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Title
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Series: Popeye Cartoons
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AA 338
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THE ADVENTURES OF POPEYE, 1935
B/W; Director: Dave Fleischer
A child buys a comic book about Popeye. When the child is beat-up by a bully, Popeye comes to life and demonstrates for the kid some of the things that he has done to bullies in the past.
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AA 339
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ALL'S FAIR AT THE FAIR, 1947
Director: Seymour Kneitel
Opens to a view of the County Fair from a nearby hill. As Olive and Popeye walk the midway they see Bluto the Fearless. Bluto and Olive make eyes at each other. Bluto disrupts the couple's fun and kidnaps Olive.
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AA 340
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ALONA ON THE SARONG SEAS, 1942
Director: I. Sparber
Opens to a Navy ship where Bluto and Popeye are serving in the South Seas. Popeye dreams of battling with Bluto for the hand of the Princess Alona (Olive).
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AA 341
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ALPINE FOR YOU, 1951
Director: I. Sparber
Popeye is mountain climbing with Olive. When they reach the crest of a peak Bluto, a climbing guide, falls for Olive and the fight is on.
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AA 337
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ABUSEMENT PARK, 1947
Director: I. Sparber
Opens to an Amusement Park where Olive Oyl and Popeye are strolling down the midway; Bluto tags along. The sailors compete to impress Olive. .
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AA 342
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ANCIENT FISTORY, 1953
Director: Seymour Kneitel
Opens to a sign “Calling all men to the Grand Ball” of Princess Olive. A reverse on the Cinderella story, with Popeye in the leading role.
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AA 343
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THE ANVIL CHORUS GIRL, 1944
B/W; Director: I. Sparber
Opens to a Blacksmith Shop outside a modern city. Popeye and Bluto walk by in their sailor suits. Inside they see Olive the Smithy and they then vie for her hand by doing chores around the shop. {Newer version of AA 519, SHOEIN' HOSSES.)
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AA 344
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ASSAULT AND FLATTERY, 1946
Director: I. Sparber
Opens to a courtroom where Judge Wimpey is about to hear the case of Bluto vs Popeye. Popeye is charged with assaulting Bluto and each tells his side of the story.
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AA 345
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AXE ME ANOTHER, 1934
B/W; Director: Dave Fleischer
Opens to Popeye working on a rowboat. Olive screams for help, caught in the river's current. Popeye goes to her rescue. Popeye challenges Pierre Bluto, who threw her in, to a lumberjack contest.
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AA 346
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BABY WANTS A BATTLE, 1953
Director: Seymour Kneitel
Opens to Popeye strolling down the street with flowers on his way to Olive's house. Bluto beats him there. Olive wants them all to stay home. They bring out the picture album and relive the time Bluto gave Popeye his first black eye.
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AA 347
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BABY WANTS A BOTTLESHIP, 1942
B/W; Director: Dave Fleischer
Opens to Popeye in front of the battleship 'Pennsyltucky.' Olive comes along with Sweet Pea and wants Popeye to babysit while she goes shopping. Sweet Pea gets into all sorts of trouble.
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AA 348
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BABY WANTS SPINACH, 1950
Director: Seymour Kneitel
Popeye takes flowers and a gift to Olive's house. Olive makes Popeye babysit Sweet Pea while she goes shopping. While Olive's away Sweet Pea gets into all kinds of trouble.
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AA 349
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A BALMY SWAMI, 1949
Director: I. Sparber
Opens to a seal performing on stage. Popeye and Olive are watching from the crowd. Next on the bill is a hypnotist who looks like Bluto. He hypnotizes Olive and Popeye must save her.
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AA 350
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BARKING DOGS DON'T FITE, 1949
Director: I. Sparber
Opens to Olive washing and singing. Along comes Popeye and she shows him her new pet poodle, “Frenchy.” She makes Popeye take Frenchy for a walk where they meet Bluto and his dog “Killer.” The fight is on. (Newer version of AA 497, PROTECK THE WEAKERIST.)
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AA 351
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BE KIND TO ANIMALS, 1935
B/W; Director: Dave Fleischer
Olive and Popeye are feeding birds in the park. On a nearby street Bluto is abusing a horse. Popeye and Olive come to the horse's rescue and turn the tables on Bluto.
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AA 352
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BEACH PEACH, 1950
Director: Seymour Kneitel
Opens to the beach where Olive and Popeye are setting up for an afternoon of fun. The lifeguard falls for Olive (he sounds like Bluto, but is blond and well- built) and tries to make her his own. Popeye comes to her rescue.
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AA 353
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BEAUS WILL BE BEAUS, 1955
Director: I. Sparber
Opens to Popeye and Bluto both pulling up to Olive's house Each thinks they are taking Olive to the beach for the day. All three go to the beach where Popeye and Bluto vie for Olive's attention.
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AA 354
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BEWARE OF BARNACLE BILL, 1935
B/W; Director: Dave Fleischer
Opens to Popeye pressing the doorbell to Olive's apartment. Once inside Popeye askes Olive to marry him. She refuses because she loves Barnacle Bill. When Bill arrives Popeye and he fight over Olive.
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AA 355
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BIG BAD SINBAD, 1952
Director: Seymour Kneitel
Opens in the Nautical Museum where Popeye is showing his three nephews the sights. He tells them the story of the time he tangled with Sinbad the Sailor.
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AA 356
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BIG CHIEF UGH-AMUGH-UGH, 1938
B/W; Director: Dave Fleischer
Opens to an Indian village in the desert. The tribe needs a princess when along come Olive and Popeye. When the Indians try to make Olive their Princess, Popeye must save her.
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AA 357
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BLOW ME DOWN, 1933
B/W; Director: Dave Fleischer
Opens to Popeye sailing a fish and singing his anthem. He land somewhere in Centrai America where Olive is a saloon dancer. Bluto the local bully comes into the saloon and tangles with Popeye over Olive.
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AA 358
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BLUNDER BELOW, 1942
B/W; Director: Dave Fleischer
A Navy ship on the high seas. On the bridge the Captain is teaching the sailors how to work a gun. Popeye is not as quick as the others and has his troubles firing the gun but he ends up sinking a Japanese submarine.
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AA 359
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BRIDE AND GLOOM, 1954
Director: I. Sparber
Opens to Popeye and Olive holding hands. Tomorrow is to be their wedding day. That night Olive dreams of the wedding and life with Popeye. It looks so bad that she calls off the marriage.
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AA 360
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BRIDGE AHOY', 1936
B/W; Director: Dave Fleischer
Opens on Bluto's Ferry where he is loading cars for the trip across the river. Popeye and Olive pull on to the boat but decide to build a bridge because Bluto charges so much. A fight ensues.
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AA 361
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BROTHERLY LOVE, 1936
B/W; Director: Dave Fleischer
Opens to a rally of the Women's Brotherly Love Society. Club President Olive Oyl addresses the crowd. Popeye hears her on the radio and goes out and helps people.
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AA 362
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BULLDOZING THE BULL, 1938
B/W; Director: Dave Fleischer
Opens to the Bull Arena where Popeye refuses to enter even for free because of the cruelty to animals. Along comes a Spanish Olive who changes his mind about attending. Inside he gets mixed up and ends up out in the middle of the bull ring where he must fight the bull in self-defense.
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AA 363
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CAN YOU TAKE IT, 1934
B/W; Director: Dave Fleischer
Opens to Popeye singing his anthem as he follows Olive down the street. Olive is going to work at the 'Bruiser Boys Club.' Popeye tries to join the club as Bluto the president puts him through the rites of initiation.
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AA 364
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CAR-RAZY DRIVERS, 1955
Director: Seymour Kneitel
Popeye drives down the street to Olive's house dressed in an armored suit. He is going to give Olive her first driving lesson.
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AA 365
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CARTOONS AIN'T HUMAN, 1943
B/W; Director: Seymour Kneitel
Opens to a checklist for drawing cartoons and Popeye sitting down to draw. After he draws The Wages of Sin' he shows it to Olive and his nephews.
