Summary Information
Fred Coe Papers 1949-1975
U.S. Mss 198AN; Audio 1051A; Disc 162A; Micro 979; film and video call numbers
19.0 cubic feet (45 archives boxes and 3 flat boxes), 1 reel of
microfilm (35 mm), 11 tape recordings, 25 disc recordings, 121 films, and 12
videorecordings
Wisconsin Historical Society (Map)
Papers of Fred Coe, a producer and director in the media of theater, television, and
film. Coe was involved with television from its early years, and became a well-known and
influential producer of television drama, especially live broadcasts. The papers document
Fred Coe's career and include a small amount of personal and biographical material;
correspondence; production papers; scripts; publicity and reviews; and other papers. More
than half of the collection relates to television, including files from the series Goodyear Television Playhouse, Philco Television Playhouse, Playhouse 90, Playwrights '56, Producer's Showcase, and Adams Chronicles. Also documented are the play
Wait Until Dark, both the play and the
film versions of A Thousand Clowns and
The Miracle Worker, and other works both
produced and unproduced. Recordings of the radio detective series Johnny Dollar, in which Coe was not involved, and material from
a Robert Goldman television program on composer Norman Dello Joio are also included. Films,
kinescopes, and videotapes document Coe's television and feature film work. English
http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0198an ↑ Bookmark this ↑
Biography/History
Fred Coe was born in Mississippi in 1914, and was raised in Kentucky and Tennessee. He was
the only child of Fred Hayden, an attorney, and Annette Haroll Coe, a nurse. In 1940, Coe
married Alice Griggs, whom he subsequently divorced. He married Joyce Beeler, later an
executive producer with ABC, in 1952. Coe had two children with his first wife, John Hayden
and Laurence Anne, and two with his second wife, Sue Ann and Samuel Hughes. Coe suffered a
heart attack and died in 1979.
Coe produced and directed in theater, television, and film. He was involved with television
from its early years, and became a well-known and influential producer of television drama,
especially live broadcasts based on original teleplays. Coe produced more than 500
television dramas, two comedy series, the Kennedy-Nixon debates, several Emmy Award shows,
and several specials, including Peter Pan
and The Miracle Worker (in production when
Coe died). He produced and/or directed 14 Broadway plays, and produced, directed, and/or
co-wrote six feature films. Coe's contribution to the projects in which he was involved was
critically acclaimed, regardless of the degree of success of the total production. A
tireless worker, he won numerous awards in different media.
Coe directed plays with the Nashville Community Theatre from 1932 until 1940, while
simultaneously attending the Yale University School of Drama (1938-40). From 1940 until
1945, he directed the Town Theatre in Columbia, South Carolina, and in 1945, directed Bonanza in Pittsburgh, Pennsylvania. Coe
co-produced his first Broadway play, The Trip to
Bountiful, with the Theatre Guild in 1953. Two of his theater productions went on
national tours: A Thousand Clowns (1962 --
which he also directed); and Wait Until
Dark (1966). Coe produced Journey to the
Day in Westport, Connecticut in 1961, and in New York City in 1963. In addition,
he co-authored a musical based on A Raisin in the
Sun, entitled Raisin, which was
eventually produced by someone else.
Coe became a production manager for NBC in 1945, performing miscellaneous duties, including
work with Worthington Minor on Studio One.
In 1948, he began production of NBC's Television
Playhouse, sponsored by Philco and later, by Goodyear. He continued to produce
successful television drama from 1954-57 on Producer's Showcase, including Peter
Pan and The Petrified Forest.
Another NBC Coe production, Playwrights
'56, also known as The Playwrights
Hour, ran from 1955-1956. While with NBC, Coe also directed two episodes of a
dramatic series which he produced. In 1957, he departed NBC for CBS, where he produced
Playhouse 90 for three years. In the late
1960s and the early 1970s, he produced specials for all three major networks. In 1976, he
produced and directed episodes of The Adams
Chronicles for PBS.
Coe produced his first major motion picture, The
Left Handed Gun, in 1958. Later, he directed A Thousand Clowns and Me, Natalie. His film productions of Wait Until Dark and The Miracle
Worker were hailed internationally. In addition, Coe helped write the screenplay
for This Property Is Condemned.
Scope and Content Note
The papers document Fred Coe's involvement in the theater, television, and film. More than
half of the collection relates to television, reflecting his lengthy association with that
medium. The collection includes a small amount of personal and biographical material;
correspondence; production papers; scripts, publicity and reviews from 13 Broadway plays, 14
television series and/or programs, five motion pictures, and several unproduced works in
those media; and a small number of papers either from miscellaneous productions or unrelated
to any production.
The collection is organized in seven series: BIOGRAPHY, RADIO, THEATER, TELEVISION, MOTION
PICTURES, a SUBJECT FILE, and FILMS AND VIDEOS.
The BIOGRAPHY series consists of articles by and about Fred Coe, plus a small amount of
personal correspondence and business papers.
The RADIO series contains tape recordings of the detective serial Johnny Dollar, in which Coe had no involvement.
Much of the material in the THEATER, TELEVISION, and MOTION PICTURES series relates to
production; in some cases, it is the script itself. Most scripts are annotated; those which
are not are designated as “undated.” Many of the television productions include
the scripts as aired; those scripts include commercials, plugs, and crawls. The names which
follow production titles refer to the authors or adapters of the script. The designation
“Original Story” denotes the particular story or script on which the production
was based. The designation “Unproduced” (a subseries of the Theater, Television,
and Motion Pictures series) indicates those productions which were not produced specifically
by Coe. Microfilm Reel 1 contains reviews, articles, and publicity related to the theater
production of Wait Until Dark and to the
motion picture The Miracle Worker, which
are arranged as follows: North America, Europe, Central and South America, the Caribbean,
Oceania, Africa, and the Middle East. Films, kinescopes, and videotapes of many of Coe's
productions may be found in the final series, FILMS AND VIDEOS.
The SUBJECT FILE includes miscellaneous papers unrelated to the other series. In addition,
there is a considerable amount of material on the Robert Goldman production Profile of a Composer, which was an episode of
the CBS television show The Seven Lively
Arts, portraying the life and music of the composer Norman Dello Joio. Though Coe
had worked with Goldman at one time, he was not involved with production of Profile of a Composer. The Subject File also
includes set designs from various productions, plus two sketches of costumes from Georgy.
Finally, the FILMS AND VIDEOS series contains films, kinescopes, and videotapes documenting
Coe's television and feature film work.
Administrative/Restriction Information
Presented by Joyce Coe, New York, New York, 1979. Accession Number: MCHC79-78
Processed by Menzi Behrnd-Klodt, Miriam Leuchter, and Christian Frazza, February
1984.
