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Container
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Title
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U.S. Mss 99AN
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Accidents Will Happen
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Box/Folder
1/1
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Final: by George Bricker, Anthony Coldewey, and Victor C. Rose, 24 August to 27 August with revisions to 20 October 1937; changes
circa 131pp.; 6pp.
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Across the Pacific
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Box/Folder
1/2
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Novel: Aloha means goodby, by Robert Carson. Saturday Evening Post, 28 June to 26 July 1941
29pp.
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Box/Folder
1/3
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Novel: Aloha means goodby, by Carson, 22 December 1941
177pp.
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Box/Folder
1/4
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Temporary: no author shown, 13 January 1942
192pp.
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Box/Folder
1/5
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Rev Temp: by Richard Macaulay, 14 February 1942
111pp.
: Incomplete.
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Box/Folder
1/6
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Final: by Macaulay, 24 February with revisions to 2 March 1942
134pp.
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Box/Folder
1/7
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Rev Final: by Macaulay, 5 March with revisions to 24 April 1942
circa 125pp.
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Action in the North Atlantic
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Box/Folder
2/1
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Treatment: Heroes without uniforms, by Guy Gilpatric, 25 May 1942
142pp.
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Box/Folder
2/2
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Short Story: Damn the torpedoes, by Helen Lawrenson. Harper's, July 1942
4pp.
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Box/Folder
2/3
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Temporary: by John Howard Lawson, 18 July to 1 August 1942
133pp.
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Box/Folder
2/4
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Final: by Lawson and W.R. Burnett, 10 August with revisions to 14 August 1942
circa 190pp.
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Box/Folder
2/5
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Rev Final: by Lawson and Burnett, 1 September with revisions to 17 December 1942
circa 170pp.
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Adventure in Iraq
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Box/Folder
2/6
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Temporary: by Robert E Kent, 15 July 1942
83pp.
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Box/Folder
2/7
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Screenplay: by George R. Bilson and Kent, 31 July 1942
93pp.
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Box/Folder
2/8
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Final: by Bilson and Kent, 25 August with revisions to 29 September 1942
97pp.
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Adventures of Don Juan
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Box/Folder
3/1
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Treatment: by Max Brand, undated
58pp.
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Box/Folder
3/2
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Treatment: by Brand, 14 February 1944
57pp.
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Box/Folder
3/3
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Treatment: by John Taintor Foote, 26 April 1944
162pp.
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Box/Folder
3/4
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Temporary: by Foote and William Faulkner, 13 July 1944
153pp.
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Box/Folder
3/5
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Rev Temp: by Herbert Dalmas, 1 November 1944
155pp.
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Box/Folder
3/6
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Final: by Dalmas, 2 December to 22 December 1944 with revisions to 15 January 1945
circa 165pp.
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Box/Folder
3/7
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Screenplay: by Harold Goldman, 9 December 1944 to 13 January 1945
182pp.
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Box/Folder
4/1
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Rev Final: no author shown, 19 January 1945
176pp.
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Box/Folder
4/2
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Rev Final 2: no author shown, 17 February to 19 February with revisions to 22 February 1945
circa 140pp.
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Box/Folder
4/3
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Rev Final 3: by Goldman and Dalmas, 20 March to 16 May 1945
149pp.
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Box/Folder
4/4
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Story Outline: by George Oppenheimer, 1 April 1947
6pp.
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Box/Folder
4/5
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Screenplay: by Oppenheimer, 5 April 1947
146pp.
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Box/Folder
4/6
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Temporary: by Oppenheimer, 18 July 1947
146pp.
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Box/Folder
4/7
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Comments: by Harry Kurnitz, undated
11pp.
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Box/Folder
4/8
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Screenplay: by Kurnitz, 20 August 1947
149pp.
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Box/Folder
4/9
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Screenplay: by Kurnitz, undated
148pp.
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Box/Folder
5/1
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Rev Temp: by Kurnitz, 23 August to 15 September 1947
150pp.
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Box/Folder
5/2
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Final: by Oppenheimer and Kurnitz, 9 October 1947 with revisions to 17 March 1948
circa 140pp.
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Adventures of Jane Arden
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Box/Folder
5/3
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Temporary: no author shown, 17 October 1938
133pp.
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Box/Folder
5/4
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Final: by Lawrence Kimball and Charles Curran, 24 October with revisions to 9 November 1938
circa 120pp.
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Adventures of Mark Twain
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Box/Folder
5/5
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Play: Mark Twain, by Harold Sherman, undated
142pp.
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Box/Folder
5/6
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Research: Mark Twain material, by Bernard De Voto, 24 November 1941
37pp.
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Box/Folder
5/7
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Research: America's Twainiana cycle, by Floyd C. Shoemaker. Speech delivered in Hannibal, Missouri, 1 December 1941
3pp.
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Box/Folder
5/8
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Story Outline: by Harry Chandlee, undated
36pp.
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Box/Folder
5/9
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Story Outline: by Alan LeMay and Harold M. Sherman, 23 August 1941
9pp.
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Box/Folder
5/10
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Treatment: by Sherman, undated
264pp.
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Box/Folder
6/1
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Treatment: by LeMay and Sherman, 13 October 1941
145pp.
: Annotated.
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Box/Folder
6/2
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Treatment: by Sherman, undated
: Incomplete.
31pp.
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Box/Folder
6/3
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Treatment: by Sherman, undated
115pp.
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Box/Folder
6/4
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Treatment: by Howard Koch (annotated), undated; “Memorandum of proposed revision to Mark Twain treatment.”
180pp.; 2pp.
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Box/Folder
6/5
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Screenplay: by LeMay, 28 February to 11 March 1942
109pp.
: Annotated.
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Box/Folder
6/6
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Screenplay: by LeMay, 20 March to 2 April 1942
152pp.
: Annotated and Incomplete.
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Box/Folder
6/7
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Screenplay: by LeMay, 20 March to 15 April 1942
183pp.
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Box/Folder
6/8
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Temporary: no author shown, 28 April with revisions to 20 May 1942
circa 185pp.
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Box/Folder
7/1
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Comments: by W.G. Beymer, 5 May 1942
43pp.
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Box/Folder
7/2
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Final: no author shown, undated with revisions to 28 September 1942
circa 195pp.
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The Adventures of Robin Hood
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Box/Folder
7/3
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Temporary: by Rowland Leigh, 23 November 1936
164pp.
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Box/Folder
7/4
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Rev Temp: Robin Hood, by Norman Reilly Raine, 7 July 1937
165pp.
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Box/Folder
7/5
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Rev Temp 2: Robin Hood, by Raine, 6 August to 20 August 1937
100pp.
: Incomplete.
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Box/Folder
7/6
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Final: Robin Hood, by Raine and Seton I Miller, 4 September to 11 September 1937
168pp.
: Incomplete.
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Box/Folder
7/7
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Rev Final: Robin Hood, by Raine and Miller, 14 September to 17 September 1937
190pp.
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Box/Folder
8/1
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Rev Final 2: Robin Hood, by Raine and Miller, 21 September 1937
166pp.
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Box/Folder
8/2
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Rev Final 3: by Raine and Miller, undated with revisions to 5 January 1938
circa 185pp.
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Box/Folder
8/3
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Rev Final 4: by Raine and Miller, 25 September 1937
162pp.
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Adventurous Blonde
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Box/Folder
8/4
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Temporary: by Robertson White and David Diamond, 10 May 1937
118pp.
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Box/Folder
8/5
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Final: no author shown, 22 May with revisions to 16 June 1937
circa 122pp.
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Affectionately Yours
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Box/Folder
8/6
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Story Outline: by Fanya Foss and Aleen Leslie, undated
33pp.
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Box/Folder
8/7
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Short Story: no author shown, 29 August 1940
34pp.
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Box/Folder
8/8
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Plot Summary: no author shown, undated; cast of characters by Foss and Leslie, 2 July 1940; memo from Mark Hellinger to Hal Wallis, 9 September 1940
9pp., 5pp., 1p.
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Box/Folder
8/9
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Temporary: no author shown, 30 October 1940
159pp.
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Box/Folder
9/1
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Final: by Edward Kaufman, 3 December to 14 December 1940
170pp.
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Box/Folder
9/2
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Rev Final: by Kaufman, 7 January with revisions to 13 February 1941
circa 150pp.
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Air Force
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Box/Folder
9/3
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Temporary: by Dudley Nichols, 24 April 1942
193pp.
: Incomplete.
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Box/Folder
9/4
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Rev Temp: no author shown, 29 May 1942
189pp.
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Box/Folder
9/5
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Rev Temp 2: no author shown, 12 June to 13 June 1942
207pp.
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Box/Folder
9/6
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Final: no author shown, 18 June to 30 June 1942
140pp.
: Incomplete.
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Box/Folder
10/1
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Rev Final: by Nichols, 3 July with revisions to 8 October 1942, and new ending
circa 175pp., 6pp.
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Box/Folder
10/2
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Novel: by John O Watson. New York, 1943
241pp.
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Alcatraz Island
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Box/Folder
10/3
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Temporary: Alcatraz, by Crane Wilbur, 7 April 1937
122pp.
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Box/Folder
10/4
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Final: Alcatraz, by Wilbur, 21 April 1937
107pp.
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Box/Folder
10/5
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Rev Final: Alcatraz, by Wilbur, 28 April with revisions to 30 April 1937
122pp.
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Box/Folder
10/6
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Rev Final 2: Alcatraz, by Wilbur, 5 May with revisions to 1 July 1937; added scenes
circa 110pp., 7pp.
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Alexander Hamilton
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Box/Folder
11/1
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Play: Hamilton, by Mary P. Hamlin and George Arliss, undated
118pp.
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Box/Folder
11/2
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Temporary: by Julien Josephson and Maude T. Howell, 25 March 1931
72pp.
: Annotated.
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Box/Folder
11/3
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Final: by Josephson and Howell, 28 March 1931
79pp.
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Box/Folder
11/4
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Rev Final: by Josephson and Howell, 10 April 1931
81pp.
: Annotated.
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Alias the Doctor
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Box/Folder
11/5
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Play: Environment, by Von Russell, 12 September 1931
86pp.
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Box/Folder
11/6
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Comments: (“Mr. Zanuck's suggestions on proposed treatment of `Environment'”), by Darryl F. Zanuck, 18 September 1931
3pp.
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Box/Folder
11/7
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Comments: (“Notes on Barthelmess' story `Alias the doctor'”), by Zanuck, undated
5pp.
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Box/Folder
11/8
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Story Outline: Environment, no author shown, 22 September 1931
3pp.
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Box/Folder
11/9
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Treatment: no author shown, undated
59pp.
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Box/Folder
11/10
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Treatment: Environment, no author shown, 17 October 1931
62pp.
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Box/Folder
11/11
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Treatment: no author shown, 23 October 1931
69pp.
|
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Box/Folder
11/12
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Rev Final: no author shown, 19 November 1931
106pp.
|
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Alibi Ike
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Box/Folder
11/13
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Short Story: by Ring Lardner, undated
26pp.
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Box/Folder
11/14
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Temporary: by William Wister Haines, 20 January 1935
135pp.
|
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Box/Folder
11/15
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Rev Temp: by Haines, 31 January 1935
126pp.
|
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Box/Folder
12/1
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Final: by Haines, 27 February 1935
139pp.
|
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Box/Folder
12/2
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Rev Final: by Haines, 1 March 1935
139pp.
|
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Box/Folder
12/3
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Rev Final 2: by Haines, 20 March 1935
127pp.
|
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All This, and Heaven Too
|
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Box/Folder
12/4
|
Novel: by Rachel Field. New York, 1938
596pp.
|
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Box/Folder
12/5
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Story Outline: by Harriet Hinsdale, 20 December 1938
63pp.
|
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Box/Folder
12/6
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Treatment: by Casey Robinson, 10 May 1939
182pp.
|
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Box/Folder
12/7
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Temporary: by Robinson, 22 November 1939
198pp.
|
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Box/Folder
13/1
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Final: by Robinson, 4 January to 23 January 1940
181pp.
|
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Box/Folder
13/2
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Rev Final: by Robinson, 5 February 1940
162pp.
|
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All Through the Night
|
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Box/Folder
13/3
|
Short Story: by Leonard Q Ross and Leonard Spigelgass, 19 March 1941
61pp.
|
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Box/Folder
13/4
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Temporary: by Spigelgass, 30 April 1941
140pp.
|
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Box/Folder
13/5
|
Rev Temp: by Spigelgass and Edwin Gilbert, 2 June to 26 June 1941
137pp.
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Box/Folder
13/6
|
Final: by Spigelgass and Gilbert, 19 July to 28 July 1941
136pp.
|
|
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Box/Folder
13/7
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Rev Final: by Spigelgass and Gilbert, 31 July to 14 August with revisions to 3 November 1941, and new ending
circa 140pp., 3pp.
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Always A Bride
|
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Box/Folder
14/1
|
Temporary: and so she was married, by Robert E Kent, 6 September 1940
120pp.
|
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Box/Folder
14/2
|
Final: by Kent, 14 September with revisions to 24 September 1940
circa 115pp.
|
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Always in My Heart
|
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Box/Folder
14/3
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Play: Fly away home, by Dorothy Bennett and Irving White, New York, 1935
118pp.
|
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Box/Folder
14/4
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Temporary: no author shown, 20 August 1941
128pp.
|
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Box/Folder
14/5
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Final: by Adele Comandini, 5 September 1941
134pp.
|
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Box/Folder
14/6
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Rev Final: by Comandini, 9 October with revisions to 14 November 1941
circa 135pp.
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Always Leave Them Laughing
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Box/Folder
14/7
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Short Story: The small time, by Max Shulman, Colliers, 24 July 1948
4pp.
|
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Box/Folder
14/8
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Plot Summary: The small time, by Elma L Wentz, 18 February 1948
1p.
|
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Box/Folder
14/9
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Story Outline: The thief of Broadway, by Richard Mealand and Shulman, undated and notes for revision
59pp., 3pp.
|
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Box/Folder
14/10
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Plot Summary: The thief of Broadway, by P Mathias, 17 May 1948
1p.
|
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Box/Folder
14/11
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Story Outline: Thief of Broadway, by Jerry Wald, 17 January 1949
3pp.
|
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Box/Folder
14/12
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Treatment: Thief of Broadway, by Shulman, 17 February 1949
37pp.
|
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Box/Folder
14/13
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Treatment: The thief of Broadway, by Shulman, 2 March 1949
61pp.
|
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Box/Folder
15/1
|
Treatment: by Shulman, 18 March 1949
130pp.
|
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Box/Folder
15/2
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Treatment: by Jack Rose and Melville Shavelson, 24 May 1949
11pp.
|
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Box/Folder
15/3
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Treatment: by Rose and Shavelson, 27 May 1949
27pp.
|
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Box/Folder
15/4
|
Treatment: by Rose and Shavelson, 7 June 1949
36pp.
|
|
|
Box/Folder
15/5
|
Screenplay: by Rose and Shavelson, undated
143pp.
|
|
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Box/Folder
15/6
|
Temporary: by Rose and Shavelson. 9 July to 11 July with revisions to 16 July 1949
circa 110pp.
|
|
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Box/Folder
15/7
|
Comments: (“Changed pages”) by Rose and Shavelson, 11 July to 15 July 1949
38pp.
|
|
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Box/Folder
15/8
|
Final: by Rose and Shavelson, 20 July with revisions to 19 September 1949
circa 112pp.
|
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Box/Folder
15/9
|
Comments: (“Changed pages”) by Rose and Shavelson, 26 July to 2 August 1949
circa 110pp.
|
|
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Box/Folder
15/10
|
Comments: (“Changed pages”) by Rose and Shavelson, 26 July to 20 September 1949
32pp.
|
|
|
Box/Folder
15/11
|
Comments: (“Changed pages”) by Hal Collins and Robert Gordon, 16 August to 23 August 1949
8pp.
|
|
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Box/Folder
15/12
|
Comments: (“Changed pages”) by Ivan Goff and Ben Roberts, 23 August to 30 August 1949
27pp.
|
|
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Box/Folder
15/13
|
Reader Synopsis: The thief of Broadway, by Ardel Wray, 20 October 1955
1p.
|
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Always Together
|
|
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Box/Folder
16/1
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Screenplay: A cool million, by Phoebe and Henry Ephron (incomplete), 19 August 1946; outline; memo from Alex Gottlieb to J.L. Warner
65pp.; 10pp.; 1p.
|
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Box/Folder
16/2
|
Screenplay: A cool million, by the Ephrons and I.A.L. Diamond, 13 November 1946
137pp.
|
|
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Box/Folder
16/3
|
Screenplay: Head over heels, by the Ephrons and Diamond, 6 April 1947, and memo from Gottlieb to Warner
130pp.; 1p.
|
|
|
Box/Folder
16/4
|
Temporary: Head over heels, by the Ephrons and Diamond, 17 May 1947
129pp.
|
|
|
Box/Folder
16/5
|
Final: Head over heels, by the Ephrons and Diamond, 28 May with revisions to 23 June 1947
circa 115pp.
|
|
|
The Amazing Dr. Clitterhouse
|
|
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Box/Folder
16/6
|
Play: by Barre Lyndon, 10 March 1937
136pp.
|
|
|
Box/Folder
16/7
|
Treatment: by John Wexley, undated
116pp.
|
|
|
Box/Folder
16/8
|
Temporary: by Wexley and John Huston, 30 November to 20 December 1937
197pp.
|
|
|
Box/Folder
17/1
|
Rev Temp: by Wexley and Huston, 29 December 1937
178pp.
|
|
|
Box/Folder
17/2
|
Rev Temp 2: by Wexley and Huston, 8 January 1938
179pp.
|
|
|
Box/Folder
17/3
|
Final: by Wexley and Huston, 26 January with revisions to 12 March 1938
circa 165pp.
|
|
|
An Angel From Texas
|
|
|
Box/Folder
17/4
|
Treatment: by Wally Klein, 12 December 1939
17pp.
|
|
|
Box/Folder
17/5
|
Temporary: by Bertram Millhauser, 10 January 1940
45pp.
: Incomplete.
|
|
|
Box/Folder
17/6
|
Rev Temp: by Fred Niblo, Jr, 30 January 1940
128pp.
|
|
|
Box/Folder
17/7
|
Final: by Millhauser and Niblo, 5 February with revisions to 15 March 1940
circa 150pp.
|
|
|
Angels Wash Their Faces
|
|
|
Box/Folder
17/8
|
Treatment: The battle of city hall, by Niven Busch and Jonathan Finn, 13 August 1938
24pp.
|
|
|
Box/Folder
17/9
|
Treatment: The battle of city hall, by Busch, undated
53pp.
|
|
|
Box/Folder
18/1
|
Screenplay: The battle of city hall, by Busch and Robert Buckner, 15 November 1938
154pp.
|
|
|
Box/Folder
18/2
|
Temporary: The battle of city hall, no author shown, 24 January 1939
140pp.
: Incomplete.
|
|
|
Box/Folder
18/3
|
Screenplay: Boys' week, the battle of city hall (“Fessier's revisions”), 26 January to 4 February 1939
143pp.
|
|
|
Box/Folder
18/4
|
Final: The battle of city hall, by Michael Fessier, Busch, and Buckner, 7 February with revisions to 6 April 1939
circa 130pp.
|
|
|
Another Dawn
|
|
|
Box/Folder
18/5
|
Treatment: by Laird Doyle, 18 January 1936
36pp.
|
|
|
Box/Folder
18/6
|
Treatment: by Doyle, 13 February 1936
69pp.
|
|
|
Box/Folder
18/7
|
Temporary: by Doyle, 24 February to 3 March 1936
157pp.
|
|
|
Box/Folder
18/8
|
Final: by Doyle, 18 August 1936
124pp.
|
|
|
Box/Folder
18/9
|
Rev Final: by Doyle, 1 September with revisions to 7 October 1936
circa 165pp.
|
|
|
Anthony Adverse
|
|
|
Box/Folder
19/1
|
Novel: by Hervey Allen. New York, 1933
1224pp.
|
|
|
Box/Folder
19/2
|
Plot Summary: by Allen, undated
21pp.
|
|
|
Box/Folder
19/3
|
Plot Summary: by Jean Hollingsworth, 5 July 1933
28pp.
|
|
|
Box/Folder
19/4
|
Research: (“Descriptive material taken from the book for Anthony Adverse”) no author shown, 7 October 1935
130pp.
|
|
|
Box/Folder
19/5
|
Treatment: by Sheridan Gibney, 10 April 1934
42pp.
|
|
|
Box/Folder
19/6
|
Screenplay: by Gibney, 28 July 1934
153pp.
|
|
|
Box/Folder
19/7
|
Temporary: by Gibney, 18 July 1935
179pp.
|
|
|
Box/Folder
19/8
|
Rev Temp: by Gibney, 7 September 1935
184pp.
|
|
|
Box/Folder
20/1
|
Final: by Gibney, 25 October 1935
196pp.
|
|
|
Box/Folder
20/2
|
Rev Final: no author shown, 2 November 1935 with revisions to 12 February 1936
circa 195pp.
|
|
|
April Showers
|
|
|
Box/Folder
20/3
|
Treatment: Barbary host, by Joe Laurie, Jr. and Abel Green, undated
15pp.
|
|
|
Box/Folder
20/4
|
Treatment: Barbary host, by Laurie and Green, undated
15pp.
|
|
|
Box/Folder
20/5
|
Treatment: Barbary host, by Peter Milne, undated
21pp.
|
|
|
Box/Folder
20/6
|
Screenplay: Barbary host, by Milne, undated
120pp.
: Annotated.
|
|
|
Box/Folder
20/7
|
Screenplay: Barbary host, by Milne (annotated), 19 October 1946; memo from William Jacobs to J.L. Warner
140pp.; 1p.
|
|
|
Box/Folder
20/8
|
Screenplay: Barbary host by Milne, 13 December 1946
115pp.
|
|
|
Box/Folder
20/9
|
Screenplay: Barbary host, no author shown, 11 February 1947
145pp.
|
|
|
Box/Folder
20/10
|
Screenplay: Barbary host, by Phoebe and Henry Ephron and Milne, 11 April 1947
123pp.
|
|
|
Box/Folder
20/11
|
Screenplay: Barbary host (“Footlights”), by Milne, 8 July to 5 August 1947
|
|
|
Box/Folder
21/1
|
Temporary: Footlights, by Milne and the Ephrons, 23 July 1947
73pp.
: Incomplete.
|
|
|
Box/Folder
21/2
|
Final: by Milne and the Ephrons, 13 August to 21 August 1947
117pp.
|
|
|
Box/Folder
21/3
|
Comments: by Wilkie Mahoney, undated
77pp.
|
|
|
Box/Folder
21/4
|
Rev Final: by Milne and the Ephrons, 26 August with revisions to 22 October 1947
circa 120pp.
|
|
|
Arsenic and Old Lace
|
|
|
Box/Folder
21/5
|
Play: by Joseph Kesselring, 14 January 1941
95pp.
|
|
|
Box/Folder
21/6
|
Play: by Kesselring. New York, 1941
187pp.
|
|
|
Box/Folder
21/7
|
Reader Synopsis: by Dorothea Cartwright Doe, 18 January 1941
17pp.
|
|
|
Box/Folder
21/8
|
Temporary: by Julius J and Philip G Epstein, 10 October 1941
72pp.
: Incomplete.
|
|
|
Box/Folder
21/9
|
Rev Temp: (“And final”) by the Epsteins, 16 October with revisions to 5 December 1941
160pp.
|
|
|
Box/Folder
21/10
|
Reader Synopsis: by Rodney Graham, 5 June 1947
1p.
|
|
|
As the Earth Turns
|
|
|
Box/Folder
22/1
|
Novel: by Gladys Hasty Carroll. New York, 1933
339pp.
|
|
|
Box/Folder
22/2
|
Treatment: by Ernest Pascal, 10 July 1933
27pp.
|
|
|
Box/Folder
22/3
|
Screenplay: no author shown, undated
142pp.
|
|
|
Box/Folder
22/4
|
Temporary: no author shown, 25 August 1933
115pp.
|
|
|
Box/Folder
22/5
|
Final: by Pascal, 23 October with revisions to 6 December 1933
118pp.
|
|
|
Babbitt
|
|
|
Box/Folder
22/6
|
Novel: by Sinclair Lewis. New York, 1922
401pp.
|
|
|
Box/Folder
22/7
|
Treatment: by Tom Reed and Niven Busch, 14 April 1934
40pp.
|
|
|
Box/Folder
23/1
|
Screenplay: no author shown, undated
123pp.
: Annotated.
|
|
|
Box/Folder
23/2
|
Temporary: by Mary McCall, Jr, 3 August 1934
116pp.
|
|
|
Box/Folder
23/3
|
Final: by McCall, 15 August with revisions to 27 August 1934
circa 125pp.
|
|
|
Baby Face
|
|
|
Box/Folder
23/4
|
Short Story: no author shown, 9 November 1932
8pp.
|
|
|
Box/Folder
23/5
|
Treatment: by Gene Markey and Kathryn Scola, 21 November 1932
41pp.
|
|
|
Box/Folder
23/6
|
Screenplay: by Markey and Scola, 15 December 1932
138pp.
|
|
|
Box/Folder
23/7
|
Final: by Markey and Scola, 17 December 1932
138pp.
|
|
|
Back in Circulation
|
|
|
Box/Folder
23/8
|
Short Story: Angle shooter, by Adela Rogers St. John, 7 August 1936; galleys, from Motion Picture Review, 3 January 1937
66pp., 11pp.
|
|
|
Box/Folder
23/9
|
Treatment: Angle shooter, by Warren Duff, undated
43pp.
|
|
|
Box/Folder
23/10
|
Temporary: Angle shooter, by Duff, 4 October 1936
156pp.
|
|
|
Box/Folder
23/11
|
Final: Angle shooter, by Duff, 15 March with revisions to 22 April 1937
circa 155pp.
|
|
|
Back Pay
|
|
|
Box/Folder
24/1
|
Short Story: by Fannie Hurst, 9 February 1938
41pp.
|
|
|
Box/Folder
24/2
|
Screenplay: by Francis Edward Faragoh, undated
114pp.
|
|
|
Box/Folder
24/3
|
Final: by Faragoh, 21 November 1929; production information
90pp., 39pp.
|
|
|
Background to Danger
|
|
|
Box/Folder
24/4
|
Novel: by Eric Ambler. New York, 1937
280pp.
|
|
|
Box/Folder
24/5
|
Treatment: by W R Burnett, undated
11pp.
|
|
|
Box/Folder
24/6
|
Screenplay: by Fred Niblo, Jr, 4 October 1941
124pp.
|
|
|
Box/Folder
24/7
|
Temporary: by M Coates Webster and Arthur Arent, 20 August 1941
117pp.
|
|
|
Box/Folder
24/8
|
Rev Temp: by Philip MacDonald, 8 July 1942
132pp.
|
|
|
Box/Folder
24/9
|
Final: no author shown, 8 August with revisions to 3 September 1942
circa 120pp.
|
|
|
Bad Men of Missouri
|
|
|
Box/Folder
25/1
|
Treatment: no author shown, undated
16pp.
|
|
|
Box/Folder
25/2
|
Treatment: by Harold Shumate, undated
9pp.
: Annotated.
|
|
|
Box/Folder
25/3
|
Temporary: by Robert E Kent and Barry Trivers, 5 November 1940
41pp.
: Incomplete.
|
|
|
Box/Folder
25/4
|
Rev Temp: by Kent, 19 November with revisions to 30 November 1940
122pp.
|
|
|
Box/Folder
25/5
|
Rev Temp 2: by Kent and Lester Cole, 11 January 1941
128pp.
|
|
|
Box/Folder
25/6
|
Final: by Shumate, 19 February to 24 February 1941
116pp.
|
|
|
Box/Folder
25/7
|
Rev Final: by Charles Grayson, 5 March to 12 March 1941
110pp.
|
|
|
Box/Folder
25/8
|
Rev Final 2: by Grayson, 19 March with revisions to 30 April 1941
circa 120pp.
|
|
|
The Beast With Five Fingers
|
|
|
Box/Folder
25/9
|
Short Story: by W F Harvey, 31 March 1943
37pp.
|
|
|
Box/Folder
25/10
|
Treatment: by Graham Baker, undated
80pp.
|
|
|
Box/Folder
25/11
|
Screenplay: by Baker, 24 March 1945
108pp.
|
|
|
Box/Folder
25/12
|
Screenplay: by Richard Weil, undated
115pp.
|
|
|
Box/Folder
26/1
|
Screenplay: by Griffin Jay, 19 May 1945
109pp.
: Annotated.
|
|
|
Box/Folder
26/2
|
Temporary: by Curt Siodmak, 5 September 1945
129pp.
|
|
|
Box/Folder
26/3
|
Final: by Siodmak, 8 November 1945
138pp.
|
|
|
Box/Folder
26/4
|
Rev Final: by Harold Goldman, 10 November to 24 November 1945
131pp.
|
|
|
Beauty and the Boss
|
|
|
Box/Folder
26/5
|
Temporary: Churchmouse, by Ladislaus Fodor and Paul Frank. (Adaptation by Joseph Jackson.) 5 December 1931
122pp.
|
|
|
Box/Folder
26/6
|
Screenplay: A church mouse, by Fodor and Frank. (Adaptation by Jackson.) 8 December 1931
116pp.
|
|
|
Box/Folder
26/7
|
Final: A church mouse, by Fodor and Frank (Adaptation by Jackson), 12 December 1931
106pp.
|
|
|
Bedside
|
|
|
Box/Folder
26/8
|
Short Story: by Manuel Seff and Harvey Thew, 27 April 1933
42pp.
|
|
|
Box/Folder
26/9
|
Treatment: by Lillie Hayward, undated
78pp.
: Annotated.
|
|
|
Box/Folder
26/10
|
Temporary: by Hayward and James Wharton, 22 August 1933
139pp.
|
|
|
Box/Folder
27/1
|
Final: by Hayward and Rian James, 19 September 1933
125pp.
|
|
|
The Beloved Brat
|
|
|
Box/Folder
27/2
|
Temporary: Too much of everything, by Jean Negulesco and Wally Klein, 6 August 1937
93pp.