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AA 366
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CHILD PSYKOLOJIKY, 1941
B/W; Director: Dave Fleischer
Opens to Sweet Pea sleeping while Poop Deck Pappy and Popeye are playing cards. When Sweet Pea wakes and does something wrong they disagree on how to discipline him.
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AA 367
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CHILD SOCKOLOGY, 1953
Director: I. Sparber
Opens to Bluto and Popeye going over to Olive's house for dinner. Sweet Pea leaves the house and gets into a construction site resulting in Popeye and Bluto's battling to save the child.
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AA 368
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CHOOSE YOUR WEPPINS, 1935
B/W; Director: Dave Fleischer
Wimpey is a policeman who brings in a villain. The villain escapes and enters Popeye's Pawn Shop, where Popeye and Olive defeat the bad guy.
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AA 369
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A CLEAN SHAVEN MAN, 1936
B/W; Director: Dave Fleischer
Popeye and Bluto are sitting at the counter of a greasy spoon diner where Olive is the waitress. Olive sings the title song and Popeye and Bluto decide to clean up. They find a barber shop but no one is there; they decide to shave each other. After they finish Olive walks by with a bearded man on her arm. (Earlier version of AA 516, SHAVING MUGS.)
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AA 370
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COOKIN' WITH GAGS, 1955
Director: I. Sparber
Opens to Olive Oyl packing a picnic lunch. Popeye and Bluto arrive to take Olive out. It happens to be April Fools Day and Bluto pulls all sorts of tricks on Popeye.
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AA 371
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COPS IS ALWAYS RIGHT, 1938
B/W; Director: Dave Fleischer
Opens to a cop at a street crossing directing traffic. Popeye pulls up and hits the cop and gets a ticket. Later as Popeye helps Olive with her spring cleaning the same cop tickets Popeye's car several times.
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AA 372
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COPS IS TOPS, 1955
Director: I. Sparber
Opens to Popeye arriving at Olive's door. He finds she has joined the Police Force' Popeye sneaks after her when she goes to work in order to try And protect her from harm.
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AA 557
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THE CRYSTAL BRAWL, 1957
Director: Seymour Kneitel
Popeye arrives at Olive's door just ahead of Bluto. Bluto gets Popeye out of the way and takes Olive to the fair. Popeye arrives at the fair first and sets up a fortune telling tent to show Olive and Bluto their future together.
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AA 373
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CUSTOMERS WANTED, 1939
B/W; Director: Dave Fleischer
Opens in an Amusement Park. On the midway Popeye and Bluto have Penny Arcades next to each other. Along comes Wimpey and they vie for his business. But Wimpey tricks them into paying his way until they start to fight then he charges people to see the fight of the century. (Earlier version of AA 471, PENNY ANTICS.)
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AA 374
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THE DANCE CONTEST, 1934
B/W; Director: Dave Fleischer
Opens with a banner proclaiming a dance contest. Olive and Popeye arrive in a taxi. Inside Wimpey is the judge and Olive and Popeye keep stepping on each other's feet. Along comes Bluto to sweep Olive off her feet until Popeye learns his steps with the help of some spinach.
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AA 375
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A DATE TO SKATE, 1938
B/W; Director: Dave Fleischer
Opens to Popeye and Olive strolling down the street. They come to a skating rink and Popeye tries to teach an unsure Olive how to skate.
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AA 376
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DIZZY DIVERS, 1935
B/W; Director: Dave Fleischer
Opens on a wharf where Bluto and Popeye own a Deep Sea Diving Company. They get a job to salvage some treasure and agree to split the goods. Bluto soon gets other ideas, however.
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AA 377
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DOING IMPOSSIKIBLE STUNTS, 1940
B/W; Director: Dave Fleischer
Opens to “Mystery Inc. If It's A Good Picture It's A Mystery.” The studio needs a stuntman so Popeye brings his film clips to the director. Sweet Pea wants the job also and shows some of his stuff.
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AA 378
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DOUBLE CROSS COUNTRY RACE, 1951
Director: Seymour Kneitel
Opens with a Banner proclaiming the race between Popeye and Count Noah Count. The Count attempts to beat Popeye by using any means possible.
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AA 379
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A DREAM WALKING, 1934
B/W; Director: Dave Fleischer
Opens to Popeye sleeping, moves to Bluto also sleeping, then to Olive as she begins to sleep walk. Bluto and Popeye chase after Olive to save her but get in each other's way as Olive continues her dangerous stroll.
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AA 380
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FARMER AND THE BELLE, 1950
Director: Seymour Kneitel
Opens to “Olive Oyl's Farm.” Olive is doing the chores and wishing for some help. Along comes Popeye and Bluto who compete to do the best work and get a job on her farm.
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AA 381
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FEMALES IS FICKLE, 1940
B/W; Director: Dave Fleischer
Opens to Popeye's ship tied to a dock. Popeye is knitting a chain and swabbing the deck. Olive comes on board with her pet gold fish and when the fish jumps overboard Popeye has to chase after it.
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AA 382 and VBA 137
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FIGHTIN' PALS, 1940
B/W; Director: Dave Fleischer
Opens to an Ocean Liner where Dr. Bluto's African Expedition is departing. Popeye and Bluto say goodbye. Months later Bluto is reported lost and Popeye goes to search for him.
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AA 383
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FIREMAN'S BRAWL, 1953
Director: I. Sparber
The firehouse. Inside Bluto and Popeye are playing cards. The fire alarm rings, the fire is at Olive' s house, and the two fight over who will save her.
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AA 384
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THE FISTIC MYSTIC, 1947
B/W; Director: Seymour Kneitel
Popeye and Olive are riding a camel across the desert to Bagdad. In the famous city Bluto is a mystic who falls for Olive.
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AA 385
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FLEETS OF STREN'TH, 1942
B/W; Director: Dave Fleischer
Opens to Popeye scrubbing the deck of a navy ship while reading a Superman comic. An officer orders him to load a mosquito boat. Suddenly they are attacked by planes and Popeye rescues the ship.
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AA 386
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FLIES AIN'T HUMAN, 1941
B/W; Director: Dave Fleischer
Opens to Popeye stretching out for a nap. A fly gets hold of some spinach and torments Popeye. (AA 388 is a remake of this cartoon using the same plot modernized and in color.)
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AA 387
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FLOOR FLUSHER, 1954
Director: I. Sparber
A dripping sink in Olive's kitchen. Olive is finishing up a cake but the drip is diving her crazy. Popeye and Bluto come over and destroy the house trying to fix the annoying drip.
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AA 388
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THE FLY'S LAST FLIGHT, 1949
Director: Seymour Kneitel
Opens to a view of Popeye's house from the air. Popeye is about to take nap but the noise drives him inside. In the house a fly gets hold of some spinach and torments him. (AA 386 is an earlier version of this story in B/W.)
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AA 389
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THE FOOTBALL TOUCHER DOWNER, 1937
B/W; Director: Dave Fleischer
Opens to Popeye feeding Sweet Pea his spinach. Sweet Pea does not want to eat it so Popeye tells him a story about when he was a child and spinach saved the football game.
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AA 390
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FOR BETTER OR NURSE, 1945
Director: I. Sparber
Opens to Popeye and Bluto pulling a lifeboat on to a ship. Olive Oyl walks by dressed as a nurse. They both fall for her and end up attempting different ways to hurt themselves so that Olive will nurse them. (Variation of AA 405, HOSPITALIKY.)
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AA 391
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FOR BETTER OR WORSER, 1935
B/W; Director: Dave Fleischer
Opens at the “Bachelor Apts. For Men Only.” Inside Popeye is trying to cook dinner but is only making a mess. He decides to find a wife, going to the “Matrimonial Agency” where he and Bluto both pick out Olive. The traditional fight ensues.
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AA 392
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FOWL PLAY, 1937
B/W; Director: Dave Fleischer
Opens to Popeye singing his theme song, carrying a parrot who is singing with him. He leaves the bird on Olive's door step. Bluto arrives at Olive's and attempts to dispose of the bird, with Popeye trying to save the creature.
