets nasty.
|
|
|
AA 219
|
THE MOUSE-MERIZED CAT (Merrie Melodies), 1946
Director: Robert McKimson
Opens to view of the earth from space, zooms to the U.S., then
Mousachewsetts, then a closed Fluglers Delicatessen. Inside an
team of mice are at work. (Babbit and Catstello)
|
|
|
HA 571 and 576
|
MOUSE WRECKERS (Merrie Melodies), 1958
Director: Charles M. Jones
Opens to a nice house. Hubie and Bertie decide they would like
to live there, but the house is inhabited by a champion mouser.
The two mice proceed to drive the cat nuts.
|
|
|
AA 221
|
MY FAVORITE DUCK (Merrie Melodies), 1942
Director: [Chuck Jones]
Vacationing on a lovely pond, Porky Pig is canoeing and camping out. All is bliss--until Daffy comes along.
|
|
|
AA 222
|
MY GREEN FEDORA (Merrie Melodies), 1935
B/W; Director: Isadore Freleng
Mama Rabbit tells Peter Rabbit to take care of his little brother, while she goes shopping. A weasel comes along and tries to eat the little one.
|
|
|
AA 223
|
MY LITTLE BUCKEROO (Merrie Melodies), 1938
Director: [Friz Freleng]
It's 1872 in Boilbeef, Texas. A rider come along calling for all sheriffs to be on the lookout. “The Terror” is on the prowl.
|
|
|
AA 224
|
NASTY QUACKS (Merrie Melodies), 1945
Director: [Frank Tashlin]
Agnes' one-time baby duckling has grown into Daffy, who is driving Father insane. Dad tries to eliminate the duck in a number of imaginative ways.
|
|
|
AA 225
|
NAUGHTY BUT MICE (Merrie Melodies), 1939
Director: Charles Jones
Opens to a clocktower striking 2:00 A.M. In the “Savery Drug Store” Sniffles is looking for a cold remedy. He picks one that's 12.5% alcohol and gets drunk. A cat comes along, and then the fun begins.
|
|
|
AA 226
|
THE NIGHT WATCHMAN (Merrie Melodies), 1938
Director: [Chuck Jones]
Inside on a rainy night, a cat is too sick to watch over the kitchen so his son takes over. The mice do not fear the little cat until he gains some self-respect.
|
|
|
AA 227
|
NOTHING BUT THE TOOTH (Merrie Melodies), 1947
Director: Arthur Davis Porky Pig Indian territory
California, 1848 1/2. Gold is discovered. heads out west, but while passing through he must tangle with a pint-sized brave.
|
|
|
AA 228
|
NOW THAT SUMMER IS GONE (Merrie Melodies), 1938
Director: [Frank Tashlin]
A wooded stream in the fall. As the leaves fall, the squirrels start storing nuts for the winter. One squirrel is gambling his winter stash and is bawled out by his father. Later, junior loses the family nuts to his disguised father.
|
|
|
AA 229
|
THE ODOR-ABLE KITTY (Merrie Melodies), 1945
Director: [Chuck Jones]
Opens to what looks like a cat in a butcher shop surrounded by meat, but she's just looking through the window. After being chased and hounded she turns herself into a skunk so that everyone will leave her alone. Everyone but Pepe Le Pew.
|
|
|
AA 230
|
OF FOX AND HOUNDS (Merrie Melodies), 1940
Director: [Tex Avery]
In a pasture with clumps of trees next to an inn, “Ye Fox and Hounds” the hunt begins; one dumb hound keeps getting tricked by the fox over and over again.
|
|
|
AA 231
|
OF THEE I STING (Merrie Melodies), 1946
Director: [Friz Freleng]
A narrator describes a squadron of mosquitoes they as
consider “The Enemy”--meaning humans. We watch the insects as
they prepare for the strenuous combat that lies ahead.
|
|
|
AA 232
|
OLD GLORY (Merrie Melodies), 1939
Director: [Chuck Jones]
Opens to Old Glory flying in the wind. Nearby a young Porky Pig is reading the Pledge of Allegiance. Uncle Sam comes along to help Porky understand just what the flag stands for.
|
|
|
AA 233
|
THE OLD GREY HARE (Merrie Melodies), 1944
Director: Robert Clampett
Elmer Fudd is having a breakdown because he can't catch Bugs Bunny. A voice from above takes Elmer into the future-- to see what their relationship will be like in the year 2000.
|
|
|
AA 234
|
ONE MEAT BRAWL (Merrie Melodies), 1947
Director: [Robert McKimson]
It's Ground Hog Day but Porky and his dog are out to hunt Grover Ground Hog, not to celebrate.
|
|
|
AA 235
|
ONE MORE TIME (Merrie Melodies), 1931
B/W; Director: [Rudolf Ising]
A policeman (Foxy) is walking down the street, chasing criminals as he sings the song “One More Time.” He and his girlfriend sing, dance, play the piano and get the bad guys.
|
|
|
AA 236
|
ONE STEP AHEAD OF MY SHADOW, (Merrie Melodies), 1933
B/W; Director: [Rudolf Ising]
A street scene in a Chinese city. A little boy poles down the river and serenades his girlfriend with “One Step Ahead of My Shadow.” A warlord does a dance number and the temple is attacked by a dragon, but all ends well. This film is loaded with Oriental stereotypes and parodies of Chinese people.
|
|
|
AA 237
|
THE ORGAN GRINDER (Merrie Melodies), 1932
B/W; Director: [Rudolf Icing]
An organ grinder and his monkey “Tony” are strolling down the street. They do their act for coins from their audience. In between collecting coins and getting into mischief, Tony does impersonations of Harpo Marx and Laurel and Hardy.
|
|
|
AA 238
|
PAGAN MOON (Merrie Melodies), 1932
B/W; Director: [Rudolf Ising]
Opens to an island couple singing and dancing under a full moon. As the night goes on all of the islanders (including the fish) party and have fun on land and under the sea.
|
|
|
AA 216
|
PAGE MISS GLORY (Merrie Melodies), 1936
Director: [Tex Avery]
Hicksville is preparing for Miss Glory's arrival. One of the hotel bell boys falls asleep and dreams of what it would be like to work at the Cosmopolitan Hotel when Miss Glory arrives. The dream is an Art Deco mastepiece. “Moderne art conceived and designed by Leadora Congdon.”
|
|
|
AA 239
|
PECK UP YOUR TROUBLES (Merrie Melodies), 1945
Director: [Friz Freleng]
Sylvester spys on a woodpecker who is setting up his house in a tree. The cat attempts to snare the bird for lunch, and the fight is on.
|
|
|
AA 240
|
THE PENGUIN PARADE (Merrie Melodies), 1938
Director: Fred Avery
In the frozen Arctic the Northern Lights are glowing. At the grand opening of “Club Iceberg” all the penguins are arriving dressed to the nines. Also in attendence are walruses and seals.
|
|
|
AA 241
|
A PEST IN THE HOUSE (Merrie Melodies), 1947
Director: Charles M. Jones
Begins with a narrator speaking of the labor shortage. At the hotel where he is desk clerk, Elmer Fudd has the new bellhop (Daffy Duck) take a customer up to his room. Daffy cannot keep quiet.
|
|
|
AA 242
|
PIGS IN A POLKA (Merrie Melodies), 1943
Director: [Friz Freleng]
Begins with a conductor at the podium--a wolf in a tux. This is a ballet variation on the Three Little Pigs story set to the “Hungarian Dance” by Brahms.
|
|
|
AA 243
|
PIGS IS PIGS (Merrie Melodies), 1937
Director: [Friz Freleng]
In a lovely cottage a group of pigs are playing and dreaming of food as Mama is cooking dinner. One pig just can't wait and he eats his brother's food as well as his own. Mama sends him directly to bed and he has a nightmare.
|
|
|
AA 244
|
PLANE DAFFY (Looney Tunes), 1944
Director: Frank Tashlin
A foggy night at “Pidgeon Hollow.” The 13th pigeon is AWOL with a female Nazi spy bird to whom he reveals all his secrets. Daffy volunteers for the next mission. The femme fatale is foiled by Daffy's insanity and aversion to women.
|
|
|
AA 245
|
PLENTY OF MONEY AND YOU (Merrie Melodies), 1937
Director: [Friz Freleng]
When one member of a barnyard full of chickens lays an ostrich egg, there is plenty of trouble.
|
|
|
AA 246
|
POP GOES YOUR HEART (Merrie Melodies), 1934
Director: Isadore Freleng
On a snowy hillside Red Robin chirps and spring suddenly pops out everywhere. In a salute to spring, all the insects, birds and animals dance and have fun. However, a bear comes along and tries to spoil their good time.
|
|
|
AA 247
|
PREST-O CHANGE-O (Merrie Melodies), 1939
Director: [Chuck Jones]
A dog catcher is chasing two dogs. The dogs take refuge in a house owned by “Sham-Fu” the magician. That night, all sorts of strange things happen to them.
|
|
|
AA 248
|
THE QUEEN WAS IN THE PARLOR (Merrie Melodies), 1932
B/W; Director: [Rudolph Ising]
Opens to a castle on a hill. The king returns home to his cheering subjects and asks for the queen. He's told she's in the parlour eating bread and honey. The entire castle breaks into song and dance and finally the queen comes out.
|
|
|
AA 249
|
QUENTIN QUAIL (Merrie Melodies), 1946
Director: Charles M. Jones
Quentin Quail sneaks from bush to bush looking for a worm to please his spoiled child. The chase is on to please the brat.
|
|
|
AA 250
|
RABBIT PUNCH (Merrie Melodies), 1948
Director: Charles M. Jones
At the World Championship fight, a loudmouth Bugs insults the Champ and then the real fight begins.
|
|
|
AA 251
|
RABBIT TRANSIT (Looney Tunes), 1947
Director: Isadore Freleng
Opens to geysers blowing out steam. Bugs is taking a bath and reading about the turtle that beat the hare. Bugs just can't believe it. A turtle happens to come by and challenges Bugs to a race. Bugs accepts and the race is on.
|
|
|
VBA 374 (2nd)
|
RABBIT'S KIN, 1952
Director: Robert McKimson
A small bunny is crying for help. Bugs comes up and listens to his story of being attacked by Pete Puma. Bugs helps Junior teach Pete a lesson.
|
|
|
AA 252
|
RACKETEER RABBIT (Looney Tunes), 1946
Director: Isadore Freleng
Spotting an abandoned house in a downpour, Bugs goes in to get out of the rain. Two gangsters, Bugsy and Mugsy, use the house as a hideout. Bugs cheats them of their loot and Mugsy wants to take him for a ride.
|
|
|
AA 253
|
THE RATTLED ROOSTER (Merrie Melodies), 1948
Director: [Arthur Davis]
Set in a barnyard where all the roosters are asleep in their coop. They wake at dawn, but one rooster gets a slow start and finds he has his wings full with a feisty worm.
|
|
|
VBA 455
|
READY, SET, ZOOM (Looney Tunes), 1955
Director: [Chuck Jones]
Road Runner is chased by Wile E. Coyote.
|
|
|
AA 254
|
RED-HEADED BABY (Merrie Melodies), 1931
B/W; Director: [Rudolf Ising]
A small elf is fixing a toy. As the clock strikes ten, he goes to sleep and the toys all come to life. They dance to the radio, until a spider comes along and tries to spoil their fun.
|
|
|
AA 255
|
RHAPSODY IN RIVETS (Merrie Melodies), 1941
Director: [Friz Freleng]
On the site of a new building, the foreman “conducts” the blueprints like a musical score and a skyscraper is constructed to the strains of Liszt's “Hungarian Rhapsody.”
|
|
|
AA 256
|
RHAPSODY RABBIT (Merrie Melodies), 1946
Director: Isadore Freleng
Opens to a piano on a stage. Enter Bugs in tails to the applause of the crowd. He begins to play a Liszt rhapsody, but a mouse appears and bugs him till he switches to hot jazz.
|
|
|
AA 257
|
ROBIN HOOD MAKES GOOD (Merrie Melodies), 1939
Director: [Chuck Jones]
In the forest three squirrels are reading about Robin Hood. They play at being Robin Hood until a fox comes along and the play becomes real.