Contents List
U.S. Mss 198AN
|
Series: Biography
|
|
Box
1
Folder
1
|
Articles by Fred Coe, 1952,
1959
|
|
Box
1
Folder
2
|
Correspondence, 1959-1960,
undated
|
|
Box
1
Folder
3
|
Finances, 1959-1965
|
|
Box
1
Folder
4
|
Résumés, articles about Fred Coe, 1956, 1971, undated
|
|
|
Series: Radio
|
|
|
Johnny Dollar
|
|
1051A/1
|
1951 December 15
|
|
1051A/2
|
1957 January 29
|
|
1051A/3
|
1958 May 4
|
|
1051A/4
|
1959 March 8
|
|
|
Series: Theater
|
|
|
Subseries: Produced
|
|
U.S. Mss 198AN
|
All the Way Home , (1960 November 30 - Tad
Mosel)
|
|
Box
1
Folder
5
|
Production, 1960-1961,
undated
|
|
|
Script
|
|
Box
1
Folder
6
|
1960 October 10
|
|
Box
1
Folder
7-8
|
Undated
|
|
|
Georgy , (1970 February 14 - Book: Tom Mankiewicz; Music:
George Fischoff; Lyrics: Carole Bayer)
|
|
Box
1
Folder
9
|
Casting, 1969,
undated
|
|
Box
1
Folder
10
|
Music, undated
|
|
Box
1
Folder
11
|
Production, 1969-1970,
undated
|
|
Box
2
Folder
1
|
Release Script, 1966
|
|
Box
2
Folder
2
|
Running Script, 1969
|
|
|
Script
|
|
Box
2
Folder
3
|
1969 April 5
|
|
Box
2
Folder
4
|
1969 September 12
|
|
Box
2
Folder
5
|
1969 October 9
|
|
Box
2
Folder
6
|
1969 November 9
|
|
Box
2
Folder
7
|
1979 February 11
|
|
Box
2
Folder
8
|
1970 February 19
|
|
Box
3
Folder
1
|
1970 February 20
|
|
Box
3
Folder
2-3
|
Undated
|
|
Box
46
|
Stage Design, 1969
|
|
|
Staging
|
|
Box
3
Folder
4
|
Boston, 1969-1970,
undated
|
|
Box
3
Folder
5
|
New York, 1970
|
|
|
Gideon , (1961 November 9 - Paddy Chayefsky)
|
|
Box
3
Folder
6
|
Production, 1961,
undated
|
|
Box
3
Folder
7
|
Prompt Book, undated
|
|
Box
3
Folder
8
|
Publicity and Reviews, 1961-1962
|
|
Box
3
Folder
9
|
Scene Shifts, undated
|
|
Box
3
Folder
10
|
Script, 1962
|
|
Box
3
Folder
11
|
Technical Plots, New York Production, 1962
|
|
Box
3
Folder
12
|
Time Book, 1961-1962
|
|
|
In Praise of Love
(Terrence Rattigan)
|
|
Box
4
Folder
1
|
Production, 1974
|
|
Box
4
Folder
2
|
Programs and Publicity, 1974
|
|
Box
4
Folder
3
|
Prompt Script, undated
|
|
Box
4
Folder
4
|
Reviews, 1974,
undated
|
|
Box
4
Folder
5
|
Script, undated
|
|
|
Script Revisions
|
|
Box
4
Folder
6
|
1974
|
|
Box
4
Folder
7
|
Undated
|
|
Box
46
|
Stage Design
|
|
|
Journey to the Day
, (1963 November 11 -
Roger Hirson)
|
|
Box
4
Folder
8
|
Production, 1961,
undated
|
|
|
Script
|
|
Box
4
Folder
9
|
1962
|
|
Box
4
Folder
10
|
Undated
|
|
Box
4
Folder
11
|
Script Revisions, undated
|
|
Box
46
|
Stage Design, 1961
|
|
|
A Matter of Position
(Elaine May)
|
|
Box
5
Folder
1
|
Prompt Book, 1962
|
|
Box
5
Folder
2
|
Technical Plots, 1962
|
|
|
The Miracle Worker
, (1959 October 19 -
Director: Arthur Penn; Script: William Gibson)
|
|
Box
43
Folder
6
|
Production, 1957-1961,
undated
|
|
Box
43
Folder
7
|
Prop Book, undated
|
|
|
Script
|
|
Box
43
Folder
8
|
1960
|
|
Box
43
Folder
9
|
Undated
|
|
Box
46
|
Stage Design, 1961
|
|
Box
43
Folder
10
|
Technical Plots, undated
|
|
Box
44
Folder
1
|
Wardrobe Book, undated
|
|
|
Night Watch (Lucille
Fletcher)
|
|
Box
5
Folder
3
|
Miscellany, 1971-1972
|
|
|
Script
|
|
Box
5
Folder
4
|
1971 January 14
|
|
Box
5
Folder
5
|
1971 September 1
|
|
Box
5
Folder
6
|
1971 September 15
|
|
Box
5
Folder
7
|
1972 July 22
|
|
Box
5
Folder
8
|
Script Revisions, 1972
|
|
|
Promenade All (David B.
Robison)
|
|
Box
6
Folder
1
|
Correspondence, 1971-1972,
undated
|
|
Box
6
Folder
2
|
Programs, 1971-1972
|
|
Box
6
Folder
3
|
Reviews, 1971-1972,
undated
|
|
Box
6
Folder
4-5
|
Script, undated
|
|
Box
6
Folder
6
|
Script Notes, 1972,
undated
|
|
|
A Thousand Clowns
, (1962 April 5 - Herb
Gardner)
|
|
Box
6
Folder
7
|
Production, 1962
|
|
Box
6
Folder
8
|
Program, 1962
|
|
|
Script
|
|
Box
6
Folder
9
|
1961
|
|
Box
6
Folder
10-12
|
Undated
|
|
|
Theater Log
|
|
Box
7
Folder
1
|
1962 April 5-1962 September
12
|
|
Box
7
Folder
2
|
1962 September 13-1962 December
31
|
|
Box
7
Folder
3
|
1963
|
|
|
The Trip to Bountiful
, (1953 November 3 -
Horton Foote)
|
|
Box
7
Folder
4
|
Reviews, 1953
|
|
|
Two for the Seesaw
, (1958 January 17 -
Director: Arthur Penn; Script: William Gibson)
|
|
Box
7
Folder
5
|
Production, 1957,
undated
|
|
Box
7
Folder
6
|
Programs, 1957-1958
|
|
Box
7
Folder
7
|
Prompt Script, undated
|
|
Box
7
Folder
8
|
Reviews, 1958
|
|
|
Script
|
|
Box
7
Folder
9
|
1956
|
|
Box
7
Folder
10
|
1957
|
|
Box
8
Folder
1
|
1958
|
|
Box
8
Folder
2
|
Undated
|
|
|
Wait Until Dark , (1966 February 2 - Director: Arthur Penn;
Script: Frederick Knott)
|
|
Box
8
Folder
3
|
Box Office Statements, 1965-1967
|
|
Box
8
Folder
4
|
British Production, 1965-1967
|
|
Box
8
Folder
5
|
Casting 1965-1967,
undated
|
|
Box
8
Folder
6
|
Contracts, 1965-1966
|
|
Box
8
Folder
7
|
Correspondence, 1965-1967,
undated
|
|
Box
44
Folder
2
|
Financial Papers, 1965-1970
|
|
Box
44
Folder
3
|
Investors, 1965-1967,
undated
|
|
Box
44
Folder
4
|
Production, 1965
|
|
Box
44
Folder
5
|
Production Budgets, 1965-1967
|
|
Box
44
Folder
6
|
Publicity, 1965-1967,
undated
|
|
Micro 979
Reel
1
Frame
1-78
|
Reviews, Articles, Publicity, 1965-1967
|
|
U.S. Mss 198AN
|
Script
|
|
Box
44
Folder
7
|
Second Draft, undated
|
|
Box
45
Folder
1
|
Undated
|
|
Box
45
Folder
2
|
Script Revisions, 1965-1966
|
|
Box
45
Folder
3
|
Weekly Accounts, 1967-1968
|
|
|
Xmas in Las Vegas
, (1965 November 4 - Jack
Richardson)
|
|
Box
45
Folder
4
|
Casting, 1965
|
|
Box
45
Folder
5
|
Correspondence, 1965
|
|
Box
45
Folder