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AA 393
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FRIEND OR PHONY, 1952
Director: I. Sparber
Opens with Popeye taking a nap. A telegram arrives blaming him for Bluto's death. It's another trick by Bluto to get Popeye to give up his spinach.
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AA 394
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FRIGHT TO THE FINISH, 1954
Director: Seymour Kneitel
Halloween Eve. Inside Olive's house Bluto and Popeye are listening to Olive read scary stories. Bluto leaves, returning to play tricks on the couple.
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AA 395
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GHOSKS IS THE BUNK, 1939
B/W; Director: Dave Fleischer
Olive reads ghost stories to Bluto and Popeye at home in front of a fireplace. All three are scared but they make fun of Popeye. Bluto leaves and goes to an abandoned hotel and arranges tricks to scare Popeye and Olive. The two arrive and become wise to Bluto's tricks, turning the tables on him.
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AA 396
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GIFT OF GAG, 1955
Director: Seymour Kneitel
Opens to two of Popeye's nephews carrying a box into the house. They trick Popeye into leaving but he soon comes back. The two then try to keep Popeye from finding the box.
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AA 397
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GOONLAND, 1938
B/W; Director: Dave Fleischer
Opens to Popeye at the helm of his ship. Popeye thinks that his Pappy is on Goon Island. Arriving at the island he finds Pappy in jail and works to free him.
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AA 398
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GOPHER SPINACH, 1954
Director: Seymour Kneitel
Opens to Popeye walking a baby carriage filled with baby spinach plants. He babies the plants and lays them in a garden bed. A gopher begins to nab the plants, so Popeye tries to fight off the rodent, but in the end they work together.
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AA 399
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GREEK MIRTHOLOGY, 1954
Director: Seymour Kneitel
Opens to Popeye serving his nephews spinach. They do not want to eat it so Popeye tells them the story of their great-great grand uncle Hercules.
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AA 400
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GYM JAM, 1950
Director: I. Sparber
Opens with Popeye riding a bicycle with 'Keep Slim at Popeye's Gym' on the back. Behind him is Olive jogging along. Bluto comes along and tries to pick up Olive. He does not get anywhere with her so he comes to the gym dressed in drag and puts Popeye through his paces. (Newer version of AA 543, VIM, VIGOR AND VITALIKY.)
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AA 401
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HAPPY BIRTHDAZE, 1943
B/W; Director: Dan Gordon
A “V-mail” truck is at the wharf next to a navy ship. On board all the sailors are reading their mail except one who is so depressed he tries to kill himself. Popeye stops him and invites him to Olive's. Olive is giving Popeye a cake for his birthday. The sailor gets into all sorts of trouble.
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AA 558
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A HAUL IN ONE, 1956
Director: I. Sparber
Opens to a city apartment building. Inside Olive is packing her things to move. “Popeye & Bluto Movers” arrive to do the job and both fall in love with her. They show off for her while packing her things and moving her stuff.
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AA 402
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HELLO HOW AM I, 1939
B/W; Director: Dave Fleischer
Opens to a phone ringing at Popeye and Wimpey's apartment. Olive invites Popeye over for hamburgers. Set on obtaining a free meal Wimpey disguises himself as Popeye and fools both Olive and the sailor.
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AA 403
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HER HONOR THE MARE, 1943
Director: I. Sparber
Opens at the “Glue Factory” where an old mare is kicked out Popeye's nephews find the horse and bring it home for a pet. The chase is on to get him out of the house.
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AA 404
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HILLBILLING AND COOING, 1956
Director: Seymour Kneitel
Opens to a rustic valley where a hill girl is singing about the lack of men in the hills. Along drive Popeye and Olive so the girl decides to nab Popeye for her mate. Olive must come to Popeye's rescue.
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AA 405
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HOLD THE WIRE, 1936
B/W; Director: Dave Fleischer
Opens to Olive reading “Love and More Love Magazine.” Popeye calls her on the phone and recites poetry to her. Bluto overhears the lovers and taps into the phone line in order to make it seem like Popeye is insulting Olive.
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AA 406
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HOSPITALIKY, 1937
B/W; Director: Dave Fleischer
Olive, dressed in a nursing uniform, is walking down the street. Along come Bluto and Popeye who follow her to a hospital. They attempt to hurt themselves so that Olive can nurse them. (Earlier version of AA 390, FOR BETTER OR NURSE.)
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AA 407
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HOT AIR ACES, 1949
Director: I. Sparber
Opens to the “Round the World Air Race.” Popeye and Bluto take off and the race is on.
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AA 408
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THE HOUSE BUILDER-UPPER, 1938
B/W; Director: Dave Fleischer
Begins with Olive's house on fire. Popeye and Wimpey arrive too late to save the house but they promise to build her another. Innumerable troubles plague them as they build the new home.
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AA 409
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HOUSE TRICKS, 1946
Director: Seymour Kneitel
Popeye and Bluto, walking down the street, spy Olive trying to build her own house. The two of them compete to build Olive's house, so she tears the blueprints in half and gives each one a portion. They fight and build at the same time.
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AA 410
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HOW GREEN IS MY SPINACH, 1950
Director: Seymour Kneitel
Opens with Pluto jumping on Popeye, who eats his spinach and then blasts Bluto. This scene is repeated several times. Bluto, tired of continually losing, invents a spinach killer and tries to wipe out all of the spinach on earth.
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AA 411
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A HULL OF A MESS, 1942
B/W; Director: I. Sparber
Opens to a government offical giving Popeye and Bluto plans for a ship. The first one to build the ship will get the military contract. The race is on.
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AA 412
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THE HUNGRY GOAT, 1943
B/W; Director: Dan Gordon
A goat is walking along and singing. He is soon starving because all scrap metal is being used for the war effort spying a Navy ship he begins to munch and Popeye tries to stop him.
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AA 413
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THE HYP-NUT-TIST, 1935
B/W; Director: Dave Fleischer
A billboard is advertising the world's greatest hypnotist. Popeye and Olive buy tickets and enter the tent. The hypnotist uses Olive as a subject but Popeye gets the better of him.
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AA 559
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I DON'T SCARE, 1956
Director: I. Sparber
Opens to Popeye going to use the payphone. Bluto pulls him out and tries to use the phone himself. Popeye gets the phone by pulling it out of the booth and calls Olive for a date. At Olive's house Bluto overhears Olive say she is superstitious and sets out to play some tricks on the couple.
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AA 414
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I EATS MY SPINACH, 1933
B/W; Director: Dave Fleischer
Popeye is walking down the street singing his anthem. He goes over to Olive's house and invites her to the rodeo where Bluto is the big star. (Earlier version of AA 507, RODEO ROMEO.)
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AA 415
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I LIKE BABIES AND INFINKS, 1937
B/W; Director: Dave Fleischer
Opens to Sweet Pea crying. Nothing Olive does will make him stop. She calls Popeye over and he and Bluto show up and take turns trying to make Sweet Pea laugh.
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AA 416
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I'LL BE SKIING YA, 1947
Director: I. Sparber
Opens at “Stuffy's Tavern, Where the Elite beat the Heat, Lake Plastered, NY.” Olive and Popeye are enjoying a skating date. Bluto the skating instructor falls for Olive, with the usual consequences.
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AA 417
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I'LL NEVER CROW AGAIN, 1941
B/W; Director: Dave Fleischer
Olive is washing the dishes when crows attack her garden. She calls Popeye for help and he tries to get rid of the crows.
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AA 418
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I'M IN THE ARMY NOW, 1936
B/W; Director: Dave Fleischer
Opens to Popeye and Bluto walking Olive down the street. She sees an Army recruiting poster and swoons because of the uniform. Bluto and Popeye try to impress the recruiting officer with scenes from their past fights.
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AA 419
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I NEVER CHANGE ALTITUDE, 1937
B/W; Director: Dave Fleischer
Opens at “Aott Air-port” where Olive used to have a diner. On the steps Popeye is crying because Olive has run off with Bluto. Aboard Bluto's plane Olive wants to return to Popeye. He must save her from Bluto's clutches.