: Incomplete.
|
|
|
Box/Folder
27/3
|
Final: Too much of everything, by Negulesco and Klein, 11 August 1937
125pp.
|
|
|
Box/Folder
27/4
|
Rev Final: Too much of everything, by Lawrence Kimble and Negulesco, 31 August with revisions to 19 October 1937
circa 125pp.
|
|
|
Bengal Tiger
|
|
|
Box/Folder
27/5
|
Temporary: Bengal killer, by Roy Chanslor, 2 April with revisions to 8 April 1936
circa 140pp.
|
|
|
Box/Folder
27/6
|
Final: Bengal killer, by Chanslor, 14 April with revisions to 5 May 1936
circa 110pp.
|
|
|
Between Two Worlds
|
|
|
Box/Folder
27/7
|
Treatment: Outward bound, by George R Bilson, 23 July 1942
12pp.
|
|
|
Box/Folder
27/8
|
Screenplay: Outward bound, by Daniel Fuchs, 14 August 1943
175pp.
|
|
|
Box/Folder
28/1
|
Temporary: Outward bound, by Fuchs, 22 September 1943
143pp.
|
|
|
Box/Folder
28/2
|
Final: Outward bound, by Fuchs, 1 October with revisions to 16 November 1943
circa 140pp.
|
|
|
Beyond the Forest
|
|
|
Box/Folder
28/3
|
Novel: by Stuart Engstrand. New York, 1948
303pp.
|
|
|
Box/Folder
28/4
|
Plot Summary: (“Novel outline--Wisconsin Bovary”) by Engstrand, undated
18pp.
|
|
|
Box/Folder
28/5
|
Treatment: by Lenore Coffee, 22 December 1948
18pp.
|
|
|
Box/Folder
28/6
|
Temporary: by Coffee, 18 February 1949
173pp.
|
|
|
Box/Folder
28/7
|
Rev Temp: by Coffee, 9 March to 11 March 1949
130pp.
|
|
|
Box/Folder
28/8
|
Final: by Coffee, 31 March to 13 April 1949
158pp.
|
|
|
Box/Folder
29/1
|
Rev Final: Rosa Moline, by Coffee, 19 April 1949
131pp.
|
|
|
Box/Folder
29/2
|
Rev Final 2: Rose Moline, by Coffee, 26 April with revisions to 10 May 1949
circa 130pp.
|
|
|
Box/Folder
29/3
|
Rev Final 3: by Coffee, 12 May with revisions to 29 July 1949
circa 120pp.
|
|
|
Big Boy
|
|
|
Box/Folder
29/4
|
Play: no author shown, undated
76pp.
|
|
|
Box/Folder
29/5
|
Temporary: (“Play by Harold Attridge, scenario and dialogue by Rex Taylor”), March 1930
circa 125pp.
|
|
|
Box/Folder
29/6
|
Final: no author shown, 14 April 1930
circa 100pp.
|
|
|
Big Business Girl
|
|
|
Box/Folder
29/7
|
Novel: by “One of Them.” New York, 1930
278pp.
|
|
|
Box/Folder
29/8
|
Treatment: by Robert Lord, November 1930
74pp.
|
|
|
Box/Folder
30/1
|
Final: by Lord, 19 December 1930
112pp.
|
|
|
Big City Blues
|
|
|
Box/Folder
30/2
|
Play: New York town, by Ward Morehouse, 23 February 1932
130pp.
|
|
|
Box/Folder
30/3
|
Treatment: New York town, by Robert Lord, 25 February 1932
18pp.
|
|
|
Box/Folder
30/4
|
Temporary: New York town, no author shown, 16 March 1932
149pp.
|
|
|
Box/Folder
30/5
|
Final: New York town, by Lillie Hayward and Morehouse, 20 March 1932; added scenes, 29 June 1932
127pp., 4pp.
|
|
|
Big Hearted Herbert
|
|
|
Box/Folder
30/6
|
Play: by Sophie Kerr and Anna Steese Richardson, 3 April 1934
85pp.
|
|
|
Box/Folder
30/7
|
Screenplay: by Delmer Daves, 22 May 1934
146pp.
|
|
|
Box/Folder
30/8
|
Temporary: by Lillie Hayward and Daves, 6 June 1934
133pp.
|
|
|
Box/Folder
30/9
|
Final: by Hayward and Ben Markson, 15 June to 19 June with revisions to 26 June 1934
circa 130pp.
|
|
|
Big Noise
|
|
|
Box/Folder
31/1
|
Final: Big business, by William Jacobs and George Bickner. (“story by Edward Hartman.”), 8 February with revisions to 18 February 1936
circa 170pp.
|
|
|
The Big Punch
|
|
|
Box/Folder
31/2
|
Short Story: The holy terror, by George Carleton Brown, undated
58pp.
|
|
|
Box/Folder
31/3
|
Story Outline: The holy terror, by Bernard Girard, 1947-8
13pp.
|
|
|
Box/Folder
31/4
|
Screenplay: The fighting terror, by Girard, 4 November 1947
114pp.
|
|
|
Box/Folder
31/5
|
Temporary: The fighting terror, by Girard, 29 November 1947
123pp.
|
|
|
Box/Folder
31/6
|
Final: The fighting terror, by Girard, 5 January 1948
98pp.
|
|
|
Box/Folder
31/7
|
Rev Final: by Girard, 8 January with revisions to 10 June 1948
circa 100pp.
|
|
|
The Big Shakedown
|
|
|
Box/Folder
31/8
|
Short Story: Cut rate, or Public menace, by Niven Busch, undated
6pp.
|
|
|
Box/Folder
31/9
|
Treatment: The shakedown, by Robert Lee and Eugene Solow, undated
34pp.
|
|
|
Box/Folder
31/10
|
Screenplay: The shakedown, by Lee and Solow, undated
118pp.
|
|
|
Box/Folder
31/11
|
Screenplay: The shakedown, by Busch, 10 June 1933
142pp.
|
|
|
Box/Folder
31/12
|
Screenplay: The shakedown, by Busch, 17 June 1933
117pp.
|
|
|
Box/Folder
31/13
|
Final: The shakedown, by Lee and Solow, revised by Rian James, 14 August 1933
63pp.
: Incomplete.
|
|
|
Box/Folder
32/1
|
Rev Final: by Lee and Solow, revised by James, 23 August with revisions to 25 October 1933
circa 130pp.
|
|
|
The Big Shot
|
|
|
Box/Folder
32/2
|
Treatment: Warden Lawes story, by Daniel Fuchs 7 October 1941
69pp.
|
|
|
Box/Folder
32/3
|
Screenplay: The world is ours, by Fuchs, 21 November 1941
130pp.
|
|
|
Box/Folder
32/4
|
Comments: by Bertram Millhauser, 22 November 1941
19pp.
|
|
|
Box/Folder
32/5
|
Temporary: The world is ours, by Fuchs, 13 December 1941
144pp.
|
|
|
Box/Folder
32/6
|
Final: The world is ours, by Millhauser, 17 December 1941
68pp.
: Incomplete.
|
|
|
Box/Folder
32/7
|
Rev Final: Escape from crime, by Fuchs and Millhauser, 31 December 1941 with revisions to 14 February 1942
circa 130pp.
|
|
|
The Big Sleep
|
|
|
Box/Folder
32/8
|
Novel: by Raymond Chandler. Cleveland, 1939
165pp.
|
|
|
Box/Folder
33/1
|
Screenplay: by William Faulkner and Leigh Brackett, 11 September 1944
166pp.
|
|
|
Box/Folder
33/2
|
Temporary: by Faulkner and Brackett, 26 September 1944
172pp.
|
|
|
Box/Folder
33/3
|
Final: (“Cutter's script”) by Faulkner and Brackett, 16 March 1946
168pp.
|
|
|
The Big Stampede
|
|
|
Box/Folder
33/4
|
Final: by Marion Jackson, 22 June 1932
73pp.
|
|
|
Black Fury
|
|
|
Box/Folder
33/5
|
Play: Bohunk, by Harry R Irving, 1932
104pp.
|
|
|
Box/Folder
33/6
|
Screenplay: January Volkanik, by M.A. Musmanno, undated; alternate ending
184pp., 3pp.
|
|
|
Box/Folder
33/7
|
Treatment: Black hell, by Abem Finkel, 4 May 1934
133pp.
|
|
|
Box/Folder
33/8
|
Treatment: Black hell, by Finkel, 1 June 1934
141pp.
: Annotated.
|
|
|
Box/Folder
33/9
|
Treatment: Black hell, by Finkel, 13 June 1934
132pp.
|
|
|
Box/Folder
34/1
|
Temporary: Black hell, by Finkel and Carl Erickson, 4 September 1934
166pp.
|
|
|
Box/Folder
34/2
|
Final: Black hell, by Finkel and Erickson, 8 October with revisions to 17 October 1934
circa 160pp.
|
|
|
Black Legion
|
|
|
Box/Folder
34/3
|
Short Story: by Robert Lord, 8 June 1936
22pp.
|
|
|
Box/Folder
34/4
|
Treatment: by Abem Finkel and Lord, 8 July 1936
76pp.
|
|
|
Box/Folder
34/5
|
Temporary: no author shown, 20 July 1936
80pp.
: Incomplete.
|
|
|
Box/Folder
34/6
|
Final: by Finkel and William Wister Haines, undated with revisions to 27 November 1936
circa 160pp.
|
|
|
Blackwell's Island
|
|
|
Box/Folder
34/7
|
Treatment: by Lee Katz, undated
48pp.
|
|
|
Box/Folder
34/8
|
Screenplay: by Katz, undated
136pp.
|
|
|
Box/Folder
34/9
|
Final: no author shown, 21 June to 25 June 1938
119pp.
|
|
|
Box/Folder
35/1
|
Rev Final: by Crane Wilbur, 3 July with revisions to 12 September 1938
circa 170pp.
|
|
|
Blazing Sixes
|
|
|
Box/Folder
35/2
|
Temporary: Miracle mountain, by Anthony Coldewey, 12 January 1937
119pp.
|
|
|
Box/Folder
35/3
|
Final: Miracle mountain, by John T Neville, 20 January with revisions to 30 January 1937
circa 120pp.
|
|
|
Blessed Event
|
|
|
Box/Folder
35/4
|
Play: by Manuel Sepp and Forrest Wilson, 1930
148pp.
|
|
|
Box/Folder
35/5
|
Screenplay: by Howard J Green, 2 April 1932
141pp.
|
|
|
Box/Folder
35/6
|
Screenplay: by Green, 7 April 1932
147pp.
|
|
|
Box/Folder
35/7
|
Final: by Green, 12 April 1932
137pp.
: Annotated.
|
|
|
Blonde Crazy
|
|
|
Box/Folder
35/8
|
Screenplay: Larceny Lane, by Kubec Glasmon and John Bright, undated
102pp.
|
|
|
Box/Folder
36/1
|
Temporary: Larceny Lane, by Glasmon and Bright, 22 May 1931
104pp.
|
|
|
Box/Folder
36/2
|
Final: Larceny Lane, by Glasmon and Bright, 27 May with revisions to 22 September 1931
circa 136pp.
|
|
|
Blondes At Work
|
|
|
Box/Folder
36/3
|
Temporary: by Albert DeMond, 2 August 1937
115pp.
|
|
|
Box/Folder
36/4
|
Rev Temp: by DeMond, 19 August 1937
133pp.
|
|
|
Box/Folder
36/5
|
Final: by DeMond, 8 September with revisions to 2 October 1937
circa 120pp.
|
|
|
Blondie Johnson
|
|
|
Box/Folder
36/6
|
Story Outline: by Earl Baldwin, undated
10pp.
|
|
|
Box/Folder
36/7
|
Screenplay: by Baldwin, 9 October 1932
circa 105pp.
: Annotated.
|
|
|
Box/Folder
36/8
|
Temporary: no author shown, 14 October 1932
112pp.
|
|
|
Box/Folder
36/9
|
Final: by Baldwin, 19 October with revisions to 31 December 1932
circa 115pp.
: Annotated.
|
|
|
Blues in the Night
|
|
|
Box/Folder
37/1
|
Play: Hot nocturne, by Edwin Gilbert, 1940
147pp.
|
|
|
Box/Folder
37/2
|
Temporary: Hot nocturne, by Robert Rossen and Gilbert, 4 April 1941
171pp.
|
|
|
Box/Folder
37/3
|
Story Outline: Hot nocturne, by Gilbert, 10 May 1941; memo from Gilbert to H Wallis
22pp., 1p.
|
|
|
Box/Folder
37/4
|
Treatment: Hot nocturne, by Rossen, 12 May 1941
58pp.
|
|
|
Box/Folder
37/5
|
Final: Hot nocturne, by Rossen, 22 May 1941
104pp.
: Incomplete.
|
|
|
Box/Folder
37/6
|
Rev Final: by Rossen, 6 June to 30 June with revisions to 2 July 1941
circa 150pp.
|
|
|
The Body Disappears
|
|
|
Box/Folder
37/7
|
Screenplay: The black widow, by Scott Darling and Erna Lazarus, undated
111pp.
|
|
|
Box/Folder
37/8
|
Screenplay: The man who wasn't there, by Darling and Lazarus, undated
118pp.
|
|
|
Box/Folder
37/9
|
Final: Black widow, by Darling and Lazarus, 17 July with revisions to 25 July 1941
circa 105pp.
|
|
|
Border Town
|
|
|
Box/Folder
38/1
|
Novel: by Carroll Graham, New York, 1934
309pp.
|
|
|
Box/Folder
38/2
|
Treatment: by Edward Chodorov, 23 March 1934
28pp.
|
|
|
Box/Folder
38/3
|
Screenplay: by Graham, 4 May 1934
122pp.
|
|
|
Box/Folder
38/4
|
Screenplay: by Graham, 18 June 1934
151pp.
|
|
|
Box/Folder
38/5
|
Rev Temp: no author shown, 22 June 1934
196pp.
|
|
|
Box/Folder
38/6
|
Rev Temp 2: no author shown, 5 July 1934
156pp.
|
|
|
Box/Folder
38/7
|
Temporary: New border town, by Robert Lord, Laird Doyle, and Wallace Smith, 27 July 1934
86pp.
: Incomplete.
|
|
|
Box/Folder
38/8
|
Treatment: by Doyle and Lord, 4 August 1934
130pp.
|
|
|
Box/Folder
39/1
|
Final: no author shown, 13 August with revisions to 11 September 1934
circa 155pp.
|
|
|
Born for Trouble
|
|
|
Box/Folder
39/2
|
Short Story: Murder in the death house, by Jerry Chodorov, 30 April 1935
52pp.
|
|
|
Box/Folder
39/3
|
Temporary: Murder in the death house, by Raymond L. Schrock, 23 December 1941
53pp.
: Incomplete.
|
|
|
Box/Folder
39/4
|
Final: Murder in the death (“big”) house, by Schrock, 5 January with revisions to 19 January 1942
circa 110pp.
|
|
|
Boulder Dam
|
|
|
Box/Folder
39/5
|
Short Story: Water--the giver of life, or the story of the Boulder Dam project, by Dan M Templin, undated
26pp.
|
|
|
Box/Folder
39/6
|
Screenplay: The cinch, by Templin, undated
117pp.
|
|
|
Box/Folder
39/7
|
Treatment: Gabby Delaney, by Sy Bartlett, 7 June 1934
28pp.
|
|
|
Box/Folder
39/8
|
Treatment: An untitled story, by Ralph Block and Bartlett, 26 June 1934
76pp.
|
|
|
Box/Folder
39/9
|
Temporary: Backfire, by Block and Bartlett, 31 July 1934
142pp.
: Annotated.
|
|
|
Box/Folder
39/10
|
Screenplay: Backfire, by Laird Doyle, 14 December 1934
126pp.
|
|
|
Box/Folder
39/11
|
Rev Temp: Backfire, no author shown, 5 January 1935
134pp.
|
|
|
Box/Folder
40/1
|
Final: Backfire, no author shown, 28 March with revisions to 21 October 1935
circa 230pp.
|
|
|
Boy Meets Girl
|
|
|
Box/Folder
40/2
|
Play: Boy meets girl and spring song, by Bella and Samuel Spewack. New York, 1936
158pp.
|
|
|
Box/Folder
40/3
|
Temporary: by the Spewacks, 25 March 1937
154pp.
|
|
|
Box/Folder
40/4
|
Final: by the Spewacks, 10 September 1937
139pp.
|
|
|
Box/Folder
40/5
|
Rev Final: by the Spewacks, 22 February with revisions to 1 March 1938
139pp.
|
|
|
The Bride Came C.O.D.
|
|
|
Box/Folder
40/6
|
Short Story: by Kenneth Earl and M M Musselman, undated
82pp.
|
|
|
Box/Folder
40/7
|
Plot Summary: by David Wear III, 6 September 1940
12pp.
|
|
|
Box/Folder
40/8
|
Temporary: by Philip and Julius Epstein, 8 November 1940
137pp.
|
|
|
Box/Folder
41/1
|
Final: by the Epsteins, 25 November with revisions to 29 November 1940
circa 135pp.
|
|
|
Box/Folder
41/2
|
Rev Final: by the Epsteins, 30 December 1940 with revisions to 26 March 1941
circa 145pp.
|
|
|
Box/Folder
41/3
|
Reader Synopsis: by Dorothea Cartwright Doe, 24 April 1951
1p.
|
|
|
Brides Are Like That
|
|
|
Box/Folder
41/4
|
Play: Applesauce, by Barry Conners, New York, 1926
111pp.
|
|
|
Box/Folder
41/5
|
Screenplay: Red apples, by Ben Markson, 20 October 1934
125pp.
|
|
|
Box/Folder
41/6
|
Final: Red apples, by Markson, 19 July with revisions to 8 November 1935
circa 115pp.
|
|
|
Bright Lights (1931) (Adventure in Africa)
|
|
|
Box/Folder
41/7
|
Treatment: by Humphrey Pearson, undated
circa 110pp.
|
|
|
Box/Folder
41/8
|
Final: by Henry McCarthy and Pearson, January 1930; production notes and shooting schedule
99pp., 37pp.
|
|
|
Bright Lights(1935)
|
|
|
Box/Folder
41/9
|
Treatment: Molly and me, by Lois Leeson, undated
14pp.
|
|
|
Box/Folder
41/10
|
Treatment: (“Sequence outline”) Molly and me, by Ben Markson, 2 January 1935
24pp.
|
|
|
Box/Folder
42/1
|
Treatment: Molly and me, by Bert Kalmar and Harry Ruby, undated
125pp.
|
|
|
Box/Folder
42/2
|
Screenplay: Molly and me, or Queen of burlesque, no author shown, undated
58pp.
|
|
|
Box/Folder
42/3
|
Screenplay: Back to Broadway, no author shown, 5 April 1935
124pp.
|
|
|
Box/Folder
42/4
|
Screenplay: Back to Broadway, no author shown, 18 April 1935
123pp.
|
|
|
Box/Folder
42/5
|
Final: no author shown, 1 May 1935
116pp.
|
|
|
British Agent
|
|
|
Box/Folder
42/6
|
Novel: by R H Bruce Lockhart, New York, 1933
354pp.
|
|
|
Box/Folder
42/7
|
Plot Summary: (“Notes on British Agent for Robert Presnell”) by Pierre Collings, undated
7pp.
|
|
|
Box/Folder
42/8
|
Research: (“Character sketches from the book”) no author shown, 17 April 1934
56pp.
|
|
|
Box/Folder
42/9
|
Screenplay: by Robert R Presnell, 29 December 1933
155pp.
|
|
|
Box/Folder
43/1
|
Temporary: by Laird Doyle, 27 March to 13 April 1934; new ending
167pp., 8pp.
|
|
|
Box/Folder
43/2
|
Rev Temp: by Doyle, 25 April 1934
137pp.
|
|
|
Box/Folder
43/3
|
Final: by Doyle, 28 April with revisions to 15 May 1934
circa 130pp.
|
|
|
British Intelligence
|
|
|
Box/Folder
43/4
|
Temporary: Enemy agent (“Based on a play by A P Kelly”) by Lee Katz, 24 February 1939
95pp.
|
|
|
Box/Folder
43/5
|
Final: Enemy agent, by Katz, 4 March 1939
108pp.
|
|
|
Box/Folder
43/6
|
Rev Final: Enemy agent, by Katz, 11 March with revisions to 25 April 1939
circa 110pp.
|
|
|
Broad-Minded
|
|
|
Box/Folder
43/7
|
Treatment: by Bert Kalmar and Harry Ruby, undated
83pp.
|
|
|
Box/Folder
43/8
|
Temporary: by Kalmar and Ruby, 17 January 1931
103pp.
|
|
|
Box/Folder
43/9
|
Final: by Kalmar and Ruby, 30 January 1931; new ending, 21 February 1931
116pp., 11pp.
|
|
|
Broadway Babies
|
|
|
Box/Folder
44/1
|
Short Story: Broadway musketeers, by Jay Gelzer. Good Housekeeping, October 1928
16pp.
|
|
|
Box/Folder
44/2
|
Story Outline: by Anthony Coldewey, 16 January 1929
5pp.
|
|
|
Box/Folder
44/3
|
Treatment: Broadway musketeers, by Monte Katterjohn, 14 January 1929
68pp.
|
|
|
Box/Folder
44/4
|
Screenplay: (“Dialogue for Broadway musketeers”) no author shown, undated
59pp.
|
|
|
Box/Folder
44/5
|
Final: (“Titles only, no dialogue”) by Katterjohn, undated
114pp.
: Annotated.
|
|
|
Broadway Gondolier
|
|
|
Box/Folder
44/6
|
Treatment: by Sig Herzig, Hans Kraly, and E Y Harburg, undated
34pp.
|
|
|
Box/Folder
44/7
|
Screenplay: by Herzig, 27 November 1934
120pp.
|
|
|
Box/Folder
44/8
|
Screenplay: by Warren Duff, 25 January 1935
133pp.
|
|
|
Box/Folder
44/9
|
Temporary: no author shown, 7 February 1935
147pp.
|
|
|
Box/Folder
44/10
|
Rev Temp: no author shown, 26 February 1935
134pp.
|
|
|
Box/Folder
44/11
|
Final: no author shown, 6 March with revisions to 22 April 1935
150pp.
|
|
|
Broadway Hostess
|
|
|
Box/Folder
45/1
|
Temporary: by George Bricker, 27 July 1935
111pp.
|
|
|
Box/Folder
45/2
|
Final: by Bricker, 30 July with revisions to 10 September 1935
circa 145pp.
|
|
|
Broadway Musketeers
|
|
|
Box/Folder
45/3
|
Temporary: Three girls on Broadway, by Don Ryan and Kenneth Gamet, 19 April 1938
113pp.
|
|
|
Box/Folder
45/4
|
Final: Three girls on Broadway, by Ryan and Gamet, 7 May with revisions to 2 July 1938
circa 125pp.
|
|
|
Brother Orchid
|
|
|
Box/Folder
45/5
|
Short Story: by Richard Connell. Collier's, 21 May 1938
7pp.
|
|
|
Box/Folder
45/6
|
Screenplay: by Earl Baldwin, 30 September 1938
96pp.
|
|
|
Box/Folder
45/7
|
Story Outline: by Baldwin, 1 December 1938
5pp.
|
|
|
Box/Folder
45/8
|
Temporary: by Baldwin, 9 February 1939
153pp.
|
|
|
Box/Folder
45/9
|
Story Outline: by Baldwin, 21 August 1939; memo from Mark Hellinger to Hal Wallis
13pp., 1p.
|
|
|
Box/Folder
45/10
|
Rev Temp: by Baldwin, 18 December 1939
133pp.
|
|
|
Brother Rat
|
|
|
Box/Folder
46/1
|
Play: by John Monks, Jr and Fred F Finklehoffe, undated
145pp.
|
|
|
Box/Folder
46/2
|
Temporary: by Jerry Wald and Richard Macauley, 13 April with revisions to 15 April 1938
circa 160pp.
|
|
|
Box/Folder
46/3
|
Rev Temp: by Wald and Macauley, 9 May 1938
161pp.
|
|
|
Box/Folder
46/4
|
Final: by Wald and Macauley, 16 June 1938
156pp.
|
|
|
Brother Rat and A Baby
|
|
|
Box/Folder
46/5
|
Story Outline: by John Monks, Jr and Fred F Finklehoffe, undated
32pp.
|
|
|
Box/Folder
46/6
|
Screenplay: by Monks and Finklehoffe, 21 July 1939
173pp.
|
|
|
Box/Folder
46/7
|
Final: no author shown, 31 August with revisions to 5 September 1939
circa 145pp.
|
|
|
Bullet Scars
|
|
|
Box/Folder
47/1
|
Story Outline: False faces (Crime doctor), by Sy Bartlett and Charles Belden, 31 January 1935
18pp.
|
|
|
Box/Folder
47/2
|
Screenplay: The crime doctor, by Bartlett and Belden, undated
117pp.
: Incomplete.
|
|
|
Box/Folder
47/3
|
Screenplay: The crime doctor, by Bartlett and Belden, undated
141pp.
|
|
|
Box/Folder
47/4
|
Temporary: by Robert E Kent, 2 December 1941
106pp.
|
|
|
Box/Folder
47/5
|
Final: by Kent, 10 December 1941 with revisions to 8 January 1942
circa 120pp.
|
|
|
Bullets for O'Hara
|
|
|
Box/Folder
47/6
|
Temporary: (“From the screenplay `Public enemy's wife' by Abem Finkel and Harold Buckley”) by Raymond L Schrock, 11 April 1941
42pp.
: Incomplete.
|
|
|
Box/Folder
47/7
|
Final: by Schrock, 22 April with revisions to 26 April 1941
circa 105pp.
|
|
|
Box/Folder
47/8
|
Rev Final: by Schrock, 1 May with revisions to 7 May 1941
circa 105pp.
|
|
|
Bullets or Ballots
|
|
|
Box/Folder
47/9
|
Treatment: All the evidence, by Martin Mooney, 14 November 1935
67pp.
|
|
|
Box/Folder
47/10
|
Story Outline: and the home of the racket, no author shown, 23 November 1935
25pp.
|
|
|
Box/Folder
47/11
|
Screenplay: All the evidence, by Mooney, 14 December 1935
109pp.
|
|
|
Box/Folder
47/12
|
Story Outline: All the evidence, by Seton I Miller, 4 January 1936
28pp.
: Annotated.
|
|
|
Box/Folder
47/13
|
Story Outline: All the evidence, by Miller, 10 January 1936
27pp.
|
|
|
Box/Folder
48/1
|
Temporary: Bullets and ballots, by Miller, 5 February 1936
175pp.
|
|
|
Box/Folder
48/2
|
Final: Bullets and ballots, by Miller, 5 February with revisions to 28 March 1936
circa 160pp.
|
|
|
Bureau of Missing Persons
|
|
|
Box/Folder
48/3
|
Treatment: Missing persons bureau story, by Robert R Presnell and Carl Erickson, 4 March 1933
109pp.
|
|
|
Box/Folder
48/4
|
Treatment: Missing persons bureau story, by Presnell, 30 March 1933
89pp.
|
|
|
Box/Folder
48/5
|
Temporary: by Presnell, 6 May 1933
116pp.
|
|
|
Box/Folder
48/6
|
Rev Temp: by Presnell, 12 June 1933
127pp.
|
|
|
Box/Folder
48/7
|
Final: by Presnell, 15 June 1933
121pp.
|
|
|
Busses Roar
|
|
|
Box/Folder
48/8
|
Temporary: by George R Bilson and Anthony Coldewey, 23 April to 29 April 1942
circa 110pp.
|
|
|
Box/Folder
48/9
|
Final: by Bilson and Coldewey, 2 May with revisions to 5 May 1942
circa 110pp.
|
|
|
Cabin in the Cotton
|
|
|
Box/Folder
49/1
|
Novel: by Harry Harrison Kroll, New York, 1931
289pp.
|
|
|
Box/Folder
49/2
|
Treatment: no author shown, undated
26pp.
|
|
|
Box/Folder
49/3
|
Treatment: by Paul Green, 24 March 1932
39pp.
|
|
|
Box/Folder
49/4
|
Screenplay: by Green, 30 March 1932
16pp.
: Incomplete.
|
|
|
Box/Folder
49/5
|
Screenplay: by Green, 16 April 1932
115pp.
|
|
|
Box/Folder
49/6
|
Final: by Green, 22 April with revisions to 10 May 1932
circa 170pp.
|
|
|
Cain and Mabel
|
|
|
Box/Folder
49/7
|
Short Story: by H.C. Witwer. Cosmopolitan, June 1922
31pp.
|
|
|
Box/Folder
49/8
|
Treatment: by Earl Baldwin, 25 November 1935
28pp.
|
|
|
Box/Folder
49/9
|
Temporary: by Baldwin, 6 February 1936
100pp.
|
|
|
Box/Folder
49/10
|
Rev Temp: by Baldwin, 7 March 1936
175pp.
|
|
|
Box/Folder
49/11
|
Rev Temp 2: by Laird Doyle, 28 March 1936
144pp.
|
|
|
Box/Folder
50/1
|
Final: by Doyle, April with revisions to 29 June 1936
circa 150pp.
|
|
|
California Mail
|
|
|
Box/Folder
50/2
|
Final: The pony express rider, by Roy Chanslor and Harold Buckley, 10 June with revisions to 18 June 1936
circa 130pp.
|
|
|
Call It a Day
|
|
|
Box/Folder
50/3
|
Play: by C.L. Anthony, undated
235pp.
|
|
|
Box/Folder
50/4
|
Temporary: by Sheridan Gibney (“Stage play by Dodie Smith”), 9 October 1936
171pp.
|
|
|
Box/Folder
50/5
|
Rev Temp: by Gibney, 31 October 1936
171pp.
|
|
|
Box/Folder
50/6
|
Final: by Casey Robinson, 11 November with revisions to 2 December 1936
circa 210pp.
|
|
|
Calling All Husbands
|
|
|
Box/Folder
51/1
|
Temporary: Good men don't marry, by Robert E. Kent, 9 July 1940
113pp.
|
|
|
Box/Folder
51/2
|
Final: Good men don't marry, by Kent, 13 July with revisions to 19 July 1940
108pp.
|
|
|
Calling Philo Vance
|
|
|
Box/Folder
51/3
|
Final: Philo Vance comes back, by Tom Reed (“Story by S.S. Van Dine”), 20 July with revisions to 24 July 1939
circa 105pp.
|
|
|
Box/Folder
51/4
|
Rev Final: Philo Vance comes back, by Reed, 26 July with revisions to 8 August 1939
circa 110pp.
|
|
|
Captain Blood
|
|
|
Box/Folder
51/5
|
Novel: by Rafael Sabatini. Boston, 1922
356pp.
|
|
|
Box/Folder
51/6
|
Story Outline: by Casey Robinson, 1 December 1934
35pp.
|
|
|
Box/Folder
51/7
|
Temporary: by Robinson, 13 February 1935
142pp.
: Incomplete.
|
|
|
Box/Folder
52/1
|
Rev Temp: by Robinson, 22 March 1935
166pp.
|
|
|
Box/Folder
52/2
|
Final: by Robinson, 29 March 1935
circa 175pp.
: Incomplete.
|
|
|
Box/Folder
52/3
|
Rev Final: by Robinson, 24 July with revisions to 4 October 1935
circa 200pp.
|
|
|
Captain Thunder
|
|
|
Box/Folder
52/4
|
Short Story: Married in Mexico, by Hal Davitt and Pierre Couderc, undated
24pp.
|
|
|
Box/Folder
52/5
|
Treatment: The gay caballero, by Gordon Rigby, 7 March 1930
19pp.
|
|
|
Box/Folder
52/6
|
Final: The gay caballero, by Rigby (“Dialogue by William K Wells and George Rosener”), undated
104pp.
|
|
|
The Captain's Kid
|
|
|
Box/Folder
52/7
|
Short Story: Way for a pirate, by Earl Felton, 6 February 1936
47pp.
|
|
|
Box/Folder
52/8
|
Screenplay: Way for a pirate, by Roy Chanslor, 29 March 1936
120pp.
|
|
|
Box/Folder
52/9
|
Screenplay: Way for a pirate, by Tom Reed, undated
102pp.
: Incomplete.
|
|
|
Box/Folder
53/1
|
Temporary: Way for a pirate, no author shown, 9 May 1936
114pp.
|
|
|
Box/Folder
53/2
|
Final: Way for a pirate, by Reed, 16 May 1936
122pp.
|
|
|
Box/Folder
53/3
|
Rev Final: Way for a pirate, by Reed, 19 May with revisions to 8 June 1936; additional scenes, 16 July 1936
circa 115pp., 9pp.
|
|
|
Captains of the Clouds
|
|
|
Box/Folder
53/4
|
Short Story: Bush pilot, by Roland Gillett, 17 October 1940
12pp.
|
|
|
Box/Folder
53/5
|
Short Story: Bush pilots, by Arthur T Horman, undated
28pp.
|
|
|
Box/Folder
53/6
|
Plot Summary: Bush pilots, by L Cruikshank, 25 November 1940
1p.
|
|
|
Box/Folder
53/7
|
Treatment: Bush pilots, by Norman Reilly Raine, 28 February 1941
38pp.
|
|
|
Box/Folder
53/8
|
Treatment: Bush pilot, by Raine, 11 March 1941
43pp.
|
|
|
Box/Folder
53/9
|
Temporary: The shadow of their wings, no author shown, 9 May to 31 May 1941
187pp.
|
|
|
Box/Folder
53/10
|
Rev Temp: The shadow of their wings, by Richard Macauley, Raine, and Horman, 12 June 1941
76pp.