6
|
Production, 1965,
undated
|
|
Box
45
Folder
7
|
Program, 1965
|
|
Box
45
Folder
8
|
Reviews, 1965
|
|
Box
45
Folder
9
|
Script, 1965
|
|
|
Subseries: Unproduced
|
|
Box
45
Folder
10
|
Country Girls (Author
Unknown), Script, undated
|
|
|
Hurrah Boys Hurrah
(Michael Kidd, Robert Goldman, Glenn Paxton, Jerome Richards)
|
|
Box
45
Folder
11
|
Casting, 1966-1969,
undated
|
|
Box
45
Folder
12
|
Correspondence, 1963-1970,
undated
|
|
Box
45
Folder
13
|
Production, 1964-1970,
undated
|
|
Box
9
Folder
1
|
Script, 1967
|
|
|
The King's Mare (Jean
Candolle)
|
|
Box
9
Folder
2-6
|
Script, undated
|
|
|
A Long Time Comin' (Book:
Robert Nemiroff; Music: Judd Woldin; Lyrics: Robert Brittan)
|
|
Box
9
Folder
7
|
Script and Music, undated
|
|
|
A Raisin in the Sun
|
|
Disc 162A/4
|
Music, undated
|
|
|
Tevje (Book: Joseph Stein,
Music: Jerry Bock, Lyrics: Sheldon Harnick)
|
|
|
Music
|
|
1051A/8
|
Tradition
|
|
1051A/8 (continued)
|
What a Life
|
|
1051A/8 (continued)
|
Sabbath Prayer
|
|
1051A/8 (continued)
|
A Butcher's Soul
|
|
1051A/8 (continued)
|
To Life
|
|
1051A/8 (continued)
|
The Richest Man in Town
|
|
1051A/8 (continued)
|
Poppa Help Me
|
|
1051A/8 (continued)
|
The Tailor Motel Kamzoil
|
|
1051A/9
|
Sunrise, Sunset
|
|
1051A/9 (continued)
|
Anatevka
|
|
1051A/9 (continued)
|
Far From the Home I Love
|
|
1051A/9 (continued)
|
Chava
|
|
1051A/9 (continued)
|
Dear Sweet Sewing Machine
|
|
1051A/9 (continued)
|
Get Thee Out
|
|
1051A/9 (continued)
|
When Messiah Comes
|
|
U.S. Mss 198AN
Box
10
Folder
1
|
Production, 1963-1964,
undated
|
|
Box
10
Folder
2-4
|
Script, undated
|
|
|
Series: Television
|
|
|
Subseries: Produced
|
|
|
ABC Theatre
|
|
|
“If You Give A Dance You Gotta Pay The Band” (Stanley L.
Gray)
|
|
Box
10
Folder
5
|
Production, 1972,
undated
|
|
Box
10
Folder
6
|
Publicity and Reviews, 1972
|
|
|
Script
|
|
Box
10
Folder
7
|
First Draft, undated
|
|
Box
10
Folder
8
|
1972
|
|
|
Adams Chronicles , (1976 January 20-1976 April 13;
originally broadcast on PBS)
|
|
Box
10
Folder
9
|
Correspondence, 1975
|
|
Box
10
Folder
10
|
Historical Information, 1904-1969, undated
|
|
Box
11
Folder
1
|
Production, 1974-1975
|
|
|
Script
|
|
Box
11
Folder
2
|
Episodes I-III (Sheldon Harnick), 1974-1975
|
|
Box
11
Folder
3
|
Episode IV (Millard Lampell), 1975
|
|
Box
11
Folder
3
|
Episodes V,VI (Michael Dyne), 1975
|
|
Box
11
Folder
3
|
Episode VII (Philip Reisman, Jr.), 1975
|
|
Box
11
Folder
3
|
Episode VIII (Ian Hunter), 1975
|
|
Box
11
Folder
4
|
Episode IX (Tad Mosel), 1974-1975
|
|
Box
11
Folder
5
|
Episode X (Tad Mosel), 1974,
undated
|
|
Box
12
Folder
1
|
Episodes X, XII (author unknown), 1975
|
|
Box
12
Folder
2
|
Episodes XII-XIII (Roger O. Hirson), 1975
|
|
Box
12
Folder
3
|
Episode XIII, 1975
|
|
Box
47
|
Stage Design, Episodes VIII-X, 1975
|
|
|
Bonino , (1953-1954; originally broadcast on
NBC)
|
|
Disc 162A/1-2
|
End of First Show, 1953 September
12
|
|
Disc 162A/3
|
Theme, 1953 September
12
|
|
U.S. Mss 198AN
|
CBS Playhouse
|
|
|
“The Final War of Olly Winter” (Ronald Ribman)
|
|
Box
12
Folder
8
|
Publicity and Reviews, 1967
|
|
|
Script
|
|
Box
12
Folder
9
|
1966 October 31
|
|
Box
13
Folder
1
|
1966 December 8
|
|
Box
13
Folder
2
|
Undated
|
|
|
“A Separate Country” (Roger O. Hirson)
|
|
Box
13
Folder
3
|
Script, 1967
|
|
|
Dupont Show of the Month
(originally broadcast on CBS)
|
|
|
“The Red Mill” , (1958
April 19 - Victor Herbert)
|
|
Box
13
Folder
4
|
Production, 1958,
undated
|
|
Box
13
Folder
5
|
Script, 1958
|
|
Box
13
Folder
6
|
Song Lyrics, 1958,
undated
|
|
Box
13
Folder
7
|
Fourteenth Annual Emmy
Awards, 1962
|
|
|
Goodyear Television
Playhouse (originally broadcast on NBC)
|
|
|
“The Arena” , (1954
August 1 - N. Richard Nash)
|
|
Box
13
Folder
8
|
Script, 1954
|
|
|
“The Big Deal” , (1953
July 19 - Paddy Chayefsky)
|
|
Box
13
Folder
9
|
Script, 1953
|
|
|
“The Dusty Drawer” , (1952 August 3 - Harry Muheim)
|
|
Box
13
Folder
10
|
Script, 1952
|
|
|
“The House in Athens” , (1953 July 5 - N. Richard Nash)
|
|
Box
13
Folder
11
|
Script, 1953
|
|
|
“The Huntress” , (1954
February 14 - David Shaw)
|
|
Box
14
Folder
1
|
Script, 1954
|
|
|
“The Inward Horizon” , (1954 March 14 - Joseph Liss)
|
|
Box
14
Folder
2
|
Correspondence and Script, 1954
|
|
|
“It's a Small World” , (1952 June 22 - Lionel Shapiro)
|
|
Box
14
Folder
3
|
Script, 1952
|
|
|
“Native Dancer” , (1954
March 28 - David Shaw)
|
|
Box
14
Folder
4
|
Script, 1954
|
|
|
“The Oil Well” , (1953
May 17 - Horton Foote)
|
|
Box
14
Folder
5
|
Script, 1953
|
|
|
“The Power of Suggestion” , (1954 August 29 - David Shaw)
|
|
Box
14
Folder
6
|
Script, 1954
|
|
|
“Printer's Measure” , (1953 April 26 - Paddy Chayefsky)
|
|
Box
14
Folder
7
|
Script and Production, 1953
|
|
|
“The Prizewinner” , (1955 July 31 - Jerome Ross)
|
|
Box
14
Folder
8
|
Script, 1955
|
|
|
“Raymond Schindler, Case I” (1952 January 20 - Thomas W. Phipps)
|
|
Box
14
Folder
9
|
Script, 1952
|
|
|
“Roman Fever” , (1952
August 31 - H.R. Hays)
|
|
Box
14
Folder
10
|
Script and Production, 1952
|
|
|
“Spring Reunion” , (1954 April 11 - Robert Alan Arthur)
|
|
Box
15
Folder
1
|
Script, 1954
|
|
Box
47
|
Set Design, 1954
|
|
|
“The Takers” , (1955
August 14 - William Manchester)
|
|
Box
15
Folder
2
|
Scripts, 1955
|
|
|
“Tangled Web” , (1955
July 3 - Audrey and William Roos)
|
|
Box
15
Folder
3
|
Script, 1954
|
|
|