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AA 420
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I-SKI LOVE-SKI YOU-SKI, 1936
B/W; Director: Dave Fleischer
Popeye is walking with Bluto towards Olive's house. They sing as they trudge through the snow. They both ask Olive to climb the mountain with them. When she chooses Popeye Bluto tries to spoil their fun.
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AA 421
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I WANNA BE A LIFE GUARD, 1936
B/W; Director: Dave Fleischer
Opens to the “Dunk-in Swimming Pool.” Along comes Popeye, who spies Olive swimming and applies for the job of life guard. Bluto sees the same ad (and Olive) and wants the job too. The two have a swimming contest to see who will be victorious.
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AA 422
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I YAM LOVE SICK, 1938
B/W; Director: Dave Fleischer
Opens to Olive reading “Love Stories.” Popeye comes over but Olive ignores him in favor of her book. She favors Bluto at the moment, but Popeye wins her back by faking illness.
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AA 423
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I YAM WHAT I YAM, 1933
B/W; Director: Dave Fleischer
Opens to Popeye out in the rain with Olive and Wimpey in a rowboat. They land on shore where Popeye builds a log cabin and then goes out to find some food. While he is gone Indians attack the cabin.
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AA 424
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INSECT TO INJURY, 1956
Director: Dave Tendlar
Opens to Popeye building a house. Just as he finishes a swarm of termites attacks and Popeye must defend his new home.
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AA 425
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THE ISLAND FLING, 1947
Director: Bill Tytla
Opens to an island in the middle of the ocean. It is the home of Robinson Crusoe and Friday. Popeye and Olive come floating in on a raft and Crusoe and Popeye fight over Olive.
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AA 426
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IT'S THE NATURAL THING TO D0, 1939
B/W; Director: Dave Fleischer
Opens to Popeye and Bluto fighting in Olive's yard. A telegram arrives from the Popeye Fan Club asking them to cut out the rough stuff. They make an unsuccessful effort.
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AA 427
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THE JEEP, 1938
B/W; Director: Dave Fleischer
Opens to Sweet Pea on Olive's window sill. Olive grabs him and warns him that he might hurt himself, then locks him in his crib. Popeye and Eugene the Jeep arrive to play with Sweet Pea but the child has disappeared so Eugene and Popeye search for him.
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AA 428
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JITTERBUG JIVE, 1950
Director: Bill Tytla
Opens to Olive setting the table for dinner. Popeye and Bluto come over. Popeye wants to have some old fashioned fun but Bluto and Olive want to jitterbug.
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AA 429
|
A JOB FOR A GOB, 1955
Director: Seymour Kneitel
Opens to Bluto and Popeye talking about their 30 day leave. They head out west, where Olive is advertising for a ranch hand. They battle for the job.
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AA 430
|
A JOLLY GOOD FURLOUGH, 1943
B/W; Director: Dan Gordon
Popeye is in the South Seas fighting the Japanese. He is given leave to return home. But at home Olive is too busy for him and his nephews make life so hectic that he goes back to the war.
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AA 431
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KICKIN' THE CONGA 'ROUND, 1942
B/W; Director: Dave Fleischer
Opens to a group of Latin Americans cheering the U.S fleet. On board ship Popeye and Bluto are preparing for shore leave. Popeye meets his Latin sweetheart but Bluto butts in. At the cafe the conga is playing.
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AA 432
|
KING OF THE MARDI GRAS, 1935
B/W; Director: Dave Fleischer
At the famous Mardi Gras Bluto the Great is one of the main attractions, but Popeye steals his crowd.
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AA 433
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KLONDIKE CASANOVA, 1946
Director: I. Sparber
Opens to a beautiful mountain scene at the edge of the Klondike. On the other side a blizzard is raging. At the “Polar Bar and Grill, Popeye and Olive Oyl Prop.” the help wanted sign is out. Dangerous Dan McBluto arrives, steals Olive away, and the fight is on.
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AA 434
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LEARN POLIKNESS, 1938
B/W; Director: Dave Fleischer
“Prof. Bluteau's School of Etiquette” is introduced. Olive forces Popeye to sign up for lessons. Prof. Bluteau has ideas about Olive as he tries to teach Popeye to be a gentleman.
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AA 435
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LEAVE WELL ENOUGH ALONE, 1939
B/W; Director: Dave Fleischer
Opens to “Olive Oyl's Pet Shop.” Along comes Popeye who feels sorry for all the animals and buys them in order to set them free. This only gets them into trouble so Popeye returns them to Olive's store.
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AA 436
|
LET'S CELEBRAKE, 1938
B/W; Director: Dave Fleischer
Popeye and Bluto are sledding and singing about the New Year. They arrive at Olive's house to take her out. Popeye feels sorry for Grandma and brings her along. She and Popeye win the dance contest with the help of a little spinach.
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AA 437
|
LET'S GET MOVIN', 1936
B/W; Director: Dave Fleischer
Opens to an apartment building with a “room for rent” sign on the door. Olive is planning to move so she can meet a big strong mover. Popeye comes over to help her as Bluto the mover arrives, and they have a contest to see who is the best mover.
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AA 310
|
LET'S SING WITH POPEYE, 193?
B/W
Opens to Popeye singing his anthem. On to the screen appear the words and a bouncing marker as Popeye asks the audience to sing along.
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AA 438
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LET'S STALK SPINACH, 1951
Director: Seymour Kneitel
Opens to Popeye setting up for a picnic. He feeds his nephews spinach. They hate it so he tells them a story about how spinach helped him.
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AA 439
|
LET'S YOU AND HIM FIGHT, 1934
B/W; Director: Dave Fleischer
In a boxing training camp Popeye and Bluto the Champ are training for the big fight at “Yank'em Stadium.” Olive threatens to leave Popeye if he fights so he lets Bluto beat him up till Olive arrives with some spinach and helps him to win.
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AA 440
|
LITTLE SWEE'PEA, 1936
B/W; Director: Dave Fleischer
Opens with Popeye walking over to Olive's house. He want to take her to the zoo but she's too busy so he takes Sweet Pea. The kid gets into all sorts of trouble.
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AA 441
|
LOST AND FOUNDRY, 1937
B/W; Director: Dave Fleischer
Opens to a factory whistle about to blow. At the “Useless Machine Works,” Popeye is taking lunch as Olive and Sweet Pea walk by. Popeye invites Olive to join him for lunch and Sweet Pea goes on a tour of the factory.
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AA 442
|
LUMBERJACK AND JILL, 1949
Director: Seymour Kneitel
Opens to the “Popeye and Bluto Lumber Camp-Cook Wanted.” Olive arrives to assume the job. Bluto tries to win her hand and Popeye comes to her rescue.
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AA 443 and VBA 137
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LUNCH WITH A PUNCH, 1952
Director: I. Sparber
Opens to Olive Oyl's house as Bluto arrives. He asks her out but Popeye is already there. She and Popeye are going on a picnic with his nephews. The nephews won't eat their spinach so Popeye tells them a story to convince them it is good for them.
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AA 444
|
THE MAN ON THE FLYING TRAPEZE, 1934
B/W; Director: Dave Fleischer
Opens to Popeye at the helm of his ship. He sails it right up to Olive's house. Her mother tells Popeye that she has gone off with the man on the flying trapeze. Popeye goes to the circus to see his girl with this new beau and ends up saving her from him.
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AA 445
|
MANY TANKS, 1942
B/W; Director: Dave Fleischer
The “U.S. Army Tank Corps.” Bluto is in the Army. He is trying to get past the guard at the gate but has no luck. Along comes Popeye, who changes places with him. Popeye gets stuck on maneuvers while Bluto is at Olive's.
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AA 447
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ME FEELIN'S IS HURT, 1940
B/W; Director: Dave Fleischer
Popeye docks his boat at the pier. In his mailbox is a letter from Olive saying that she has moved out west where cowboys are real men. Popeye sails west to prove himself a better man than a cowboy.
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AA 453
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ME MUSICAL NEPHEWS, 1942
B/W; Director: Seymour Kneitel
Popeye is busy listening to his nephews practice. After they are done he sends them to bed for the night but they use all sorts of objects to continue making music, keeping Popeye up. (Earlier version of AA 504, RIOT IN RHYTHM.)