|
|
|
AA 032
|
ROOKIE REVUE (Merrie Melodies), 1941
Director: Isadore Freleng
Begins on a billboard reading “Join the Army.” A narrator announces: “Let's join the Army for a day.” We are off to Fort Nix to observe Army life.
|
|
|
AA 258
|
ROUGHLY SQUEAKING (Merrie Melodies), 1946
Director: [Chuck Jones]
Opens to two mice, Hubie and Bertie, carrying a large piece of cheese across a kitchen floor. When the cat catches them, they try to convince him that he is a lion.
|
|
|
AA 259
|
RUSSIAN RHAPSODY (Merrie Melodies), 1944
Director: Robert Clampett
Hitler is furious that another squadron of planes has failed to reach Moscow. Hitler flies a plane to Moscow himself to find out what's happening. It's the “gremlins from the Kremlin” that stop him.
|
|
|
AA 260
|
SADDLE SILLY (Merrie Melodies), 1941
Director: Charles M. Jones
Opens with a dedication to the “Phony Express.” A weary rider comes galloping along. We follow as he switches horses and rides into Indian territory.
|
|
|
VBA 455
|
SATAN'S WAITIN' (Looney Tunes), 1954
Director: [Friz Freleng]
Sylvester chases Tweety Bird across some telephone wires. He falls, dies, lands in hell and finds he still has eight lives left. He goes after Tweety seven more times, but gives up in order to save his last remaining life.
|
|
|
VBA 374
|
THE SCARLET PUMPERNICKEL (Looney Tunes), 1950
Director: [Chuck Jones]
In Hollywood Daffy Duck is tired of the comic roles he's had to play and pleads with “J.L.” for a dramatic role. Daffy reads a script he's written for himself and it comes to life.
|
|
|
AA 261
|
SCENT-IMENTAL OVER YOU (Merrie Melodies), 1947
Director: [Chuck Jones]
New York City's Park Avenue. All the dogs are showing off their new spring coats. A little Chihuahua who has no coat glues on a fur that makes her look a skunk. She scares away the other dogs but becomes the object of Pepe Le Pew's affections.
|
|
|
AA 262
|
SCREWBALL FOOTBALL (Merrie Melodies), 1939
Director: Fred Avery
At the “Chilli Bowl” the players show the crowd a game of football with some very unusual rules.
|
|
|
AA 263
|
SEPTEMBER IN THE RAIN (Merrie Melodies), 1937
Director:
Opens to the exterior of a grocery store in the rain. Inside the labels on the different products come to life. They perform songs and dances reminiscent of popular stars of the thirties.
|
|
|
AA 264
|
THE SHANTY WHERE SANTA CLAUS LIVES (Merrie Melodies), 1933
B/W; Director: [Rudolf Ising]
Church bells ring out “Silent Night.” A poor little boy cries as he watches happy kids dancing around a Christmas tree. He trudges sadly home. Santa Claus appears and takes him to Santa's Toy Shoppe at the North Pole. All the toys come to life and entertain the happy boy with their dancing and singing.
|
|
|
AA 265 and VBA 455
|
SHE WAS AN ACROBAT'S DAUGHTER (Merry Melodies), 1937
Director: Isadore Freleng
It's showtime at the Warmer Bros. Theatre. The Goofy-Tone News is followed by a sing-along with Stickoutski at the Fertilizer Organ. The feature, a Warmer Bros. Vitamin Production, is “The Petrified Florist” starring Lester Coward and Bette Savis. Things really begin to happen when a curious child invades the projection booth.
|
|
|
AA 266
|
THE SHEEPISH WOLF (Merrie Melodies), 1943
Director: [Friz Freleng]
Opens to a flock of sheep grazing in a field. Watching over the sheep is a talkative but dumb sheep dog. A wolf tries the old “sheep's clothing” disguise.
|
|
|
AA 267
|
THE SHELL-SHOCKED EGG (Merrie Melodies), 1948
Director: [Robert McKimson]
A turtle walks along the beach burying her eggs in the sand. Baby Clem's legs pop out of one of the eggs and he wanders away looking for a warm place to hatch.
|
|
|
VBA 367
|
SHISHKABUGS (Looney Tunes), 1962
Director: [Friz Freleng]
In the story's castle Yosemite Sam is the royal cook. The King demands rabbit for dinner just as Bugs Bunny is knocking on the castle door. Bugs is “invited” for supper.
|
|
|
AA 268
|
SHOP, LOOK AND LISTEN (Merrie Melodies), 1940
Director: Isadore Freleng
A neon sign advertises “J.T. Gimlet Dept. Store--The Shoplifter's Paradise.” Inside, Blabbermouse (a W.C. Fields type) is giving after hours tours of the store to other mice.
|
|
|
AA 270
|
SHUFFLE OFF TO BUFFALO (Merrie Melodies), 1933
B/W; Director: Hugh Harman and Rudolf Ising
Old Father Time orders, and storks deliver, babies. We see all the activities of the baby factory with a guest appearance by Eddie Cantor.
|
|
|
AC 045
|
SINKIN' IN THE BATHTUB (Looney Tunes), 1930
B/W; Director: Hugh Harman and Rudolf Ising
Opens to Bosko in the bathtub. He dresses and goes out to pick up his girl. They go for a ride and run into all sorts of trouble.
|
|
|
AA 271
|
SIOUX ME (Merrie Melodies), 1939
Director: [Ben Hardaway and Cal Dalton]
A narrator tells us that a long drought has troubled the Indian Reservation. Things are getting desperate for the rainmaker. He's got to come up with something fast or lose his head.
|
|
|
AA 272
|
SLICK HARE (Merrie Melodies), 1947
Director: Isadore Freleng
Opens to Hollywood by night. At the Mocrumbo night club, waiter Elmer Fudd has 20 minutes to get Humphrey Bogart a rabbit for dinner. Bugs just happens to be back in the kitchen under some carrots. A fight ensues, with many film star cameos made.
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AA 273
|
SLIGHTLY DAFFY (Merrie Melodies), 1944
Director: [Friz Freleng]
A sentry is guarding a frontier fort. Daffy Duck, the fort commander, with Porky Pig as one of his lazy soldiers, must confront an Indian attack on the fort.
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AA 274
|
SMILE, DARN YA, SMILE (Merrie Melodies), 1931
B/W; Director: [Rudolf Ising]
Foxy is running a trolly and singing the title song. He picks up his gal and they sing as they ride the crazy trolly round the town.
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AA 275
|
THE SNEEZING WEASEL (Merrie Melodies), 1938
Director: [Tex Avery]
A rooster is sound asleep on a fence. In the barnyard Mama chicken and her hens go out for breakfast. A storm comes up and blows one of the chicks away. While mom is out looking for the lost chick, a weasel sneaks into the house.
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AA 276
|
SNIFFLES AND THE BOOKWORM (Merrie Melodies), 1939
Director: [Chuck Jones]
Sleeping in a bookstore, Sniffles startles a bookworm. The worm alerts Mother Goose characters, who start to dance and sing wit mouse and worm until the book Frankenstein comes alive.
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AA 277
|
SNIFFLES BELLS THE CAT (Merrie Melodies), 1941
: Opens to four mice running for their lives from the cat. Back in their hole they decide to place a bell around the cat's neck so they can hear him coming. Sniffles is chosen for the job.
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AA 278
|
SNIFFLES TAKES A TRIP (Merrie Melodies), 1940
: Opens to a railroad just outside a city. Sniffles is hiking out of town with his knapsack. He stops at “Country Meadows,” but the pleasures of country life scare him back to the city.
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VBA 367
|
SNOW BUSINESS (Looney Tunes), 1953
Director: [Friz Freleng]
5th
Granny is stuck in a blizzard and can't get to her cabin. Sylvester, Tweety and a little mouse are trapped in the cabin without any food. They fight over who's going to be dinner until Granny finally gets through.
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AA 269
|
SNOWMAN'S LAND (Merrie Melodies), 1939
Director: Charles Jones
In the harsh hinterlands of Canada, a Mounted Police squad sends one Mountie out to catch “Dirty Pierre.”
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AA 279
|
SNOWTIME FOR COMEDY (Merrie Melodies), 1941
Director: [Chuck Jones]
Opens to a pair of dogs running through a snowy street. They're trying to get a bone, but they have all sorts of trouble.
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AA 280
|
SPEAKING OF THE WEATHER (Merrie Melodies), 1937
Director: [Frank Tashlin]
The city clock is striking midnight. Inside the drugstore all the magazines come to life and have a party.
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HA 570 and HA 578
|
SPEEDY GONZALES (Merrie Melodies), 1955
Director: Isadore Freleng
Opens to 4 mice in a field outside the “Ajax Cheese Co.” They draw straws to see who will try for the cheese. When the loser tries to get the cheese, he's caught by Sylvester the guard cat. Speedy helps the mice get the cheese and defeat the cat.
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AA 281
|
SPORT CHUMPIONS (Merrie Melodies), 1941
Director: Isadore Freleng
Visual puns accompany narration dealing with several sports Archery, Billiards, Ping-Pong, Skiing, Track, Swimming, Diving, Crew, Bicycle Racing, Baseball, Football, and Auto Racing.
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AA 282
|
THE SQUAWKIN' HAWK (Merrie Melodies), 1942
Director: [Charles M. Jones]
Opens to the home of “Chick N. Hawk.” Junior won't eat his worm but instead wants chicken. He is sent to bed but sneaks out to find a chicken.
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AA 283
|
STAGE DOOR CARTOON (Merrie Melodies), 1944
Director: Isadore Freleng
Elmer Fudd sneaks through the woods seeking Bugs. The chase commences and continues through a theater.
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AA 284
|
STAGE FRIGHT (Merrie Melodies), 1940
Director: [Charles M. Jones]
A pair of dogs are pulling the ends of a bone. One gets the bone away from the other and the chase is on. It ends up in a theater where all sorts of trouble happens.
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AA 285
|
A STAR IS HATCHED (Merrie Melodies), 1938
Director: Isadore Freleng
At the Hicksville Gas Station a chicken dreams of Hollywood stardom. She then goes to Hollywood to become an actress with comedic results.
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AA 286
|
STREAMLINED GRETA GREEN (Merrie Melodies), 1937
Director: Isadore Freleng
Opens to a busy city in which the cars are alive. In the country Junior is reading up on how to become a city taxi Instead of auto school he goes to the city and has an adventure.
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AA 287
|
THE STUPID CUPID (Merrie Melodies), 1944
Director: [Frank Tashlin]
A stupid Cupid (played by Elmer Fudd) is prancing through a meadow. He hits a few animals with his arrows and they fall in love. Soon Daffy Duck becomes one of his victims.
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AA 288
|
A SUNBONNET BLUE (Merrie Melodies), 1937
Director: [Fred Avery]
Mice frolic at night inside the “Snobby Hatte Shoppe.” Inside all is dark. A mouse peers out of his hole and comes out to join other mice at play.
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AA 289
|
SUNDAY GO TO MEETIN' TIME (Merrie Melodies), 1936
B/W; Director: [Isadore Freleng)
Opens to chickens out in the street as a Black preacher greets his patrons at the door of the church. It's Sunday in “Blacktown” as we watch people get ready for church. One man doesn't go and we see the evil consequences that result.
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AA 290
|
SUPER-RABBIT (Merrie Melodies), 1943
Director: Charles M. Jones
Begins with a take-off on Superman. A narrator describes how Bugs became the Super-Rabbit by eating an enriched carrot. His adventures as Super-Rabbit are chronicled.
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AA 291
|
SWEET SIOUX (Merrie Melodies), 1937
Director: [Isadore Freleng]
An Indian watches the sun rise over his village. We survey the everyday life of the Indians.
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AA 292
|
THE SWOONER CROONER (Merrie Melodies), 1944
Director: [Frank Tashlin]
Morning dawns and the chickens begin their work at Porky Pig's egg factory, part of the war effort. Work is disrupted by the singing of Frankie Chicken. Porky hires another singer to counteract the effects of Frankie, with startling results.
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AA 293
|
A TALE OF TWO KITTIES (Merrie Melodies), 1942
Director: [Robert Clampett]
Opens to a fight behind a fence. Two cats(Abbot and Costello types) chase Tweety Bird with dire results.
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AA 294
|
A TALE OF TWO MICE (Merrie Melodies), 1945
Director: [Frank Tashlin]
Opens to a cat chasing a mouse around a house. Babbit and Catstello vie with the cat for some cheese in a refrigerator.