“The Travelers” , (1952
April 27 - Horton Foote)
|
|
Box
15
Folder
4
|
Script, 1952
|
|
|
“The Trip to Bountiful” , (1953 March 1 - Horton Foote)
|
|
Box
15
Folder
5
|
Script, 1953
|
|
|
“The 23rd Mission” , (1952 May 11 - Lionel Shapiro)
|
|
Box
15
Folder
6
|
Script, 1952
|
|
|
“Write Me Out Forever” , (1954 June 20 - David Shaw)
|
|
Box
15
Folder
7-8
|
Script, 1954
|
|
|
Hallmark Hall of Fame
(originally broadcast on NBC)
|
|
|
“All the Way Home” , (1971 December 1 - Tad Mosel)
|
|
Box
12
Folder
4
|
Correspondence, 1971
|
|
Box
12
Folder
5
|
Reviews, 1971,
undated
|
|
|
Script
|
|
Box
12
Folder
6
|
1971
|
|
Box
12
Folder
7
|
Undated
|
|
Box
47
|
Set Design, 1971
|
|
|
NBC Movie of the Week
|
|
|
“The Miracle Worker” (William Gibson)
|
|
Box
15
Folder
9
|
Dramatic Test Production, undated
|
|
Box
15
Folder
10
|
Production Budgets, 1979,
undated
|
|
Box
15
Folder
11
|
Production Papers, 1979,
undated
|
|
Box
16
Folder
1
|
Script, undated
|
|
|
Of Men and Women
|
|
Box
16
Folder
2
|
Financial Papers, 1972
|
|
Box
16
Folder
3
|
Production, 1971-1973,
undated
|
|
|
Script
|
|
Box
16
Folder
4
|
1972 January
|
|
Box
16
Folder
5
|
1972 April
|
|
|
“The Brave and Happy Life” (A.E. Hotchner)
|
|
Box
16
Folder
6
|
Script, 1972
|
|
|
“Hot Machine, Cold Machine” (Don Petersen)
|
|
Box
16
Folder
6
|
Script, 1972
|
|
|
“The Interview” (Evan Hunter)
|
|
Box
16
Folder
6
|
Script, 1972
|
|
|
“Never Trust a Lady” (Harry Muheim)
|
|
Box
16
Folder
6
|
Script, 1972
|
|
Box
17
Folder
1
|
Story Lines, 1971-1972,
undated
|
|
|
Philco Television
Playhouse (originally broadcast on NBC)
|
|
Box
17
Folder
2
|
Miscellaneous Reviews, undated
|
|
|
“Confession” , (1951
January 21)
|
|
Box
17
Folder
3
|
Script, 1951
|
|
|
“Damion's Daughter” , (1949 October 30 - Edwin Gilbert)
|
|
Box
17
Folder
4
|
Script, 1949
|
|
|
“The Dancers” , (1954
March 7 - Horton Foote)
|
|
Box
17
Folder
5
|
Script and Production, 1954
|
|
|
“The Death of Billy the Kid” , (1955 July 24 - Gore Vidal)
|
|
Box
17
Folder
6
|
Script and Cast List, 1955
|
|
Box
47
|
Set Design, 1955
|
|
|
“Dirty Eddie” , (1950
April 9 - David Shaw)
|
|
Box
17
Folder
7
|
Script, 1950
|
|
|
“Double Jeopardy” , (1953 January 4 - David Shaw)
|
|
Box
17
Folder
8
|
Script, 1953
|
|
|
“Dusty Portrait” , (1952 March 9 - Sumner Locke Elliot)
|
|
Box
17
Folder
9
|
Script, 1952
|
|
|
“The Education of a Fullback” , (1951 November 4 - David Shaw)
|
|
Box
17
Folder
10
|
Script, 1951
|
|
|
“Flight Into Darkness” , (1952 June 15 - David Shaw)
|
|
Box
17
Folder
11
|
Script, 1952
|
|
|
“Gretel” , (1955 August
21 - Vance Bourjaily)
|
|
Box
18
Folder
1
|
Script, 1955
|
|
|
“Hangman in the Fog” , (1954 January 10 - Lionel Shapiro)
|
|
Box
18
Folder
2
|
Script, 1954
|
|
|
“Holiday Song” , (1952
September 14 - Paddy Chayefsky)
|
|
Box
18
Folder
3
|
Script, 1952
|
|
|
“A Husband for Mama” , (1950 October 15 - David Shaw)
|
|
Box
18
Folder
4
|
Script, 1950
|
|
|
“John Turner” , (1953
November 15 - Horton Foote)
|
|
Box
18
Folder
5
|
Script and Publicity, 1953
|
|
|
“The Joker” , (1954 May
2 - N. Richard Nash)
|
|
Box
18
Folder
6
|
Script and Production, 1954
|
|
|
“The Last Hour” , (1952
September 7 - Lionel Shapiro)
|
|
Box
18
Folder
7
|
Script, 1952
|
|
|
“A Little Night Music” , (1951 November 18 - David Shaw)
|
|
Box
18
Folder
8
|
Script, 1951
|
|
Box
47
|
Set Design, 1951
|
|
|
“The Miss America Story” , (1955 September 4 - Roger O. Hirson)
|
|
Box
18
Folder
9
|
Script, 1955
|
|
|
“The Mother” , (1954
April 4 - Paddy Chayefsky)
|
|
Box
18
Folder
10
|
Script, 1954
|
|
|
“Nothing to Sneeze At” , (1953 July 12 - David Shaw)
|
|
Box
19
Folder
1
|
Script, 1953
|
|
|
“The Outsiders” , (1955
September 18 - Bernard Wolfe)
|
|
Box
19
Folder
2
|
Script, 1955
|
|
|
“Pretend I am a Stranger” , (1951 July 22 - David Shaw)
|
|
Box
19
Folder
3
|
Script, 1951
|
|
|
“The Reluctant Citizen” , (1953 February 8 - Paddy Chayefsky)
|
|
Box
19
Folder
4
|
Script, 1953
|
|
|
“Rescue” , (1951 May
27 - David Shaw)
|
|
Box
19
Folder
5
|
Script and Publicity, 1951
|
|
|
“A Room in Paris” , (1955 August 7 - Peggy Mann)
|
|
Box
19
Folder
6
|
Script, 1955
|
|
|
“Routine Assignment” , (1951 April 8 - David Swift)
|
|
Box
19
Folder
7
|
Script and Publicity, 1951
|
|
|
“St. Helena” , (1949
February 27 - R.C. Sherriff)
|
|
Box
19
Folder
8
|
Script, 1949
|
|
|
“A Secret Island” , (1951 May 6 - Paul Peters)
|
|
Box
19
Folder
9
|
Script, 1951
|
|
|
“A Young Lady of Property” , (1953 April 5 - Horton Foote)
|
|
Box
20
Folder
1
|
Script and Publicity, 1953
|
|
|
Playhouse 90 (originally
broadcast on CBS)
|
|
Box
20
Folder
2
|
Correspondence, 1958-1960
|
|
Box
20
Folder
3
|
Unused Story Outlines, 1957-1959
|
|
Box
25
Folder
4
|
“The Clean White Shirt” (Unproduced - Tad Mosel), 1960
|
|
|
“Days of Wine and Roses” , (1958 October 2 - J.P. Miller)
|
|
Box
20
Folder
4
|
Correspondence, 1958
|
|
Box
20
Folder
5
|
Original Story, undated
|
|
|
Script
|
|
Box
20
Folder
6
|
First Draft, undated
|
|
Box
20
Folder
7
|
1958 September 21
|
|
Box
20
Folder
8
|
1958 October 2
|
|
|
“For Whom the Bell Tolls” , (1959 March 12 - A.H. Hotchner)
|
|
Box
20
Folder
9
|
Budget, 1959
|
|
Box
20
Folder
10
|
Casting, 1958-1959
|
|
Box
20
Folder
11
|
Publicity, 1959
|
|
Box
20
Folder
12
|
Script, undated
|
|
Box
21
Folder
1
|
Technical Production, 1958-1959
|
|
|
“The Grey Nurse Said Nothing” , (1959 November 26 - Sumner Locke