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AA 446
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THE MERRY-GO-ROUND, 1943
Director: Seymour Kneitel
Opens to a picture of a pin-up girl above Shorty's bunk. Popeye is next to him worrying how to ask Olive to marry him. Shorty pushes Popeye over to Olive's house and prompts him.
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AA 448
|
MESS PRODUCTION, 1945
Director: Seymour Kneitel
Bluto and Popeye are working in a factory. Olive is the new girl on the job. They each try to be the first to ask her out.
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AA 449
|
THE MIGHTY NAVY, 1941
B/W; Director: Dave Fleischer
On board a Navy training ship Popeye is one of the recruits. The Officer in charge puts Popeye through his paces.
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AA 450
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MISTER AND MISTLETOE, 1955
Director: I. Sparber
Inside Olive Oyl's house, Olive and Popeye are listening to the nephews instruct them as to what to tell Santa they want for Christmas. Bluto listens in and dresses up as Santa to get rid of Popeye so he can be alone with Olive.
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AA 451
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MORNING, NOON AND NIGHT CLUB, 1937
B/W; Director: Dave Fleischer
A billboard advertises “Popito and Olivita...Nightly at Wimpey's Cafe.” Bluto walks along and defaces the billboard on his way to Wimpey's. When Olive refuses to go out with him he vows to disrupt their act.
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AA 452
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MOVING AWEIGH, 1944
: Popeye and Shorty are leaving their ship when the mail arrives. There is a note from Olive asking Popeye to help her move. Shorty tags along but causes nothing but trouble.
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AA 454
|
MUTINY AIN'T NICE, 1938
B/W; Director: Dave Fleischer
Opens to Popeye directing the loading of his ship. Olive is crying because he won't take her with him. She accidentally gets loaded onto the ship. When the crew finds out they mutiny to get rid of her but Popeye saves the day.
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AA 455
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MY ARTISTICAL TEMPERATURE, 1937
B/W; Director: Dave Fleischer
The “Sweet Art Studio.” Inside Popeye is sculpting clay and Bluto is painting. Olive steps in to have a likeness of herself made. Bluto and Popeye both try to capture her.
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AA 456
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MY POP, MY POP, 1940
B/W; Director: Dave Fleischer
Popeye is building a ship. Along comes Poopdeck Pappy with his toolbox; they each build a side of the ship.
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AA 560
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NEARLYWEDS, 1957
Director: Seymour Kneitel
Opens with Popeye down on one knee proposing marriage to Olive. Bluto comes in and asks Olive too marry him instead. She chooses Popeye and asks him to come back at 3:00. Bluto follows Popeye and attempts to slow him down so he will not make the date.
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AA 457
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NEVER KICK A WOMAN, 1936
B/W; Director: Dave Fleischer
A woman is punching a dummy in the window of a sporting goods store. Popeye and Olive are watching from the sidewalk. Popeye decides to teach Olive the art of self-defense.
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AA 458
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NEVER SOCK A BABY, 1939
B/W; Director: Dave Fleischer
Opens to Popeye about to spank Sweet Pea. He sends a crying Sweet Pea to bed. Sweet Pea packs his things and runs away from home. Popeye discovers him missing and gives chase, but it turns out only to be a bad dream of Popeye's.
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AA 459
|
NIX ON HYPNOTRICKS, 1941
B/W; Director: Dave Fleischer
The apartment of “Prof. I. Stare, Hypnotist.” He needs a subject and picks Olive's name out of the phonebook. She goes into a trance when he calls her and Popeye must save her.
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AA 460
|
NURSE-MATES, 1940
B/W; Director: Dave Fleischer
Begins at Olive's house where Bluto and Popeye arrive to take her to the movies. She has other plans and leaves them to babysit Sweet Pea.
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AA 461
|
NURSE TO MEET YA, 1955
Director: I. Sparber
Opens to Popeye and Bluto riding a tandem bike. They ride past Olive who is babysitting. They both try to woo her by stopping the baby's crying.
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AA 464
|
OLIVE'S BOITHDAY PRESINK, 1941
B/W; Director: Dave Fleischer
Popeye strolls down to “G. Geezil's Furrier Shop” to buy Olive a bearskin coat for a present. Geezil tries to cheat him so he decides to go hunting for his own bearskin. Once he finds a bear he cannot bring himself to shoot the animal but somehow ends up with a bearskin anyway.
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AA 462
|
OLIVE OYL FOR PRESIDENT, 1948
Director: I. Sparber
A political rally for two politicians. Olive thinks she would be a good president. In Popeye's dream she states her goals and the things she would do if elected.
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AA 463
|
OLIVE OYL AND WATER DON'T MIX, 1942
B/W; Director: Dave Fleischer
A Navy shipyard. On board a ship Popeye and Bluto swear off women before Olive comes on board for a tour.
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AA 465
|
OLIVE'S SWEEPSTAKE TICKET, 1941
B/W; Director: Dave Fleischer
Olive is sitting on her couch embroidering. The phone rings, and she has won first prize in a sweepstakes. Popeye comes over as she is trying to find the ticket. He dreams of millions as the ticket is blown through the streets.
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AA 466
|
ONION PACIFIC, 1940
B/W; Director: Dave Fleischer
The “BIG RACE for State Franchise, Onion Pacific R.R. vs Sudden Pacific R.R.” Bluto and Popeye are the competing train engineers. Wimpey starts them off and the race is on.
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AA 467
|
ORGAN GRINDER'S SWING, 1937
B/W; Director: Dave Fleischer
Opens to Wimpey and a monkey playing an organ in the courtyard of an apartment building. Popeye and Olive look out their windows and enjoy the music. Bluto looks out and tells Wimpey to get lost. Popeye defends his pal and a fight breaks out.
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AA 468
|
OUT TO PUNCH, 1956
Director: Seymour Kneitel
Beating a punching bag in the gym, Bluto trains for the big fight with Popeye. When he sees that Popeye is in great shape he tries a number of ways to wear him out before the fight.
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AA 469
|
THE PAINLESS WINDOW WASHER, 1937
B/W; Director: Dave Fleischer
Opens to “Bluto's Window Cleaning Co.” Bluto appears and dirties the windows of the building across the street to help his business. On the 5th floor is “Olive Oyl-Public Stenographer.” Popeye is going to wash her windows. He and Bluto compete for the privilege, soon starting a fight.
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AA 561
|
PARLEZ VOUS WOO, 1956
Director: I. Sparber
Opens to Popeye and Olive watching television. Olive is more interested in the T.V. personality then Popeye. Bluto looks in and, seeing his chance, disguises himself as the T.V. actor and has Olive at his feet until Popeye unmasks him.
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VBA 137
|
PARTIAL POST, undated
Director: Gene Dietch
An unidentified flying saucer lands on earth. The aliens look like mail boxes. Along comes Popeye with a letter he wants to mail to Olive. At Olive's house the aliens try to eat Popeye and Olive.
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AA 562
|
PATRIOTIC POPEYE, 1957
Director: I. Sparber
Opens to Popeye watering his garden on the 4th of July. He stops his nephews from exploding a rocket and tries to warn them about the dangers of fireworks. The nephews try to trick Popeye into leaving so they can explode their fireworks.
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AA 470
|
PEEP IN THE DEEP, 1946
Director: Seymour Kneitel
A buoy is floating on a calm night sea. Under the full moon a ship steams on the horizon. On board Olive shows Popeye a treasure map. Bluto, sleeping on deck, overhears them. At the treasure site Bluto and Popeye fight for the riches at the bottom of the sea.
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AA 471
|
PENNY ANTICS, 1955
Director: Seymour Kneitel
At the fair Popeye and Bluto have Penny Arcades right next to each other. When Wimpey walks by they both try and lure him into their tents. (Color remake of AA 373, CUSTOMERS WANTED.)
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AA 472
|
PEST PILOT, 1941
B/W; Director: Dave Fleischer
Opens at “Popeye's Air Conditioned Airport.” Popeye is working on a plane when Poopdeck Pappy comes in wanting to fly. Popeye tries to put him off but Pappy is very determined.