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AA 295
|
THOSE BEAUTIFUL DAMES (Merrie Melodies), 1934
Director: Isadore freleng
A winter street outside a toy store. A poor little girl looks longingly inside. She goes home and dreams as the toys come to her house and fix it up.
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AA 296
|
THREE'S A CROWD (Merrie Melodies), 1932
B/W; Director: Rollin Hamilton and Larry Martin
Opens to Grandpa reading by the fire as the clock strikes 12:30. He goes to bed and Alice (of Wonderland fame) comes out of his book. Soon she is joined by other fairy tale characters and a threatening Mr. Hyde.
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AA 297
|
THUGS WITH DIRTY MUGS (Merrie Melodies), 1939
Director: [Fred Avery]
“F.H.A.(Sherlock) Homes” as Flat-Foot Flanigan and “Ed G. Robemsome” as Killer Diller are the central characters in this cops and robbers cartoon.
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AA 298
|
TICK TOCK TUCKERED (Merrie Melodies), 1944
Director: [Robert Clampett]
Porky Pig and Daffy Duck are roommates. They wake up and drive to work but are late again. If it happens once more they will be fired, their boss threatens. That night all sorts of things keep them awake.
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AA 299
|
TIN PAN ALLEY CATS (Merrie Melodies), 1943
B/W; Director: Robert Clampett
A Black cat must choose between the path of righteousness and the Kit Kat Klub. He chooses the latter and winds up in a nightmarish world of jazz and surrealism.
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AA 300
|
TO DUCK...OR NOT TO DUCK (Looney Tunes), 1943
Director: Charles M. Jones time. Daffy Duck flies
Opens to a swamp at duck hunting by and Elmer Fudd pursues him.
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AA 301
|
TOM THUMB IN TROUBLE (Merrie Melodies), 1940
Director: [Charles M. Jones]
In a snow covered cottage, Tom Thumb and father begin the day. A little bird saves Tom's life but is frightened away by father. But all ends well.
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AA 302
|
TOM TURK AND DAFFY (Looney Tunes), 1944
Director: Charles M. Jones.
Opens to Daffy Duck making a snowman. Up runs Tom Turkey out of breath. Porky Pilgrim is chasing him and needs Daffy to hide him. Daffy complies but then becomes Porky's target.
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AA 303
|
TORTOISE BEATS HARE (Merrie Melodies), 1941
Director: Fred Avery
Bugs searches for the tortoise so that he can race him. He finds Cecil the turtle and they agree to compete. Cecil wins with the help of his cousin Chester and family.
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AA 304
|
TORTOISE WINS BY A HARE (Merrie Melodies), 1943
Director: Robert Clampett
An announcer is broadcasting the big rematch. Bugs watches a replay of the previous competition (AA 303), trying to find a way to beat Cecil. Bugs loses because of rabbit racketeers.
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AA 306
|
TOY TOWN HALL (Merrie Melodies), 1936
Director: Isadore Freleng
Opens to a radio. A little boy and his mother are listening to the end of a program. The boy is sent to bed and that night dreams about his toys coming to life.
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AA 305
|
TOY TROUBLE (Merrie Melodies), 1941
Director: [Charles M. Jones]
Opens to Lacy's Dept. Store at night. On the 15th floor Sniffles and the Bookworm check out the toys.
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AA 307
|
TRAP HAPPY PORKY (Merrie Melodies), 1945
Director: [Charles M. Jones]
Opens to a sign reading “Uncle Tom's Cabins-Boarders Taken (for all they got).” Everyone is asleep except two mice. It's Porky vs. the mice, leading to quite a fight.
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AA 308
|
THE TRIAL OF MR. WOLF (Merrie Melodies), 1941
Director: [Isadore Freleng]
The Big Bad Wolf and Little Red Riding Hood take their quarrel to court.
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|
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AA 309
|
TWEETIE PIE (Merrie Melodies), 1947
Director: [Isadore Freleng]
Opens to a snow covered yard with a snowman in the middle. Tweety and Sylvester fight outdoors in winter.
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AA 310
|
TWO GOPHERS FROM TEXAS (Merrie Melodies), 1948
Director: [Arthur Davis]
A dog is reading a book on the history of dogs. He yearns to hunt like his ancestors did. He spies two gophers and the chase is on.
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AA 311
|
THE UNBEARABLE BEAR (Merrie Melodies), 1943
Director: [Charles M. Jones]
A criminal fox is waiting for a house to darken so he can rob it. It is the home of a policebear. Sniffles pops out and challenges the robber as the master of the house stumbles home in a drunken state.
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AA 312
|
UNCLE TOM'S BUNGALOW (Merrie Melodies), 1937
B/W; Director: Fred Avery
A deep south plantation with slaves' cabins and cotton fields. A narrator introduces the characters and a take-off on the Beecher Stowe's story commences.
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AA 313
|
THE UNRULY HARE (Merrie Melodies), 1945
Director: Frank Tashlin
Opens to a group working on the railroad. Elmer Fudd the Surveyer plans to put the track right over Bugs' hole. Bugs retaliates; the tricks are fast and furious.
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AA 314 and VBA 242
|
THE UP-STANDING SITTER (Looney Tunes), 1948
Director: Robert McKimsom
At the ACME Baby Sitter Service, Daffy Duck is sent out to a chicken coop to sit an egg while the chicken takes the night off. When the egg hatches the chick believes Daffy is its mom.
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AA 315
|
WABBIT TWOUBLE (Merrie Melodies), 1941
Director: Robert Clampett
Opens to the Grand Canyon where a tourist is driving along. All the tourist wants is peace and quiet but Bugs won't let him alone.
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AA 315
|
THE WABBIT WHO CAME TO SUPPER (Merrie Melodies), 1942
Director: I. Freleng
A group of hounds are chasing Bugs through the forest. Elmer traps Bugs but just as he is about to nab him a telegram comes informing him he will inherit a million dollars if he does not harm any animals-especially rabbits! Bugs takes advantage of the news to drive Elmer honkers.
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AA 317
|
WACKIKI WABBIT (Merrie Melodies), 1943
Director: Charles M. Jones
Opens to a life raft with two men on it. They have been on the boat so long that they start to see each other as food. They sight land and chase Bugs who exploits their hunger and drives them insane.
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AA 318
|
THE WACKY WABBIT (Merrie Melodies), 1942
Director: Robert Clampett
In the western desert Elmer Fudd is prospecting for gold. Bugs torments Elmer in the usual manner.
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AA 319
|
WACKY WILDLIFE (Merrie Melodies), 1940
Director: [Fred Avery]
A narrator speaks on the world of wildlife. Examines the habits of a fawn, snakes, skunks, cats, cranes, packrats, alligators, birds, sheep, pigs, ducks, termites, coyotes, camels and dogs.
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AA 320
|
THE WACKY WORM (Merrie Melodies), 1941
Director: [Isadore Freleng]
A despondent crow is walking along the ground. Up in a tree a worm is singing and the bird begins to chase the worm.
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AA 321
|
WAGON WHEELS (Merrie Melodies), 1945
Director: Robert Clampett
The old west in 1849. The pioneer territory Is under the control of Indian Joe. Porky Pig is taking a wagon train across Indian Joe's land and must do battle with him.
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AA 322
|
WAKE UP THE GYPSY IN ME (Merrie Melodies), 1933
B/W; Director: Isadore Freleng and Larry Silverman
In a pleasant peasant village the people are celebrating. But an anarchist is out to stop the fun.
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AA 323
|
WALKY TALKY HAWKY (Merrie Melodies), 1946
Director: [Robert McKimson]
High in one of the trees of a forest Mama, Papa and Henry. Papa tells Henry live the Hawks he is a chicken hawk and Henry sets out to nab Foghorn Leghorn.
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AA 324
|
THE WEAKLY REPORTER (Merrie Melodies), 1944
Director: Charles M. Jones
Comic narration about the home front during the war. Deals with how folks are getting along.
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AA 325
|
WE'RE IN THE MONEY (Merrie Melodies), 1933
B/W; Director: Isadore Freleng and Larry Martin
Opens to a closed department store. The night watchman is making his rounds. After he locks-up the toys come alive.
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AA 326
|
WHAT MAKES DAFFY DUCK (Looney Tunes), 1948
Director: Arthur Davis
The swamp during duck hunting season. Daffy is nervous. Elmer Fudd and a fox both want to have Daffy for dinner and must vie for the privilege.
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AA 335
|
YOU DON'T KNOW WHAT YOUR DOING (Merrie Melodies), 1931
B/W; Director: Isadore Freleng and Norm Blackburn
Opens to an orchestra playing. A conductor leads the group from a pit at the foot of a stage. The show goes on as we watch.
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AA 565
|
YOUNG AND HEALTHY (Merrie Melodies), 1933
B/W; Director: Rollin Hamilton and Larry Martin
Opens to a luxury palace. The King is fat and his Queen in thin. The King goes out to play with the children and the Queen does not like it.
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AA 336
|
YOU'RE TOO CARELESS WITH YOUR KISSES (Merrie Melodies), 1933
B/W; Director: Rollin Hamilton and Larry Martin
Opens to a bug strolling down a street in Bugtown. He comes home late and drunk and his wife is mad, for she will have to do his work for him--pollinating flowers. On her way to work she ducks into a spider's house to escape the rain and is trapped.
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AB 821
|
ZIP N'SNORT (Merrie Melodies), 1960
Director: Chuck Jones
The Roadrunner versus Wile E. Coyote.
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|
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Series: Popeye Cartoons
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|
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AA 338
|
THE ADVENTURES OF POPEYE, 1935
B/W; Director: Dave Fleischer
A child buys a comic book about Popeye. When the child is beat-up by a bully, Popeye comes to life and demonstrates for the kid some of the things that he has done to bullies in the past.
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AA 339
|
ALL'S FAIR AT THE FAIR, 1947
Director: Seymour Kneitel
Opens to a view of the County Fair from a nearby hill. As Olive and Popeye walk the midway they see Bluto the Fearless. Bluto and Olive make eyes at each other. Bluto disrupts the couple's fun and kidnaps Olive.
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AA 340
|
ALONA ON THE SARONG SEAS, 1942
Director: I. Sparber
Opens to a Navy ship where Bluto and Popeye are serving in the South Seas. Popeye dreams of battling with Bluto for the hand of the Princess Alona (Olive).
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|
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AA 341
|
ALPINE FOR YOU, 1951
Director: I. Sparber
Popeye is mountain climbing with Olive. When they reach the crest of a peak Bluto, a climbing guide, falls for Olive and the fight is on.
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AA 337
|
ABUSEMENT PARK, 1947
Director: I. Sparber
Opens to an Amusement Park where Olive Oyl and Popeye are strolling down the midway; Bluto tags along. The sailors compete to impress Olive. .
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AA 342
|
ANCIENT FISTORY, 1953
Director: Seymour Kneitel
Opens to a sign “Calling all men to the Grand Ball” of Princess Olive. A reverse on the Cinderella story, with Popeye in the leading role.
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AA 343
|
THE ANVIL CHORUS GIRL, 1944
B/W; Director: I. Sparber
Opens to a Blacksmith Shop outside a modern city. Popeye and Bluto walk by in their sailor suits. Inside they see Olive the Smithy and they then vie for her hand by doing chores around the shop. {Newer version of AA 519, SHOEIN' HOSSES.)
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AA 344
|
ASSAULT AND FLATTERY, 1946
Director: I. Sparber
Opens to a courtroom where Judge Wimpey is about to hear the case of Bluto vs Popeye. Popeye is charged with assaulting Bluto and each tells his side of the story.
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AA 345
|
AXE ME ANOTHER, 1934
B/W; Director: Dave Fleischer
Opens to Popeye working on a rowboat. Olive screams for help, caught in the river's current. Popeye goes to her rescue. Popeye challenges Pierre Bluto, who threw her in, to a lumberjack contest.
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AA 346
|
BABY WANTS A BATTLE, 1953
Director: Seymour Kneitel
Opens to Popeye strolling down the street with flowers on his way to Olive's house. Bluto beats him there. Olive wants them all to stay home. They bring out the picture album and relive the time Bluto gave Popeye his first black eye.