Elliot)
|
|
Box
21
Folder
2
|
Correspondence, 1959
|
|
Box
21
Folder
3
|
Production, 1959
|
|
Box
21
Folder
4
|
Script, 1959
|
|
Box
47
|
Set Design, 1959
|
|
|
“Heart of Darkness” , (1958 November 6 - Stewart Stern)
|
|
Box
21
Folder
5
|
Correspondence, 1958,
undated
|
|
Box
21
Folder
6
|
Original Story, circa
1899
|
|
Box
21
Folder
7
|
Production, 1958
|
|
Box
21
Folder
8
|
Scripts, 1958,
undated
|
|
Box
21
Folder
9
|
Story Outlines, undated
|
|
|
“The Hidden Image” , (1959 November 12 - David Karp)
|
|
Box
21
Folder
10
|
Correspondence, 1959
|
|
Box
21
Folder
11
|
Financial Papers, 1959
|
|
Box
21
Folder
12
|
Production, 1959,
undated
|
|
Box
21
Folder
13
|
Script, 1959
|
|
Box
21
Folder
14
|
Story Outline, 1959
|
|
|
“Journey to the Day” , (1960 April 22 - Roger O. Hirson)
|
|
Box
22
Folder
1
|
Correspondence, 1959-1960
|
|
Box
22
Folder
2
|
Financial Papers, 1959-1960
|
|
Box
22
Folder
3
|
Production, undated
|
|
Box
22
Folder
4
|
Promotional Material, 1960
|
|
Box
22
Folder
5
|
Reviews, 1960
|
|
|
Script
|
|
Box
22
Folder
6
|
1960 February 23
|
|
Box
22
Folder
7
|
1960 April 22
|
|
Box
22
Folder
8
|
Story Outline, 1960
|
|
Box
22
Folder
9
|
Viewer Mail, 1960
|
|
|
“The Long March” , (1958 October 16 - Roger O. Hirson)
|
|
Box
22
Folder
10
|
Correspondence, 1956-1957
|
|
Box
22
Folder
11
|
Screenplay Outlines, Cast List, undated
|
|
Box
22
Folder
12
|
Script and Notes, 1958 August
1
|
|
Box
22
Folder
13
|
Script, 1958 October
9
|
|
|
“Mr. and Mrs. McAdam” , (1952 January 10)
|
|
Box
47
|
Set Design, 1957
|
|
|
“Old Man” , (1958
November 20 - Horton Foote)
|
|
Box
22
Folder
14
|
Production, 1958
|
|
Box
23
Folder
1
|
Script and Notes, 1958
September 12
|
|
|
Script
|
|
Box
23
Folder
2
|
1958 November 6
|
|
Box
23
Folder
3
|
Undated
|
|
|
“The Plot to Kill Stalin” , (1958 September 25 - David Karp)
|
|
Box
23
Folder
4
|
Correspondence, 1958
|
|
|
Recording of Show
|
|
Disc 162A/13-14
|
Parts 1-2
|
|
Disc 162A/15-16
|
Parts 3-4
|
|
Disc 162A/17-18
|
Parts 5-6
|
|
Disc 162A/19-20
|
Parts 7-8
|
|
Disc 162A/21-22
|
Parts 9-10
|
|
Disc 162A/23-24
|
Parts 11-12
|
|
U.S. Mss 198AN
|
Script
|
|
Box
23
Folder
5
|
First Draft, undated
|
|
Box
23
Folder
6-7
|
1958 July 10
|
|
Box
23
Folder
8
|
1958 August 27
|
|
Box
23
Folder
9
|
1958 September 25
|
|
|
“The Right Hand Man” , (1958 March 20 - Dick Berg)
|
|
Box
24
Folder
1
|
Script, 1958
|
|
|
“The Shape of the River” , (1960 May 2 - Horton Foote)
|
|
Box
24
Folder
2
|
Correspondence, 1960
|
|
Box
24
Folder
3
|
Financial Papers, 1960
|
|
Box
24
Folder
4
|
Reviews, 1960
|
|
|
Script
|
|
Box
24
Folder
5
|
1960 March 15
|
|
Box
24
Folder
6
|
1960 May 2
|
|
Box
24
Folder
7
|
Story Outline, undated
|
|
Box
24
Folder
8
|
Viewer Mail, 1960
|
|
|
“The Tunnel” , (1959
December 10 - David Shaw)
|
|
Box
24
Folder
9
|
Casting, 1959
|
|
Box
24
Folder
10
|
Correspondence, 1959-1960
|
|
Box
24
Folder
11
|
Financial Papers, 1959-1960
|
|
Box
24
Folder
12
|
Production, 1959
|
|
Box
24
Folder
13
|
Research, 1959
|
|
Box
24
Folder
14
|
Reviews, 1959
|
|
Box
24
Folder
15
|
Script and Notes, 1959
|
|
Box
47
|
Set Design, 1959
|
|
Box
24
Folder
16
|
Story Outline, 1959
|
|
|
“Word From a Sealed-Off Box” , (1958 October 30 - Mayo Smith)
|
|
Box
24
Folder
17
|
Correspondence, 1958
|
|
Box
25
Folder
1
|
Original Story, undated
|
|
|
Script
|
|
Box
25
Folder
2
|
1958
|
|
Box
25
Folder
3
|
Undated
|
|
|
Playwrights '56
(originally broadcast on NBC)
|
|
Box
25
Folder
5
|
Miscellaneous Correspondence, Publicity and Reviews, 1954-1956
|
|
Box
25
Folder
6
|
Trendex Ratings, 1955-1956
|
|
|
“Adam and Evening” , (1956 March 13 - Arnold Schulman)
|
|
Box
25
Folder
7
|
Production, 1956
|
|
|
Script
|
|
Box
25
Folder
8
|
Rehearsal Copy, undated
|
|
Box
25
Folder
9
|
1956 February 24
|
|
Box
25
Folder
10
|
1956 February 13
|
|
Box
25
Folder
11
|
Viewer Mail, 1956
|
|
|
“The Answer” , (1955
October 4 - David Davidson)
|
|
Box
25
Folder
12
|
Production, 1955
|
|
Box
25
Folder
13
|
Reviews, 1955
|
|
|
Script
|
|
Box
25
Folder
14
|
1955 August
|
|
Box
25
Folder
15
|
1955 October
|
|
Box
25
Folder
16
|
Undated
|
|
Box
25
Folder
17
|
Script Revisions, undated
|
|
|
“The Battler” , (1955
October 18 - A.E. Hotchner and Sydney Carroll)
|
|
Box
25
Folder
18
|
Production, 1955-1957
|
|
Box
25
Folder
19
|
Publicity and Reviews, 1955
|
|
|
Script
|
|
Box
26
Folder
1
|
1955
|
|
Box
26
Folder
2
|
Undated
|
|
|
“The Center of the Maze” , (1956 April 24 - Sam Hall)
|
|
Box
26
Folder
3
|
Production, 1956
|
|
|
Script
|
|
Box
26
Folder
4-5
|
1956 April 12
|
|
Box
26
Folder
6
|
1956 April 24
|
|
Box
26
Folder
7-9
|
Undated
|
|
Box
26
Folder
10
|
Script Revisions, undated
|
|
|
“Daisy! Daisy!” , (1955
November 22 - Sumner Locke Elliot)
|
|
Box
26
Folder
11
|
Production, 1955
|
|
Box
26
Folder
12
|
Publicity, 1955
|
|
|
Script
|
|
Box
26
Folder
13
|
1955
|
|
Box
26
Folder
14
|
Undated
|
|
|
“The Day the Trains Stopped Running” , (1956 January 3 - Harry Ridgeley)
|
|
Box
26
Folder
15
|
Production, 1955-1956
|
|
|
Script
|
|
Box
26
Folder
16
|
First Draft, undated
|
|
Box
27
Folder
1
|
1955 December 12
|
|
Box
27
Folder
2
|
1956 January 3
|
|
Box
27
Folder
3
|
Undated
|
|
|
, Flight , (1956 February 28 - Horton
Foote)
|
|
Box
27
Folder
4
|
Production, 1956
|
|
|
Script
|
|
Box
27
Folder
5
|
1956 February 7
|
|
Box
27
Folder
6
|
1956 February 28