: Incomplete.
|
|
|
Box/Folder
53/11
|
Rev Temp 2: by Macauley, Horman, and Raine, 25 June 1941
141pp.
|
|
|
Box/Folder
53/12
|
Final: by Horman, Macauley, and Raine, 9 July with revisions to 3 October 1941
circa 135pp.
|
|
|
Box/Folder
53/13
|
Reader Synopsis: by Karnot, 21 July 1941
1p.
|
|
|
Captured
|
|
|
Box/Folder
54/1
|
Short Story: Fellow prisoners, by Phillip Gibbs. Liberty, 13 September 1930
9pp.
|
|
|
Box/Folder
54/2
|
Story Outline: Fellow prisoners, by Edward Chodorov, 20 January 1933
9pp.
|
|
|
Box/Folder
54/3
|
Treatment: Fellow prisoners, by John Monk Saunders, undated
26pp.
|
|
|
Box/Folder
54/4
|
Treatment: Fellow prisoners, by James Ashmore Creelman, undated
83pp.
|
|
|
Box/Folder
54/5
|
Temporary: Fellow prisoners, by Chodorov, 25 February 1933
141pp.
|
|
|
Box/Folder
54/6
|
Final: no author shown, undated; revised pages to 16 March 1933
120pp., 40pp.
|
|
|
Casablanca
|
|
|
Box/Folder
54/7
|
Rev Final: no author shown, 1 June 1942
158pp.
|
|
|
The Case of the Black Cat
|
|
|
Box/Folder
54/8
|
Novel: The case of the caretaker's cat, by Erle Stanley Gardner. New York, 1935
309pp.
|
|
|
Box/Folder
54/9
|
Temporary: The case of the caretaker's cat, no author shown, 8 June 1936
122pp.
|
|
|
Box/Folder
54/10
|
Final: The case of the caretaker's cat, no author shown, 23 June 1936
122pp.
|
|
|
The Case of the Black Parrot
|
|
|
Box/Folder
55/1
|
Play: in the next room, by Eleanor Robson and Harriet Ford. New York, 1923
65pp.
|
|
|
Box/Folder
55/2
|
Temporary: by Robert E Kent, 16 October 1940
107pp.
|
|
|
Box/Folder
55/3
|
Final: by Kent, 19 October with revisions to 23 October 1940
circa 100pp.
|
|
|
The Case of the Curious Bride
|
|
|
Box/Folder
55/4
|
Novel: by Erle Stanley Gardner, 8 May 1934
298pp.
|
|
|
Box/Folder
55/5
|
Treatment: no author shown, 4 August 1934
90pp.
|
|
|
Box/Folder
55/6
|
Temporary: by Tom Reed, 17 August 1934; comment, “Notation: insert at page 13A,” by Harry Joe Brown, undated
116pp.; 1p.
|
|
|
Box/Folder
55/7
|
Rev Temp: no author shown, 28 August 1934
133pp.
|
|
|
Box/Folder
55/8
|
Final: no author shown, 24 January with revisions to 12 February 1935
circa 155pp.
: Annotated.
|
|
|
The Case of the Howling Dog
|
|
|
Box/Folder
56/1
|
Novel: by Erle Stanley Gardner, undated
289pp.
|
|
|
Box/Folder
56/2
|
Treatment: by Ben Markson, 21 April 1934
28pp.
|
|
|
Box/Folder
56/3
|
Final: by Markson, 26 May with revisions to 6 June 1934
circa 130pp.
|
|
|
The Case of the Lucky Legs
|
|
|
Box/Folder
56/4
|
Novel: by Erle Stanley Gardner. New York, 1934
282pp.
|
|
|
Box/Folder
56/5
|
Temporary: no author shown, 21 March 1935
127pp.
|
|
|
Box/Folder
56/6
|
Rev Temp: no author shown, 31 May 1935
123pp.
|
|
|
Box/Folder
57/1
|
Final: no author shown, 1 July with revisions to 9 July 1935
circa 150pp.
|
|
|
Box/Folder
57/2
|
Rev Final: no author shown, 16 July 1935
circa 135pp.
|
|
|
The Case of the Stuttering Bishop
|
|
|
Box/Folder
57/3
|
Novel: by Erle Stanley Gardner. New York, 1936
276pp.
|
|
|
Box/Folder
57/4
|
Temporary: by Kenneth Gamet and Don Ryan, 24 November 1936
135pp.
|
|
|
Box/Folder
57/5
|
Final: by Gamet and Ryan, 28 November with revisions to 1 December 1936
circa 135pp.
|
|
|
The Case of the Velvet Claws
|
|
|
Box/Folder
57/6
|
Novel: by Erle Stanley Gardner. New York, 1933
310pp.
|
|
|
Box/Folder
58/1
|
Screenplay: by Robert N Lee, 13 February 1935
124pp.
|
|
|
Box/Folder
58/2
|
Temporary: by Tom Reed, 22 February 1936
113pp.
|
|
|
Box/Folder
58/3
|
Final: by Reed, 13 March 1936
circa 120pp.
: Incomplete.
|
|
|
The Castle on the Hudson
|
|
|
Box/Folder
58/4
|
Temporary: Twenty thousand years in Sing Sing, by Courtney Terrett and Robert Lord (“Story by Warden Lewis E Lawes, Wilson Mizner, and Brown Holmes”), 26 April 1939
123pp.
|
|
|
Box/Folder
58/5
|
Final: Twenty thousand years in Sing Sing, by Terrett and Lord, 18 May 1939
131pp.
|
|
|
Box/Folder
58/6
|
Rev Final: Twenty thousand years in Sing Sing, by Terrett and Lord, 20 June with revisions to 22 June 1939
circa 145pp.
|
|
|
Ceiling Zero
|
|
|
Box/Folder
58/7
|
Play: by Frank Wead, undated
111pp.
|
|
|
Box/Folder
59/1
|
Play: (“Promptbook”) by Wead, 10 April 1935; production notes
192pp., 8pp.
|
|
|
Box/Folder
59/2
|
Temporary: by Wead, 7 September 1935
141pp.
|
|
|
Box/Folder
59/3
|
Final: no author shown, 28 September 1935
170pp.
|
|
|
Box/Folder
59/4
|
Rev Final: no author shown, 8 October 1935
168pp.
|
|
|
Central Airport
|
|
|
Box/Folder
59/5
|
Screenplay: Hawk's mate, by Jack Moffitt, 17 September 1932
158pp.
|
|
|
Box/Folder
59/6
|
Screenplay: Grand central airport, by Rian James and James Seymour, 29 October 1932
158pp.
|
|
|
Box/Folder
59/7
|
Screenplay: Grand central airport, by James and Seymour, 31 October 1932
158pp.
|
|
|
Box/Folder
60/1
|
Final: Grand central airport, by James and Seymour, 8 November with revisions to 15 November 1932
circa 145pp.
|
|
|
Box/Folder
60/2
|
Comments: (“Assignments of shots and camera angles”) no author shown, undated
17pp.
|
|
|
Central Park
|
|
|
Box/Folder
60/3
|
Plot Summary: no author shown, undated
4pp.
|
|
|
Box/Folder
60/4
|
Story Outline: by Ward Morehouse, 8 April 1932
17pp.
: Annotated.
|
|
|
Box/Folder
60/5
|
Story Outline: no author shown, 18 April 1932; memo from Morehouse to Hubbard
11pp., 1p.
|
|
|
Box/Folder
60/6
|
Temporary: by Earl Baldwin and Morehouse, 18 June 1932
91pp.
|
|
|
Box/Folder
60/7
|
Screenplay: by Baldwin and Morehouse, 5 July 1932
93pp.
|
|
|
Box/Folder
60/8
|
Final: by Baldwin and Morehouse, 14 July with revisions to 10 August 1932
circa 95pp.
: Annotated.
|
|
|
Chain Lightning
|
|
|
Box/Folder
60/9
|
Short Story: These many years, by J Redmond Prior, undated
107pp.
|
|
|
Box/Folder
60/10
|
Plot Summary: These many years, by Wesley Haynes, 20 February 1948
2pp.
|
|
|
Box/Folder
60/11
|
Plot Summary: These many years, by Judith Bailey, 20 February 1948
27pp.
|
|
|
Box/Folder
60/12
|
Treatment: These many years, by John Twist, 28 June 1948
42pp.
|
|
|
Box/Folder
60/13
|
Story Outline: These many years, by Jacques Le Marechal, 1 July 1948
8pp.
: Incomplete.
|
|
|
Box/Folder
60/14
|
Treatment: These many years, by Liam O'Brien and Vincent Evans, 8 August to 13 October 1948
148pp.
: Incomplete.
|
|
|
Box/Folder
60/15
|
Treatment: These many years, by O'Brien and Evans, 22 October 1948
141pp.
|
|
|
Box/Folder
60/16
|
Treatment: Jet, by O'Brien and Evans, undated
152pp.
|
|
|
Box/Folder
61/1
|
Screenplay: Jet, by O'Brien and Evans, undated
166pp.
|
|
|
Box/Folder
61/2
|
Screenplay: Jet, by O'Brien and Evans, 24 January to 5 February 1949
140pp.
|
|
|
Box/Folder
61/3
|
Temporary: Jet, by O'Brien and Evans, 10 February 1949
130pp.
|
|
|
Box/Folder
61/4
|
Screenplay: These many years, by O'Brien and Evans, 29 March 1949
43pp.
: Incomplete.
|
|
|
Box/Folder
61/5
|
Screenplay: These many years, by O'Brien and Evans, 11 April 1949
107pp.
: Incomplete.
|
|
|
Box/Folder
61/6
|
Final: by O'Brien and Evans, 11 April 1949
120pp.
: Incomplete.
|
|
|
Box/Folder
61/7
|
Rev Final: by O'Brien and Evans, 30 April with revisions to 23 June 1949
circa 125pp.
|
|
|
Box/Folder
61/8
|
Comments: (“Revisions on `These many years' ”) by Anthony Veiller, 7 May to 21 June 1949
circa 80pp.
|
|
|
Box/Folder
61/9
|
Reader Synopsis: (“These many years [Chain lightning]”) by Elma LeCron, 19 December 1957
1pp.
|
|
|
Chances
|
|
|
Box/Folder
61/10
|
Novel: by Hamilton Gibbs, Boston, 1930
285pp.
|
|
|
Box/Folder
62/1
|
Temporary: by Waldemar Young, 13 January 1931
96pp.
|
|
|
Box/Folder
62/2
|
Final: by Young, 23 January 1931
108pp.
|
|
|
The Charge of the Light Brigade
|
|
|
Box/Folder
62/3
|
Treatment: by Abraham S Jacoby, 18 May 1935
26pp.
|
|
|
Box/Folder
62/4
|
Treatment: Into the jaws of death, by Jacoby, 11 June 1935
48pp.
|
|
|
Box/Folder
62/5
|
Screenplay: by Michel Jacoby and Rowland Leigh, 19 July 1935
204pp.
|
|
|
Box/Folder
62/6
|
Temporary: by M Jacoby and Leigh, 27 August 1935
162pp.
|
|
|
Box/Folder
62/7
|
Comments: (“Analysis of script”) by Captain John Rochford, 4 December 1935
55pp.
|
|
|
Box/Folder
62/8
|
Screenplay: no author shown, 21 January 1936
169pp.
|
|
|
Box/Folder
62/9
|
Rev Temp: by M. Jacoby and Leigh, 30 January with revisions to 19 February 1936
circa 165pp.
: Annotated.
|
|
|
Box/Folder
62/10
|
Final: by M Jacoby and Leigh, 25 March with revisions to 27 March 1936
circa 145pp.
|
|
|
Cherokee Strip
|
|
|
Box/Folder
63/1
|
Short Story: Cherokee strip stampeders, by Ed Earl Repp. New Western, Oct-Nov, 1936
27pp.
|
|
|
Box/Folder
63/2
|
Treatment: by Joseph K Watson and Luci Ward, 26 October 1936
59pp.
|
|
|
Box/Folder
63/3
|
Final: by Watson and Ward, 9 November with revisions to 10 November 1936
circa 140pp.
|
|
|
Box/Folder
63/4
|
Rev Final: by Watson and Ward, 17 November with revisions to 8 December 1936
circa 115pp.
|
|
|
Cheyenne
|
|
|
Box/Folder
63/5
|
Story Outline: by Alan Le May, 17 July 1944
5pp.
|
|
|
Box/Folder
63/6
|
Novel: by Paul I Wellman, 19 December 1944
184pp.
|
|
|
Box/Folder
63/7
|
Plot Summary: by Wellman, 14 September 1944
15pp.
|
|
|
Box/Folder
63/8
|
Plot Summary: by Wellman, 18 September 1944
23pp.
|
|
|
Box/Folder
63/9
|
Plot Summary: by Wellman, 22 September 1944
40pp.
|
|
|
Box/Folder
63/10
|
Story Outline: by Thames Williamson, 4 December 1945
6pp.
|
|
|
Box/Folder
63/11
|
Screenplay: by Emmet Lavery, 1 September 1945
152pp.
|
|
|
Box/Folder
63/12
|
Temporary: by Le May, 28 November 1945
87pp.
|
|
|
Box/Folder
63/13
|
Rev Temp: by Le May and Wellman, 14 December 1945
126pp.
|
|
|
Box/Folder
64/1
|
Rev Temp 2: no author shown, 19 January 1946
138pp.
|
|
|
Box/Folder
64/2
|
Final: by Le May and Williamson, 20 February 1946
150pp.
|
|
|
Box/Folder
64/3
|
Rev Final: by Le May and Williamson, 9 March with revisions to 17 May 1946
circa 155pp.
|
|
|
A Child Is Born
|
|
|
Box/Folder
64/4
|
Final: by Robert Rossen, 7 March with revisions to 25 March 1939
circa 135pp.
|
|
|
China Clipper
|
|
|
Box/Folder
64/5
|
Treatment: by Frank Wead, 9 January 1936
15pp.
|
|
|
Box/Folder
64/6
|
Treatment: no author shown, 16 January 1936
19pp.
|
|
|
Box/Folder
64/7
|
Temporary: by Wead, 15 February 1936
150pp.
|
|
|
Box/Folder
64/8
|
Rev Temp: by Wead, 20 February 1936
159pp.
|
|
|
Box/Folder
65/1
|
Rev Temp 2: by Wead, 18 March 1936
178pp.
|
|
|
Box/Folder
65/2
|
Rev Temp 3: by Wead, 25 March 1936
165pp.
|
|
|
Box/Folder
65/3
|
Rev Temp 4: by Wead, 11 April 1936
146pp.
|
|
|
Box/Folder
65/4
|
Treatment: Log of the China clipper, no author shown (annotated), 21 April 1936; Dialogue for “The March of Time,” undated
41pp., 2pp.
|
|
|
Box/Folder
65/5
|
Final: by Wead, undated, with revisions to 8 June 1936
circa 160pp.
|
|
|
Christmas in Connecticut
|
|
|
Box/Folder
65/6
|
Short Story: by Aileen Hamilton, undated
85pp.
|
|
|
Box/Folder
65/7
|
Screenplay: by Lionel Houser, 1 January to 4 February 1944
134pp.
|
|
|
Box/Folder
66/1
|
Temporary: by Houser, 21 March 1944
143pp.
|
|
|
Box/Folder
66/2
|
Final: by Houser and Adele Commandini, 11 May with revisions to 10 July 1944
circa 155pp.
|
|
|
The Church Mouse
|
|
|
Box/Folder
66/3
|
Play: A church mouse, by Ladislaus Fodor. New York, 1932
96pp.
|
|
|
Cinderella Jones
|
|
|
Box/Folder
66/4
|
Short Story: Judy adjudicates, by Philip Wylie. Redbook, April 1943
7pp.
|
|
|
Box/Folder
66/5
|
Treatment: Judy adjudicates, by Lionel Wiggam, 11 June 1943
25pp.
: Incomplete.
|
|
|
Box/Folder
66/6
|
Treatment: Judy adjudicates, by Charles Hoffman, 16 July 1943
67pp.
|
|
|
Box/Folder
66/7
|
Screenplay: Judy adjudicates, by Hoffman, 27 July to 31 August 1943
170pp.
|
|
|
Box/Folder
66/8
|
Temporary: Judy adjudicates, by Hoffman, 8 September with revisions to 9 September 1943
circa 130pp.
|
|
|
Box/Folder
66/9
|
Final: Judy adjudicates, by Hoffman, 12 October 1943 with revisions to 1 March 1944
circa 140pp.
|
|
|
The Circus Clown
|
|
|
Box/Folder
66/10
|
Treatment: Sawdust (Joe E Brown Circus story), by Bert Kalmar and Harry Ruby, 13 October 1933
39pp.
|
|
|
Box/Folder
66/11
|
Treatment: Sawdust, by Kalmar and Ruby, 10 November 1933; memo from Jim Seymour to Hal Wallis
16pp., 1p.
|
|
|
Box/Folder
66/12
|
Screenplay: Sawdust, by Kalmar and Ruby, 4 December 1933
92pp.
|
|
|
Box/Folder
67/1
|
Temporary: Sawdust, by Kalmar and Ruby with revisions by Tom Buckingham, 17 January 1934
112pp.
|
|
|
Box/Folder
67/2
|
Final: Sawdust, by Kalmar and Ruby, 1 February with revisions to 17 March 1934; revised pages and memo from Seymour to all departments
circa 100pp., 55pp.
|
|
|
City for Conquest
|
|
|
Box/Folder
67/3
|
Novel: by Aben Kandel. New York, 1936
467pp.
|
|
|
Box/Folder
67/4
|
Plot Summary: by J P Cannon, 11 January 1936
21pp.
|
|
|
Box/Folder
67/5
|
Treatment: by Edward Chodorov, 7 December 1936
60pp.
|
|
|
Box/Folder
67/6
|
Treatment: by John Wexley, 3 October 1939
52pp.
: Annotated.
|
|
|
Box/Folder
67/7
|
Treatment: by Wexley (annotated), 26 October 1939; memo from Wexley to Hal Wallis
21pp., 1p.
|
|
|
Box/Folder
67/8
|
Treatment: (“Line by line outline of continuity”) by Wexley, 20 November 1939; memo from Wexley to Wallis
12pp., 1p.
|
|
|
Box/Folder
67/9
|
Temporary: by Wexley, 12 March 1940
177pp.
|
|
|
Box/Folder
68/1
|
Screenplay: by Wexley, 8 May 1940
152pp.
: Annotated.
|
|
|
Box/Folder
68/2
|
Screenplay: by Wexley, undated
224pp.
: Annotated.
|
|
|
Box/Folder
68/3
|
Final: by Wexley, 15 May with revisions to 18 July 1940
circa 160pp.
|
|
|
Box/Folder
68/4
|
Reader Synopsis: by Rocklin, 10 June 1946
1p.
|
|
|
Code of the Secret Service
|
|
|
Box/Folder
68/5
|
Temporary: Smashing the money ring, by Lee Katz and Dean Franklin, 9 November 1938
110pp.
|
|
|
Box/Folder
68/6
|
Final: Smashing the money ring, by Katz and Franklin, 23 November 1938 with revisions to 13 February 1939
circa 140pp.
|
|
|
Colleen
|
|
|
Box/Folder
68/7
|
Treatment: Irene, by Robert Lord, 6 April 1935
26pp.
|
|
|
Box/Folder
68/8
|
Treatment: by Peter Milne, 27 April 1935
83pp.
: Annotated.
|
|
|
Box/Folder
68/9
|
Screenplay: by Milne, 6 June 1935
circa 135pp.
: Annotated.
|
|
|
Box/Folder
68/10
|
Screenplay: by Milne, 1 July 1935
138pp.
|
|
|
Box/Folder
69/1
|
Temporary: by Milne and F Hugh Herbert, 9 July 1935
143pp.
|
|
|
Box/Folder
69/2
|
Rev Temp: by Milne and Herbert, 1 October 1935
140pp.
|
|
|
Box/Folder
69/3
|
Final: by Milne and Herbert, 5 October 1935
141pp.
|
|
|
Box/Folder
69/4
|
Rev Final: by Milne and Herbert, 14 October to 21 October with revisions to 31 December 1935
circa 140pp.
|
|
|
College Coach
|
|
|
Box/Folder
69/5
|
Treatment: by Manuel Seff and Niven Busch, 18 July 1933
39pp.
: Annotated.
|
|
|
Box/Folder
69/6
|
Temporary: by Seff and Busch, 17 August 1933
149pp.
|
|
|
Box/Folder
69/7
|
Final: by Seff and Busch, 21 August to 7 September 1933
142pp.
|
|
|
Colorado Territory
|
|
|
Box/Folder
70/1
|
Treatment: Dark canyon, by Edmund H North, 1 March to 23 March 1948
54pp.
|
|
|
Box/Folder
70/2
|
Screenplay: Dark canyon, by North, 24 March 1948
121pp.
|
|
|
Box/Folder
70/3
|
Screenplay: Dark canyon, by North, 14 May 1948
136pp.
|
|
|
Box/Folder
70/4
|
Temporary: Dark canyon, by North, 1 June 1948
124pp.
|
|
|
Box/Folder
70/5
|
Treatment: The Colorado story, by John Twist, 17 July to 27 July 1948
37pp.
|
|
|
Box/Folder
70/6
|
Final: Colorado bound, by Twist, 26 August to 14 September with revisions to 3 September 1948
circa 110pp.
: Incomplete.
|
|
|
Box/Folder
70/7
|
Rev Final: by Twist, 15 September with revisions to 19 October 1948
circa 115pp.
|
|
|
Comet Over Broadway
|
|
|
Box/Folder
70/8
|
Short Story: by Faith Baldwin. Cosmopolitan, March 1937
15pp.
|
|
|
Box/Folder
70/9
|
Story Outline: no author shown, undated
10pp.
|
|
|
Box/Folder
70/10
|
Treatment: by Fritz Falkenstein and N Brewster Morse, undated
35pp.
|
|
|
Box/Folder
70/11
|
Treatment: by Falkenstein and Morse, undated
44pp.
|
|
|
Box/Folder
70/12
|
Screenplay: by Falkenstein and Morse, undated
122pp.
|
|
|
Box/Folder
70/13
|
Treatment: by Mark Hellinger, 7 December 1937; memo from J L Warner to Hal Wallis
12pp.; 1p.?
|
|
|
Box/Folder
70/14
|
Treatment: by Hellinger, undated
150pp.
|
|
|
Box/Folder
71/1
|
Temporary: by Hellinger, 31 January to 4 March 1938
153pp.
|
|
|
Box/Folder
71/2
|
Final: no author shown, 29 March 1938
145pp.
|
|
|
Box/Folder
71/3
|
Rev Temp: Curtain call, no author shown, 25 June 1938
82pp.
: Incomplete.
|
|
|
Box/Folder
71/4
|
Final: Curtain call, no author shown, 9 July 1938
126pp.
|
|
|
Box/Folder
71/5
|
Rev Final: Curtain call, no author shown, 13 July with revisions to 27 July 1938
circa 115pp.
|
|
|
Confession
|
|
|
Box/Folder
71/6
|
Temporary: Mazurka, by Margaret LeVino, 10 November 1936
216pp.
|
|
|
Box/Folder
72/1
|
Rev Temp: Mazurka, by Julius Epstein, 16 January 1937
189pp.
|
|
|
Box/Folder
72/2
|
Final: Mazurka, by Epstein, 9 February with revisions to 9 March 1937
circa 170pp.
|
|
|
Confessions of A Nazi Spy
|
|
|
Box/Folder
72/3
|
Novel: Nazi spies in America, by Leon G Turrou. New York, 1938
299pp.
|
|
|
Box/Folder
72/4
|
Screenplay: Storm over America, no author shown, 7 December 1938
circa 200pp.
|
|
|
Box/Folder
72/5
|
Screenplay: Spy story, no author shown, undated
circa 165pp.
: Annotated.
|
|
|
Box/Folder
72/6
|
Comments: (“Spy story notes”) no author shown, undated
23pp.
: Annotated.
|
|
|
Box/Folder
73/1
|
Temporary: Storm over America, no author shown, 24 December 1938
172pp.
|
|
|
Box/Folder
73/2
|
Rev Temp: Storm over America, no author shown, 12 January 1939
193pp.
|
|
|
Box/Folder
73/3
|
Final: by Milton Krims and John Wexley, 27 January with revisions to 7 March 1939
circa 155pp.
|
|
|
The Confidential Agent
|
|
|
Box/Folder
73/4
|
Novel: The confidential agent: An entertainment, by Graham Greene. New York, 1939
301pp.
: Annotated.
|
|
|
Box/Folder
73/5
|
Screenplay: by Robert Buckner, 5 February 1945
72pp.
|
|
|
Box/Folder
73/6
|
Temporary: by Buckner, 12 March 1945
165pp.
|
|
|
Box/Folder
73/7
|
Rev Temp: by Buckner, 14 April to 30 April 1945
158pp.
|
|
|
Box/Folder
74/1
|
Final: by Buckner, 26 May with revisions to 17 August 1945
circa 155pp.
|
|
|
Conflict
|
|
|
Box/Folder
74/2
|
Short Story: The pentacle, by Robert Siodmak and Alfred Neumann, undated
49pp.
|
|
|
Box/Folder
74/3
|
Plot Summary: The pentacle, by Wilfrid Pettitt, 23 July 1942
2pp.
|
|
|
Box/Folder
74/4
|
Screenplay: The pentacle, by Arthur T Horman, 12 February 1943
138pp.
|
|
|
Box/Folder
74/5
|
Temporary: The pentacle, by Horman, 3 April 1943
145pp.
|
|
|
Box/Folder
74/6
|
Rev Final: by Horman with additional dialogue by Vincent Lawrence, 13 May 1943
138pp.
|
|
|
The Conspirators
|
|
|
Box/Folder
74/7
|
Novel: by Frederic Prokosch. New York, 1943
338pp.
|
|
|
Box/Folder
74/8
|
Story Outline: (“Sketch of action”) by Frederick Faust, 9 April 1943
11pp.
|
|
|
Box/Folder
74/9
|
Treatment: by Faust, 15 April 1943
33pp.
|
|
|
Box/Folder
74/10
|
Screenplay: by Faust, 29 May 1943
124pp.
|
|
|
Box/Folder
75/1
|
Treatment: by Elliot Paul, 1 June 1943
151pp.
|
|
|
Box/Folder
75/2
|
Temporary: by Faust, 7 June 1943
137pp.
|
|
|
Box/Folder
75/3
|
Screenplay: by Frank Gruber, 11 September to 18 October 1943
circa 120pp.
|
|
|
Box/Folder
75/4
|
Screenplay: by Vladimir Pozner, 18 October to 1 November 1943
168pp.
|
|
|
Box/Folder
75/5
|
Rev Temp: by Pozner, 16 November 1943
158pp.
|
|
|
Box/Folder
75/6
|
Final: no author shown, 29 November 1943
164pp.
|
|
|
Box/Folder
75/7
|
Screenplay: by Jack Moffitt, 12 February to 18 March 1944
circa 165pp.
|
|
|
Box/Folder
76/1
|
Rev Final: no author shown, 22 February with revisions to 2 June 1944
circa 160pp.
|
|
|
Box/Folder
76/2
|
Comments: (“Suggestions”) by Moffitt, 10 April 1944; memo from Moffitt to Chertok
6pp.; 1p.
|
|
|
Box/Folder
76/3
|
Comments: (“Comments and changes on `The conspirators' [`Give me this woman'])” by Leo Rosten, 11 April 1944; memo from Chertok to J L Warner
16pp.; 1p.
|
|
|
The Constant Nymph
|
|
|
Box/Folder
76/4
|
Play: by Margaret Kennedy and Basil Dean, 16 January 1940
154pp.
|
|
|
Box/Folder
76/5
|
Screenplay: by Kay Van Riper, undated
102pp.
: Incomplete.
|
|
|
Box/Folder
76/6
|
Temporary: no author shown, 29 May 1940
196pp.
|
|
|
Box/Folder
76/7
|
Final: no author shown, 10 June with revisions to 20 June 1940; alternate ending
circa 165pp.; 2pp.
|
|
|
Box/Folder
76/8
|
Rev Final: by E Goulding, 6 May with revisions to 5 July 1941
circa 170pp.
|
|
|
Box/Folder
77/1
|
Rev Final 2: no author shown, 27 August with revisions to 17 September 1941
circa 145pp.
|
|
|
Box/Folder
77/2
|
Rev Final 3: no author shown, 28 January with revisions to 10 April 1942
160pp.
|
|
|
Convention City
|
|
|
Box/Folder
77/3
|
Treatment: by Peter Milne (under pseudonym Will Turner), 22 February 1933
52pp.
|
|
|
Box/Folder
77/4
|
Screenplay: by Robert Lord, undated
139pp.
|
|
|
Box/Folder
77/5
|
Temporary: by Lord, 1 June 1933
154pp.
|
|
|
Box/Folder
77/6
|
Comments: (“Notes on `Convention city' ”) no author shown, undated
16pp.
|
|
|
The Corn Is Green
|
|
|
Box/Folder
77/7
|
Play: by Emlyn Williams, New York, 1938
184pp.
|
|
|
Box/Folder
77/8
|
Screenplay: by Casey Robinson, 6 June to 10 August 1943
201pp.
|
|
|
Box/Folder
78/1
|
Temporary: by Robinson, 5 November 1943
179pp.
|
|
|
Box/Folder
78/2
|
Final: by Robinson, 1 December 1943 with revisions to 10 March 1944
circa 180pp.
|
|
|
Box/Folder
78/3
|
Rev Final: by Robinson and Frank Cavett, 9 May with revisions to 26 June 1944
circa 165pp.
|
|
|
Cowboy From Brooklyn
|
|
|
Box/Folder
78/4
|
Play: Howdy stranger, by Robert Sloane and Louis Pelletier, Jr. New York,1937
112pp.
|
|
|
Box/Folder
78/5
|
Temporary: Howdy stranger, by Earl Baldwin, 29 November 1937
149pp.
|
|
|
Box/Folder
78/6
|
Final: Howdy stranger, no author shown, 21 December 1937 with revisions to 12 March 1938; alternate ending
circa 125pp.; 5pp.
|
|
|
Cowboy Quarterback
|
|
|
Box/Folder
78/7
|
Temporary: Lighthorse Harry, no author shown, 11 March 1939
122pp.
|
|
|
Box/Folder
79/1
|
Final: Lighthorse Harry, by Fred Niblo, Jr, 22 March to 25 March 1939
105pp.
|
|
|
Box/Folder
79/2
|
Rev Final: Lighthorse Harry, by Niblo, 31 March to 17 April 1939
circa 110pp.
|
|
|
The Crash
|
|
|
Box/Folder
79/3
|
Novel: Children of pleasure, by Larry Barretto, New York, 1932
311pp.
|
|
|
Box/Folder
79/4
|
Temporary: Children of pleasure, by Courtenay Terrett, 20 April 1932
circa 120pp.
|
|
|
Box/Folder
79/5
|
Final: Children of pleasure, by Barretto and Earl Baldwin, 26 April with revisions to 4 May 1932
circa 115pp.
|
|
|
Crime By Night
|
|
|
Box/Folder
79/6
|
Novel: Forty whacks, by Geoffry Homes. New York, 1941
246pp.
|
|
|
Box/Folder
79/7
|
Treatment: Forty whacks, by Jack Moffitt, 1 January 1942
15pp.
|
|
|
Box/Folder
80/1
|
Temporary: Forty whacks, by Dale Van Every, 26 January 1942
138pp.
|
|
|
Box/Folder
80/2
|
Treatment: Forty whacks, by Fred Niblo, Jr and Hector Chevigny, 23 April 1942
46pp.
|
|
|
Box/Folder
80/3
|
Treatment: Forty whacks, by Robert Kent, 14 May 1942
66pp.
|
|
|
Box/Folder
80/4
|
Screenplay: Forty whacks, by Kent, undated
107pp.
|
|
|
Box/Folder
80/5
|
Story Outline: Forty whacks, by Joel Malone and Rich Hall, undated
2pp.
|
|
|
Box/Folder
80/6
|
Treatment: Forty whacks, by Malone and Hall, July 1942
67pp.
|
|
|
Box/Folder
80/7
|
Screenplay: Forty whacks, by Malone, 23 July to 21 August 1942
139pp.
|
|
|
Box/Folder
80/8
|
Screenplay: Forty whacks, no author shown, 15 August 1942
151pp.
|
|
|
Box/Folder
80/9
|
Screenplay: Forty whacks, by Malone, 31 August 1942
118pp.
: Annotated.
|
|
|
Box/Folder
80/10
|
Rev Temp: Forty whacks, by Richard Weil and Malone, 26 September 1942
115pp.
|
|
|
Box/Folder
81/1
|
Final: Forty whacks, by Weil and Malone, 1 October with revisions to 8 October 1942
circa 115pp.
|
|
|
Crime School
|
|
|
Box/Folder
81/2
|
Final: by Crane Wilbur, 24 January 1938
84pp.
: Incomplete.
|
|
|
Box/Folder
81/3
|
Rev Final: by Wilbur, 27 January with revisions to 11 March 1938
circa 125pp.
|
|
|
The Crooner
|
|
|
Box/Folder
81/4
|
Novel: Crooner, by Rian James. New York, 1932
288pp.
|
|
|
Box/Folder
81/5
|
Treatment: by Charles Kenyon, undated
32pp.
|
|
|
Box/Folder
81/6
|
Screenplay: by Kenyon, 8 April 1932
118pp.
: Annotated.
|
|
|
Box/Folder
81/7
|
Temporary: by Kenyon, 9 April 1932
44pp.