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|
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AA 347
|
BABY WANTS A BOTTLESHIP, 1942
B/W; Director: Dave Fleischer
Opens to Popeye in front of the battleship 'Pennsyltucky.' Olive comes along with Sweet Pea and wants Popeye to babysit while she goes shopping. Sweet Pea gets into all sorts of trouble.
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AA 348
|
BABY WANTS SPINACH, 1950
Director: Seymour Kneitel
Popeye takes flowers and a gift to Olive's house. Olive makes Popeye babysit Sweet Pea while she goes shopping. While Olive's away Sweet Pea gets into all kinds of trouble.
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|
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AA 349
|
A BALMY SWAMI, 1949
Director: I. Sparber
Opens to a seal performing on stage. Popeye and Olive are watching from the crowd. Next on the bill is a hypnotist who looks like Bluto. He hypnotizes Olive and Popeye must save her.
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AA 350
|
BARKING DOGS DON'T FITE, 1949
Director: I. Sparber
Opens to Olive washing and singing. Along comes Popeye and she shows him her new pet poodle, “Frenchy.” She makes Popeye take Frenchy for a walk where they meet Bluto and his dog “Killer.” The fight is on. (Newer version of AA 497, PROTECK THE WEAKERIST.)
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AA 351
|
BE KIND TO ANIMALS, 1935
B/W; Director: Dave Fleischer
Olive and Popeye are feeding birds in the park. On a nearby street Bluto is abusing a horse. Popeye and Olive come to the horse's rescue and turn the tables on Bluto.
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AA 352
|
BEACH PEACH, 1950
Director: Seymour Kneitel
Opens to the beach where Olive and Popeye are setting up for an afternoon of fun. The lifeguard falls for Olive (he sounds like Bluto, but is blond and well- built) and tries to make her his own. Popeye comes to her rescue.
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AA 353
|
BEAUS WILL BE BEAUS, 1955
Director: I. Sparber
Opens to Popeye and Bluto both pulling up to Olive's house Each thinks they are taking Olive to the beach for the day. All three go to the beach where Popeye and Bluto vie for Olive's attention.
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|
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AA 354
|
BEWARE OF BARNACLE BILL, 1935
B/W; Director: Dave Fleischer
Opens to Popeye pressing the doorbell to Olive's apartment. Once inside Popeye askes Olive to marry him. She refuses because she loves Barnacle Bill. When Bill arrives Popeye and he fight over Olive.
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AA 355
|
BIG BAD SINBAD, 1952
Director: Seymour Kneitel
Opens in the Nautical Museum where Popeye is showing his three nephews the sights. He tells them the story of the time he tangled with Sinbad the Sailor.
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AA 356
|
BIG CHIEF UGH-AMUGH-UGH, 1938
B/W; Director: Dave Fleischer
Opens to an Indian village in the desert. The tribe needs a princess when along come Olive and Popeye. When the Indians try to make Olive their Princess, Popeye must save her.
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|
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AA 357
|
BLOW ME DOWN, 1933
B/W; Director: Dave Fleischer
Opens to Popeye sailing a fish and singing his anthem. He land somewhere in Centrai America where Olive is a saloon dancer. Bluto the local bully comes into the saloon and tangles with Popeye over Olive.
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AA 358
|
BLUNDER BELOW, 1942
B/W; Director: Dave Fleischer
A Navy ship on the high seas. On the bridge the Captain is teaching the sailors how to work a gun. Popeye is not as quick as the others and has his troubles firing the gun but he ends up sinking a Japanese submarine.
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|
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AA 359
|
BRIDE AND GLOOM, 1954
Director: I. Sparber
Opens to Popeye and Olive holding hands. Tomorrow is to be their wedding day. That night Olive dreams of the wedding and life with Popeye. It looks so bad that she calls off the marriage.
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|
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AA 360
|
BRIDGE AHOY', 1936
B/W; Director: Dave Fleischer
Opens on Bluto's Ferry where he is loading cars for the trip across the river. Popeye and Olive pull on to the boat but decide to build a bridge because Bluto charges so much. A fight ensues.
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AA 361
|
BROTHERLY LOVE, 1936
B/W; Director: Dave Fleischer
Opens to a rally of the Women's Brotherly Love Society. Club President Olive Oyl addresses the crowd. Popeye hears her on the radio and goes out and helps people.
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|
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AA 362
|
BULLDOZING THE BULL, 1938
B/W; Director: Dave Fleischer
Opens to the Bull Arena where Popeye refuses to enter even for free because of the cruelty to animals. Along comes a Spanish Olive who changes his mind about attending. Inside he gets mixed up and ends up out in the middle of the bull ring where he must fight the bull in self-defense.
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|
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AA 363
|
CAN YOU TAKE IT, 1934
B/W; Director: Dave Fleischer
Opens to Popeye singing his anthem as he follows Olive down the street. Olive is going to work at the 'Bruiser Boys Club.' Popeye tries to join the club as Bluto the president puts him through the rites of initiation.
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|
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AA 364
|
CAR-RAZY DRIVERS, 1955
Director: Seymour Kneitel
Popeye drives down the street to Olive's house dressed in an armored suit. He is going to give Olive her first driving lesson.
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|
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AA 365
|
CARTOONS AIN'T HUMAN, 1943
B/W; Director: Seymour Kneitel
Opens to a checklist for drawing cartoons and Popeye sitting down to draw. After he draws The Wages of Sin' he shows it to Olive and his nephews.
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|
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AA 366
|
CHILD PSYKOLOJIKY, 1941
B/W; Director: Dave Fleischer
Opens to Sweet Pea sleeping while Poop Deck Pappy and Popeye are playing cards. When Sweet Pea wakes and does something wrong they disagree on how to discipline him.
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|
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AA 367
|
CHILD SOCKOLOGY, 1953
Director: I. Sparber
Opens to Bluto and Popeye going over to Olive's house for dinner. Sweet Pea leaves the house and gets into a construction site resulting in Popeye and Bluto's battling to save the child.
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|
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AA 368
|
CHOOSE YOUR WEPPINS, 1935
B/W; Director: Dave Fleischer
Wimpey is a policeman who brings in a villain. The villain escapes and enters Popeye's Pawn Shop, where Popeye and Olive defeat the bad guy.
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|
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AA 369
|
A CLEAN SHAVEN MAN, 1936
B/W; Director: Dave Fleischer
Popeye and Bluto are sitting at the counter of a greasy spoon diner where Olive is the waitress. Olive sings the title song and Popeye and Bluto decide to clean up. They find a barber shop but no one is there; they decide to shave each other. After they finish Olive walks by with a bearded man on her arm. (Earlier version of AA 516, SHAVING MUGS.)
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AA 370
|
COOKIN' WITH GAGS, 1955
Director: I. Sparber
Opens to Olive Oyl packing a picnic lunch. Popeye and Bluto arrive to take Olive out. It happens to be April Fools Day and Bluto pulls all sorts of tricks on Popeye.
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|
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AA 371
|
COPS IS ALWAYS RIGHT, 1938
B/W; Director: Dave Fleischer
Opens to a cop at a street crossing directing traffic. Popeye pulls up and hits the cop and gets a ticket. Later as Popeye helps Olive with her spring cleaning the same cop tickets Popeye's car several times.
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|
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AA 372
|
COPS IS TOPS, 1955
Director: I. Sparber
Opens to Popeye arriving at Olive's door. He finds she has joined the Police Force' Popeye sneaks after her when she goes to work in order to try And protect her from harm.
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AA 557
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THE CRYSTAL BRAWL, 1957
Director: Seymour Kneitel
Popeye arrives at Olive's door just ahead of Bluto. Bluto gets Popeye out of the way and takes Olive to the fair. Popeye arrives at the fair first and sets up a fortune telling tent to show Olive and Bluto their future together.
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AA 373
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CUSTOMERS WANTED, 1939
B/W; Director: Dave Fleischer
Opens in an Amusement Park. On the midway Popeye and Bluto have Penny Arcades next to each other. Along comes Wimpey and they vie for his business. But Wimpey tricks them into paying his way until they start to fight then he charges people to see the fight of the century. (Earlier version of AA 471, PENNY ANTICS.)
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AA 374
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THE DANCE CONTEST, 1934
B/W; Director: Dave Fleischer
Opens with a banner proclaiming a dance contest. Olive and Popeye arrive in a taxi. Inside Wimpey is the judge and Olive and Popeye keep stepping on each other's feet. Along comes Bluto to sweep Olive off her feet until Popeye learns his steps with the help of some spinach.
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AA 375
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A DATE TO SKATE, 1938
B/W; Director: Dave Fleischer
Opens to Popeye and Olive strolling down the street. They come to a skating rink and Popeye tries to teach an unsure Olive how to skate.
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AA 376
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DIZZY DIVERS, 1935
B/W; Director: Dave Fleischer
Opens on a wharf where Bluto and Popeye own a Deep Sea Diving Company. They get a job to salvage some treasure and agree to split the goods. Bluto soon gets other ideas, however.
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AA 377
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DOING IMPOSSIKIBLE STUNTS, 1940
B/W; Director: Dave Fleischer
Opens to “Mystery Inc. If It's A Good Picture It's A Mystery.” The studio needs a stuntman so Popeye brings his film clips to the director. Sweet Pea wants the job also and shows some of his stuff.
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AA 378
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DOUBLE CROSS COUNTRY RACE, 1951
Director: Seymour Kneitel
Opens with a Banner proclaiming the race between Popeye and Count Noah Count. The Count attempts to beat Popeye by using any means possible.
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AA 379
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A DREAM WALKING, 1934
B/W; Director: Dave Fleischer
Opens to Popeye sleeping, moves to Bluto also sleeping, then to Olive as she begins to sleep walk. Bluto and Popeye chase after Olive to save her but get in each other's way as Olive continues her dangerous stroll.
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AA 380
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FARMER AND THE BELLE, 1950
Director: Seymour Kneitel
Opens to “Olive Oyl's Farm.” Olive is doing the chores and wishing for some help. Along comes Popeye and Bluto who compete to do the best work and get a job on her farm.
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AA 381
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FEMALES IS FICKLE, 1940
B/W; Director: Dave Fleischer
Opens to Popeye's ship tied to a dock. Popeye is knitting a chain and swabbing the deck. Olive comes on board with her pet gold fish and when the fish jumps overboard Popeye has to chase after it.
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AA 382 and VBA 137
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FIGHTIN' PALS, 1940
B/W; Director: Dave Fleischer
Opens to an Ocean Liner where Dr. Bluto's African Expedition is departing. Popeye and Bluto say goodbye. Months later Bluto is reported lost and Popeye goes to search for him.
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AA 383
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FIREMAN'S BRAWL, 1953
Director: I. Sparber
The firehouse. Inside Bluto and Popeye are playing cards. The fire alarm rings, the fire is at Olive' s house, and the two fight over who will save her.
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AA 384
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THE FISTIC MYSTIC, 1947
B/W; Director: Seymour Kneitel
Popeye and Olive are riding a camel across the desert to Bagdad. In the famous city Bluto is a mystic who falls for Olive.
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AA 385
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FLEETS OF STREN'TH, 1942
B/W; Director: Dave Fleischer
Opens to Popeye scrubbing the deck of a navy ship while reading a Superman comic. An officer orders him to load a mosquito boat. Suddenly they are attacked by planes and Popeye rescues the ship.
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AA 386
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FLIES AIN'T HUMAN, 1941
B/W; Director: Dave Fleischer
Opens to Popeye stretching out for a nap. A fly gets hold of some spinach and torments Popeye. (AA 388 is a remake of this cartoon using the same plot modernized and in color.)
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AA 387
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FLOOR FLUSHER, 1954
Director: I. Sparber
A dripping sink in Olive's kitchen. Olive is finishing up a cake but the drip is diving her crazy. Popeye and Bluto come over and destroy the house trying to fix the annoying drip.
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AA 388
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THE FLY'S LAST FLIGHT, 1949
Director: Seymour Kneitel
Opens to a view of Popeye's house from the air. Popeye is about to take nap but the noise drives him inside. In the house a fly gets hold of some spinach and torments him. (AA 386 is an earlier version of this story in B/W.)