|
|
|
“The Heart's a Forgotten Hotel” , (1955 October 22 - Arnold Schulman)
|
|
Box
27
Folder
7
|
Production, 1955
|
|
|
Script
|
|
Box
27
Folder
8
|
First Draft, undated
|
|
Box
27
Folder
9
|
1955
|
|
|
“Honor” , (1956 June
19 - Gore Vidal)
|
|
Box
27
Folder
10
|
Production, 1956-1957
|
|
|
Script
|
|
Box
27
Folder
11
|
First Draft, undated
|
|
Box
27
Folder
12
|
1956
|
|
Box
27
Folder
13
|
Undated
|
|
|
“Keyhole” , (1956 May
22 - Sumner Locke Elliot)
|
|
Box
28
Folder
1
|
Production, 1956-1957
|
|
|
Script
|
|
Box
28
Folder
2
|
First Draft, undated
|
|
Box
28
Folder
3-4
|
1956 May 14
|
|
Box
28
Folder
5
|
1956 May 22
|
|
Box
28
Folder
6
|
Script Revisions, undated
|
|
Box
47
|
Set Design, 1956
|
|
|
“Lost” , (1956 January
17 - Arnold Schulman)
|
|
Box
28
Folder
7
|
Production, 1956
|
|
Box
28
Folder
8
|
Script, 1956
|
|
|
“Nick and Letty” , (1956 June 5 - Nelson Gidding)
|
|
Box
28
Folder
9
|
Production, 1956
|
|
Box
28
Folder
10
|
Script, 1956
|
|
Box
28
Folder
11-12
|
Script, undated
|
|
|
“Return to Cassino” , (1956 February 14 - Mann Rubin)
|
|
Box
28
Folder
13
|
Production, 1956
|
|
|
Script
|
|
Box
28
Folder
14
|
1956 January 17
|
|
Box
28
Folder
15
|
1956 January 31
|
|
Box
28
Folder
16
|
1956 February 2
|
|
Box
29
Folder
1
|
1956 February 14
|
|
|
“Snow Job” , (1956
November 8 - Richard Turner)
|
|
Box
29
Folder
2
|
Production, 1955
|
|
|
Script
|
|
Box
29
Folder
3
|
First Draft, undated
|
|
Box
29
Folder
4
|
1955
|
|
|
“The Sound and the Fury” (1955 December 6 - F.W. Durkee, Jr.)
|
|
Box
29
Folder
5
|
Production, 1955
|
|
|
Script
|
|
Box
29
Folder
6
|
1955
|
|
Box
29
Folder
7
|
Undated
|
|
Box
29
Folder
8
|
Script Revisions, undated
|
|
|
“This Business of Murder” , (1956 January 31 - David Swift)
|
|
Box
29
Folder
9
|
Production, 1955
|
|
|
Script
|
|
Box
29
Folder
10
|
First Draft, undated
|
|
Box
29
Folder
11
|
1955
|
|
|
“The Undiscovered Country” , (1956 March 27 - J.P. Miller)
|
|
Box
29
Folder
12
|
Production, 1956
|
|
|
Script
|
|
Box
29
Folder
13
|
1956 March 8
|
|
Box
29
Folder
14
|
1956 March 27
|
|
Box
47
|
Set Design, 1956
|
|
|
“The Waiting Place” , (1955 December 20 - Tad Mosel)
|
|
Box
30
Folder
1
|
Production, 1955
|
|
|
Script
|
|
Box
30
Folder
2
|
1955 November 17
|
|
Box
30
Folder
3
|
1955 December 20
|
|
Box
47
|
Set Design, 1955
|
|
|
“You and Me and the Gatepost” , (1956 April 10 - Sumner Locke
Elliot)
|
|
Box
30
Folder
4
|
Original Story, undated
|
|
Box
30
Folder
5
|
Production, 1956
|
|
|
Script
|
|
Box
30
Folder
6
|
1956 March 21
|
|
Box
30
Folder
7
|
1956 April 10
|
|
|
“You Sometimes Get Rich” , (1956 May 8 - A.E. Hotchner)
|
|
Box
30
Folder
8
|
Production, 1956
|
|
|
Script
|
|
Box
30
Folder
9
|
1956 April 26
|
|
Box
30
Folder
10
|
1956 May 8
|
|
|
Producer's Showcase
(originally broadcast on NBC)
|
|
|
“Darkness at Noon” , (1955 May 2 - Robert Alan Arthur)
|
|
Box
30
Folder
11
|
Production, 1955
|
|
Box
30
Folder
12
|
Script, 1955
|
|
|
“Dateline” (The Overseas Press Club)
|
|
Box
30
Folder
13
|
Production, 1954
|
|
|
Script
|
|
Box
31
Folder
1
|
1954
|
|
Box
31
Folder
2-3
|
Undated
|
|
Box
31
Folder
4
|
Script Revisions, undated
|
|
|
“The Four Poster” , (1955 July 25 - Jan de Hartog)
|
|
Box
31
Folder
5
|
Production, 1955
|
|
|
Script
|
|
Box
31
Folder
6
|
1954
|
|
Box
31
Folder
7
|
1955
|
|
Box
31
Folder
8
|
Undated
|
|
|
“The King and Mrs. Candle” , (1955 August 22 - Sumner Locke
Elliot)
|
|
Box
31
Folder
9
|
Production, 1955
|
|
|
Script
|
|
Box
31
Folder
10
|
1955
|
|
Box
31
Folder
11
|
Undated
|
|
|
“Our Town” , (1956
September 19 - David Shaw)
|
|
Box
31
Folder
12
|
Production, 1955
|
|
|
“Peter Pan” , (1955
March 7 - Sumner Locke Elliot)
|
|
Box
31
Folder
13
|
Production, 1955
|
|
Box
32
Folder
1
|
Script, 1955
|
|
|
“The Petrified Forest” , (1955 May 30 - Tad Mosel)
|
|
Box
32
Folder
2
|
Production, 1955
|
|
|
Script
|
|
Box
32
Folder
3
|
1955
|
|
Box
32
Folder
4
|
Undated
|
|
|
“Reunion in Vienna” , (1955 April 4 - Robert E. Sherwood)
|
|
Box
32
Folder
5
|
Production, 1955
|
|
|
Script
|
|
Box
32
Folder
6
|
1932
|
|
Box
32
Folder
7
|
1955 March 22
|
|
Box
32
Folder
8
|
1955 March 29
|
|
|
“The Rich Boy” (Walter Bernstein)
|
|
Box
32
Folder
9
|
Script, undated
|
|
|
“Rodeo Town” (Robert Alan Arthur)
|
|
Box
33
Folder
1-2
|
Script, undated
|
|
|
“State of the Union” , (1954 November 15 - Howard Linsay and Russel Crouse)
|
|
Box
33
Folder
3
|
Production, 1954
|
|
|
Script
|
|
Box
33
Folder
4
|
First Draft, undated
|
|
Box
33
Folder
5
|
Second Draft, undated
|
|
Box
33
Folder
6
|
1954 November 5
|
|
Box
33
Folder
7
|
1954 November 15
|
|
Box
47
|
Set Design, 1954
|
|
|
“Tonight at 8:30” , (1954 November 18 - Noel Coward)
|
|
Box
33
Folder
8
|
Scripts, 1954
|
|
Box
34
Folder
1
|
Script and Production, 1954
|
|
|
“The Women” , (1955
February 2 - Sumner Locke Elliot)
|
|
Box
34
Folder
2
|
Production, 1955
|
|
|
Script
|
|
Box
34
Folder
3
|
1955
|
|
Box
34
Folder
4
|
Undated
|
|
Box
47
|
Set Design, 1955
|
|
|
“Yellow Jack” , (1955
January 1 - Sidney Howard)
|
|
Box
34
Folder
5
|
Production, 1955,
undated
|
|
|
Script
|
|
Box
34
Folder
6
|
1933
|
|
Box
34
Folder
7
|
1955
|
|
Box
34
Folder
8
|
Undated
|
|
Box
47
Folder
1
|
Set Design, 1955
|
|
|
Sunday Spectacular
|
|
|
“Skin of Our Teeth” (Ellen Violette)
|
|
Box
34
Folder
9
|
Production, 1955
|
|
Box
34
Folder
10
|
Script, 1955
|
|
|
Suspense (?)