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AA 473
|
PILGRIM POPEYE, 1951
Director: I. Sparber
Opens to Popeye walking out his back door to feed his pet turkey. His nephews want to have the turkey for Thanksgiving dinner. Popeye tells them a story about how a turkey once saved his life.
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AA 474
|
PIP-EYE, PUP-EYE, POOP-EYE AN' PEEP-EYE, 1942
B/W; Director: Dave Fleischer
Opens to Popeye and his nephews eating soup. They balk at eating spinach. So Popeye shows them what spinach will do for them.
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AA 475
|
PITCHING WOO AT THE ZOO, 1944
Director: I. Sparber
The entrance to the zoo. Popeye and Olive stroll in. Bluto the zookeeper falls for Olive and tries to impress her by playing with the animals. Popeye tries to imitate him.
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AA 476
|
PLEASED TO MEET CHA!, 1935
B/W; Director: Dave Fleischer
Opens to Bluto and Popeye arriving at Olive's house at the same time but at different doors. Inside Olive is reading. When they get inside they decide that the one who does the best trick will stay.
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AA 477
|
PLUMBING IS A PIPE, 1938
B/W; Director: Dave Fleischer
Opens to Olive getting a bucket of water ready to scrub the floor with. After she finishes, her pipes develop a leak. She calls Wimpey the plumber who takes his time on the way over. Meanwhile Popeye arrives and tries to fix the leak.
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AA 478
|
POOPDECK PAPPY, 1940
B/W; Director: Dave Fleischer
Opens on the wharf where Popeye's boat is tied up. Inside Popeye is trying to put Poopdeck Pappy to bed. Pappy sneaks out to a saloon where he gets into trouble.
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AA 479
|
POP-PIE A LA MODE, 1945
Director: I. Sparber
Popeye is rubbing himself with suntan oil, floating on a raft out at sea. He spots land but it is inhabited by cannibals who fatten him up before stewing him.
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AA 480
|
POPALONG POPEYE, 1952
Director: Seymour Kneitel
On “Popeye's Ranch” the sailor is trying to get his nephews to eat their spinach. Popeye tells them a story about spinach turning him into a cowboy.
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AA 481
|
POPEYE AND THE PIRATES, 1947
Director: Seymour Kneitel
Opens to Olive and Popeye out sailing. A pirate ship appears and captures them. The fight is on.
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AA 483
|
POPEYE FOR PRESIDENT, 1956
Director: Seymour Kneitel
Popeye is speaking to a crowd. Bluto, also running for the job, is located across the way. The final count is a tie and Olive holds the tiebreaking vote. Bluto and Popeye try to get her vote by doing her chores.
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AA 484
|
POPEYE MAKES A MOVIE, 1950
Director: Seymour Kneitel
On the set at Paramount Pictures Popeye is preparing to act. His nephews drop in to watch. Bluto plays “Abu Hassin” with his forty thieves.
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AA 485
|
POPEYE MEETS HERCULES, 1950
Director: Bil Tytla
Opens to “Father Time” marching on. The narrator commands him to go back to Ancient Greece, to the first Olympics. Popeye and Olive are spectators. Hercules, played by Bluto, falls for Olive and Popeye must set him straight.
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AA 486
|
POPEYE MEETS RIP VAN WINKLE, 1941
B/W; Director: Dave Fleischer
Popeye saunters down the street. At Rip Van Winkle's the sheriff is evicting Rip for not paying his rent for 20 years. Popeye takes the character home with him, but he starts to sleepwalk.
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AA 487
|
POPEYE MEETS WILLIAM TELL, 1940
B/W; Directorb Dave Fleischer
Opens to Popeye walking down the street when William Tell takes a shot at him. Last week Will missed the apple and hit his son. Popeye takes the son's place; Will misses again but Popeye is saved by his can of spinach.
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AA 488
|
POPEYE PRESENTS EUGENE, THE JEEP, 1940
B/W; Director: Dave Fleischer
Opens to a delivery man at Popeye's door. He brings him a present from Olive. It is the Jeep. Popeye has a hard time putting the Jeep to bed that night.
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AA 489
|
POPEYE'S MIRTHDAY, 1953
Director: Seymour Kneitel
Opens with Olive and Popeye's nephews in the kitchen preparing goodies for Popeye's party. They spot Popeye on his way over and Olive tells the boys to keep him out of the house until she is ready. The fun is just beginning.
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AA 490
|
POPEYE'S PAPPY, 1952
Director: I. Sparber
On the dock Popeye's mother is telling him how his father went out to buy some spinach 20 years ago and never came back. Popeye sets sail to find his pop. Popeye finds him but the old man does not want to go back.
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AA 491
|
POPEYE'S PREMIERE, 1949
: At the premiere of Popeye's latest movie, “Aladdin's Lamp,” Olive and Popeye watch the show.
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AA 482
|
POPEYE, THE ACE OF SPACE, 1953
Director: Seymour Kneitel
Popeye driving through the mountains. Out in space a flying saucer spots Popeye, captures him, and takes him to another planet to perform tests on him.
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AA 492
|
POPEYE THE SAILOR, 1933
B/W; Director: Dave Fleischer
A newspaper headline proclaims “Popeye A Movie Star.” Popeye is singing his theme as he walks down the street. At the wharf Olive is waiting for him. Bluto does not like it. Popeye and Olive go to a carnival where Bluto tries to show Popeye up. They stop to see the Hula dancer-Betty Boop. Bluto steals Olive and Popeye rescues her.
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AA 493
|
POPEYE'S 20th ANNIVERSARY, 1954
Director: I. Sparber
A scene outside Popeye's diner. Inside many celebrities are saluting Popeye. Instead of making a speech Popeye shows some clips from his movies. Bluto, also in attendance, get jealous and tries to show Popeye up.
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AA 494
|
PRE-HYSTERICAL MAN, 1948
Director: Seymour Kneitel
Popeye and Olive are on an anthropological expedition. At the highest point of Yellowstone Park Olive falls into a crevasse inhabited by a lone caveman. He falls for Olive, but Popeye rescues her.
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AA 495
|
PRIVATE EYE POPEYE, 1954
Director: Seymour Kneitel
A telephone is ringing at Popeye's office. On the line a woman shrieks. He traces the call to Olive's house. She wants him to guard a precious stone. The butler steals the rock and Popeye chases him around the world.
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AA 496
|
PROBLEM PAPPY, 1941
B/W; Director: Dave Fleischer
Opens to Popeye knocking at Pappy's door. Pappy has gone so Popeye begins to look for him. He finds him sitting on a flagpole atop a tall building. Pappy refuses to come down until a wild storm drives him from his perch.
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AA 497
|
PROTECK THE WEAKERIST, 1937
B/W; Director: Dave Fleischer
Olive is lovingly washing her little puppy. Popeye comes to the door and Olive makes him take “Fluffy” for a walk. Popeye tries to hide the little dog from his friends but Bluto and his bulldog see them and the fight is on. (Earlier version of AA 350, BARKING DOGS DON'T FITE.)
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AA 498
|
PUNCH AND JUDO, 1951
Director: I. Sparber
Popeye visits a rundown orphanage, bringing the kids a television set. When they turn it on the fight comes on and Popeye remembers that he is supposed to fight the champ that night.
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AA 499
|
PUPPET LOVE, 1944
Director: Seymour Kneitel
Bluto creates a puppet of Popeye to trick Olive into disliking Popeye. The plan works for a while but Popeye wins out in the end.
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AA 500
|
PUTTIN' ON THE ACT, 1940
B/W; Director: Dave Fleischer
Opens with Olive running down the street very excited. She finds Popeye and shows him the paper which reads “Vaudville is coming back.” They rehearse their old act.
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AA 501
|
QUICK ON THE VIGOR, 1950
Director: Seymour Kneitel
At the carnival Olive and Popeye are walking along the midway. Bluto, “The Strongest Man in the World,” is one of the attractions. Olive and Bluto make eyes at each other and then Popeye and Bluto vie to see which one of them is the strongest.