: Incomplete.
|
|
|
Box/Folder
81/8
|
Final: by Kenyon, 13 April with revisions to 30 April 1932; memo
circa 115pp.; 1p.
|
|
|
The Crowd Roars
|
|
|
Box/Folder
82/1
|
Novel: The roar of the crowd, by James Corbett. New York, 1925
329pp.
|
|
|
Box/Folder
82/2
|
Final: The roar of the crowd, no author shown, 6 December to 19 December 1931
109pp.
|
|
|
Box/Folder
82/3
|
Final: The roar of the crowd, no author shown, 6 December 1931
109pp.
: Annotated.
|
|
|
Cry Wolf
|
|
|
Box/Folder
82/4
|
Novel: by Marjorie Carleton, New York, 1945
217pp.
|
|
|
Box/Folder
82/5
|
Plot Summary: by David Kuntz, 3 January to 31 March 1945
15pp.
|
|
|
Box/Folder
82/6
|
Novel: by Carleton. Condensation in Liberty, 2 June 1945
15pp.
|
|
|
Box/Folder
82/7
|
Treatment: by Catherine Turney, 26 May 1945
25pp.
|
|
|
Box/Folder
82/8
|
Screenplay: by Turney, 9 June to 21 July 1945
169pp.
|
|
|
Box/Folder
82/9
|
Screenplay: by Turney, 28 July to 11 August 1945
circa 145pp.
: Incomplete.
|
|
|
Box/Folder
83/1
|
Temporary: by Turney, 24 August 1945
172pp.
|
|
|
Box/Folder
83/2
|
Screenplay: by Turney, 9 March 1946
31pp.
: Incomplete.
|
|
|
Box/Folder
83/3
|
Screenplay: by Turney, 15 March 1946
71pp.
: Incomplete.
|
|
|
Box/Folder
83/4
|
Screenplay: by Turney, 16 March to 13 April 1946
116pp.
|
|
|
Box/Folder
83/5
|
Final: by Turney, 16 March with revisions to 30 September 1946
circa 120pp.
|
|
|
Box/Folder
83/6
|
Reader Synopsis: by P Mathias, 12 May 1948
1p.
|
|
|
Dames
|
|
|
Box/Folder
83/7
|
Treatment: by Robert Lord, 16 September 1933
43pp.
|
|
|
Box/Folder
83/8
|
Screenplay: Stage struck, by Tom Buckingham, 11 October 1933
114pp.
|
|
|
Box/Folder
83/9
|
Treatment: by Earl Baldwin, 28 December 1933
20pp.
: Annotated.
|
|
|
Box/Folder
83/10
|
Screenplay: by Baldwin, undated
151pp.
|
|
|
Box/Folder
83/11
|
Screenplay: by Baldwin, 14 February 1934
114pp.
|
|
|
Box/Folder
83/12
|
Screenplay: by Manuel Seff, 22 February 1934
55pp.
: Incomplete.
|
|
|
Box/Folder
83/13
|
Screenplay: by Delmer Daves, 23 February 1934
32pp.
: Incomplete.
|
|
|
Box/Folder
83/14
|
Treatment: by Lord and Daves, 26 February 1934
29pp.
|
|
|
Box/Folder
83/15
|
Treatment: no author shown, undated
21pp.
|
|
|
Box/Folder
84/1
|
Temporary: by Daves, 2 March 1934
106pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
84/2
|
Final: by Daves, 16 March with revisions to 27 March 1934
126pp.
|
|
|
Dance Charlie Dance
|
|
|
Box/Folder
84/3
|
Temporary: by Crane Wilbur, 29 December 1936
105pp.
|
|
|
Box/Folder
84/4
|
Final: by Wilbur, 4 January with revisions to 22 January 1937
circa 160pp.
|
|
|
Dancing Sweeties
|
|
|
Box/Folder
84/5
|
Treatment: Three flights up, by Harry Fried, undated
52pp.
|
|
|
Box/Folder
84/6
|
Final: Those who dance, by Gordon Rigby and Joseph A Jackson, 30 January 1930
101pp.
|
|
|
Danger Signal
|
|
|
Box/Folder
84/7
|
Novel: by Phyllis Bottome. Boston, 1939
312pp.
|
|
|
Box/Folder
85/1
|
Treatment: by John Wexley, 20 May 1940
58pp.
|
|
|
Box/Folder
85/2
|
Treatment: (“Scene-by-scene outline of continuity”) by Wexley, 12 June 1940
15pp.
|
|
|
Box/Folder
85/3
|
Screenplay: by Wexley, undated
175pp.
: Annotated.
|
|
|
Box/Folder
85/4
|
Screenplay: by Wexley, 9 August 1940
150pp.
: Annotated.
|
|
|
Box/Folder
85/5
|
Comments: (“Ideas for a revise on the screenplay of `Danger signal' ”) by Robert Hunt, 17 September 1940
9pp.
|
|
|
Box/Folder
85/6
|
Treatment: by Hunt, 27 September 1940
34pp.
|
|
|
Box/Folder
85/7
|
Temporary: by Howard Koch, Anne Froelick, and Heinz Herald, 30 November with revisions to 11 December 1940
56pp.
: Incomplete.
|
|
|
Box/Folder
85/8
|
Rev Temp: by Koch, Froelick, and Herald, 10 January 1941
114pp.
|
|
|
Box/Folder
85/9
|
Screenplay: by Vera Caspary, 4 May 1943
61pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
85/10
|
Screenplay: by Caspary, 7 May 1943
120pp.
: Incomplete.
|
|
|
Box/Folder
85/11
|
Story Outline: by Thomas Job, 15 May 1943
12pp.
|
|
|
Box/Folder
85/12
|
Screenplay: by Job and Jo Pagano, 5 June 1943
98pp.
: Incomplete.
|
|
|
Box/Folder
86/1
|
Rev Temp 2: by Job and Pagano, 23 August 1943
138pp.
|
|
|
Box/Folder
86/2
|
Screenplay: by Arthur Horman, 18 October 1943
130pp.
|
|
|
Box/Folder
86/3
|
Screenplay: by Adele Commandini, 24 June with revisions to 5 August 1944
circa 160pp.
|
|
|
Box/Folder
86/4
|
Final: by Commandini, 28 December 1944 with revisions to 3 January 1945
149pp.
|
|
|
Box/Folder
86/5
|
Rev Final: by Commandini and Graham Baker, 1 February with revisions to 3 March 1945
144pp.
: Incomplete.
|
|
|
Box/Folder
86/6
|
Rev Final 2: by Commandini and Baker (“additional dialogue by Alvah Bessie”), 30 March with revisions to 7 May 1945
140pp.
|
|
|
Dangerous
|
|
|
Box/Folder
86/7
|
Temporary: Hard luck dame, by Laird Doyle, 30 June 1935
146pp.
|
|
|
Box/Folder
86/8
|
Final: Hard luck dame, by Doyle, 9 August with revisions to 26 August 1935
circa 130pp.
|
|
|
Dangerous Female see the Maltese Falcon (1931)
|
|
|
Dangerously They Live
|
|
|
Box/Folder
87/1
|
Short Story: Remember tomorrow, by Marion Parsonnet, undated
82pp.
|
|
|
Box/Folder
87/2
|
Screenplay: Remember tomorrow, by Parsonnet, undated
169pp.
|
|
|
Box/Folder
87/3
|
Temporary: Remember tomorrow, by Parsonnet, 11 July 1941
112pp.
: Incomplete.
|
|
|
Box/Folder
87/4
|
Rev Temp: Remember tomorrow, by Parsonnet, 31 July 1941
124pp.
|
|
|
Box/Folder
87/5
|
Final: Remember tomorrow, by Parsonnet, 16 August with revisions to 27 August 1941
circa 115pp.
|
|
|
Box/Folder
87/6
|
Rev Final: Remember tomorrow, by Parsonnet, 29 August with revisions to 19 September 1941
circa 115pp.
|
|
|
Daredevil Drivers
|
|
|
Box/Folder
87/7
|
Screenplay: Truck war, by Charles R Condon, undated
153pp.
|
|
|
Box/Folder
87/8
|
Temporary: Highway pirates, by Sherman L Lowe, 15 September 1937
78pp.
: Incomplete.
|
|
|
Box/Folder
87/9
|
Final: Highway pirates, by Lowe, 21 September with revisions to 30 September 1937
circa 125pp.
|
|
|
Dark Hazard
|
|
|
Box/Folder
88/1
|
Novel: by W R Burnett. New York, 1933
295pp.
|
|
|
Box/Folder
88/2
|
Temporary: by Ralph Block and Brown Holmes, 7 August 1933
131pp.
|
|
|
Box/Folder
88/3
|
Final: by Block and Holmes, 26 August with revisions to 21 December 1933; alternate ending
circa 150pp.; 4pp
|
|
|
Dark Horse
|
|
|
Box/Folder
88/4
|
Story Outline: by Darryl Zanuck, 7 January 1932
23pp.
|
|
|
Box/Folder
88/5
|
Treatment: by Joseph Jackson, 29 January 1932
45pp.
: Annotated.
|
|
|
Box/Folder
88/6
|
Temporary: by Jackson, 22 February 1932
106pp.
|
|
|
Box/Folder
88/7
|
Final: by Jackson, 9 March to 18 March 1932
117pp.
|
|
|
Dark Passage
|
|
|
Box/Folder
88/8
|
Novel: by David Goodis. New York, 1946
248pp.
|
|
|
Box/Folder
89/1
|
Novel: by Goodis. Serialized in Saturday Evening Post, 20 July to 7 September 1946
59pp.
|
|
|
Box/Folder
89/2
|
Screenplay: by Delmer Daves, 12 April 1946; memo from Wald to Warner
131pp.; 1p.
|
|
|
Box/Folder
89/3
|
Temporary: by Daves, 24 May with revisions to 9 September 1946
circa 130pp.
|
|
|
Box/Folder
89/4
|
Final: by Daves, 15 October with revisions to 29 November 1946
circa 150pp.
|
|
|
Dark Victory
|
|
|
Box/Folder
89/5
|
Play: by George Brewer, Jr and Bertram Block, 8 January 1936
104pp.
|
|
|
Box/Folder
89/6
|
Screenplay: by Casey Robinson, 1 July 1938
70pp.
: Incomplete.
|
|
|
Box/Folder
89/7
|
Treatment: by Robinson, Mr Goulding, and Mr Lewis, 20 July 1938
36pp.
|
|
|
Box/Folder
89/8
|
Screenplay: by Robinson, undated
185pp.
|
|
|
Box/Folder
89/9
|
Temporary: by Robinson, 27 September with revisions to 28 September 1938
160pp.
|
|
|
Daughters Courageous
|
|
|
Box/Folder
90/1
|
Temporary: Fly away home, by Julius J and Philip G Epstein, 11 January 1939
148pp.
|
|
|
Box/Folder
90/2
|
Final: American family, by the Epsteins, 27 January with revisions to 18 February 1939
circa 155pp.
|
|
|
The Dawn Patrol (1930)
|
|
|
Box/Folder
90/3
|
Temporary: by Seton I Miller, 19 February 1930
143pp.
|
|
|
Box/Folder
90/4
|
Final: (“Revised”) by Miller and Dan Totheroh, 14 March 1930; alternate ending
136pp.; 1p.
|
|
|
The Dawn Patrol(1938)
|
|
|
Box/Folder
90/5
|
Short Story: The flight commander, by John Monk Saunders, undated
18pp.
|
|
|
Box/Folder
90/6
|
Plot Summary: The flight commander, by Ivan Goff, 29 August 1936; typescript of above
1p.; 11pp.
|
|
|
Box/Folder
90/7
|
Temporary: by Seton I Miller and Dan Totheroh, 11 June 1938
163pp.
|
|
|
Box/Folder
90/8
|
Final: by Miller and Totheroh, 6 July with revisions to 30 July 1938
165pp.
|
|
|
Box/Folder
91/1
|
Rev Final: by Miller and Totheroh, 4 August with revisions to 29 August 1938
circa 170pp.
|
|
|
Deception
|
|
|
Box/Folder
91/2
|
Play: Monsieur Lamberthier, by Louis Verneuil. Translated from the French, 8 November 1927
107pp.
|
|
|
Box/Folder
91/3
|
Treatment: Jealousy, by S.K. Lauren, 1 April 1944
39pp.
|
|
|
Box/Folder
91/4
|
Screenplay: Jealousy, by Lauren, 19 August 1944
165pp.
|
|
|
Box/Folder
91/5
|
Treatment: Jealousy, by Joseph Than and John Collier, 14 July 1945
16pp.
|
|
|
Box/Folder
91/6
|
Screenplay: Her conscience, by Collier and Than, 29 September 1945; comments
145pp.; 1p.
|
|
|
Box/Folder
91/7
|
Temporary: Her conscience, by Than and Collier, 15 January 1946
129pp.
|
|
|
Box/Folder
91/8
|
Final: by Collier and Than, 28 February with revisions to 7 March 1946
48pp.
: Incomplete.
|
|
|
Box/Folder
91/9
|
Rev Final: by Collier and Than, 16 March with revisions to 10 April 1946
circa 140pp.
|
|
|
Box/Folder
91/10
|
Rev Final 2: by Collier and Than, 20 April with revisions to 30 August 1946
circa 125pp.
|
|
|
The Decision of Christopher Blake
|
|
|
Box/Folder
92/1
|
Play: Christopher Blake, by Moss Hart, undated
72pp.
|
|
|
Box/Folder
92/2
|
Plot Summary: Christopher Blake, by Dorothea Cartwright Doe, 14 August 1947
21pp.
|
|
|
Box/Folder
92/3
|
Story Outline: by Ranald MacDougall, 20 February 1947; comments by author
9pp.; 5pp.
|
|
|
Box/Folder
92/4
|
Screenplay: by MacDougall, 11 March 1947
6pp.
: Incomplete.
|
|
|
Box/Folder
92/5
|
Screenplay: by MacDougall, 18 March to 1 April 1947
24pp.
: Incomplete.
|
|
|
Box/Folder
92/6
|
Screenplay: The private world of Christopher Blake, by MacDougall, 8 April to 20 May 1947
164pp.
|
|
|
Box/Folder
92/7
|
Screenplay: The private world of Christopher Blake, by MacDougall, 22 May 1947
135pp.
|
|
|
Box/Folder
92/8
|
Temporary: The private world of Christopher Blake, by MacDougall, 29 May 1947
134pp.
|
|
|
Box/Folder
92/9
|
Final: The private world of Christopher Blake, by MacDougall, 10 July to 19 July 1947
circa 135pp.
|
|
|
Box/Folder
92/10
|
Final: The private world of Christopher Blake, by MacDougall, 22 July with revisions to 16 September 1947
circa 135pp.
|
|
|
Box/Folder
92/11
|
Final: The private world of Christopher Blake, by MacDougall, 22 July with revisions to 18 September 1947
circa 135pp.
|
|
|
Box/Folder
92/12
|
Reader Synopsis: Christopher Blake, by Doe, 30 July 1948
1p.
|
|
|
Deep Valley
|
|
|
Box/Folder
93/1
|
Novel: by Dan Totheroh. New York, 1942
312pp.
|
|
|
Box/Folder
93/2
|
Treatment: by Totheroh, 9 September 1942
33pp.
: Incomplete.
|
|
|
Box/Folder
93/3
|
Treatment: (“Notes and criticism--treatment”) by Delmer Daves, 17 December 1942; comments
75pp.; 8pp.
|
|
|
Box/Folder
93/4
|
Treatment: by Daves, 11 February 1943
52pp.
|
|
|
Box/Folder
93/5
|
Treatment: by Daves, 17 February 1943
68pp.
|
|
|
Box/Folder
93/6
|
Screenplay: by Totheroh, 19 August 1942
35pp.
: Incomplete.
|
|
|
Box/Folder
93/7
|
Treatment: by Totheroh, 26 August 1942
30pp.
|
|
|
Box/Folder
93/8
|
Screenplay: by Albert Maltz, 30 April to 7 August 1943
182pp.
|
|
|
Box/Folder
93/9
|
Screenplay: by Stephen Avery and Salka Viertel, undated
68pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
93/10
|
Screenplay: by Viertel, 31 May 1946
173pp.
|
|
|
Box/Folder
93/11
|
Screenplay: by James Gray, 13 June 1946
60pp.
: Incomplete.
|
|
|
Box/Folder
93/12
|
Screenplay: by Viertel and Gray, 14 June 1946
52pp.
: Incomplete.
|
|
|
Box/Folder
93/13
|
Screenplay: by Viertel and Gray, 27 June 1946
43pp.
: Incomplete.
|
|
|
Box/Folder
93/14
|
Screenplay: by Viertel and Gray, 3 July to 5 August 1946
111pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
94/1
|
Temporary: by Maltz, 19 August 1943
148pp.
|
|
|
Box/Folder
94/2
|
Rev Temp: by Maltz, 27 June 1944
130pp.
|
|
|
Box/Folder
94/3
|
Final: by Viertel and Gray, 1 July 1946
136pp.
|
|
|
Box/Folder
94/4
|
Rev Final: by Viertel and Avery, 27 August with revisions to 5 November 1946
circa 130pp.
|
|
|
The Desert Song(1929)
|
|
|
Box/Folder
94/5
|
Play: no author shown, undated
85pp.
|
|
|
Box/Folder
94/6
|
Treatment: by Harvey H Gates, undated
27pp.
|
|
|
Box/Folder
94/7
|
Screenplay: by Gates, 22 September 1928
circa 160pp.
|
|
|
The Desert Song (1943)
|
|
|
Box/Folder
94/8
|
Story Outline: by Robert Buckner and Charles Grayson, 26 August 1941
11pp.
|
|
|
Box/Folder
94/9
|
Screenplay: by Grayson, undated
144pp.
|
|
|
Box/Folder
94/10
|
Rev Temp 2: by Buckner, 24 March to 20 April 1942
171pp.
: Incomplete.
|
|
|
Box/Folder
95/1
|
Final: by Buckner, 1 May with revisions to 3 September 1942
circa 185pp.
|
|
|
Desirable
|
|
|
Box/Folder
95/2
|
Story Outline: A lady surrenders, by Mary C. McCall Jr., undated
6pp.
|
|
|
Box/Folder
95/3
|
Treatment: Roan colt, by McCall, 24 April 1934
27pp.
|
|
|
Box/Folder
95/4
|
Temporary: Lady surrenders, by McCall, 21 May 1934
121pp.
|
|
|
Box/Folder
95/5
|
Final: Lady surrenders, by McCall, 7 June with revisions to 29 June 1934
circa 125pp.
|
|
|
Desperate Journey
|
|
|
Box/Folder
95/6
|
Treatment: Forced landing, by Arthur T Horman, 1 December 1941
51pp.
|
|
|
Box/Folder
95/7
|
Screenplay: by Robert Rossen and Horman, 16 January 1942
56pp.
: Incomplete.
|
|
|
Box/Folder
95/8
|
Temporary: Forced landing, no author shown, undated
circa 185pp.
|
|
|
Box/Folder
95/9
|
Final: by Horman, 21 January with revisions to 8 April 1942
circa 155pp.
|
|
|
Destination Tokyo
|
|
|
Box/Folder
95/10
|
Novel: by Steve Fisher. New York, 1943
230pp.
|
|
|
Box/Folder
96/1
|
Novel: by Fisher. Serialized in Liberty, 30 October to 11 December 1943
circa 55pp.
|
|
|
Box/Folder
96/2
|
Treatment: by Fisher, 6 April 1943
46pp.
|
|
|
Box/Folder
96/3
|
Treatment: no author shown, 13 May 1943
32pp.
|
|
|
Box/Folder
96/4
|
Temporary: by Fisher, 1 May 1943
135pp.
|
|
|
Box/Folder
96/5
|
Rev Temp: by Delmer Daves, 14 May 1943
180pp.
: Annotated.
|
|
|
Box/Folder
96/6
|
Rev Temp 2: by Daves, undated
155pp.
: Annotated.
|
|
|
Box/Folder
96/7
|
Final: no author shown, 20 June with revisions to 13 September 1943
circa 170pp.
|
|
|
Devil Dogs of the Air
|
|
|
Box/Folder
96/8
|
Story Outline: Air devils, by John Monk Saunders, 4 April 1934
11pp.
|
|
|
Box/Folder
96/9
|
Treatment: Air devils, by Saunders and Malcolm Stuart Boylan, 28 April 1934
40pp.
|
|
|
Box/Folder
96/10
|
Treatment: Air devils, by Boylan, 1 June 1934
89pp.
|
|
|
Box/Folder
96/11
|
Treatment: All good soldiers have wings, by Boylan, 15 June 1934
102pp.
|
|
|
Box/Folder
97/1
|
Screenplay: Air devils, by Boylan, 18 August 1934; memo from William Koenig to Orry Kelly
136pp.; 1p.
|
|
|
Box/Folder
97/2
|
Temporary: Flying marines, no author shown, 7 September 1934
35pp.
: Incomplete.
|
|
|
Box/Folder
97/3
|
Final: The flying marines, no author shown, 26 September with revisions to 23 October 1934
circa 180pp.
|
|
|
Devil's Island
|
|
|
Box/Folder
97/4
|
Temporary: The return of Doctor X, by Anthony Coldewey and Raymond L Schrock, 25 May 1938
55pp.
: Incomplete.
|
|
|
Box/Folder
97/5
|
Rev Temp: The return of Doctor X, by Kenneth Gamet and Don Ryan, 14 June 1938
circa 100pp.
: Incomplete.
|
|
|
Box/Folder
97/6
|
Final: by Gamet and Ryan, undated with revisions to 12 July 1938
circa 125pp.
|
|
|
Devil's Saddle Legion
|
|
|
Box/Folder
97/7
|
Short Story: Hell's saddle legion, by Ed Earl Repp. Big Book Western, Nov-December 1936
56pp.
|
|
|
Box/Folder
97/8
|
Temporary: by Repp, 10 March 1937
136pp.
|
|
|
Box/Folder
97/9
|
Final: by Repp, 17 March with revisions to 31 March 1937
circa 125pp.
|
|
|
Devotion
|
|
|
Box/Folder
98/1
|
Treatment: by Theodore Reeves, undated
53pp.
|
|
|
Box/Folder
98/2
|
Screenplay: by Reeves, 11 February 1942
186pp.
|
|
|
Box/Folder
98/3
|
Screenplay: by Reeves, 7 March 1942; memo from James J Geller to Robert Buckner; unsigned memo
133pp.; 1p.; 1p.
|
|
|
Box/Folder
98/4
|
Temporary: by Reeves, 21 May 1942
155pp.
|
|
|
Box/Folder
98/5
|
Screenplay: by Keith Winter, June 1942
214pp.
|
|
|
Box/Folder
98/6
|
Rev Temp: by Winter, 6 October to 16 October 1942
138pp.
|
|
|
Box/Folder
98/7
|
Screenplay: by John Collier (annotated), 11 November 1942; memo from story department
87pp.; 1p.
|
|
|
Box/Folder
98/8
|
Final: no author shown, 29 October 1942 with revisions to 5 January 1943
circa 165pp.
|
|
|
Dinky
|
|
|
Box/Folder
99/1
|
Treatment: by Frank Fenton, Samuel Gelson Brown, and John Fante, undated
66pp.
|
|
|
Box/Folder
99/2
|
Treatment: by Fante, undated; notes
72pp.; 5pp.
|
|
|
Box/Folder
99/3
|
Screenplay: by Harry Sauber, 23 November 1934
116pp.
|
|
|
Box/Folder
99/4
|
Final: by Sauber, 4 January with revisions to 14 January 1935
circa 120pp.
|
|
|
Box/Folder
99/5
|
Rev Final: by Sauber, 23 January with revisions to 25 January 1935; memo from Maxwell Arnow to studio personnel
circa 130pp.; 1p.
|
|
|
Dispatch From Reuters
|
|
|
Box/Folder
99/6
|
Treatment: The romance of Reuters, by Valentine Williams, undated
77pp.
|
|
|
Box/Folder
99/7
|
Screenplay: This man Reuter, by Williams and Wolfgang Wilhelm, 25 July 1939
115pp.
|
|
|
Box/Folder
99/8
|
Treatment: This man Reuter, by Milton Krims, 5 September 1939
27pp.
|
|
|
Box/Folder
99/9
|
Temporary: This man Reuter, by Krims, 19 December 1939
182pp.
|
|
|
Box/Folder
100/1
|
Rev Temp: This man Reuter, by Krims, 9 April 1940
148pp.
|
|
|
Box/Folder
100/2
|
Final: This man Reuter, by Krims, 16 April with revisions to 28 June 1940
circa 150pp.
|
|
|
Disraeli
|
|
|
Box/Folder
100/3
|
Play: by Louis N Parker. New York, 1911
114pp.
|
|
|
Box/Folder
100/4
|
Temporary: by Julien Josephson, 15 May 1929
99pp.
|
|
|
Box/Folder
100/5
|
Final: by Josephson, undated
107pp.
|
|
|
Dive Bomber
|
|
|
Box/Folder
100/6
|
Treatment: Beyond the blue sky, by Frank Wead, undated
102pp.
|
|
|
Box/Folder
100/7
|
Temporary: by Wead, 2 January 1941
105pp.
: Incomplete.
|
|
|
Box/Folder
100/8
|
Treatment: by Wead and Robert Buckner, 24 January to 27 January 1941
23pp.
|
|
|
Box/Folder
100/9
|
Rev Temp: by Wead and Buckner, 4 February to 24 February 1941
147pp.
|
|
|
Box/Folder
101/1
|
Rev Temp 2: by Wead and Buckner, 3 March 1941
118pp.
: Incomplete.
|
|
|
Box/Folder
101/2
|
Final: by Wead and Buckner, 11 March with revisions to 30 April 1941
circa 145pp.
|
|
|
Divorce Among Friends
|
|
|
Box/Folder
101/3
|
Treatment: Two time marriage, by Jack Townley, undated
31pp.
|
|
|
Box/Folder
101/4
|
Screenplay: A husband's privileges, by Harvey Thew, undated
118pp.
|
|
|
Box/Folder
101/5
|
Screenplay: A husband's privileges, by Thew, undated
131pp.
|
|
|
Box/Folder
101/6
|
Final: A husband's privileges, no author shown (incomplete), undated; “Final breakdown (by sequence)”
92pp.; 42pp.
|
|
|
Dr. Monica
|
|
|
Box/Folder
101/7
|
Play: adapted by Laura Walker from the Polish of Marja M Szczepkowska, 16 November 1933
55pp.
|
|
|
Box/Folder
101/8
|
Story Outline: no author shown, 19 December 1933
9pp.
|
|
|
Box/Folder
101/9
|
Screenplay: by Charles Kenyon, undated
95pp.
|
|
|
Box/Folder
101/10
|
Temporary: by Kenyon, 9 February 1934
106pp.
|
|
|
Box/Folder
101/11
|
Final: by Kenyon, 17 February to 22 February 1934; alternate ending
110pp.; 23pp.
|
|
|
Dr. Socrates
|
|
|
Box/Folder
102/1
|
Novel: by W R Burnett. Serialized in Collier's, 16 March to 20 April 1935
27pp.
|
|
|
Box/Folder
102/2
|
Novel: by Burnett, undated
185pp.
|
|
|
Box/Folder
102/3
|
Screenplay: by James M Cain, 1 February 1935
47pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
102/4
|
Screenplay: by Cain, 28 February 1935
23pp.
: Incomplete.
|
|
|
Box/Folder
102/5
|
Temporary: no author shown, 17 May 1935
157pp.
: Incomplete.
|
|
|
Box/Folder
102/6
|
Final: by Mary McCall, Jr, 5 June to 8 June 1935; changes
125pp.; 4pp.
|
|
|
Box/Folder
102/7
|
Rev Final: by McCall, 11 June with revisions to 10 July 1935
circa 110pp.
|
|
|
Box/Folder
102/8
|
Rev Final: (“With censor changes”) by McCall, 11 June with revisions to 10 July 1935
circa 200pp.
: Annotated.
|
|
|
Doctor X
|
|
|
Box/Folder
103/1
|
Play: by Howard W Comstock and Allen C. Miller, 18 January 1932
98pp.
|
|
|
Box/Folder
103/2
|
Screenplay: by George Rosener, 19 January 1932
72pp.
: Incomplete.
|
|
|
Box/Folder
103/3
|
Screenplay: by Rosener, 19 January to 8 February 1932
97pp.
|
|
|
Box/Folder
103/4
|
Final: no author shown, 10 March with revisions to 17 March 1932; alternate scene
circa 95pp.; 15pp.
|
|
|
Don't Bet on Blondes
|
|
|
Box/Folder
103/5
|
Short Story: Not on your life, by Isabel Dawn and James Boyce, undated
33pp.
|
|
|
Box/Folder
103/6
|
Temporary: Not on your life, by Dawn and Boyce de Gaw, 3 November 1934 to 10 February 1935
172pp.
|
|
|
Box/Folder
103/7
|
Rev Temp: Not on your life, by Dawn and de Gaw, 28 March 1935
127pp.
|
|
|
Box/Folder
103/8
|
Final: Not on your life, by Dawn and de Gaw, 17 April with revisions to 19 April 1935
117pp.
|
|
|
Doorway to Hell
|
|
|
Box/Folder
103/9
|
Treatment: A handful of clouds, by Rowland Brown, undated
43pp.
|
|
|
Box/Folder
103/10
|
Treatment: A handful of clouds, by Brown, 10 April 1930
62pp.
|
|
|
Box/Folder
103/11
|
Screenplay: A handful of clouds, no author shown, undated
102pp.
: Annotated.
|
|
|
Box/Folder
103/12
|
Temporary: A handful of clouds, by George Rosener, 22 April 1930
89pp.
: Annotated.
|
|
|
Box/Folder
103/13
|
Final: A handful of clouds, by Brown and (“special dialogue by”) Rosener, undated; added scenes
104pp.; 3pp.
|
|
|
The Doughgirls
|
|
|
Box/Folder
104/1
|
Play: by Joseph Fields. New York, 1943
204pp.
|
|
|
Box/Folder
104/2
|
Treatment: by James V Kern and Sam Hellman, 27 August 1943
18pp.
|
|
|
Box/Folder
104/3
|
Screenplay: by Kern and Hellman, 7 September to 10 October 1943
201pp.
|
|
|
Box/Folder
104/4
|
Temporary: by Kern and Hellman, 27 October 1943
156pp.
|
|
|
Box/Folder
104/5
|
Final: by Kern and Hellman, 21 February 1944
148pp.
|
|
|
Down the Stretch
|
|
|
Box/Folder
104/6
|
Temporary: Blood lines, by William Jacobs, 22 January 1936; additional shot
134pp.; 1p.
|
|
|
Box/Folder
104/7
|
Final: Blood lines, by Jacobs, 25 January with revisions to 27 January 1936
120pp.
|
|
|
Box/Folder
105/1
|
Rev Final: Blood lines, by Jacobs, 17 April with revisions to 2 June 1936
circa 120pp.
|
|
|
Draegerman Courage
|
|
|
Box/Folder
105/2
|
Story Outline: Cave in!, by Anthony Coldewey, 25 April 1936
13pp.
|
|
|
Box/Folder
105/3
|
Temporary: Cave in, by Coldewey, 27 May 1936
124pp.
|
|
|
Box/Folder
105/4
|
Final: Cave in, by Coldewey, 4 June with revisions to 26 June 1936
circa 110pp.
|
|
|
The Dragon Murder Case
|
|
|
Box/Folder
105/5
|
Novel: by S S Van Dine. New York, 1933
311pp.
|
|
|
Box/Folder
105/6
|
Treatment: by Rian James, 29 December 1933
47pp.
|
|
|
Box/Folder
105/7
|
Screenplay: by James, 23 January 1934
136pp.
|
|
|
Box/Folder
105/8
|
Screenplay: by James and Robert N Lee, 17 February 1934
137pp.
|
|
|
Box/Folder
106/1
|
Temporary: by James and Lee, 13 March 1934
125pp.
|
|
|
Box/Folder
106/2
|
Final: by Lee and F Hugh Herbert, 5 May with revisions to 9 May 1934; changed scenes
139pp.; c 50pp.
|
|
|
Dust Be My Destiny
|
|
|
Box/Folder
106/3
|
Novel: by Jerome Odlum, undated
219pp.
|
|
|
Box/Folder
106/4
|
Research: Magazine pictures and notes, no author shown, undated
6pp.
|
|
|
Box/Folder
106/5
|
Treatment: by Robert Rossen, undated
18pp.
|
|
|
Box/Folder
106/6
|
Screenplay: no author shown, undated
179pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
106/7
|
Screenplay: by Rossen, 13 October 1938
150pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
106/8
|
Screenplay: no author shown, undated
circa 150pp.
|
|
|
Box/Folder
107/1
|
Temporary: no author shown, 8 February 1939
168pp.
|
|
|
Box/Folder
107/2
|
Final: by Rossen, 1 April with revisions to 8 June 1939
circa 145pp.
|
|
|
Each Dawn I Die
|
|
|
Box/Folder
107/3
|
Novel: by Jerome Odlum. Indianapolis, 1938
291pp.
|
|
|
Box/Folder
107/4
|
Treatment: by Norman Reilly Raine, 12 May 1938
150pp.
|
|
|
Box/Folder
107/5
|
Temporary: by Raine, 8 July 1938
202pp.
|
|
|
Box/Folder
107/6
|
Rev Temp: by Raine, 18 November 1938
173pp.
|
|
|
Box/Folder
108/1
|
Rev Temp 2: by Raine, 22 December 1938
165pp.
|
|
|
Box/Folder
108/2
|
Final: no author shown, 28 January with revisions to 22 April 1939
circa 155pp.
|
|
|
Earthworm Tractors
|
|
|
Box/Folder
108/3
|
Novel: Alexander Botts--earthworm tractors, by William Hazlett Upson. New York, 1927
289pp.
|
|
|
Box/Folder
108/4
|
Treatment: Alexander Botts, earthworm tractors, by Peter Milne, 27 March 1934
27pp.
|
|
|
Box/Folder
108/5
|
Treatment: by Paul Gerard Smith and Milne, 5 April 1934
20pp.
|
|
|
Box/Folder
108/6
|
Screenplay: by Milne and Joe Traub, undated
102pp.
|
|
|
Box/Folder
108/7
|
Screenplay: by Smith, 4 May 1934
157pp.
|
|
|
Box/Folder
108/8
|
Treatment: by Joel Sayre, 25 September 1934
23pp.
|
|
|
Box/Folder
108/9
|
Temporary: by Sayre, 23 October with revisions to 2 November 1934
circa 155pp.