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AA 389
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THE FOOTBALL TOUCHER DOWNER, 1937
B/W; Director: Dave Fleischer
Opens to Popeye feeding Sweet Pea his spinach. Sweet Pea does not want to eat it so Popeye tells him a story about when he was a child and spinach saved the football game.
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AA 390
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FOR BETTER OR NURSE, 1945
Director: I. Sparber
Opens to Popeye and Bluto pulling a lifeboat on to a ship. Olive Oyl walks by dressed as a nurse. They both fall for her and end up attempting different ways to hurt themselves so that Olive will nurse them. (Variation of AA 405, HOSPITALIKY.)
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AA 391
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FOR BETTER OR WORSER, 1935
B/W; Director: Dave Fleischer
Opens at the “Bachelor Apts. For Men Only.” Inside Popeye is trying to cook dinner but is only making a mess. He decides to find a wife, going to the “Matrimonial Agency” where he and Bluto both pick out Olive. The traditional fight ensues.
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AA 392
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FOWL PLAY, 1937
B/W; Director: Dave Fleischer
Opens to Popeye singing his theme song, carrying a parrot who is singing with him. He leaves the bird on Olive's door step. Bluto arrives at Olive's and attempts to dispose of the bird, with Popeye trying to save the creature.
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AA 393
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FRIEND OR PHONY, 1952
Director: I. Sparber
Opens with Popeye taking a nap. A telegram arrives blaming him for Bluto's death. It's another trick by Bluto to get Popeye to give up his spinach.
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AA 394
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FRIGHT TO THE FINISH, 1954
Director: Seymour Kneitel
Halloween Eve. Inside Olive's house Bluto and Popeye are listening to Olive read scary stories. Bluto leaves, returning to play tricks on the couple.
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AA 395
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GHOSKS IS THE BUNK, 1939
B/W; Director: Dave Fleischer
Olive reads ghost stories to Bluto and Popeye at home in front of a fireplace. All three are scared but they make fun of Popeye. Bluto leaves and goes to an abandoned hotel and arranges tricks to scare Popeye and Olive. The two arrive and become wise to Bluto's tricks, turning the tables on him.
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AA 396
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GIFT OF GAG, 1955
Director: Seymour Kneitel
Opens to two of Popeye's nephews carrying a box into the house. They trick Popeye into leaving but he soon comes back. The two then try to keep Popeye from finding the box.
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AA 397
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GOONLAND, 1938
B/W; Director: Dave Fleischer
Opens to Popeye at the helm of his ship. Popeye thinks that his Pappy is on Goon Island. Arriving at the island he finds Pappy in jail and works to free him.
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AA 398
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GOPHER SPINACH, 1954
Director: Seymour Kneitel
Opens to Popeye walking a baby carriage filled with baby spinach plants. He babies the plants and lays them in a garden bed. A gopher begins to nab the plants, so Popeye tries to fight off the rodent, but in the end they work together.
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AA 399
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GREEK MIRTHOLOGY, 1954
Director: Seymour Kneitel
Opens to Popeye serving his nephews spinach. They do not want to eat it so Popeye tells them the story of their great-great grand uncle Hercules.
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AA 400
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GYM JAM, 1950
Director: I. Sparber
Opens with Popeye riding a bicycle with 'Keep Slim at Popeye's Gym' on the back. Behind him is Olive jogging along. Bluto comes along and tries to pick up Olive. He does not get anywhere with her so he comes to the gym dressed in drag and puts Popeye through his paces. (Newer version of AA 543, VIM, VIGOR AND VITALIKY.)
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AA 401
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HAPPY BIRTHDAZE, 1943
B/W; Director: Dan Gordon
A “V-mail” truck is at the wharf next to a navy ship. On board all the sailors are reading their mail except one who is so depressed he tries to kill himself. Popeye stops him and invites him to Olive's. Olive is giving Popeye a cake for his birthday. The sailor gets into all sorts of trouble.
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AA 558
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A HAUL IN ONE, 1956
Director: I. Sparber
Opens to a city apartment building. Inside Olive is packing her things to move. “Popeye & Bluto Movers” arrive to do the job and both fall in love with her. They show off for her while packing her things and moving her stuff.
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AA 402
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HELLO HOW AM I, 1939
B/W; Director: Dave Fleischer
Opens to a phone ringing at Popeye and Wimpey's apartment. Olive invites Popeye over for hamburgers. Set on obtaining a free meal Wimpey disguises himself as Popeye and fools both Olive and the sailor.
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AA 403
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HER HONOR THE MARE, 1943
Director: I. Sparber
Opens at the “Glue Factory” where an old mare is kicked out Popeye's nephews find the horse and bring it home for a pet. The chase is on to get him out of the house.
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AA 404
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HILLBILLING AND COOING, 1956
Director: Seymour Kneitel
Opens to a rustic valley where a hill girl is singing about the lack of men in the hills. Along drive Popeye and Olive so the girl decides to nab Popeye for her mate. Olive must come to Popeye's rescue.
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AA 405
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HOLD THE WIRE, 1936
B/W; Director: Dave Fleischer
Opens to Olive reading “Love and More Love Magazine.” Popeye calls her on the phone and recites poetry to her. Bluto overhears the lovers and taps into the phone line in order to make it seem like Popeye is insulting Olive.
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AA 406
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HOSPITALIKY, 1937
B/W; Director: Dave Fleischer
Olive, dressed in a nursing uniform, is walking down the street. Along come Bluto and Popeye who follow her to a hospital. They attempt to hurt themselves so that Olive can nurse them. (Earlier version of AA 390, FOR BETTER OR NURSE.)
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AA 407
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HOT AIR ACES, 1949
Director: I. Sparber
Opens to the “Round the World Air Race.” Popeye and Bluto take off and the race is on.
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AA 408
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THE HOUSE BUILDER-UPPER, 1938
B/W; Director: Dave Fleischer
Begins with Olive's house on fire. Popeye and Wimpey arrive too late to save the house but they promise to build her another. Innumerable troubles plague them as they build the new home.
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AA 409
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HOUSE TRICKS, 1946
Director: Seymour Kneitel
Popeye and Bluto, walking down the street, spy Olive trying to build her own house. The two of them compete to build Olive's house, so she tears the blueprints in half and gives each one a portion. They fight and build at the same time.
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AA 410
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HOW GREEN IS MY SPINACH, 1950
Director: Seymour Kneitel
Opens with Pluto jumping on Popeye, who eats his spinach and then blasts Bluto. This scene is repeated several times. Bluto, tired of continually losing, invents a spinach killer and tries to wipe out all of the spinach on earth.
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AA 411
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A HULL OF A MESS, 1942
B/W; Director: I. Sparber
Opens to a government offical giving Popeye and Bluto plans for a ship. The first one to build the ship will get the military contract. The race is on.
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AA 412
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THE HUNGRY GOAT, 1943
B/W; Director: Dan Gordon
A goat is walking along and singing. He is soon starving because all scrap metal is being used for the war effort spying a Navy ship he begins to munch and Popeye tries to stop him.
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AA 413
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THE HYP-NUT-TIST, 1935
B/W; Director: Dave Fleischer
A billboard is advertising the world's greatest hypnotist. Popeye and Olive buy tickets and enter the tent. The hypnotist uses Olive as a subject but Popeye gets the better of him.
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AA 559
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I DON'T SCARE, 1956
Director: I. Sparber
Opens to Popeye going to use the payphone. Bluto pulls him out and tries to use the phone himself. Popeye gets the phone by pulling it out of the booth and calls Olive for a date. At Olive's house Bluto overhears Olive say she is superstitious and sets out to play some tricks on the couple.
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AA 414
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I EATS MY SPINACH, 1933
B/W; Director: Dave Fleischer
Popeye is walking down the street singing his anthem. He goes over to Olive's house and invites her to the rodeo where Bluto is the big star. (Earlier version of AA 507, RODEO ROMEO.)
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AA 415
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I LIKE BABIES AND INFINKS, 1937
B/W; Director: Dave Fleischer
Opens to Sweet Pea crying. Nothing Olive does will make him stop. She calls Popeye over and he and Bluto show up and take turns trying to make Sweet Pea laugh.
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AA 416
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I'LL BE SKIING YA, 1947
Director: I. Sparber
Opens at “Stuffy's Tavern, Where the Elite beat the Heat, Lake Plastered, NY.” Olive and Popeye are enjoying a skating date. Bluto the skating instructor falls for Olive, with the usual consequences.
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AA 417
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I'LL NEVER CROW AGAIN, 1941
B/W; Director: Dave Fleischer
Olive is washing the dishes when crows attack her garden. She calls Popeye for help and he tries to get rid of the crows.
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AA 418
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I'M IN THE ARMY NOW, 1936
B/W; Director: Dave Fleischer
Opens to Popeye and Bluto walking Olive down the street. She sees an Army recruiting poster and swoons because of the uniform. Bluto and Popeye try to impress the recruiting officer with scenes from their past fights.
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AA 419
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I NEVER CHANGE ALTITUDE, 1937
B/W; Director: Dave Fleischer
Opens at “Aott Air-port” where Olive used to have a diner. On the steps Popeye is crying because Olive has run off with Bluto. Aboard Bluto's plane Olive wants to return to Popeye. He must save her from Bluto's clutches.
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AA 420
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I-SKI LOVE-SKI YOU-SKI, 1936
B/W; Director: Dave Fleischer
Popeye is walking with Bluto towards Olive's house. They sing as they trudge through the snow. They both ask Olive to climb the mountain with them. When she chooses Popeye Bluto tries to spoil their fun.
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AA 421
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I WANNA BE A LIFE GUARD, 1936
B/W; Director: Dave Fleischer
Opens to the “Dunk-in Swimming Pool.” Along comes Popeye, who spies Olive swimming and applies for the job of life guard. Bluto sees the same ad (and Olive) and wants the job too. The two have a swimming contest to see who will be victorious.
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AA 422
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I YAM LOVE SICK, 1938
B/W; Director: Dave Fleischer
Opens to Olive reading “Love Stories.” Popeye comes over but Olive ignores him in favor of her book. She favors Bluto at the moment, but Popeye wins her back by faking illness.
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AA 423
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I YAM WHAT I YAM, 1933
B/W; Director: Dave Fleischer
Opens to Popeye out in the rain with Olive and Wimpey in a rowboat. They land on shore where Popeye builds a log cabin and then goes out to find some food. While he is gone Indians attack the cabin.
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AA 424
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INSECT TO INJURY, 1956
Director: Dave Tendlar
Opens to Popeye building a house. Just as he finishes a swarm of termites attacks and Popeye must defend his new home.
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AA 425
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THE ISLAND FLING, 1947
Director: Bill Tytla
Opens to an island in the middle of the ocean. It is the home of Robinson Crusoe and Friday. Popeye and Olive come floating in on a raft and Crusoe and Popeye fight over Olive.
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AA 426
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IT'S THE NATURAL THING TO D0, 1939
B/W; Director: Dave Fleischer
Opens to Popeye and Bluto fighting in Olive's yard. A telegram arrives from the Popeye Fan Club asking them to cut out the rough stuff. They make an unsuccessful effort.
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AA 427
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THE JEEP, 1938
B/W; Director: Dave Fleischer
Opens to Sweet Pea on Olive's window sill. Olive grabs him and warns him that he might hurt himself, then locks him in his crib. Popeye and Eugene the Jeep arrive to play with Sweet Pea but the child has disappeared so Eugene and Popeye search for him.
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AA 428
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JITTERBUG JIVE, 1950
Director: Bill Tytla
Opens to Olive setting the table for dinner. Popeye and Bluto come over. Popeye wants to have some old fashioned fun but Bluto and Olive want to jitterbug.
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AA 429
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A JOB FOR A GOB, 1955
Director: Seymour Kneitel
Opens to Bluto and Popeye talking about their 30 day leave. They head out west, where Olive is advertising for a ranch hand. They battle for the job.
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AA 430
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A JOLLY GOOD FURLOUGH, 1943
B/W; Director: Dan Gordon
Popeye is in the South Seas fighting the Japanese. He is given leave to return home. But at home Olive is too busy for him and his nephews make life so hectic that he goes back to the war.
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AA 431
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KICKIN' THE CONGA 'ROUND, 1942
B/W; Director: Dave Fleischer
Opens to a group of Latin Americans cheering the U.S fleet. On board ship Popeye and Bluto are preparing for shore leave. Popeye meets his Latin sweetheart but Bluto butts in. At the cafe the conga is playing.