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AA 502
|
QUIET! PLEASE, 1941
B/W; Director: Dave Fleischer
Opens to Poopdeck Pappy waking up with a massive hangover. Popeye tells him he needs to sleep and goes around the block making sure everything is quiet.
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AA 503
|
RATION FOR THE DURATION, 1943
B/W; Director: Seymour Kneitel
Opens in a “Spinach Victory Garden.” Popeye is planting spinach everywhere. His nephews are picking up worms to go fishing. Popeye tells them the tale of Jack and the Bean Stalk. After the story Popeye takes a nap and dreams of the giant as a horder of rationed home-front supplies.
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AA 504
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RIOT IN RHYTHM, 1950
Director: Seymour Kneitel
Popeye is listening to his nephews practicing their music. After they finish Popeye rushes them to bed so he can get some sleep. The kids are not tired so they continue to make music on whatever is handy, keeping Popeye awake. (Newer version of AA 453, ME MUSICAL NEPHEWS.)
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AA 505
|
ROBIN HOOD WINKED, 1948
Director: Seymour Kneitel
Popeye, in the role of Robin Hood, strolls through the forest with Little John. Bluto plays the evil tax collector and Olive runs a Public Inn. The good guys fight the bad guys.
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AA 506
|
ROCKET TO MARS, 1946
Director: Bill Tytla
The “Technical Museum.” Inside Olive and Popeye board the “Jet Propelled Rocket.” Olive hits the take-off switch and they both rocket out of the building. Olive falls off before they reach outer space but Popeye goes on to Mars where the God of War is planning an attack on earth.
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AA 507
|
RODEO ROMEO, 1946
Director: I. Sparber
Setting is the Cactus Valley Rodeo where Popeye and Olive are watching Badlands Bluto perform. Popeye, jealous of Bluto, shows him up. Bluto then substitutes “Loco Weed” for Popeye's spinach and the fun begins. (Newer version of AA 414, I EATS MY SPINACH.)
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AA 508
|
THE ROYAL FOUR-FLUSHER, 1947
Director: Seymour Kneitel
Olive and Popeye are feeding squirrels in the park. Bluto, playing “Count Marvo,” comes along and courts Olive. Popeye rescues her when the Count becomes too heavy-handed.
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AA 509
|
SAFARI SO GOOD, 1947
Director: I. Sparber
Opens with a map of Africa. Deep in the jungle Olive and Popeye are on safari. Bluto, in a Tarzan-like role, spots Olive and takes her away from Popeye.
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AA 510
|
SCRAP THE JAPS, 1942
B/W; Director: Seymour Kneitel
On board his ship Popeye is being punished for doing things the wrong way. Suddenly the ship is attacked by the Japanese and Popeye scrambles up in an airplane to fight them.
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AA 511
|
SEASON'S GREETINKS, 1933
B/W; Director: Dave Fleischer
Popeye happily skates and sings his theme song. He arrives at Olive's house and they go skating. Bluto nabs Olive and Popeye comes to her rescue.
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AA 512
|
SEEIN' RED, WHITE 'N' BLUE, 1943
B/W; Director: Dan Gordon
Bluto at work shoeing a horse. The mailman comes along with Bluto's draft notice. He tries several ploys to get out of serving and complains to the draft board, constituted by Popeye. Finally he tries to hurt himself but he gains a sense of patriotism in the end.
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AA 513
|
SERVICE WITH A GUILE, 1946
Director: Bill Tytla
A large yellow car pulls up at “Olive's Service Station”--it's a Navy admiral. At the same time Popeye and Bluto arrive on a 24-hour pass. They want to take Olive rowing in the park but she must service the car first. They try to help but they cannot stop trying to best each other. It's the admiral's car that suffers.
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AA 514
|
SHAKESPEAREAN SPINACH, 1940
B/W; Director: Dave Fleischer
In the famed “Spinach Theatre” Popeye and Olive are acting out “Romeo and Juliet.” Bluto comes along and finds out Popeye has replaced him as Romeo. He vows to disrupt the play.
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AA 515
|
SHAPE AHOY, 1945
Director: I. Sparber
Begins on a tropical island for men only. Popeye and Bluto arrived on the island 3 years earlier to get away from women. Olive arrives on the shore in a raft and the two quickly forget why they came to the island.
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AA 516
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SHAVING MUGS, 1953
Director: Seymour Kneitel
At the dockside Popeye pulls up in his boat. He is off to see Olive but is waylaid by Bluto. They both meet at Olive's door but she will not go out with either of them until they get a shave and a haircut. They go to “Wimpey's Barber Shop” but Wimpey is not there, so they decide to shave each other. (Newer version of AA 369, A CLEAN SHAVEN MAN.)
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AA 517
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SHE-SICK SAILORS, 1944
Director: Seymour Kneitel
Olive reads a Superman comic. Popeye and Bluto come to see her but she can only rave about Superman. Bluto leaves and comes back in a Superman costume. He and Popeye compete for Olive's attention.
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AA 518
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SHIVER ME TIMBERS!, 1934
B/W; Director: Dave Fleischer
An old wrecked ship on a beach. Olive, Wimpey and Popeye land on the beach for a picnic and explore the ship. On board they are attacked by ghosts and taken for a ghostly sail.
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AA 519
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SHOEIN' HORSES, 1934
B/W; Director: Dave Fleischer
Opens in “Ye Blacksmith Shoppe, Olive Oyl. Proprietress.” Inside Olive and Wimpey are forging horseshoes. She fires Wimpey and puts out a sign for new help. Popeye and Bluto both apply. (Earlier version of AA 343, THE ANVIL CHORUS GIRL.)
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AA 520
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SHUTEYE POPEYE, 1952
Director: I. Sparber
Popeye asleep in his bed. His snoring is keeping a mouse up. The mouse is determined to put an end to Popeye's snoring.
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AA 521
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SILLY HILLBILLY, 1949
Director: I. Sparber
Opens with a group of hill folk sleeping in the hills. Olive and Bluto play hillbillies. Popeye comes along with his traveling department store and trouble results.
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AA 522
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SNOW PLACE LIKE HOME, 1948
Director: Seymour Kneitel
Olive and Popeye float on the ocean near Miami. The radio warns of a typhoon, which blows them all the way to the North Pole. They enter Pierre Bluto's store to get some clothes and find a way back to the U.S.A.
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AA 524
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SPINACH FOR BRITAIN, 1943
B/W; Director: I. Sparber
A small Allied ship is sunk by a German sub. While looking for other targets the sub comes upon Popeye bring a ship full of spinach to Britain. The fight is on.
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AA 525
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THE SPINACH OVERTURE, 1935
B/W; Director: Dave Fleischer
A rehearsal hall in the middle of a large city. Inside Popeye is conducting a band. In another room Bluto is conducting a real orchestra. He comes into Popeye's room and tries to show him how to conduct.
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AA 526
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SPINACH PACKIN' POPEYE, 1944
Director: I. Sparber
Popeye donates at the local blood bank. Later that night he fights Bluto and loses! But it is only a dream.
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AA 527
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THE SPINACH ROADSTER, 1936
B/W; Director: Dave Fleischer
Popeye driving his old car down the street to Olive's house. He stops to pick her up when along comes Bluto in his new car. After Olive snubs him, Bluto sets up traps for them on the road and tries to wreck Popeye's car.
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AA 528
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SPINACH VS. HAMBURGERS, 1948
Director: Seymour Kneitel
Opens in “Wimpey's Hamburger Haven.” Outside Olive is taking the nephews to “Popeye's Spinach Heaven” although they want burgers. At Popeye's he tells them a story about spinach to convince them that spinach is better than hamburgers.
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AA 563
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SPOOKY SWABS, 1957
Director: I. Sparber
Popeye and Olive are playing checkers to pass the time. They are stranded on a life raft in the middle of the ocean. They spot a ghostly ship and board it. On board the ghosts try to get rid of Popeye and Olive by playing tricks on them.