: Annotated.
|
|
|
Box/Folder
109/1
|
Rev Temp: no author shown (annotated), undated; sequence by Sayre and Upson; sequence by Wald and Epstein
121pp.; 20pp.; 21pp.
|
|
|
Box/Folder
109/2
|
Rev Temp 2: no author shown, 13 November 1934
118pp.
|
|
|
Box/Folder
109/3
|
Rev Temp 3: by Richard Macaulay, Traub, and Hugh Cummings, 18 February 1936
138pp.
|
|
|
Box/Folder
109/4
|
Final: no author shown, 27 February 1936
129pp.
|
|
|
Box/Folder
109/5
|
Rev Final: no author shown, 6 March 1936
131pp.
|
|
|
East of the River
|
|
|
Box/Folder
109/6
|
Short Story: Mama Ravioli, or Two sons, by John Fante and Ross B Wills, undated
38pp.
|
|
|
Box/Folder
109/7
|
Treatment: Mama Ravioli, by Abem Finkel, 5 August 1939
53pp.
|
|
|
Box/Folder
109/8
|
Temporary: Mama Ravioli, by Finkel, 26 October 1939
140pp.
|
|
|
Box/Folder
110/1
|
Rev Temp: Bad boy, no author shown, 19 December 1939
149pp.
|
|
|
Box/Folder
110/2
|
Final: Bad boy, no author shown, 27 June 1940
97pp.
|
|
|
Box/Folder
110/3
|
Rev Final: no author shown, 9 July with revisions to 29 Jul. 1940
circa 120pp.
|
|
|
Easy to Love
|
|
|
Box/Folder
110/4
|
Playscript: As good as new, by Thompson Buchanan, 1930
119pp.
|
|
|
Box/Folder
110/5
|
Screenplay: As good as new, by Robert Presnell and Walter De Leon, undated
94pp.
|
|
|
Box/Folder
110/6
|
Temporary: As good as new, by Presnell and De Leon, 11 March 1931
95pp.
|
|
|
Box/Folder
110/7
|
Treatment: by David Boehm, 27 January 1933
43pp.
|
|
|
Box/Folder
110/8
|
Screenplay: As good as new. no author shown, undated
109pp.
: Annotated.
|
|
|
Box/Folder
110/9
|
Rev Temp 2: As good as new, no author shown, 11 February 1933
122pp.
|
|
|
Box/Folder
110/10
|
Screenplay: Laid in Vienna, by Boehm, 22 February 1933
85pp.
|
|
|
Box/Folder
111/1
|
Rev Temp 3: by Carl Erickson and Boehm, 21 August 1933
116pp.
|
|
|
Box/Folder
111/2
|
Final: by Erickson, Boehm and Manuel Seff, 5 October 1933; new ending
124pp.; 16pp.
|
|
|
Edge of Darkness
|
|
|
Box/Folder
111/3
|
Novel: by William Woods. New York, 1942
334pp.
: Annotated.
|
|
|
Box/Folder
111/4
|
Screenplay: by Robert Rossen, 16 May 1942
66pp.
: Incomplete.
|
|
|
Box/Folder
111/5
|
Temporary: by Rossen, 9 June with revisions to 20 July 1942
214pp.
|
|
|
Box/Folder
111/6
|
Final: no author shown, 24 July with revisions to 10 November 1942
158pp.
|
|
|
Elmer the Great
|
|
|
Box/Folder
112/1
|
Play: by Ring Lardner, 24 September 1932
112pp.
|
|
|
Box/Folder
112/2
|
Temporary: by Tom Geraghty, 15 November 1932
159pp.
|
|
|
Box/Folder
112/3
|
Rev Temp: no author shown, 13 December 1932
149pp.
|
|
|
Box/Folder
112/4
|
Final: by Geraghty, 21 December 1932
124pp.
|
|
|
Embraceable You
|
|
|
Box/Folder
112/5
|
Short Story: Sunburst, by Dietrich V Hanneken and Aleck Block, undated
71pp.
|
|
|
Box/Folder
112/6
|
Screenplay: Sunburst, by Edna Anhalt, undated
106pp.
: Incomplete.
|
|
|
Box/Folder
112/7
|
Temporary: Sunburst kid, by Anhalt, 9 February 1948
109pp.
|
|
|
Box/Folder
112/8
|
Final: Sunburst kid, by Anhalt, 20 February with revisions to 9 April 1948
circa 125pp.
|
|
|
Employees' Entrance
|
|
|
Box/Folder
113/1
|
Play: Banjo seat shorts, by David Boehm, 3 August 1932
149pp.
|
|
|
Box/Folder
113/2
|
Treatment: The machine, by Robert Presnell, 25 August 1932
90pp.
|
|
|
Box/Folder
113/3
|
Treatment: by Charles Kenyon, 29 August 1932
32pp.
|
|
|
Box/Folder
113/4
|
Final: The machine, by Presnell, 1 September 1932
123pp.
|
|
|
Box/Folder
113/5
|
Rev Final: by Presnell, 9 September with revisions to 17 October 1932
circa 125pp.
|
|
|
Empty Holsters
|
|
|
Box/Folder
113/6
|
Novel: Outlawed guns, by Ed Earl Repp. Smashing Western, November 1936
80pp.
|
|
|
Box/Folder
113/7
|
Novel: Outlawed guns, or Empty holsters, by Repp. Typescript of above, undated
circa 200pp.
|
|
|
Box/Folder
113/8
|
Final: no author shown, 18 February 1937
121pp.
|
|
|
Escape From Crime
|
|
|
Box/Folder
113/9
|
Screenplay: Camera trap, by Raymond L Schrock, undated
circa 155pp.
|
|
|
Box/Folder
113/10
|
Temporary: Picture snatcher, by Schrock, 2 February 1942
117pp.
|
|
|
Box/Folder
114/1
|
Final: by Schrock, 3 March 1942
100pp.
|
|
|
Escape in the Desert
|
|
|
Box/Folder
114/2
|
Treatment: Strangers in our midst, by Marvin Borowsky, 27 July 1943
53pp.
|
|
|
Box/Folder
114/3
|
Temporary: Strangers in our midst, by Borowsky, 29 September 1943
146pp.
|
|
|
Box/Folder
114/4
|
Screenplay: Strangers in our midst, by Frank Gruber, 10 January 1944
112pp.
|
|
|
Box/Folder
114/5
|
Screenplay: Strangers in our midst, by Gruber, 14 January to 28 January 1944
147pp.
|
|
|
Box/Folder
114/6
|
Rev Temp: Strangers in our midst, no author shown, 25 February 1944
131pp.
|
|
|
Box/Folder
114/7
|
Story Outline: (“Outline of action for the proposed revision of 'Petrified forest' [`Strangers in our midst']”) by Thomas Job, 17 March 1944
11pp.
|
|
|
Box/Folder
114/8
|
Final: Strangers in our midst, by Job, 12 April 1944
132pp.
|
|
|
Box/Folder
114/9
|
Rev Final: Strangers in our midst, by Job, 29 April to 12 June with revisions to 16 September 1944
circa 135pp.
|
|
|
Escape Me Never
|
|
|
Box/Folder
115/1
|
Novel: The fool of the family, by Margaret Kennedy. New York, 1930
337pp.
|
|
|
Box/Folder
115/2
|
Play: by Kennedy, 1933
90pp.
|
|
|
Box/Folder
115/3
|
Screenplay: by Lenore Coffee, 26 August to 28 September 1943
81pp.
: Incomplete.
|
|
|
Box/Folder
115/4
|
Temporary: by Coffee, 15 December 1943
164pp.
|
|
|
Box/Folder
115/5
|
Screenplay: by Coffee and Thames Williamson, 5 May to 23 June 1945
178pp.
|
|
|
Box/Folder
115/6
|
Final: by Coffee and Williamson, 24 August 1945
circa 150pp.
|
|
|
Box/Folder
115/7
|
Rev Final: by Coffee and Williamson, 3 October 1945
138pp.
: Incomplete.
|
|
|
Box/Folder
115/8
|
Rev Final 2: by Coffee and Williamson, 9 November 1945 with revisions to 1 February 1946
circa 145pp.
|
|
|
Espionage Agent
|
|
|
Box/Folder
116/1
|
Treatment: Career man, by Robert Buckner, undated
59pp.
|
|
|
Box/Folder
116/2
|
Treatment: Career man, by Buckner, undated
34pp.
|
|
|
Box/Folder
116/3
|
Treatment: Career man, by Buckner, 13 January 1938
13pp.
|
|
|
Box/Folder
116/4
|
Screenplay: Career man, by Buckner, 10 March 1938
143pp.
|
|
|
Box/Folder
116/5
|
Comments: (“Revisions for `Career man' ”) by Buckner, 26 May 1938
circa 14pp.
|
|
|
Box/Folder
116/6
|
Treatment: Career man, by Warren Duff, 18 November 1938
42pp.
|
|
|
Box/Folder
116/7
|
Screenplay: Career man, by Duff, 30 December 1938
184pp.
|
|
|
Box/Folder
116/8
|
Temporary: Career man, by Duff and Frank Donoghue, 9 March 1939
181pp.
|
|
|
Box/Folder
116/9
|
Rev Temp: Career man, by Duff, Donoghue, and James Hilton, 28 April 1939; alternate ending
168pp.; 1p.
|
|
|
Box/Folder
116/10
|
Rev Temp 2: Career man, by Duff, Donoghue, and Hilton, 1 May 1939; alternate endings
152pp.; 1p.
|
|
|
Box/Folder
117/1
|
Final: Career man, by Duff, Donoghue, and Hilton, 4 May to 24 May with revisions to 1 June 1939; alternate endings
circa 140pp.; 4pp.
|
|
|
Box/Folder
117/2
|
Rev Final: Career man, no author shown, 8 June to 28 June with revisions to 7 September 1939; alternate ending
circa 155pp.; 2pp.
|
|
|
Box/Folder
117/3
|
Reader Synopsis: Career man--espionage agent, by William Shenker, 13 August 1940
1p.
|
|
|
Ever in My Heart
|
|
|
Box/Folder
117/4
|
Short Story: by Beulah Marie Dix and Bertram Milhauser, 18 May 1933
43pp.
|
|
|
Box/Folder
117/5
|
Temporary: by Milhauser, 23 June to 28 June 1933
140pp.
|
|
|
Box/Folder
117/6
|
Rev Temp: by Milhauser, 10 July 1933
135pp.
|
|
|
Box/Folder
117/7
|
Final: by Milhauser, 13 July with revisions to 4 August 1933; shooting schedule
circa 135pp.; 1p.
|
|
|
Ever Since Eve
|
|
|
Box/Folder
117/8
|
Screenplay: by Lee Perenchio and Gene Baker, 14 November 1935
124pp.
|
|
|
Box/Folder
117/9
|
Treatment: by Lillie Hayward, undated
56pp.
: Annotated.
|
|
|
Box/Folder
118/1
|
Temporary: by Hayward and Jerry Wald, 15 July 1936
139pp.
|
|
|
Box/Folder
118/2
|
Rev Temp: by Lawrence Riley, 12 September 1936
89pp.
: Incomplete.
|
|
|
Box/Folder
118/3
|
Rev Temp 2: by Riley and Earl Baldwin, 7 November 1936
139pp.
|
|
|
Box/Folder
118/4
|
Final: by Riley, Baldwin, Hayward, and Wald, 19 January 1937
136pp.
|
|
|
Box/Folder
118/5
|
Rev Final: no author shown, 8 February 1937
52pp.
: Incomplete.
|
|
|
Box/Folder
118/6
|
Rev Final 2: no author shown, 26 February to 1 March 1937
128pp.
|
|
|
Box/Folder
118/7
|
Rev Final 3: no author shown, 20 March with revisions to 27 April 1937
circa 150pp.
|
|
|
Everybody's Hobby
|
|
|
Box/Folder
118/8
|
Temporary: The hobby family, by William Brockway, 1 April 1939
93pp.
|
|
|
Box/Folder
119/1
|
Final: The hobby family, by Brockway and Kenneth Gamet, 12 April with revisions to 14 April 1939
circa 110pp.
|
|
|
Box/Folder
119/2
|
Rev Final: The hobby family, by Brockway and Gamet, 17 April with revisions to 19 April 1939
circa 115pp.
|
|
|
Ex-Lady
|
|
|
Box/Folder
119/3
|
Treatment: no author shown, 3 December 1932
55pp.
|
|
|
Box/Folder
119/4
|
Temporary: no author shown, 5 December 1932
55pp.
|
|
|
Box/Folder
119/5
|
Final: no author shown, undated with revisions to 29 December 1932
circa 100pp.
|
|
|
Expensive Husbands
|
|
|
Box/Folder
119/6
|
Screenplay: She hired a husband, by Kyrill de Shishmareff, 19 November 1936
127pp.
|
|
|
Box/Folder
119/7
|
Temporary: She hired a husband, no author shown, 23 April 1937
126pp.
|
|
|
Box/Folder
119/8
|
Final: She hired a husband, no author shown, 24 April 1937
103pp.
|
|
|
Box/Folder
119/9
|
Rev Final: no author shown, 14 June with revisions to 28 June 1937
circa 105pp.
|
|
|
Expensive Women
|
|
|
Box/Folder
119/10
|
Novel: Passionate sonata, by Wilson Collison, undated
circa 230pp.
|
|
|
Box/Folder
120/1
|
Treatment: Passionate sonata, by Harvey Thew, undated
56pp.
: Annotated.
|
|
|
Box/Folder
120/2
|
Screenplay: Passionate sonata, by Thew, undated
111pp.
|
|
|
Box/Folder
120/3
|
Temporary: Passionate sonata, by Thew, 12 March 1931
105pp.
|
|
|
Box/Folder
120/4
|
Final: Passionate sonata, by Thew, 14 March 1931; tag ending
99pp.; 1p.
|
|
|
The Expert
|
|
|
Box/Folder
120/5
|
Short Story: Old man Minick, by Edna Ferber, undated
19pp.
|
|
|
Box/Folder
120/5
|
Play: Minick, by Ferber and George S Kaufman, undated
142pp. (In same volume as above.)
|
|
|
Box/Folder
120/6
|
Story Outline: Minick, by Julien Josephson and Maude T Howell, 5 October 1931
11pp.
|
|
|
Box/Folder
120/7
|
Treatment: Minick, by Josephson and Howell, 12 October 1931
20pp.
|
|
|
Box/Folder
120/8
|
Temporary: Minick, by Josephson and Howell, 12 November 1931
190pp.
|
|
|
Box/Folder
120/9
|
Rev Temp: Old man Minnick, by Josephson and Howell, 19 November 1931
116pp.
: Incomplete.
|
|
|
The Famous Ferguson Case
|
|
|
Box/Folder
120/10
|
Screenplay: Untitled story, by Courtney Terrett, 10 October 1931
circa 60pp.
|
|
|
Box/Folder
102/11
|
Screenplay: Circulation, by Terrett, 27 November 1931
108pp.
|
|
|
Box/Folder
120/12
|
Temporary: Circulation, by Terrett and Harvey Thew, 5 December 1931
111pp.
|
|
|
Box/Folder
120/13
|
Screenplay: by Terrett and Thew, 16 December 1931
113pp.
|
|
|
Box/Folder
121/1
|
Final: by Terrett and Thew, 22 December 1931 with revisions to 18 January 1932
circa 110pp.
|
|
|
Fashions of 1934
|
|
|
Box/Folder
121/2
|
Screenplay: King of fashion, by Warren Duff, 27 July 1933
132pp.
|
|
|
Box/Folder
121/3
|
Temporary: King of fashion, by Gene Markey and Kathryn Scola, 12 September 1933
121pp.
|
|
|
Box/Folder
121/4
|
Screenplay: King of fashion, no author shown, 9 October 1933
141pp.
|
|
|
Box/Folder
121/5
|
Final: King of fashion, no author shown, undated with revisions to 13 November 1933
circa 140pp.
|
|
|
Father Is A Prince
|
|
|
Box/Folder
121/6
|
Temporary: Father knows best, by Robert E Kent, 7 August 1940
99pp.
|
|
|
Box/Folder
121/7
|
Final: Father knows best, by Kent, 15 August with revisions to 22 August 1940
circa 110pp.
|
|
|
Father's Son (1930)
|
|
|
Box/Folder
121/8
|
Final: by Hope Loring, 23 June 1930
125pp.
|
|
|
Father's Son (1941)
|
|
|
Box/Folder
121/9
|
Temporary: Father and son, by Fred Niblo, Jr, 14 October 1940
127pp.
|
|
|
Box/Folder
122/1
|
Final: Father and son, by Niblo, 22 October 1940
106pp.
|
|
|
Female
|
|
|
Box/Folder
122/2
|
Novel: no author shown [Donald Henderson Clarke], 24 January 1933 galleys
80pp.
|
|
|
Box/Folder
122/3
|
Treatment: by Gene Markey and Kathryn Scola, 15 April 1933
23pp.
|
|
|
Box/Folder
122/4
|
Temporary: by Markey and Scola, 23 May 1933; alternate ending
102pp.; 13pp.
|
|
|
Box/Folder
122/5
|
Final: by Markey and Scola, 12 July with revisions to 9 September 1933; “retakes and added scenes.”
112pp.; c 50pp.
|
|
|
Fifty Million Frenchmen
|
|
|
Box/Folder
122/6
|
Play: by Herbert Fields and Cole Porter, 1929
95pp.
|
|
|
Box/Folder
122/7
|
Plot Summary: by H Hinsdale, 1 June 1934
1p.
|
|
|
Box/Folder
122/8
|
Plot Summary: no author shown, undated
11pp.
|
|
|
Box/Folder
122/9
|
Story Outline: no author shown, undated
22pp.
|
|
|
Box/Folder
122/10
|
Story Outline: by Joseph Jackson, undated
26pp.
|
|
|
Box/Folder
122/11
|
Final: no author shown, 9 August 1930; added scene; changed dialogue
127pp.; 3pp.; 25pp.
|
|
|
Fighter Squadron
|
|
|
Box/Folder
123/1
|
Treatment: by Seton I Miller, 16 December 1947
48pp.
|
|
|
Box/Folder
123/2
|
Screenplay: by Miller (annotated), 10 February 1948; outline
72pp.; 29pp.
|
|
|
Box/Folder
123/3
|
Temporary: by Miller, 18 March with revisions to 21 May 1948
circa 140pp.
: Annotated.
|
|
|
Box/Folder
123/4
|
Final: by Miller, 19 May to 11 June 1948
83pp.
: Incomplete.
|
|
|
Box/Folder
123/5
|
Final: by Miller, 19 May with revisions to 14 June 1948
circa 140pp.
: Annotated.
|
|
|
Box/Folder
123/6
|
Rev Final: by Miller, 16 June to 25 June with revisions to 13 July 1948; added scenes
circa 150pp.; 2pp.
|
|
|
Box/Folder
123/7
|
Rev Final 2: by Miller, 20 July with revisions to 19 August 1948
circa 155pp.
|
|
|
The Fighting 69th
|
|
|
Box/Folder
124/1
|
Research: Father Duffy's story, by Francis P Duffy. New York, 1919
382pp.
|
|
|
Box/Folder
124/2
|
Research: Chaplain Duffy of the sixty-ninth regiment New York, by Ella M E Flick. Philadelphia, 1935
203pp.
|
|
|
Box/Folder
124/3
|
Research: Address by Colonel William J Donovan at unveiling of statue to Father Duffy at Times Square, New York City, by Colonel Donovan, 2 May 1937
3pp.
|
|
|
Box/Folder
124/4
|
Research: What a man--Father Francis Patrick Duffy, no author shown, undated
16pp.
: Annotated.
|
|
|
Box/Folder
124/5
|
Research: Notes on fighting sixty-ninth, no author shown, undated
56pp.
|
|
|
Box/Folder
124/6
|
Story Outline: by Dean Franklin, undated
14pp.
: Annotated.
|
|
|
Box/Folder
124/7
|
Screenplay: by Fred Niblo, Jr and Franklin, 28 June 1939
220pp.
|
|
|
Box/Folder
124/8
|
Comments: (“George Boothby's notes on `The fighting sixty-ninth' ”) by Boothby, 5 July 1939
7pp.
|
|
|
Box/Folder
124/9
|
Screenplay: by Niblo and Franklin, 30 June 1939
140pp.
|
|
|
Box/Folder
124/10
|
Treatment: by Norman Reilly Raine, 27 July 1939
45pp.
|
|
|
Box/Folder
124/11
|
Final: by Raine, 29 August 1939
92pp.
: Incomplete.
|
|
|
Box/Folder
125/1
|
Rev Final: by Raine, Niblo, and Franklin, 18 September with revisions to 26 December 1939; added scenes
circa 185pp.; 9pp.
|
|
|
Find the Blackmailer
|
|
|
Box/Folder
125/2
|
Short Story: Blackmail with feathers, by G T Fleming-Roberts. Detective Novels Magazine, August 1942
17pp.
|
|
|
Box/Folder
125/3
|
Temporary: Blackmail, by Robert E Kent, 22 October 1942
100pp.
|
|
|
Box/Folder
125/4
|
Final: Blackmail, by Kent, 29 October with revisions to 5 November 1942
circa 100pp.
|
|
|
The Finger Points
|
|
|
Box/Folder
125/5
|
Story Outline: The mob, by Whitfield, undated
8pp.
|
|
|
Box/Folder
125/6
|
Treatment: The mob, by John Monk Saunders, undated
130pp.
|
|
|
Box/Folder
125/7
|
Screenplay: The mob, by Saunders and Robert Lord, December 1930
130pp.
: Annotated.
|
|
|
Box/Folder
125/8
|
Final: The mob, by Saunders and Lord, 27 December 1930
131pp.
|
|
|
The Firebird
|
|
|
Box/Folder
125/9
|
Play: by Ludwig (Lajos) Zilahy. Translated from the Hungarian, 30 December 1933
67pp.
|
|
|
Box/Folder
125/10
|
Play: by Zilahy, adapted by Jeffrey Dell, 9 January 1934
95pp.
|
|
|
Box/Folder
126/1
|
Temporary: by Ralph Block and Doris Malloy, 27 February 1934
108pp.
|
|
|
Box/Folder
126/2
|
Screenplay: by Charles Kenyon, 21 April 1934
126pp.
: Incomplete.
|
|
|
Box/Folder
126/3
|
Rev Temp: by Kenyon, 27 June 1934
116pp.
|
|
|
Box/Folder
126/4
|
Final: by Kenyon, 21 July 1934
125pp.
|
|
|
Box/Folder
126/5
|
Rev Final: by Kenyon, 25 July with revisions to 28 July 1934
circa 110pp.
|
|
|
Fireman, Save My Child
|
|
|
Box/Folder
126/6
|
Story Outline: by Lloyd Bacon and Ray Enright, undated
4pp.
|
|
|
Box/Folder
126/7
|
Treatment: by Bacon and Enright, undated
18pp.
|
|
|
Box/Folder
126/8
|
Treatment: no author shown, undated
78pp.
|
|
|
Box/Folder
126/9
|
Screenplay: by Robert Lord and Arthur Caesar, 19 September to 24 September 1931
149pp.
|
|
|
Box/Folder
126/10
|
Temporary: by Lord and Caesar, 5 October to 17 October 1931
152pp.
|
|
|
Box/Folder
126/11
|
Final: by Lord and Caesar, 5 November 1931
120pp.
|
|
|
First Lady
|
|
|
Box/Folder
127/1
|
Play: by Katharine Dayton and George S Kaufman. New York, 1935
194pp.
|
|
|
Box/Folder
127/2
|
Temporary: by Rowland Leigh, 6 April 1937
167pp.
|
|
|
Box/Folder
127/3
|
Rev Temp: by Leigh, 20 April 1937
149pp.
|
|
|
Box/Folder
127/4
|
Final: by Leigh, 26 April with revisions to 7 May 1937
circa 135pp.
|
|
|
Five Star Final
|
|
|
Box/Folder
127/5
|
Play: by Louis Weitzenkorn, 11 February 1931
134pp.
|
|
|
Box/Folder
127/6
|
Final: by Byron Morgan, 4 April with revisions to 14 April 1931
circa 135pp.
|
|
|
Flamingo Road
|
|
|
Box/Folder
128/1
|
Novel: by Robert Wilder. New York, 1942
342pp.
|
|
|
Box/Folder
128/2
|
Play: by R and Sally Wilder, 1945
110pp.
|
|
|
Box/Folder
128/3
|
Treatment: by Jerry Wald, 6 December 1946
72pp.
|
|
|
Box/Folder
128/4
|
Treatment: by Alfred Hayes and James Gunn, 27 December 1946
73pp.
|
|
|
Box/Folder
128/5
|
Treatment: by Hayes, 13 January 1947
19pp.
|
|
|
Box/Folder
128/6
|
Story Outline: by Hayes, 4 February 1947
14pp.
|
|
|
Box/Folder
128/7
|
Story Outline: by Hayes, 6 February 1947
15pp.
|
|
|
Box/Folder
128/8
|
Screenplay: by Hayes, 24 February 1947
170pp.
|
|
|
Box/Folder
128/9
|
Story Outline: by Edmund H. North, 17 March 1947
11pp.
|
|
|
Box/Folder
128/10
|
Treatment: by North, 27 May to 10 June 1947
19pp.
|
|
|
Box/Folder
128/11
|
Final: by North, 20 October 1947
135pp.
|
|
|
Box/Folder
128/12
|
Rev Final: by R Wilder, 13 August with revisions to 25 August 1948
circa 160pp.
|
|
|
Box/Folder
129/1
|
Rev Final 2: by R Wilder, 9 September with revisions to 8 December 1949
circa 165pp.
|
|
|
Flaxy Martin
|
|
|
Box/Folder
129/2
|
Story Outline: The black gate, by David Lang, 4 November 1947
19pp.
|
|
|
Box/Folder
129/3
|
Screenplay: The black gate, by Lang, 4 November to 11 November 1947
114pp.
|
|
|
Box/Folder
129/4
|
Temporary: The black gate, by Lang, 28 February 1948
118pp.
|
|
|
Box/Folder
129/5
|
Rev Temp: The black gate, by Lang, 15 March with revisions to 23 March 1948
circa 115pp.
|
|
|
Box/Folder
129/6
|
Final: The black gate, by Lang, 27 March 1948
119pp.
|
|
|
Box/Folder
129/7
|
Rev Final: Smart money, by Lang, 2 April with revisions to 4 May 1948
circa 120pp.
|
|
|
Flight Angels
|
|
|
Box/Folder
129/8
|
Treatment: Tough angels, by Maurice Leo, undated
32pp.
: Annotated.
|
|
|
Box/Folder
129/9
|
Treatment: Tough angels, by Leo, undated
77pp.
|
|
|
Box/Folder
129/10
|
Treatment: Tough angels, by Leo, 2 March 1939
89pp.
|
|
|
Box/Folder
130/1
|
Screenplay: Tough angels, by Leo, 1 September 1939
163pp.
|
|
|
Box/Folder
130/2
|
Temporary: Flight 8, by Leo and Tom Reed, 7 February 1940
124pp.
|
|
|
Box/Folder
130/3
|
Final: Flight 8, by Leo and Reed, 16 February 1940
114pp.
|
|
|
Box/Folder
130/4
|
Rev Final: Flight 8, by Leo and Reed, 21 February with revisions to 12 March 1940
circa 130pp.
|
|
|
Flight From Destiny
|
|
|
Box/Folder
130/5
|
Novel: Trial and error by Anthony Berkeley. New York, 1937
351pp.
|
|
|
Box/Folder
130/6
|
Play: Trial and error, by Berkeley, undated
144pp.
|
|
|
Box/Folder
130/7
|
Temporary: Trial and error, by Robert Rossen, 9 November 1939
162pp.
|
|
|
Box/Folder
131/1
|
Rev Temp: Trial and error, no author shown, 5 September to 13 September 1940
132pp.
|
|
|
Box/Folder
131/2
|
Final: Trial and error, by Rossen, 20 September 1940
127pp.
|
|
|
Box/Folder
131/3
|
Rev Final: Trial and error, by Rossen and Barry Trivers, 28 September to 23 October with revisions to 25 October 1940
circa 125pp.
|
|
|
Flirtation Walk
|
|
|
Box/Folder
131/4
|
Treatment: Eyes right, by Elliott Nugent, 12 May to 15 May 1930
29pp.
|
|
|
Box/Folder
131/5
|
Treatment: by Delmer Daves, 14 December 1933
36pp.
|
|
|
Box/Folder
131/6
|
Temporary: by Daves, 3 February 1934
104pp.
|
|
|
Box/Folder
131/7
|
Rev Temp: by Daves, 14 February 1934
120pp.
|
|
|
Box/Folder
131/8
|
Rev Temp 2: by Daves, 1 May 1934
120pp.
|
|
|
Box/Folder
131/9
|
Rev Temp 3: by Daves, 3 May 1934
120pp.
|
|
|
Box/Folder
132/1
|
Final: by Daves, 18 May with revisions to 25 May 1934
circa 120pp.
|
|
|
Box/Folder
132/2
|
Rev Final: by Daves, 28 May with revisions to 29 May 1934; changes
circa 125pp.; 14pp.
|
|
|
Box/Folder
132/3
|
Comments: (“ `Flirtation walk' rewritten show”) no author shown, undated
14pp.
|
|
|
Box/Folder
132/4
|
Rev Final 2: by Daves, 22 June 1934
123pp.
|
|
|
Flirting Widow
|
|
|
Box/Folder
132/5
|
Play: Green stockings, by A E W Mason. New York, 1910
122pp.
|
|
|
Box/Folder
132/6
|
Screenplay: Green stockings, by John F Goodrich, undated
73pp.
|
|
|
Box/Folder
132/7
|
Final: Green stockings, by Goodrich, 18 October to 21 October 1929
87pp.
|
|
|
The Florentine Dagger
|
|
|
Box/Folder
132/8
|
Novel: by Ben Hecht. New York, 1923
256pp.
|
|
|
Box/Folder
132/9
|
Final: by Tom Reed, with additional dialogue by Brown Holmes, 14 December with revisions to 18 December 1934; changes
125pp.; c 135p.
|
|
|
Flowing Gold
|
|
|
Box/Folder
133/1
|
Novel: by Rex Beach. New York, 1922
377pp.
|
|
|
Box/Folder
133/2
|
Temporary: by Tom Reed, 1 February 1940
57pp.