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AA 432
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KING OF THE MARDI GRAS, 1935
B/W; Director: Dave Fleischer
At the famous Mardi Gras Bluto the Great is one of the main attractions, but Popeye steals his crowd.
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AA 433
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KLONDIKE CASANOVA, 1946
Director: I. Sparber
Opens to a beautiful mountain scene at the edge of the Klondike. On the other side a blizzard is raging. At the “Polar Bar and Grill, Popeye and Olive Oyl Prop.” the help wanted sign is out. Dangerous Dan McBluto arrives, steals Olive away, and the fight is on.
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AA 434
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LEARN POLIKNESS, 1938
B/W; Director: Dave Fleischer
“Prof. Bluteau's School of Etiquette” is introduced. Olive forces Popeye to sign up for lessons. Prof. Bluteau has ideas about Olive as he tries to teach Popeye to be a gentleman.
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AA 435
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LEAVE WELL ENOUGH ALONE, 1939
B/W; Director: Dave Fleischer
Opens to “Olive Oyl's Pet Shop.” Along comes Popeye who feels sorry for all the animals and buys them in order to set them free. This only gets them into trouble so Popeye returns them to Olive's store.
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AA 436
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LET'S CELEBRAKE, 1938
B/W; Director: Dave Fleischer
Popeye and Bluto are sledding and singing about the New Year. They arrive at Olive's house to take her out. Popeye feels sorry for Grandma and brings her along. She and Popeye win the dance contest with the help of a little spinach.
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AA 437
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LET'S GET MOVIN', 1936
B/W; Director: Dave Fleischer
Opens to an apartment building with a “room for rent” sign on the door. Olive is planning to move so she can meet a big strong mover. Popeye comes over to help her as Bluto the mover arrives, and they have a contest to see who is the best mover.
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AA 310
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LET'S SING WITH POPEYE, 193?
B/W
Opens to Popeye singing his anthem. On to the screen appear the words and a bouncing marker as Popeye asks the audience to sing along.
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AA 438
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LET'S STALK SPINACH, 1951
Director: Seymour Kneitel
Opens to Popeye setting up for a picnic. He feeds his nephews spinach. They hate it so he tells them a story about how spinach helped him.
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AA 439
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LET'S YOU AND HIM FIGHT, 1934
B/W; Director: Dave Fleischer
In a boxing training camp Popeye and Bluto the Champ are training for the big fight at “Yank'em Stadium.” Olive threatens to leave Popeye if he fights so he lets Bluto beat him up till Olive arrives with some spinach and helps him to win.
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AA 440
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LITTLE SWEE'PEA, 1936
B/W; Director: Dave Fleischer
Opens with Popeye walking over to Olive's house. He want to take her to the zoo but she's too busy so he takes Sweet Pea. The kid gets into all sorts of trouble.
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AA 441
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LOST AND FOUNDRY, 1937
B/W; Director: Dave Fleischer
Opens to a factory whistle about to blow. At the “Useless Machine Works,” Popeye is taking lunch as Olive and Sweet Pea walk by. Popeye invites Olive to join him for lunch and Sweet Pea goes on a tour of the factory.
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AA 442
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LUMBERJACK AND JILL, 1949
Director: Seymour Kneitel
Opens to the “Popeye and Bluto Lumber Camp-Cook Wanted.” Olive arrives to assume the job. Bluto tries to win her hand and Popeye comes to her rescue.
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AA 443 and VBA 137
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LUNCH WITH A PUNCH, 1952
Director: I. Sparber
Opens to Olive Oyl's house as Bluto arrives. He asks her out but Popeye is already there. She and Popeye are going on a picnic with his nephews. The nephews won't eat their spinach so Popeye tells them a story to convince them it is good for them.
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AA 444
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THE MAN ON THE FLYING TRAPEZE, 1934
B/W; Director: Dave Fleischer
Opens to Popeye at the helm of his ship. He sails it right up to Olive's house. Her mother tells Popeye that she has gone off with the man on the flying trapeze. Popeye goes to the circus to see his girl with this new beau and ends up saving her from him.
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AA 445
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MANY TANKS, 1942
B/W; Director: Dave Fleischer
The “U.S. Army Tank Corps.” Bluto is in the Army. He is trying to get past the guard at the gate but has no luck. Along comes Popeye, who changes places with him. Popeye gets stuck on maneuvers while Bluto is at Olive's.
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AA 447
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ME FEELIN'S IS HURT, 1940
B/W; Director: Dave Fleischer
Popeye docks his boat at the pier. In his mailbox is a letter from Olive saying that she has moved out west where cowboys are real men. Popeye sails west to prove himself a better man than a cowboy.
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AA 453
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ME MUSICAL NEPHEWS, 1942
B/W; Director: Seymour Kneitel
Popeye is busy listening to his nephews practice. After they are done he sends them to bed for the night but they use all sorts of objects to continue making music, keeping Popeye up. (Earlier version of AA 504, RIOT IN RHYTHM.)
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AA 446
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THE MERRY-GO-ROUND, 1943
Director: Seymour Kneitel
Opens to a picture of a pin-up girl above Shorty's bunk. Popeye is next to him worrying how to ask Olive to marry him. Shorty pushes Popeye over to Olive's house and prompts him.
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AA 448
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MESS PRODUCTION, 1945
Director: Seymour Kneitel
Bluto and Popeye are working in a factory. Olive is the new girl on the job. They each try to be the first to ask her out.
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AA 449
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THE MIGHTY NAVY, 1941
B/W; Director: Dave Fleischer
On board a Navy training ship Popeye is one of the recruits. The Officer in charge puts Popeye through his paces.
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AA 450
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MISTER AND MISTLETOE, 1955
Director: I. Sparber
Inside Olive Oyl's house, Olive and Popeye are listening to the nephews instruct them as to what to tell Santa they want for Christmas. Bluto listens in and dresses up as Santa to get rid of Popeye so he can be alone with Olive.
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AA 451
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MORNING, NOON AND NIGHT CLUB, 1937
B/W; Director: Dave Fleischer
A billboard advertises “Popito and Olivita...Nightly at Wimpey's Cafe.” Bluto walks along and defaces the billboard on his way to Wimpey's. When Olive refuses to go out with him he vows to disrupt their act.
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AA 452
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MOVING AWEIGH, 1944
: Popeye and Shorty are leaving their ship when the mail arrives. There is a note from Olive asking Popeye to help her move. Shorty tags along but causes nothing but trouble.
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AA 454
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MUTINY AIN'T NICE, 1938
B/W; Director: Dave Fleischer
Opens to Popeye directing the loading of his ship. Olive is crying because he won't take her with him. She accidentally gets loaded onto the ship. When the crew finds out they mutiny to get rid of her but Popeye saves the day.
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AA 455
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MY ARTISTICAL TEMPERATURE, 1937
B/W; Director: Dave Fleischer
The “Sweet Art Studio.” Inside Popeye is sculpting clay and Bluto is painting. Olive steps in to have a likeness of herself made. Bluto and Popeye both try to capture her.
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AA 456
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MY POP, MY POP, 1940
B/W; Director: Dave Fleischer
Popeye is building a ship. Along comes Poopdeck Pappy with his toolbox; they each build a side of the ship.
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AA 560
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NEARLYWEDS, 1957
Director: Seymour Kneitel
Opens with Popeye down on one knee proposing marriage to Olive. Bluto comes in and asks Olive too marry him instead. She chooses Popeye and asks him to come back at 3:00. Bluto follows Popeye and attempts to slow him down so he will not make the date.
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AA 457
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NEVER KICK A WOMAN, 1936
B/W; Director: Dave Fleischer
A woman is punching a dummy in the window of a sporting goods store. Popeye and Olive are watching from the sidewalk. Popeye decides to teach Olive the art of self-defense.
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AA 458
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NEVER SOCK A BABY, 1939
B/W; Director: Dave Fleischer
Opens to Popeye about to spank Sweet Pea. He sends a crying Sweet Pea to bed. Sweet Pea packs his things and runs away from home. Popeye discovers him missing and gives chase, but it turns out only to be a bad dream of Popeye's.
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AA 459
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NIX ON HYPNOTRICKS, 1941
B/W; Director: Dave Fleischer
The apartment of “Prof. I. Stare, Hypnotist.” He needs a subject and picks Olive's name out of the phonebook. She goes into a trance when he calls her and Popeye must save her.
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AA 460
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NURSE-MATES, 1940
B/W; Director: Dave Fleischer
Begins at Olive's house where Bluto and Popeye arrive to take her to the movies. She has other plans and leaves them to babysit Sweet Pea.
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AA 461
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NURSE TO MEET YA, 1955
Director: I. Sparber
Opens to Popeye and Bluto riding a tandem bike. They ride past Olive who is babysitting. They both try to woo her by stopping the baby's crying.
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AA 464
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OLIVE'S BOITHDAY PRESINK, 1941
B/W; Director: Dave Fleischer
Popeye strolls down to “G. Geezil's Furrier Shop” to buy Olive a bearskin coat for a present. Geezil tries to cheat him so he decides to go hunting for his own bearskin. Once he finds a bear he cannot bring himself to shoot the animal but somehow ends up with a bearskin anyway.
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AA 462
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OLIVE OYL FOR PRESIDENT, 1948
Director: I. Sparber
A political rally for two politicians. Olive thinks she would be a good president. In Popeye's dream she states her goals and the things she would do if elected.
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AA 463
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OLIVE OYL AND WATER DON'T MIX, 1942
B/W; Director: Dave Fleischer
A Navy shipyard. On board a ship Popeye and Bluto swear off women before Olive comes on board for a tour.
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AA 465
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OLIVE'S SWEEPSTAKE TICKET, 1941
B/W; Director: Dave Fleischer
Olive is sitting on her couch embroidering. The phone rings, and she has won first prize in a sweepstakes. Popeye comes over as she is trying to find the ticket. He dreams of millions as the ticket is blown through the streets.
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AA 466
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ONION PACIFIC, 1940
B/W; Director: Dave Fleischer
The “BIG RACE for State Franchise, Onion Pacific R.R. vs Sudden Pacific R.R.” Bluto and Popeye are the competing train engineers. Wimpey starts them off and the race is on.
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AA 467
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ORGAN GRINDER'S SWING, 1937
B/W; Director: Dave Fleischer
Opens to Wimpey and a monkey playing an organ in the courtyard of an apartment building. Popeye and Olive look out their windows and enjoy the music. Bluto looks out and tells Wimpey to get lost. Popeye defends his pal and a fight breaks out.
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AA 468
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OUT TO PUNCH, 1956
Director: Seymour Kneitel
Beating a punching bag in the gym, Bluto trains for the big fight with Popeye. When he sees that Popeye is in great shape he tries a number of ways to wear him out before the fight.
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AA 469
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THE PAINLESS WINDOW WASHER, 1937
B/W; Director: Dave Fleischer
Opens to “Bluto's Window Cleaning Co.” Bluto appears and dirties the windows of the building across the street to help his business. On the 5th floor is “Olive Oyl-Public Stenographer.” Popeye is going to wash her windows. He and Bluto compete for the privilege, soon starting a fight.
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AA 561
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PARLEZ VOUS WOO, 1956
Director: I. Sparber
Opens to Popeye and Olive watching television. Olive is more interested in the T.V. personality then Popeye. Bluto looks in and, seeing his chance, disguises himself as the T.V. actor and has Olive at his feet until Popeye unmasks him.
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VBA 137
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PARTIAL POST, undated
Director: Gene Dietch
An unidentified flying saucer lands on earth. The aliens look like mail boxes. Along comes Popeye with a letter he wants to mail to Olive. At Olive's house the aliens try to eat Popeye and Olive.
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AA 562
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PATRIOTIC POPEYE, 1957
Director: I. Sparber
Opens to Popeye watering his garden on the 4th of July. He stops his nephews from exploding a rocket and tries to warn them about the dangers of fireworks. The nephews try to trick Popeye into leaving so they can explode their fireworks.
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AA 470
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PEEP IN THE DEEP, 1946
Director: Seymour Kneitel
A buoy is floating on a calm night sea. Under the full moon a ship steams on the horizon. On board Olive shows Popeye a treasure map. Bluto, sleeping on deck, overhears them. At the treasure site Bluto and Popeye fight for the riches at the bottom of the sea.