|
|
Box
47
|
Set Design, 1959
|
|
|
Theatre '62 (originally
broadcast on CBS)
|
|
|
“The Farmer's Daughter” (January 14, 1962 - Thomas W.
Phipps)
|
|
Box
35
Folder
1
|
Script, 1961
|
|
|
“Intermezzo” , (1961
November 19 - Patsy Broderick)
|
|
Box
35
Folder
2
|
Production, 1961
|
|
Box
35
Folder
3
|
Script, 1961
|
|
|
“Notorious” , (1961
December 10 - Sumner Locke Elliot)
|
|
Box
35
Folder
4
|
Production, 1961
|
|
|
Script
|
|
Box
35
Folder
5
|
1961 July 13
|
|
Box
35
Folder
6
|
1961 November 24
|
|
Box
35
Folder
7
|
1961 December 6
|
|
|
“The Paradine Case” , (1962 March 11 - Robert Goldman)
|
|
Box
35
Folder
8
|
Production, 1961-1962
|
|
|
Script
|
|
Box
35
Folder
9
|
1962 February 21
|
|
Box
35
Folder
10
|
1962 March 6
|
|
|
“Rebecca” , (1962 April
8 - Ellen Violette)
|
|
Box
35
Folder
11
|
Script, 1962
|
|
|
“Spellbound” , (1962
February 11 - Sumner Locke Elliot)
|
|
Box
35
Folder
12
|
Production, 1962
|
|
Box
35
Folder
13
|
Script, 1962
|
|
|
“The Spiral Staircase” , (1961 October 4 - Robert Goldman)
|
|
|
Script
|
|
Box
36
Folder
1
|
1961 May 8
|
|
Box
36
Folder
2
|
1961 September 19
|
|
|
Subseries: Unproduced
|
|
Box
36
Folder
3
|
Help Wanted (Richard
Goode?), Script, undated
|
|
Box
36
Folder
4
|
The Last Summer (Frank
Gilroy), Script, 1958
|
|
|
Legacy
|
|
Box
36
Folder
5
|
Correspondence and Prospectus, 1959-1960
|
|
Box
36
Folder
6
|
Story Ideas, 1959-1960
|
|
|
The Michele Lee Show
(Robert Klane)
|
|
1051A/5-6
|
Opening and Concluding Musical Titles, 1974
|
|
U.S. Mss 198AN
Box
36
Folder
7
|
Production, 1973-1974
|
|
|
Script Revisions
|
|
Box
36
Folder
8
|
1974 January-February
|
|
Box
36
Folder
9
|
1974 February
|
|
Box
37
Folder
1
|
Undated
|
|
Box
37
Folder
2
|
Scripts, 1973
|
|
|
Series: Motion Pictures
|
|
|
Subseries: Produced
|
|
|
The Left Handed Gun
(Leslie Stevens)
|
|
|
Script
|
|
Box
37
Folder
3
|
1956 November 5
|
|
Box
37
Folder
4
|
1957 May 16
|
|
Box
37
Folder
5
|
Undated
|
|
|
Me, Natalie (A. Martin
Zweiback)
|
|
Box
37
Folder
6
|
Script, 1968
|
|
Box
47
|
Set Design, 1968
|
|
|
The Miracle Worker
(William Gibson)
|
|
Box
37
Folder
7-8
|
Camera Reports, 1961
|
|
Box
38
Folder
1
|
Cast Calls, 1961
|
|
Box
38
Folder
2
|
Casting, 1959-1963,
undated
|
|
Box
38
Folder
3
|
Correspondence, 1957-1963
|
|
Box
38
Folder
4
|
Domestic Performance Reports, 1962-1964
|
|
Box
38
Folder
5
|
Miscellaneous Papers, 1964,
1967
|
|
Box
38
Folder
6
|
Miscellaneous Production Papers, 1959-1961, undated
|
|
Box
48
|
Miscellaneous Production Papers, undated
|
|
Box
38
Folder
7
|
News Releases, 1959-1962
|
|
|
Producer's Distribution Statements
|
|
Box
38
Folder
8
|
1961-1963
|
|
Box
38
Folder
9
|
1963-1964
|
|
Box
38
Folder
10
|
Production Reports, 1961
|
|
Box
38
Folder
11
|
Prop Book, undated
|
|
Micro 979
Reel
1
Frame
79-end
|
Reviews, Articles, Publicity, 1961-1963
|
|
U.S. Mss 198AN
Box
39
Folder
1
|
Script, undated
|
|
Box
39
Folder
2
|
Script Reports, 1961
|
|
Box
39
Folder
3
|
Shooting Schedules, 1961
|
|
|
This Property Is Condemned
(Francis Ford Coppola and Fred Coe)
|
|
|
Script
|
|
Box
39
Folder
4
|
1962 April 25
|
|
Box
39
Folder
5
|
1962 August 1
|
|
Box
39
Folder
6
|
1962 August 30
|
|
Box
39
Folder
7
|
1962 November 3
|
|
Box
39
Folder
8
|
1962 December 31
|
|
Box
39
Folder
9
|
1963 January 21
|
|
Box
39
Folder
10
|
1963 March 25
|
|
Box
39
Folder
11
|
1963 August 1
|
|
Box
39
Folder
12
|
1963 August 19
|
|
Box
40
Folder
1
|
1963 August 23
|
|
Box
40
Folder
2
|
1963 October 17
|
|
Box
40
Folder
3
|
Undated
|
|
Box
40
Folder
4
|
Synopsis of Act III, undated
|
|
|
A Thousand Clowns (Herb
Gardner)
|
|
Box
40
Folder
5
|
Breakdown Sheets, undated
|
|
Box
40
Folder
6
|
Call Sheets, 1964
|
|
Box
40
Folder
7
|
Camera Reports, 1964
|
|
Box
40
Folder
8
|
Combined Continuity, 1965
|
|
1051A/11
|
Criticisms of Script, undated
|
|
U.S. Mss 198AN
Box
40
Folder
9
|
Financial Papers, 1964-1965
|
|
1051A/10
|
Music, 1964
|
|
Disc 162A/25
|
Music, undated
|
|
U.S. Mss 198AN
Box
40
Folder
10
|
News Releases, undated
|
|
Box
40
Folder
11
|
Newspaper Articles and Reviews, 1964-1965
|
|
Box
40
Folder
12
|
Production, 1964-1965,
undated
|
|
|
Script
|
|
Box
41
Folder
1
|
1963 September 1
|
|
Box
41
Folder
2
|
1964 April 27
|
|
Box
41
Folder
3
|
1964 July 24
|
|
Box
41
Folder
4-5
|
Undated
|
|
Box
42
Folder
1
|
Script Notes, 1964
|
|
Box
42
Folder
2
|
Script Revisions, 1964,
undated
|
|
|
Subseries: Unproduced
|
|
Box
42
Folder
3-4
|
Enemy, Enemy (John
Tobias), Script, undated
|
|
|
Series: Subject File
|
|
Box
42
Folder
5
|