: Incomplete.
|
|
|
Box/Folder
133/3
|
Rev Temp: by Kenneth Gamet, 18 May 1940
131pp.
|
|
|
Box/Folder
133/4
|
Final: by Gamet, 1 June with revisions to 22 July 1940
circa 135pp.
|
|
|
Fly-Away Baby
|
|
|
Box/Folder
133/5
|
Temporary: by Don Ryan and Kenneth Gamet, 26 January with revisions to 3 February 1937; alternate ending
circa 135pp.; 3pp.
|
|
|
Box/Folder
133/6
|
Final: by Ryan and Gamet, 5 February with revisions to 16 February 1937
circa 125pp.
|
|
|
Flying Fortress
|
|
|
Box/Folder
133/7
|
Final: by Brock Williams and Edward Dryhurst, 8 May 1941
circa 210pp.
|
|
|
Fog Over Frisco
|
|
|
Box/Folder
134/1
|
Novel: The five fragments, by George Dyer. New York, 1932
315pp.
|
|
|
Box/Folder
134/2
|
Treatment: Five fragments, by Robert N Lee and Eugene Solow, 16 September 1933
46pp.
|
|
|
Box/Folder
134/3
|
Temporary: Five fragments, by Lee, 11 January 1934
128pp.
|
|
|
Box/Folder
134/4
|
Final: Golden gate, by Lee, 15 January 1934
131pp.
|
|
|
Fools for Scandal
|
|
|
Box/Folder
134/5
|
Play: Return engagement, no author shown [Nancy Hamilton, James Shute, and Rosemary Casey], 12 February 1937
138pp.
|
|
|
Box/Folder
134/6
|
Screenplay: Food for scandal, no author shown, 8 September 1937
62pp.
: Incomplete.
|
|
|
Box/Folder
134/7
|
Story Outline: Food for scandal, no author shown, undated
1p.
: Incomplete.
|
|
|
Box/Folder
134/8
|
Temporary: Food for scandal, no author shown, 2 October 1937
180pp.
|
|
|
Box/Folder
135/1
|
Rev Temp: Food for scandal, no author shown, 27 October to 8 November 1937
89pp.
: Incomplete.
|
|
|
Box/Folder
135/2
|
Final: Food for scandal, by Herbert and Joseph Fields, undated with revisions to 28 December 1937
circa 145pp.
|
|
|
Footlight Parade
|
|
|
Box/Folder
135/3
|
Treatment: Prologue, by James Seymour and Manuel Seff, undated
84pp.
: Annotated.
|
|
|
Box/Folder
135/4
|
Temporary: by Seymour and Seff, 13 May 1933
124pp.
: Incomplete.
|
|
|
Box/Folder
135/5
|
Rev Temp: by Seymour and Seff, 22 May 1933
149pp.
|
|
|
Box/Folder
135/6
|
Final: by Seymour and Seff, 2 June 1933
152pp.
|
|
|
Box/Folder
135/7
|
Rev Final: by Seymour and Seff, 10 June 1933
152pp.
: Incomplete.
|
|
|
Box/Folder
135/8
|
Rev Final: by Seymour and Seff, 10 June 1933 with revisions to ND
circa 155pp.
|
|
|
The Footloose Heiress
|
|
|
Box/Folder
136/1
|
Temporary: The hobo and the heiress, by Robertson White, 23 January 1937
127pp.
|
|
|
Box/Folder
136/2
|
Rev Temp: The hobo and the heiress, by White, 16 February 1937
124pp.
|
|
|
Box/Folder
136/3
|
Final: The hobo and the heiress, by White, 22 February with revisions to 2 April 1937
circa 115pp.
|
|
|
Footsteps in the Dark
|
|
|
Box/Folder
136/4
|
Play: by Bernard Merivale and Jeffrey Dell, based on the original Hungarian of L Fodor, undated
135pp.
|
|
|
Box/Folder
136/5
|
Temporary: Blondie White, by Frank Cavett, 21 February 1938
134pp.
|
|
|
Box/Folder
136/6
|
Temporary: by John Wexley, 25 March 1939
161pp.
|
|
|
Box/Folder
136/7
|
Final: by Norman Reilly Raine, 21 February 1940
126pp.
|
|
|
Box/Folder
137/1
|
Rev Temp: by Lester Cole, 13 August 1940
145pp.
|
|
|
Box/Folder
137/2
|
Rev Final: by Cole, 12 September 1940
145pp.
|
|
|
Box/Folder
137/3
|
Rev Final 2: by Cole, 1 October with revisions to 11 December 1940
circa 145pp.
|
|
|
42nd Street
|
|
|
Box/Folder
137/4
|
Novel: by Bradford Ropes, 10 August 1932
378pp.
|
|
|
Box/Folder
137/5
|
Treatment: by Whitney Bolton, 16 August 1932
38pp.
|
|
|
Box/Folder
137/6
|
Treatment: by Bolton and James Seymour, 22 August 1932
22pp.
|
|
|
Box/Folder
137/7
|
Temporary: by Bolton and Seymour, 8 September 1932
198pp.
|
|
|
Box/Folder
138/1
|
Rev Temp: by Bolton and Seymour, 16 September 1932
152pp.
|
|
|
Box/Folder
138/2
|
Final: no author shown, undated
156pp.
|
|
|
The Fountainhead
|
|
|
Box/Folder
138/3
|
Novel: by Ayn Rand. New York, 1943
754pp.
|
|
|
Box/Folder
138/4
|
Temporary: by Rand, 20 January 1945
179pp.
|
|
|
Box/Folder
138/5
|
Screenplay: by Rand, 25 February 1947
283pp.
|
|
|
Box/Folder
139/1
|
Rev Temp: by Rand, 20 April to 11 June 1948
156pp.
|
|
|
Box/Folder
139/2
|
Final: by Rand, 20 June with revisions to 9 September 1948
circa 140pp.
|
|
|
Four Daughters
|
|
|
Box/Folder
139/3
|
Final: Because of a man--sister act, no author shown, 18 March with revisions to 1 June 1938
circa 140pp.
|
|
|
Four Mothers
|
|
|
Box/Folder
139/4
|
Story Outline: by Fanny Goulding MacEwen, 12 January 1940
12pp.
|
|
|
Box/Folder
139/5
|
Story Outline: by Stephen Morehouse Avery, 22 March 1940
9pp.
|
|
|
Box/Folder
139/6
|
Treatment: by Avery, undated
32pp.
|
|
|
Box/Folder
139/7
|
Screenplay: by Avery, undated
104pp.
|
|
|
Box/Folder
139/8
|
Temporary: by Avery, 14 June 1940
135pp.
|
|
|
Box/Folder
139/9
|
Final: by Avery, 8 July to 11 July 1940
134pp.
|
|
|
Box/Folder
139/10
|
Rev Final: by Avery, 12 July with revisions to 17 September 1940
135pp.
|
|
|
Four Wives
|
|
|
Box/Folder
140/1
|
Story Outline: by Maurice A Hanline, undated
18pp.
|
|
|
Box/Folder
140/2
|
Treatment: by Lenore Coffee, undated
46pp.
|
|
|
Box/Folder
140/3
|
Screenplay: by Hanline, 18 January 1939
160pp.
|
|
|
Box/Folder
140/4
|
Temporary: by Julius J and Philip G Epstein, 12 July 1939
129pp.
|
|
|
Box/Folder
140/5
|
Final: by the Epsteins, 3 August 1939
132pp.
|
|
|
Box/Folder
140/6
|
Rev Final: by the Epsteins, 12 August with revisions to 24 August 1939
circa 130pp.
|
|
|
Four's A Crowd
|
|
|
Box/Folder
140/7
|
Novel: All rights reserved, by Wallace Sullivan, undated
121pp.
|
|
|
Box/Folder
140/8
|
Treatment: All rights reserved, by Sig Herzig, 8 October 1937
58pp.
|
|
|
Box/Folder
140/9
|
Treatment: All rights reserved, by Herzig, 27 October 1937
51pp.
|
|
|
Box/Folder
140/10
|
Treatment: All rights reserved, no author shown, undated
8pp.
: Incomplete.
|
|
|
Box/Folder
141/1
|
Temporary: All rights reserved, by Casey Robinson, 29 December 1937 to 8 January 1938
163pp.
|
|
|
Box/Folder
141/2
|
Final: All rights reserved, by Robinson, 25 January to 2 February 1938
97pp.
: Incomplete.
|
|
|
Box/Folder
141/3
|
Rev Final: All rights reserved, by Robinson, 8 February to 11 February with revisions to 22 March 1938
circa 160pp.
|
|
|
Freshman Love
|
|
|
Box/Folder
141/4
|
Play: The college widow, by George Ade. New York, 1923
112pp.
|
|
|
Box/Folder
141/5
|
Temporary: by George Bricker and Earl Felton, 5 September 1935
116pp.
|
|
|
Box/Folder
141/6
|
Final: by Bricker and Felton, 21 September with revisions to 27 September 1935
circa 113pp.
|
|
|
Box/Folder
141/7
|
Reader Synopsis: by Harriet Hinsdale, 26 September 1935
12pp.
|
|
|
Box/Folder
141/8
|
Rev Final: no author shown, 3 October with revisions to 11 October 1935
circa 120pp.
: Annotated.
|
|
|
Friends of Mr. Sweeney
|
|
|
Box/Folder
142/1
|
Novel: by Elmer Davis. New York, 1926
282pp.
|
|
|
Box/Folder
142/2
|
Temporary: by Warren Duff and Sidney Sutherland, 7 February 1934
124pp.
|
|
|
Box/Folder
142/3
|
Final: by Duff and Sutherland, with additional dialogue by Erwin Gelsey and F. Hugh Herbert, 22 February 1934
128pp.
|
|
|
Frisco Jenny
|
|
|
Box/Folder
142/4
|
Short Story: Common ground, by Gerald Beaumont, undated
15pp.
|
|
|
Box/Folder
142/5
|
Treatment: Common ground, by John Francis Larkin and Lillie Hayward, 24 August 1932
35pp.
|
|
|
Box/Folder
142/6
|
Treatment: Common ground, by Larkin and Hayward, 3 September 1932
26pp.
|
|
|
Box/Folder
142/7
|
Treatment: Common ground, by Larkin and Hayward, 6 September 1932
28pp.
|
|
|
Box/Folder
142/8
|
Screenplay: Common ground, by Larkin and Hayward, 17 September 1932
126pp.
: Incomplete.
|
|
|
Box/Folder
142/9
|
Final: Common ground, by Robert Lord and Wilson Mizner, 21 September with revisions to 5 October 1932
119pp.
|
|
|
Frisco Kid
|
|
|
Box/Folder
142/10
|
Story Outline: Frisco story, by Warren Duff and Seton I. Miller, 10 April 1935
10pp.
|
|
|
Box/Folder
142/11
|
Treatment: by Duff and Miller, 30 April 1935
51pp.
|
|
|
Box/Folder
142/12
|
Temporary: by Duff and Miller, 19 June 1935
160pp.
|
|
|
Box/Folder
143/1
|
Final: by Duff and Miller, 8 July 1935
151pp.
|
|
|
Box/Folder
143/2
|
Rev Final: by Duff and Miller, 30 July 1935,
: Incomplete.
96pp.
|
|
|
Box/Folder
143/3
|
Rev Final 2: no author shown, 6 August with revisions to 21 September 1935
circa 125pp.
|
|
|
From Headquarters (1929)
|
|
|
Box/Folder
143/4
|
Final: by Harvey H Gates, 12 November 1928
circa 100pp.
|
|
|
From Headquarters (1933)
|
|
|
Box/Folder
143/5
|
Treatment: Headquarters, by Robert N Lee, 8 May 1933
23pp.
|
|
|
Box/Folder
143/6
|
Temporary: Headquarters, by Lee and Peter Milne, 31 July 1933
109pp.
|
|
|
Box/Folder
143/7
|
Final: by Lee and Milne, 18 August with revisions to 24 August 1933,
: Incomplete.
122pp.
|
|
|
Front Page Woman
|
|
|
Box/Folder
144/1
|
Short Story: Women are bum newspapermen, by Richard Macaulay. Saturday Evening Post, 1 September 1934
5pp.
|
|
|
Box/Folder
144/2
|
Treatment: Women are bum newspapermen, by Roy Chanslor and Lillie Hayward, undated
14pp.
|
|
|
Box/Folder
144/3
|
Screenplay: Women are bum newspapermen, by Chanslor and Hayward, 8 November 1934
131pp.
|
|
|
Box/Folder
144/4
|
Temporary: Women are bum newspapermen, by Chanslor, Hayward, and Laird Doyle, 19 February 1935
122pp.
: Annotated.
|
|
|
Box/Folder
144/5
|
Final: by Chanslor, Hayward, and Doyle, 15 April with revisions to 2 May 1935
circa 125pp.
|
|
|
Fugitive From Justice
|
|
|
Box/Folder
144/6
|
Treatment: Million dollar fugitive, by Leonard Neubauer, undated
11pp.
|
|
|
Box/Folder
144/7
|
Temporary: Million dollar fugitive, by Alex Gottlieb, 4 October 1939
103pp.
|
|
|
Box/Folder
144/8
|
Final: Million dollar fugitive, by Gottlieb, 13 October with revisions to 27 October 1939
circa 105pp.
|
|
|
Fugitive in the Sky
|
|
|
Box/Folder
144/9
|
Treatment: Heroes of the air, by George Bricker, undated
16pp.
|
|
|
Box/Folder
144/10
|
Temporary: The flying hostess, by Bricker, 19 June 1936
108pp.
|
|
|
Box/Folder
144/11
|
Final: Heroes of the air, by Bricker, 7 July with revisions to 27 August 1936
circa 130pp.
|
|
|
G-Men
|
|
|
Box/Folder
145/1
|
Treatment: G-man, by Seton I. Miller, 16 January 1935
46pp.
|
|
|
Box/Folder
145/2
|
Temporary: G-man, no author shown, 12 February 1935
111pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
145/3
|
Final: The g-man, by Miller, 14 February with revisions to 27 March 1935
circa 160pp.
|
|
|
Gambling Lady
|
|
|
Box/Folder
145/4
|
Short Story: by Doris Malloy, undated
47pp.
|
|
|
Box/Folder
145/5
|
Treatment: no author shown, 19 September 1933
16pp.
|
|
|
Box/Folder
145/6
|
Final: by Malloy and Ralph Block, 10 November 1933, Incomplete
96pp.
|
|
|
Box/Folder
145/7
|
Rev Final: by Malloy and Block, 17 November to 21 November 1933
145pp.
|
|
|
Gambling on the High Seas
|
|
|
Box/Folder
145/8
|
Temporary: Floating trouble, by Robert E. Kent, 16 August 1939
92pp.
|
|
|
Box/Folder
145/9
|
Final: Floating trouble, by Kent, 17 August with revisions to 18 August 1939
circa 145pp.
|
|
|
Box/Folder
145/10
|
Rev Final: by Kent, 21 August with revisions to 23 August 1939
circa 110pp.
|
|
|
Garden of the Moon
|
|
|
Box/Folder
146/1
|
Novel: by H. Bedford-Jones and Barton Browne. Serialized in Saturday Evening Post, 28 August to 2 October 1937
circa 74pp.
|
|
|
Box/Folder
146/2
|
Novel: by Bedford-Jones and Browne, 13 November 1937
192pp.
|
|
|
Box/Folder
146/3
|
Treatment: by Jerry Wald and Richard Macaulay, undated
87pp.
|
|
|
Box/Folder
146/4
|
Treatment: by Wald and Macaulay, 8 January 1937
74pp.
|
|
|
Box/Folder
146/5
|
Treatment: by Wald and Macaulay, 14 January 1938
87pp.
: Annotated.
|
|
|
Box/Folder
146/6
|
Screenplay: by Wald and Macaulay, 25 February 1938
174pp.
|
|
|
Box/Folder
146/7
|
Final: by Wald and Macaulay, 17 March 1938
148pp.
|
|
|
Box/Folder
146/8
|
Rev Final: by Wald and Macaulay, 24 March with revisions to 9 April 1938
circa 170pp.
|
|
|
The Gay Sisters
|
|
|
Box/Folder
147/1
|
Novel: by Stephen Longstreet, 8 March 1941
362pp.
|
|
|
Box/Folder
147/2
|
Treatment: by Lenore Coffee, undated, Incomplete
14pp.
|
|
|
Box/Folder
147/3
|
Screenplay: by Coffee, 15 May 1941
198pp.
|
|
|
Box/Folder
147/4
|
Temporary: by Coffee, 19 June with revisions to 3 October 1941
circa 160pp.
|
|
|
Box/Folder
147/5
|
Rev Temp: by Coffee, 6 December with revisions to 16 December 1941
circa 170pp.
|
|
|
Box/Folder
147/6
|
Final: by Coffee, 3 January with revisions to 25 February 1942
circa 160pp.
|
|
|
Gentleman Jim
|
|
|
Box/Folder
148/1
|
Treatment: Gentleman Jim Corbett, no author shown, 5 September 1941
63pp.
|
|
|
Box/Folder
148/2
|
Screenplay: Gentleman Jim Corbett, by Hugh Wedlock and Howard Snyder, undated, Incomplete
75pp.
|
|
|
Box/Folder
148/3
|
Temporary: Gentleman Jim Corbett, by Aeneas MacKenzie and Wally Kline, 11 November 1941
153pp.
|
|
|
Box/Folder
148/4
|
Rev Temp: Gentleman Jim Corbett, by Horace McCoy, 13 March 1942
186pp.
|
|
|
Box/Folder
148/5
|
Rev Temp 2: Gentleman Jim Corbett, by Vincent Lawrence and McCoy, 5 May to 14 May 1942
148pp.
|
|
|
Gentlemen Are Born
|
|
|
Box/Folder
148/6
|
Short Story: Just out of college, by Robert Lee Johnson, 11 April 1934
15pp.
|
|
|
Box/Folder
148/7
|
Screenplay: Just out of college, by Johnson, 1 May 1934
100pp.
|
|
|
Box/Folder
148/8
|
Temporary: Just out of college, by Eugene Solow and Johnson, 11 June 1934
115pp.
|
|
|
Box/Folder
148/9
|
Final: Just out of college, by Solow and Johnson, 17 June 1934
115pp.
|
|
|
Box/Folder
149/1
|
Rev Final: Just out of college, by Solow and Johnson, 23 June 1934
124pp.
|
|
|
George Washington Slept Here
|
|
|
Box/Folder
149/2
|
Play: by George S. Kaufman and Moss Hart, 1940
129pp.
|
|
|
Box/Folder
149/3
|
Treatment: by Julius J. and Phillip G. Epstein, undated
27pp.
|
|
|
Box/Folder
149/4
|
Treatment: by Everett Freeman, undated, Incomplete
10pp.
|
|
|
Box/Folder
149/5
|
Screenplay: by Freeman, undated
circa 90pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
149/6
|
Temporary: by Freeman, 4 March with revisions to 16 March 1942
144pp.
: Annotated.
|
|
|
Box/Folder
149/7
|
Rev Temp: by Freeman, 25 March with revisions to 30 March 1942
circa 175pp.
: Annotated.
|
|
|
Box/Folder
149/8
|
Final: by Freeman, 3 April with revisions to 8 June 1942
circa 140pp.
|
|
|
The Girl from Jones Beach
|
|
|
Box/Folder
149/9
|
Story Outline: The Fargo girl, by Allen Boretz, undated
18pp.
|
|
|
Box/Folder
149/10
|
Screenplay: by I.A.L. Diamond, 12 August to 11 November 1947,
: Incomplete.
125pp.
|
|
|
Box/Folder
150/1
|
Screenplay: by Diamond, undated
139pp.
|
|
|
Box/Folder
150/2
|
Screenplay: by Diamond, undated
128pp.
|
|
|
Box/Folder
150/3
|
Screenplay: by Diamond with additional dialogue by Phillip and Julius Epstein, with revisions, undated
circa 145pp.
: Annotated.
|
|
|
Box/Folder
150/4
|
Temporary: by Diamond with additional dialogue by the Epsteins, 7 April 1948
130pp.
|
|
|
Box/Folder
150/5
|
Final: by Diamond with additional dialogue by the Epsteins, 24 April with revisions to 16 July 1948
circa 130pp.
|
|
|
The Girl From 10th Avenue
|
|
|
Box/Folder
150/6
|
Play: The outcast, no author shown, 14 January 1933
101pp.
|
|
|
Box/Folder
150/7
|
Screenplay: Outcast, by Charles Kenyon, undated
: Incomplete; outline of ending.
107pp.; 2pp.
|
|
|
Box/Folder
150/8
|
Temporary: Men on her mind, no author shown, 15 February 1935
124pp.
|
|
|
Box/Folder
151/1
|
Final: Men on her mind, by Kenyon, 1 March to 20 March 1935
124pp.
|
|
|
Girl Missing
|
|
|
Box/Folder
151/2
|
Story Outline: Money for nothing, by Don Mullally and Carl Erickson, undated
17pp.
|
|
|
Box/Folder
151/3
|
Treatment: Money isn't everything, by Ben Markson, undated
28pp.
|
|
|
Box/Folder
151/4
|
Screenplay: by Mullally and Erickson, undated
122pp.
|
|
|
Box/Folder
151/5
|
Final: no author shown, undated with revisions to 23 November 1932
circa 145pp.
|
|
|
Girls on Probation
|
|
|
Box/Folder
151/6
|
Temporary: by Crane Wilbur, 22 April with revisions to 23 April 1938
circa 130pp.
|
|
|
Box/Folder
151/7
|
Final: by Wilbur, 28 April with revisions to 18 June 1938
circa 115pp.
|
|
|
Give Me Your Heart
|
|
|
Box/Folder
151/8
|
Play: Sweet aloes, by Jay Mallory, 3 December 1935
119pp.
|
|
|
Box/Folder
151/9
|
Temporary: Sweet aloes, no author shown, 25 February 1936
152pp.
|
|
|
Box/Folder
152/1
|
Rev Temp: Sweet aloes, by Casey Robinson, 8 April 1936
131pp.
|
|
|
Box/Folder
152/2
|
Final: Sweet aloes, by Robinson, 24 April with revisions to 25 May 1936
circa 160pp.
|
|
|
The Go-Getter
|
|
|
Box/Folder
152/3
|
Short Story: no author shown, 26 November 1935
42pp.
|
|
|
Box/Folder
152/4
|
Temporary: by Delmer L. Daves, 14 January 1936
129pp.
|
|
|
Box/Folder
152/5
|
Final: by Daves, 16 November with revisions to 11 December 1936
circa 130pp.
|
|
|
Go into Your Dance
|
|
|
Box/Folder
152/6
|
Novel: by Bradford Ropes. New York, 1934
316pp.
|
|
|
Box/Folder
152/7
|
Plot Summary: by F.K. Butler, 10 December 1933
14pp.
|
|
|
Box/Folder
152/8
|
Treatment: Casino de Paree, no author shown, undated
25pp.
: Annotated.
|
|
|
Box/Folder
153/1
|
Screenplay: Casino de Paree, no author shown, 7 September 1934, Incomplete
86pp.
|
|
|
Box/Folder
153/2
|
Temporary: Casino de Paree, by Earl Baldwin, 31 October to 9 November 1934
141pp.
|
|
|
Box/Folder
153/3
|
Final: Casino de Paree, by Baldwin, 20 November 1934 with revisions to 25 January 1935
circa 145pp.
|
|
|
God Is My Co-Pilot
|
|
|
Box/Folder
153/4
|
Novel: by Col. Robert L. Scott. New York, 1943
277pp.
|
|
|
Box/Folder
153/5
|
Novel: by Scott. Condensed in Liberty, 6 November 1943
16pp.
|
|
|
Box/Folder
153/6
|
Treatment: by Abem Finkel, 24 July 1943
87pp.
: Annotated.
|
|
|
Box/Folder
153/7
|
Treatment: by Finkel, 10 September 1943
100pp.
|
|
|
Box/Folder
153/8
|
Treatment: by Finkel, 12 October 1943
107pp.
|
|
|
Box/Folder
153/9
|
Screenplay: by Finkel, 25 October to 11 December 1943
221pp.
|
|
|
Box/Folder
154/1
|
Screenplay: by Steve Fisher, 1 January to 5 February 1944
173pp.
|
|
|
Box/Folder
154/2
|
Temporary: no author shown, 18 February 1944
162pp.
|
|
|
Box/Folder
154/3
|
Final: by Fisher, 7 March with revisions to 15 March 1944
158pp.
|
|
|
Box/Folder
154/4
|
Rev Final: by Peter Milne, 22 April to 20 May 1944
154pp.
|
|
|
Box/Folder
154/5
|
Rev Final 2: by Milne, 26 May with revisions to 3 October 1944
circa 150pp.
|
|
|
God's Country and the Woman
|
|
|
Box/Folder
154/6
|
Novel: by James Oliver Carwood. New York, 1915
347pp.
|
|
|
Box/Folder
155/1
|
Final: by Norman Reilly Raine and William Jacobs, 1 July with revisions to 7 August 1936
circa 145pp.
|
|
|
God's Gift to Women
|
|
|
Box/Folder
155/2
|
Play: The devil was sick, by Jane Hinton, undated
120pp.
|
|
|
Box/Folder
155/3
|
Screenplay: The devil was sick, no author shown, undated
115pp.
|
|
|
Box/Folder
155/4
|
Final: The devil was sick, by Joseph Jackson, 2 January 1930
98pp.
|
|
|
Going Highbrow
|
|
|
Box/Folder
155/5
|
Short Story: Social pirates, by Ralph Spence, undated
21pp.
|
|
|
Box/Folder
155/6
|
Screenplay: Social pirates, by Edward Kaufman and Sy Bartlett, 22 January 1935
142pp.
|
|
|
Box/Folder
155/7
|
Temporary: Social pirates, by Kaufman and Bartlett, 8 February 1935
136pp.
|
|
|
Box/Folder
155/8
|
Final: Social pirates, by Kaufman and Bartlett, 28 February 1935
121pp.
|
|
|
Box/Folder
155/9
|
Rev Final: Social pirates, by Kaufman and Bartlett, 8 March 1935
115pp.
|
|
|
Going Places
|
|
|
Box/Folder
156/1
|
Temporary: Head over heels, by Sig Herzig, 17 May 1938
103pp.
|
|
|
Box/Folder
156/2
|
Final: no author shown, 28 July with revisions to 16 August 1938
131pp.
|
|
|
Going Wild
|
|
|
Box/Folder
156/3
|
Play: The aviator, by James Montgomery, undated
circa 105pp.
|
|
|
Box/Folder
156/4
|
Treatment: by Humphrey Pearson, undated
23pp.
|
|
|
Box/Folder
156/5
|
Final: by Pearson and Henry McCarty, 13 May 1930
105pp.
|
|
|
Gold Diggers in Paris
|
|
|
Box/Folder
156/6
|
Short Story: (“Original screenplay”) Here come the girls, by Jerry Horwin and James Seymour, 18 December 1936
53pp.
|
|
|
Box/Folder
156/7
|
Treatment: The gold diggers in London, by Horwin, 27 March 1937; memo from W. MacEwen to H. Wallis
37pp.; 1p.
|
|
|
Box/Folder
156/8
|
Treatment: Golddiggers of 1938, by Jerry Wald and Richard Macaulay, 28 August 1937
|
|
|
Box/Folder
156/9
|
Temporary: no author shown, 6 October 1937, Incomplete
32pp.
|
|
|
Box/Folder
156/10
|
Final: no author shown, 4 January with revisions to 24 March 1938
circa 140pp.
|
|
|
Gold Diggers of 1935
|
|
|
Box/Folder
156/11
|
Story Outline: by Robert Lord, undated
9pp.
|
|
|
Box/Folder
156/12
|
Treatment: by Lord and Peter Milne, 26 April 1934
19pp.
|
|
|
Box/Folder
156/13
|
Treatment: by Lord and Milne, 15 May 1934
47pp.
: Annotated.
|
|
|
Box/Folder
156/14
|
Temporary: by Milne and Manuel Seff, 16 June to 20 June 1934
124pp.
|
|
|
Box/Folder
157/1
|
Final: by Milne and Seff, 18 September with revisions to 5 November 1934
circa 120pp.
|
|
|
Gold Diggers of 1937
|
|
|
Box/Folder
157/2
|
Play: Sweet mystery of life, by Richard Maibaum, Mike Wallach, and George Haight, undated
circa 150pp.
|
|
|
Box/Folder
157/3
|
Temporary: by Tom Reed, 26 February 1936
133pp.
|
|
|
Box/Folder
157/4
|
Rev Temp: by Warren Duff and Reed, 8 June 1936
125pp.
|
|
|
Box/Folder
157/5
|
Rev Temp 2: by Duff, 1 July 1936, Incomplete
87pp.
|
|
|
Box/Folder
157/6
|
Final: by Duff and Reed, undated with revisions to 15 September 1936
circa 150pp.
|
|
|
Gold Diggers of 1933
|
|
|
Box/Folder
158/1
|
Play: The gold diggers, by Avery Hopwood, undated
144pp.
: Annotated.
|
|
|
Box/Folder
158/2
|
Treatment: High life, by Erwin Gelsey and James Seymour, 29 November 1932; memo from Gelsey and Seymour to Mr Hubbard
15pp.; 1p.
|
|
|
Box/Folder
158/3
|
Treatment: High life, by Seymour, undated
17pp.
|
|
|
Box/Folder
158/4
|
Treatment: High life, by Gelsey and Seymour, undated
23pp.
: Annotated.
|
|
|
Box/Folder
158/5
|
Treatment: High life, by David Boehm and Seymour, 23 December 1932
26pp.
|
|
|
Box/Folder
158/6
|
Screenplay: High life, by Seymour, Boehm, and Ben Markson, 3 February 1933
140pp.
|
|
|
Box/Folder
158/7
|
Rev Temp: High life, by Seymour and Boehm, 18 January 1933
107pp.
|
|
|
Box/Folder
158/8
|
Final: High life, by Seymour and Boehm, 27 January 1933
145pp.
|
|
|
Box/Folder
158/9
|
Rev Final: by Seymour, Boehm, and Markson, 8 February with revisions to 11 February 1933; alternate ending
150pp.; 2pp.
|
|
|
Gold Dust Gertie
|
|
|
Box/Folder
158/10
|
Play: The wife of the party, by Lon D Hollister, undated
152pp.
|
|
|
Box/Folder
158/11
|
Treatment: Red hot sinners, by William K Wells, 22 July 1930
87pp.
|
|
|
Box/Folder
159/1
|
Treatment: Red hot sinners, by Wells, undated
73pp.
: Annotated.
|
|
|
Box/Folder
159/2
|
Treatment: Red hot sinners, by Wells, undated
139pp.
: Annotated.
|
|
|
Box/Folder
159/3
|
Temporary: Red hot sinners, by Wells, undated
112pp.
|
|
|
Box/Folder
159/4
|
Final: Red hot sinners, no author shown, 23 January 1931
130pp.
|
|
|
Gold Is Where You Find It
|
|
|
Box/Folder
159/5
|
Novel: by Clements Ripley, undated
321pp.
|
|
|
Box/Folder
159/6
|
Novel: by Ripley. Galleys, undated
185pp.
|
|
|
Box/Folder
159/7
|
Treatment: no author shown, undated
22pp.
|
|
|
Box/Folder
159/8
|
Treatment: no author shown, 15 July 1937
23pp.
|
|
|
Box/Folder
159/9
|
Treatment: by Michel Jacoby and Ripley, undated
59pp.
|
|
|
Box/Folder
160/1
|
Screenplay: by Jacoby and Ripley, 19 August 1936
198pp.
: Annotated.
|
|
|
Box/Folder
160/2
|
Temporary: by Jacoby and Ripley, 26 September 1936
140pp.
|
|
|
Box/Folder
160/3
|
Rev Temp: no author shown, 26 June with revisions to 28 June 1937, Incomplete
69pp.
|
|
|
Box/Folder
160/4
|
Final: no author shown, 24 July to 12 August with revisions to 11 August 1937
: Incomplete.