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AA 471
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PENNY ANTICS, 1955
Director: Seymour Kneitel
At the fair Popeye and Bluto have Penny Arcades right next to each other. When Wimpey walks by they both try and lure him into their tents. (Color remake of AA 373, CUSTOMERS WANTED.)
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AA 472
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PEST PILOT, 1941
B/W; Director: Dave Fleischer
Opens at “Popeye's Air Conditioned Airport.” Popeye is working on a plane when Poopdeck Pappy comes in wanting to fly. Popeye tries to put him off but Pappy is very determined.
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AA 473
|
PILGRIM POPEYE, 1951
Director: I. Sparber
Opens to Popeye walking out his back door to feed his pet turkey. His nephews want to have the turkey for Thanksgiving dinner. Popeye tells them a story about how a turkey once saved his life.
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AA 474
|
PIP-EYE, PUP-EYE, POOP-EYE AN' PEEP-EYE, 1942
B/W; Director: Dave Fleischer
Opens to Popeye and his nephews eating soup. They balk at eating spinach. So Popeye shows them what spinach will do for them.
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AA 475
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PITCHING WOO AT THE ZOO, 1944
Director: I. Sparber
The entrance to the zoo. Popeye and Olive stroll in. Bluto the zookeeper falls for Olive and tries to impress her by playing with the animals. Popeye tries to imitate him.
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AA 476
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PLEASED TO MEET CHA!, 1935
B/W; Director: Dave Fleischer
Opens to Bluto and Popeye arriving at Olive's house at the same time but at different doors. Inside Olive is reading. When they get inside they decide that the one who does the best trick will stay.
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AA 477
|
PLUMBING IS A PIPE, 1938
B/W; Director: Dave Fleischer
Opens to Olive getting a bucket of water ready to scrub the floor with. After she finishes, her pipes develop a leak. She calls Wimpey the plumber who takes his time on the way over. Meanwhile Popeye arrives and tries to fix the leak.
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AA 478
|
POOPDECK PAPPY, 1940
B/W; Director: Dave Fleischer
Opens on the wharf where Popeye's boat is tied up. Inside Popeye is trying to put Poopdeck Pappy to bed. Pappy sneaks out to a saloon where he gets into trouble.
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AA 479
|
POP-PIE A LA MODE, 1945
Director: I. Sparber
Popeye is rubbing himself with suntan oil, floating on a raft out at sea. He spots land but it is inhabited by cannibals who fatten him up before stewing him.
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AA 480
|
POPALONG POPEYE, 1952
Director: Seymour Kneitel
On “Popeye's Ranch” the sailor is trying to get his nephews to eat their spinach. Popeye tells them a story about spinach turning him into a cowboy.
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AA 481
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POPEYE AND THE PIRATES, 1947
Director: Seymour Kneitel
Opens to Olive and Popeye out sailing. A pirate ship appears and captures them. The fight is on.
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AA 483
|
POPEYE FOR PRESIDENT, 1956
Director: Seymour Kneitel
Popeye is speaking to a crowd. Bluto, also running for the job, is located across the way. The final count is a tie and Olive holds the tiebreaking vote. Bluto and Popeye try to get her vote by doing her chores.
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AA 484
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POPEYE MAKES A MOVIE, 1950
Director: Seymour Kneitel
On the set at Paramount Pictures Popeye is preparing to act. His nephews drop in to watch. Bluto plays “Abu Hassin” with his forty thieves.
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AA 485
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POPEYE MEETS HERCULES, 1950
Director: Bil Tytla
Opens to “Father Time” marching on. The narrator commands him to go back to Ancient Greece, to the first Olympics. Popeye and Olive are spectators. Hercules, played by Bluto, falls for Olive and Popeye must set him straight.
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AA 486
|
POPEYE MEETS RIP VAN WINKLE, 1941
B/W; Director: Dave Fleischer
Popeye saunters down the street. At Rip Van Winkle's the sheriff is evicting Rip for not paying his rent for 20 years. Popeye takes the character home with him, but he starts to sleepwalk.
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AA 487
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POPEYE MEETS WILLIAM TELL, 1940
B/W; Directorb Dave Fleischer
Opens to Popeye walking down the street when William Tell takes a shot at him. Last week Will missed the apple and hit his son. Popeye takes the son's place; Will misses again but Popeye is saved by his can of spinach.
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AA 488
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POPEYE PRESENTS EUGENE, THE JEEP, 1940
B/W; Director: Dave Fleischer
Opens to a delivery man at Popeye's door. He brings him a present from Olive. It is the Jeep. Popeye has a hard time putting the Jeep to bed that night.
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AA 489
|
POPEYE'S MIRTHDAY, 1953
Director: Seymour Kneitel
Opens with Olive and Popeye's nephews in the kitchen preparing goodies for Popeye's party. They spot Popeye on his way over and Olive tells the boys to keep him out of the house until she is ready. The fun is just beginning.
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AA 490
|
POPEYE'S PAPPY, 1952
Director: I. Sparber
On the dock Popeye's mother is telling him how his father went out to buy some spinach 20 years ago and never came back. Popeye sets sail to find his pop. Popeye finds him but the old man does not want to go back.
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AA 491
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POPEYE'S PREMIERE, 1949
: At the premiere of Popeye's latest movie, “Aladdin's Lamp,” Olive and Popeye watch the show.
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AA 482
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POPEYE, THE ACE OF SPACE, 1953
Director: Seymour Kneitel
Popeye driving through the mountains. Out in space a flying saucer spots Popeye, captures him, and takes him to another planet to perform tests on him.
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AA 492
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POPEYE THE SAILOR, 1933
B/W; Director: Dave Fleischer
A newspaper headline proclaims “Popeye A Movie Star.” Popeye is singing his theme as he walks down the street. At the wharf Olive is waiting for him. Bluto does not like it. Popeye and Olive go to a carnival where Bluto tries to show Popeye up. They stop to see the Hula dancer-Betty Boop. Bluto steals Olive and Popeye rescues her.
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AA 493
|
POPEYE'S 20th ANNIVERSARY, 1954
Director: I. Sparber
A scene outside Popeye's diner. Inside many celebrities are saluting Popeye. Instead of making a speech Popeye shows some clips from his movies. Bluto, also in attendance, get jealous and tries to show Popeye up.
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AA 494
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PRE-HYSTERICAL MAN, 1948
Director: Seymour Kneitel
Popeye and Olive are on an anthropological expedition. At the highest point of Yellowstone Park Olive falls into a crevasse inhabited by a lone caveman. He falls for Olive, but Popeye rescues her.
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AA 495
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PRIVATE EYE POPEYE, 1954
Director: Seymour Kneitel
A telephone is ringing at Popeye's office. On the line a woman shrieks. He traces the call to Olive's house. She wants him to guard a precious stone. The butler steals the rock and Popeye chases him around the world.
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AA 496
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PROBLEM PAPPY, 1941
B/W; Director: Dave Fleischer
Opens to Popeye knocking at Pappy's door. Pappy has gone so Popeye begins to look for him. He finds him sitting on a flagpole atop a tall building. Pappy refuses to come down until a wild storm drives him from his perch.
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AA 497
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PROTECK THE WEAKERIST, 1937
B/W; Director: Dave Fleischer
Olive is lovingly washing her little puppy. Popeye comes to the door and Olive makes him take “Fluffy” for a walk. Popeye tries to hide the little dog from his friends but Bluto and his bulldog see them and the fight is on. (Earlier version of AA 350, BARKING DOGS DON'T FITE.)
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AA 498
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PUNCH AND JUDO, 1951
Director: I. Sparber
Popeye visits a rundown orphanage, bringing the kids a television set. When they turn it on the fight comes on and Popeye remembers that he is supposed to fight the champ that night.
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AA 499
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PUPPET LOVE, 1944
Director: Seymour Kneitel
Bluto creates a puppet of Popeye to trick Olive into disliking Popeye. The plan works for a while but Popeye wins out in the end.
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AA 500
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PUTTIN' ON THE ACT, 1940
B/W; Director: Dave Fleischer
Opens with Olive running down the street very excited. She finds Popeye and shows him the paper which reads “Vaudville is coming back.” They rehearse their old act.
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AA 501
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QUICK ON THE VIGOR, 1950
Director: Seymour Kneitel
At the carnival Olive and Popeye are walking along the midway. Bluto, “The Strongest Man in the World,” is one of the attractions. Olive and Bluto make eyes at each other and then Popeye and Bluto vie to see which one of them is the strongest.
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AA 502
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QUIET! PLEASE, 1941
B/W; Director: Dave Fleischer
Opens to Poopdeck Pappy waking up with a massive hangover. Popeye tells him he needs to sleep and goes around the block making sure everything is quiet.
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AA 503
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RATION FOR THE DURATION, 1943
B/W; Director: Seymour Kneitel
Opens in a “Spinach Victory Garden.” Popeye is planting spinach everywhere. His nephews are picking up worms to go fishing. Popeye tells them the tale of Jack and the Bean Stalk. After the story Popeye takes a nap and dreams of the giant as a horder of rationed home-front supplies.
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AA 504
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RIOT IN RHYTHM, 1950
Director: Seymour Kneitel
Popeye is listening to his nephews practicing their music. After they finish Popeye rushes them to bed so he can get some sleep. The kids are not tired so they continue to make music on whatever is handy, keeping Popeye awake. (Newer version of AA 453, ME MUSICAL NEPHEWS.)
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AA 505
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ROBIN HOOD WINKED, 1948
Director: Seymour Kneitel
Popeye, in the role of Robin Hood, strolls through the forest with Little John. Bluto plays the evil tax collector and Olive runs a Public Inn. The good guys fight the bad guys.
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AA 506
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ROCKET TO MARS, 1946
Director: Bill Tytla
The “Technical Museum.” Inside Olive and Popeye board the “Jet Propelled Rocket.” Olive hits the take-off switch and they both rocket out of the building. Olive falls off before they reach outer space but Popeye goes on to Mars where the God of War is planning an attack on earth.
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AA 507
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RODEO ROMEO, 1946
Director: I. Sparber
Setting is the Cactus Valley Rodeo where Popeye and Olive are watching Badlands Bluto perform. Popeye, jealous of Bluto, shows him up. Bluto then substitutes “Loco Weed” for Popeye's spinach and the fun begins. (Newer version of AA 414, I EATS MY SPINACH.)
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AA 508
|
THE ROYAL FOUR-FLUSHER, 1947
Director: Seymour Kneitel
Olive and Popeye are feeding squirrels in the park. Bluto, playing “Count Marvo,” comes along and courts Olive. Popeye rescues her when the Count becomes too heavy-handed.
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AA 509
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SAFARI SO GOOD, 1947
Director: I. Sparber
Opens with a map of Africa. Deep in the jungle Olive and Popeye are on safari. Bluto, in a Tarzan-like role, spots Olive and takes her away from Popeye.
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AA 510
|
SCRAP THE JAPS, 1942
B/W; Director: Seymour Kneitel
On board his ship Popeye is being punished for doing things the wrong way. Suddenly the ship is attacked by the Japanese and Popeye scrambles up in an airplane to fight them.
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AA 511
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SEASON'S GREETINKS, 1933
B/W; Director: Dave Fleischer
Popeye happily skates and sings his theme song. He arrives at Olive's house and they go skating. Bluto nabs Olive and Popeye comes to her rescue.
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AA 512
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SEEIN' RED, WHITE 'N' BLUE, 1943
B/W; Director: Dan Gordon
Bluto at work shoeing a horse. The mailman comes along with Bluto's draft notice. He tries several ploys to get out of serving and complains to the draft board, constituted by Popeye. Finally he tries to hurt himself but he gains a sense of patriotism in the end.
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AA 513
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SERVICE WITH A GUILE, 1946
Director: Bill Tytla
A large yellow car pulls up at “Olive's Service Station”--it's a Navy admiral. At the same time Popeye and Bluto arrive on a 24-hour pass. They want to take Olive rowing in the park but she must service the car first. They try to help but they cannot stop trying to best each other. It's the admiral's car that suffers.