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AA 564
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SPREE LUNCH, 1957
Director: Seymour Kneital
At “Popeye's Diner” the proprietor is sweeping the sidewalk out front. Bluto drives up with his own diner on a trailer and sets up shop across the street from Popeye. Wimpey walks by and they both vie for his business even though he has no money.
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AA 529
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STEALIN' AIN'T HONEST, 1940
B/W; Director: Dave Fleischer
Popeye and Olive sit in the cabin of their ship. Olive has a map to her gold mine. Bluto photographs the map and beats them to the mine. Popeye and Bluto both start mining and meet in the center of the mountain.
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AA 530
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STRONG TO THE FINICH, 1934
B/W; Director: Dave Fleischer
At “Olive Oyl's Health Farm for Children” the kids are getting spinach for lunch again. They rebel and Olive cries. Along comes Popeye with more spinach, demonstrating for the kids what spinach can do for them.
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AA 523
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SOCK-A-BYE BABY, 1934
B/W; Director: Dave Fleischer
Opens to Popeye walking a stroller down the street. Popeye gets the baby to sleep and then tries to stop any noise that might wake the child.
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AA 531
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SWIMMER TAKE ALL, 1952
Director: Seymour Kneitel
A loudspeaker announces the “Great Channel Swimming Race.” Popeye is competing against Bluto to see who can swim the English Channel the fastest.
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AA 532
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SYMPHONY IN SPINACH, 1948
Director: Seymour Kneitel
Bluto and Popeye are reading the paper in the park. Miss Olive is advertising for a musician. Both of them try out for the job.
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AA 533
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TAR WITH A STAR, 1949
Director: Bill Tytla
Down in “Cactus Corners” there's a shoot-out going on. Along comes Popeye who takes the job of sheriff. At “Cactus Peter's” Olive is the showgirl who becomes stuck on Popeye. Into town rides Wild Bill Bluto. The showdown is set.
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AA 534
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TAXI-TURVY, 1954
Director: Seymour Kneitel
Popeye polishes up his cab on a street corner. Along comes Bluto, a rival cabbie, who takes his spot.
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AA 535
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THRILL OF FAIR, 1951
Director: Seymour Kneitel
At the fair Popeye, Olive, and Sweet Pea are strolling. Olive goes off to enter her pig in the livestock competition. Meanwhile Sweet Pea gets away from Popeye and gets into all sorts of trouble.
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AA 536
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TOO WEAK TO WORK, 1945
B/W; Director: I. Sparber
Popeye is painting one side of a rowboat on a pier, while Bluto paints the other side. Bluto plays sick so that he can get into “Heavenrest” home to relax. Popeye sees him faking and gives him the treatment.
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AA 537
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TOPS IN THE BIG TOP, 1945
Director: I. Sparber
Inside the big top at the circus, Bluto introduces Popeye the Fearless. Bluto has eyes for Olive, Popeye's assistant, and rigs the high wire to cause an accident.
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AA 538
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TOREADORABLE, 1953
Director: Seymour Kneitel
Opens in the “Chile-Bowl” where Popeye and Olive have gone to see a bull-fight. Bluto is the matador. Popeye goes out into the ring to impress Olive.
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AA 539
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TOTS OF FUN, 1952
Director: Seymour Kneitel
A record is playing on a hi-fi. Popeye's nephews are trying to play the same sounds. Outside Popeye is building a new house. The nephews try to help but Popeye sends them back to practice their music.
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AA 540
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THE TWISTER PITCHER, 1937
B/W; Director: Dave Fleischer
In the baseball park Popeye's Pirates are playing Bluto's Bears. The game deteriorates accordingly.
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AA 541
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THE TWO-ALARM FIRE, 1934
B/W; Director: Dave Fleischer
At the Volunteer Fire Department Bluto and Popeye are companies C and D. A fire breaks out at Olive's house and they go out to fight it and each other.
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AA 542
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VACATION WITH PLAY, 1951
Director: Seymour Kneitel
Olive is driving a car filled with gear and Popeye carrying one of the axles. They arrive at a resort and Olive wants to play but Popeye wants to rest. Olive goes off with the athletic instructor (Bluto) who has more than sports on his mind.
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AA 543
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VIM, VIGOR AND VITALIKY, 1936
B/W; Director: Dave Fleischer
“Popeye's Gymnasium” is located next door to “Bluto's Cabaret.” Olive walks by and snubs Bluto's club for Popeye's Gym. Bluto changes into a woman's clothes and joins the gym. (Earlier version of AA 400, GYM JAM.)
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AA 544
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WE AIM TO PLEASE, 1934
B/W; Director: Dave Fleischer
Popeye and Olive have just opened a new diner. Across the street Wimpey and Bluto take notice and each in turn goes in to try and get a free lunch.
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AA 545
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WE'RE ON OUR WAY TO RIO, 1944
Director: I. Sparber
Bluto and Popeye are riding a bull and singing about going to Rio. When they arrive in Rio they enter a cafe where Olive is the floor show. They both go nuts for Olive and her act. Bluto tries to embarrass Popeye in front of Olive by claiming he is America's greatest samba dancer.
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AA 546
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WHAT--NO SPINACH?, 1936
B/W; Director: Dave Fleischer
It's at “Bluto's Restaurant” that Wimpey is working for Bluto. He is always trying to sneak a meal. Into the diner comes Popeye. He orders the roast duck. When Wimpey tries to get Popeye's meal, Popeye leaves without paying. Bluto tries to make him pay and the fight is on.
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AA 547
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WIGWAM WHOOPEE, 1948
Director: I. Sparber
The Mayflower is sailing to America with Popeye following in a rowboat. In America Popeye spies lovely Pocahontas, played by Olive. They fall for each other but her former boyfriend “Big Chief Shmohawk” steps in and tries to scalp Popeye.
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AA 548
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WILD ELEPHINKS, 1933
B/W; Director: Dave Fleischer
Popeye and Olive are stranded on a raft. They land on a tropical shore filled with wild animals. Popeye tames them and rescues Olive from a gorilla.
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AA 549
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WIMMIIN HADN'T OUGHTA DRIVE, 1940
B/W; Director: Dave Fleischer
Popeye pulls up to Olive's house in his new car. He takes Olive out for a drive. Later she demands to learn how to drive; Popeye gives in and the trouble starts.
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AA 550
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WIMMIIN IS A MYSKERY, 1940
B/W; Director: Dave Fleischer
Popeye is down on one knee again asking Olive to marry him. She asks for one night to sleep on it and promises an answer in the morning. That night she dreams of life as Popeye's wife, with four children just like Popeye's nephews.
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AA 551
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A WOLF IN SHEIK'S CLOTHING, 1948
B/W; Director: I. Sparber
Olive and Popeye are riding a camel through the desert. Olive dreams out loud of a sheik sweeping her away. An Arab close by hears her and does just that, so Popeye comes to her rescue.
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AA 552
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WOOD-PECKIN', 1943
B/W; Director: I. Sparber
Popeye is carrying his boat to the water. He has just finished building it and needs a mast to complete the job. Out in his private forest he finds the right tree but it is the home of a woodpecker who does not take to kindly to having his nest chopped down.
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AA 553
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WOTTA KNIGHT, 1947
Director: I. Sparber
Set at “Ye Jousting Tournament,” of the Knights of the Round Table. Sir Bluto is jousting Sir Popeye for the right to wake Sleeping Beauty, played by Olive.
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AA 554
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WOTTA NIGHTMARE, 1939
B/W; Director: Dave Fleischer
Popeye is sleeping peacefully on his bed. He begins to dream of Olive Oyl as an angel and Bluto as a devil. Strange things begin to happen in his dreams.
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AA 555
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YOU GOTTA BE A FOOTBALL HERO, 1935
B/W; Director: Dave Fleischer
At the stadium, a banner proclaims “Football Today.” Inside Olive and Popeye are watching Bluto play. Olive cheers for Bluto's team so Popeye joins the other squad as the game begins.
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AA 556
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YOU'RE A SAP MR. JAP, 1942
B/W; Director: Dan Gordon
Popeye is on patrol in the Pacific. He finds a Japanese fishing boat that is really a warship in disguise. After some setbacks Popeye finally triumphs.
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