110pp.
|
|
|
Box/Folder
160/5
|
Rev Final: no author shown, 28 August with revisions to 11 October 1937; alternate ending
160pp.; 2pp.
|
|
|
The Golden Arrow
|
|
|
Box/Folder
160/6
|
Short Story: by Michael Arlen. Liberty, undated
6pp.
|
|
|
Box/Folder
160/7
|
Temporary: The cream princess, by Charles Kenyon, 17 December 1935
151pp.
|
|
|
Box/Folder
160/8
|
Rev Temp: by Kenyon, 7 January 1936, Incomplete
107pp.
|
|
|
Box/Folder
161/1
|
Final: by Kenyon, 11 January with revisions to 8 February 1936; alternate endings; memos from Mr. Bischoff to Mr. Green
155pp.; 4pp.; 2pp.
|
|
|
Box/Folder
161/2
|
Final: by Kenyon, 11 January with revisions to 8 February 1936; alternate endings; memos from Mr. Bischoff to all departments and to Mr. Green
150pp.; 4pp.; 3pp.
|
|
|
Golden Dawn
|
|
|
Box/Folder
161/3
|
Play: by Otto Harbach and Oscar Hammerstein II, undated
150pp.
|
|
|
Box/Folder
161/4
|
Screenplay: by Walter B Anthony, undated
103pp.
|
|
|
Box/Folder
161/5
|
Final: by Anthony, 12 June 1929; added sequence
circa 100pp.; 3pp.
|
|
|
Goodbye Again
|
|
|
Box/Folder
161/6
|
Play: by Allan Scott and George Haight. New York, 1932
128pp.
|
|
|
Box/Folder
161/7
|
Final: by Ben Markson, 20 March 1933
131pp.
|
|
|
The Goose and the Gander
|
|
|
Box/Folder
162/1
|
Temporary: by Charles Kenyon, 5 November 1934
135pp.
|
|
|
Box/Folder
162/2
|
Final: by Kenyon, 16 November 1934 with revisions to 7 January 1935
circa 120pp.
|
|
|
The Gorilla Man
|
|
|
Box/Folder
162/3
|
Temporary: by Anthony Coldewey, 21 July 1942
109pp.
|
|
|
Box/Folder
162/4
|
Final: by Coldewey, 27 July with revisions to 30 July 1942
circa 110pp.
|
|
|
Grand Slam
|
|
|
Box/Folder
162/5
|
Novel: by B Russell Herts. New York, 1932
288pp.
|
|
|
Box/Folder
162/6
|
Treatment: by David Boehm, 2 August 1932
31pp.
|
|
|
Box/Folder
162/7
|
Screenplay: no author shown, undated
120pp.
|
|
|
Box/Folder
162/8
|
Temporary: by Boehm and Erwin Gelsey, 7 September 1932
139pp.
|
|
|
Box/Folder
163/1
|
Final: by Boehm and Gelsey, 20 October with revisions to 12 November 1932
circa 135pp.
|
|
|
Granny Get Your Gun
|
|
|
Box/Folder
163/2
|
Novel: The case of the dangerous dowager, by Erle Stanley Gardner, 7 August 1936
283pp.
|
|
|
Box/Folder
163/3
|
Temporary: by Kenneth Gamet, 3 August to 14 August 1939
124pp.
|
|
|
Box/Folder
163/4
|
Final: by Gamet, 13 September with revisions to 15 September 1939
112pp.
|
|
|
Box/Folder
163/5
|
Rev Final: by Gamet, 26 September with revisions to 10 October 1939
circa 95pp.
|
|
|
The Great Divide
|
|
|
Box/Folder
163/6
|
Play: by William Vaughn Moody. New York, 1906
82pp.
|
|
|
Box/Folder
163/7
|
Screenplay: no author shown, undated
circa 140pp.
|
|
|
Box/Folder
163/8
|
Screenplay: by Monte Katterjohn, undated
circa 140pp.
|
|
|
Box/Folder
164/1
|
Screenplay: no author shown, 18 April 1929
100pp.
|
|
|
Box/Folder
164/2
|
Final: no author shown, undated
circa 100pp.
|
|
|
The Great Garrick
|
|
|
Box/Folder
164/3
|
Screenplay: Ladies and gentlemen, by Ernest Vajda, 7 October 1936
191pp.
|
|
|
Box/Folder
164/4
|
Treatment: by Elaine Ryan, undated
circa 55pp.
|
|
|
Box/Folder
164/5
|
Treatment: by Robert Rossen, 6 February 1937
56pp.
|
|
|
Box/Folder
164/6
|
Temporary: by Vajda, 15 April 1937
151pp.
|
|
|
Box/Folder
164/7
|
Rev Temp: by Vajda and Rowland Leigh, 7 May 1937
149pp.
|
|
|
Box/Folder
164/8
|
Final: by Vajda and Leigh, 3 June with revisions to 21 July 1937
circa 148pp.
|
|
|
The Great Lie
|
|
|
Box/Folder
165/1
|
Novel: The far horizon, by Polan Banks. New York, 1936
316pp.
|
|
|
Box/Folder
165/2
|
Treatment: The far horizon, by Guy Endore, undated
53pp.
|
|
|
Box/Folder
165/3
|
Treatment: January heights, by Endore, 28 November 1939; memo from Endore to Henry Blanke
30pp.; 1p.
|
|
|
Box/Folder
165/4
|
Treatment: January heights, by Abem Finkel and Endore, undated
25pp.
|
|
|
Box/Folder
165/5
|
Screenplay: January heights, by Finkel and Endore, 6 January 1940
119pp.
|
|
|
Box/Folder
165/6
|
Temporary: January heights, by Michael Hogan, 14 February with revisions to 4 March 1940, Incomplete
circa 95pp.
|
|
|
Box/Folder
165/7
|
Treatment: January heights, by Richard Sherman, 7 March 1940
37pp.
: Annotated.
|
|
|
Box/Folder
165/8
|
Screenplay: January heights, by Sherman, 16 March 1940
134pp.
|
|
|
Box/Folder
165/9
|
Rev Temp: January heights, by Sherman, 21 May 1940
172pp.
|
|
|
Box/Folder
166/1
|
Story Outline: Women of today, by Lenore Coffee, 18 June 1940
19pp.
|
|
|
Box/Folder
166/2
|
Rev Temp 2: Women of today (January heights), by Coffee, 9 August to 26 September 1940
158pp.
|
|
|
Box/Folder
166/3
|
Rev Temp 3: January heights, by Coffee, 15 October to 17 October 1940, Incomplete
114pp.
|
|
|
Box/Folder
166/4
|
Final: Far horizon (January heights), no author shown, 29 October with revisions to 5 November 1940
: Incomplete.
circa 145pp.
|
|
|
Box/Folder
166/5
|
Rev Final: Far horizon, by Coffee, 7 November with revisions to 10 December 1940
circa 135pp.
: Annotated.
|
|
|
Great Mr. Nobody
|
|
|
Box/Folder
166/6
|
Treatment: The stuff of heroes, by Al Martin and Ivan Goff, 10 March 1939
67pp.
|
|
|
Box/Folder
166/7
|
Temporary: Stuff of heroes, by Goff and Martin, 19 October 1939
130pp.
|
|
|
Box/Folder
166/8
|
Treatment: Stuff of heroes, by Warren Duff, 11 January 1940; memo from Blanke to Hal Wallis
32pp.; 1p.
|
|
|
Box/Folder
167/1
|
Treatment: The stuff of heroes, by James Seymour and Goff, 4 February 1940
58pp.
|
|
|
Box/Folder
167/2
|
Treatment: Stuff of heroes, by Delmer Daves and Abem Finkel, 13 February 1940
38pp.
|
|
|
Box/Folder
167/3
|
Treatment: Stuff of heroes, by Daves and Finkel, 5 March 1940
75pp.
|
|
|
Box/Folder
167/4
|
Screenplay: Stuff of heroes, by Daves, 5 April 1940
150pp.
|
|
|
Box/Folder
167/5
|
Story Outline: Stuff of heroes, by Stephen Morehouse Avery, 17 May 1940
10pp.
|
|
|
Box/Folder
167/6
|
Rev Temp: Stuff of heroes, by Ben Markson, 10 October 1940
120pp.
|
|
|
Box/Folder
167/7
|
Final: Stuff of heroes, by Markson, 28 October 1940
112pp.
|
|
|
Box/Folder
167/8
|
Rev Final: Stuff of heroes, by Markson and Kenneth Gamet, 5 November with revisions to 26 November 1940
circa 110pp.
|
|
|
The Great O'Malley
|
|
|
Box/Folder
167/9
|
Short Story: The making of O'Malley, by Gerald Beaumont, 12 March 1936
23pp.
|
|
|
Box/Folder
167/10
|
Treatment: The making of O'Malley, by Carl Erickson, 11 April 1932
24pp.
|
|
|
Box/Folder
167/11
|
Treatment: Making of O'Malley, by Milton Krims, undated
16pp.
|
|
|
Box/Folder
167/12
|
Temporary: The making of O'Malley, by Martin Mooney and Mary C. McCall Jr., 27 April 1936
112pp.
|
|
|
Box/Folder
168/1
|
Rev Temp: The making of O'Malley, by Tom Reed, 3 July with revisions to 21 July 1936
127pp.
|
|
|
Box/Folder
168/2
|
Final: The making of O'Malley, no author shown, 21 July to 23 July with revisions to 21 July 1936
: Incomplete.
95pp.
|
|
|
Box/Folder
168/3
|
Rev Final: The making of O'Malley, no author shown, undated with revisions to 13 August 1936
circa 130pp.
|
|
|
The Green Goddess
|
|
|
Box/Folder
168/4
|
Play: by William Archer, New York, 1920
97pp.
|
|
|
Box/Folder
168/5
|
Research: (“Film continuity, distinctive pictures production”) by Forrest Halsey, 1923
circa 45pp.
|
|
|
Box/Folder
168/6
|
Final: no author shown, undated
113pp.
: Annotated.
|
|
|
Green Light
|
|
|
Box/Folder
168/7
|
Novel: by Lloyd C. Douglas. Serialized in Cosmopolitan, October 1934 to March 1935
circa 40pp.
|
|
|
Box/Folder
168/8
|
Novel: by Douglas. Boston and New York, 1936
326pp.
|
|
|
Box/Folder
169/1
|
Temporary: by Paul Green, 27 December 1935
152pp.
|
|
|
Box/Folder
169/2
|
Rev Temp: by Milton Krims, 26 February 1936
172pp.
: Annotated.
|
|
|
Box/Folder
169/3
|
Rev Temp 2: by Krims, 11 April 1936
172pp.
|
|
|
Box/Folder
169/4
|
Rev Temp 3: by Krims, 19 June 1936
143pp.
|
|
|
Box/Folder
169/5
|
Final: by Krims, 2 July with revisions to 26 August 1936
circa 190pp.
|
|
|
The Green Pastures
|
|
|
Box/Folder
169/6
|
Novel: by Marc Connelly. New York, 1929
173pp.
|
|
|
Box/Folder
170/1
|
Temporary: no author shown, 23 October 1935
165pp.
|
|
|
Box/Folder
170/2
|
Final: no author shown, 31 December 1935 with revisions to 2 March 1936
circa 165pp.
|
|
|
Guns of the Pecos
|
|
|
Box/Folder
170/3
|
Temporary: Lone star ranger, by Harold Buckley. 5 May 1936
113pp.
|
|
|
Box/Folder
170/4
|
Final: Lone star ranger, by Buckley (“Story by Anthony Coldewey”) , 7 May with revisions to 19 May 1936
circa 160pp.
|
|
|
Happiness Ahead
|
|
|
Box/Folder
170/5
|
Treatment: (“Original story”) Window panes, by Harry Sauber, undated
18pp.
|
|
|
Box/Folder
170/6
|
Temporary: Window pane, by Sauber and Brian Marlow. 5 June 1934
139pp.
|
|
|
Box/Folder
170/7
|
Rev Temp: Gentlemen are born, by Sauber and Marlow, undated
140pp.
|
|
|
Box/Folder
170/8
|
Final: Gentlemen are born, by Sauber and Marlow, 22 June with revisions to 31 July 1934
circa 155pp.
|
|
|
Hard to Get
|
|
|
Box/Folder
171/1
|
Short Story: Stuffed skirt, by Stephen Morehouse Avery. Typescript, 30 September 1932, from Cosmopolitan
24pp.
|
|
|
Box/Folder
171/2
|
Screenplay: Stuffed skirt, by Avery, 21 December 1932
132pp.
|
|
|
Box/Folder
171/3
|
Temporary: Stuffed skirt, by Avery, 25 November 1933
126pp.
|
|
|
Box/Folder
171/4
|
Story Outline: Glamour girl, by Wally Klein and Joseph Schrank, undated
12pp.
|
|
|
Box/Folder
171/5
|
Temporary: for lovers only, by Schrank and Klein, 28 April 1938
153pp.
|
|
|
Box/Folder
171/6
|
Final: for lovers only, by Jerry Wald, Maurice Leo, and Richard Macaulay, 21 May with revisions to 25 June 1938
146pp.
|
|
|
Hard to Handle
|
|
|
Box/Folder
171/7
|
Treatment: The inside, by Houston Branch, undated
41pp.
|
|
|
Box/Folder
171/8
|
Plot Summary: The inside, by E J Dormer, 14 July 1932
2pp.
|
|
|
Box/Folder
171/9
|
Treatment: (“Adaptation”) the inside, by Robert Lord, 12 August 1932
87pp.
|
|
|
Box/Folder
171/10
|
Temporary: The inside, by Lord and Wilson Mizner, 23 September 1932
: Incomplete.
106pp.
|
|
|
Box/Folder
171/11
|
Final: The inside, by Lord and Mizner, 13 October to 15 October with revisions to 17 October 1932
132pp.
|
|
|
The Hard Way
|
|
|
Box/Folder
172/1
|
Short Story: by Jerry Wald, undated
20pp.
|
|
|
Box/Folder
172/2
|
Temporary: by Irwin Shaw, 30 August 1941
185pp.
|
|
|
Box/Folder
172/3
|
Rev Temp: by Shaw, 9 October 1941
187pp.
: Annotated.
|
|
|
Box/Folder
172/4
|
Comments: (“ `The hard way'-cast”) by Steve Trilling, 6 November 1941
2pp.
|
|
|
Box/Folder
172/5
|
Treatment: by Arch Oboler, 29 December 1941
20pp.
|
|
|
Box/Folder
172/6
|
Final: no author shown, 5 February with revisions to 16 February 1942
circa 170pp.
|
|
|
Box/Folder
172/7
|
Rev Final: no author shown, 25 February to 1 April with revisions to 17 March 1942
circa 170pp.
|
|
|
Harold Teen
|
|
|
Box/Folder
172/8
|
Temporary: no author shown, 21 November 1933
116pp.
|
|
|
Box/Folder
172/9
|
Final: by Al Cohn and Paul Gerard Smith, 28 November with revisions to 21 December 1933
circa 125pp.
|
|
|
The Hatchet Man
|
|
|
Box/Folder
172/10
|
Play: The honorable Mr Wong, by Achmed Abdullah and David Belasco, undated
182pp.
|
|
|
Box/Folder
173/1
|
Treatment: The honorable Mr Wong, by J Grubb Alexander, 11 September 1931
53pp.
|
|
|
Box/Folder
173/2
|
Treatment: The honorable Mr Wong, by Alexander, 26 September 1931
66pp.
|
|
|
Box/Folder
173/3
|
Treatment: (“Temporary shooting script”) the honorable Mr Wong, by Alexander, 1 October 1931
66pp.
|
|
|
Box/Folder
173/4
|
Rev Temp: The honorable Mr Wong, by Alexander, 14 October 1931
90pp.
|
|
|
Box/Folder
173/5
|
Final: The honorable Mr Wong, by Alexander, 26 October 1931
97pp.
|
|
|
Haunted Gold
|
|
|
Box/Folder
173/6
|
Final: by Adele Buffington, 15 September 1932
104pp.
|
|
|
Havana Widows
|
|
|
Box/Folder
173/7
|
Treatment: by Earl Baldwin, 7 June 1933
18pp.
|
|
|
Box/Folder
173/8
|
Temporary: by Baldwin, 14 July 1933
: Incomplete.
86pp.
|
|
|
Box/Folder
173/9
|
Final: by Baldwin, 28 July with revisions to 18 September 1933; new ending; dialogue for retake
128pp.; 2pp.; 1p.
|
|
|
He Couldn't Say No
|
|
|
Box/Folder
173/10
|
Short Story: Larger than life, by Norman Matson. Hearst's International Cosmopolitan, January 1936
6pp.
|
|
|
Box/Folder
173/11
|
Play: Larger than life, by Joseph Schrank, undated
129pp.
|
|
|
Box/Folder
173/12
|
Temporary: Larger than life, by Schrank and Ben Grauman Kohn, 21 December 1936
186pp.
|
|
|
Box/Folder
174/1
|
Final: Larger than life, by Schrank, Kohn, and Robertson White, 10 August with revisions to 12 August 1937
circa 115pp.
|
|
|
He Was Her Man
|
|
|
Box/Folder
174/2
|
Treatment: (“Original story”) Without honor, by Robert Lord and Niven Busch, undated
20pp.
|
|
|
Box/Folder
174/3
|
Treatment: Without honor, by Busch and Tom Buckingham, undated
17pp.
|
|
|
Box/Folder
174/4
|
Temporary: Without honor, no author shown, 16 January 1934
123pp.
|
|
|
Box/Folder
174/5
|
Final: Without honor, by Buckingham and Busch, 22 January with revisions to 24 January 1934
115pp.
: Annotated.
|
|
|
Heart of New York
|
|
|
Box/Folder
174/6
|
Novel: Mendel Marantz, by David Freedman. New York, 1922
301pp.
|
|
|
Box/Folder
174/7
|
Play: Mendel, Inc., by Freedman, 12 November 1931
143pp.
|
|
|
Box/Folder
174/8
|
Temporary: Mendel, Inc., by Arthur Caesar and Houston Branch, 7 December 1931
150pp.
|
|
|
Box/Folder
174/9
|
Final: Mendel, Inc., by Caesar and Branch, 12 December 1931
129pp.
|
|
|
Box/Folder
175/1
|
Rev Final: Mendel, Inc., by Caesar and Branch, 24 December 1931
135pp.
|
|
|
Heart of the North
|
|
|
Box/Folder
175/2
|
Novel: by William Byron Mowery. Serialized in Redbook, November 1929 to April 1930
circa 60pp.
|
|
|
Box/Folder
175/3
|
Screenplay: by Sherman L Lowe, undated
: Incomplete.
138pp.
|
|
|
Box/Folder
175/4
|
Temporary: by George Bricker and Lowe, 7 June 1938
121pp.
|
|
|
Box/Folder
175/5
|
Final: by Lee Katz, 25 June to 28 June 1938
: Incomplete.
84pp.
|
|
|
Box/Folder
175/6
|
Rev Final: by Vincent Sherman and Katz, 2 July to 9 July with revisions to 10 September 1938; added scenes
146pp.; 9pp.
|
|
|
Hearts Divided
|
|
|
Box/Folder
175/7
|
Play: Glorious Betsy, by Rida Johnson Young, 3 May 1934
89pp.
|
|
|
Box/Folder
175/8
|
Rev Temp: Glorious, by Casey Robinson: 31 August 1935
151pp.
|
|
|
Box/Folder
175/9
|
Rev Temp 2: Glorious, no author shown, 6 September 1935
159pp.
|
|
|
Box/Folder
176/1
|
Rev Temp 3: Glorious, no author shown, 21 October 1935
156pp.
|
|
|
Box/Folder
176/2
|
Temporary: Marion Davies production no. 2, no author shown, 11 December 1935
124pp.
|
|
|
Box/Folder
176/3
|
Temporary: no author shown, 13 December 1935 with revisions to ND
circa 135pp.
|
|
|
Box/Folder
176/4
|
Rev Temp: no author shown, 24 December 1935
127pp.
|
|
|
Box/Folder
176/5
|
Final: no author shown, 4 January with revisions to 11 January 1936
127pp.
|
|
|
Box/Folder
176/6
|
Rev Final: no author shown, 27 January with revisions to 7 February 1936
circa 145pp.
|
|
|
Heat Lightning
|
|
|
Box/Folder
176/7
|
Play: by Leon Abrams and George Abbott. Copied 29 September 1933
105pp.
|
|
|
Box/Folder
177/1
|
Temporary: no author shown, 9 November 1933
101pp.
|
|
|
Box/Folder
177/2
|
Final: by Brown Holmes and Warren Duff, 16 November with revisions to 18 November 1933
circa 105pp.
|
|
|
Hell's Kitchen
|
|
|
Box/Folder
177/3
|
Screenplay: by Crane Wilbur, undated
121pp.
|
|
|
Box/Folder
177/4
|
Temporary: by Wilbur, 16 November 1938
: Incomplete.
67pp.
|
|
|
Box/Folder
177/5
|
Rev Temp: by Wilbur, 26 November 1938
125pp.
|
|
|
Box/Folder
177/6
|
Final: by Wilbur, 29 November 1938
: Incomplete.
47pp.
|
|
|
Box/Folder
177/7
|
Rev Final: by Wilbur, 30 November 1938
120pp.
|
|
|
Box/Folder
177/8
|
Rev Final 2: no author shown, 28 December 1938 with revisions to 20 February 1939
circa 145pp.
|
|
|
Her Husband's Secretary
|
|
|
Box/Folder
177/9
|
Temporary: by Lillie Hayward, 10 November 1936
109pp.
|
|
|
Box/Folder
178/1
|
Final: by Hayward, 13 November 1936 with revisions to 7 January 1937
circa 135pp.
|
|
|
Her Kind of Man
|
|
|
Box/Folder
178/2
|
Treatment: Melancholy, by Charles Hoffman and James V Kern, undated
30pp.
|
|
|
Box/Folder
178/3
|
Screenplay: Melancholy, by Kern, undated
105pp.
|
|
|
Box/Folder
178/4
|
Comments: (“Outline-Melancholy”) by W R Burnett, 2 August 1943
3pp.
|
|
|
Box/Folder
178/5
|
Screenplay: by Burnett, 10 August to 8 November 1943
circa 165pp.
: Annotated.
|
|
|
Box/Folder
178/6
|
Screenplay: Dancing with tears, by Gordon Kahn, 10 March 1945
: Incomplete; outline.
circa 110pp.; 5pp.
|
|
|
Box/Folder
178/7
|
Temporary: Dancing with tears, by Kahn, 2 April 1945
140pp.
|
|
|
Box/Folder
178/8
|
Final: Dancing with tears, by Kahn and Leopold Atlas, 6 July with revisions to 30 November 1945
circa 155pp.
: Annotated.
|
|
|
Her Majesty Love
|
|
|
Box/Folder
178/9
|
Screenplay: Miller story, by Robert Lord, August 1931
106pp.
|
|
|
Box/Folder
178/10
|
Screenplay: Miller story, by Lord, 14 August 1931
118pp.
|
|
|
Box/Folder
178/11
|
Final: by Lord, 22 August with revisions to 25 August 1931
circa 110pp.
|
|
|
Here Comes Carter
|
|
|
Box/Folder
179/1
|
Screenplay: The lowdown, by Michel Jacoby, undated
104pp.
|
|
|
Box/Folder
179/2
|
Final: Loudspeaker lowdown, by Roy Chanslor, 2 June with revisions to 9 June 1936
circa 130pp.
|
|
|
Here Comes Happiness
|
|
|
Box/Folder
179/3
|
Temporary: by Charles Linton Tedford, 16 November 1940
111pp.
|
|
|
Box/Folder
179/4
|
Final: by Tedford, 27 November to 28 November 1940
105pp.
|
|
|
Here Comes the Navy
|
|
|
Box/Folder
179/5
|
Treatment: Hey, sailor, by Ben Markson, undated
89pp.
|
|
|
Box/Folder
179/6
|
Temporary: Hey, sailor, by Markson, 10 March 1934
147pp.
|
|
|
Box/Folder
179/7
|
Final: Hey, sailor, by Markson and Baldwin, 27 March 1934; added scenes
127pp.; 3pp.
|
|
|
Heroes for Sale
|
|
|
Box/Folder
179/8
|
Screenplay: Breadline, no author shown, undated
123pp.
: Annotated.
|
|
|
Box/Folder
179/9
|
Final: Breadline, by Robert Lord and Wilson Mizner, 20 February to 25 February 1933
143pp.
|
|
|
Box/Folder
180/1
|
Rev Final: Breadline, by Lord and Mizner, 1 March with revisions to 4 March 1933
140pp.
|
|
|
Hi Nellie
|
|
|
Box/Folder
180/2
|
Short Story: by Roy Chanslor. Copied 8 June 1933
37pp.
|
|
|
Box/Folder
180/3
|
Treatment: by James Wharton, 4 August 1933
53pp.
|
|
|
Box/Folder
180/4
|
Treatment: by Sidney Sutherland, 19 August 1933
57pp.
: Annotated.
|
|
|
Box/Folder
180/5
|
Temporary: no author shown, 4 October 1933
: Incomplete.
105pp.
|
|
|
Box/Folder
180/6
|
Rev Temp: no author shown, undated
145pp.
: Annotated.
|
|
|
Box/Folder
180/7
|
Final: by Abem Finkle and Sutherland, 12 October with revisions to 17 October 1933
circa 140pp.
|
|
|
The Hidden Hand
|
|
|
Box/Folder
180/8
|
Play: Invitation to a murder, no author shown, undated
105pp.
: Annotated.
|
|
|
Box/Folder
180/9
|
Screenplay: Find my body, by Anthony Coldewey, 24 April 1942
112pp.
: Annotated.
|
|
|
Box/Folder
180/10
|
Screenplay: Dressed to kill, by Raymond L Schrock, undated
111pp.
|
|
|
Box/Folder
181/1
|
Temporary: by Coldewey and Schrock, 26 May 1942
106pp.
|
|
|
Box/Folder
181/2
|
Final: by Coldewey and Schrock, 17 June with revisions to 26 June 1942
circa 115pp.
|
|
|
High Pressure
|
|
|
Box/Folder
181/3
|
Play: Hot money, by Aben Kandel, undated
131pp.
|
|
|
Box/Folder
181/4
|
Screenplay: Sinners all, by Joseph Jackson, 28 September 1931
99pp.
|
|
|
Box/Folder
181/5
|
Temporary: by Jackson, 1 October 1931
100pp.
|
|
|
Box/Folder
181/6
|
Final: by Jackson, 23 October 1931
117pp.
|
|
|
High Sierra
|
|
|
Box/Folder
181/7
|
Novel: by W R Burnett. New York, 1940
292pp.
|
|
|
Box/Folder
181/8
|
Rev Final: by John Huston and Burnett, 31 July with revisions to 6 September 1940
142pp.
|
|
|
Highway West
|
|
|
Box/Folder
182/1
|
Treatment: Highway 99, by Kenneth Gamet, undated
24pp.
|
|
|
Box/Folder
182/2
|
Screenplay: Highway 99, by Gamet, undated
116pp.
: Annotated.
|
|
|
Box/Folder
182/3
|
Temporary: Highway 99, by Charles Kenyon, 9 December to 30 December with revisions to 28 December 1940
129pp.
|
|
|
Box/Folder
182/4
|
Final: Highway 99, by Allen Rivkin and Kenyon, 30 December 1940 to 10 January 1941 with revisions to 4 January 1941
circa 125pp.
|
|
|
Box/Folder
182/5
|
Rev Final: Highway 99, by Gamet, Rivkin, and Kenyon, 4 February to 8 February with revisions to 19 February 1941
circa 120pp.
|
|
|
Hollywood Canteen
|
|
|
Box/Folder
182/6
|
Screenplay: One in a million, by Delmer Daves, 14 September 1943
96pp.
: Annotated.
|
|
|
Box/Folder
182/7
|
Screenplay: by Daves, undated
105pp.
|
|
|
Box/Folder
182/8
|
Temporary: by Daves, 15 October with revisions to 10 December 1943
circa 110pp.
|
|
|
Box/Folder
182/9
|
Treatment: by Agnes Christine Johnston, 27 April 1944
: Incomplete.
17pp.
|
|
|
Box/Folder
182/10
|
Screenplay: by Daves, 20 May 1944
105pp.
|
|
|
Box/Folder
182/11
|
Temporary: (“Special sequences for Hollywood canteen”) no author shown, 24 May 1944
18pp.
|
|
|
Box/Folder
183/1
|
Final: by Daves, 29 May with revisions to 27 July 1944
circa 110pp.
|
|
|
Box/Folder
183/2
|
Reader Synopsis: by W Geoffrey, 15 December 1944
1p.
|
|
|
Box/Folder
183/3
|
Reader Synopsis: by V Volland, 24 January 1946
1p.
|
|
|
Hollywood Hotel
|
|
|
Box/Folder
183/4
|
Temporary: by Jerry Wald and Maurice Leo, 8 February 1937
153pp.
|
|
|
Box/Folder
183/5
|
Treatment: by Wald and Dick Macauley, 12 May 1937
19pp.
|
|
|
Box/Folder
183/6
|
Rev Temp: no author shown, 15 June 1937
: Incomplete.
115pp.
|
|
|
Box/Folder
183/7
|
Final: no author shown, 25 June to 4 July 1937
167pp.
|
|
|
Box/Folder
183/8
|
Rev Final: Hollywood bandwagon, by Wald, Leo, and Macauley, 21 July with revisions to 16 August 1937
circa 165pp.
|
|
|
Box/Folder
183/9
|
Rev Final 2: by Wald, Leo, and Macauley, 18 August with revisions to 4 November 1937; added scenes
circa 170pp.; 2pp.
|
|
|
Homicide
|
|
|
Box/Folder
184/1
|
Screenplay: Night beat, by William Sackheim, 23 December 1947 to 24 April 1948
134pp.
|
|
|
Box/Folder
184/2
|
Temporary: Night beat, by Sackheim, 6 May 1948
122pp.
|
|
|
Box/Folder
184/3
|
Final: Night beat, by Sackheim, 2 June with revisions to 30 June 1948
circa 120pp.
|
|
|
Honeymoon for Three
|
|
|
Box/Folder
184/4
|
Temporary: Occasionally yours, by Earl Baldwin, 20 January 1940
144pp.
|
|
|
Box/Folder
184/5
|
Rev Temp: by Julius J Epstein and Phillip G Epstein, 9 May 1940
: Incomplete.
77pp.
|
|
|
Box/Folder
184/6
|
Final: no author shown, 10 June with revisions to 12 June 1940
circa 130pp.
|
|
|
Box/Folder
184/7
|
Rev Final: by Baldwin and the Epsteins, 21 June with revisions to 14 August 1940
circa 130pp.
|
|
|
The Horn Blows At Midnight
|
|
|
Box/Folder
184/8
|
Short Story: Come blow your horn, by Audrey Wisberg, undated
27pp.
|
|
|
Box/Folder
184/9
|
Treatment: by Jacques Thery, undated
38pp.
|
|
|
Box/Folder
184/10
|
Screenplay: At midnight blows the horn, by Thery and Ivan Goff, undated
: Incomplete; treatment.
82pp.; 35pp.
|
|
|
Box/Folder
185/1
|
Temporary: by Sam Hellman, 22 September 1942
153pp.
|
|
|
Box/Folder
185/2
|
Final: by Hellman and James V Kern, 10 June with revisions to 3 August 1943
circa 150pp.
|
|
|
Box/Folder
185/3
|
Rev Final: by Hellman and Kern, 12 November 1943 with revisions to 17 October 1944
circa 145pp.
|
|
|
The Hot Heiress
|
|
|
Box/Folder
185/4
|
Story Outline: no author shown, undated
10pp.
|
|
|
Box/Folder
185/5
|
Final: by Joseph Fields, Richard Rodgers, and Lorenz Hart, 6 June 1930
94pp.
|
|
|
Hot Money
|
|
|
Box/Folder
185/6
|
Temporary: There's millions in it, by William Jacobs, 12 March 1936
129pp.
|
|
|
Box/Folder
185/7
|
Final: There's millions in it, by Jacobs, 19 March with revisions to 7 April 1936
137pp.
|
|
|
Hotel Berlin
|
|
|
Box/Folder
185/8
|
Novel: Hotel Berlin, 1943, by Vicki Baum. Serialized in Collier's, 6 November to 4 December 1943
42pp.
|
|
|
Box/Folder
186/1
|
Novel: Hotel Berlin ′43, by Baum. New York, 1944
250pp.
|
|
|
Box/Folder
186/2
|
Screenplay: Berlin hotel--1943, by Vladimir Pozner, 27 December 1943 to 25 March 1944
circa 235pp.
|
|
|
Box/Folder
186/3
|
Temporary: Berlin hotel, by Pozner, 1 February 1944
: Incomplete.
101pp.
|
|
|
Box/Folder
186/4
|
Final: no author shown, 6 April 1944
190pp.
|
|
|
Box/Folder
186/5
|
Treatment: Berlin hotel, by Jo Pagano and Alvah Bessie, 19 May to 10 June 1944; “Outline of leading characters,” 3 June 1944
36pp.; 7pp.
|
|
|
Box/Folder
186/6
|
Comments: (“Berlin hotel--list of main changes in treatment”) by Pagano and Bessie, 14 June 1944; “Supplementary notes on the basic relationship between Lisa Dorn and Martin Richter.”