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AA 514
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SHAKESPEAREAN SPINACH, 1940
B/W; Director: Dave Fleischer
In the famed “Spinach Theatre” Popeye and Olive are acting out “Romeo and Juliet.” Bluto comes along and finds out Popeye has replaced him as Romeo. He vows to disrupt the play.
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AA 515
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SHAPE AHOY, 1945
Director: I. Sparber
Begins on a tropical island for men only. Popeye and Bluto arrived on the island 3 years earlier to get away from women. Olive arrives on the shore in a raft and the two quickly forget why they came to the island.
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AA 516
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SHAVING MUGS, 1953
Director: Seymour Kneitel
At the dockside Popeye pulls up in his boat. He is off to see Olive but is waylaid by Bluto. They both meet at Olive's door but she will not go out with either of them until they get a shave and a haircut. They go to “Wimpey's Barber Shop” but Wimpey is not there, so they decide to shave each other. (Newer version of AA 369, A CLEAN SHAVEN MAN.)
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AA 517
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SHE-SICK SAILORS, 1944
Director: Seymour Kneitel
Olive reads a Superman comic. Popeye and Bluto come to see her but she can only rave about Superman. Bluto leaves and comes back in a Superman costume. He and Popeye compete for Olive's attention.
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AA 518
|
SHIVER ME TIMBERS!, 1934
B/W; Director: Dave Fleischer
An old wrecked ship on a beach. Olive, Wimpey and Popeye land on the beach for a picnic and explore the ship. On board they are attacked by ghosts and taken for a ghostly sail.
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AA 519
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SHOEIN' HORSES, 1934
B/W; Director: Dave Fleischer
Opens in “Ye Blacksmith Shoppe, Olive Oyl. Proprietress.” Inside Olive and Wimpey are forging horseshoes. She fires Wimpey and puts out a sign for new help. Popeye and Bluto both apply. (Earlier version of AA 343, THE ANVIL CHORUS GIRL.)
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AA 520
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SHUTEYE POPEYE, 1952
Director: I. Sparber
Popeye asleep in his bed. His snoring is keeping a mouse up. The mouse is determined to put an end to Popeye's snoring.
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AA 521
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SILLY HILLBILLY, 1949
Director: I. Sparber
Opens with a group of hill folk sleeping in the hills. Olive and Bluto play hillbillies. Popeye comes along with his traveling department store and trouble results.
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AA 522
|
SNOW PLACE LIKE HOME, 1948
Director: Seymour Kneitel
Olive and Popeye float on the ocean near Miami. The radio warns of a typhoon, which blows them all the way to the North Pole. They enter Pierre Bluto's store to get some clothes and find a way back to the U.S.A.
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AA 524
|
SPINACH FOR BRITAIN, 1943
B/W; Director: I. Sparber
A small Allied ship is sunk by a German sub. While looking for other targets the sub comes upon Popeye bring a ship full of spinach to Britain. The fight is on.
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AA 525
|
THE SPINACH OVERTURE, 1935
B/W; Director: Dave Fleischer
A rehearsal hall in the middle of a large city. Inside Popeye is conducting a band. In another room Bluto is conducting a real orchestra. He comes into Popeye's room and tries to show him how to conduct.
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AA 526
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SPINACH PACKIN' POPEYE, 1944
Director: I. Sparber
Popeye donates at the local blood bank. Later that night he fights Bluto and loses! But it is only a dream.
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AA 527
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THE SPINACH ROADSTER, 1936
B/W; Director: Dave Fleischer
Popeye driving his old car down the street to Olive's house. He stops to pick her up when along comes Bluto in his new car. After Olive snubs him, Bluto sets up traps for them on the road and tries to wreck Popeye's car.
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AA 528
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SPINACH VS. HAMBURGERS, 1948
Director: Seymour Kneitel
Opens in “Wimpey's Hamburger Haven.” Outside Olive is taking the nephews to “Popeye's Spinach Heaven” although they want burgers. At Popeye's he tells them a story about spinach to convince them that spinach is better than hamburgers.
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AA 563
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SPOOKY SWABS, 1957
Director: I. Sparber
Popeye and Olive are playing checkers to pass the time. They are stranded on a life raft in the middle of the ocean. They spot a ghostly ship and board it. On board the ghosts try to get rid of Popeye and Olive by playing tricks on them.
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AA 564
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SPREE LUNCH, 1957
Director: Seymour Kneital
At “Popeye's Diner” the proprietor is sweeping the sidewalk out front. Bluto drives up with his own diner on a trailer and sets up shop across the street from Popeye. Wimpey walks by and they both vie for his business even though he has no money.
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AA 529
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STEALIN' AIN'T HONEST, 1940
B/W; Director: Dave Fleischer
Popeye and Olive sit in the cabin of their ship. Olive has a map to her gold mine. Bluto photographs the map and beats them to the mine. Popeye and Bluto both start mining and meet in the center of the mountain.
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AA 530
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STRONG TO THE FINICH, 1934
B/W; Director: Dave Fleischer
At “Olive Oyl's Health Farm for Children” the kids are getting spinach for lunch again. They rebel and Olive cries. Along comes Popeye with more spinach, demonstrating for the kids what spinach can do for them.
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AA 523
|
SOCK-A-BYE BABY, 1934
B/W; Director: Dave Fleischer
Opens to Popeye walking a stroller down the street. Popeye gets the baby to sleep and then tries to stop any noise that might wake the child.
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AA 531
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SWIMMER TAKE ALL, 1952
Director: Seymour Kneitel
A loudspeaker announces the “Great Channel Swimming Race.” Popeye is competing against Bluto to see who can swim the English Channel the fastest.
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AA 532
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SYMPHONY IN SPINACH, 1948
Director: Seymour Kneitel
Bluto and Popeye are reading the paper in the park. Miss Olive is advertising for a musician. Both of them try out for the job.
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AA 533
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TAR WITH A STAR, 1949
Director: Bill Tytla
Down in “Cactus Corners” there's a shoot-out going on. Along comes Popeye who takes the job of sheriff. At “Cactus Peter's” Olive is the showgirl who becomes stuck on Popeye. Into town rides Wild Bill Bluto. The showdown is set.
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AA 534
|
TAXI-TURVY, 1954
Director: Seymour Kneitel
Popeye polishes up his cab on a street corner. Along comes Bluto, a rival cabbie, who takes his spot.
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AA 535
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THRILL OF FAIR, 1951
Director: Seymour Kneitel
At the fair Popeye, Olive, and Sweet Pea are strolling. Olive goes off to enter her pig in the livestock competition. Meanwhile Sweet Pea gets away from Popeye and gets into all sorts of trouble.
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AA 536
|
TOO WEAK TO WORK, 1945
B/W; Director: I. Sparber
Popeye is painting one side of a rowboat on a pier, while Bluto paints the other side. Bluto plays sick so that he can get into “Heavenrest” home to relax. Popeye sees him faking and gives him the treatment.
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AA 537
|
TOPS IN THE BIG TOP, 1945
Director: I. Sparber
Inside the big top at the circus, Bluto introduces Popeye the Fearless. Bluto has eyes for Olive, Popeye's assistant, and rigs the high wire to cause an accident.
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AA 538
|
TOREADORABLE, 1953
Director: Seymour Kneitel
Opens in the “Chile-Bowl” where Popeye and Olive have gone to see a bull-fight. Bluto is the matador. Popeye goes out into the ring to impress Olive.
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AA 539
|
TOTS OF FUN, 1952
Director: Seymour Kneitel
A record is playing on a hi-fi. Popeye's nephews are trying to play the same sounds. Outside Popeye is building a new house. The nephews try to help but Popeye sends them back to practice their music.
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AA 540
|
THE TWISTER PITCHER, 1937
B/W; Director: Dave Fleischer
In the baseball park Popeye's Pirates are playing Bluto's Bears. The game deteriorates accordingly.
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AA 541
|
THE TWO-ALARM FIRE, 1934
B/W; Director: Dave Fleischer
At the Volunteer Fire Department Bluto and Popeye are companies C and D. A fire breaks out at Olive's house and they go out to fight it and each other.
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AA 542
|
VACATION WITH PLAY, 1951
Director: Seymour Kneitel
Olive is driving a car filled with gear and Popeye carrying one of the axles. They arrive at a resort and Olive wants to play but Popeye wants to rest. Olive goes off with the athletic instructor (Bluto) who has more than sports on his mind.
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AA 543
|
VIM, VIGOR AND VITALIKY, 1936
B/W; Director: Dave Fleischer
“Popeye's Gymnasium” is located next door to “Bluto's Cabaret.” Olive walks by and snubs Bluto's club for Popeye's Gym. Bluto changes into a woman's clothes and joins the gym. (Earlier version of AA 400, GYM JAM.)
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AA 544
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WE AIM TO PLEASE, 1934
B/W; Director: Dave Fleischer
Popeye and Olive have just opened a new diner. Across the street Wimpey and Bluto take notice and each in turn goes in to try and get a free lunch.
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AA 545
|
WE'RE ON OUR WAY TO RIO, 1944
Director: I. Sparber
Bluto and Popeye are riding a bull and singing about going to Rio. When they arrive in Rio they enter a cafe where Olive is the floor show. They both go nuts for Olive and her act. Bluto tries to embarrass Popeye in front of Olive by claiming he is America's greatest samba dancer.
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AA 546
|
WHAT--NO SPINACH?, 1936
B/W; Director: Dave Fleischer
It's at “Bluto's Restaurant” that Wimpey is working for Bluto. He is always trying to sneak a meal. Into the diner comes Popeye. He orders the roast duck. When Wimpey tries to get Popeye's meal, Popeye leaves without paying. Bluto tries to make him pay and the fight is on.
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AA 547
|
WIGWAM WHOOPEE, 1948
Director: I. Sparber
The Mayflower is sailing to America with Popeye following in a rowboat. In America Popeye spies lovely Pocahontas, played by Olive. They fall for each other but her former boyfriend “Big Chief Shmohawk” steps in and tries to scalp Popeye.
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AA 548
|
WILD ELEPHINKS, 1933
B/W; Director: Dave Fleischer
Popeye and Olive are stranded on a raft. They land on a tropical shore filled with wild animals. Popeye tames them and rescues Olive from a gorilla.
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AA 549
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WIMMIIN HADN'T OUGHTA DRIVE, 1940
B/W; Director: Dave Fleischer
Popeye pulls up to Olive's house in his new car. He takes Olive out for a drive. Later she demands to learn how to drive; Popeye gives in and the trouble starts.
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AA 550
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WIMMIIN IS A MYSKERY, 1940
B/W; Director: Dave Fleischer
Popeye is down on one knee again asking Olive to marry him. She asks for one night to sleep on it and promises an answer in the morning. That night she dreams of life as Popeye's wife, with four children just like Popeye's nephews.
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AA 551
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A WOLF IN SHEIK'S CLOTHING, 1948
B/W; Director: I. Sparber
Olive and Popeye are riding a camel through the desert. Olive dreams out loud of a sheik sweeping her away. An Arab close by hears her and does just that, so Popeye comes to her rescue.
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AA 552
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WOOD-PECKIN', 1943
B/W; Director: I. Sparber
Popeye is carrying his boat to the water. He has just finished building it and needs a mast to complete the job. Out in his private forest he finds the right tree but it is the home of a woodpecker who does not take to kindly to having his nest chopped down.
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AA 553
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WOTTA KNIGHT, 1947
Director: I. Sparber
Set at “Ye Jousting Tournament,” of the Knights of the Round Table. Sir Bluto is jousting Sir Popeye for the right to wake Sleeping Beauty, played by Olive.
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AA 554
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WOTTA NIGHTMARE, 1939
B/W; Director: Dave Fleischer
Popeye is sleeping peacefully on his bed. He begins to dream of Olive Oyl as an angel and Bluto as a devil. Strange things begin to happen in his dreams.
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AA 555
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YOU GOTTA BE A FOOTBALL HERO, 1935
B/W; Director: Dave Fleischer
At the stadium, a banner proclaims “Football Today.” Inside Olive and Popeye are watching Bluto play. Olive cheers for Bluto's team so Popeye joins the other squad as the game begins.
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AA 556
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YOU'RE A SAP MR. JAP, 1942
B/W; Director: Dan Gordon
Popeye is on patrol in the Pacific. He finds a Japanese fishing boat that is really a warship in disguise. After some setbacks Popeye finally triumphs.
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