Business Memos, 1960
|
|
Box
42
Folder
6
|
Contracts, 1960,
undated
|
|
Box
42
Folder
7
|
Miscellaneous Correspondence, 1955-1960
|
|
Box
42
Folder
8
|
Miscellaneous Papers, 1958-1971,
undated
|
|
Box
42
Folder
9
|
Miscellaneous Production Papers, 1957-1971, undated
|
|
|
The Seven Lively Arts
|
|
|
“Profile of a Composer”
|
|
Disc 162A/5
|
Alec Wilder Theme, undated
|
|
Disc 162A/6-7
|
Ballad, 1958 January
20
|
|
U.S. Mss 198AN
Box
42
Folder
10
|
Correspondence, 1957-1958,
undated
|
|
Disc 162A/8
|
Melody From Ballad, 1958 January
20
|
|
Disc 162A/9
|
Norman Dello Joio, undated
|
|
U.S. Mss 198AN
Box
43
Folder
1
|
Production, 1957-1958,
undated
|
|
Box
43
Folder
2
|
Publicity and Reviews, 1957-1958
|
|
|
Recording of Show
|
|
1051A/7
|
Part One of Two, 1958 February
16
|
|
Disc 162A/10-12
|
Recording of Show, 1958 February
16
|
|
U.S. Mss 198AN
|
Script
|
|
Box
43
Folder
3
|
1957-1958
|
|
Box
43
Folder
4
|
1958, undated
|
|
Box
43
Folder
5
|
Transcript of a Meeting, undated
|
|
|
Series: Films and Videos
|
|
|
Subseries: Television Productions : Most of these are 16 mm kinescope positives; a few are films and videotapes. The
individual catalog entries for these works contain more information on their physical
nature as well as additional production information.
|
|
|
ABC Album
|
|
DD 388-DD 389
|
"Jamie," 1953 April 26
|
|
|
The Alcoa Hour
|
|
DD 205-DD 206
|
Sister, 1956 July 22
|
|
|
Armstrong Circle Theatre
|
|
DD 142
|
Buckskin, 1955 April 5
|
|
DD 157-DD 158
|
Ward 3: 4PM to Midnight,
1956 January 10
|
|
DD 749-DD 754
|
CBS Playhouse: The Final War of Olly Winter, 1967 January 29
|
|
DD 143
|
A Christmas Carol,
circa 1952
|
|
|
Goodyear Television Playhouse
|
|
DD 161-DD 162
|
"Wish on the Moon,"
1953 March 29
|
|
DD 372-DD 373
|
"Madame Aphrodite,"
1953 December 6
|
|
DC 972-DC 973
|
"A Game of Hide and Seek," 1954 February 7
|
|
DD 159-DD 160
|
The Huntress, 1954 February 14
|
|
DD 255-DD 256
|
Buy Me Blue Ribbons,
1954 February 28
|
|
DD 180-DD 181
|
The Inward Horizon,
1954 March 14
|
|
DC 988-DC 989
|
Thunder of Silence,
1954 November 21
|
|
|
Gulf Playhouse--First Person
|
|
DD 384
|
A Gift from Cotton
Mather, 1953 June
27
|
|
VBA 612
|
Videotape viewing copy
|
|
DD 130
|
Desert Cafe, 1953 July 3
|
|
DD 382
|
I'd Rather Be a
Squirrel, 1953 July
10
|
|
VBB 253
|
Videotape viewing copy
|
|
DD 383
|
Comeback, 1953 July 24
|
|
VBB 253
|
Videotape viewing copy
|
|
DD 379
|
The Tears of My Sister,
1953 August 14
|
|
VBA 612
|
Videotape viewing copy
|
|
DD 381
|
Crip, 1953 August 21
|
|
VBB 613
|
Videotape viewing copy
|
|
DD 380
|
The Lady Looks Ahead,
1953 August 28
|
|
VBA 613
|
Videotape viewing copy
|
|
DD 386
|
Prophet in His Land,
1953 September 4
|
|
|
Jamie
|
|
DD 377
|
“Liz's Date,” 1953
September 11
|
|
DD 390
|
[Untitled], 1953 September
28
|
|
DD 391
|
“Grandpa's Class Reunion,” 1953 October 26
|
|
DD 378
|
“Jamie Tents Out,” 1954 October 4
|
|
|
Justice
|
|
DD 385
|
“Edge of Fear,” 1954
December 9
|
|
DD 555
|
The Living Christ,
195-
|
|
DD 369
|
Love Story, 1956 December 18
|
|
DD 371
|
The Michelle Lee Show,
1974
|
|
DD 137
|
Nothing but the Best,
1953 September 6
|
|
DC 977-DC 978, DC 986-DC 987, DD 182-DD 183, DD 267
|
|
|
DD 182-DD 183
|
"Torch for a Dark Journey," 1950 November 26
|
|
DD 267
|
"The Best Laid Schemes," 1952 March 23
|
|
DC 977-DC 978
|
"The Broken Fist," 1954 March 21
|
|
DC 986-DC 987
|
"The Pardon-Me Boy," 1955 May 15
|
|
DC 974-DC 976, DD 149-DD 151, DD 737-DD 748
|
|
|
CA 744-CA 745, DC 970-DC 971, DC 979-DC 980, DC 992-DC 995, DD 128-DD 129, DD 132-DD 135, DD 171-DD 172, DD 194-DD 195, DD 207-DD 210, DD 236-DD 237, DD 242-DD 243, DD 313-DD 314, VBA 611
|
|
|
DD 124-DD 125, DD 196-DD 198, DD 361, DD 387, DD 990-DD 991, VBC 660-VBC 665
|
|
|
VBC 443
|
Remembering Fred Coe: The Live Television
Years / UCLA Film and Television Archive, 2000
|
|
|
Seven Lively Arts
|
|
GA 196-GA 197
|
Suspense, Mogilux Background 35 mm positive and negative reels
|
|
DD 392
|
“The Revivalists,” excerpts, 1957 November 7
|
|
DD 374-DD 375
|
They Stand Accused,
1954 September 16
|
|
|
The Untouchables
|
|
DD 367-DD 368
|
“The Cooker in the Sky,” 1962 October 2
|
|
|
Subseries: Motion Pictures
|
|
FE 264-FE 266
|
The Left Handed Gun,
1958
|
|
DD 270
|
Madeleine, excerpt,
1950
|
|
DC 983-DC 985
|
Me, Natalie, 1969
|
|
FE 355-FE 357
|
The Miracle Worker,
1962
|
|
AB 892
|
Robin Rodenthood,
1955
|
|
|
Salzburg Marionette Theater
|
|
DD 400
|
Snow White and Rose Red,
195-
|
|
DD 556
|
The Snow Maiden,
195-
|
|
|