6pp.; 2pp.
|
|
|
Box/Folder
186/7
|
Screenplay: by Pagano and Bessie, 24 June 1944
: Incomplete.
151pp.
|
|
|
Box/Folder
186/8
|
Rev Final: by Pagano and Bessie, 22 August to 30 September 1944
173pp.
|
|
|
Box/Folder
186/9
|
Rev Final 2: by Pagano and Bessie, 24 October with revisions to 20 December 1944; added scene
circa 150pp.; 3pp.
|
|
|
The House Across the Street
|
|
|
Box/Folder
187/1
|
Screenplay: by Russell S Hughes, 30 March to 25 May 1948
circa 110pp.
|
|
|
Box/Folder
187/2
|
Screenplay: by Hughes, 26 May 1948
125pp.
: Annotated.
|
|
|
Box/Folder
187/3
|
Final: by Hughes, 19 June with revisions to 30 July 1948
circa 125pp.
|
|
|
Box/Folder
187/4
|
Comments: (“Annotated script changes”) no author shown, 20 July to 23 July 1948
circa 100pp.
|
|
|
Box/Folder
187/5
|
Comments: (“Script changes, `Hi Nellie”') by Richard Bare, 27 July 1948
38pp.
|
|
|
The House on 56th Street
|
|
|
Box/Folder
187/6
|
Story Outline: by Austin Parker, undated
11pp.
|
|
|
Box/Folder
187/7
|
Treatment: by Parker, 22 March 1932
20pp.
|
|
|
Box/Folder
187/8
|
Treatment: by Joseph Santley, undated
25pp.
|
|
|
Box/Folder
187/9
|
Treatment: by Santley, 13 April 1933
25pp.
|
|
|
Box/Folder
187/10
|
Temporary: by Sheridan Gibney, 26 June 1933
141pp.
|
|
|
Box/Folder
187/11
|
Final: by Gibney and Parker, 18 July with revisions to 8 August 1933; new ending
circa 120pp.; 18pp.
|
|
|
Housewife
|
|
|
Box/Folder
187/12
|
Treatment: by Robert Lord and Lillie Hayward, 9 January 1934
50pp.
|
|
|
Box/Folder
187/13
|
Temporary: by Manuel Seff and Hayward, 12 February 1934
123pp.
|
|
|
Box/Folder
188/1
|
Rev Temp: by Seff and Hayward, 28 March 1934
136pp.
|
|
|
Box/Folder
188/2
|
Final: by Seff and Hayward, 5 April 1934
136pp.
|
|
|
Humoresque
|
|
|
Box/Folder
188/3
|
Short Story: by Fannie Hurst. Cosmopolitan, March 1919
39pp.
|
|
|
Box/Folder
188/4
|
Treatment: by W Faulkner, undated
26pp.
|
|
|
Box/Folder
188/5
|
Treatment: by Melvin Levy, 3 November 1941
20pp.
: Annotated.
|
|
|
Box/Folder
188/6
|
Treatment: by Levy, 8 November 1941
24pp.
|
|
|
Box/Folder
188/7
|
Treatment: by Sarah Y Mason and Victor Heerman, undated
29pp.
|
|
|
Box/Folder
188/8
|
Treatment: by Mason and Heerman, 2 December 1941
103pp.
|
|
|
Box/Folder
188/9
|
Treatment: by Waldo Salt, undated
33pp.
|
|
|
Box/Folder
188/10
|
Screenplay: by Salt, 16 May 1942; summary of ending
118pp.; 7pp.
|
|
|
Box/Folder
188/11
|
Treatment: by Richard Weil, 5 May 1943
65pp.
|
|
|
Box/Folder
188/12
|
Screenplay: by Barney Glazer, undated
121pp.
|
|
|
Box/Folder
188/13
|
Temporary: by Glazer, 10 May to 14 May 1945
: Incomplete.
52pp.
|
|
|
Box/Folder
188/14
|
Screenplay: by Clifford Odets (incomplete), 14 March to 4 April 1945; excerpts from “Rhapsody in Blue” script by Odets; four memos from Lil B. to Johnny; memo from Jerry Wald to story department
circa 130pp.; circa 100pp.; 1p. each; 1p.
|
|
|
Box/Folder
189/1
|
Rev Temp: by Odets and Glazer, 16 June 1945
150pp.
|
|
|
Box/Folder
189/2
|
Screenplay: by Zachary Gold, 4 August to 11 August 1945
: Incomplete.
39pp.
|
|
|
Box/Folder
189/3
|
Screenplay: by Gold, 10 August to 18 August 1945
: Incomplete.
73pp.
|
|
|
Box/Folder
189/4
|
Rev Temp 2: by Gold, 20 August with revisions to 2 October 1945; alternate ending
circa 170pp.; 2pp.
|
|
|
Box/Folder
189/5
|
Plot Summary: by Gold, 8 September 1945
3pp.
|
|
|
Box/Folder
189/6
|
Screenplay: by Odets and Gold, 8 November 1945
127pp.
|
|
|
Box/Folder
189/7
|
Screenplay: by Odets and Gold, 17 November 1945
130pp.
: Annotated.
|
|
|
Box/Folder
189/8
|
Final: by Odets and Gold, 23 November with revisions to 8 December 1945
132pp.
|
|
|
Box/Folder
189/9
|
Rev Final: by Odets and Gold, 15 December 1945 with revisions to 20 March 1946
circa 145pp.
|
|
|
I Am A Fugitive From A Chain Gang
|
|
|
Box/Folder
190/1
|
Novel: I am a fugitive from a Georgia chain gang, by Robert E Burns, New York, 1932
260pp.
|
|
|
Box/Folder
190/2
|
Treatment: I am a fugitive, no author shown, 15 April 1932
16pp.
|
|
|
Box/Folder
190/3
|
Treatment: I am a fugitive, by Brown Holmes, 23 April 1932
87pp.
|
|
|
Box/Folder
190/4
|
Screenplay: I am a fugitive from a Georgia chain gang, by Sheridan Gibney, undated
133pp.
: Annotated.
|
|
|
Box/Folder
190/5
|
Temporary: by Gibney and Holmes, 31 May 1932
147pp.
|
|
|
Box/Folder
190/6
|
Screenplay: by Howard J Green, 19 July 1932
148pp.
|
|
|
Box/Folder
190/7
|
Screenplay: by Green, Holmes, and Gibney, 23 July 1932
144pp.
|
|
|
I Am A Thief
|
|
|
Box/Folder
190/8
|
Treatment: by Ralph Block and Doris Malloy, undated
39pp.
|
|
|
Box/Folder
190/9
|
Screenplay: by Block and Malloy, 28 April 1934
115pp.
|
|
|
Box/Folder
190/10
|
Temporary: no author shown, 16 August 1934
127pp.
|
|
|
Box/Folder
191/1
|
Final: by Block and Malloy, 21 August with revisions to 24 August 1934
circa 120pp.
|
|
|
I Found Stella Parish
|
|
|
Box/Folder
191/2
|
Short Story: Judas tree, by John Monk Saunders, 21 September 1934
33pp.
|
|
|
Box/Folder
191/3
|
Screenplay: The Judas tree, by Saunders, 21 November 1934
93pp.
|
|
|
Box/Folder
191/4
|
Temporary: Stella Parrish, by Mary C. McCall Jr., 25 January 1935
128pp.
|
|
|
Box/Folder
191/5
|
Rev Temp: by McCall, 19 February 1935
114pp.
|
|
|
Box/Folder
191/6
|
Treatment: Stella Parish, by Casey Robinson, 14 May 1935
30pp.
|
|
|
Box/Folder
191/7
|
Rev Temp 2: by Robinson, 1 August 1935
155pp.
|
|
|
Box/Folder
191/8
|
Final: by Robinson, 13 August with revisions to 4 September 1935
circa 160pp.
|
|
|
I Like Your Nerve
|
|
|
Box/Folder
191/9
|
Screenplay: There's no such word, by Roland Pertwee, 21 February 1931
110pp.
: Annotated.
|
|
|
Box/Folder
191/10
|
Screenplay: There's no such word, by Houston Branch, undated
123pp.
|
|
|
Box/Folder
191/11
|
Temporary: by Branch, 20 March 1931
105pp.
: Annotated.
|
|
|
Box/Folder
192/1
|
Final: by Branch, 26 March with revisions to 27 April 1931
105pp.
|
|
|
I Live for Love
|
|
|
Box/Folder
192/2
|
Treatment: (“Original story”) Romance in a glass house, by Jerry Wald and Julius Epstein, 23 May 1935
20pp.
|
|
|
Box/Folder
192/3
|
Screenplay: Romance in a glass house, by Epstein, Wald, and Robert and rews, undated
: Annotated and incomplete.
70pp.
|
|
|
Box/Folder
192/4
|
Temporary: Romance in a glass house, by Wald, Epstein, and and rews, 20 June 1935
91pp.
|
|
|
Box/Folder
192/5
|
Rev Temp: Romance in a glass house, by Epstein, Wald, and and rews, 22 June 1935
106pp.
|
|
|
Box/Folder
192/6
|
Final: Romance in a glass house, by Epstein, Wald, and and rews, 25 June 1935
109pp.
|
|
|
I Loved A Woman
|
|
|
Box/Folder
192/7
|
Story Outline: Red meat, by David Karsner, 10 November 1932
9pp.
|
|
|
Box/Folder
192/8
|
Treatment: Red meat, no author shown, 28 November 1932
27pp.
|
|
|
Box/Folder
192/9
|
Rev Treatment: Red meat, by Charles Kenyon and Sidney Sutherland, 10 December 1932
45pp.
|
|
|
Box/Folder
192/10
|
Rev Treatment 2: Red meat, by Kenyon and Sutherland, 28 December 1932
60pp.
|
|
|
Box/Folder
192/11
|
Rev Treatment 3: Red meat, by Kenyon and Sutherland, 14 January 1933
62pp.
|
|
|
Box/Folder
192/12
|
Temporary: Red meat, by Kenyon and Sutherland, 17 January 1933
62pp.
|
|
|
Box/Folder
192/13
|
Rev Temp: Red meat, no author shown, 1 June 1933
133pp.
|
|
|
Box/Folder
192/14
|
Final: Red meat, by Kenyon and Sutherland, 13 June with revisions to 18 July 1933; new ending
circa 140pp.; 4pp.
|
|
|
I Married A Doctor
|
|
|
Box/Folder
193/1
|
Novel: Main street, by Sinclair Lewis. New York, 1920
451pp.
|
|
|
Box/Folder
193/2
|
Play: Main street, by Harvey O'Higgins and Harriet Ford, 1921
circa 100pp.
|
|
|
Box/Folder
193/3
|
Temporary: by Casey Robinson, 20 May 1935; memo from Mr. Arnow to Wallis, Brown, Alborn, Mayo, Wright, and Burns
135pp.; 2pp.
|
|
|
Box/Folder
193/4
|
Final: by Robinson, 13 January with revisions to 31 January 1936
circa 145pp.
|
|
|
I Sell Anything
|
|
|
Box/Folder
193/5
|
Short Story: (“Original screenplay”) I'll sell anything, by Albert J Cohen and Robert T Shannon, 30 March 1934
83pp.
|
|
|
Box/Folder
193/6
|
Treatment: I'll sell anything, by Sidney Sutherland, undated
24pp.
|
|
|
Box/Folder
193/7
|
Temporary: by Brown Holmes and Sutherland, 27 June 1934
134pp.
|
|
|
Box/Folder
193/8
|
Final: no author shown, 5 July with revisions to 15 August 1934
circa 150pp.
|
|
|
I Was Framed
|
|
|
Box/Folder
194/1
|
Treatment: It might happen to you, by Jerome Odlum, 1 October 1938
23pp.
|
|
|
Box/Folder
194/2
|
Treatment: (“Original story”) It might happen to you, by Odlum, 6 October 1938
36pp.
|
|
|
Box/Folder
194/3
|
Treatment: (“Original story”) It might happen to you, by Odlum, undated
98pp.
|
|
|
Box/Folder
194/4
|
Temporary: by Robert E Kent, 15 January 1942
96pp.
|
|
|
Box/Folder
194/5
|
Final: by Kent, 26 January 1942
101pp.
|
|
|
Illegal
|
|
|
Box/Folder
194/6
|
Screenplay: by Roland Pertwee, undated
91pp.
|
|
|
Box/Folder
194/7
|
Reader Synopsis: by Polly Breck, 18 March 1932
2pp.
|
|
|
Illicit
|
|
|
Box/Folder
194/8
|
Play: by Edith Fitzgerald and Robert Riskin, undated
circa 140pp.
|
|
|
Box/Folder
194/9
|
Final: by Harvey Thew (annotated), 24 July 1930; shooting schedule; wardrobe plot; prop list
133pp.; 3pp.; 4pp.; 37pp.
|
|
|
In Caliente
|
|
|
Box/Folder
194/10
|
Treatment: Caliente, by Ralph Block and Warren Duff, 4 August 1934
28pp.
|
|
|
Box/Folder
194/11
|
Screenplay: Caliente, by Block and Duff, 19 November 1934
108pp.
|
|
|
Box/Folder
194/12
|
Temporary: no author shown, 28 November 1934
128pp.
|
|
|
Box/Folder
195/1
|
Rev Temp: Caliente, by Block and Duff, additional dialogue by Jerry Wald and Jules Epstein, 8 December 1934
131pp.
|
|
|
Box/Folder
195/2
|
Final: Caliente, by Wald and Epstein, 10 December 1934 with revisions to 8 March 1935
circa 120pp.
|
|
|
In Our Time
|
|
|
Box/Folder
195/3
|
Treatment: no author shown, undated
14pp.
|
|
|
Box/Folder
195/4
|
Treatment: by Ellis St Joseph, undated
12pp.
|
|
|
Box/Folder
195/5
|
Screenplay: by St Joseph, 22 April 1943
: Incomplete.
40pp.
|
|
|
Box/Folder
195/6
|
Temporary: by St Joseph, 28 April to 12 May 1943
: Incomplete.
73pp.
|
|
|
Box/Folder
195/7
|
Final: by St Joseph, 20 May with revisions to 24 May 1943
: Incomplete.
70pp.
|
|
|
Box/Folder
195/8
|
Rev Final: by St Joseph, 29 May with revisions to 23 August 1943
circa 140pp.
|
|
|
In This Our Life
|
|
|
Box/Folder
195/9
|
Novel: by Ellen Glasgow. New York, 1941
467pp.
|
|
|
Box/Folder
195/10
|
Story Outline: no author shown, 17 April 1941
19pp.
|
|
|
Box/Folder
196/1
|
Screenplay: no author shown, 18 June 1941
141pp.
|
|
|
Box/Folder
196/2
|
Screenplay: no author shown, 9 July 1941 with revisions to undated
c145pp.
: Annotated.
|
|
|
Box/Folder
196/3
|
Final: by Howard Koch, 9 September 1941
72pp.
: Incomplete.
|
|
|
Box/Folder
196/4
|
Rev Final: by Koch, 3 October with revisions to 8 December 1941
circa 145pp.
|
|
|
Indianapolis Speedway
|
|
|
Box/Folder
196/5
|
Short Story: The roar of the crowd, by Howard Hawks, 16 October 1931
12pp.
|
|
|
Box/Folder
196/6
|
Screenplay: The roaring road, by Sig Herzig and Wally Klein, 25 August 1938
172pp.
|
|
|
Box/Folder
196/7
|
Temporary: The roaring road, by Herzig and Klein, 14 December 1938
176pp.
|
|
|
Box/Folder
196/8
|
Final: The roaring road, by Herzig and Klein, undated with revisions to 1 February 1939
circa 175pp.
|
|
|
The Inspector General
|
|
|
Box/Folder
197/1
|
Play: by Nikolai Gogol. New York, 1931
115pp.
|
|
|
Box/Folder
197/2
|
Plot Summary: by Hawthorne, 6 January 1932
5pp.
|
|
|
Box/Folder
197/3
|
Screenplay: by Ben Hecht and Charles Lederer, 8 December 1947
118pp.
: Annotated.
|
|
|
Box/Folder
197/4
|
Comments: (“Scene outline and notes”) by Sylvia Fine and Jerry Wald, 10 December to 23 December 1947
circa 55pp.
|
|
|
Box/Folder
197/5
|
Screenplay: Happy times, by Hecht and Lederer, 7 February 1948
135pp.
|
|
|
Box/Folder
197/6
|
Screenplay: by Hecht and Lederer, 21 February 1948
99pp.
|
|
|
Box/Folder
197/7
|
Plot Summary: (“Of 12/8/47 Screenplay”) no author shown, 23 February 1948
1p.
|
|
|
Box/Folder
197/8
|
Comments: (“Notes”) by Wald, S Fine, Millard Lampell, and Bobbie Fine, 11 February to 26 February 1948
20pp.
|
|
|
Box/Folder
197/9
|
Treatment: by Wald, 1 March 1948
18pp.
: Incomplete.
|
|
|
Box/Folder
197/10
|
Comments: (“Additional notes--`The happy times' ”) by Wald, 2 March 1948
3pp.
|
|
|
Box/Folder
197/11
|
Treatment: Happy times, by Wald, 9 March 1948
16pp.
: Incomplete.
|
|
|
Box/Folder
197/12
|
Treatment: Happy times, by Jack Rose, 16 March to 23 March 1948
28pp.
: Incomplete.
|
|
|
Box/Folder
197/13
|
Treatment: The happy times, by Lampell, 19 March 1948
35pp.
: Annotated.
|
|
|
Box/Folder
197/14
|
Comments: (“General criticisms”) by Fine, Wald, Rose, and Lampell, 23 March 1948
14pp.
|
|
|
Box/Folder
197/15
|
Comments: (“Notes”) by Fine, Wald, Rose, and Lampell, 24 March 1948
25pp.
|
|
|
Box/Folder
197/16
|
Treatment: The happy times, by Rose, 25 March 1948
30pp.
: Incomplete.
|
|
|
Box/Folder
197/17
|
Treatment: The happy times, by Rose and Lampell, 26 March 1948
59pp.
|
|
|
Box/Folder
197/18
|
Comments: (“Notes for revamping treatment”) by Wald, Fine, Rose, and Lampell, 31 March 1948
11pp.
|
|
|
Box/Folder
197/19
|
Treatment: The happy times, by Lampell and Rose, 3 April 1948
66pp.
: Annotated.
|
|
|
Box/Folder
197/20
|
Treatment: The happy times, by Lampell and Rose, 14 April 1948
65pp.
|
|
|
Box/Folder
197/21
|
Screenplay: The happy times, by Lampell and Philip Rapp, 22 April 1948
20pp.
: Incomplete.
|
|
|
Box/Folder
197/22
|
Screenplay: The happy times, by Lampell and Rapp, 22 April 1948
36pp.
: Incomplete.
|
|
|
Box/Folder
197/23
|
Comments: by Wald, S Fine and B Fine, 20 April to 23 April 1948
23pp.
|
|
|
Box/Folder
197/24
|
Temporary: Happy times, by Lampell and Rapp, 29 April 1948
26pp.
: Incomplete.
|
|
|
Box/Folder
197/25
|
Comments: (“Suggestions based on the Lampell-Rose treatment of `Inspector general' ”) by Wald, S Fine, and Henry Koster, 1 May to 3 May 1948
11pp.
|
|
|
Box/Folder
197/26
|
Screenplay: The happy times, by Lampell and Rapp, 7 May 1948
57pp.; 3pp.
: Incomplete; outline.
|
|
|
Box/Folder
198/1
|
Screenplay: The happy times, by Harry Kurnitz, 18 May to 8 June 1948
70pp.
: Incomplete.
|
|
|
Box/Folder
198/2
|
Story Outline: The happy times, by Kurnitz, 14 June 1948
5pp.
|
|
|
Box/Folder
198/3
|
Rev Temp: Happy times, by Kurnitz, 19 June to 6 July 1948
148pp.
|
|
|
Box/Folder
198/4
|
Screenplay: Happy times, by Kurnitz, 17 June to 20 July 1948
130pp.
: Incomplete.
|
|
|
Box/Folder
198/5
|
Comments: (“Notes and suggestions for `Happy times' ”) by Wald, 20 July 1948
21pp.
|
|
|
Box/Folder
198/6
|
Screenplay: Happy times, by Kurnitz and Rapp, 27 July 1948
143pp.
|
|
|
Box/Folder
198/7
|
Comments: by Rapp, Wald, Fine, Koster, and Kurnitz, 28 July 1948
8pp.
|
|
|
Box/Folder
198/8
|
Screenplay: by Rapp, undated
59pp.
: Incomplete.
|
|
|
Box/Folder
198/9
|
Final: Happy times, by Kurnitz and Rapp, 7 August with revisions to 13 October 1948
circa 140pp.
|
|
|
Box/Folder
198/10
|
Screenplay: by Rapp and Kurnitz, 24 August to 4 September 1948
58pp (pp 86-end)
: Incomplete (second half of screenplay).
|
|
|
Box/Folder
198/11
|
Screenplay: (Miscellaneous pages) by Rapp and Kurnitz, 1 September to 18 September 1948
31pp.; 50pp.
: Incomplete; changes.
|
|
|
Box/Folder
198/12
|
Screenplay: by Wald, 4 September 1948
56pp. (pp 89-end)
: Incomplete.
|
|
|
Box/Folder
198/13
|
Comments: (“Changes for `Happy times' ”) by Rapp, 22 September to 23 September 1948
circa 50pp.
|
|
|
Box/Folder
198/14
|
Comments: (“Changes for `Happy times' ”) by Rapp, 24 September 1948
circa 25pp.
|
|
|
Box/Folder
198/15
|
Screenplay: by Rapp and Wald, 25 September 1948
57pp.
: Annotated and Incomplete.
|
|
|
Box/Folder
198/16
|
Comments: (“Changes--`The happy times' ”) by Kurnitz, 5 October 1948 to 7 January 1949
21pp.
|
|
|
Box/Folder
198/17
|
Comments: (“ `Happy times' [added scenes]”) by Rapp, 14 June to 5 July 1949
29pp.
|
|
|
International Squadron
|
|
|
Box/Folder
199/1
|
Temporary: The flight patrol, by Barry Trivers, 21 January 1941
144pp.
|
|
|
Box/Folder
199/2
|
Final: Flight patrol, by Trivers, 21 February to 26 February with revisions to 15 March 1941
circa 110pp.
|
|
|
Box/Folder
199/3
|
Rev Final: Flight patrol, by Trivers, 19 March with revisions to 19 July 1941
circa 120pp.
|
|
|
Invisible Menace
|
|
|
Box/Folder
199/4
|
Play: Without warning, by Ralph Spenser Zink, 4 June 1937
107pp.
|
|
|
Box/Folder
199/5
|
Temporary: Without warning, by Crane Wilbur, 29 June 1937
116pp.
|
|
|
Box/Folder
199/6
|
Final: Without warning, by Wilbur, 27 July with revisions to 10 August 1937
circa 120pp.
|
|
|
Invisible Stripes
|
|
|
Box/Folder
199/7
|
Novel: by Lewis E Lawes. New York, 1938
315pp.
|
|
|
Box/Folder
200/1
|
Story Outline: (“Screen treatment”) by Jonathan Finn, undated
16pp.
|
|
|
Box/Folder
200/2
|
Temporary: by Warren Duff, 1 August 1939
157pp.
|
|
|
Box/Folder
200/3
|
Final: by Duff, 22 August with revisions to 20 October 1939; tag scenes
circa 150pp.; 4pp.
|
|
|
The Irish in Us
|
|
|
Box/Folder
200/4
|
Short Story: (“A screen story”) by Frank Orsatti, undated
15pp.
|
|
|
Box/Folder
200/5
|
Treatment: by Malcolm Stuart Boylan, undated
12pp.
: Annotated and Incomplete
|
|
|
Box/Folder
200/6
|
Treatment: by Earl Baldwin, 18 December 1934
18pp.
|
|
|
Box/Folder
200/7
|
Treatment: by Baldwin, 11 January 1935
31pp.
|
|
|
Box/Folder
200/8
|
Temporary: by Baldwin, 8 May 1935
128pp.
|
|
|
Box/Folder
200/9
|
Final: by Baldwin, 22 May 1935
116pp.
|
|
|
Isle of Fury
|
|
|
Box/Folder
200/10
|
Temporary: Three in Eden, by Robert D and rews, 1 April 1936
124pp.
|
|
|
Box/Folder
200/11
|
Rev Temp: Three in Eden, by and rews, 18 April 1936
125pp.
|
|
|
Box/Folder
200/12
|
Final: Three in Eden, by and rews and William Jacobs, 10 June with revisions to 20 June 1936
circa 115pp.
|
|
|
It All Came True
|
|
|
Box/Folder
201/1
|
Novel: Better than life, by Louis Bromfield, 31 December 1935
230pp.
|
|
|
Box/Folder
201/2
|
Treatment: and it all came true, by Delmer Daves, 20 November 1936
32pp.
|
|
|
Box/Folder
201/3
|
Temporary: and it all came true, by Daves, 22 January 1937
171pp.
|
|
|
Box/Folder
201/4
|
Rev Temp: and it all came true, by Lawrence Kimble, 7 July 1937
148pp.
|
|
|
Box/Folder
201/5
|
Rev Temp 2: and it all came true, by Casey Robinson, 17 September with revisions to 22 September 1937
circa 170pp.
: Annotated.
|
|
|
Box/Folder
201/6
|
Final: The roaring nineties, by Robinson, 9 February 1939
140pp.
|
|
|
It's A Great Feeling
|
|
|
Box/Folder
202/1
|
Treatment: The gay nineties, by I A L Diamond, undated
20pp.
|
|
|
Box/Folder
202/2
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Screenplay: The gay nineties, by Diamond, undated
85pp.
: Incomplete.
|
|
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Box/Folder
202/3
|
Screenplay: The gay nineties, by Diamond, 22 April 1948; memo from Alex Gottlieb, producer, to J L Warner
106pp.; 1p.
|
|
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Box/Folder
202/4
|
Screenplay: Two guys of the nineties, no author shown, 12 May 1948
127pp.
|
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Box/Folder
202/5
|
Temporary: Two guys and a gal, by Diamond and Charles Hoffman, 7 June 1948
106pp.
|
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Box/Folder
202/6
|
Rev Temp: Two guys and a gal, by Diamond and Hoffman, 29 June 1948
106pp.
|
|
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Box/Folder
202/7
|
Story Outline: (“Outline of a suggested treatment”) Two guys from Hollywood, no author shown, 7 July 1948
7pp.
|
|
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Box/Folder
202/8
|
Final: Two guys and a gal, by Jack Rose and Mel Shavelson, 28 July with revisions to 8 October 1948
circa 107pp.
|
|
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It's Love I'm After
|
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Box/Folder
202/9
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Screenplay: A gentleman after midnight, by Maurice Hanline, undated
125pp.
|
|
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Box/Folder
202/10
|
Temporary: Love derby, no author shown, 16 December 1936
149pp.
|
|
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Box/Folder
203/1
|
Rev Temp: Love derby, by Casey Robinson, 8 March with revisions to 19 March 1937
circa 180pp.
|
|
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Box/Folder
203/2
|
Final: A gentleman after midnight, by Robinson, 1 April with revisions to 14 April 1937
155pp.
|
|
|
Box/Folder
203/3
|
Rev Final: A gentleman after midnight, by Robinson, 16 April with revisions to 3 June 1937
circa 160pp.
|
|
|
It's Tough to Be Famous
|
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Box/Folder
203/4
|
Novel: The goldfish bowl, no author shown, 5 November 1931
269pp.
|
|
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Box/Folder
203/5
|
Treatment: The goldfish bowl, by Robert Lord, undated
circa 35pp.
: Annotated.
|
|
|
Box/Folder
203/6
|
Temporary: The goldfish bowl, no author shown, 3 December 1931 Part 1
69pp.
|
|
|
Box/Folder
203/7
|
Temporary: The goldfish bowl, by Lord, 9 December 1931 Part 2
67pp.
|
|
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Box/Folder
203/8
|
Final: The goldfish bowl, by Lord, 16 December 1931
120pp.
|
|
|
I've Got Your Number
|
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Box/Folder
204/1
|
Story Outline: Telephone story, by Robert N Lee and Paul G Smith, 2 August 1933
8pp.
|
|
|
Box/Folder
204/2
|
Story Outline: Hell's bells, no author shown, undated
15pp.
|
|
|
Box/Folder
204/3
|
Treatment: Hell's bells, by William Rankin and Warren B Duff, 1 September 1933
32pp.
|
|
|
Box/Folder
204/4
|
Temporary: Hell's bells, by Duff and Sidney Sutherland, 23 October 1933
115pp.
: Incomplete.
|
|
|
Box/Folder
204/5
|
Final: Hell's bells, by Duff and Sutherland, 1 November 1933
117pp.
|
|
|
Jailbreak
|
|
|
Box/Folder
204/6
|
Short Story: Murder in Sing Sing, by Jonathan Finn, 4 November 1935
68pp.
|
|
|
Box/Folder
204/7
|
Treatment: Murder in Sing Sing, by Joseph Hoffman, undated
17pp.
|
|
|
Box/Folder
204/8
|
Screenplay: Murder in Sing Sing, by Hoffman and Robert D and rews, undated
136pp.
|
|
|
Box/Folder
204/9
|
Final: Murder in Sing Sing, by and rews and Hoffman, 8 January 1936
135pp.
|
|
|
Box/Folder
204/10
|
Temporary: Murder in Sing Sing, by and rews and Hoffman, 20 January with revisions to 31 January 1936
circa 180pp.
|
|
|
Box/Folder
204/11
|
Rev Final: Murder in Sing Sing, by and rews and Hoffman, 11 February with revisions to 17 February 1936
circa 120pp.
|
|
|
Janie
|
|
|
Box/Folder
204/12
|
Novel: by Josephine Bentham. Ladies Home Journal, April 1941
15pp.
|
|
|
Box/Folder
205/1
|
Play: by Bentham and Herschel Williams, undated
194pp.
|
|
|
Box/Folder
205/2
|
Treatment: by Agnes C. Johnston, 5 August to 19 August 1943
55pp.
|
|
|
Box/Folder
305/3
|
Temporary: by Johnston, 16 October 1943
146pp.
|
|
|
Box/Folder
205/4
|
Screenplay: by Charles Hoffman, 15 November to 18 December 1943
circa 165pp.
|
|
|
Box/Folder
205/5
|
Final: by Johnston and Hoffman, 29 November with revisions to 11 December 1943
123pp.
: Incomplete.
|
|
|
Box/Folder
205/6
|
Rev Final: by Johnston and Hoffman, 16 December 1943 with revisions to 22 February 1944
circa 150pp.
|
|
|
Janie Gets Married
|
|
|
Box/Folder
205/7
|
Treatment: by Josephine Bentham and Gertrude Keck (annotated), 29 September 1944; memo
59pp.; 1p.
|
|
|
Box/Folder
205/8
|
Comments: (“Analysis of problems and possibilities for Janie gets married”) by Anges Christine Johnson, 21 October 1944
8pp.
|
|
|
Box/Folder
205/9
|
Story Outline: by Johnson, 21 October 1944
11pp.
|
|
|
Box/Folder
205/10
|
Temporary: by Johnson, 30 January 1945
144pp.
|
|
|
Box/Folder
206/1
|
Final: by Johnson, 13 March with revisions to 11 September 1945
143pp.
|
|
|
The Jazz Singer
|
|
|
Box/Folder
448/9
|
Final: by Alfred A. Cohn, undated
97pp. (xerox copy)
|
|
|
Box/Folder
207/2
|
Temporary: The heir chaser, by Bertram Millhauser, 28 October to 11 November 1933
118pp.
|
|
|
Box/Folder
207/3
|
Final: The heir chaser, by Millhauser, 22 November with revisions to 8 December 1933
121pp.
|
|
|
Jewel Robbery
|
|
|
Box/Folder
206/2
|
Play: by Laszlo Fodor, adapted by Bertram Bloch, undated
96pp.
|
|
|
Box/Folder
206/3
|
Temporary: by Erwin Gelsey, 22 February 1932
106pp.
|
|
|
Box/Folder
206/4
|
Final: by Gelsey, 2 March with revisions to 16 March 1932
circa 125pp.
|
|
|
Jezebel
|
|
|
Box/Folder
206/5
|
Play: by Owen Davis, undated
104pp.
|
|
|
Box/Folder
206/ |
